MUSE Summer 2014 - Sonoma County Museum
Transcription
MUSE Summer 2014 - Sonoma County Museum
SONOMA COUNTY MUSEUM Art and History for the North Bay Area Board of Directors Chair / Facilities Committee Chair Henry Beaumont Secretary Terry Sterling Treasurer Dale Schmid Development Committee Chair Chris Mazzia History and Collections Committee Chair Steven Gelber Lindsay Austin, Past Chair Lina Hoshino Stephen Graves Xavier Nazario David Noorthoek Sande Schlumberger Nanette Smejkal, Representative City of Santa Rosa Diane Sotos Jack Stuppin Neva Turer Liz Uribe Frederic Warnecke Jennifer Webley Shirlee Zane, Representative County of Sonoma Trustee Emeritus Terry Abrams Stanley Borges Lorna Drake William Knight Kevin Konicek Norman Owen Michael Randolph Toby Smith Marion McMurtury Carmen Finley 3 A New Art Gallery 9 Exhibitions & Collections 19 Community & Programs 29 Patrons and Volunteers New Summer Hours Starting August 1, 2014 the Museum will have new hours. We will be open Thursday through Monday from 11:00am to 5:00pm. MUSE 2014, Vol. I Muse is a publication of the Sonoma County Museum Foundation, a one-year subscription is included with Museum membership. Editorial inquiries should be addressed to: Museum Committee Members (Community) Collections Dennis Calabi Dan Lineau Jill Planman Satri Penczak Arianne van der Klooster Facilities David Best Finance Michael Randolph History Tony Hoskins Gaye LeBaron Dan Markwyn Daniel F. Murley Jonah Raskin MUSE / 425 Seventh Street/ Santa Rosa, CA 95401 Please email address changes to [email protected] or call 707-579-1500 x 16 Cover image: Friedensreich Hundertwasser, Yellow Houses - It Hurts to Wait with Love if Love is Somewhere Else, 1979, mixed media: watercolor, acrylic, oil, egg tempera and goldfoil on paper, glued on canvas with PVA. Above photo: Sonoma County Museum, 2014. Right photo: Ned Kahn, Erratic Fence, 2014. 2 www.sonomacountymuseum.org A New Art Gallery Dear Museum Friends, I write to you with exciting news about the Museum’s future. We have hired the architectural firm of Jensen Architects to design the first phase of our new art museum. Construction will begin this summer with the anticipated opening of a new art gallery space in early 2015. The art museum will be located at 511 B Street in the building formerly occupied by Conklin Bros. that now features a new kinetic sculpture called Erratic Fence by artist Ned Kahn. Upgrades will also be made to the Museum parking lot and to the historic post office building. It is really happening this year! What’s especially exciting is that the Museum will soon have the space to expand our changing art exhibition programs. While we have long presented high-quality exhibitions including Chuck Close, Ansel Adams, James Turrell, and Tsars’ Cabinet, the art and curation was constrained by the limited space and historic nature of our present 1910 post office facility. The new art gallery more than doubles all of our present gallery space. This summer we also move forward with plans to transform the historic post office facility into a history museum that not only reflects the complex stories about the people and land in our region, but also becomes a destination for tourists visiting Sonoma County and a gathering place for local history groups. With the fall presentation of Hole in the Head: The Battle for Bodega Bay, the Museum will begin a new initiative to expand history programming. We look to you to ensure that the new museums will have both community input and the financial support they need to thrive. Over the next few months, I ask you all to attend our programs and our envisioning sessions to join with us in making this transformation a success. Wishing all of you a great summer, Diane Evans, Executive Director Photo above: Diane Evans © Dominic Egan Portrait. 4 www.sonomacountymuseum.org Erratic Fence Stop by the corner of B and Seventh Streets in downtown Santa Rosa to see the new kinetic sculpture by artist Ned Kahn. We commissioned Erratic Fence to animate the outside of the building formerly rented by Conklin Bros. The sculpture serves to animate the façade of the former showroom building that will not be part of the Phase 1 construction of the new art gallery. The Ned Kahn sculpture is a play on Christo and Jeanne Claude's 1976 Running Fence and has over two hundred parts that respond to the wind and reflect the sun and sky. Photo above: Ned Kahn, Erratic Fence, 2014. Photo below left to right: Ned Kahn and Todd Barricklow. Ned Kahn, a MeCarthur Fellow, is one of the best known artists in Sonoma County with successful architectural sculpture projects around the world. Kahn's work replicates the forms and forces of nature. He combines science, art and technology to integrate natural, human and artificial systems. His specific works emphasize natural elements, such as water, fire, wind and sand; how these behave independently and how they interact. Come by and check it out! www.sonomacountymuseum.org 5 We are on the Move with the Creation of a New Art Gallery! Starting this summer, the Museum will build a 4,600-square-foot art gallery in the Museum-owned building at 511 B Street. The new art gallery represents a major step toward pursuit of the Museum’s strategic separation of art and history into two museums under one umbrella organization. The project is fully funded and represents Phase I of the Museum’s long-term plans to build an art museum at that location. We are working with architects Mark Jensen, Andy Pleuss and Alberto Menegazzo of Jensen Architects of San Francisco to design the art gallery. The gallery will stand alone with an entrance off of Seventh Street. Local contractor, Colombini Construction has been hired to complete the project. The new art gallery is more than double the size of the galleries in the historic post office. With twenty-foot ceilings, skylights and a glass roll-up garage door, the space will be flexible and conditioned for changing art exhibitions. We anticipate opening in Spring 2015 with a series of historic and contemporary art exhibitions. The impact of the gallery on SCM’s art exhibition program will be transformational, not only for the quality of shows and related programs that the Museum will be able to present, but on the enhanced experience for visitors. We are the only collecting art museum north of San Francisco and along the Highway 101 corridor to focus on art from the 19th century to the present. This is an exciting opportunity for the Museum! The Museum would like to extend thanks to the following for their in-kind services that helped move this project forward: Dick Colombini, Colombini Construction; Greg Hurd, BFK Engineering; Mark Jensen, Jensen Architects; Rob Main, TEP Engineering; Steven Oliver, Oliver & Co.; Ken Pietrelli; Craig Roland, Architect; Fred Warnecke, Landscape Architect; Mike Wright, Wright Contracting; and Kevin Zucco, ZFA Structural Engineers. Thanking Norman & Evert Person The expansion activity at the Sonoma County Museum is due to a generous donation made by Norma and Evert Person. The Persons have long wanted to see a thriving art and history museum with a strong art education program for youth and adults. We honor their gift and deeply appreciate their vision for the Museum. Photo above: Norma and Evert Person. 6 www.sonomacountymuseum.org Proposed Floor Plan for Phase 1 of the New Art Gallery Photo: Floor plan provided by Jensen Architects. www.sonomacountymuseum.org 7 Creation of a Regional History Museum Founded as a history museum in 1985, the Sonoma County Museum is the only institution to focus on the regional history of California’s North Bay Area. For decades, however, history programming has been limited by the need to share space with changing art exhibitions. The new art gallery at 511 B Street will mean the Museum can begin to dedicate the 1910 post office facility to history. The transformation will start with the opening of the Hold in the Head historical exhibition on November 2. Exhibitions and programs in the Post Office thereafter will largely be devoted to the region’s history. Sonoma County is the place where history converged from all points on the compass. Russians from the north bumped into Spaniards and Mexicans from the south, while Americans from the east further complicated the interactions between immigrant and indigenous people. The Museum’s history exhibits and programs will tell the story of how the region’s varied geography influenced the way in which these groups negotiated, cooperated and sometimes contested for wealth and power in its hills, valleys, and on its seacoast. On August 4, the Museum is hosting a community envisioning session for the new history museum. For information on how to participate, contact Hélène Hogue at [email protected] or at 707-579-1500 x 16. Photo: Second floor Museum gallery during the Santa Rosa’s China Town exhibition, exhibited June 8 - August 12, 2012. Photo on page 9: Karen Appel, Untitled from Golden Gate Series, screenprint in colors with silverfoil on wove paper. 