Copyright 2010, Michigan Opera Theatre

Transcription

Copyright 2010, Michigan Opera Theatre
Copyright 2010, Michigan Opera Theatre
BALDWIN
THE MOST TALKED
ABOUT PIANO IN
THE WORLD
"Baldwin ... is in itself a magnificently
sensitive and brilliant SS-piece ensemble ... completely satisfying to me both
as Pianist and Conductor."
.. . Leonard Bernstein
The New Baldwin Concert Grand is heralded by artist, audiences and
critics alike as the Piano of the Century ... it is the result of a
constant search for perfection, through 110 years of uninterrupted
piano building, without change of ownership.
"If Beethoven had had a piano like that (Baldwin)
the course of music would have been radically altered."
Robert CommandaY3 San Francisco Chronicle-August 9 3
1966
"The evening was further enhanced by the magnificent tones
of one of the finest concert grands I have ever heard --another of those remarkable new Baldwin instruments."
Harris Goldsmith3 High Fidelity/Musical American-January 1966
"The carrying power was imposing, something for which the
Brahms Second provides a really severe test ... There has
been a significant technological advance in pianos in
decades ... We might all wind up being grateful to Baldwin
for forcing a development."
Michael Steinberg 3 The Boston Sunday Globe-May 8 3 1966
"The~e was another contributing factor, too, the piano itself ...
I cannot remember, in fact, hearing any make of piano with a
better, truer, more musical treble right up to the top ... It 1S
clear that the Baldwin people have taken a big forward step
with this new instrument."
Alan Rich, New York Herald-Tribune-October 28 3 1965
Smiley Brothers",
ii'
DETROIT
5510 Woodward Ave.
,
BIRMINGHAM
1010 N. Woodward (Hunter Blvd.)
DISTRIBUTORS
BALDWIN - BECHSTEIN - YAMAHA
Copyright 2010, Michigan Opera Theatre
PIANOS - ORGANS
Vb. QTUQ(
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OF THE
DETROIT GRAND OPERA ASSOCIATION
The Music Hall Theatre
Detroit, Michigan
September 28 - December 16, 1972
DA VID DiCJIIERA,
ROBERT M. HEUER,
General Director
Managing Director
Detroit has done it again! A beautiful theatre, outstanding singers, and
enthusiastic audiences have ensured that opera theatre is here to stay. Overture to Opera, recently accepted into OPERA American (the organization to
which all major opera companies belong), opens its season for the second
time in an ideal setting - The Music Hall Theatre.
David DiChiera
This season our productions span three centuries of opera, from Mozart
to Menotti. A varied repertoire has been characteristic of Overture to Opera
- last year we presented a rock opera, and Puccini's La Rondine with soprano Nancy Shade. On our drawing boards for the future are ideas for
productions of works by Offenbach, Barber and Verdi. We wiU continue to
present familar as well as less-famous operas, always emphasizing the fact
that opera is, above all, theatre.
As a regional company, our casts consist primarily of the finest professional artists in the Great Lakes
area, as well as outstanding young singers from around the country. New dimensions are added when major
international stars such as Phyllis Curtin perform with us.
Overture will continue with its extensive in-school educational program. New is the Opera in Residence
Program beginning in February, in which Michigan communities will host the Overture Company in their
town for a week of opera experience. The week will include classes, workshops and a full production.
Overture is grateful for the gTant from the National Endowment for the Arts which will enable us to
carry our Tosca to Flint and Kalamazoo. We wish again to extend heartfelt thanks to the many volunteers
whose behind-the-scenes labors have sustained and strengthened us.
Every great city needs a full gamut of cultural offerings. Overture to Opera is proud to provide the
citizens of Southeastern Michigan with a full season of opera, thus joining the theatres, the Detroit
Symphony and the Institute of Arts in offering Detroiters yet another outlet for their multi-faceted
interests. Your generous contributions are making Overture possible, but your enthusiastic reception as an
Copyright 2010, Michigan Opera Theatre
audience gives the company the spiritual support that cannot be measured.
