2387 Paintings

305
305.
Dwight Blaney (American, 1865-1944)
Geese at Eastham
Signed “Dwight Blaney” l.r.
Oil on canvas, 26 x 33 in. (66.0 x 83.8 cm), framed.
Condition: Minor scattered retouch, extremely fine scattered
craquelure.
Provenance: Acquired from the artist, then through descent to
the current owner.
N.B. Dwight Blaney painted and hunted with fellow artist Frank
Benson. In 1891 Benson purchased a small farmhouse at Nauset
Marsh in North Eastham, Massachusetts, to use as a hunting
cabin. It is possible that this work was painted during one of the
visits Blaney made to the cabin.
$10,000-15,000
121
306.
Alois Arnegger (Austrian, 1879-1967)
Lily Pond in Autumn
Signed “A. Arnegger” l.l
Oil on canvas, 16 1/2 x 20 1/2 in. (41.9 x 52.0 cm), framed.
Condition: Rubs with losses near edges, retouch, surface grime,
craquelure.
$1,000-1,500
306
307.
Carel Cornelius Verschuur Bouter (Dutch, 1888-1966)
River View with Distant Cattle
Signed “...VERSCHUUR” l.r.
Oil on canvas, 26 x 32 in. (66.0 x 81.3 cm), framed.
Condition: Minor retouch and varnish inconsistencies, mild
surface grime.
$2,000-3,000
307
308.
Olaf Viggo Langer (German, 1860-1942)
Woodland Pond
Signed and dated “Viggo LANGER. 1917.” l.r.
Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.
Condition: Good.
$1,000-1,500
308
122
309
309.
Tinus de Jongh (Dutch, 1885-1942)
Mountain View
Signed “Tinus de Jongh” l.l.
Oil on canvas, 13 1/2 x 17 1/4 in. (34.3 x 43.8 cm), framed.
Condition: Losses, craquelure with lifting/flaking.
$800-1,200
311
310.
Lesser Ury (German, 1861-1931)
311.
Ludwig Werner (German, 20th Century)
River View with Bridge
Signed and dated “L. Ury 1881” l.r.
Oil on panel, 3 3/4 x 6 1/2 in. (9.5 x 16.5 cm), framed.
Condition: Retouch, surface grime.
Spring Fields with Lily Pond
Signed and inscribed “Ludwig Werner Munchen.” l.r., stencil on
the reverse.
Oil on canvas, 29 1/4 x 26 1/2 in. (74.3 x 67.3 cm), framed.
Condition: Retouch, scattered craquelure with lifting, surface
grime.
$2,000-2,500
N.B. Impressionist painter Lesser Ury was born in Brinbaum,
Germany, but moved to Berlin with his family in 1972, following
the death of his father. Although he left Berlin to study in
Dusseldorf, Brussels, Paris, and Stuttgart, Ury returned there to
set up his studio. The city of Berlin provided a constant source of
inspiration for Ury, who is best known for his urban landscapes
under cloud-filled or moonlit skies.
$3,000-5,000
310
123
312.
John Joseph Enneking (American, 1841-1916)
Swiss Landscape
Unsigned.
Oil on board, 9 x 12 in. (22.9 x 30.5 cm), framed.
Condition: Retouch.
Provenance: A private New England collection.
$1,000-1,500
312
313.
Charles Ross Kinghan (American, 1895-1984)
The Point/A View of Dunoon, Scotland
Signed “Kinghan A.N.A.” l.l., identified on a label affixed to the
reverse.
Watercolor on paper/board, sight size 14 1/4 x 21 1/4 in. (36.2
x 54.0 cm), framed.
Condition: Subtle toning, not examined out of frame.
$300-500
313
314.
Russian School, 20th Century
Blooming Gardens
Signed “Sergei Ivanovich Velivok” l.l., identified in an inscription
in Cyrillic on the reverse.
Oil on canvas, 19 1/2 x 27 1/2 in. (49.5 x 69.8 cm), framed.
Condition: Good.
$500-700
314
124
315
315.
