catalogue

Transcription

catalogue

B u y i n g a t Wa d d i n g t o n ’ s ™
Condition:
All lots will be offered and sold subject to this Condition of Sale as well as
any Glossary and posted or oral announcements. By bidding at auction,
bidders are bound by those Conditions and Glossary, as amended by any
oral announcements or posted notices, which together form the contract
of sale between the successful bidder (buyer), Waddington’s™ (auctioneer),
and the consignor (seller) of the lot. Description or photographs of lots are
not warranties and each lot is sold “as is” in accordance with the
Conditions of Sale.
I M P O R TA N T
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successful bid price of each lot up to
and including $50,000 and 15% on any
amount in excess of $50,000 is paid by
buyer as part of the total purchase
price.
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out of the province of Ontario, the PST
is exempt.
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international shipments due to export
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further information, please see
'Information For Buyers' located at the
back of the catalogue.
ALL PRICES IN CANADIAN FUNDS
Condition of Lots:
All of the items are to be considered, unless otherwise noted in the
description, in good condition. The definition of “good” when used in
reference to condition, describes an object as having had no major damage
or repair but as with the nature of the material, may show minor surface
wear, discolouration etc., which indicates the acceptable wear that the piece
may acquire with age. If you are particular about minor flaws, you should
examine the pieces in person or have our staff answer any questions before
bidding. Sizes are approximate. It is the sole responsibility of the bidder to
inquire as to the condition of a lot before bidding. Condition reports are
available upon request by phone, fax, email or in person. You are advised
to make any requests well in advance of the sale.
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Auctioneers will, upon request, provide names of professional packers and
shippers but will not be held responsible for the service or have any liability
for providing this information. Reliable pre-auction estimates of shipping
costs of lots offered in this sale may be obtained from:
Blue Streak Fine Art Transfer
Diane Cyr
416 845 4893
[email protected]
www.blue-streak.ca
I N T E R N AT I O N A L A R T
AUCTION
Tuesday 2 December 2008 at 1 PM
VIEW
Sunday 30 November Noon - 5 PM
Monday 1 December 10 AM - 3 PM
SPECIALIST
Susan Robertson
416 847 6179
[email protected]
D E PA R T M E N T
A D M I N I S T R AT O R
Mandy Ilk
416 847 6182
Catalogue $35
[email protected]
(plus applicable tax)
C L I E N T S E RV I C E S
This auction is subject to the Conditions of
Waddington’s™ now accepts
Kate Godin
Sale printed at the back of this catalogue.
American Express
416 504 9100
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Catalogue available for viewing online at
www.waddingtons.ca/internationalart
Karen Sander
Front Cover Illustration:
Lot 330
Waddington’s™
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Inside Front Cover Illustration:
Lot 154
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Lot 290
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Lot 99
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This catalogue and its contents © 2008 Waddington McLean & Company Ltd.
Waddington’s, Joyner and Curator Asset Management are trademarks of Waddington McLean & Company Ltd. All rights reserved.
Photography by Waddington’s .
™
American Paintings
1
Hinkley and Williams Works (19th Century), American
LOCOMOTIVES; Pair of watercolours by M.N. Forney; each signed
on the rails lower left. After 1864.
Image 12” x 26” — 30.5 x 66 cm.
Est. $1,000/1,500
Provenance: The Estate of Helene Mazelow, Toronto
Note: Hinkley, Williams and Company produced locomotives for
the American Civil War. The firm’s name changed to Hinkley and
Williams Works in 1864 when Jarvis Williams and Holmes Hinkley
became partners in Boston, Massachusetts.
International Art - Tuesday 2 December 2008 at 1 PM
5
2
Charles H. Holmes (19th Century) (fl. 1863), American
COLLECTION OF SKETCHBOOK DRAWINGS; 1. MOTHER CLAM; 2. WAY DOWN SOUTH LOAD OF ORANGES; 3. TROUT FISHING,
THE COMET; 4. ON THE FARM; 5. PERRY. HUNTING BEARS UP AT THE NORTH POLE; 6. DAY AFTER THE BATTLE OF JUNE 14, 1863
(PORT HUDSON); 7. MARYS LITTLE LAMB, Pencil drawings; each signed with initials and titled. Unframed.
Together with: a copy of a handwritten sepia pen and ink letter from Grover Bennett written from Camp Mansfield, Carrollton, Feb. 27th
/63 to his mother residing in Midborough, Mass.; and a small envelope with a pencil drawing of a vase with flowers with Grover Bennett’s
regiment name drawn by Charlie Holmes; and a newspaper clipping
Sheet (5) 8" x 10" — 20.3 x 25.4 cm.; 5.25" x 8" — 13.3 x 20.3 cm.; 7" x 4.25" — 17.8 x 10.8 cm.
Est. $1,000/2,000
Provenance: John Bennett family, Bristol, England (came to America in the 1600’s and resided in Massachusetts about the year 1867 (see
Literature Middleborough Antiquarian);
By descent through the family to the present Private Collection, Perth, Ontario
Literature: Middleborough Antiquarian, Jan. 1963, number 1, a copy included with the lot, shows Grover Bennett, standing outside the
home where the Bennett homestead previously stood.
Note: War records cite Charles Holmes of Co. C. 28th Reg. as a private, born Berkshire, Mass., age 31, listing his occupation as painter,
married and residing in Whitewater, Walworth County.
In the copy of the letter from Grover Bennett to his mother, Grover mentions the envelope with the drawing executed by Charlie Holmes,
he asks: “Mother how do you like the looks of the envelope, it is some of Charlie Holmes’ drawing- he draws a good many for the boys he can draw anything”
6
Waddington’s™ Auctioneers & Appraisers
5
Daniel Charles Grose (1838-1890),
American
FIGURES DANCING IN A LANDSCAPE
WITH RUINS; Oil on canvas; signed and
dated 1865 lower left
20” x 30” — 50.8 x 76.2 cm.
Est. $1,000/1,500
3
19th Century British/American
PORTRAIT OF A BLACK COUNTRYMAN;
Watercolour on J. Whatman watermarked
paper
28” x 15.25” — 71.1 x 38.7 cm.
Provenance: Acquired in Montreal by the
present Private Collection, Toronto
Note: Framed by W. Scott & Sons,
Montreal in 1928
6
M** Farrell (19th Century), American?
FEEDING TIME; Oil on canvas; signed
lower left and indistinctly dated 1910
lower left
22” x 36” — 55.9 x 91.4 cm.
Est. $1,200/1,800
Note: There is a late 19th/early 20th
Century label to the left selvage that
reads: American Express Company
Est. $1,000/1,200
7
Mary H. Wicker (20th Century),
American
FISHING VILLAGE, BRITTANY;
DOUARNENEZ VILLAGE FROM THE
HILLSIDE (A DOUBLE-SIDED
PANEL); A double-sided oil on panel;
each side signed lower right, the recto,
titled to artist’s label afixed to the
verso, the verso work, titled in pencil
and inscribed Brittany in pencil
10.25” x 13.75” — 26 x 34.9 cm.
Est. $1,000/1,500
4
Jas. Norris (19th Century), British/American
THE SAINT- LOUIS; Oil on canvas signed and dated 1877 lower right
20.75” x 30” — 52.7 x 76.2 cm.
Est. $1,000/1,500
8
William Ward Jr. (1879-1935),
American/Canadian
CAMARET HARBOUR, BRITTANY,
FRANCE; Oil on canvas; signed lower
left, titled to the stretcher
15” x 19” — 38.1 x 48.3 cm.
Est. $1,000/1,500
Provenance: Ex. Coll. Mrs. E.D. Cahn,
Coral Gables, Florida
7
Leo B. Blake Collection
9
Leo B. Blake (1887-1976), American
DOWN EAST IN WINTER; Oil on canvas;
signed lower left, titled to the stretcher
20” x 24” — 50.8 x 61 cm.
11
COVERED BRIDGE WITH FARMER IN A
HORSE DRAWN WAGON; Oil on canvas
on board; signed lower right
12” x 10” — 30.5 x 25.4 cm.
13
WAHCONAH FALLS; Oil on canvas;
signed lower right, signed to the stretcher,
titled to exhibition label verso
20” x 24” — 50.8 x 61 cm.
Est. $1,000/1,500
Est. $1,500/2,000
Provenance: Estate of R.H. Dean, Q.C.,
Montreal, P.Q.; By descent to Helen
(Dean) Turta, Toronto
Provenance: E.V. Dean (sister of R.H.
Dean), North Adams, Mass., purchased in
1949; Gifted to Ron and Helen (Dean)
Turta, Toronto on their wedding day in 1950
Exhibited: The New Haven Paint and Clay
Club Inc., Annual Exhibition, 1949
Est. $2,000/3,000
Provenance: Estate of R.H. Dean, Q.C.,
Montreal, P.Q.; By descent to Helen
(Dean) Turta, Toronto
10
BAILEY’S SUGAR HOUSE, JACKSONVILLE, VT; Oil on canvas; signed
lower right, titled at Jacksonville, VT., to the stretcher
20” x 24” — 50.8 x 61 cm.
12
COUNTRY ROAD IN SUMMER; Oil on canvas; signed lower
right
28” x 28” — 71.1 x 71.1 cm.
Est. $2,000/3,000
Est. $1,500/2,000
Provenance: Estate of R.H. Dean, Q.C., Montreal, P.Q.; By descent to
Helen (Dean) Turta, Toronto
Provenance: Estate of R.H. Dean, Q.C., Montreal, P.Q.,
purchased as a wedding gift to his wife Mary Isabella
(Mabel) Dean (deceased); By descent to Helen (Dean) Turta,
Toronto
8
14
Carl Clemens Moritz Rungius (1869-1959), American
HEAD OF AN ELK; Oil on canvas; signed lower left, inscribed and dated
Aug. 22nd 1949?? by the artist in pencil to the matboard recto lower right,
dedicated: To Dorothy with my best wishes
Together with:
ELK, Drypoint etching; signed and dedicated by the artist: To Dorothy from
C. R. Aug. 22nd 1936 in pencil to margin
Together with:
A black and white photograph of the artist in his studio; signed: Carl with a
dedication: To Dorothy and Hatch, in memory of Happy Days in pen and ink
to the mount recto
Sight 8.75” x 10.75” — 22.2 x 27.3 cm.; 7.75” x 27.5” — 19.7 x 69.9 cm.; 9.75” x 7.5” — 24.8 x 19.1 cm.
Est. $12,000/18,000
Provenance: Gifted from the artist to his friends, Mr. and Mrs. J. A. Hutchison, Banff in the late 1930’s and early 1940’s
Note: J. A. Hutchison was the first park superintendent of Banff National Park. Hutchison and Rungius developed a friendship
that lasted for many years. Together, they enjoyed outdoor pursuits when Rungius visited Western Canada from his New York
based studio
15
19th/20th Century American School, American
ROCKY COAST (MAINE?); Oil on cradled panel; indistinctly
signed with adjoined initials in lower left
9.6" x 11.6" — 24.4 x 29.5 cm.
Est. $2,000/3,000
Note: Possibly a late work by Winslow Homer painted from
Prout’s Neck, Maine
9
18
Julian Onderdonk (1882-1922), American
SUMMER LANDSCAPE WITH POULTRY
OUTSIDE FARM BUILDINGS; Oil on
board; signed lower left, numbered No. 17
in blue crayon verso
6.25” x 9” — 15.9 x 22.9 cm.
Est. $1,000/1,500
20
Samuel A. Biggin (20th Century), American
MY FRIEND CARLOTTA; Oil on
canvasboard; signed and dated 1935 lower
left, titled and dated verso
18” x 24” — 45.7 x 61 cm.
Est. $1,000/1,500
16
Charles Paul Gruppe (1860-1940),
American
CAT AT THE BACK DOOR; Oil on
canvasboard; signed lower right
16” x 12” — 40.6 x 30.5 cm.
Est. $1,000/1,500
17
Charles Paul Gruppe (1860-1940),
American
CALEDONIA NEAR ROCHESTER; Oil on
canvas; signed lower left, signed and titled
to label verso
24” x 30” — 61 x 76.2 cm.
Est. $2,000/3,000
19
Riccardo Magni (1902- d.circa 1952),
Italian/American
FIGURES DINING IN A LUSH ITALIAN
GARDEN; Oil on canvas; signed and dated
927 lower right
28” x 31.5” — 71.1 x 80 cm.
Est. $1,000/1,500
Note: Magni was born in Florence and
studied there until 1928 before residing in
Paris and Brussels until his arrival in New
York in 1940.
10
21
Gustave Cimiotti (1875-1969), American
ALBANY CIRCUIT, VERMONT HILLS; Oil
on board; signed lower right, signed, titled
and numbered No. 1 to artist’s label verso
also signed at N.Y. verso
7.5” x 10.5” — 19.1 x 26.7 cm.
Est. $1,000/1,500
Exhibited: Exhibition label verso, possibly a
work included in the annual exhibition held
at the Salmagundi Club, New York as
reviewed in the accompanying newspaper
clipping from The New York Times, N.Y.
March 16. 96 where another small painting
by the artist was a spotlight
24
John Seerey-Lester (1946 - ), British/American
CHIPMUNKS IN A WOOD; Oil on canvas; signed and dated ‘83
lower left with copyright
12” x 24” — 30.5 x 61 cm.
22
Kenyon C. Cox (1856-1919), American
MILKING TIME (BELIEVED TO BE THE WINSTON CHURCHILL
FARM); Oil on canvas; signed and dated 1910 lower right
26.5” x 37” — 67.3 x 94 cm.
Est. $4,000/6,000
Est. $4,000/6,000
Note: The American novelist, Winston Churchill (1841 - 1947), lived
next door to Kenyon’s summer residence at Cornish, New
Hampshire. On more than one occasion, Kenyon pleaded with
Winston to remove the Jersey’s bell ringers as they made too much
noise in the mornings.
23
Douglas Arthur Teed (1864-1929), American
CATTLE GRAZING AT RIVER’S EDGE; Oil on canvas; signed and
dated 1913 lower left
24” x 30” — 61 x 76.2 cm.
25
André Gisson (1928-2003), American
WOMAN ON A SUNLIT TERRACE; Oil on canvas; signed lower
left
24” x 36” — 61 x 91.4 cm.
Est. $3,000/5,000
Est. $2,000/3,000
11
26
George F** Fuller (1822-1884), American
THE LITTLE DUNCE; Oil on canvas; signed
with initials lower left, titled to exhibition label
verso
21.75” x 18” — 55.2 x 45.7 cm.
28
Ernest Parton (1845-1933), American
IN THE TWILIGHT; Oil on canvas; signed lower right, titled and numbered No. 3
to the stretcher
24” x 36” — 61 x 91.4 cm.