THE OVERTURE TO OPERA COMPANY
BIRMINGHAM
ADMINISTRATIVE STAFF
GALLERY
Inc.
1025 HAYNES, BIRMINGHAM, MICH . 48011
General Director: Dr. David DiChiera
Managing Director: Robert M.Heuer
Public Relations: Cindy Skalsky
Secretary/Receptionist: Diann Wolfe
Company Photographer: Bill Morse
MUSIC STAFF
Music Director: William Byrd
Chorus Master: Dr. Raynold Allvin
Coach/Accompanists: Beverly ·Labuta
Donna Edwards
Harpsichordist: Dr. David Daniels
ARTISTS
CORITA KENT
KEGHAM TAZIAN
CLIFTON McCHESNEY
MICHAEL ROTHENSTEIN
JANET FOLSOM
CAROLYN HALL
MICHAEL MTLLER
J. FRED WOELL
EMIL WEDDIGE
DON CROUCH
ORCHESTRA
The Flint Symphony Orchestra
William C. Byrd, Music Director
CHORUS
Soprano:
Basses:
Jan Albright
Mike · Albrigh t
Nancy Hoover
Ron Bobo
Cindy Jackson
James Dutcher
Joan Wells
George Jahn
Lee Ann Wolf
Tom Murphy
Pat Smith
Steven Olds
Phyllis Snow
John Rahleeh
Carol Weisswasser Albert Shont
Roman Terleckyj
Altos:
Kenneth Young
Rose Burnett
Leta Dockett
Diann Wolfe
Boys Chorus:
Gary Adams
Tenors:
Carl Allvin
Jim Anderson
Bruce Brunsdon
Larry Bellaire
Gary Cobb
Carmen Cavallero Tim Hershberger
William Kaminski Bob Munn
Jim Wells
Tim Thomas
Larry Wolf
Steve Tomlinson
FINE ARTS
GRAPHICS
CUSTOM FRAMING
RESTORATION
PARMENTER
FLOWERS and FLORAL ARRANGEMENTS
TO SATISFY YOUR EVERY NEED
Prompt & Courteous Delivery Service
PRODUCTION STAFF
8:30 A.M. to 5:30 P.M. Doily
Stage Directors:
J. Michael Bloom
Carolyn Lockwood
Hal Youngblood
Designers:
Tom Byrant
George Dusincki
Dayvid Warda
Allen White
178 E. Brown, Opposite City Parking Structure
BIRMINGHAM
Stage Manager:
Linda Connor
Copyright 2010, Michigan Opera Theatre
Tel. Midwest 4-9340
~
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OF
THE
DETROIT GR A ND O PER A A SSOC IATI O N
1972
FALL SEASON COMMITTEES
THE COMMITTEE
Mr.& Mrs. Lynn A. Townsend,
Co-Chairmen
Mr.& Mrs. Avern L. Cohn
Mr.& Mrs. John H. DeCarlo
Dr.& Mrs. David DiChiera
Mr.& Mrs. Aaron H. Gershenson
Mr.& Mrs. Donald Graves
Hon.& Mrs. ~oman S. Gribbs
Mr.& Mrs. John C. Griffin
EX-OFFICIO
Mr.& Mrs. Frank W. Donovan
Mr.& Mrs. Joseph Vance
AFFILIATED INSTITUTIONS
Detroit Institute of Technology
University Center for Adult
Education
Mr.& Mrs. Harry Jones
Hon.& Mrs. Wade H. McCree Jr.