8 www.sonomacountymuseum.org Exhibitions & Collections From Hogarth to Hundertwasser: A Passion for Prints May 24 – August 17, 2014 William Hogarth, Marriage à la Mode, Plate 3, (The Scene with the Quack), 1745, engraving and etching. 10 www.sonomacountymuseum.org Friedensreich Hundertwasser, Yellow Houses - It Hurts to Wait with Love if Love is Somewhere Else, 1979, mixed media: watercolor, acrylic, oil, egg tempera and goldfoil on paper, glued on canvas with PVA. From Hogarth to Hundertwasser: A Passion for Prints features a rich collection of fine art prints dating from the fifteenth century to the present including work by Albrecht Durer, William Hogarth, Wassily Kandinsky, Friedensreich Hundertwasser and Francisco Zuniga. It reflects the passions of a Santa Rosa collector who has acquired prints for more than seven years. Most of the collector’s prints have never been shown. Several were acquired when she assisted the Prints and Drawings Council at the Los Angeles County Museum in the early 1970s. Beginning in 1965, LACMA’s Council commissioned prints as a way to raise money and to encourage a culture of collecting and scholarship. The collector worked with a number of the artists including Francisco Zuniga, whose studio she visited to check on a print he was producing for the Council and to ensure that the plate was destroyed upon completion of the edition. Like many collectors, our collector purchased what she liked and not to document a particular artistic period or movement, and not for investment purposes. Why works on paper? For our collector, it has been the feel of the papers and the different qualities of lines, inks and washes. She bought drawings as well, though not as many, and many of the prints in her collection have inscriptions from the artists who she worked with over the years. For our collector, it wasn’t just the images that were interesting, but also the print techniques. Her collection, presented to the public for the first time, allows us to appreciate the different processes of print, to see her unique vision, and to share in her passion for prints. Partial support from an anonymous donor, Navarro Vineyards, Jill Plamann, and Annex Gallery. www.sonomacountymuseum.org 11 Siberia: In the Eyes of Russian Photographers June 7 - August 17, 2014 Siberia—the name itself carries the image of a cold and mysterious landscape. Yet, the exploration and settlement of Siberia and the Russian Far East has many parallels to the story of the American exploration and settlement of the West. The two frontiers, one reaching east and one reaching west, met in Alaska and the Pacific Northwest in the 18th century. Relying largely on quasi commercial ventures, fur traders and explorers, the Russians crossed the ocean and ventured south down the Pacific Coast of North America. In 1812 they established the outpost of Fort Ross, here in present day Sonoma County—creating a link between Russian and American expansionism. Much like the American West, Siberia has often been considered more for what it reflects about Russian culture at any given time than for its own, real qualities. In the 19th and 20th centuries, the frontier experience was enshrined in Russian culture and became an important source of national identity. Frontier landscapes like Siberia came to stand for national possibility. The exhibition Siberia: In the Eyes of Russian Photographers provides both an historical and a current view of Siberia, as well as a glimpse into its varied geography and diversity through more than 100 photographs. Curated by Lea Bendavid-Val and organized by the Foundation for International Arts & Education, these photographs span more than 150 years—between the 1860s and 2011. The exhibit is supported by American University's Initiative for Russian Culture and The Russian of PhotoArtists and PhotoSoyz Agency. Photo above: Anastasia Rudenko, Krasnoyarsk, November 2010, Chromogenic, 22 1/4 x 27 1/4. 12 www.sonomacountymuseum.org Pop-up Fundraiser Louisa King Fraser: Now & Then August 22 - August 31, 2014 Opening Reception on August 22, from 6-8pm Louisa King Fraser, View from Olson’s, oil on canvas, painted on location, Brookings, Oregon, 2014. Celebrated Sonoma County Plein-air painter Louisa King Fraser will show pieces from throughout her career. All works will be on sale with 100% of the proceeds going to support the Museum's exhibition programs. 26th Annual Artistry in Wood September 12 – October 19, 2014 Opening Reception on September 12, Museum Members Preview: 5:30 - 6:00pm General Public: 6:00 - 8:00pm Alan Brickman, Tilted Ring Bowl. For twenty-six years, the Museum and the Sonoma County Woodworkers Association (SCWA) have collaborated to present Artistry in Wood, a major showcase of fine regional craftsmanship. Jurors for the exhibition are respected woodworkers David Welter, Paul Reiber, and Jim Rodgers. Traveling Exhibition Christo & Jeanne-Claude: The Tom Golden Collection For the past four years the Museum has traveled this collection throughout the United States. Below is the list of venues where the Tom Golden Collection has been exhibited: Christo and Jeanne-Claude, Running Fence, from the Tom Golden Collection. Upcoming Exhibitions: June 14, - Sept. 14, 2014 Albuquerque Museum Albuquerque , NM Nov. 1, 2014 - Jan. 5, 2015 Kimball Art Center Park City, UT Feb. 1, 2015 - March 22, 2015 St. Mary's College Museum of Art Moraga, CA Previous Exhibitions: 2005 University of Arizona Museum of Art Tucson, AZ Oct. 24 - Dec. 13, 2008 Cal State Northridge Art Gallery Northridge, CA Sept. 15 - Dec. 15, 2010 Robert Hull Fleming Museum University of Vermont Burlington, VT Jan. 18 - May 5, 2013 Price Tower Arts Center Bartlesville, OK Moraga, CA www.sonomacountymuseum.org 13 Hole in the Head: The Battle for Bodega Bay The pioneering story of the environmental movement in Sonoma County November 2, 2014 – February 8, 2015 Reserve your tickets for the Premier Opening Dinner Fundraiser on Saturday, November 1, 2014. For ticket and sponsorship information, contact 707-579-1500 x 16. It is approaching fifty years beyond the final demise of plans for a nuclear power plant at Bodega Head on the Sonoma Coast. The story of the power plant, proposed in 1958 and defeated in 1964, is more than just an isolated example of contention between ordinary citizens, local government and a public utility company, the Battle for Bodega is an expression of national trends connected to the birth of modern environmentalism and the transformation of civic engagement. The exhibition Hole in the Head: The Battle for Bodega will present the dramatic story that involved a remarkable array of people, and transformed the nature of civic engagement in Northern California. Community activists and ordinary people fought, successfully, to make their voices heard in the post-war era of the “iron-triangle,” the up-to-then largely unchallenged alliance of government, industry and science. Who would question the experts and how would society balance the interests of growth and the environment? A remnant of the proposed power plant remains to this day—a large hole that was dug into Bodega Head. It has a small interpretive sign telling of its origins, but the story cries out for a full telling. By connecting people to this story the exhibition will raise awareness of the region’s important legacy and remind visitors that it required the collective action of committed individuals to bring about change. This project was made possible with support from Cal Humanities, an independent non-profit state partner of the National Endowment for the Humanities. For more information, visit www.calhum.org Hole in the Head: The Battle for Bodega Bay Partners and Content Creators Gaye LeBaron, columnist and historian Bill Kortum, Environmentalist and one of the architects of the California Costal Initiative Doris Sloan, UC Berkeley professor and a founder of UCB’s environmental studies program Kenneth Brower, environmental writer Mark Richards, Executive Dean, College of Letters and Science, UC Berkeley KRCB public television Cal Humanities David Walls, Emeritus Professor of Sociology from Sonoma State University Marilyn DeLaure, Associate Professor of Communication Studies, University of San Francisco Jerry Meral, Deputy Director of the California Department of Water Resources Thomas Wellock, Historian, U.S. Nuclear Regulatory Commission Jeffery Stine, Curator, Division