George Hitchcock (American, 1850-1913)
Tulip Fields with Windmill
Signed “G. HITCHCOCK.” l.l.
Oil on canvas, 22 x 17 in. (55.9 x 43.2 cm), in a period frame.
Condition: Surface grime.
Provenance: From the estates of Mary Ann and Frederick Lippitt,
Providence, Rhode Island.
N.B. George Hitchcock, son of portrait painter Charles
Hitchcock, was born in Providence, Rhode Island, and attended
both Brown University and Harvard Law School. By 1877,
however, Hitchcock abandoned law, and moved abroad to begin
his career as a painter. He studied with Gustave Boulanger at the
Academie Julian and then at The Hague. Hitchcock soon settled
in the town of Egmond aan Zee, near Amsterdam. There he
painted the vibrant and colorful landscapes of the Dutch tulip
fields for which he is best known. Egmond developed into an
artist’s colony, centered around Hitchcock and fellow American
expatriate, Gari Melchers. Although Hitchcock remained in the
small town of Egmond for the rest of his career, he was honored
internationally; he was elected to the National Academy of Design
in New York in 1909, and was a member of Vienna’s Akademie
der Bildenden Künste as well as the French Légion d’Honneur.
$20,000-30,000
125
316
317
316.
Attributed to Albert Dickerman (American, 1840-1917)
317.
Reinis Zusters (Australia, 1918-1999)
Boating
Indistinctly signed l.l., inscribed “Fannie...A Dickerman, Boating.
1898.” on the reverse.
Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), unframed.
Condition: Lined, retouch, craquelure, surface grime.
$300-500
The Australian Bush
Signed and dated “Zusters 63” l.r., identified on a label on the
reverse.
Oil on Masonite, 18 x 24 in. (45.7 x 60.9 cm), framed.
Condition: Minute losses, unobtrusive surface grime.
$1,800-2,200
318.
James Rogers Rich (American, 1847-1910)
Dahl Lake, Kashmir
Unsigned, artist and title identified in a period inscription,
possibly in the artist’s hand, on the reverse.
Oil on canvas, 17 3/4 x 24 in. (45.1 x 61.0 cm), framed.
Condition: Patch reinforcements.
$1,000-1,500
318
126
319.
Jordi Freixas Cortes (Spanish, 1917-1984)
Figures by the River
Signed “Freixas” l.r.
Oil on canvas, 20 3/4 x 28 in. (52.7 x 71.1 cm), framed.
Condition: Possibly re-stretched, puncture u.c., retouch, varnish
inconsistencies, craquelure with lifting and separating, surface
grime.
$600-800
319
320.
Arturo Pacheco Altamirano (Chilean, 1903-1978)
Village Road
Signed “PACHECO ALTAMIRANO” l.l.
Oil on canvas, 10 3/4 x 15 3/4 in. (27.3 x 40.0 cm), unframed.
Condition: Craquelure, surface grime.
$1,000-1,500
320
321.
Mark Fisher (Anglo/American, 1841-1923)
Normandy Farm
Signed “Mark Fisher” l.r., title inscribed on the reverse, artist
identified on a label and with a label from Gallery of John
Nicholson, New York, affixed to the reverse.
Oil on canvas, 14 x 20 3/4 in. (35.6 x 52.7 cm), framed.
Condition: Scattered retouch, mild surface grime.
$2,000-3,000
321
127
322
322.
George Hitchcock (American, 1850-1913)
Tulip Fields with Orchard and Clock Tower
Signed “G. HITCHCOCK” l.r.
Oil on canvas, 22 x 17 1/4 in. (55.9 x 43.8 cm), in a period
frame with a Tilden-Thurber Co., Providence, label affixed to the
reverse.
Condition: Surface grime.
Provenance: From the estates of Mary Ann and Frederick Lippitt,
Providence, Rhode Island.
$15,000-25,000
128
323.
Clifford Prevost Grayson (American, 1857-1951)
Effet De Soleil
Signed, inscribed and dated “Clifford P Grayson, PONT
Aven 82” l.r., identified on a presentation plaque affixed to
the frame.
Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.
Condition: Retouch, craquelure.
N.B. Clifford Grayson’s work, most often coastal landscapes
filled with figures, blend elements of Realism and
Impressionism. A Philadelphia native, Grayson attended the
Pennsylvania Academy of Fine Arts before moving to Paris
to study with Jean Léon Gérôme at the École des Beaux
Arts. He returned to Pennsylvania, working and exhibiting
there before ultimately settling in Old Lyme, Connecticut.
$8,000-12,000
324.
William Samuel Horton (American, 1865-1936)
Village Along the River
Signed and inscribed “...Horton...” l.r.
Oil on panel, 14 1/2 x 18 in. (36.8 x 45.7 cm), framed.
Condition: Pinhole punctures, minor scattered retouch.
$4,000-6,000
323
324
129
325
326
325.
Louis Marie Adrien Jourdeuil (French, 1849-1907)
326.
French School, 19th Century
Beach Scene
Signed “A. Jourdeuil” l.r.
Pastel on paper, sight size 24 1/4 x 41 1/4 in. (61.6 x 104.7
cm), in a period frame.
Condition: Laid down onto canvas, tears (some repaired), not
examined out of frame.
$3,000-5,000
Sur la Plage
Unsigned.
Oil on panel, 9 x 17 5/8 in. (22.8 x 44.5 cm), framed.
Condition: Scattered retouch, repair to panel, subtle surface
grime, fine craquelure.
$3,000-5,000
327.
Francesco Filosa (Italian, 1910-1990)
Capri
Signed and dated “Francesco Filosa, 1948” l.r., titled l.l.
Oil on Masonite, 14 1/2 x 17 1/4 in. (36.8 x 43.8 cm), framed.
Condition: Good.
$700-900
327
130
329
328
328.
Andre Couchet (French, 20th Century)
329.
Maria Martinetti (Italian, b. 1864)
Lot of Two Landscapes: La Cote d’Azur and Printemps
Normand
Signed “Andre Couchet” l.l., titles inscribed on the stretchers.
Oil on canvas, sizes to 16 x 13 in. (40.6 x 33.0 cm), framed.
Condition: Mild surface grime.
$1,000-1,500
Roman Garden
Signed “Maria Martinetti” l.r., inscribed “Giardino di una casa in
Gensano (di Roma)” on the reverse.
Oil on canvas, 19 1/2 x 24 1/2 in. (49.5 x 62.2 cm), framed.
Condition: Surface rubs, retouch, craquelure, surface grime.
$2,000-3,000
330.
Eleanor Rawls (American, 20th Century)
Quiet Street, South of France
Signed “E. RAWLS” l.r.
Watercolor with ink on paper/board, sight size 13 1/2 x 18 in.
(34.3 x 45.7 cm), framed.
Condition: Very subtle rippling and toning, not examined out of
frame.
$400-600
330
131
331
331
331.
French School, 20th Century
Lot of Two French Village Streets
Each signed “G. Muller” l.l. or l.r.
Oil on board, sizes to 21 1/4 x 25 1/2 in. (54.0 x 64.8 cm),
framed.
Condition: Unobtrusive surface grime.
$1,000-1,500
332
332.
Continental School, 20th Century
Harbor at Trouville
Signed indistinctly and dated “1907” l.r, inscribed “Trouville” l.l.
Oil on panel, 6 x 12 in. (15.2 x 30.5 cm), framed.
Condition: Scattered craquelure, surface grime.
$1,000-1,500
333.
Charles Harold Davis (American, 1856-1933)
River View
Signed “C H Davis” l.l.
Oil on canvas, 9 x 14 in. (22.9 x 35.6 cm), framed.
Condition: Mounted onto board, retouch, surface grime.
$1,200-1,800
333
132
334
335
334.
Emile Valentin Cardinal (French, b. 1900)
335.
Ludolfs Liberts (Latvian/American, 1895-1959)
Cafe Scene
Signed and dated “E V Cardinal 1924” l.l.
