our Dogalog

Listed items not found at PNTA.com are
available by calling (800) 622­7850.
1
Retail Store
Store Hours
9 am to 6 pm Monday ­
Friday
Closed the following holidays:
­ New Year's Day
­ Memorial Day
­ Independence Day
­ Labor Day
­ Thanksgiving Day
­ Christmas Eve
­ Christmas Day
Driving Directions to
PNTA
From the South End
Take I­5 North
Take the West Seattle Bridge exit.
Take the Delridge Way exit.
Turn right at the first stop light.
PNTA will be on your right­hand side.
From the North End
Take I­5 South
Take the West Seattle Bridge exit.
Take the Delridge Way exit.
Turn right at the first stop light.
PNTA will be on your right­hand side.
Call us at
(206) 622­7850
or
(800) 622­7850
or order anytime at www.PNTA.com
2
PNTA
2414 SW Andover St C100, Seattle WA 98106
MAKEUP KITS
Makeup Kits offer an outstanding value, costing about half the price of buying all the contents individually. There is
no difference between crème and cake makeup other than personal preference. Color selections for foundations and
liners are based on popular choices for designated skin tones.
Personal Student Kits
Personal Kit
Fair: Lightest
Fair: Light
Fair: Medium/Tan
Olive: Fair/Medium
Olive: Deep
Brown: Light
Brown: Medium
Brown: Dark
Use With
Porcelain Skin, Red Heads
Most Caucasians
Southern European
Asian, Pacific Islander
Indian, Middle Eastern
Mixed Ethnicity
African, Caribbean
Very Dark
Theatrical Kits
Character Kits
Hollywood­quality components and step­by­step
directions help both novice and experienced
makeup artists achieve delightful, colorful and
sometimes frightening effects. Instructors often rely
on kits for aging, masquerades and more. Ample
supply of makeup will last through several classes,
rehearsals or production. Below is a short list of
kits commonly used in high school drama
programs.
Old Age Kit ... used when youth must play adult
Vampire Kit ... great for productions of Dracula
Witch Kit ... used in The Wizard of Oz
Cat/Lion Kit ... used in The Wizard of Oz
Ghoul Kit ... need zombies?
For a complete selection of available kits, go to
http://www.pnta.com/makeup/kits/.
These larger kits, available in both cake and crème,
include a wider selection of makeup and tools to create
a greater range of effects. These kits can be used not
only for enhancement of an actor's original coloring but
also allows for skin color shifts, e.g., brunette to a
convincing red head.
Pre­Order in Bulk
for Best Price
Ask about "renting" a
Foundation Tester Board
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
3
Makeup Kit Components
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PNTA
2414 SW Andover St C100, Seattle WA 98106
Makeup
Crème Foundation
Crème Foundations are easy to mix and blend, go on
smoothly, and look natural under stage lighting.
Certain lines of Ben Nye's crème foundations are
tinted more appropriately for stage rather than film
and video, while other lines are appropriate for all
three.
Matte Foundation
Ben Nye's Matte Foundations provide a versatile
blend of high pigmentation and natural coloring in a
fine, textured creme. Apply with a sponge and
dampen for a lighter finish.
Pancake Foundation
Cake Foundations apply quickly and work well for
body makeup applications. They also make a great
base coat for white face or other "character"
foundations. Apply with sponge and water.
Highlight and Shadow
After foundation is applied, Highlight and Shadow are
used to "rebuild" facial features which are washed out
by lighting and distance. Highlight and Shadow are
also used to change the appearance of the facial
structure and to create the desired illusion for a
particular character.
Mascara & Bright Mascara
Ben Nye's creamy, smudge­resistant Mascaras
intensify focus on the eyes. Bright Mascaras add an
edgy aspect to the eyes. White is ideal to age facial
hair and lashes, while Clear "sets" and styles without
adding color.
Concealer Wheel
Ben Nye' Total Concealer­All Wheel is a 6­color
neutralizer wheel that provides concentrated coverage
with more opacity and pigment than the simpler 4­color
Cover­All Wheel. Apply beneath foundation with a flat
or dome brush, blend, then powder lightly before
applying foundation. For intense discoloration,
carefully apply additional layers.
Rouge
Rouge is available in both creme and dry cake form.
Either kind may be used separately, or the Creme Rouge
may be applied first and set with the Dry Rouge. Apply
Creme Rouge with fingertips. Apply Dry Cake Rouge
with a soft, full brush.
Contouring Rouge
Subtle Rouge shades softly contour facial bone
structure. Ideal for contouring beneath chin,
cheekbones, and temples.
Neutralizing Crayon
Creme Neutralizing Crayon can quickly cover flaws
and accentuate features. Blends easily with matte or
creme Foundations.
Dry Pressed Eye Shadow
Light, shiny colors which "read" well at a distance may
be used on the eyelids. Shadows may be applied with
fingers, brush, or foam­tipped applicator.
Eyebrow Pencils
Formulated in a firm texture, Eyebrow Pencils hold a
precise point to create "wisps" of color to naturally
augment brows.
Tester
boards
are
available
in
our
store
for most
makeup.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
5
Makeup
False Eyelashes
Kryolan's False Eyelashes are 100% human hair, hand
tied, black. Lash Grip Adhesive dries quickly, holds
lashes securely in place and is waterproof. Do not use
eyelash adhesive for attaching wigs, beards, or
mustaches.
Eyeliner
Define eyes with Ben Nye's classic, matte liner. Mix
with water to a creamy, pigment rich consistency and
apply with a fine­tipped brush. Smudge as it dries for a
softer line. Mix with LiquiSet in place of water for
long­lasting, water­resistance.
Lip Liner
Dusts and Powders
Use for smudging character makeup or distressing
costumes.
Lumiere Grande Colour
Eleven luminescent shades are available in an
exclusive formula to produce a silky consistency.
Apply wet for an opaque, paint­like color or dry for a
soft, shadow­like shimmer.
Lumiere Luxe Colour
Dust on for an overall shimmer or apply wet for
opaque coverage. Iced Gold is perfect for fairies, and
silver is great for the Wizard of Oz's Tin Man. Mix
with LiquiSet for a smudge­proof body and face paint.
Ben Nye's Lip Liner is placed around the outer edge of
lipstick to accentuate the lips and shape and heighten
their contrast with the general face makeup.
Lipstick
Ben Nye's Lipstick inspires your artistic sense in a
collection of natural, bold and sultry colors. All have
the look and feel of cosmopolitan brands in a moist
base, intensely saturated with color for vibrant, long­
lasting durability. layer one or more shades to create
irresistibly luscious lips. "Ice" hues contain a burst of
shimmer; "Red Coat" has a matte finish.
Powder
After makeup is complete, set by brushing a thin veil
of powder over the entire face with a powder puff, and
remove excess powder with a powder brush.
LiquiSet
Ben Nye's LiquiSet is an excellent mixing and setting
medium for MagiCakes, Lumiere, Color Cakes,
Sparklers, Body Glitter, and Cake Eye Liner. LiquiSet
provides a smudge and water resistant finish. Also
works well as a thinning agent for MagiColor Liquid
Paint.
Final Seal
Ben Nye's Final Seal provides a waterproof, matte
"topcoat" for most types of makeup. use on dry water­
based or powdered creme makeup that must remain in
place even under harsh conditions. Reduces makeup
meltdown without clogging pores.
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PNTA
2414 SW Andover St C100, Seattle WA 98106
Makeup
Fluorescent Blacklight
Kryolan Luminous Cream is specially formulated for
UV (black) light. Color effect is only achieved under
strong ultraviolet light. Putting the translucent makeup
over other makeup in fine coats creates a cool
day/night effect. Remove with makeup remover.
Sparklers
Brilliant and dazzling, Ben Nye's fine metallic flakes
easily adhere to creme makeup or even water­soluble
spirit gum. Create fine effects with LiquiSet and a
brush. Finish glitter effects with Final Seal for a lasting
hold that is usally hard to achieve in glitter
applications.
MagiColor Liquid Face Paint
These washable liquid face paints from Ben Nye are
bright, fast­drying and water­resistant. New formulation
is alcohol­free; excellent for airbrushing.
Color Liner
Color Liners have many uses and can be mixed
together for a whole spectrum of colors. Create a bruise
or draw a clown face. All the liners are creme­based,
designed pirmarily for use over creme­based
foundations. Ben Nye Color Liners blend easily and are
highly concentrated, clear, smooth, and easy to apply.
Glitter Gel
Glitz­It Glitter Gel glides on smoothly and leaves an
even spread of glitter across most surfaces.
Metallic Makeup
The best of Kryolan's various lines of Liquid Body
Makeup and Aquacolor Liquids are very shiny, giving
the appearance of true metal polished to a bright sheen.
Bright Gold if a yellow golf, while Antique Gold is
darker with a more greenish cast. Apply with a sponge
or brush. remove with soap and water.
Aqua Glitter
Aqua Glitter are washable, non­metallic and water­
resistant glitter paints from Ben Nye. Use alone on
skin or apply over any cake, creme or MagiColor Face
Paint. Remove with soap and water.
Professional Wheels
Ben Nye Creme Color Wheels prvide multiple creme
colors in one handy container. Apply with brush or
fingers. Set with translucent powder. Remove with soap
and water or makeup remover.
F/X Wheels
Each Ben Nye F/X Color Wheel contains four creme­
based shades essential for creating a specific special
effect such as Cuts & Bruises or Burns & Blisters.
Cuts and Abrasions
Ben Nye's Gel Effects Wound Kit contains clear, flesh,
and blood gels. Create bullet holes, lacerations, burns
and scars. Gels must be heated before use and will
solidify when cooled. The gels may be reused.
Instructions included.
Call
for
Makeup
Advice
(206) 622-7850
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
7
Makeup
Blood and Scabs
Ben Nye Stage Blood is digestible and peppermint­
flavored for use in the mouth. Normally removes
completely from costumes. Fill Gelatin Capsules with
blood for release during action.
Liquid Latex
Liquid Latex rubber is primarily used to make
prosthetic pieces. May also be used to "back up" crepe
beards or repeated wearing or to create facial wrinkles
directly on the skin. Light flesh­tone dries nearly clear.
To remove, peel from skin, and then wash with soap
and water.
Clear Latex is great for special effects such as burns
and blisters, or as an adhesive for crepe wool hair.
Dries to a clear, flexible finish. Thins with distilled
water.
Ben Nye Thick Blood and Fresh Scab are thicker
versions of the blood products. Use for deep cuts or
where healing­clotted blood effects are needed.
Kryolan Blood Powder is a two­step procedure for
external special blood effects (i.e. blood appears as a
knife seems to cut victim). Apply a flesh pink powder
over makeup. When the clear liquid is applied, blood
appears instantly. Non­toxic formulation. Instructions
included.
Wrinkle Stipple, a light formula latex rubber, is used
to create facial wrinkles. Its light flesh­tone color
blends natural with Caucasian face. Seal with Castor
Sealer. The bottle comes with a brush.
Caution: Latex contains ammonia; keep away from
the eyes, all facial hair and eyelashes. It will not
release from hair without cutting.
PNTA Tip
Try using small balloons, condoms, heat­sealed
sandwich bags, or zipper­lock plastic bags to hold
the blood. A ring rigged with milliner's wire can
puncture the blood sac as a hand is clutched to a
wound.
Rehearse with water­filled sacs to save wear on
costumes. Test blood on scraps of actual costume
materials used to ensure complete washability.
Glycerin
For tears, ooze, perspiration, and other effects.
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Rigid Collodion
Kryolan Rigid Collodion is effective for creating
realistic cuts and scars. For wrinkles: stretch skin and
apply, let dry, then release skin. For scars: Apply with a
brush. Scar puckers as it dries. No additional makeup
needed. Very cool, quick effect. Peel off or remove
with cosmetic grade acetone. Warning: Product
contains ether.
PNTA
2414 SW Andover St C100, Seattle WA 98106
Makeup
Makeup Case
Kryolan's sturdy makeup case is the best we've seen
for toting and storing your makeup. This roomy kit has
adjustable dividers for custom fitting all your makeup
supplies. Cleans up quickly and easily and doesn't
stain. Makeup not included.
Sponges
Synthetic Latex Sponge (Ben Nye) is a fine­textured
synthetic latex sponge that is thick and long lasting.
Use it to apply a smooth, thin coat of foundation. 3" x
4" x 1" thick; cuts into 8 ­ 12 pieces.
Nylon Stipple Sponge (Ben Nye) is used to texture
makeup, especially to stimulate beard or capillaries. 3"
x 4" x 1" thick; cuts into 9 pieces.
Hydra Sponge is Ben Nye's synthetic sponge (2­3/4"
in diameter) and is used to apply cake makeup. Wash
with antibacterial soap after use, and air dry for a long,
mildew­free life. 1" thick.
Natural Sponge (Kryolan) is about 1­1/2" diameter.
use it wet to apply foundations, or dry to texture. Wash
in soapy water.
Foam Tip Applicators
These handy wands are perfect for applying rouges,
shadows, and other dry makeup.
Powder Puffs
Ben Nye Velour Powder Puffs are large, supply
applicators used to apply face powder without
disturbing makeup. 3 ­ 1/2".