of Medicine and Science, Smithsonian Institution, National Museum of American History Smithsonian Affiliations Program Any views, findings, conclusions, or recommendations, expressed in the Sonoma County Museum’s MUSE Magazine do not necessarily represent those of Cal Humanities or the National Endowment for the Humanities. Photo Page 14: “Hole in the head” at Bodega Bay, 1963. Photo Page 15: Hazel Mitchell and Dave Pesonen after the defeat of the Nuclear Plant, 1964. www.sonomacountymuseum.org 15 Maps of Japan & the Pacific: A Gift From Henry & Holly Wendt Henry and Holly Wendt first came to the Sonoma County Museum in 2002 with an incredible collection of maps of the Pacific Coast that they wanted to turn into an exhibition and share with the public. That meeting was the beginning of a long relationship that recently resulted in the gift of a collection of over twenty European maps of Japan and the Pacific Ocean dating from the late sixteenth until the last quarter of the eighteenth century. The original collection of maps that the Wendts brought to the Museum became the successful 2004 exhibition Mapping the Pacific Coast. The project combined the efforts of Museum staff, exhibition designer Gordon Chun, and Henry himself. Several years later, Henry and Holly came back to the Museum with another collection comprised of some of the earliest printed maps of the world. This time, the Museum put together the exhibition entitled Envisioning the World, which debuted in 2009. In both cases, the exhibitions traveled to multiple venues, including Princeton University, the Osher Map Library in Maine, The Columbia River Maritime Museum, and the Royal British Columbia Museum in Canada. It was a prestigious run for two significant exhibitions and the Museum was honored to help conceive and originate the shows. Map: Unknown Author, The Island of Kyushu, 1870. 16 www.sonomacountymuseum.org Last year the Wendts offered the Museum their collection of maps of Japan and the Pacific. This gift was supported by a major gift to the Museum’s Collections endowment to ensure that SCM can exhibit and care for the maps in the future. Thematically, the maps reflect the Museum’s collecting goals for historic objects that emphasize Sonoma County’s place as a cultural crossroads. The Wendt map collection gives the Museum a stunning visual entreé into the fluid and fascinating world of the Pacific Ocean and Pacific Rim after the arrival of Europeans. Several of the maps in the collection focus on a region broader than just Japan, showing the wider sweep of the Pacific Ocean, eastern region of Russia, and the first guesswork about the Map: M. de Vaugondy, Carte departies nord et ovest de L’Amerique, 1764. appearance of what is now Alaska. One map, made in 1772, actually depicts North America before much was known of the interior and speculation about golden cities and the Northwest Passage still colored cartographic interpretations. The Museum intends to eventually add to the collection, filling in the portrait of the Pacific World with all its connections to California’s Coastline. We look forward to exhibiting these new acquisitions and are forever grateful to Henry and Holly Wendt for their support and generosity to the Sonoma County Museum. For information on making gifts to the Museum’s Collections Endowment or gifts to the Collection, please contact Diane Evans at 707-579-1500 x 11. Map: Sr. Robert, L’Empire du Japon, 1750. Map: L. Teisera, Iaponiae Insulae Descriptio, 1595. Photo above: Holly and Henry Wendt. www.sonomacountymuseum.org 17 Collections Update After a four-year review of the Collection and upgraded storage spaces, the Museum has transitioned into a new phase of Collections management. Museum staff, supported by a team of dedicated volunteers, have launched a physical inventory of the entire collection. The work-intensive inventory will account for approximately 18,000 objects stored in two different facilities. The project will result in designated, identifiable locations for each and every item in the collection. The location system consists of a five-part code identifying, building, room, unit, shelf and container. Maps are kept and updated to assure that the unit and shelf numbers correctly correspond. On an even more basic level, the inventory will confirm that every object is present and provide some idea of its condition. In turn, this information will help prioritize objects that need repair or restoration. The data collected this year will enable the Museum to prioritize resources next year to enable treatment of objects including repairs and reframing. You can help support this effort by making a gift in support of the Museum’s Collections activities. Please contact Hélène Hogue at [email protected] or at 707-579-1500 x 16 to make a donation or for more information. The National Endowment for the Humanities. Because democracy demands wisdom. 18 www.sonomacountymuseum.org Photo top and bottom: Museum’s Collections storage. Middle photo: Collection Tour on April 25, 2014. Photo on page 19: Art and Storytelling workshop at Bayer Farm, 2013. Community & Programs Museum out in the Community: Art and Storytelling In 2013, SCM launched a new series of art programs outside of the Museum and in community centers around Sonoma County. The idea was to begin working with immigrant populations that are not typically served by the Museum’s programs, to engage multi-generational families in making art, and to interview the participants to better understand who they are and where they come from. This project represents an extension of the Museum’s Sonoma Stories initiative which began several years ago to gather the diverse stories about the land and people of our region. We have completed three seven-week Art and Storytelling workshops. In order to recruit participants and to carry out the workshops, we hired artists who have experience teaching and working with community groups. These include Michelle Bottaro, Mario Uribe, Fred Vedder, Linda Schroeter, Maria de los Angeles Cornejo, Daniel Doughty, and Benjamin Strunin. We also contracted with the nonprofit Listening for a Change to interview and video the participants. The first series of workshops were held at Bayer Farm in Santa Rosa. The Museum worked closely with the nonprofit LandPaths, which manages the park for the City of Santa Rosa, to engage families who use the community farm. We held the second series of workshops at Roseland University Prep in the classroom of art teacher Fred Vedder, who called upon his students to recruit family members and friends to participate. The Museum recently completed its third series working with the English as a Second Language (ESL) classes held in the west campus of Santa Rosa Junior College. The Art and Storytelling project focuses on creating Body Maps. This is a type of artist-led program based in a school of thought called “Narrative Therapy,” which was pioneered at the University of Cape Town in South Africa in working with HIV patients. We selected Body Mapping because it works on the basis of peer education and empowers participants to share their experiences. In the context of our proposal, Body Mapping is an artist-directed workshop process where the artists act as facilitators who do a series of workshops leading up to the creation of a Body Map, which is a large-scale drawing and/ or collage that reflects and illustrates the individual stories of the participants. The Museum plans to exhibit the Body Maps and present the videos in early 2015. This project is funded by a two-year Exploring Engagement Fund grant from The James Irvine Foundation to increase active involvement in the arts among Sonoma County’s low-income, culturally diverse immigrant families through art workshops in non-traditional venues. Image: Body Map by Dominga Gonzales © Bob Stender Photography. 