Mr.& Mrs. Harry J. Nederlander
Mr. E. Harwood Rydholm
Mr.& Mrs. Neil Snow
Mr.& Mrs. Richard Strichartz
Mr.& Mrs. Robert C. Vander Kloot
Mr.& Mrs. Sam B. Williams
Mr.& Mrs. Theodore o. Yntema
Mr.& Mrs. Wilber H. Mack
Oakland University
University of Detroit
Wayne State University
SEASON TICKET COMMITTEE
Mrs. Donald Young
Chairman
TEAM
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
CAPTAINS
Harvey Berman
Sigmund Blum
Edward Bush
Abraham Cooper
Paul K. Cousino
Ralph Curtis
Robert Cutler
Robert Dewar
Edward Frohlich
Matthew Garrisi
Eric T. Goullaud
John C. Griffin
Horace Holloway
Robin Hough
OPERA PARTY
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Ms.
Mrs.
Mrs.
Napolean Jones
Gunnar Karlstrom
Jay Benton Lackey
Thomas V. LoCicero
Lorenzo Lorenzetti
Scott McKean
Irving Pasman
Laurence Rattner
Arthur J. Rooks
Ernest J. Shave
Pat Smith
William B. Ten Eyck
Robert C. Vander Kloot
(NIGHT AT THE OPERA Party)
Mrs. Avern L. Cohn and Mrs. Sam B. Williams
Co-Chairmen
A ZANY FUN-FILLED EVENING -- Spectacular Italian buffet -- Fabulous
singing waiters -- Famous celebrities -- Great movies -- Exotic
fun -2010, Michigan
Opera Theatre
OctoberCopyright
16, 1972
$20.00
per person
Latin Quarter
6:30 p.m.
Call 377-2044 for Party reservations
r~QTUQc:1
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SEPTEMBER
~.- -- -- - - - -- - ---OF THE
DETROIT GRAND OPERA
28, 30 &
ASSOCIATION
OCTOBER
6, 7, 1972
NEW PRODUCTION
W,A, MOZART
Cosi 3an 7utte
[Wom en ane Like
Tha~J
OPERA IN TWO ACTS
Libretto by Lorenzo Da Ponte
Translation by Ruth and Thomas Martin
Conductor: William C. Byrd
Stage Director: J.Michael Bloom
Technical Director: George Dusincki
Costumes Designed by Dayvid Warda
Fiordiligi ..•................ Doralene Davis
Dorabella . . . . . . . . . . . . . . . . . . . . Barbara Windham
Guglielmo •....•.............. Charles Roe
Ferrando . . . . . . . . . . . . . . . . . . . . . Richard Conrad
Despina . . . . . . . . . . . . . . . . . . . . . . Roma Riddell
Don Alfo~~o .•................ John Ostendorf
Servants: James Anderson, James Dutcher,
Thomas Murphy, Roman Terlackj
The action takes place in Naples
The management reserves Copyright
the right
to make
any
changes in the
2010, Michigan
Opera
Theatre
above cast in case of unforeseen exigencies.
Richard Conrad, tenor, a sinuer of
ex traordinary gifts has made ~everal
successful tours of Europe and South
Africa. He also has many recordin gs
to his credit, including the award
winning "The Age of Bel Canto "
with Joan Sutherland and \larilyn
Horne.
.'Ilr. Conrad appeared previously with The Overture to Opera
Company in productions of LA RO;\D!;\E and HELP , HELP THE GLOBOLI;\KS.
Doralene Davis, soprano, has toured
extensively as soloist wi th th e Rouer
Wagner CI~oral e and the Robert Sh~w
Chorale throughout South America,
the U.S.S.R., Europe and the Cnited
States. \Jiss Davis has also made solo I
appearances at the \lcadow Brook
Festival and ,vith the Detroit Svmphony Orchestra. She gained ~on­
siderable acclaim for her interpretation of \ladame Eute rpova in The
Overture to Opera Company production of HELP , HELP THE -GLOBO-
U:\KS.
John Ostendorf, bass-baritone, comes
to us from tlle .'Iletropolitan Opera
Studio, and as an up-and-coming
young artist, he is in great demand
around the country. Recent engagements have included performances
with the Houston Grand Opera, the
~ewark Opera and an appearance in
LES TROY AS S at Carnegie Hall.
