Saxophone reeds

Transcription

Saxophone reeds

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Clarinet reeds
Traditional
The most widely played reeds in the world with a superiority proven over the
years, these reeds suit all styles of music.
Traditionals are known for their excellent response in all registers, allowing a
pianissimo attack in even the highest notes.
They are also extremely flexible, allowing the legato or staccato execution
of large intervals while maintaining a richness of tone that gives body and
clarity to the sound, which is a hallmark of Vandoren reeds.
Ab
Eb
Bb
Bb
Alto
Bass
Contrabass
1
1 1/2
2
X 10
2 1/2
3
3 1/2
CR133
CR132
4
CR134
X 10
CR111
CR1115
CR112
CR1125
CR113
CR1135
CR114
X 10
CR101
CR1015
CR102
CR1025
CR103
CR1035
CR104
CR1015/50
CR102/50
CR1025/50
CR103/50
CR1035/50
X 50
X 10
CR141
CR1415
CR142
CR1425
CR143
CR1435
CR144
X5
CR121
CR1215
CR122
CR1225
CR123
CR1235
CR124
X5
CR152
5
CR153
CR105
CR125
CR154
Reed comparison index
Traditional 11½22½33½4 5
2½
2½
3
3½ 3½+ 44½5 5+
3 3½3½+ 4
4½ 5
CRTRAD-A 06/2010
PARIS
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com
Clarinet reeds
V•12 reeds are manufactured from cane tubes with the same diameter as cane
used for alto saxophone reeds. As a result, they have a thicker heel and are cut
on a longer palette with a slightly thicker tip than the Traditional. The longer
palette means that more of the reed is vibrating, resulting in a deeper, richer
sound. The thicker tip gives body to the attack and also increases the
longevity of the reed.
The introduction of the # 3½+ strength allows a smaller and more specific
gradation, resulting in reeds that are more consistent within the same
strength.
Bb
Bb
Eb
Bass
1
2 /2
3
3 /2
X 10
CR1925
CR193
CR1935
X 50
CR1925/50
CR193/50
CR1935/50
X 10
CR6125
CR613
X5
CR6225
CR623
NEW
1
2+
4
4 1/2
5
5+
CR194
CR1945
CR195
CR196
CR6135
CR614
CR6145
CR6235
CR624
CR6245
1
3/
CR1935+
NEW
2½
2½
3
3½ 3½+ 44½5 5+
3 3½3½+ 4
4½ 5
CRV12-A 06/2010
NEW
The V•12 line is expanding with the addition of Eb and Bass clarinet reeds,
which offer a warm, rich and powerful sound.
PARIS
Clarinet reeds
Named for the home of Vandoren, the 56 rue Lepic is the newest addition to
Vandoren’s much-heralded line of clarinet reeds.
Designed from thicker cane with a heel taper very similar to German-style
reeds, the 56 emits a rich, centered, and extremely pure sound while providing
maximum stability and quick response in all registers. Strength gradations are
smaller and more specific, resulting in reeds that are very consistent.
Bb
Bb
2 1/2
3
3 1/2
3 1/2 +
4
4 1/2
5
X 10
CR5025
CR503
CR5035
CR5035+
CR504
CR5045
CR505
X 50
CR5025/50
CR503/50
CR5035/50
2½
2½
3
3½ 3½+ 44½5 5+
3 3½3½+ 4
4½ 5
CR56-A 06/2010
PARIS
Clarinet reeds
German and Austrian systems
White Master & Black Master
Vandoren also manufactures reeds for the German system (Oehler)
mouthpieces.
The White Master and Black Master are designed for German and Austrian
clarinet players, respectively. Their cut is particularly calculated to suit the
characteristics of the German system clarinet mouthpieces.
Black Master reeds have a larger and thicker cut than White Master reeds.
German reeds
White Master
X 10
1 1/2
2
2 1/2
3
3 1/2
4
4 1/2
5
CR1615
CR162
CR1625
CR163
CR1635
CR164
CR1645
CR165
CR162/50
CR1625/50
CR163/50
X 50
Austrian reeds
Black Master
X 10
2 1/2
3
3 1/2
4
5
5+
5 ++
CR182
CR1825
CR183
CR1835
CR184
CR185
CR186
CR187
CR1825/50
CR183/50
CR1835/50
CRWMBM-A 06/2010
X 50
2
PARIS
Clarinet mouthpieces
Bb
&
Series
Traditional
Beak
NEW
M13
M13
M15
5RV
5RV
M30
M30
11 6
B46
B40
B45
B45
B40
B45
5JB
The difference between ”Profile 88” and Traditional mouthpieces is in the
exterior angle of the beak.
Therefore, the musician is free to choose the model which suits his purpose in
terms of best playing position, easiest sound projection, greatest playing
comfort, and the most controllable and precise articulation.
American pitch
Vandoren has developed the “13 series” mouthpiece specifically for American
clarinetists using A440 pitch.
Four models have been originally developed with specific facings to this series:
the M13, M13 Lyre, M15 and M30 mouthpieces.
The “13 series” range also encompasses other models (traditional facings): 5RV,
5RV Lyre, B45, B40, B40 Lyre and M30 Lyre.
COMMENTS
Series
CM4138
Rich, colorful sound. Very precise response. Meets every demand.
CM4158
More open, the same qualities as the M13, easier to play in the upper register.
Its facing gives it a particularly pure sound.
CM317
CM3178
CM4178
Great articulation ease. Offers musicians a colorful spectrum of sound.
CM301
CM3018
CM4018
The time-proven standard for professional musicians. Quality and tradition.
CM302
CM3028
CM4028
More open than the 5RV with a longer facing.
CM3001
CM30018
CM40018
The 5RV Lyre with a larger tip opening and a longer facing guarantees flexibility and roundness.
This mouthpiece has an exceptional quality of sound.
