Wednesday 16th March FINE JEWELLERY, SILVER, OBJECTS OF

Transcription

donnington priory
FINE JEWELLERY, SILVER, OBJECTS OF VERTU & WATCHES
Wednesday 16th March
Part of The Stanley Gibbons Group plc
ART SHOT
ART SHOT
FINE JEWELLERY, SILVER, OBJECTS OF VERTU & WATCHES
Wednesday 16th March, 10am
DONNINGTON PRIORY
IMPORTANT NOTICES
Please see Conditions of Business and Conditions of Sale at the back of this catalogue
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is registered in England, company number: 03839469, registered office: 399 Strand, London WC2R 0LX.
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SnelsmoreStorage.
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mobile: 07774 703749. These charges are set by Snelsmore Storage, we
recommend that you contact them directly regarding queries relating
to these charges and other questions relating to storage. Staff at the
saleroom will be unable to answer questions relating to items that
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Further Information
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DONNINGTON PRIORY
FINE JEWELLERY, SILVER,
OBJECTS OF VERTU &
WATCHES
Wednesday 16th March at 10am
Sale No. 13938
For Bidding and Sale Information:
+44 (0) 1635 553 553 | [email protected]
James Nicholson FGA, DGA
Deputy Chairman, International Head of Jewellery, Silver & Watches
[email protected]
Specialists
David Rees
[email protected]
Tessa Parry FGA, DGA
[email protected]
Nick Mann
[email protected]
Terry Taylor MBHI
(Consultant, Watches)
Alexandra Francis GG
[email protected]
Ian Pickford
(Consultant, Silver)
Viewing
Saturday 12th March Monday 14th March Tuesday 15th March Day of Sale 9am - 12.30pm
9am - 6pm
9am - 4.30pm
from 8.30am
Catalogues £15 (£17 by post)
Buyer’s premium is charged per lot at 24% of the hammer
price (28.8% including VAT) up to and including £150,000,
18% (21.6% including VAT) of the hammer price from £150,001
up to and including £1,000,000, and 12% of the hammer price
(14.4% including VAT) in excess of £1,000,001.
Free online bidding is available at
dreweatts.com/live
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listen and bid from anywhere in the world.
To register to bid:
Existing clients should visit the website and create a new login, which
will be verified against their existing account.
New clients should send us two forms of identification
(one to be photographic) along with their registration.
Once verified, clients will be able to bid in all future auctions.
Front cover: lot 195 | Back cover: lots 100 | Above lot: 107
Dreweatts
Donnington Priory Salerooms
Newbury, Berkshire RG14 2JE
Tel: +44 (0)1635 553 553
Fax: +44 (0)1635 553 599
[email protected]
www.dreweatts.com
DONNINGTON PRIORY
SILVER FROM CHERKLEY COURT, SURREY
6
www.dreweatts.com tel. +44 (0) 1635 553 553
DONNINGTON PRIORY
Cherkley Court
This sale includes selected contents from Cherkley
Court, the former home of Lord Beaverbrook, being
sold on behalf of The Beaverbrook Foundation (CIO).
Cherkley Court is a late Victorian mansion, set amongst
prime parkland in Leatherhead, Surrey. It was originally
built in 1866 and rebuilt in the French Chateau style
in 1893 following a fire. In 1911 it was bought by Lord
Beaverbrook, the owner of The Express Newspaper
group, Minister for Information in the First World
War, Minister of Aircraft in the Second World War,
powerbroker and kingmaker.
Beaverbrook’s power and influence ensured that
Cherkley was a hub of activity with the good and the
great of the time. Visitors included notable politicians,
writers and musicians including Winston Churchill,
Bonar Law, Lloyd George, Chamberlain, HG Wells, Joe
Kennedy, Rudyard Kipling and Ian Fleming.
The Beaverbrook Foundation undertook a total
refurbishment programme of the property ensuring
that the house was opened to the public for a number
of years at the end of the 2000s. The Foundation sold
Cherkley to enable it to focus on its core purpose of
making charitable grants.
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DONNINGTON PRIORY
THE FOLLOWING LOTS (1 – 4)
PROVENANCE CHERKLEY COURT, SURREY
1
A cased set of twelve George IV dessert
knives and forks by Aaron Hadfield,
Sheffield, 1820 and 1821, with carved green
bone handles, the knives 19cm (7 1/2in)
long; and twelve George III dessert knives
and eleven dessert forks by Moses Brent,
London 1815, with carved green bone
handles, the knives 20.5cm (8in) long
£400-600
2
A late George III silver shaped circular
basket by William Fountain, London 1814,
with a caryatid scroll swing handle, the
pierced body with a chased C-scroll, foliate
and mask border, engraved with a coat of
arms and on three mask and foliate pad
feet, 33cm (13in) diameter, 1681g (54.05 oz)
Engraved with the arms of Lee
£2,000-3,000
8
DONNINGTON PRIORY
3
A silver beaded Old English pattern part
table service by Josiah Williams & Co.,
London 1911, comprising:
Six table spoons
Six table forks
Twelve dessert spoons
Twelve dessert forks
Two electro-plated salt spoons;
Together with the following American
beaded Old English pattern items,
comprising:
Twelve table spoons by Gorham, circa 1900
engraved with a crest
Twelve dessert forks by Gorham, circa 1900
engraved with a crest
Ten Canadian oyster forks by Henry Birks &
Son, circa 1900
In a fitted oak canteen, 4154g (133.55 oz)
gross weighable
£600-800
4
A George III silver-gilt fiddle pattern
dessert set by William Eley & William
Fearn, London 1801, engraved with a crest,
comprising:
Twelve tea spoons
Two cream spoons
A sugar spade
Twelve dessert knives with mother of pearl
handles by Moses Brent, London 1801
In a fitted canteen, 1500g (48.25 oz)
weighable
£500-700
9
DONNINGTON PRIORY
Other Properties
5
A pair of George I silver marrow scoops
by Paul de Lamerie, maker’s marks only,
circa 1715, engraved with a crest, one with
a later crest in addition, 20.5cm (8in) long,
81g (2.6 oz)
5
De Lamerie registered this Britannia
standard mark in February 1713. The crest
of Two arms in armour holding a sword
appears to be for HOEY of co. Wicklow.
6
£1,000-1,500
6
A pair of George IV silver candlesnuffers
by Rebecca Emes & Edward Barnard I,
London 1821, with gadrooned and shell
decoration, on three trumpet feet, 17.5cm
(7in) long, 122g (3.9 oz)
£250-350
7
7
A set of four Victorian silver gilt fruit
spoons by Henry William Curry, London
1875 and 1876, with chased cherub mask
terminals and floral decorated stems, the
bowls engraved with a crest, shield and the
motto Gwell Angau Na Chywilydd, 18cm
(7in) long, 280g (9 oz), in a case
The arms, crest and motto for Llewellyn of
Colman Court, co. Glamorgan.
£200-300
8
A silver Old English pattern part table
service by Goldsmiths & Silversmiths
Co. Ltd., London 1921, for twelve place
settings, comprising:
8
Twelve table spoons
Twelve table forks
A gravy spoon
A soup ladle
A sauce ladle,
Fitted in oak canteen with a pair of late
George III fiddle pattern sauce ladles by
Thomas Wilkes Barker, London 1818,
3662g (117.75 oz) gross
£1,000-1,500
10
DONNINGTON PRIORY
9
An unusual early Victorian silver
table top nutmeg grater by Edward,
Edward junior, John & William Barnard,
London 1846, with a butterfly finial to
the hinged cover, a hinged steel grater
inside, on a cast leafy base, 6.5cm (2
1/2in) high, 122g (3.95 oz) gross
9
£400-600
10
A late George II straight-tapered
tankard by William Shaw & William
Priest, London 1758, with an ogee
domed cover, bifurcated thumbpiece
and scroll handle, the body with a girdle
and on a circular moulded foot, 19cm (7
1/2in) high, 867g (27.85 oz)
10
£1,000-1,500
11
A pair of early George III cast silver
hexafoil candlesticks by William Cafe,
London 1760, with shaped circular
sconces, the stems with foliate knops
on hexafoil moulded bases with foliate
decoration, engraved with a crest, 26cm
(10 1/4in) high, 1238g (39.8 oz)
The crest for Athol, Black, Chisholm,
Dasent, Elyard, Greg, Hagges, Laurenson,
Merry, Oakeley, Pennel, Rice, Smith,
Taaffe, Wingate and others.
£1,000-1,500
11
11
DONNINGTON PRIORY
12
A pair of George IV silver wine coasters
by S. C. Younge & Co., Sheffield 1820, the
borders chased with C-scrolls, foliate swags
and floral sprays, the bodies chased with
a grape vine band, engraved S de CP in a
circular reserve, 17.5cm (7in) diameter, with
turned wooden bases
12
£500-700
13
A George IV silver baluster coffee jug by
Jonathan Hayne, London 1827, with a
foliate and bud finial to the chased dome
cover, a leaf-capped scroll handle, the body
chased with floral sprays, C-scrolls and two
vacant reserves, on a circular foot with a
chased floral band, 21cm (8 1/4in) high,
871g (28 oz) gross
£300-500
13
14
A Victorian silver baluster four piece tea
and coffee service by William Hunter,
London 1855, the tea pot with a lobed
baluster finial and a scroll handle, the body
with panels of engraved scroll work, floral
sprays and two circular shaped vacant
reserves, on four scroll feet, the tea pot
26cm (10 1/4in) long, the coffee pot 27cm
(10 1/2in) high, 2443g (78.55 oz) gross
£600-800
14
12
DONNINGTON PRIORY
15
15
A set of four early George III silver oval
sauce boats by John Parker I & Edward
Wakelin, London 1764, with tongue-capped
double scroll handles, gadrooned rims and
on stepped pad feet, engraved with a crest,
20cm (8in) long, 1969g (63.3 oz)
The crest as used by BRIDGES.
Provenance: from the collection of Lord
Fitzwalter, Goodnestone Park, Kent.
16
£2,000-3,000
16
A George III silver baluster coffee pot by
James Stamp and John Baker I, London
1768, with a bell shaped finial to the ogee
domed cover, a gadrooned rim, a wooden
double scroll handle, later engraved GF and
on a circular gadrooned foot, 27.5cm (10
£300-500
17
A pair of silver rectangular entree dishes
and covers by Roberts & Belk Ltd., Sheffield
1934, with twin reeded handles, gadrooned
borders, engraved with a coat of arms above
the motto Sursum Corda, 28.5 (11 1/4in) long,
2404g (77.3 oz)
The arms of The McGilly Cuddy of the Reeks,
co. Kerry, Ireland.
£400-600
17
13
DONNINGTON PRIORY
18
A Victorian suite of five silver gilt rose bowls by Carrington & Co., the large London 1893,
the four small Birmingham 1893, with reeded cracker loop handles, gadrooned rims, a scroll
meander band, high and low lobes with foliage, moulded domed bases with foliate bands,
engraved with a crest, a shield and a motto Gwell angau na Chywilydd (Death rather than
Dishonour), the larger 32cm (12 1/2in) diameter, the four smaller18cm (7in) diameter, 5727g
(184.15 oz), each with an ebonised socle, in a fitted oak case
The arms, crest and motto for Llewellyn of Colman Court, co. Glamorgan for the 1844 marriage
and 1894 golden wedding of William Llewellyn (1820-1898) and Eleanor Emma Knight who
was the daughter of Reverend Robert Knight of Tythegston Court near Bridgend. William
became High Sheriff of Glamorgan in 1854.
£2,000-3,000
14
DONNINGTON PRIORY
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19
19
A late George II straight-tapered tankard
by Fuller White, London 1758, with an
ogee domed cover, open thumb piece and
scroll handle, the body engraved JLP, with a
girdle and on a circular moulded foot, 19cm
(7 1/2in) high, 800g (25.75 oz)
£800-1,200
20
20
A pair of George IV silver gilt wager cups
by Joseph Angell I, London 1827, in the
form of Elizabethan ladies holding fruiting
vines aloft, a swinging acanthus decorated
cup between, 17.5cm (7 1/2in) high, 463g
(14.85 oz)
£5,000-7,000
21
21
A Victorian silver lobed baluster claret jug
by Charles Reily & George Storer, London
1842, with a trumpet shaped finial and
scroll handle, the body engraved with floral
sprays, C-scrolls and two vacant reserves,
on a shaped circular foot, 28.5cm (11 1/4in)
high, 691g (22.2 oz) gross
£500-800
16
DONNINGTON PRIORY
22
22
A Scottish hammered silver circular tea pot
by Graham Leishman Stewart, Edinburgh 1999
(millennium mark), sterling standard, with an
ebony baton swing handle, an ebony stylised
bird finial to the domed bayonet fixing cover,
the body shouldered, on a collet foot, 20.5cm (8
£800 - 1200
23
A late Victorian silver five piece oval tea
service by James Dixon & Son, Sheffield
1898 and 1899, the kettle on stand with
a composition oval finial and handle, a
C-scroll and a foliate border, engraved with
an unidentified crest and AEO over D.C.B.
in shaped C-scroll bordered reserves, the
stand with burner and on four shell and
scroll legs, the kettle on stand 31cm (12
23
£500-700
24
A silver oval twin handled tray by Birch &
Gaydon Ltd., London 1933, with twin loop
handles, a gadrooned rim and engraved
AWB - BEH 1885 - 1935, 58cm (22 3/4in) long,
1924g (61.85 oz)
24
£400-600
25
A pair of Edwardian silver shaped oval
sauce boats by S. B. Harman, London
1905, with gadrooned borders, leaf capped
double scroll handles, engraved with a
crest, and on three shell feet, 22cm (8 3/4in)
long, 1013g (32.6 oz)
25
The crest for BULKELEY of Wiltshire.
£300-500
17
DONNINGTON PRIORY
26
26
An early George III silver baluster coffee
pot, possibly by Jacob Marsh, London
1762, with a beaded cone finial to the ogee
domed cover, a later leaf capped double
scroll handle, engraved with a crest and on
a circular gadrooned foot, 25cm (9 3/4in)
high, 752g (24.15 oz) gross
The crest for Brudenell.
£400-500
27
A George III silver oval dessert basket by
John Emes, London 1799, with a reeded
swing handle and border, wirework body,
engraved with a crest and on an oval
reeded foot, 32cm (12 1/2in) long, 667g
(21.45 oz)
The crest for Fludyer
£300-500
27
18
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28
A fine George IV silver baluster claret
jug by John Bridge, London 1827, incuse
stamped on base Rundell Bridge et Rundell
Aurifices Regis Londini, the separate cover
with a grape cluster finial, the twisted
branch handle terminating in leaves and
bifurcated scroll junction, the elongated
neck applied with cast fruiting vine
tendrils, the lower body chased and
embossed with acanthus alternating with
other leaves, engraved with three crests, a
shield and a motto Je M’y Oblige, 26.5cm
(10 1/2in) high, 1451g (46.65 oz)
The three crests and motto of EYTON,
Shropshire
£3,000-5,000
19
DONNINGTON PRIORY
29
29
A pair of George III silver oval sauce
boats by William Lancester, London 1770,
with leaf-capped flying scroll handles,
gadrooned rims, shell and scroll supports
and pointed pad feet, 19.5cm (7 3/4in)
long, 674g (21.65 oz)
30
£300-500
30
A pair of Victorian cylindrical wrythen
glass decanters with silver covers by John
Grinsell & Sons, Birmingham 1890, with
wrythen embossed conical shaped hinged
covers, engraved EB, 24cm (9 1/2in) high
£200-300
31
31
A late William IV silver lobed baluster
tea pot by Charles Reily & George Storer,
London 1837, bearing marks for Turin .800
standard, with a flower finial to the domed
cover, a foliate capped scroll handle, the
lobed body chased with foliate swags
and vacant reserves, traces of engraved
coronets above monograms removed, on
four scroll feet, 26cm (10 1/4in) high, 929g
(29.85 oz) gross
£350-450
20
DONNINGTON PRIORY
32
A Victorian silver Irish style dish ring by
Daniel & John Wellby, London 1894, the
waisted body with foliate borders, pierced
and chased with a dog, a bird, a seated
figure, C-scrolls and foliate sprays, 19cm (7
1/2in) diameter, 354g (11.4 oz)
32
£400-600
33
An Edwardian silver dish ring by West
& Son, London 1905, the waisted body
with gadrooned borders, pierced star and
lattice decoration, engraved with cherubs,
putto, foliate scrolls, a dragon and a shaped
vacant reserve, 20.5cm (8in) diameter, 492g
(15.8 oz)
33
£500-700
34
A George III shaped circular salver by
Ebenezer Coker, London 1770, with a
raised and gadrooned border, engraved
with foliate swags and a crest, on three
gadrooned feet, 31cm (12 1/4in) diameter,
869g (27.95 oz)
The crest for Acher/Ager/Auger originally
of Kent; Alpe; Ancher/Anchor/Anke/Ankor
of Kent; Archer, originally of Kent and Essex;
Aucher /Awger of Kent and Glos.; Bamber
of Lancs.; Beverley of Beverley, Yorks.;
Bloomfield of Tipperary; Bluck; Borman
of Devon and Soms.; Ingram; Ledsam;
Lowfield; Piggot; Richardson; Ruxton of
Ireland; Saunders; Scoffield of Lancs.;
Sheppard of Ireland; Southern; Southwerth/
Southworth of Samlesbury, Lancs., Woodrof
/Woodrow and others.
