1.Druckgraphik-Symposium - Druckvereinigung Bentlage
Transcription
1.Druckgraphik-Symposium - Druckvereinigung Bentlage
19.06. - 21.06.2009 Internationales Bentlager Between Tradition and Digital Media Processes 1.Druckgraphik-Symposium Internationales Bentlager 1.Druckgraphik-Symposium 2009 Internationales Bentlager 1.Druckgraphik-Symposium Martin Rehkopp [email protected] Künstlerischer Leiter von Kloster Bentlage in Rheine, Projektleiter des 1. Internationalen Bentlager Druckgraphiksymposiums. Studierte Sozialarbeit in Köln sowie Sozialwissenschaften, Geografie, Publizistik und Ethnologie in Münster. Seit mehr als dreißig Jahren als Kulturorganisator und Kurator für zeitgenössische Kunstausstellungen haupt-und ehrenamtlich im Münsterland tätig. Initiiert und organisiert seit vielen Jahren regelmäßig interregionale/internationale Kunstkooperationen mit dem Münsterland einerseits und China, Polen, Indien, Litauen, Weißrussland, Portugal und den Niederlanden andererseits. Mitinitiator und – organisator der Skulpturbiennalen Münsterland, seit fünf Jahren Mitorganisator und Kurator für bildende Kunst des Münsterlandfestivals. Kuratiert seit gut fünfzehn Jahren Nordrhein-Westfalen weite Einzelausstellungen von deutschen und ausländischen Künstlern für Kunstvereine und öffentliche Museen. Seit zwanzig Jahren verantwortlich für Projekte der zeitgenössischer Kunst im Kloster Bentlage. Karin Hansmann [email protected] Karin Hansmann studied Design at the University of Applied Sciences Münster, where she took her diploma as qualified designer in 2008. Since 2007 she works as Freelancer in Art and Design for the Kloster Bentlage and other clients from the region. Besides she works in her studio at the Hawerkamp 31, which is part of a community of Free Artists. 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Between Tradition and Digital Media Processes Knut Willich [email protected] Knut Willich, born in Wiesbaden (Germany) in 1956. Between 1976-1982 he attended Gesamthochschule Wuppertal and University of Applied Sciences Münster, Visual Communication and Graphic Design Department. In 1983, he got an scholarship from Fritz-Berg-Foundation for Turkey. One year later he became assistant in the printing section at University of Applied Sciences Münster, Freelancer in Art and Design. 1986 he became lecturer at University of Applied Sciences Münster, Graphic Design Department, printing section and he was one of the founder of the company called „SNT Media“. In 1989, he was one of the founder of the print workshop, called „LIMITED“ and in 1991 he founded „LIMITED Gallery“ and „LIMITED Edition“, he was also a member BDK (Association of German Art-Publisher). 1997 he was one of the founder and member of the Print Association Bentlage e.V. at Kloster Bentlage in Rheine. Today he is chairman there and organizing international print exibitions and workshops. In the same year he started partnerships with three turkisch Universities in Istanbul, Ankara and Eskisehir and organized exibitions between all partners and the University of Applied Sciences Münster. 2004 he made an Erasmus-Contract between the Mimar Sinan University of Fine Arts Istanbul, Turkey and Münster and works as an coordinator. 