2015 Catalogue 12-12.indd

C ATA L O G U E 2 0 1 5
the luxury of craftsmanship
CRAVT Original offers an exclusive collection extraordinary interior objects, luxury furniture, eye-catching lighting and refined accessories. The combination of traditional craftsmanship and CRAVT Original
design makes our collection unique.
Operating from our headquarters in The Netherlands,
we supply exclusive interior products to thousands of
customers worldwide. The collection finds it’s way to
luxurious interiors in over 90 countries.
What makes our collection so special? To begin with
every product we make has a natural finish derived
from materials provided by Mother Earth. We know
where to find it and just as important, how to incorporate it into our products in a highly skillful way. The
distinctive features of the Art of Craftsmanship are
explained successively.
The precision, perseverance and attention to detail
are unequalled. It’s this unsurpassed level of craftsmanship that imbues our products with a quality best
described as ‘luxury’. This enables CRAVT Original to
present you a unique collection.
This catalogue provides you an extensive source of
inspiration to create your personal signature in
interiors, as well as information.
Encounter the world of CRAVT Original and enjoy the
carefully styled setting of our interiors. We look
forward to be connected with you soonest.
CRAVT Original team
we give a new future to old crafts
index
Stingray and parchment
6
Bone
36
Horn
50
Leather
62
Eggshell
76
Silverleaf and lacquerware
88
Mother of pearl
102
Seashell
116
Stainless steel
134
Fine iron
148
Metal casting
156
Metal hammering
172
Semi precious stone
Petrified wood
184
200
Selenite stone
212
Glass
222
Special materials
234
Samples and finishes
238
Lampshades
240
Silverleaf colours
242
Metal finishes
244
Horn samples
245
Contact
248
stingray and parchment
6
7
cravt original
stingray and parchment
Polished, cut, inlayed
8
9
stingray and parchment
cravt original
stingray
Stingrays, phantoms of the deep, have captured the
mind and imagination for centuries. They’re large and
usually friendly but in precarious situations stingrays
can be extremely lethal. Their strong image perfectly
represents their skin, which is rough and tough but
gorgeous.
Stingray and shark skin is called ‘shagreen’ and was
originally used to rub, polish or file. A master leatherworker in the court of Louis XV (Jean-Claude Galluchat) first popularised the use of stingray leather,
using it as veneer on a variety of items including sheaths, wig cases, perfume flacons, sewing and snuff
boxes.
Later the artisan John Paul Cooper wrote ‘shagreen
is possessing some of the qualities of both mother
of pearl and leather’. The qualities for which this fine
leather is valued are also what make it so difficult to
work with. It’s combination of extreme hardness and
elastic softness requires great patience and skill to
produce flawless products.
10
11
stingray and parchment
cravt original
703419 TEACH
Desk, antique stingray and ebony
92 x 45 x 87 cm
703430 REST
Chair, antique stingray, ebony and suede
49 x 54 x 84 cm
12
13
stingray and parchment
cravt original
703415 VULGAN OVAL
Mirror, gold leaf antique stingray, antique parchment, brown penn shell cracked and ebony
120 x 10 x 180 cm
703417 BLOCKS DRESSER
Dresser, blocks brown cracked penn shell, gold leaf
antique stingray, ebony black, antique parchment,
ebony veneer and stainless steel
193 x 54 x 101 cm
14
15
cravt original
703423 LEULEY
703421 NIEC
703426 TIFANIE
Chair, antique stingray and ebony
Side table, antique stingray and ebony
Jewel chest, silver antique stingray, cow bone,
65 x 30 x 59 cm
50 x 30 x 77 cm
mirror and ebony recon with silver handles
43 x 43 x 124 cm
703425 AFTERNOON
703411 BLOCKS COFFEE TABLE LIGHT
703420 SAFE
Table double deco, antique stingray, ebony and
Coffee table, blocks in white mother of pearl S3054,
Jewel chest, antique stingray and ebony
stainless steel
antique stingray S3034, bleached parchment S3003,
veneer with silver handles
Dia. 58 x 66 cm
ebony veneer and stainless steel
70 x 38 x 141 cm
150 x 120 x 45 cm
16
17
cravt original
stingray and parchment
703422 MAKE UP
703424 LEGRAIN
Dresser art deco, antique stingray and ebony with
Chair, antique stingray and ebony
silver and mother of pearl handles
56 x 26 x 59 cm
138 x 29 x 168 cm
18
19
cravt original
stingray and parchment
20
398435 ARMOIRE
703427 JACK
703308 DEAL
703309 KABINET
Cabinet, tabac resin stingray, dark greywood and
Chest diamond, silver antique stingray and
Table, dark fog stingray with white bone
Window display, caviar stingray, caviar parchment,
brass
ebony veneer
Dia. 100 x 72 cm
ebony veneer and glass
90 x 55 x 180 cm
40 x 30 x 180 cm
398433 CENTRY SILVER
398434 CENTRY TABAC
703291 HOLD LARGE
703292 HOLD MEDIUM
Pillar, white resin stingray and polished stainless
Pillar, tabac resin stingray and brass frame
Tray table, caviar stingray and grey stone
Side table, caviar stingray and grey stone
steel frame 40 x 40 x 120 cm
40 x 40 x 120 cm
100 x 50 x 90 cm
50 x 50 x 65 cm
100 x 35 x 200 cm
21
cravt original
703428 VEGAS
Game table, gold leaf antique brown stingray,
loura faya veneer and cow bone with gold stingray
handles
79 x 79 x 75 cm
22
23
cravt original
stingray and parchment
24
703222 STOUT
703332 STOUT TURQUOISE
398386 ISTANBUL ANTIQUE
398385 ISTANBUL
Vase, black blue stingray
Vase, turquoise stingray and stainless steel
Box, antique stingray with stainless steel trim
Box, blue stingray with brass trim
38 x 10 x 40 cm
38 x 10 x 40 cm
40 x 20 x 20 cm
40 x 20 x 20 cm
660020 WIPE RED
660021 WIPE BLUE
703440 HAVANA CAVIAR
703441 HAVANA GOLD
Tissue box, red stingray and white bone
Tissue box, navy blue stingray and white bone
Ashtray, caviar stingray and black cracked mother of pearl
Ashtray, old gold stingray and brown cracked penn shell
13 x 13 x 15 cm
13 x 13 x 15 cm
23 x 15 x 5 cm
23 x 15 x 5 cm
660016 FRET ANTIQUE MEDIUM
660017 FRET RED MEDIUM
660015 RAISE
660014 STOW STINGRAY
Picture frame, antique stingray
Picture frame, red stingray
Box, kingfisher stingray with one skin on top
Box, navy blue stingray with one skin on top
24 x 19 x 3 cm
24 x 19 x 3 cm
34 x 27 x 6 cm
34 x 27 x 6 cm
25
stingray and parchment
cravt original
parchment
Writing has always been a form of art, but it’s hard
to imagine that the production of writing materials
used to be a form of art too. Today we simply grab
a pen and a piece of paper but in ancient times it
took months, just to produce something to write on:
parchment.
Parchment is a thin material made from hide, usually
from calf-, sheep- or goatskin and often split. The distinction between leather and parchment is that parchment is limed and not tanned; therefore, it’s very
reactive to changes in relative humidity and is not
waterproof. Finer-quality parchment is called vellum.
Parchment was developed in Pergamon, from which
it’s believed the word ‘parchment’ evolved, as a substitute for papyrus.
To make the parchment more aesthetically pleasing
or more suitable for the scribes, special treatments
are used. Thin pastes of lime, flour, egg whites and
milk are rubbed into the skin to make it smooth and
white but there are recipes to tint parchment in a variety of colours including purple, indigo, green, red
and peach.
Rubbing pumice powder into the flesh side of parchment, while it’s still wet on the frame, is used to make
it smooth and to modify the surface to enable inks to
penetrate more deeply. Powders and pastes of calcium compounds were also used to help remove
grease so the ink would not run.