20 www.sonomacountymuseum.org The James Irvine Foundation is a private, nonprofit grantmaking foundation dedicated to expanding opportunity for the people of California to participate in a vibrant, successful and inclusive society. The Foundation’s grantmaking focuses on three program areas: Arts, California Democracy and Youth. Since 1937 the Foundation had provided over $1.3 billion in grants to more than 3,500 nonprofit organizations throughout California. With about $1.6 billion in assets, the Foundation made grants of $69 million in 2013 for the people of California. A Body Map Story Dominga Gonzales “Well [my Body Map is] a representation of myself, as I’d like to be, and as I am… It has butterflies. My hands are like roots of a tree. It means that it’s a part of myself, my being. I can do lots of things. In this case the trees represent life. They show something positive…At the bottom of the drawing are my feet and a coffee plant…When I was a little girl my grandmother had coffee trees… It reminds me of my grandmother because among all the bad things that happened she was the only one who loved me, loved me as a person, as a human being. [At age 17] I ran away. I escaped. No one knew that I had come here. Not even my mother knew I’d come here. I came on the first of May of 2001. After we got to the border and we crossed into the desert we went through a lot. I came with a group of about forty people. We got lost…as we entered the desert. A group came up on us and robbed us… We were left with no water. We’d brought water in gallon containers. We didn’t know where to go or what to do. It was my uncle who had crossed us over the border—because according to him—he was the coyote…” - Excerpt from workshop interview. The James Irvine Foundation is a private, nonprofit grantmaking foundation, with offices in San Francisco and Los Angeles. The Foundation was established in 1937 by James Irvine, a native Californian who devoted most of his life to business interests in San Francisco and the development of his 110,000-acre ranch in Southern California, which was among the largest privately owned land holdings in the state. Since 1937, the Foundation has provided over $1.3 billion in grants to more than 3,500 nonprofit organizations throughout California. With about $1.8 billion in assets, the Foundation made grants of $69 million in 2013 for the people of California. www.sonomacountymuseum.org 21 Meet the Community Partners for the Art and Storytelling Project Michelle Bottaro Bottaro has been particularly attracted to the Sonoma County Museum's Art and Storytelling project because of her mixed heritage that has influenced many aspects of her own life's history. Her father's parents were emigrants from Sicily and her mother's father was a Boer who emigrated from South Africa. In their family, the foreign languages or broken English of their grandparents were considered “old fashioned.” The children were almost completely Americanized, which is why she is fascinated by cultures that have remained intact both through language and traditions throughout many generations. Mario Uribe Uribe has worked as a full time artist in a diversity of media, ranging from animation, painting, printmaking, sculpture and public art, since graduating from the California Institute of the Arts in 1971. He has exhibited widely in the U.S., Europe, Asia and Mexico. Uribe has also worked on several projects in collaboration with the Sonoma County Museum; North South: Art as a Tool to Mediate Political and Social Conflict, The Art and Storytelling Project, and Camellia Has Fallen: Contemporary Korean Artists Reflect on the Jeju Uprising. Fred Vedder Vedder is a full-time visual arts instructor at Roseland University Prep (RUP), a public charter high school in Santa Rosa serving mostly low-income Latino families. Fred is also a visual artist with a studio in the Backstreet Studios and Gallery in the SOFA Arts District of Santa Rosa. He has been a lead artist for ArtStart and worked in many other capacities with young people over the years. “The body mapping project has been a great opportunity to work with our Roseland families through the arts.” - Fred Vedder Linda Schroeter Schroeter is a contemporary realist painter dedicated to the study and teachings of the traditional representational art form. Her current body of work includes drawings and paintings such as still life, wildlife, figure study and portrait. Schroeter’s oils feature the Old Master technique of layered indirect painting. “Working with the community on the Body Map Project, an activity that encourages people to literally draw themselves and tell stories through their drawing process has been fundamental in my own development as an artist with clear interpretation and a universal touching of shared human experience.” - Linda Schroeter 22 www.sonomacountymuseum.org Art and Storytelling Project Assistants Maria de los Angeles Cornejo Cornejo, an artist and one who immigrated from Mexico to Sonoma County with her family fifteen years ago, found the Art and Storytelling workshop and exhibition to be particularly meaningful. Maria is a graduate of Pratt Institute and is currently pursuing an MFA at Yale University. “This program allows the cultural diversity of Sonoma County to be highlighted through art created by people who, for the first time, will have access to free art lessons by talented artists. This is a great way to bring people together and to give members of our community a voice through drawing and painting to show others who they really are.” - Maria de los Angeles Cornejo Benjamin Strunin Strunin is an Environmental Studies graduate of the University of California Santa Cruz. He has volunteered at the Sonoma County Museum since October, and is very excited to be able to help with the Art and Storytelling workshops. Painting has been a hobby of his since he was a kid and continues to practice in his spare time. “I can't wait to be able to help the participants of the workshop do the same, and look forward to hearing their incredible stories.” - Benjamin Strunin Daniel Doughty Doughty discovered a passion for art at an early age and has earnestly pursued it as a career. In 2007, he was hired by Artstart as an apprentice to work on a mural and has worked on numerous public and private art projects in Sonoma County since then. Doughty has continued his art education at the Santa Rosa Junior College and is currently working as assistant to artist, Mario Uribe. Listening for a Change Listening for a Change is a nonprofit organization that is dedicated to promoting the understanding and acceptance of diversity through education, oral history and the arts. This seemed like the perfect match for the Sonoma County Museum’s Art and Storytelling Workshop project. We asked them to come and film the workshops and interview participants about their experiences in coming to this country. Phyllis Rosenfield, M.A., Executive Director/President Rosenfield is a founder and Executive Director/President of Listening for a Change. She has a background in education, social science and fine arts. She was the photographer and co-creator for The Sonoma County Survivor Project and has served on numerous boards and commissions, including Chair of the Sonoma County Commission on Human Rights and President of the Sonoma County League of Women Voters. Evan Johnson, Film Editor Johnson has been hired to work with the students to edit the video-recorded interviews. He has previously worked with the Santa Rosa Community Media Center as a Media Production Specialist, where he trained video producers from the public and worked on documentary, studio, live, and creative television and video productions. www.sonomacountymuseum.org 23 New Community Partner! University of San Francisco We are happy to announce our new partnership with University of San Francisco's Santa Rosa Campus. Due to increased attendance at our recent events, the Museum needed a bigger space for our upcoming programs. USF has been a willing partner and is only two blocks away from the Museum. Programs held at USF in 2014 so far: Photographing Cultures with Robert Holmes June 26, 2014 Siberian Identity with Dr. Ian Campbell June 19, 2014 Living Along the Fenceline, Documentary and Discussion with Co-Director Gwyn Kirk April 10, 2014 Brief Lives of the North Bay: The Man Who Was Torn by the Bear and the Body Found in the Laguna, with Dr. Daniel Markwyn March 27, 2014 The Ghosts of Jeju, Documentary and Discussion with Regis Tremblay March 13, 2014 Sonoma Women: Life in Mexican California with Drs. Rose Marie Beebe and Robert Senkewicz February 27, 2014 Jeju Special Weekend Event: Two Days of Speakers & Films February 8 and 9, 2014 Photos top to bottom, left to right- SCM Curator Eric Stanley, Dr. Daniel Markwyn, Filmmaker Regis Tremblay, Dr. Ian Campbell at the Siberian Identity Lecture, and Author Hyun Ki Young and Translator John Cha. 24 www.sonomacountymuseum.org School Tours Program With grant support from the Thomas J. Long Foundation, the Museum’s School Program was strengthened to include more art and history workshops that focused on meeting national and state standards. Students receive a docent-led tour of the Museum’s exhibits and then work with an instructor on hands-on art or history projects. The following supported the Museum’s bus program through an online crowdfunding campaign with Razoo: Nick Gerson, Carol and Chris Mazzia, Melissa S. Kort, Ruth Souroujon. These contributions only partially cover SCM’s school tour costs. To make a donation, please contact Hélène