master plan and guiding principles master plan and guiding principles

Transcription

E
a r c h i t e c t U r a L s ta n d a r d s
arcHitEcturaL HiStory
buiLdinG typoLoGy Study
arcHitEcturaL typoLoGiES
t y p o L o G y i - v E r n a c u L a r G E o r G i a n c o L L E G i at E
t y p o L o G y i i - i n f o r m a L G E o r G i a n c o L L E G i at E
typoLoGy iii - formaL contEmporary GEorGian
typoLoGy iv - informaL contEmporary GEorGian
t y p o L o G y v - u t i L i ta r i a n
University
University
of
L o U i s i a n a a t L a f ay e t t e
MASTER PLAN AND GUIDING PRINCIPLES
of
L o U i s i a n a a t L a f ay e t t e
MASTER PLAN AND GUIDING PRINCIPLES
UNIVERSITY OF LOUISIANA AT LAFAYETTE
M A S T E R
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G U I D I N G
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ARCHITECTURAL HISTORY
E
A R C H I T E C T U R A L S TA N D A R D S
E A R LY B U I LT E N V I R ONM ENT
uL LafayEttE’S EarLy buiLt
EnvironmEnt
T he school whi ch woul d eve nt ua l l y beco me the University
of L oui si a na at L afayette wa s ori g i nally founded as
S out hwe stern L oui si a na I ndust ri a l I nstitute, thanks to
state l e g i sl at i on dat i ng to 1 8 9 8 . T he University ’s first
presi dent , Dr. Edwi n Ste phens, const r ucted the initial
ca m pus on 2 5 a cre s of donated l a nd from the Girard
fa m i l y i n t he ye a r 1 9 0 0 ( often consi dered the school’s
fi rst yea r) . W hen t he school opene d i ts doors in 1901,
i t wa s com posed of 1 bui l di ng : t he ori ginal Mar tin Hall.
By 1 9 2 1 , t he school ha d out g rown i t s industr ial role,
t hus droppi ng t hat t i t l e from i t s na m e. At this point the
school ’s ca m pus wa s com posed of m ultiple buildings,
t wo of whi ch ( Foster Ha l l a nd De-Cl ouet Hall) remain in
use to t hi s day.
Duri ng t he yea rs fol l owi ng t he t ra nsi t i on to Southwester n
L oui si a na I nst i t ute ( SL I ) , Dr. S tephens oversaw the
const ruct i on on m a ny of t he i coni c bui ldings around the
curre nt day qua dra ng l e. T he a ddi t i on of such buildings
a s G i ra rd H a l l , L ee H a l l , J udi ce -Ri ckels Hall and O.K .
Al l en H a l l , defi ned a di st i nct a rchi tectural language for
t he ca m pus’ bui l t env i ronm ent . T hi s language took its
cue s from G e org i a n a rchi tect ura l t ra di tions.
I n 1 9 3 8 , Dr. Ste phens ret i red from hi s role as president
of S L I . T he fol l owi ng presi dent , M r. L et h er Edward Frazar,
hel d offi ce for l ess t ha n t hre e ye a rs but drastically
cha nge d t he physi ca l cha ra cter of campus. Follow ing
t he a rchi tect ura l st yl e set fort h by his predecessor,
F ra za r qui ckl y ex pa nde d t he bui l t env ironment through
t he const ruct i on of num erous bui l di ngs. Most of these
bui l di ng s rem a i n operat i ona l , i ncl udi ng Har r is Hall, Ear l
K. L ong Gym , Bi tt l e H a l l , Broussa rd Hall, Mouton Hall,
S tephe ns M em ori a l L i bra r y, M cL a uri n Gym, Evangeline
Dorm , H a m i l ton Ha l l , a nd Burke -Haw t h or ne Hall.
Produced by Architects Southwest
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E
cLaSSicaL GEorGian coLLEGiatE
vErnacuLar GEorGian coLLEGiatE
T h e a rch itec t u ra l sty l e p re d o m i n a nt o n t he S L I ca m pus
t h ro u gh t h e ten u res o f S te p h en s a nd F ra za r drew
it s p rimar y i nf l u en c es f ro m t h e G e o rg i a n Col l eg i ate
t y p o lo gy. A th o ro u g h k n ow l e d ge o f thi s i nfl uence i s
cru cia l to th e co ntex t u a l u n d e rsta n di ng of a l l t he
su bse q u e nt ca m p u s d evel o p m e nt s .
W hi l e t he i nte rnat i ona l G e org i a n Per iod ended in the
1 8 4 0 ’s, Am e ri ca ex peri ence d a G eorgian Revival spanning
from roug hl y 1 9 0 0 to 1 9 4 0 . T his for m of Georgian
a rchi tect ure wa s t he conte m pora r y style dur ing the time
of t he Uni versi t y ’s e a rl i est g row t h. The Georgian Revival
wa s just one bra nch of a l a rger Colonial Revival across
Am e ri ca . As t he G eorg i a n Rev i val spread across the
count r y, verna cul a r bui l di ng st yl e s and elements began
to i nfl ue nce t he G eorg i a n t ypol og y, resulting in regional
va ri at i ons of t he hybri d st yl e.
C la ssical Geo rg i a n a rc h i tec t u re d eve l oped duri ng t he
co n secu t ive rei g n s o f G eo rge I – G eo rge I V of t he H ouse
o f H an ove r i n G reat B r i ta i n , d at i n g f ro m 1 7 2 0 to 1 8 4 0 .
Ty p ica l C las s i ca l G e o rg i a n c h a ra c te r i sti c s a re defi ned a s:
•
•
•
•
•
•
•
S im p le , sy m m et r i ca l , b ox- l i ke b u i l di ng m a sses
Ge n era l l y 1 - 2 sto r i e s
A ce ntra l e ntr y u s u a l l y featu re d a n el a borate
entab l atu re a n d p i l a ste rs , p a n e l ed doors a nd
t ran so m w i n d ows
D e nt il wo r k wa s co m m o n a s e m be l l i shm ent for
b u ild in g co r n i c es
M u lt i-p a n e d s a s h w i n d ows
D o rme rs
H ip p ed o r ga b l e d ro o fs u s ed m o st often
> > S T E P H E NS HAL L
Ver nacular Georgian Collegiate Revival represents the
most for mal of the architectural styles found on the
cur rent campus. This or iginal campus style is presented
in depth as Typology 1 of the Architectural Standards.
The continued use of this typology in proper locations
ensures the continued presence of rather traditional
built for ms in the more histor ic areas of the campus
master plan (ie. Quadrangle).
At SL I t he el e m ent s of G eorg i a n st y le became influenced
by t he ex i stence of t he Aca di a n a nd Creole typologies.
T hi s de pa rt ure from t he Cl a ssi ca l Georgian Collegiate
t ypol og y i s obser va bl e i n t he relative lack of classic
deta i l i ng , t he Creol e st yl e roof pi tches, and the loss of
el em e nt s whi ch were forei g n to t he local architectural
verna cul a r. T he resul t i ng st yl e wou ld best be descr ibed
a s a Ve rna cul a r Creol e G eorg i a n Collegiate.
UL Lafayette
W hi l e l a cki ng i n t he l eve l of for mality found in
Cl a ssi ca l G eorg i a n Archi tect ure , t his der ived version of
>> GIR AR D H ALL
M A S T E R
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E
UL L A FAY E T T E
uL LafayEttE - modErniSm
Fol l owi ng t he te rm s of Pre si dent s S tephens and Frazar,
M r. J oel L afayette Fl etcher beca m e president in 1941.
T hi s m ove m a rked a n overa l l shi ft i n the University ’s
bui l di ng st yl e from Tra di t i ona l G e orgian Collegiate
to one t hat wa s st rong l y i nfl uenced by the Moder nist
m ovem ent of t he t i m e. T hi s shi ft , w hich continued
for roug hl y 3 0 ye a rs, dra st i ca l l y changed the built
env i ronm e nt on UL L afayette’s ca m pus. Understanding
t he i dea s behi nd t hi s desi g n i deol og y best prepares one
to respond to i t s resul t s i n t he contem porar y contex t.
FJ Gay lor/UL Lafayette
M oderni sm a s seen on UL L afayette ’s campus was the
resul t of cha ng i ng desi g n i deol og i e s i n response to two
se pa rate a spect s of a rchi tect ura l i nfl uence, technology
a nd soci et y. Eng i nee ri ng a dva nce m ent s in both mater ials
a nd const ruct i on duri ng t he ea rl y 2 0 th centur y years
l i berated de si g ners from t he confi nes of traditional
const ruct i on m et hods. T hi s resul te d i n a renaissance of
bui l di ng i de a s on a g l oba l sca l e a nd hi stor ically speaking
i n a ver y short pe ri od of t i m e.
Coupl ed wi t h t he te chnol og i ca l a dva nces of the ear ly
1 9 0 0 ’s wa s t he g l oba l soci a l t urm oi l caused by Wor ld
Wa r I I . T he sense of di si l l usi onm ent follow ing the
confl i ct s created a desi re for a g l obalized style that
conveyed soci et y ’s exci te m ent rega rdi ng technology and
rejected t he need for t ra di t i ona l i de als. The resulting
st yl e focused he av i l y on puri t y of for m as a reaction
a ga i nst t he st yl i st i c excesse s a nd romantic idealism of
t he prev i ous cent ur y. M oderni st i deas dictated that
t here were ‘uni versa l t rut hs’ t hat could be obj ectively
di scove red t hroug h pure bui l t form s. This search for
pure form s wa s coupl e d wi t h t he i dea that buildings
were to be funct i ona l i n ever y deta i l . To achieve this
puri t y, a rchi tect s shed orna m e ntat i on from designs,
v i ewi ng such deta i l s a s l av i sh a nd super fluous. This
resul ted i n a n out ri g ht re je ct i on of any imitation of
t ra di t i ona l t ypol og i es.
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These ideas had been developing throughout the
pre-war years in both Amer ica and Europe. The
Ger man B auhaus had been exper imenting w ith the
relationship between technological advancement and
the language of the resulting craft. Philip Johnson’s
1932 MOMA exhibit, Inter national Exhibition of Moder n
Architecture, consolidated multiple stylistic ideals into
one concise movement dubbed the ‘Inter national Style’
(more commonly refer red to as Moder nism). As the war
spread, it drove the B auhaus and its ideas to Amer ica
w here they were to become the predominant stylistic
force behind institutional architecture from the 1930's
through the 1970's.
Typical elements of UL Lafayette’s Moder nist buildings
are 1) si mplicity of for m, often resulting in rectilinear
building masses, 2) minimal building or namentation
and 3) non-pitched roof for ms. These elements can be
seen today in such buildings as B illeaud, Montgomer y,
Whar ton, Angelle, Fletcher and the Conference
Center. One additional stylistic element specific to
moder nism is w hat shall be defined as a mater iality of
economy. Moder nist architects celebrated unor thodoxy
in mater ial usage. This resulted in nontraditional
mater ials used as façade and inter ior finishes. Often
inexpensive metals and plastics (resulting from the
technological advancements mentioned ear lier ) were
used as minimalist mater ial selections. This was favored
by Moder nist architects as a fur ther example of their
rej ection of histor ical building ideologies. This stylistic
shift enj oyed a few decades of prolific campus grow th
as the end of Wor ld War II signaled a population boom
w hich was later sustained locally due to petroleum
development focused on Lafayette and its University.
Another key aspect of Moder nism as studied on UL
Lafayette’s campus is its lack of respect for ur ban
and histor ical contex ts. Mo d ern i sts fe l t n o n ee d to
create buildings w hich fit wi th i n a w h o l e ; rath er, th ey
viewed each building as its ow n state me nt towa rd th e i r
ideology. Any attempt to interp ret tra d i ti o n a l sty l e s
was rej ected w ithin this scho o l o f th o u ght. On ca mp u s ,
architects were sensitive en o u gh to co n s i stentl y u s e
red br i ck as a university identi f i er; h oweve r, mo st o th e r
stylistic elements of Tradit i o n a l Ge o rgi a n Co l l e gi ate
were abandoned dur ing this p eri o d .
While Moder nists enj oyed th e i r f ree d o m f ro m
traditional architectural typo l o gi es , o n e a d va nta ge th ey
did not possess was generati o n s o f tri a l a n d e rro r to
fine tune their craft. As the fi rst p ro d u c ts o f th i s p ro l i f i c
movement began to age in th e p u b l i c eye a n u mb er
of deficiencies became ev i d e nt. Th e M o d ern i sts ’
penchant for a mater iality of e co n o my l e d to s u bsta nti a l
degradation, w hich occur red at a co n s i d e ra b l e rate. Th i s
degradation was all the more o bv i o u s d u e to mo d ern
architecture’s simple buildin g fo rms a n d gen e ra l l a c k o f
detail. Making matters wors e wa s th e fa c t th at w h i l e
many architects had embrac ed th e mi n i ma l i st i d e a s
behind moder nism, much of th e p u b l i c d i d n o t s h a re
this view of architecture. Thi s i s n o ti c e a b l e i n th e few
moder nist homes built and th e i r overa l l l a c k o f ma rket
desirability.
As the flaws of Moder nism’s d e s i gn revo l u ti o n we re l a i d
bare, aging buildings contin u ed l o s i n g th e i r e s s enti a l
character. General lack of u p kee p a n d /o r u p gra d i n g
often led University mainten a n c e to s ee k te mp o ra r y
solutions for building issues . Th e s e temp o ra r y p atc h es
many times fur ther degraded th e c h a ra c ter a n d q u a l i ty
of these buildings.
While cr iticisms of the legac y M o d ern i s m h a s l ef t o n
UL Lafayette’s campus are obv i o u s , th e i ntri n s i c va l u e
E
S E C TION C ONT ENT SECT I O N
poStmodErniSm
t h e se b u ild i n g s p o s s e s s ex i st s o n m u l ti pl e l eve l s. T he
m o st p ragm ati c o f t h e s e va l u e s i s t h e she er e conom i c
wo rt h o f over h a l f t h e ca m p u s . M e a s u red i n t he bi l l i ons
o f d o lla rs, M o d er n i s m ’s co n str u c t i o ns on ca m pus
co mp ile a m a jo r co m p o n ent w i th i n t h e Uni versi t y fa bri c.
B eyo n d t h ei r p hys i ca l wo r th , th e b u i l di ng s of t hi s era
p o sse ss arc h i te c t u ra l va l u e a s i co n s of 2 0 t h cent ur y
ad va n ce m e nts i n d es i g n a n d co n st r u c ti on whi ch have
ch an ge d t h e g l o b a l b u i l t e nvi ro n m ent l i ke no m ovem ent
b efo re it . Th i s i nf l u e n c e h a s h i sto r i ca l va l ue to UL
L afayette sp ec i f i ca l l y a s i t h a s n ow b e en t he predom i na nt
d efin in g fe atu re o f ca m p u s g row t h fo r over 7 0 yea rs.
M o d e rn ism ’s i nf l u e n c e a n d R a g i n C a ju n hi stor y ca nnot
b e sep arated i n th i s U n i vers i t y ’s p hys i ca l cha ra cte r. UL
L afayette ’s M o d er n i st b u i l d i n g s rep re sent a defi ni ng
arch ite ct u ra l t y p o l o g y ex i sti n g i n i t s ow n t i m e, rat he r
t h a n t y p o lo g i es b a s e d o n b u i l d i n g fo rm s whi ch were
cu rre nt in ye a rs p a st . I t i s fo r t h es e rea s ons t hat speci fi c
atte nt io n is p a i d to th e a s s e s s m e nt a n d t reat m ent of
t h e se b u ild i n g s w i t h i n t h e m a ste r p l a n a s t he Uni versi t y
m oves fo r wa rd i n i ts p hys i ca l g row th .
aftEr modErniSm
M ov in g b eyo n d M o d e r n Arc h i te c tu re’s i nfl uence on
UL Lafayette ’s p a st a n d f u tu re ca m pus g row t h, t he
t ra n sit io n ou t o f M o d e r n i s m ( h e re d ef i ned a round t he
ye a r 1981) w i l l b e i d e nti f i e d a s C o nte m pora r y G e org i a n
A rch ite ct u re . Th i s ty p o l o g y i s b e st u nde rstood a s a
gra d ient b etwe en th re e i d e nti f i a b l e b u i l di ng i deol og i es.
C amp u s d e s i g n o f th e p a st 3 0 yea rs ra nges bet ween
co mp et in g s c h o o l s o f th o u g ht i n Po stm oderni sm a nd
Ne o mo d e rn i s m . Th e b r i d g i n g e l em ent bet wee n t hese
o fte n co nt ra d i c to r y st y l es i s a t y p o l o g y be st l a bel ed
as S t ru ct u ra l E x p res s i o n i s m . An a l ys i s wi l l defi ne t he
gra d ient b et wee n t h e s e th re e t y p o l o g i e s. T he uni f yi ng
ele m e nt wh i c h ti es t h es e b u i l d i n g s b a c k to t he ca m pus
are t h eir cont i n u ed i nter p retat i o n s o f t he Tra di t i ona l
Ge o rgia n C o l l eg i ate Ty p o l o g y p revi o usl y de scri be d.
C o ntem p o ra r y G e o rg i a n , a s t h e co m posi te t ypol og y
d efin ed h erei n , e n co m p a s s es a w i d e ra nge of de si g n
p o te nt ia ls m e a nt to a l l ow fo r d y n a m i c g row t h whi l e
m aintain in g a co nti g u o u s ca m p u s l a n g u age.
T he e nerg y cri ses of t he 1 9 7 0 ' s a n d the oil bust of the
1 9 8 0 s ha d dra m at i c effe ct s on L afayette and thus the
Uni versi t y. W i t h Presi dent Rougea u’s campus expansion
endi ng a round 1 9 7 1 , a rel at i ve l ul l in new constr uction
on UL L afayette ’s ca m pus wa s fe lt for years to come.
As Pre si dent Aut hem ent took over in 1974, a new
a rchi tect ura l st yl e wa s e m erg i ng as a direct rej ection
of t he tenet s of Moderni sm . Post moder nism, as it has
com e to be ca l l e d, em e rge d i n t he late 1970's on the
g l oba l a rchi tect ure scene a nd would eventually leave its
m a rk on t he bui l t env i ronm ent at UL Lafayette.
Post m oderni sm devel oped from t he philosophical ideas
of Ex i stent i a l i sm . T hi s i de ol og y valued relativism over
t he uni versa l t rut h’s m a i nta i ned by Moder nism and thus
t houg ht t he esse nce of a bui l di ng lies in the obser ver ’s
contex t ua l i nterpretat i on of i t s va l u e . While Moder nism
st rove to a chi eve perfe ct i on t hrough minimalist for ms
a nd funct i on, Post m oderni sm stated that the attr ibutes
whi ch defi ne perfect i on a re t hem selves subj ective. This
m e a nt t hat a g l oba l i zat i on of st yle was inappropr iate
due to t he fa ct t hat a bui l di ng m ust be j udged w ithin
i t s spe ci fi c contex t , l est you do t he public a disser vice.
S t yl i st i ca l l y,
Post m oderni sm
rej ected
the
bland
object i v i sm i nhe re nt to Modern ism. This saw the
ret urn of hi stori ca l st yl i st i c references and thus the
rei nt roduct i on of orna m entat i on to the building façade.
Often t i m es, hi stori ca l refe ren ces from different
a rchi tect ura l st yl es coul d be found w ithin one building.
T he hi stori ca l refe re nces beca m e a source of decorative
el em e nt s whi ch desi g ne rs used freely to br ing life
ba ck to t he bui l di ng ’s ex teri or. T hese references were
t houg ht to com m uni cate a m e a ni ng to the public, not
a s a di rect na rrat i ve , but rat he r t h rough contemporar y
rei nterpretat i on of t hose key t ra ditional elements. In
reference to UL L afayette, t hi s opened the door for the
rei nt roduct i on of G eorg i a n Col l e giate elements back
i nto t he bui l t env i ronm ent .
I n t he l ate 1 9 9 0 s, t he renovat i on and addition to Dupré
L i bra r y presented i t sel f a s t he fi rst ‘strong ’ statement
of Post m ode rni st a rchi tect ure on campus. The new
bui l di ng pul l ed st yl i st i c el em e nt s from the or iginal
m oderni st l i bra r y bui l di ng a s we l l as paying homage to
t he t ra di t i ona l J udi ce-Ri cke l s Ha l l across the street. This
sensitivity to the building ’s histor ical and ur ban contex t
is another key element of Postmoder nism and can be
seen in Moody Hall’s reinter pretation of the architecture
around the Quadrangle as well as the Computer Sciences
Center ’s reinter pretation of traditional Georgian
Collegiate elements.
The reintroduction of sensitivity to contex t is a point of
par ticular impor tance to this analysis and master plan for
the University. While subj ective, as the Postmoder nists
would w ish, this aspect of design shall be highlighted
as not only desirable but cr ucial to the future grow th
of UL Lafayette’s campus. The i deas and methods of
the architectural styles w hich compose Contemporar y
Georgian Collegiate as we define it here may var y, but
a histor ical and ur ban contex tualization w ill ensure
that additions to the built environment contr ibute to a
contiguous campus style. This is par ticular ly impor tant
w ithin the campus proper specifically as buildings w ill
be w ithin a relative proximity to traditional examples of
Georgian Collegiate architecture.
No architectural style is w ithout its flaws and to this
end Postmoder nism is no exception. Cr itiques of
Postmoder nism tend to focus on the reintroduction of
histor ical elements as or namentation. Some feel this
presents a super ficial sincer ity, or a skin deep “ tradition”.
This super ficiality, it is argued, is no substitution for
real tradition (w ithout quotation mar ks). The use of
traditional str uctural elements as pure or namentation
w ithout a str uctural use (as seen in br ick arches w ith
keystones on a steel lintel) is not an honest building use
and is considered inappropr iate by some cr itics.