Est. $2,000/3,000
Est. $2,000/3,000
Provenance: The Estate of Mrs. S. Darren until
circa 1902
Exhibited: Museum of Fine Arts, Memorial
Exhibition Geo. Fuller’s Works, April 24, 1884,
no. 54 loaned by The Estate of Mrs. S. Darren
(?) on April ‘02 .... indistinct partial label
verso
29
Ernest Parton (1845-1933), American
SCENERY ON A SUNLIT RIVER WITH COWS GRAZING; Oil on canvas; signed
lower left; indistinctly titled verso
17.75” x 26” — 45.1 x 66 cm.
27
Sir James Jebusa Shannon (1862-1923),
American/British
YOUNG GIRL IN WHITE DRESS WITH BLUE
SASH; Oil on canvas; signed lower left
42” x 27.5” — 105.4 x 68.6 cm.
Est. $1,000/1,500
12
Est. $1,200/1,800
30
Chauncey Ryder (18681949), American
MINE HEAD; Oil on
canvas; signed lower
right, signed, titled and
numbered 1005 to artist
label verso
28” x 36” — 71.1 x 91.4
cm.
Est. $12,000/18,000
Provenance: Grand
Central Art Galleries,
New York, N.Y.;
The Fine Art Galleries,
The T. Eaton Co., Ltd.,
Canada
31
James Ormsbee Chapin (1887-1975), American
HEAD OF AN ACTRESS (EILEEN MCMAHON?);
Oil on canvas; signed upper right, signed, titled and
dated 1928 verso
16” x 14” — 40.6 x 35.6 cm.
32
Alfred Henry Maurer (1868-1932), American
PORTRAIT OF A LADY IN RED; Oil on canvas;
signed upper right
21.5” x 17.9” — 54.6 x 45.5 cm.
Est. $5,000/7,000
Est. $3,000/4,000
Provenance: Yaneff Gallery, Toronto, circa 1995;
purchased at the Estate sale of the artist’s works
Note: The sitter was a Broadway actress in the
1920’s and 30’s
Provenance: Estate of M. Granick, New York, New
York
13
33
John Steuart Curry (1897-1946), American
FARM SCENE; Oil on canvas; signed and dated 44 lower left. Unframed.
30” x 41” — 76.2 x 104.1 cm.
Est. $40,000/60,000
Provenance: The Estate of Abraham Havilo, Jerusalem, former
Ambassador, purchased in the U.S. on one of his many trips during his
tenure circa 1960’s - 1970’s.
14
34
Guy Carleton Wiggins (1883-1962), American
WASHINGTON SQUARE; Oil on canvas; signed lower left, signed and
titled verso
18” x 24” — 45.7 x 61 cm.
Est. $40,000/60,000
Provenance: Louis Katz Galleries, stamp to the stretcher, number 4919;
The Estate of Abraham Havilo, Jerusalem, former Ambassador,
purchased in the U.S. on one of his many trips during his tenure circa
1960’s - 1970’s.
15
35
Charles Kinghorn Redfern (20th Century), American
ELENORE; Oil on canvas; signed and dated ‘41 lower
left, signed verso, titled to exhibition label verso
30” x 20” — 76.2 x 50.8 cm.
Est. $1,000/1,500
Exhibited: Entered in The Pennsylvania Academy of
the Fine Arts, Annual Exhibition, January 25th to
March 1st, 1942
37
Al Capp (1909-1979), American
LI’L ABNER; Colour crayon drawing on “Al Capp” lettered
stationary with printed portrait vignette of Li’L Abner in the left
margin; signed with dedication lower left
36
Suzanne Demarest (1900-1985), American
AT THE BEACH; Oil on canvas; signed lower right
8.75” x 11” — 21 x 27 cm.
Est. $1,000/1,500
Provenance: Janet Fleisher - The Little Gallery, stamp
to the stretcher
16
Together with:
Sir Peter Ustinov (1921-2004), British
SELF PORTRAIT, Black felt tip pen drawing; signed with dedication
upper left
Image 10.25” x 8” — 26 x 20.3 cm.; sheet 28.25” x 22.5” — 71.8 x
57.2 cm.
Est. $1,000/1,500
Provenance: Ex. Coll. of John and Joan Benson, Ottawa gifted from
the artists, friends of the Benson’s;
By descent
38
L.C. Armstrong (1954- ), American
THREE DESIGNS FOR A SCULPTURE: LARGE WRECKING BALL; CAST
BRONZE STACK; NEON AND LATEX STRIPS; Three watercolour and pencil
drawings, each with annotations; each signed and dated ‘93, two lower left,
one lower right
Together with:
Jon E. Tower (20th Century) American
UNTITLED (CHROMOSOME DRAWING #13, “NORMAL MALE”); SOLVED
PROBLEM #71, The former a pencil drawing on paper; stamped with artist’s
studio stamp, titled in pen and ink and stamp dated 1990 to the verso, the
latter, on graph paper with pencil formula; stamped signature and title in blue
lower right, the problem number, 71, in pencil lower right
Three 15.7” x 11.8” — 40 x 30 cm.; 4” x 4” — 10.2 x 10.2 cm.; 10.5” x 8.25” —
26.7 x 21 cm.
Est. $2,000/3,000
Provenance: The three works by Armstrong with Galerie Rizzo, Paris labels
verso
17
39
Andy Warhol (1928-1987), American
SOOP (CAMPBELL’S SOUP CAN); Mixed-media black felt tip
pen, watercolour and acrylic on fibre board; signed and dated
‘86 in black felt tip pen
8” x 5.5” — 20.3 x 14 cm.
Est. $5,000/7,000
Provenance: Brentano’s Inc., New York;
Ex. Coll. J. D. C., purchased from the above in the late 1980’s;
From whom purchased by the present owner, Montreal
40
After Alexander Archipenko (1887-1964), American
AGYPTISCHES MOTIV; Bronze with green patina; signed and dated
1917 to base. Later cast.
Sculpture height 13” — 33 cm.
Est. $6,000/8,000
18
Austrian Paintings
41
Attributed to Franz Steinfeld (1787-1868), Austrian
PASTORAL WITH MOTHER AND CHILDREN RESTING WHILE A
WOMAN MILKS COWS AND BOATMEN FISH IN THE
DISTANCE; Oil on panel; ascribed to the artist on an old label
verso
18” x 21.75” — 45.7 x 55.2 cm.
Est. $3,000/4,000
43
Franz Xaver Wolf (1896-1990), Austrian
THE TEACHER’S REPORT; Oil on cradled panel; signed
upper right
22” x 18” — 55.9 x 45.7 cm.
Est. $2,000/3,000
44
Richard Geiger (1870-1945), Austro/Hungarian
GIRL IN A TAVERN; Oil on canvas; signed lower left
32” x 23.5” — 58.4 x 76.2 cm.
Est. $800/1,200
42
Leonhard Paulus (1874-1942), Austrian
THE STEPS OF A BUSY LAKESIDE VILLA; Oil on canvas; signed
lower right
39.25” x 29” — 99.7 x 73.7 cm.
Provenance: Collection of the Late Joseph and Margaret
Rethazy, Hamilton, Ontario, proceeds to benefit the
Joseph and Margaret Rethazy Charitable Foundation,
Hamilton
Est. $3,000/5,000
19
Belgian Paintings
47
Carl Franz Bauer (1879-1954), Austrian
JUMPING THE HURDLE; Oil on canvas;
signed lower right (under the frame)
8” x 10” — 20.3 x 25.4 cm.
Est. $1,500/1,800
49
Armande Gustav Gerard Jamar (18701946), Belgian
VENICE; Oil on panel; signed and dated
1930 lower left
14.5” x 11.25” — 36.8 x 28.6 cm.
45
Jan van Beers (1852-1927), Belgian
A FAIR PARISIENNE; Oil on panel; signed
and dated 1883 along the bottom edge
12” x 9.5” — 30.5 x 24.1 cm.
Est. $1,500/2,000
Est. $1,000/1,500
Provenance: Private Collection, Kitchener,
Ontario, acquired around WWII from
auction at Christies, London;
Private Collection, Waterloo, Ontario
48
Alois Zabehlicky (1883-1962), Austrian
STILL LIFE OF CARNATIONS AND FRUIT
ON A DRAPED TABLE; Oil on canvas;
signed lower left
24” x 32” — 61 x 81.3 cm.
46
Paul Daxhelet (1905-1993), Belgian
FEMMES ET FLEURS; Oil on canvas;
signed lower right, titled to label verso
39.5” x 31.5” — 100.3 x 80 cm.
Est. $1,000/1,500
Est. $2,000/3,000
20
50
Charles Fernand Ceramano (1829-1909),
Belgian
SHEEP IN STABLE; Oil on panel; signed
lower right
13” x 19” — 33 x 48.3 cm.
Est. $1,500/2,000
British Paintings
51
Victor Eeckhout (1821-1879), Belgian
THE DRUMMER BOY; Oil on panel; signed lower
right
22.75” x 17.5” — 57.8 x 44.5 cm.
53
William Huggins (1820-1884), British
CHILDREN WITH A CAT SEATED IN A
LANDSCAPE; Oil on canvas; signed and dated
1843 lower left
24” x 20” — 61 x 50.8 cm.
Est. $3,000/5,000
Est. $3,000/5,000
52
Albert Roosenboom (fl.1865-1873), Belgian
A PROMENADE BY THE SEA; Oil on canvas;
signed lower left, indistinctly written note of
authenticity on canvas verso signed by artist and
dated at Bruxelles 18??
14.2” x 9.4” — 36 x 24 cm.
54
John Haynes Williams (1836-1908), British
SPANISH BEAUTY WITH DOVES; Oil on
canvas; signed and dated 1876 & 7 lower right
27.25” x 16” — 69.2 x 40.6 cm.
Est. $3,000/4,000
Est. $5,000/7,000
Provenance: The Fine Art Galleries, The T. Eaton
Company Ltd., Canada partial label verso
21
55
Attributed to Penry Williams (1798-1885),
British
FAMILY AT REST IN THE ROMAN
CAMPAGNA; Oil on panel. Unframed
16” x 12” — 40.6 x 30.5 cm.
58
William Affleck (1869-1943), British
IN THE VILLAGE OF CROPTHRONE, NEAR EVESHAM, WORCESTERSHIRE; Watercolour
with scratching-out; signed lower right, signed and titled verso
Sight 9.75” x 14” — 24.8 x 35.6 cm.
Est. $1,500/2,000
Est. $1,000/1,500
56
17th Century British School
ELEGANTS IN A TOWN SQUARE WITH
AN EXTENSIVE COUNTRY LANDSCAPE
BEYOND; Oil on canvas
32.75” x 39” — 80 x 96.5 cm.
Est. $1,200/1,600
59
Thomas Watson (1847-1912), British
CORFE VILLAGE SQUARE; A CORNER IN CORFE; STREET SCENE IN GENEVA
(SWITZERLAND); Three watercolours; each signed, the first two signed lower right, the
last, signed verso, each signed and titled verso
Sheet 10.25” x 7.4” — 26 x 18.8 cm.; 10.5” x 8.25” — 26.7 x 21 cm.; 15.5” x 9.75” — 39.4 x
24.8 cm.
Est. $1,000/1,500
57
19th Century British
MARKET DAY HIGH STREET EXETER;
Watercolour and gouche
Arched 12.6” x 18.6” — 32 x 47.3 cm.
Est. $1,000/1,500
22
63
John Beer (act.1895-1915), British
THE OAKS, 1909; Watercolour and gouache; signed,
titled and dated lower right
Sight 9.5” x 13.5” — 24.1 x 34.3 cm.
60
Myles Birket Foster (1825-1899), British
AROUND THE COTTAGE DOOR; Watercolour; initalled
lower right
5” x 6.5” — 12.7 x 16.5 cm.
Est. $1,000/1,500
Est. $2,500/3,500
61
Myles Birket Foster (1825-1899), British
CAMBRIDGE; Watercolour; signed with monogram lower
right
3.75” x 5.5” — 9.5 x 14 cm.
Est. $2,000/3,000
62
John Beer (act.1895-1915), British
THE GRAND SEFTON ST. CHASE - LIVERPOOL 1911;
Watercolour and gouache; signed, titled, dated and
inscribed: Bedgrove; Jenkinstown, Main Royal; Cars (g?)ey
along the bottom edge
Sight 9.5” x 13.5” — 24.1 x 34.3 cm.
Est. $1,000/1,500
64
Harold Lawes (1865-1940), British
BURPHAM, SUSSEX; A KENTISH COTTAGE; Two
watercolours; each signed and titled lower left
9.5” x 14.25” — 24.1 x 36.2 cm.; 13.75” x 10” — 34.9 x
25.4 cm.
Est. $1,000/1,500
23
65
Charles Henry Slater (1820-1890), British
HARDY GERANIUMS IN A CLAY POT
WITH YELLOW LILIES; Watercolour;
signed lower right
12.75” x 9.25” — 31.8 x 23.5 cm.
Est. $1,000/1,500
67
Frederick John Widgery (1861-1942), British
TWO MOORLAND LANDSCAPES; Two gouaches; each signed lower left
10.5” x 14.5” — 26.7 x 36.8 cm.
Est. $1,000/1,500
66
Henry John Sylvester Stannard (1870-1951,
British
FOR SALE IN A BERKSHIRE LANE;
Watercolour; signed lower left, titled verso
10” x 13.75” — 25.4 x 34.9 cm.
68
Henry John Sylvester Stannard (1870-1951), British
NEAR LAMBOURN, BERKSHIRE; NEAR AMPTHILL, BEDFORD; Two watercolours; each
signed lower left, each titled verso
Sight 9.25” x 13.25” — 23.5 x 33.7 cm.
Est. $1,500/2,000
Est. $1,500/2,000
24
69
Augustus Osborne Lamplough (1877-1930), British
ON THE NILE KOUS; RUINS NEAR KARNAK ON THE NILE; Two
watercolours heightened with bodycolour; each signed lower left, the
latter dated 1905 lower left, the former, titled lower right
9” x 24” — 22.9 x 61 cm.
71
Thomas William Morley (1859-1925), British
MARKET MORNING. DOLE, BRITTANY; Watercolour; signed,
titled and dated .20 lower right
19” x 29” — 48.3 x 73.7 cm.
Est. $1,000/1,500
Est. $1,500/2,000
70
Frederick John Bartram Hiles (1872-1927), British
MARKET SCENE, MOROCCO; Watercolour; signed lower left
Sheet 22” x 15” — 55.9 x 38.1 cm.
72
Alfred C** Weatherstone (fl.1888-1903), British
FEEDING THE PIGEONS; Watercolour; signed lower right, titled
verso
15.25” x 11” — 38.7 x 27.9 cm.
Est. $1,000/1,500
Est. $1,000/1,500
25
73
George Goodwin Kilburne (1839-1924), British
THE LETTER AND CONFRONTATION; Watercolour; signed lower right
13.75” x 20.5” — 34.9 x 52.1 cm.
Est. $3,000/4,000
74
Hector Caffieri (1847-1932), British
CHILDREN BUILDING SAND CASTLES; Watercolour on Geo. Rowney & Co., Whatman’s Board, London;
signed lower right
10.5” x 15” — 25.4 x 36.8 cm.
