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Transcription

ISSUE 202 | MARCH 2010 | WWW.IMPACTNOTTINGHAM.COM
EVICTED
WHERE’S DAVINA WHEN YOU NEED HER?
PASSPORT
CONTROL
IS THE UK CITIZENSHIP TEST FIT
FOR PURPOSE? WE GIVE IT A TRY
SPIKED FOR
£1600
A HELL OF A NIGHT OUT FOR
ONE NOTTINGHAM STUDENT
EDITORIAL
I
t’s the time of year when
people begin to think about
changes - whether it’s
changes to our career or changes
in our social circumstances we all
need to re-assess our goals and
focus our efforts on what really
matters.
In this stead, I was pleased to
hear that our Students’ Union are
beginning their ‘big review’ of how
they operate. Like it or not, around
£50 per year of our student fees go
into the SU and it’s arguable as to
how many of our 36,000 students
benefit regularly. Impact, for example,
is funded by the Union to the tune
of thousands and we reach many
students both online and in-print,
but how many of our loyal readers
are aware of the other opportunities
within the Union?
Is it just a few thousand ‘keen beans’
that actually care about the student
voice, or is there a more endemic
problem? The SU’s ‘Big Review’ is
your chance to change the Union for
the better. Whether that’s making
individuals more accountable,
increasing cross-campus spending or
reviewing services, it’s time to stop
our widespread apathy and actually
get off our backsides. Honestly, I
haven’t taken a back-hander from
union mandarins to mention this, but
you could win yourselves some cash
just for taking part.
That aside, let’s get on with the issue
in hand. You’re currently holding an
80-page bonanza of student news
and views, sufficiently large enough
to keep you entertained on the
toilet for twice as long. If you think
your landlord is dodgy, turn to page
16 for some peace of mind. Impact
has also been busy showcasing the
plushest pads in Nottingham; prepare
yourselves for a whistle-stop tour of
student luxury. For those of us who
are feeling lonely, we may have a
solution for you on page 28.
In the sections this month, pay
particular attention to Film’s guide
to winning an Oscar and Music’s
nostalgic 80s decade profile, you’d
be silly to miss out on a bit of The
Bugles.
5 NEWS & COMMENT
Lenton hopper bus abandoned
Safe as H.O.U.S.Es
In Comment: Mandy on Campus
16 EVICTED
The good, bad and the ugly of
student landlords in Nottingham
19 PASSPORT CONTROL
The UK Citizenship test- a legitimate
examination or a farce?
Editor-in-Chief
James Sanderson
Design Editor
Charles Walker
Web Editor
Philip Morton
Editor
Lucy Hayes
Associate Design
Editors
Andrew Speer
Zehai Peng
Associate Web Editor
Steph Hartley
Image Editors
Bruno Albutt
Clarita Floyd-Sanchez
Caroline Wijnbladh
PR and Distribution
Manager
Martha McNaughton
20 THE RISE AND RISE
Sports Editors
Thomas Allnutt
Jean-Luc Bragard
Max McLaren
Travel Editors
Alex Kasozi
Chloe Painter
02
21 GETTING THE SCOOP
Impact’s Anne Moore talks to the
associate editor of The Times
newspaper
22 IN THE RED
Alex Freide gives his judgement
on our mountain of public debt.
Can you feel the envy?
26 SELF DEFENCE
A call to arms or a white flag?
28 SHE KNOWS HOW
RealDolls - Everything you’d want
in a woman, bar the pulse
30 SHY BLADDERS
When you just can’t push it out
32 MY £1600 NIGHT
OUT
One unfortunate student recounts
the consequences of drink spiking
REGULARS
34 SPARE PARTS
61 TRAVEL
37 STUDENTS’ UNION
66 FILM
Vent your spleen: The Little People
Impact’s guide to funding your PhD
PUBLICITY
Cuba: A changing society
Splurge in Stockholm
Cinema from around the world
Why Avatar is 2009’s ‘Best Picture’
71 NIGHTS
39 EXPOSURE
The best of Notts student photography
Music Editors
Angus Drummond
Chris Jones
43 STYLE
Arts Editors
Victoria Carter
Anne Moore
Nights Editors
Nina Sorensen
Katie Cook
Sam Tully
50 MUSIC
Science and
Technology Editors
Ben Griffin
Aarohi Sharma
City Siren
The death of an icon
THE RISE OF
MEPHEDRONE.
PAGE 20
!"#$%&'(&)*+,-#.&/%0#1.
ISSUE 202
SANCTUARIES
A profile of the trending drug,
Mephedrone
Style Editors
Paul Barlow
Grace Gordon
Film Editors
Hannah Coleman
Joe Cunningham
24 STUDENT
OF MKAT
SECTION EDITORS
News Editors
Dave Jackson
Ben McCabe
Justine Moat
You cheating b*****d
Tales from across the pond
A look into racism in sport
YOU LIKE IT
James
WEB
12 SPORT
FEATURES
Signing off,
DESIGN
Associate Editors
Sophia Levine
Hattie Hamilton
Libby Galvin
2 EDITORIAL
Winner of the Sanderson literary
prize this issue is Mr Stephen Lovejoy
for writing his fingers to the bone,
and even managing to be interviewed
by the News section.
EDITORIAL
Managing Editor
Scott Perkins
202
CONTENTS
Decade profile: 80s
NME live review
56 ARTS
Impact Arts competition
Art to die for
High Jinx at High Spirits
Life behind bars
75 SCIENCE
On our obsession with caffeine
iMust have one
78 GRATIS
Win Beach Break Live Tickets
Mad but True
79 FAMOUS LAST
WORDS
Britain’s Got Talent winner,
George Sampson
MARCH 2010
03
LETTERS TO THE MAGAZINE
‘HALLWARD HITLERS’
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04
ISSUE 202
IMPACTNOTTINGHAM.COM/NEWS
‘BEING THE BIGGER MAN: HAVE
WE GOT THE BALLS FOR IT?’
‘CAREER WOMEN MAKE BAD MOTHERS’
=)"-#a//1(
NEWS
BUDGET CUTS TO CHANGE LANDSCAPE
OF HIGHER EDUCATION
LOUIS HEMSLEY
T
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MARCH 2010
05
CH-CH-CH-CHCH-CHANGES
LOWRI MORGAN
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SAFE AS H.O.U.S.Es
DANIEL GADHER
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MARCH 2010
07
SYRIAN
AMBASSADOR
VISITS NOTTS
CAMPUS
DANIEL GADHER
S
‘DONATION NOT
DISCRIMINATION’
COMMENT
IMAGE BY MATT BUCK
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T)+41$#3"$1('0#S1$*+-#H(nn+A
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4(#7(3$)14(7#+3#+&#1&')1,%1&,#2()32($'1D(#"&#
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$%/'%)(#1&#'*(#-"7()&#.")/78#+),%1&,#1&#5+D"%)#"5#
N0)1+F3#1&`%(&$(#"&#4"'*#T)+41$#+&7#[%)"2(+&#
$%/'%)(3A#P17#'*(#2)+$'1$(#"5#(-2/"01&,#+'')+$'1D(#
.+1')(33(3#1&#$+5q3#")1,1&+'(#1&#N0)1+m#!"#$%&&
13&F'#3"#3%)(l
DESCRIBING FUNDAMENTAL
EXTREMISTS AS “LUNATICS”
WITH “DISTURBED MINDS”,
THE AMBASSADOR ALSO
RESERVED CRITICISM
FOR THE GEORGE W. BUSH
ADMINISTRATION
E"D1&,#"&#5)"-#'*13#*(#.(&'#"&#'"#+77)(33#-")(#
85.-%"65*#*(&657+-+8#7&+,,4%,&+.8749+.$&!,*#%7<&
3+$37+$3-+.$&-3%&-15&,+9%,&5:&-3+,&6#*-+847#*&"+997%&
(+3'()&#$"&`1$'>#"&#"&(#317(8#93)+(/8#+&7#"&#'*(#
"'*()8#'*(#)(3'#"5#'*(#E177/(#[+3'A#P(3$)141&,#
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?713'%)4(7#-1&73C8#'*(#+-4+33+7")#+/3"#)(3()D(7#
$)1'1$13-#5")#'*(#X("),(#<A#B%3*#+7-1&13')+'1"&A#
i*10+-1#*+7#$)1'1$13(7#'*(#h&1'(7#N'+'(3#+&7#
93)+(/#7%)1&,#'*(#]\\K#93)+(/1#1&D+31"&#"5#W(4+&"&8#
+),%1&,#'*+'#?!*(0#.+&'#+#&(.#E177/(#[+3'8#
*".(D()#&"'#+#E177/(#[+3'#"5#7(-"$)+$0#+&7#
2(+$(r4%'#+#E177/(#[+3'#"5#D1"/(&$(AC
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4.9%*,-#.9+.$&5:&-3%&84**%.-&2(*+#.&,+-4#-+5.<&
+3#.(//#+3#,(''1&,#+&"'*()#2()32($'1D(#"&#'*(#
1-2")'+&'#133%(#"5#E177/(#[+3'()&#2"/1'1$3A#<*1/(#
-3%&#"'#,,#95*&1#,&.5-&%.-+*%7(&56-+"+,-+8&
:5*&-3%&:4-4*%&5:&-3%&*%$+5.<&3%&:54.9&,5"%&
*"2(#1&#'*(#?,""7#1&'(&'1"&3C#"5#'*(#a4+-+#
+7-1&13')+'1"&A
08
ISSUE 202
b+&717+'(3#5")#N'%7(&'3F#h&1"&#g)(317(&'#/1&(#%2#+*(+7#"5#b+&717+'(#p%(3'1"&#!1-(
9-+,(#40#E+''#!%)&()
THE END OF TRADITIONAL
CAMPAIGNING?