2005 he got an DAAD-Scolarship and teached as a guest-professor for 6 month at Mimar Sinan University of Fine Arts in Istanbul. Since 1986 he is teaching fine art printing techniques and prepress techniques at the University of Applied Sciences Münster, Department of Design. Since 1989 he prints as a Master Printer for International artists, museums and collections, exibt and published limited art editions. Since 1983 he is leading and attending exibitions in Germany and foreign countries, artworks at privat and public collections, he lead and gave workshops and lectures among others like at International Summer Academy (IAM) in Marmaris Turkey, Canada, USA, Turkey and Germany. With his printstudio „LIMITED“ he took part in a lot of international Art-Fairs, since today he works as a curator for print-exibitions. He has been a jury member in many competions. He lives and works in Münster Germany and Ray sur Sâone France. Internationales Bentlager 1.Druckgraphik-Symposium Daniela Schlüter [email protected] Daniela Schlüter grew up on a farm in Südlohn, Germany. Following her studies in Printmaking, Illustration and Design at the Ruhrakademie Schwerte and at the Fachhochschule Münster, Germany, she took her MFA in Print Media at Concordia University, Montreal, Canada in 2004 under the DAAD and Graduate Fellowship scheme. In 2003 and 2004 she won besides others the HEXAGRAM prize of the Institute for Research/Creation in Media Arts and Technologies and a Scholarship from the Aldegrever Gesellschaft Münster. Her work consists of intaglio prints, mixed media on paper, video and artist books and was shown in solo and group exhibitions and biennials in the United States, Canada, Europe and the Middle East. Daniela Schlüter previously lived and worked in New York and taught as Assistant Professor at Felician College in NJ, and is now Assistant Professor for Printmaking at the University of Alberta in Edmonton, Canada and teaches courses at the Druckvereinigung Kloster Bentlage, Germany. Ryoji Ikeda [email protected] Head Professor, Department of (oh) Painting 1947 Born in Nemuro, Hokkaido, Japan. 1969 Graduated from Musashino Art University, Japan • 1981-82 Received a grant from Japanese Government to research in London • 1987-92 Associate Professor, Musashino Art University • 1992 Professor, Musashino Art University (02-07 Head Professor Department oh Painting) • 1994 Visiting professor (00-05 Adjunct professor), University of Alberta, Canada • 1997-98 Musashino Art University research scholar abroad, Canada • 2001 „Ryoji Ikeda 1975-2000”, 224 page book published by Abe Publishing Ltd. - Selections Solo Exhibition 2007 „Warehouse Time, Paper Darkness”, Sarah Lee Artworks & Projects, Santa Monica, U.S.A • 2006 „Circle” Nantenshi Gallery, Tokyo • 2004 „Return to the Stratum“, Okawa museum of Art, Gunma, Japan • 2002 “Surfase”, Nantenshi Gallery, Tokyo • „Reveries of time and space”, The Museum of modern Art, Kamakura, Kanagawa, Japan. 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Between Tradition and Digital Media Processes Davida Kidd [email protected] Davida Kidd is a photo-based print artist who resides in Canada. She received her MVA from the University of Alberta and since 1996 has been a Professor of Print Media at the University of the Fraser Valley in Abbotsford BC. Davida has exhibited widely internationally receiving several awards, scholarships and grants for her work, including the Grand Prix at the 2003 International Print Triennale in Krakow, Poland. Davida’s work resides in National and International collections including the Sapporo Grand Hotel in Japan, the National Centre for the Performing Arts: Centre for Photography as an Art Form in Bombay India, the Royal Canadian Mint in Canada, the The Liu Hai Su Art Museum in Shanghai China, and the National Museum in Warsaw Poland Liz Ingram [email protected] Liz Ingram was born in Argentina and grew up in New Delhi, Mumbai and Toronto. For over thirty years she has been teaching at the University of Alberta in Edmonton, Canada, and is currently a Professor of Printmaking. She has exhibited in over 20 solo and duo exhibitions, and in numerous group exhibitions in North and South America, Europe, the Middle East and the Far East. She has received awards for