CM318
CM3188
CM4188
Its facing length gives it great flexibility, a good balance between timbre and roundness.
CM305
CM3058
Same sound qualities as the B45 with a smaller tip opening.
CM306
CM3068
The mouthpiece best suited to musicians playing both clarinet and saxophone.
CM319
CM3198
CM309
CM3098
CM308
CM3088
CM4088
The universal mouthpiece. With an intermediate tip opening and a medium-long facing,
it is appreciated by most clarinetists.
CM307
CM3078
CM4078
Same facing as the B45 with a wider tip rail, it produces a compact and centered sound.
CM312
CM3128
Characterized by a particularly large tip opening, it offers a flexible, round sound
and remains easy blowing.
CM310
CM3108
THE jazz mouthpiece.
45
CM5088
CM4198
The perfect blend between a round sound and rich tone color.
Easy blowing especially in the upper register.
Same technical characteristics as the B45 with a great blowing ease.
Made from innovative composite materials, this mouthpiece has the same table as the B45
with a slightly brighter sound.
Technical Specifications page 2
PARIS
CMBb-A 06/2010
Traditional
Break
Bb
Technical Specifications
NEW
M13
M13
M15
5RV
5RV
M30
M30
11 6
B46
B40
B45
B45
B40
B45
5JB
45
Traditional
Beak
TIP OPENING
1 / 100 MM
FACING
LENGTH*
CM4138
100,5
L
3½ 4
3½+ 4½
3½+ 5
CM4158
102 -
ML
3½ 4
3½+ 4½
3½+ 5
Series
RECOMMENDED REED STRENGTHS
CM317
CM3178
CM4178
103,5
L
3½ 5
3½+ 5
4 5
CM301
CM3018
CM4018
106,5
MS
3 4
3½ 4
3½ 4
CM302
CM3028
CM4028
109 +
M
3 4
3½ 4
3½ 4
CM3001
CM30018
CM40018
113,5
L
3 4
3½ 4
3½ 4
CM318
CM3188
CM4188
115
L
3 4
3½ 4
3½ 4
CM305
CM3058
116
MS
2½ 3½
3 3½+
3 3½
CM306
CM3068
117 +
M
2½ 3½
3 3½+
3 3½+
CM319
CM3198
117,5
L
2 3
2½ 3
2½ 3½
CM309
CM3098
119,5
ML
2½ 3½
3 3½+
3 3½
CM308
CM3088
CM4088
119,5
ML
2½ 3½
3 3½+
3 3½
CM307
CM3078
CM4078
119,5
ML
2 3
2½ 3½
2½ 3½
CM312
CM3128
127
ML
2 3
2½ 3½
2½ 3½
CM310
CM3108
147
L
1½ 2
2½
2½
119,5
ML
2½ 3½
3 3½+
3 3½
CM5088
CM4198
CMBb-A 06/2010
* L=Long • ML=Medium Long • M=Medium • MS=Medium Short
PARIS
From the Hands of One
Craftsman, to Another
The craftsmen at Vandoren have created a revolutionary
new clarinet mouthpiece. Completely redesigned inside
and out, the MASTERS line produces a perfect balance of
richness, stability and projection. Built without compromise,
for those who play without compromise, the Masters
mouthpiece is a work of art for creating works of art.
L’exigence Vandoren
www.vandoren.fr
Clarinet Mouthpieces
Bb
Series
NEW
Major News for Clarinetists
The new MASTERS mouthpieces feature a specific bore, a new chamber as well as
a new exterior design.
Two models have been developed with facings specific to this series: CL4 and CL5.
They are very easy blowing and have exceptional sound and tuning characteristics.
3
4
CL5
3
3½ 3
NEW
CL4
3½
4
The CL4 is characterized by a very radiant, clear sound and exceptional
intonation. It allows precise, easy blowing and flawless articulation.
3½ + 3½
4
The CL5 is characterized by a round, full sound, exceptional intonation, and
perfect homogeneity and projection.
3½
Kits
COMMENTS
4
The MASTERS mouthpieces require specific ligatures
They can only be used with
series M/O metal ligature or with flexible ligatures,
like Leather or Klassik Vandoren ligatures.
The CL4 and CL5 are available either separately or in a kit with their M/O ligature
and plastic cap.
Mouthpiece in kit with M/O ligature and plastic cap
Black
Pewter Finish
Silver-plated
Gold-plated
CM60048
CM60048KB
CM60048KP
CM60048KS
CM60048KG
CM60058
CM60058KB
CM60058KP
CM60058KS
CM60058KG
Mouthpiece Only
CMBbM-UK 01/2011
CL4
CL5
PARIS
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.fr
Ab-Eb-Alto-Bass-Contrabass
CODE
Bass
Ab
& Contrabass
CM321
Easy blowing, very rich timbre.
CM322
The time-proven standard for musicians.
CM323
With the same technical specifications as the B44, its wider tip rail offers a compact and centered sound.
CM331
Very rich timbre.
CM332
Its thin tip rail makes it easy blowing.
CM333
The same technical characteristics as the B44 with a wider tip rail, it produces a compact and centered sound.
CM342
Validated by musicians, indisputably the best.
CM344
Same sound qualities as the B44 with a larger tip opening. Very responsive.
CM343
With the same technical specifications as the B45, its wider tip rail offers a compact and centered sound.
CM345
Produces a powerful sound. A favorite of jazz musicians.
CM346
Produces a rich and velvety sound, even in the upper register.
CM360
CM370
available upon request.