34
£300-500
35
A Victorian silver shaped oval tray by
Henry Wilkinson & Co., London 1865, with
twin beaded loop handles, a bead and
pierced border with leaves at intervals,
engraved with a crest, a motto In Hoc Singo
Vinces and presentation inscription within
a foliate scroll border, on four foliate feet,
59.5cm (23 1/2in) long, 2165g (69.6 oz)
35
The crest and motto for Gore. The
inscription reading Presented to Robert Gore
Esqr. Sub Inspector, Royal Irish Constabulary,
By The magistrates & residents of the Swords
Petty Sessions District in the Co Dublin, where
during a service of nine years & upwards his
conduct as an officer & a gentleman, gained
for him universal regard & esteem 1869.
£1,500-2,000
21
DONNINGTON PRIORY
36
A pair of late George II cast silver
hexafoil candlesticks by John Perry,
London 1758, with shaped circular
sconces, the stems with foliate knops
and on hexafoil moulded bases with
foliate decoration, engraved with
crests, 27cm (10 1/2in) high, 1311g
(42.15 oz)
The sconces with the crest for
Ackworth, Bayley, Chisenal, Davies,
Foley, Gamage, Knolles, Lewis, Martyn,
Parkhurst, Read, Sandes, Walsh and
others. The bases with the crest for
Athol, Black, Chisholm, Dasent, Elyard,
Greg, Hagges, Laurenson, Merry,
Oakeley, Pennel, Rice, Smith, Taaffe,
Wingate and others.
£1,000-1,500
22
DONNINGTON PRIORY
37
A William and Mary silver slightlytapered tankard, maker’s mark
IC, a pellet below (Jackson, 3rd
edition, p. 131), London 1694, The
flat topped domed cover engraved
Wm. GARDNER and with a shaped
front rim and scroll thumb piece, the
S-scroll handle with a spade terminal
prick engraved WH over 1696 over
WG, on a moulded base, 17cm (6
3/4in) high, 717g (23.05 oz)
£2,000-3,000
23
DONNINGTON PRIORY
38
A George III silver mounted tapering horn
mug, unmarked late 18th century, with a
scroll handle and foliate bands, 13cm (5in)
high
£400-600
39
A set of three George III silver oval pedestal
sauce tureens and covers by William
Pitts, London 1782, the oval finials chased
with stiff leaves, moulded C-scroll handles,
beaded rims and on oval bases, engraved
with a crest beneath a coronet, a coat-ofarms and motto Nec Cupias Nec Metuas
beneath a coronet, two 22cm long, one
23cm long, and three George III old English
pattern sauce ladles, engraved with a crest
beneath a coronet, 1776g (57.1 oz) gross
The shield of YORKE impaling LINDSAY
quartering BALCARRES for the 1782
marriage of Philip Yorke, 3rd Earl of
Hardwicke (1796-1834) and de jure Earl of
Crawford, to Elizabeth, daughter of James
Lindsay, 5th Earl of Balcarres. An assay in
1782 is compatable with the spade-shaped
shield, but this must have been engraved
between 1796, when Philip succeeded his
uncle to the earldom, and 1803 when he
was made a KG.
38
£1,200-1,600
39
24
DONNINGTON PRIORY
Irish Silver
40
An 18th century Irish provincial silver twin
handled cup by Carden Terry, Cork (CT,
STERLING), circa 1765-95, with leaf-capped
double scroll handles, a central moulded
girdle, on a moulded circular pedestal base,
14cm (5 1/2in) high, 417g (13.4 oz)
Provenance: the property of a lady of title.
£600-800
41
A pair of George III Irish silver shaped oval
pedestal sauce boats by Michael Homer,
Dublin 1789, with reeded borders and high
clip handles, later chased with floral sprays,
foliate swags, fruit and C-scrolls, shaped
vacant reserves, on reeded oval pedestal
feet, 20.5cm (8in) long, 735g (23.6 oz)
40
£600-800
42
An Irish silver dish ring by Wakely &
Wheeler, Dublin 1910, in the 18th century
style, the waisted body pierced and chased
with dogs and a fox among C-scrolls, foliate
and floral sprays, a shaped vacant reserve,
18cm (7 1/4in) diameter, 279g (8.95 oz),
with a blue glass liner
£400-600
42
41
25
DONNINGTON PRIORY
Objects of Vertu, Boxes and Small Silver
43
A late Victorian silver framed easel
mirror by William Comyns, London
1890, rectangular with cast and pierced
decoration centred by a bearded mask to
the crest further male and female masks,
scrolls, flowers, shells and foliage, the base
centred by a vacant shield, worn blue
velvet easel back, 39.5cm (15 1/2in) high
43
£300-400
44
A late Victorian silver photograph
frame by William Comyns, London
1898, rectangular with cast and pierced
decoration of figures emblematic of the
Four Seasons to the corners, a vacant
reserve flanked by birds, an owl, a cockerel,
a male mask and scrolling foliage, oak easel
back, 19.5cm (7 1/4in) wide
£200-300
45
An Art Nouveau silver mounted
photograph frame by H. Matthews,
Birmingham 1901, shaped oblong and
embossed with a vacant reserve to the top,
flanked by peacocks, the base with a vacant
heart reserve and flowers, heart shaped
aperture, green velvet easel back, 19cm (7
1/2in) high
44
£250-350
46
photograph frame by A. & J. Zimmerman,
Birmingham 1902, rectangular and
embossed with a vacant oval reserve, irises
and meandering foliage, circular aperture,
on a basket weave ground, blue velvet
easel back, 15.3cm (6in) high
£250-350
45
26
46
DONNINGTON PRIORY
47
Birmingham 1902, shaped rectangular and
embossed with a vacant heart reserve to
the base, tall flowers and scrolls, shaped
rectangular aperture, green velvet easel back,
20.5cm (8in) high
47
£250-350
48
An Art Nouveau silver mounted small
photograph frame by W. J. Myatt & Co.,
Birmingham 1903, rectangular and embossed
with a vacant oval reserve, irises and
meandering foliage, circular aperture, on a
basket weave ground, blue velvet easel back,
10cm (4in) high
£200-300
49
An Arts and Crafts silver mounted
photograph frame by W. J. Myatt & Co.,
Birmingham 1903, shaped rectangular and
embossed with honesty, with side brackets,
shaped rectangular aperture, oak easel back,
26cm (10 1/4in) high
48
£600-800
50
photograph frame by Hart & Sons,
and meandering foliage, on a basket weave
ground, blue velvet easel back, 23cm (9in)
high
£200-300
49
50
27
DONNINGTON PRIORY
51
51
photograph frame by Marks & Cohen,
embossed with a vacant reserve to
the top, a whiplash border and a
hammered ground, circular aperture,
blue velvet easel back, 14.5cm (5 3/4in)
high
£150-250
52
A pair of Art Nouveau silver
mounted photograph frames by W.
J. Myatt & Co., Birmingham 1904,
each rectangular and embossed
meandering foliage, on a basket weave
ground, blue velvet easel backs, 18cm
(7in) high
52
£400-600
53
54
53
Birmingham 1904, shaped rectangular
and embossed with a vacant reserve
to the crest, tall flowers and scrolls to
the base, shaped rectangular aperture,
green velvet easel back, 20.5cm (8in)
high
£300-500
54
photograph frame by Walker & Hall,
Sheffield 1904, shaped rectangular
and embossed with a vacant oval
reserve, flowers and lobing, rectangular
aperture, oak easel back, 22.5cm (8
3/4in) high
£400-600
28
DONNINGTON PRIORY
55
photograph frame by A. & J. Zimmerman,
easel back, 10cm (4in) high
55
£200-300
56
photograph frame by Boots Pure Drug
Company, Chester 1907, rectangular and
easel back, 10cm (4in) high
56
£200-300
57
57
photograph frame, maker’s mark indistinct,
Chester 1907, rectangular and embossed
meandering foliage, on a basket weave
ground, oak easel back, 30.5cm (12in) high
(restored)
£100-150
29
DONNINGTON PRIORY
58
A Victorian silver bosun’s call by Yapp &
Woodward, Birmingham 1851, the curved
gun with three quadruple bands, engraved
leaf decoration on keel, the barrel shaped
buoy with crowned anchors on ends, 13cm
(5 1/8in) long, 17.6g
61
A George IV silver bosun’s call, maker’s
mark poorly struck, Birmingham 1820, the
curved gun with three quadruple bands,
the keel with engraved decoration, the
barrel shaped buoy with crowned anchors
on ends, 13.5cm (5/4in) long, 17g
£150-200
£200-300
59
A George III silver bosun’s call by Peter,
Ann and William Bateman, London, 1803,
the serpentine gun with three rope bands,
the keel engraved with zigzag design, scroll
at end, crudely engraved 1804 J Hocken,
the spherical buoy with incuse anchors on
caps, 14cm (5 3/8in) long, 36.5g
62
A Victorian silver small bosun’s call by
George Unite, Birmingham 1859, the
curved gun with three triple bands, the keel
with zigzag decoration, a spiral end, the
barrel shaped buoy with crowned anchors
on ends, 9cm (3 1/2in) long, 14g
£150-200
£200-300
60
A late George III silver bosun’s call, no
maker’s mark, London 1814, the serpentine
gun with two plain bands, stippled spiral
decoration on the keel, the spherical buoy
with flattened ends, 12.8cm (5in) long,
20.5g
63
A Victorian silver bosun’s call by Colen
Hewer Cheshire, Birmingham 1889, the
curved gun with three triple bands, the keel
with ivy motif engraving, the barrel shape
buoy with crowned anchor ends, 11.8cm (4
5/8in) long, 20g
64
A late Victorian silver patent bosun’s
call by Emanuel Emanuel, London 1896,
retailer’s stamp E&E EMANUEL 3 THE HARD
PORTSEA, the curved and flared gun plain,
the plain keel with rim and engraved HMS
ARDENT 1897 below a naval coronet and
Henry Farley, PO 1st. from KK, the buoy
spherical, 10.5cm (4 1/4in) long, 20g
HMS Ardent was a 280 ton destroyer. She
was built at Chiswick in 1894 and was sold
in 1911. The patent refers to E. Emanuel’s
patent of 11 April 1896. The boatswain’s
call has a long history both as a symbol
of office and as a practical instrument for
conveying orders at sea. Its distinctive
shape has remained practically unchanged
from medieval times to the present day.
The call’s shrill whistle can be varied in pitch
to convey a variety of information, and can
be heard above the sound of wind and sea.
Such instruments were private possessions
rather than official equipment and silver
calls like this one made suitable gifts and
presentation pieces.
£200-300
£200-300
£200-300
30
DONNINGTON PRIORY
58
59
60
61
62
63
64
31
DONNINGTON PRIORY
65
A gold coloured bosun’s call, unmarked,
with two rope bands on the curved gun,
pierced with quatrefoils on the keel, the
cylindrical buoy with inset United States
gold 1-Dollar 1853 on either side, 15cm
(6in) long, 29.0g
68
A gold coloured bosun’s call, unmarked,
probably Portuguese, the curved gun
with four bands, the keel engraved with
two reclining mermaids to each side, a
spiral end, the barrel shaped buoy with
Portuguese Pedro V Gold 1000-Reis 1855
coin at each end, 12.5cm (5in) long, 30.7g
£300-400
71
A Chinese export silver bosun’s call,
unmarked, late 19th century, the slightly
curved gun with six bands, the keel
engraved with a bamboo leaf design and
with spherical buoy, 13cm (5 1/8in) long,
20.5g
£200-300
£300-400
66
A late George III Irish silver bosun’s call by
Richard Sawyer, Dublin 1812, the curved
gun with three triple bands, the plain keel
with a rim, spiral end, the spherical buoy
with flattened ends, 15cm (6in) long, 35g
Provenance: bought from Bourdon-Smith,
September 1965
£300-500
67
A Continental silver coloured
commemorative bosun’s call, unmarked,
probably Swedish, with gold coloured
double bands on the gun, engraved
lozenges and filigree scroll to the keel, the
barrel shaped buoy with Swedish gold
Oscar II 1-Krone piece on each side, 13.7cm
(5 3/8in) long, 28.5g
69
A Chinese export silver small bosun’s call
by Zheng Li, Canton circa 1860-1900, the
gun with four plain bands, cross hatched
decoration on the keel, the buoy spherical,
9cm (3 1/2in) long, 9g
72
A gold bosun’s call, unmarked, three
double bands on the gun, a zigzag border
on the keel with spiral end, George III
1/3-Guinea ends to the cylindrical buoy,
12.5cm (5in) long, 41.7g
£400-600
£150-250
70
A Chinese export silver small bosun’s call
by Zheng Li, Canton circa 1860-1900, with
four triple bands on the gun, the keel with
cross hatched design, the barrel shaped
buoy with incised fouled anchors on ends,
9.3cm (3 3/4in) long, 10g
£150-250
£200-300
32
DONNINGTON PRIORY
65
66
67
68
69
70
71
72
33
DONNINGTON PRIORY
73
73
A Continental silver parcel gilt rectangular
singing bird musical box, unnamed,
probably Swiss, stamped 935, import marks
for London 1927, sponsor’s mark of BCTCo
Ltd, the brass movement no. 2021 with
pins to secure to bellows no. 4740, direct
drive from barrel to wheel train, operated
by a bird lever to the front releasing an oval
cover cast with a ruins scene, the cover
with 18th century figures in a rural scene
revealing a pierced interior with a coloured
feathered bird, the sides with oval reserves,
swags and a trellis ground, a hinged key
compartment to the back, 9.8cm (3 7/8in)
wide, in a black card covered case
£1,500-2,000
74
74
An 18th century silver mounted shagreen
gentleman’s etui, unmarked, circa 1770,
with a vacant canted-square name plate to
the hinged cover with moulded edges and
a hinged hasp for the cartouche shaped
lock below, with a silver mounted fittings,
of a silver handled steel scissors, a mirror,
a stone strop, a leather strop, a bottle, a
spatula and six tortoiseshell razors, the steel
blades stamped Mare Cho, 19cm (7 1/2in)
high
£2,000-3,000
75
75
A French amboyna travelling toilet case
with silver gilt mounted fittings, Paris 1809
- 1819 various size marks, .950 standard,
comprising: ten cut glass jars, ointment
pots and scent bottles with silver gilt
covers, an eye wash bowl, a pull-out mirror
with a pocket behind, and fourteen mother
of pearl handled and mounted items,
including, two boxes, a needle case, a
desk seal, a pair of scissors, a thimble, a dip
pen and other items, the case with inlaid
mother of pearl name, key and thumb
plates, 27cm (10 1/2in) long
£1,000-1,500
34
DONNINGTON PRIORY
76
A silver mounted marble ovoid shaped
inkwell by Anderson & Lehrs, London
1910, the domed cover with a cone finial,
on three goat mask and hoof legs, to
a marble trefoil base on three ball feet,
12.5cm (5in) high
76
79
£400-600
77
An Arts and Crafts silver capstan inkwell
by Omar Ramsden & Alwyn Carr,
London 1906, the cover embossed with
a cross centred by an X spelling DUX,
LUX, REX and LEX, the base with a briar
meander band with four Tudor roses,
with a clear glass liner, 14cm (5 1/2in)
diameter
£800-1,200
78
copper casket by George Lawrence
Connell, London 1902, engraved Connell,
83 Cheapside, London, the cover with
decorative strap hinges, the angles with
pierced foliate supports continuing to
the pad feet, wood lined base, 21.5cm (8
1/2in) long
See sale these rooms 7th March 2007, lot
427 for a smaller all silver example of a
similar cigarette box by William Hutton
& Sons, London 1902. See Treasures of
the 20th Century Exhibition catalogue.