Pencil Sharpener
Economical five­piece set is perfect for students or
occasional users. Includes rouge brush, foam tip
applicator, fine point round brush, and two flat brushes
in a vinyl bag.
Flat Brushes
Flat Brushes with a straight "chisel" tip are used
primarily for contouring; they may be used on edge for
fine lines and across width for wider lines or
feathering. Also used for coloring lips. Synthetic fiber.
Clean with brush cleaner.
Round Brushes
Round Brushes with fine and small pointed tips are
used to apply eyeliner, color liners, and face paints.
Medium and wide points provide greater resilience for
use with pressed eye shadows or pearl sheen.
Dome Brushes
Dome Brushes are subtle, delicate brushes for eye
shadow application or under eye concealing. Rounded
corners provide soft edges.
Rouge Brushes
Dry Rouge Brushes have a wider shape to apply
pressed color makeup. Use the professional size as a
powder and rouge brush.
Powder Brush softly brushes away extra face powder
without disturbing makeup.
Personal Rouge Brush is a full­bristled, short­handled
personal size rouge brush.
Wooden Modeling Tool
Versatile application tool to model Nose & Scar Wax,
Thick Blood, or Gel Effects to skin.
Dual round metal sharpener gives a beautiful sharp
edge to lip pencils and eye pencils. Guaranteed
rustproof.
Brow/Lash Comb
Brush Kit
Silicon Tool
Flat chisel design is non­porous, resilient and flexible.
Great for detailed application of Aqua Glitter, latex,
blood adhesives, or cremes. Wipes clean.
Use to separate lashes, style brows or streak facial hair
and temples with hair color for aging.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
9
Makeup
Angle Brushes
Angle Shadow Brushes have a distinctive shape which
facilitates application of pressed eye color over lids.
Synthetic fiber. Clean with brush cleaner.
Brush Cleaner
Brush Cleaner quickly dissolves makeup. Pour a small
amount into bottle cap, dip brush, and wipe with tissue.
Economical; one capful cleans 8 ­ 10 brushes.
Makeup Remover
Quick Cleanse is light, yet effective on all creme­style
makeup. Gently massage it in, and then rinse off with
water and cleanser.
Hair Color
Apply this natural­looking color with a toothbrush.
Shampoo to remove.
Spray On Hair Color
Kryolan Spray On Hair Color can be used to highlight,
tip, or change hair color. Full hair coverage takes
approximately one can, depending on hair length and
contrast between spray and original hair color. Style
hair, spray on, shampoo out. Not recommended for
color­treated hair, as it may leave color residue. UV
colors glow under black light.
Crepe Wool
Crepe Wool is used to create mustaches, beards, and
sideburns. Mix colors for a more natural look. Braided
for unpacking. Unbraid wool and place between damp
paper towels to iron straight. Apply with spirit gum.
Hydra Cleanse is oil­free, leaving no residue. Gentle
enough for eye area. Apply with latex sponge or cotton
pad. Follow with water and cleanser, if desires.
Bald Caps
Bald Caps with matte finish. One size fits any adult
head. To apply, brush hair back and spray lightly,
stretch cap to fit over head, adhere edges with spirit
gum or prosthetic adhesive.
Beards and Mustaches
These accessories from Kryolan are hand­tied using
real human hair. Fully stylable, they are available in a
variety of colors (some by special order only). Apply
with spirit gum and remove with spirit gum remover.
Given proper care, your beard or mustache can be used
again and again. Specify color when ordering.
Toupee Tape
Toupee Tape is double sided adhesive for toupees,
beards, mustaches, prosthetics, and wireless mics.
Comes in 3" x 1/2" wide or 3" x 1" wide.
10
PNTA
2414 SW Andover St C100, Seattle WA 98106
Makeup
Tooth Color
Ben Nye Tooth Color is used to shorten , black out, or
color teeth. Apply to clean, dry tooth with brush
provided in bottle. Will not stain synthetic tooth
materials, and removes with toothbrush and toothpaste
or isopropyl alcohol on a swab.
Water­Soluble Spirit Gum
Ideal for carnivals, parties, and classroom uses. May
be removed with soap and water; will not require
special cleaning to remove from clothing or costumes.
Foam Noses
Artificial noses from Kryolan. Adhere with spirit gum
or prosthetic adhesive; seal edges with liquid latex.
Stipple with a small sponge to blend, and color with
AquaColor, or seal with Castor Sealer and creme
makeup. Rubber mask grease paint is not necessary.
Three styles available; instructions included.
Medical Adhesive/Remover
Medical Adhesive is a silicone­based adhesive for
extremely sensitive skin. Dries fast; must be removed
or thinned with Medical Adhesive Remover.
Prosthetic Adhesive
More flexible than Spirit Gum, Ben Nye's Prosthetic
Adhesive is ideal for attaching foam noses, bald caps,
and other similar pieces. Must be removed with Bond
Off! Adhesive Remover. Not for laying crepe wool.
Nose & Scar Wax
Nose & Scar Wax is used to change the shape of nose
and cheeks, or to make moles, scars, etc. Molds easily;
work with small amount of Castor Sealer to keep it
from sticking to fingers and to feather the edges. The
6" wooden Modeling Tool is excellent for shaping and
blending Nose & Scar Wax to the face.
Castor Sealer
Stipple on a micro­thin layer of Ben Nye's Castor
Sealer with a latex sponge to seal all latex appliances
(bald caps, wrinkle stipple, and liquid latex) before
applying foundation. Castor Sealer eliminates the need
for rubber mask grease foundations.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
11
Casting Supplies
Thermoplastics
Thermoplastics are used to form props, scenic
elements, and costume pieces. All are non­toxic,
workable when heated to 160° F (in hot water or with
a heat fun or hair dryer), and moldable over any
surface. They can even be reheated and reformed.
Vara­Form is an open­weave cotton fabric coated
with a high density thermoplastic resin. Once softened,
it may be folded, tucked, stretched, and molded to
form any desired shape. Sets in 2 ­ 5 minutes,
depending on the number of layers used. Can be
reheated with a hair dryer or repairs and remodeling.
The solid sheets have a great, smooth surface and
stretch a lot when warm, making them quite
economical. The perforated sheets are more flexible
and stretch more easily. Pellets, made of the same
material as the solid sheets, are for molding and
freeform sculpting and they adhere to other
thermoplastics for texturing and relief.
Magicast Alginate
Alginate molding compounds were originally
formulated for making dental impressions, because
they provide extreme accuracy in a flexible, fast­
setting medium. Makeup artists quickly recognized the
advantages of these molding compounds for casting
the face and other parts of the human body. Mix with
water to make molds of noses, ears, hands, etc.
Apoxie Sculpt
Apoxie Sculpt by AVES is an incredibly durable, yet
easy­to­work with 2­part sculpting clay. It cures rock­
hard overnight without baking, sticks to almost any
clean surface, takes paint well, has 0% shrinkage, and
is certified non­toxic. Working time is approximately 1
hour. Great for sculptural and prop projects of any size,
from model pieces to full size trees.
Cold Latex Foam System
2­Part Cold Foam Latex System is used for making
foam masks and prosthetic pieces in plaster molds.
Releasing agent is coated on the mold, and the two
components are mixed, then poured into the mold. Sets
at room temperature. One kit produces 6 quarts of wet
foam. Kit includes Part A, Part B, a releasing agent,
formulas for partial batches, and directions. No oven
curing required. Water­based, non­toxic formula.
Some projects require extra mold release for multiple
castings.
Hot Foam Latex System
4­Part Hot Foam System provides greater accuracy of
detail than possible with cold foam. The process
requires a gram scale, a kitchen mixer, an oven for
curing the foamed latex, and careful attention to detail.
One kit produces about 4 ­ 6 quarts of foamed latex,
enough for 5 full­face masks. The kit includes foam
latex base, releasing agent, foaming agent, curing
agent, gelling agent, formulas, and complete
directions.
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Aqua Resin
AQUA­RESIN is an easy to use, opaque, non­toxic
composite fabricating resin. This water­based material
can be used in casting and molding and is primarily
used with fiberglass reinforcement. Permanent in all
interior as well as most exterior applications, it has
numerous uses in such diverse fields as scenic design,
architecture, sculpture, and prototype and product
development. Instructions available online at
www.aquaresin.com.
PNTA
2414 SW Andover St C100, Seattle WA 98106
Paint
Why Use Scenic Paint?
Drama teachers and theater artists sometimes ask if they can "get by" using paint from their local hardware store
rather than paint created specifically for scenic use. Household latex paint can be used, but paint formulated for the
stage works better because:
• Scenic paint uses pure, vibrant pigments without chalky fillers, so you can mix paints without getting muddy
looking colors.
• Scenic paints have enough binder (glue) to allow for considering thinning, making them economical and versatile.
• Scenic paints dry to a very matte finish which contributes to the illusion of depth and richness of color when lit.
• Scenic paints are durable and made to withstand the physical wear and wide fluctuations of temperature and
humidity encountered during scenery's construction, setup, performance, and storage. (House paints are designed
for hard, static surfaces in a very stable surrounding).
Iddings Deep Color
This casein­type paint by Rosco comes as a
concentrated paste which must be diluted at least 1:1
with water; thus, one gallon of Iddings yields two or
more gallons of usable paint. One gallon, mixed with
water, should cover 500 ­ 700 square feet.
Because of its protein base, Iddings paint is subject to
bacterial attack once it is opened. Adding Lysol to
paint may counteract deterioration when it is being
stored for more than a few days. All Rosco paints are
lead­free. Iddings colors come in gallons or quarts. The
test kit includes a one­ounce sample of each color,
instructions, and a swatch chart.
Off Broadway
This vinyl acrylic paint by Rosco includes 23 vibrant,
intermixable colors at costs comparable to standard
house paint. It can be used right of the can without
dilution; it also thins well. Depending on the surface,
one gallon will cover 250 ­ 350 square feet. It's
flexible, has deep colors, and has been used for many
years by scenic artists. White­white is used to "white
out" other colors. All Rosco paints adhere to almost
any surface. Off Broadway colors are available in
gallon and quart sizes.
Off Broadway Metallic
Water­based metallic paints with bronzing powders
already added.
Supersaturated Paint
This paint system is formulated to dilute with
substantial quantities of water without losing binder
strength. Best worked as water color, the paint is
thinned from 3:1 to 20:1 and layered on the primed
surface from light to dark. This creates a sense of
translucent depth, particularly good for painting skies.
One gallon of paint and water mixture covers about
250­350 square feet. Thinned 20:1, one quart of paint
can cover as much as 1750 square feet with a
translucent wash.
Because of the flexible acrylic base, Supersaturated
works well for roll drops or other soft goods. It will
adhere to non­porous surfaces such as plastic and
metal. Available in quart sizes; gallon sizes available in
White, Velour Black, and Natural Base; 5­gallon sizes
are available in White and Black.
Artist's Choice Saturated
Paint
These non­toxic, water­based paints by Sculptural Arts
Coatings dry to a brilliant matte finish. Color pigment
saturation produces deep, pure, vibrant hues even on
hard­to­paint surfaces such as Textilene and rear
projection screens. For opaque results, mix 1 part paint
with 1­2 parts water. For translucent results, mix 1 part
paint with 5 ­ 15 parts water. Pints available by special
order.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
13
Paint / Primer / Sealers
Glow Paint
Phosphorescent Paint is used to mark hazardous areas,
props, furniture placement, etc., for access in total
darkness. Highly visible yellow­green color. Charged
with daylight, fluorescent, incandescent, or UV light, it
then glows in the dark. Cleans up with soap and water.
Video Paints
Specially formulated for the sensitive keying and
contrast requirements for Ultimatte and Chroma Key
systems, these acrylic paints are used undiluted right
out of the can. They adhere to any porous surface
(wood, muslin, walls) and some non­porous surfaces.
For most applications, one­coat coverage is sufficient.
Rich, saturated colors dry to a matte, non­reflective
finish.
Wildfire Luminescents
Use Wildfire Luminesescent paints to create visible
and invisible fluorescent black light effects in your
productions. Visible fluorescent images appear a
bright color under normal light, and fluoresce
brilliantly under black light. Invisible images appear
nondescript under normal light, and appear only when
black light is applied.
14
Tough Prime
Rosco's water­based primer bonds to hard­to­prime
scenic materials, including PVC pipe, aluminum,
foams, and plastics, as well as muslin, wood, and foam
core. This quick drying, acrylic­emulsion primer dries
to a tough, durable coating which can be painted over
with any paint. Excellent for both interior and exterior
use. Available in black or white; 1­gallon or 5­gallon
buckets.
Plastic Varnish
Plastic Varnish is a water­based, non­toxic sealer.
Available in Gloss or Flat finish, it dries clear and
is compatible with all water­based dyes, paints,
dry pigments, and universal tints. Use it full
strength for extra toughness, or thin it with water
for a broader coverage or for spraying through air,
airless, or Hudson­type sprayers. Spray it or dip it
for a glaze or protective finish. Roll or brush it to
seal and preserve all types of surfaces, whether
painted, plastered, or textured. Water resistant
when dry; suitable for exterior use.