DAVE JACKSON
T
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5:&:5*-(&6%567%&,+--+.$&+.&)3%&
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$+&717+'(#;%(3'1"&#'1-(8#4%'#'*(#)(+/#
+$'1"&#.+3#*+22(&1&,#1&#$04()32+$(A#
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7+"+-%9&#"54.-&5:&64'7+8+-(<&-3%&83#-*55"&
.+3&F'#&($(33+)1/0#(+30#'"#:&78#4%'#1'#
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'*1)'0#71(O*+)7#1&71D17%+/3#.*"#+36(7#
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b"%&$1/#+''(&7+&$(3#+)(#&"'")1"%3/0#1//O
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$+3%+/#32($'+'")#717&F'#&((7#g"1)"'F3#
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2("2/(#&"'#+'#'*(#(D(&'#'"#;%(3'1"&#
+&7#$"--(&'A#T#5")%-#.+3#(D(&#3('#
%2#'"#;%(3'1"&#$+&717+'(38#+/'*"%,*#1'#
&(D()#'""6#"55A#S".(D()8#'*(#(-2*+313#
:5*&-3%&:4-4*%&"4,-&'%&5.&%"'*#8+.$&
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3+&1'131&,#1'A#<*('*()#1'#13#+#7(4+'(#
7%)1&,#'*(#(/($'1"&38#+&#Nh#b"%&$1/#
-(('1&,#")#+&#[@($#p%(3'1"&#!1-(8#'*(#
Nh#$+&F'#+55")7#'"#')0#+&7#)(3')1$'#.*+'#
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7+--7%&#.#*83(&+,&-3%&5.7(&1#(&-5&;%%6&
6%567%&+.-%*%,-%9&#.9&+:&(54&1#.-&#&7+--7%&
+&+)$*08#'*(#1&'()&('#13#'*(#2/+$(#'"#:&7#
1'A
MARCH 2010
09
9-+,(#40#T&7)(.#S+//3.")'*
REASSURANCE NEEDED FROM
MANDELSON ON FEES
DANIEL COWLING
T
*(#h&1D()31'0#"5#U"''1&,*+-F3#
@5*9&?%#*+.$&85.:%*%.8%&1#,&
95"+.#-%9&'(&-3%&#66%#*#.8%&
"5#W")7#E+&7(/3"&#+&7#*13#+''(-2'3#'"#
04,-+:(&-3%&*%8%.-7(&#..54.8%9&'49$%-&
$%'3#'"#*1,*()#(7%$+'1"&A#!*(#$%'3#*+D(#
'%%.&85.9%".%9&'(&,-49%.-&4.+5.,&
#.9&#8#9%"+8&9%6#*-"%.-,&#8*5,,&-3%&
$"%&')0A#!*(3(#,)"%23#*+D(#(@2)(33(7#
5(+)3#'*+'#4"'*#%&1D()31'0#3'%7(&'3#
+&7#'*(#;%+/1'0#"5#)(3(+)$*#.1//#3%55()#
5)"-#'*(#,"D()&-(&'F3#+''(-2'3#'"#$%'#
(@2(&71'%)(#+$)"33#'*(#4"+)7A
W")7#E+&7(/3"&#32"6(#"5#*".#'*(3(#
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)(,)(''+4/(#$"3'#"5#*+D1&,#'"#3+D(#'*(#
'#.;+.$&,%8-5*&=&#.&4.9%*,-#.9#'7%&+:&
3"-(.*+'#$"&')"D()31+/#G%3'1:$+'1"&A#S(#
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"22")'%&1'0#5")#%&1D()31'1(3#'"#+$$(33#
:4.9+.$&:*5"&9+::%*%.-&,54*8%,<&,483&
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4.9%*$*#94#-%&9%$*%%<&,483&#,&-15=
0(+)#1&'(&31D(#7(,)((38#2+)'O'1-(#3'%70#
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#.9&+"65*-#.-&,-%6,&:5*&-3%&:4-4*%&5:&
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S".(D()8#W")7#E+&7(/3"&#5+1/(7#'"#
-#8;7%&,5"%&"#05*&6*5'7%",&-3#-&
-3%,%&,6%.9+.$&84-,&6*%,%.-<&:#+7+.$&-5&
#8;.517%9$%&-3%&9#"#$+.$&+"6#8-&-3%(&
$"%/7#*+D(#%2"&#3'%7(&'38#($"&"-1$+//0#
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+D+1/+4/(8#1&(@2()1(&$(7#+&7#%&7()O
;%+/1:(7#'(+$*1&,#3'+55#-+0#.(//#4($"-(#
"5*%&85""5.67#8%&-5&-3%&9%-*+"%.-&
5:&-3%&,-49%.-<&13+7%&#-&-3%&,#"%&-+"%&
10
ISSUE 202
:&+&$(3#'".+)73#(7%$+'1"&+/#)(3"%)$(3#
+&7#'*(#3'%7(&'#(@2()1(&$(#-+0#4(#$%'A#
9'#13#(D(&#2"3314/(#'*+'#3'%7(&'#:&+&$(#
#7751#.8%,&1+77&'%&*%948%9&+.&#.&#--%"6-&
'"#$%'#$"3'38#3"-('*1&,#+7D"$+'(7#40#+#
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$/+1-(7#B)1'+1&F3#3'%7(&'#5%&71&,#.+3#
+-"&,3'#'*(#-"3'#,(&()"%3#1&#[%)"2(A
)3+,&+,&4.954'-%97(&#&-+"%&5:&4.8%*-#+.-(&
5")#3'%7(&'3#+&7#B)1'+1&F3#%&1D()31'0#
303'(-A#N2(&71&,#$%'3#+)(#1&(D1'+4/(#
+$)"33#+//#,"D()&-(&'O5%&7(7#
#*%#,<&,5"%-3+.$&"5,-&,-49%.-,&#.9&
+$+7(-1$3#.1//#+$$(2'A#S".(D()8#
'*(#,"D()&-(&'#-%3'#)(-(-4()#'*(#
1-2")'+&$(#"5#(7%$+'1"&#5")#B)1'+1&F3#
h&1D()31'0#'%1'1"&#5((38#$%))(&'/0#%&7()#
,"D()&-(&'+/#)(D1(.8#*+D(#4((&#'"%'(7#
#,&5.%&1#(&-5&#88%,,&$*%#-%*&,54*8%,&5:&
&"&O3'+'(#5%&71&,A#N2($%/+'1"&#"5#5((3#
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7(,)((3A
LORD MANDELSON
FAILED TO TACKLE
SOME MAJOR
PROBLEMS THAT
THESE SPENDING CUTS
PRESENT
)3+,&15479&#7,5&'%&#&:4*-3%*&,%-'#8;&-5&
W+4"%)3#2/+&3#'"#*+D(#_\^#"5#0"%&,#
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'+),('#7%(#'"#'*(#5)((n(#1&#%&1D()31'0#
67#8%,&:5*&-3+,&(%#*<&#&,-%6&%.:5*8%9&
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:&+&$(3#5")#'*(#+D()+,(#3'%7(&'A
TELEVISION DEBATES KEEP FOCUS ON
LEADERS, NOT POLICIES
MARK STUART
A
:-%*&(%#*,&5:&,6%847#-+5.<&+-&
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IF THERE’S ANY EVIDENCE OF
RACISM, THE RED CARD IS NOT
ENOUGH, WE WILL HAVE TO
ELIMINATE THE TEAM FROM THE
COMPETITION OR DEDUCT POINTS
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BRAGARD’S
NUMERICAL BONANZA
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Lets, Debts
and Threats
Hattie Hamilton explores some
tales of tenancy turmoil
Images by Bruno Albutt
Model David Edgcumbe
16
ISSUE 202
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MARCH 2010
17
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18
ISSUE 202
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“He arrived with
3 large guys and
demanded the money”
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_I_A
Passport
Control
by James Adams-Pace
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9)(/+&7#+33(-4/0#")#&"'A
MARCH 2010
19
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*13#$/+338#.*"#'*(&#71(7#+5'()#'+61&,#1'ZA#T#;%1$6#3$+&#"&#
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The Rise and
Rise of MKat
by Sian Boyle
Image by Tristan Bejawn
Model Louise Carmen Ford
M
20
C.$:%T*5'*,"(-*:%T*(43T*(4%3%4*%.//%<-(4%
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'.#%#**5*,%)-$(%$'*%2*">%&("*%(+%0-)2*"#)$>%&0/$0"*8
ISSUE 202
!*(#2%)2"3(#"5#'*13#+)'1$/(#13#&"'#'"#4(#+#/1,*'3O`+3*1&,8#
31)(&3O4/+)1&,8#RPaUF!#!Ti[#PVhXNF#.+)&1&,#4(1&,#
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-+'(8#R)(-(-4()#R\JoFI\#.*(&#(D()0"&(#.+3#"&#'*+'#