Another potential r isk in propagating the use
of Postmoder nism as design intent is the r isk of
misinter pretation by the designer of traditional
elements. This aspect is highly subj ective thus making it
difficult to define and control. However, reinter preting
traditional elements w ithout a highly developed
sensitivity to propor tion, scale and histor ical design
intent can result in an innate sense of ‘fakeness’ and
the inappropr iate use of detailing. This can result in a
subconscious reading of a building w hich communicates
a lack of quality as is often felt w hen view ing typical
commercial developments of today.
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S TR U C T U R A L E X P R ESSIONISM
NE OM O D E R N I S M
StructuraL ExprESSioniSm
Anot her st yl i st i c depa rt ure from Moder nism established
i t sel f i n t he t ypol og y of St ruct ural Expressionism.
S om et i m es referred to a s H i g h-tech architecture
due to i t s st yl i st i c tende nci es towa rds an industr ial
a e st het i c, t hi s desi g n l a ng ua ge wa s a n attempt by late
m oderni st s to com bat t he m i ni m a l e mptiness found in
M oderni sm . Rat her t ha n t hrow out t he ideological tenet
t hat decorat i on wi t hout funct i on was inappropr iate,
S t ruct ura l Ex pressi oni sm cel ebrate d building systems
to cre ate a v i sua l com pl ex i t y a s a design element.
Prev i ousl y hi dden el em ent s wi t hi n t he building , such
a s st ruct ure a nd m echa ni ca l system s , were not only
revea l e d but a rt i cul ate d a s a poi nt of focus in lieu of
a ppl i e d orna m e ntat i on.
W hi l e reta i ni ng t he honest y of Modernist functionality,
S t ruct ura l Ex pre ssi oni sm prov i de s t he obser ver a new
a e st het i c i n re sponse to t he cri t i ques a gainst minimalism.
T hi s form of desi g n pays hom a ge to t h e ar t and science
of bui l di ng desi g n a nd const ruct i on by boasting the
te chni ca l a spect s of bui l di ng s by ex ter naliz ing them.
T hi s i s not to say t hat t he st yl e pres ents standard or
unatt ra ct i ve const ruct i on deta i l s, rat her (as the name
i m pl i es) t he a rt i cul at i on of t he se el ements becomes a
t rue form of ex pre ssi on.
IMAGE DESCRIPTION:
E S T U A R I N E H A B I TAT S A N D C O A S TA L F I S H E R I E S C E N T E R
FJ Gay lor/UL Lafayette
104
C ha rre tte : 1 0 .1 7 .11
nEomodErniSm
This typology is ex tremely impor tant to the analysi s
of the University ’s architectural her itage and to the
coordination of future design intent due to the fact
that it is capable of acting as a stylistic br idge between
Moder nism and Postmoder nism. While the tenets of
Postmoder nism are in complete contrast to the ideology
behind Moder nism, Str uctural Expressionism’s flexibility
allows it to blend seamlessly w ith both styles. This is no
more evident than as seen in the two coastal research
centers located adj acent to one another on the Campus
Commons. While an analysis of the Wetlands Research
Center would uncover Str uctural Expressionism w ith
a Postmoder nist sensitivity, the same analysis of the
Estuar ine Habitats and Coastal Fisher ies Center would
expose the same typological elements w ith a tendency
towards Neomoder nism. Despite the contrasting
influences w ithin these examples, the two buildings
complement each other contr ibuting to a general sense
of commonality. On a larger scale, the use of Str uctural
Expressionism as a tool for negotiating contrasting
styles could contr ibute to an overall sense of place, a
rather desirable result w hen str iving to create a campus
w ith both complexity and similar ity.
EStuarinE HabitatS and coaStaL fiSHEriES cEntEr
The final var iation of conte mp o ra r y a rc h i te c tu re a s
seen w ithin the contex t of U L L afayette’s ca mp u s i s
the stylistic var iation know n a s Neo mo d e rn i s m. Th i s
ideology buil ds on the idea s o f M o d e rn i s m w h i l e
addressing many of the is s u e s p re s ent i n h i sto ri ca l
cr itiques of the Moder nist sty l e. Ne o mo d ern i s m, b u i l t
on the idea that the Inter nati o n a l Sty l e wa s n o t s i mp l y
a stylistic response to taste (n o t a fa d ), h o l d s to th e
concept that Moder nism was a l egi ti mate p a ra d i gm s h i f t
in architectural histor y. Thi s i d eo l o gy ma i nta i n s th at
tr uth and per fection do indeed ex i st i n a u n i vers a l fo rm.
With clar ity of intent w hich co u l d a l mo st b e co n s i d e red
spir itual, Neomoder nists view th e res u l ts o f M o d ern i s m
as more than a position on or n a me ntati o n a n d mo re a s a
definitive break from all buil t fo rms w h i c h ca me b efo re
it.
With the histor y of Moder n i s m n ow at th ei r d i s p o s a l ,
Neomoder nists are able to b u i l d o n th e s i mi l a ri ti es
they share w ith the parent ty p o l o gy. A re n ewed s en s e
of simplicity responds to th e e c l ec ti c co mp l ex i ty
Postmoder nism has placed at th e fo ref ro nt o f
contemporar y design. Neomo d ern i s m’s ten ets o n c e
E
S TR U C TU R A L EXPRESSI O NI SM
N E OMOD E R N ISM
aga in rej ect h i sto r i ca l i m i tati o n a n d th us create l a rgel y
monolithic works. This is not to say that Neomodernism
is simply continued Modernism. Lessons have been
learned from the early days of Modernism.
Neomodernism tends to reject the materiality of
economy which became prevalent in Modernist works.
Closer attention to detailing and materiality strives
t o a d d a s e n s e o f p e r m a n e n c e t o t h e s e c o n t e m p o ra r y
works. Neomodernists are also less strictly bound
b y t h e r i g i d p u r s u i t o f o b j e c t i v e p e r fe c t i o n i n t h e
b u i l t fo r m . E x a m p l e s o f t h i s n e w i d e o l o g y o n U L
L a f a y e t t e ’s c a m p u s a r e t h e L I T E C e n t e r a n d t h e
U n i v e r s i t y A r t M u s e u m . T h e ‘e g g ’ fo r m a t t h e L I T E
Center and the addition of the blue lighting at the
University Art Museum both represent deviation from
purely functional design elements. This speaks to a
r e n e w e d u n d e r s t a n d i n g t h a t b e y o n d f u n c t i o n a l i t y,
Neomodernist buildings also strive to attain a sense
of value through aesthetics.
body of work. Rather than neglect historical and urban
c o n t e x t , N e o m o d e r n i s m s t r i v e s t o i n c o r p o ra t e w i t h i n i t s
particular time and place. This contextualization often
s t r i v e s fo r a n u n o r t h o d o x a p p r o a c h t o r e s p o n s i v e n e s s .
One such example is the way the University Art Museum
i n t e ra c t s w i t h t h e a d j a c e n t , a n d h i g h l y t ra d i t i o n a l , A .
H a y s To w n B u i l d i n g . D ra w i n g i t s i n i t i a l d e s i g n q u e u e s
f r o m t h e c o l o n n a d e o f t h e 1 9 6 7 h o u s e , t h e s t r u c t u ra l
columns as well as detailed joints within the museum
are all aligned with the Doric columns on the original
building. The museum design also plays with ideas of
t ra n s p a r e n c y w i t h i n i t s f a ç a d e t o i n t e n t i o n a l l y f ra m e
i d e a l v i e w s o f t h e A . H a y s To w n B u i l d i n g . R e f l e c t i v e
glass attempts to become invisible during daylight and
s u n s e t h o u r s , r e s p e c t f u l l y r e c e d i n g t o t h e g ra n d e u r o f
the plantation style house. During evening hours the
m u s e u m a n d t ra d i t i o n a l b u i l d i n g s l i g h t u p b l u e a n d
w h i t e r e s p e c t i v e l y s p e a k i n g t o t h e c o n t ra s t c r e a t e d
b e t w e e n t ra d i t i o n a l r e v i v a l a n d N e o m o d e r n i s m .
Po s s i b l y t h e m o s t i m p o r t a n t fe a t u r e o f N e o m o d e r n i s m ’s
deviations from classical Modernist thought is the
introduction of the importance of context within the
pauL and LuLu HiLLard univErSity art muSEum
LouiSiana immErSivE tEcHnoLoGiES EntErpriSE cEntEr
M A S T E R
P L A N
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G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
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BUILDING TYPOLOGY STUDY - MAIN CAMPUS
E
U N I VER SI TY AVE.
ST. M ARY BLVD .
AV E
IEN
JUL
S .C A M P
HN
STO
N S
T.
US DR.
REX ST.
H EBR AR D BLVD .
BOUCH ER DR.
Specifically n o tewo r thy i n t h i s m a p a re th e few l ocat i ons
where a b u ild in g o f o n e t y p o l o g y i s l o cate d w i t hi n t he
contex t o f t h e o th e r t y p o l o g y ’s p re d o m i n a nt a rea s.
T hese are tellin g feat u re s o f th e U n i vers i t y ’s g row t h a nd
deve lo p m e nt wit h o u t th e p re s en c e o f a c l ea r l y defi ned
v isio n . O n e go a l of a ny m a ste r p l a n s h o u l d b e to a ddress
the se co n d it io n s i n a m a n n e r w h i c h i s a p p ropri ate for
the co nt in u ed existen c e o f b o th ty p o l o g i es .
JO
E LE W IS ST.
T hro u gh u se o f t h i s m a p t h e U n i vers i t y ca n be v i ewed
as d iv id e d by t h e s e two catego r i e s . Th e tra di t i ona l
Geo rgia n C o llegiate b u i l d i n g s a re p red o m i n ant i n t he
block co ntain in g t h e q u a d ra n g l e a n d t h e h o u si ng bl ock
alon g Un iversit y Aven u e . As t h e ca m p u s devel oped
sou t h o f S t . M a r y B o u l eva rd , m o d er n a rc h i te c t ure ga i ned
more p re sen ce a n d h a s co nti n u ed to m a i nta i n i t s hol d
of p re d o m in a n ce th ro u g h t h e p o st- m o d er n typol og i e s
prev io u sly d e scrib e d .
S T.
C amp u s an a lysis h a s t h u s fa r h i g h l i g hte d two m a jor
arch ite ct u ra l t rend s . Th e f i rst i s a n a rc h i te c t u ra l st yl e of
Geo rgia n C o lle giate b u i l d i n g s , p reva l ent i n the ca m pus
prop e r. T h e se con d s i g n i f i ca nt a rc h i tec t u ra l t rend i s
a co ntem p o rar y d e s i g n l a n g u a ge w h i c h i s cont i nua l l y
deve lo p in g sin ce t h e i nt ro d u c ti o n o f m o d e r n i s m t hroug h
the cu rrent d ay.
.
ExiStinG buiLdinG typoLoGy Study
U PA D R
.
INL
MC K
NON-TRADITIONAL
UTILITARIAN
106
C h a rre tte : 1 0 .1 7 .11
G
TULANE AVE.
TRADITIONAL
RK
D PA
IRAR
G IR A R D
PA R K
LANE
PA R K
G IR A R D
C IR C L E
DR.
TAFT ST.
T.
EY S
E
S .C A M P
HN
STO
N S
T.
E LE W IS ST.
JO
S T.
JUL
IEN
ST. M ARY BLVD .
AV E
.
These trends closely corre l ate w i th th ree d i sti n c t ti me
per iods of campus grow th . Th e f i rst o f th e s e p e ri o d s ,
spanning from 1900 – 1 941, s aw mo st o f th e tra d i ti o n a l
Georgian Collegi ate con stru c ti o n . Th e s e co n d p eri o d ,
between 1942 and 1971, s aw a few tra d i ti o n a l b u i l d i n gs
go up. However, the peri o d wa s p re d o mi n a ntl y ma rked
by buildings w hose majo r i nf l u e n c e s ca me f ro m th e
moder nist movement of th e mi d - c entu r y. So me e l eme nts
from the traditional G eo rgi a n sty l e were i nterp reted
through the moder nist st y l e u s ed o n ca mp u s . Si n c e 1972,
the University ’s grow th h a s b e en o n e b est c h a ra c te ri zed
as Postmoder n and Contemp o ra r y .
US DR.
REX ST.
BOUCH ER DR.
H EBR AR D BLVD .
U PA D R
.
INL
MC K
TULANE AVE.
G
RK
D PA
IRAR
G IR A R D
PA R K
LANE
PA R K
G IR A R D
C IR C L E
T.
EY S
DR.
TAFT ST.
1900 - 1941
1942 - 1971
1972 - PRESENT
M A S T E R
P L A N
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G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
107
E
AV E
IEN
JUL
JO
Gira rd H a ll, M a rt i n H a l l , P re s i d ent ’s Res i d en ce, Bi tt l e Ha l l ,
Step h e n s H a ll, Mc L a u r i n Gy m , Ju d i c e- R i c ke l s Ha l l , O. K. Al l en
Hal l, A . H ays Town B u i l d i n g , U L L afayette Fo u ndat i on
ST. M ARY BLVD .
typE i GEorGian coLLEGiatE (formaL)
S T.
Viewin g t h e ca m p u s ’ o rga n i zat i o n by a ssi g ni ng t he 5
typo lo gica l classif i cati o n s , a c l u ste r i n g o f t y p ol og i es becom e s
evid e nt . Pa rt icu l a r l y, g ro u ps o f t y p o l o g i es 2 a nd 4 sta rt to
app ear wit h sp e ci f i c s et p i e c e s o f t y p o l o g i e s 1 a nd 3 nest l i ng
with in t h e se gro u p i n g s . Al s o evi d e nt a re s o m e a rea s whe re
rand o m a sso rt ments o f ty p o l o g i es a re p re s ent wi t hout a ny
pre d o m in a nt o rga n i zat i o n .
.
HN
STO
N S
T.
Mou to n H a ll, M ax i m D o u c et H a l l , Fo ster H a l l , F.G . Mouton
Hal l, D e clo u et H al l , L ee H a l l , B ro u s s a rd H a l l , B urke -Haw t horne
Hal l, O u r L ad y o f W i s d o m C h a p el , S a u c i er Cl i ni c, Ra ndol ph
Hal l, A lu m n i H a ll ( Th e Ve r m i l i o n ) , B u c h a n a n H a l l , Ba ke r H uger
Hal l, B o n in H all, Eva n gel i n e H a l l , H a r r i s H a l l , H a m i l ton H a l l ,
Ear l K . L o n g Gy m
S .C A M P
E LE W IS ST.
typE ii GEorGian coLLEGiatE (informaL)
US DR.
REX ST.
typE iii formaL contEmporary GEorGian
H EBR AR D BLVD .
typE iv informaL contEmporary GEorGian
BOUCH ER DR.
Moo d y H all, A n gel l e H a l l , Al u m n i C ente r, D u p re L i bra r y
U PA D R
.
O liv ie r H a ll, C o ro n a H a l l , G u i l l o r y H a l l , V. L . W h a rton H a l l , Publ i c
Par k in g Ga rage, B i l l e a u d H a l l , M o ntgo m e r y H a l l , Conference
C enter, M a d iso n H a l l , H . L . G r i ff i n H a l l , C . L . Rougea u H a l l ,
Advan ce d C o mp u te r Tec h n o l o g y a n d Re s ea rc h H a l l , J oel L .
Fletch e r H a ll, L e ga c y Pa r k , C a ju n V i l l a ge, U L L afayette Daycare C ente r, Pau l a n d L u l u H i l l i a rd U n i vers i t y Art M use um ,
Stud ent Un io n
TYPE II
TYPE III
TYPE IV
TYPE V
108
C h a rre tte : 1 0 .1 7 .11
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G IR A R D
C IR C L E
R
GIRA
TYPE I
TULANE AVE.
Mainten an ce Facil i ty, C e nt ra l Re c e i vi n g
G IR A R D
PA R K
LANE
typE v utiLitarian
INL
MC K
RK
D PA
DR.
TAFT ST.
T.
EY S
E
EXISTING BUILDINGS - MAIN CAMPUS
ST
.L
AN
D
R
Y
ST
.
EXISTING BUILDINGS - MAIN CAMPUS
38
62
EN
AV
72
S
T.
45
34
4
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P
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.
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RK
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.
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30
67
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.
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.
25
58
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.
56
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8
69
71
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16
66
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61
46
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23
18
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S
37
58
73
27
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IS
12
36
58
R
E.
HN
W
4 0 . I NT ERNAT I O NAL BUI L DI NG
S E A R C H H A LL (C OMP UT ER
4 1 . J UDI CE- RI CKEL S HAL L
S C IE N C E )
4 2 . KAJ UN WASHET ERI A
2.
A . H AY S TOW N B U ILD IN G
4 3 . L EE HAL L
3.
A LE TA (A C A D IA N A LAW
4 4 . L EG ACY APART M ENT S
E N FOR C E ME N T TR A IN I NG
4 5 . M ADI SO N HAL L
A C A D E MY )
4 6 . M AI NT ENANCE FACI L I T Y
4.
A LU MN I C E N TE R
4 7 . M ART I N HAL L
5.
A LU MN I H A LL (TH E V E R -
4 8 . M AXI M D. DO UCET HAL L
MILION )
4 9 . M CL AURI N G YM
6.
A N GE LLE H A LL
5 0 . M O NT G O M ERY HAL L
7.
B A K E R -H U GE R H A LL
5 1 . M O O DY HAL L
8.
B A N C R OFT H A LL
5 2 . M O UTO N HAL L
9.
B A N K ON E B U ILD IN G
5 3 . O . K. AL L EN HAL L
E.
41
10
LE
59
AV
68
26
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TY
ST
.
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50
19
15
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. J
ST
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B
D
A
13
9
.
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54
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20
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53
43
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7
21 5 14
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C
28
35
63 H E
R
D
R
.
49
11
52
32
3 9 . I NF O RM AT I O N CENT ER
TE C H N OLOGY & R E -
Y
29
65
24
51
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LE
47
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N
57
48
40
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.
31
60
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C
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39
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33
3
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A D VA N C E D C OMP U TE R
1.
64
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ST
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m ain c ampuS & S t . L andry c orridor
E xiStinG b uiLdinGS
10. B ILLE A U D H A LL
5 4 . O L I VI ER HAL L
11.
5 5 . O N T HE G EAUX
B ITTLE H A LL
5 6 . PARKER HAL L ( PHYSI CAL
12. B ON IN H A LL
PL ANT )
13. B R OU S S A R D H A LL
14. B U C H A N A N H A LL
5 7 . PRESI DENT ’S RESI DENCE
15. B U R K E -H AW TH OR N E HAL L
5 8 . PUBL I C PARKI NG
16. C A J U N V ILLA GE
5 9 . RANDO L PH HAL L
17. C A FE FLE U R -D E -LIS
6 0 . RO T C BUI L DI NG
18. C E N TR A L R E C E IV IN G
6 1 . RO UG EO U HAL L
19. C ON FE R E N C E C E N TE R
6 2 . RO Y HO USE
20. C ON TIN U IN G E D U C ATIO N
6 3 . SAUCI ER CL I NI C
6 4 . SO UL I ER HO USE
C E N TE R
RK
2
70
21. C OR ON N A H A LL
6 5 . ST EPHENS HAL L
22. C R E D IT U N ION
6 6 . STO KES HAL L A
23. D AY C A R E C E N TE R
6 7 . STO KES HAL L B
24. D E C LOU E T H A LL
6 8 . ST UDENT UNI O N
25. D E N B O H A LLL
6 9 . UL L AFAYET T E F O UNDATION
26. D U P R E LIB R A RY
27. E A R L K . LON G GY M
7 0 . UNI VERSI T Y ART M USEUM
28. E VA N GE LIN E H A LL
7 1 . VI SUAL ART S ANNEX
29. F.G. MOU TON H A LL
7 2 . W HARTO N HAL L
30. FLE TC H E R H A LL
7 3 . W I SDO M CHAPEL
31. FOS TE R H A LL
32. FR E N C H H OU S E
33. GIR A R D H A LL
34. GR IFFIN H A LL
35. GU ILLORY H A LL
36. H A MILTON H A LL
37. H A R R IS H A LL
38. H AW K IN S H OU S E
M A S T E R
P L A N
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E
EXISTING BUILDINGS - UNIVERSITY COMMONS
EXISTING BUILDINGS - UNIVERSITY COMMONS
u nivErSity c ommonS d iStrict E xiStinG b uiLdinGS
1.
ABDALLA HALL
2 9 . WAGNER HOUSE
2.
A G R I C U LT U R A L FACIL I-
3 0 . WHIT T INGTON H OU S E
ER
AS
LA
TE
N
RD
Y
DR
.
TIES
B L A C K H A M C OL ISEUM
24
JU
AT H L E T I C C O MPL EX
4.
CA
3.
ND
COMPLEX
C A J U N C O U RTS/CUL OT TA
12
E
B O U R G E O I S H AL L
6.
OM
5.
BL
CENTER
CAJUNDOME
8.
CAJUN FIELD
9.
C A J U N T R A C K /SOCCER
VD
7.
FA C I L I T I E S
10. C E C I L J . P I C A R D HAL L
( C E N T E R F O R CHIL D DE-
1
VELOPMENT)
11.
C R E A M E RY B UIL DING
18
12. E S T U A R I N E H ABITAT S
C O A S TA L F I S HERIES RES E A R C H C E N T ER
E.
13. F R AT E R N I T Y R OW
V
DE
AL
CO
T
UR
ST
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SO
21
VE
N
IR
GA
TE
14
14. H I LTO N G A R D E N INN
15. I R A N E L S O N H ORT ICUL TURE CENTER
7
17
16. L A FAY E T T E C ONVENT ION
16
CENTER
26
17. L A FAY E T T E E C ONOM IC
D E V E L O P M E N T AUT HORITY
W
.C
G
R
E
13
8
22
EU
19. L A M S O N R A G I N ’ CAJUNS
O
N
LIS
C A R E FA C I L I T Y
.
ST
CO
18. L A FAY E T T E P R IM ARY
SS
.