CMOTH-A 06/2010
Alto
5RV
B44
B40
5RV
B44
B40
B44
B45
B40
B46
B50
NEW
Eb
COMMENTS
PARIS
Ab-Eb-Alto-Bass-Contrabass
Eb
Alto
NEW
Bass
5RV
B44
B40
5RV
B44
B40
B44
B45
B40
B46
B50
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH*
RECOMMENDED STRENGTHS
CM321
106,5
S
3 4
3½ 4
CM322
110,5
M
2½ 4
3 4
CM323
110,5
M
2 3
2½ 3½
CM331
126
M
3 4
CM332
138
ML
2½ 3½
CM333
138
ML
2 3
CM342
184
M
3 4
3½ 4
CM344
193
ML
2½ 3½
3 4
CM343
193
ML
2 3
2½ 3½
CM345
205
L
2 3
2½ 3½
CM346
215
L
2½ 3½
3 4
* L=Long • ML=Medium Long • M=Medium • S= Short
Ab
& Contrabass
CM360
CM370
CMOTH-A 06/2010
PARIS
Bb german and austrian systems
The “D Concept“
NEW
A Boehm system mouthpiece specially adapted to the German clarinet
and the “Reform Boehm”, offered in two models: the M30D and B40D. The
length and diameter of the shank, the bore, the appearance of the tip rail and
the external shape are the components of this new concept, which offers a
perfect balance between a very warm sound and great intonation.
56 rue Lepic reeds are more particularly recommended for these mouthpieces.
NEW
CODE
M30D
B40D
COMMENTS
CM36188
A good balance between timbre and roundness.
CM36078
Produces a compact and centered sound.
NEW
VD Series: The German tradition
Available in 4 models: VD2, VD3, VD4 and VD5 with 2 different shank
external diameters (W: 22,40 mm and S: 22,00 mm).
NEW
VD2
VD3
VD4
VD5
CODE
CODE
COMMENTS
CM382
CM372
Provides a rich, centered and compact sound.
CM383
CM373
Very easy blowing in all registers, the standard reference.
CM384
CM374
This mouthpiece has the sound quality of the VD2 mouthpiece while being a bit more open.
CM385
CM375
A compact, full and deep sound.
Austrian clarinet mouthpieces
VA0
VA5
COMMENTS
CM390
A very closed mouthpiece.
CM395
Versatile and easy blowing, the standard reference.
PARIS
CMD&A-A 06/2010
CODE
Bb german and austrian systems
The “D Concept“
NEW
M30D
B40D
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH*
RECOMMENDED STRENGTHS
CM36188
115
L
2½ 3½
2½ 3½
2½ 3½
CM36078
119,5
ML
2½ 3
2½ 3
2½ 3
VD Series: The German tradition
NEW
VD2
VD3
VD4
VD5
CODE
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH*
RECOMMENDED
STRENGTHS
CM382
CM372
96
ML
2½ 3½
CM383
CM373
100
ML
2½ 4
CM384
CM374
102
L
2 3
CM385
CM375
113,5
ML
2 3
Austrian clarinet mouthpieces
VA0
VA5
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH*
RECOMMENDED
STRENGTHS
CM390
80
VL
4 5++
CM395
85
L
2½ 4
CMD&A-A 06/2010
* VL= Very Long • L=Long • ML=Medium Long
PARIS
Saxophone reeds
Traditional
This reed is designed to produce a quality of extremely pure sound due to a very
thin reed tip (the area of reed with maximum vibration), balanced by a solid
vertebral column (more cane in the area which climbs gradually to the heel).
Traditionals feature the thinnest tip with the thickest heart, resulting in crisp
articulation with a full, dark sound.
Sopranino
Soprano
Alto
Alto
Tenor
Baritone
Bass
1
1 1/2
2
2 1/2
3 1/2
4
SR233
SR232
X 10
3
5
SR234
X 10
SR201
SR2015
SR202
SR2025
SR203
SR2035
SR204
SR205
X 10
SR211
SR2115
SR212
SR2125
SR213
SR2135
SR214
SR215
SR2115/50
SR212/50
SR2125/50
SR213/50
SR2135/50
SR2215
SR222
SR2225
SR223
SR2235
SR224
SR225
X5
SR242
SR2425
SR243
SR2435
SR244
SR245
X5
SR252
X 50
X5
SR221
SR253
SR254
2½33½
4
4½
5
1
1½
2
2½33½4
11½
2½
3 3½
4
1½
22½33½4 5
1½
22½33½4
SRTRAD-A 06/2010
2
PARIS
Saxophone reeds
The success of V•12 reeds in the clarinet world for 25 years has led us to
transpose their characteristics and advantages into the saxophone world.
With its very precise attack, homogeneous timbre in every register, controlled high
notes, warm and velvety sound, this new reed offers exceptional possibilities.
Produced from cane selected for its specific proportions, the V•12 reeds have
a thicker heel and are cut on a longer palette with a slightly thicker tip than
the Traditional. The longer palette means that more of the reed is vibrating,
resulting in a deeper, richer sound. The thicker tip gives body to the attack and
also increases the longevity of the reed.
NEW
NEW
Soprano
Alto
Alto
Tenor
2 1/2
3
3 1/2
4
4 1/2
X 10
SR6025
SR603
SR6035
SR604
SR6045
X 10
SR6125
SR613
SR6135
SR614
SR6145
X 50
SR6125/50
SR613/50
SR6135/50
X5
SR6225
SR623
SR6235
SR624
SR6245
5
SR615
NEW
2½33½
4
4½
5
1
1½
2
2½33½4
2
2½
3 3½
4
1½
22½33½4 5
1½
22½33½4
SRV12-A 06/2010
11½
PARIS
Saxophone reeds
Developed in 1983 for jazz and popular music. A thicker tip and a more flexible
palette* than the Traditional reed allow vibration over a larger surface area
with maximum elasticity.
This type of vertebral column gives the musician much greater playing flexibility,
as the resultant elasticity zone is very large.
JAVA reeds are more flexible than Traditionals and V16s and vibrate
on a long palette, creating a bright sound with immediate response.