London: The Worshipful Company of
Goldsmiths 2000, p. 18, cat. no. 12 for a
similar example. This design of box was
illustrated in an advertisement by Connell
in a 1904 edition of The Studio. It seems
that there was a relationship between
Connell and Hutton such that it seems
likely the present lot was made by Hutton
for retail by Connell.
77
78
£300-500
79
A late Victorian silver novelty desk set
by Sampson Mordan & Co., London
1900, in the form of two crossed military
swords in scabbards resting on a gorget,
the swords drawing, one as a letter
opener the other a pencil, mounted on
a rectangular onyx base, 19cm (7 1/2in)
long
£300-500
35
DONNINGTON PRIORY
80
81
80
A Scottish silver mounted horn snuff mull,
unmarked, circa 1830, the silver cover inset
with a cabochon rock crystal, the mount
threaded, 9cm (3 1/2in) long
£400-600
82
81
A silver mounted carved ivory cartouche
shaped snuff box, unmarked, mid 18th
century, the cover carved with Joseph
being cast into the well by his brothers, the
underside carved with foliate scrolls, 7.4cm
(3in) long
82
Two similar Chinese ivory rectangular
card cases, Canton, mid/late 19th century,
deeply carved with figures and pavillions
under trees, each 9.5cm (3 3/4in) high
£300-500
£300-400
83
A silver mounted oval tortoiseshell box by
William Comyns, London 1912, the cover
inlaid with foliate swags, a silver hinge and
catch, 20cm (8in) long
84
A 19th century gold and enamel
mounted ebony walking stick, worn
maker’s? mark ..L?, the top of the gold cap
with enamelled initials SB in white on a
blue ground, chased laurel borders and four
enamelled female classical figures in oval
reserves, 96cm (37 3/4in) long
84
£400-600
£400-600
83
36
DONNINGTON PRIORY
85
A Victorian silver shaped rectangular
‘castle top’ card case by Nathaniel
Mills, Birmingham 1844, the cover with
Westminster Abbey amidst scrolls, flowers
and foliage, the reverse with a vacant
shield, scrolls, flowers and foliage, 10cm
(4in) long, 69g (2.2 oz)
85
£700-1,000
86
A Victorian silver gilt shaped rectangular
‘castle top’ card case by Frederick Marson,
Birmingham 1844, the cover with an
unidentified abbey amidst scrolls, flowers
and foliage, the reverse with a vacant
cartouche, scrolls, flowers and foliage,
8.8cm (3 1/2in) long, 49g (1.6 oz)
86
£600-800
87
87
A Victorian silver shaped rectangular
‘castle top’ card case by Nathaniel Mills,
Birmingham 1847, embossed with a scene
of Osborne House from the water, chased
with scroll foliage the reverse with a vacant
foliate scroll cartouche, inscribed ‘Elizabeth’,
10cm (4in) high, 75g (2.4 oz)
£1,500-2,000
37
DONNINGTON PRIORY
88
An early 19th century gold oval
vinaigrette, unmarked, probably English,
with engine turned decoration overall, the
hinged cover opening to a dot pierced and
trellis engraved grille, 3.6cm (1 1/2in) long,
13.2g
£400-600
89
An early 19th century gold circular
vinaigrette, unmarked, probably English,
with engraved foliate borders, the hinged
cover opening to a dot pierced grille, 2.4cm
(1in) diameter, 11.6g
£300-500
90
A Swiss gold circular pill box by Roux,
Poncon & Cie., Geneva, circa September
1801 to 1803, the cover and base engraved
with a central flower head on a radiant
and turned ground and a cable border and
edge, the sides with a band of beads and
roundels, 4.5cm (1 3/4in) diameter, 23.4g
£800-1,200
38
DONNINGTON PRIORY
91
92
93
91
A gold basket weave box, stamped 750,
the hinged cover set with ten diamonds
to the thumb piece, 8.2cm (3 1/4in) long,
118g gross
£1,500-2,000
92
A German silver gilt and white enamel
rectangular necessaire, maker’s mark LR
(not traced), post 1886 .925 standard, AustroHungarian import marks for 1901-1921, with
seed pearl lines, a rose cut diamond thumb
piece, engraved ends, the larger cover with a
mirror under, two smaller compartments to
one end, 11.2cm ( 4 1/2in) long, 201g (6.45
oz) gross, in a red fabic covered box
93
A German silver gilt and light blue enamel
rectangular necessaire, maker’s mark LR
(not traced), post 1886 .925 standard, AustroHungarian import marks for 1901-1921, with
seed pearl lines, a rose cut diamond thumb
piece, engraved ends, the larger cover with a
mirror under, two smaller compartments to
one end, 11.3cm ( 4 1/2in) long, 193g (6.2 oz)
gross, in a red leather covered box
£800-1,200
£1,000-1,500
39
DONNINGTON PRIORY
94
An Austrian silver and enamel novelty vinaigrette,
aparently no maker’s mark, Vienna 1872-1922 small
article mark, .800 standard, in the form of a violin, the
red guilloche enamelled body with a scroll of musical
notation to the back, the hinged back revealing a gilt
interior with a small scroll pierced and enamelled grille
with a ring handle, 6.8cm (2 5/8in) long
£300-500
94
95
Jaques Costanier, a gilt enamel Mandolin with concealed
watch, circa 1820, no. 4961, probably Austrian, small
gilt full plate verge movement with fusee, pierced and
engraved balance bridge, silvered regulator dial, winding
through white enamel dial, Arabic numerals, blued steel
Breguet style hands, hinged into gilt enamel Mandolin
form case, the front with cream enamel decorated with
fauna, the fret board with black enamel and gilt frets,
with eight wired strings ending in tuning keys, the back
decorated with cream and blue enamel highlighted in
black on short chain strap, length overall 62mm.
95
£1,500-2,000
96
96
A Continental silver and enamel carriage clock,
sponsor’s mark for John Manger, import mark for London
1898, French 8 day movement with platform lever
escapement, green enamel engine turned dial with gilt
foliate swags, Roman numerals, Louis watch hands, the
green enamel side panels with fleur de lys decoration,
6.5cm (2 1/2in) high, in a fitted green velvet case
£400-600
40
DONNINGTON PRIORY
97
An early 19th century French gold mounted
tortoiseshell bonbonniere, Paris 1809 -1819 3rd
standard (.750), the cover inset with a painted
miniature of a nude being attended by putti after
Jacques Charlier, signed Valery, the moulded gold
mounts with meander bands, the tortoiseshell
plain, gold lined, 7.5cm (3in) diameter
£1,500-2,000
97
98
A French lacquer and watercolour
bonbonniere, early 19th century, the cover
inset with an extensive battle scene after
the van Blarenberghe family, brass mounts,
flower painted amber ground ribbed lacquer,
tortoiseshell lining, 9.8cm (3 7/8in) diameter
£2,000-3,000
98
99
A gold mounted tortoiseshell circular snuff box,
unmarked, probably English, early 19th century, the
cover inset with a miniature portrait of The Cumaean
Sibyl after Domenico Zampieri, called Il Domenichino,
the mounts and tortoiseshell plain, 7.5cm (3in)
diameter, in a later blue velvet covered box from Evan
Ortner, Jeweller, St James’s Street
£3,000-5,000
99
41
DONNINGTON PRIORY
100
A late 18th century porphyry and micromosiac bonbonniere, the plain porphyry
box inset in the lid with a circular micromosaic plaque by Giacomo Rafaelli depicting
a pair of facing doves on a plinth, an attribute belonging to Concord and alluding to
an end of war and on going peace, signed on the underside Giacomo Raffaelli feci in
Roma 1799, the gold mount with an indistinct poinçon, 7.7cm (3in) diameter.
Giacomo Raffaelli (1753-1836) came from a family who worked for the Studio del
Mosaico della Fabbrica della Basilica di S. Pietro in Rome. He is credited with many
of the innovations in mosaici in piccolo, although it is probable some had been
developed a little earlier. In 1775 Raffaelli held the first recorded exhibition of
micromosaics at his private studio in the Piazza di Spagna. His subject matter was
varied, from birds, flowers and animals, to views of the monuments of Rome, all of
which were popular with Grand Tourists.
£15,000-20,000
42
DONNINGTON PRIORY
43
DONNINGTON PRIORY
101
101
An Italian silver rectangular concertina triple
cigarette case by Fo. Gatti, Milan, circa 1930,
incuse stamped Fo. Gatti Milano three times only,
with a sugar loaf cabochon sapphire thumb
piece to the hinged end cover, ribbed overall,
folding out to reveal three gilded compartments,
13.7cm (5 3/8in) long closed, 515g (16.55 oz)
gross
£400-600
102
An Italian silver rectangular concertina
quadruple cigarette case by F. Gatti, Milan, circa
1930, incuse stamped F. Gatti Milano three times
and 925, plain with a plain curved thumb piece
to the hinged end cover, folding out to reveal
four gilded compartments, 9.7cm (3 3/4in) long
closed, 316g (10.15 oz) gross
£300-500
102
103
A silver mounted leather cigar or cigarillo case
by Alfred Clark, London 1911, gilt stamped Clark
33 New Bond St. W., green morocco with plain
silver mounts and a natural calf interior, 20cm
(8in) long
£300-500
104
A German silver and enamel cigarette case,
maker’s mark B.C (not traced), post 1886 .935
standard (no national mark), circa 1910, the
cover painted with a head portrait of a horse,
a plain push piece, 10.5cm (4 1/4in) long, 154g
(4.95 oz) gross
£600-800
103
44
104
DONNINGTON PRIORY
105
A German silver and enamel stirrup
shaped cigarette case, maker’s mark ALV
(not traced), post 1886 sterling standard,
circa 1910, the cover painted with a head
portrait of a horse, a cabochon sapphire, a
plain push piece, the interior gilt, 9.5cm (3
3/4in) long, 148g (4.75 oz) gross
105
£1,200-1,800
106
A silver and enamel rectangular cigarette
case, stamped 900 only, probably German,
circa 1910, the cover painted with a half
length portrait of a lightly clad maiden, the
base plain, the interior gilt, 8.3cm (3 1/4in)
long, 122g (3.95 oz) gross
106
£800-1,200
107
An Italian silver and enamel rectangular
table box, stamped 800 only, circa 1910,
the cover painted with Love’s Advice, a
maiden with two cherubs, after Guillaume
Seignac, within a Greek key border, a plain
thumb piece, sides and base, the interior
gilt, 10.8cm (4 1/4in), 220g (7.05 oz) gross
£1,000-1,500
108
A silver and enamel trompe l’oeil
rectangular cigarette case, stamped
Sterling only, probably Italian, circa 1929,
the cover and base enamelled to simulate
orange onyx, the short sides simulating
lapis lazuli, the interior gilt, engraved inside
2 Gennaio 1929, 8.2cm (3 1/4in) long, 174g
(5.6 oz) gross
107
£500-700
108
45
DONNINGTON PRIORY
109
An 18th century Continental silver and
niello cartouche shaped table snuff box,
two post 1893 French remarking swan
poiçons only, probably Russian, the cover
with a stag hunting scene, the sides with
shooting scenes, the interior gilt, 10cm (4in)
long, 174g (5.6 oz)
112
A Russian silver and niello rectangular
snuff box, maker’s mark OB (Cyrillic, not
traced), Moscow early 19th century, 84
zolotniks, the cover with a nude reclining
under a tree, on a matted ground, the sides
with buildings, the base with a town scene,
the interior gilt, 7.5cm (3in) long, 77g (2.45
oz)
£150-250
£200-300
110
snuff box, maker’s mark REe (Cyrillic,
unknown), Moscow 1851, assay master
Andrey Antonovich Kovalsky (1821-56),
84 zolotniks, the cover and base with a
riverside town scene within a broad scroll
foliate border, on a matted ground, the
sides hatched, the interior gilt, 7.2cm (2
3/4in) long, 87g (2.8 oz)
113
An Austrian silver and niello rectangular
snuff or tobacco box, maker’s mark HS or
SH, Vienna 1872-1922 2nd (.900) standard,
the cover with a later inset gold roundel
engraved with a monogram, the ground
with four putti, masks and foliate scrolls, the
sides and base with foliage, 10cm (4in)long,
109g (3.5 oz)
£150-250
£300-500
111
snuff box, maker’s mark OB (Cyrillic, not
traced), Moscow 1843, assay master
Andrey Antonovich Kovalsky (1821-56),
84 zolotniks, the cover with a lakeside
town scene with a foliate border, the sides
hatched, the base with a riverside town,
the interior gilt, 8.3cm (3 1/4in) long, 110g
(3.55 oz)
114
snuff box by N. J. Michaelov, Moscow
1842, assay master Andrey Antonovich
Kovalsky (1821-56), 84 zolotniks, the cover
and base with a flowering foliate formal
design, the sides hatched, the interior gilt,
8.5cm (3 3/8in) long, 98g (3.15 oz)
£150-250
£150-250
46
DONNINGTON PRIORY
109
110
111
112
114
113
47
DONNINGTON PRIORY
115
cigarette case, maker’s mark NB (Cyrillic,
not traced), Kokoshnik mark for Moscow
1896-1908, assay master Ivan Lebedkin
(1898-1914), 84 zolotniks, the cover with
a winter troika scene within an oval, scroll
foliate spandrels, the base with an applied
monogram on a roundel and scroll foliage
in an oval, scroll foliate spandrels, the
interior gilt, 10.7cm (4 1/8in) long, 180g
(5.75 oz)
118
A Russian silver parcel gilt and niello
rectangular snuff box, maker’s mark OB
(Cyrillic, not traced), Moscow 1830s, assay
master Nikolay Dubrovin (1822-55), 84
zolotniks, the cover with Peter the Great at
the battle of Poltava on a matted ground,
the sides with buildings, the base with a
martial trophy, the interior gilt, 8.5cm (3
3/8in) long, 124g (4 oz)
£200-300
119
A Russian silver parcel gilt and niello
rectangular snuff box, maker’s mark OB
(Cyrillic, not traced), assay master Nikolay
Dubrovin (1822-55), 84 zolotniks, the cover
with the statue of Minin and Pozharsky in
Moscow on a matted ground, the sides
with buildings, the base with a martial
trophy, the interior gilt, 8.7cm (3 1/2in) long,
129g (4.15 oz)
116
cigarette case by Gustav Klingert, Moscow
1888, assay master Anatoly Apollonovich
Artsybashev (1888-98), 84 zolotniks, the
cover engraved with a monogram and
dated 3.6.90 to a roundel, on a scroll foliate
ground, the base conforming, the interior
gilt, 10cm (4in) long, 154g (4.95 oz)
£400-600
117
snuff box, maker’s mark indistinct, Moscow
1852, assay master Andrey Antonovich
Kovalsky (1821-56), 84 zolotniks, the
cover and base with a palatial building,
on a radient ground, the sides and base
chequered, the interior gilt, 6cm (2 1/2in)
long, 57g (1.8 oz)
£150-250
£300-500
The monument is in front of St Basil’s
cathedral in Moscow and commemorates
Prince Dmitry Pozharsky and Kuzma
Minin. They gathered an all-Russian
volunteer army and expelled the Polish and
Lithuanian forces under the command of
King Sigismund III of Poland from Moscow,
thus putting an end to the Time of Troubles
in 1612.