Rosco Clear Acrylic
When diluted with water, Clear Acrylic may be applied
as an overcoat to seal a painted surface, used as a
binder for dry pigments, or mixed with other paints for
additional binder strength. It is compatible with most
water­extendable paints. One gallon, diluted, covers
600 ­ 800 square feet. Exterior uses acceptable; delays
fading.
PNTA
2414 SW Andover St C100, Seattle WA 98106
Coatings
Foamcoat
Foamcoat is a non­toxic, water­based coating for
Styrofoam and polystyrene foam. It can also be used to
seal primed wood, concrete block, primed fiberglass,
papier mache, muslin, and many other surfaces.
Applied by brush or roller, it provides a hard, durable
finish that resists chipping and cracking, yet can be
sanded smooth or carved to add detailing. Foamcoat is
inherently flame­retardant and water­resistant. Dries to
an off­white matte finish; cleans up with soap and
water. One gallon covers approximately 150 square
feet.
Sculpt or Coat
If you build scenery, props, or costumes, and you
aren't using Sculpt or Coat, you are missing out!
Sculpt or Coat is a non­toxic plastic cream used to seal
porous materials like fabric or foam, or to mold cloth
over a form into a rigid shape. This versatile material
clean up with soap and water. Its high safety ratings
makes it safe enough for children to use. Applications
include scenery, props, costumes, crafts, special
effects, puppet making, scenic painting, and sculpture.
Flexcoat
Flexcoat is a water­based coating for polyurethane
foam, Styrofoam, and ethafoam. Useful on foam
scenery and props which must endure rough handling.
It's compatible with all Rosco paints, is weatherproof,
and provides a Class "A" fire rating over most
substrates.
Flexbond
False Proscenium Frame was created with integrated steel covered with
carved foam panels sealed with Sculpt or Coat for "Harrah's" Casino in
Rosco Flexbond is a flexible adhesive bond for scenic
materials such as fabrics, plastics, foams, and wood. It
dries to a clear, hard, flexible coating that isn't tacky
like many other flexible glues. Flexbond is water­
based so it can be thinned with water and tinted with
water­based paints and dyes. Sets in 30 ­ 45 minutes;
hardens in 1 ­ 2 hours.
Crystal Gel
Crystal Gel is a non­toxic, water­based material
which provides a clear, plastic­like coating on
virtually any surface used in modern stagecraft. It
air dries quickly ­ usually within hours ­ to a
flexible, translucent surface. When dry, it can be
painted with any Rosco scenic paint, carved, or
safely rolled without cracking, peeling, or
sticking. Such products as sand, sawdust, or
powdered clay can be added to create unique
textures.
Lake Tahoe. Created by: Greg Thompson Productions, Seattle, WA
Sculpt or Coat is easy to spread, comb, daub, pat,
sponge, brush, trowel, or smooth with your hands.
Used full strength, it gives a tough, translucent finish;
when thinned with water, it provides a clear, flexible
coating. You can sand and paint it with latex or enamel
paints when dry. Use Sculpt or Coat to prep unfriendly
surfaces; it sticks to practically anything.
Tint Sculpt or Coat with Artist Choice Saturated
Paints, dyes, and pigments. Once dry, surfaces can be
spray­painted, lacquered, or painted with enamels.
When wet, Sculpt or Coat isn't flammable. When dry
and used with some foams, thinned, or mixed with
other compounds, it may be flammable. use suitable
flame retardant if needed.
Apply a thin coat of Sculpt or Coat to seal carved
styrofoam and give it a smooth, paintable surface.
Coating styrofoam with cheesecloth dipped in Sculpt
or Coat will give added durability to pieces which
must tour or endure extra abuse.
May "cloud" if water puddles on the finish product.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
15
Paint Accessories
Liquid Flame Retardant
Rosco Flamex offers a full range of flame retardants for
scenery. The clear liquids are best applied by
immersion, brushing, or spraying.
NF ­ Natural Fiber
PC ­ Paper/Cardboard
PA ­ Paint Additive
SF ­ Synthetic Fiber
RW ­ Raw Wood
DF ­ Delicate Fabric
When you can't treat the substrate directly, apply a
flame­retardant coating with PA Paint Additive ­ it will
not alter the color, even on clear acrylic. Flameproof
and paint in one easy step.
Flame­Shield Aerosol
Argo Starch
Argo Gloss Laundry Starch is ideal for priming
translucent drops, as it does not opaque the fabric the
way paint will. Dissolve one pound of starch in one
gallon of cold water, then slowly pour the starch into
three gallons of boiling water, stirring constantly. Let it
cool, and then strain it into a paint sprayer. One person
sprays ahead while a second person follows, scumble­
brushing the starch solution into the cloth. This might
be the most economical way to prime.
Bogus Paper
Place Bogus Paper rough side up under backdrops and
scrims to absorb excess water from starch and paint,
allowing the drop to dry evenly and wrinkle­free. 58"
wide, 450 feet long, and 68 pounds shipping weight.
This fire­retardant can be applied to beds, carpeting,
upholstery, drapes, pillows, decorative pillows, sheet
rock, unfinished wood, wall paper, natural Christmas
trees, cushions, and most absorbent materials. Easily
sprays on and dries completely clear. Flame­Shield
does not change the characteristics of the treated
surface. Materials feel and look the same as before the
treatment, without stiffness or residue. A 12 oz. can
treats one 7' Christmas tree.
Powdered Flame Retardant
FF2 Powdered Flame Retardant is designed for use on
cotton, linen, and rayon. Add packet to one gallon of
warm water and stir until completely dissolved. Apply
to fabric until very damp but not dripping. One gallon
treats 150 ­ 200 square feet. An economical alternative
to liquid flame retardant.
16
PNTA
2414 SW Andover St C100, Seattle WA 98106
Paint Tools
Stipple Brush
The original use was to stipple a surface after painting
to make it uniform. Now, it is used as a primer. It is an
excellent tool for starching backdrops.
Fitch Brushes
American­made, Rosco Iddings brushes feature long
and natural bristles, seamless nickel ferrules, and long
handles. Excellent for both classroom and professional
use. Bristle length ranges from 1­1/2" to 3­1/2"
depending on brush width.
Lay In Brushes
Bestt Liebco's "Dixie" Lay In brushes, black China
bristle with nickeled steel ferrule. Handle unscrews to
accomodate 5' Dixie Pole for painting on the floor.
Brush widths of 6" and 7" make short work for even
the largest project.
Sponges
Natural Sponges are a favorite of scene painters and
faux finishers alike. Dab for texture or rub for
blending; these sponges are also perfect for stenciling.
"Sea wool" sponges have one cut (flat) side, while
"wool form" sponges have no flat surface.
Graining Tools
Wood Graining Tool are designed to recreate the effect
of graining. The Rocker Wood Graining Tool has three
surfaces and a handle. The face of the tool is for heart
graining effects, the notched edge is for quarter­sawn,
and the comb edge is for vein graining. Detachable
handle may be repositioned for various techniques. 3"
wide. The Metal and Triangular Wood Graining tools
also create a graining effect of "scratching" paint to
reveal other layers. The Five Headed Pencil Brush
grainer is used to create graining by the addition of
paint.
"252" Splatter Brush
Number "252" from Bestt Liebco has black nylon
bristles and a stainless steel ferrule, in widths of 3" and
4". In our tests, it provided the most continuous and
predictable spatter paint; its lightweight makes it very
easy to use.
Hand Sprayer
This lightweight alternative to bulky Hudson sprayers
allows for quick and easy spraying of paints, dyes, and
water. Use to distress, highlight, tone down, or texture
a painted surface. Use with dyes for translucent
effects. Easy to clean and comfortable to hold. Adjusts
to mists, spray, or solid stream. Operating and
maintenance instructions printed on the sprayer.
Capacity: 48oz.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
17
Drapery / Drop Hardware
Muslin Drops
Drops are made from 100% cotton, scenery­weight
muslin. These drops have horizontal seams, 2" wide
hems, and a 6" bottom hem with a 4" pipe chain
pocket. The top if backed by 3.5" jute webbing.
Grommets are spaced evenly across the top,
approximately 12" on center. Each grommet is
threaded with 36" tie line.
Webbing
Heavy jute webbing, 3.5" wide, is used at the top of
drapes Cycs, scrims, and drops for strength, especially
when inserting grommets.
Grommets
Grommets are used at the tops of curtains and drops so
that they can be hung from a track or pipe. The
diameter of the hole, when inserted, is 3/8" for #2
grommets, and 1/2" for #4 grommets. Use the #4
grommets for heavier drapes. Kit contains punch and
wood block, die­setting tool, 24 nickel­plated brass
grommets, and instructions ­ everything you need to
set grommets, except a hammer.
Hooks
Hinges, Hooks, Pin Wire
Flats are fastened together with hinges. For flats under
14', use three backflap hinges, placed at top, center,
and bottom. Taller flats require 4 hinges. To take flats
apart for transporting, use loose­pin hinges. Replace
lost pins with pin wire.
Rosco's Sure Hinge is a loose­pin hinge with
interchangeable halves. Scored to bend around 1x
stock without protruding above surface, its offset holes
are countersunk for #8 screws and center­drilled for
1/4" stove bolts. This "Swiss army knife of hinges" can
even be used to tighten Philips and slotted screws and
#10 hex nuts.
Use a batten of 1" x 3" lumber attached to the toggle
rails (cross supports) of the flats. To hang pictures or
other light objects on flats, use picture hangers.
Flying and Bracing
Lightweight scenery is hung by attaching lines or cable
to the top support pieces of the scenery with ceiling
plates or hanger irons. For heavy scenery, lines or
cable pass through ceiling plates at the top of the flats
and connect to hanger irons on the bottom. The
mounting holes in ceiling plates, hanger irons and floor
plates are countersunk for #9 screws.
Hooks are used to connect drape grommets to track
carriers or trim chain.
Teflon Safety Pins
For that quick repair. Teflon won't rust when used on
flame­proofed velours.
Tie Line
Black cotton tie­line, 1/8" diameter, for typing drops,
leg boarders, electric cables, etc. Beware of cheap
imitations! This solid­core tie line is strong and will
not stretch like cord without a solid core.
18
Stage Screws
The stage screw, with its tapered threads, is used to
fasten stage braces, foot irons and jacks to floors or
platforms. Use a stage screw and plug when
exceptional holding power is needed or when the
screw must be used in the same place several times.
First screw the plug into 1/2" hole in the floor; then
screw fits into the plug.
PNTA
2414 SW Andover St C100, Seattle WA 98106
Hardware
Wagon Brakes
Rosco's Wagon Brake keeps rolling scenery securely in
place by lifting it off its casters quickly and quietly
with minimal effort. Screws or bolts to side of
platform; two brakes per unit recommended. Available
in regular (350lbs) or heavy duty (800lb) capacity.
Threaded extension spindles allow for extended reach
and fine adjustments.
Roto­Locks
Roto­locks, also called coffin locks, are used as butt­
joint panel fasteners. Simply designed with no springs
or delicate mechanical parts, they draw panels together
at sufficient pressure to establish air and water­tight
seals. Will carry high­tension loads (1400 lbs)
including shear loads (2000 lbs). Components may be
recess­mounted or side­mounted. Tabbed roto­locks
can be routed into any 3/4" wood for solid right angle
or face­to­face joints. Good for trade show style panels
that are wrapped in 3/4" material.
Cheeseboro Clamps
Cheeseboro clamps are constructed of cast steel for
pipe­to­pipe clamping. They swivel to form any angle
for those specialty setups.
Rota­Locks
Rota­locks are a simple device that locks pipes of
equal diameter together at right angles to each other.
Used to build grids and other portable or permanent
stage rigging, platforms, storage racks, scaffolds, etc.
Single­screw locking, no­slip design, 4000 lbs grip
with safety factor of 2, plated steel loop and saddle
with locking screw. Install or dismantle in seconds.
Use only with "schedule 40" steel pipes of equal
diameter.
Grid Lock
Pipe Clamp
This rugged pipe clamp consists of two matching
halves, attached at right angles to each other by four
bolts and locknuts. Available in two sizes, the halves
can be interchanged, allowing you to join pipes of
equal or unequal diameter. Used to build grids and
other portable or permanent stage rigging, platforms,
storage racks, scaffolds, etc. Set includes two matching
halves and 4 bolts with matching locknuts. Use only
with "schedule 40" steel pipe. Rated load to 1800 lbs.
Similar to the Rota­lock, this economical pipe clamp
locks two pipes of equal diameter at right angles to
each other. Tightening two set screws with an Allen
wrench provides a 3000 lbs safe working load. The
pipe clamp, while similar to the Rota­lock, requires a
nimble hand with an Allen wrench to tighten its two set
screws. Its low cost make it the ideal choice for more
permanent applications where repeated disassembly is
not required. Use only with "schedule 40" steel pipes
of equal diameter.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
19
Hardware
/Production
Supplies
Full Pipe Clamps
Full pipe clamps provide a safe method for hanging
pipes and grids using chain or aircraft cable. Both have
a 750 lbs safe load limit rating.