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'*+'#1'#13#&"'#$"&:&(7#'"#'*(#7)%,O'+61&,#$"--%&1'0#O#'*(#
-(71+#*+3#,"&(#$)+n0#+4"%'#1'#+&7#'*(#-+G")1'0#"5#'*(#
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,"1&,#"&8#"&(#(@+-2/(#4(1&,#-0#5)1(&7F3#2()5($'/0#3')+1,*'O
(7,(7#7+7#.*"#)%&3#+#)(32($'+4/(#4%31&(33#1&#+&#"5:$(#
*(#)(&'3#1&#+&#"5:$(#4/"$6#1&#<(3'#W"&7"&A#a&(#7+0#*(#
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'1-()3F#1'#.1//#3()D(#+3#+#,+'(.+0#7)%,#'"#3')"&,()#+&7#
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Getting the Scoop
by Anne Moore
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/1,*'(0lC#+&7#?!%)&(7#"55m#!%)&#"55lC#'"#
&+-(#4%'#+#5(.Z#)(+$*#/(D(/3#"5#1))1'+'1"&#
"&/0#-+'$*(7#40#'*(#RX"#b"-2+)(F#"2()+#
31&,()A#
)3%&15"%.&#*%&4.67%#,#.-<&-3%&"%.&
+)(#$"&$(1'(78#+&7#'*(#5")-+'#13#$)%(/A#
U"&('*(/(338#'*13#13#.*+'#-+6(3#'*(#
2)",)+--(#3"#-+,1$+/>#15#'*(#."-(&#.()(#
'%#4-+:47<&-3%&"%.&1%*%&34"'7%<&#.9&-3%&
D"'1&,#.+3#7"&(#40#3($)('#4+//"'8#5)"-#
.*(&$(#."%/7#'*(#(&'()'+1&-(&'#$"-(m#
!*(#3*".F3#41,,(3'#.(+6&(33#k#'*(#
*"))")3#1'#4(3'".3#%2"&#'*(#D1(.()#O#138#
3"-(*".8#+/3"#1'3#,)(+'(3'#3')(&,'*A#H(38#
R!+6(#E(#a%'F#13#$%))(&'/0#"&(#"5#!MF3#-"3'#
,)"'(3;%(#3*".38#4%'#.*1/(#9#+-#R'%)&(7#
"55F8#9#$+&&"'#R'%)&#"55FA
MARCH 2010
23
Sanctuaries
tudent
W
)$'%$'*%*Y&*5$)(-%(+%$'*%'*&$)&%4)-$*"%
'(0#*3'0-$)-6%5*")(,:%#$0,*-$%
%--"33"9%,+"5$+*$#%#/&'$"5$"(#$3+59*2$
D')/#$%$'*%7.P(")$>%(+%0#%/)2*%(-%.%
&+3+,/9$8(90/,:$%*$&"50$%*$1/$6%./$6",$1%,/#:$%5$
)75*"7*.1/*%"((+:%Z#(7*[%'*.$)-6%.-,%.%4("<)-6%
>+,-6/5$1/$%#/$-"5,/5,2$N"1/./#:$5",$%&&$*,(9/5,*$
."*%'(/*,305%)-%>(0"%1(63#$.-,.",%$*"".&*8%&!"#$%?*$
"*#),*-$%."&')$*&$0"*%#$0,*-$#%S$*5'*-%;(2*P(>%.-,%
Q9$N%##+*$,#%->$9"15$,6"*/$*,(9/5,$6"3/*$,6%,$%#/$
/)$$/*%(0$%(+%$'*%(",)-.">8
by Stephen Lovejoy
Images by Edward Harris
House, Derby Road
<*1/3'#-%$*#"5#'*(#1&'()1")#,)+&7(%)#"5#'*(#*"%3(#*+3#
4((&#/"3'8#'*(#"+6#4(+-3#+&7#2+&(//(7#.+//3#,1D(#1'#+#/"'#"5#
+'-"32*()(A#N"-(#"5#'*(#")1,1&+/#5(+'%)(3#3'1//#(@13'8#3%$*#+3#
-3%&,-#+.%9&$7#,,&1+.951,&+.&-3%&,6#8+54,&%.-*#.8%&85**+95*&
+&7#+#$*+)-1&,#:)(2/+$(#1&#.*+'#.+3#"&$(#'*(#-+3'()#
4(7)""-#k#2)"D171&,#+#D+,%(#($*"#"5#*".#'*(#*"%3(#"&$(#
.+3A
Apartment, The Park
Gothic Cottage
<+/61&,#+/"&,#+#$"-2/('(/0#&")-+/#3%4%)4+&#3')(('#"5#3(-1O
9%-#83%9&354,%,<&(54&#'*46-7(&85"%&#8*5,,&-3%&#6-7(&.#"%9&
X"'*1$#b"''+,(A#<1'*#'*(#*"%3(F3#4/+$6#3*%''()38#/(+7(7#
-15=7+$3-&7#.8%-&1+.951,<&#*83%9&955*,&#.9&1559%.&6#.%77%9&
61'$*(&#"&(#13#,1D(&#'*(#1-2)(331"&#"5#+#-"7()&13(7#.1'$*F3#
$"''+,(#k#$"-2/('(#.1'*#)(317(&'#,+),"0/(l
Living Room, Lenton
YT/3"#21$'%)(7#4(*1&7#'1'/(Z#!*(#($/($'1$#$"//($'1"&#"5#"4G($'3#
1&#'*(#/1D1&,#)""-#"5#'*13#*"%3(#$)(+'(3#+#D13%+/#'+2(3')0#'*+'#
(@%7(3#'*(#2()3"&+/1'1(3#+&7#/15(3'0/(3#"5#'*(#"$$%2+&'3A#
[D()0'*1&,#1&317(#'(//3#+#3'")0#k#5)"-#'*(#?4"))".(7C#
Qt,()-(13'()#2"3'()#+&7#b+)&+,(#4+&&()#'"#'*(#)".#"5#/+71(3#
%&7().(+)#5)"-#2+3'#3(@%+/#$"&;%(3'3A#!*(1)#2('#,"/7:3*8#
M/+78#3.1-3#3/"./0#+)"%&78#$"&'(&'#1&#'*(#,1+&'#D"76+#
4"''/(#'*+'#13#*13#*"-(A#!*(#)""-#13#(D(&#$"-2/('(#.1'*#+#
?7(32()+'1"&#$"&7"-C#Y'*"%,*#3((1&,#+3#*".#'*(#&+1/#:@1&,#
1'#'"#'*(#.+//#21()$(3#'*(#$"&7"-8#"&(#."%/7#*+D(#'"#4(#D()0#
7(32()+'(#1&7((7ZA
24
ISSUE 202
P(:&1'(/0#&"'#0"%)#'021$+/#3'%7(&'#
*%,+9%.8%<&-3+,&,1+,3&"+.+"#7+,-&
+2+)'-(&'#13#'*(#(21'"-(#"5#$""/A#!*(#
$"&D()'(7#'"2#`"")#"5#+#,)+&7#"/7#
*"%3(j#'*(#32+$1"%3#)""-3#.1'*#'*(1)#
$/(+&#.*1'(#.+//38#.""7#2+&(//(7#`"")38#
3/"21&,#$(1/1&,3#+&7#21$'%)(3;%(#D1(.3#
$)(+'(#+&#1-2)(331"&#"5#/%@%)0#+&7#
7(31)+4/(#/1D1&,A
House, Lenton
Boulevard
)3%&58-#$5.#7&-4**%-&*4..+.$&951.&5.%&
$")&()#"5#'*13#*"%3(#$/(D()/0#-+@1-13(3#
-3%&65-%.-+#7&5:&+-,&758#-+5.<&#-&-3%&
$)"33)"+73#"5#W(&'"&#B"%/(D+)7#+&7#
P()40#V"+7A#!*13#13#2+)'1$%/+)/0#+22+)(&'#
1&#'*(#'"2#`"")#4(7)""-#k#.*()(#'*(#
"$$%2+&'#13#')(+'(7#'"#+#2+&")+-1$#D1(.#
#8*5,,&@%.-5.<&13+7,-&,-+77&*%-#+.+.$&#&
7($(&'#7(,)((#"5#2)1D+$0A
MARCH 2010
25
Self defence or criminal offence?
Defend Yourself and I’ll Sue
by Eric John
Image by Christian Brailey
A$
"*&*-$%#5.$*%(+%
8(#0&%#+/*$6%*$,6/$
%./#%0/$B#+,+*6$.",/#$
%&&$#+&/9$(42$@/$6%./$
#/%-6/9$,6%,$%&&$,""$
+.7)/)."%5"*36*-*"./%*/*&$)(-%+*0,%
4'*"*%#)/2*"3$(-60*,%5."$)#.-#%
#)$%(-%\0*#$)(-%O)7*%$*//)-6%0#%
6"1$,6/'$1"(&9$-6%50/$,6+*$%59$
,6%,$&%1$%59$+34#"./$,6+*$%59$,6%,$
&/0+*&%,+"5$R$16/,6/#$"#$5",$,6/'$
4)//%+(//(4%$'"(06'%4)$'%)$%.//%)#:%
%59$6%*$5/./#$8//5:$16%,$4"&+,+-*$
)#%"*.//>%.1(0$8%D')/*%E%.55/.0,%
6(2*"-7*-$%'*.,#%+("%$'*)"%
/0<*4."7%*++("$#%.$%7.<)-6%$'*%
4("/,%.%1*$$*"%5/.&*:%E%,(%7.)-$.)-%
7>%")6'$%$(%.%/)$$/*%(0-&*%(+%2($*"%
&>-)&)#78%E%/((<%.$%H*4%;.1(0"A#%
4"&+-+/*$%59$,6/$S"5*/#.%,+./*?$
4"&+-+/*$%59$/./5$A+8/#%&$
9*7(&".$#A%5(/)&)*#%.-,%E%4(-,*":%
]B-,*"%4')&'%6(2*"-7*-$%.7%
E%7(#$%/)<*/>%$(%6*$%.4.>%4)$'%
*3%*6+50$%$8(#0&%#?*$,//,6$+5KT$
)3%&+,,4%&3#,&'%%.&'*54$3-&-5&-3%&
5")(5)"&'#+5'()#E%&1)#S%33+1&8#+#_fO0(+)#
579&:#-3%*&#.9&34,'#.9<&'%#-&5.%&5:&
3+,&-*%,6#,,%*,&-5&-3%&65+.-&5:&'*#+.&
7+-+,(A#E)#S%33+1&#+&7#*13#5+-1/0#.()(#
-+%9&46<&-3*%#-%.%9&#.9&:5*8%9&-5&8*#17&
"&#'*(#`"")#40#'*)((#-+36(7#1&')%7()38#
"&(#"5#.*1$*#.+3#<+/17#N+/(-8#'*(#
RD1$'1-F#"5#E)#S%33+1&F3#+''+$6A#E)#
S%33+1&8#'*(#)(+/#D1$'1-#1&#'*13#.*"/(#
9%'#87%<&1#,&,%.-%.8%9&-5&-3+*-(&"5.-3,&
1&#2)13"&8#4%'#(D(&'%+//0#)(/(+3(7#"&#
$*54.9,&5:&85"6#,,+5.&#.9&!&356%<&
$"--"&#3(&3(A#<*1/(#3"-(#2("2/(#
."%/7#;%+/150#E)#S%33+1&F3#+''+$6#+3#+&#
+$'#"5#D(&,(+&$(8#+&0"&(#.1'*#+#4(+'1&,#
3%#*-&85479&+"#$+.%&-3%&#9*%.#7+.%&
)%3*1&,#'*)"%,*#*13#D(1&3#+5'()#5+$1&,#
34"+7+#-+5.&#.9&7+:%&%.9#.$%*"%.-&+.&3+,&
".&#*"-(A#S+D1&,#-+&+,(7#'"#(3$+2(#
5)"-#'*(#4%),/+)3F#$+2'1D1'08#E)#S%33+1&#
1#,&+.&.5&,-#-%&5:&"+.9&-5&85.-%"67#-%&
26
ISSUE 202
'*(#)1,*'3#+&7#.)"&,3#"5#*13#)(32"&3(A#95#
+&0'*1&,8#*13#.+3#+#$)1-(#"5#2+331"&A#
)354$3&1%&15479&7+;%&-5&9+,"+,,&-3+,&