£300-500
120
A Russian silver parcel gilt rectangular
tobacco box, no maker’s mark, Moscow
late 18th/early 19th century, 84 zolotniks,
the cover with a pipe smoking scene on
a matted ground, the sides and base with
figures in landscapes, the interior gilt, 9cm
(3 1/2in) long, 156g (5 oz)
£400-600
48
DONNINGTON PRIORY
115
116
117
118
120
119
49
DONNINGTON PRIORY
Foreign Silver and Allied Wares
121
A Russian silver trompe l’oeil basket
weave pocket box, maker’s mark MI (Latin,
not traced), Moscow 1880, 84 zolotniks, two
post 1893 French remarking swan poiçons,
the cover cast with a bouquet of flowers
in an oval reserve, 7cm (2 3/4in) long, 76g
(2.45 oz)
121
£250-350
122
A Russian silver and enamel belt, maker’s
mark KK (not traced), 1896 -1908 Kokoshnik
mark, St Petersburg asssay master Yakov
Lyapunov (1898-1903), 84 zolotniki,
composed of twenty eight dome shaped
links and a shaped oval buckle, the buckle
with a dagger pin, 89cm (35in) long
£500-700
122
123
A Russian silver and cloisonne enamel
circular sugar bowl by Igor Samoshin,
Moscow 1908 -1926 Kokoshnik mark, 84
zolotniki, with a swing handle, a band of
flowers and foliage on a matted ground
within decorative and beaded borders,
11cm (4 1/2in) diameter, 201g (6.45 oz)
gross
£300-500
124
A Russian silver kovsh by Karl Faberge,
post 1908 kokoshnik mark for Moscow, 84
zolotniki, signed in full under the Imperial
warrant, plain and engraved OG, 13cm (5in)
long, 116g (3.75 oz)
£2,000-3,000
123
124
50
DONNINGTON PRIORY
125
A Russian silver parcel gilt oval baluster
tea pot, maker’s mark HL or JH (Latin script,
not traced), Moscow 1828, assay master
Nikolay Dubrovin (1822-55), 84 zolotniks,
with an ivory lobed oval button finial to the
lobed dome centred cover, an ivory loop
handle, three gilded floral bands and two
of lobing, 28cm (11in) long, 742g (23.85 oz)
gross
125
£600-800
126
A pair of Continental silver candelsticks,
appears to bear Augsburg marks, early
19th century, with circular sconces, ovoid
capitals to a sphere, on three sweeping legs
with foliate terminals, on circular bases with
urns to the centre, a chased floral band and
on three ball feet, 29cm (11 1/2in) high,
1135g (36.5 oz)
£700-1,000
127
A German silver coloured oblong tray by
Koch & Bergfeld, post 1886 .900 standard,
with reed and ribbon stitch handles and
border, 75cm (29 1/2in) long, 4224g
(135.8 oz)
126
£800-1,200
127
51
DONNINGTON PRIORY
128
A German silver five piece baluster
tea service, Hanau type pseudo
marks, possibly J. D. Schleissner &
Sohne, circa 1900, Dutch tax mark for
foreign silver 1814-1953, the tea pot
with a wreath finial to the domed
cover, square section shaped handle,
chased with a foliate band, engraved
with a monogram VSS, and on four
foliate and pad feet, the kettle with
a swing handle and on an electroplated stand, the stand with four
scroll legs and lion paw feet, the tea
pot 23cm (9in) high; 43cm (17in)
high, together with a Dutch silver
burner and stand by Fa. J.M. van
Kempen & Zoon, .833 standard, The
Hague 1943, on four scroll legs and
wooden bun feet, 7.5cm (3in) high,
4510g (145 oz) gross weighable
£1,500-2,000
52
DONNINGTON PRIORY
129
A large Italian silver coloured shaped
oval tureen and cover by Buccellati, .925
standard, late 20th century, the wrythen
domed cover with a fruiting finial and
foliate and raised moulded border, the
wrythen body with foliate borders and on
four scroll feet, 43cm (17in) long, 3860g
(124.1 oz)
Provenance: Christie’s Roma sale, Important
silver, 31st May 2005, lot 43 (€6944)
£1,500-2,000
53
DONNINGTON PRIORY
130
An Austro-Hungarian silver table service
of hollow ware by Seligmann, Vienna 1872
- 1922, .800 standard, with reeded borders,
chased with a monogram THD under a
Count’s coronet, comprising:
Two oval fish platters, 44.5cm (17 1/2in)
long,
Two sauce boats on integral stands, 20cm
(8in) long
A large sauce boat on integral stand, 24cm
(9 1/2in) long
Two plates, 23cm (9in) diameter
54
Two large plates, 27.5cm (10 3/4in)
diameter
A vegetable tureen and cover, 29cm (11
1/2in) accross handles
Ten circular salts, 5cm (2in) diameter, with
eight glass liners
Two salad bowls on four scroll feet, 24cm (9
1/2in) diameter
An open vegetable dish with divider, 29cm
(11 1/2in) diameter
11036g (354.8 oz)
£1,500-2,500
DONNINGTON PRIORY
131
An Austro-Hungarian silver Georgian
(B) or Queen Anne pattern table service
by Seligmann, Vienna 1872 - 1922, .800
standard, chased with a monogram THD
under a Count’s coronet, comprising:
Twenty four table forks
Eight table spoons
Seventeen dessert forks
Sixteen dessert spoon
Twenty four pastry forks
Eighteen pastry spoons
Sixteen fish knives
Seventeen fish forks
Twenty four small fish knives
Twenty four oyster forks
Twenty four ice cream spoons
Twenty four tea spoons
Twelve egg spoons
Eleven butter knives
Twelve small pickle forks
Nine salt spoons
Two sauce ladles
Two large serving spoons
Two sugar sifting spoons
Four dessert serving spoons
Two tart slices
Two small pastry slices
Two serving forks
Two fish serving forks
A fish serving knife
Three ice cream serving spoons
A butter serving knife
An asparagus server
Two medium serving forks
14678g (471.95 oz)
Together with the following with silver
handles and steel blades
Six table knives
Five dessert knives
Twelve fruit knives
Nine fruit forks
Twelve spare handles
£2,500-3,500
55
DONNINGTON PRIORY
132
A Danish hammered silver circular inkwell
by Georg Jensen, stamped marks for 191527, dated 1919, .830 standard, design no.
150, with a button and beaded finial to the
hinged domed cover, a beaded band to
the well with foliate band at the base, the
dished base with conforming beaded and
foliate bands, 20.5cm (8in) diameter, 808g
(26 oz) (the glass liner lacking)
132
£1,000-1,500
133
An Italian silver shaped circular ice pail,
Milan 1934 - 1944, .800 standard, the
slightly tapering body with lion mask and
floral ring handles, 23cm (9in) high, 1428g
(45.9 oz)
£250-350
134
A Chinese export silver three piece tea
service by Chi Hua (Ji Hua), Beijing circa
1890 -1935 (CH and a chopmark), the tea
pot with a faux bamboo finial to the pull off
cover and swing handle, the body chased
with a dragon, 17cm (6 3/4in) long, 822g
(26.4 oz)
133
See von Ferscht, Adrien Chinese Export
Silver 1785-1940: Catalogue of Makers’ Marks,
4th edition, Glasgow 2015, p.145, for the
maker’s marks.
£600-800
134
56
DONNINGTON PRIORY
135
A Burmese silver thabeik bowl,
unmarked, circa 1900, chased in
high relief with figures in traditional
dress in folklore scenes, beneath
niches and between floral chased
bands, 23cm (9in) diameter, 1124g
(36.15 oz)
£1,000-1,500
136
An Indian silver spherical tea
pot, unmarked, Lucknow, circa
1900, with an elephant finial to the
domed and chased cover, a cobra
scroll handle, the body chased with
borders of curved fish positioned
nose to tail, deities with animal
masks under niches and fish and
flowers between, on a circular foot, 27cm (10
1/2in) long, 822g (26.45 oz)
135
See Dehejia, Vidya et al, Delight in Design:
Indian Silver for the Raj, 2008, p174 for a water
pitcher with an elephant finial and fish bands,
the Lucknow emblem.
£500-700
136
57
DONNINGTON PRIORY
137
An Indian silver ovoid shape mustard pot by
Oomersi Mawji, Bhuj circa 1890, with a cone
finial to the domed cover, a snake scroll handle,
chased with animals among foliate scrolls, 10cm
(4in) high, 132g (4.25 oz)
137
See Dehejia, Vidya Delight in Design: Indian Silver
for the Raj, p. 38ff for a chapter on Oomersee
Mawjee & Sons and workshop designs and p.
126ff for Kutch embossed silverware including
works by Oomersee Mawjee.
£400-600
138
An Indian silver twin handled rectangular
tray, Parsee community, Bombay, circa 1900,
with flowering foliate cast handles, a plain rim, a
raised figural chased band, the centre engraved
with a mass beheading scene with Ahura Mazda
above, within an oval reserve and a foliate band,
60cm (23 1/2in) long, 2624g (84.35 oz)
£400-600
138
58
DONNINGTON PRIORY
139
An Indian silver spherical three piece tea
service, Kutch circa 1890, unmarked, the tea
pot with an elephant finial to the domed
cover, an angular handle, chased with foliate
scrolls overall and on four scroll feet, the tea
pot 19cm (7 1/2in) long, 865g (27.8 oz) gross
£600-800
139
140
A Chinese hardwood shaped square tray
with silver handles by Wing On & Co., Hong
Kong and Shanghai early 20th century, with
twin faux bamboo handles, the gallery with
pierced prunus panels and on bracket feet,
51cm (20in) long
The Wing On Company traded in Nanjing
Road, Shanhai and Des Voeux Road, Hong
Kong from circa 1907 until the present day.
140
£200-300
59
DONNINGTON PRIORY
Portrait Miniatures
141
Attributed to Henry Collen (circa 1840)
Three portraits of young gentlemen, either
brothers or the same sitter
The first in a fancy fillet 10cm x 8.2cm, oval
The second 9.5cm x 7.8cm, oval
The smallest 5cm x 4.2cm, oval
Each in a leather covered rectangular frame
£600-800
141
142
Attributed to Henry Collen (circa 1840)
Portrait of a lady wearing a blue ribbon
trimmed bonnet and a fur trimmed cape
Portrait of a fair haired young lady
The first 10cm x 7.8cm, oval
The second 9.3cm x 7.8cm, oval
Each in a leather covered rectangular
case (2)
£400-600
142
60
DONNINGTON PRIORY
143
143
William Egley (1798-1870)
Portrait of a young woman wearing a
mutlicoloured shawl
5.7cm x 4.5cm
In a leather covered rectangular case
£250-350
144
144
Christina Robertson (1796-1854)
Portrait of a young lady with a book,
seated at a table before a red drape
Signed lower right CR and dated 1829
18cm x 13cm, arch top
In a leather covered rectangular case
£300-500
145
145
Christina Robertson (1796-1854)
Portrait of a young lady wearing a green
dress standing before a column
Signed upper left C. Robertson pinxt and
dated 1823
13cm x 10.5cm
In a leather covered case
£300-400
61
DONNINGTON PRIORY
Fine Watches
62
DONNINGTON PRIORY
146
Jn. Gammon, London, a silver pair cased pocket
watch, unmarked, gilt full plate fusee movement,
verge escapement, pierced and engraved balance
cock, flat undersprung steel balance, Tompion type
regulator, engraved Jn. Gammon, London, no. 341,
silver champleve dial with chased lion and unicorn,
Roman numerals, outer Arabic numeral 5 minute
track, gold hands, two piece hinged inner case, the
two piece hinged outer case engraved KL 16.7.2,
inner case diameter 50mm, outer case diameter
58mm
£1,000-1,500
147
Fres Esquivillon & De Choudens, a gold and enamel pair cased
pocket watch, no. 62591, circa 1800, verge fusee movement,
three arm balance, pierced and engraved balance cock, disc type
regulator, engraved Esquivillon & De Choudens, 62591, white enamel
dial, black Roman numerals, outer Arabic numeral 5 minute track,
diamond set fancy hands, two piece hinged plain polished inner
case, two piece hinged outer case with an enamel portrait of a
seated girl, in an oval reserve with diamond border and set on a
blue background, the front cover with a diamond set bezel, inner
case diameter 36mm, outer case diameter 42mm
Esquivillon & De Choudens are recorded in Baillie, G.H. Watchmakers
& Clockmakers of the World as working in Paris 1765-1830
£800-1,200
148
J. P. Farjon, a gold open face pocket watch, unmarked,
circa 1830, full plate movement, three armed balance,
pierced balance cock, disc type regulator, gold dial with
engine turned centre and chased foliate border, black
Roman numerals, blued steel Breguet hands, four piece
hinged case, inner cover engraved J. P. Farjon, the case
chased with foliate swags and fruit, set with half pearls,
turquoise and garnets, diameter 42mm
£600-800
149
A Swiss 18 carat gold full hunter repeater pocket watch,
ref. 7725, no. 25, circa 1910, minute repeating movement,
jewelled through to the hammers, bimetallic split balance,
overcoil balance spring, white enamel dial, black Arabic
numerals, outer Arabic numeral 5 minute track, Louis style
hands, subsidiary seconds dial, the four piece hinged case
engraved with foliate decoration, the inner case stamped
Fr Martin, Stuttgart, the back cover with a polished centre,
the front cover with a polished band and a circular shaped
vacant reserve, diameter 52mm
£800-1,200
63
DONNINGTON PRIORY
150
Cartier, Vendome, a lady’s 18 carat gold bracelet
wristwatch, no. 670803861, circa 1990, manual wind
movement, 17 jewels, cal. 67X ETA 2412, white dial, Roman
numerals, blued steel hands, snap back, case, dial and
movement signed, on an 18 carat gold Cartier bracelet with
fold over clasp, diameter 25mm
£1,500-2,000
151
Cartier, Santos, a lady’s 18 carat gold bracelet
wristwatch, no. 8090104865, circa 1991, manual wind
movement, gold dial, diamond dot markers, sword
hands, screwed down back, case, dial and movement
signed, on an 18 carat gold and diamond set Cartier
bracelet, accompanied by a Cartier box, guarantee
certificate and instruction booklet, width 24mm
£2,000-3,000
152
Jaeger LeCoultre, Reverso, ref. 250.8.86, a stainless
steel wristwatch, no. 1713070, circa 2000, manual wind
movement, 18 jewels, adjusted to 4 positions, silvered
dial, Arabic numerals, blued steel sword hands, sliding
screwed case, case, dial and movement signed, on a tan
ostrich Jaeger LeCoultre strap, width 23mm
£500-800
153
The Royal Diamond, Double, ref. BA812, a lady’s 18
carat white gold and diamond wristwatch, no. 17,
circa 2000, two Swiss quartz movements, 5 jewels,
cal. ETA 280.002, twin white dials for dual time zones,
Arabic numerals, sword hands, diamond set bezels and
lugs, screwed down back, case and dials signed, on a
snakeskin The Royal Diamond strap with an 18 carat
white gold buckle set with diamonds, width 31mm
£2,000-3,000
64
DONNINGTON PRIORY
154*
Breitling, Chronospace, ref. A56012 1, a stainless
steel bracelet wristwatch, no. 12082, circa 1995,
quartz movement, cal. 988 431 332 ETA. 988-111,
blue dial, applied luminous Arabic numerals,
luminous baton markers, luminous baton hands,
two digital displays, bidirectional rotating bezel,
snap back, case, dial and movement signed, on a
stainless steel Breitling block link bracelet with fold
over clasp, diameter 42mm
£400-600
155*
Breitling, Super Avenger, ref. E13360, a stainless
steel bracelet wristwatch, no. 629806, circa 2004,
automatic chronograph movement, cal. ETA 7750,
no. 629806, black dial, applied Arabic numerals with
dot markers, baton hands, centre chronograph hand,
subsidiary dials for constant seconds, 30 minute
and 12 hour recording, date aperture at 3 o’clock,
unidirectional rotating bezel, screw down back,
case, dial and movement signed, on a stainless steel
Breitling block link bracelet with fold over clasp,
diameter 42mm
£800-1,200
156
Dior, Christal, ref. CD114318, a stainless steel and
diamond wristwatch, no. EV3960, circa 2010, Swiss
quartz chronograph movement, 23 jewels, cal. ETA
251471, silvered dial, applied Arabic numerals and
diamond baton markers, luminous tipped baton
hands, centre chronograph hand, subsidiary dials for
constant seconds, 30 minute and 10 hour recording,
date aperture between four and five o’clock, rotating
diamond set bezel, screwed down back, case, dial
and movement signed, on a stainless steel Dior
bracelet with concealed clasp, diameter 39mm
£800-1,200
65
DONNINGTON PRIORY
157
157
Heuer, ref. 12, a rare black stainless steel wristwatch,
circa 1975, Swiss chronograph movement, 17 jewels, cal.