Est. $3,000/4,000
26
75
Edmund Dulac (1882-1953), British
THE BRIDE, 1912; Watercolour; signed lower right.
15” x 11” — 38.1 x 27.9 cm.
Est. $6,000/9,000
Provenance: Chas. J. Sawyer Booksellers, London, Cat. 281, acquired in January, 1970 and
accompanied by original receipt;
By descent
Literature: This work was illustrated in E.A. Poe’s, The Bells and Other Poems. plate no. 19.
27
76
Joseph Austin Benwell (b. circa 1830- circa 1890), British
ARABIAN MARKET; Watercolour; signed and dated 1886 lower right
23” x 46” — 58.4 x 116.8 cm.
Est. $10,000/15,000
28
77
Louise Rayner (1893-1963), British
WEST ST., GLOUCESTER; Watercolour; signed lower right, titled and numbered 9292 in pencil verso
12.25” x 18” — 31.1 x 45.7 cm.
Est. $15,000/20,000
29
79
Louis William Wain (1860- 1939), British
PAIR OF CAT CARICATURES: HORROR;
SARCASSIM; Two ink drawings on blue
paper heightened with white gouache,
sculpted tondos; each signed lower left,
each inscribed verso backing
diameter 7” x 7” — 17.8 x 17.8 cm.
Est. $1,000/1,500
Provenance: Formerly Private Collection,
Kitchener, Ontario;
Private Collection, Waterloo
78
Maurice Greiffenhagen (1862-1931), British
THREE ILLUSTRATIONS FOR ALLAN AND THE HOLY FLOWER INCLUDING: THE
KALUBI’S OATH ( CHAP. XIV); THE MOTOMBO (CHAP. XV); LEO KNELT DOWN
BEFORE IT, AND KISSED HER ON THE BROW (CAP. XV, PART VI); AND ANOTHER,
UNTITLED (THE RESCUE); Four watercolours en grisaille; each signed, the first three
titled and annotated below the image to the bottom margin, one dated 1905 lower right
Sheet 20.75” x 13” — 52.7 x 33 cm.; 17” x 11.75” — 43.2 x 29.8 cm.
Est. $1,500/2,500
Note: The first three were illustrations for H. Rider Haggard’s, Allan and the Holy Flower
30
80
Kathleen Hale (1898-?), British
A BICYCLE MADE FOR FIVE (ORLANDO THE MARMALADE CAT); Watercolour, crayon and
pencil drawing; signed lower right, signed and titled verso backing
Together with:
A three page letter from the artist to the former owner, “Mr. Benson” written in pen and ink on
two numbered double-sided pages, dated 18/1/79. Writing from Tod House, Forest Hill, Oxford,
London, Hale thanks Mr. Benson for his “fan mail” and recent acquisition remarking, “I am so
pleased that “Orlando & His Bicycle made for Five” is with you. That bike has done some
travelling, to fetch (indistinct) up in Canada”, with the Air Mail envelope, post marked 19 Jan.
1979 addressed to Mr. Benson and with the artist’s return address given as: K. McClean (nee
Kathleen Hale).
Image 8.5" x 6.5" — 21.6 x 16.5 cm.
Est. $5,000/7,000
Provenance: John E. Benson, Ottawa acquired circa 1979;
By descent
Note: When Kathleen Hale's Orlando (The Marmalade Cat) first made his debut in 1938 it was to
instant acclaim. Miss Hale created Orlando to amuse her sons after dismissing other children’s
books as boring. This book illustration depicting Orlando taking his wife Grace, and their three
mischievous kittens: Blanche, Pansy and Tickle on a camping trip was the first of a series of
books created by the artist that have become classics of children's literature for 70 years.
In an newspaper clipping accompanying the lot, the writer reports: “At 96, Kathleen Hale
decided to sell the original versions of all 16 Orlando books, complete with her artwork.” She
remarked, “The books are not doing any good in my attic. It’s damp up there, and nobody can
see them. ”
31
81
Ernest Howard Shepard (1879-1976), British
WAYFARERS ALL (THE SEAFARER RAT TELLS HIS STORY TO THE WATER RAT); “HEAD TO THE WIND POINTING SOUTH” (SEAFARER RAT IN RAIN COAT (ILLUSTRATIONS FOR KENNETH GRAHAME’S BOOK, THE WIND IN THE WILLOWS); Two pen and ink
and pencil drawings; each signed with initials, the first illustrated on p. 171 depicts the text on p. 170: “By this time their meal was over,
and the Seafarer, refreshed and strengthened, his voice more vibrant, his eye lit with brightness that seemed caught from some far-away
sea-beacon, filled his glass with the red and glowing vintage of the South, and, leaning towards the Water Rat, compelled his gaze and
held him, body and soul, while he talked”.
The second drawing, with caption in the lower border: “Head to the wind pointing South” with further artist’s working annotation: “keep
vertical true to this line” in pencil to the right margin,the drawing illustrated on p. 173 of the book depicts the passage: “As she forges towards the headland she will clothe herself with canvas; and then, once outside, the sounding slap of great green seas as she heels to the
wind, pointing South”. Framed together with copies of the four corresponding pages (pgs. 170-173) from the book, illustrated by the
drawings.
Est. $20,000/25,000
Provenance: Ex. Coll. John and Joan Benson, Ottawa;
By descent
Note: Shepard is best known for his illustrations to Winnie-the-Pooh and The Wind In The Willows, both classics of children’s books.
2008 marks the 100th anniversary of the publication of “The Wind in the Willows”.
32
82
Attributed to Cornelius Jonson van Ceulen
(1593-1661), Flemish/British
PORTRAIT OF PROFESSOR JOHN
ANTONIDES VAN DER LINDEN; Oil on
canvas painted in the oval, laid down on
panel
27.5” x 23” — 69.9 x 58.4 cm.
84
Circle of Sir Thomas Lawrence (1769-1830),
British
ELEGANT LADY IN A GOLD SATIN DRESS
HOLDING A BOOK; Oil on canvas
30” x 24.8” — 76.2 x 63 cm.
86
Alex de Andreis (1880-1929), British
L’INVITATION; Oil on canvas; signed lower
right. Circa 1927.
25.75” x 21.7” — 65.4 x 55 cm.
Est. $1,500/2,000
Est. $5,000/6,000
Est. $1,500/2,000
83
ELEGANT LADY IN BLUE BROCADE
DRESS HOLDING A BOUQUET OF
FLOWERS; Oil on canvas; sculpted in the
oval
31.75” x 25” — 80.6 x 63.5 cm.
Est. $1,000/1,500
85
Sir Thomas Lawrence (1769-1830), British
HENRIETTA FALCONER ROEBUCK AT 17
YEARS; Pencil drawing formally matted in a
tondo; inscribed verso
Tondo 2.5” x 2.5” — 6.4 x 6.4 cm.; sheet
3.5” x 4.5” — 8.9 x 11.4 cm.
87
William Max Egley (1826-1916), British
THE RECEPTION; Oil on board; signed
and dated indistinctly 1875 lower right,
titled verso
8.75” x 11.75” — 22.2 x 29.8 cm.
Est. $2,000/3,000
Est. $1,000/1,500
Provenance: Acquired from Major E. A.
Falconer, Bristol , England, great nephew of
the sitter, in 1948 by A. W. Roebuck,
Toronto, Canada
Note: Sitter was the wife of Rt. Hon. John
Arthur Roebuck M.P.K.C.
33
88
Edgar Bundy (1862-1922), British
CONFIDENCES; Oil on canvas; signed and
indistinctly dated 1893 lower left
24.25” x 20.5” — 61.6 x 52.1 cm.
Est. $3,000/5,000
90
George Romney (1734-1802), British
RT. HON. EDWARD LORD THURLOW, 1ST BARON THURLOW;
Oil on canvas laid down.
50.5" x 40" — 128.3 x 101.6 cm.
Est. $15,000/20,000
Exhibited: George Romney In Canada, Kitchener/Waterloo Art
Gallery, 5 September 1985 - 20 April 1986. Cat.# 30
Literature: Jennifer C. Watson, George Romney In Canada,
Published for the Kitchener-Waterloo Art Gallery by Wilfred
Laurier University Press, 1985, for above exhibit.
89
Edgar Bundy (1862-1922), British
CAVALIERS DRINKING AND PLAYING CARDS;
Watercolour; signed lower right
Sight 14.75” x 21.25” — 37.5 x 54 cm.
Est. $3,000/4,000
Provenance: The Cooling Galleries Ltd., London
91
Frank Moss Bennett (1874-1953), British
WHO’S THERE; Oil on canvas; signed
and dated 1929 lower left
14.25” x 10.25” — 36.2 x 26 cm.
Est. $1,500/2,000
34
92
Charles Stuart (19th/20th Century), British
STAG HERD IN THE MIST; Watercolour;
signed and dated 1895 lower right
Sight 17” x 22.75” — 43.2 x 57.8 cm.
Est. $1,000/1,500
94
Manner of George Armfield (born c. 1808-1893), British
TERRIERS AT A RABBIT HOLE; Two oils on board
9” x 12” — 22.9 x 30.5 cm.
Est. $1,000/1,500
95
19th Century British
A PRIZE BULL; Oil on canvas
19.75” x 25” — 50.2 x 63.5 cm.
Est. $1,500/2,000
93
Ernest George Beach (1865- ), British
WINTER LANDSCAPE WITH SHEEP; Watercolour; signed and dated
1903 lower right
26” x 19” — 66 x 48.3 cm.
Est. $1,000/1,500
96
Samuel Joseph Clark (1834- d. circa 1912), British
FARMYARD WITH HORSES, CATTLE AND POULTRY; Oil on
canvas; signed lower left
23” x 35” — 48.3 x 68.6 cm.
Est. $2,000/3,000
35
97
Heywood Hardy (1842-1933), British
AN AFTERNOON RIDE; Oil on panel; signed and dated 1875 lower left
14.6” x 20.7” — 37 x 52.7 cm.
Est. $10,000/15,000
Provenance: Jenkins Gallery, Coll. N. Mitchell, Canada?; Charles Dew, Toronto until circa 1967;
By descent
98
Thomas William Earl (active c. 1836-1885), British
A DANDY DINMONT IN THE SNOW WITH A RABBIT; Oil on canvas; signed and dated /79 lower right
18” x 24” — 45.7 x 61 cm.
Est. $10,000/15,000
Provenance: Passed down through the family, three generations
36
99
Thomas Sidney Cooper (1803-1902), British
SHEEP AND LAMBS ON A ROCKY HIGHLAND OUTCROP; Oil on canvas; signed
and dated 1878 lower mid left
31.5” x 52” — 80 x 132 cm.
Est. $20,000/30,000
Provenance: Presented to an Ontario Health care establishment by Mabel Fairfield
Gutzeit in 1956
37
100
George Smith (1829-1901), British
A SALE ON THE PREMISES; Oil on canvas; signed and dated 1871
lower right
20” x 30” — 50.8 x 76.2 cm.
Est. $25,000/35,000
Provenance: The Estate of Dr. Eager, Waterford, Ontario reported
to have been purchased in the 1930’s
38
101
John F** Pasmore (?-1910), British
COTTAGE INTERIOR WITH
MOTHER AND CHILD; Oil on
canvas; signed and indistinctly
dated 18?5 lower right
17” x 21” — 43.2 x 53.3 cm.
Est. $7,000/8,000
Provenance: The Cooling Galleries,
London and Toronto
102
Frank Walton (1840-1923), British
LOOKING THROUGH A FOREST
POOL; Oil on canvas; signed
lower left
36.5” x 26.25” — 92.7 x 66.7 cm.
Est. $4,000/6,000
40
106
Clara Montalba (1842-1929), British
FISHING BOATS AT MOOR; Watercolour;
signed and dated lower right.
21.75” x 30” — 55.2 x 76.2 cm.
Est. $1,000/1,500
103
Charles Sims (1873-1928), British
MILK AND SODA; Oil on canvas; signed lower right
28” x 36” — 71.1 x 91.4 cm.
107
Charles E. Hannaford (1863-1955), British
FISHING BOATS OFF AN ENGLISH
COAST; Watercolour; signed lower left
Sight 8.5” x 22” — 21.6 x 55.9 cm.
Est. $2,000/3,000
Est. $1,000/1,500
108
Charle E. Hannaford (1863-1955), British
SHIPPING ON THE THAMES WITH
LONDON BRIDGE; Watercolour; signed
lower left
Sight 8.5” x 22” — 21.6 x 55.9 cm.
104
FRISKY STALLIONS IN A STABLE; Oil on
canvas; indistinct remains of a signature
lower left, De Boufer?
24.6” x 33.7” — 62.5 x 85.5 cm.
Est. $1,000/1,500
Est. $2,000/3,000
105
Ernest Walbourn (1872-1927), British
WAVING OFF THE TROOPS; Oil on
canvas; signed lower right
30” x 20” — 76.2 x 50.8 cm.
Est. $3,000/4,000
41
109
Charles E. Hannaford (1863-1955), British
FISHING BOATS IN A CALM; Watercolour; signed lower right
Sight 17.5” x 27.75” — 44.5 x 70.5 cm.
Est. $1,200/1,800
112
Bertram Priestman (1868-1951), British
FIGURES ON A SUNLIT VENETIAN HARBOUR; Oil on canvas laid
down on masonite; signed and dated 91 lower right
20” x 31” — 50.8 x 78.7 cm.
Est. $1,200/1,800
110
Martin Snape (1874-1901), British
AT THE QUAYSIDE (PORTSMOUTH HARBOUR?);
Watercolour; signed lower left
Sight 11.75” x 18.75” — 29.8 x 47.6 cm.
Est. $1,000/1,500
111
William (Anslow) Thornley (1857-1898), British
FISHING IN HEAVY SEAS; Oil on canvas; signed lower left
8.25” x 16.25” — 21 x 41.3 cm.
Est. $1,000/1,500
113
George A. Boyle (1826-1899), British
CATTLE IN A RIVERSIDE PASTURE; Oil on board; signed lower left
Together with:
Jan van Helke (19th/20th Century) British
BOAT BY A COASTAL VILLAGE; Oil on panel; signed lower right
9” x 12” — 22.9 x 30.5 cm.; 9.75” x 11.75” — 24.8 x 29.8 cm.
Est. $1,000/1,500
42
114
Edward William Cooke
(1811-1880), British
UNLOADING THE
CATCH AT
SCHEVENINGEN
BEACH; Oil on canvas;
signed and dated 1842
lower left, titled verso
18” x 24” —
45.7 x 61 cm.
Est. $10,000/15,000
115
Nicholas Pocock (17401821), British
LORD COCHRANE’S
“SPEEDY” CAPTURING
THE SPANISH FRIGATE
“EL GAMO”, 1801; Oil
on canvas
25” x 31” —
63.5 x 78.7 cm.