8#,%&#,&#&5.%=5::<&-3%*%&+,&#7,5&-3%&,-5*(&
"5#!"&0#E+)'1&#'"#+77#'"#,)".1&,#/13'#
"5#/(,13/+'1D(#1&G%3'1$(A#B+$6#1&#T%,%3'#
IJJJ8#'*(#-177/(O+,(7#U")5"/6#5+)-()#
*+7#'"#2%'#%2#.1'*#3(D()+/#3%$$(331D(#
'*(5'3#%&'1/#:&+//08#7%)1&,#'*(#%-2'((&'*#
)+178#*(#3*"'#'."#4%),/+)3#1&#'*(#7+)6A#
a&(8#+#IKO0(+)#"/7#=)(7#B+))+38#.+3#
61//(78#'*(#"'*()8#B)(&7+&#=(+)"&8#f]8#
7($17(7#'"#3%(A#!"&0#E+)'1&#3()D(7#
'*)((#0(+)3#"5#*13#")1,1&+/#:D(O0(+)#
,%.-%.8%<&#.9&3#,&,+.8%&'%%.&#-&-3%&
%6+8%.-*%&5:&-3%&1357%&8#"6#+$.&8#77+.$&
5")#2("2/(F3#)1,*'#'"#7(5(&7#'*(-3(/D(3A#
g"//3#3%,,(3'#'*+'#+#3'+,,()1&,#3(D(&'0O
-15&6%*8%.-&5:&-3%&/*+-+,3&64'7+8&:%%7&-3#-&
'*(#$%))(&'#/(,13/+'1"&#13#?1&+7(;%+'(#
+&7#1//O7(:&(7C8#4%'#&(D()#-1&7#'*(3(#
7+-&1&,#1&71$+'")38#Eg3#+)(#'(//1&,#
%3#'"#/(+D(#"%)#2)"'($'1"&#.1'*#'*(#
9599%*+.$<&4.64.8-4#7&657+8%<&13+83&
-(+&3#.(#-1,*'#+3#.(//#/('#"%)3(/D(3#
,('#)"44(7#+&7#D1"/+'(7A#W"44013'3#
:5*&#.&+.-*5948-+5.&5:&13#-&3#,&'%%.&
7(3$)14(7#+3#?!"&0#E+)'1&#W+.C#1&$/%7(#
5")-()#E(')"2"/1'+&#b"--1331"&()#N1)#
Q"*&#N'(D(&3#+&78#&"'#3"#3%)2)131&,/08#
'*(#b"&3()D+'1D(#N*+7".#E1&13'()#5")#
S"-(/+&7#N($%)1'08#g+')1$6#E()$()#u#
6%*3#6,&04,-&#.5-3%*&,1%%-&.5-3+.$&
.*132()(7#40#'*(#b"&3()D+'1D(#2+)'0#
+.-5&54*&356%:47&%#*,<&-354$3&!&15479&7+;%&
'"#'*1&6#9#.1//#&"'#4(#5""/(7#'*+'#(+31/0A#
95#D1(.(7#5)"-#'*(#D+&'+,(#"5#+#*(/2/(33#
$1D1/1+&8#1'#13#*+)7#'"#'(//#.*('*()#1'#13#
-3%&84**%.-&7#1&5*&+-,&%.:5*8%"%.-&-3#-&
,35479&'%&64-&'%.%#-3&-3%&'7#"+.$&
:&,()A#V1,*'#&".8#'*(#/+.#3'+'(3#'*+'#
+:&85.:*5.-%9&1+-3&#&-*%,6#,,%*&+.&(54*&
".&#*"-(8#0"%8#'*(#D1$'1-8#+)(#(&'1'/(7#
'"#?)(+3"&+4/(#5")$(C8#+&#+-")2*"%3#
#.9&,5"%13#-&"%#.+.$7%,,&-%*"<&
&"'#3"-('*1&,#0"%#*+D(#'*(#'1-(#'"#
-3+.;&#'54-&13%.&-3%*%&+,&#&87%#*&#.9&
2)(3(&'#7+&,()#/%)61&,#1&#0"%)#/1D1&,#
)""-A#S13'")1$+//08#'*13#/(,13/+'1"&#*+3#
4((&#1&'+$'#31&$(#'*(#IJK\38#.*(&#
B)1'+1&#%&7().(&'#+#,)(+'#"D()*+%/#1&#
$)1-1&+/#/+.#+&7#3*+)2/0#D(()(7#+.+0#
5)"-#'*(#2)1D+'(#".&()3*12#"5#:)(+)-38#
2%''1&,#'*(#3+5('0#"5#(D()0#B)1'"&#1&'"#
'*(#1&$+2+4/(#*+&73#"5#'*(#,"D()&-(&'A#
<*1/(#9#+-#&"#5+&#"5#'*(#T-()1$+&#
$".4"0#D1,1/+&'13-#'*+'#+//".3#5")#3"-(#
D()0#-(&'+//0#%&3'+4/(#2("2/(#'"#".&#
#&$4.<&!&95.517%9$%&-3%&:#8-&-3#-&
)+'(3#"5#4%),/+)1(3#1&#'*(#h&1'(7#N'+'(3#
+)(#*+/5#'*(#)+'(3#"5#4%),/+)1(3#1&#B)1'+1&A#
)3#.;:477(<&-3+,&854.-*(&95%,&.5-&,4665*-&
'*(#&"'1"&#"5#D1,1/+&'(#G%3'1$(8#4%'#+#$/(+)#
9+,-+.8-+5.&.%%9,&-5&'%&9*#1.&'%-1%%.&
-54-+.$&#&$4.&-5&;+77&#.9&,355-+.$&+-&-5&
2)"'($'#0"%)3(/5A#=15'0O'*)((#2()$(&'#"5#
'4*$7#*+%,&3#66%.&13%.&:#"+7+%,&#*%&
#-&35"%<&13+83&"%#.,&-3#-&(54&#*%&
"5*%&7+;%7(&-5&,-4"'7%&465.&,5"%'59(&
87+"'+.$&-3*54$3&(54*&'#-3*55"&1+.951&
'*+&#$"-(#*"-(#+&7#:&7#0"%)#2)"2()'0#
4%),/(7A#95#&"'#(D(&#E0/((&(#i/+33#$+&#
)(3")'#'"#.+D1&,#+#6&15(#+'#1&')%7()3u#
&"'#'"#-(+&#+&0#,)1(D"%3#4"71/0#
*+)-8#4%'#'"#3$+)(#'*(-#"55#u#13#'*()(#
.5-3+.$&1%&8#.&95&'4-&%,8#6%&-5&54*&
"#;%,3+:-&6#.+8&*55",&#.9&356%&-3#-&
'*(#2"/1$(#+))1D(3#4(5")(#.(#4($"-(#
+&"'*()#')+,1$#3'+'13'1$m#<1//#.(#*+D(#'"#
5(+)#,(''1&,#3%(7#40#+#4+/+$/+D+O$/+7#
-*%,6#,,%*&135&04,-&3#66%.%9&-5&'*%#;&
*13#/(,#.*1/(#')01&,#'"#)(/1(D(#%3#"5#"%)#
'(/(D131"&m#
T3#+#&(.5+&,/(7#2)"$/1D1'0#'".+)7#
@(&"2*"41+#'17(3#%2"&#'*(#+D()+,(#
B)1'13*#D"'()#+&7#-")(#+&7#-")(#"5#'*(#
.*1'(#-177/(O$/+33#G%-2#"&'"#'*(#BUg#
4+&7.+,"&8#'*(#X"D()&-(&'#.1//#*+D(#
-5&-#;%&#&75.$<&3#*9&755;&+.-5&-3%+*&7#1&
4""638#+36#'*(-3(/D(3#.*+'#'*(0#+)(#
95+.$&1*5.$&#.9&,"5-3%*&-3%&+.8*%#,+.$&
$)1-(#)+'(3#40#'*(#&($6A#a'*().13(8#E)#
/*51.<&(54&"+$3-&#,&1%77&,-#*-&87%#.+.$&
"%'#0"%)#"5:$(A#H"%#."&F'#4(#3'+01&,#5")#
+&0#/"&,()A#
I love my laptop, but I wouldn’t
kill for it
by Lucy Hayes
I&
:+59$S%3/#"5?*$#/-/5,$4&/90/$
,"$-"5*+9/#$*/5,/5-+50$"5&'$
,6"*/$16"$(*/$U0#"**&'$
9+*4#"4"#,+"5%,/T$.+"&/5-/$
#%,6/#$,6%5$%5',6+50$%8"./$
]"*.#(-.1/*^%+("&*%'.",%$(%
1*/)*2*:%10$%+("%,)++*"*-$%"*.#(-#8%
V(-6$%$-6%50/$+5$,6/$&%1$1"(&9$
1*%#)75/>%)//(6)&./:%.-,%E%$')-<%
_.7*"(-%<-(4#%$')#8%O'*%_"(4-%
F"(#*&0$)(-%S*"2)&*%./"*.,>%0#*#%
+,*$9+*-#/,+"5$5",$,"$4#"*/-(,/$
8(#0&%#'$.+-,+3*$16"$6%./$(*/9$
+("&*:%4'*-%$'*>%1*/)*2*%.%P0">%
4(0/,%!-,%$'*%+("&*%$(%'.2*%
1**-%"*.#(-.1/*8%O'*%5"(1/*7%
4)$'%."607*-$#%+("%@7("*%")6'$#%
,"$,6/$6"3/$"15/#?$+*$,6%,$,6/'$
$*-,%$(%&(-#),*"%*Y$"*7*:%(+$*-%
/W-/4,+"5%&$-%*/*$%*$,6/$5"#32$
:#*"%*<&3%&3#9&3%79&#&,35-$4.&7+8%.8%<&'4-&
*+7#1'#)(D"6(7#1&#IJJd#+5'()#3*""'1&,#+&#
1&')%7()F3#$+)#YE+)'1&#$/+1-(7#'*(#1&')%7()#
*+7#4((&#3'(+/1&,#+22/(3ZA#S(#*+7#+/3"#
4((&#1&D"/D(7#1&#'."#2)(D1"%3#:)(+)-#
1&$17(&'3A#S(#.+3#4((&#G%7,(7#/(,+//0#
%&:'#'"#".&#+#.(+2"&8#+&7#0('#$"&'1&%(7#
'"#7"#3"A
T3#Q%7,(#V(771*"%,*#3'+'(7#+5'()#E%&1)#
S%33+1&F3#:)3'#')1+/j#?95#2()3"&3#.()(#
6%*"+--%9&-5&-#;%&-3%&7#1&+.-5&-3%+*&51.&
3#.9,F&*#-3%*&-3#.&7%--+.$&-3%&8*+"+.#7&
04,-+8%&,(,-%"&-#;%&+-,&854*,%<&-3%.&-3%&
*47%&5:&7#1&#.9&54*&,(,-%"&5:&8*+"+.#7&
G%3'1$(8#.*1$*#+)(#*+//-+)63#"5#+#$1D1/13(7#
3"$1('08#."%/7#$"//+23(AC
N1&$(#*13#)(/(+3(8#E+)'1&#*+3#3"/7#*13#
3'")0#'"#'*(#P+1/0#E1))")#5")#cI]_8\\\j#&"'#
+#4+7#3%-#5")#61//1&,#+#IKO0(+)O"/7A#S(#*+3#
+/3"#+$'(7#+3#+#32"6(3-+&#5")#hi9g#+&7#
'*(#BUgA#!*(#BUg#+)(#31,&1:$+&'#/"44013'3#
5")#'*(#R!"&0#E+)'1&#W+.FA#9#$+&F'#3((#'*(-#
3%22")'1&,#E%&1)#S%33+1&#1&#;%1'(#'*(#
3+-(#-+&&()8#5")#3"-(#)(+3"&A#N"#+//#1&#
+//8#'*(#21$'%)(#2+1&'(7#"5#E+)'1&#13#'*+'#
3%&+,&#&-*+$$%*=3#66(<&"%.-#77(&4.,-#'7%<&
2)":'(()1&,#)+$13'A#="),1D(#-(#5")#&"'#
3%22")'1&,#+#/+.#1&#*13#&+-(A
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MARCH 2010
27
SHE
C
KNOWS
HOW
YOU
LIKE
IT
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by Lily Bowden
Image by Bryony Blackler
Model Ceri Baker
Digital Editing Tristan Bejawn
28
ISSUE 202
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He especially enjoys sharing
these hobbies with the five most
important people in his life –
his five RealDolls.
