TALES FROM THE ARABIAN NIGHTS by
Transcription
TALES FROM THE ARABIAN NIGHTS by
\ f\.,. e- \1. f / , ' , L ' i - ' J \ ' ( T A L E S F R O MT H E A R A B I A N N I G H T S by F A R H A N AS H E I K H Copyright Farhana Sheikh Lgg/+ PREFACE The script that waswritten for a promenade production i n t h e s u m m eo r f_ f o r r o w sE a c h ; i ; ; i ; ; ; u i " i u " !. a . 1 9 ? 4 . ; ; ; f ; ; ; ; J separate site designated in on. trre text as Area A, Area B and so There were six actors in the original production, who eaeh t,ook several parts. (rrre distribution"oi-p"Iis is outiinea below.) rn addition, t.hey all acLed ur nurrui;;; - moving rhe srory otrr w i t h o u t a d o p t i i p a { t y .p a r r i c u r a r .;l;.-w["t" r h e s c r i p L c a l r s upon Actor 1 t6 speak, it ir-i""ig'uting ttanonymoustt !"tc.) rhese narrative toi"r. rt should be noted that anonymousas they are - these roles are genderecl. F;, reasons which.r hopg are-obvious, r have tried q u e s t i o n s o f w o m e nI s s e x u a l i t y u r " - u i - i J . t,o. , " e, n s u r e t h a t * h e n it is women narrators who present them. To complicat" there are other roles called ul!"Is, " s t o r y t e l l e r s " , *w hich need Lo be flst.inguished from those of the ::::T"y: :ai g: ll:itn? rism. p o rTt a hn " ts t o r y t e- t t e r s I i " t h e r h r e e \ ^ 7 o m e n F : a:a*nh:f a:r .ya.ay1f a, :r , ' L a m a n . S h a h r a z a r Tha e r qen A Tw) ih- ooen- au) r l u i^"- -J r r ,_"_'r;-;^" ; ; T ; ; : " ; of D nh S ll"lf:::l: i " d . D i n a r z a c ia n d w h o s " i J ; - ; ; " i;f*"ll: i*::;1":t:.ii|ffi;,i";r";il:';i:r:"$"'X"*illt3,'3i,"n :l::^:l:-:th::-narrarors,rf;t h;,;";"Fi;i;"'ir,5 5i;;i;:, as pi.iicirrar :f::?::"fi:.,ui^yill stories they t.ell . "riiirliJ=r3"Ii,:';:;;i: whose CAST MINA ANWAR(Actor 1) StoryLeller; lJ,h: :a: "ndr a y a r ; p r i n c e s s Shahra zad,el in The He-Goat: Alr Sa'adah, Third Hunre=FEE-A-ffi -iliri., ul-Kulub in'KhaI:!!q; "na . Queen Mother K E N S H O R T E R ( A c t o2r ) {}"g in The He-Goat, First, Ape and Slle -in REZTfE-fEesenrer i; zahLdt g"nealogisr in TheRoy"_L-' T 5 al si :t9 ard |ln:t:14it LINDA DOBELL(Actor 3) First Storytellerl Q u e e ni n T h e H e _ 9o= "ti _Thir d Ape, Second Uunr EFTiiF zubaida in Khalifa: First Geneal_o_gis r-Ti@4cyql Basrard ; Fir st woman in ffi' FiveLovers. s I M O NT H O M S o N ( A c t o4r ) He-Goat/Prince in The He-Goat: Second Ape and SanEl-ffi-Th-a-iifa: King in The Roval Bastar dFE6E' i .t4r!,p.41. ,,::f... .t,f!ffi. Womanin Lovers. SYREETA K U M A R ( A c t o r5 ) The Womanand her Five V?ry^nD ; inarzadl Firsr Sisrer and Hunrer in Kh?T-iFE-TEffia and Executior" . O l d W o m a ni n T h e H e - G o a t ; F i r s t A M A R D E EKPA U S H A L ( A c r o 6r ) Second Sister in The He-Goar: Khalifa ; ZahLd; SEEonffinEioeist and 01d Man in The Royal Basia;;:- p e r f o r m e d b y The London Bubble at liflt, 1994. Direc tor Musical Chiswick Jonathan Petherbridge Director David Baird Choreographer Linda DobelI D e si g n e r Keith ,1_ Khan park in August. T A L E S F R O MT H E A R A B I A N N I G H T S PART 1 Area A S T 1 We will tell you about the sadness and cruelty [<.ings.About their absolute power. A bout theiL m e r cj - l e s s r e v e n g e . of Long age r there were two broLhers. T h e-yk iw n gesr .e c a l l e d S h a h r a y a r a n d Zaman. They were Shahrayar : S T 2 ruled ST]- Zaman S T 3 ruled the valleys. and the coast,. the f araway mountains anci high plains. S T T years " :nyr. a: :v: ra r )[ :n: a S T 2 rhey <1id nor meer. One day w h o _r u l e d t h e v a l l e y s a n d t h e c o a s _ t awoke with a great ionging to see his brother. He sent, a messager dr invftation. F I R S T S T O R Y T E L L E RC A R R I E S M E S S A G E S T 3 Z a m a n w e J - c o m e dt h e i n v i t a t i o n . H e t-o* io l o n g e d t o s ee hi s bro ther . So he packed tfr' f,i, , retainers, s t a r t e d o n t h e 3 o u i n e" n/ -dt o - f i r " vallevs. ft was twilight when he realised that he had left behind an imlorranr gift. Alone he returned to"ifr" palace. He entered the r9y31 apartments in lhe early hours. All was till. ft" approached his s bedchamber. He heard husheh'ir;;h;;t,-lorr soundlessly he went in. His worrd darkened voices. before I r i r ' H i s * i f e w a s r yJ i n ge i " - t i , " arms of a kitchen boy. S T T I' A d i r t y , c o m m o nk i t c h e n b o y . z a m a ns t r u c k h i s w i f e m a n y t i m e s . H e w o u r d not ret her speak. He would not let her speak! !trith a single kiek or iris ioot,, he smashed the jaw of the kitdhen boy: Ii" Jratg.a rhe naked r o v t h e h e e l s a n d t o p b l e d t h e m = i r o m t r , " u r i r r " i " " i "e r s bv vt into the trench iir below. j S T 3 Then he rode af ter_his j:::,1:r r:. rl': Drother, S T l party. i rru. y - r i i i o o * S h a h r a"yr a T!",V continued of his older their In:r^."sI :b^rgo,r?h1enr gi 1.r o f o l l o w Z a m a n ,n o w , o n h i s v i s i r rjre valleys. Be iii rhe ; ;6; r l l; t r , " , IiI:^yF _witl*meer orher srories "1 cnaractters. But for now, ro t h i s - k i l t i n g r a , u e r , i n i ] rl ei Jt _r ,uus. , lre"a- ;v-ei ; ri ;t 'r " s c e n e o f journey anead... Bring with you -trng" |Ju"n""a, and f ol l o w t h e s t i t u e s o f i f , "" r r " r y i h i n l . q