Roma Riddell, soprano , began her
career at the Toronto Conservatory
of \Iusic and established herself as a
leading artist with the Toronto Symphony, the Toronto Opera Festival
and the C.B .C. Opera Company. Now
a resident of Detroi t, this talented
and beautiful singing actress frequently appears with The Overture to
Opera Company and is also very
active in the Detroit musical scene.
Charles Roe has appeared lvith numerous orciIestras, includin g a performance opposite Beverly Sills with
th e Cleveland Orchestra. In 1966
he ",as named runner-up in the :'IJational Singer of the Year competition
held in \\a shington , D .C. :'olr. Roe
has appeared in many leailin g roles
in opera and mu"ical comedv, incl uding The Overture to Opera Company
productions of LA RO;\DI;\E and
RJTA.
Barbara Windham has appeared in
many productions of both grand and
light opera and musical comedy, with
such groups as the Toledo Opera
Company and the Windsor Light
Ope ra Company. She is .a membe r
of the Kenneth Jewell Chorale and
was seen in the much heralded production of THE PERFECT FOOL.
David Daniels is the harpsichordist for all performances.
PLEASE NOTE: There are a limited number of season tickets available
The full price of single admission tickets for this opera may be
applied on those tickets with an accompanying savings. Please
Copyright 2010, Michigan Opera Theatre
bring your ticket stubs
to the Music Hall Box Office during the
next few days.
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OCTOBER
I~EW
O F TH E DE TR O IT G RA NO O PER A
27, 28 &
NOVEMBER
ASSOC I A T~
2, 4, 1972
PRODUCTION *
GIACOMO PUCCINI
'losca
OPERA IN THREE ACTS
Libretto by Giuseppe Giacosa and Luigi Illica
Tran~lation~y John Gutman
Conductor: Wl'llictm C. Byrd
Stage Director: Carolyn Lockwood
Chorus Master: Raynold Allvin
Sets Designed by George Dusincki
Lights Designed by Allen White
Costumes Designed by Dayvid Warda
Floria Tosca, an opera singer .....•.........•.... Phyllis Curtin
November 2, matinee performance ....•.... Brenda Sin~a
Mario Cavaradossi, a
pa~ter
•......•....•........ Charles Hindsley
Baron Scarpia, the chief of the Roman police
October 27 and 28 ..........•.........•.. Micheal Ingham
November 2 and 4 . . . . . . . . . . . . . . . . . . . . . . . . Ronald Holgate
Cesare Angelotti, an underground fighter •........ Charles Roe
A Saclistan . . . . . . • . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Davis Gloff
Spoletta, a police agent . . . . . . . . . . . . . . . . . . . . . . . . . Joseph Ryan
Sciarrone, Scarpials orderly •...........•.•...... Kenneth Young
A Jailer ...........•......•.•.................... Thomas Murphy
A Shepherd Boy . . . . . . • . . . . . . . . . . . . . . . . • . . . . . . . . . . . Gail White
Act I - The Church of Santi Andrea Della Valle
Act II - Palazzo Farnese
Act III - Castel Santi Angelo
*
This production of Tos ca is supported by a grant from the
National Endowment for the Arts in Washington, D.C., a
Federal Agency.
Copyright 2010, Michigan Opera Theatre
The management reserves
the right to make any changes in the
above cast in case of unforeseen exigencies.
Phyllis Curtin, world renown ed soprano, heads the list of artists starring
as the beautiful and tragic Tosca.
Her following is as numerous as
her list of accomplishments, tours,
and superlatives preceeding her name.
"Her voice is extraordinary , she is
beautiful, and her repertoire is fantastic." London Vogue "Curtin's
voice is a miracle. This was more
than singing :
this was creating."
Holland, Amsterdam Handelsblad
Charles Hindslev, who will star in
the role of Ca~aradossi is a young
American tenor whose performances
with numerous op era companies have
crarnered him such critical acclaim
~s "He has a clear lyric tenor that
carries well and his high notes have
quitea touch of body and brilliance."