Rear Screen
High quality front and rear projection material from
Rosco. Durable, flame­retardant, inexpensive. Used by
theaters, opera houses, and film and video production
companies. 55" wide. Available in 4 colors, each with
distinct technical properties. 86" seamless rearscreen is
sold by the yard in grey and twin white. Color may not
match other screens. Sold by the yard.
Rosco Mirrors
Sand Bags
Sand bags provide a safe, portable, and adjustable
counterweight method for hemp rigging. They can also
be used to weight floor plates for stage bracing. Made
from strong canvas with a nylon web sling and heavy
metal hook with safety catch. Sand not included.
Rosco's Silver Shrink Mirror is designed to be tacked
to frames and then shrunk with heat for optical clarity.
The other mirrors all offer excellent mirror surfaces in
metallized plastic format.
Saddlebag Sandbags
This saddlebag­style sand bag is great for weighting
light stands, floor plates, stage braces, scenery, etc.
Black, heavy­duty construction, with sewn­on handle
for easy carrying. New style Velcro closures. Sold
without sand to reduce shipping costs. Line with plastic
bag (not included) before using. Not for overhead use.
Baja Sandbags
Great heavy­duty bags for weighting scenery. Line
with plastic bag (not included). sand not included. Not
for overhead use.
20
PNTA
2414 SW Andover St C100, Seattle WA 98106
Tape
Gaffer Tape
Gaffer tape comes in 2" or 3" wide rolls that are 55
yards each; water­resistant with a matte finish, gaff
tape comes in black, white, grey, brown, and
fluorescent colors. Each leaves little or no residue
when removed. Gaff tape is waterproof, abrasion
resistant, and hand tearable. (24 rolls/case).
Glow Tape
Spike Tape
Use Spike Tape to mark a rehearsal or stage floor or to
color­code cable. This cloth tape doesn't stretch or
shrink like vinyl tape; it stays down, and leaves no
adhesive when removed. Matte finish, water­resistant.
45 yard roll. Fluorescent colors glow under black light.
Available in 1/2" and 1".
Glow­in­the­dark tape is used to mark exit/entrance
routes and to spike furniture placement.
Phosphorescent yellow; glow tape comes in 1" (5 yards
or 10 yards) or 1/2" (5 yards).
Dance Floor Tape
Dance Floor Tape is used for securing vinyl tiles or
non­skid dance floor sections. Width 2".
Electrical Tape
Vinyl phasing tape, 3/4" wide x 66' long roll.
Rescue Tape
Console Tape
Console tape, also called paper tape, is perfect for
quick repairs and for labeling sound and light boards.
You can write on console tape. 60 yard roll. Comes in
1", 3/4", 1/2". (36 rolls/case).
Double Stick Tape
Double Stick Cloth Tape is used for dance floors,
ground cloths, etc. 2" wide. (24 rolls/case)
This versatile tape is self­fusing, creates a permanent
seal that is water proof, air tight, has 700psi strength,
resists 500° F, and insulates 8000 volts. It also resists
fuels, oils, acids, solvents, salt water, road salt, and UV
rays.
Duve­Pro Tape
This matte black polyester felt tape is a must for
temporarily repairing Duvetyne and Commando Cloth
drapes. Fuzzy on one side and ultra­sticky on the other,
Duve­Pro will not damage the nap on your Duvetyne
curtains and is great for a quick fix. Also perfect for
applying a clean, dark edge to platforms, flats, and
portals. Duve­Pro is also Velcro­compatible. Available
in black only.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
21
Stands & Special Effects
Ultimate Support Stands
The Ultimate Support Tripod Stands are designed as a
single tier lighting/sound tree.These lightweight (12
lbs) trees are adjustable from 5'2" ­ 8'9". TeleLock is a
twist release with settings of "raise" and "lower".
Simply twist, and then ease the speaker or lighting
instruments to desired height. (Special note: Don't
clamp anything to the vertical pipe or you will divot
the pipe.) The crossbar is 48" wide, has 4 predrilled
holes for mounting hardware (included), and is
constructed of thick­walled tubing for use with c­
clamps (not included). Crossbar load capacity is 60
lbs. The carry bag is 10.5" x 60.5" and carries one
stand with crossbar. The stands are black and
guaranteed for life.
Snow
Shredded plastic pieces fall realistically to look like
snow; sift after performance to use again; one pound
equals approximately one cubic foot of coarse snow.
Use coarse snow sling or trough; for snow machines,
use
only
fine
snow.
Confetti/Streamers
Traditional party confetti. Multi­color and single
colors available. Use with 8 or 16­gram CO2 cartridge,
depending on type of confetti cannon.
Breakaway Bottles
Breakaways are specially formulated to shatter
realistically without danger to actors, technicians, or
audience. Special packing assures intact delivery.
Store in cool place.
Flicker Candles
The Rosco Flicker Candle provides a safe alternative
to flame candles. Available in three configurations:
Self­contained, with a candle tip, realistic 9­3/4" stem
with dripping wax look, on/off switch, and connection
for a 9­volt battery.
Wired stem, with 9­3/4" body, candle tip, dripping
wax look , stem, and 4" leads.
Basic, with a flickering candle tip, 4" core body, and
short pins for soldering directly to.
Black Lights
PNTA carries a wide range of black lights, from small
portable units that work well with a black light stamp
pad for admission control to large units that can flood
an entire room. Call us with your need, and we'll
match you with the perfect black light fixture.
Mirror Balls & Pinspots
Mirror Balls throw a shower of small lights when one
or more pinspots (rainlights) shine on them. When
hung from a motor, mirror balls create moving patterns
of light, reflected around the room.
22
PNTA
2414 SW Andover St C100, Seattle WA 98106
Fog & Haze
Types of Fog and Haze
Fog Fluid
Dry Ice Machine
Fog Scent
There are three primary types of fog­producing
equipment available to you. There are dry ice
machines, fog machines, and haze machines. Each one
produces a different effect. Knowing how each one
works will assist you in producing a show that matches
your artistic expectations.
The most realistic of fog. The CO2 vapors flow across
the floor creating a thick carpet of fog that dissipates
quickly. This fog stays log unless it is moved with a
fan. Creates a cool swirling effect and looks great
under lighting.
Fog fluid is glycol­based. Produces realistic, thick,
white fog. Designed for indoor applications with
chemical foggers. Non­toxic; will not irritate eyes,
skin, or throat. Leaves no oily residue. Smoke Fluid is
glycol­based. Designed to dissipate more quickly than
fog fluid; also non­toxic.
Hate the smell of fog? Try Fog Juice Scent. Fog scents
are made from water­based materials. For scented fog,
add 1/4 oz. of Fog Juice Scent per quart of unscented
fog juice.
Clean Machine Fluid
Optimizes performance of fog machines by cleaning
out deposits in the fogger's heater core. Use when fog
output decreases or when storing machine for more
than one week. For use in all water­based foggers.
Quart­size only.
Fantasy FX Spray Smoke
Fog Machine
Creates dense fog in an area. This is great for
producing a mysterious effect or smoke from fire.
There are many different kinds of fluid that dissipate at
a variety of rates and produce thick or thinner fog.
Haze Machine
Disperses fog evenly in the air. It is great for defining
lighting in the air and to create color in space.
Fog in a can! One can will fill a normal room 15 times
(20­second sprays), 5 minutes total. Long­lasting (1­2
hrs); "one can lasts all night." Non­toxic, non­
irritating, odorless, meets EPA standards, no CFCs.
Ships via ground only, not via air.
Haze Fluid
Different haze fluids are designed to be used in
different machines. Failure to use the proper haze fluid
can invalidate the manufacturer's warrantee. All are
water­based except the DF­50 which is oil­based, but
approved for use in union houses.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
23
Communication
Communication System
PNTA has designed, sold and installed hundreds of communication systems. We specialize in retrofits that
successfully interface new equipment with older components. We custom fit systems to your needs, from a two­
headset system to a four­channel, 40­station system for a theater, symphony hall, opera house, or conference center.
Call our custom systems department and let us help you design a system that meets your needs and budget.
Clear­Com
Systems
We represent: Clear-Com, HME, Telex, Green Go
Que­Com
High­performance, low­cost headset communications
system. Intercom provides individual volume control
and mic on/off switch for each station with a headset.
Interconnects with standards mic cable; 5' cable
terminates in female XLR­3 connector. Compatible with
all Clear Com systems.
Clear­Com
Supply
PK7
Power
Compact, portable power supply for powering small
intercom systems. Housed in a rugged metal case, the
supply features short­circuit protection with automatic
recovery and full voltage regulation to 400 mA. Three
XLR output connectors for connection of up to eight
belt packs. With UL­listed external power adapter.
Clear­Com 601 Belt Pack
Single­channel remote station in a rugged, compact
belt pack. High speech intelligibility. Visual signaling
and remote mic kill. Mic on/off momentary control.
Female 3­pin XLR connectors for the line in and out;
male 4­pin XLR for headset.
Clear­Com Headsets
Economical headsets featuring comfortable noise­
attenuating ear muffs and a noise­canceling
microphone. The mic can be positioned for left or
right­side operation. 5.5' straight cable with 4­pin
female EXR connector.
Green Go
Green Go is a plug and play voice intercom that
connects in to your existing PoE Ethernet network. This
affordable solution is scalable from 2 to 3000 users and
offers a maximum of 250 groups (rings).
GAM GO­Lite
The GAM GO­Lite™ goes wherever you need it, the
Green Room, in the flies, on the apron of your stage,
on scenery, in the orchestra pit. Four colors; white, red,
blue, and green, offer you a variety of different cuing
combinations for multiple functions and/or performers.
Use the GO­Lite™ as a guide or to illuminate dark
areas.
24
PNTA
2414 SW Andover St C100, Seattle WA 98106
Sound
Sennheiser e815S
The evolution 800 series of vocal mics have the
advantages of a ball microphone, plus a durable, non­
reflective matte finish and locking switch. Tuned
specifically for vocal applications. Its shock­mounted
dynamic cartridge has low sensitivity to impact and
handling noise, and the metal construction guarantees
and rugged and reliable product.
Features cardioid polar pattern, XLR output connector,
frequency response 80 to 12,000 Hz.
Countryman
Mic
B­3
Countryman
Mic
B­6
Lavalier
Ultra small lavalier mic. Perfect for hiding in clothing,
a wig, or near the performer's ear. Resistant to
moisture and makeup. Available in four colors.
Lavalier
Even smaller than its B­3 cousin, it is also perfect for
hiding in clothing, wigs, or by the performer's ear.
Resistant to moisture and makeup. Available in four
colors.
Audio­Technica AT2010
With rugged, all­metal construction promising years of
trouble­free service, this general purpose wired mic
captures clean, well­defined instrumentals and rich,
warm, articulate vocal pickup on lecterns and stages.
Features cardioid (unidirectional) dynamics, 3­pin
XLRM­type output connector, black finish, frequency
response 40 to 20,000Hz; includes stand adapter and
soft protective pouch.
Sennheiser e835­S
The e835­S wired mic is a very popular handheld
microphone because of its superb vocal and
instrumental reproduction and its tough resilience in
live production environments.
Features noiseless on/off switch, rugged construction,
cardioid dynamics, frequency response 40 to
16,000Hz; includes stand adapter and storage pouch.
PNTA stocks a wide range of
lavalier clips, microphone
holders, connectors, testers,
and other items related to
sound and sound equipment
maintenance.
Call us with your needs.
Mic Stand and Boom
Slotted base design allows up to six stands to be
stacked in the floor space for one. Base diameter is
10", matte black finish. Height adjustable from 35" ­
64". Boom is 31" long with large knob for easy
adjustment. Fits all stands with 5/8" threads. Boom
also available as a telescoping boom arm.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
25
Wrenches & Testers
Lighting Wrenches
Mega Square Wrench: A super compact, simple
wrench designed to fit most standard fittings on C­
clamps.
Rocco Wrench: Grasp lens ring with maximum ease
and control when removing and replacing during
maintenance and lens cleaning.
Altman Wrench: Designed to fit Altman hardware;
cut­outs in the handle fit both square and hex nuts on
C­clamps; fitted end section lets you tighten or loosen
hot yoke bolts easily.
Altman Super Wrench: Cut­outs in the handle fit
both square and hex nuts on C­clamps. has template
cut­outs to quickly add units to your light plot ­ even
comes with a built in bottle opener ­ for bottles of
cola... of course.
Lightspeed Wrench: This ratcheting box­end wrench
fits 3/8" and 1/2" square bolts and 3/4 hex­head bolts
found on C­clamps; angled ends fit easily between
instrument and yokes.
Mega Handle Combo: Super compact ­ it even fits on
a keychain. machined cut­outs for all three C­clamp
bolts with no fiddling. Great gift idea.
Apollo Wrench: An adjustable wrench with a closed­
end wrench built into the handle. The closed­end
wrench includes the three sizes 3/4", 1/2", and 3/8"
that provides easy access to the common bolt sizes
found in the industry.
StageJunk Focus Tools: These all­in­one tools are
designed to fit most light fixtures (including those
from ETC, Altman and Strand), wing nuts, road cases,
c­clamp bolts, Mac 500 cam thumb screws, some
smaller shackle bolts, 1/2" bolt on the yoke of Leko
fixtures, and more.