CENTER
DR
22. L O U I S I A N A A C CEL ERATOR
6
ND
ENTERPRISE)
RA
S I V E T E C H N O L OGIES
20
RT
21. L I T E ( L O U I S I A NA IM M ER-
23. M O O R E F I E L D
23
9
29
EG
2
4
E
.
RD
TER
28. S T U D E N T T E N N IS COURT S
C h a rre tte : 1 0 .1 7 .11
5
15
LL
27. S T U D E N T A Q U AT IC CEN-
11 0
2
CO
26. S O R O R I T Y R O W
19
N.
25. P R I N T I N G S E RVICES
28
27
24. N AT I O N A L W E T L ANDS
R E S E A R C H C E NT ER
25
3
BE
D O O R P R A C T I CE FACIL IT Y
D.
M R
S O F T B A L L PA R K
20. L E O N M O N C L A SR. IN-
11
30
JO
H
TO
NS
T.
N S
E
ARCHITECTURAL TYPOLOGIES
The aim of the Architectural Standards is to create
a source book for the creation of future campus
buildings. This collection of architectural infor mati on is
intended to guide the designs of buildings to ensure the
creation of a campus w hich is stylistically contiguous
w hile maintaining a r ichness of diversity. This goal is
obtained through the creation of five hierarchical
‘B uilding Typologies’. Thusly, the Master Plan w ill define
appropr iate locations for the use of each typology.
To accomplish the goal of creating a flexible architectural
palette w hich enables var iation w hile maintaining
continuity, the architectural regulations are str uctured
around a hierarchy of B uilding Typologies. Each type
is intended to allow deliver y of appropr iately designed
buildings at var ying pr ice points based on intended use
and contex t w ithin the campus fabr ic. These typologies
are divided into Typologies I, II, III, IV and V.
General intent establishes that Typology I is the most
for mal and is based on the campus’ histor ic values.
As a result it is anticipated that this w ill be the most
expensive to create. Typology II follows the same stylistic
queues as Typology I but contains less for mal elements
to limit both its building cost as well as its architectural
significance. Typology III creates a contemporar y
depar ture from the traditional stylings of Types I and
II, w hile still draw ing elements for inter pretation from
the histor ical typology. Typology III is expected to cost
less than Type I but more than Type II. Typology IV is a
scaled dow n var iation of Type III and is expected to cost
less than Types II and III. Type V buildings are the most
utilitar ian; consequently they are regulated to ver y
limited campus areas.
typoLoGy i
typoLoGy ii
typoLoGy iii
typoLoGy iv
STEPHENS HALL
typoLoGy v
M A S T E R
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111
E
ER
AS
TE
LA
ND
RD
RY
.
CA
JU
ND
OM
Gen eral inte nt , e sta b l i s h es th at Ty p e I i s th e m ost form a l
and is b a se d o n t h e m a i n ca m p u s ’s h i sto r i c va l ues. As a
resu lt it is a nt icip ated th at t h i s w i l l b e t h e m o st ex pe nsi ve
to create. Ty p e I I i s sty l i st i ca l l y a d ep a r t u re from t he
origin a l arch ite ct u re o f th e b a s e h i sto r i c a rchi te ct ure
seen o n t h e m ain ca m p u s , w h i l e n o t i n ex p ensi ve, wi l l
be mo re affo rd ab l e th a n Ty p e I . Ty p e I I I b u il di ng s a re
inte n d e d fo r se co nd a r y st re et f ro nta ges , w h i c h a ssem bl e
usin g less exp e n s i ve m ater i a l s a n d co n s eq ue nt l y wi l l
ser ve a mo re u t ili ta r i a n f u n c ti o n . Ty p e I V b u il di ng s a re
the m o st u t ilitaria n ; co n s e q u e nt l y th ey a re rel egated to
ver y limite d ca m p u s a re a s .
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11 2
C h a rre tte : 1 0 .1 7 .11
LA
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E
TYPOLOGY I - VERNACULAR CREOLE GEORGIAN COLLEGIATE
maSSinG:
uL LafayEttE’S GEorGian coLLEGiatE HiStory
UL Lafayette’s Tra d i t i o n a l G e o rg i a n l a n g u a ge i s ba se d on t he a rchi tect ura l st yl e create d from 1 7 2 0-1840
du rin g t h e co n sec u t i ve re i g n s o f G eo rge I - G e orge I V of Ha nover i n UK.
Bet we en 1900 a n d 1 9 4 0 , a stro n g a rc h i tec tura l l a ng ua ge wa s devel oped on t he UL L afayette ca m pus based
aro u n d t h is arch i te c tu ra l sty l e, b u t ta m p ered wi t h l oca l creol e contex t . By 1 9 4 0 m ost of t he bui l dings on
ca mp u s wh ich ca n sti l l b e co n s i d ered tra d it i ona l ha d been const ructed. T he se i ncl ude Ol d Ma rtin Hall
(d emo lish ed ), Foster H a l l , D e C l o u et H a l l , G i ra rd Ha l l , L ee Ha l l , Bucha na n Ha l l , J udi ce-Ri ckel s H a l l , O. K. Allen
Ha ll, H arris H all , E . K. L o n g Gy m , B i ttl e H a l l , Broussa rd H a l l , M outon Ha l l , Stephens Ha l l , McL a uri n Gym,
Eva n ge lin e Gy m , H a m i l to n H a l l , B u r ke- H aw thorne Ha l l a nd S a uci er I nfi rm a r y. As prev i ousl y shown, these
bu ild in gs a re lo cate d m a i n l y n o r th o f S a i nt Ma r y St . centered a round t he qua dra ng l e.
▫
ST RI CT LY SYM M ET RI CAL
▫
CENT RAL ENT RY
▫
PRO PO RT I O NAL ANALYSI S
▫
M AJ O R BUI L DI NG EL EM ENT S
waLLS & roofS:
A q u ick a n alysi s o f t h e sty l e wo u l d p re s ent o n e wi t h a consensus of sym m et ri ca l re d bri ck bui l di ng s wi t h hipped
roo fs, h ip gab le o r ga b l e s a n d c l a s s i ca l d eta i li ng . T he sym m et r y t ypi ca l l y focused a round a cent ra l e ntrance,
usu a lly created by a st i l e a n d ra i l d o o r e m p ha si zed wi t h a n el a borate pe di m ent . Bui l di ng fenest rat i ons are
con siste nt ly sy m m etr i ca l . D o u b l e h u n g , m u l ti -pa ne wi ndows were ei t her recta ng ul a r, a rched or pa l a dian and
neve r p aired . E m b e l l i s h ed co r n i c es a n d d ent i l work were often used. Roofs a re t ypi ca l l y shi ng l ed a nd often
conta in d o rmers . B u i l d i n g s o f p a r t i c u l a r i m p orta nce we re m a rked wi t h tower el em ent s.
▫
RED- BRI CK
▫
HI PPED RO O F S ( SO M E W I T H DO RM ERS)
▫
G ABL ED RO O F S
windowS:
▫
DO UBL E HUNG , M ULT I - PANE W I NDO W S
▫
RECTANG UL AR, ARCHED AND PAL L ADI AN
doorS:
▫
CENT RAL ENT RANCE
▫
EL ABO RAT E PEDI M ENT
dEtaiLS:
▫
CL ASSI CAL DETAI L I NG
M A S T E R
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T Y P O L O G Y I - V E R N A C U L A R C R E O L E G E O R G I A N C O L L E G I AT E
E
11 4
C h a rre tte : 1 0 .1 7 .11
E
GEorGian coLLEGiatE
Georgian Collegiate a rc h i tec tu re e mp l oys stri c t
symmetr y w ithin its bu i l d i n g ma s s e s . Fo c u s ed a ro u n d a
grand central entr y, the b u i l d i n g el e ments a re ge n e ra l l y
mir rored hor izontally. A sy mmetri ca l s e n s e o f b a l a n c e i s
also present ver tically w i th i n a b u i l d i n g ’s fa ça d e. M o st
buildings also maintain a ge n era l sy mmetr y i n P l a n .
The most for mal Geo rgi a n Co l l egi ate b u i l d i n gs a re
sometimes treated w ith a c entra l tower el ement. Th e s e
are classically detailed a n d ca n b e q u i te o rn ate .
S TE P H E N S
S T E P H E N S HAL L
maSSinG
Understanding Georgi a n Co l l e gi ate a rc h i te c tu re at
its largest and most b a s i c s ca l e me a n s u n d e rsta n d i n g
symmetr y. This typology o rd e rs i ts b u i l d i n gs , b o th i n
plan and elevation, by stri c t sy mmetr y. Th i s sy mmetr y
is almost always centered o n th e b u i l d i n g ’s mo st
prominent entr y.
ST E P H E N S H ALL
CL
MA RTIN
This section focuses o n u n d e rsta n d i n g th e ty p o l o gy ’s
most basic r ules of mas s i n g a n d p ro p o rti o n . Th e s e a re
studied in both plan an d el evati o n . So me ma jo r b u i l d i n g
elements, such as towers , a re a l s o fe atu red h ere.
TY P O LO G Y I & I I
GIR A R D
B OTH TY P OLOG Y I AND I I ARE BASED O N T RADITION A L GE OR GI AN ARCHI T ECT URE. T HE DEF I NIN G E LE ME N TS BET W EEN T HE T W O ARE:
1.
L E V E L OF DE TA I LI NG
2.
O V E R A L L P RE S E NCE
3.
E C O N OMI C I MPA CT
TY P OLOGY I IS I NT ENDED F O R M AJ O R SET- PI ECES
W ITH IN TH E C A M PUS FABRI C. T HESE BUI L DI NG S
S H OU LD R E C E IV E PART I CUL AR AT T ENT I O N TO
D E TA IL A N D A R E G ENERAL LY T HE M O ST CO ST LY
OF TH E FIV E TYPO L O G I ES TO CO NST RUCT I F
ON E IS TO S TAY T RUE TO T HE RI CHNESS O F T HE
O S U L I BRARY
OR IGIN A L GE OR G I AN.
OSU LIBR A RY
CL
J U D IC E
M A S T E R
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115
E
P ROP O RT I O N A L A N ALYSIS
proportionaL anaLySiS
Alon g wit h sy m m et r y, a st ro n g s e n s e o f p ro port i on i s present
in t ra d it io n a l Geo rg i a n d es i g n . Th e o l d e st G eorg i a n hom es
were p ro p o rt io n ed af te r two c u b es jo i n e d hori zonta l l y. For
large r scales (i. e. G eo rg i a n C o l l eg i ate) t h e use of t he G ol den
Prop o rt io n , rat h e r th a n th e c u b e, i s m o re a ppropri ate . T he
prop o rt io n s p reva l ent i n t h e p revi o u s exa mpl es ca n be see n
here.
X
matEriaL dEfinition
3X
E x terio r fin ish sh a l l b e at l ea st 8 5 % re d b r i ck a nd g l a ss. Red
brick sh a ll match th e ex i sti n g ty p e fo u n d th ro u g hout t he ca m pus.
O nly a small p o rt i o n s h a l l co n s i st o f sto n e a n d/or pl a ste r.
X
GLASS - 15%
B R I C K - 7 1%
W OOD / ST U C C O / STONE - 14%
X
roof dEfinitionS
T he p rin cip al ro of o n a l l f ree sta n d i n g b u i ldi ng s sha l l be a
symm et rica l h ip o r ga b l e ro o f w i t h a s l o p e b et ween 6 :1 2 a nd
10:12 (except w h e re a va r i a n c e i s g ra nte d) . Roofs shoul d
be sh in gled to m atc h th e ex i sti n g ty p e fo u nd t hroug hout t he
cam p u s. A n cillar y Ro o fs ( atta c h e d to wa l l s or roofs) m ay be
shed s slo p ed n o les s t h a n 3 :1 2 . Eaves s h a l l b e cont i nuous, unl e ss
ove rh a n gin g a b a l co ny o r p o rc h . Eaves s h a l l have a n overha ng
f rom 12” to 26”.
OS U LIB R A RY
X
O SU L I BRARY
1:1.618
GOLD EN
R ATIO
E xp o se d Gu tters a n d D ow n s p o u ts s h a l l b e round, squa re, or
oge e. T h ey sh o u l d b e m a d e o f co p p er ( n o t coppe r-coated) or
bron ze a lu min u m. D ow n s p o u ts s h a l l b e p l a c e d at corners of t he
build in g le ast v is i b l e f ro m t h e b u i l d i n g ’s m ai n fa ca de. S pl a sh
Blocks sh a ll b e co n c rete, b r i c k, o r g rave l .
No t h ro u gh Ro o f Pen etrat i o n s fo r m e c h a n i ca l or el ect ri ca l
device s sh all b e a l l owed to p en et rate t h e ro o f at t he bui l di ng ’s
f rontages. Pe n et rat i o n s o f th e s e d evi c e s at a pproved l ocat i ons
will b e o f co lo r to m atc h t h e ro o f.
S TE P H E N S H A LL
11 6
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ST EPHENS HAL L
E
W IN D OW S
windowS
The Rectangular Sash Window i s p o s s i b l y th e mo st co mmo n
element present w ithin the G e o rgi a n Co l l e gi ate ty p o l o gy fo u n d
on campus. The proper (or imp ro p er) u s e o f th i s e l ement p l ays
a cr ucial role in the overall s u c c es s o f a b u i l d i n g ’s d e s i gn .
TH E MOST
D E S IR AB LE
WIN D OW
TR EATME N T IS
A C OMPLE TE
C A S E MEN T W ITH
A C AS T STON E
truE jack arcH witH propEr kEyStonE
Proper w indow selection is def i n e d h ere. A ra n ge o f a c c epta b l e
selections based on appearan c e, p erfo rma n c e a n d e co n o my
are eligible based on these p a ra mete rs . W i n d ow treatme nts
(head and sill conditions) are a l s o a ma jo r fa c to r i n a b u i l d i n g ’s
design. Multiple head and sill o pti o n s a re s h ow n .
S ILL. WOOD A N D
rEGuLar windowS
MAS ON RY AR E
A C C E P TAB LE
Windows shall be w hite wo o d o r a l u mi n u m, d o u b l e- h u n g
or single-hung sash w indows . Re c ta n gu l a r w i n d ows s h a l l b e
ver tically propor tioned and m ay b e o p e ra b l e (w i th a c c e pta n c e
from the University). Windows s h o u l d n o t b e p a i re d . Th e
w indow sash shall be located i nte ri o r to th e c ente rl i n e o f th e
wall.
C AS E MEN T
MATER IALS
TY P IC ALLY TW E LV E
OVE R TWE LV E
truE jack arcH
SpEciaLty windowS
Insulated w indows and Low- e w i n d ows a re en co u ra ged fo r
energy efficiency. These w in d ows mu st sti l l meet a l l o th er
typology design requirement s .
SILL TYP IC ALLY 4”6.” OVE R LA P TH E
OPE N IN G 1/2 TH E
StainEd
H EIGH T OF T H E
or
tintEd GLaSS
Not allowed except by var ian c e .
SILL
SHuttErS
SoLdiEr courSE
Not allowed except by var ian c e .
rEctanGuLar doubLE HunG SaSH window
window muntinS
Shall be tr ue divided light o r s i mu l ated d i v i d ed (f i xed o n th e
inter ior and ex ter ior sur faces ), a n d s h a l l c reate p a n el s o f s q u a re
or ver tical propor tion. Windows w i th o u t a n ex te ri o r mu nti n s h a l l
not be allowed.
rowLock
SiLL
(brickS
SLopEd away from buiLdinG)
window SiLL
All w indows in masonr y constru c ti o n s h a l l h ave a s i l l w h i c h
proj ects a minimum of 1 inch f ro m th e fa c e o f a b u i l d i n g. Si l l s
should be constr ucted of eit h er Ca st Sto n e o r B ri c k Row l o c k.
window HEad
All w indows shall have one o f th e p re s ente d h e a d co n d i ti o n s
(casement, Tr ue Jack Arch w i th / w i th o u t Keysto n e o r a B ri c k
Soldier Course). Windows in a B ri c k M a s o n r y wa l l w i th o u t a h ea d
condition are not acceptable .
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E
W I N D O WS
windowS
While Re ctan gu la r G e o rg i a n w i n d ows m ay b e used m ore often t ha n t hei r
Arch e d o r Palla d ia n co u nte r p a r ts , i t i s th e l atter st yl e s whi ch hol d posi t i ons
of m o re ca re a n d fo c u s . Th e s e w i n d ows c reate st rong v i sua l e l em ent s
with in a fa ça d e and s h o u l d b e u s e d s el ec t i ve l y a nd deta i l ed properl y.
Arch e d win d ows s h o u l d b e d o u b l e - h u n g o r si ng l e-hung sa sh wi ndows,
sim ilar to t h e Re cta n g u l a r W i n d ows . Arc h e d w i ndows a re com m onl y l a rger
in scale t h a n t h e i r re c ta n g u l a r co u nter p a r t s a nd m ay exceed t wel ve ove r
twel ve . Pro p e r h ea d a n d s i l l tre at m ents a re c r uci a l .
Pall ad ian Win d ows a re t h e m o st d eta i l ed a nd g ra nd of t he G eorg i a n
wind ows, t h u s m a k i n g th e m th e m o st re str i c t i ve. Proper proport i ons a nd
detailin g are d efi n e d h e re a n d exc e pti o n s to t hese shoul d be m i ni m a l or
non e .
arcHEd windowS
Win d ows sh a ll b e w h i te wo o d o r a l u m i n u m , doubl e-hung or si ng l e-hung
sash win d ows. Arc h ed w i n d ows s h a l l b e ve rt i ca l l y proport i one d a nd
may b e o p e ra b le ( w i th a c c epta n c e f ro m th e Uni versi t y) . Arche d wi ndows
sho u ld b e large r in s ca l e t h a n re c ta n g u l a r w i n dows wi t hi n t he sa m e fa ça de
and are u su ally res e r ved fo r u p p er f l o o rs . W i ndows shoul d not be pa i red.
T he win d ow sash s h o u l d b e l o cated i nter i o r to t he cente rl i ne of t he wa l l .
AR C H E D BR IC K H EA D
R EQU IR E D .
O RDERS AND
EL EM ENT S O F
paLLadian windowS
Pall ad ian win d ows m u st b e co r rec t l y p ro p o r ti oned a nd deta i l ed usi ng t he
C lassical O rd ers. W i n d ows m u st i n c l u d e co r re c t pi l a sters, ful l enta bl at ure s
and a p ro p erly d e s i g n ed a rc h w h i c h i s i nteg rated wi t h t he top sa sh ( not
separated by a m u l l i o n ) . Th e l i g hts m u st b e consi stent l y si ze d t hroug hout
all t h e sash e s. E nta b l atu re m u st i n c l u d e a proper ba se. I m prope rl y
prop o rt io n ed an d/o r d eta i l e d Pa l l a d i a n w i n dows a nd enta bl at ure s a re
not a cce pta b le, th u s p a r ti c u l a r atte nti o n m u st be pa i d to ensure proper
des ign .
ARCH CO RRECT LY
EM PL O YED.
FIFTE E N OV E R
FIFTEE N
A C C E P TAB LE .
ARCH I NT EG RAT ED
W I T H TO P SASH.
SpEciaLty windowS
Insulate d win d ows a n d L ow- e w i n d ows a re en coura ge d for energ y effi ci ency.
T hese win d ows mu st sti l l m e et a l l o t h er ty p o l og y de si g n requi rem ent s.
windowS muntinS
Sha ll b e t ru e d iv id ed l i g ht o r s i m u l ated d i vi d e d ( fi xed on t he i nteri or a nd
ex terio r su rfa ces) , a n d s h a l l c re ate p a n el s o f s qua re or ve rt i ca l proport i on.
Win d ows wit h o u t a n ex ter i o r m u nt i n s h a l l n o t be a l l owed.
window SiLL
All win d ows in m a s o n r y co n str u c t i o n s h a l l have a si l l whi ch project s a
minimu m o f 1 in ch f ro m th e fa c e o f t h e b u i l d i n g. S i l l s shoul d be const ructe d
of eit h er C a st S to n e o r B r i c k Row l o c k .
StainEd
or
tintEd GLaSS
Not allowe d exce pt by va r i a n c e .
SHuttErS
Not allowe d exce pt by va r i a n c e .
11 8
C h a rre tte : 1 0 .1 7 .11
C AS T STON E OR
M AT CHED L I G HT S
B R IC K LOWLOC K SILL
R EQU IR E D .
PRO PER BASE
E
E N TRY WAY S
EntrywayS
The most identifiable el ement o f Tra d i ti o n a l Ge o rgi a n
Collegiate architecture i s th e entr y way. Attenti o n to
detail on an entr y way ca n h ave a s i gn i f i ca nt i mp a c t o n
the viewer. Sensitivity to th e e ntr y way ca n b e p a i d i n th e
measure of a por tico (w ith o r w i th o u t gra n d sta i r way ) o r a
well-detailed door-sur roun d .
porticoS
The most for mal of entr y tre atments w i th i n th e Geo rgi a n
Collegiate Typology is t h e p o rti co . Po rti co s s h a l l b e i n
propor tion to the buildin g a n d mu st ma i nta i n sy mmetr y.
A building ’s por tico can ei th er b e th e sty l e o f a Cl a s s i c
Colonnade ex tending from th e fa c e o f th e b u i l d i n g o r a n
Engaged Por tico w hich ex tru d es f ro m th e b u i l d i n g fa ça d e
to create an entr y element.
All por ticos must be ap p ro p ri atel y d eta i l e d a c co rd i n g
to classical orders of p ro p o rti o n a n d o rn a me ntati o n .