Est. $10,000/15,000
Provenance: Estate of
Baron Cochrane of Cult,
Crawford Priory, Fife,
Scotland;
Estate of Sir Archibald
Cochrane (1885-1958),
Governor of Burma,
Chairman, The Hilton
Coal Company;
Estate of Arthur Fitzgerald Cochrane, Gatehouse of Fleet, Scotland;
Estate of Peter
Cochrane, Ontario
Note: Lord Thomas
Dundonald Cochrane
commanded the brig
Speedy. His most significant victory was the capture of the El Gamo.
Lord Cochrane was one
of the most historically
significant Royal Navy
officers of all time.
43
116
Henry Redmore (1820-1887), British
TRAWLERS ON THE DOGGER BANK; Oil on canvas; signed and
dated 1875 lower left. Unframed.
20” x 40.25” — 50.8 x 102.2 cm.
Est. $6,000/8,000
118
David James (fl.1883-1897), British
FIGURE ON THE COAST, MURRAY BAY?; Oil on canvas; signed
and dated indistinctly 80 lower right
18” x 30” — 45.7 x 76.2 cm.
Est. $2,000/3,000
117
Frederick Richard Lee (1798-1879), British
SCENE ON THE OGWEN RIVER, N. WALES; Oil on board; signed
and titled to artist’s label verso
18” x 24” — 45.7 x 61 cm.
Est. $5,000/7,000
Provenance: W. Scott & Sons, Montreal
44
119
John Clayton Adams (1840-1906), British
LAKE VIEW WITH CATTLE ON SHORE; Oil on canvas laid down
on panel; signed and dated 97 lower right
20.5” x 30.25” — 52.1 x 76.8 cm.
Est. $3,000/5,000
120
Benjamin Williams Leader (1821-1923), British
ON A WORCESTERSHIRE COMMON; Oil on board; signed and dated 1908 lower left
16” x 24” — 40.6 x 61 cm.
Est. $10,000/15,000
Provenance: The Cooling Galleries, Ltd., London and Toronto
121
George Vicat Cole
(1833-1893), British
THE WEALD OF
SURREY; Oil on
canvas;
monogrammed and
dated 18?7 lower right
33.75” x 38.5” —
85.7 x 97.8 cm.
Est. $10,000/15,000
45
122
R. Fenson (Henry Maidment) (fl. 18891914), British
IDYLLIC RURAL SCENE - MOTHER AND
CHILD ON A PATH WITH THATCHED
COTTAGE BEHIND; Oil on canvas; signed,
R. Fenson lower right
19” x 27” — 48.3 x 68.6 cm.
124
John Noble Barlow (1861-1917), British
NEAR LAMBOURNE VALLEY, CORNWALL; A VALLEY IN CORNWALL; Two oils on canvas;
the former signed lower right, the latter lower left, each indistinctly signed and or signed
and titled verso
10” x 14.25” — 25.4 x 36.2 cm.; 12” x 16.25” — 30.5 x 41.3 cm.
Est. $1,000/1,500
Provenance: Estate of M.E. Cunningham (nee Brookfield); By descent
123
Henry Maidment (fl. 1889-1914)), British
HAYING; Oil on canvas; signed lower right
20” x 30” — 50.8 x 76.2 cm.
Est. $2,000/3,000
Est. $1,000/1,500
125
George Sheringham (1884-1937), British
HAMPSTEAD VIEW; PARK SCENE; Two gouaches; the former signed lower left, signed
and titled verso
12.5” x 15.5” — 31.8 x 39.4 cm.; 14” x 18.75” — 35.6 x 47.6 cm.
Est. $1,500/2,000
46
126
Walter Wallor Caffyn (1845-1898), British
A SURREY LANDSCAPE; Oil on canvas;
signed lower left
16” x 24” — 40.6 x 61 cm.
Est. $2,000/3,000
129
Abraham Hulk Jr. (1851-1922), British
AUTUMN IN ALBURY PARK, SURREY; Oil on canvas; signed lower right, signed and titled
verso
20” x 30” — 50.8 x 76.2 cm.
Est. $1,000/1,500
127
Percy Lancaster (1878-1951), British
IXWORTH SUFFOLK; Oil on canvas;
signed lower right, signed to the stretcher,
titled to label verso
20.3” x 24.3” — 51.6 x 61.7 cm.
Est. $1,000/1,500
Exhibited: Harris Museum and Art Gallery,
Preston: Lancashire Art Exhibition, Spring
1934, No. 34
130
Charles Leader (19th Century), British
A WELSH RIVER; Oil on canvas; signed
lower left, titled to the stretcher
24” x 36.25” — 61 x 92.1 cm.
Est. $2,000/3,000
Provenance: The Cooling Galleries Ltd.,
London and Toronto
131
Daniel Sherrin (1868-1940), British
THE PATH ACROSS THE COMMON; Oil
on canvas; signed lower right, titled to
remnants of gallery label verso
20” x 30” — 50.8 x 76.2 cm.
Est. $1,000/1,500
Provenance: Charles Nicholls & Son
(Manchester ?)
128
Abraham Hulk Jr. (1851-1922), British
NEAR REIGATE SURREY; Oil on canvas;
signed lower right, signed and titled verso
20” x 30” — 50.8 x 76.2 cm.
Est. $1,000/1,500
47
132
Henry Harold Parker (1858-1930), British
GORING, SURREY; Oil on canvas; signed lower right, signed and titled verso
24” x 40” — 61 x 101.6 cm.
Est. $10,000/15,000
Provenance: The Cooling Galleries Ltd., London and Toronto
133
BRIMPTON. BERKS; Oil on canvas; signed lower right, signed and
titled verso
12.25” x 18.25” — 31.1 x 46.4 cm.
Est. $3,000/4,000
134
ON THE AVON NEAR STRATFORD-ON-AVON; Oil on canvas;
signed lower left, signed and titled verso
12” x 18” — 30.5 x 45.7 cm.
Est. $3,000/4,000
Provenance: Haynes Art Gallery, Toronto, accompanied by the
original receipt dated Dec. 20th, 1948
48
135
Henry John Yeend King (1855-1924), British
MIDSUMMER; Oil on canvas; signed lower right
24” x 36” — 61 x 91.4 cm.
Est. $8,000/12,000
136
Henry John Yeend King (1855-1924), British
THE RUSH GATHERERS; Oil on canvas; signed lower left, titled to label verso
20” x 30” — 50.8 x 76.2 cm.
Est. $4,000/6,000
49
137
Alfred de Breanski Sr. (1852-1928), British
THE BANKS OF THE THAMES - COOKHAM MEADOWS; Oil on canvas; signed and
indistinctly dated 1876 lower right, signed, titled and numbered No. 4 to artist label
to the stretcher.
21” x 37” — 53.3 x 94 cm.
Est. $15,000/20,000
138
Alfred Fontville de
Breanski (1877-1955),
British
IN THE WESTERN
HIGHLANDS; Oil on
canvas; signed lower left;
signed and titled verso
20” x 30” — 50.8 x 76.2
cm.
Est. $3,000/5,000
50
139
Alfred de Breanski Sr. (1852-1928), British
THE RIVER TEITH THROUGH THE TROSSACHS; Oil on canvas; signed lower right, signed and titled verso
20” x 30” — 50.8 x 76.2 cm.
Est. $10,000/15,000
140
Alfred Augustus Glendening (1840-1910), British
SHEPHERD FAMILY GUARDING THE FLOCK FROM THE HILLS; Oil on canvas; signed with initials lower left
20.25” x 32” — 51.4 x 81.3 cm.
Est. $10,000/15,000
Provenance: The Cooling Galleries Ltd., London and Toronto
51
141
Hugh Boycott Brown (1909-1990), British
WOODBRIDGE TIDE MILL AND RIVER DEBEN,
SUFFOLK; Oil on canvas; signed lower left, titled
and numbered 4 verso
20” x 30” — 50.8 x 76.2 cm.
143
Thomas Edward Francis (fl. 1899-1912),
British
VOLENDAM, HOLLAND; Oil on canvas;
signed lower right, titled verso
23.3” x 35.8” — 59.2 x 90.9 cm.
Est. $800/1,200
Est. $1,200/1,800
142
Ben Maile (20th Century), British
THAMES AND WESTMINISTER; Oil on
canvasboard; signed lower right, titled to gallery
label verso
22” x 39” — 55.9 x 99.1 cm.
Est. $1,000/1,500
144
Edward Seago (1910-1974), British
ON THE SEINE; Watercolour; signed lower
left, titled lower right
6” x 8.9” — 15.2 x 22.6 cm.
Est. $1,000/1,500
Provenance: Frost and Reed, London, reg. no.
33882;
The Fine Art Galleries, The T. Eaton Co., Ltd.,
Canada remains of label
145
Oliver Hilary Sambourne Messel
(1904-1978), British
LORD CAPULET; ATTENDANT,
FRANCESCA DA RIMINI; Two
pencil and watercolour costume
designs; both signed lower right,
the latter signed and titled to piece
of backboard verso
Sheet sight 19.75” x 12.75” — 50.2 x
32.4 cm.
Est. $1,500/2,000
52
146
Harold Harvey (1874-1941), British
FISHERMEN AT NEWLYN HARBOUR; Oil on canvas; signed and dated 08 lower left.
12” x 18” — 30.5 x 45.7 cm.
Est. $10,000/15,000
147
Richard Eurich (1903-1992),
British
THE FROZEN TARN; Oil on
canvas with scratching out;
signed and dated ‘40 lower
right, signed and titled to the
stretcher. Unframed.
16” x 20” — 40.6 x 50.8 cm.
Est. $7,000/10,000
53
148
Vanessa Bell (1879-1961), British
CHARLESTON DRAWING ROOM; Oil
on canvas; signed with initials and
titled Charleston Drawing Room verso,
dated circa 1945 to gallery label verso.
24” x 20” — 61 x 50.8 cm.
Est. $20,000/30,000
Provenance: The Morris Gallery,
Toronto
149
John Piper (1903-1992),
British
THE CAMARGUE;
Watercolour heightened
with pencil and pastel;
signed lower right, titled
verso
13.75” x 21” —
34.9 x 53.3 cm.
Est. $8,000/12,000
Provenance: Laing
Galleries, Toronto
54
150
THE HARD, PONZA HARBOUR; Oil on masonite; signed lower left, titled verso
20” x 30” — 50.8 x 76.2 cm.
Est. $40,000/60,000
Provenance: Private Collection, acquired in Ireland circa 1960;
By descent
55
151
SUMMER DAY, WAXHAM; Oil on canvas; signed lower left; titled to the stretcher
18” x 24” — 45.7 x 61 cm.
Est. $30,000/40,000
Provenance: By descent through the family
56
152
DORDRECHT, HOLLAND; Oil on board; signed lower left
12” x 16” — 29.2 x 39.4 cm.
Est. $25,000/35,000
Provenance: Thomas Gibson Fine Art, London, England
The Taylor Gallery, London, England
153
PONT-NEUF - PARIS; Oil on masonite; signed lower left
12.5” x 16” — 31.8 x 40.6 cm.
Est. $15,000/18,000
57
Scottish Paintings
154
Edwin Sherwood Calvert (1844-1898), Scottish
THE YOUNG SHEPHERDESS AND HER GOAT IN A SPRINGTIME PASTURE; Oil on canvas; signed lower left
36” x 70” — 91.4 x 177.8 cm.
Est. $6,000/9,000
155
Stuart James Park (1862-1933), Scottish
PINK ROSES; Oil on canvas sculpted in the oval; signed lower
right
19” x 29” — 48.3 x 73.7 cm.
156
Stuart James Park (1862-1933), Scottish
PINK ROSES ON A GREEN GROUND; Oil on canvas; signed
lower right
12” x 18” — 30.5 x 45.7 cm.
Est. $2,000/3,000
Est. $2,000/3,000
58
158
Robert Gemmell Hutchison (1855-1936),
Scottish
SEA URCHINS; Watercolour; signed lower
left, signed, titled and numbered No. 5 to
artist’s label verso
Sight 7.5” x 10” — 19.1 x 25.4 cm.
Est. $3,000/4,000
Provenance: Ex. Coll. B. MacKenzie, n.p.;
Gifted to Deborah Jean from her aunt,
inscribed to the backing
Exhibited: Royal Scottish Academy, n.d.
inscribed to artist’s label verso
157
John Callcott Horsley (1817-1903), British
CRITICS IN COSTUME: FASHIONS CHANGE; Oil on canvas; signed and dated 1880
lower right, titled to printed label verso
20.5" x 16.25" — 52.1 x 41.3 cm.
Est. $5,000/7,000
Provenance: By descent through the family, originally of Kingston, Ontario
159
Erskine Nicol (1825-1904), Scottish/Irish
THE HAPPY COUPLE; Oil on canvas;
signed lower left
24” x 20” — 61 x 50.8 cm.
Est. $2,000/3,000
59
160
George Heriot (1766-1844),
Scottish/Canadian
LA PIERRE LEVEE POITIERS, 1820;
Watercolour and ink; further annotated in
the artist’s hand: “La Pierre Levee on the
field where the Battle of Portiers was
fought under which several English officers
of rank camped 27th April 1820” verso
4.75” x 7.75” — 12.1 x 19.7 cm.
Est. $1,000/1,500
Provenance: Helene-Arthur Gallery, Toronto
163
William Darling Mackay (1844-1924), Scottish
HAYFIELD; Oil on canvas; signed with initials lower left
10.25” x 14” — 26 x 35.6 cm.
Est. $1,000/1,500
Provenance: Aitken Dott’son, Edinburgh
161
Samuel Bough (1822-1878), Scottish
PADDLE STEAMER IN A SWELL;
Watercolour; signed and dated 1861 lower
left
8.3” x 12” — 21.1 x 30.5 cm.
Est. $1,000/1,500
164
Joseph Denovan Adam (1842-1896),
Scottish
FARMER WATERING BULLS AT A
TROUGH; Oil on canvas; signed lower left
18” x 24” — 45.7 x 61 cm.
Est. $2,000/3,000
162
Samuel Bough (1822-1878), Scottish
BARGE LANDING AT SUNSET;
Watercolour; signed and dated 1896 lower
left
11.25” x 16.75” — 28.6 x 42.5 cm.
Est. $1,200/1,800
60
165
Charles James Adams (1859-1931), Scottish
SHEEP IN A BARNYARD; Watercolour;
signed lower left
Sight 11” x 15” — 27.9 x 38.1 cm.
Est. $1,000/1,500
167
William Stewart McGeorge (1861-1931),
Scottish
THE OLD WEAVER; Oil on canvas; signed
lower left
16” x 22” — 40.6 x 55.9 cm.
Est. $1,000/1,500
168
Henry John Dobson (1858-1928), Scottish
“JOHN ANDERSON MY JOE”;
Watercolour; signed lower right, titled and
numbered No. 4 to exhibition label verso
13.25” x 17.25” — 33.7 x 43.8 cm.