Soprano
Alto
Alto
Tenor
Baritone
1
1 1/2
X 10
X 10
SR261
SR2615
X 50
X5
SR271
SR2715
X5
2
2 1/2
3
3 1/2
4
SR302
SR3025
SR303
SR3035
SR304
SR262
SR2625
SR263
SR2635
SR264
SR262/50
SR2625/50
SR263/50
SR2635/50
SR272
SR2725
SR273
SR2735
SR274
SR342
SR3425
SR343
SR3435
SR344
5
SR275
2½33½
4
4½
5
1
1½
2
2½33½4
11½
2
2½
3 3½
4
1½
22½33½4 5
1½
22½33½4
SRJAVA-A 06/2010
NEW
* Palette: zone where the waves are propagated with the greatest range. From
the tip, the waves are absorbed further in the JAVA reed.
PARIS
Saxophone reeds
“FILED - RED CUT”
The driving force behind the JAVA “Filed - Red Cut” design was to offer
more sonic possibilities to musicians while keeping the qualities of the original
Java.
More flexible than its elder version, with a little more tonal body, the JAVA
“Filed - Red Cut” offers a full, rich, centered sound and excellent projection
with an extremely precise attack.
Soprano
Alto
Alto
Tenor
Baritone
1
1 1/2
X 10
X 10
SR261R
SR2615R
X 50
X5
SR271R
SR2715R
X5
2
2 1/2
3
3 1/2
4
SR302R
SR3025R
SR303R
SR3035R
SR304R
SR262R
SR2625R
SR263R
SR2635R
SR264R
SR262R50
SR2625R50
SR263R50
SR2635R50
SR272R
SR2725R
SR273R
SR2735R
SR274R
SR342R
SR3425R
SR343R
SR3435R
SR344R
5
SR275R
NEW
2½33½
4
4½
5
1
1½
2
2½33½4
11½
2
2½
3 3½
4
1½
22½33½4 5
1½
22½33½4
SRJAVAR-A 10/2010
NEW
A relative of the JAVA reed family, the JAVA “Filed - Red Cut” is the first file
cut Vandoren reed for jazz and popular music. It also benefits from a completely
new design.
PARIS
Saxophone reeds
Launched in 1993 to answer the demand of some American jazz musicians
(a JAVA with even more wood).
The V16 has a thicker tip than the traditional Vandoren reeds and a longer
palette.
Sound: more brilliant, more percussive, particularly well adapted to all the new
styles of music.
V16 reeds have a medium-thick heart (more than JAVA but less than
Traditionals), with a profile designed for producing a strong attack with
a deep, rich sound.
Soprano
Alto
Alto
Tenor
1 1/2
X 10
X 10
SR7015
X 50
X5
SR7215
2
2 1/2
3
3 1/2
4
5
SR712
SR7125
SR713
SR7135
SR714
SR702
SR7025
SR703
SR7035
SR704
SR705
SR702/50
SR7025/50
SR703/50
SR7035/50
SR722
SR7225
SR723
SR7235
SR724
SR725
2½33½
4
4½
5
1
1½
2
2½33½4
11½
2½
3 3½
4
1½
22½33½4 5
1½
22½33½4
SRV16-A 06/2010
2
PARIS
Saxophone reeds
Developed in 2002, the ZZ jazz reed is immediately responsive without sacrificing
the brightness tone quality required for this syle of music.
The unique relationship between the heart and tip provides extraordinary color,
great response and a durable life.
ZZ reeds combine the medium-thick heart, spine, and rounded tip of the V16
with the flexible palette design of the JAVA, giving the player a rich, colorful
sound with quick response.
Soprano
Alto
Alto
Tenor
Baritone
1 1/2
X 10
X 10
SR4115
X 50
X5
SR4215
X5
2
2 1/2
3
3 1/2
4
SR402
SR4025
SR403
SR4035
SR404
SR412
SR4125
SR413
SR4135
SR414
SR412/50
SR4125/50
SR413/50
SR4135/50
SR422
SR4225
SR423
SR4235
SR424
SR442
SR4425
SR443
SR4435
SR444
2½33½
4
4½
5
1
1½
2
2½33½4
11½
2½
3 3½
4
1½
22½33½4 5
1½
22½33½4
SRZZ-A 06/2010
2
PARIS
Saxophone mouthpieces
Sopranino-Soprano-Alto-Tenor-Baritone-Bass
Tradition
& Versatility
These mouthpieces are available in a wide variety of models that suit classical
and jazz musicians.
The V5 series is characterized by a traditional round chamber.
Soprano S27
S15
S25 *
Alto
A17
A28
A27
A15
A25
A20
A35 *
Tenor T15
T27
T25
T20
T35
Baritone B25
B27
B35
Soprano S35
Alto
A45
A55
Baritone B75
B95
COMMENTS
SM404
Easy to play, homogeneity of sound, beautifully rounded.
SM401
The standard soprano mouthpiece.
SM402
More open than the S15, greatly appreciated for its register flexibility, suits both classical and jazz.
SM418
While maintaining perfect homogeneity in every register, it allies timbre and ease with richness of sound.
SM419
The alto saxophone reference in the V5 series. Rich sound, color, brilliance, and dynamic range.
SM414
The classic mouthpiece. It produces optimal homogeneity in tone throughout the instrument’s range.
SM411
Very easy blowing.
SM413
Similar in conception to the A15 but a little more open.
SM412
For those looking for a compact, centered sound.
SM415
Open mouthpiece, well-adapted to all styles, both jazz and classical.
SM421
Very easy blowing and articulation.
SM425
A comfortable mouthpiece, particularly precise in the upper harmonic register.
SM423
Same conception as the T15 but slightly more open.
SM422
The best sound quality: compact and centered.
SM424
An open mouthpiece that works in every style.
SM431
Rich in timbre and easy blowing.
SM435
Very homogeneous tone throughout the tessitura.
SM432
Classic open mouthpiece, highly responsive to every need.
SM403
The jazz mouthpiece: ampleness and density of sound.
SM416
A warm, velvety sound.