26
GAMChek Electrical Tester
Circuit tester checks availability of power and
correctness of polarity and wiring. 20­Amp male and
female stage pin connectors, PBG and TwistLock
versions available.
GAMChek Jr is a
stage pin plug with 3
neon lamps that
perform the circuit
tester functions of the
GAMChek.
3­in­1 tester:
If your theater's
lighting system has
20­amp stage pin
connectors, you
should not be without
this.
The cable test monitors the continuity of each line and
indicates complete circuits. The lamp tester indicates
lamp and fixture continuity.
MicroTech DMX
Handy, compact troubleshooting tool. Display and check
dimmer levels, record up to 30 scenes into snapshot
memory, check data link for errors, show the number of
dimmers being sent by a console, perform automatic
"hands free" console backup, edit scenes live on stage,
and fade or bump dimmer levels up or down. Power
requirements: 2AA batteries (not included).
DMX512 Line Tester
A must have! Troubleshoots DMX lines
and feed­through connectors for the
presence of +/­ data, swapped lines, and
more. 5­pin XLR.
PNTA
2414 SW Andover St C100, Seattle WA 98106
Stagehand Tools & Gear
Pounce Wheel
Great for pouncing saturated color filters so heat can
escape, increasing the life of the color.
Drafting Templates
Grease Pencils
Use black grease pencils on white gaffer tape to lay out
prop tables. Use white to label cut color filters for easy
identification.
Gloves
SetWear's Hot Hand Gloves are excellent for
working with lighting fixtures to protect your hands
from heat. These were created specifically with
stagehands and electricians in mind.
Field Templates revolutionize the way theatrical
lighting plots are drafted. All of the symbols are pre­
spaced 1"­6" apart and aligned to horizontal axes (like
a batten).
SetWear's full gloves offer great protection for your
hands backstage. The palm is leather, allowing
maximum protection where you need it most. It also
helps to grip road cases. Good for working in places
where you do not have prolonged exposure to heat.
Fingerless SetWear gloves are perfect for stage grips
who need to have dexterity with their fingers, but want
the rest of their hands protected from the rigors of
backstage life.
White cotton gloves are excellent for handling lamp
lenses. They keep finger grease away from delicate
glass, preventing them from prematurely blowing.
Available in men's and women's sizes.
SetWear Accessories
Built with technical theater personnel in mind,
SetWear gear is designed to make your job easier.
Created by people who know the theatrical and live
performance industry. As always, if you don't see what
you want, let us know and PNTA will help you find it.
Overhead symbols are arranged on the top row, Front
of House symbols are grouped on the second row, and
auxiliary symbols are distributed on the bottom two
rows.
The Field Template Family contains additional
symbols not found on any other templates, along with
weight, cut color size, and beam spread for every
symbol.
That makes this
information more
appliances: They're
Armed with one of
students can draft
smarter.
potent package of practical
than just powerful drafting
Reference Manuals in Plastic.
these templates, you and your
anywhere faster, cleaner, and
The entire Family of Field Templates can be
purchased at PNTA, with quantity discounts available.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
27
Cable, Wire & Adapters
20A Stage Pin
Sleeving and Wire
20A Twist­Lock
Scroller Cable
Also known as 2P&G (two pin and a ground) or GSP
(grounded stage pin). Use with union stage pin
connectors.
Also known as L5­20 or TLG (twist­lock ground) .
Sold in 20A size only.
15A U­Ground
Also known as Edison, PBG (parallel blade and
ground), and household connectors. Also used to
connect small dimming systems to wall outlets.
For replacing wire leads. Use 200deg C wire for 750
watts or less; use 250deg C for 1000­watt instruments.
Teflon­covered wire is 14­gauge, 40" long with eyelet.
4­pin XLR connectors. Use for scrollers, DMX
rotators, Rosco I­Cue intelligent mirror, and other units
requiring DC power and data in the same cable. Not
for Strand AMX control.
DMX Cable
Rugged polyurethane­jacketed cables are built to
withstand any abuse. Heat­resistant to 700deg! Swiss­
made 5­pin XLR connectors feature gold­plated pins
for the best connection.
Three­Conductor Cable
Rubber­covered, 3­conductor cable (color coded black,
white, green) is used for extension cables and pigtails.
Black. UL listed. Sold by the foot.
One­Wrap Strap
Perfect for holding coiled mic cable, extension cables,
and other small bundles.
Strain Relief
Heyco Strain Relief secure the wires passing through
the back of an Altman Ellipsoidal. Use them when
rewiring or converting to sleeved Teflon wiring.
Two­fers and Three­fers
Pre­assembled and custom ordered, and available with
the connector of your choice. We stock "do­it­yourself"
two­fers that have bare wire ends for installing the
connector of your choice.
28
PNTA
2414 SW Andover St C100, Seattle WA 98106
Filter / Gel
Roscolux
Roscolux filters are our best­selling color filter line.
When labeled "tough" they are especially heat­
resistant. Also available in 24" x 25' rolls by special
order. Specify color number when ordering a roll.
Rosco CalColor
Specifically designed to the spectral sensitivity of
color film. Adjusts transmission of color components
from each light source in a familiar and reliable
manner. Samples of each are in the Cinegel swatch
book.
Need inspiration?
Rosco's Color Resource
Gallery provides a collection of
stage lighting photos and brief
essays
explaining
the
designer's rationale. Just type
in your production by name,
and browse the results.
http://www.rosco.com/colorgallery/
Rosco CalColor Kit
Lee Filters
RoscoSleeves
Apollo Design Gel
10" x 12" sheets of each of the 32 colors in the
CalColor range. Technical brochure, swatch book, and
handy storage pouch are included.
RoscoSleeves are rigid tubes that fit over fluorescent
tubes to adjust light color or intensity. RoscoSleeves
can be ordered with any color of Rosco gel available
so you can create the lighting feel you want. Comes
with end caps. Specify tube length, size, and color.
Available by special order only.
Lee offers filters in sheets, rolls and quick rolls. The
quick roll allows you to purchase the width you need.
No wasted labor or material.
Apollo Design offers the Apprentice Gel Kit, designed
to train and educate. It simplifies the color selection
process for beginning students, educators in lighting
programs, and theater and architectural consultants.
Rosco E­Color
Comprehensive system of European color filters for
film and video production. Filters and materials for
color correction, color effects, diffusion, and reflection.
Also available in 48" x 25' rolls.
GamColor
GAMColor is available by special order only. Minimum
order of 5 sheets required. Call for more information.
GamTube
GamColor sleeves slip over fluorescent tubes to change
or color­correct the light. The standard tube fits one 8­ft
fluorescent tube or two 4­ft tubes.
Heat Shield
Transparent filter of heat­stable polymer, deflects heat to
save color media. 2 mil thick. Requires separate color
frame.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
29
Custom Gobos
Custom Steel Patterns
See your name in lights! Your company logo, special
artwork, or school name will glow in a custom pattern.
PNTA offers custom patterns made from 8­mil
stainless steel in several sizes for the most common
ellipsoidals and moving lights. We email the art to the
manufacturer who will carefully recreate your art. The
quality is exceptional.
Artwork Requirements
• Artwork should be clean and camera­ready. For best
results, the artwork should be larger than the final
pattern.
• Artwork for steel patterns can be emailed to us in
many different formats. JPEG is preferable. The
artwork should be in black and white. The cleaner the
starting image, the cleaner your pattern.
• Unless otherwise noted, the black areas of your
artwork will be the cutout areas where light will shine
through. The white areas will be steel and must be
bridged (connected). The manufacturer will add
needed bridges.
Ready to Order? Tell Us:
Delivery Service
• When you need your gobo to arrive.
"Rush" ships the day after your pattern is ordered.
PNTA must receive your artwork in the morning,
Pacific time, for next­day delivery. Rush charges apply.
"Standard" three days after your pattern is ordered.
All Gobo Sizes Available
Be sure to include your light's brand and model
number or name with your order. If you are not sure,
call us and we'll help you.
Custom Glass Patterns
Exceptional detail and quality. These glass patterns can
be created in black and white, with partial or full color.
Pricing ranges depending on the number of colors,
treatments, and other requirements to recreate your
artwork. Consider using High Definition lens with an
ETC Source Four lighting unit to take full advantage
of the detail of your glass pattern. Call for details and
pricing.
• Pattern size. Include the brand name and model
number of the lighting fixture.
• Quantity of duplicate patterns per original.
Disclaimer
Delivery schedules and times are
not guaranteed and are dependent
on carrier requirements in your
area. Sorry, no COD orders.
PNTA Carries Apollo, Rosco, and GAM Patterns
MORE THAN WE CAN SHOW! We stock the most frequently requested, and even a few not­so­frequently­
requested patterns (just in case). If it's a standard design, we can get it FAST! If they don't already make it, let us
have it made for you based on your custom design.
30
PNTA
2414 SW Andover St C100, Seattle WA 98106
GAM Loop Series
GAM Loop Patterns
The GAM Loop Patterns add a new effect to image projection. These effects go a long ways towards "breaking the
box" of the stage. Shimmering rainfall and racing clouds are now easily projectable. The continuous loop effect
means the effect continues without attention from you. A wide variety of pre­made effect loops are available. You
can also have a custom effect made from stainless steel or polyester.
GAM Film/FX
The GAM Film/FX adds a continuous loop motion to
the realm of iris slot effects. This "rotator" fits in the
slot of your Source Four to create stunning effects.
It can be ordered for 120V, 220V, or DMX control. It is
built from stainless steel and can be run vertically or
horizontally.
GAM SX4
The GAM SX4 fits into your Source Four and converts
into a high­performance scenic projector. You can slide
the effects drawer in and out quickly to change
between the 16 different film loops. These effect loops
can last up to 4,000 hours in any Source Four 575W or
750W incandescent. You can also use the HMI for high
output or the HID series for long­life architectural
installations.
GAM Loop Series Patterns
Fluffy Cloud
Fire/Waves
Streaky Cloud
Rain
Small Dots
Construction
Clouds
Diamonds
All of the above patterns plus more are available standard from GAM, plus you may create your own
custom design. Call us at (206) 622­7850 for more information and to place your order.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
31
Gobo Rotators
Rosco Double Gobo Rotator
iPro Image Projector
Apollo Double Gobo Rotator
Apollo Smart Move Vertical
Designed to drop into the iris slot of a Source Four.
Dual motors afford independent control of speed (0­9
RPM) and direction for two rotating "B" size patterns.
You can sharp focus one or both patterns, or soften
both. Quiet and smooth.
• Variable Speed Controller provides four channels of
control for two Double Gobo Rotators. For full control
from your DMX512 light board, choose Rosco's
DMX/DC Controller.
• MFX Control Adapter: Two "wall wart" transformers
plug into power or dimmers (rated for inductive loads)
for variable speeds. Patterns rotate in opposite
directions.
Create dynamic effects for your ETC Source Four.
Smart Move DMX offers MCX control and indexing.
Quiet, belt­driven unit sends two Apollo patterns
spinning in opposite directions at rates ranging from
0.25 RPM to 25 RPM. Includes 200 indexable
positions. Fits most ellipsoidals.
Smart Move Single features 6 speeds in either
direction and plugs directly into 120V.
Roto­Q DMX uses scroller cable and power supply.
32
The iPro Gobo Slide Projector fits in many standard
iris slots and allows projection of color images from
simple plastic slides as well as standard gobo textures.
With three different systems of projection, the slide is
well protected from the heat of the luminaire, giving
the slide a life of 15 ­ 50 hours with no degradation.
Using the slide kit, you can create your own slides on
an inkjet printer, or Rosco can produce a custom slide
from your artwork within a few days.
The Vertical features motion, time, and speed presets
that create vertical movement of patterns or text. Ideal
for subtle movement of corporate logos and other
retail, architectural and theatrical applications.
PNTA
2414 SW Andover St C100, Seattle WA 98106
Lighting FAQs
FAQs
I'm a high school teacher assigned to advise the
Drama Club. What kind of lighting instruments do
we need for our spring production?
That's going to depend on your lighting plan. It can be
helpful to think of lighting instruments in five main
categories: focused, wash, intelligent, specialty/task,
LED.
Focused Lighting
Ellipsoidal, reflector­based instruments such as the
ETC Source Four, Altman 360 series, Altman
Shakespeare, and Strand allow a focused or purposely
unfocused light to illuminate a specific area. Shutters
allow you to "frame" the light down to a defined area.
This is the main tool of the stage lighting designer.
"Mini" or "baby" ellipsoidals serve the same purpose,
but on a smaller scale. A tight beam can be used for a
special, and a broad beam can wash an entire area.
Zoom ellipsoidals offer even more flexibility.
Followspots, while perhaps deserving their own
category, are essentially an ellipsoidal on a stand with
handles added to control everything.
Wash Lighting
Scoops, borders, and Cyc lights are all intended to
cover large areas with light. Scoops provide a
widespread, soft­edged beam of flat, even light. Border
and Cyc lights are good for down­lighting and for
drops; they can also be used on the floor. Often they
are multiple­lamp units, available in various lengths
and circuit configurations. They provide soft, even
light and very wide coverage.