Est. $1,000/1,500
166
William Davies (fl.1890-1910), Scottish
GLEN GOIL, ARGYLESHIRE; LOCH RESTIL, ARGYLESHIRE; Two oils on canvas; each
signed and dated 1892 lower right; each signed, titled and dated verso
13.25” x 19” — 33.7 x 48.3 cm.
Provenance: Aitken Dott’son, Edinburgh
Exhibited: Peeblesshire Fine Art
Association,
Peebles, Scotland, No. 4, n.d.
Est. $6,000/8,000
Provenance: Ex-Coll. Winnifred M. Torrance, Richmond, Quebec, passed down in the
family to Ella Elizabeth Sweeney, Montreal; Her Estate;
By descent
61
169
William Russell Flint (1880-1969), Scottish
THE SILVER FROCK; Watercolour; signed lower right, signed and titled verso
10.5” x 14” — 26.7 x 35.6 cm.
Est. $30,000/40,000
Provenance: The Fine Art Society Ltd., London, acquired in May 1964 and
accompanied by the original receipt;
By descent
Exhibited: Royal Society of Painters in Watercolours, London, Spring 1957, No. 5
169A
Hume Nesbit (1849-1923), Scottish
FIGURES IN A COASTAL VILLAGE;
Oil on canvas; signed and dated 1884
lower left
20.5” x 37” — 52.1 x 94 cm.
Est. $2,000/3,000
62
Irish Paintings
171
Edwin Hayes (1820-1904), English/Irish
BOATS ASHORE EASTBOURNE; Oil on panel; signed lower right,
inscribed indistinctly lower left, signed and titled verso
4.9” x 8.5” — 12.4 x 21.6 cm.
170
Maurice Canning Wilks (1911-1984), Irish
ST. JOHN’S POINT CO.DOWN; Oil on canvas; signed lower left,
titled verso
20” x 25” — 50.8 x 63.5 cm.
Est. $1,000/1,500
Est. $5,000/7,000
Provenance: John Magee Fine Art Dealer, Belfast
Czechoslovakian Paintings
172
Franz Lefler (1831-1898), Czechoslovakian
PLAYING GROWN-UPS: A BORING TOAST; TAKING TEA; Pair of oils on canvas; each signed lower
right, each inscribed to the stretcher
20” x 48” — 50.8 x 121.9 cm.
Est. $7,000/8,000
63
Danish Paintings
173
Peder Mork Mönsted (1859-1941), Danish
WOMAN ON A VINE COVERED TERRACE; Oil on board; signed at Napoli lower right
7.1” x 12.2” — 18 x 31 cm.
Est. $12,000/18,000
174
Peder Mork Mönsted (1859-1941), Danish
SUNSET OVER A MARSH; Oil on canvas; signed and dated 1900 lower right, indecipherably titled to stretcher Aften
ved Susaaem?.....
13.4” x 21.3” — 34 x 54 cm.
Est. $12,000/18,000
64
175
Gunnar Bundgaard (1920-2005), Danish
JOMFRUBAKKEN (THE FARM); Oil on
canvas; signed lower left, titled to artist
studio label verso
19.5” x 28” — 49.5 x 71.1 cm.
Est. $1,000/1,500
Dutch Paintings
178
Niek van der Plas (1954- ), Dutch
GRAND CANAL, VENICE; Oil on panel; signed lower right, stamped signature and titled
verso
8.25” x 10” — 21 x 25.4 cm.
Est. $800/1,000
176
A DAY AT THE BEACH; Oil on panel;
signed lower right, stamped signature
verso
6” x 6” — 15.2 x 15.2 cm.
Est. $800/1,000
179
SUNNY DAY AT THE BEACH; Oil on panel;
signed lower right, stamped signature
verso
15.4” x 23.2” — 39 x 59 cm.
Est. $2,000/3,000
180
Anton Karssen (1945- ), Dutch
READY FOR A DAY AT THE BEACH; Oil on
15.7” x 19.7” — 40 x 50 cm.
Est. $2,000/3,000
177
WARMOND; Oil on panel; signed lower
right, signed and titled verso
9.5” x 12” — 24.1 x 30.5 cm.
Est. $1,000/1,500
65
181
Willem Alexander Knip (1883-1967), Dutch
THE VILLAGE ROAD, LAREN, N.
HOLLAND; Oil on canvas; signed and
dated indistinctly 19 lower right, titled to
the stretcher
22.5” x 32.75” — 57.2 x 83.2 cm.
Est. $1,500/2,500
184
Cornelis Bouter (1888-1966), Dutch
THE FAMILY MEAL; Oil on canvas; signed lower left
16” x 20.25” — 40.6 x 51.4 cm.
Est. $1,000/1,500
182
L. Van Howe (1843-1901), Dutch
A DUTCH HARBOUR; Oil on canvas;
signed lower left
27” x 41.5” — 68.6 x 105.4 cm.
Est. $1,000/1,500
186
C** Jansen (19th/20th Century), Dutch
MILKING TIME; Oil on canvas; signed
lower right
16” x 24” — 40.6 x 61 cm.
Est. $1,000/1,500
183
Jacobus Cornelis Wyand Cossaar (18741966), Dutch
DUTCH CANAL, SUNNY DAY; Watercolour
and ink; signed lower right
Sight 15” x 22” — 38.1 x 55.9 cm.
185
Elchanon Leonardos Verveer (1826-1900),
Dutch
A STORY; Watercolour; signed lower right,
titled and certified gallery label verso
10.5” x 8.5” — 26.7 x 21.6 cm.
Est. $1,000/1,500
Est. $1,500/1,800
Provenance: Watson Art Galleries,
Montreal
66
187
Attributed to Pieter Barbiers (18th/19th
Century), Dutch
A TINKER SELLING POTS AND PANS TO
A PEASANT WOMAN OUTSIDE A
COTTAGE; Watercolour with pen and ink;
bears signature lower right
Sight 9.75” x 14.25” — 24.8 x 36.2 cm.
Est. $1,500/2,000
Provenance: The Estate of Derrick
Weatherly, UK;
By descent to the present owner
188
Lot as may appear
189
School of Philips Wouwerman (1619-1668),
Dutch
HUNTERS RESTING AT AN
ENCAMPMENT; Oil on cradled panel;
bears initials P.W.L. lower right
16.5” x 21.75`” — 41.9 x 55.2 cm.
190
Adrianus Johannes Groenewegen (1874-1963), Dutch
FARMER AND TEAM PLOUGHING THE FIELD; Watercolour; signed lower left
Sight 14” x 21” — 35.6 x 53.3 cm.
Est. $2,000/3,000
191
Thamine Tamada-Groeneveld (1871-1937), Dutch
CLAM DIGGERS; FISHERWOMEN ON THE BEACH; Pair of oils on
canvas; each signed lower left
10.25” x 7.5” — 26 x 19.1 cm.
Est. $1,600/2,400
Est. $2,000/3,000
Provenance: The Estate of David Silliman, Montreal
67
192
Nicolas Johannes Roosenboom (1805-1880), Dutch
FROST SCENE, VIEW ON THE SERPENTINE, HYDE PARK; Oil on
canvas; signed and dated 1855 at London lower left, signed and
titled on two artist labels verso
17” x 21” — 43.2 x 53.3 cm.
194
Cornelis Vreendenburgh (1880-1946), Dutch
QUIET MOMENT IN A DUTCH HARBOUR; Oil on canvas; signed
lower right, titled to gallery label verso
16” x 23.75” — 40.6 x 60.3 cm.
Est. $4,000/6,000
Provenance: The Fine Art Galleries, The T. Eaton Company Limited
Est. $7,000/9,000
195
David Schulman (1881-1966), Dutch
WINTER EVENING, LAREN; Oil on canvas; signed lower left, titled
to gallery label verso
22” x 33” — 55.9 x 83.8 cm.
Est. $4,000/6,000
Provenance: Walter Klinkhoff Gallery, Montreal
193
Elisabeth Alida Haanen (1809-1845), Dutch
IN THE WINE CELLAR; Oil on canvas; traces of signature lower
right
20” x 15” — 50.8 x 38.1 cm.
Est. $5,000/7,000
68
200
Willem Bastiaan Tholen (1860-1931), Dutch
FISHERFOLK ON THE BEACH;
Sight 14” x 20.25” — 35.6 x 51.4 cm.
196
Willem Carl Nakken (1835-1926), Dutch
READYING THE TEAM; Watercolour;
signed lower left
Sight 14.75” x 20.5” — 37.5 x 52.1 cm.
Est. $2,000/3,000
Est. $2,000/2,500
198
Louis Lammert van der Tonge (1871-1937),
Dutch
ROCKING THE CRADLE; Oil on canvas;
signed lower left
18” x 21.75” — 55 x 46 cm.
Est. $3,000/5,000
Provenance: Continental Galleries of Fine
Art, Montreal;
The Estate of David Silliman, Montreal
197
Hendricus Anthonius Dievenbach (18721946), Dutch
THE NEW ARRIVAL; Oil on canvas; signed
lower right
16” x 20” — 40.6 x 50.8 cm.
199
Louis Lammert van der Tonge (1871-1937)
A DUTCH MOTHER AND CHILDREN, Oil
on canvas; signed lower right, titled to the
stretcher, 18” x 21.25” — 45.7 x 54 cm.
Est. $3,000/4,000
Est. $4,000/6,000
201
Harrie Kuyten (1883-1952), Dutch
BATHERS IN TENTS ON BEACH; Oil on
13.5” x 17” — 34.3 x 43.2 cm.
Est. $3,000/5,000
Provenance: The Fine Art Galleries, The T.
Eaton Company, Ltd., Canada;
Purchased by Mrs. R.H. Scarlett, Toronto
about 50 years ago
69
202
Jozef Israels (1824-1911), Dutch
YOUNG NAVIGATORS; Watercolour; signed lower right, titled
to an old unidentified gallery label verso
11.5” x 18.25” — 29.2 x 46.4 cm.
Est. $10,000/15,000
203
Bernard de Hoog (1867-1943), Dutch
A MID DAY PRAYER; OLD PEASANT RESTING IN A KITCHEN; Two oils, the former an oil on canvas; signed lower
left, titled indistinctly to the stretcher, the latter, an oil on board; bears signature lower left
21” x 18” — 53.3 x 45.7 cm.
Est. $7,000/9,000
Provenance: Dr. Ir. A. de Wild, Holland;
Estate Collection, Burlington, Ontario
70
204
Isaac Israels (1865-1934), Dutch
SEAMSTRESSES IN A WORKSHOP; Oil on board; signed
lower right, signed and dated 1910 verso
16” x 22” — 40.6 x 55.9 cm.
Est. $25,000/35,000
205
Bernard de Hoog (1867-1943), Dutch
DREAMING; Oil on canvas; signed lower
right
20” x 16” — 50.8 x 40.6 cm.
Est. $5,000/7,000
Provenance: Passed down from a Private
Collection, Montreal to the present owner
71
206
Karel Appel (1921-2006), Dutch
BULL DOG; Acrylic on paper laid down on canvas; signed bottom
centre, titled to label verso
22” x 29.5” — 55.9 x 74.9 cm.
Est. $20,000/30,000
Provenance: London Arts Group label verso
72
207
ANIMAL; Acrylic on paper laid down on canvas; signed and dated 78 lower left
22.5” x 30” — 57.2 x 76.2 cm.
Est. $20,000/30,000
Provenance: From the same collection as previous lot 206
208
TETE; Acrylic on paper laid down on canvas;
signed lower left, titled verso
8.5” x 12” — 21.6 x 30.5 cm.
Est. $8,000/12,000
Provenance: Galerie Boulakia, Paris; From the
same collection as previous lot 206
73
European Paintings
209
P** Ling (19th Century), European
BOULOGNE, 1890; Oil on canvas; signed and signed with
monogram lower right
27” x 36” — 68.6 x 91.4 cm.
Est. $4,000/6,000
210
P** Ling, (19th Century), European
ANTWERP, 1890; Oil on canvas laid down on board;
signed lower left
27” x 36” — 68.6 x 91.4 cm.
Est. $4,000/6,000
74
Flemish Paintings
211
L** Verdier (19th/20th Century), European
A FRENCH SHEEP COTE; Oil on canvas;
signed lower right
21.5” x 25.5” — 54.6 x 64.8 cm.
213
Manner of Piat Joseph Sauvage (1744-1818), Flemish
ALLEGORIES OF THE GIFTS OF AIR; WATER; Pair of oils on canvas en grisaille
27.25” x 28.25” — 69.2 x 71.8 cm.
Est. $2,000/3,000
Est. $5,000/7,000
Provenance: Leslie Lewis, London, No.
1146A stamp to the stretcher
212
Nik Volt in the Manner of Brueghel (19th
Century), European
THE PEASANT’S HARVEST; Oil on canvas;
signed lower left
12” x 16” — 30.5 x 40.6 cm.
Est. $1,000/1,500
214
Manner of Gillis van Tilborgh the Younger
(1625-1679), Flemish
VILLAGE MERRYMAKERS OUTSIDE AN
INN; Oil on canvas
29” x 36” — 73.7 x 91.4 cm.
Est. $2,000/3,000
215
After Peter Paul Rubens (1577-1640),
Flemish
ADORATION OF THE MAGI; Oil on
canvas
66” x 44” — 167.6 x 111.8 cm.
Est. $3,000/5,000
75
French Paintings
216
Eugene Isabey (1803-1886), French
A STUDY OF A LADY IN A WIDE BRIMMED HAT (TWO
VIEWS, A DOUBLE-SIDED WORK); Black chalk drawings on
gray paper
Together with:
Circle of Pietro Berrettini called Pietro da Cortona (circa 15961669), Italian TWO FEMALE ALLEGORICAL FIGURES; Pen and
brown ink with brown and gray wash, 8.25” x 6.75” — 21 x 17.1
cm.
Together with:
Simone Cantarini (1612-1648), Italian YOUNG WOMAN
HOLDING A CHALICE; Red chalk heightened with white;
inscribed by Anton Maria Zanetti: “Simone Cantarini Pesa”
lower right, 4.5” x 5.75” — 11.4 x 14.6 cm.
Together with:
19th Century French or Italian School, STUDY OF THREE
WOMEN UNDER AN UMBRELLA; Pencil on laid paper, 5.1” x
4.8” — 13 x 12.2 cm.
Together with:
Follower of Francois Boucher (1703-1770), French PASTORAL
WITH CHILDREN PLAYING WITH A BIRD CAGE; Pencil on
paper; inscribed lower right.
Sight 10.25” x 7” — 26 x 17.8 cm.
Est. $1,500/2,500
217
Circle of Puvis de Chavannes (1824-1898), French
FISHERMEN DIGGING FOR CLAMS; Oil on panel
12” x 16” — 30.5 x 40.6 cm.
Est. $1,000/1,500
218
Attributed to Pierre-Paul Prud’hon (1758-1823), French
SELENE AND ENDYMION; Charcoal heightened with white
chalk on blue laid paper; inscribed pencil note to back board
reads “Succession of Bauffremont / Chateau de Brieux by
Prud’hon” verso
Sight 5.75" x 7.75" — 14.6 x 19.7 cm.