26
27
stingray and parchment
cravt original
703324 SHAPE XL
Table, dark fog stingray, light fog, ebony black
parchment, wenge veneer and white bone
400 x 200 x 76 cm
703414 SHAPE XL ANTIQUE
Table, gold leaf antique stingray, antique, ebony black
parchment, wenge veneer and ebony
400 x 200 x 76 cm
28
29
stingray and parchment
cravt original
703416 ELVIN LIGHT
Mini bar, bleached, water grey, ebony black, dark grey
parchment and pastor stone and ebony
79 x 54 x 180 cm
30
703409 SEPARATE LIGHT
703410 SEPERATE DRESSER LIGHT
Table, top block pattern in bleached S3003, water grey
Dresser, block pattern in bleached S3003, water grey
S3002, ebony black S3109 and dark grey parchment
S3002, ebony black S3109, dark grey parchment S3031,
S3031 with metal leg
ebony lines and wenge veneer
150 x 150 x 76 cm
204 x 54 x 90 cm
31
stingray and parchment
32
cravt original
703285+ DIFFERENT SQUARE
703290 EVERLASTING
703321 TABLEAU XXL
Table lamp, water grey, caviar stingray, water grey,
Coffee table, caviar, water grey stingray, caviar, dark
Dining table, caviar parchment, grey stone, wenge
dark grey parchment and grey stone with shade
grey and water grey parchment
veneer with white bone
(see page 240) 50 x 50 x 90 cm
149 x 183 x 50 cm
300 x 110 x 77 cm
703283 DIFFERENT
703284+ DIFFERENT ROUND
703311 NEW LABOR DARK
Side table, water grey, caviar stingray, water grey, dark
Table lamp, water grey, caviar stingray, water grey, dark
Console, black blue stingray, caviar parchment, grey
grey parchment and grey stone
grey parchment with shade (see page 240)
stone and wenge veneer
200 x 40 x 90 cm
Dia. 50 x 89 cm
129 x 40 x 90 cm
33
stingray and parchment
cravt original
703334 FILE PRESENT XS
703359 BUXUM MEDIUM black
703386 MARCEL WOLTERINCK BOX SQUARE HIGH
660028 CAN
Box, turquoise, water grey stingray, caviar
Box, antique silver stingray, ebony black, water grey
Box, natural antique parchment, ebony and bronze
Box, water grey parchment and ebony
parchment, black cracked mother of pearl, python
parchment and ebony
brushed
9 x 9 x 11 cm
wood and white bone
45 x 28 x 12 cm
15 x 15 x 18 cm
703360 BUXUM SMALL BLACK
703366 TITULARI DARK GREY WHITE
660031 STALL
703364 BUXUM LARGE ANTIQUE SILVER WHITE
Box, antique silver stingray, ebony black, water grey
Napkin holder, dark grey parchment, lime oak veneer
Tissue box, water grey parchment and ebony
Box, antique silver stingray, bleached parchment and
parchment and ebony
and white bone
25 x 14 x 10 cm
ebony
28 x 28 x 12 cm
6 x 6 x 6cm
703376 PLATEAU SMALL DARK GREY
703380 BUXUM MEDIUM TURQUOISE
703442 MUTUALLY LARGE
703385 MARCEL WOLTERINCK BOX OVAL
Tray, ebony black stingray, dark grey parchment, ebony
Box, turquoise stingray, bleached, turquoise parchment,
Tray, gold leaf antique stingray, antique parchment and
Box, natural antique parchment and ebony
and white bone
lime oak veneer and white bone
ebony
30 x 15 x 18 cm
34 x 30 x 4 cm
45 x 28 x 12 cm
64 x 30 x 4 cm
15 x 15 x 10 cm
34
70 x 28 x 12 cm
35
bone
36
37
cravt original
bone
Cut, glued, inlayed
38
39
bone
cravt original
Bones literally are the structure of life. They carry us
around and keep us safe from harm. Although bones
and skeletons have a strong connection with
death, there are cultures that offer them a second life
through works of art and utensils. In a way that’s a
beautiful thing: giving birth to something new through
the use of such a strong symbol for ‘the end’. And the
results are astonishing. Incredible works of art, inlaid
or decorated with pieces of bone.
The history of people using bone objects is long
and rich. In China for example, as early as during the
Hemudu Culture (circa 5000 BC), people used bone
items as tools. After noticing the bones’ natural beauty,
they started to use bone for decorative purposes as
well as utensils.
The bone artwork featured excellent craftsmanship
and was exquisitely designed. Inlay, lay-on or a combination of these techniques can be used to create a
beautiful effect in level. This makes the bone to transcend the wooden base.
This traditional craft has been further developed in
modern times and is traditionally used in fine furniture. Today bone is also applied for interior decoration of modern hotels and high-end residences. For
this technique generally buffalo or camel bone is
used.
40
41
bone
cravt original
MALE / FEMALE
Chiffonnier Antrophomorphe
Design by André Groult ( 1884 - 1966 )
Design classics in art deco style designed by André
Groult in 1925. A round curved dresser designed specially for women and a more squared dresser especially designed for men. Both dressers are inlayed with
antique stingray and white bone.
The original dressers are exposed at the Musée des
Arts Décoratifs, Paris
44
660010 LOUIS
660011 MARIE ANTOINETTE
Male cabinet, antique stingray, white bone with
Female cabinet, antique stingray, white bone with
inside ebony veneer
inside ebony veneer
80 x 32 x 150 cm
76 x 36 x 145 cm
45
bone
cravt original
320409 MASTER
320408 BOSS
320237 CHESS BOX
Bowl, bone antique with pattern inside
Bowl, bone antique with pattern inside
Box chess board, bone, including bone chess
Dia. 37 x 8 cm
Dia. 46 x 15 cm
pieces
31 x 31 x 6 cm
320396 PAIL
320399 CHEERY
320244 ALANO CHESS
Wine bottle cooler, bone tile with stainless steel
Box, bone antique with black lines
Table chess, buffalo horn and bone polished,
Dia. 21 x 22 cm
15 x 10 x 7 cm
including bone chess pieces
Dia. 43 x 48 cm
46
320397 WAIVE
320226 TYREE
320243 ALANO WHITE
Box, bone with horn etching
Tray, plain buffalo bone polished
Table, buffalo white bone ploshed
15 x 10 x 7 cm
30 x 30 x 4 cm
Dia. 43 x 48 cm
47
bone
48
cravt original
320205 PELIAS
320230 ASWIN LARGE
Box, square buffalo bone polished
Tray, plain buffalo bone polished with black grips
21 x 13 x 5 cm
44 x 30 x 4 cm
320209 PIERINO
320232 PARFAIT LARGE
Box, buffalo bone and sheesham wood polished
Box, buffalo bone polished
21 x 13 x 3 cm
21 x 21 x 8 cm
320227 TAJ
320233 AELWYN
Tray, taj print buffalo bone polished with black grips
Box, carved buffalo bone polished
34 x 22 x 4 cm
Dia. 20 x 8 cm
49
horn
50
51
cravt original
horn
Heated, bended, pressed
52
53
horn
cravt original
Horn is one of those typical symbols of power and
strength. Cattle depend on horn for self-defence
against natural enemies or to make clear who has the
right to mate. But there’s more than meets the eye.
Who looks beyond what maybe the obvious, discovers incredible textures, which can be used for the
decoration of a variety of products. Horn is unadulterated beauty provided by mother Nature.
Our collection is made of horns coming from African
cattle and domesticated Vietnamese water buffalos.
The artisans working with horn are true specialists in
creating and working with this material.
Horn is a material is very difficult to process; it’s incredibly strong and hard. This makes it sound obvious that many years of experience and a high level of
skills are key ingredients for our craftsmen. Required
to create exquisite and incredibly beautiful products,
our artisans rely on knowledge passed by their ancestors. They represent over 400 years of tradition,
but to reach the status of ‘skilled artisan’ they must
work hard to reach this goal.
Horn has been used as human adornment and jewellery for centuries. A wide variety of products, such
as table tops, cutlery, side plates and other dishes,
lamps, bathroom accessories, tools, blades, combs,
buttons and jewellery is known.
To summarize, horn products are very durable,
strong, exclusive and incredibly beautiful. The hands
of a talented and skillful artisan, which literally give
our products a personal touch, have processed each
and every inch of horn you’ll find in our collection.
54
55
horn
56
cravt original
950100-E TAMIM BROWN SMALL
950100-B TAMIM BOLD SMALL
350010+ COWLIGHT MARBLED
350011+ COWLIGHT
Table, top brown cow horn 5 x 5 cm squares with soft
Table, top black and white cow horn 10 x 10 cm squares
Lamp, square blocks in marbled horn,
Lamp, square blocks in colouful horn,
epoxy layer on 950100-L1 darkened metal frame (see
with soft epoxy layer on 950100-L1 darkened metal
metal stand with shade (see page 240)
metal stand with shade (see page 240)
page 245)
frame (see page 245)
35 x 35 x 90 cm
35 x 35 x 90 cm
100 X 100 x 73 cm
100 X 100 x 73 cm
950100-F TAMIM BROWN LARGE
950100-G TAMIM WHITE SMALL
350012+ COWLIGHT FIREFLY
350013+ COWLIGHT COLOURFUL
Table, top brown cow horn 10 x 10 cm squares with soft
Table, top white cow horn 5 x 5 cm squares with soft
Lamp, rectangular in horn, firefly design,
Lamp, rectangular colourful horn, metal
epoxy layer on 950100-L2 darkened metal frame
epoxy layer on 950100-L2 darkened metal frame
metal feet with shade (see page 240)
feet with shade (see page 240)
(see page 245)
(see page 245)
36 x 16 x 46 cm
36 x 16 x 46 cm
100 X 100 x 30 cm
100 X 100 x 30 cm
57
horn
cravt original
320211 BURRIT NET LARGE
320215 BRINIO
Bowl, net print buffalo horn polished
Bowl, inside plain outside carved buffalo horn
Dia. 21 x 8 cm
polished
Dia. 17 x 7 cm
320213 BURRIT CIRCLE SMALL
320216 BYRON
Bowl, circle print buffalo horn polished
Bowl, inside burnished outside polished
Dia. 13 x 5 cm
buffalo horn
26 x 23 x 9 cm
58
320214 BAILEY
320220 BRUNO LARGE
Bowl, plain buffalo horn polished
Bowl, buffalo horn polished
31 x 22 x 14 cm
Dia. 17 x 7 cm
59
horn
60
cravt original
320392 CATCHER
320188 TRISTAN SMALL
320384 MAMA
320387 GRAND MOTHER
Box, horn with bone squares
Box, buffalo horn polished
Picture frame, bone pipe with horn and wood rings
Picture frame, bone with brass nails
20 x 13 x 5 cm
13 x 7 x 5 cm
24 x 19 x 2 cm
27 x 17 x 2 cm
320190 TRIJNCO LARGE
320393 CATCH
320383 UNCLE
320389 GRAND FATHER
Box, etching buffalo horn polished
Box, horn with squared pattern
Picture frame, horn with bone squares
Picture frame, horn triangle pattern
19 x 13 x 6 cm
18 x 13 x 5 cm
32 x 27 x 2 cm
22 x 17 x 2 cm
320394 WRAP
320405 LIVELY
320385 PAPA
320410 GOD FATHER
Box, horn with crazycut pattern with handle
Box, horn diagonal inlayed and black border
Picture frame, horn with bah rings
Picture frame, horn pipe with metal rings
41 x 18 x 19 cm
18 x 13 x 5 cm
22 x 17 x 2 cm
24 x 19 x 3 cm
61
leather
62
63
cravt original
leather
Dye, dry, sew
64
65
leather
cravt original
The natural cow hide provides an indefinite source to
create a wide variety of unique finishes. The sign of
animal life such as scars, chafes and stamp marks are
characteristics that show the roughness of the leather
that is used to create a rusty finish. The hairy cow
leather is selected from natural beige colours and
drum dyed into specific colours. As each individual
hide is unique, tone differences are likely to show. Paper lamination is a special technique for luxury silver,
gold, platinum and brass finishes that subsequently
can be drummed to create a specific, natural or antique look. A specified pattern chosen to a particular
product can be laser cut and every piece is hand
treated for its final look.