ETA 773.4, black dial, baton markers, baton hands, orange
centre chronograph hand, subsidiary dials for constant
seconds and 30 minute recording, date aperture at 6
o’clock, screw down back, dial signed, on a black stainless
steel unsigned block link bracelet with fold over clasp,
diameter 40mm
£1,000-1,500
158
Breguet, First Generation Type 20, ref. 5101/54, a
stainless steel military wristwatch, no. 7688, circa 1954,
Swiss chronograph movement, 17 jewels, cal. R222,
black dial, luminous Arabic numerals, outer white Arabic
numeral 5 minute track, luminous skeleton baton hands,
luminous chronograph hand, subsidiary dials for constant
seconds and 30 minute recording, knurled bezel with
arrow head indicator, screw down back engraved FG.10.56,
FG 22 6 65, FG 22 7 73, FG 11 7 75, FG 27 10 78, FG 28 6 80,
case signed, on a black leather strap, diameter 38mm
158
The Type 20 was a specification of wristwatch set out
by the French Ministry of Defence. These were issued
to the pilots and flight crew of the French Air Force,
French National Navy and French Flight Tests Center. The
watches remained property of the army and were issued
like any other piece of equipment. The standard model
for the French Air Force was fitted with an unsigned
dial. Four companies supplied the Type 20 to the armed
forces, Vixa, Breguet, J. Auricoste and Dodane. Breguet
were commissioned to produce 2000 watches by the
government in 1954.
The specifications for the Type 20 were that the watch was
accurate to at least 8 seconds per day, a power reserve of
at least 35 hours, to include the flyback function and the
ability to operate satisfactorily at least 300 times.
Due to the use of these watches they had to be serviced
regularly. The date for the next scheduled service was
stamped on the case back next to the letters FG. This
stood for fin de garantie, which translates to end of
warranty. This watch has six dates stamped to the case
back.
159
£4,000-6,000
159
Corum, Admiral’s Cup Seafender 48 Off-Centre, ref.
01.0100 2297966, a limited edition stainless steel and
titanium wristwatch, no. 036/200, automatic split seconds
chronograph movement, 31 jewels, cal. 7750, no. 690138,
black dial with stainless steel windows, baton markers and
Arabic numerals, Dauphine hands, chronograph hand,
split seconds hand, subsidiary dials for constant seconds,
30 minute and 12 hour recording, screw down glazed
back, case, dial and movement signed, on a black leather
Corum strap, diameter 47mm
£1,000-1,500
66
DONNINGTON PRIORY
160
Gerald Genta, Garena Biretro, ref. BIR.L.10, a
stainless steel wristwatch, no. 117546, circa 2005
automatic movement, 21 jewels, cal. ETA 2892A2, blue engine turned dial, exaggerated Arabic
minute numerals, jump hour aperture, sword
hands, subsidiary date dial, screwed down back,
case, dial and movement signed, on a blue alligator
Gerald Genta strap, accompanied by a Gerald Genta
box, international warranty booklet, Gerald Genta
brochure and outer card packaging, diameter 38mm
160
£1,500-2,000
161
161
Girard Perregaux, Monte Carlo 1976, ref. 49541,
a stainless steel wristwatch, no. 148/1000, circa
2006, automatic chronograph movement, 62 jewels,
cal. GP40CO, no. 03500, black dial, luminous Arabic
numerals, luminous modern hands, red chronograph
hands, subsidiary dials for constant seconds, 30 minute
and 12 hour recording, date aperture between 4 and
5 o’clock, screwed down back, case, dial and movement
signed, on a black rubber Girard Perregaux strap with
deployant clasp, accompanied by a Girard Perregaux
box, instruction book, information book, warranty
booklet and outer card packaging, diameter 40mm
£1,000-1,500
162
162
Girard Perregaux, Vintage, ref. 2599, an 18
carat gold wristwatch, no. ORN 1381, circa 2005,
automatic chronograph movement, 38 jewels, no.
02307, black dial, applied Arabic numerals and dart
markers, Dauphine hands, red arrow chronograph
hand, subsidiary dials for constant seconds and 30
minute recording, screwed down back, case, dial
and movement signed, on a black leather Girard
Perregaux strap with an 18 carat gold buckle,
accompanied by a Girard Perregaux box, guarantee
card, instruction booklet and outer card packaging,
width 30mm
£1,500-2,000
67
DONNINGTON PRIORY
163
Panerai, Luminor Submersible, ref. OP 6528
BB 997579, a stainless steel wristwatch, no.
C1332/2000, circa 2001, automatic movement, 21
jewels, cal. 7750-P1 ETA A05511, no. 203907, black
textured dial, luminous Arabic 12 and 6 and dot
markers, luminous pointed baton hands, subsidiary
seconds dial, date aperture at 3 o’clock, rotating
bezel, screw down back, case, dial and movement
signed, on a black rubber Officine Panerai
strap, accompanied by an Officine Panerai box,
guarantee card, book titled Panerai Historia From
the depths of the sea, screw driver and outer card
packaging, diameter 42mm
164
Panerai, Luminor Daylight, ref. OP 6666 PB
541748, a stainless steel wristwatch, no. I
066/500, circa 2005, automatic chronograph
movement, black dial, luminous Arabic 12
and baton markers, luminous baton hands,
chronograph hand, subsidiary dials for constant
seconds, 30 minute and 12 hour recording,
date aperture between 4 and 5 o’clock, screw
down back, case, dial and movement signed,
on a stainless steel block link Luminor Panerai
bracelet with concealed clasp, diameter 42mm
£2,500-3,500
£2,000-3,000
68
DONNINGTON PRIORY
165
Patek Philippe, Nautilus, ref. 3800/1, a two colour bracelet wristwatch,
circa 1990, automatic movement, 29 jewels, adjusted to heat and cold
isochronisms, cal. 335 SC, no. 142240, gold reeded dial, applied baton
markers, baton hands, centre seconds hand, date aperture at 3 o’clock,
screwed case, case, dial and movement signed, on a two colour Patek Philippe
block link bracelet with fold over clasp, width 38mm
£5,000-7,000
69
DONNINGTON PRIORY
166
Rolex, a lady’s 18 carat white gold wristwatch,
no. C 6 38674, import mark for Glasgow 1927,
manual wind movement, 15 jewels, timed
to 6 positions and for all climates, silvered
engine turned dial, Arabic numerals, blued
steel cathedral hands, diamond set bezel, snap
back, case, dial and movement signed, on a black
cordette strap with an 18 carat white gold clasp,
width 20mm
£600-800
167
Rolex, Oyster Perpetual Date, ref. 15210, a
stainless steel bracelet wristwatch, no. P889246,
circa 2000, automatic movement, 31 jewels,
adjusted to 5 positions and temperature, cal.
3135, no. 3 988193, copper dial, applied Arabic
numerals and luminous baton markers, luminous
baton hands, centre seconds hand, date aperture
at 3 o’clock, screw down back, case, dial and
movement signed, on a stainless steel Rolex Oyster
bracelet with fold over clasp, accompanied by
guarantee certificate and international service
guarantee dated 28th July 2008, diameter 34mm
£1,000-1,500
70
DONNINGTON PRIORY
168*
Rolex, Oyster Perpetual Datejust, ref. 16263, a two colour bracelet
wristwatch, no. Y252140, circa 2002, automatic movement, 31 jewels,
adjusted to 5 positions and temperature, cal. 3135, no. 3.9519442, white
dial, applied Roman numerals, baton hands, centre seconds hand,
bidirectional rotating gold coloured bezel, screw down back, case, dial and
movement signed, on a two colour Rolex Oyster bracelet with fold over clasp,
accompanied by a Rolex box, guarantee certificate, instruction booklet,
Rolex wallet and outer card packaging, diameter 36mm
£1,500-2,500
71
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72
169
Rolex, Oyster Perpetual Datejust, ref. 116231,
a two colour bracelet wristwatch, no. D307555,
circa 2005, automatic movement, 31 jewels,
adjusted to 5 positions and temperature, cal.
3135, no. 3 1359548, mother of pearl dial, applied
Roman numerals, baton hands, centre seconds
hand, date aperture at 3 o’clock, screw down
back, case, dial and movement signed, on a two
colour Rolex Jubilee bracelet with fold over clasp,
accompanied by a Rolex box, guarantee card,
booklet, two spare links and outer card packaging,
diameter 35mm
170*
Rolex, Oyster Perpetual Explorer II, ref. 16570, a
stainless steel bracelet wristwatch, no. Z556845,
circa 2006, automatic movement, 31 jewels, adjusted
to 5 positions and temperature, cal. 3185, no. 3
1489809, black dial, applied luminous dot and baton
markers, luminous baton minute and Mercedes
hour hand, centre seconds hand, red dual time
zone arrow hand, date aperture at 3 o’clock, Arabic
numeral 24 hour index to the bezel, screw down
back, case, dial and movement signed, on a stainless
steel Rolex Oyster bracelet with fold over clasp,
diameter 39mm
£3,000-5,000
£1,500-2,500
DONNINGTON PRIORY
171
Rolex, Oyster Perpetual Date Submariner, ref.
16610, a stainless steel bracelet wristwatch, no.
9361001, circa 1987, automatic movement, 31
jewels, adjusted to 5 positions and temperature,
cal. 3135, no. 5459835, black dial, luminous dot
and baton markers, luminous baton minute and
Mercedes hour hands, centre seconds hand,
date aperture at 3 o’clock, rotating bezel, screw
down back, case, dial and movement signed, on
a stainless steel Rolex Oyster bracelet with fold
over clasp, diameter 40mm
172
Rolex, Oyster Perpetual Day-Date, ref. 118238,
an 18 carat gold bracelet wristwatch, no.
K142688, circa 2001, automatic movement, 31
jewels, adjusted to 5 positions and temperature,
cal. 3155, no. 3-8681228, black dial, applied baton
markers, baton hands, centre seconds hand, day
aperture at 12 o’clock, date aperture at 3 o’clock,
screw down bezel, case, dial and movement signed,
on an 18 carat gold Rolex Presidnet bracelet with
fold over clasp, diameter 35mm
£5,000-7,000
£2,000-3,000
73
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173
Rolex, Oyster Perpetual Day-Date, ref. 1803, an 18 carat gold bracelet wristwatch,
no. 3058716, circa 1971, automatic movement, 26 jewels, adjusted to 5 positions and
temperature, cal. 1556, no. DD217749, champagne dial, applied baton markers, baton
hands, centre seconds hand, day aperture at 12 o’clock, date aperture at 3 o’clock, screw
down back, case, dial and movement signed, on an 18 carat gold Rolex President bracelet
with fold over clasp, diameter 34mm
£5,000-7,000
74
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Fine Jewellery
75
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174
A 1960s 18 carat gold, enamel and diamond suite of jewellery, the necklace of graduating textured panels with
blue and white and green and white enamelled flowers, each centred with a brilliant cut diamond, approximately
1.44 carats total, London hallmark for 1963, and makers mark RCK, 42cm long; together with a matching bracelet, the
graduated panels with enamelled flowers centred with brilliant cut diamonds, approximately 1.80 carat total, 18.5cm
long; and a pair of matching earrings, 2.5cm long
£4,000-6,000
175
A plique à jour diamond, ruby and seed pearl brooch, the peacock sitting upon a graduated brilliant cut
diamond Art Nouveau style perch, with round cut ruby eye and crest feathers, to a plique à jour diamond set tail,
approximately 0.56 carats total, suspending a ruby and two cultured pearl drops, stamped 750 on the reverse with
Italian control marks, 11cm long
£1,000-1,500
176
A diamond and enamel duck brooch, designed as a mallard in flight, the enamel wings and head set with brilliant
cut diamonds to the body set with further brilliant cut diamonds, approximately 1.50 carats total, stamped 750 with
Italian control marks, 5.6cm wide
£800-1,200
177
An enamel and diamond turtle brooch, the turtle’s shell with green and blue enamel, the head set with eight cut
diamonds, 4.5cm long
£600-800
178
A pair of enamel clips, designed as fish, with blue, red and yellow enamel, with double prong clip fittings, 3.2cm
wide
£600-800
76
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174
175
176
177
178
77
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179
An amethyst, pink sapphire and diamond ring, the central oval cut amethyst in a four
claw setting, the shoulders set with brilliant cut diamonds and circular cut pink sapphires,
stamped 750, finger size N
£700-1,000
180
A 1950s 18 carat gold and multi gem necklace by Kutchinsky, the broad woven chevron
link necklace with circular shaped ruby, emerald and sapphire accents, to a similarly set bow
with diamond detail, approximately 1.65 carats total, with London hallmarks for 1959 and
Kutchinsky maker’s mark on the clasp tongue, 36.5cm long
£3,000-4,000
181
A pair of amethyst and diamond ear pendents, each ear pendant with a trio of oval cut
amethysts with pierced disc shaped diamond set spacers between, suspended from a
diamond pediment, stamped 18k, with post fittings, 6.6cm long
£700-1,000
182
A pair of amethyst and diamond earrings by Bulgari, the oval cut amethyst collet set
within a surround of brilliant cut diamonds, approximately 1.80 carats total, signed Bulgari,
stamped 750, 1.9cm long
£1,000-1,500
183
A gold and diamond bracelet by David Morris, composed of polished brick links set with
brilliant cut diamonds, approximately 1.50 carats total, to a concealed clasp, maker’s mark
DM, stamped 750 with UK import mark, 16.8cm long, 35.8g, in a pink David Morris box
£1,000-1,500
184
A diamond dress ring, the central brilliant cut diamond, estimated to weigh 0.70 carats, on
a broad two colour panel of decorative pierced lattice design set with brilliant cut diamonds,
approximately 0.62 carats total, finger size O 1/2
£1,000-1,500
185
A pair of diamond earrings, the pierced curved panels set with brilliant cut diamonds,
approximately 1.30 carats total, with post fittings, stamped 750, 2.2cm long
£1,000-1,500
78
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179
180
182
181
183
184
185
79
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186
A 1940s Italian ruby brooch, circa 1945,
the circular brooch composed of polished
batons set with circular shaped rubies to
the terminals, stamped 750 with Italian
control marks, 4.5cm diameter
£700-1,000
187
A pair of pearl, ruby and diamond
earrings, the central pearl within a
surround of brilliant cut diamonds,
above a crescent set with pear cut
rubies and further brilliant cut diamonds,
approximately 4.10 carats total, with post
fittings, 3.7cm long
190
A ruby and diamond bracelet, the oval
cut rubies claw set within marquise shaped
surrounds set with eight cut and brilliant
cut diamonds, approximately 7.00 carats
total, to a concealed clasp, stamped 750,
18cm long; together with a pair of ruby
and diamond earrings, the oval cut ruby
claw set within a surround of eight cut and
brilliant cut diamonds, approximately 2.00
carats total, with clip fittings, 2.6cm long
£3,000-5,000
Please note the pearls are untested and
unwarranted as natural pearls
191
A ruby and diamond bracelet, set with
circular cut rubies and eight cut diamonds,
approximately 0.38 carats total, to a
concealed clasp, stamped 18K 750, 18.5cm
long
£2,500-3,000
£600-800
188
A two colour diamond and ruby brooch
by Faraone, designed as a leaf set with
circular cut rubies and brilliant cut
diamonds, signed Faraone, stamped 750
with Italian control marks, 5.5cm long;
together with a pair of matching earrings
by Faraone, set with circular cut rubies and
brilliant cut diamonds, signed Faraone,
stamped 750 with Italian control marks,
with clip fittings, 3.2cm long
192
A ruby and diamond heart bracelet, the
heart shaped rubies collet set within a
surround of eight cut diamonds, between
curb link connectors, to a concealed clasp,
stamped 750, 19.3cm long, 28.3g
£700-1,000
189
A three row cultured pearl, diamond and
ruby necklace, the three rows composed
of graduating cultured pearls, to the clasp
set with brilliant cut diamonds and eight
cut diamonds, approximately 2.55 carats
total, with a spray of baguette cut and
circular cut rubies to each side, 36.5cm long
£900-1,100
193
A ruby and diamond double clip brooch,
circa 1950, each clip with scrolled design
set with old cut diamonds, approximately
4.80 carats total, with carved ruby centres
and outer fan, the clips each stamped with
an R, with a detachable bar brooch fitting,
6.6cm long
£2,000-3,000
£2,000-3,000
80
DONNINGTON PRIORY
187
186
188
190
191
192
189
193
81
DONNINGTON PRIORY
194
A sapphire and diamond Art Deco dress ring, circa 1935, the two diamonds estimated to weigh
1.90 carats each, with triangular cut sapphire accents, the shoulders set with trios of brilliant cut