Oil on canvas, 25 3/4 x 21 1/4 in. (65.4 x 54.0 cm), framed.
Condition: Minor losses, surface grime, extremely mild
craquelure.
$800-1,200
Parisian Street
Signed “L. Liberts” l.r.
Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.
Condition: Retouch, scattered craquelure, surface grime.
$2,500-3,500
336.
Jacques Kravetz (French, b. 1926/7)
Moulin Rouge
Signed “KRAVETZ” l.r.
Mixed media with oil and crayon on paper laid down on canvas,
15 x 18 in. (38.1 x 45.7 cm), framed.
Condition: Good.
$1,000-1,500
336
133
337.
William Ward (British, 1829-1908)
The Bustling Port
Signed “William Ward Jr” l.r.
Oil on canvas, 26 x 36 in. (66.0 x 91.4 cm), framed.
Condition: Unobtrusive surface grime.
$2,500-3,500
337
338.
Henry Martin Gasser (American, 1909-1981)
Light and Shadow, Paris, 1975
Signed and inscribed “H. GASSER, PARIS” l.r., identified in an
inscription and in information about the artist on the reverse.
Watercolor with ink and pencil on paper/board, sight size 7 1/2
x 9 1/2 in. (19.1 x 24.1 cm), framed.
Condition: Not examined out of frame.
$700-900
338
339.
Joop Molenaar (Dutch, 1914-1990)
Bustling Harbor
Stamped “J...P Molenaar” l.r.
Oil on canvas, 16 x 23 in. (40.6 x 58.4 cm), framed.
Condition: Mild varnish inconsistencies, surface grime.
$400-600
339
134
340.
Andre Picot (French/American, 1910-1992)
Arc de Triomphe
Signed “Andre Picot” l.r., identified in an inscription on the
reverse.
Oil on canvasboard, 11 3/4 x 15 1/2 in. (29.8 x 39.2 cm),
framed.
Condition: Subtle surface grime.
Provenance: Through the collection of Mount Holyoke College,
then to a New England collection.
$500-700
340
341.
Dennis Ainsley (American, 1880-1952)
Rue du Seine-Paris
Signed “DENNIS AINSLEY” l.l., artist and title inscribed on the
stretcher.
Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.
Condition: Good.
$1,000-1,500
341
342.
Andre Picot (French/American, 1910-1992)
Sacre Coeur
Signed “Andre Picot” l.r., identified in an inscription on the
reverse.
Oil on canvasboard, 11 3/4 x 15 1/2 in. (29.8 x 39.2 cm),
framed.
Condition: Subtle surface grime.
Provenance: Through the collection of Mount Holyoke College,
then to a New England collection.
$500-700
342
135
343.
Carlos J. Hahn (Hungarian/Argentinean, b. 1922)
Riachuelo
Signed and dated “HAHN 1972” l.l., identified on labels and in
information affixed to the reverse.
Oil on board, 13 1/4 x 28 1/4 in. (33.5 x 71.6 cm), framed.
Condition: Unobtrusive surface grime.
$800-1,200
343
344.
Alexis Pavlovich Arapoff (Russian, 1904-1948)
Harbor Scene, Marseilles, France
Signed “Arapoff” l.r., identified on a label from the T. Gilbert
Brouillette Gallery, New York, on the reverse.
Watercolor with graphite and gouache on paper, sight size 8 x 13
1/2 in. (20.2 x 34.2 cm), framed.
Condition: Unobtrusive toning, not examined out of frame.
Provenance: Purchased from the artist in 1938 (according to
label on the reverse).
$1,000-1,500
344
345.
May Noble (American, 1878-1966)
Interior View, Possibly the Artist’s Paris Apartment
Signed “May. Nobel.” l.r.
Oil on canvas, 23 3/4 x 29 in. (60.3 x 73.6 cm), framed.
Condition: Retouch.
$2,500-3,500
345
136
346.
Jacques Zucker (American, 1900-1981)
Figures on a Village Street
Signed “J. Zucker” l.l.