Specific hallmarks for fine furnishing are provided by
a luxury vertigo and nubuck. As the vertigo finish is
a slightly waxy rustic look, the nubuck shows a very
soft and velvety feeling. Suede is yet another specific
finish with a significantly more hairy effect.
Fur is an extremely soft and a 100% natural product.
All different types of fur are selected with special care
and sorted by hand. Fur is adored and used because
of its natural beauty. Feel the softness and enjoy the
characteristic and chic look. Beautiful items can be
created with sheep fur, like the Tibet sheep with the
particular long curly fur or the patchwork of Tuscany
sheep. Luxury frost fox fur provides a very particular
look with soft grey tones and some white. By using
the fox leg fur a light beige mix with some grey brown
tones it has a very distinctive look. A wave pattern
can be realized by using a mix of long and short hair.
Bunny and rex fur is very fine and provide an
incredibly soft and very dense fur.
66
67
leather
68
cravt original
850224 GHILBY
850226 CLASSIC
850231 BORSA COPPER
Sofa, leather ghilby ebony brown
Chair, leather flotter purple
Pouf, leather hairy brown copper
250 x 95 x 65 cm
80 x 94 x 86 cm
85 x 90 x 80 cm
850225 PANCA
850228 LEOPARD BROWN
850229 PANTHER BLACK
Sofa, leather nubuck oyster olive grey
Chair, leather gotic berjer leopard brown
Chair, leather gotic berjer black
320 x 105 x 74 cm
84 x 87 x 124 cm
84 x 87 x 124 cm
850222 DORMEUSE BEIGE PLATINUM
850227 RETRO GREY
850233 BORSA AGAT
Daybed, leather hairy beige platinum
Chair, leather ghilby black and hairy
Pouf, leather black mat agat
and black blacebock
grey
85 x 90 x 80 cm
90 x 175 x 102 cm
70 x 90 x 87 cm
69
leather
cravt original
850010 SQUARE NATURAL SILVER
850134 PION BLACK
850195 STOCKHOLM HAIRY GREY
850157 HELSINKI BEIGE
Pouf, buck hide natural silver
Coffee table, cow leather black rusty
Chair with arms, cow hide hairy grey
Chair, cow hide beige hairy
45 x 45 x 45 cm
with mirror glass top
70 x 61 x 84 cm
54 x 61x 84 cm
Dia. 45 x 45 cm
850028 SQUARES LARGE BLACK
850026 SQUARES LARGE BEIGE GOLD
850212 HELSINKI ROUND BEIGE
850155 MADRID PLATINUM
PLATINUM
Pouf, cow hide beige gold
Chair, cow hairy leather beige and
Chair with arms, cow leather antique
Pouf, cow hide black platinum
100 x 100 x 40 cm
brown
black platinum rusty
55 x 59 x 97 cm
64 x 59 x 80 cm
100 x 100 x 40 cm
70
850019 BOLD BROWN
850271 OYSTER
850163 GOTEBORG BLACK PLATINUM
850256 STOCKHOLM BARCHAIR GREY
Pouf, lamb from Tibet brown
Pouf, leather nubuck oyster olive grey
Barchair, cow leather black platinum rusty,
Barchair with arms, leather vertigo grey
Dia. 90 X 40 cm
120 x 120 x 38 cm
with legs iron covered with shiny nickel
lucido with bronze feet
45 x 43 x 90 cm
72 x 61 x 113 cm
71
leather
72
cravt original
850217 NEXUS SINGLE
850219 NEXUS LONG
Element bench part 1, leather cow hairy
Element bench part 3, leather cow hairy
grey, straight cutting rusty black platinum,
black, flotter nubuck light grey, straight
cow hairy black and rugan antique black
cutting rusty black platinum and rugan
90 x 90 x 70 cm
antique black 90 x 200 x 70 cm
850218 NEXUS CORNER
850220 NEXUS ISLAND
Element bench part 2, leather flotter
Element bench part 4, leather rugan anti-
nubuck light grey, cow hairy grey, cow
que black, cow hairy black, flotter nubuck
hairy black and rugan antique black
light grey and straight cutting rusty black
90 x 90 x 70 cm
platinum 90 x 200 x 70 cm
73
leather
cravt original
850248 CURLY GOLD
850251 HUG WHITE GOLD
850238 PONERE BROWN
850239 PONERE FABRIC BEIGE
Cushion, leather curly lambskin white
Cushion, leather white gold mat and
Throw, leather Toskana brown brissa
Throw, leather melody fabric beige
gold
back in fabric
180 x 140 cm
270 x 260 cm
Dia 20 x 80 cm
60 x 60 cm
850054 HOLD GOLD
850098 BORDER BROWN TIPPING
850237 PONERE BLACK
850235 PONERE GREY
Cushion, cow hide gold
Cushion, Toscana sheep brown tipping
Throw, leather Toskana black
Throw, leather frost grey black
40 x 40 x 20 cm
with rugan brown back
180 x 140 cm
180 x 120 cm
60 x 30 cm
850254 CONIGLIO BLACK
850051 HUG BROWN
850240 CONEJO BEIGE
850236 PONERE BEIGE
Cushion, rabbit fur black drop cutting
Cushion, lamb from Tibet brown and
Throw, rabbit fur beige drop cutting
Throw, leather Toskana beige
50 x 25 cm
cow hide platinum
220 x 50 cm
220 x 240 cm
60 x 30 x 20 cm
74
75
eggshell
76
77
cravt original
eggshell
Broken, burned, inlayed
78
79
eggshell
cravt original
Eggshells are one of those typical, true wonders of
nature. They protect, feed and give birth to new life.
Therefore there’s great and meaningful resemblance
with the art of eggshell inlay created by our craftsmen
in Vietnam. Using one of Mother Earths most fragile
materials, they give birth to incredible works of art.
The art of eggshell inlay originated in China around
the time of the Tang Dynasty (618 – 907). The technique spread from China to Japan via Korea and ultimately became one of Vietnams most well known
traditional crafts.
Using eggshell requires the skills of true artisans,
who inherited their knowledge from generations of
craftsmen and brought it to perfection in order to create the true treasures.
The eggshell is inlaid into one of natures most durable products: lacquer. The combination of these two
materials, using centuries-old techniques, result in
the most exquisite and original lacquerware crafted
by hand today. Eggshell inlay uses (hatched) duck
eggs, because of their inherent thickness and whiteness.
The eggshells are cleaned, arranged in a pan and
roasted over a bed of hot charcoal. A range of coloration can be achieved: from light mocha to deep
chocolate and from burnished gold to ash black.
Contemporary
artisans
manufacture
fiberglass
moulds enabling them to create exceptional forms
of variable size and scale: enormous planters,
oversized vases and bowls, long tables, chairs,
consoles, mirrors, boxes, decorative plates and
frames. Each piece of eggshell is glued on to the
mould with great attention for it’s effect on the overall
design. Multiple layers of lacquer are then applied.
The piece is finished with purified beeswax polished
to a high gloss.
80
81
eggshell
cravt original
742692 SPHERE VASE BROWN
Vase, matt brown, brown silverleaf and matt dark
eggshell
Dia. 89 x 96 cm
742695 SPHERE VASE SILVER
Vase, plain silverleaf, white lacquer and matt light
eggshell filled with white lacquer
Dia. 89 x 96 cm
82
83
eggshell
cravt original
742470 BOTTLE TALL
742651 BOTTLE TALL BIRD
742599 SHOVE DARK
742590 FREE DARK EGGSHELL SMALL
Vase, coloured eggshell inlay
Vase, coloured lacquer, eggshell and brown mother of
Pillar 4 layers, polished eggshell filled with black
Block, grey lacquer S2009 and front eggshell
40 x 25 x 190 cm
pearl inlay S2216
lacquer S2017, silverleaf S2250, eggshell S2014 inlay
inlay S2016
40 x 25 x 190 cm
and black lacquer S2037
50 x 60 x 50 cm
60 x 60 x 51 cm
742652 BOTTLE BIRD
742471 BOTTLE BELLY
742600 SHOVE LIGHT
742587 FREE DARK EGGSHELL
Vase, medium brown silverleaf S2228, copper
Vase, black lacquer S2037, champagne gold
Pillar 4 layers, polished eggshell filled with white lac-
Block, grey lacquer S2009 and front eggshell
silverleaf S2436, black lacquer S2037, eggshell and
silverleaf S2035 and eggshell inlay
quer S2012, silverleaf S2039, eggshell S2014 inlay and
inlay S2016
brown mother of pearl inlay
55 x 35 x 170 cm
white lacquer S2036
50 x 40 x 100 cm
35 x 100 x 160 cm
84
60 x 60 x 51 cm
85
cravt original
742680 CLOSE EGGSHELL MATT
Vase, coloured matt eggshell light to dark
Dia. 40 x 130 cm
742679 COARSE EGGSHELL MATT
Vase, coloured matt eggshell dark to light
Dia. 65 x 200 cm
86
87
silverleaf and lacquerware
88
89
cravt original
silverleaf and lacquerware
Mall, silverleaf, brushed
90
91
silverleaf
cravt original
Silver and great achievements are inextricably linked. Gold symbolizes coming in first while silver often
holds the maybe even more interesting dramatic euphoria of being second best. It’s clear that mankind always has had special interest in the gleaming jewels
of nature. Talks about precious metals, like silver, always raise the antennae.