diamonds, to a pierced scrolled heart shaped gallery, finger size O
£5,500-7,500
195
An Art Deco diamond double clip brooch, circa 1935, the clips in the form of an abstract ribbon, set
with baguette cut diamonds and brilliant cut diamonds, approximately 12.00 carats total, each clip
with a double pin, with detachable brooch fitting, 7cm wide
£6,000-8,000
82
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83
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196
A pair of sapphire and diamond ear
pendents, the articulted earrings set
with oval cut sapphires collet set within a
scrolling surround of brilliant cut diamonds,
with post fittings, 8.2cm long
201
A diamond set part necklace, circa 1960,
composed of three detachable sections,
the graduating abstract sprays of marquise
and baguette cut diamonds, approximately
15.00 carats total, 32cm long
207
A diamond eternity ring, set with twenty
carats total, finger size M 1/2
£2,000-3,000
£3,000-4,000
197
A diamond set abstract foliate brooch, set
throughout with brilliant cut, old brilliant
cut and rose cut diamonds, approximately
4.00 carats total, 6.5cm long
202
A sapphire and diamond bracelet, the
oval cut sapphires in four claw settings
between two rows of brilliant cut
diamonds with brilliant cut diamond
spacers, approximately 2.65 carats total, to a
concealed clasp, stamped 750, 18.5cm long
208
A diamond eternity ring, set with twenty
two brilliant cut diamonds, approximately
1.32 carats total, finger size O
£2,000-3,000
198
A platinum and diamond half
eternity ring by Tiffany & Co., set with
carats total, signed Tiffany & Co., stamped
PT950, with full London hallmarks for
platinum, finger size M
£1,500-2,000
£250-350
£1,500-2,500
199
A platinum and diamond ring by Tiffany
& Co., the central radiant cut diamond,
estimated to weigh 0.55 carats, in a four
claw setting, within a surround of brilliant
cut diamonds, to brilliant cut diamond set
shoulders, approximately 0.35 carats total,
signed Tiffany & Co. stamped PT950, with
full London hallmarks for platinum, finger
size L
204
A pair of double sided sapphire cufflinks,
the square panels set with square cut
sapphires in invisble settings, stamped 750
with Italian and French control marks, the
panels 1cm wide
£1,200-1,600
200
A 1930s diamond ring, the brilliant cut
diamond, weighing 1.94 carats, in a claw
setting, to pierced scrolled shoulders set
with baguette and old cut diamonds, the
shank stamped Platinum 1001, finger size
M 1/2
£3,000-5,000
203
An 18 carat gold sapphire and diamond
ring, the three oval cut sapphires with old
cut diamonds in between, stamped 750
with full Sheffield hallmarks, finger size M
£700-1,000
205
A pair of diamond dog’s head cufflinks,
designed as Dalmation heads, set
throughout with brilliant cut diamonds and
circular cut black diamonds, stamped K18
and 750, 1.6cm wide
£800-1,200
£400-600
209
An Art Deco diamond brooch, circa 1930,
the principal old cut diamond, weighing
2.59 carats, within a pierced old cut
diamond set geometric setting, estimated
to weigh 2.04 carats, 3.2cm long
£2,500-3,500
210
A pair of diamond hoop earrings, set
throughout with brilliant cut diamonds,
fittings, stamped 750, 1.8cm long
£1,400-1,800
211
A pair of South Sea cultured pearl
earrings, the South Sea cultured pearls
suspended from a brilliant cut diamond set
surmount, approximately 0.45 carats total,
with post fittings, stamped 750, 3cm long
£1,000-1,500
£800-1,200
206
A pair of diamond set cufflinks, the
hexagonal panels each set with a brilliant
cut diamond, with polished connectors,
3.7cm long, 16g gross
£550-650
84
DONNINGTON PRIORY
197
196
198
199
200
203
201
204
210
205
202
207
206
209
208
211
85
DONNINGTON PRIORY
212
A 19th century Persian Qajar gold and
enamel necklace, the pendant drops with
foliate enamel decoration, suspending a
fringe of beaded tassels, on a similar neck
chain, 82cm long
216
A golden topaz and diamond cluster ring,
the mixed cushion cut topaz, estimated
to weigh 9.44 carats, within a surround of
carats total, finger size N
£2,000-3,000
£2,500-3,500
213
A pair of enamelled Sioux clips by Cartier,
circa 1940, the enamelled heads with
cream and black enamelled feather head
dresses, with diamond accented head
bands, both partially signed to the reverse
Cartier Paris, Deposé, numbered 8342 and
8344 and stamped Made In France, French
poinçon to the clips, 3.2cm long
217
A coral and diamond ring, the oval
cabochon coral claw set within a surround
of brilliant cut diamonds, approximately
1.00 carat total, finger size S 1/2
220
A late Victorian opal pansy brooch, circa
1890, the opal panel carved as a pansy
head, centred with a seed pearl, in a gold
setting, 3.5cm long
£700-1,000
£4,000-6,000
214
A sapphire and agate turtle brooch by
Cartier, the turtle’s shell composed of
circular panels of agate each centred with
a circular cut sapphire, signed Cartier Paris,
stamped with French poinçons, numbered
011112, 3.9cm long
£1,300-1,800
218
A 19th century Russian diamond and
enamel snake bangle, circa 1870, the
snake with a red enamelled head with a
central old cut diamond and green stone
eyes, to foliate scroll decorated hinged
body sections, the head interlocking to the
tail, partial gold mark and St Petersburg
mark, with indistinct maker’s mark ( ..G),
17cm long
221
A Near Eastern late 19th century diamond
and ruby St Esprit pendant, possibly
Ottoman, circa 1900, the heart shaped pave
set rose cut diamond drop with scrolled
border, engraved snowdrop like flowers,
suspended from a rose cut diamond and
ruby set dove, 4.9cm long
£1,500-2,000
£1,500-2,000
£1,500-2,000
215
A coral and diamond ring, the central
oval cabochon coral within a surround
of brilliant cut diamonds in leaf shaped
surrounds, finger size O
219
An opal, emerald and diamond ring, the
central oval cabochon opal in a four claw
setting, within a surround of alternating
circular cut emeralds and brilliant cut
diamonds, approximately 0.45 carats total,
stamped 585, finger size N 1/2
£1,000-1,500
£800-1,200
86
DONNINGTON PRIORY
214
213
212
218
215
219
216
221
217
220
87
DONNINGTON PRIORY
222
A French diamond set woven panels brooch/pendant, the interwoven diamond bands
set with brilliant cut diamonds, approximately 5.30 carats total, stamped with French
poinçons, 5.6cm wide
£1,500-2,000
223
A pair of diamond bracelets by Verdura, the articulated panels each set with four brilliant
cut diamonds between reeded borders, approximately 5.44 carats each bracelet, both
signed Verdura on the clasp, 18.2cm and 17.5cm long
£7,000-10,000
88
DONNINGTON PRIORY
89
DONNINGTON PRIORY
224
A pair of coral and diamond earrings, the carved coral drops set with a line of brilliant cut diamonds, suspended
from a surmount centrally set with a circular cabochon coral within a surround of brilliant cut diamonds,
approximately 2.80 carats total, with post fittings, stamped 750, 5.8cm long; together with a matching coral and
diamond pendant, of matching design, with a brilliant cut diamond set bale, diamonds approximately 1.40 carats
total, 6.4cm long
£3,000-5,000
225
A coral, diamond and sapphire Aldebra bracelet and necklace by Ansuini, the necklace with twenty four
graduated oval reeded cabochon corals, measuring 10.2mm to 22mm, the cross shaped gold coloured panels
between with circular cut sapphire accents, the front section set with brilliant cut diamonds, approximately 3.63
carats total, 46cm long; together with a matching bracelet set with eight reeded oval cabochon coral, with brilliant
cut diamond cross panels between, approximately 2.84 carats total, 18cm long
Offered for sale with two receipts from Ansuini, Roma, dated 08-01-99
£5,000-8,000
226
A diamond single stone ring, the brilliant cut diamond, weighing 1.43 carats, in a claw setting, finger size N 1/2
£4,000-6,000
227*
A diamond ‘Serpenti’ ring by Bulgari, designed as a coiled snake set throughout with brilliant cut diamonds, signed
Bulgari, stamped 750, numberd 54 BV6270, finger size P
£500 - 700
228
A 1950s diamond brooch, designed as a fern, set with brilliant cut diamonds, approximately 2.10 carats total, signed
Rossello S.A, stamped 18K, 5.8cm long
£1,500-2,000
90
DONNINGTON PRIORY
224
225
226
227
228
91
DONNINGTON PRIORY
229
A diamond bow brooch, designed as
a ribbon bow and set throughout with
brilliant cut and baguette cut diamonds,
approximately 6.00 carats total, stamped
pt950, 4.4cm wide
234
An aquamarine and diamond dress ring,
the rectangular mixed cut aquamarine
estimated to weigh 27.32 carats, within
a surround of eight cut diamonds,
approximately 0.23 carats, to a scrolled
foliate engraved gallery, finger size N 1/2
£1,500-1,800
£2,000-3,000
230
A pair of diamond hoop earrings, the
twisted hoops set with brilliant cut and
square cut diamonds, approximately 3.50
carats total, with clip fittings, 2.7cm long
£2,200-2,800
231
An aquamarine and diamond necklace,
composed of vari cut aquamarines with
polished spacers in between set with
brilliant cut diamonds, to a concealed clasp,
41cm long
£2,000-3,000
232
An aquamarine and diamond ring, the
rectangular step cut aquamarine in a four
claw setting, to the shoulders set with
brilliant cut diamonds, approximately
0.28 carats total, stamped 750 with Italian
control marks, finger size L 1/2
£1,300-1,600
235
A pair of diamond earrings, the slightly
curved earrings set with brilliant cut
diamonds, approximately 1.00 carat total,
with post fittings, stamped 750 with Italian
control marks, 1.4cm long
£1,000-1,500
236
A pair of aquamarine and diamond
earrings, the oval cut aquamarines claw set
within a surround of brilliant cut diamonds,
to brilliant cut diamond set hoop fittings,
fittings, stamped 750 with Italian control
marks, 4.5cm long
£600-800
237
A tanzanite and diamond dress ring, the
oval cut tanzanite, estimated to weigh
5.26 carats, within a pierced intertwining
diamond set surround, approximately 2.30
carats total, finger size L 1/2
£1,500-2,000
233
An aquamarine and diamond ring, the
central rectangular cut aquamarine claw
set between brilliant cut diamond set
stamped 750, finger size M 1/2
£1,500-2,000
238
A pair of aquamarine and diamond
earrings, the pear cut aquamarine collet
set within a pierced scroll surround set
with brilliant cut diamonds, suspended
from a similarly set oval cut aquamarine,
to the surmount centrally set with an oval
cut aquamarine within a pierced scroll
surround set with brilliant cut diamonds,
with post fittings, 7.4cm long
£1,500-2,000
92
DONNINGTON PRIORY
229
230
232
231
233
235
234
236
238
237
93
DONNINGTON PRIORY
239
A diamond single stone ring, the step cut diamond weighing 4.00 carats claw set in a raised
collet mount, mounted in platinum, hallmarked London 2006, finger size K
Offered for sale with a G.I.A. (Gemological Institute of America) Diamond Grading Report,
number 1152586337, dated August, 13, 2013, stating:
Colour: J
Clarity: VS2
£20,000 30,000
94
DONNINGTON PRIORY
95
DONNINGTON PRIORY
240
A pair of emerald and diamond cluster
ear clips by David Webb, the carved
cabochon emeralds within a surround of
carats total, the clips signed Webb, and
stamped Plat 18K, 2cm long
£3,000-5,000
241
A diamond and emerald dress ring,
the principal old brilliant cut diamond
estimated to weigh 0.85 carats, flanked by
two step cut emeralds, between two rows
of brilliant cut diamonds, finger size N
£800-1,200
242
An emerald and diamond ring, the
rectangular step cut emerald, estimated
to weigh 3.70 carats, in a four claw setting,
between two baguette cut diamonds,
plat, finger size O
£7,000-10,000
243
A diamond necklace, the graduated row of
in four claw settings, 41cm long
£5,000-7,000
244
A three row cultured pearl necklace with
diamond and green paste clasp, the three
rows of fifty five, fifty one and fourty eight
uniform cultured pearls, to a flower head
clasp centrally set with a rectangular step
cut green paste, within a petal surround
of brilliant cut diamonds and baguette cut
45.5cm long
£2,500-3,000
245
A pair of emerald and diamond earrings,
the central step cut emerald with canted
corners collet set within a surround of
brilliant cut diamonds, approximately
2.00 carats total, with post fittings, 2.5cm
long; together with a matching emerald
and diamond pendant, the square cut
emerald with canted corners collet set
within a surround of brilliant cut diamonds,
approximately 1.25 carats total, 2.8cm long
£3,000-5,000
246
A South Sea cultured pearl and diamond
ring, the central South Sea cultured
pearl between brilliant cut diamond set
finger size M 1/2
£700-1,000
247
A pair of South Sea cultured pearls and
diamond earrings, the 14.4mm South Sea
cultured pearls suspended from a brilliant
cut diamond set surmount and hoop,
750 with Italian control marks, 3.1cm long
250
A pair of diamond earrings, the circular
lattice panels set with brilliant cut
signed Caviglia, stamped 750 with Italian
control marks, 5.2cm long
£2,000-3,000
251
A pair of South Sea cultured pearl and
diamond earrings, the 12.5mm South Sea
cultured pearls suspended below a brilliant
cut diamond set surmount, approximately
1.10 carats total, stamped 750, 3.1cm long
£1,200-1,800
252
A pair of diamond ear pendents, the
spherical drops set with brilliant cut
diamonds suspended from a row of brilliant
cut diamonds, to a brilliant cut diamond
set surmount, approximately 4.50 carats,
with post fittings, stamped 750 with Italian
control marks, 6cm long
£1,800-2,200
£1,200-1,800
248
A pair of emerald and diamond ear clips,
the pear cut emerald within a surround
of eight cut diamonds below a spray of
brilliant cut diamonds, eight cut diamonds
and baguette cut diamonds, approximately
2.65 carats total, with clip fittings, 3.3cm
long
£3,000-5,000
249
A diamond and South Sea cultured pearl
cluster dress ring, the South Sea cultured
pearl measuring 10.7mm, within a radiating
surround of marquise cut diamonds and
carats total, finger size O 1/2
£2,000-3,000
96
DONNINGTON PRIORY
240
241
242
245
243
246
248
244
247
249
250
251
252
97
DONNINGTON PRIORY
253
An Indian South Sea cultured pearl necklace and ear pendents, the necklace with a uniform row of South Sea
cultured pearls, with graduating gold coloured spacers with red and green enamel decoration with yellow enamel
accents, one side set with lasque cut diamonds, terminating in a graduating South Sea Cultured pearl, the largest
pearl 16.8mm wide, 43cm long; together with a matching pair of ear pendents, 5.1cm long
£4,000-6,000
254
A pair of ruby, moonstone, sapphire and freshwater cultured pearl chandelier ear pendents, set with
alternating oval cabochon rubies and moonstones, above a fringe of freshwater cultured pearls and ruby beads,
suspended from a similarly set surmount, each with a single oval cabochon sapphire, with post fittings, stamped
750, 8cm long
£1,300-1,800
255
A South Sea cultured pearl and diamond brooch, designed as a flower bud and stem, the stem and petal set
throughout with brilliant cut diamonds, approximately 3.65 carats total, to the South Sea cultured pearl bud,
11.5cm long
£1,200-1,800
256
A pair of South Sea cultured pearl and diamond earrings, designed as a flower bud, the South Sea cultured pearl
set within a surround of brilliant cut diamond set petals, approximately 4.20 carats total, with post and clip fittings,
stamped 750 with Italian control marks, 3cm long
£2,000-3,000
257
A South Sea cultured pearl and diamond ring, designed as two buds set throughout with brilliant cut diamonds
containing a white South Sea cultured pearl and a grey South Sea cultured pearl, finger size P
£1,000-1,500
98
DONNINGTON PRIORY
253
255
256
254
257
99
DONNINGTON PRIORY
258
A diamond bracelet, composed of flower head clusters set with brilliant cut
diamonds with baguette cut diamond set panels in between, approximately 13.20
carats total, to a concealed clasp, stamped 750, 18.5cm long
£6,000-8,000
100
DONNINGTON PRIORY
101
The notices below form part of our Conditions of Business as printed in the catalogue, and potential bidders must acquaint themselves with these notices
prior to bidding. The condition of any lot falling within the notices as outlined may not be deemed sufficient reason to return the lot to us. Please note that
Dreweatts are unable to give any further verbal condition reports or comment for any lot, and all condition reports and requests must be submitted in
writing to via our website www.dreweatts.com, or by fax on 01635 553 599.