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$"-2+331"&A#!*(#(-"'1"&+/#4"&7#
4('.((&#-+&#+&7#7"//8#*".(D()#/""&0#
+-&"#(&,%%"&-5&#.&54-,+9%*<&+,&,4*%7(&
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4+3(7#%2"&#2%)(/0#2*031$+/#3+'135+$'1"&A#
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U(D()'*(/(338#9#+-#&"'#0('#+#5%//#$"&D()'#
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2/(+3%)(A#S(#$/+1-3#'"#%3(#'*(-#?1&#
4('.((&#)(/+'1"&3*123C#4%'#"5'(&#2)(5()3#
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!"#-(8#E16(F3#4(*+D1"%)#13#G%3'#'*(#61&7#
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6*%:%*&+-&+:&3%&;%6-&3+,&67#,-+8&:%-+,3&-5&
3+",%7:<&5*&#-&7%#,-&-*+%9&-5&9+,$4+,%&+-&#,&
R/"D(F8#/16(#*13#V(+/P"//#$"&'(-2")+)1(3A#
T/'*"%,*#E16(#13#"&/0#%31&,#'*(#7"//3#
:5*&-3%&64*65,%&-3%(&1%*%&#9"+--%97(&
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[D()+)7#/"D1&,/0#3-(+)#5"%&7+'1"&#"D()#
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T3#0"%#)(+7#'*138#1&D(&'")3#+)(#.")61&,#
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6*5-5-(6%&5:&*5'5-=9577&3#,&#7*%#9(&'%%.&
%&D(1/(7#'"#'*(#+7%/'#2%4/1$A#RV"@@@0F#
13#+#4)%&(''(#4(+%'0#.*"#$+&#$"&D()3(#
1+-3&3%*&6#*-.%*&4,+.$&#&8#-#75$4%&5:&
2)()($")7(7#2*)+3(3A#N*(#$+&#713$%33#
'*(#/+'(3'#5""'4+//#3$")(8#0"%)#5+D"%)1'(#
$+)#+&7#(D(&#3&")(#)(+/13'1$+//0A#N(&3")3#
4.9%*&3%*&,+7+85.%&,;+.&#7751&3%*&-5&
-"+&#3(7%$'1D(/0#.*(&#$+)(33(7A#S()#
1&D(&'")#P"%,/+3#S1&(3#3'+'(38#?<(#
#*%&-*(+.$&-5&*%67+8#-%&#&6%*,5.#7+-(&5:&
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$%3'"-1n(7#2()3"&+/1'1(3#$+&#4(#3*+)(7#
.1'*#"'*()3#"&/1&(A#?Q%3'#'*1&6#+4"%'#.15(#
5*&$+*7:*+%.9&,1#66+.$&1+-354-&#8-4#77(&
,1D1&,#'*(#2()3"&#'"#3"-("&(#(/3(AC
b+//#-(#"/7#5+3*1"&(78#4%'#9#'*1&6#9F//#,1D(#
8('%*&,+7+85.%=,1+.$+.$&#&"+,,&:5*&-3%&
'1-(#4(1&,A
MARCH 2010
29
Tales of a
Bashful Bladder
I
'#13#3'1//#;%1'(#(+)/0#"&#1&#-0#&1,*'#"%'8#4%'#'*(#21&'3#"5#
/+,()#9#*+7#3"-(#*"%)3#+,"#*+D(#+/)(+70#-+7(#'*(1)#
.+0#'*)"%,*#'*(#D+)1"%3#'%4(3#+&7#2+33+,(3#'*+'#
$"-2)13(#-0#71,(3'1D(#303'(-#+&7#9F-#3'+)'1&,#'"#5((/#
+#'.1&,(#7".&#1&#-0#/".()#)(,1"&3A#9#.+/6#'*)"%,*#'*(#
4+)8#/"$+'(#'*(#'"1/('#+&7#(&'()A#9#1,&")(#'*(#-%/'12/(#+D+1/+4/(#
%)1&+/3#+&7#1&3'(+7#5"$%3#"&#'*(#$%41$/(3A#a&(#$%41$/(#13#5)((8#
4%'#1'#*+3#&"#7"")A#9#.+/6#2+3'A#T//#'*(#"'*()3#+)(#'+6(&A#N"#9#
3'+&7#+&7#.+1'A#=1&+//08#3"-("&(#:&13*(3#+&7#5)((3#%2#"&(#"5#
'*(#$%41$/(3A#T'#/+3'#9#$+&#)(/1(D(#-03(/5A
!*13#/1''/(#)1'%+/#13#"&(#'*+'#9#%&7()'+6(#.*(&(D()#9#+-#"%'#1&#
2%4/1$#+&7#&+'%)(#$+//3A#N"-('1-(3#15#'*(#'"1/('#13#$"-2/('(/0#
(-2'0#9#'+6(#+#,+-4/(#+&7#')0#%31&,#"&(#"5#'*(#%)1&+/3#k#
*"21&,#9#$+&#,('#'*(#`".#,"1&,#4(5")(#3"-("&(#$"-(3#1&A#
<*0#13#'*13#2)"4/(-+'1$#5")#-(m#T-#9#+#5)(+6m#<(//8#-+04(AAA#
B%'#&"'#5")#'*13#)(+3"&A#9&#5+$'8#3"-(#"5#0"%#)(+71&,#'*13#
.1//#:&7#'*+'#-0#/1''/(#'+/(#"5#'"1/('#')"%4/(#)1&,3#D()0#')%(A#95#
3"8#'*(&#0"%#'""8#3%55()#5)"-#g+)%)(313#Y+/3"#6&".&#+3#3*0#
")#4+3*5%/#4/+77()#30&7)"-(ZA#B%'#7"&F'#."))08#0"%F)(#&"'#
30
ISSUE 202
+/"&(A#T$$")71&,#'"#'*(#?9&'()&+'1"&+/#g+)%)(313#T33"$1+'1"&C#
+4"%'#e^#"5#'*(#2%4/1$#3%55()#5)"-#g+)%)(313#k#.*1$*#(;%+'(#
'"#)"%,*/0#I#1&#IdA#95#'*+'F3#')%(#+$)"33#'*(#,/"4(8#'*(&#+#
.*"221&,#deK#-1//1"&#2("2/(#"%'#'*()(#$+&F'#2((#;%1'(#3"#
5)((/0A
g+)%)(313#13#+#3"$1+/#+&@1('0#713")7()A#9'#13#$*+)+$'()13(7#40#+#
715:$%/'0#'"#%)1&+'(#.*1/3'#"'*()#2("2/(#+)(#2)(3(&'#")#&(+)40A#9'#
)+&,(3#1&#3(D()1'0#5)"-#-1/7#$+3(3#/16(#-1&(#Y.*()(#9#$+&F'#2((#
+'#%)1&+/3#4%'#+-#2()5($'/0#:&(#2((1&,#7".&#7+)6#+//(0.+03#
")#4(*1&7#13"/+'(7#')((3Z#'"#(@')(-(#$+3(3#Y.1'*#2("2/(#.*"#
$+&F'#2((#+&0.*()(#"'*()#'*+&#'*(1)#".&#*"-(ZA#9'#+55($'3#4"'*#
$%.9%*,<&'4-&94%&-5&-3%&6*%,%.8%&5:&4*+.#7,&+,&#&85.9+-+5.&"5*%&
+22+)(&'#1&#-(&A
<*1/3'#+#3%43'+&'1+/#+-"%&'#"5#2("2/(#3%55()#5)"-#'*(#
$"&71'1"&8#5(.#.1//#+7-1'#1'A#<*1$*#13#5+1)#(&"%,*#9#3%22"3(A#
h)1&+'1&,#*+41'3#7"&F'#'(&7#'"#$"-(#%2#D()0#"5'(&#1&#3'+&7+)7#
71&&()#$"&D()3+'1"&#Y'*"%,*#4)1&,1&,#1'#%2#9N#+&#(55($'1D(#.+0#
"5#,(''1&,#+#7+'(#'"#/"3(#+&0#1&'()(3'#1&#0"%ZA#!*()(#13#+/3"#
by Stephen Lovejoy
Image by Tara Wallace
-3%&,-+$"#&#,,58+#-%9&1+-3&6*5'7%",&4*+.#-+.$<&%,6%8+#77(&
+-"&,#-+/(3A#T&#1&+41/1'0#'"#%3(#%)1&+/3#13#"5'(&#+33"$1+'(7#
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'+/61&,#*(1,*'8#*()(ZA#<*1/3'#1'F3#')%(#'*(&#(1'*()#"5#'*(3(#133%(3#
$+&#1&7((7#$+%3(#g+)%)(3138#"5'(&#1'F3#&"'#'*(#$+3(A#!*(3(#+)(#
G%3'#'."#"5#-+&0#2"'(&'1+/#$+%3(3A#!+6(#-(8#5")#(@+-2/(A#T-#
9#1&3($%)(#+4"%'#-0#3(@%+/1'0m#U"2(A#T-#9#1&3($%)(#+4"%'#'*(#
31n(#"5#-0#2(&13m#U"8#&"'#)(+//0A#Ya&#+&#(&'1)(/0#%&)(/+'(7#&"'(8#
9#*+D(#31n(#I]#5(('AAAZ
N"#.*0#$+&F'#9#2((#+'#%)1&+/3m##9&#-0#$+3(8#9#4(/1(D(#'*(#
$"&71'1"&#3'(-3#5)"-#-0#715:$%/'1(3#)(/+@1&,#+)"%&7#2("2/(A#
<*1/3'#'*13#+)'1$/(#-+0#3%,,(3'#"'*().13(8#9#$+&#4(#;%1'(#3(/5O
$"&3$1"%3A#9&#5+$'8#1'F3#3"-('*1&,#"5#+#D1$1"%3#$1)$/(A#<*(&#
!&#--%"6-&-5&4*+.#-%&1+-3&5-3%*&6%567%&#*54.9<&!&15**(&-3#-&!&
."&F'#4(#+4/(#'"A#B($+%3(#9F-#."))01&,8#9#'*(&#$+&F'#%)1&+'(A#
B+$61&,#%2#'*13#'*(")08#.*(&#9F-#$"-2/('(/0#1&(4)1+'(7#9#*+D(#
+43"/%'(/0#&"#2)"4/(-#.*+'3"(D()#%31&,#%)1&+/3A
=")#-(8#+&7#'*(#-+G")1'0#"5#3%55()()38#g+)%)(313#13#"&/0#+#-1&")#
&%13+&$(#k#-()(/0#1&D"/D1&,#-")(#'1-(#32(&'#1&#'*(#'"1/('#")#
,)(+'()#3%55()1&,#"&#/"&,#G"%)&(03A#B%'#5")#'*"3(#.*"#3%55()#
5)"-#3(D()(#$+3(3#"5#'*(#713")7()#1'#$+&#*+D(#+#-+G")#(55($'#
"&#'*(1)#/1D(3A#9-+,1&(#15#0"%#$"%/7#"&/0#)(/1(D(#0"%)3(/5#1&#"&(#
4+'*)""-A#9-+,1&(#*+D1&,#'"#"),+&13(#0"%)#(&'1)(#/15(#+)"%&7#
4*+.#-+.$<&8*%#-+.$&#&6%%&,83%947%<&1#-83+.$&-3%&#"54.-&(54&
7)1&6#+&7#&(D()#4(1&,#+4/(#'"#3')+0#'""#5+)#5)"-#*"-(A#
h)1&+'1"&#13#3"-('*1&,#'*+'#'*(#-+G")1'0#"5#%3#'+6(#$"-2/('(/0#
5")#,)+&'(7A#B%'#'*+'F3#'*(#)(+/1'0#5")#(@')(-(#g+)%)(313#
3%55()()3A#S(/2#13#+'#*+&78#*".(D()A#T#,)"%2#"5#g+)%)(313#
3%55()()3#*+D(#5")-(7#'*(#hi#g+)%)(313#!)%3'8#+#)(,13'()(7#
$*+)1'0#?7(71$+'(7#'"#*(/21&,#-(&#+&7#."-(&#5")#.*"-#
%)1&+'1&,#1&#'*(#2)(3(&$(#")#D1$1&1'0#"5#"'*()#2("2/(#13#715:$%/'#
5*&+"65,,+'7%<&#.9&9%#7+.$&1+-3&-3%&6*5'7%",&-3+,&'*+.$,&
+4"%'CA#T#,%+)+&'((7#$%)(8#*".(D()8#/""63#%&/16(/0A
N"8#&(@'#'1-(#0"%#.*12#"%'#0"%)#.+&,#")#3;%+'#"D()#'*(#4"./#
-+04(#3'"2#5")#+#-"-(&'#+&7#'*1&6#+4"%'#0"%)#,""7#5")'%&(A#
T#5(.#+)(&F'#;%1'(#3"#/%$608#+&7#7"&F'#:&7#1'#'"#4(#+3#&+'%)+/#+#
2)"$(33A#!*+'F3#g+)%)(313#5")#0"%A
MARCH 2010
31
My
I swiftly checked my account online
and saw for the first time the details
of what exactly had transpired
the night before with payments
ranging from £129 at PC World to
an amazing £487 in B&Q: all on
that Sunday morning whilst I was
asleep
Night Out
by Joe Lobo
Image by Tara Wallace
T
'*%7("-)-6%.+$*"%.%-)6'$%(0$%4)//%6"**$%
/%-6$4/#*"5$1+,6$,6/$+59+.+9(%&$*'34,"3*$
(+%.%'.-6(2*":%4'*$'*"%$'.$%)-&/0,*#%
6/%9%-6/*:$9/6'9#%,+"5$"#$0/5/#%&$
5%(*/%$%3"50*,$",6/#$+59+-%,"#*2$
<+61&,#%2#"&#'*13#5+'(5%/#N%&7+0#-")&1&,#+5'()#D131'1&,#
U"''1&,*+-#!)(&'#Nh#9#1--(71+'(/0#5(/'#D1"/(&'/0#31$6#+&7#
3')%,,/(7#'"#3'+0#"&#-0#5(('#.1'*"%'#5((/1&,#5+1&'A#T#5(.#
*"%)3#/+'()#+5'()#5%)'*()#)(3'8#*+D1&,#3*)%,,(7#1'#"55#+3#+#5)(+6#
5884**%.8%<&!&9%8+9%9&-5&$%-&,5"%&74.83&:*5"&-3%&758#7&85*.%*&
3*"2A#<*(&#)(+$*1&,#'*(#$"%&'()#5")#2+0-(&'#9#&"'1$(7#'*+'#
32
ISSUE 202
-0#7(41'#$+)7#.+3#-1331&,#+&7#+33%-(7#1'#-%3'#*+D(#4((&#
4+$6#1&#-0#)""-A#T&#(@'(&31D(#3(+)$*#/(7#-(#'"#'*(#"4D1"%3#
$"&$/%31"&#'*+'#9#-%3'#*+D(#/"3'#1'#'*(#&1,*'#4(5")(A#9#$+//(7#%2#
-0#4+&6#'"#7($/+)(#1'#/"3'>#+5'()#+&3.()1&,#-+&0#"5#'*(#)"%'1&(#
;%(3'1"&3#9#&"&$*+/+&'/0#'"/7#'*(#"2()+'")#.*(&#2)"-2'(78#
'*+'#+3#5+)#+3#9#)(-(-4()(7#'*()(#.+3#+)"%&7#cJ\\#1&#-0#4+&6#
+$$"%&'#)(-+1&1&,A#9#$+&#3'1//#'"#'*13#7+0#)($+//#'*(#*(31'+'1"&#
1&#*()#D"1$(#+3#3*(#$"))($'(7#-(#+&7#3+17#'*+'#9#.+3#1&#5+$'#
cK\\#1&#'*(#)(7A#g%''1&,#'*(#2*"&(#7".&#9#3.15'/0#$*($6(7#-0#
+$$"%&'#"&/1&(#+&7#3+.#5")#'*(#:)3'#'1-(#'*(#7('+1/3#"5#.*+'#
(@+$'/0#*+7#')+&321)(7#'*(#&1,*'#4(5")(#.1'*#2+0-(&'3#)+&,1&,#
5)"-#cI]J#+'#gb#<")/7#'"#+&#+-+n1&,#cdLe#1&#Bvp>#+//#"&#'*+'#
N%&7+0#-")&1&,#.*1/3'#9#.+3#+3/((2A
<*(&#3%--"&1&,#'*(#1-+,(#"5#0"%)#
'021$+/#7)1&6#32161&,#D1$'1-#0"%#."%/7#
4(#5"),1D(&#k#)(,+)7/(33#"5#+,(8#/""63#
")#$"/"%)#k#5")#+33%-1&,#'*(0#."%/7#4(#
5(-+/(A#U(D()#4(5")(#*+7#1'#"$$%))(7#
-5&"%&-3#-&!&85479&'%&#&-#*$%-&:5*&
7)1&6#32161&,A#T$$")71&,#'"#'*(#V"":(#