The art of applying silverleaf to decorative objects,
including lacquerware, is known as gilding. ‘silver
beating’ is the term for the process of pounding silver
into leaves. Nowadays the process of producing silverleaf is largely mechanized but the gilding itself, is
done by artisans who realize ‘precious achievements’
on a daily base.
It’s a delicate process. First the surface is primed.
Next it’s sized. Individual leaves are laid onto the surface using a gilders tip. This is a fine camel hairbrush
set in a thin cardboard folder. The leaf is held to the
tip by static electricity generated by gently rubbing
the tip against the gilders hair. The slightest breath
can send the leaf flying. Once the gilding is complete
the leaf-covered surface is burnished to a high lustre
using surgical grade cotton.
Wood moulds are the preferred cores for lacquerware, though wickerwork, leather and textile can also be
used. The imparted shape bespeaks it’s utility implement, vessel, furniture etc. It’s ornamentation is unique to the creator. Decorative motifs are drawn and
transferred by hand on to the receptacle. These are
inlaid with silverleaf, Mother of pearl, seashell, and
fine powder pigments, according to the specifications
of the design. Silver plating is ideally suited to create
objects in special colour nuances.
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93
silverleaf
cravt original
742701 GRANATE BROWN SMALL
Vase, coloured silverleaf champagne gold S2035,
copper S2436, medium brown S2228, base white
crackshell S2396 in S2486 and white crackshell
S2396 in platinum
Dia. 60 x 90 cm
742697 GRANATE GREEN LARGE
Vase, coloured silverleaf dark grey S2467, grey
lacquer S2464, light blue lacquer S2442, base
white crackshell S2396 in light green S2480
and white crackshell S2396
Dia. 60 x 140 cm
94
95
silverleaf
96
cravt original
742336 + S2039 GEORGE SMALL
742676 + S2430M BAROQUE LOW
Vase, coloured silverleaf, available in different
Vase, coloured silverleaf, available in different
coloured silverleaf (see page 242)
coloured silverleaf (see page 242)
Dia. 40 x 70 cm
Dia. 110 x 80 cm
742419 + S2033 COARSE
742678 + S2467M COARSE
Vase, coloured silverleaf, available in different
Vase, coloured silverleaf, available in different
coloured silverleaf (see page 242)
coloured silverleaf (see page 242)
Dia. 65 x 200 cm
Dia. 108 x 130 cm
97
silverleaf
cravt original
742630 BOOKSHOP
Bookcase, silverleaf ebony brown S2435, yellow
S2413 and eggshell inlay
160 x 100 x 254 cm
742708 BOOKSHOP SILVER
Bookcase, silverleaf antique S2032, light
champagne S2223 and dark grey S2467
160 x 100 x 254 cm
98
99
silverleaf
cravt original
742598 THROUGH BLACK
742594 THROUGH PEBBLES
742699 HEXAGON BOWL
Mirror, platinum silverleaf S2033 and black
Mirror, dark silverleaf S2430, black lacquer
Bowl, coloured silverleaf S35, medium brown S2228,
silverleaf S2435
and mother of pearl inlay S2056
base white crackshell S2396 in S2486, light green
80 x 70 x 10 cm
220 x 120 x 20 cm
S2480, dark grey blue S2478 and dark grey S2485
Dia. 50 x 40 cm
100
742596 THROUGH SILVER
742597 THROUGH EGGSHELL
742702 HEXAGON BOWL SILVER
Mirror, dark silverleaf S2430 and polished
Mirror, platinum silverleaf S2033 and eggshell
Bowl, coloured silverleaf silver, S2039, S2223,
eggshell filled with silverleaf S2029
inlay S2014
white crackshell S2396 and black mother of pearl
200 x 180 x 20 cm
100 x 80 x 13 cm
Dia. 50 x 40 cm
101
mother of pearl
102
103
cravt original
mother of pearl
Shaped, cracked, inlayed
104
105
mother of pearl
cravt original
The worlds oceans are often considered the ultimate
source of life: an immense force, which has an effect
on the weather, our climate and our life in general.
Keeping this in mind it’s not a surprise that this true
element of life holds wonderful treasures for us to enjoy. Mother of pearl is certainly one of them.
Mother of pearl is the term for to the reflective substance on the inside of mollusc shell. This substance,
known as nacre, is the same as the mollusc uses to
coat a foreign particle that made it into it’s mantle,
irritating it’s muscular tissue. A pearl is a result of this
self-protective process.
The Asians were among the first to cultivate mollusc
for the lustrous quality of their inner shells. Once harvested, artisans cut the shells into predetermined
shapes with a coping saw to create the most intricate
designs.
The cut pieces of Mother of pearl are approximately
2 millimeters thick. Just as individual shapes are first
drawn onto the prepared shells, the patterned design
is drawn directly onto a mould. The pieces, cut to precision, are glued on the surface pattern.
Once the Mother of pearl has been laid on, layer upon
layer of lacquer, then plaster, lacquer, then plaster, is
applied successively, until the lacquered surface is
equal to the level of the Mother of pearl. Each layer is
dried and then rubbed smooth using fine sandpaper
and water. A final polished glaze of lacquer finishes
the piece.
Mother of pearls unique undulating grain is the result
of seasonal fluctuations in a molluscs diet. Darker layers arise during winter months. Lighter layers during
warmer summer months.
106
107
mother of pearl
cravt original
742694 SPHERE SIDE TABLE
Table, top white cracked mother of pearl and leg
matt medium brown silverleaf
200 x 52 x 82 cm
742681 SPHERE TABLE
Table, top white cracked mother of pearl and leg
matt medium brown silverleaf
Dia. 150 x 76 cm
108
109
mother of pearl
110
cravt original
742489 THEO SKETCH
742493 COARSE SKETCH
742408 RHINE WHITE
742339 NILE BLACK
Vase, black lacquer S2037 with mother of
Vase, black lacquer S2037 with mother of
Vase, white lacquer S2036 and mother of pearl
Vase, black lacquer S2037 and mother of pearl
pearl inlay
pearl inlay
inlay
inlay
100 x 60 x 100 cm
Dia. 65 x 200 cm
Dia. 60 x 55 cm
90 x 22 x 29 cm
742433 ETERNAL
742420 ETERNAL MEDIUM
742340 MISSISSIPPI BLACK
742407 MISSISSIPPI WHITE
Vase, platinum silverleaf and mother of pearl inlay
Vase, platinum silverleaf and mother of pearl inlay
Vase, black lacquer S2037 and mother of pearl
Vase, white lacquer S2036 and mother of pearl
S2045
S2045
inlay
inlay
61 x 15 x 63 cm
Dia. 40 x 130 cm
Dia. 40 x 125 cm
Dia. 40 x 125 cm
111
cravt original
398294 CAVE MEDIUM
Mirror, cracked polished black lip shell and cracked
raw mother of pearl
Dia. 100 x 10 cm
398293 CAVE LARGE
Mirror, cracked polished black lip shell and cracked
raw mother of pearl
Dia. 150 x 15 cm
112
113
mother of pearl
cravt original
742687 SCISSORS MEDIUM
Table, top dark grey coloured cracked mother of
pearl, leg dark grey matt silverleaf
165 x 40 x 90 cm
742688 SCISSORS LARGE
Table, top dark grey coloured cracked mother of
pearl, leg dark grey matt silverleaf
300 x 110 x 76 cm
114
115
seashell
116
117
cravt original
seashell
Raw, cracked, polished
118
119
seashell
cravt original
Seashells are the abundant armours of the sea. They
protect the extremely vulnerable molluscs, which are
living inside it and keep them safe from life-threatening dangers around them. But apart from that, haven’t we all experienced memorable times while
searching seashells? It’s just that that makes seashell
one of those typical “feel good” products. They look
incredibly beautiful, bring back memories and put a
smile on people’s faces.
Seashell have been used as human adornments and
jewellery since prehistory. They were used for items
such as beads, buttons, brooches, hair combs and
rings. Shell necklaces have been found in Stone Age
graves as far inland as the Dordogne Valley in France.
Seashell textures and uniqueness make them very
decorative and suitable for finishing a variety of objects, like bowls, vases and lamps. Each and every
object will shimmer like a treasure of the sea and truly
come alive.
There’s a surprising degree of variation in the shape,
pattern and ornamentation of seashells. Reason for
the exquisite colouring of a given species is not always clear. Sometimes it is for it’s protection, as camouflage against predators. But just as often there
doesn’t appear to be any practical reason at all. But
one thing is sure: the shells are simply beautiful.
The process of cutting, shaping, grinding and polishing the shells renders them magnificent. Large numbers of seashells in numerous colours and structures
can be used to create inlays for mosaics, decorative
walls, furniture, vases, boxes and accessories.
Processing seashells is a very hard and difficult task,
which can only be carried out by an experienced
specialist. Therefor a craftsperson relies on knowledge passed down from his ancestors and years of
interned experience before he can claim mastery of
this exceptional craft. No school can teach what these
artisans need to know. Practice, patience and passion
are key requirements to becoming a true master.