her prints at exhibitions in Canada, Slovenia, Korea, Brazil, Estonia, India and Finland, and is the 2008 recipient of the J. Gordin Kaplan Award for Research Excellence at the University of Alberta. The human body and the elemental in nature are recurring sources for her art practice which investigates transitional states between material presence and the ephemeral, and issues relating to the fragility of life and the environment. She is currently working in various media including etching, photo intaglio, digital media, and installation. Internationales Bentlager 1.Druckgraphik-Symposium Maurice Pasternak [email protected] Depuis 1967 participe à la plupart des Expositions Biennales Internationales dont les dernières: • 1994 Belgium-Japan Print Exchange Exhibition, Musée de Méguro, Tokyo, Japon • 1996 Mezzotints, The New Orleans Museum of Art, USA • 1997 International Printmaking Symposium, University of Alberta, Edmonton, Canada • 2003 -Biennale Internationale de gravure de Beijing, Chine • Triennale Internationale de Bitola, République de Macédoine • Biennale Internationale d’estampe contemporaine de Trois Rivières, Québec, Canada • Biennale Internationale multidisciplinaires de Beijing, Chine. Depuis 1975 a exposé en expositions personnelles en Belgique. en Grande Bretagne, aux Etats Unis, en France, au Japon et au Luxembourg dont: 1993 • Chiba Shimin Gallery, Tokyo, Japon • 1994 Musée des BeauxArts de Mons, Belgique • 1997 Musée Félicien Rops, Namur, Belgique • 2001 > Retrospective au Centre de la Gravure et de l’Image imprimée, La Louvière, Belgique. En 2005 au Centre International de Bethlehem, Palestine A l’Académie Centrale de Pékin, Chine. En 2006 - Exposition personnelle parallèle à la Triennale de Bitola-Macédonie. A reçu, lors des biennales Internationales de nombreux prix. Walter Jule [email protected] Walter Jule is internationally known as a print-artist, educator, curator, designer and writer. He has won twenty six national and international awards including prizes in print biennials in Ljubljana, Seoul, Portland, Tallinn, Györ, Bharat Bhavan, Bangkok and Tokyo. His work is represented in over sixty public collections including the museum of modern Art, Lodz, Poland; the Tochigi museum of Art, Japan and the national galleries of Canada, England, Australia and India. He has curated nineteen international exhibitions at the invitation of museums such as the Osaka Center of Contemporary Art, Japan and the Liu Hai Su museum, Shanghai, China. In 2008 he was General Secretary for the Edmonton Print International. As Professor Emeritus at the University of Alberta, Canada, he was recently inducted into the City of Edmonton Arts and Culture Hall of Fame. 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Between Tradition and Digital Media Processes Erik Kok [email protected] Erik Kok (1966, Amsterdam) lives in Enschede, the Netherlands. He studied Ceramics and Graphics Art at the AKI Academy of Fine Arts in Enschede (1985-1990). He graduated in 1990. Ever since his graduation, he regularly made various exhibitions, both in the Netherlands and abroad. Since 1996, he works as a Ceramics instructor at AKI/Artez. His work exemplifies his emotions concerning nourishment, love and dreams, but also angst, drenching, death. This is shaped in allegoric images. He thrives for a sense of balance, in which beauty and the thematic expression of meaning are not in opposition, but instead mutually reinforce each other. Rudi Bastiaans www.rudibastiaans.nl Lives and works in enschede holland. Studied mixed media fotography and graficart at the a.k.i. academie of fine arts in enschede. He exhibits regularly in the netherland and abroad. graphic arts cocistsilkscreen and mixed media (prints on ceramics and on metal). for more information: www.rudibastiaans.nl Internationales Bentlager 1.Druckgraphik-Symposium Sean Caufield [email protected] Education: 1995 Master of Fine Art, University of Alberta, Edmonton, Alberta, Canada. Work Experience: 2000 - Canada Research Chair Tier II (Professor), Printmaking, University of Alberta, Edmonton, Alberta, Canada. 