SM417
The most open mouthpiece in the V5 range while conserving depth and roundness of sound.
SM433
Timbre, brilliance and power.
SM434
The jazz mouthpiece of the V5 baritone range.
Sopranino (SM550) & Bass (SM560) mouthpieces:
PARIS
* Versatile mouthpiece: suitable for both classical music and Jazz.
SMV5-A 06/2010
CODE
Sopranino-Soprano-Alto-Tenor-Baritone-Bass
Tradition
Soprano S27
S15
S25 *
Alto
A17
A28
A27
A15
A25
A20
A35 *
Tenor
T15
T27
T25
T20
T35
Baritone B25
B27
B35
Soprano S35
Alto
A45
A55
Baritone B75
B95
& Versatility
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH**
SM404
111
M
3 4
3 4
3½ 4
3½ 4
3½ 4
3½ 4
SM401
123
S
3 4
3 4
3½ 4
3½ 4
3½ 4
3½ 4
SM402
153
S
2½ 3½
2½ 3½
3 4
3 4
3 3½
3 4
SM418
152
S
3 4
3½ 4
3½ 4
3½ 4
3½ 4
3½ 4
SM419
163 +
MS
2½ 3
3 4
2½ 3½
3 3½
2½ 3
3 3½
SM414
165
MS
2½ 3½
3 4
3 4
3 4
3 3½
3 4
SM411
176
ML
3 4
3½ 4
3½ 4
3½ 4
3½ 4
3½ 4
SM413
186
ML
2½ 3½
3 4
3 4
3 4
3 3½
3 4
SM412
186
ML
2½ 3
3 4
2½ 3½
3 3½
2½ 3
3 3½
SM415
206
ML
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM421
176
MS
3 4
3½ 4
3½ 4
3½ 4
3½ 4
3½ 4
SM425
177
MS
3 4
3½ 4
3½ 4
3½ 4
3½ 4
3½ 4
SM423
204
M
2½ 3½
3 4
3 4
3 4
3 3½
3 4
SM422
204
M
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3½
2½ 3½
SM424
230
M
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3½
2½ 3½
SM431
185
S
3 4
3½ 4
3½ 4
3½ 4
SM435
196
S
3 4
3½ 4
3½ 4
3½ 4
SM432
210
S
2 3
2½ 3½
2½ 3½
2½ 3½
SM403
182
ML
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3½
2½ 3½
SM416
220
ML
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM417
247
L
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM433
275
M
2 3
2½ 3½
2½ 3½
2½ 3½
SM434
310
L
2
2½
2½
2 2½
** L=Long • ML=Medium Long • MS=Medium Short • M=Medium • S=Short
PARIS
SMV5-A 06/2010
Soprano-Alto-Tenor-Baritone
OPTIMUM
TM
The favorite of classical saxophonists
The conception of this series was the fruit of research on both external shape
(particularly the beak) and sound, in order to meet the needs of today’s saxophone players.
This series is available for:
• soprano saxophone (SL3, SL4),
• alto saxophone (AL3, AL4),
• tenor saxophone (TL3, TL4),
• baritone saxophone (BL3, BL4).
CODE
Soprano SL3
SL4
AL3
Alto
AL4
TL3
Tenor
TL4
Baritone BL3
BL4 *
COMMENTS
SM701
Very easy blowing, particularly versatile, meets all needs.
SM702
A little more open than the SL3, this mouthpiece rapidly became a standard with saxophonists.
SM711
With its exceptional roundness, the ultimate classical mouthpiece.
SM712
A little more open than the AL3, while maintaining the sound aesthetic of the OPTIMUM series.
SM721
Roundness, depth and precision.
SM722
A little more open than the TL3, a richer timbre.
SM731
The standard baritone mouthpiece.
SM732
Versatile mouthpiece, suits both classical and jazz.
SMOPT-A 06/2010
PARIS
OPTIMUM
TM
The favorite of classical saxophonists
Soprano SL3
SL4
Alto
AL3
AL4
Tenor
TL3
TL4
Baritone BL3
BL4 *
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH**
SM701
114
ML
3 4
3 4
3½ 4
3½ 4
3½ 4
3½ 4
SM702
123
S
3 4
3 4
3½ 4
3½ 4
3½ 4
3½ 4
SM711
152
ML
2½ 3½
3 4
3 4
3 4
3 3½
3 4
SM712
163 +
MS
2½ 3
3 4
3 4
3 4
3 3½
3 4
SM721
176
MS
2½ 3½
3 4
3 4
3 4
3 3½
3 4
SM722
195
M
2½ 3½
3 4
3 4
3 4
3 3½
3 4
SM731
185
S
2½ 3½
3 4
3 4
2½ 3½
SM732
230
M
2 3
2½ 3½
2½ 3½
2½ 3½
SMOPT-A 06/2010
** ML=Medium Long • M=Medium • MS=Medium Short • S=Short
PARIS
Alto-Tenor
JAVA ebonite mouthpieces are suited to jazz, soul and funk. Similar in sound
concept to a metal mouthpiece, with the comfortable feel of ebonite.
CODE
Alto
Tenor
A35
A45
A55
A75
T45
T55
T75
T95
COMMENTS
SM501B
The jazz mouthpiece, with a rich and colorful sound.
SM502B
An intermediary tip opening between the V16 series A8 and A9 mouthpieces with the JAVA sound.
SM503B
The standard model in this category.
SM504B
An open mouthpiece, designed to use soft reeds.
SM511B
A mouthpiece equally suited for jazz and classical playing.
SM512B
A comfortable mouthpiece with the tip opening of the V16 series T6.
SM513B
An intermediate tip opening; the most popular JAVA tenor choice.
SM514B
A generous, rich and centered sound.