120
121
seashell
122
cravt original
398396 SINGAPORE
398410 MUSHROOM BROWN LARGE
398411 MUSHROOM MEDIUM
398412 MUSHROOM SMALL
Cabinet, tab37 cracked shell and matt brass
Vase, tab39 cracked polished shell
Vase, tab37 cracked polished shell
Vase, green cracked polished penn
122 x 50 x 91 cm
and brass top rim
and brass top rim
shell and brass top rim
68 x 46 x 130 cm
49 x 32 x 80 cm
44 x 30 x 53 cm
123
seashell
cravt original
742689 C’S LARGE
Table, top copper silverleaf, 2 legs brown penn
shell and 2 legs matt copper silverleaf
270 x 45 x 90 cm
742691 C’S
Table, top brown cracked penn shell, 2 legs matt
copper silverleaf and 2 legs copper silverleaf
300 x 130 x 76 cm
124
125
seashell
cravt original
398388 APPLE ORANGE
398393 BUENOS AIRES BROWN
Box, tab37 cracked polished shell with brass
Box, brown penn shell crazycut with brass stand
19 x 15 x 22 cm
40 x 25 x 15 cm
398387 APPLE WHITE
398392 BUENOS AIRES GREEN
Box, white kabibe cracked polished with stainless
Box, green penn shell crazycut with brass stand
steel
40 x 25 x 15 cm
19 x 15 x 22 cm
126
398390 APPLE BROWN
398391 BUENOS AIRES
398419 SEOUL LARGE
398418 SEOUL SMALL
Box, tab55 cracked polished shel lwith brass
Box, leopard cracked penn shell, black resin with
Vase, red tab cracked polished crazycut and brass
Vase, red tab cracked polished crazycut and brass
19 x 15 x 22 cm
brass stand 40 x 25 x 15 cm
Dia. 76 x 110 cm
Dia. 29 x 42 cm
127
seashell
cravt original
398397 TORTOISE STUD
Cabinet, tortoise shell cracked polished, mirror
glass and black powder coated frame
110 x 60 x 175 cm
128
129
seashell
cravt original
397793 CEE SMALL
398108 AFFECT
Vase, radica brown lip shell
Object, black tab shell raw outside and white
90 x 20 x 90 cm
kabibe shell polished inside
75 x 30 x 70 cm
398401 TOKIO
Table, toise yellow cracked penn shell and leg in
medallon
50 x 50 x 55 cm
398068 TRANSFORM
397775 TONY BROWN
Bowl, black lip shell with inlay from raw to cracked
Bowl, radica brown lip shell
polished
Dia. 40 x 22 cm
Dia. 50 x 50 cm
130
397966 CIRCULAR WHITE LARGE
398300 DROP BLUE
398399 VENETIAN
Bowl, brown lip, white kabibe shell and
Bowl, blue paua shell crazycut outside and
Table tripod, tortoise yellow cracked
stainless steel top rim
cracked polished inside
and brass medallon
Dia. 52 x 31 cm
Dia. 13 x 5 cm
Dia. 60 x 60 cm
131
seashell
cravt original
398323 BUOY BOMBS LARGE
398168 FLUE TIGER
Vase, radica mother of pearl raw
Vase, cracked tiger tab shell
Dia. 55 x 110 cm
Dia. 50 x 120 cm
397963 EGG LARGE
398315 CYLINDER LARGE
Vase, cracked black tab shell raw and black lip
Vase, crazycut black lip shell polished
shell polished
Dia. 6 x 25 cm
Dia. 53 x 73 cm
132
398329 BUOY KOI
397930 SPIRAL BOLD
397794 FRAIL
Vase, black lip shell, cracked mother of pearl raw
Vase, cracked black tab shell raw and stainless
Vase, crazycut black lip, brown lip shell and
and stainless steel koi pattern
steel
stainless steel polished
Dia. 90 x 140 cm
Dia. 100 x 70 cm
17 x 10 x 45 cm
133
stainless steel
134
135
cravt original
stainless steel
Cut, bended, polished,
136
137
stainless steel
cravt original
Stainless steel, as a metal and decorative item, is a
true mirror of life. Sometimes it reflects the bright side
of life; sometimes it’s ‘glazed’. And what to think of
the discrepancy between flexibility and toughness?
Stainless steel represents a form of purity that attracts
and touches many of us, so maybe having a heart of
steels isn’t that bad after all.
Stainless steel is the ultimate form of hardware. It’s
robust, strong, ethically correct and easy to maintain.
Besides there’s an endless list of possibilities and
functionalities it can be used for: stainless steel is incredibly versatile and the look of it can be combined
with many types of interior design.
Stainless steel, also known as inox, is an alloy (iron,
nickel and a maximum of 1,2 % carbon) with a minimum
chromium percentage of 11 to 12 added. Stainless
steel doesn’t easily corrode, rust or stain with water
like ordinary steel does. Today, adding elements such
as titanium and silicon enriches many types of steel.
French metallurgist Pierre Berthier, who noted the resistance against attack by acids and suggested the
use in cutlery, first recognized the corrosion resttance of iron-chromium alloys in 1821.
Hammering does curving the stainless steel parts for
inlaying on objects. At the end of the inlaying process, the stainless steel is totally brushed or polished.
138
139
cravt original
140
398415 SNAKE LARGE
398416 SNAKE SMALL
Vase, natural snakeskin and stainless steel
Vase, natural snakeskin and stainless steel
Dia. 70 x 52 cm
Dia. 42 x 30 cm
141
stainless steel
cravt original
397934 NEATLY BLACK
397926 TOGETHER WHITE
Holder, black tab, black lip shell and stainless
Tray, brown lip, white kabibe, beige paua shell and
steel polished
stainless steel
10 x 10 x 10 cm
32 x 12 x 3 cm
397924 CLEANLY WHITE
397938 NEAT BLACK
Cotton box, brown lip, white kabibe, beige paua
Tissue box, black tab, black lip shell and stainless
shell and stainless steel polished
steel polished
10 x 10 x 10 cm
25 x 14 x 9 cm
320297 TIDY LARGE and 320299 TIDY SMALL
397936 BRIGHT BLACK
397928 INFLATE WHITE
Shelf, textured stainless steel and translucent fiber.
Dispenser, black tab, black lip shell and stainless
Box, brown lip, white kabibe, beige paua shell and
Available in different colours, ivory white, black,
steel polished
stainless steel polished
silver, antique brass, antique copper and antique
10 x 10 x 18 cm
30 x 21 x 12 cm
nikkel 220 x 50 x 203 cm and 50 x 50 x 203 cm
142
143
stainless steel
144
cravt original
398421 USHUAIA LARGE
398420 USHUAIA SMALL
Vase, stainless steel crazycut and kabibe cracked
Vase, stainless steel crazycut and kabibe cracked
85 x 85 x 110 cm
41 x 41 x 46 cm
145
stainless steel
cravt original
398395 MR. PIGGY
398394 MRS. PIGGY
320376 DIOR
398280 BUOY STAINLESS STEEL MIX EXTRA LARGE
Babe object, stainless steel
Babe object, stainless steel
Dog bed, polished stainless steel balls with cushion in
Vase, crazycut black tab shell, crazycut stainless steel
80 x 32 x 42 cm
80 x 30 x 42 cm
black hairy cow hide, sides and back in black fabric
polished and black grout
110 x 80 x 41 cm
Dia. 88 x 140 cm
398081 ICE LARGE
398080 ICE MEDIUM
398111 SLIDE MEDIUM
398291 LADY KILLER STAINLESS STEEL
Seat, black resin and stainless steel
Seat, black resin and stainless steel
Pillar 4 layers, cracked black tab shell raw and black lip
Bowl, stainless steel polished
150 x 95 x 40 cm
80 x 60 x 45 cm
shell polished, mahogany wood and stainless steel
Dia. 61 x 60 cm
60 x 60 x 51 cm
146
147
fine iron
148
149
cravt original
fine iron
Frame, wirework, finishing
150
151
fine iron
cravt original
Wirework, or tinkery, is a unique concept of solid and
relatively cheap materials being transformed into gracious and sometimes complex eyecatchers. This form
of craftsmanship, which turns expressionless iron
wire into elegant pieces of fine art, is part of
Slovak folk and dates back to the late 17th century.
The craft originated among people living in the infertile mountainous area of the country’s northwest
region. As with any folk art, tinkery originally is a utilitarian enterprise.
Tinkers travelled the countryside repairing earthenware by embedding it with handcrafted wire nets.
Soon they started producing household utensils and
rudimentary farm tools. Hammered, drawn, coiled,
pulled and cut, these unique handcrafted wirework
objects were not only functional but also aesthetically
beautiful.
A local phenomenon, born of economic necessity,
spread throughout Western Europe to Northern Africa, Asia and the Americas. By the mid to late 19th
century, tinkery loomed large as a popular art.
As happened to many forms of craftsmanship, industrialization temporarily overshadowed interest. By the
mid-20th century wirework was considered a thing
of the past. Luckily views changed. Today there’s a
strong market for fine iron wirework. While the wire
is no longer hand drawn, the work itself is entirely
carried out by hand. Each piece bears the signature
of the steady hand and eye that formed it. True craftsmanship.
A skilled and experienced tinker can craft what can
be imagined. Baskets, bottle racks, serving dishes,
plant stands, trivets, tables, fixtures, lamps, large,
small, ornate, austere. The tinker manipulates the pliant material, turning, twisting, and weaving the flexible strands into a firmly fixed form. The process is
slow and exacting. The result: material form unlike
any other.