Oil on canvas, 24 x 19 3/4 in. (61.0 x 50.2 cm), framed.
Condition: Scattered retouch.
$1,500-2,500
347.
Paul Cornoyer (American, 1864-1923)
The Still of the Night
Signed “PAUL CORNOYER” l.r.
Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed.
Condition: Minor scattered retouch.
$600-800
348.
William E. Schumacher (American, 1870-1930)
A Tasting
Signed and dated “Schumacher Wm E 1922” l.r.
Gouache on paper, 14 3/4 x 9 3/4 in. (37.4 x 24.6 cm), framed.
Condition: Not examined out of frame.
$1,500-2,500
346
347
348
137
349
349.
Everett Shinn (American, 1876-1953)
350.
John Whorf (American, 1903-1959)
Lot of Three Drawings: The State House, Boston, signed and
dated “E. SHINN/1912” l.r., pastel; and Two Colonial Battle
Scenes, unsigned, watercolor and graphite, sizes approximately 10
x 15 in. (25.4 x 38.0 cm), framed.
Condition: Unobtrusive toning, not examined out of frames.
$7,000-9,000
Rainy Twilight, Arlington Street
Signed “John Whorf” l.r., titled on the reverse.
Watercolor with whiting and pencil on paper, 15 1/2 x 22 1/2
in. (39.4 x 57.2 cm), accompanied by frame.
Condition: Subtle toning, paper tape to the reverse, scattered
mild stains and fox marks visible on the reverse.
N.B. John Whorf’s watercolor landscapes capture the light and
color of his native Massachusetts. He was born in Winthrop,
Massachusetts, but is best known for his Boston cityscapes and
Provincetown coastal views. Whorf studied at the St. Botolph
Studio in Boston and the Boston Museum School. He also
studied with Charles W. Hawthorne, whose influence can be seen
in Whorf’s use of bold color. Hawthorne also blends varying
levels of translucency, alternating light washes with opaque strokes
to convey a sense of light and shadow.
$5,000-7,000
350
138
351.
Attributed to Paul Cornoyer (American, 1864-1923)
Boston Common
Unsigned, inscribed on the reverse.
Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed.
Condition: Surface grime, varnish inconsistencies.
$500-700
351
352.
Charles Peter Demetropoulos (American, 1912-1976)
The Flower Stand
Signed “Charles Demetropoulos” l.r., title inscribed on the
reverse.
Watercolor with pastel and whiting on paper/board, sight size 13
1/2 x 20 in. (34.3 x 50.8 cm), framed.
Condition: Toning, not examined out of frame.
$500-700
352
353.
Ross Sterling Turner (American, 1847-1915)
Lot of Two Sketches: The Old Manse and Old Shawmut
Church/A View from Back Bay
Manse signed “Ross Turner” l.l., titled l.r., pen and ink on paper,
sight size 4 1/4 x 6 1/2 in. (10.8 x 16.5 cm); Shawmut Church
signed and inscribed “Ross Turner, Boston, Oct 82” l.l., wash
with whiting on paper, 11 x 15 in. (27.9 x 38.1 cm); both
unframed.
Condition: Toning, staining, staining, mild creases, pinholes.
$600-800
353
139
354.
Charles Peter Demetropoulos (American, 1912-1976)
Through the Park, Possibly a View of the Fenway, Boston
Inscribed and signed “(162) October 28, 1952 Charles
Demetropoulos” l.r.
Watercolor on paper, sight size 13 x 20 in. (33.0 x 50.8 cm),
framed.
Condition: Not examined out of frame.
$400-600
354
355.
C. Myron Clark (American, 1876-1925)
Boston Harbor
Signed “C. Myron Clark” l.r.
Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed.
Condition: Lined, minor retouch.
$1,000-1,500
355
356.
Peter Rolfe (American, 20th/21st Century)
Moonlight Skaters
Signed “ROLFE” l.r., identified on a label affixed to the backing.
Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.
Condition: Mounted.
$2,000-4,000
356
140