Hogue at 707-579-1500 x 16 or at [email protected] This is a partial list of the schools and youth programs the Museum served with our School Tours Program in 2014. Abraham Lincoln Elementary Adele Harrison School Bellevue Elementary School Elsie Allen High School Helen Lehman Elementary Hilliard Comstock Middle School Marguerite Hahn Elementary Oak Grove Elementary Orchard View School Parkside Elementary Rincon Valley Christian School Santa Rosa Charter School for the Arts Santa Rosa High School Santa Rosa Junior College Santa Rosa Junior College, Southwest Santa Rosa Center Santa Rosa Middle School Sonoma Mountain School SunRidge Charter School The Sixth Grade Charter Academy at Petaluma Junior High Tomales High School Photos from top to bottom: Healdsburg High School, Roseland SAY, Rincon Valley Christian School, and Santa Rosa High School. www.sonomacountymuseum.org 25 Lectures, Programs, and Workshops! Self-Portraiture with Symbolic Imagery August 5, 2:00pm - 5:00pm / Members $25 / General $35 Artist Maria de Los Angeles will work with you to create a mixed media self-portrait. Please bring a photograph of yourself to use as a model. You can also bring other materials such as photos or magazine clippings of things or people that have meaning to you. Maria de Los Angeles is a graduate of Pratt Institute and is currently pursuing an MFA at Yale University. Color Mixing: A Beginner’s Workshop August 6, 1:00pm - 4:30pm / Members $35 / General $50 Artist Michele Bottaro will teach an introduction to basic color fundamentals using a color wheel and acrylic paint to practice add mixing. Discover how to create precise colors and learn how to use them in artwork. Bottaro is a longtime Sonoma County artist whose influences include Gauguin, Degas, and Diebenkorn. Gallery Talk with Kurt Kemp August 7 / Members $7.50 / General $10 ~ Meet the Speaker Reception 6:00pm / Lecture 7:00pm Kurt Kemp, Professor of Studio Art and Printmaking at Sonoma State University, will give a special tour of the exhibition From Hogarth to Hundertwasser: A Passion for Prints. Professor Kemp will take visitors through the exhibition, talking about the work and explaining the artistic and technical processes behind a number of the prints. Redwood Chordsmen Performance! August 9, 4:00pm / Members $15 / General $25 The Redwood Chordsmen are Sonoma County's premier men’s chorus and have been singing barbershop harmony and other four-part a cappella styles since 1965. They are an award-winning group and it is a real treat to watch them perform! Figure Drawing with Maria de Los Angeles August 12, 10:00am - 1:00pm / Members $30 / General $40 Try your hand at figure drawing! This class is geared for all levels and offers instruction on the techniques of sketching a live model in a comfortable setting. Class fee includes model’s services and all materials. Further Adventures in Color Mixing: Seeing with Paint August 13, 1:00pm - 4:30pm / Members $35 / General $50 Artist Michelle Bottaro will teach this workshop for both beginner and intermediate levels. Areas of focus will include atmospheric perspective, mood, neutrals, and further adventures into add mixing. Students will practice creating dimensionality using color along with other modes of perspective. Pints ‘n Prints August 14, 6:30pm - 9:30pm / Members $30 / General $45 Join us for an evening of beer and linocut prints. Sonoma County artist Nathan Henry-Silva will give an introduction to this art form including basic reduction printing and transfer techniques. Students can enjoy the process of making prints or simply learn more about linoleum block prints. Art supplies, two beers and pretzels are included in class price! Please visit our website at sonomacountymuseum.org for ticket info & location as some programs may be held at University of San Francisco Santa Rosa Campus. AUGUST 17th, 4-8pm Block Party AND Beer Bash! * Barbecue * Live Music * Auction * Brewskies * Buy discounted presale tickets today at sonomacountymuseum.org Louisa King Fraser: A Life Spent as an Artist August 28 / Members $8 / General $13 ~ Meet the Speaker Reception 6:00pm / Lecture 7:00pm Louisa King Fraser is one of Sonoma County’s most prominent Plein Air painters. This fundraiser exhibition features work throughout her career including landscapes, studies and earth paintings. She will talk about her life as an artist and give a gallery tour of her paintings and works on paper. Shoji Talk and Demonstration with Jay van Arsdale September 18 / Members $8 / General $13 ~ Meet the Speaker Reception 6:00pm / Lecture 7:00pm Traditional Japanese shoji doors and windows are elegant and delicate constructions of wood and paper seen in both Asian and Western interior architecture. Jay van Arsdale of Laney College in Oakland, teaches how to use Japanese woodworking tools and to construct Japanese joinery. He also practices the art of Japanese joinery at the Daiku Dojo in Oakland, a workshop for the training of Japanese carpentry. His book, "Shoji – How to Design, Build, and Install Japanese Screens" was published in 1988 by Kondansha International in Tokyo. Chairs as Sculpture: Sculpture as Chairs September 25 / Members $8 / General $13 ~ Meet the Speaker Reception 5:30pm / Lecture 7:00pm Michael Cooper is a renowned Sonoma County sculptor and woodworker who will discuss his chair series, a collection of sculptural chairs he has been working on since 2002. He will speak about the construction of the individual pieces and describe the different types of machining, laminating, and welding techniques used, along with color treatment finishes such as chrome, powder coating, clear finishes, and spray painting. Renew/ Reuse Old Furniture September 27, 2:00pm - 4:00pm / Members $10 / General $15 Have you ever wanted to renovate an old piece of furniture but didn’t know how? In this hands-on workshop, learn how to prepare, paint, distress, and finish furniture or other wooden objects. Wood and finishing materials included. Instructor Jennifer Ryan sells her work throughout Sonoma County. Michael Cooper Studio Tour October 4, 2:00pm - 4:00pm / Members $25 / General $35 Join us for private tour of artist Michael Cooper’s studio. Cooper will demonstrate his innovative woodworking techniques, show you his tools and talk about his works-in-progress. Transportation not included. Discovering Color with Dry Pastels: Two-Day Workshop October 7 & 14, 1:00pm - 4:30pm / Members $70 / General $100 You are invited to explore the art of dry pastels on Canson paper with artist Michelle Bottaro. The emphasis is on playfulness in this color-focused workshop. Discussions will include uses for color contrast, blending and mark making commingled with your Education programs are supported by the Thomas J. Long Foundation. Patrons & Volunteers Board of Directors Board Feature: Chris Mazzia Chris Mazzia and his wife, Carol, have been supporters for well over a decade. He joined the Board of Directors two years ago and is Chair of the Museum’s Development Committee to ensure that the Museum has the financial means necessary to support its programs. As a local attorney whose law practice includes environmental cases, Chris believes exhibitions such as Hole in the Head are vital to Sonoma County. “The story is local, but the impact was national – adding to the value of developing and sharing the exhibition,” Mazzia says. The Museum’s art exhibitions also carry special meaning for Chris. The recent exhibition Camellia Has Fallen, presented work from South Korean artists struggling to express a nation’s grief from a series of politically-motivated events in which thousands of South Koreans on Jeju Island were killed. Only recently have they been able to speak publicly of this tragedy. Chris is grateful to the many Koreans, Museum volunteers and staff who spent years assembling this ground-breaking exhibition, because “the Museum exists for the purpose of presenting this type of meaningful and educational exhibit to the community.” New Directors The Museum continues to actively recruit members for the Board of Directors. For Information on the Board, please contact Diane Evans at 707-579-1500 x 11. Lina Hoshino Diane Sotos Neva Turer Xavier Nazario Lina Hoshino, is a graphic designer and award-winning filmmaker who founded Many Threads, a media arts organization. Lina and her husband currently own and operate Petaluma Pie Company, a bakery café which serves pies made with local and organic ingredients. Diane Sotos is a retired electrical engineer and executive from Maxim Integrated Products. She is married to artist John Pashilk. Neva Turer, marketing researcher and former Director of Evolution Art Institute, has been involved with visual and performing arts in Sonoma County for several years. She is presently working on bringing Opera a la Carte, the in-school Education Program of San Francisco Opera, to many schools in the county. Xavier Nazario discovered Sonoma County 18 months ago when became director at the University of San Francisco’s Santa Rosa Campus. Prior to this, Xavier served as the assistant director for the Sacramento Campus. 