="%&7+'1"&8#.*1$*#+$'1D(/0#$+-2+1,&3#
:5*&+.8*%#,%9&*%85$.+-+5.&+.&-3%&9#.$%*,&
"5#7)%,#)+2(#32($1:$+//08#+)"%&7#K\\#
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with all my experiences, the fraud
department concluded a fortnight
after the event that there was not
sufficient evidence to accept my
claim
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MARCH 2010
33
SPARE PARTS
IMPACTNOTTINGHAM.COM
IMPACT’S
GUIDE TO…
FUNDING
YOUR PHD
EMI DAY
W
VENT YOUR SPLEEN:
THE LITTLE PEOPLE
GABBY DEMATTEIS
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34
ISSUE 202
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DISUNITED STATES OF AMERICA
MARK LAUTMAN
I
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OVERHEARD IN HALLWARD
MARK LAUTMAN
MARCH 2010
35
Students’ Union
Students’ Union
THE
GENERAL ELECTION:
THE GENERAL ELECTION:
STUDENTS’ UNION
STUDENTS’
ELECTIONS
UNION
2010 ELECTIONS
2010
CHOOSE WHO RUNS YOUR STUDENTS’
CHOOSE WHO
UNION
RUNS YOUR STUDENTS’ UNION FIGHTING HIGHER
FIGHTING
FEES
HIGHER FEES
www.su.nottingham.ac.uk/elections
www.su.nottingham.ac.uk/elections
STANDING UP FOR STUDENTSSTANDING UP FOR STUDENTS
nd can reallyThe
sway
the election.
Students’
UnionSometimes
Elections are here! If you’ve not heard
Theabout
Students’
themUnion Elections are here! If you’ve not heard about them
yet, you will soon. The Students’ Union Elections involveyet,
a huge
you annual
will soon. The Students’ Union Elections involve a huge annual
campaign that lasts for a very exciting two weeks and they’re
campaign
your that lasts for a very exciting two weeks and they’re your
ere’s a real threat that they’ll sky-rocket. Proposals
chance to choose who the leaders of your Students’ Union
chance
are going
to choose who the leaders of your Students’ Union are going
entirely, leaving students in even more debt. It’s
to be for the coming year.
to be for the coming year.
st institutions are reserved for the richest students.
You’ll be able to vote for the winners from Monday 8th to
You’ll
Friday
be able
12th to vote for the winners from Monday 8th to Friday 12th
March. Elections is a hectic and gossip filled time whenMarch.
you’ll see
Elections is a hectic and gossip filled time when you’ll see
candidates
‘battling
it out’
(in athecampaigning sense!) to candidates
get your vote.
‘battling it out’ (in a campaigning sense!) to get your vote.
r Students’ Union
to raise
awareness
about
are always
some
Thereinare
previous
always some interesting campaign tactics, which, in previous
ling station There
on election
day it will
putinteresting
pressure oncampaign tactics, which,
have
ranged
from giving
away sweets to campaigning
years, in
have
a ranged from giving away sweets to campaigning in a
important toyears,
students.
There
are 32,000
students
spongebob
suit, University
playing instruments
spongebob
tricks andsuit, playing instruments to doing street magic tricks and
(the area that
encompasses
Park and to doing street magic
baking
We don’t
cakes to taking a sofa around on the top of a car. We don’t
u take part! baking cakes to taking a sofa around on the top of a car.
want to give too much away because we know the candidates
want to give too much away because we know the candidates
have got some great things up their sleeves for this year...
have
butgot
it’s some great things up their sleeves for this year... but it’s
going to be a good one!
going to be a good one!
The general election will soon be here. Students hold a huge
Thechunk
general
of the
election
UK’s votes
will soon
and be
canhere.
reallyStudents
sway the
hold
election.
a hugeSometimes
chunk of the UK’s votes and
students can fade into the background but this time we havestudents
something
can to
fade
shout
intoabout!
the background but this time we have something to shout about!
The future Government will be making a decision on the cost
Theoffuture
your tuition
Government
fees and
willthere’s
be making
a realathreat
decision
that on
they’ll
the cost
sky-rocket.
of yourProposals
tuition fees and there
could see the home students’ £3,225 cap increased to £5,000,
could see
£7,000,
the home
or removed
students’entirely,
£3,225leaving
cap increased
students in
to even
£5,000,
more£7,000,
debt. It’sor removed ent
likely that higher fees will push higher education out of reach
likely
of many
that higher
and mean
fees will
the best
push institutions
higher education
are reserved
out of for
reach
the of
richest
manystudents.
and mean the best
Does that sound fair to you?
Does that sound fair to you?
That’s why we’re launching Debtonate, a campaign and series
That’s
of why
big events
we’re launching
run by your
Debtonate,
Students’ Union
a campaign
to raiseand
awareness
series of about
big events
the run by your S
importance of the student vote in the general election. If youimportance
commit to of
going
the student
to the polling
vote in station
the general
on election
election.
dayIf ityou
willcommit
put pressure
to going
on to the polling
the MP candidates, who want your vote, to make a pledgethe
in favour
MP candidates,
of issues that
whoare
want
important
your vote,
to students.
to make There
a pledge
are in
32,000
favour students
of issues that are imp
at the University of Nottingham alone. In the 2005 generalatelection,
the University
Nottingham
of Nottingham
South (thealone.
area that
In the
encompasses
2005 general
University
election,
Park
Nottingham
and
South (th
Lenton) had only 42,000 votes so students can easily decide
Lenton)
who had
wins.only
Make
42,000
sure you
votes
take
so part!
students can easily decide who wins. Make sure you ta
Register to vote
Register to vote
You can register to vote in Nottingham and in your home town
You can register to vote in Nottingham and in your home town
(assuming these are different places, obviously) so wherever(assuming
you
these are different places, obviously) so wherever you
are on elections day, you’ll be able to vote.
are on elections day, you’ll be able to vote.
So, why are these elections so big and important?
So, why are these elections so big and important?
The students elected by you run your Students’ Union forThe
a year.
students
This elected
involvesby
being
you the
run student
your Students’
voice to,
Union
and for
getting
a year.
the This
best involves being the student voice to, and getting the best
can register
vote
now
www.aboutmyvote.co.uk. You can register
vote now
www.aboutmyvote.co.uk.
deal for students
They make
from,changes
the University
which and
improve
external
student
organisations.
life and run and
They make changes which You
improve
studenttolife
and
runatand
10 12-4pm deal for students from, the University and external organisations.
27th to
March
2010at12-4pm
27th March 2010
develop
the
opportunities
that
the
SU
provides
to
you,
its
develop
students
the
(for
opportunities
example,
the
that
SU’s
the
Athletic
SU
provides
Union,
to
societies
you,
its
and
students
student-run
(for
example,
the
SU’s
Athletic
Union,
societies
and
student-run
Nottingham city centre
Market Square, Nottingham city centre
Market Square, No
Big Debate
The Big Debate
services). They also develop and help run the SU’s services,
services).
such as
They
thealso
Student
develop
Advice
andand
helpRepresentation
run the SU’s services,
Centre, Mooch,
such as the
The Student Advice and The
Representation
Centre, Mooch, The
FREE
FREE
Tuesday
23rd,
7-9pm
Tuesday March 23rd, 2010 7-9pm
Den and the SU Shops, so it’s super important that you vote
Den for
andthe
thepeople
SU Shops,
you think
so it’swill
super
do the
important
best job
that
and
youwill
vote
push
for for
thethe
people you think will do the
best March
job and
will 2010
push for
the
Midlands
Conference
Centre,
East Midlands
Conference
Centre,
Nottingham
things in
that
you want.city
Don’t
forget,
things that
endyou
up being
want. Don’t
the Directors
forget, of
theapeople
£6.8 million
who are
organisation
elected endwith
up being the Directors ofEast
a £6.8
million
organisation
withUniversity Park, Nottingham
g a day of action
Nottingham
centre
to the people who are elected
We’re
organising
a dayUniversity
of action Park,
in Nottingham
city centreWe’re
to
organising a
FREE
FREE
over fees.