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fine iron
cravt original
701527+ BALANCE CHROME
701572+ ELEMENTS
Table lamp, fine iron wire chromed with
Table lamp, fine iron wire anthracite with
shade (see page 240)
shade (see page 240)
Dia. 60 x 75 cm
45 x 18 x 83 cm
701613 TUMBLE XXL
Hanging lamp, fine iron wire anthracite
with glass drops, 50 lights
Dia. 144 x 365 cm
154
701571 HIVE
701541 RAIN CHROME
Hanging lamp, fine iron wire anthracite
Hanging lamp, fine iron wire chromed
Dia. 20 x 40 cm
Dia. 15 x 100 cm
701528+(Y) TORCH CHROME
701601 CROWN XXXL
701614 TUMBLE EXTRA LARGE
Floor lamp, fine iron wire chromed with
Floor chandelier, fine iron wire anthracite
Hanging lamp, fine iron wire anthracite
shade (see page 240)
and glass drops, 13 lights
with glass drops, 21 lights
Dia. 50 x 236 cm
Dia. 95 x 300 cm
Dia. 110 x 200 cm
155
metal casting
156
157
cravt original
metal casting
Moulding, casting, brushing
158
159
metal casting
cravt original
Metal casting is the result of a molecular process full
of contradictions. Created by one of the strongest
and most destructive elements on earth: fire. Melting
and mixing copper, brass and lead by the use of the
disastrous force of fire, allows our craftsmen to mould
incredible shapes and forms: decorative jewels.
Metal casting is an ancient craft that origins around
approximately 3600 BC. At least that’s the age of the
oldest casting in existence, found in Mesopotamia.
In a nutshell, the process of casting begins with the
preparation of a mixture of pure beeswax, resin from
a tree and groundnut oil. Using a spatula, knife and
scarper, this substance is fashioned into the pattern.
The surface of this model is coated with layers of various clays to form a completed mould.
An alloy of copper, brass and lead is made. The lead
grants malleability, thus facilitating the chiselling and
engraving of the pattern. Brass is added to the copper to lower the melting point of the alloy and to add
an enduring lustre to the finished product.
This molten alloy is carefully poured into a previously heated mould; once cooled, the mould is broken
and the details of the pattern are engraved. The metal surface is smoothed with fine-grade emery paper
and finally the piece is brushed with polishing sand
and water.
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161
metal casting
cravt original
320321 BLOCK SQUARE SILVER
320322 BLOCK SILVER
320482 FUSED LARGE
320279 FUSED
Table, top pyrite overlay, leg pinched rod shiny and
Table, top pyrite overlay, second layer brown
Table, top mix agate, branch leg antique brass
Table, top black agate, branch leg antique brass
matt polish with antique brass plating
smoke glass, leg pinched rod shiny and matt
plating
plating
40 x 40 x 71 cm
polish with antique brass plating
Dia. 95 x 76 cm
Dia. 55 x 53 cm
69 x 47 x 43 cm
320096 MATHIS BRASS
320084 MARX BRASS
320270 CHIPS DINING
320072 MENNO
Table, top in polished brass, leg in brass relief
Table block, in flat polished brass, sides in bubbles
Table, top brown glass, potato chips leg matt brass
Table, top in flat matt brass, legs in cast brass
Dia. 90 x 73 cm
cast brass
Dia. 95 x 73 cm
gravel and smooth polished brass
60 x 50 x 55 cm
162
Dia. 75 x 60 cm
163
metal casting
164
cravt original
320272+ CHIPS LIGHT LARGE
320275+ CORAL BRASS
Lamp, bark metal chips in antique brass powder
Lamp, coral design in antique brass highlighted
coating with shade (see page 240)
with shade (see page 240)
Dia 30 x 186 cm
Dia 25 x 86 cm
320497 GEKKO COPPER
320291+ CHIPS WHITE MEDIUM
320466+ CORAL STAND WHITE
Wall lamp, gekko copper plating
Lamp, bark metal chips in ivory white powder
Lamp, coral design ivory white powder coating
54 x 20 x 5 cm
coating with shade (see page 240)
with shade (see page 240)
Dia 25 x 104 cm
Dia 25 x 86 cm
165
metal casting
166
cravt original
320296 BREAK A LEG
320460 BREAK A LEG SAND
Side table, top black agate, chicken leg antique
Side table, top sepataria stone, chicken leg
brass with highlights
antique brass with highlights
Dia. 28 x 50 cm
Dia. 28 x 50 cm
320450+ COOP LIGHT
320449 COOP BENTED
Lamp, bented antique brass highlighted,
Candle holder, bented antique brass plating,
chicken leg with shade (see page 240)
chicken leg for 1 candle
Dia. 25 x 92 cm
Dia. 2 x 40 cm
167
metal casting
168
cravt original
320313+ AMATIST LIGHT
320469+ GIRAPH AMATIST
320467+ CORAL HANG
320375+ CORAL WHITE HANG
Lamp, pinched shiny brass with amethyst ball
Lamp, pinched shiny brass with amethyst ball
Wall lamp, coral design antique brass plating
Wall lamp, coral design ivory white powder
with shade (see page 240)
with shade (see page 240)
with shade (see page 240)
coating with shade (see page 240)
Dia. 45 x 190 cm
Dia. 30 x 117 cm
Dia. 25 x 69 cm
Dia. 25 x 69 cm
320470+ ROSE QUARTZ MEDIUM
320468+ ROSE QUARTZ SMALL
320483 COOP STRAIGHT
320448 CANDLE
Lamp, pinched light antique brass with rose
Lamp, pinched light antique brass with rose
Candle holder, antique brass plating, chicken
Candle holder, pinched shiny copper, branch
quartz ball with shade (see page 240)
quartz ball with shade (see page 240)
leg for 1 candle
leg for 12 candles
Dia. 30 x 117 cm
Dia. 25 x 76 cm
Dia. 3 x 65 cm
Dia. 40 x 70 cm
169
metal casting
cravt original
320444 PARTY XL
320445 PARTY L
Vase, top in glass, base pinched matt brass with
Vase, top in glass, base pinched matt brass
amethyst ball
Dia. 7 x 80 cm
Dia. 7 x 110 cm
170
320486 COOP TRAY
320473 OSTRICH
Tray, on stand, top brass plated aluminium, chicken
Candy bowl, half egg antique brass plating outside
leg antique brass highlighted
and high polished inside, duck leg
Dia. 30 x 27 cm
Dia. 18 x 15 cm
320443 PARTY SHINY
320484 PARTY MATT
320489 PLATTER SMALL
320490 PLATTER MEDIUM
Champagne glass, pinched shiny brass with
Champagne glass, pinched matt brass with
Platter, pinched sheet matt brass
Platter, pinched sheet matt brass
amethyst ball
amethyst ball
Dia. 20 x 5 cm
Dia. 30 x 6 cm
Dia. 5 x 40 cm
Dia. 5 x 40 cm
171
metal hammering
172
173
cravt original
metal hammering
Hammering, pinching, cladding
174
175
metal hammering
cravt original
To some the sound of metal being hit sounds meditative. To others it’s an awful noise they can hardly
withstand. What’s for sure is that the art of metal hammering has played a great role in both Indian culture
and history. The Indians have known the art of hammering metals for nearly 5000 years. This craft tradition withstood the ravages of time and numerous
foreign invasions and continues to flourish.
The craft of hammering metals in India revolved
around religious beliefs and needs of patrons, royalty and common people. Foreign and domestic trade
also influenced it. The first blacksmiths were seen as
visionaries who could craft beautifully shaped and
useful objects out of very inflexible materials. Because of their skills and talents for working with metals,
ancient civilizations gave the master workers predominance over those who lacked these skills. The
earliest examples of Indian crafts were found in the
ruins of the Indus Valley Civilization (approximately
3000 to 1700 BC).
Originally metal was derived from meteorites, which
were also considered sacred. For that reason only
special objects were made from it. Later it was discovered that metals could be found below the earth’s
surface.
Traditionally, Indian craftsmen used different kinds
of metal like iron, copper, silver and alloys such as
bronze, bell metal and white metal to produce hammered items. Typical items are pots, pans, utensils,
photo frames, sculptures of deities, mythological figures and animals. In the field of metal work a variety of
styles are seen in different parts of India.
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metal hammering and cladding
320498 ROTATE LARGE
320461 ROTATE SHINY
Bar table, top in black agate, rings leg in light
Bar table, top in black agate, rings leg in shiny
antique brass
brass
Dia. 95 x 110 cm
Dia. 95 x 110 cm
398404 BALOO
320317 BOMBAY
320456 STRAGGLE BLACK
Cabinet, brass polished, hermes orange leafing
Side table, white metal polished sheet cladding
Side table, top black agate, leg hammered
and shelving with mirror
Dia. 70 x 56 cm
bronze textured shiny brass
136 x 95 x 200 cm
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cravt original
Dia. 45 x 60 cm
179
metal hammering and cladding
cravt original
320318 PEACOCK
320277 TAJ MEDIUM
Chair, polished copper cladding
Chair, polished copper cladding
71 x 90 x 113 cm
104 x 62 x 88 cm
320278 TAJ EXTRA LARGE
Sofa, polished copper cladding
215 x 71 x 94 cm
180
181
metal hammering and cladding
cravt original
320069 BARTO LARGE
320056 BARTO MEDIUM
Vase, tall with brass finish
Vase, medium with brass finish
Dia. 60 x 90 cm
Dia. 70 x 70 cm
398414 GRAB
320114 ALBRAN
Bowl, tab37 shell blocks, snakeskin and brass
Bowl, hammered waffle gold wash brass
hammered crazycut
Dia. 14 x 6 cm
398383 MAMMOTH LEG COPPER
Side table, copper plate brushed crazycut and
top in baguio stone
130 x 65 x 92 cm
65 x 58 x 30 cm
398381 MAMMOTH DESK
320119 ALBIN
320117 ALBÉRIC
Cabinet, copper plate brushed crazycut and top
Bowl, hammered pottery matt copper
Bowl, hammered fine line antique brass
in baguio stone
Dia. 12 x 7 cm
Dia. 25 x 14 cm
110 x 62 x 95 cm
182
183
semi precious stone
184
185
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semi precious stone
Raw, cut, polished
186
187
semi precious stone
cravt original
Gemstones have always been desirable objects for
both their energy and beauty. According to some it’s
the gem that connects the chain, referring to silver
or golden necklaces designed around a gorgeous
glistening semi precious stone. No matter your taste,
there’s a stone for everyone.