Mater iality shall be simila r to ex i sti n g p o rti co exa mp l e s a s
seen on campus w ith all n o n - b ri c k el ements d es i gn e d to
be w hite in color.
door SurroundS
> > BIT T L E HAL L
>> P R E S ID EN T’ S H OU S E
> > MA RTIN H A LL
If a por tico is not used, a Do o r Su rro u n d mu st b e p re s ent
as a minimum demarcati o n o f th e ma i n e ntr y. Th es e
door sur rounds come in a va ri ety o f ty p e s a n d p res e nt
an oppor tunity for high l evel s o f d eta i l i n g w i th i n th e
building ’s ex ter ior façade.
Acceptable for ms of d o o r s u rro u n d s a re Tra b eated
Sur rounds and Pediment Su rro u n d s . Ea c h o f th es e may
be designed to accommo d ate a s i n gl e d o o r, d o u b l e d o o rs ,
side lights, transoms and a rc h e s .
Many resources are ava i l a b l e to gu i d e th e d e s i gn er i n
the proper propor tioning a n d d eta i l i n g o f th es e b u i l d i n g
elements. In this for ma l ty p o l o gy, i t i s c ru c i a l th at
classically defined tenets o f d es i gn d eta i l i n g a re u s e d
proper ly and not reinte rp rete d i nto a co ntemp o ra r y
language.
doorS
Doors can be made of e i th e r wo o d o r meta l , w i th gl a s s
if desired. Standard doo rs a re Kaw n ee r “ 350” w i th a
minimum bottom rail of 6 ½ “ a n d s i d e a n d to p ra i l s o f 3½ “.
door dEtaiL
If doors are standard Kaw n e e r “ 350”, th ey mu st h ave a
glass arch or transom an d mu st b e e n ca s e d i n a p o rti co,
colonnade, or entr y way as ex p l a i n e d a b ove.
> > JUDICE- RICKEL S HAL L
>> STE P H E N S H ALL
> > MC LA U R IN GY M
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
119
E
B RI C K PAT T E R N , Q UOINS, & M EDAL L IONS
brick pattErn, quoinS, & mEdaLLionS
C hara cterist ically, G e o rg i a n C o l l e g i ate Arc h i tect ure i s furt her
enhan ce d by alte r n ati n g b r i c k wo r k . S o m e exa m pl es of t hi s a re
Flem ish b o n d , row l o c k , a n d h ea d er co u rs e s . Furt he rm ore, a
trad it io n a l d iamo n d b r i c k p atte r n ca n b e u ti l i ze d.
CAST GARLAND
T ho u gh t h ese p atter n s a re a p p ea l i n g , th ey a re m ost successful
when u se d in tan dem w i th Q u o i n i n g a n d B a n di ng .
C A RTO U C H E
Use d in re sp e ct ful q u a nti t i es , t h e d eta i l i n g of bri ckwork ca n
be e n h an ced t h ro u g h d e s i g n e l em e nt s s u c h a s M e da l l i ons
and C arto u ch es. Th e s e ca n a c c e nt u ate th e s ensi t i v i t y of t he
build in g , an d h e lp i n s ca l i n g th e b u i l d i n g to that of m a n.
Idea lly, all t h ree o f t h e s e el e m ent s m a ke a successful
Geo rgia n C o lle giate b u i l d i n g , a n d s h o u l d b e used sel ect i vel y
and p ro p erly.
R O S E TTE
ME D A L L I O N
>> JU D IC E-R IC K E LS H ALL
> > O.K . A LLE N H A LL
brick pattErn
D etailin g met h o d w h i c h i s d ep e n d e nt u p o n t ype of course
wor k u t ilized . T h i s ca n b e ex p res s e d th ro ug h a l ternat i ng
patte rn s b et we en rows , c h a n g i n g b r i c k ty p e s , a nd project i ng
or reced in g t h e b r i c ks .
FL E MI S H
B O N D E V E RY 6
C O U R S E S W I TH
C O MP L I ME N TA RY
D I A MO N D B R I C K
JACK ARCH
PATTE R N
D E TA I L S
quoin
SINGLE ROW
Ty p ica lly a co rn er d eta i l i n b r i c k wo r k . O r i g inates from t he
form a lo ad -b e a ring co r n e r wo u l d t y p i ca l l y ta ke before m odern
con st ru ct io n m eth o d s ex i sted . Th e s e ca n b e ex pre ssed i n a
var iet y o f ways.
P R O J E C TI N G
ROWLOCK
COURSES.
HEADER
C O U R S E S E V E RY
6 TH C O U R S E
mEdaLLion & cartoucHE
Ston e o r co n crete d eta i l u s u a l l y ex p res s i n g f l owi ng patterns
of swag , tasse ls, a n d f l o ra . Th e s e e l em e nts shoul d be use d
spa rin gly a n d in p ro p o r ti o n a n d re l at i o n to wi ndow a nd door
size s, lo cat io n s, a n d d i sta n c es .
>> PR E S ID EN T’ S H OU S E
> > J U D IC E -R IC K E LS H A LL
> > R A N D OLP H H A LL
SINGLE
ROWLOCK
S TA N D A R D
S TE P P E D B A C K
S TR E TC H E R
BRICKWORK
TH R E E
P R O J E C TI N G
S TO N E O R
COURSES
C O N C R E TE
S TE P P E D B A C K
BANDING
AND ABOVE
BASIC BRICK
5 COURSE
QUOINS
QUOIN BANDING
SINGLE COURSE
ROWLOCK
>> MC LA U R IN GYM
120
C h a rre tte : 1 0 .1 7 .11
> > B ITTLE H A LL
E
C OR N IC E S
cornicES
D E N TILS
Type I is more detailed th a n th e n o th e r Ty p o l o gi e s .
These details are impor ta nt i n d en o ti n g p ri ma r y sta n d i n g
and give the building tra d i ti o n a l Ge o rgi a n c h a ra c ter.
These details, as cove re d , h ave s evera l ra n ges a n d
applications. Specifically, co rn i c e s s h o u l d n o t b e p l a i n i n
Type I architecture. They s h o u l d b e s u p p o rti n g ro l e s to
the building ’s status. To a c h i eve th e i d e a l co rn i c e, th e
follow ing must be includ ed :
CORBELS
cymatium
MEDALLIONS
Piece that finishes and meets th e s ky
modiLLion
MU TU LE S
Ser ves as a dr ip to shed wate r f ro m strea ki n g th e b u i l d i n g
> > O.K. AL L EN HAL L
bEd moLdinG
> > E .K . LON G GY M
>> MARTIN H A LL
Piece that meets the wal l o r s u p p o rts
dEntiLS, mutuLES,
or
corbELS
If not these, then another a d d i ti o n a l d eta i l mu st b e u s e d
on cor nice
CORBELS
D E N TILS
> > M CL AURIN GYM
>> MOU TON H ALL
C Y MATIU M
C Y M AT I U M
C YMATIU M
C Y MATIU M
MODILLION
MOD ILLION
MOD ILLION
BED MOLDING
BE D MOLD IN G
B E D MOLD IN G
MOD ILLION
B E D MOLD IN G
LA R GE D E N TIL
S MA LL D E NT I L
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
121
E
buiLdinG waLLS
buiLdinG ELEmEntS
roofS/awninGS/canopiES
windowS
doorS
and
T Y PES PROHIBIT ED: WOOD, VINYL , AND M ETA L SID IN G
P I E R S A N D A R C H E S S H A LL B E FIN IS H E D W ITH P R IMA RY
SLOPED R OOFS S H A LL B E C LA D IN D A R K GR AY S H IN GLE S .
WIN D OWS, D OOR S, A N D STOREF RONT S SHAL L BE W HI T E
A ND P R E FA B R I C ATED OR M ODUL AR CONST RUCTION , A N D
B U ILD IN G MATER IAL I.E. S TON E, S TU C C O OR B R IC K .
C ON C R E TE OR C LAY R ID GE TILE S A R E R E QU IR E D .
W OOD OR A LU MIN U M. D OOR S S H AL L BE ANO DI Z ED AL UM I NUM I N
OW E N S C OR N IN G - ON Y X B LA C K , E S TATE GR E Y, OR E QU A L.
A W H ITE , S ILV E R , GR E Y, OR B R ONZ E CO L O R. G L ASS SHAL L BE
PA N E L I Z E D B U I L D I N G M AT ERIAL .
R A I L I N G S SH A LL BE MA D E OF WOOD , CA S T ME TA L OR
T Y PE I: MASONRY
N O GR E ATE R TH A N 10% R E FLE C TI VI T Y.
GU TTER S A N D D OWN SPOU TS W H E N U S E D , S H A LL B E
S TON E. C OLOR TO B E AP P R OVE D BY TH E D RB .
MA D E OF C OP P E R (N OT C OP P E R -C OATE D ), GA LVA LU ME IN
B RIC K S H A L L M AT CH BRICK T YPE CURRENT LY FOU N D ON
M E TA L
ELEMENTS:
SH U TTER S A R E N OT C ON S ID E R E D APPRO PRI AT E.
B U ILD IN G
B R ON ZE OR ZIN C GR E Y. D OW N S P OU TS S H A LL B E P LA C E D AT
ELE MEN TS SH A LL BE H OT-D IP P E D ZIN C C OATED (GA LVA N IZE D ).
TH E C OR N E R OF TH E B U ILD IN G LE A S T V IS IB LE FR OM N E A R B Y
SEC U R ITY
WH ER E TH E AR C H ITEC TU R A L AP P E A R A N C E IS OF GR E AT
S TR E E TS . S P LA S H B LOC K S S H A LL B E MA D E OF C ON C R E TE ,
A LLOW E D . U N LE S S A P P R OV E D B Y T HE DRB I N ADVANCE.
SIGN IFIC A N C E , A LTER N ATE FIN ISH E S MAY BE C ON S ID E R E D .
B R IC K OR GR AV E L.
CO N S T R U C T I O N . ST UCCO M UST HAVE A WHIT E OR IVORY
D R I V E WAY S
FI NI S H . S W I R L O R OT HER PAT T ERNS ARE NOT AL L OWED .
PALE TTE OF BR IC K OR C ON C R E TE PAVE R S . P R E FE R R E D
M ETA L
R OOFS,
FLA SH IN G,
GU TTER S,
AND
D OWN SPOU TS S H A LL B E A LLOW E D TO A GE N ATU R A LLY
PAVIN G MATER IAL IS C ON C R E TE .
(N OT PA IN TE D OR S E A LE D ).
CA M P U S .
R E D B R ICK TO M AT CH ST EPHENS HAL L.
IN TH E
CA SE O F A N A D D I T ION, M AT CH T HE EXIST ING BUIL D IN G.
T Y PE II: STUCCO
ALL
E X TE R IOR
ME TA L
matEriaLS
D OOR S
AND
WINDOW
GRIL L ES ARE NO T
B AY WIN D OWS A R E N OT C ON S ID ERED APPRO PRI AT E TO T HI S
S TU C C O I S A L L O WED OVER WOOD, M ETAL F RAM E OR MAS ON RY
C AN
BE
OF
C ON C R E TE ,
P R E -A P P R OV E D
S TY LE .
IN C OP P E R , OR GA LVA LU ME IN
GR E Y OR B R ON ZE .
PA R A P E T S SH A LL BE C AP P E D WITH STON E OR B R IC K .
PR IN C IPA L
A LL
WIN D OWS S H A LL B E R E C TA N GU L AR O R ARCHED, VERT I CAL LY
FR E E S TA N D IN G B U ILD IN GS S H A LL B E A S Y MME TR IC A L H IP OR
P R OP ORTION E D A N D OP E R A B LE . W I NDO W S SHAL L BE DO UBL E-
GA B LE R OOF W ITH A S LOP E B E TW E E N 6:12 A N D 10:12 (E X C E P T
HUNG
HO R I Z O N TA L L I N E , I.E. BRICK CHANGES WHICH OC C U R IN
A V E RT I C A L L I N E M UST OCCUR ONLY AT AN OF F SE T OF N O
C O L O N N A D E S SH A LL H AVE S OLID ITY, R H YTH M, A N D H U MA N
LE S S T H A N 1 2 ” , W IT H T HE HEAVIER M AT ERIAL BELOW TH E
SC A LE .
TH E
P R IN C IPA L
R OOF
ON
W H E R E A VA R IA N C E IS GR A N TE D ).
R A I L I N G S SH A LL H AVE TOP AN D BOTTOM R A ILS . W OOD TOP
B E S H E D S S LOP E D N O LE S S TH A N 3:12.
GARDEN WALLS SHAL L GENERAL LY BE CONST RU C TE D OF
V E RTIC AL SE C TION .
S H A LL B E
EAVES S H A LL B E C ON TIN U OU S , U N LE S S OV E R H A N GIN G
THE S A M E M AT E R I AL AS T HE F IRST F L OOR OF T HE P R IMA RY
C E N TE R E D ON TH E B OAR D S OR PIC KE TS . TH E OP E N IN GS
A B A LC ON Y OR P OR C H . E AV E S S H A LL H AV E A N OV E R H A N G
B UIL D I N G .
B E TWE E N TH E MEMBE R S S H A LL B E A MIN IM U M OF 1” A N D A
FR OM 12” TO 26”. OV E R H A N GIN G E AV E S MAY H AV E E X P OS E D
MAX IMU M OF 4”.
R A FTE R S .
B A L C O N I E S S H A LL BE STR U C TU R A LLY S U P P ORTE D B Y
EXPOSED
BR A C K E TS , TAP E R E D BE A MS, OR C OLU MN S .
R OU N D , S QU A R E , OR OGE E .
B LO C K , P O U R E D CONCRET E, OR BRICK. ST UCCO SH A LL B E
D R I V E WAY S C ON S TR U C TE D OF MATER IAL OTH E R TH A N
N O TH R OU GH R OOF PEN ETR ATION FOR ME C H A N IC A L OR
S TE E L T R O W E L E D OR A SACK WASH OVER BRICK IS ALLOWED .
C ON C R E TE S H A LL A LLOW TH E P U B LIC C ON C R E TE S ID E WA LK
E LE C TR IC A L D E V IC E S S H A LL B E A LLOW E D TO P E N E TR ATE
TO R U N C ON TIN U OU SLY WITH OU T D ISR U P TION TH R OU GH
TH E R OOF AT TH E B U ILD IN G’ S FR ON TA GE ’ S . P E N E TR ATION S
TH IS AR E A OF TH E D R IV E WAY.
OF TH E S E D E V IC E S AT A P P R OV E D LOC ATION S W ILL B E OF
M A S O NRY
PIERS
WIT H
WOOD
PICK E TS
MAY
RE PL A C E S O L I D M ASONRY WAL L S. M ASONRY WALLS S H A LL
BOTTOM
R A ILS
GU TTER S
AND
D OWN SPOU TS
S H A LL
BE
S TU C C O O R P L A S T ER COAT ING M AY BE APPL IED TO CON C R E TE
T R IM S H A L L N O T EXCEED 6 ” IN WIDT H AT CORNE R S AN D 4”
S IN GLE -H U N G
SASH
H OR IZON TA LLY
W I NDO W S.
WITH
T RANSO M S
PANES
W HI CH
M AY
M AT CH
R OU GH OP E N IN G S H A LL B E S E PARAT ED BY A 4 ” M I NI M UM
P OS T. TH E W IN D OW S A S H S H A LL BE L O CAT ED I NT ERI O R TO
C ON S TR U C TION S H A LL P R OJ E C T A M I NI M UM O F 1 I NCH F RO M
TH E FA C E OF TH E B U ILD IN G.
A LL
V E RTIC A LLY
OPENINGS
S U P E R IMP OS E D
SHAL L
BE
A LIGN E D A N D C E N TE R E D A LON G T HE VERT I CAL AXI S.
WIN D OW M U N TIN S A R E E N C OURAG ED AND SHAL L BE T RUE
B E M A D E O F B R I C K WHIL E GAT ES SHAL L BE ST EEL. WA LLS
MAY B E P E R F O R AT ED.
OR
OR IE N TE D
TH E C E N TE R LIN E OF TH E WA LL. W I NDO W SI L L S I N M ASO NRY
R A ILS SH A LL BE EA S E D AN D BOTTOM R A ILS S H A LL H AV E A
TOP AN D
BE
OTH E R C ON FIGU R ATION S . MU LTI PL E W I NDO W S I N T HE SAM E
A N C ILLA RY R OOFS (ATTA C H E D TO WA LLS OR R OOFS ) MAY
LI G H T. WA L L S O F A SINGL E BUIL DING M UST BE B U ILT IN A
CO N S I S T E N T C O N F IGURAT ION.
R OOF:
C OLOR TO MATC H TH E R OOF.
I N W I D T H A R O U N D OPENINGS, EXCEPT AT T HE F RON T D OOR .
F E N C E S A S D EFIN ED IN TH IS C OD E AR E N OT A LLOW E D .
D IV ID E D LIGH T OR FIX E D ON TH E I NT ERI O R AND EXT ERI O R
S U R FA C E S ,
AND
S H A LL
C R E AT E
PANEL S
OF
SQ UARE
OR
V E RTIC A L P R OP ORTION .
LA R GE
SERVIC E
D OOR S S HAL L BE L O CAT ED O NLY I N
S E RV IC E A R E A S IN D IC ATE D B Y P L AN.
SH U TTER S A R E N OT A LLOW E D TO T HI S ST YL E.
TH E R E MAY B E N O MOR E TH A N O NE CIRCUL AR W INDOW O N
A N Y P R IN C IPA L E LE VATION .
R EC TA N GU LA R WIN D OWS S H A L L BE O PERABL E ENCASEM ENT
OR S IN GLE H U N G. C IR C U LA R W IN D O W S M AY BE F I XED.
122
C h a rre tte : 1 0 .1 7 .11
and
A R C A D E S A N D B R E E Z E WAY S S H OU LD H AV E V E RTIC A LLY
PR OPORTION ED AR C H E D OP E N IN GS .
confiGuration
B UILDING WALLS M AY BE BUILT OF NO M ORE TH A N TWO
MAT E R I A L S A N D S HAL L ONLY CHANGE M AT ERIAL ALON G A
tEcHniquES
C A N VA S AWN IN GS A R E N OT A LLOW E D .
buiLdinG ELEmEntS
windowS
BUILDING WALLS SHAL L BE ONE COL OR P E R MATER IAL
T R I M (B A LC ON Y AN D POR C H P OSTS , R A ILS , W IN D OW TR IM,
TH E FOLLOWIN G SH A LL N OT B E PER M ITTED : ME TA L
(R E S E RV E D )
USED.
T H E B UIL DING EXT ERIOR F INISH SHALL BE AT LE A S T
R A FTE R TAILS, ETC .) S H A LL B E PAIN T E D OR S TA IN E D TO
FIN IS H E S IN A N Y C OLOR OTH E R TH A N TH OS E IN D IC ATE D IN
8 5 % R E D B R I C K AND GL ASS. RED BRICK SHALL MATC H TH E
C OMP LIME N T TH E OVE R A LL VALU E OF TH E B U ILD IN G. A N
TH IS D OC U ME N T OR A S A P P R OV E D B Y TH E D R B .
E X I S T I N G T Y P E T HROUGHOUT T HE CAM PUS. ON LY A SMALL
A C C E N T C OLOR FOR ITEMS SU C H AS TH E E N TRY D OOR ,
P O RT I O N
P IC KE TS & TR IM MAY B E U S E D S U B JEC T TO A P P R OVA L FR OM
S H AL L
CONSIST
OF
STONE
AND /OR
PLA S TE R .
T R I M ( B A L C O NY AND PORCH POST S, RAIL S, WIN D OW TR IM,
and
doorS
amEnitiES
buiLdinG waLLS
TH E U L LA FAYE TTE D ES IGN R EV IEW BOAR D .
R A F T E R TA I L S , ET C) SHAL L BE PAINT ED TO COMP LIME N T TH E
C O L U M N S A N D OVERAL L VAL UE OF T HE BUIL DIN G. A N A C C E N T
G A R A G E AP R ON S SH A LL BE OF SQU AR E OR R E C TA N GU LA R
C O L O R , F O R IT EM S SUCH AS T HE F RONT DOOR , PIC KE TS ,
P R E V IOU S C ON C R ETE PAVE R S , BR IC K OR C ON C R E TE . PAV E R S
T R I M , A N D S H UT T ERS, M AY BE USED SUBJECT TO A P P R OVAL
MU ST C ON TR AS T D R A S TIC ALLY WITH THE S TR E E T S U R FA C E
F R O M T H E U L L AFAYET T E DRB. WAL L S AND F EN C ES SH A LL BE
C OLOR .
I N A R A N G E O F COL ORS APPROVED F OR T HEIR R ES P E C TIVE
A F T E R C O N S U LTAT ION WIT H T HE DRB. F INAL C OLOR PALE TTE
T H E F O L L O WI N G S H A L L B E S U B J E C T TO A PPR OVA L
F R O M T H E U L L A FAY E T T E D E S I G N R EVIEW B OA R D :
S H A L L B E I N ACCORDANCE WIT H T HE SEL ECTION S MA D E BY
B R IC K, MORTAR C OLOR S, A N D PATTER N S , FE N C E D E S IGN S
T H E U L L A FAY ET T E DRB. AL L PAINT SEL ECT ION S S H A LL B E
A N D EX TE R IOR LIGH T FIXTU R E S .
M AT E R I A L S . OT HER COL ORS M AY BE ADDED TO TH E LIST
“ P R E M I U M G R A DE” OR BET T ER.
T H E F O L L O WI N G S H A L L B E P E R M ITTED ON LY IN
R E A R YA R D S A N D WH E R E N O T E A S ILY VISIB LE FR OM
S T R E E T O R PAT H S . H A N D IC AP R AMPS , H VA C E QU IP ME N T
(“S ILEN T”
MOD E LS
PR E FE R R E D ),
U TILITY
ME TE R S ,
AND
THE
FOLLOW I NG
SHALL
NO T
BE
PERMITTED:
PA N E L I Z E D WAL L M AT ERIAL S, ST UCCO COVE R E D - FOA M
BALCONIES
N OT
V ISIBLY
S U P P ORT E D
ON
P OS TS
OR
E X C E S S IV E LY C OMP LIC ATE D R OOFS A R E N OT A LLOW E D .