IMPORTANT NOTICES TO WATCH BUYERS
Damage, Restoration, Alteration
Import/Export Restrictions
Although every effort is made to note any damage, restoration or
alterations, the absence of any such information in catalogue descriptions
does not imply the lot is in perfect condition and free from any such
defects. Prospective buyers should satisfy themselves as to the condition
of any lot prior to bidding. All watches are serviced from time to time, and
Dreweatts are unable to guarantee that the working parts of any watch
movement, glass or crystal, winding crowns, watch bracelet, strap or
buckle are the manufacturers’ original parts, unless otherwise stated in the
catalogue description. We are unable to make any representation in our
catalogue descriptions or condition reports as to the authenticty of such
parts. Dreweatts are unable to make any represenation, nor make any
comment on, the authenticity of diamonds, or other gemstones, set into
watch dials, bezels, cases and bracelets.
There maybe Import Resrictions into some territories outside the United
Kingdom placed on certain watch brands, or on the importation of
watches with straps composed of animal skins which may fall under CITES
Regulations. It is the sole responsibility of the buyer to comply with all Export/
Import regulations and potential bidders are strongly recommended to
check with their shipping agent as to any such regulations that may apply
to any lot. Dreweatts are not shippers and are unable to offer any advice
regarding such regulations.
Authentication
All watch movements have been inspected by Dreweatts watchmaker and
specialists, and we have verified all inventory and movement numbers. For
the information of potential bidders, all inventory and movement numbers
are listed in the catalogue description for the relevant lot.
Condition Reports
Dreweatts condition reports will identify whether a watch functions at
the time of cataloguing, and suggest possible, but not comprehensive,
restoration work that may need to be carried out for the watch to function
properly. Dreweatts are unable to test watches for accuracy or running
to time, and we cannot guarantee that any watch will function when
purchased form us.
As we have examined all watch movements by removing the case backs,
we cannot guarantee that water resistant watches will remain water
resistant following purchase from us. Dreweatts recommend that any
watch purchased from us is subsequently overhauled by a competent
watchmaker to ensure proper functioning.
IMPORTANT NOTICES TO JEWELLERY BUYERS
Damage, Restoration, Alteration
Weights
Although every effort is made to note any damage, restoration or
alterations, the absence of any such information in catalogue descriptions
does not imply the lot is in perfect condition and free for any such defects.
Prospective buyers should satisfy themselves as to the condition of any lot
prior to bidding.
All gram weights have been obtained using an electronic balance, but
weights stated in the catalogue are approximate and for guidance only,
and potential bidders should satisfy themselves as to their accuracy.
Enhancement
Prospective bidders should be aware than many coloured gems have been
historically treated by a variety of methods to improve their appearance,
both in terms of colour and transparency. Rubies and sapphires are routinely
heat treated, emeralds and enhanced through the use of coloured and
transparent oils and resins, and jadiete is routinely stained. These treatments,
and others including irradiation and coating, are generally accepted by
the jewellery trade as standard practice. Although most treatments are
considered to be permanent, those gemstones which have been oiled may
need to be re-treated to maintain their appearance. Any such treatments
affect the market value of coloured gemstones, and Dreweatts pre-sale
estimates published in the catalogue assume that all gemstones, unless
otherwise stated in the catalogue, may have been enhanced. Dreweatts
may obtain Gemmological Reports from a recognised laboratory where
appropriate detailing any enhancements, or lack of, for certain gemstones,
and such reports may be obtained for prospective bidders prior to the sale,
provided such requests are made at least three weeks before the sale, and
that the requesting party has pre-paid for such a report. However it is not
possible for Dreweatts to obtain reports for every stone offered in the sale.
In the absence of a gemmological laboratory report, it is not possible for
Dreweatts to make any comment on the possibility that any gemstone in
any lot may have been subject to enhancement.
Dreweatts catalogue descriptions and condition reports adhere to the
guidelines laid out in the ‘Blue Book’ of CIBJO, the International Jewellery
Confederation.
‘…approximately 1.20 carats total,…’ all such stone weights are estimated
using standard equipment and formulae, and are subject to the limitations
imposed by the mount.
‘…weighing 1.20 carats,…’ where the description reads as such, the stones
in question have been removed from the mount and weighted using an
electronic balance.
Signatures
‘…by Lacloche,…’ in our opinion is a piece made by or for the jeweller,
bearing relevant signatures, maker’s marks, and where appropriate, the
maker’s inventory number/s.
‘…signed Lacloche,…’ in our opinion is a piece retained by the jeweller,
but not necessarily made by them. This may also mean that the piece has
been mounted by the jeweler using stones supplied by the client; a special
commission from a client’s design; or has been altered or later added to.
Coloured Stones of Burma (Myanmar) Origin
Buyers should be aware that certain territories (notably the United States
of America) have import restrictions on certain coloured gemstones. All
gemstones that maybe of Burma (Myanmar) origin, notably rubies and
jadeite, may require a certificate of origin before they can be imported.
Prospective bidders for such gemstones should check with their shipper,
and relevant Government authorities regarding any necessary certification
prior to bidding. Whilst Dreweatts are able to suggest a number of
Gemmological Laboratories for such certificaion, we are unable to carry
out any such certification for potential bidders or buyers.
Detailed condition reports for all lots are available from our website www.dreweatts.com, and upon direct request to the Saleroom.
Please note that Dreweatts are unable to give verbal condition reports for any lot, and all condition reports will be given in writing via our
website www.dreweatts.com, or by fax (fax no: 01635 553 599). Dreweatts jewellery specialists and qualified gemmologists are available
during the view to answer any queries.
Dreweatts are unable to offer any form of packing, dispatch or shipping services, and clients should make their own collection arrangements for
purchased lots. Dreweatts are happy to suggest the services of a number of dispatch and shipping carriers.
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These Conditions of Sale and Business constitute the contract between Dreweatts and Bloomsbury Auctions (the “Auctioneer”) and the seller, on the one
hand, and the buyer on the other. By bidding at the auction, you agree to be bound by these terms.
INFORMATION FOR BUYERS
1. Introduction. The following informative notes are intended to assist Buyers, particularly
those inexperienced or new to our salerooms. All sales are conducted on our printed
Conditions of Sale which are readily available for inspection and normally accompany
catalogues. Our staff will be happy to help you if there is anything you do not fully
understand.
2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for
reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary
contract is with the seller.
3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be
involved for the purchase of a particular lot. The lower estimate may represent the reserve
price and certainly will not be below it. Estimates do not include the Buyer’s Premium or
VAT (where chargeable). Estimates are prepared some time before the sale and may be
altered by announcement before the sale. They are in no sense definitive.
4. Buyer’s Premium. The Buyer agrees to pay a buyer’s premium on the hammer price of each lot
purchased. The buyer’s premium is charged per lot at 24% of the hammer price (28.8% including
VAT) up to and including £150,000, 18% (21.6% including VAT) of the hammer price from £150,001
up to and including £1,000,000, and 12% of the hammer price (14.4% including VAT) in excess of
£1,000,001. VAT at the prevailing rate of 20% is added to all of these premiums and additional
charges as defined below.
5. VAT. (*) indicates that VAT is payable by the purchaser at the standard rate (presently
20%) on the hammer price as well as being an element in the buyer’s premium. This
imposition of VAT is likely to be because the seller is registered for VAT within the European
Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on
importation into the UK. The double symbol (**) indicates that the lot has been imported
from outside the European Union and the present position is that these lots are liable to
a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s
premium). Lots which appear without either of the above symbols indicate that no VAT is
payable on the hammer price. This is because such lots are sold using the Auctioneers’
Margin Scheme and it should be noted that the VAT included within the Premium is not
recoverable as input tax.
6.
Descriptions and Conditions. Condition reports are provided on our website or upon
request. The absence of a report does not imply that a lot is without imperfections. The
detail in a report will reflect the estimated value of the lot, and large numbers of such
requests received shortly before the sale may not receive a response to all lots. Members
of staff are not trained restorers or conservators and, particularly for higher value lots, you
should obtain an opinion from such a professional. We recommend that you always view a
lot in person.
We are, primarily, agents for the seller. We are dependent on information provided by the
seller and whilst we may inspect lots and act reasonably in taking a general view about
them we are normally unable to carry out a detailed or any examination of lots in order
to ascertain their condition in the way in which it would be wise for a buyer to do. Intending
buyers have ample opportunity for inspection of goods and, therefore, accept responsibility
for inspecting and investigating lots in which they may be interested. Please note carefully
the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither
the seller nor we, as the auctioneers, accept any responsibility for their condition. In
particular, mechanical objects of any age are not guaranteed to be in working order.
However, in so far as we have examined the goods and make a representation about their
condition, we shall be liable for any defect which that examination ought to have revealed
to the auctioneer but which would not have been revealed to the buyer had the buyer
examined the goods. Additionally, in specified circumstances lots misdescribed because
they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time
limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).
7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked
over for compliance with safety regulations by a qualified electrician first.
8.
Export of goods. Buyers intending to export goods should ascertain (a) whether an export=
licence is required and (b) whether there is any specific prohibition on importing goods of
that character because, e.g. they may contain prohibited materials such as ivory. Ask us if
you need help.
9.
Bidding. Bidders may be required to register before the sale commences and lots will be
invoiced to the name and address on the registration form. Some form of identification
may be required if you are unknown to us. Please enquire in advance about our
arrangements for telephone bidding.
10. Commission bidding. Commission bids may be left with the auctioneers indicating the
maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply
as possible having regard to the reserve (if any) and competing bids. If two buyers submit
identical commission bids the auctioneers may prefer the first bid received. Please enquire
in advance about our arrangements for the leaving of commission bids by telephone or fax.
11. Methods of Payment. The following methods of payment are acceptable.
Debit Card drawn on a UK bank and registered to a UK billing address. There is no
additional charge for purchases made with these cards.
Bank transfer direct into our bank account, all transfers must state the relevant
sale number, lot number and your bid / paddle number. If transferring from a foreign
currency, the amount we receive must be the total due in pounds sterling (after currency
conversion and the deduction of any bank charges). Our bank details can be found on the
front or your invoice or in the sale catalogue under ‘Important Notices’.
Sterling cash payments of up to £12,000 (subject to money laundering regulations). All
major UK issued credit cards registered to a UK billing address with the exception of
American Express and Diners Club. A surcharge of 3% is payable on all payments made
by credit cards. Sterling personal cheques drawn on a UK bank account and made payable
to ‘Dreweatts 1759’. It will be necessary to allow at least six working days for the
cheque to clear before collecting your purchases.
12. Collection and storage. Please note what the Conditions of Sale state about collection
and storage. It is important that goods are paid for and collected promptly. Any delay may
involve the buyer in paying storage charges.
13.
Droit de suite royalty charges. From 1st January 2012 all UK art market professionals
(which includes but is not limited to; auctioneers, dealers, galleries, agents and other
intermediaries) are required to collect a royalty payment for all works of art that have been
produced by qualifying artists each time a work is re-sold during the artist’s lifetime and for
a period up to 70 years following the artists death. This payment is only calculated on
qualifying works of art which are sold for a hammer price more than the UK sterling
equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing
exchange rates.
It is entirely the responsibility of the buyer to acquaint himself with the precise EURO to
UK Sterling exchange rate on the day of the sale in this regard, and the auctioneer accepts
no responsibility whatsoever if the qualifying rate is different to the rate indicated.
All items in this catalogue that are marked with δ are potentially qualifying items, and
the royalty charge will be applied if the hammer price achieved is more than the UK sterling
equivalent of EURO 1,000.The royalty charge will be added to all relevant buyers’ invoices,
and must be paid before items can be cleared. All royalty charges are passed on to the
Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with
respect to these charges will be retained by the auctioneers.
The royalty charge that will be applied to qualifying items which achieve a hammer price of
more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling
equivalent of EURO 50,000 is 4%. For qualifying items that sell for more than the UK sterling
equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete
list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no
VAT payable on this royalty charge.
TERMS OF CONSIGNMENT FOR SELLERS
1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the
consignment of goods to us is made by an agent we assume that the Seller has authorised
the consignment and that the consignor has the Seller’s authority to contract. Similarly the
words ‘we’, ‘us’, etc. refer to the Auctioneers.
2. Warranty. The Seller warrants that possession in the lots can be transferred to the Buyer
with good and marketable title, free from any third party right and encumbrances, claims
or potential claims. The Seller has provided all information concerning the items
ownership, condition and provenance, attribution, authenticity, import or export history
and of any concerns expressed by third parties concerning the same.
3. All commissions and fees are subject to VAT at the prevailing rate.
4. Commission is charged to sellers at the following rates:- please enquire at our salerooms.
5. Removal costs. Items for sale must be consigned to the saleroom by any stated deadline
and at your expense. We may be able to assist you with this process but any liability
incurred to a carrier for haulage charges is solely your responsibility.
6. Loss and damage of goods.
(a)Loss and Damage Warranty - Dreweatts is not authorised by the FSA to provide
insurance to its clients, and does not do so. However Dreweatts for its own protection,
assumes liability for property consigned to it at the lower pre-sale estimate until the
hammer falls. To justify accepting liability, Dreweatts makes a charge of 1.5% of the
hammer price plus VAT, subject to a minimum charge of £1.50, or if unsold 1.5% of
our lower estimate. The liability assumed by Dreweatts shall be limited to the lower pre sale estimate or the hammer price if the lot is sold.
(b)If the owner of the goods consigned instructs us in writing not to take such action, the
goods then remain entirely at the owners risk unless and until the property in them
passes to the Buyer or they are collected by or on behalf of the owner, and clause 6 (a) is
inapplicable.
7. Illustrations. The cost of any illustrations is borne by you. If we consider that the Lot should
be illustrated your permission will be asked first. The copyright in respect of such
illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
8. Minimum bids and our discretion. Goods will normally be offered subject to a reserve
agreed between us before the sale in accordance with clause 9. We may sell Lots below the
reserve provided we account to you for the same sale proceeds as you would have received
had the reserve been the hammer price. If you specifically give us a “discretion” we may
accept a bid of up to 10% below the formal reserve.
9. Reserves.
(a)You are entitled to place prior to the auction a reserve on any lot consigned, being the
minimum hammer price at which that lot may be sold. Reserves must be reasonable
and we may decline to offer goods which in our opinion would be subject to an
unreasonably high reserve (in which case goods carry the storage and loss and damage
warranty charges stipulated in these Terms of Consignment).
(b)A reserve once set cannot be changed except with our consent.
(c)Where a reserve has been placed only we may bid on your behalf and only up to the
reserve (if any) and you may in no circumstances bid personally.
(d)Reserves are not usually accepted for lots expected to realise below £100
10. Electrical items. These are subject to detailed statutory safety controls. Where such items
are accepted for sale you accept responsibility for the cost of testing by external contractors.
Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale.
They must be removed at your expense on your being notified. We reserve the right to
dispose of unsafe goods as refuse, at your expense.