Max Schaunsee, Philadelphia Evening
Bulletin. For the New York City
Opera he has sung lead tenor roles
in LA TRAVIATA, THE LOVE FOR
THREE ORI\J\'GES, LA BOHEME
as weJl as the world premiere of
Giannini's THE SERVA1'lT OF TWO
f\-1ASTERS. He recently starred as
Rhadames opposite Martina Arroyo
in the Meadow Brook Festival's production of AIDA.
Ronald Hol ga te is a rarity of a performer.
He is not only a trained
operatic and concert baritone , but
also an accomplished actor who won
the much coveted Tony award for his
rol e in " 1776." After his appearance here in Detroit last spring,
Collins George of the Detroit Free
Press had this to say of "dr. Holgate:
" With that voice, good looks of a
movie character and great stage presence, Holgate 's name will be known
from now on!"
Alternating with :\lr. Holgate in the
role of Scarpia, is Michael Ingham',
a young 'baritone , fast rising on the
operatic scene.
A product of the
Indiana University Opera where he
sang many leading roles, he also
appeared for two seasons with the
Central City Opera.
Critics have
lauded him for his passionate, intense
in terpreta tions.
fine apparel for Warnel?
102 pierce street
birmingham
642-3064
Copyright 2010, Michigan Opera Theatre
\
/
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COr-......-1 F='ANV
DECEMBER
OF
- - -- --
_____
THE D E TROIT GRAND OPERA ASSOCIATION
7, 9, 15, 16, 1972
NEW PRODUCTION
GIAN-CARLO MENOTTI
'lhe'Telephone
OPERA BUFFA IN ONE ACT
Conductor: William C. Byrd
Stage Director: Hal Youngblood
Sets Designed by George Dusincki
Lucy . . . . . . . . . . . . . . . . . . . . . . . . . Onita Sanders
Ben . . . . . . . . . . . . . . . . . . . . . . . . . . Charles Roe
The scene is Lucy's apartment
&
'lhe~edium
OPERA IN TWO ACTS
Conductor: William C. Byrd
Stage Director: (to be announced)
Set~ Designed by Thomas A. Aston
Madame Flora (Baba) .......... Muriel Greenspon
Monica . . . . . . . . . . . . . . . . . . . . . . . Nancy Hoover
Toby . . . . . . . . . . . . . . . . . . . . . . . . . (to be announced)
Mrs. Gobineau . . . . . . . . . . . . . . . .Phyllis Gaide
Mr. Gobineau ..........•...... Kenneth Young
Mrs. Nolan . . . . . . . . . . . . . . • . . . . Suzanne La Croix
Act I - A squalid room in a flat
Act II - The same
By arrangement with G. Schirmer, Inc.
Copyright 2010, Michigan Opera Theatre
The management reserves the right to make any changes in the
above cast in case of unforeseen exigencies.
Miss Greenspon returns this year to
do the title role she first performed
here in 1967. At that time Collins
George of The Detroit Free Press commented:
"To watch her build the tension carefully from the humdrum opening to the almost unbearably taut
climax was fascinating. Miss Greenspon has been and will remain a
great gift to the musical theatre."
Subsequently, Miss Greenspon was
chosen by Menotti himself to create
the role for the famed Festival of
Two Worlds in Spoleto, Italy. Critical acclaim was so overwhelming
that Miss Greenspon was asked to
return the following season for an
unprecedented repeat production.
Miss Greenspon, a native Detroiter,
is considered the world's leading
interpreter of the role.
Nancy Hoover received he B.M.
degree in voice at W. Virginia
University.
She did her postgraduate study, majoring in lieder
and opera at Mozarteum Academy,
Salzburg, Austria. She has had
private study with Ludwig Bergman,
Marian Manderen, and Marjorie
Gordon.