SLID IN G D OOR S A N D WINDOW S SHAL L NO T BE USED.
BR A C K E TS AR E N OT ALLOWED .
SN A P- IN M U N TIN S S H A LL NO T BE VI SI BL E F RO M T HE
M O L D I N G S N O L OWER T HAN SECOND F L OOR, WIN D OW A IR -
C U RV E D , S C A L L O P E D , A N D / O R B A C K LIT AWN IN GS,
O R B A C K L I T S I G N S A R E N OT ALLOWED .
E X TE R IOR .
F L A G S A S A P PROVED BY UL L AFAYET T E DRB), D IR EC T V E N T
B U I L D I N G A D D R E S S E S SH A LL BE POSTE D A S R E QU IR E D B Y
B Y VA R IA N C E .
F I R E P L A C E S , EXT ERNAL AL ARM SYST EM S, AND SK Y LIGH TS .
LOC AL R EQU IR E MEN TS ON TH E MA IN B U ILD IN G.
C O N D I T I O N I N G UNIT S, EXPOSED EXT ERIOR FLU OR ES C E N T
L I G H T S , E X P O SED EXT ERIOR F L OOD L IGHT S, A B OVE GR OU N D
notES
GAR B A GE C OLLE C TION EQU IP MEN T.
STA IN ED OR TIN TED GLASS I S NO T AL L O W ED EXCEPT
P O O L S , A N T E N NAS, F L AGS AND F L AGPOL ES ( EXC E P T OFFIC IAL
VARIANCES TO T HE ARCHIT ECT URAL REGUL ATION S MAY BE
G R A N T E D O N T HE BASIS OF ARCHIT ECT URAL ME R IT.
T H E S E R E G U L AT IONS WIL L BE UPDAT ED PERIOD IC ALLY, AN D
A L L S U B S E Q U ENT CHANGES WIL L APPLY TO A LL BU ILD IN GS
WH I C H H AV E YET TO COM PL ET E T HE SCHEMATIC D ES IGN
PHASE.
WOOD W H I C H IS NOT F INISHED WIT H A PAINT OR S TAIN AR E
N O T A L L O WE D .
TRIM E X C E E D ING 6 ” IN WIDT H AND T RIM OF LU MBE R WOR S E
T H A N G R A D E B ARE NOT AL L OWED.
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
123
E
E
windowS
windowS
R E CTANGULAR W I NDO W S:
PA L L A D I A N WI N D O WS :
doorS
EntrywayS
PALLA D IAN WIND OW S C ON S IS T
EXTER IOR D OOR S: D OOR S C A N B E MA D E OF E ITH E R W OOD
TH E MA IN E N TR IE S ON FA C A D E S W I T H ST REET O R PUBL I C
W OO D O R A L U M I N U M , DOUBL E- HUNG OR SINGL E- HU N G S A S H
OF TH R EE LITE S SE T SID E-BY-SID E, TH E O U TE R TW O OF
OR ME TA L, W ITH GLA S S IF D E S IR E D . S TA N D A R D D OOR S A R E
FR ON TA GE S H OU LD P R E FE R A B LY HAVE A PO RT I CO , AND AT A
W I N D O WS . R E C TA N GUL AR WINDOWS SHAL L BE VERTIC ALLY
WH IC H A R E S IMP LE R E C TAN GLES WH ILE TH E MID D LE ON E
K AW N E E R “350” W ITH A MIN IMU M B OTTOM R A IL OF 6 ½ “A N D
P ROP O RT I O N E D A N D M AY BE OPERABL E ( WIT H AC C E P TAN C E
SP ORTS A S E MIC IR C U LAR TOP WH IC H SP R IN GS FR OM TH E
S ID E A N D TOP R A ILS OF 3 ½ “.
FRO M T H E U N I V E R SIT Y) . WINDOWS SHOUL D NOT BE PAIR ED .
LEV E L OF TH E OTH E R TWO LITE ’ S U PP E R L IMIT. PA LLA D IA N
THE WI N D O W S A S H SHAL L BE L OCAT ED INT ERIOR TO TH E
WIN D OWS
AND
IN TER IOR D OOR S: IN TE R IOR D OOR S S H OU LD GE N E R A LLY
CE N T E R L I N E O F T HE WAL L .
D ETAILED U SIN G TH E C LAS S IC AL OR D E R S . W IN D OW S MU S T
B E 1 3/4” S OLID W OOD D OOR S OR IN S U LATE D , R A IS E D PA N E L,
IN C LU D E C OR R E C T PILAS TE R S , FU LL EN TAB LATU R E S A N D A
ME TA L D OOR S . PA RTIC LE C OR E W ILL N OT B E A C C E P TE D .
A RCHED WINDOWS: WINDOWS SHAL L BE WHIT E WOOD OR
PR OPE R LY D E S IGN E D A R C H WH IC H IS IN TEGRATE D W ITH TH E
S LID IN G W OOD D OOR S S H A LL N OT B E U S E D . A LL D OOR S
A LU M I N U M , D O U B L E - HUNG OR SINGL E- HUNG SASH WIN D OWS.
TOP SA S H (N OT S E PAR ATED BY A MU LLION ). TH E LITE S MU S T
S H A LL B E AT LE A S T 36” W ID E . A LL D OOR FR A ME S S H A LL B E
A RC H E D WI N D O WS SHAL L BE VERT ICAL LY PROPORTION E D
BE C ON S ISTE N TLY SIZED TH R OU GH OU T ALL TH E S A S H E S .
ME TA L.
A ND
FR OM TH E
EN TAB LATU R E MU ST IN C LU D E A P R OPE R B A S E . IMP R OP E R LY
UNI V E R S I T Y ) . A R C HED WINDOWS SHOUL D BE LAR GER IN
PR OPORTION ED A N D /OR D E TAILED PALLA D IAN W IN D OW S A N D
S CAL E T H A N R E C TANGUL AR WINDOWS WIT HIN TH E S A ME
EN TAB LATU R ES A R E N OT AC C E P TAB LE , THU S PA RTIC U LA R
FA Ç A D E A N D A R E U SUAL LY RESERVED F OR UPPER FLOOR S .
ATTEN TION MU S T BE PAID TO E N S U R E PR OPE R D E S IGN .
M AY B E
O P ERABL E
WINDOWS SHAL L B E WH ITE
( WIT H ACCEPTANCE
MU S T
BE
C OR R E C TLY
PR OPORTION E D
W I N D O WS S H O U L D NOT BE PAIRED. T HE WIND OW S A S H
MIN IMU M, H AV E A N A E D IC U LE .
POR TIC OS:
B U ILD IN G
StyLES
P ORTIC OS S H A LL BE I N PRO PO RT I O N TO T HE
AND
MU S T
MA IN TA IN
SYM M ET RY.
A
BUI L DI NG ’S
P ORTIC O C A N E ITH E R B E TH E S TYL E O F A CL ASSI C CO L O NNADE
E X TE N D IN G FR OM TH E FA C E OF T HE BUI L DI NG O R AN ENG AG ED
P ORTIC O W H IC H E X TR U D E S FR O M T HE BUI L DI NG FAÇADE TO
C R E ATE A N E N TRY E LE ME N T.
A LL P ORTIC OS MU S T B E A P P R OP R I AT ELY DETAI L ED ACCO RDI NG
TO C LA S S IC A L OR D E R S OF P R OP O RT I O N AND O RNAM ENTAT I O N.
A LL C LA S S R OOM D OOR S , S TA IRW E LL D OOR S , A N D C OR R ID OR
D OOR S S H A LL H AV E V IS ION PA N E LS (5”X 20”).
MATE R IA LITY
E X A MP LE S
AS
S H A LL
SEEN
BE
ON
S IMILAR
C A M PUS
TO
EXI ST I NG
WITH
AL L
PO RT I CO
NO N- BRI CK
E LE ME N TS D E S IGN E D TO B E W H IT E I N CO L O R.
C A SIN GS IF A P ORTIC O IS N OT U SED, A DO O R SURRO UND M UST
S HOU L D B E L O C AT E D INT ERIOR TO T HE CENT ERL I N E OF TH E
B E P R E S E N T A S A MIN IMU M D E MA RCAT I O N O F T HE M AI N ENT RY.
WA L L .
A C C E P TA B LE FOR MS OF D OOR SURRO UNDS ARE T RABEAT ED
S U R R OU N D S A N D P E D IME N T S U RRO UNDS. EACH O F T HESE
MAY B E D E S IGN E D TO A C C OMMODAT E A SI NG L E DO O R, DO UBL E
S IMU LATED D IV ID ED (FIXE D ON TH E IN TE R IOR A N D E X TE R IOR
I NC H F R O M T H E FA CE OF T HE BUIL DING. SIL L S S H OU LD B E
S U R FA C E S ), AN D SH A LL C R EATE PAN E LS O F S QU A R E OR
CO N S T R U C T E D O F EIT HER CAST STONE OR BRICK R OWLOC K.
V E RTIC AL PR OPORTION . WIN D OWS WITH OUT A N E X TE R IOR
MU N TIN SH A LL N OT BE ALLOWED .
W INDOW HEAD:
AL L WINDOWS SHAL L HAVE 1 OF TH E
P RE S E N T E D H E A D CONDIT IONS ( CASEM ENT, T RUE JAC K A R C H
OPERABLE
W I T H / WI T H O U T K E Y STONE OR A BRICK SOL DIER C OU R SE ).
A P P R OVE OP E R A B LE WIN D OWS.
W I N D O W S I N A B RICK M ASONRY WAL L WIT HOU T A H EA D
CO N D I T I O N A R E N OT ACCEPTABL E.
GL ASS:
TI NT E D ,
WI N D O WS SHAL L BE ENERGY EF F ICIENT, B R ON ZE
I N S U L AT ED
GL ASS
WIT H
L OW
‘E’
COATIN G
TO
I MP R O V E T H E R M A L PERF ORM ANCE
S P E C I A L G L A Z I N G F OR IM PACT RESISTANCE ( L E X A N ) A N D
S O U N D A B AT E M E N T ( L AM INAT ED GL ASS) SHAL L BE S P E C IFIE D
AS NEEDED.
S HUTTERS N O T A L L OWED EXCEPT BY VARIANCE.
124
C h a rre tte : 1 0 .1 7 .11
WI N D O WS :
FAC ILITY
MA N A GE ME N T
MU S T
and
WI N D O W M U N T I N S S H A LL B E TR U E D IVID E D LIGH T OR
S HAL L H AV E A S IL L WHICH PROJECT S A M INIMU M OF 1
confiGuration
W INDOW SILL: A L L WINDOWS IN M ASONRY CONSTR U C TION
tEcHniquES
D OOR S , S ID E LIGH TS , TR A N S OMS , AND ARCHES.
E
T Y P O L O G Y I I - I N F O R M A L G E O R G I A N C O L L E G I AT E
TYPOLOGY II - INFORMAL GEORGIAN COLLEGIATE
maSSinG:
uL LafayEttE’S GEorGian coLLEGiatE HiStory
UL Lafayette’s I nfo r m a l G e o rg i a n C o l l eg i ate a rchi tect ure i s focused on m a i nta i ni ng t he deta i l i ng of Traditional
Ge o rgia n a rc h i te c t u re a s s p e c i f i ed i n Ty pe I . T hi s ca n be di ffi cul t when worki ng on a sm a l l e r bud get, but is
ap p ro p riate to th e f u n c t i o n s o f l i n e r b u i l di ng s, whi ch offer support i ng contex t for key a rchi tect ural pieces
o f Ty p e I clas s i f i cat i o n .
▫
NO T ALWAYS SYM M ET RI CAL
▫
ENT RY ALWAYS CENT RAL
▫
F O RM S USUAL LY G UI DED BY
ADJ ACENT SET PI ECES
T h o u gh t h e effec t a n d b u d get o f Ty p e I I com e second to t hose of Type I , t he exe cut i on of details should
b e co n sid erate, we l l d e s i g n e d , a n d co r re ct . T he fol l owi ng pa ges prov i de a na l yses whi ch ser ve as proper
d eta ilin g a n d d es i g n m eth o d s . Th o u g h t he fol l owi ng pa ges a re consi de re d to be sta nda rd for Type II, it is
n o t to say t h at Ty p e I I d eta i l s a re re str i c ted, depende nt upon foca l desi g n m om ent s i n t he de si g n’s facade.
waLLS & roofS:
▫
RED- BRI CK
▫
HI PPED RO O F S ( SO M E W I T H
DO RM ERS)
windowS:
▫
DO UBL E HUNG , M ULT I - PANE
W I NDO W S
▫
M O ST LY RECTANG UL AR
▫
ARCHED AND PAL L ADI AN
▫
RESERVED F O R F O CAL PO I NT S
doorS:
▫
CENT RAL ENT RANCE O R
SYM M ET RI CAL M ULT I PL ES
▫
L ESS EL ABO RAT E T HAN T YPE I
dEtaiLS:
▫
CL ASSI CAL DETAI L I NG
▫
NO TO W ERS
M A S T E R
P L A N
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P R I N C I P L E S
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125
E
maSSinG
Informal Geo rgian C o l l e g i ate b u i l d i n g s , b eca u s e t hey a re
liner b u ild in gs, t y p i ca l l y i nvo l ve a l es s st r i c t e nforcem e nt
or fo rmal ove ra ll sy m m etr y. Th o u g h sy m m et r y of form
is n o t n ecessa r y, a n i m p l i ed ax i s m u st b e a p p ropri ated
throu gh t h e u se o f a c l ea r l y d ef i n ed f ro nt ent ra nce .
T his is p rim arily g u i d e d by t h e d o o r way, a n d s econda ri l y
enga ged t h ro u gh d i sti n c t l y G e o rg i a n d eta i l i n g .
matEriaL dEfinition
E x terio r fin ish sh a l l b e at l e a st 8 5 % red b r i c k a nd g l a ss.
Red b rick sh all m atc h th e ex i sti n g ty p e fo u n d t hroug hout
the ca m p u s. O n ly a s m a l l p o r t i o n s h a l l co n s i st of stone
and /o r p la ster.
HA M I LTO N
roof dEfinitionS
T he p rin cip al ro o f o n a l l f re esta n d i n g b u i l d i n g s sha l l be a
symm et rica l h ip o r ga b l e ro o f w i th a s l o p e b etween 6 : 1 2
and 10:12 (exce pt w h e re a va r i a n c e i s g ra nted) . Roofs
sho u ld b e sh in gle d to m atc h th e ex i sti n g type found
throu gh o u t t h e ca m p u s . An c i l l a r y Ro o fs ( atta ched to
walls o r ro o fs) m ay b e s h ed s s l o p ed n o l es s tha n 3 :1 2 .
Eaves sh all b e co nti n u o u s , u n l e s s over h a n g i n g a ba l cony
or p o rch . Eaves s h a l l h ave a n ove r h a n g f ro m 12 ” to 2 6 ”.
E xp o se d Gu tters a n d D ow n s p o u ts s h a l l be round,
squ a re , o r o gee . Th ey s h o u l d b e m a d e o f copper ( not
cop p er-co ate d ) o r b ro n ze a l u m i n u m . D ow n s pout s sha l l
be p lace d at co rne rs o f t h e b u i l d i n g l ea st vi si bl e from
the b u ild in g ’s m a i n fa ca d e. S p l a s h B l o c ks sha l l be
con crete , b rick , or g rave l .
M O UTO N
No t h ro u gh Ro o f Pen etrat i o n s fo r m ec ha ni ca l or
elect rica l d ev ice s s h a l l b e a l l owe d to p en et rate t he
roof at t h e b u ild i n g ’s f ro nta ge s . Pen etrat i o n s of t hese
device s at ap p rove d l o cati o n s w i l l b e o f co l o r to m atch
the ro o f.
CL
FOSTER
TYPOLOGY II
•
T Y P I CAL LY L INER BUIL DINGS RAT HER TH AN
S E T PIECES
•
L E S S COST LY
•
S A M E EL EM ENT S AND M AT ERIAL IT Y AS TYP E
I , B U T NOT EXECUT ED IN A T RADIT ION A L
M A N NER
•
G E N ERAL LY, NO TOWER OR CUPOL A
•
D E TAIL S ARE EIT HER L EF T OUT OR ON LY
U S E D F OR F OCAL POINT S
B URK E - HAW T HO RNE
126
C h a rre tte : 1 0 .1 7 .11
>> DA R D E N S C H OOL OF B U S IN E S S , U N IV E R S ITY OF V IR GIN IA
> > A LP H A P H I, U N IV E R S ITY OF ILLIN OIS
E
W IN D OW S
windowS
Type II designs should ma ke a n effo rt to p rov i d e d eta i l s
w hich elevate this basic wi n d ow. It i s stro n gl y en co u ra ged
that these guidelines be fo l l owe d . Th e ma jo ri ty o f Ty p e II
w indows are:
▫
9 over 9
▫
Double hung
▫
Sash Window
▫
Wood Frame
▫
Wood Mullions
> > H A R R IS H A LL
> > BURKE- HAW TH OR N E H ALL
SEL ECT IVE U SE OF TR AD ITION AL ELE MEN TS , S U C H AS WITH TH IS PALLA D IAN
6 ON 6 W IN D OW S A R E U S E D H E R E . TH E B U ILD IN G’ S S C A LA R IMPA C T IS A D D R E S S E D
WINDOW, AID S IN FOR MALIZIN G A N OTH E RWISE SIMP LE FAC A D E .
W ITH LA R GE R W IN D OW S AT TH E B A C K E N TR A N C E , C ON N E C TE D GA ZE B O.
> > L EE HAL L
> > GIR A R D H A LL
> > D E C LOU E T H A LL
STONE CARTOU C H ES AB OVE AN D R EC E S S E D BR IC K D ETAILIN G B E LOW
B A S IC 9 ON 9 W IN D OW IS E X PA N D E D TO A
TR IP LE GA N GE D , TH E B A S IC
WINDOWS M AK E TH EM MOR E EX P R E S S IVE AN D C OH E S IVE ELE MEN TS .
LA R GE R D E S IGN , LIN E D U P W ITH TH E D OORWAY
W IN D OW C A N MA K E A S TR ON GE R
B E LOW.
S TATE ME N T W H E N IN MU LTIP LE S .
IT
A LS O
MATC H E S
TH E
E X IS TIN G
W IN D OW PATTE R N .
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
127
E
doorS & EntrywayS
Ty p e I I gen e rally e m p h a s i zes t h e d e s i g n o f t he front
faca d e wh ile b e in g s u p p o r ted by s i m p l e r d eta i l i ng of
the o t h e r fa cad es . Pa r ti c u l a r l y, t h e e ntr y way rem a i ns
promin e nt , b u t n o t d i s co n n ec ted l y e l a b o rate .
T he
prop o rt io n s o f t h e entr y ways i n th e ca s e of Type I I
are a lign ed wit h t h e o t h er el e m ents o f th e b ui l di ng on
eith er sh a p e o r s ca l e . D o o rs ca n b e s i m p l e a s l ong a s
the overall e nt r y way i s ex p re s s i ve.
In wh atever way t h e b u d get i s d i vi d e d to m a i nta i n
trad it io n a l Ge o rg i a n effe c t, q u a l i t y s h oul d ta ke
pre ce d ent over q u a nti t y. Ta stef u l a rc h i tec ture ca n be
ach ieved o n a b u d get i f th e p ro p o r t i o n s a n d co nst ruct i on
met h o d s a re co rrec t .
TH R OU GH IN TE R P R E TIN G
A F O RM AL PEDI M ENT
A TR A D ITION A L
DO O R CASI NG I S
P E D IME N T IN A
VI SUAL LY T I ED TO T HE
C ON TE MP OR A RY
FACADE T HRO UG H T HE
WAY, TH IS E N TRY WAY
USE O F BANDI NG AND
MA IN TA IN S ITS
A STAI RWAY. T HE DO O R
C OH E S ION TH R OU GH
L I T ES ARE SI M I L AR
MA N A GIN G TH E
TO T HO SE O F T HE
A LIGN ME N T OF TH E
W I NDO W S, CREAT I NG
D OORWAY W ITH
VARI AT I O N I N SCAL E,
W IN D OW S A B OV E , W H IC H
BUT CO HESI O N I N
A R E TR A D ITION A L.
RHYT HM .
> > GIR A R D H A LL
>> GIR AR D H ALL
TAS TE FU L FR E N C H
U S IN G A TA S TE FU L
A SI M PL E F O RM AL
D OOR S W ITH
S IN GLE D OOR
PEDI M ENT I S M ADE
TR A N S OM A N D A
E N TRY WAY TOP P E D
CO HESI VE T HRO UG H
W ITH A FA N LIGH T,
T RYI NG I T I N W I T H
TH IS B U ILD IN G FIN D S
PL AI N RECTANG UL AR
B A LA N C E OF D E S IGN
CARTO UCHES ABO VE
E LE ME N TS TH R OU GH
TO P L EVEL W I NDO W S.
ITS MOD E S T AW N IN G
STO NE CAPS, M AT CHI NG
A N D B A S IC P E D IME N T.
T HE M AT ERI AL O F T HE
MID P OIN T A N D B A S E
TH E S E E LE ME N TS
PEDI M ENT, AL SO AI D I N
OF TH E B U ILD IN G
C OMB IN E D MA K E FOR A
CO HESI O N.
MATC H UP TO ME E T TH E
W E LL C OMP OS E D MA IN
E N TR A N C E , FU RTH E R IN G
E N TR A N C E .
C LA S S IC P ORTIC O,
TH IS EN TRY WAY
P R OPORT ION A LLY TIE S
TO TH E W IN D OW W ID TH
A B OVE , A N D V IS U A LLY
TIES TO T H E A D J A C E N T
WIN D OWS . B A N D IN G AT
TH E BE A U TY OF
TH IS FAC A D E ’ S
C OMP OSITION .