SMJAVA-A 06/2010
PARIS
Alto-Tenor
Alto
Tenor
A35
A45
A55
A75
T45
T55
T75
T95
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH*
SM501B
206
ML
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM502B
220
ML
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM503B
247
L
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM504B
260
L
1½ 2
2½
2 2½
2 2½
1½ 2½
2 2½
SM511B
235
M
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3½
2½ 3½
SM512B
250
L
2 2½
2½ 3
2½ 3
2½ 3
2 3
2½ 3
SM513B
265
ML
2 2½
2½ 3
2½ 3
2½ 3
2 3
2½ 3
SM514B
295
L
1½ 2½
2½
2 2½
2 3
1½ 2½
2 3
SMJAVA-A 06/2010
* L=Long • ML=Medium Long • M=Medium
PARIS
Alto-Tenor
The most hard-hitting mouthpiece of the line. Designed with a small chamber,
a very high baffle and a large bore. Produces a tone comparable to certain
metal mouthpieces.
CODE
Alto
Tenor
A35
A45
A55
A75
A95
T45
T55
T75
T95
COMMENTS
SM601B
A bright and incisive sound.
SM602B
The standard mouthpiece for salsa, rock and modern music.
SM603B
Its balance between projection and comfort makes it the standard model in this category.
SM604B
An open mouthpiece with a big, bright sound.
SM605B
A very open mouthpiece to be used with soft reeds.
SM611B
Power and brightness are its principal qualities.
SM612B
Clear, balanced and rich timbre.
SM613B
Dynamic and flexible, a particularly versatile mouthpiece.
SM614B
A very popular mouthpiece for swing, jazz and R&B.
SMJJ-A 06/2010
PARIS
Alto-Tenor
Alto
Tenor
A35
A45
A55
A75
A95
T45
T55
T75
T95
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH*
SM601B
206
ML
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM602B
220
ML
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM603B
247
L
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM604B
260
L
1½ 2
2½
2 2½
2 2½
1½ 2½
2 2½
SM605B
280
L
1½ 2
2½
1½ 2
2 2½
1½ 2½
2 2½
SM611B
235
M
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3½
2½ 3½
SM612B
250
L
2 2½
2½ 3
2½ 3
2½ 3
2 3
2½ 3
SM613B
265
ML
2 2½
2½ 3
2½ 3
2½ 3
2 3
2½ 3
SM614B
295
L
1½ 2½
2½
2 2½
2 3
1½ 2½
2 3
SMJJ-A 06/2010
PARIS
Ebonite
The new jazz standard
Mouthpieces inspired by the sound of the greatest jazzmen from the fifties to
the present.
JAVA, V16 and ZZ reeds are recommended for these mouthpieces.
•The SOPRANO mouthpiece is available in 3 different tip openings and a
single chamber.
•The ALTO mouthpiece is available in 5 tip openings and two chambers:
“Small” chamber:
“Medium” chamber:
Particularly focused and
Warm and expressive,
dynamic, ideal for lead alto.
ideal for section playing.
• The TENOR mouthpiece is available in 6 tip openings and a single chamber.
The perfect “Vintage” mouthpiece.
•The BARITONE mouthpiece is available in 3 tip openings. Inspired by the
grand tradition of baritone mouthpieces.
Soprano S6
S7
S8
NEW
Tenor
A5
A6
A7
A8
A9
NEW
Alto
T6
T7
T8
T9
T10
T11
NEW
Baritone B5
B7
Available at
the end of 2010
B9
COMMENTS
SM802
Very comfortable, easy blowing.
SM803
The ideal synthesis between blowing ease and richness of sound.
SM804
Perfect balance between power and flexibility.
SM811S
SM811M
The tip opening preferred by history’s greatest jazz soloists.
SM812S
SM812M
The most played mouthpiece, in every style.
SM813S
SM813M
The perfect balance in power and dynamic range.
SM814S
SM814M
An open mouthpiece with qualities similar to the A5.
SM815S
SM815M
Powerful and expressive.
SM822E
Versatile mouthpiece with a long facing and a particularly rich sound.
SM823E
A good compromise between easy sound production and timbre.
SM824E
The most popular tip opening for the tenor.
SM825E
Dynamic, rich and powerful.
SM826E
A homogeneous, particularly responsive mouthpiece.
SM827E
Very open; warm, yet powerful.
SM831
Flexible in playing and application.
SM833
The qualities of the V5 series B75 with the sound of the V16.
SM835
Brings out the baritone’s power.
PARIS
SMV16E-A 06/2010
CODE
Ebonite
Technical
Specifications
Soprano
S6
S7
S8
NEW
Tenor
A5
A6
A7
A8
A9
NEW
Alto
T6
T7
T8
T9
T10
T11
NEW
Baritone B5
Available at
B7
the end of 2010.
B9
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH*
SM802
158 +
ML
2½ 3½
2½ 3½
3 4
3 3½
2½ 3½
3 3½
SM803
172
ML
2 3
2½ 3
2½ 3½
2½ 3½
2 3
2½ 3½
SM804
180
ML
2 3
2½ 3
2½ 3½
2½ 3½
2 3
2½ 3½
SM811S
SM811M
188
ML
2½ 3½
3 3½
3 4
3 4
3 3½
3 4
SM812S
SM812M
196
ML
2½ 3½
3 3½
3 4
3 4
3 3½
3 4
SM813S
SM813M
204
ML
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM814S
SM814M
210
MS
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM815S
SM815M
225
ML
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3
2½ 3½
SM822E
250
L
2½ 3
3 3½
3 3½
3 3½
2½ 3½
3 3½
SM823E
270
L
2½ 3
3 3½
3 3½
3 3½
2½ 3½
3 3½
SM824E
280
L
2½ 3
3 3½
3 3½
3 3½
2½ 3½
3 3½
SM825E
294
ML
2 2½
2½ 3
2½ 3
2½ 3
2 3
2½ 3
SM826E
305
ML
1½ 2½
2½
2 2½
2 3
1½ 2½
2 3
SM827E
340
L
1½ 2½
2½
2 2½
2 3
1½ 2½
2 3
SM831
255
ML
2½ 3½
3 4
3 4
3 4
SM833
275
ML
2 3
2½ 3½
2½ 3½
2½ 3½
SM835
310
L
2 3
2½ 3½
2½ 3½
2½ 3½
SMV16E-A 06/2010
* L=Long • ML=Medium Long • MS=Medium Short
PARIS
Tenor
Metal
For Tenor Saxophone:
The tenor mouthpiece is made with the legendary “Bell Metal” brass, then
plated with 24-karat gold.