100 There’ll
staff too,
you should be confident that theyover
are competent
100 staff too,
to fillsosuch
you responsible
should be confident
shoes! that they are competent to fill such responsible
shoes!
crease in tuition
beso
performances,
say NO to an increase in tuition fees. There’ll be performances,
say NO to an incre
ore. The more people who join in, the more of an
speakers and more. The more people who join in, the morespeakers
of an and more
We’re organising a prospective parliamentary debate and We’re
we’re organising
parliamentary
andyour
we’re
ke, so comeWhy
along
your support.
impactait prospective
will make, so
come along debate
and show
support.impact
Look it will make,
is and
it soshow
important
to vote Look
in the elections?
Why is it so important to vote in the elections?
inviting all the Nottingham South MP candidates. This will be
inviting all the
SouthinMP
This e-newsletter
will be
ails in the Students’
Union
at of the Students’ UnionBy
out Nottingham
for more details
the candidates.
Students’ Union
and out
at for more details
By far the
moste-newsletter
important and
function
and
faritsthe
elected
most important
Officers isfunction
being the
of the
student
Students’
voice.Union
This is
and
where
its elected
the
Officers is being the student voice. This is where the
your opportunity to grill them, ask them questions and find out
your opportunity
to grill them, ask them questions and find out
ingham.ac.uk.
www.su.nottingham.ac.uk.
www.su.notting
SU makes the biggest difference. Your elected Officers are
SU makes
involved
theinbiggest
decisiondifference.
making inYour
all levels
elected
of the
Officers
University
are involved
and have
in decision making in allwhat
levels
of
the
University
and
have
they really stand for.
what they really stand for.
a large influence in many external businesses and organisations
a large influence
that affectin students.
many external
The reason
businesses
their efforts
and organisations
are so effective
that isaffect students. The reason their efforts are so effective is
because they are backed by the thousands of students who
because
have they
votedare
forbacked
them. They
by the
arethousands
there to represent
of students
YOU
whoand
have
thevoted
morefor them. They are there to represent YOU and the more
people that vote, the more proof there is that the direction
people
they that
takevote,
and the more
efforts proof
they make
there are
is that
what
theyou,
direction
the student
they take and the efforts they make are what you, the student
population want.
population want.
ANY-BODY MONTH
ANY-BODY MONTH
So, where can I keep up to date with the elections and So,
go and
where
vote?
can I keep up to date with the elections and go and vote?
The whole election – all the gossip, campaign shenanigans
The whole
and events
election
– are
– all
going
the gossip,
to be covered
campaign
by the
shenanigans
Students’ Union’s
and events
media
– are going to be covered by the Students’ Union’s media
services – URN (radio), NUTS (TV station) and Impact (this
services
magazine!).
– URN You
(radio),
can NUTS
get access
(TV station)
to all different
and Impact
types
(this
of magazine!).
content, fromYou can get access to
all different
typesMonth,
of content,
March
is Any-Body
a newfrom
series of events to get students,
March is Any-Body Month, a new series of events to get students,
videos, podcasts and articles of the candidates to the Official
videos,Facebook
podcasts page,
and articles
and from
of the
thecandidates
forum (where
to the
youOfficial
can askFacebook
any of page, and from thestaff
forum
(where
you
can
ask
of
and local residents to try any
out inclusive
sports like boccia,staff and local residents to try out inclusive sports like boccia,
the candidates questions) to the University Portal (where the
youcandidates
can vote). questions)
And don’t to
forget,
the University
we’ll alsoPortal
be broadcasting
(where you can
several
vote). And don’t forget, we’ll
also be broadcasting
wheelchair
rugby, football,several
archery and wheelchair basketball.
wheelchair rugby, football, archery and wheelchair basketball.
‘Candidate Question Times’ LIVE! You can access everything
‘Candidate
at www.su.nottingham.ac.uk/elections.
Question Times’ LIVE! You can access everything at www.su.nottingham.ac.uk/elections.
THROUGHOUT MARCH
THROUGHOUT MARCH
Events will be held across all three of the University’s campuses,
Events
so will be held across all three of the University’s campuses, so
wherever you’re based, you’ll be able to take part. People of
wherever
all
you’re based, you’ll be able to take part. People of all
arehelp
welcome,
so your
whether
you’re a complete beginner
abilities
or a are welcome, so whether you’re a complete beginner or a
From 8th – 21st March you can also help to shape your Students’
From 8th – 21st March youabilities
can also
to shape
Students’
seasoned
you can
come
along and give it a go!
seasoned pro, you can come along and give it a go!
Union’s future with the SU Big Review, a survey which is yourUnion’s future with the SU Big
Review,pro,
a survey
which
is your
chance to influence the way your Students’ Union develops over
chance to influence the way your Students’ Union develops over
the coming years.
the coming years.
THE SU BIG REVIEW
THE SU BIG REVIEW
WE DO WHAT YOU DECIDE WE DO WHAT YOU DECIDE
Win £250
Win £250
THE S.U.
BIG REVIEW
su.nottingham.ac.uk
su.nottingham.ac.uk
36
ISSUE 202
Any-body Month Events:
Any-body
Wednesday
10th
March
–
Sutton
Bonington
Wednesday
The survey only takes about 5 minutes to complete and everyone
The survey only takes about 5 minutes to complete and everyone
Wednesday
17th
March
–
Jubilee
Sports
Centre
Wednesday
who takes part will be entered into a prize draw. One luckywho takes part will be entered into a prize draw. One lucky
student will win £250 and five will win £50 – not bad for astudent
few will win £250 and Wednesday
five will win £5024th
– not March
bad for a– few
University Park
Wednesday
THE S.U.
VIat:EW
IG RtheEsurvey
You can
Bcomplete
Month Events:
10th March – Sutton Bonington
17th March – Jubilee Sports Centre
24th March – University Park
minutes of your time!
minutes of your time!
www.su.nottingham.ac.uk/survey.
Visit www.nottingham.ac.uk/sports/
Visit www.nottingham.ac.uk/sports/
You can complete the survey at:
anybodymonth for more details and to reserve
anybodymonth for more details and to reserve
www.su.nottingham.ac.uk/survey.
su.nottingham.ac.uk
your place on any of the events.
your place on any of the events.
su.nottingham.ac.uk
MARCH 2010
37
EXPOSURE
Are you looking for an opportunity that offers a good wage, an excellent CV addition and a chance to enhance your employability skills? Are you considering a career in teaching? Furthermore, would you like an opportunity that you enjoy, an opportunity that makes you !""#$%&&'$()'$()$&**&+,-).,/$.)$01.21$/&-3+"$4&5,$'"6).,"#/$(**+"2.(,"'7
If so, then we could have just what you’re looking for! We are delighted to offer two exciting initiatives that allow students studying at the University of Nottingham to work with local young people.
Student Associates Scheme
As part of an exciting national project, Student Associates work alongside an established classroom teacher in a primary or secondary school. Student Associates undertake activities such as helping small groups of pupils with class work, working 11 with pupils to improve attainment and some experience of non teaching aspects such as planning and preparation. The scheme allows individuals to gain experience in the classroom environment, help local young people and explore teaching as a possible career.
Commitment required
Phase 2Phase 2 will run as a block placement at the end of the academic year, during June and July. Associates are expected to attend their placement for 15 days, which will be undertaken full time for 3 weeks. Location
Placements take place in schools across Nottingham and the surrounding area. Should you be successful you are assigned to a school, after taking account of a number of key factors. Who can apply?
!"#$%&"#'#$(%$)*#+$,)$-..$%,/0#+,%$%,/01(+2$3(2"#4$50/&-,()+$6/-.(7&-,()+%8$#9&#*,$,")%#$:")$"-;#$
already achieved, or are already on a course, leading to QTS, or those who have undertaken the scheme previously. Applications are welcome from students of all courses, although subjects with some relation to those taught in schools are at an advantage for secondary placements. Applications are particularly welcomed from students studying maths related subjects, science (particularly chemistry & physics related courses), modern languages, design and technology, religious education, music and information technology. How much will I earn?
Student Associates will receive £200 per week, which is paid as a weekly tax free bursary.
You must attend an awareness raising meeting to be eligible to apply.
Various meetings are taking place on 17th, 19th and 23rd March. Please visit our website for exact details – www.ntu.ac.uk/http://www.ntu.ac.uk/current_students/while_here/students_classrooms You are welcome to attend any of the meetings taking place at any of the campuses.
For further information, please contact [email protected] or [email protected] or telephone 0115 848 4203
O")#$.-%K*P.4-##<"-+&#.1'*#41$0$/(#1&#S"1#T&8#M1('&+-
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ISSUE 202
THE DEATH OF AN ICON
40
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ISSUE 202
INTERVIEW STYLE
THE RISE OF THE WEB
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51
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MARCH 2010
53
BAND-LIFE
IF MUSIC BE THE FOOD OF LOVE . . .
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MARCH 2010
55
ARTS
IMPACTNOTTINGHAM.COM/ARTS
HOW ARE YOU?
STEPHEN LOVEJOY
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CAN ART CHANGE THE WORLD?
VICTORIA CARTER
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A VIEW OF NOTTINGHAM:
IMPACT ARTS COMPETITION
A
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56
ISSUE 202
)3+,&85"6%-+-+5.&-+-7%&8#.&'%&+.-%*6*%-%9&
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9-+,(3#40#N'(2*(&#W"D(G"0
MARCH 2010
57
ONE FOR THE BEDROOM WALL
THE MEANING OF STYLE
STEPHANIE SOH
@ THE NEW ART EXCHANGE
GISELLE KENNEDY
A&
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'"#4(#4/+$6#")#-1@(7#)+$(#1&#B)1'+1&m#
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+85.+8&'7#8;&#.9&13+-%&635-5$*#63,&
5)"-#'*(#IJe\3#+&7#L\3#.1'*#*+))".1&,#
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+&7#,%&#$)1-(A#!*(3(#4/""7O32/+''()(7#
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2()$(2'1"&#"5#4/+$6&(33#4(*1&7#3'0/(A
<1310(+0)=>%()?"/17)@>=>)
ANNUAL OPEN 2010
@NOTTINGHAM CASTLE
SOPHIE WATSON
N
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7#+9&54-<&1+-3&-3%&:584,&'%+.$&67#8%9&5.&
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<1310(+0)A%()B#/$()@>=>
CHITTY CHITTY BANG BANG
@ THE THEATRE ROYAL
HOLLY BROWN
Y
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58
ISSUE 202
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N*()-+&#4)"'*()3F#-%31$+/#&%-4()3#
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ALTERED BOOKS –ART FOR THE INARTISTIC
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MARCH 2010
59
ART TO DIE FOR?
TRAVEL
IMPACTNOTTINGHAM.COM/TRAVEL
IMPACT WRITERS ROSIE HENDRY AND VERENA VIEREGGE
EXPLORE THE ARGUMENTS FOR AND AGAINST THE DIVISIVE
ART OF THE GERMAN ARTIST GERORGE SCHNEIDER
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CUBA: A SOCIETY ON THE BRINK OF CHANGE?