Fresnel instruments are most useful for short throw
and for small area lighting. They have a soft­edge
beam.
PARs are little more than a housing for a lamp and
clips for a color frame; the housing reduces light spill.
Their job is to add color and light to specific areas of
the stage.
Intelligent Lighting
These instruments perform a wide variety of tasks,
including pan and tilt, color change, focus and iris, all
controllable from a lighting console to preclude the
need for multiple instruments to perform a set of
different
tasks.
Specialty and Task Lighting
This category includes music stand lights, Littlites, and
a wide variety of work lights for lighting everything
from a sound console in the back of a dark theater to
placing a gobo or other image in the exact place you
need it.
LED Lighting
This relative newcomer has many advantages. The
units consume a very small amount of power, thus
reducing the need to worry about overloading circuits.
The units do not produce much heat. It is safe to place
them in an audience area. They contain their own
dimming in the units, so it is not necessary to have
separate dimmers. High quality units are still relatively
expensive. They come in a wide variety of
configurations. Call PNTA at (800) 622­7850 to find an
LED fixture to match your budget and requirements.
How do I calculate the coverage of an ellipsoidal?
You can calculate the coverage from any throw
distance with the following formula:
Multiplying Factor x Throw Distance
= Diameter of Area Covered
(MF x T = D)
The MF (Multiplying Factor) is given for each of the
ellipsoidals listed on the following pages.
Can I run my followspot on a dimmer?
Sorry, but no. Trying to dim arc­source fixtures will
damage the ballast electronics. Dimming incandescent­
source followspots can damage the fan motor, warp
reflectors, shorten bulb life, and even damage the
lenses.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
33
Lighting FAQs
I want to upgrade my system but can only afford a
new console right now. Can I integrate a new control
console with my 1983 dimmers?
Yes. Retrofits like this are a PNTA speciality. Call us at
(206) 622­7850 for assistance.
What type of socket is this?
Will new instruments integrate well with my old
ones?
The difference in light output between older and newer
is clearly visible. Adding new instruments in pairs into
your existing system makes the difference less
noticeable. For information on what to add to your
particular system, call us at (206) 622­7850.
Our Board of Directors has raised money for a new
lighting control system for the theater. What should
we get?
This will depend on your budget, space, and usage.
Lighting control covers a wide range of options, from
simple, self­contained dimmers to computer­controlled
consoles running remote dimmers in multiple
locations. PNTA's factory­trained staff installs and uses
them in venues ranging from Whitman College in
Walla Walla to the newly renovated McCaw
Performance Hall, home of the Seattle Opera and
Pacific Northwest Ballet. We would love to discuss
which one would work best for your application. Call
us at (206) 622­7850.
How do I determine how many lighting units a
circuit will take?
You never want to run more fixtures on a circuit than it
was designed to accept. At best, it will continually trip
the breaker, and at worst, it is a fire hazard. To figure
out how many amps you are drawing, use the
following formula:
Amps = Volts/Watts
(Volts is usually 115­120; add up the watts of the
lamps you are using. Divide the volts by the watts for
the amp draw.)
34
PNTA
2414 SW Andover St C100, Seattle WA 98106
Ellipsoidals
ETC Source Four
ETC Source Four LED
375 ­ 750 Watts
Smaller and lighter than conventional 1000W
ellipsoidals yet produce more light.
Specifications:
• Molded glass dichroic reflector
• Single aspheric lens with anti­reflective coating for
maximum transmission
• Rotating, bi­planar shutter assembly
• Slot for either a drop­in iris or a motorized pattern
device
• Interchangeable lens tubes ­ 14°, 19°, 26°, 36°, 50°,
70°, and 90° with Teflon guides
• 5° and 10° lens tubes are not interchangeable
• 36" three­wire VHT leads
• Malleable iron clamp (C­clamp)
• Color frame
Accessories (not included): Plug, Donuts, Safety
Cable, Pattern Holders (A or B size or glass), Snoots,
Drop­In Iris, Followspot Handle
Recommended Lamps (not included): HPL375/115,
HPL375/115X,
HPL575/115,
HPL575/115X,
HPL750/115, HPL750/115X
Specifications:
• 60 Luxeon® Rebel LED emitters
• 50,000­hour LED life
• Lustr+: x7 Color System array
Daylight: 5600K array
Tungsten: 3000K array
• Includes slots for glass or stainless steel patterns and
soft focus diffuser (A­size pattern holder & diffuser
included)
• Power and DMX in/thru connections for easy setup
• Up to nine fixtures can be linked via power in/thru
connectors per 15A circuit
• DMX512 in/thru via five­pin XLR connectors
• (Lustr+ only) Multiple control options, including
RGB, strobe, and console­free Master/Slave mode
• 15­bit virtual dimming engine for smooth fades and
minimal color shift during dimming
Accessories (not included): Plug, Donuts, Safety
Cable, Snoots, Drop­In Iris, Followspot Handle
Field Angle
90°, Very Wide
70°, Very Wide
50°, Wide
36°, Medium
26°, Medium
MF
0.93
0.65
0.46
Field Angle
19°, Narrow
14°, Narrow
10°, Very Narrow
5°, Narrowest 0.119
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
MF
0.31
0.178
35
Ellipsoidals
ETC Source Four Jr
375­575 Watts
Smaller lighter weight than the Source Four
Specifications:
• Molded glass dichroic reflector
• Interchangeable lens assemblies
• 36" VHT leads
• Malleable iron pipe clamp (C­clamp)
Accessories (not included): Donut, Snoot, Drop­In
Iris, Plug, Safety Cable, Pattern Holder, Color Frame,
Color Extender
Recommended Lamps (not included): HPL375/115,
HPL375/115X, HPL575/115, HPL575/115X
ETC Source Four Zoom
375 ­ 750 Watts
The best light output for a zoom ellipsoidal.
Specifications:
• 15° ­ 30° or 25° ­ 50° zoom
• Molded glass dichroic reflector
• One­handed locking zoom operation
• Accepts all standard Source Four drop­in accessories
Accessories (not included): Top Hat, Gel Extender,
Donut, Half Hat, Pattern Holders (A or B size or
glass), Drop­In Iris
Recommended Lamps (not included): HPL375/115,
HPL375/115X,
HPL575/115,
HPL575/115X,
HPL750/115, HPL750/115X
ETC Source Four Jr Zoom
The flexibility of zoom and the efficiency of the
Source Four Jr. Ideal for smaller spaces and touring
groups.
Specifications:
• 25 ­ 50deg zoom
• See Source Four Jr. without interchangeable lens
Field Angle
25°­50°
36
MF
0.44 ­ 0.93
Altman 6" Ellipsoidal
500 ­ 750 Watts
Medium­to­long throw (15 ­ 100'). Choice of five lens
configurations. Speed cap for tool­free lamp centering
and field adjustment. UL listed.
Specifications:
• Axially­mounted 2­pin socket
• Heat­resisting Plano­convex lenses
• Aluminum die­cast and sheet metal construction
• 4 stainless steel shutters
• 36" three­wire Teflon lead, color frame 7.5" square,
C­clamp, safety cable
Accessories (not included): Plug, Iris (Factory­
installed), Pattern Holder, Snoot
Recommended Lamps (not included): FLK (HX600),
HX601, HX602, HX603
Altman 6"
4.5 x 6.5
6x9
6 x 12
6 x 16
6 x 22
Field Angle
47° Wide
34.3° Medium
24°, Medium
16.7°, Narrow
11°, Very Narrow
MF
0.88
0.62
0.41
0.29
0.19
Altman 3.5" Ellipsoidal
500 ­ 750 Watts
Medium­to­long throw (15 ­ 100'). Choice of five lens
configurations. Speed cap for tool­free lamp centering
and field adjustment. UL listed.
Specifications:
• Axially­mounted 2­pin socket
• Heat­resisting Plano­convex lenses
• Aluminum die­cast and sheet metal construction
• 4 stainless steel shutters
• 36" three­wire Teflon lead, color frame 7.5" square,
C­clamp, safety cable
Accessories (not included): Plug, Iris (Factory­
installed), Pattern Holder, Snoot
Recommended Lamps (not included): FLK (HX600),
HX601, HX602, HX603
PNTA
2414 SW Andover St C100, Seattle WA 98106
Ellipsoidals / Fresnels
Selecon Pacific Fixed Beam
575­1000 Watts
All the advantages of the Pacific technology, crisp white beam
of light, high contrast image projections, cool operating
controls, the coolest gate and the lowest cost of ownership
with with a traditional fixed focus lens system.
Pacific fixed focus luminaires offer 360° rotation of the lens
tube, color coded interchangeable lens assemblies which
simply slide into the lens tube; no tools required; fast and safe.
Altman Fresnels
• 3" 100­150W quartz or incandescent: 5 ­ 15' throw;
use for soft accents, club or display lighting
• 6" 500­750W quartz 10'­20' throws. Economical;
Field angle adjustable from 19° to 64°. A65Q has slide
knob for focus adjustment.
• 1KW 6", 500­1000W quartz, 10' ­ 25' throw,
efficient, reasonably­priced Fresnel. Field angle from
12.2° to 73.8°. Uses a BTR lamp. Die­cast aluminum
housing. Same unit with medium bi­post socket
available.
Source Four Fresnel
Recommended lamps (not included): GLC, GLA, GAC
Pacific
50°
40°
30°
20°
Field Angle
Extra Wide
Wide
Medium
Narrow
MF
0.93
0.74
0.54
0.35
PNTA offers more
ellipsoidal fixtures than
we can list here.
Call us at (206) 622-7850 to
discuss which fixture might
be the best solution for your
facility and budget.
ETC’s new Source Four Fresnel blends soft­focus
lighting and sparkle with Source Four quality and
efficiency. With the Source Four Fresnel, you choose
the lamp wattage that best suits your particular
application and energy requirements – from 375W to
575W to 750W lamps. ETC’s innovative mechanical
design makes it easier for you to adjust the fixture
from spot to flood, with a full­sized zoom knob you
can get a real grip on. ETC has also engineered the
fixture­housing to eliminate light leaks and minimize
spillage.
Selecon Rama Fresnel
The Rama High Performance 7" Fresnel provides an
adjustable cone of light that has a soft edge and is
easily blended with adjacent light to provide an even
field. The large 7" lens provides up to 50% more
illumination than conventional 7" Fresnels.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
37
PARs
ETC Source Four PAR
375­750 Watts
Several advantages over conventional PAR cans
(space, safety, energy, economy).
Specifications:
• Color Frame
• Four lenses ­ VNSP, NSP, MFL, WFL
• 36" three­wire leads
• Enhanced aluminum reflector
• Size 11" H x 10.25"W x 10.75" D
Accessories (not included): Plug, C­clamp, Top Hat,
Gel Extender, Half Hat, Barn Door, Concentric Ring
Top Hat
Recommended Lamps (not included): Any HPL
Altman PAR 38
100­300 Watts
Lightweight, compact PAR fixture, designed for short
throws (5' ­ 20'). Uses a wide variety of commonly­
available spot or flood lamps. Black.
Specifications:
• Size 12.5" H x 8.25" W x 10" D
• Color Frame 7 1/2"
Mini PAR 20
50 Watts
Bright even light for very short throws (3' ­ 10').
Perfect for tight spaces, accent, or display lighting.
Edison plug included. ETL listed. Silver or black.
Specifications:
• Size 6" x 3.5"
• Color Frame 3.5"
Altman PAR 46, 56, 64
Wattage Varies by Unit
46 ­ long barrel design reduces lamp glare. Black. UL listed.
56 ­ Slightly smaller and lighter than the commonly­used PAR 64. The 500­Watt quartz lamp for this fixture is
"hotter" and brighter than the 500­Watt incandescent lamp used in the PAR 64s. Includes factory­installed safety
screen. UL listed.
64 ­ Most widely­used PAR fixture. Black. Also available in silver. Includes factory­installed safety screen. UL
listed.
Type
PAR 46
PAR 56
PAR 64
Size
12" x 6"
14.5" x 7.25"
16.5" x 10"
Throw
5' ­ 20'
10' ­ 30'
15' ­ 35'
AluminumPAR 38, 56, 64
Frame
6.25"
7.5"
10"
Wattage
200
300­500
500­1000
Wattage Varies by Unit
Comes with 3' cable. Great entry­level unit. PAR 38 includes Edison plug. UL listed.
Type
Size
Throw
Frame
Wattage
PAR 38
PAR 56
PAR 64
7.5" x 6.5"
13.5" x 9"
16" x 10"
5' ­ 20'
10' ­ 30'
15' ­ 35"
6.5"
9" Oct.
10" Oct.
75­150
300­500
500­1000
38
PNTA
2414 SW Andover St C100, Seattle WA 98106
Scoops and Fill
Altman 10" Scoop
250­400 Watts
Used at short distances to flood small areas and scenery
backing.