This construction yields a warm and expressive sound.
CODE
Tenor
T45
T55
T75
T77
T95
COMMENTS
SM821G
A focused, very precise sound.
SM822G
A mouthpiece for every style, versatile and comfortable.
SM823G
The best of its kind.
SM824G
Long facing. This well balanced mouthpiece has a particularly rich dynamic range.
SM825G
The perfect mouthpiece for soloists.
SMV16M-A 06/2010
PARIS
Tenor
Metal
Tenor
T45
T55
T75
T77
T95
CODE
TIP OPENING
1 / 100 MM
FACING
LENGTH*
SM821G
235
M
2 3
2½ 3
2½ 3½
2½ 3½
2½ 3½
2½ 3½
SM822G
250
L
2 2½
2½ 3
2½ 3
2½ 3
2 3
2½ 3
SM823G
265
ML
2 2½
2½ 3
2½ 3
2½ 3
2 3
2½ 3
SM824G
277
L
2 2½
2½ 3
2½ 3
2½ 3
2 3
2½ 3
SM825G
295
L
1½ 2½
2½
2 2½
2 3
1½ 2½
2 3
SMV16M-A 06/2010
PARIS
Ligatures
The new M/O ligature combines the lightweight construction of the legendary
Masters ligature with the highly efficient tightening of the OPTIMUM ligature.
• Lightweight
• Easy to set up
• Quick and symmetrical tightening with a unique double-track screw mechanism
• Two small contact points only on the reed with an inverted tightening
Thus, the M/O ligature allows an optimum vibration of the reed and a crisp articulation.
*
Clarinet
NEW
Silver-plated
Ligature and plastic cap
Gold-plated
Pewter finish
Bb
Eb
Alto
Bass
Black
Gold finish
pewter
finish
silver-plated
gold-plated
LC51BP
LC51PP
LC51SP
LC51GP
LC52BP
LC52PP
LC52SP
LC53BP
LC53PP
LC53SP
LC54BP
LC54PP
LC54SP
Saxophone
*
e
le in th
Availab f 2011
o
e
rs
u
o
c
black
NEW
Soprano
Alto
(V16 Ebonite) Tenor
Baritone
(V16 Ebonite) Baritone
Aged gold finish
Gold-plated
GolD finish
aged gold
finish
LC56DP
LC56AP
LC57DP
LC57AP
LC57GP
LC58DP
LC58AP
LC58GP
LC59DP
LC59AP
LC590DP
LC590AP
Gold-plated
* Replacement plastic cap on request
ligatures for MASTERS mouthpieces
series M/O ligatures are designed to fit the specific shape of the MASTERS mouthpieces
*
Clarinet
NEW
Bb
black
pewter
finish
silver-plated
Gold-plated
LC61BP
LC61PP
LC61SP
LC61GP
* Replacement plastic cap on request
PARIS
LIGM/O-A 01/2011
• These
Ligatures
OPTIMUM
TM
• Quick and precise tightening.
• 3 interchangeable pressure plates to adjust the sound.
• Expression with freedom.
Clarinet*
**
Bb
Eb
Alto
Bass
Bb German system
Ligature
and
plastic cap
Set of 3
pressure
plates
Silver
plated
Silver
plated
LC01P
PP01
LC02P
PP01
LC03P
PP01
LC04P
PP04
LC05P
PP01
Saxophone*
**
Soprano
Alto
(except V16 metal) Tenor
(V16 metal) Tenor
Baritone
(V16 ebonite) Baritone
Ligature
and
plastic cap
Set of 3
pressure
plates
Gold finish
Gold finish
LC06P
PP06
LC07P
PP06
LC08P
PP08
LC080P
PP08
LC09P
PP09
LC090P
PP08
* Ligatures for left handed musicians upon request.
** Replacement plastic cap upon request.
Three different pressure plates.
Whether playing classical or jazz, the Optimum Ligature’s three pressure plates accommodate your style.
• A rich, colorful sonority which produces great
resonance. • Pressure along the fiber of the
reed facilitates an unbelievable blowing ease.
• Incredible ease of articulation.
PARIS
3
A more compact, centered
sonority, smooth even sound
and extraordinary blowing
ease.
• The reed vibrates in total
freedom, producing a very
flexible sound.
• Greater ease of expression.
LIGOPT-A 01/2011
2
1
Ligatures
LEATHER
• Genuine leather - handcrafted finish.
• Quick and precise tightening.
• 3 interchangeable pressure plates to adjust the sound.
• Round and warm sound.
Clarinet
*
Bb
Eb
Alto
Bass
Bb German system
Ligature
and
leather cap
LEATHER CAP
ONLY
Leather
ligature
and
plastic cap
Set of 3
pressure
plates
LC21L
C21L
LC21P
PP21
LC22L
C22L
LC22P
PP22
LC23L
C23L
LC23P
PP23
LC24L
C24L
LC24P
PP24
LC25L
C25L
LC25P
PP25
Saxophone
*
Soprano
Alto
(except V16 metal) Tenor
Baritone
(V16 ebonite) Baritone
Ligature
and
leather cap
LEATHER CAP
ONLY
Leather
ligature
and
plastic cap
Set of 3
pressure
plates
LC26L
C26L
LC26P
PP26
LC27L
C27L
LC27P
PP27
LC28L
C28L
LC28P
PP28
LC29L
C29L
LC29P
PP29
C290L
LC290P
PP28
LC290L
* Replacement plastic cap upon request.