1999 - 2000 Assistant Professor, Printmaking, Illinois State University, Normal, Illinois. Selected Awards and Grants: 2009 Triennale Prize, 2nd Bangkok Triennale International Print and Drawing Exhibition, Thailand • 2007 SSHRC Aid to Research Workshops and Conferences, Imagining Science: An Artistic Exploration of Science, Society and Social Change • 2007 Koerner Visiting Artist, Queen’s University, Kingston Ontario, Canada • 2004 SSHRC Research Grant, Researching a Technological Interface Between Traditional Printmaking Techniques and Digital Imaging Systems, principle investigator in three-year collaborative research project • 2001 Visual Arts Fellowship, Illinois Arts Council, Illinois, USA • 2001 Prix Banque Nationale du Canada, Trois Rivieres, Quebec, Canada • 1999 Research Initiatives Award, Illinois State University, Normal, Illinois, USA • 1995 Grand Prize in the Third 21st Century Grand Prix Exhibition, Tokyo, Japan. Nelson Crespo [email protected]. Education • 2003 – 2004 MA Fine Art - Camberwell College of Arts, University of the Arts, London, U.K. • 1994 – 1999 BA Hons Fine Art, ESAD, Caldas da Rainha, Portugal Solo Shows • 2008 „Tempo” - Sadler’s Wells Visual Arts, London, UK; Curated by Sacha Craddock • ‘Sans Papier’ • 2008, Paço da Artes (Kunsthalle), São Paulo, Brazil (Cat.) • 2006 ‘Sans Papier’ AC11 - Arte Contempo Gallery, Lisbon, Portugal Curated by Filipa Oliveira and Miguel Amado • 2005 ‘Change’ - 3º Andar no Chiado Gallery, Lisbon, Portugal 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Between Tradition and Digital Media Processes Steve Dixon [email protected] Steven Dixon is an active artist and teacher living in Edmonton, Alberta, Canada. Since 1986, he has worked in the Printmaking Division at the University of Alberta where he specializes in intaglio and relief printing techniques and photographic processes. Although he has experimented with a wide variety of alternative photographic processes for the past decade he has worked almost exclusively with photogravure. Steven has a MFA in Printmaking from Arizona State University and has taught Printmaking at Capilano University and Thompson Rivers University in British Columbia, Canada and has been an invited guest artist/ lecturer at Palacky University in the Czech Republic. He has an extensive international exhibition record and has won numerous awards for his work. Marc Siegner [email protected] Education: Master of Fine Arts, Norwich University Vermont College of Fine Arts Montpelier, Vermont, USA Professional Experience 1981-82 Master Printer Apprentice, Don Philips/Sword Street Press, Toronto, Canada, 1983 Co-Founder, SnapSociety of Northern Alberta Print-Artists, Edmonton, Canada, 1985-99 Chairman, Latitude 53 Society of Artists, Edmonton, Canada, since 1981: Technical Demonstrator in Printmaking, University of Alberta, Edmonton, Canada Exhibitions solo 2008 - Fluid Motion, Keyano Art Gallery, Ft. McMurray, Alberta • 2007 - Reconstructing Home, NAU Museum & Coconino Center for the Arts Flagstaff, Arizona - Anthologies, The Point Gallery, Salt Spring, BC • 2004 - Imagining Home, Edmonton Art Gallery • 2001 - An Elephant in the Forest, Edmonton Art Gallery • 1997 - Recuerdo, Muttart Public AG, Calgary • 1996 - Boundary Maintenance, Latitude 53 AG, Edmonton & Truck Artist Run Center, Calgary • 1993 - Corpus Cutaneus, Galleria Florencia Riestra, Mexico City • 1990 - Rites of Passage, Lattitude 53 AG, Edmonton Internationales Bentlager 1.Druckgraphik-Symposium Wolfgang Troschke [email protected] 1947 in Helmarshausen geboren 1966 - 1970 Studium an der Werkkunstschule Münster, intensive Beschäftigung mit Druckgrafik seit 1978 Prof. an der Fachhochschule Münster. Mitglied im Deutschen Künstlerbund, Westdeutschen Künstlerbund und der Neuen Münchner Künstlergenossenschaft. Lebt und arbeitet in Münster 1969 Kunstpreis der Künstlergemeinschaft Schanze in Münster • 1974 Internationale Grafik-Biennale Krakau • 1975 Internationale Grafik-Biennale Ljubljana, Grand Prix der internationalen Grafik Triennale Jävyskylä • 1976 Internationale Grafik-Biennale Krakau, Internationale Grafik-Biennale Tokyo, Preis des Museum of modern Art Kyoto • 1981 Wilhelm-Mogener-Preis für Malerei, Soest, Internationale Grafik-Biennale Ljubljana • 1982 Internationale Grafik-Biennale Bradford • Grand Prix der internationalen Grafik-Biennale Listowel, Ireland • 1984 Internationale Grafik-Biennale Bradford, Grand Prix der internationalen Grafik-Biennale Fredrikstad, Norwegen • 1986 Internationale Grafik-Biennale Bradford • 1989 Internationale Grafik-Biennale Taipei, Taiwan • 2001 Bharat Bhavan international Biennal of Print-Art, Bhopal-India. Seit 1967 Einzelausstellungen und Beteiligung an Gruppenausstellungen in Galerien und Museen im In und Ausland. Rolf Escher 1936 geboren in Hagen. Studium an der Kunstakademie in Düsseldorf und an der Universität zu Köln • 1965 Verlegung von Atelier und Wohnsitz nach Essen • 1968 Einrichtung einer Radierwerkstatt in Essen-Stadtwald • 1976 Ehrenmedaille der 4.Internationalen Graphiktriennale in Frechen • 1976 Professur an der Fachhochschule in Münster • 1977 Preis der 12. Internationalen Graphik-Biennale Ljubljana • 1978 HansThoma-Medaille Reutlingen • 1980 Werkzyklus „Mitteilungen aus verlassenen Häusern“ • seit 1980 jährliche Studienaufenthalte in italienischen Städten • 1983 Werkzyklus „Schauplätze-Zeichnungen aus italienischen Städten“ • 1988 Preis der 5. Internationalen Porträt-Biennale Tuzla • 1996/1997 Werkzyklus „Venedig“, Zeichnungen und Lithographien 1990-2004 Studienreisen zu den alten europäischen Bibliotheken Werkzyklus „Bücherzeiten –Gezeichnete Entdeckungen“ • 2003-2007 Retrospektivausstellungen „Das Leben der Dinge“, „ZeitOrte“ in Paderborn, Mülheim/Ruhr, Schloß Cappenberg, „Verwandlungen-Graphische Folgen 1970-2006“, Museum Folkwang, Essen 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Between Tradition and Digital Media Processes Eva Wortmann [email protected] Born in Münster in 1966, I left school to commence a bookbinding apprenticeship in a local studio in 1985. Having completed the apprenticeship I left for London to start a diploma course in paper conservation in 1988. Finishing my studies in 1990 I returned to Germany to start work as a paper conservator for the state and university library in Göttingen, working primarily on a large collection of maps. While still in Göttingen I entered a programme financed by the German Foreign Office to set up a conservation studio for the Assad Library in Damaskus, Syria. In 1993 I joined regional government in Münster to work in a conservation centre for local museums, specialising in conservation of paper and leather objects. In 1995 I set up as a freelance conservator and left my position in the regional conservation centre. Since then I have worked for a large number of museums, private and public collections, carrying out active conservation of all types of paper and leather objects as well as advising collectors, galleries and museums on storage, transport, mounting, framing and the general approach to conservation as opposed to restoration. Specialised subjects are modern works, unusual