Her experience before coming to
Detroit includes summer stock in
New Hampshire and Pennsylvania,
and operatic roles in Austria.
Previous Overture to Opera performances include Th e Por t ug uese
Inn~ and Monica in the 1968 production of Th e Medium.
Onita Jackie Sanders, lyric Soprano, gained considerable experience in doing leading roles
with the Celeste Cole Opera
Theatre. She has performed for
the last two seasons with the
Detroit Symphony in their "Summer Music Theatre" Series. Her
Overture to Opera debut as Lisette
in L a Rondine garnered her rave
review.
WOULD YOU Ll KE TO BE ON THE OPERA MAl Ll f~G Ll ST ?
If you are not now on
our 2010,
mailing
would like to be,
Copyright
Michiganlist
Opera and
Theatre
p lease call 377-2044 or write to OPERA, 383 Varner Hall,
Oa kland University, Rochester, Michigan 48063.
SNOW / NUYEN / KURTZ
COMPLIMENTS
& CO.
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OF
INC.
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COMPANY
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engineering and manufacturing
Compliments of a
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Michigan 48208
Copyright 2010, Michigan Opera Theatre
~n
Cast Biographies (continued)
Musical scholarship and award winner Phyllis Gaide is a
talented soprano who has appeared in Overture to Opera
productions of Menotti's The Medium and The Consul.
A student of Avery Crew, she has also studied at the
1965 Meadow Brook School of Music at the Opera
Workshop directed by Dr. David DiChiera. Miss Gaide
has made numerous appearances as soloist with Detroit
musical organizations.
******
Davis Gloff is a young Detroit baritone who has embarked upon a most promising and professional career in
opera. A student of Avery Crew, his recent credits include performances with the Detroit Symphony Orchestra and the role of Tonio in Pagliacci for Delta College. He debuted with Overture Fiorello in the 1970
production of The Barber of Sem"lle; and last year won
critical praise as the Wizard in Overture's premiere production of Holst's The Perfect Fool.
******
Accomplished singer and actress Suzanne LaCroix has
studied at Wayne State University and in New York. She
is well known to Detroit audiences for her numerous
appearances in productions at the Bonstelle Theatre and
in nightclubs in the metropolitan area. She toured with
the Overture to Opera Company as the lead in The Medium and appeared in the Company's productions of Jl
Campanella and Der Jasager.
******
Lyric spinto soprano Brenda Sinka has appeared with
Indiana University Opera theatre and was a leading artist
with the Rendsburg Opera in Germany and the Goldovsky Grand Opera Theater. She has made guest appearances with symphony orchestras in Chicago, Cleveland,
and Dusseldorf. Most recently she won plaudits for performances in the title role of La Traviata, in Grand Rapids.
******
Kenneth Young is a lyric baritone who holds a masters
degree in voice fromlndiana University. He was an apprentice artist with the Santa Fe Opera Company and
has appeared as soloist with the Detroit Symphony. His
previous Overture to Opera performances included roles
in The Portuguese Inn, LaBoheme, and Help, Help, the
Clobolinks.
Costumes Executed By: Mary M. Boone; Wigs and Hairstyles by Dayvid B. Warda; Beading by James Beaudoin:
Custom Millinery by Mary-Magda Boone; Artwork by
Stephen C. Foster.
Technicians: Timothy Alberts, Sue Adler, James Beaudoin, Kathy Grabruck, Karen McKean, Kelly O'Neil,
Phyllis Snow.
Special Thanks To: Richard Bunn, Mrs. Funk, Mrs.
White, Emma Vandenheede, Richard Foster, Johnston
Optical Company
Set Crew: Jim Adams, Dwight
Baldwin,
Copyright
2010, William
Michigan Opera Theatre
McAdam, Steve Thomas
FRIENDS OF OVERTURE
(QTUQ(
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~~
OF THE
(CONTRIBUTORS FOR THE
________________~
OETROIT GRANO OPERA ASSOCIATION
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Dr.