Specifications:
• Medium screw porcelain socket
• Highly­etched aluminum reflector
• 36" three­wire Teflon lead
• 360° rotating color frame
• Color Frame 10 1/2"
Accessories (not included): Plug, Safety Cable, C­
Clamp
Recommended Lamps: 250G/SP, 400G/
Altman 14" Scoop
500­1000 Watts
Even field of soft­edged light. Variable field angle from
84° to 108°. Also used for fill lighting on TV studios.
UL listed.
Specifications:
• Medium pre­focus socket
• Matte finish reflector
• Rear operated; fast­focusing crank with indicator
• Color/Diffuser Frame: 15 3/4" x 16"
Accessories (not included): Plug, Safety Cable, C­
Clamp
Gam Stik­up
100­200 Watts
Palm­sized fixture (3" x 3 1/2" x 3"). Ultra light wire
frame construction allows you to mount it where you
need it ­ in any position, and by almost any means.
Specifications:
• Aluminum reflector
• Sheet metal housing, black powder coat finish
• Edison connector
• Can be battery operated (12V)
• Snap­on arms hold color filters or diffusion
Accessories: Mounting Block, Black Clothespins,
Extension Arms
Recommended Lamps (not included): ESR/100,
ESP/150, JC/125, FEV/200, JCV/200
Selecon Hui Cyc
300­1000 Watts
The Hui Cyc gives you light where you want it, in a
visually even, controlled wash, with each luminaries'
beam blending seamlessly ­ the hallmark of Selecon
Cyc luminaires. No distracting spill light to provide
unwanted illumination.
Recommended lamps (not included): EHZ, HHM
Altman Open­Face Q­Lite
300­1000 Watts
Compact, lightweight, multi­purpose flood/fill light
ideal for theater, studio, or retail applications. Broad
even beam.
• Horizontal Field Angle: 132°, Beam Angle: 102°
• Vertical Field Angle: 140°, Beam Angle: 130°
• Color Frame, snoot/color frame holder, and safety
cable with spring clip included
Accessories (not included): Pipe Clamp, Spigot, 4­Leaf
Barn Door, 25' Extension Cord with In­Line Switch and
Edison Connector
Recommended lamps (not included): EHM, EHZ
(300W); FDF, FDN, FCL, FCZ (500W); EMD, EJG
(750W); FCM, FHM (1000W)
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
39
Border & Cyc
Strand Aurora Cyc
500­1000 Watts
Extra­wide coverage from a short distance. easily
reconfigured on­site.
Specifications:
• Horizontal Beam Angle: 72°, MF = 1.45
• Horizontal Field Angle: 95°, MF = 2.18
• Vertical Field Angle: 85°, MF = 1.86
• Mounting Yoke
• Color Frame
• Easily­accessible sockets for lamp replacement
• 1 each circuit per cell with 36" three­wire lead
Accessories (not included): Plug, Safety Cable, C­
Clamp, Floor Trunnion
Recommended Lamps (not included): EHM, EHZ
(300W); FDF, FDN, FCL, FCZ (500W); EJG, EMD
(750W); FCM, FHM, FFT (1000W); FDB, FGT
(1500W); FFW (2000W)
Altman Zip Strip
200­750 Watt
Great for tight places where a general wash of light
from the top, side or bottom is desired.
Specifications:
• Accepts 12V MR­16 lamps (Max 75 Watts each)
• Color Frame (4 3/8" x 4 3/4") or Glass Filters
• 9" D x 8 5/8" H
Recommended Lamps (not included): EYF/75,
EYJ/75, EYC/75
Altman R40 Borderlight
800­2400 Watts
Long the industry standard for Cyc lighting and stage
washes, Altman's R40 Borderlight is the favorite of
many designers today.
Units equipped with color holders, mounting hardware,
and three wire leads with bare ends (portable) or
terminal box (continuous)
Specifications:
• Rugged 20­guage steel housing
• Available in 6', 7 1/2', and 8' continuous
configurations
• Supplied with spring­loaded color holders, floor
trunnions, combination glass roundel frames, safety
cable, and 36" three wire leads
• Multi­purpose operation
• Standard black finish
• UL/cUL listed for 300 watt lamps, 2400 watts per
circuit
Accessories (not included): C­Clamp, Roundels, L­
Bracket
Recommended lamps (not included): 100R/FL,
100R/SP, 120BR40/SP, 120BR40/FL, 250KR38/SP,
250KR38/FL, Q250PAR38/SP, Q250PAR38/FL,
300R/FL, 300R/SP
Selador Lustr
In ETC's Selador Lustr, the x7 Color System™ is optimized to produce theatrical­quality whites and tints that
render pigments and skin tones in their natural appearance. For key and fill light applications, the Lustr features a
yoke for one­ and two­cell fixtures as well as frosted optics for a soft beam of light that blends well. The Lustr’s
subtle tinting capability is also the perfect solution for lighting scenery.
Specifications:
• Rugged all­metal extruded housing
• Luxeon® Rebel 2.5W LED emitters
• Superior control electronics for smooth low­end
dimming
• Available in 11”, 21”, 42”, and 63” unit lengths
• DMX in and thru via 5­pin XLR con
40
PNTA
2414 SW Andover St C100, Seattle WA 98106
Specialty / Task
Microspot
35­75 Watts
Popular for gobo/pattern and custom image projection.
Pattern Size: Outside diameter 44.5 mm; image area 25
mm
Specifications:
• Super small size;
9" length x
2 1/2" diameter
• Assortment of
fixture colors
• Variable pattern
orientation
• Color, iris and
framing kits
• Dimmable
• EYF lamp standard
Recommended lamps (not included): EYF 12V 75W
14deg, EXT 12V 50W 12deg, FRB 12V 35W 8 deg
Music Stand Light
On/off switch, 25­Watt lamp, 8­foot power cord with
Edison connector. Black, Manhasset.
Specifications:
• Lamp included 25T10/IF
Littlite
Littlite® gooseneck task light are truly a systemized
line of products. The unique designs and variety of
products enable Littlites to be used wherever a
compact, low profile task light is required. Littlite
offers most of their products with a choice of six,
twelve and eighteen inch and LED, 5­Watt halogen or
2.4 watt incandescent light types. Several models (see
below for examples) will plug directly into your
existing lighting and sound boards.
ETC Source Four PARNel
375­750Watts
The wave lens system gives a soft­edged, variable­
field beam.
Specifications:
• Field Angle 23° ­ 43°
• Accepts all standard Source Four PAR drop­in
accessories (5.7")
Accessories (not included): Top Hat, Gel Extender,
Half Hat, Barn Door
Recommended Lamps (not included): Any HPL­type
lamps
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
41
LED Lighting
LED Lighting is revolutionizing many aspects of
event lighting. Because they have high output with
very little power draw, they are not only economical to
operate, but can also be used in a wide variety of
venues without worrying about blowing circuits. LED
lamps can last up to 100,000 hours. They produce little
heat, so you never have to worry about placing them
on the ground and someone getting burned. Even after
hours of use, the units will stay cool to the touch. They
have dimming built in, so they can be operated by a
controller without the costly and technical dimming
equipment required by standard lighting.
PNTA is a dealer for all of the major LED suppliers.
With our deep knowledge of these new products, we
are able to help you choose the correct fixture for your
application. Whether it is architectural, event, or
theatrical applications, we can help you make the best
decision.
Our LED solutions come from the following
manufacturers:
• ETC
• K9
• Color Kinetics
• Chauvet
• GLP
• Pixel Range
• Selador
• Coemar
• Elation
• American DJ
42
PNTA
2414 SW Andover St C100, Seattle WA 98106
Followspots
Altman Luminator
360 Watts
Easy­to­use. Great for small venues. Short throw (20 ­
100 ft). UL listed.
Specifications:
• Dual adjustable lenses, top­operated color boom,
front end accessory holder, 6­color boomerang, iris &
dimmer controls, positive locking pan & tilt
adjustment, adjustable castered stand with cable hook,
optional lightweight collapsible stand.
Recommended lamps: FLE (included), ENX,
FXL/410
Size: 24" x 68" H
Weight: 60 lbs (including castered stand)
Lycian Midget / Midget H.P.
575 or 1000 Watts, Metal Halide
Midget throws 40­
120 ft; Midget H.P.
throws 40 ­ 200ft.
Both are UL listed.
Specifications:
• Variable­focus spread
lens system, self­
canceling color boon,
dowser and iris, height
adjustable to 66",
three­leg base with
locking wheels, cord
and U­ground connector,
fan­cooled.
Recommended lamps:
Midget: FEL/1000, FLK/575
Midget H.P.: HMI575WSE
Altman Comet
360 Watts
Rugged, budget spot.
Medium to long throw
(50 ­ 100 ft). Crisp beam
zooms from 2.3° to 12.2°.
UL listed.
Specifications:
• Quick relamping (no
tools required), quietly
fan­cooled, variable­focus
double­lens system,
6­color and dowser
automatic color boom,
mechanical dimmer,
framing shutters and iris,
removable 25' cable with U­ground Edison plug
Recommended lamps: FLE 360 MR 16 (included), ENX
Super Trouper Short Throw
2000 Watts
High­intensity light with great color rendition. Throws
20 ­ 120ft.
Specifications:
• Fan­cooled, quick relamping design, variable­focus
double­lens system, 6­color boomerang, Nichrome
heavy duty iris and shutter, adjustable stand with caster
base, 25' cord with U­ground connector.
Recommended lamps: FEL/1000 (included), FLK
575
Phoebus I­Marc
200 Watts
Rugged, budget soft. Short­to­long throw (25 ­ 150 ft).
Specifications:
• High­intensity metal halide DC lamp, quietly fan­cooled,
steel 70° downward and 60° upward tilt. Variable­focus
double­lens system, 6­color and dowser, and iris, 11'6" cable
with u­ground Edison plug.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
43
Lighting Control/ Systems
PNTA can provide lighting systems for small jobs, like lighting your dance floor or band, all the way up to the
largest, most advanced lighting systems on Broadway. We specialize in working with you to tailor a system for your
needs. We also excel at helping you map a path to achieve your technical goals over a period of multiple budget
cycles.
Our Lighting Solutions come from
the following manufacturers:
Control:
• Martin
• ETC
• Jands Vistas
• Leprecon
• Philips Strand
• Leprecon
• Lightronics
• Leviton / NSI
• Dove Systems
• American DJ
• Fleenor Designs
• Leviton / NSI Corp
• Pathway Connectivity
• Genlyte
44
PNTA
2414 SW Andover St C100, Seattle WA 98106
Fixtures:
• Martin
• ETC
• Coemar
• Rosco
• Chauvet
• Robe
• GLP
• American DJ
• Vari*Lite
• Elation
Drapery / Fabrics
FAQs
Our theater backdrop was made in 1982. Do we need
to replace it?
It's a good idea. Backdrops made back these weren't
routinely flame proofed, as they are now, and, even if
your backdrop was originally flame proofed, over the
years the treatment becomes ineffective.
How do we decide what to replace it with?
That will depend on your budget, how the backdrop
will be used, and how closely you want to match the
other drapes in your theater. our draper staff will be
happy to work with you to determine the best solution
for your space and budget.
Do you repair drapes?
You betcha! Just call our drape staff to make
arrangements.
What kind of fabric should we get for making
drops and covering flats?
The standard for both is muslin, which you can buy
pre­treated with flame proofing or untreated. We can
get this universal theatrical material in both forms and
in numerous widths from 80" to 197" (that's more than
16 feet wide without a seam).
Will muslin drops shrink when they're painted?
Yes. Painting or dyeing unstretched muslin will cause
shrinkage, and untreated (non flame­retardant) muslin
will shrink more than drops made with flame­retardant
fabric. For best results, drops should be stretched to a
frame or fastened to the floor before painting, allowing
some slack for shrinkage.
How are large drops constructed?
Drops are made from 100% cotton, scenery­weight
muslin. These drops have horizontal seams, 2" side
hems, and a 6" bottom hem with a 4" pipe/chain
pocket. The top is backed by 3.5" jute webbing.
Grommets are spaced evenly across the top,
approximately 12" on center. Each grommet is
threaded with a 36" tie line.
How are scrims constructed?
Scrims are made the same way as drops. The
difference between drops and scrims is the fabric.
Which scrim is best for the lighting and projection
effects I want?
Sharkstooth scrim, a ladder­weave cotton, is the most
common and least expensive option.
Sharkstooth scrims have many uses, the success of
which may depend on tight control of stage lighting.
Scrim appears "solid" when it is lit from the front, but
"transparent" when lights are brought up from behind.
By cross fading the light, it is possible to "dissolve"
from one scene to another without interruption. White
scrims are used when adding color with light or dyes.
Black scrims "disappear" better than white scrims.
What other fabrics do you carry?
PNTA stocks and can special order a wide range of
theatrical fabrics. Some of the types of fabrics we
usually carry in stock include the following (all fabrics
are sold by the yard, call us to check stock):
Commando Cloth (16oz/yd), a heavy 100% cotton
fabric has a tight weave for opacity and a light­
absorbing "brushed" surface. Used as a less expensive
alternative to velour for stage draperies and masking.
Flame retardant. 54" wide.
Duvetyne (12oz/yd) is similar to Commando Cloth but
lighter in weight and doesn't block out light
completely. Flame retardant. 54" wide.