>> BU C H A N A N H ALL
> > B U R K E -H AW TH OR N E H A LL
> > LE E H A LL
A GR A N D LY S C A LE D , Y E T
WITH MODEST BRICK
S IMP LY E N GA GE D P ORTIC O
ARCH ENTRY, WOODEN
C A N A S S IS T IN B R IN GIN G
BARREL VAULT CASING,
FORTH A LE V E L OF
AND MODERN DOORS,
H IE R A R C H Y E V E N W H E N
THIS ENTRANCE
TH E D OOR S TH E MS E LV E S
IS ELEGANT AND
A R E QU IE TLY MOD E R N .
WELL BUDGETED.
R E P E TITION OF TH E
COMPLIMENTARY ARCHED
D OORWAY A LS O IMB U E S
WINDOWS TO EACH SIDE
A S E N S E OF IMP ORTA N C E
AND A BALCONY AND TALL
W ITH TH IS MA IN E N TRY.
WINDOW ON TOP LEAD
THE EYES UPWARDS TO A
TRADITIONAL AND WELL
DETAILED PEDIMENT.
>> E.K. LON G GY M
128
C h a rre tte : 1 0 .1 7 .11
> > H A MILTON H A LL
E
cornicES
BR IC KS STE P U P A N D
FA C E B R IC K
BA C K LE A D ING TH E
P R OJ E C TE D OU T
EY E D OWN WAR D TO
1” E V E RY OTH E R
QU OIN IN G D RAW IN G
B R IC K P LA C E D ATOP
TH E EY E AWAY FR OM
C OR N IC E TO A D D
SIMP LE C OR N IC E S .
C H A R A C TE R .
Type II is not set piece a rc h i te c tu re . Its ro l e i s th at o f
liner buildings. It is typ i ca l l y o f th e b u d get a n d i d e a s et
involving less detailing . It ca n , h owever, sti l l p rov i d e a
r ich sense of Georgian a rc h i tec tu re, p rov i d ed th ere a re
other elements w hich h el p th e b u i l d i n g to sta n d a s a
complete idea. One deta i l i n g s h o u l d n o t b e s a c ri f i c ed
for the use of another, b u t i f u s ed i n p ro p e r me a s u re
can be expressive.
Type II cor nices must h ave at l ea st:
- Cyma
- Corona or Modillion
- B ed Molding
B ecause these cor nices a re mi n i ma l i n n atu re, th e re mu st
be complimentar y br ick d eta i l i n g o r mo l d i n g b en e ath . If
neither of these detail s a re u ti l i ze d , a d d i ti o n a l d eta i l s
should be considered.
> > H A R R IS H A LL
> > BIT T L E HALL
C OR N IC E W ITH
C OR N IC E W ITH
MOLD IN G P LA C E D
MOLD IN G. C OR N IC E
B E N E ATH TIE S B A C K
D E TA IL R E P E ATE D
IN TO TH E S TON E
IN P E D IME N T A B OV E
S ILLS , MATC H IN G
B A LC ON Y, FOR
TH E B U ILD IN G’ S
FOR MA L FA C A D E .
E X P R E S S ION .
> > JUDICE- R IC K E LS H ALL
> > B U C H A N A N H A LL
C Y MATIU M
C Y MATIU M
C Y M ATIUM
C YMATIU M
C OR ON A
C OR ON A
C O R ONA
B E D M O L D ING
C OR ON A
C Y MATIU M
BED
BED
MOLD IN G
MOLD IN G
MOD ILLION
BED
MOLD IN G
B E D MOLD IN G
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
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P R I N C I P L E S
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129
E
buiLdinG waLLS
buiLdinG ELEmEntS
windowS
doorS
and
T Y PES PROHIBIT ED: WOOD, VINYL , AND M ETA L SID IN G
P I E R S A N D A R C H E S S H A LL B E FIN IS H E D W ITH P R IMA RY
SLOPED R OOFS S H A LL B E C LA D IN D A R K GR AY S H IN GLE S .
WIN D OWS, D OOR S, A N D STOREF RONT S SHAL L BE W HI T E
A ND P R E FA B R I C ATED OR M ODUL AR CONST RUCTION , A N D
B U ILD IN G MATER IAL I.E. S TON E, S TU C C O OR B R IC K .
C ON C R E TE OR C LAY R ID GE TILE S A R E R E QU IR E D .
W OOD OR A LU MIN U M. D OOR S S H AL L BE ANO DI Z ED AL UM I NUM I N
OW E N S C OR N IN G - ON Y X B LA C K , E S TATE GR E Y, OR E QU A L.
A W H ITE , S ILV E R , GR E Y, OR B R ONZ E CO L O R. G L ASS SHAL L BE
PA N E L I Z E D B U I L D I N G M AT ERIAL .
R A I L I N G S SH A LL BE MA D E OF WOOD , CA S T ME TA L OR
T Y PE I: MASONRY
N O GR E ATE R TH A N 10% R E FLE C TI VI T Y.
S TON E. C OLOR TO B E AP P R OVE D BY TH E D RB .
MA D E OF C OP P E R (N OT C OP P E R -C OATE D ), GA LVA LU ME IN
B RIC K S H A L L M AT CH BRICK T YPE CURRENT LY FOU N D ON
M E TA L
ELEMENTS:
SH U TTER S A R E N OT C ON S ID E R E D APPRO PRI AT E.
B U ILD IN G
B R ON ZE OR ZIN C GR E Y. D OW N S P OU TS S H A LL B E P LA C E D AT
ELE MEN TS SH A LL BE H OT-D IP P E D ZIN C C OATED (GA LVA N IZE D ).
TH E C OR N E R OF TH E B U ILD IN G LE A S T V IS IB LE FR OM N E A R B Y
SEC U R ITY
WH ER E TH E AR C H ITEC TU R A L AP P E A R A N C E IS OF GR E AT
S TR E E TS . S P LA S H B LOC K S S H A LL B E MA D E OF C ON C R E TE ,
A LLOW E D . U N LE S S A P P R OV E D B Y T HE DRB I N ADVANCE.
SIGN IFIC A N C E , A LTER N ATE FIN ISH E S MAY BE C ON S ID E R E D .
B R IC K OR GR AV E L.
CO N S T R U C T I O N . ST UCCO M UST HAVE A WHIT E OR IVORY
D R I V E WAY S
FI NI S H . S W I R L O R OT HER PAT T ERNS ARE NOT AL L OWED .
M ETA L
R OOFS,
FLA SH IN G,
GU TTER S,
AND
D OWN SPOU TS S H A LL B E A LLOW E D TO A GE N ATU R A LLY
(N OT PA IN TE D OR S E A LE D ).
CA M P U S .
R E D B R ICK TO M AT CH ST EPHENS HAL L.
IN TH E
CA SE O F A N A D D I T ION, M AT CH T HE EXIST ING BUIL D IN G.
T Y PE II: STUCCO
ALL
E X TE R IOR
ME TA L
matEriaLS
D OOR S
AND
WINDOW
GRIL L ES ARE NO T
S TU C C O I S A L L O WED OVER WOOD, M ETAL F RAM E OR MAS ON RY
C AN
BE
OF
C ON C R E TE ,
S TY LE .
IN C OP P E R , OR GA LVA LU ME IN
GR E Y OR B R ON ZE .
PA R A P E T S SH A LL BE C AP P E D WITH STON E OR B R IC K .
PR IN C IPA L
A LL
WIN D OWS S H A LL B E R E C TA N GU L AR O R ARCHED, VERT I CAL LY
FR E E S TA N D IN G B U ILD IN GS S H A LL B E A S Y MME TR IC A L H IP OR
P R OP ORTION E D A N D OP E R A B LE . W I NDO W S SHAL L BE DO UBL E-
GA B LE R OOF W ITH A S LOP E B E TW E E N 6:12 A N D 10:12 (E X C E P T
HUNG
HO R I Z O N TA L L I N E , I.E. BRICK CHANGES WHICH OC C U R IN
A V E RT I C A L L I N E M UST OCCUR ONLY AT AN OF F SE T OF N O
C O L O N N A D E S SH A LL H AVE S OLID ITY, R H YTH M, A N D H U MA N
LE S S T H A N 1 2 ” , W IT H T HE HEAVIER M AT ERIAL BELOW TH E
SC A LE .
TH E
P R IN C IPA L
R OOF
ON
W H E R E A VA R IA N C E IS GR A N TE D ).
R A I L I N G S SH A LL H AVE TOP AN D BOTTOM R A ILS . W OOD TOP
GARDEN WALLS SHAL L GENERAL LY BE CONST RU C TE D OF
V E RTIC AL SE C TION .
S H A LL B E
EAVES S H A LL B E C ON TIN U OU S , U N LE S S OV E R H A N GIN G
THE S A M E M AT E R I AL AS T HE F IRST F L OOR OF T HE P R IMA RY
C E N TE R E D ON TH E B OAR D S OR PIC KE TS . TH E OP E N IN GS
A B A LC ON Y OR P OR C H . E AV E S S H A LL H AV E A N OV E R H A N G
B UIL D I N G .
B E TWE E N TH E MEMBE R S S H A LL B E A MIN IM U M OF 1” A N D A
FR OM 12” TO 26”. OV E R H A N GIN G E AV E S MAY H AV E E X P OS E D
MAX IMU M OF 4”.
R A FTE R S .
B A L C O N I E S S H A LL BE STR U C TU R A LLY S U P P ORTE D B Y
EXPOSED
R OU N D , S QU A R E , OR OGE E .
B LO C K , P O U R E D CONCRET E, OR BRICK. ST UCCO SH A LL B E
S TE E L T R O W E L E D OR A SACK WASH OVER BRICK IS ALLOWED .
M A S O NRY
PIERS
WIT H
WOOD
PICK E TS
MAY
RE PL A C E S O L I D M ASONRY WAL L S. M ASONRY WALLS S H A LL
BOTTOM
R A ILS
GU TTER S
AND
D OWN SPOU TS
S H A LL
BE
S TU C C O O R P L A S T ER COAT ING M AY BE APPL IED TO CON C R E TE
T R IM S H A L L N O T EXCEED 6 ” IN WIDT H AT CORNE R S AN D 4”
S IN GLE -H U N G
SASH
H OR IZON TA LLY
W I NDO W S.
WITH
T RANSO M S
PANES
W HI CH
M AY
M AT CH
R OU GH OP E N IN G S H A LL B E S E PARAT ED BY A 4 ” M I NI M UM
P OS T. TH E W IN D OW S A S H S H A LL BE L O CAT ED I NT ERI O R TO
C ON S TR U C TION S H A LL P R OJ E C T A M I NI M UM O F 1 I NCH F RO M
TH E FA C E OF TH E B U ILD IN G.
A LL
V E RTIC A LLY
OPENINGS
S U P E R IMP OS E D
SHAL L
BE
A LIGN E D A N D C E N TE R E D A LON G T HE VERT I CAL AXI S.
WIN D OW M U N TIN S A R E E N C OURAG ED AND SHAL L BE T RUE
B E M A D E O F B R I C K WHIL E GAT ES SHAL L BE ST EEL. WA LLS
MAY B E P E R F O R AT ED.
OR
OR IE N TE D
TH E C E N TE R LIN E OF TH E WA LL. W I NDO W SI L L S I N M ASO NRY
R A ILS SH A LL BE EA S E D AN D BOTTOM R A ILS S H A LL H AV E A
TOP AN D
BE
OTH E R C ON FIGU R ATION S . MU LTI PL E W I NDO W S I N T HE SAM E
LI G H T. WA L L S O F A SINGL E BUIL DING M UST BE B U ILT IN A
CO N S I S T E N T C O N F IGURAT ION.
R OOF:
I N W I D T H A R O U N D OPENINGS, EXCEPT AT T HE F RON T D OOR .
F E N C E S A S D EFIN ED IN TH IS C OD E AR E N OT A LLOW E D .
S U R FA C E S ,
AND
S H A LL
C R E AT E
PANEL S
OF
SQ UARE
OR
LA R GE
SERVIC E
D OOR S S HAL L BE L O CAT ED O NLY I N
S E RV IC E A R E A S IN D IC ATE D B Y P L AN.
SH U TTER S A R E N OT A LLOW E D .
TH E R E MAY B E N O MOR E TH A N O NE CIRCUL AR W INDOW O N
A N Y P R IN C IPA L E LE VATION .
R EC TA N GU LA R WIN D OWS S H A L L BE O PERABL E ENCASEM ENT
OR S IN GLE H U N G. C IR C U LA R W IN D O W S M AY BE F I XED.
130
C h a rre tte : 1 0 .1 7 .11
and
A R C A D E S A N D B R E E Z E WAY S S H OU LD H AV E V E RTIC A LLY
PR OPORTION ED AR C H E D OP E N IN GS .
confiGuration
B UILDING WALLS M AY BE BUILT OF NO M ORE TH A N TWO
MAT E R I A L S A N D S HAL L ONLY CHANGE M AT ERIAL ALON G A
tEcHniquES
C A N VA S AWN IN GS A R E N OT A LLOW E D .
E
buiLdinG ELEmEntS
windowS
BUILDING WALLS SHAL L BE ONE COL OR PER MATER IAL
T R I M (B A LC ON Y AN D POR C H P OSTS , R A IL S , W IN D OW TR IM,
(R E S E RV E D )
USED.
T H E B U I L DING EXT ERIOR F INISH SHAL L B E AT LE A S T
R A FTE R TAILS, ETC .) S H A LL B E PAIN TED OR S TA IN E D TO
8 5 % R E D B R I C K AND GL ASS. RED BRICK SHAL L MATC H TH E
C OMP LIME N T TH E OVE R A LL VALU E OF T H E B U ILD IN G. A N
E X I S T I N G T Y P E THROUGHOUT T HE CAM PUS. ON LY A SMALL
A C C E N T C OLOR FOR ITEMS SU C H AS T H E E N TRY D OOR ,
P O RT I O N
P IC KE TS & TR IM MAY B E U S E D S U B JEC T TO A P P R OVA L FR OM
SHALL
CONSIST
OF
STONE
AND/OR
PLA S TE R .
T R I M ( B A L C O N Y AND PORCH POST S, RAIL S, WIN D OW TR IM,
and
doorS
amEnitiES
buiLdinG waLLS
TH E U L LA FAYE TTE D ES IGN R EV IEW BOAR D .
R A F T E R TA I L S , E T C) SHAL L BE PAINT ED TO COM P LIME N T TH E
C O L U M N S A N D O VERAL L VAL UE OF T HE BUIL DING. A N A C C E N T
C O L O R , F O R I T EM S SUCH AS T HE F RONT DOOR , P IC KE TS ,
P R E V IOU S C ON C R ETE PAVE R S , BR IC K OR CON C R E TE . PAV E R S
T R I M , A N D S H U T TERS, M AY BE USED SUBJECT TO AP P R OVAL
MU ST C ON TR AS T D R A S TIC ALLY WITH TH E S TR E E T S U R FA C E
F R O M T H E U L L A FAYET T E DRB. WAL L S AND F ENC E S SH A LL BE
C OLOR .
I N A R A N G E O F C OL ORS APPROVED F OR T HEIR R ES P E C TIVE
A F T E R C O N S U LTAT ION WIT H T HE DRB. F INAL COLOR PALE TTE
F R O M T H E U L L A FAY E T T E D E S I G N REVIEW B OA R D :
S H A L L B E I N A C C ORDANCE WIT H T HE SEL ECT ION S MA D E BY
T H E U L L A FAY E TT E DRB. AL L PAINT SEL ECT ION S S H A LL B E
M AT E R I A L S . O T H ER COL ORS M AY BE ADDED TO TH E LIST
“PR E M I U M G R A D E ” OR BET T ER.
T H E F O L L O WI N G S H A L L B E P E R M ITTED ON LY IN
R E A R YA R D S A N D WH E R E N O T E A S I LY VISIB LE FR OM
S T R E E T O R PAT H S : H AN D IC AP R A MPS , H VA C E QU IP ME N T
(“S ILEN T”
MOD E LS
PR E FE R R E D ),
U TILIT Y
ME TE R S ,
AND
THE
FOLLOWI NG
SHALL
NO T
BE
PERMITTED:
PA N E L I Z E D WA L L M AT ERIAL S, ST UCCO COVERED - FOA M
BALCONIES
N OT
V ISIBLY
S U P P ORTED
ON
P OS TS
OR
SLID IN G D OOR S A N D WIN D OW S SHAL L NO T BE USED.
BR A C K E TS AR E N OT ALLOWED .
SN A P- IN M U N TIN S S H A LL N O T BE VI SI BL E F RO M T HE
M O L D I N G S N O L OWER T HAN SECOND F L OOR, WIN D OW A IR -
E X TE R IOR .
F L A G S A S A P P R OVED BY UL L AFAYET T E DRB) , D IR EC T V E N T
B Y VA R IA N C E .
F I R E P L A C E S , E X T ERNAL AL ARM SYST EM S, AND SK Y LIGH TS .
LOC AL R EQU IR E MEN TS ON TH E MA IN B U ILDIN G.
C O N D I T I O N I N G U NIT S, EXPOSED EXT ERIOR F LU OR E S C E N T
L I G H T S , E X P O S E D EXT ERIOR F L OOD L IGHT S, ABOV E GR OU N D
notES
GAR B A GE C OLLE C TION EQU IP MEN T.
STA IN ED OR TIN TED GLA SS I S NO T AL L O W ED EXCEPT
P O O L S , A N T E N N AS, F L AGS AND F L AGPOL ES ( EXCE P T OFFIC IAL
VARIANCES TO T HE ARCHIT ECT URAL REGUL ATION S MAY BE
GR A N T E D O N T H E BASIS OF ARCHIT ECT URAL M E R IT.
T H E S E R E G U L AT IONS WIL L BE UPDAT ED PERIODIC A LLY, AN D
A L L S U B S E Q U E NT CHANGES WIL L APPLY TO ALL B U ILD IN GS
W H I C H H AV E Y E T TO COM PL ET E T HE SCHEM ATIC D E S IGN
PHASE.
WOOD W H I C H I S NOT F INISHED WIT H A PAINT OR S TAIN AR E
N O T A L L O WE D .
TRIM E X C E E D I N G 6 ” IN WIDT H AND T RIM OF L UMBE R WOR S E
T H A N G R A D E B ARE NOT AL L OWED.
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
131
E
windowS
windowS
doorS
EntrywayS
WINDOWS SHAL L B E WH ITE
PA L L A D I A N WI N D O WS : PALLA D IAN WIN D OW S C ON S IS T OF
EXTER IOR D OOR S : D OOR S C A N B E MA D E OF E ITH E R W OOD
TH E MA IN E N TR IE S ON FA C A D E S W I T H ST REET O R PUBL I C
W OO D O R A L U M I N UM , DOUBL E- HUNG OR SINGL E- H U N G SA S H
TH R E E LIGH TS SE T SID E-BY-SID E, TH E OU TE R TW O OF W H IC H
OR ME TA L, W ITH GLA S S IF D E S IR E D . S TA N D A R D D OOR S A R E
FR ON TA GE S H OU LD P R E FE R A B LY HAVE A PO RT I CO , AND AT
W I N D O WS . R E C TA NGUL AR WINDOWS SHAL L BE V E RTIC ALLY
A R E SIMP LE R EC TAN GLES WH ILE TH E MID D L E ON E S P ORTS
K AW N E E R “350” W ITH A MIN IMU M B OTTOM R A IL OF 6 ½ “A N D
MIN IMU M, H AV E A N A E D IC U LE .
P ROP O RT I O N E D A N D M AY BE OPERABL E ( WIT H ACC E P TAN C E
A S E MIC IR C U LAR TOP WH IC H SP R IN GS FR OM TH E LE V E L OF
S ID E A N D TOP R A ILS OF 3 ½ “.
FRO M T H E U N I V E R SIT Y) . WINDOWS SHOUL D NOT BE PAIR ED .
TH E OTH ER TWO LIGH TS’ U P P E R LIMIT. PALLA D IA N W IN D OW S
THE WI N D O W S A S H SHAL L BE L OCAT ED INT ERIOR TO TH E
MU ST
D E TA ILE D
IN TER IOR D OOR S : IN TE R IOR D OOR S S H OU LD GE N E R A LLY
CE N T E R L I N E O F T HE WAL L .
U S IN G TH E C LAS S IC AL OR D E R S . WIN D OWS MU S T IN C LU D E
B E 1 3/4” S OLID W OOD D OOR S OR IN S U LATE D , R A IS E D PA N E L,
C OR R EC T P ILAS TE R S , FU LL EN TAB LATU R ES A N D A P R OP E R LY
ME TA L D OOR S . PA RTIC LE C OR E W ILL N OT B E A C C E P TE D .
A RCHED WINDOWS: WINDOWS SHAL L BE WHIT E WOOD OR
D E S IGN E D A R C H
W ITH TH E TOP
S LID IN G W OOD D OOR S S H A LL N OT B E U S E D . A LL D OOR S
A LU M I N U M , D O U B L E- HUNG OR SINGL E- HUNG SASH WIN D OWS.
S A S H (N OT S E PAR ATED BY A MU LLION ). THE LIGH TS MU S T
S H A LL B E AT LE A S T 36” W ID E . A LL D OOR FR A ME S S H A LL B E
A RC H E D W I N D O WS SHAL L BE VERT ICAL LY PROPORTION ED
B E C ON S ISTE N TLY SIZED TH R OU GH OU T ALL TH E S A S H E S .
ME TA L.
A ND
E N TAB LATU R E MU ST IN C LU D E A P R OPE R B A S E . IMP R OP E R LY
R E CTANGULAR W I NDO W S:
M AY B E
O P E RABL E
( WIT H ACCEPTANCE
FR OM TH E
BE
C OR R E C TLY
WH IC H
PR OPORTION ED
IS
IN TEGR ATED
AND
POR TIC OS :
B U ILD IN G
P ORTIC OS S H A LL BE I N PRO PO RT I O N TO T HE
AND
MU S T
MA IN TA IN
SYM M ET RY.