30 www.sonomacountymuseum.org Photo on page 29: Volunteers Judy Angell and Deborah Eid. The Trione Legacy Circle: Ensuring the Museum’s Financial Stability In 2013, the Museum received a six-figure gift from Henry and Eileen Trione, who had established a Charitable Remainder Trust in 1998. The only stipulation was that the Museum’s Board of Directors decide how best to use the funds in support of the Museum. The Triones have supported the Museum from the very beginning with a founding donation to help move the historic Post Office building to its current location on Seventh Street. Since then, they have contributed to the Museum supporting ongoing operations through regular gifts to the Annual Fund campaigns. Their recent gift reflects astute financial planning for the Museum and several other nonprofit organizations in Sonoma County. The Sonoma County Museum has established the Trione Legacy Circle to recognize Museum supporters who create planned gifts or estate gifts. These gifts vary in size and can be directed toward the Museum’s endowments, expansion funds or general operating support. When you make a legacy gift to the Museum, you ensure the Museum’s future. Henry Trione’s generous and longstanding support of the Sonoma County Museum Photo above: Henry Trione. has inspired us to name the Trione Legacy Circle, honoring those members of our community who have let us know that we are included in their estate plans. As Henry says, “there’s no luggage rack on the hearse.” We invite you to join him. Members of the Trione Legacy Circle receive special recognition and benefits and know that they are making a difference and setting a meaningful example. We welcome bequests of cash or other assets, trusts, life insurance policies, or retirement plans and are pleased to talk with you and your financial advisors. If you are interested in supporting the Museum through a planned gift and being a member of the Trione Legacy Circle, please contact Hélène Hogue at 707-579-1500 x 16. www.sonomacountymuseum.org 31 Honoring the Maize Family James and Elizabeth Maize began contributing to the Sonoma County Museum in 2001 by way of membership, attending events and making regular contributions to the Museum’s Annual Fund campaigns. Both had a keen interest in history and art, and they enjoyed travelling and visiting museums around the world. They strongly believed in supporting local cultural institutions to ensure that their community was a rich and rewarding place to live. Elizabeth “Beth” was born and raised in Portland and met James “Jim” when they both attended the University of Oregon. After moving to his hometown of Willits, they moved to Southern California where they operated a hardware manufacturing company. Photo above: Elizabeth and James Maize. The family moved to Santa Rosa to retire and flourished as active community supporters. Retirement allowed them the opportunity to help people in need through a wide spectrum of volunteer programs. If you or a family member has a passion for the arts or history and would like to make a gift to the Museum, please contact Hélène Hogue at [email protected] or at 707-579-1500 x 16. Mercedes Pearce and John Stafford Trust: A Legacy Gift to Support the Sonoma County Museum. Mercedes Pearce Stafford and her husband John W. Stafford were both community-minded with an interest in historic preservation. They created a trust in 1985 to ensure the long-term support of the Sonoma County Museum and the “Call House” at Fort Ross, which was built by Mrs. Stafford’s grandfather, George Washington Call. With their six-figure gift, the couple ensured the Museum would receive interest income in perpetuity. The income distributed from this trust has supported history for over twenty-five years and continues to this day. Photo above: Call House Ranch. Mercedes Pearce Stafford was a native of Redwood City, a graduate of Stanford University, and, for 26 years, a high school arts teacher in numerous California districts from San Diego to Mountain View. John and Mercedes were married in 1961 and moved to Sonoma County in 1976. Mercedes Pearce Stafford died at her home in Lake County in 1987. George Washington Call was a pioneer Sonoma County rancher. Call settled at Fort Ross Ranch in 1873 and raised nine children, including Mercedes Call Eckert, Mrs. Stafford’s mother. Mrs. Stafford was dedicated to her family’s history and the preservation of the Call family name. If you or a family member would like to make a planned gift to support the region’s history or in memory of someone, please contact Hélène Hogue at 707-579-1500 x 16 or at [email protected] 32 www.sonomacountymuseum.org Celebrating Patrons and Volunteers Jack and Diane Stuppin Jack Stuppin has been a member of the Museum’s Board of Directors for the past three years. He and his wife, Diane, have been strong supporters of the Museum’s art programs and have hosted events at their home in Sebastopol. Jack is an accomplished artist as well as one of the forefathers of Silicon Valley. In 1966 he helped found American Microsystems, the first company to make MOS chips in commercial quantities and the first to make a microprocessor. Jack states, “It might have been the Intel of the world had the stock not appreciated so substantially in less than two years.” In 1979, Jack helped found another Silicon Valley semiconductor company, Applied Microcircuits. He helped start two companies that manufactured equipment for the semiconductor industry. Both were successful and were bought by larger companies. Because of the microcomputer the company Autodesk, while not started in the valley, started up in Jack’s kitchen! All the while Jack was painting twenty hours a week. In 1981, Jack chose to become a full time artist. He is represented by the prestigious ACA Galleries of New York. His paintings are in many institutional, corporate, and individual collections. Over ten museums across the country have his work in their collections. Three of his paintings are in the San Jose Museum. His work has been exhibited internationally, including the Arts in Embassies program. June Smith June Smith is a third generation Sonoma County native residing in Healdsburg. She has been an active Museum supporter since the earliest days of the Sonoma County Museum in 1985 and has contributed both as a museum member and an annual fund donor. Smith is the late wife of Temple Smith, a former SCM Board President. Both had a sincere interest in preserving the history of Sonoma County and ensuring that the Museum has the resources to care for its collections and to develop exhibitions and education programs. Throughout her life, June Smith has generously dedicated her efforts to many organizations such as the Symphony League, Girl Scouts, Sonoma County Library, Healdsburg Museum and Historical Society and the Kiwanis Club of Healdsburg. Only recently has June slowed down after a lifetime of giving her time and self to her community. The Sonoma County Museum is grateful to be included in her continued support. www.sonomacountymuseum.org 33 Remembering John LeBaron: Photographer and Museum Supporter (1928-2014) John LeBaron was a Sonoma County Museum advocate and supporter from its very beginnings. His passing in February of 2014 will leave us with the memory of his enthusiasm for art, history and the natural beauty of Sonoma County. LeBaron was born and raised in Valley Ford. After time spent at Santa Rosa Junior College, LeBaron started working for The Press Democrat where he proved himself as a talented photographer. He remained there for twenty years, becoming a chief photographer and earned many awards for his works. In 1963, LeBaron began teaching photography classes at Santa Rosa Junior College and in 1968, became the first full-time photography instructor there. As someone who looked at this area through a perceptive lens, LeBaron appreciated the Museum’s support of the art community. In 2009, the Museum was fortunate to display a collection of his photography showcasing what he loved - landscapes, nature and chronicling local history. John and his wife Gaye LeBaron have been financial supporters of the Museum since it first opened in 1985. He was particularly supportive of the Museum's history programs. In 2005, LeBaron donated a collection of black and white photographic prints created by 19th