Chroma Key Cyc Cloth is precisely colored for TV
and video effects. Blue or green. Flame retardant. 72"
wide.
Theatrical Gauze is a closely woven natural linen. It
can be used as a light­duty scrim when vertical seams
are acceptable. Also used for texture. Flame retardant.
72" wide.
Cheese Cloth is a loose, somewhat irregular, open­
weave cloth. Used as texture for scenery and sculpture,
for reinforcing carved foam and for straining paint.
All­purpose, not flame retardant. 36" wide.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
45
Drapery / Fabrics
Are bolts and materials consistent?
No. Thread counts, widths, bolt lengths, and dye
lots may vary slightly from manufacturer to
manufacturer. They may be used interchangeably
in some situations. Call our drapery staff for
details about when you can and cannot
interchange different lots of fabric.
Do you ever sell remnants?
Yes. Remnants are ends that measure three yards
or less, and we almost always have them in
muslin, velour, scrim, and other fabrics just
waiting for the right person to come along and put
them to good use. Call us to check availability.
Drapery
Stage Drapes play many roles; they conceal the stage
until the action begins and define the performance
space; they also mask rigging, lighting, and whatever
is to be hidden backstage. They absorb sound and light,
focusing attention on the performers. Full drapes can
add elegance to a theater, and black drapes provide a
neutral background.
Front Drapes (grand drape, main curtain) are usually
made of medium or heavy velour, often in color. It may
be lined to add durability and sound absorption. Extra
fabric, called fullness, is sewn in pleats the width of
the drape ­ 50% is typical. The pleats are sewn to
webbing at the top, which is then grommeted for the S­
hooks by which the drape is suspended. A pocket
containing chain is is sewn inside the bottom hem.
This weight helps the drape hang in regular pleats.
Valance: in the same material as the grand is a short
piece the width of the proscenium opening, which
masks the grand drape track; the grand completes a
decorative "frame" for the stage picture.
Masking Drapes: constructed in the same fashion,
these are the upstage drapes that form the surrounding
backdrop. They may be created with a lighter velour or
less expensive Commando cloth. They are typically
black, but may be in a decorative color.
Legs (sometimes tormentors) mask the sides of the
stage. They are tall and relatively narrow.
Boarders (teasers like valances) mask the overhead
rigging. They are short and the width of the stage. Legs
and boarders may be hung by tying to pipe battens.
Back Drapes are two or more large drapes that fill the
width of the stage across the back. They may hang up
tied to a pipe.
Traveler is a pair of large drapes suspended from a
track normally operated by a pull cord. The grand is a
traveler; the black drape is often a traveler; and if the
stage is deep enough, there may be one or more mid­
stage travelers.
A Drop is a large flat panel used as a backdrop to the
stage action. it is constructed similarly to the drapes ­
the top has webbing grommets and ties at 12" spacing;
the bottom has a pocket inside the hem for placement
of a pipe as weight to stretch the drop flat. Typically, it
is made from medium­weight muslin, but for special
effects, any material is possible. It may contain seams,
or at a greater cost, be seamless muslin. It may be used
in its original natural color (off­white tan) or often
white or light blue. It may also be painted with a scene
for a specific show.
A Cyc (Cyclorama) is a drop the full width and height
of the stage which creates the maximum appearance of
sky as a backdrop, or for extensive play of varied
lighting.
A Scrim is constructed like a drop, but from a net­like
material that is semi­transparent. The most common
type of scrim is sharkstooth.
46
PNTA
2414 SW Andover St C100, Seattle WA 98106
Books
General Design
& Tech
Scene Design &
Construction
Backstage Handbook
Structural Design for the Stage
by Paul Carter
Revised Third Edition of the theater
technician's "bible" is compact,
thorough, accessible, and indispensable.
Now includes grip hardware, film
lighting, and painting tools.
by Alys E. Holden & Bronislaw J.
Sammler
A basic book about structural design
that uses minimal theory and an
abundance of examples. Complete
with reference tables applicable to
most theatrical situations.
Backstage Forms
by Paul Carter
More than 140 forms for photocopying,
from all backstage areas; including
costumes and makeup, lights and sound,
production and stage management,
carpentry and props.
Let's Put On A Musical!
by Peter Filichia
This practical resource will guide your
school, community, or professional
theater group to a musical that perfectly
fits your budget, creative team,
production capabilities, and audiences.
The Stage Management Handbook
by Daniel A. Ionazzi
A complete examination of the stage
manager's job detailing involvement in
all the technical aspects of theater work.
Stagecraft Fundamentals
by Rita Kogler Carver
This book tackles every aspect of
theater: the history of stagecraft, safety
precautions, lighting, costumes, scenery,
and career planning tips.
Stock Scenery
Handbook
Construction
by Bill Raoul
Nuts­and­bolts instructions and
shop drawings showing how to
build basic and irregular flats,
platforms, stairs, and ramps. Second
Edition.
Scenic Art for the Theatre
by Susan Crabtree & Peter Beudert
A guide to tools and techniques
used in scenic painting and also a
history of scenic artistry from
Renaissance to Modern Theater,
illustrating transitional and non­
traditional techniques.
Technical Design Solutions for
Theatre, Vol 1 & 2
ed. Bronislaw J Sammler and Don
Harvey
The primary objective of this
publication is to share creative
solutions to technical problems so
that fellow theater technicians can
avoid having to reinvent the wheel
with each new challenge.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
47
Books
Rigging
Stage Rigging Handbook
by Jay O. Glerum
Explains and illustrates care and
safe use of rigging equipment.
Second edition.
Handbook for Riggers
by W.G. Newberry
Pocket­sized guide to terms,
math calculations, and hardware
for rigging.
Entertainment Rigging
by Harry Donovan
Whether you are estimating
anchor point loading, calculating
bridle lengths and angles or just
plan getting the rig up as fast as
you can, this book gives you
solutions to problems but more
importantly teaches you how to
approach the problem to find
solutions on your own.
48
Sound
The Sound Reinforcement
Handbook
by Gary Davis and Ralph
Jones
This book covers all aspects of
sound reinforcement design,
including system layout, from
simply public address to
complex
musical
performances. Second edition.
Mackie Compact Mixers
by Rudy Trubitt
Basic guide to the concepts
and features common to
compact mixers with easy­to­
read diagrams, tips and
creative applications. Features
the Mackie VLZ, VLZ­Pro, SR
CFX, and PPM series.
Sound and Music for the
Theatre
by Deena Kaye and James
LeBrecht
Devoted to sound design.
Focuses
on
designing
approaches and techniques and
traces the process from
concept
to
completion,
including contract negotiating,
sources, sound plots and
training operators.
Second edition.
PNTA
2414 SW Andover St C100, Seattle WA 98106
Books
Lighting
A Practicle Guide to Stage
Lighting
by Steven Louis Shelley
An entertaining and educational
read, this book brings you the
step­by­step technical tools for
getting the job done along with
real­life examples of projects
from start to finish.
Lighting the Stage
by Willard F. Bellman
For the advanced student of
lighting design and technology.
It goes beyond techniques for
creating light plots and focuses
on the art of lighting design.
Makeup
Photometrics Handbooks
Kryolan Makeup Manual
by Robert C. Mumm
Contains full specs on virtually
every instrument a lighting
designer is likely to encounter.
Clearly
and
consistently
formatted. This is an essential
tool for any designer who ever
plans to leave home. Second
Edition.
by Arnold Langer
Everything from basic facial
makeup and reconstruction to
body painting and special
effects. Excellent basic
information at very reasonable
price. Great for beginners!
Automated Lighting
by Gretchen Davis and Mindy
Hall
Find first­rate techniques and
tips from some of the best
makeup artists in the business
in
this
full­color,
comprehensive book.
by Richard Cadena
This is a comprehensive book
covering everything you will
need to know as a working or
aspiring lighting professional
about
automated
lighting
fixtures and systems, how they
are used, and design issues you
will face.
Light Fantastic
by Max Keller
For lighting professionals, this
book is an indispensable
reference work and a source of
inspiration; for all theater buffs
this lavishly illustrated edition
presents an introduction and in­
depth insight into stage lighting.
The
Makeup
Handbook
Artist
Stage & Screen Makeup
by Kit Spencer
This book shows you how to
use contemporary products and
techniques to achieve a wide
range of classic looks whether
you are working on faces for
films,
stage
productions,
fashion shows, or personal
looks.
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
49
Instrument Accessories
Color Extender
Extends the life of saturated color
by shifting it 5" out of the focal
point and into cooler territory.
Combine it with heat shield for
maximum color life.
Black Foil
Black Foil absorbs light. Use it to mask light leaks and
reflections, shape beams, create barn doors, donuts, or
snoots, or to hide cables and hardware. Made of non­
flammable aluminum, it is form holding, heat­resistant,
and tough. Approximately 2 mils thick.
Pattern Holders
Barn Doors
Two­Way, Four­Way, and Eight­Way.
Different sizes depending on fixture.
Blacktak Light Mask Foil
Blacktak Light mask Foil takes black aluminum foil
products a step further with the addition of high­
temperature adhesive on
one side. Blacktak
leaves no sticky
residue behind when the
foil is removed.
2" wide x 25 yards long with a paper backing.
Iris Kits and Beam Reducers
These are customer­installed iris kits and
beam­reducing templates you can add to
your fixtures at any time.
For 3­1/2" ellipsoidal
For mini ellipse
For 6" ellipsoidal
For most 6" ellips
For Altman 360Q ellips
For Source Four
For Source Four
For Source Four Jr.
For 6" ellipsoidal
For Strand
Universal Iris Slot Holder
2­3/8" x 4"
4­1/4" x 5­5/8"
3­1/4" x 5"
6­3/4" x 3­3/8"
3­1/4" x 5"
"A" Size
"B" Size
"M" Size
4" x 5­1/2"
"B" Size
"B" Size
Donuts
Add to gel slot to sharpen your gobos and shutter cuts
by reducing unwanted scatter light. Reduces light
output somewhat.
Standard 6" ellipsoidals
use the 7­1/2" square
donut; Source Four and
Shakespeare take the
6­1/4"; 5° and 10°
Source Four take 12" and 14", respectively.
50
Safety Cables
Use to secure lighting instruments in case the C­Clamp
fails.
Combo Stud
Allows theatrical lighting instrument to be mounted on
photographic­style lighting tripods.
Side Arms
Extends lighting instrument mounting point from pipe,
light boom, or tree. Standard sidearm from Altman the
Safer Sidearms transfer the load from the lighting
fixture back to the structural pipe.
Bases
Cast iron bases for dance
booms.
Glass Roundels
Amber, blue, green, red, clear ­ plain and 50° spread
PNTA
2414 SW Andover St C100, Seattle WA 98106
Instrument Accessories
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
51
Instrument Accessories
Snoots (Top Hats)
Eliminates excess spill light. Narrows the beam down. Obscures the face of a light from the audience when
backlighting a performer on stage. Different sizes for different fixtures.
52
PNTA
2414 SW Andover St C100, Seattle WA 98106
Instrument Accessories
Color Frames & Mainframes
Mini PAR20
3" Fresnel
3.5" Ellipsoidal
Micro­Fill
Source Four Ellipsoidal
Baby Zoom, PAR46, S600
Source Four Ellipsoidal, JR & Shakespeare
SL (19° ­ 50°)
6" Fresnel & Ellipsoidal
PAR38, PAR56, S600 (10°, Zoom)
6" Fresnel, 6" Ellipsoidal
6" Fixtures, Source Four PAR
Source Four Zoom, PAR EA, Parnell
6" Fresnelite
8" Fresnel, 10° 1KL Ellipsoidal, PAR64
8" Theatre Fresnel, 10° Ellipsoidal
8" Fixtures, PAR64
8" Fresnelite
10" Scoop
5° Ellipsoidal
5° Ellipsoidal
10° Source Four
10° Ellipsoidal
5° Source Four
5° Ellipsoidal
ZipStrip
Mini­Ellipse
Zoom Mini
R­40 Borderlight
14" Scoop
Broad Cyc
Altman
Altman
L&E
ETC
Altman
ETC, Altman
Strand
Altman
Altman
Colortran
ETC
ETC
Strand
Altman
Colortran
Strand
Altman
Altman
Colortran
ETC
Strand
ETC
Strand
Altman
Colortran
Colortran
Altman
Altman
L&E
Listed items not found at PNTA.com are
available by calling (800) 622­7850.
3­1/4" sq.
3­1/4" sq.
4­1/8" sq.
For 6" x 6" filter
6­1/4" sq.
6­1/4" sq.
6­1/4" sq.
6­1/4" sq.
7­1/2" sq
7­1/2" sq
7­1/2" sq.
7­1/2" sq.
7­1/2" sq.
7­1/2" sq.
10" sq.
10" sq.
10" sq.
10­1/8" sq
10­1/2" sq.
12" sq.
12" sq
12" sq.
12" sq.
14" sq
16" sq.
4­3/8" x 4­3/4"
4­1/2" x 5­1/4"
4­1/2" x 6­1/4"
5­3/4" x 6­3/4'
15­3/4" x 16"
10­1/4" x 11­3/4"
53