Mrs. E. Bryce Alpern
Mr.
Mrs. Gordon E. Areen
Mr.
Mrs. J. Merriam Barnes
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Mr. &: Mrs. Charles T. Fisher, III
Mr. &: Mrs. Harold A. Fitzgerald
Ford Motor Company
Mr. Phillip Fox
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General Motors Corporation
Mr. &: Mrs. Aaron H. Gershenson
Mr. &: Mrs. L. C. Goad
Mr. &: Mrs. Stephen L. Goodale, Jr.
Mr. &: Mrs. Alan . Gornick
Mr. &: Mrs. H. James G~am
Mr. &: Mrs. Donald Graves
Mr. &: Mrs. John Griffin
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Mr. &: Mrs. W. D. Hanway
Mr. &: Mrs. David Hill
Mr. &: Mrs. Henry C. Johnson
l'lr • .
&:
&:
&:
&:
&:
&:
&:
1971
FALL SEASON)
)
Mr. &: Mrs. Ernest A. Jones
Mr. &: Mrs. Harry L. Jones
Mr. &: Mrs. Semon E. Knudsen
Selma Korn
Dr. &: Mrs. James Labes
Mr. &: Mrs. Mark D. Littler
Mr. &: Mrs. Thomas LoCicero
Mr. &: Mrs. Alan Loofburrow
Mr. &: Mrs. Denver McCord
Mr. &: Mrs. Ralph T. McElvenny
Mr. &: Mrs. Paul McKenny
M &: M Distribution Company
Mr. &: Mrs. Wilbur H. Mack
Mr. &: Mrs. Gerald Manko
Mr. &: Mrs. F. W. Misch
Judge &: Mrs. Arthur Moore
Mott Foundation
Mr. &: Mrs. Harry J. Nederlander
Mr. &: Mrs. John S. Pingel
Mr. &: Mrs. David Pollack
Mr. &: Mrs. John J. Riccardo
Mrs. Hans Rogind
Mrs. George Roumell
Mr. &: Mrs. Ross Roy
Mr. Harwood Rydholm
Dr. &: Mrs. Herman Scarney
Mr. &: Mrs. Robert B. Semple
Mr. &: Mrs. Joseph Seregeny
Mr. &: Mrs. Joseph Shaheen
Mr. &: Mrs. Gerald R. Slattery
Mr. &: Mrs. Neil Snow
Mr. &: Mrs. Sidney R. Solomon
Mrs. Gould Teachout
Mr. &: Mrs. Lynn A. Townsend
Mr. &: Mrs. Macon C. Trabue, Jr.
Mr. &: Mrs. Emmett E. Tracy
Dr. &: Mrs. Arthur Turner
Mr. &: Mrs .. Joseph A. Vance, Jr.
Mr. &: Mrs. Robert C. VanderKloot
Mr. &: Mrs. H. C. VanWormer
Mr. &: Mrs. Harold G. Warner
Miss Katherine E. Wasserfallen
Mr. &: Mrs. Jervis Webb
Mr. &: Mrs. Edward G. Wellock
Mr. &: Mrs. Warren Wilkinson
The Hon. &: Mrs. G. Mennan Williams
Mr. &: Mrs. R. Jamison Williams
Mr. &: Mrs. Sam B. Williams
Mr. &: Mrs. John Wilson
Mr. &: Mrs. Isadore Winkelman
Mr. &: Mrs. Theodore Yntema
The Overture to Opera Company is not self-supporting, and is therefore dependent upon personal and financial support.
Contributions,
which are tax deductible, amy be made by check, payable to Detroit
Copyright 2010,
Opera
Grand Opera Ass'n. - Overture,
andMichigan
mailed
toTheatre
Opera Fund, 383 Varner
Hall, Oakland University, Rochester, Michigan 48063.
It is better to invent reaZity
than to copy it.
Giuseppe Verdi
courtesy of
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338-6181
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Copyright 2010, Michigan Opera Theatre