century photographer John H. Downing, who was one of the earliest photographers of the region. And just prior to his passing, he gave the figurehead "Bride of Lammermoor" from the Lammermoor iron vessel that wrecked en route near Bodega Head in 1882. The Sonoma County Museum will sincerely miss John and will remember him and his contribution to the quality of life here in Sonoma County. Donations to the Museum may be made in honor of John Lebaron to support the exhibit programs in art and history. To make a memorial gift in honor of John, please contact Hélène Hogue at [email protected] or at 707-579-1500 x 16. Remembering Dr. Charles Harrison Eid, Artist, Volunteer, and Long-Time Museum Supporter (1925-2012) Dr. Charles Eid was born in Wisconsin. After graduating from Sparta High School, he served in the US Army during World War II from 1944 to 1946 achieving the rank of Staff Sergeant. He attended the University of Wisconsin in Madison receiving a Bachelor of Science, Master of Medical Sciences, and Doctor of Medicine degree in 1954. After finishing a residency in Radiology at Ann Arbor, Michigan he moved to San Mateo joining the Mills-Peninsula Radiology Group as a diagnostic radiologist for 25 years. He retired in 1985, took art lessons and developed abstract images using chromatography and glue, but also used serigraphy and oils to demonstrate realism in many art shows in San Mateo County and San Francisco. After moving to Santa Rosa with his wife, F. Deborah Johnson, MD aka Deborah Eid, of 55 years, Charles continued his penchant for learning and for creating art. Deborah continues to volunteer at the Museum especially for opening receptions and lectures. She served on the Museum’s Board of Directors for many years and both she and Charles supported the Museum financially through membership, annual and campaign gifts. Charles Eid was a quiet volunteer who often worked at the Museum’s front desk. We remember him fondly for his warmth and for his love of art. 34 www.sonomacountymuseum.org From the Volunteer Coordinator’s Desk The Museum is grateful for all of the dedicated volunteers who take time out of their busy lives to help at the Museum in a variety of ways. Whether it’s greeting guests at our front desk, helping to paint walls and hang pictures, serve food and wine at a reception, or guide a school group on a gallery tour, our volunteers always have a smile on their face and are very knowledgeable. Volunteering at the Museum is a very rewarding experience. You have the opportunity to connect with others who share your passion for the arts and history and share this passion with your local community all while helping to sustain the Museum in a fundamental way. Volunteer work is also beneficial for students whether to boost a resume, acquire community service hours or even receive college credits. Plus all volunteers receive free admission to all exhibitions and opening receptions, discounts on workshops and lectures and get 10% off at the Museum shop. We currently have more than fifty volunteers but are always looking for more to join our team and help enhance the Museum’s mission. Volunteer positions available at the Museum: Front Desk Support Docent Guide Exhibit Installation Support Office Support Gallery Attendants Special Events and Programs Support Celebrating Volunteers Volunteer Flora Lee Ganzler “I like being at the Sonoma County Museum because they are taking their role seriously in honoring our diverse community and it also allows me to continue my own education.” - Flora Lee Ganzler Flora Lee Ganzler has been a docent and reception volunteer at the Sonoma County Museum for more than two years. Originally from West Los Angeles, Gansler moved to Sonoma County forty years ago. Her involvement with the Museum first began with the exhibition The Tsars Cabinet: Two Hundred Years of Russian Decorative Arts Under the Romanovs. With a background in teaching, she was impressed with such a high quality exhibit in Sonoma County and decided to become a Museum volunteer. Gansler enjoys working with the Museum’s staff and is thankful to be included in a team of very talented volunteers. She views the Museum as a place to extend your education and a vital gathering place for the community. www.sonomacountymuseum.org 35 Volunteer Peter Giglio Peter Giglio has been one of the Museum’s most active docents and volunteers since 2009. Born in Italy, Peter worked for more than twenty-five years as a foreign language teacher and as an administrator at Montgomery High School. Working as a Museum docent and leading tours for student groups is a natural fit. “As a former teacher I know how important it is to provide this service to the community,” he said. “It keeps the cultural and historical discourse alive and going with the youth in the community.” - Peter Giglio Peter and his wife Sharon moved to Sonoma County more than forty years ago and raised their family in Sebastopol, where they still live. We can always rely on Peter to give a lively and passionate exhibition tour that inspires kids and adults alike. Volunteer Pamela Huntziker Pamela Huntziker began volunteering in December of 2013 thanks to the Volunteer Center of Sonoma County. Her loyalty and hard work has quickly made her one of our most valuable volunteers at the Museum. Pamela always goes the extra mile and will volunteer whenever we ask her. She started volunteering in Collections by moving and helping to sort and reorganize the objects in the new storage space. Recently she has been volunteering in Visitor Services and finds the change challenging and beneficial. “It is wonderful to be a part of helping people in the community,” said Pamela. “And with the volunteer experience, I have developed great self esteem. Thank you to the staff at the Sonoma County Museum.” - Pamela Huntziker If you are looking for a place to volunteer and make your mark on the community, the Museum’s volunteers and staff invite you to join us. Please contact our Volunteer Coordinator, Cynthia Leung , at 707-579-1500 x 17 or at [email protected] on becoming a volunteer. 36 www.sonomacountymuseum.org Upper Level Members When you become a Member at the Sonoma County Museum, you make it possible for us to bring outstanding exhibitions and programs to our community. Your membership provides the sustainable support that enables the Museum to thrive and to serve as a dynamic cultural forum for creativity and engagement. The following is a current list of our upper level members as of July 2014. We apologize for any omissions or errors. Lifetime Marjorie Barnebey Norma Person Jean F. Schulz Eileen and Henry Trione Benefactor Kirsten and Lindsay Austin Henry Beaumont and Margaret Gokey Theresa and William Fritz Steven and Angela Gelber Mary and Stephen Graves Carol and Chris Mazzia David Noorthoek Sande Schlumberger Dale and Susan Schmid Laurence and Terry Sterling Diane and Jack Stuppin Liz and Mario Uribe Fred Warnecke Jennifer and John Webley Barbara and Mordechai Winter Director’s Club Connie Codding Michael and Katie Wright Patron Claire and Stanley Borges Ava and Sam Guerrera Marna and Richard Hill Mary Louise and C. William Reinking Dee and Harry Richardson Tara Lane Rudman Audrey and Barry Sterling Arianne van der Klooster Marcus and Rosalie Wardell Advocate Jizell Albright Catherine and David Bohrman Renata Breth and Steve Osborn Anthony Cohen Gary and Jane Facente Adrienne and Ed Flowers Barbara and Bud Gerhardt Austin and Sara Hills Deborah and Loren Hudson Paul and Susan Klassen Birte and William Knight Ellie and Wally Lowry Douglas Martin and Merrill Vargo James and Joann Mitchell Celine and Jim Passage Judith Redding and Michael Randolph Craig and Edie Roland Deborah Simonds and John Fick Barbara and Eugene Toschi Corporate Membership Scott Lum, Sidekick Associates, Inc. Supporter Terry and Yale Abrams Janice Adams Jennifer Adams Kim Aflague Kim and Robert Agrella Edward and Gail Akamine Iris Tiedt and John Allan Harold and Lynette Amador Ann and Kurt Amman Green Greenwald and Willa Amorelli Carol and Gordon Amrein Judy Angell Patricia Arfsten Beacon Home Care Andrew Bailey Barbara and Charles Baker Andrea and Bill Baker Bradley Baker Marlene Ballaine Genevieve Barnhart Cathleen and William Barnier Spring F. Maxfield and Todd Barricklow Thomas J. Basile Donald and Mary Baum Brenda Bautista and Norman Sheehan Margaret and Reg Bayley Rose Marie Beebe Jeanie Benefield Joel Bennett David and Nancy Berto Hank Birnbaum George and Susan Bisbee Dee and Ken Blackman Dena E. Bliss and Neil Herring George and Susan Bono Joan C. Bossart Maureen Bovie Ellen Bowen Laura and Tom Box Sierra Bradley Emily and Sean Bressie Fred and Sandra Brewer Nita Brock Dixon and Sara Browder Seong