Est. $1,000/1,500
76
219
Patrick Boudon (1944- ), French
ABSTRACT COMPOSITION; Acrylic on
canvas; signed and dated ‘64 lower right
and upper left
21.3” x 25.6” — 54 x 65 cm.
221
Jean de Gaigneron (1890-1976), French
SUNBATHING COUPLE ON A BEACH; Oil
on board; signed lower left
14.6” x 20.9” — 37 x 53 cm.
Est. $1,000/1,500
Est. $800/1,200
223
Pierre Boudet (1925- ), French
PLAGE DE DEAUVILLE. TROUVILLE; Oil
on masonite; signed lower left, signed and
titled verso
8.5” x 10.5” — 21.6 x 26.7 cm.
Est. $1,000/1,500
Provenance: Wally Findlay Galleries, New
York, Chicago and Beverly Hills
220
Patrick Boudon (1944- ), French
LES TROIS AMIS; Oil on panel; signed
lower right. Painted in 1975.
Together with the book:
Patrick Boudon Retrospective 1962-1988,
Dinarte Editions, Bruxelles, published in a
limited edition of 500.
47.8” x 32.4” — 121.4 x 82.3 cm.
222
Michel Ciry (1919- ), French
SOEUR MADELINE; Ink drawing; signed,
titled and dated Assisi ‘58 lower left
Sheet sight 21” x 13.75” — 53.3 x 34.9 cm.
224
P** Renard (20th Century), French
PARIS STREET SCENE; Oil on canvas;
signed lower left
12” x 16” — 30.5 x 40.6 cm.
Est. $1,000/1,500
Est. $1,000/1,500
Provenance: Arthur Lénars & Cie, Paris;
Laing Galleries, Toronto
Est. $1,500/2,000
Literature: Illustrated in colour on the front
cover and in colour on page 1 of the
accompanying exhibition catalogue
77
225
Henry Malfroy (1895-1944), French
MARTINIQUE (PROVENCE); Oil on canvas; signed lower
right, titled to the stretcher
15” x 21.75” — 38.1 x 55.2 cm.
228
Yves Diey (1892-1984), French
WOMAN IN A BLUE PEIGNOIR; Oil on
21.75” x 18” — 55.2 x 45.7 cm.
Est. $1,000/1,500
Est. $3,000/5,000
226
Henri Alex Schaefer (1900-1975), French
BOOKSELLERS ON THE QUAI DE
MONTEBELLO, PARIS; Oil on canvas;
signed lower right
Sight 18.25” x 26.5” — 46.4 x 67.3 cm.
229
Paul Lucien Maze (1887-1979), French
JESSIE IN THE GARDEN; Colour pastel;
signed lower right
Sight 9.5” x 12.5” — 24.1 x 31.8 cm.
Est. $2,500/3,000
Est. $1,000/1,500
227
Jean Pollet (1929- ), French
L’ARBE EN FLEURS, 1966; Oil on canvas;
signed lower right; signed and titled verso
24” x 19.75” — 61 x 50.2 cm.
Est. $1,000/1,500
Provenance: Collection Boninchi, Geneva;
Galerie Martal, Montreal;
The Estate of Madeline McGraw, Toronto
Literature: Reproduced in Marcel Pollet,
Pierre Cailler, 1969, catalogue, plate 18
78
Provenance: Ex-Coll. Lady Bagnall, London;
By descent
230
Lot as may appear
231
Francois Gall (1912-1987), French
GIRL IN RED IN A CAFE; Oil on
24” x 19.5” — 61 x 49.5 cm.
Est. $10,000/15,000
Provenance: Le Monde Galleries,
New York;
The Estate of Madeline McGraw,
Toronto
232
BALLERINAS REHEARSAL; Oil on
19.75” x 24” — 50.2 x 61 cm.
Est. $10,000/15,000
Provenance: XXE Salon de la
Societe des Artistes Honfleurais,
Grenier a Sel, Honfleur;
The Estate of Madeline McGraw,
Toronto
79
233
JEUNE FILLE AU BOUQUET; Oil on canvas; signed lower
right, signed and titled to the stretcher
18.25” x 15” — 46.4 x 38.1 cm.
Est. $7,000/9,000
Provenance: Kar Gallery, Toronto;
Le Monde Gallery, New York;
235
AU PIANO; Oil on canvas; signed lower right, signed and titled
verso
18” x 15” — 45.7 x 38.1 cm.
Est. $7,000/9,000
Provenance: The Estate Madeline McGraw, Toronto
236
BEACH AT DEAUVILLE; Oil on canvas; signed at Deauville lower
right
10.5” x 18” — 26.7 x 45.7 cm.
Est. $3,000/5,000
Provenance: Dominion Gallery, Montreal accompanied by the
original receipt, dated March 31, 1972;
234
STILL LIFE WITH ZINNIAS AND GOBLETS; Oil on canvas;
signed lower left
18” x 15” — 45.7 x 38.1 cm.
Est. $4,000/6,000
80
237
Andre Marchand (1907-1998), French
LE PLAT AUX CITRONS (ARLES); Oil on
verso
18” x 21.5” — 45.7 x 54.6 cm.
Est. $3,000/4,000
Provenance: E.J. van Wisselingh & Co.,
Amsterdam;
Watson Art Galleries, Montreal;
Private Collection, Victoria, B.C.
239
Maurice Asselin (1882-1947), French
FLOWERS IN A VASE; Two colour pastels; each signed lower right, one inscribed with
dedication: pour Jean Claude Edde
23.75” x 15” — 60.3 x 38.1 cm.; 15.5” x 12” — 39.4 x 30.5 cm.
Est. $1,000/1,500
238
Pierre Grisot (1911-1995), French
FAIR LADY; Oil on canvas; signed lower
right, titled to the stretcher
21.5” x 17.5” — 54.6 x 44.5 cm.
240
John Buckland-Wright (1897-1954), French
MENTONE, FRANCE; ARDENNES: SPRING; Pair of watercolours; each signed and titled
lower right, the later, dated 1917 lower right
10” x 13.5” — 25.4 x 34.3 cm.
Est. $1,500/2,000
Est. $1,000/1,500
Provenance: Haynes Art Gallery, Toronto
81
241
Louis Simon Cabaillot Lassalle (1810- ), French
UNWILLINGLY TO SCHOOL; Oil on panel; signed lower
right, certified label verso
18.5” x 15.25” — 47 x 38.7 cm.
Est. $5,000/7,000
243
Pierre Edouard Frere (1819-1886), French
LEAVING SCHOOL; Oil on panel; signed lower left
12.5” x 9.5” — 31.8 x 24.1 cm.
Provenance: Private Collection, Montreal
Est. $5,000/7,000
Provenance: The French Gallery, London, Montreal;
Cooling Galleries Ltd., London and Toronto
242
Charles Moreau (1830-1891), French
THE DOLL; Oil on panel; signed and dated 83 lower left
18” x 15” — 45.7 x 38.1 cm.
244
Henri Alphonse Barnoin (1882-1935), French
BRETON WASHERWOMEN AT A SUNLIT TROUGH; Oil on
canvas laid down on masonite; signed lower left
14.4” x 18.1” — 36.5 x 46 cm.
Est. $6,000/8,000
Est. $5,000/7,000
82
245
Jules Dupre (1811-1889), French
HOMEWARD BOUND; Oil on canvas; signed lower right
28.5” x 43.3” — 72.4 x 110 cm.
Est. $5,000/7,000
247
Attributed to Jules Dupre (1811-1889), French
FAGGOT GATHERER; Oil on canvas; bears signature lower left
18” x 28” — 45.7 x 71.1 cm.
Est. $3,000/4,000
248
Francois Charles Cachoud (1866-1943), French
MOONRISE; Oil on canvas; signed lower right
23.75” x 28.75” — 60.3 x 73 cm.
Est. $1,500/2,000
Provenance: Antoine’s Art Gallery, Montreal
246
Jules Dupre (1811-1889), French
AN OVERCAST SKY; Oil on canvas; signed lower left
30.50” x 23.50” — 77.5 x 59.7 cm.
Est. $5,000/7,000
83
249
After Peter Paul Rubens (1577-1640), Flemish
DIANA AND CALLISTO; Oil on copper
27.5” x 34.25” — 69.9 x 87 cm.
Est. $10,000/15,000
Provenance: Label of Holtermanska Samlingen verso
Note: After the original canvas by Sir Peter Paul Rubens in the collection of the Prado,
Madrid. An attribution to Willem van Herp (1614-1677) has also been suggested.
250
Jules Contant (1822-1885),
French
THE PEASANTS WEDDING
TRAIN; Oil on canvas; signed
lower right
35.3” x 48.3” — 89.7 x 122.7 cm.
Est. $3,000/5,000
84
251
Emmanuel Lansyer (1835-1893), French
COASTAL SCENE WITH BEACHED BOATS; Oil on panel; signed and dated 69
lower left, signed, inscribed indistinctly and dated Juillet 1869 verso
9” x 15” — 22.9 x 38.1 cm.
Est. $3,000/5,000
252
Lot as may appear
253
Jacques Martin-Ferrieres
(1893-1972), French
VENICE; Oil on canvas;
signed lower right
21” x 27.5” — 53.3 x 69.9
cm.
Est. $3,000/4,000
85
254
Antoine Bouvard (1913-1972), French
VIEW IN VENICE; Oil on canvas; signed lower left, titled to gallery label verso
20” x 28” — 50.8 x 71.1 cm.
Est. $10,000/12,000
Provenance: Watson Art Galleries, Montreal, 1931
255
Antoine Bouvard (1913-1972), French
ON A VENETIAN CANAL; Oil on canvas; signed lower right
21.75” x 15” — 63.5 x 38.1 cm.
Est. $10,000/12,000
86
256
Antoine Blanchard (1910-1988), French
BUSY STREET SCENE AFTER A RAIN BY THE ARC DE
TRIOMPHE; Oil on canvas; signed lower right
24” x 32” — 61 x 81.3 cm.
Est. $7,000/9,000
258
Jules Rene Herve (1887-1981), French
ARC DE TRIOMPHE; Oil on canvas; signed lower right
8.7” x 10.6” — 22 x 27 cm.
Est. $1,500/2,000
Provenance: Dominion Gallery, Montreal accompanied by original
receipt dated March 31, 1972;
257
LUXEMBOURG TERRASSE; Oil on canvas; signed lower right,
signed verso, titled to gallery label verso
13.25” x 16.25” — 33.7 x 41.3 cm.
259
PLACE DE LA CONCORDE, PARIS; Oil on canvas; signed lower
right, signed and titled verso
8.7” x 10.6” — 22 x 27 cm.
Est. $4,000/5,000
Est. $1,500/2,000
Provenance: Galerie Dominion, Montreal
Provenance: Dominion Gallery, Montreal accompanied by original
receipt dated March 31, 1972;
87
German Paintings
260
PARIS - PLACE DE LA CONCORDE; Oil on
verso
8.75” x 10.75” — 22.2 x 27.3 cm.
Est. $2,000/3,000
Provenance: Dominion Gallery, Montreal
262
Charles Vetter (1858-1936), German
COURTYARD SCENE; Oil on canvas;
signed lower left
24” x 20” — 61 x 50.8 cm.
Est. $3,500/5,000
261
Henry Guillaume Schlesinger (1814-1893),
French
WHEN THE MASTER’S AWAY; Oil on
canvas; signed and dated 1857 lower left
23.5” x 30.3” — 59.7 x 77 cm.
Est. $4,000/6,000
263
Carl Haag (1820-1915), German
A BEARDED TRIBESMAN; Watercolour;
signed and dated 1869 lower right
14” x 10” — 35.6 x 25.4 cm.
Est. $1,000/1,500
Provenance: R.A. Lambert, Fredericton,
N.B.;
By descent
88
264
(Hans Henning Baron Vogt) Alastair (18871969), German
TWO ILLUSTRATIONS FOR A WORK BY
JORIS-KARL HUYSMAN: LES VISIONS DU
MER; CAPTIVE MAIDEN; Two pen and ink
drawings with watercolour; each signed,
titled and inscribed verso, the later,
indistinctly titled verso
Each sheet 11.5” x 8.5” — 29.2 x 21.6 cm.
Est. $1,500/2,500
265
Adolf Schreyer (1828-1888), German
CHARGING TROIKA IN THE SNOW; Oil on canvas; signed lower left
12.5” x 21” — 31.8 x 53.3 cm.
Est. $8,000/12,000
Provenance: By descent through the family to the present owner
266
Dietz Edzard (1893-1963), German
FLEURS ET MUSIQUE; Oil on canvas; signed lower left
22” x 15” — 55.9 x 38.1 cm.
Est. $8,000/10,000
Provenance: Dominion Gallery, Montreal
89
Hungarian Paintings
271
Gyula Glatter (1886-1927), Hungarian
A FOREST STREAM; Oil on canvas; signed
lower right
25.75” x 32” — 65.4 x 81.3 cm.
267
Hermann Seeger (1857-1945), German
KNITTING BY THE FIRE; Oil on canvas;
signed lower right
17.5” x 19.5” — 44.5 x 49.5 cm.
Est. $1,000/1,500
Est. $2,500/3,500
Provenance: Kunsthandlung Emil Degner,
Berlin;
Mrs. Betty Horowitz, Toronto;
Sold to Mr. John Hunt, Toronto, circa 1948;
By descent
269
Armand Schoneberger (1885-1974),
Hungarian
SEATED NUDE; Charcoal on paper; signed
upper right. Circa 1920.
Sight 17” x 11.25” — 43.2 x 28.6 cm.
Est. $1,000/1,500
Provenance: Thebes Gallery, Toronto,
purchased by the present owner at the
exhibition cited below
Exhibited: Thebes Gallery, Toronto, Armand
Schonberger (1885-1974) Paintings and
Drawings (1920-1940), Dec. 14, 1989-Jan.
12, 1990
268
Carl Kenzler (1930 - ), German
GOLDEN SUNSET; Oil on canvas; signed
lower left
27.6” x 39.4” — 70 x 100 cm.
270
Austro-Hungarian School
THE HUNTERS’ LUNCH; Oil on panel;
indistinctly signed M***gro and dated ‘10
lower right
5.75” x 8.5” — 14.6 x 21.6 cm.
272
Lajos Mark (1867-1940), Hungarian
HER FAVORITE PEARLS; Oil on canvas;
signed lower right
31” x 23” — 78.7 x 58.4 cm.
Est. $1,000/1,500
Est. $1,000/1,500
Est. $1,000/1,500
Provenance: The Cooling Galleries, Londo
90
Provenance: Collection of the Late Joseph
and Margaret Rethazy, Hamilton, Ontario,
proceeds to benefit the Joseph and Margaret Rethazy Charitable Foundation,
Hamilton
275
Adrienne Hencze Deak (1895-?), Hungarian
VASE OF BLOSSOMS BESIDE A GLASS
JAR OF MARIGOLDS; Oil on canvas;
signed lower left
19.3” x 15.5” — 49 x 39.4 cm.