Semi precious stone, or gemstone, is a cut and polished piece of mineral, which is used to make jewellery or other adornments. Besides jewellery, engraved
stones and hardstone carvings are major luxury art
forms.
Most semi precious stones are hard. Nevertheless
some soft minerals are used in jewellery because of
their lustre or other physical properties that have a
certain aesthetic value. Rarity is another characteristic that lends value to a stone. Grinding wheels and
polishing agents are used to grind, shape and polish
rough stones into the desired smooth dome shape.
Stones, which are transparent, are normally faceted;
a method that shows the optical properties of the
stones interior to its best advantage. Maximizing the
reflected light, which is perceived by the viewer as a
sparkle, does this.
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189
semi precious stone
190
cravt original
320464 STRAGGLE EXTRA LARGE
320457 STRAGGLE GREEN
Table, top black agate, leg hammered
Side table, top green agate, leg hammered
bronze textured shiny brass
bronze textured matt brass
Dia 95. x 76 cm
Dia. 45 x 60 cm
320458 ROTATE DARK
320294 ROTATE BLUE
Side table, top black agate, rings leg in light
Side table, top blue agate with rings leg in shiny
antique brass
brass
Dia. 35 x 70 cm
Dia. 35 x 70 cm
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semi precious stone
cravt original
320429 PRECIOUS COOLER
320426 PRECIOUS TABLE
Wine bottle cooler, rock crystal, leg in brass
Table, top rock crystal, 3 legs brass sheet
sheet
157 x 91 x 45 cm
157 x 81 x 110 cm
192
320430 PRECIOUS ROCK TABLE
320431 PRECIOUS GRAND
Table, top rock crystal, leg in brass sheet
Champagne bowl, rock crystal, leg in brass
157 x 91 x 110 cm
sheet 148 x 92 x 80 cm
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cravt original
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320380 COFFEE GREY
320494 COFFEE RED
Table, top grey agate, leg pinched rod cross
Table, top red agate, leg pinched rod cross matt
shiny brass
and shiny brass plating
Dia. 45 x 55 cm
Dia. 45 x 55 cm
320379 THEE GREEN
320493 THEE BLACK
Table, top green agate, leg pinched rod round
Table, top black agate, leg pinched rod round
shiny brass
matt and shiny brass plating
Dia. 45 x 55 cm
Dia. 45 x 55 cm
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semi precious stone
cravt original
320507 AGATE
320424 PRECIOUS ROCK + 320425 SPIKE
Lamp, agate pencils on aluminium with brass
Decorative centre piece, rock crystal on
plating with shade (see page 240)
aluminium plating. 320425 pillar, gold brass spikes
Dia. 28 x 82 cm
33 x 39 x 52 cm and 40 x 40 x 110 cm
320300 GRAND CRYSTAL
320301 PIERRE PRECIEUSE
320312 PRECIOUS ROCK BOWL
Special large champange bowl, bowl in clear
Bowl, rock crystal
Bowl, top and inside polished rock crystal,
crystal overlay at random, base in wood with
Dia. 57 x 33 cm
outside pencil wild rock crystal
white mother of pearl and brass sheet claddding
Dia. 60 x 25 cm
Dia. 140 x 91 cm
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197
semi precious stone
198
cravt original
320311 PRECIOUS BOX
320310 PRECIOUS RCOK TRAY
320441 PRECIOUS QUARTZ LARGE
320442 PRECIOUS QUARTZ MEDIUM
Box, top pencil rock crystal, inside and outside
Tray, top polished rock crystal, top border and
Bowl, smoke quartz
Bowl, rose quartz
polished rock crystal
sides in pencil rock crystal
39 x 23 x 8 cm
32 x 24 x 9 cm
15 x 15 x 10 cm
20 x 20 x 3 cm
320433 PRECIOUS PLATTER
320437 PRECIOUS PYRAMID
320501 CRYSTAL MEDIUM
320504 QUARTZ RAW MEDIUM
Platter, rock crystal with metal handles
Bowl, rock crystal
Bowl, rock crystal
Bowl, smokey quartz
30 x 18 x 4 cm
38 x 28 x 10 cm
40 x 28 x 9 cm
33 x 16 x 7 cm
320439 PRECIOUS PLATE
320440 PRECIOUS AMETHYST
320505 QUARTZ RAW LARGE
320506 ROSE QUARTZ RAW
Platter, rock crystal
Bowl, amethyst
Bowl, smokey quartz
Bowl, rose quartz
29 x 19 x 3 cm
27 x 16 x 8 cm
38 x 22 x 13 cm
35 x 22 x 11 cm
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petrified wood
200
201
cravt original
petrified wood
Sliced, shaped, polished
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petrified Wood
cravt original
Fossils are incredibly interesting and, in a way, contain lots of information about an era in a certain region. Petrified wood literally witnessed a piece of history. Keeping in mind just that makes it legitimate to say
petrified wood is a material that contains lots of soul.
Petrified wood is pure nature in it’s most ultimate
form: fossilized remains of earthly vegetation. In most
cases it’s millions of years old. Nowadays scientists
are able to significantly speed up the process. Our
products however, are the result of millions of years
of earthly developments.
The process of turning wood into stone is called permineralization. This means that all organic materials
are being replaced by minerals (mostly a silicate, like
quartz) while keeping the original structure of the
wood.
Petrified wood can only come into existence with a
lot of patience. The petrifiction of wood is an underground process in which wood is buried under sediment and is initially preserved due to a lack of oxygen,
which inhibits aerobic decomposition. Groundwater
drips through for a long period of time and deposits
minerals in the plants cells. As the plants lignin (a
complex polymer of aromatic alcohols and an integral
part of the secondary cell walls of plants) and cellulose breakdown, a stone mould forms in it’s place.
Petrified wood is a unique member of the ‘fossil family’. Unlike other types of fossils petrified wood remains a three-dimensional representation of the original. In other words: petrified trees still look like the
original tree. Other fossils are more or less impressions or compressions.
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205
petrified Wood
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cravt original
423148+ BASU NATURAL
423149+ BASU BLACK
423210+ FLORES NATURAL
423211+ FLORES BLACK
Lamp, foot in natural petrified wood polished on
Lamp, foot in black petrified wood polished on
Lamp, foot in rustic block natural petrified wood on
Lamp, foot in rustic block black petrified wood on
stainless steel base with shade (see page 240)
stainless steel base with shade (see page 240)
stainless steel base (see page 240)
black powder coated iron base (see page 240)
30 x 30 x 66 cm
30 x 30 x 66 cm
30 x 30 x 66 cm
30 x 30 x 66 cm
423152+ BANGURAN
423154+ RUPAT
423160+ SEBUKU
423181+ GALANG BLACK
Lamp, foot in natural petrified wood rustic on
Lamp, foot in natural petrified wood rustic on
Lamp, foot in natural petrified wood slice on stainless
Lamp, foot in black petrified wood polished on
stainless steel base with shade (see page 240)
stainless steel base with shade (see page 240)
steel base with shade (see page 240)
stainless steel base with shade (see page 240)
35 x 35 x 88 cm
55 x 18 x 104 cm
55 x 18 x 71 cm
35 x 35 x 86 cm
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petrified Wood
cravt original
320295 LAND
Table, top petrified wood, leg textured matt
and polished brass
150 x 110 x 45 cm
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209
petrified Wood
cravt original
423191 RONDO MIXED MEDIUM
Table round, top in black and white petrified wood
on antique black powder coated iron base
Dia. 60 x 55 cm
423193 JAVA MIXED
Coffee table, top in black and white petrified wood on
antique black powder coated iron base
140 x 140 x 40 cm
423189 STIFF MIXED
Table, top in black and white petrified wood on
antique black powder coated iron base
40 x 40 x 55 cm
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423194 JAVA NATURAL
423200 SOLOR
Coffee table, top in natural petrified wood on
Table, solid top in black assorted petrified wood on
stainless steel base
antique black powder coated iron base
140 x 140 x 40 cm
140 x 65 x 40 cm
211
selenite stone
212
213
cravt original
selenite stone
Excavate, raw, sliced
214
215
selenite stone
cravt original
From respected ancient cultures to modern society it’s believed, and sometimes even proven, that
the moon has great effect on life on earth. Think
about the change from low to high tide for example.
Keeping that in mind it’s not a big surprise that the ancient Greek named Selenite stone after the reflecting
friend, high up in the sky.
Selenite, which means moonstone, is a transparent
crystal (mineral) of which the old Greek believed it
waxed and waned with the moon, like the tide. This
had a lot to do with the moonlight effect from cleavage surfaces. Selenite is a variety of Gypsum that
occurs in transparent crystals or crystalline masses.
There are four crystalline varieties of mineral gypsum
that branch together to form selenite. Selenite is often colourless with a vitreous or pearly lustre. They
are found as pure white, translucent rock, with defined striations.
Before extraction from the mines, selenite is very
warm because the thermal hot water temperature is
approximately 50°C (122°F). Amazingly, once extracted from the mines, it’s very cool to touch and has a
luminescent lunar quality.
Selenite crystals are one of the more powerful healing stones. The vibration of Selenite is very high but
also very calming so it’s excellent for clarity, understanding and concentration, as well as keeping specific areas of a room clear of unwanted energy. It can
also be used to form a protection grid in the home
in order to literally turn your house into a safe place.
Selenite itself doesn’t need to be cleaned.