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MARCH 2010
65
FILM
IMPACTNOTTINGHAM.COM/FILM
CELEBRATING
10 YEARS OF
MEXICAN CINEMA
FIVE MUST-SEE ASIAN HORROR FILMS
ROBERT MATHERS
AUDITION
BEN TAYLOR
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66
ISSUE 202
-+7(#2()#0(+)A#9&(D1'+4/08#'*13#-(+&3#
+#/"'#"5#)%4413*#:/-3#+)(#-+7(8#4%'#
13%*%#,&5.%&"+$3-&'%&#'7%&-5&-3+.;&5:&
"&(#")#'."#7($(&'#:/-3#2)"7%$(7#1&#
B)1'+1&#1&#+#0(+)8#'*(#+D()+,(#1&#=)+&$(#
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$"-2('1'1"&8#'*(#B+/6+&#:/-#1&7%3')0#13#
7"1&,#.(//A#9&#N/"D(&1+8#.*()(#'*(#'"'+/#
65647#-+5.&+,&*54$37(&-15&"+77+5.<&-3%+*&
6*5948-+5.&54-64-&+,&$5+.$&-5&'%&"483&
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/(338#1&#)($(&'#0(+)38#:/-3#3%$*#+3#i)%*#
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IJJ\38#."&#'*(#B(3'#=")(1,&#=1/-#a3$+)#
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7(4+'(+4/(#.*('*()#B+/6+&#:/-3#$+&#
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-")(8#1'#3*"%/7&F'#4(#%&7()(3'1-+'(7A##
!*13#:/-#13#3"#-%$*#-")(#'*+&#+#230$*"/",1$+/#*"))")A#9'#
*+3#+#$/(D()#+&7#$"-2/(@#2/"'8#.*1$*#13&F'#%3%+//0#5"%&7#
1&#+#*"))")#:/-A#9'#'""6#'."#7('+1/(7#D1(.1&,3#5")#-(#'"#
%&7()3'+&7#1'3#3/0#4%'#2".()5%/#&+))+'1D(#'.13'3A#<1'*"%'#
32"1/1&,#1'#5")#0"%8#'*(#:/-#13#+4"%'#'."#,1)/3#,"1&,#'"#
/1D(#.1'*#'*(1)#3'(2O2+)(&'38#+5'()#'*(#7(+'*#"5#'*(1)#
41)'*#2+)(&'3A#=)"-#.1'*1&#'*(#*"%3(#5+-1/0#3($)('3#+)(#
(@2"3(78#)(+/1'0#13#'%)&(7#"&#1'3#*(+7#+&7#+#$"%2/(#"5#
,*"3'3#+&7#$")23(3#$+&#4(#5"%&7#61$61&,#+4"%'#+3#.(//A#
!*13#:/-#13#5+)#5)"-#713+22"1&'1&,#5")#'*"3(#.*"#/"D(#
7($"71&,#+&7#+&+/031&,#:/-38#")#'*"3(#.*"#G%3'#/16(#'*(#
*"))")#,(&)(#1&#,(&()+/A
THE EYE
!*(#[0(#13#+#2+)'1$%/+)/0#$)((20#:/-#1&#.*1$*#+#4/1&7#
$/+331$+/#D1"/1&13'#&+-(7#E%&#%&7(),"(3#+#$")&(+#
')+&32/+&'>#'*(#"&/0#$+'$*#13#'*+'#'*(#7"&")#.+3#$/+1)D"0+&'A#N""&#(&"%,*#1&#'*(#*"321'+/#
3*(#*+3#3(D()+/#,*"3'/0#(&$"%&'()3A#W""6#2+)'1$%/+)/0#5")#'*(#"&(#1&#'*(#$"))17")8#.*1$*#13#
4)1//1+&'/0#7"&(#7%(#'"#+#4/%))0#:)3'O2()3"&#D1(.#3*"'#+&7#2/(&'0#"5#'(&31"&A#!*)"%,*"%'#
'*(#:/-#'*(#+%71(&$(#/(+)&3#'*+'#'*(#7"&")#2)(71$'(7#+#713+3'()#'*+'#61//(7#'*)((#*%&7)(7#
2("2/(8#+5'()#.*1$*#3*(#*%&,#*()3(/5A#!".+)73#'*(#$"-$/%31"&#"5#'*(#:/-#E%&#2)(71$'3#+#
/+),(#3$+/(#713+3'()#"5#*()#".&8#.*+'#*+22(&3#1&#'*(#(&7#9#.1//#&"'#32"1/#5")#0"%A
MARCH 2010
67
REFLECTIVE CINEMA
IT’S CINEMA JIM BUT
NOT AS WE KNOW IT!
AVATAR: THE END OF
CINEMA?
LUCY KENDERDINE
C
JACK JONES
E
D(&#40#.)1'1&,#'*13#+)'1$/(#9#5((/#+#
$*%#-&,%.,%&5:&#66*%3%.,+5.&+.&
,1D1&,#Q+-(3#b+-()"&F3#/+'(3'#
:/-#TD+'+)#+&0#+''(&'1"&#+'#+//A#E%$*#/16(#
(54&15479&-*%#-&#&.#4$3-(&7+--7%&83+79<&!&
5((/#TD+'+)#3*"%/7#*+D(#4((&#'"/7#'"#,"#
,+-&+.&-3%&85*.%*&:5*&13+7%&#.9&-3+.;&#'54-&
.*+'#1'#*+3#7"&(A
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,"1&,#'"#3+0#'*+'#'*13#-"D1(#13#+#-"7()&#
7+0#-+3'()21($(#(1'*()A#E0#5(+)3#+)(#'*+'#
1'#-+0#*+D(#+/'()(7#'*(#-"D1(#/+&73$+2(#
+&7#2()*+23#&"'#5")#'*(#4(''()A
Q+-(3#b+-()"&F3#fP#D13%+/3#*+D(#4((&#
'*(#*"'#'"21$#"5#$"&D()3+'1"&8#/(+D1&,#
'*(#2%4/1$#$)+D1&,#-")(#"5#'*(#3+-(A#
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<"&7()/+&7#+&7#+#)(-+6(#"5#b/+3*#
"5#!*(#!1'+&3#Y3'+))1&,#TD+'+)F3#N+-#
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+7D+&$(-(&'3#b+-()"&#*+3#-+7(#.1'*#
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+&7#!()-1&+'")#]>#Q%7,-(&'#P+0A#!*()(#
+)(#(D(&#)($(&'#(@+-2/(3#3%$*#+3#QAQA#
T4)+-3F#N'+)#!)(68#+&7#0('#TD+'+)#*+3#J#
a3$+)#&"-1&+'1"&3#+&7#N'+)#!)(6#"&/0#d#
.1'*#&"#B(3'#=1/-#&"-1&+'1"&m
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+.948%9&85"#&#.9&#,;&:5*&,5"%-3+.$&
-")(#'*+&#'*(#$%))(&'#$)"2#+)(#2)"D171&,A#
S".(D()8#9#."&F'#4(#*"/71&,#-0#4)(+'*A
WHY AVATAR IS 2009’S ‘BEST PICTURE’
JOE HALL
T
*(#TD+'+)O.")3*1221&,#T$+7(-0#T.+)73#'*13#0(+)#
*+D(#4((&#-('#.1'*#7()131"&#+&7#$0&1$13-#+-"&,3'#
:/-#5+&3#+&7#$)1'1$3A#U"#"&(#.+&'3#+&"'*()#$()(-"&0#
"5#S"//0.""7#2)+131&,#1'3(/5A#T&7#$()'+1&/0#&"4"70#.+&'3#
+&"'*()#+,"&131&,/0#2"-2"%3#+$$(2'+&$(#32(($*#5)"-#Q+-(3#
b+-()"&A#9'#13#(+30#'"#5"),('8#*".(D()8#'*+'#7(321'(#+//#'*(#
`+.3#+&7#'*(#2"2%/13'#*02(8#TD+'+)#13#3'1//#+#,""7#:/-A#
E+&0#*+D(#+),%(7#'*+'#'*(#-+1&#$)%@#"5#'*(#3'")0#13#%&1&321)(78#
31-2/0#+#)(')+$1&,#"5#g"$+*"&'+3#")#P+&$(3#<1'*#<"/D(38#
0('#'+61&,#1&321)+'1"&#5)"-#+#'+/(#"5#'1-(/(33#D+/%(#7"(3#
&"'#(;%+'(#'"#+#4+7#-"D1(A#a&(#"&/0#*+3#'"#/""6#+'#Q"*&#
b+-24(//F3#!*(#S()"#<1'*#+#!*"%3+&7#=+$(3#'"#3((#'*+'#'*(#
-+G")1'0#"5#"%)#-"3'#$(/(4)+'(7#:/-3#5"//".#'*(#3+-(#+)$#"5#
+#*()"8#*13#3')%,,/(#+&7#*13#D1$'")0A#!*(#(@2()1(&$(#"&(#*+3#
.*1/(#.+'$*1&,#TD+'+)#13#.*"//0#"'*()#5)"-#'*(#(@2()1(&$(#
"5#.+'$*1&,#P+&$(3#.1'*#<"/D(3#")#+&0#"5#'*(#"'*()#:/-3#
1'#+3#4((&#+$$%3(7#"5#R$"201&,FA#TD+'+)#13#+4"%'#+#*%-+&#
2"33(331&,#'*(#5")-#"5#+#I]O5""'#'+//#4/%(#+/1(&#+&7#:,*'1&,#"55#
+&#1-2()1+/13'1$#hN#+)-0A#!*(3(#+)(#&"'#(@+$'/0#$"&$(2'3#'*+'#
"&(#."%/7#+%'"-+'1$+//0#+33"$1+'(#.1'*#+#-%$*O/"D(7#-"&(0O
68
ISSUE 202
321&&()A
U"#"'*()#:/-#)(/(+3(7#1&#]\\J#$+-(#$/"3(#'"#-+'$*1&,#'*(#
$1&(-+'1$#(@2()1(&$(#'*+'#TD+'+)#*+7#'"#"55()A#N'+)#!)(6#.+3#
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"&/0#TD+'+)#*+7#3%$*#*1,*#/(D(/3#"5#5+&'+308#1--()31"&#+&7#
2%)(#(&'()'+1&-(&'A#a&/0#'*(#N'+)#<+)3#")#W")7#"5#'*(#V1&,3#
:/-3#*+D(#"55()(7#+%71(&$(3#3%$*#7('+1/(7#+&7#4(+%'15%//0#
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MARCH 2010
71
A LIFE BEHIND BARS
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72
ISSUE 202
MARCH 2010
73
SCIENCE
IMPACTNOTTINGHAM.COM/SCIENCE
COFFEE BREAK?
PHILIP BOWYER
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MARCH 2010
75
RALEIGH
PARK
STUDENT LIVING MADE EASY
IMPACTNOTTINGHAM.COM/SCIENCE
GAMES
ROUNDUP
ALL INCLUSIVE RENTS INCLUDING:
BEN GRIFFIN
!
!
!
!
BIOSHOCK 2
iMUST HAVE ONE?
MARK WAINWRIGHT
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University internet in every room
Common room with 50”
LCD TV & Sky
On-site management and
security team
On-site bar & shop
!
!
!
!
Cleaning in communal areas
included in price
Car parking with over 100
spaces available
Large fridges
Leather sofas
A mixture of houses, en suites and standard rooms available
for undergraduates, postgraduates and nurses.
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GRATIS
IMPACTNOTTINGHAM.COM
CATCHING UP WITH GEORGE SAMPSON
MAD BUT TRUE
LUCY HAYES
ISSUE 202
CONTRIBUTORS
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