11. Soft furnishings. Soft furnishings. The sale of soft furnishings is strictly regulated by
statute law in the interests of fire safety. Goods found to infringe safety regulations will not
be offered and must be removed at your expense. We reserve the right to dispose of unsafe
goods as refuse, at your expense.
The rights of disposal referred to in clause 10 and 11 are subject to the provisions of The
Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for
inspection on request
12. Descriptions. Please assist us with accurate information as to the provenance etc. of
goods where this is relevant. There is strict liability for the accuracy of descriptions under
modern consumer legislation and in some circumstances responsibility lies with sellers if
inaccuracies occur. We will assume that you have approved the catalogue description of
your lots unless informed to the contrary. Where we are obliged to return the price to the
buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and
we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.
13. Unsold. Unsold. If an item is unsold it may at our discretion be re-offered at a future sale.
Where in our opinion an item is unsaleable you must collect such items from the saleroom
promptly on being so informed. Otherwise, storage charges may be incurred. We reserve
the right to charge for storage in these circumstances at a reasonable daily rate.
14. Withdrawn and bought in items. These are liable to incur a charge of 15% commission,
1.5 % Loss and Damage Warranty and any other costs incurred including but not limited to
illustration and restoration fees all of these charges being subject to VAT on being bought
in or withdrawn after being catalogued.
15. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In
particular you undertake that you have the right to sell the goods either as owner or agent
for the owner. You undertake to compensate us and any buyer or third party for all losses
liabilities and expenses incurred in respect of and as a result of any breach of this
undertaking. We will also, at our discretion, and as far as practicable, confirm that an
item consigned for sale does not appear on the Art Loss register, which is administered by
an independent third party.
16. Authority to deduct commission and expenses and retain premium and interest.
(a)You authorise us to deduct commission at the stated rate and all expenses incurred
for your account from the hammer price and consent to our right to retain beneficially
the premium paid by the buyer in accordance with our Conditions of Sale and any
interest earned on the sale proceeds until the date of settlement.
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(b)You authorise us in our discretion to negotiate a sale by private treaty not later than the
close of business 48 hours after the day of sale in the case of lots unsold at auction, in
which case the same charges will be payable as if such lots had been sold at auction
and so far as appropriate these Terms apply.
17. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient
sale instructions and reserve the right to make minimum warehousing charge of £10 per
lot per day. Unsold lots are subject to the same charges if you do not remove them within a
reasonable time of notification. If not removed within three weeks we reserve the right to
sell them and defray charges from any net proceeds of sale or at your expense to consign
them to the local authority for disposal.
18. Settlement. After sale settlement of the net sum due to you normally takes place within 28
days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the
goods. In this case no settlement will then be made but we will take your instructions in the
light of our Conditions of Sale. You authorise any sums owed by you to us on other
transactions to be deducted from the sale proceeds. You must note the liability to reimburse
the proceeds of sale to us as under the circumstances provided for in Condition 12 above.
You should therefore bear this potential liability in mind before parting with the proceeds
of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE
Dreweatts carries on business with bidders, buyers and all those present in the auction room prior to or
in connection with a sale on the following General Conditions and on such other terms, conditions and
notices as may be referred to herein.
1. Definitions
In these Conditions:
(a) “auctioneer” means the firm of Dreweatts or its authorised auctioneer, as appropriate;
(b)“deliberate forgery” means an
authorship, origin, date, age,
described in the catalogue as
date of the sale had a value
accordance with the description;
imitation made with the intention of deceiving as to
period, culture or source but which is unequivocally
being the work of a particular creator and which at the
materially less than it would have had if it had been in
(c)“hammer price” means the level of bidding reached (at or above any reserve) when the
auctioneer brings down the hammer;
(d)“terms of consignment” means the stipulated terms and rates of commission on which
Dreweatts and Bloomsbury Auctions accepts instructions from sellers or their agents;
(e)“total amount due” means the hammer price in respect of the lot sold together with
any premium, Value Added Tax chargeable and any additional charges payable by a
defaulting buyer under these Conditions;
(f )“sale proceeds” means the net amount due to the seller, being the hammer price of
the lot sold less commission at the stated rate, Value Added Tax chargeable and any
other amounts due to us by the seller in whatever capacity and however arising;
(g)“You”, “Your”, etc. refer to the buyer as identified in Condition 2.
(h)The singular includes the plural and vice versa as appropriate.
2. Bidding procedures and the Buyer
(a)Bidders are required to register their particulars before bidding and to satisfy any
security arrangements before entering the auction room to view or bid;
(b)the maker of the highest bid accepted by the auctioneer conducting the sale shall be |
the buyer at the hammer price and any dispute about a bid shall be settled at the
auctioneer’s absolute discretion by reoffering the Lot during the course of the auction
or otherwise. The auctioneer shall act reasonably in exercising this discretion.
(c) Bidders shall be deemed to act as principals.
(2)Our right to bid on behalf of the seller is expressly reserved up to the amount of any
reserve and the right to refuse any bid is also reserved.
3. Increments. Bidding increments shall be at the auctioneer’s sole discretion.
4. The purchase price. together with a premium thereon of 28.8% which shall include VAT on
the premium at the rate imposed by law. The buyer will also be liable for any royalties
payable under Droit de Suite as set out under Information for Buyers.
5. Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items
affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate
rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please
refer to “Information for Buyers” for a brief explanation of the VAT position).
6. Payment
(1) Immediately a Lot is sold you will:
(a) give to us, if requested, proof of identity, and
(b)pay to us the total amount due or in such other way as is agreed by us.
(2)Any payments by you to us may be applied by us towards any sums owing from you to
us on any account whatever without regard to any directions of you or your agent,
whether express or implied.
(3)Buyers who utilise the services of ATG Live Auctions or any other live internet services
are hereby informed that the payment method details that are provided to ATG Live
Auctions or any other live internet services as part of the process of registration will, in
the absence of compliance with paragraph (1) of this clause, be utilised by us to settle any
amounts owing by such buyers to us.
7. Title and collection of purchases
(1)The ownership of any Lots purchased shall not pass to you until you have made payment
in full to us of the total amount due.
(2)You shall at your own risk and expense take away any lots that you have purchased and
paid for not later than 3 working days following the day of the auction or upon the
clearance of any cheque used for payment after which you shall be responsible for any
removal, storage and insurance charges.
(3) No purchase can be claimed or removed until it has been paid for.
(4)
Dreweatts can accommodate packing and shipping for certain items. For lots
they are unable to provide this service for, successful buyers must make these
arrangements independently, though the saleroom may be able to suggest specialist
shipping companies who can advise buyers, this advice is not a recommendation and
the saleroom is not liable for any aspect of the packaging and shipping process. Please
note that the cost of packaging and shipping depends on the size/weight of the item(s)
purchased, insurance requirements, and the shipping destination, not on the value of
the item(s) purchased. Please note that any items not collected within one week of
the sale date may be automatically removed to commercial storage and subject to a
storage charge.
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8. Remedies for non-payment or failure to collect purchases
(1)If any Lot is not paid for in full and taken away in accordance with these Conditions
or if there is any other breach of these Conditions, we, as agent for the seller and on our
own behalf, shall at our absolute discretion and without prejudice to any other rights we
may have, be entitled to exercise one or more of the following rights and remedies:
(a) to proceed against you for damages for breach of contract;
(b)to rescind the sale of that Lot and/or any other Lots sold by us to you;
(c)to resell the Lot (by auction or private treaty) in which case you shall be responsible for
any resulting deficiency in the total amount due (after crediting any part payment and
adding any resale costs). Any surplus so arising shall belong to the seller;
(d)to remove, store and insure the Lot at your expense and, in the case of storage, either at
our premises or elsewhere;
(e)to charge interest at a rate not exceeding 1.5% per month on the total amount due to the
extent it remains unpaid for more than 3 working days after the sale;
(f ) to retain that or any other Lot sold to you until you pay the total amount due;
(g)to reject or ignore bids from you or your agent at future auctions or to impose conditions
before any such bids shall be accepted;
(h)to apply any proceeds of sale of other Lots due or in future becoming due to you towards
the settlement of the total amount due and to exercise a lien (that is a right to retain
possession of ) any of your property in our possession for any purpose until the debt due
is satisfied.
(2)We shall, as agent for the seller and on our own behalf pursue these rights and remedies
only so far as is reasonable to make appropriate recovery in respect of breach of these
conditions
9.
Third party liability. All members of the public on our premises are there at their own risk and
must note the lay-out of the accommodation and security arrangements. Accordingly neither
the auctioneer nor our employees or agents shall incur liability for death or personal injury
(except as required by law by reason of our negligence) or similarly for the safety of the
property of persons visiting prior to or at a sale.
10. Commission bids. Whilst prospective buyers are/\strongly advised to attend the auction and
are always responsible for any decision to bid for a particular Lot and shall be assumed to have
carefully inspected and satisfied themselves as to its condition we will if so instructed
clearly and in writing execute bids on their behalf. Neither the auctioneer nor our
employees or agents shall be responsible for any failure to do so.
Where two or more commission bids at the same level are recorded we reserve the right in
our absolute discretion to prefer the first bid so made.
11. Warranty of title and availability. The seller warrants to the auctioneer and you that the
seller is the true owner of the property consigned or is properly authorised by the true
owner to consign for sale and is able to transfer good and marketable title to the property
free from any third party claims.
12. Agency. The auctioneer normally acts as agent only and disclaims any responsibility for
default by sellers or buyers.
13. Terms of sale. The seller acknowledges that Lots are sold subject to the stipulations of these
Conditions in their entirety and on the Terms of Consignment as notified to the consignor
at the time of the entry of the Lot.
14. Descriptions and condition
(1)Whilst we seek to describe lots accurately, it may be impractical for us to carry out
exhaustive due diligence on each lot. Prospective buyers are given ample opportunities
to view and inspect before any sale and they (and any independent experts on their behalf )
must satisfy themselves as to the accuracy of any description applied to a lot. Prospective
buyers also bid on the understanding that, inevitably, representations or statements by us
as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling
price involve matters of opinion. We undertake that any such opinion shall be honestly and
reasonably held and accept liability for opinions given negligently or fraudulently. Subject
to the foregoing neither we the auctioneer nor our employees or agents nor the seller
accept liability for the correctness of such opinions and all conditions and warranties,
whether relating to description, condition or quality of lots, express, implied or statutory,
are hereby excluded. This Condition is subject to the next following Condition concerning
deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.
(2) Private treaty sales made under these Conditions are deemed to be sales by auction for
purposes of consumer legislation.
15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate
forgery (as defined) may be returned to us by you within 21 days of the auction provided it
is in the same condition as when bought, and is accompanied by particulars identifying it from
the relevant catalogue description and a written statement of defects. If we are satisfied
from the evidence presented that the Lot is a deliberate forgery we shall refund the money
paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue
description reflected the accepted view of scholars and experts as at the date of sale or
(2)you personally are not able to transfer a good and marketable title to us, you shall have
no rights under this condition.
The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
General
16.We shall have the right at our discretion, to refuse admission to our premises or attendance
at our auctions by any person.
17.(1)Any right to compensation for losses liabilities and expenses incurred in respect of and
as a result of any breach of these Conditions and any exclusions provided by them shall
be available to the seller and/or the auctioneer as appropriate.
(2)Such rights and exclusions shall extend to and be deemed to be for the benefit of
employees and agents of the seller and/or the auctioneer who may themselves enforce them.
18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail, email or
Swiftmail in which case it shall be deemed to have been received by the addressee 48
hours after posting.
19.Special terms may be used in catalogue descriptions of particular classes of items in
which case the descriptions must be interpreted in accordance with any glossary
appearing at the commencement of the catalogue.
20.Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict
terms of these Conditions or of the Terms of Consignment shall affect the position at the
relevant time only and in respect of that particular concession only; in all other respects
these Conditions shall be construed as having full force and effect.
21. English law applies to the interpretation of these Conditions.
GROUP DEPARTMENTS
LONDON – MADDOX STREET
Bloomsbury House
24 Maddox Street
London, W1S 1PP
Tel: +44 (0) 20 7495 9494
[email protected]
LONDON – 399 STRAND
399 Strand
London WC2R 0LX
Tel: +44 (0) 20 7930 6879
[email protected]
NEWBURY – DONNINGTON PRIORY
Donnington Priory
Newbury, Berkshire, RG14 2JE
Tel: +44 (0) 1635 553 553
[email protected]
BOOKS AND MANUSCRIPTS
Rupert Powell Deputy Chairman (Bloomsbury Auctions), Travel, Natural History & Science
Dido Arthur Director, Art & Architecture, Private Press & Illustrated
Justin Phillips Director, Continental & Early Printing
Simon Luterbacher Director, Manuscripts & English Literature
Clive Moss Director, Children’s Books
Max Hasler Modern First Editions
Roxana Kashani Middle Eastern Books & Manuscripts
Michael Heseltine Consultant
Stephen Massey Senior International Consultant
Dr Timothy Bolton Head of Western Manuscripts and Miniatures
MODERN AND CONTEMPORARY ART AND PRINTS
Shane Xu Specialist
Alexander Hayter Consultant
Phoebe Wilkinson Cataloguer
Carolin Rodler
PICTURES AND MAPS
James Harvey International Head of Traditional Art
Robert Hall Director
Richard Carroll Specialist
AUTOGRAPHS AND MEMORABILIA
Lydia Wilkinson
Valentina Borghi
NUMISMATICS
Edward Baldwin Chairman of Baldwin’s, European, Russian, Colonial and Oriental Coins
Stephen Hill Director, English hammered and milled Coins
Seth Freeman Director, Banknotes and Tokens
Graham Byfield Indian & Islamic Coins & Commemorative Medals
Paul Hill Ancient Greek, Roman and Byzantine Coins
Andre de Clermont Islamic, Indian & South American Coins
David Kirk Military Medals and English hammered and milled Coins
Caroline Holmes Numismatic Books
Julie Lecoindre World Coins
Randy Weir Consultant, Canada
Ma Tak Wo Consultant, Hong Kong
Daniel Fearon Commemorative Medals, Consultant
Peter Donald Byzantine Coins, Consultant
Peter Brooks Consultant, Australia
PHILATELICS
Rick Warren Director, UK & World Stamps
Tim Francis Director, UK & World Stamps
Colin Avery UK & World Stamps
Heather Babington Smith Mixtures
Olivia Odell Autographs
Peter Elwood Approvals
ASIAN CERAMICS AND WORKS OF ART
Mark Newstead Head of Asian and European Ceramics and Works of Art
JEWELLERY, SILVER, WATCHES AND OBJECTS
OF VERTU
James Nicholson Deputy Chairman (Dreweatts)
David Rees Director, Silver & Objects of Vertu
Ian Pickford Silver Consultant
Nick Mann
Alexandra Francis
Tessa Parry
CLOCKS AND SCIENTIFIC INSTRUMENTS
Leighton Gillibrand Director
COUNTRY SPORTING
Geoffrey Stafford Charles Director
DECORATIVE ARTS
David Rees Director
ENGLISH AND CONTINENTAL CERAMICS
Mark Newstead Head of Asian and European Ceramics and Works of Art
Geoffrey Stafford Charles Director
FURNITURE AND CARPETS
Will Richards Deputy Chairman (Dreweatts)
Richard Madley Senior Director
Cristian Beadman Associate Director
Ben Brown Associate Director
Emma Terry Associate Director
Elaine Binning Consultant
Ashley Matthews
ROME / MILAN
For further information, please contact:
Dott. Luciana Scarpa
Tel: +39 388 8813070
[email protected]
PHOTOGRAPHS
Justine Gruser Cataloguer
John Cumming Consultant
VINTAGE POSTERS
Richard Barclay Consultant
PICTURES
James Harvey International Head of Traditional Art
Richard Carroll
Henry Bailey
STEAM MODEL ENGINEERING
Michael Matthews Consultant
WINE
Chris Hambleton Consultant
Jack Chapman
We are pleased to continue our joint venture in Italy. Together with Philobiblon Auctions, a subsidiary of the highly
respected antiquarian books and manuscripts dealership, we are able to offer a first class service throughout Italy
from premises in both Rome and Milan. We have Italian speaking specialists in all major departments and offer a
regular calendar of both valuation events and sales in Rome and Milan.

Wednesday 16th March FINE JEWELLERY, SILVER, OBJECTS OF

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