material combinations and modern adhesives. Ann Aspinwall [email protected] Ann Aspinwall was born in New York. She studied printmaking in Italy at the Scuola Internazionale d’Arte Grafica Il Bisonte in Florence and the Studio for Color Etching in Barga, and in Scotland at print studios in Glasgow and Dundee while completing her Master of Arts in Art History at the University of St Andrews. She moved to Venice in 1998 to study and work at the printshop Bottega del Tintoretto. In 2000 she returned to New York, and worked as a Print Specialist in the Print Collection of The New York Public Library. Since 2007 she is a printer at Pace Prints in New York. She teaches classes and workshops on etching and collagraph at the Lower East Side Printshop in New York and at Kloster Bentlage. Internationales Bentlager 1.Druckgraphik-Symposium LUP AG · Lithographie & Printproduktion Elmar Lutz [email protected] Vorstandsvorsitzender www.lup-ag.de Römerturm - Fine Paper Jens Leppert [email protected] Produktmanagement für Künstlerpapiere Michael Dähn michael.dä[email protected] Kundenberater für Künstlerpapiere im Außendienst (Region Nord) 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Between Tradition and Digital Media Processes Timetable Friday 19.06. 2009 11:00 11:45 12:30 Main Opening Scheune Speakers : 1. Frau Ute Ehrenberg, Manager of the Kloster Bentlage 2. Frau Dr. Kordfelder, Mayor of the town Rheine 3. Herr Dr. Peter Paziorek, Chief Administrator Keynote lecture Scheune „Against Humiliation of Culture: How the Great Printmaking Traditions Can Offer Inspiration in the Age of Globalization, Conformity and Technological Change“ Speaker: Walter Jule, Professor Emeritus of Printmaking, University of Alberta, Edmonton, Canada Lunch Cafe / Refekt 14:00 Panel discussion Scheune „New Media and Tradition in Printmaking: Interface or Dichotomy?“ Speakers: Prof. Maurice Pasternak, Prof. Davida Kidd, Prof. Walter Jule, Nelson Crespo 15:00 Lecture 1 Scheune „Pace Prints: A Recent Project and Collaboration“ Speaker: Ann Aspinwall, New York, USA 16:30 18:00 Lecture 2 Scheune „Imagining Science: A Project Crossing Disciplinary Boundaries“ Speaker: Prof. Sean Caulfield, University of Alberta Edmonton, Canada End of lecture program Departure to Münster, Graphikmuseum Pablo Picasso by bus Gottesgabe 19:00 21:00 23:30 Exhibition opening „Inventur“ Graphikmuseum Pablo Picasso Münster Official welcome: Prof. Dr. Markus Müller, Director of the Graphikmuseum Pablo Picasso Münster End of the exhibition opening Free time in the city of Münster Return journey to Kloster Bentlage, Rheine Artists’ Book Exhibition during the symposium at the Salon 1st International Printmaking Symposium 2009 in Bentlage Internationales Bentlager 1.Druckgraphik-Symposium Timetable Saturday 20.06.2009 09:30 Lecture Festsaal „New Perspctives for Artists, Museums and the Art Market“ Digital Fine Art Print-Technologies Speaker: Elmar Lutz, Company: LUP AG Lithography & Printproduction, Cologne 10:15 Lecture Festsaal „Printmaking from a Preservation Point of View“ Speaker: Eva Wortmann, Diplom paper restorer 11:00 Lecture Festsaal „Preserving a Contemporary Print Collection: Thoughts and Developments on Preservation of Unframed and Unglazed Traditional and Digital Prints.