Live at Shoreline Amphitheatre
Transcription
Live at Shoreline Amphitheatre
Vans Warped Tour ‘11 Live at Shoreline Amphitheatre "We Are Warped" Nate Watts | 07/06/11 | Music, Reviews, Concerts | This past weekend in Mountain View, California, the 17th annual Vans Warped Tour hit its seventh venue of the summer, and brought over sixty bands out to shred the stages. This year’s theme, “We Are Warped” was in full effect, pointing out how the tour is a huge collective effort of so many walks of life, styles of music, and age groups. What started years ago as a DIY punk rock festival, fused with extreme sports like motocross, skateboarding, and BMX shows, now has become more focused on showcasing a huge number of bands from a variety of musical genres, and providing an opportunity for fans to get to meet and hang out with the bands between sets. Not having seen the tour since 2002, I was bummed that the lineups were not the punk acts I used to enjoy like NOFX, Lagwagon, and Bad Religion, and have instead shifted to mostly metal-core and screamo bands. While things are always destined to change, it’s always been a cool opportunity for kids to get out and see all their favorite bands in one venue, at a decent price. Sixty-plus bands, playing half-hour sets on five different stages must be a nightmare to plan. With over nine hours of music, it’s impossible to see everyone you want to. Fourth of July traffic caused me get there just an hour late, but I already missed two of the bands I was especially stoked to see, as Relient K and Go Radio played the first two slots. I caught up with Relient K’s Matt Thiessen backstage, and he explained they never really knew who was going to play at what time, until the day of the show. He’d really had a great time hanging out with and watching all the other bands out there, and was most excited to catch shows from Bad Rabbits and Foxy Shazam. While searching for a map and stage times, I overheard Unwritten Law playing “Teenage Suicide” from their self-titled 1998 disc. Sunburnt, crispy, and just as crazy as the old days, lead singer Scott Russo rallied through his set of crowd favorites like “Up All Night,” “Seein’ Red,” and acoustic “She Says” as UL’s raw punk rock spirit brought up memories of concerts long gone. Nice to see bands like them still holding down the festival (and back after a ten-year absence for inciting a riot in Sydney, Australia!) Checked out a few newer bands like Moving Mountains and Lucero, a talented rockabilly/country punk act, out of Tennessee, while looking for a schedule, and got to the Taggert main stage just in time to see Pepper Dressed in all-yellow Warped Tour Security uniforms, Hawaii’s own rock/reggae natives got the crowd amped up with “Give It Up,” but then mellowed out, for tunes like “Stone Love.” They haven’t done much over the years to further themselves from Sublime comparisons, but the fans didn’t care, and they seem to be doing pretty well for themselves. While waiting for The Expendables on the Tilly’s Stage, we got to see a little of The Dangerous Summer’s set, and their incredible drummer going nuts on his kit. They reminded me a little of a less polished Jimmy Eat World, and their new album War Paint will be in stores July 19th While playing, they mentioned their band name between every song, and it got me thinking that it must be tough to really stand out on a tour like this. With over sixty artists to check out, and kids in the audience dressing crazier than the bands do, it seemed like the acts had to work extra hard just to get noticed. Perhaps that’s why bands like Black Veil Brides were getting so much love, with their KISS-style makeup, and vampire-inspired costumes. The Expendables were the local favorites of the show. Hailing from Santa Cruz, the four guys got things started off on a mellow reggae note, but then got the crowd up on its feet with full-on rock. They started jamming to “Down Down Down” and even the older folks in the crowd and the kids waiting for Dance Gavin Dance were having fun and getting into it. Their dynamic shift between dub reggae grooves and punk rock probably ruined a few people’s highs, but showed a huge musical range, especially on one tune where their harmonic dueling guitars accompanied a double kickdrum metal flair. The mustachioed quartet then ended the set with crowd favorite “Sacrifice.” One of the biggest highlights of the day was Warped Tour vets, Less Than Jake. Having played in Warped shows since 1997, their skapunk totally embodied what I remembered Warped Tour to be. They didn’t mind kicking it old-school with tunes like “Johnny Quest (Thinks We’re Sellouts)” and “Automatic” from 1996’s Lucky Streak, and the crowd was skanking and crowd surfing off the get-go. As the “old guys” on the tour, they were perfectly content to indoctrinate the youngsters into what Warped Tour used to be, by shaving a kid’s head into a mohawk on stage, encouraging chickenfights in the mosh pit, and bashing a few other bands on the tour, saying that these days, “There’s too much Paramore, and not enough Pennywise.” They played their way through “All My Best Friends are Metalheads,” “Sugar In Your Gas Tank,” and “Spongebob Squarepants,” and even passed out rolling papers with a free download of their new EP Greetings From on them. By five o’ clock, a lot of bands started sounding the same, so we took a little nap in the shade on the grassy hill to listen to poppier acts like The Ready Set and Hellogoodbye. Jordan from TRS had the teen girls swooning for his electro-pop-punk act and sounded pretty good on tracks like “Young Forever” and “Love Like Woe.” He also sounded really appreciative to be on the tour, and that people had even heard of him. Hellogoodbye, six lanky dudes in short Bermuda shorts, seemed to embrace their geekiness, and nerded out with their blend of power-pop, all while making fun of themselves and quoting The Simpsons. They played quite a few from their new disc, Would it Kill You? like “Getting Old” and “When We First Met” and I found myself enjoying them much more than I thought I would. Even on their closing number “Here in Your Arms” as Forrest Kline’s falsetto broke and he danced around stage, it was hard not to smile and remember that, yes, I was still at Warped Tour. We caught part of the Aggrolites show from Los Angeles. They seemed to draw a much older crowd and boasted a fun reggae/soul sound. It was more fun though, to watch the guy dancing behind stage in a full traditional dashiki. We sat through the unintelligible, guttural screams of I Set My Friends of Fire, whose only excuse was “I’m not angry, I’m just high” and then Simple Plan closed out the night. I think half the crowd was over at the A Day To Remember show, but the youngsters who stayed to watch SP, were more than happy to avoid the metalcore show, in favor of feelgood poppunk. They were the first band to come on, who truly had an arena rock stage presence, and really embraced the crowd. It was filled with screaming fourteen year old girls, and not very “punk rock,” but they know their audience well, and definitely played a great show with them in mind. Pierre Bouvier and Co. got the crowd up in the air for “Jump,” singing along to “Welcome to My Life,” and Bouvier was out in the audience for at least two songs, as the tweens behind me screamed into my ears. They played a few selections from their new album Get Your Heart On! like “You Suck at Love,” but ended the set with the band’s first single “I’d Do Anything” from 2002. While Warped Tour is definitely not the punkrock/X-games hybrid festival it used to be, punkrock/X-games hybrid festival it used to be, and the crowds seem to be getting much younger (it could be me getting older), it was still a big success and had a great turnout. The tour continues this week through the Midwest, and moves its way back and forth across the country through the middle of August. Check the website at vanswarpedtour.com for dates and bands. Copyright © 2011 Hollywood Jesus. All rights reserved.