Three interchangeable pressure plates to subtly modify your sound.
An easy-fit Velcro® system makes changing the plates easy while contributing to the flexibility of the entire ligature.
Metal plate - a more colorful and compact sound.
The combination of a metal plate and a flexible
ligature offers the player the best sonic qualities
of both materials.
PARIS
3
Smooth leather plate - made from
the same leather as the ligature, it
creates a focused, compact sound
that is slightly darker.
“Supple” smooth leather plate
- made from a more supple
leather, it gives a rounder, more
ample sound.
LIGL-A 01/2011
2
1
Ligatures
KLASSIK
• Adjustable and easy to fit woven ligature.
• Precisely fits the reed to the mouthpiece.
• Perfectly centered sound.
Clarinet
*
Bb
Bb German system
Ligature
and
leather cap
LEATHER CAP
ONLY
ligature
and
plastic cap
LC31L
C31L
LC31P
LC35L
C35L
LC35P
*
Saxophone
Alto
Ligature
and
leather cap
LEATHER CAP
ONLY
ligature
and
plastic cap
LC37L
C37L
LC37P
LIGK-A 07/2010
* Replacement plastic cap upon request.
PARIS
Accessories
Reed cases
VR
C1
0/
VR
C2
0/
VR
C3
Reed case (4 reeds) VRC10 / VRC20 / VRC30
Humidity-controlled with an interchangeable cartridge filled with desiccant material (VRCK);
securely closes to protect from shocks and dust. Numbered compartments keep reeds organized
and a grooved support provides air circulation.
0
Reed case (8 reeds) VRC810
An elegant blue case designed to hold 8 reeds.
• Numbered compartments keep reeds organized.
• Grooved support provides air circulation.
• Convenient size easily fits in a pocket or clarinet case.
VR
C8
10
Reed case (6 reeds) VRC620
It shares the same design as our 8-Clarinet reed case.
CODE
C6
20
VRC10
Holds 4 of any Bb, Ab, or Eb clarinet, sopranino, or soprano sax reeds.
VRC20
Holds 4 of any alto sax or alto clarinet reeds.
VRC30
Holds 4 of any tenor and baritone sax or bass clarinet reeds.
VRCK
3 replacement desiccants and sponge insert for the reed case.
VRC810
Holds 8 of any Bb, Eb clarinet, or soprano saxophone reeds.
VRC620
Holds 6 alto saxophone reeds or alto clarinet reeds.
Hygrocase
The new Vandoren Hygrocase is a state-of-the-art digital case that allows you to manage the
specific humidity of the case, insuring your reeds perform perfectly wherever you are.
CODE
HC200
COMMENTS
It can store up to 20 Bb clarinet or alto sax reeds and 12 tenor,
baritone saxophone or bass clarinet reeds.
Reed resurfacer
Glass reed resurfacer and reed stick
The reed resurfacer is made of a washable tempered glass and features an etched surface that is
nearly impossible to wear out. The reed stick, inspired by a reed rush, is also made of etched glass
and enables the player to precisely customize and personalize their reeds.
CODE
COMMENTS
RR200
Reed resurfacer and reed stick.
RR202
Reed stick only.
Page 1/3
PARIS
ADC1-A 07/2010
VR
COMMENTS
Accessories
Mouthpiece cushions
The mouthpiece cushions protect the mouthpiece from teethmarks.
Available in two thicknesses.
CODE
COMMENTS
VMC6
Pack of 6 cushions (transparent) (Thickness: 0,35mm - .014”).
VMCX6
Pack of 6 cushions (black) (Thickness: 0,80mm - .032”).
Pouch
Designed to protect mouthpieces, caps, or ligatures.
CODE
P100
COMMENTS
In navy blue felt.
Saxophone strap (Alto and Tenor)
Large black nylon strap designed to provide the saxophonist maximum comfort while holding the
instrument securely in place.
CODE
VSS102
COMMENTS
Large black nylon strap.
Cork grease
CODE
CG100
COMMENTS
Cork grease by the tube.
Page 2/3
PARIS
ADC2-A 07/2010
Pleasantly scented with appleblossom fragrance, this grease lubricates and protects instrument
cork, keeping it supple and perfectly airtight. Vandoren cork grease has long been a favorite among
students and professionals.
Accessories
Swab
Microfiber clarinet swab
Combining the delicacy and absorbancy of silk with the durability of microfiber, Vandoren’s clarinet
swab is the perfect choice for your instrument. The gentle fibers are specially designed to thoroughly
clean your clarinet while protecting the delicate finish.
• Made of high-quality, specially designed microfibers.
• Strong cord with easy pull-through weight.
• Best humidity and grease absorption available.
• Cleans easily with soap and water.
• Durable and long-lasting for years of reliable use.
CODE
COMMENTS
SW200
For Bb clarinet.
SW300
For Bass clarinet.
Polishing cloth
Microfiber polishing cloth
CODE
COMMENTS
PC300
Same material and characteristics as the microfiber swab, but without a weight.
All double reeds are sold in single packs.
English horn EH10
Heckel bassoon HB10
Gouged & shaped cane
Oboe
English horn
Heckel bassoon
Gouged cane
French bassoon FB10
Heckel contrabassoon HC10
Oboe
English horn
Heckel bassoon
Gouged, shaped & profiled
French contrabassoon FC10
Heckel bassoon
Raw cane
Sarussophone SA10
Oboe
Heckel bassoon
X10
OCS30/31/32*
ECS30
HBS30
X10
OC20/21/22*
EC20
HC20
X10
HBSP40
per kg
ROC50
RHB50
* Soft / Medium / Hard
Page 3/3
PARIS
ADC3-A 07/2010
Oboe OR14/10/16*
Double reeds

Saxophone reeds

Transcription

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