273
Laszlo Neogrady (1896-1962), Hungarian
WOMAN WALKING BY A RIVER; Oil on canvas; signed lower left
15” x 19” — 38.1 x 48.3 cm.
Est. $1,000/1,500
Est. $800/1,200
Provenance: Collection of the Late Joseph and Margaret Rethazy, Hamilton, Ontario, proceeds to benefit the Joseph and Margaret Rethazy Charitable Foundation, Hamilton
277
W. Emerich Vizkelety (19th/20th Century),
Hungarian
THE SLAVE MARKET; Oil on canvas;
signed lower right
27.2” x 39.2” — 69 x 99.5 cm.
Est. $2,000/3,000
274
Lazlo Neogrady (1896-1962), Hungarian
ALPINE WINTER; Oil on canvas; signed
lower right
24” x 36” — 61 x 91.4 cm.
Est. $1,000/1,500
276
Miklos Farkashazy (1895-1964), Hungarian
GARDENER’S AT WORK; Watercolour;
signed lower right
13.75” x 18” — 34.9 x 45.7 cm.
Est. $1,000/1,500
278
W. Emerich Vizkelety (19th/20th Century),
Hungarian
MARKET DAY; Oil on canvas; signed lower
right
23” x 31” — 58.4 x 78.7 cm.
Est. $1,000/1,500
91
279
Pal Fried (1893-1976), Hungarian
ANITA; Oil on canvas; signed lower right,
titled verso
24” x 30” — 61 x 76.2 cm.
281
WOMAN IN RED OSTRICH FEATHER
HAT; Oil on canvas; signed lower left
24” x 30” — 76.2 x 91.4 cm.
283
MARIE; Oil on canvas; signed lower left,
titled verso
24” x 30” — 61 x 76.2 cm.
Est. $2,000/3,000
Est. $2,000/3,000
Est. $2,000/3,000
Hamilton
Hamilton
280
MARIE; Oil on canvas; signed lower left,
titled verso
24” x 30” — 76.2 x 91.4 cm.
282
DINA; Oil on canvas; signed lower left,
titled verso
24” x 30” — 61 x 76.2 cm.
Est. $2,000/3,000
Est. $2,000/3,000
Hamilton
284
BALLERINA; Pastel drawing; signed lower
left
Sheet sight 33.25” x 20.5” — 86.4 x 50.8
cm.
Est. $800/1,000
Hamilton
92
285
Tamas Soos (1955- ), Hungarian
BALLERINA PREPARING FOR THE DANCE; Oil on canvas
laid down on masonite; signed lower left
30” x 22.5” — 76.2 x 57.2 cm.
Est. $1,000/1,500
287
Richard Geiger (1870-1945), Austro/Hungarian
PAN SERENADING A NYMPH; Oil on canvas laid down on
board; signed lower right
56” x 38” — 142.2 x 96.5 cm.
Est. $2,000/3,000
Provenance: Private Collection, Toronto by descent from a
relative’s collection in Budapest, Hungary, until 1957 when it
came to Canada
Indian Paintings
286
Peter Kalman (1877-1948), Hungarian
WOMEN READING IN AN INTERIOR; Oil on board; signed
lower right
23.75” x 22” — 60.3 x 55.9 cm.
288
Harish Raut (1925-2002), Indian
WOMEN AT THE MARKET; Oil on canvas; signed and dated
75 lower right
30” x 40” — 76.2 x 101.6 cm.
Est. $3,000/5,000
Est. $1,000/1,500
93
289
Sayed Haider Raza (1922- ), Indian
PANTH (CHEMIN); Oil on canvas; signed and dated ‘68 lower right,
signed, titled and dated verso
36.25” x 29” — 92.1 x 73.7 cm.
Est. $100,000/150,000
Provenance: Galerie Dresdnere, Toronto, acquired in 1969
94
Pakistani Paintings
290
Muhammed Abdur Rahman Chughtai (1894-1975), Pakistani
BOAT RIDE; Watercolour; signed lower left; titled, dated “circa 1940’s” and certified by the
artist’s son, Arif Rahman Chughtai in 2008 and stamped by the Chughtai Museum Trust,
Lahore Pakistan verso. Unframed.
15.5” x 15” — 39.4 x 38.1 cm.
Est. $30,000/50,000
Note: According to the artist’s son this watercolour was executed after his father’s return
from Europe in 1937 - 1938 where he began to incorporate a Western influence in his work. He
began creating many more portrait studies, both male and female, this portrait study of a
woman being a fine example from this period.
95
Israeli Paintings
291
Yitzhak Frenkel-Frenel (1899-1981), Israeli
NUDE IN A MIRROR; Oil on canvas;
signed lower right
36.2” x 29.1” — 92 x 74 cm.
Est. $3,000/4,000
Provenance: Acquired directly from the
artist in 1968 by the parents of the present
Private Collection, Montreal
293
Manner of Francesco Guardi (1712-1793),
Italian
FLIGHT FROM EGYPT; Oil on canvas.
Eighteenth Century.
40” x 24” — 101.6 x 61 cm.
Est. $2,500/3,000
Italian Paintings
Provenance: Nelle Sante Studio of New
York
295
After Correggio (b. c. 1489-1534), Italian
JUPITER AND LO; Oil on canvas by Franz
Bayer (1850 - ) Austrian?; signed upper left
37.5” x 17.5” — 95.3 x 44.5 cm.
Est. $2,000/3,000
Note: After the original painting of c. 1530
held in the collection of Kunsthistorisches
Museum, Vienna
292
After Paolo Veronese (1528-1588), italian
IN THE COURTYARD OF DOGES PALACE;
Oil on canvas in a feigned sculpted oval
with gilt spandrels by American artist
Miner Kilbourne Kellogg (1814-1889);
signed and dated 1843 at Venice verso
42.25” x 28.75” — 134.6 x 83.8 cm.
294
After Giovanni Battista Moroni (1529-1578),
Italian
RETRATO DE UN LETRADO; Oil on canvas
laid down on masonite
35” x 28” — 88.9 x 71.1 cm.
Est. $1,000/1,500
Est. $1,000/1,500
96
296
Felix Vezzani (1855-1930), Italian
ENGAGEMENT PARTY FOR THE PRINCESS AND HER KNIGHT IN SHINING ARMOUR;
Oil on canvas; signed and indistinctly dated 1904 lower left
17.75” x 32” — 45.1 x 81.3 cm.
Est. $2,500/3,500
297
C** Fortis (19th/20th Century), Italian
MEDITERRANEAN HARBOUR SCENE; Oil
on board; signed lower left
19.5” x 32” — 49.5 x 81.3 cm.
Est. $1,000/1,500
299
G** Gianni (19th Century), Italian
FISHING BOATS ON THE COAST OF
SORRENTO, ITALY; Oil on panel; signed
lower right
9.5” x 14.5” — 24.1 x 36.8 cm.
301
Michele Viana (19th/20th Century), Italian
GONDALIER IN A VENETIAN
BACKWATER; HOUSES AND BRIDGE ON
THE VENETIAN CANAL; Two oils on
canvas; each signed lower right
19.25” x 12.25” — 48.9 x 31.1 cm.; 12.5” x
19.25” — 31.8 x 48.9 cm.
Est. $1,200/1,600
Est. $1,000/1,500
Provenance: Ex. Coll. Mrs. Osbane, Canada
298
Ercole Magrotti (1890-1967), Italian
NEOPOLITAN HARBOUR SCENE; Oil on
19.5” x 27.5” — 49.5 x 69.9 cm.
Est. $1,000/1,500
300
Ezelino Briante (1901-1970), Italian
FISHING BOATS ON THE COAST OF
AMALFI; Oil on canvas; signed lower left
23” x 28.25” — 58.4 x 71.8 cm.
Est. $1,500/1,800
Provenance: From a Private Collection in
Venezuela
97
304
Casmiro Tomba (1857-1929), Italian
YOUNG PEASANT GIRL; Watercolour;
signed at Roma lower right
Sight 21” x 14.5” — 53.3 x 36.8 cm.
Est. $1,500/2,500
302
Raffaele Figerio (19th/20th Century), Italian
MONKS ENJOYING A TASTE; MONKS IN A TAVERN; OLD COUPLE SHARING LUNCH;
Three oils on canvas; each signed upper right
11.75” x 15.5” — 29.8 x 39.4 cm.; 11” x 15” — 27.9 x 38.1 cm.; 11” x 15.5” — 27.9 x 39.4 cm.
Est. $1,500/2,500
303
Eugenio Benvenuti (1881-1959), Italian
WOMAN SPINNING YARN; Watercolour;
signed lower right
Sight 15.5” x 9.5” — 39.4 x 24.1 cm.
Est. $1,200/1,800
305
Sergio Cirno Bissi (1902-1987), Italian
BALLERINA’S BEFORE THE DANSE; Oil
on canvas; signed with initials lower left
20” x 39” — 50.8 x 99.1 cm.
Est. $1,000/1,500
Provenance: The Universal Art Studio,
Montreal
306
Gianni Frassati (1924- ), Italian
VISION ESTETIQUE DU TEMPS, NO. 20;
Oil on canvas; signed lower right, signed,
titled, dated 1964 and numbered verso
23.5” x 29” — 59.7 x 73.7 cm.
98
Est. $1,000/1,500
307
A** Secola (19th/20th Century), Italian
GATHERING OF FRIENDS IN A TAVERN; Oil on canvas; signed lower right
20” x 32” — 50.8 x 81.3 cm.
Est. $5,000/7,000
Provenance: Henri Antoville Art Galleries, New York;
The Cooling Galleries Ont. Ltd., London and Toronto
308
Emma Ciardi (1879-1933), Italian
FIGURES AT A PORT WITH RUINS; Oil on canvas; signed lower right
9.5” x 22” — 24.1 x 55.9 cm.
Est. $3,000/5,000
Provenance: Nunes Artefatos de Madeiras Ltda, stamp to the stretcher
309
Daniele Ranzoni (1843-1889), Italian
PROFILE OF A YOUNG WOMAN;
Sheet sight 14.75” x 11” — 37.5 x 27.9 cm.
Est. $4,000/6,000
99
310
Augusto Lovatti (1852-1921), Italian
VEGETABLE MARKET, JAPAN; Oil on panel; signed lower right
5” x 8” — 12.7 x 20.3 cm.
Est. $7,000/9,000
Provenance: Estate of Ferdinand L. Mayer, Vermont, U.S. diplomat
stationed in Peking, Haiti, Tangiers, London, Brussels, Berlin and Lima,
Peru from 1916-1941;
By descent to the present Private Collection, Canada
311
Giuseppe Magni (1869-1956),
Italian
BEDTIME LULLABY; Oil on
19.25” x 27” — 48.9 x 68.6 cm.
Est. $12,000/15,000
100
Mexican Paintings
312
Jesus Guerrero Galvan (1910-1973, Mexican
PARA MELISANDRA ESTA INFIEL IMAGEN DE SU PERSONA; Oil on canvas; signed and inscribed,
“para Melisandra” and dated 1951 at Mexico lower right, signed, titled and dated Mexico 1951 verso
39.5” x 31.5” — 100.3 x 80 cm.
Est. $15,000/20,000
313
Luis Garcia Guerrero (19211996), Mexican
ABSTRACT; Watercolour and
ink; signed, inscribed “Pour
Melisandra” and dated 1960
lower right
Sight 14” x 9” — 35.6 x 22.9
cm.
Est. $1,000/1,500
101
Polish Paintings
317
Leszek Piasecki (1928-1990), Polish
SOLDIER CONSOLING THE YOUNG
FARM GIRL; Oil on canvas; signed lower
right
24” x 32” — 61 x 81.3 cm.
Est. $1,000/1,500
314
Konstantine Szewczenko (1915-1991), Polish
THE OLD RABBI RESTING; Oil on canvas; signed lower right
20” x 16.25” — 50.8 x 41.3 cm.
318
Jerzy Kossak (1886-1955), Polish
SOLDIERS RESTING AND FLIRTING
WITH YOUNG PEASANT GIRL; Oil on
board laid down on masonite; signed lower
right
19” x 26.75” — 48.3 x 67.9 cm.
Est. $1,000/1,500
Est. $1,000/1,500
315
Wiktor Korecki (1890-1980), Polish
CABIN BY A WATERMILL, WINTER; Oil on
board; signed lower right
10.25” x 26.5” — 26 x 67.3 cm.
Est. $1,500/2,000
102
316
Leszek Piasecki (1928-1990), Polish
FOX HUNT; Oil on canvas; signed lower
right
24” x 36” — 61 x 91.4 cm.
Est. $1,000/1,500
319
Bruno Schulz (1892-1942), Polish
LANDSCAPE AT POLESIE; Watercolour;
signed and dated IX 29 at Polesie lower left
7.5” x 10.75” — 19.1 x 27.3 cm.
Est. $1,000/1,500
320
Tadeusz (Ted) Makowski (1882-1932), Polish
TWO YOUNG FRIENDS; Tempera on board;
signed and dated VI 21 lower right
16” x 13” — 40.6 x 33 cm.
Est. $6,000/8,000
Provenance: Ex-Coll. Jozefa Piekowski label
verso;
Private Collection, Toronto
321
Vlastimil Hofman (20th Century), Polish
TWO COSTUMES STUDIES; Two
watercolours; each signed lower right
11.75” x 8.75” — 29.8 x 22.2 cm.; 12” x 7.75”
— 30.5 x 19.7 cm.
Est. $1,000/1,500
103
Russian Paintings
322
Wladimir G. Krikhatzkij (1877-1942),
Russian
AT THE BEACH; Oil on board; signed in
cyrillics lower right; signed verso
7” x 9.1” — 17.8 x 23.2 cm.
Est. $800/1,200
324
Feodor Zakharov (20th Century), Russian
LAST SNOW; Oil on board; signed and titled in cyrillics verso.
19.75” x 27.5” — 50.2 x 69.9 cm.
Est. $1,000/1,500
323
Guennadi Ermakov (1926- ), Russian
FOOTHILLS OF THE CAUCASUS
MOUNTAINS; Oil on canvas; signed and
dated 92 lower left, signed, titled and dated
in cyrillics verso
26.4” x 34.6” — 67 x 88 cm.
325
Iakov Khaimov (1914-1991), Russian
BRIDGE IN A SMALL CITY NEAR THE
BLACK SEA; Oil on canvas; signed in
cyrillics lower right, signed and titled in
cyrillics verso.
19.75” x 23.75” — 50.2 x 60.3 cm.
Est. $2,000/3,000
Est. $1,000/1,500
326
Otari Kandaurov (1937- ), Russian
SELF PORTRAIT (STUDY); Oil on board on
masonite; signed with monogram and
dated 59 lower right, signed and inscribed
in cryllics verso. Unframed.