A
BUI L DI NG ’S
P ORTIC O C A N E ITH E R B E TH E S TYL E O F A CL ASSI C CO L O NNADE
E X TE N D IN G FR OM TH E FA C E OF T HE BUI L DI NG O R AN ENG AG ED
P ORTIC O W H IC H E X TR U D E S FR O M T HE BUI L DI NG FAÇADE TO
C R E ATE A N E N TRY E LE ME N T.
A LL P ORTIC OS MU S T B E A P P R OP R I AT ELY DETAI L ED ACCO RDI NG
TO C LA S S IC A L OR D E R S OF P R OP O RT I O N AND O RNAM ENTAT I O N.
UNI V E R S I T Y ) . A R C HED WINDOWS SHOUL D BE LA R GER IN
P R OPORTION ED AN D /OR
A LL C LA S S R OOM D OOR S , S TA IRW E LL D OOR S , A N D C OR R ID OR
MATE R IA LITY
S CAL E T H A N R E C TANGUL AR WINDOWS WIT HIN TH E SA ME
D E TAILED PALLA D IAN WIN D OWS A N D E N TAB LATU R E S A R E
D OOR S S H A LL H AV E V IS ION PA N E LS (5”X 20”).
E X A MP LE S
FA Ç A D E A N D A R E USUAL LY RESERVED F OR UPPER FLOOR S .
N OT AC C E P TAB LE , TH U S PARTIC U LAR ATTEN TION MU S T B E
W I N D O WS S H O U L D NOT BE PAIRED. T HE WIND OW SA S H
PAID TO E N S U R E PR OPE R D ES IGN .
S H A LL
AS
SEEN
BE
ON
S IMILAR
C A M PUS
TO
EXI ST I NG
WITH
AL L
PO RT I CO
NO N- BRI CK
E LE ME N TS D E S IGN E D TO B E W H IT E I N CO L O R.
C A SIN GS :
S HOU L D B E L O C AT ED INT ERIOR TO T HE CENT ERL I N E OF TH E
StyLES
IF A P ORTIC O IS N O T USED, A DO O R SURRO UND
MU S T B E P R E S E N T A S A MIN IM UM DEM ARCAT I O N O F T HE
WA L L .
MA IN E N TRY. A C C E P TA B LE FOR MS O F DO O R SURRO UNDS ARE
TR A B E ATE D S U R R OU N D S A N D P E DI M ENT SURRO UNDS. EACH O F
TH E S E MAY B E D E S IGN E D TO A C CO M M O DAT E A SI NG L E DO O R,
S IMU LATED D IV ID ED (FIXE D ON TH E IN TE R IOR A N D E X TE R IOR
I NC H F R O M T H E FACE OF T HE BUIL DING. SIL L S SH OU LD B E
S U R FA C E S ), AN D SH A LL C R EATE PAN E LS O F S QU A R E OR
CO N S T R U C T E D O F EIT HER CAST STONE OR BRICK R OWLOC K.
V E RTIC AL PR OPORTION . WIN D OWS WITH OUT A N E X TE R IOR
MU N TIN SH A LL N OT BE ALLOWED .
W INDOW HEAD:
AL L WINDOWS SHAL L HAVE 1 OF TH E
P RE S E N T E D H E A D CONDIT IONS ( CASEM ENT, T RUE JAC K A R C H
OPERABLE
W I T H / WI T H O U T K E Y STONE OR A BRICK SOL DIER C OU R SE ).
AP P R OVE OP E R A B LE WIN D OWS.
W I N D O W S I N A B RICK M ASONRY WAL L WIT HOU T A H EA D
CO N D I T I O N A R E N OT ACCEPTABL E.
GL ASS W I N D O WS SHAL L BE ENERGY EF F ICIENT, BR ON ZE
TI NT E D ,
I N S U L AT E D
GL ASS
WIT H
L OW
‘E’
COATIN G
TO
I MPR O V E T H E R M A L PERF ORM ANCE
S P E C I A L G L A Z I N G F OR IM PACT RESISTANCE ( L E X A N ) A N D
S O U N D A B AT E M E N T ( L AM INAT ED GL ASS) SHAL L BE SP E C IFIE D
AS NEEDED.
S HUTTERS N O T A L L OWED EXCEPT BY VARIANCE.
132
C h a rre tte : 1 0 .1 7 .11
WI N D O WS :
FAC ILITY
MAN A GE ME N T
MU S T
and
WI N D O W M U N T I N S S H A LL B E TR U E D IVID E D LIGH T OR
S HA L L H AV E A S IL L WHICH PROJECT S A M INIMU M OF 1
confiGuration
W INDOW SILL : A L L WINDOWS IN M ASONRY CONS TR U C TION
tEcHniquES
D OU B LE D OOR S , S ID E LIGH TS , TRANSO M S AND ARCHES.
TYPOLOGY III - FORMAL CONTEMPORARY GEORGIAN
maSSinG:
uL LafayEttE’S formaL contEmporary GEorGian HiStory
▫
NOT ALWAYS SYMMETRICAL
▫
ENTRY SHOULD BE CENTRAL OR COORDINATED TO CONFORM TO AXIS
Ty p e I I I is st y l i st i ca l l y a d ep a r tu re f ro m t he t ra di t i ona l G eorg i a n a rchi te ct ure of t he ori g i na l q uadrangle
p o rt io n o f ca m p u s . I t i s h oweve r i nten d ed to ut i l i ze si m i l a r a rchi te ct ura l techni que s of fl oor pl ate alignment,
scale , a n d m ater i a l p a l ette a n d d i ffe r i n i t s a rt i cul at i on of a sse m bl y. I t i s i ntended, t hat t he a rchitecture
ge n e rate d by t h i s a s s e m b l y b e st y l i sti ca l l y prog ressi ve whi l e st i l l reg i ona l l y a nd e nv i ronm enta l l y sensitive.
A n an a lysis of t h e co ntem p o ra r y d es i g n st yl es present on ca m pus m ay be found i n t he beg i nning of the
arch ite ct u ral sta n d a rd s . Th e d e s i g n st y l e of Type I I I bui l di ng s shoul d bui l d on t hat hi stor y of p rogressive
d esign . I t is f u r th er a nt i c i p ated , t h at th e cost to devel op t hi s t ype, whi l e not i nex pe nsi ve, wi l l be more cost
affo rd a b le t h a n Ty p e I .
OF AN ASSEMBLY OF BUILDINGS.
waLLS & roofS:
typE iii buiLdinGS
M O O D Y H A L L, UNIVERSIT Y UNION, ANGEL LE H A LL, PAU L A N D LU LU H ILLAR D U N IVE R S ITY A RT MU SE U M, A LU MN I
▫
RED BRICK
▫
PITCHED OR FLAT ROOFS
C E N T E R , E D IT H GARL AND DUPRE L IBRARY
windowS:
▫
FIXED
▫
RECTANGULAR OR SQUARE
doorS:
▫
SOLID GLASS OR FRAMED GLASS
dEtaiLS:
▫
TRADITIONALLY BASED BUT NOT
NECASSARILY LITERAL
▫
SIMPLIFIED TRADITIONAL
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
133
E
E
P REC E D E N T S
MICHELE-LITVIN DINING HALL UNIVERSITY OF ILLINOIS
DURHAM PERFORMING ARTS CENTER
> > D U R H A M P E R FOR MIN G A RTS C E N TE R
MILL SPRINGS ACADEMY UPPER SCHOOL
TYPOLOGY III - PRECEDENTS
•
•
•
•
•
•
•
•
Use d fo r n o n - t ra d i t i o n a l s etp i e c e b u i l d i n gs wi t hi n t he Ca m pus
M o re p revalent w i t h i n ca m p u s co m m o n s t ha n wi t hi n Ca m pus Proper
Use d a s a n u p g ra d e to m o d er n i st b u i l d i n gs on Ca m pus whi ch ne ed re m ode l
I nten d ed a s t h e b r i d ge b et wee n tra d i ti o n al a nd conte m pora r y form s on Ca m pus
C h ara cterized by a co ntem p o ra r y i nter p retat i on of t ra di t i ona l G eorg i a n el em ent s
- M ate ria l i t y
- Pro p o rt i o n s
E xp o se d st ru c t u ra l e l e m e nt s a c c epta b l e w hen properl y a rt i cul ate d wi t hi n t he de si g n i ntent
S ign ificant ly h i g h e r p e rc e nta ge o f g l a z i n g /bui l di ng m a ss t ha n t ra di t i ona l t ypol og y
Preva le nt u se o f sto ref ro nt/c u r ta i n wa l l g l a zi ng
134
C h a rre tte : 1 0 .1 7 .11
E
maSSinG & proportion
Unlike
traditional
Ge o rgi a n
A rc h i tec tu re ,
th e
contemporar y built forms o n ca mp u s d o n o t a d h e re to
a for mal methodology rega rd i n g th e o rga n i zati o n o f
building masses. Symmetr y i s n o t stri c tl y a p p l i ed e i th er
in plan or elevation. El e ments o f s ca l e a n d p ro p o rti o n
should be draw n from th e n e a rby ca mp u s b u i l d i n gs to
ensure a visual cohesiven e s s w i th i n th e ca mp u s at l a rge.
Analyz ing contempora r y a rc h i te c tu ra l ma s s i n g p o s e s
quite a challenge as th ere i s n o d ef i n i ti ve ru l e s by
w hich contemporar y form ca n b e i d enti f i e d . U n l i ke i ts
traditional counter par t, Co nte mp o ra r y Geo rgi a n d o e s
not organize around stri c t sy mmetr y.
DUPRE
AN GELLE
U N ION
MU S E U M
This section focuses o n u n d e rsta n d i n g th e ty p o l o gy ’s
most basic r ules of mas s i n g a n d p ro p o rti o n . Th e s e a re
studied in both plan an d e l evati o n .
matEriaL dEfinition
Ex ter ior finish shall be at l ea st 85% re d b ri c k a n d
glass. Red br ick shall matc h th e ex i sti n g ty p e fo u n d
throughout the campus . A s co mp a re d to th e tra d i ti o n a l
typologies, Type III sho u l d co nta i n a l a rger p ro p o rti o n
of glass. Only a small po rti o n s h a l l co n s i st o f sto n e a n d /
or plaster. For this typ o l o gy, meta l ca n b e u ti l i ze d a s a n
accent mater ial.
E D IT H GARL AND DUPRE L IBRARY
TY P O LO G Y I I I
•
TY P IC A LLY L I NER BUI L DI NG S RAT HER T HAN
S E T P IE C E S
•
LE S S C OS T LY
•
S A ME E LE M ENT S AND M AT ERI AL I T Y AS T YPE
I, B U T N OT EXECUT ED I N A T RADI T I O NAL
MA N N E R
LI TE C E N T E R
•
GE N E R A LLY, NO TO W ER O R CUPO L A
•
D E TA ILS A RE EI T HER L EF T O UT O R O NLY
U S E D FOR F O CAL PO I NT S
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
135
E
W I N D O WS & E N T RY WAYS
windowS & EntrywayS
STOREFRONT WINDOWS
T he co ntem p o rar y n atu re o f t h i s t y p o l o g y d em a nds a new set
of ru les fo r t h e sty l i st i c d eta i l s w h i c h d ef i ne i t s a ppea ra nce.
Trad it io n a l win d ow a n d d o o r d eta i l s h ave b een repl a ced wi t h
g laz in g syste m s su c h a s sto ref ro nt a n d c u r ta i n wa l l system s.
StorE front GuidELinES
S T O R E F R O N T G U I D E L I N E S s h a l l en co u ra ge t he ex pressi on of
eac h b u ild in g ’s id e nt i ty. S u c h ex p re s s i o n s s ha l l have a st rong
urb an ch a racter.
A S T O R E F R O N T B U F F E R Z O N E o f two feet w i de wi l l be a l l owe d
past t h e b u ild in g p l a n e . Th i s s p a c e ca n b e occupi ed by t he
str u ct u re’s ex t ru s i o n s o r d o o rs t h at o p e n o u t wa rd. Ot he r si te
items su ch as p la nters o r b en c h e s m ay o c c u py t hi s a rea but
shou ld n o t o bst ru c t p e d est r i a n f l ow.
ARCHITECTURAL CLAD WINDOWS
S T O R E F R O N T C H A R A C T E R s h a l l ref l e c t the Contem pora r y
Georgian h erita ge b ei n g d evel o p e d t h ro u g hout t he ca m pus’
most re ce nt ly co nstr u c ted b u i l d i n g s .
S T O R E F R O N T E N T R Y A N D D O O R d e s i g n a n d pl a ce m ent a re a
f und ame ntal p a rt o f e a c h sto ref ro nt. Th ey s ha l l i nt roduce t he
occu p a nt to t h e b u i l d i n g ex p e r i e n c e w i th i n . Pl a cem ent sha l l be
in d irect co n n e ct i o n to th e street s i d ewa l k . Rece ssed doors a re
acce pta b le to in cl u d e i n sto ref ro nt d es i g n . G l a ss shoul d not be
more t h a n 10% ref l e c ti ve.
E N T R Y WAY S
S T O R E F R O N T L I G H T I N G a d d s p e rs o n a l i ty a n d safet y to publ i c
street s a n d wa lkways . As p a r t o f a ca m p u s , proper l i g ht i ng i s
key to a safe e nv i ro n m ent i n t h e even i n g s . S torefront fa ca des,
outd o o r sp aces, a n d rec es s e d d o o r ways s h al l be l i t . F i x t ure s
shou ld b e lo cate d i n a way t h at t h ey i l l u m i n ate t he a dja cent
site a n d n o t t h e w i n d ows th e m s e l ve s to avo i d g l a re. Al so, t hey
shou ld in clu d e sp e c i a l af te r h o u r l i g ht i n g o n t he front of t he
store to co nt rib u te to p e d est r i a n l i g ht i n g to ensure l ei sure
wal k in g.
DOORS
136
C h a rre tte : 1 0 .1 7 .11
E
buiLdinG waLLS
buiLdinG ELEmEntS
T Y P ES PROHIBITED : WOOD, VINYL .
R A I L I N G S SH A LL BE MA D E OF ME TAL.
T Y P E I: MASONRY
M E TA L
RE D BR I C K S H A L L M AT CH T HE EXIST ING T YPE T HROU GH OU T
GALVAN IZED
THE C A M P U S .
MAR IN E-GR A D E ALU MIN U M.
T Y P E II: METAL PANEL
D R I V E WAY S
ELEMENTS
STE E L,
S H A LL
BE
N ATU R AL
OR
ES P
A N OD IZE D
windowS
SLOPED R OOFS S H A LL B E C LA D IN GA LVA N IZE D S TE E L,
WIN D OWS,
MA N U FA C TU R E D R OOF PA N E LS , OR B U ILT U P A S P H A LT.
A N OD IZE D A LU MIN U M. D OOR S S H A L L BE ANO DI Z ED AL UM I NUM
OR
MA NU FA C T U R E D
WAL L
PANEL S
WIT H
SOL ID
C OR E
CO NS T R U C T I O N , F I N ISHED IN F L UOROPOLYM ER, SIL IC ON IZE D
BE
OF
C ON C R E TE ,
STOREF RONT S
SHAL L
BE
GR E ATE R TH A N 10% R E FLE C TIV ITY.
B U ILD IN G LE A S T V IS IB LE FR OM N E A R B Y S TR E E TS . S P LA S H
B LOC K S S H A LL B E MA D E OF C ON C R E TE , B R IC K OR GR AV E L.
SEC U R ITY
D OOR S
AND
WIN DOW
GRIL L ES ARE NO T
A LLOW E D .
FLA SH IN G, GU TTER S, A N D D OWN SPOU TS S H A LL B E
P O LY E S T E R , A C RY L I C OR T RANSL UCENT PANEL S OF GLA S S
R A I L I N G S SH A LL BE FAB R IC ATED OF GA LVAN IZ E D ME TA L, OR
FI B E R R E I N F O R C E D POLYEST ER.
AND
MA D E OF GA LVA N IZE D S TE E L, A N OD IZE D , OR A LU MIN U M.
D OW N S P OU TS S H A LL B E P LA C E D AT TH E C OR N E R OF TH E
C AN
D OOR S,
IN A S ILV E R , GR E Y, OR B R ON ZE C O L O R. G L ASS SHAL L BE NO
C OLOR E D
ALU MIN U M,
doorS
and
matEriaLS
S TY LE .
S S C AB LE .
T Y P E III: STUCCO
C A N VA S AWN IN GS A R E N OT A LLOW E D . C A N OP IE S W H E N
S TUCC O I S A L L O W E D OVER WOOD, M ETAL F RAM E OR MAS ON RY
U S E D S H A LL B E MA D E OF ME TA L OR GLA S S .
CO NS T R U C T I O N . S T UCCO M UST HAVE A WHIT E OR IVORY
FLAT R OOFS S H A LL B E MA D E OF MATE R IA L C ON S IS TE N T
FI NI S H . S W I R L O R O THER PAT T ERNS ARE NOT AL L OWED .
FLAT R OOFS S H A LL A LIGN W ITH TH E C OR N IC E LIN E S /
WIN D OWS
PA R A P E TS .
P R OP ORTION E D
HO RI Z O N TA L L I N E , I .E. BRICK CHANGES WHICH OC C U R IN
S H A LL
AND
BE
N OT
R E CTANG UL AR,
R E QUI RED
TO
VERT I CAL LY
BE
O PERABL E.
TR A N S OMS MAY B E OR IE N TE D H O RI Z O NTAL LY W I T H PANES
A V E RT I C A L L I N E M U ST OCCUR ONLY AT AN OF F SET OF N O
COLONNADES
W H IC H MATC H OTH E R C ON FIGU R AT I O NS. M ULT I PL E W I NDO W S
LE S S T H A N 1 2 ” , WI T H T HE HEAVIER M AT ERIAL BELOW TH E
C ON N E C TION S , A N D H U MA N SC A LE .
IN TH E S A ME R OU GH OP E N IN G MAY HAVE BUT T G L AZ I NG . T HE
R A I L I N G S SH A LL H AVE TOP AN D BOTTOM R A ILS . TOP A N D
EXPOSED
B OTTOM R A ILS SH A LL BE C EN TE R E D ON TH E B OA R D S OR
R OU N D OR S QU A R E .
SH A LL
H AVE
S OLID ITY,
R H Y TH M,
LI G HT. WA L L S O F A SINGL E BUIL DING M UST BE BUILT IN A
CO NS I S T E N T C O N F I GURAT ION.
W IN D OW S A S H MAY B E LOC ATE D N E AR T HE O UT ER WAL L PL ANE.
GU TTER S
AND
D OWN SPOU TS
S H A LL
BE
W IN D OW S ILLS IN MA S ON RY C ON S TRUCT I O N M AY NO T PRO J ECT
FR OM TH E FA C E OF TH E B U ILD IN G. SPANDREL G L ASS M AY BE
USED.
G A RD E N WA L L S S H AL L GENERAL LY BE CONST RUCTED OF
P IC KE TS . TH E OP E N IN GS BE TWE E N TH E ME MB E R S S H A LL
THE S A M E M AT E R I A L AS T HE F IRST F L OOR OF T HE PR IMARY
B E A MIN IMU M OF 1” A N D A MAX IMU M OF 4”. R A ILS MAY B E
B UI LD I N G .
V E RTIC ALLY OR H OR IZON TALLY PR OPORTION .
WIN D OW M U N TIN S A R E E N C OU R AG ED AND SHAL L BE T RUE
M A S O N RY
PIERS
WIT H
ST EEL
PICKETS
MAY
RE P LAC E S O L I D M A S ONRY WAL L S. M ASONRY WAL L S SH ALL BE
MA DE O F S T U C C O O R BRICK WHIL E GAT ES SHAL L BE S TE E L.
B A L C O N I E S S H A LL BE STR U C TU R A LLY SU P P ORTE D B Y
S U R FA C E S ,
WA LLS M AY B E P E R F ORAT ED.
AND
S H A LL
C R E ATE
PANEL S
OF
SQ UARE
OR
S TUCC O O R P L A S T E R COAT ING M AY BE APPL IED TO CON C R ETE
GA R A GE D OOR S S H A LL B E LOC ATED O NLY I N SERVI CE AREAS
B LO CK , P O U R E D C O N CRET E, OR BRICK. ST UCCO SH ALL B E
IN D IC ATE D B Y P LA N .
S TE E L T R O WE L E D O R A SACK WASH OVER BRICK IS ALLOWE D .
and
A R C A D E S A N D B R E E Z E WAY S S H OU LD H AVE V E RTIC A LLY
PR OPORTION ED OP E N IN GS , A R C H E D OR FLAT.
confiGuration
B UIL DING WALLS MAY BE BUILT OF NO M ORE T H A N TWO
MATE R I A L S A N D S H AL L ONLY CHANGE M AT ERIAL A LON G A
tEcHniquES
W ITH TH E D E S IGN OF TH E R OOF.
F E N C E S A S D EFIN ED IN TH IS C OD E AR E N OT ALLOW E D .
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
137
E
buiLdinG waLLS
buiLdinG ELEmEntS
windowS
B UILDING WALLS SHAL L BE ONE COL OR PER MATER IAL
T R I M (B A LC ON Y AN D POR C H P OSTS , R A ILS, W IN D OW TR IM,
(R E S E RV E D )
US E D . T H E B U I L D I NG EXT ERIOR F INISH SHAL L BE AT LEA S T
85% R E D B R I C K A ND GL ASS. RED BRICK SHAL L MATC H TH E
C OMP LIME N T TH E OV E R A LL VALU E OF TH E BU ILD IN G.
and
doorS
E X I S T I N G T Y P E T H ROUGHOUT T HE CAM PUS. ONLY A SMALL
P LA S TE R .
TRI M ( B A L C O N Y A N D PORCH POST S, RAIL S, WIND OW TR IM,
P E RV IOU S C ON C R E TE PAVE R S , B R IC K OR C ON C R E TE . PAV E R S
RA F T E R TA I L S , E T C ) SHAL L BE PAINT ED TO COM PL IME N T TH E
CO L U M N S A N D O V ERAL L VAL UE OF T HE BUIL DING. AN A C C E N T
C OLOR .