“ Speaker: Nelson Crespo, Artist and Tate Gallery Paper Conservation Technician, London 11:45 12:30 Lecture Festsaal „Antiquarian to Digital: the State of Photographic Printmaking Processes“ Speaker: Steve Dixon, University of Alberta, Edmonton, Canada Lunch Cafe/ Refekt Panel discussion Festsaal „Contemporary Education in Printmaking“ Introduction presentation: „Collaborate, Integrate and Adapt - Printmaking at the University of Alberta Edmonton, Canada“ Speakers: Prof. Liz Ingram, Prof. Daniela Schlüter Panel Discussion Prof. Rolf Escher, Prof. Royji Ikeda, Prof. Daniela Schlüter, Prof. Liz Ingram, Prof. Rudi Bastiaans 14:00-15:00 14:00-15:00 Demonstration Workshop Tenne „High-End Digital Prints on Hahnemühle Inkjet Papers“ by companies Römerturm Fine Papers: Jens Lepper, Michael Dähn, Product Manager and LUP-AG, Lithographie & Printproduktion: Elmar Lutz, Chairman Demonstration timetable 11:00 –12:00 Uhr, 14:00 – 15:00 Uhr, 15:30 – 16:30 Uhr 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Between Tradition and Digital Media Processes 14:00 -15:00 Demonstration Workshop Tenne „Collagraph“ Artist: Ann Aspinwall, New York, USA 15:30-16:30 Panel discussion Festsaal „Print Media Between Tradition and Digital Media Systems“ Introduction presentation: Prof. Maurice Pasternak, Prof. Davida Kidd Panel Discussion: Prof. Maurice Pasternak, Prof. Davida Kidd, Prof. Walter Jule, Lois Row 15:00-16:30 Demonstration Workshop Tenne „From Hand and Analog to Digital-Combining Multiple Methods“ Artist: Marc Siegner, University of Alberta, Edmonton, Canada 15:00-16:30 Demonstration Workshop Druckwerkstatt „Chine Collé“ Artist: Prof. Sean Caulfield, University of Alberta Edmonton Canada End of Lecture Program 16:30 19:00 21:00 open end Exhibition opening „Cees & Friends“ „Statements“ „Minyatür“ Scheune Dormitorium Kreuzgänge Speakers: Herr Dr. Thorben Winter, Manager of Kloster Bentlage Frau Angelika Braun-Kampschulte, State Chancellery NRW Herr Knut Willich, Chairman Print-Association Bentlage e.V. Dinner/Party Scheune Music: DK Soup from Berlin. Artists’ Book Exhibition during the symposium at the Salon Internationales Bentlager 1.Druckgraphik-Symposium Timetable Sunday 21.06.2009 10:00 12:30 Presentation Festsaal „Out of the studio“ invited artists present their own prints Speakers: Prof. Liz Ingram, Prof. Wolfgang Troschke, Prof. Royji Ikeda, Prof. Davida Kidd, Prof. Rolf Escher, Prof. Maurice Pasternak Lunch Cafe/ Refekt 14:00-15:00 Panel discussion Festsaal „Local/Global: The Influence of International Biennials and Triennials“ Members: Prof. Sean Caulfield, Prof. Walter Jule, Nelson Crespo, Prof. Liz Ingram 14:00-15:00 Demonstration Workshop Druckwerkstatt Demonstration Workshop:”Waterbased Screenprinted Ceramics On-Glaze Transfer Printing” Artists: Prof. Rudi Bastiaans, Erik Kok, Lecturer at the Academy of Fine Arts and Design, AKI, ArtEZ, Enschede, Netherlands 15:00-16:30 Presentation Scheune/kl.Raum „Open Portfolio“ international students present their prints 15:00-16:00 Demonstration Workshop Tenne „High-End Digital Prints on Hahnemühle Inkjet Papers“ by companies Römerturm Fine Papers: Jens Lepper, Michael Dähn, Product Manager and LUP-AG, Lithographie & Printproduktion: Elmar Lutz, Chairman 15:30-16:30 Demonstration Workshop Druckwerkstatt „Photopolymer Gravure and the Photo-Intaglio Processes“ Artist: Steve Dixon, University of Alberta, Edmonton, Canada End of the presentation and demonstration program 16:30 17:30 Uhr Departure of bus for Falkenhof Museum Rheine, visiting the exhibition „Where are the originals now?“ Official welcome: Mrs. Dr. Beilman-Schöner, Director of the Falkenhof Museum 18:30 Uhr Departure of bus from Falkenhof Museum to Burg Lüdinghausen. Vischering, 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium 20:00 23:00 Between Tradition and Digital Media Processes Exhibition opening Burg Vischering Lüdinghausen „Systemwechsel“ and Get-Together PartyBurg Vischering Official welcome: Martin Rehkopp, Kloster Bentlage gGmbH, Rheine Speaker for the exhibition opening: Uwe Poth, Prof. Emeritus AKI, ArtEZ Enschede, Netherlands Return journey to Kloster Bentlage, Rheine Artists’ Book Exhibition during the symposium at the Salon Workshops for artists and students Monday 22.06.2009 1-day workshop: “From Hand and Analogue to Digital-Combining Multiple Methods” Artist: Mark Siegner, University of Alberta, Edmonton, Canada Beginning: 10:00 Uhr (10am) at the printstudio in Bentlage. Thuesday 23.06.2009 1-day workshop: “Photopolymer Gravure and Photo-Intaglio Processes” Artist: Steve Dixon, University of Alberta, Edmonton Canada Beginning: 10:00 Uhr (10am) at the printstudio in Bentlage. Wednesday – Friday, 24. – 26.06. 