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217
selenite stone
218
cravt original
890043L+ SELENITE LAMP WHITE
890047L+ SELENITE LAMP WHITE SMALL
Lamp, selenite massive white, black powder coated
Lamp, selenite white, black powder coated frame,
frame, led lighting with shade (see page 240)
led lighting with shade (see page 240)
50 x 50 x 83 cm
30 x 30 x 50 cm
890044L+ SELENITE LAMP NECTAR
909097-DM SELENITE NIGHT LAMP SQUARE
909103-DM SELENITE STANDING LAMP
Lamp, selenite massive nectar, black powder coated
Night lamp, in darkened metal finish
Standing lamp, in darkened metal finish
frame, led lighting with shade (see page 240)
with selenite sticks, 1 light (see page 244)
with selenite sticks, 10 lights (see page 244)
50 x 50 x 75 cm
20 x 20 x 59 cm
Dia. 60 x 190 cm
219
selenite stone
cravt original
909092-DM SELENITE CHANDELIER LARGE
Chandelier, in darkened metal finish with selenite
sticks, 13 lights (see page 244)
Dia 90 x 155
220
909099-DM SELENITE CHANDELIER HIGH
909100-DM SELENITE CHANDELIER RECTANGULAR LARGE
Chandelier, in darkened metal finish with selenite
Chandelier, in darkened metal finish with selenite
sticks, 12 lights (see page 244)
sticks, 5 lights (see page 244)
Dia 100 x 200 cm
160 x 40 x 65 cm
221
glass
222
223
cravt original
glass
Heating, blowing, carving
224
225
glass
cravt original
The art of glass blowing looks as easy as blowing
soap bubbles. Gifted artisans master the principle of
transporting an exact amount of breath through a thin
blowpipe in order to create crystal clear and gracious
works of art. But as always, things aren’t as easy as
they seem. Especially when it comes to the craft of
transforming 1130 °C liquid glass into perfect shapes.
Glassblowing is a glass forming technique that involves inflating molten glass into a bubble, with the aid
of a blowpipe. A person who blows glass is called
a glassblower, glass smith or gaffer. A lamp worker
manipulates glass with the use of a torch on a smaller scale, such as in producing precision laboratory
glassware out of borosilicate glass.
Glassblowing has been practiced for approximately
5500 years, which makes it one of the oldest crafts
we know of. In Mesopotamia archaeologists found
pieces of glass that date back to 3500 BC. The wellknown blowpipe is a Syrian invention. Around the
start of calendar they first succeeded to create a
liquid mass out of sand, chalk and sodium carbonate.
The blowpipe was used to craft the desired shapes.
The Syrians developed the art of glassblowing and
took it to the highest level. Since that time not much
has changed.
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glass
cravt original
320342 RUBBED LARGE
320338 BLUE CREAM
Vase, glass blue cream
Vase, glass blue and cream with stone
Dia. 24 x 24 cm
cut
Dia. 16 x 46 cm
320361 STRIPED SMALL
320337 BLUE STRIPED
Vase, glass blue and smoke rib design
Vase, glass blue and smoke with stripe
Dia. 15 x 24 cm
cut
Dia. 25 x 38 cm
228
320341 TRANSLUCENT LIGHT
320340 TRANSLUCENT
Vase, glass oval translucent grey
Vase, glass oval translucent grey
28 x 12 x 22 cm
19 x 10 x 43 cm
229
glass
230
cravt original
320345 CRAFTY LARGE
320373 MILKY MEDIUM
Vase, glass clear white
Vase, glass milky white matt
Dia. 15 x 30 cm
Dia. 20 x 44 cm
320349 CRAFTY SLIM MEDIUM
320366 SAND BLAST SMALL
Vase, glass clear white
Vase, glass hexagonal milky white
Dia. 10 x 46 cm
Dia. 15 x 26 cm
550010 PELLUCID
550011 SEE THROUGH
Vase, glass oval bottle
Vase, glass edge
18 x 5 x 33 cm
Dia. 11 x 30 cm
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glass
cravt original
320325 CREAM LARGE
320328 TORPEDO SMALL
320360 DENT SMALL
320351 SLYLY LARGE
Vase, glass brown and cream
Vase, glass amber and cream with
Vase, glass dented brown two ply finish
Vase, glass black with grey rings
Dia. 17 x 37 cm
stone cut
Dia. 18 x 43 cm
Dia. 18 x 36 cm
Dia. 20 x 32 cm
320364 HONEYCOMB SMALL
320479 RUBY MEDIUM
320334 HONEYCOMB BLACK
320353 SLYLY SLIM LARGE
Vase, glass red and cream
Vase, glass red
Vase, glass clear black
Vase, glass black and grey
Dia. 17 x 23 cm
Dia. 20 x 23 cm
Dia. 13 x 31 cm
Dia. 8 x 39 cm
320330 SMOKE AMBER
320371 CONICAL MEDIUM
320358 GREY CIGAR LARGE
320324 SMOKE STRIPED
Vase, glass amber and cream with
Vase, glass milky grey and white
Vase, glass black and grey rib design
Vase, glass smoke with matt sanddunes cut
stone cut
Dia. 17 x 62 cm
Dia. 14 x 31 cm
Dia. 38 x 53 cm
Dia. 19 x 30 cm
232
233
special materials
234
235
special materials
cravt original
Besides your personal selection within our range of
products, you are of course also searching for ways
to further elaborate and create your signature in an
interior. CRAVT Original claims to be a contemporary
company and subsequently we are open to your
ideas.
Are you aware of the opportunity to influence the appearance of our product? The CRAVT Original team
will be happy to tune into your suggestions in size,
shape and use of materials. By doing so, you can
transform our products into your personal treasures.
However, you can even take this a step further by
using our special materials to design a fully customized interior. Create special wall panels, refined furniture, inlay elements, door fronts, lighting objects or
any other decorative idea you might have.
Working with you on products, design and projects is
an unique oppertunity.
Challenge us!
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samples - finishes
238
239
lampshades
cravt original
CATEGORY Y - OUTSIDE
CATEGORY Z - OUTSIDE
The CRAVT Original lamps are provided including shades.
For pricing please refer to the lamps in the price list. The
lampshades are categorized in 2 price ranges. In total
CRAVT Original provides 28 lampshade options. Please
personalize your lamp by choosing your own preferred
shade.
Category Y and Z are standard not fire retardant but can
be impregnated on your request.
Please contact our sales team for more information.
INSIDE FOR 3, 4, 5, 6, 7 & 8
3C - Vinyl light beige with
inside antique silver
3D - Vinyl light beige with
insde antique gold
3A - Vinyl light beige with
inside silver
3B - Vinyl light beige with
inside gold
A - Silver
4C - Vinyl dark taupe with
insde antique silver
4D - Vinyl dark taupe with
insde antique gold
4A - Vinyl dark taupe with
inside silver
4B - Vinyl dark taupe with
inside gold
B - Gold
5C - Linen metallic light beige
with inside antique silver
5D - Linen metallic light beige
with inside antique gold
5A with
5B with
Linen metallic light beige
inside silver
Linen metallic light beige
inside gold
6C - Linen metallic dark taupe
with inside antique silver
6D - Linen metallic dark taupe
with inside antique gold
6A with
6B with
Linen metallic dark taupe
inside silver
Linen metallic dark taupe
inside gold
7C - Velvet light beige with
inside antique silver
7D - Velvet light beige with
inside antique gold
7A - Velvet light beige with
inside silver
7B - Velvet light beige with
inside gold
8C - Velvet dark grey with
inside antique silver
8D - Velvet dark grey with
inside antique gold
8A - Velvet dark grey with
inside silver
8B - Velvet dark grey with
inside gold
PRICE CATEGORY
Category Z
Category Y
3 - C,D
3 - A,B
4 - C,D
4 - A,B
5 - C,D
5 - A,B
6 - C,D
6 - A,B
7 - C,D
7 - A,B
8 - C,D
8 - A,B
9 - A,B,C,D
OUTSIDE
9A - Linen white basic white
matt
Inside: transparant foil
INSIDE
C - Antique silver
D - Antique gold
240
9B - Linen rose basic white
matt
Inside: transparant foil
9C - Linen grey basic dark
Inside: transparant foil
9D - Linen black basic dark
Inside: transparant foil
241
silverleaf colours
242
cravt original
S2032 Antique silverleaf
S2033 Platinum silverleaf
S2035 Champagne gold silverleaf
S2423 Dark red silverleaf
S2428 Light blue silverleaf
S2430 Dark silverleaf
S2039 Silverleaf
S2225 Light green silverleaf
S2226 Green silverleaf
S2431 Red purple silverleaf
S2433 Pink silverleaf
S2434 Dark grey blue silverleaf
S2228 Medium brown silverleaf
S2417 Turquoise silverleaf
S2419 Dark blue silverleaf
S2435 Dark brown silverleaf
S2436 Copper silverleaf
S2467 Dark grey silverleaf
243
metal finishes - selenite lamps
SS Stainless steel
OM Old messing
244
horn samples - table top
OB Old bronze
WH White powder coated
DM Darkened metal
BL Black powder coated
cravt original
950100-A
950100-B
950100-C
Black and white horn. x cm
Black and white horn, x cm
Black horn, x cm with clear
with soft epoxy layer
with soft epoxy layer
soft layer
950100-D
950100-E
950100-F
Black horn, x cm with soft
Brown horn, x cm with soft
Brown horn, x cm with soft
epoxy layer
epoxy layer
epoxy layer
950100-G
950100-H
White horn, x cm with soft
White horn, x cm with soft
epoxy layer
epoxy layer
245
we give a new future to old crafts
www.cravtoriginal.com
Contact us:
[email protected]
+31 20 7608010
Visit us:
Headquarter & showroom
CRAVT Original
Joop Geesinkweg 901
1114 AB AMSTERDAM
The Netherlands
CRAVT Original showroom by
Akoya Design
Unit 372-373
17 30 La Croisette
Porto Arabia The Pearl
Qatar
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