Brown Gale and Phillip Brownell Joe and Judith Brumbaugh Laura Buckner Charles and Stephanie Caffarella Deborah Cahn Dennis K. Calabi Sandra Calvert and Alan Sugiyama Chris Carrieri and Connie Cloak Anita and Lawrence Carrillo Gary Casassa Maureen Caulfield Dale Jewell and Daniel Celidore Scott and Shirley Chilcott Carol Ciavonne and Harold Wilson Irene and Tom Clark Bob and Phyllis Clement Clay and Kim Clement Adrena and Lee Clemmer Eric Cogswell and Randy Murphy Don Colby Allan and Julie Combs Elaine E. Connell Chet and Laura Connick Deborah Cooper Harold Wallin and Olivia Cornet Mark R. Coughlan Brian Thompson and Brianne Crabtree Linda and Ronald Crocker Mary Dancisak Chet and Noelle Dangremond Lynn and Michael Davis Julia Davis Lorenzo De Santis Carlos de Villasante Lewis Desch Mark Dierkhising Luther L. Dintiman Florence and William Dodson Jack Dodson Jenny Downing Prudence Draper Carole Wells Dunn Deborah Eid Norman and Sharon Eisley Allan Robinson and Gail Embree Kathleen Emery Cheryl Engle Sandra Erickson Joann Feldman Carol and Clifford Ferrell Ken Fischang Adam Fisher and Lorelle Saxena Anne Fitzgerald and Brian Lloyd Dyana Foldvary Patricia Foster Lorna Fox David Fraser and Louisa King Fraser Robert and Ruth Freis Angie and Nick Frey Bill and Suzie Friedman Matt Gallo John and Mary Galten Melinda and Garry Gay Jeri and Tom Gemetti Julie Dabbs and Richard Gibson Lindsay Gillespie Helen Gillespie Joni Goldsmith Lorri E. Goveia and Donald Tomasi www.sonomacountymuseum.org 37 Janet and Todd Gracyk Ann and Philip Graf Julia Grant Pamela Gwaltney Amanda and Ray Haas Deborah Symes and Jeffrey Hallock Beth Hamilton Deyea and Jack Harper Muncie and Stephen Harper Thomas Crane and Deidre Harrison David and Sarah Hehman Ann Herbst and Ann Linville Bryant and Diane Hichwa Denise Hill and Joe Lilienthal Anamaria and Martin Hogue Brooke Holve Khysie Horn Angelo Sacerdote and Lina Hoshino Jodi and Gene Hottel Cecil and Geraldine Humes Don Ajello and Linda Illsley Karen Jacobsen Schuyler and Shelly Jeffries Ji-Young Jin Stephen Kent Jones James Kahn John and Lilo Kangas Julie Kawahara Daniel and Loretta Keith Carolyn Kelly Lilia Kilmartin Linda Kingsbury and Richard Burg Neil and Susan Kirk Eleanor Kneibler Marilyn J. Knill Jeffrey B. Kupers and Kay Kohler Mary Anne Krone Vicky Kumpfer Dina Kuntz Charles Lahm Alan Lant Lillian and Harry Lapham Maxine and Michael Lavin Susan Leake Louisa Leavitt Gaye LeBaron Ardath Lee Susan Leibovitz Steinman Cynthia S. Leung and Matthew James John and Mary Jane Lewis Harriet Lewis Susan Lewis Ernst and Loralee Loomis Linda Lorentzen Catherine M. Lyon Kyle MacDonald and Helene Hogue Suzanne Spencer MacInnis Penelope MacKenzie John Mackie and Kathleen Ecker RobRoy MacLeod Reed Maidenberg Julie and Robert Malm Maya and Stas Margaronis Daniel and Margaret Markwyn Charles and Elizabeth Marrs Larry and Madeleine Martin Glenn and Smita Martinez Beth Martinez Mike and Suzy Marzalek Born Jubilee McGinley Rita McGowan 38 Marie McNaughton John and Michelle Meislahn Joan and Joseph Michalek Judy and Sydney Miller Cathleen W. Miller Richard Miller Joseph and Signe Minuskin Marilyn Montero Maneesha Moua Karen Murad Robyn Muscardini Xavier Nazario Carole LeMonnier and David Negus Nadenia Newkirk Kenji Hoshino and Nicola Newton Jeremy and Laura C. Nichols Donna Norrell Michelle Novosel Richard Nowlin Leah Ocean Pauline Olney Kirsten Olney Linda Olson Lawrence Oomens Beverly and Norm Owen Karen and Norman Panting Debi Papazian Eileen Parent Gertrud Parker Diane Sotos and John Pashilk William Pedersen Darlys and Thomas Perry Karen Petersen Beth Pierson and Greg Kendall Arleen and Thomas Place Jill and Steven Plamann Rhoann Ponseti and Stefan Jonson Hanya Popova Parker Jared Powell Catherine and Chuck Quibell Carolyn Raffo Nancy Rappolt David and Linda Ratzlaff Joan M. Regan Valerie Reid Sharon Renwick Ivan Rezvoy Jennifer Richardson and Shawn Brumbaugh Sonja Roberts and Cabe Silverhame Constance Campbell and Larry Robinson John and Katherine Rohrman Ken and Linda Rosen Jane Rozga Margot Rued John Russell and Laura A. Dillon George A. Sage Annie Samuels Stephanie Sanchez Sandra and David Sandine John Sappington Tony Mills and Vallie Sarver Sudha and Thomas Schlesinger Kathie Schmid Ethel and Stuart Schy Ann Sebastian Bruce and Carmen Selfridge Robert Senkewicz Amelia Shapiro Rhonda Berney and Richard Shipps Meg Shores Beverly and Clifford Singer www.sonomacountymuseum.org Marian Singer James and Janess Slaby Irwin Keller and Oren Slozberg June Smith Gary & Beverly So Dortha Sonnikson Amy Southwick Dorothy Poole and John Spenst Dede and Eric Stanley Jon and Terry Stark Kat Stephens Lisa Maldonado and Robert Stern Eve M. Stewart Abbie Stewart Mary and O. Glenn Stinson Alberta and David Stohl Barbara T. Stone and Stephen Laruccia Andrew Romanoff and Inez Storer David and Florence Strange Chemi and Vic Suard Rosalie Sulgit-Shay Anne and William Taft Jane Wagner and Joan Talmadge John Tarrant Jessica Teem Trisha Terrell Sonoma County Fair & Exposition, Inc. Ronald Treleven Neva and Steven Turer Marilyn and Ransom Turner Carol and Raymond Ulrich Alison, Shirley and Herb Upham Alison and Skip Urmson Lee Ling and Leland van den Daele Robert and Susan Vargas Francisco Vazquez and Rosa Duran-Vazquez Joe and Priscilla Vivio Patty Walker Deborah Waller Donna and Richard Wallrich Janis and Warren Watkins Rodney Strong Vineyards Capriece and Jeffrey Weber Frances Weiner Heidi Stewart and John Weinstein Jane and Nelson Weller Lee Anne Wentz Carol Westly Anthony and De Anna White Patricia and Wallace Whiting Hugh and Pana Wilder Kathleen Willbanks Jamey Williams Larry and Patricia Wood Beryl Zimberoff Sonoma County Museum Spring Campaign Supporters The following individuals, foundations, and corporations have supported the Sonoma County Museum’s Spring Campaign. We apologize for any omissions or errors. $1,000 and Up Barbara and Richard Ferrington, Schwab Charitable Fund Janet Gavagan Thomas Crane and Deidre Harrison $250 and Up Deborah Eid David Faris, The Heck Foundation Judith Redding and Michael Randolph Daphne Smith Sam and Ava Guerrera Barbara and Eugene Toschi Ransom and Marilyn Turner Fred Warnecke $100 and Up Eric and Kathy Pierce Sheila Einhorn in Memory of Charles Eid Lucille Gonnella Janice Adams Judy and Paul Archambeau Marlene Ballaine Nancy and David Berto in Memory of John LeBaron and Barbara Konicek Stanley and Claire Borges Linda and Ronald Crocker Lewis Desch Nancy Diez John and Thea Dolan Prudence Draper Louisa King Fraser and David Fraser Tom Frye Steven and Angela Gelber Todd and Janet Gracyk Bruce Grimes and Tockhwock Gordon L. Grosscup Dorothy Herger Ardath Lee Suzanne Spencer MacInnis RobRoy MacLeod Chris and Carol Mazzia Judy and Sydney Miller Virginia Norman $100 and Up (continued) Jeffery Orth Jim and Celine Passage Rhoann Ponseti and Stefan Jonson Jack and Carole Rackerby Valerie Reid Gertrude Reynaud Helen Rudee Carmen and Bruce Selfridge Ina and Robert Selwyn Beverly and Clifford Singer June Smith Dortha and David Sonnikson Jon and Terry Stark David and Florence Strange Rosalie Sulgit-Shay Spring Campaign Supporters Genevieve Barnhart Ann Bulawsky Don Colby Phelps Dean and Barbara Witter in Memory of Henry Wise Judy and Russ Dieter Kathleen Emery Diane Evans Jacob and Helen Foster Phillip Gordon and Philippa Newfield Maureen and James Hawkins in Honor of Eric Stanley Carol Hintze Wendell and Emily McHenry Priscilla Naworski Edith R. Newsome Lois Jean Pasini Chuck and Catherine Quibell Capriece and Jeffrey Weber www.sonomacountymuseum.org 39 40 www.sonomacountymuseum.org www.sonomacountymuseum.org 41 42 www.sonomacountymuseum.org Museum Staff Diane Evans Executive Director Cheryl Engle Visitor Services Hélène Hogue Membership & Development Assistant Cynthia Leung Community Outreach & Volunteer Coordinator Michelle Novosel Marketing & Events Manager Kirsten Olney Business Manager Ann Sebastian Registrar Eric Stanley Curator Jonathan Stuppin Curatorial Assistant Alison Upham Registrar Assistant SONOMA COUNTY MUSEUM The Sonoma County Museum is a collecting museum for art and history with a focus on the rich cultural landscape of the North Bay Area. It serves as a gathering place that engages the entire community through diverse changing exhibitions, education and public programs, receptions, and a sculpture garden. The Museum’s marketing efforts are supported in part by a generous Advertising grant from Sonoma County. Photo on page 44: Mural by Julia Davis, aka Bud Snow, 2014. www.sonomacountymuseum.org 43 425 Seventh Street Santa Rosa, CA 95401 www.sonomacountymuseum.org Email: [email protected] Phone: 707-579-1500 Fax: 707-579-4849 Non-Profit US Postage PAID Santa Rosa, CA Permit #94