2009 3-day workshop: “Waterbased Screenprinted Ceramics On-Glaze Transfer Printing” Artists: Prof. Rudi Bastiaans, Erik Kok, Academy of Fine Arts and Design, AKI, ArtEZ, Enschede, Niederlande Beginning: 10:00 Uhr (10am) at the printstudio in Bentlage Artists’ Book Exhibition during the symposium at the Salon Internationales Bentlager 1.Druckgraphik-Symposium Timetable Friday 19.06.2009 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Timetable Saturday 20.06.2009 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 Between Tradition and Digital Media Processes Internationales Bentlager 1.Druckgraphik-Symposium Timetable Sunday 21.06.2009 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Between Tradition and Digital Media Processes 1.Druckgraphik-Symposium Internationales Bentlager Scheune WC Tenne Rooms Printing studio Torhaus Nord Torhaus Sü d Kloster orium Dormit or) (first flo Café ion format WC In rium Re f e c t o Salon l Fes t s a a änge Kreuzg 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Between Tradition and Digital Media Processes Internationales Bentlager 1.Druckgraphik-Symposium support 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Die Römerturm Künstlerpapier-Kollektion. Testen Sie uns! Das Echte Büttenpapiere- und Kartons der bekannten Papiermühlen für alle künstlerischen Drucktechniken, für Buchbinder und Restauratoren • Museum-, Passepartout- und Rückwandkartons • Papiere und Kartons für alle Mal- und Zeichentechniken • Japanpapiere • beschichtete Büttenpapiere für den Ink-Jet Druck • Materialien für Grafik-Design, Modellbau und Basteln. Sprechen Sie uns darauf an: 02234 - 95595-0 oder per Mail an [email protected]. ALFRED-NOBEL-STRASSE 19 50226 FRECHEN RÖMERTURM - FEINSTE PAPIERE SIND UNSERE PASSION Between Tradition and Digital Media Processes Internationales Bentlager 1.Druckgraphik-Symposium Contact and Organisation Project-management: Contact: Martin Rehkopp (Director of art-programms) Kloster Bentlage gGmbH Kloster Bentlage gGmbH Bentlager Weg 130 48 232 Rheine, Germany Tel.: + 49 (0) 59 71 - 91 84 81 E-Mail: [email protected] Organisation-management: Contact: Knut Willich (Chairman) Print-Association Bentlage Druckvereinigung Bentlage e.V. Bentlager Weg 130 48 232 Rheine, Germany Tel.: + 49 (0) 173 - 290 23 37 E-Mail: [email protected] www.kloster-bentlage.de Tel.: + 49 (0)59 71 - 91 84 68 office hours: thuesday - friday, 10am - 6pm (CET/MEZ) Gerrit Musekamp (Organisatorischer Leiter/Öffentlichkeitsarbeit) Kloster Bentlage gGmbH Tel: +49 (0) 5971 918 440 Email: musekamp@kloster-bentlage .de Graphic Design: Contact: Karin Hansmann Print-Association Bentlage Hammer Straße 20 48 153 Münster Tel.: + 49 (0) 179 - 921 86 89 E-Mail: [email protected] Hotels, informations and reservations can be obtained from: Verkehrsverein Rheine Bahnhofstrasse 14 48431 Rheine Tel.: + 49 (0) 59 71 - 5 40 55 Fax.: + 49 (0) 59 71 - 5 29 88 E-mail: verkehrsverein@tourismus. rheine.de 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Notes Between Tradition and Digital Media Processes Internationales Bentlager 1.Druckgraphik-Symposium Notes 19.06. - 21.06.2009 Internationales Bentlager 1.Druckgraphik-Symposium Notes Between Tradition and Digital Media Processes Internationales Bentlager 1.Druckgraphik-Symposium Notes