P O RT I O N
SHALL
CONSIST
OF
STONE
AND/OR
amEnitiES
CO L O R , F O R I T E M S SUCH AS T HE F RONT DOOR, PIC KE TS ,
FRO M T H E U L L A FAYET T E DRB. WAL L S AND F ENCES SH A LL BE
F R O M T H E U L L A FAY E T T E D E S I G N R E VIEW B OA R D :
I N A R A N G E O F C OL ORS APPROVED F OR T HEIR RE S P E C TIVE
MAT E R I A L S . O T H E R COL ORS M AY BE ADDED TO TH E LIST
TRI M , A N D S H U T T ERS, M AY BE USED SUBJECT TO A P P R OVAL
A FT E R C O N S U LTAT ION WIT H T HE DRB. F INAL COL OR PALE TTE
S HA L L B E I N A C C ORDANCE WIT H T HE SEL ECT IONS MA D E BY
THE U L L A FAY E T T E DRB. AL L PAINT SEL ECT IONS SH A LL B E
“P R E M I U M G R A D E ” OR BET T ER.
T H E F O L L O WI N G S H A L L B E P E R M I T TED ON LY IN
S T R E E T O R PAT H S : H AN D IC AP R A MPS , HVA C E QU IP ME N T
THE
FOLLOWING
SHALL
NO T
BE
PER M I T T E D :
S TU C C O C O V E R E D - F OAM M OL DINGS, EXPOSED EX TE R IOR
B A L C O N I E S MAY B E C A N TILEV E R E D OR S U P P ORTE D ON
SLID IN G D OOR S A N D WIN D OW S ARE NO T AL L O W ED.
POSTS .
SN A P- IN M U N TIN S S H A LL N OT BE PERM I T T ED.
FLU O R E S C E N T L I G HT S, EXPOSED EXT ERIOR F L OOD LIGH TS,
C U RV E D , S C A L L O P E D , A N D / O R B A C K L IT AWN IN G, OR
B A C K L I T S I G N S AR E N OT ALLOWED .
STA IN ED OR TIN TED GLA SS IS NO T AL L O W ED.
DI R E C T V E N T F I R E PL ACES, EXT ERNAL AL ARM SYSTEMS, A N D
SKYLIGHTS.
A B O V E G R O U N D P OOL S, ANT ENNAS, F L AGS AND FLAGPOLES
(E X C E P T O F F I C I A L F L AGS OF COUNT RIES AS AP P R OVE D
B Y U L L A FAY E T T E DRB, STAT ES, COUNT IES AND C ITIES ,
VARIANCES TO T H E ARCHIT ECT URAL REGUL AT ION S MAY BE
G RA N T E D O N T H E BASIS OF ARCHIT ECT URAL M ER IT. TH E S E
RE G U L AT I O N S W I LL BE UPDAT ED PERIODICAL LY, AN D ALL
S UB S E Q U E N T C H A NGES WIL L APPLY TO AL L BUIL DIN GS WH IC H
HAV E Y E T TO C O M PL ET E T HE SCHEM AT IC DESIGN PH A S E .
W OOD WH I C H I S N OT F INISHED WIT H A PAINT OR S TAIN IS
NO T A L L O W E D .
138
C h a rre tte : 1 0 .1 7 .11
notES
(“S ILEN T” MOD E LS PR E FE R R E D ), U TILITY ME TE R S .
TYPOLOGY IV - INFORMAL CONTEMPORARY GEORGIAN
maSSinG:
uL LafayEttE’S informaL contEmporary GEorGian
▫
NOT ALWAYS SYMMETRICAL
▫
ENTRY SHOULD BE CENTRAL OR COORDINATED TO CONFORM TO AXIS
Wh ile Ty p e I I I i s st y l i sti ca l l y a d ep a r t u re f rom t he t ra di t i ona l G eorg i a n a rchi te ct ure of t he ori g i na l quadrangle,
Ty p e I V is st yl i st i ca l l y a d e p a r tu re f ro m the ori g i na l a rchi tect ure of t he hi stori c qua d. I t i s however intended
to u t ilize sim i l a r a rc h i tec t u ra l te c h n i q u e s of fl oor pl ate a l i g nm e nt , sca l e , a nd m ateri a l pa l ette a nd differ in
it s a rt icu lat ion o f a s s e m b l y. I t i s i nte n d ed, t hat t he a rchi tect ure generate d by t hi s a ssem bl y be stylistically
p ro gressive w h i l e st i l l reg i o n a l l y a n d env i ronm enta l l y se nsi t i ve . I t i s furt he r a nt i ci pated, t hat the cost to
d eve lo p t h is ty p e , w h i l e n o t i n ex p e n s i ve , wi l l be m ore cost afforda bl e t ha n Type I .
OF AN ASSEMBLY OF BUILDINGS.
typE iv buiLdinGS
waLLS & roofS:
O L I V I E R H A L L, CORONA HAL L , GUIL L ORY HAL L, V.L. WH ARTON H A LL, B ILLEA U D H ALL, MON TGOMERY H ALL, C ONFE R E N C E
▫
RED BRICK
C E N T E R , M A DISON HAL L , H.L . GRIF F IN HAL L , C .L. R OU GEA U , A D VAN C E D C OMPU TE R TEC H N OLOGY & R ES E A R C H H A LL,
▫
PITCHED OR FLAT ROOFS
F L E T C H E R H AL L , L EGACY PARK, CAJUN VIL LA GE.
▫
METAL PANELS
windowS:
▫
FIXED
▫
RECTANGULAR OR SQUARE
doorS:
▫
SOLID GLASS OR FRAMED GLASS
dEtaiLS:
▫
TRADITIONALLY BASED BUT NOT
NECASSARILY LITERAL
▫
SIMPLIFIED TRADITIONAL
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
139
E
E
P REC E D E N T S
N AT I O N A L W E T L A N D S R E S E A R C H C E N T E R
MOTOROLA CU DESIGN CENTER
C E N T R A L C O N T R A C O S TA S A N I TA R Y D I S T R I C T WAT E R L A B O R AT O R Y
140
C ha rre tte : 1 0 .1 7 .11
E
buiLdinG waLLS
buiLdinG ELEmEntS
T Y P ES PROHIBITED : WOOD, VINYL .
T Y P E I: MASONRY
M E TA L
GALVAN IZED
THE C A M P U S .
T Y P E II: METAL PANEL
D R I V E WAY S
ELEMENTS
STE E L,
S H A LL
BE
N ATU R AL
OR
ES P
A N OD IZE D
windowS
WIN D OWS,
OR
MA NU FA C T U R E D
WAL L
PANEL S
WIT H
SOL ID
C OR E
CO NS T R U C T I O N ,
FI NI S H E D
IN
A CRY L I C
OR
BE
OF
C ON C R E TE ,
T R A N S L UCENT
SIL ICONIZ ED
PANEL S
OF
FIB E R
RE I NF O R C E D P O LY E S T ER.
SHAL L
BE
SEC U R ITY
D OOR S
AND
WIN DOW
GRIL L ES ARE NO T
A LLOW E D .
POLYE S TE R ,
GL ASS
STOREF RONT S
F L U O R OPOLYM ER,
AND
C AN
D OOR S,
C OLOR E D
ALU MIN U M,
doorS
and
matEriaLS
R A I L I N G S SH A LL BE FAB R IC ATED OF GA LVAN IZE D , ME TA L,
B AY WIN D OWS A R E N OT A LLOW E D .
OR S S C AB LE .
T Y P E III: STUCCO
B UIL DING WALLS MAY BE BUILT OF NO M ORE T H A N TWO
WIN D OWS
MATE R I A L S A N D S H AL L ONLY CHANGE M AT ERIAL A LON G A
PA R A P E TS .
P R OP ORTION E D
HO RI Z O N TA L L I N E , I .E. BRICK CHANGES WHICH OC C U R IN
S H A LL
AND
BE
N OT
R E CTANG UL AR,
R E QUI RED
TO
VERT I CAL LY
BE
O PERABL E.
A V E RT I C A L L I N E M U ST OCCUR ONLY AT AN OF F SET OF N O
COLONNADES
LE S S T H A N 1 2 ” , WI T H T HE HEAVIER M AT ERIAL BELOW TH E
EXPOSED
SH A LL
H AVE
S OLID ITY,
R H Y TH M,
LI G HT. WA L L S O F A SINGL E BUIL DING M UST BE BUILT IN A
CO NS I S T E N T C O N F I GURAT ION.
GU TTER S
AND
D OWN SPOU TS
S H A LL
BE
USED.
G A RD E N WA L L S S H AL L GENERAL LY BE CONST RUCTED OF
THE S A M E M AT E R I A L AS T HE F IRST F L OOR OF T HE PR IMARY
B UI LD I N G .
M A S O N RY
PIERS
WIT H
ST EEL
PICKETS
MAY
RE P LAC E S O L I D M A S ONRY WAL L S. M ASONRY WAL L S SH ALL BE
MA DE O F S T U C C O O R BRICK WHIL E GAT ES SHAL L BE S TE E L.
S U R FA C E S ,
AND
S H A LL
C R E ATE
PANEL S
OF
SQ UARE
OR
S TUCC O O R P L A S T E R COAT ING M AY BE APPL IED TO CON C R ETE
GA R A GE D OOR S S H A LL B E LOC ATED O NLY I N SERVI CE AREAS
B LO CK , P O U R E D C O N CRET E, OR BRICK. ST UCCO SH ALL B E
IN D IC ATE D B Y P LA N .
and
FI NI S H . S W I R L O R O THER PAT T ERNS ARE NOT AL L OWED .
confiGuration
CO NS T R U C T I O N . S T UCCO M UST HAVE A WHIT E OR IVORY
tEcHniquES
S TUCC O I S A L L O W E D OVER WOOD, M ETAL F RAM E OR MAS ON RY
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
141
E
buiLdinG waLLS
buiLdinG ELEmEntS
windowS
B UILDING WALLS SHAL L BE ONE COL OR PER MATER IAL
(R E S E RV E D )
US E D . T H E B U I L D I NG EXT ERIOR F INISH SHAL L BE AT LEA S T
85% R E D B R I C K A ND GL ASS. RED BRICK SHAL L MATC H TH E
and
doorS
E X I S T I N G T Y P E T H ROUGHOUT T HE CAM PUS. ONLY A SMALL
P LA S TE R .
TRI M ( B A L C O N Y A N D PORCH POST S, RAIL S, WIND OW TR IM,
RA F T E R TA I L S , E T C ) SHAL L BE PAINT ED TO COM PL IME N T TH E
CO L U M N S A N D O V ERAL L VAL UE OF T HE BUIL DING. AN A C C E N T
C OLOR .
P O RT I O N
SHALL
CONSIST
OF
STONE
AND/OR
amEnitiES
CO L O R , F O R I T E M S SUCH AS T HE F RONT DOOR, PIC KE TS ,
FRO M T H E U L L A FAYET T E DRB. WAL L S AND F ENCES SH A LL BE
I N A R A N G E O F C OL ORS APPROVED F OR T HEIR RE S P E C TIVE
MAT E R I A L S . O T H E R COL ORS M AY BE ADDED TO TH E LIST
TRI M , A N D S H U T T ERS, M AY BE USED SUBJECT TO A P P R OVAL
A FT E R C O N S U LTAT ION WIT H T HE DRB. F INAL COL OR PALE TTE
S HA L L B E I N A C C ORDANCE WIT H T HE SEL ECT IONS MA D E BY
THE U L L A FAY E T T E DRB. AL L PAINT SEL ECT IONS SH A LL B E
“P R E M I U M G R A D E ” OR BET T ER.
S T R E E T O R PAT H S : H AN D IC AP R A MPS , HVA C E QU IP ME N T
THE
FOLLOWING
SHALL
NO T
BE
PER M I T T E D :
POSTS .
FLU O R E S C E N T L I G HT S, EXPOSED EXT ERIOR F L OOD LIGH TS,
C U RV E D , S C A L L O P E D , A N D / O R B A C K L IT AWN IN G, OR
B A C K L I T S I G N S AR E N OT ALLOWED .
STA IN ED OR TIN TED GLA SS IS NO T AL L O W ED.
DI R E C T V E N T F I R E PL ACES, EXT ERNAL AL ARM SYSTEMS, A N D
SKYLIGHTS.
(E X C E P T O F F I C I A L F L AGS OF COUNT RIES AS AP P R OVE D
B Y U L L A FAY E T T E DRB, STAT ES, COUNT IES AND C ITIES ,
G RA N T E D O N T H E BASIS OF ARCHIT ECT URAL M ER IT. TH E S E
RE G U L AT I O N S W I LL BE UPDAT ED PERIODICAL LY, AN D ALL
S UB S E Q U E N T C H A NGES WIL L APPLY TO AL L BUIL DIN GS WH IC H
HAV E Y E T TO C O M PL ET E T HE SCHEM AT IC DESIGN PH A S E .
142
C h a rre tte : 1 0 .1 7 .11
notES
E
T Y P O L O G Y V - U T I L I TA R I A N
TYPOLOGY V - UTILITARIAN
maSSinG:
uL LafayEttE’S utiLitarian HiStory
▫
SERVI CE BUI L DI NG S - NO RM AL LY
PRE- ENG I NEERED BUI L DI NG .
Ty p o lo gy V is th e m o st u ti l i ta r i a n b u i l d i n g t ype to be a l l owed i n t he code. W he n use d on t he ca m p us proper,
Ty p e V is inte n d e d fo r b u i l d i n g s w h i c h a re i ndust ri a l i n nat ure. Exa m pl es of t hi s woul d be t h e physical
p la nt an d a u to m a i nte n a n c e fa c i l i ti e s . Whe n used wi t hi n t he rese a rch pa rk, Type V bui l di ng s a re intended
to market sta r ter co m p a n i e s w h o c u r rent l y operate out of wa re houses out si de of t he ca m pus environment.
I t is inte n d ed th at a s th e ca m p u s m at u re s, t hese bui l di ng s wi l l be repl a ced wi t h one of t he m ore s ignificant
t y p es (Ty p e I - Ty p e I V ) . Th es e b u i l d i n g s a re rel egate d to t he C st reet s.
waLLS & roofS:
▫
▫
▫
▫
▫
▫
▫
SANDSTO NE O R BUF F
ST UCCO
BRI CK
CO NCRET E
M ETAL SI DI NG
M ETAL PANEL S
STANDI NG SEAM M ETAL O R
M ANUFACT URED PANEL S
windowS:
▫
CL EAR ANO DI Z ED AL UM I NUM STO REF RO NT
CL EAR O R BRO NZ E T I NT ED
G L ASS ( NO N- REF L ECT I VE)
T RANSL UCENT PANEL S
▫
▫
doorS:
▫
M ETAL - ANO DI Z ED O R PRE- F I NI SHED
dEtaiLS:
▫
ANO DI Z ED O R PRE- F I NI SHED
G UT T ERS AND F L ASHI NG
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
143
E
P REC E D E N T S
PA R K I N G D E C K
TYPOLOGY V - PRECEDENTS
Metal rese arch and m a i nte n a n c e b u i l d i n g s a nd pa rki ng decks a re a l l exa m pl e s of Typol og y V. T hese utilitar ian
stru ct u res are n e c e s s a r y fo r t h e d ay to d ay n eeds of a Uni versi t y.
144
C ha rre tte : 1 0 .1 7 .11
N AT I O N A L W E T L A N D S R E S E A R C H C E N T E R
E
buiLdinG waLLS
buiLdinG ELEmEntS
T Y P ES PROHIBITED : VINYL SIDING
T Y P E I: METAL
MAT ERIAL
SI DI NG
/
PANELI ZED
BU I L D I N G
M E TA L
ELEMENTS
GALVAN IZED
S I DI NG / PA N E L C O L OR AND ST YL E TO BE APPROVED BY U L
STE E L,
S H A LL
BE
N ATU R AL
OR
ES P
A N OD IZE D
OR
WIN D OWS,
BE
OF
D OOR S,
AND
STOREF RONT S
SHAL L
BE
C AN
doorS
and
D R I V E WAY S
C ON C R E TE ,
T Y P E II: MASONRY
SH U TTER S A R E N OT A LLOW E D
SEC U R ITY
D OOR S
AND
WIN DOW
GRIL L ES ARE NO T
A LLOW E D .
THE C A M P U S .
R A I L I N G S S H A LL B E FA B R IC ATED OF GA LV. M E TA L, OR S S
T Y P E III: STUCCO
OR
windowS
C OLOR E D
ALU MIN U M,
LA FAY E T T E D R B .
S TUCC O
matEriaLS
B AY WIN D OWS A R E N OT A LLOW E D .
C A B LE .
E X T E RIOR
INSUL AT ION
F INISH
SYS TE MS
A RE AL L O W E D O V E R WOOD, M ETAL F RAM E OR MAS ON RY
CO NS T R U C T I O N . S T UCCO M UST HAVE A SM OOT H, TR OWE L
A P P LI E D A N D S A N D F INISH OR L IGHT LY T EXT URED FIN IS H .
S W I RL
OR
OTHER
HEAVILY
T EXT URED
PAT T ERNS
AR E
DI S CO U R A G E D .
T Y P E IV: METAL BU I LDI NG SYSTEM
ME TA L B U I L D I N G S Y ST EM AS APPROVED BY UL L AFAYE TTE
WIN D OWS
PA R A P E TS .
P R OP ORTION E D
S H A LL
AND
BE
N OT
R E CTANG UL AR,
R E QUI RED
TO
VERT I CAL LY
BE
O PERABL E.
G A RD E N WA L L S S H AL L GENERAL LY BE CONST RUC TED OF
COLONNADES
THE S A M E M AT E R I A L AS T HE F IRST F L OOR OF T HE PR IMA RY
RE P LAC E S O L I D M A S ONRY WAL L S. M ASONRY WAL L S SH A LL BE
EXPOSED
MA DE O F S T U C C O O R BRICK WHIL E GAT ES SHAL L BE STE E L.
B UI LD I N G .
M A S O N RY
PIERS
WIT H
ST EEL
PICKETS
SH A LL
H AVE
S OLID ITY,
R H Y TH M,
MAY
S TUCC O O R P L A S T E R COAT ING M AY BE APPL IED TO CON C R E TE
AND
D OWN SPOU TS
S H A LL
BE
USED.
TH E R OOF AT TH E B U ILD IN G’ S FR ON TA GE ’ S ). P E N E TR ATION S
S U R FA C E S ,
B LO CK , P O U R E D C O N CRET E, OR BRICK. ST UCCO SH A LL B E
GU TTER S
AND
S H A LL
C R E ATE
PANEL S
OF
SQ UARE
GA R A GE D OOR S S H A LL B E LOC AT ED O NLY I N SERVI CE
A R E A S IN D IC ATE D B Y P LA N .
OR
and
confiGuration
B UIL DING WALLS MAY BE BUILT OF NO M ORE T HAN TH R E E
MATE R I A L S .
tEcHniquES
DRB .
M A S T E R
P L A N
C H A R R E TTE D ATE : 1 0 . 1 7 . 11
&
G U I D I N G
P R I N C I P L E S
F I NA L DAT E : 05. 28. 13
145
E
buiLdinG waLLS
buiLdinG ELEmEntS
windowS
B UIL D I N G WA L L T Y PES. T RIM ( BAL CONY AND PORC H POSTS ,
(R E S E RV E D )
RA IL S , W I N D O W T R IM , RAF T ER TAIL S, ET C) SHAL L BE PAIN TED
TO C O M P L I M E N T T HE COL UM NS AND OVERAL L VAL U E OF TH E
and
doorS
B UIL D I N G . A N A C C ENT COL OR, F OR IT EM S SUC H AS TH E
FRO N T D O O R , P I C KET S, T RIM , AND SHUT T ERS, M AY BE U SE D
S UBJ E C T TO A P P R OVAL F ROM T HE UL L AFAYET T E DR B. WALLS
A ND F E N C E S S H A L L BE IN A RANGE OF COL ORS AP P R OVE D
FO R T H E I R R E S P E C T IVE M AT ERIAL S. OT HER COL OR S MAY BE
C OLOR .
amEnitiES
A DD E D TO T H E L I ST AF T ER CONSULTAT ION WIT H TH E D R B.
S E L E C T I O N S M A D E BY T HE UL L AFAYET T E DRB. ALL PAIN T
S E L E C T I O N S S H A L L BE “ PREM IUM GRADE” OR BET TE R .
FI N A L C O L O R PA L ET T E SHAL L BE IN ACCORDANCE WITH TH E
S T R E E T O R PAT H S : H AN D IC AP R AMPS , H VA C E QU IP ME N T
T H E FOLLOWING SHALL NO T BE PERM I TTED : QU OIN S ,
POSTS .
FLU O R E S C E N T L I G HT S, EXPOSED EXT ERIOR F L OOD LIGH TS ,
STA IN ED OR TIN TED GLA SS IS NO T AL L O W ED
VENT FIREPLACES,
E X T E R N A L A L A R M S YST EM S, AND SKYL IGHT S.
(E X C E P T O F F I C I A L F L AGS OF COUNT RIES AS APPR OVE D BY
UL L A FAY E T T E D R B, STAT ES, COUNT IES AND CIT IES , D IR EC T
G RA N T E D O N T H E B ASIS OF ARCHIT ECT URAL M ERIT.
THE S E R E G U L AT I O NS WIL L BE UPDAT ED PERIODIC A LLY, AN D
A LL S U B S E Q U E N T CHANGES WIL L APPLY TO AL L B U ILD IN GS
W H I C H H AV E Y E T TO COM PL ET E T HE SCHEM AT IC D E S IGN
P HA S E .
146
C h a rre tte : 1 0 .1 7 .11
notES

master plan and guiding principles master plan and guiding principles

Transcription

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