Together with a photo certificate and a
brochure of the artist’s works published in
Russian
18.75” x 13” — 47.6 x 33 cm.
Est. $1,000/1,500
327
Lot as may appear
104
328
Mihail Chemiakin (1943- ),
Russian
THREE MUSCIANS (A
SKETCH FOR BACH);
Watercolour, colour pastel
and ink drawing; signed,
inscribed in cyrillics, “This is a
sketch for a record album for
Bach” and dated 1967 lower
right, dated M.III. 1967 lower
left
13” x 13” — 33 x 33 cm.
Est. $5,000/7,000
Provenance: Timothy Yarger
Fine Art, Beverly Hills, CA.
329
Ivan Vasilievich Dmitriev
(1902-1975), Russian
LILACS; Oil on canvas; signed
and indistinctly dated ‘25
upper right, inscribed in
cyrillics, titled and dated 1925
verso. Unframed.
27.75” x 35.25” —
70.5 x 89.5 cm.
Est. $2,000/3,000
105
330
Oscar Yakovlevich Rabin (1928- ), Russian
STILL LIFE SET IN A MOSCOW BACK STREET ON A WINTER
NIGHT; Oil on canvas; signed in cyrillics and and dated 61 lower
left. Unframed.
25" x 32" — 63.5 x 81.3 cm.
Est. $60,000/90,000
Provenance: Acquired directly from the artist by the Late Jacques
Montpetit, Canadian diplomat stationed in Moscow from 19591961;
By descent through the family to the present Private Collection, Ottawa
Note: Rabin was one of the organizers of the group of young "unofficial" artists working in Moscow in the Soviet period of the
1950’s and 60’s. The culmination of their non-conformist activities
was the exhibition in Moscow, in 1974, that was destroyed by bulldozers sent in by the Communist Party authorities. As a consequence, Rabin, whose work revealed the grim reality of living
conditions in the Soviet Union, was forced to give up his Soviet citizenship and to emigrate. He has lived in France since 1978.
George Costakis, a local employee of the Canadian Embassy in
Moscow, and an avid collector of Russian paintings of the Revolutionary period, encouraged young painters such as Rabin (penniless because they were not recognized by the State and therefore
received no government stipend), and put them in contact with
foreign diplomats such as Jacques Montpetit and many other foreign visitors. Waddington’s has had the privilege of offering many
such diplomatic consignments in our auction history that were collected as a result of George Costakis’ influence. Costakis remembers his visit to the infamous exhibition of 1974 on the day of the
"bulldozers" on p. 73 of The Costakis Collection.
The Late Jacques Montpetit was a frequent visitor to the friendly
and informal evenings at the Costakis apartment, which was already stacked with paintings by 1961.
106
107
Spanish Paintings and
Sculpture
331
Salvador Dali (1984-1989), Spanish
THE JEWELLED CROSS; Dark gray marble
with red glass beads and gold coloured
metal tubes; dated 1980, numbered
439/750 and inscribed: Dalart N.Y. on a
plaque to the base of the cross. Published
under contract with Gala Publications for
Dalart, N.Y. in 1980 in a total edition of
1690 examples. Together with a certificate
from the Salvador Dali Archives Ltd.
Company, New York. Together with a
plexiglass case.
14.5” x 9.5” — 36.8 x 24.1 cm.
Swiss Paintings
333
Luis Graner y Arrufi (1863-1929), Spanish
HAPPY PEASANT WEARING TOQUE; Oil
on panel; signed lower left
10.5” x 8” — 26.7 x 20.3 cm.
Est. $4,000/6,000
Provenance: Salon De Bellas Artes De
Augustin Fabregas, Barcelona, Spain
Est. $1,000/1,500
Provenance: Estate of Gerald Emmett
Cardinal Carter, Archbishop of Toronto
Swedish Paintings
332
Miguel Ibarz (1920-1987), Spanish
COQ SUR LA CHAISE; Oil on canvas;
signed lower right, titled and numbered
No.16 to gallery label verso
35.75” x 28” — 90.8 x 71.1 cm.
334
Gunnar Svensson (1906-), Swedish
STREET SCENE IN PARIS; Oil on canvas;
signed at Paris, lower right
30” x 24” — 76.2 x 61 cm.
Est. $1,000/1,500
Est. $1,000/1,500
Provenance: Sala Gaspar, Barcelona
108
335
Sigmund Freudenberger (Sigismond
Freudeberg) (1745-1801), Swiss
PLAYING AT THE SWINGS; Watercolour
and pen and ink on laid watermarked
paper; signed S. Freudeberg and dated 1775
lower left
7.5” x 5.75” — 19.1 x 14.6 cm.
Est. $1,500/2,000
336
Marius Borgeaud (1861-1924),
Swiss
WOMAN WITH MANDOLIN AND
HER PET PARROT; Oil on canvas;
signed lower right
24” x 19.75” — 61 x 50.2 cm.
Est. $10,000/15,000
Provenance: A wedding gift from a
Private Collector in Toronto in the
1940’s; By descent through the
family to the present Private
Collection, Toronto
337
A** Burghardt (1883-1962),
Austrian/Swiss?
GRAPES, APPLES AND PEARS
WITH VASE OF FLOWERS ON A
TABLE IN DAPPLED SHADE; Oil on
27.9” x 40” — 70.9 x 101.6 cm.
Est. $8,000/10,000
109
Yu g o s l a v i a n P a i n t i n g s
338
Miodrag Djuric Dado (1933- ), Yugoslavian
UNTITLED; Oil on canvas; signed and dated 68 upper right
23.5” x 17.5” — 59.7 x 44.5 cm.
Est. $8,000/12,000
110
GLOSSARY
The terms below are used in this catalogue for your guidance, with the meanings ascribed to them below. While
the use of these terms is based upon careful study they are not warranties; the auctioneer and the seller assume
no risk, liability or responsibility for the authenticity of authorship of any lot in this catalogue described by these
terms. In this regard, you are requested to read condition 1 of the Conditions of Sale.
Artist’s name or recognized designation: In our qualified
opinion, a genuine work executed by the artist.
Attributed to: In our opinion, probably a work by the artist
but less certainty as to the authorship is expressed than in
the preceding category.
Circle of: In our opinion, a work of the period of the artist
and closely related to his style.
Studio of: In our qualified opinion a work, by an unknown
hand, possibly executed under the supervision of the artist
School of: In our opinion, a work executed in the artist’s
style and possibly by a pupil or follower of the artist.
Manner of: In our opinion, a work executed in the artist’s
style and probably of a later period.
After: In our opinion, a copy of a work of the artist.
***: Is in the place of an unknown name.
Signed/Dated/Inscribed: In our opinion, the work has been
signed/dated/inscribed by the artist. The inclusion of a
question mark indicates some doubt.
Bears signature/Bears date: In our opinion, the signature/date
may be by a hand other than that of the artist.
Certificates/Literature: Any reference to certificates or
literature represent the opinion of the authority or author(s)
shown.
Provenance: It is intended to indicate previous collections or
owners, other than the present.
Measurements: Height precedes width in all measurements.
Measurements shown are in inches and centimeters.
INDEX
A
Adam, Joseph Denovan
164
Adams, Charles James
165
Adams, John Clayton
119
Affleck, William
58
Alastair, (Hans Henning Baron Vogt)
264
American School, 19th/20th Century
15
Andreis, Alex de
86
Appel, Karel
206, 207, 208
Archipenko, Alexander, After
40
Armfield, George, Manner of
94
Armstrong, L.C.
38
Arrufi, Luis Graner y
333
Asselin, Maurice
239
Austro-Hungarian School
270
B
Barbiers, Pieter, Attributed to
187
Barlow, John Noble
124
Barnoin, Henri Alphonse
244
Bauer, Carl Franz
47
Beach, Ernest George
93
Beer, John
62, 63
Beers, Jan van
45
Bell, Vanessa
148
Bennett, Frank Moss
91
Benvenuti, Eugenio
303
Benwell, Joseph Austin
76
Berrettini, Pietro called Pietro da Cortona,
Circle of
216
Biggin, Samuel A.
20
Bissi, Sergio Cirno
305
Blake, Leo B.
9, 10, 11, 12, 13
Blanchard, Antoine
256
Borgeaud, Marius
336
Boudet, Pierre
223
Boudon, Patrick
219, 220
Bough, Samuel
161, 162
Bouter, Cornelis
184
Bouvard, Antoine
254, 255
Boyle, George A.
113
Breanski Sr., Alfred de
137, 139
Breanski, Alfred Fontville de
138
Briante, Ezelino
300
British /American, 19th Century
3
British School, 17th Century
56
83
104
British, 19th Century
57, 95
Brown, Hugh Boycott
141
Buckland-Wright, John
240
Bundgaard, Gunnar
175
Bundy, Edgar
88, 89
Burghardt, A**
337
C
Cachoud, Francois Charles
Caffieri, Hector
Caffyn, Walter Wallor
Calvert, Edwin Sherwood
248
74
126
154
Cantarini, Simone
Capp, Al
Ceramano, Charles Fernand
Ceulen, Cornelius Jonson van, Attributed to
Chapin, James Ormsbee
Chavannes, Puvis de, Attributed to
Chemiakin, Mihail
Chughtai, Muhammed Abdur Rahman
Ciardi, Emma
Cimiotti, Gustave
Ciry, Michel
Clark, Samuel Joseph
Cole, George Vicat
Contant, Jules
Cooke, Edward William
Cooper, Thomas Sidney
Correggio, After
Cossaar, Jacobus Cornelis Wyand
Cox, Kenyon C.
Curry, John Steuart
216
37
50
82
31
217
328
290
308
21
222
96
121
250
114
99
295
183
22
33
D
Dado, Miodrag Djuric
Dali, Salvador
Davies, William
Daxhelet, Paul
Deak, Adrienne Hencze
Demarest, Suzanne
Dievenbach, Hendricus Anthonius
Diey, Yves
Dmitriev, Ivan Vasilievich
Dobson, Henry John
Dulac, Edmund
Dupre, Jules
Dupre, Jules, Attributed to
338
331
166
46
275
36
197
228
329
168
75
245, 246
247
E
Earl, Thomas William
Edzard, Dietz
Eeckhout, Victor
Egley, William Max
Ermakov, Guennadi
Eurich, Richard
98
266
51
87
323
147
F
Farkashazy, Miklos
Farrell, M**
Fenson, R. (henry Maidment)
Figerio, Raffaele
Flint, William Russell
Fortis, C**
Foster, Myles Birket
Francis, Thomas Edward
Frassati, Gianni
French or Italian School, 19th Century
Frenkel-Frenel, Yitzhak
Frere, Pierre Edouard
Freudenberger, Sigmund
(Sigismond Freudeberg)
276
6
122
302
169
297
60, 61
143
306
216
291
243
335
Fried, Pal
Fuller, George F**
279, 280, 281, 282, 283, 284
26
G
Gaigneron, Jean de
221
Gall, Francois
231, 232, 233, 234, 235, 236
Galvan, Jesus Guerrero
312
Geiger, Richard
44, 287
Gianni, G**
299
Gisson, André
25
Glatter, Gyula
271
Glendening, Alfred Augustus
140
Greiffenhagen, Maurice
78
Grisot, Pierre
238
Groenewegen, Adrianus Johannes
190
Grose, Daniel Charles
5
Gruppe, Charles Paul
16, 17
Guardi, Francesco, Manner of
293
Guerrero, Luis Gaarcia
313
H
Haag, Carl
Haanen, Elisabeth Alida
Hale, Kathleen
Hannaford, Charles E.
Hardy, Heywood
Harvey, Harold
Hayes, Edwin
Helke, Jan van
Heriot, George
Herve, Jules Rene
Hiles, Frederick John Bartram
Hinkley and Williams Works
Hofman, Vlastimil
Holmes, Charles H.
Hoog, Bernard de
Horsley, John Callcott
Howe, L. Van
Huggins, William
Hulk Jr., Abraham
Hutchison, Robert Gemmell
263
193
80
107, 108, 109
97
146
171
113
160
257, 258, 259, 260
70
1
321
2
203, 205
157
182
53
128, 129
158
I
Ibarz, Miguel
Isabey, Eugene
Israels, Isaac
Israels, Jozef
332
216
204
202
J
Jamar, Armande Gustav Gerard
James, David
Jansen, C**
49
118
186
K
Kalman, Peter
Kandaurov, Otari
Karssen, Anton
286
326
180
INDEX
Kenzler, Carl
Khaimov, Iakov
Kilburne, George Goodwin
King, Henry John Yeend
Knip, Willem Alexander
Korecki, Wiktor
Kossak, Jerzy
Krikhatzkij, Wladimir G.
Kuyten, Harrie
268
325
73
135, 136
181
315
318
322
201
L
Lamplough, Augustus Osborne
Lancaster, Percy
Lansyer, Emmanuel
Lassalle, Louis Simon Cabaillot
Lawes, Harold
Lawrence, Sir Thomas
Lawrence, Sir Thomas, Circle of
Leader, Benjamin Williams
Leader, Charles
Lee, Frederick Richard
Lefler, Franz
Ling, P**
Lovatti, Augusto
69
127
251
241
64
85
84
120
130
117
172
209, 210
310
M
Mackay, William Darling
Magni, Giuseppe
Magni, Riccardo
Magrotti, Ercole
Maidment, Henry
Maile, Ben
Makowski, Tadeusz (Ted)
Malfroy, Henry
Marchand, Andre
Mark, Lajos
Martin-Ferrieres, Jacques
Maurer, Alfred Henry
Maze, Paul Lucien
McGeorge, William Stewart
Messel, Oliver Hilary Sambourne
Mönsted, Peder Mork
Montalba, Clara
Moreau, Charles
Morley, Thomas William
Moroni, Giovanni Battista, After
163
311
19
298
123
142
320
225
237
272
253
32
229
167
145
173, 174
106
242
71
294
N
Nakken, Willem Carl
Neogrady, Laszlo
Nesbit, Hume
Nicol, Erskine
Norris, Jas.
196
273, 274
169A
159
4
O
Onderdonk, Julian
18
P
T
Park, Stuart James
155, 156
Parker, Henry Harold
132, 133, 134
Parton, Ernest
28, 29
Pasmore, John F**
101
Paulus, Leonhard
42
Piasecki, Leszek
316, 317
Piper, John
149
Plas, Niek Van der
176, 177, 178, 179
Pocock, Nicholas
115
Pollet, Jean
227
Priestman, Bertram
112
Prud’hon, Pierre-Paul, Attributed to
218
Tamada-Groeneveld, Thamine
191
Teed, Douglas Arthur
23
Tholen, Willem Bastiaan
200
Thornley, William (Anslow)
111
Tilborgh, Gillis van the Younger, Manner of
214
Tomba, Casmiro
304
Tonge, Louis Lammert van der
198, 199
Tower, Jon E.
38
R
V
Rabin, Oscar Yakovlevich
Ranzoni, Daniele
Raut, Harish
Rayner, Louise
Raza, Sayed Haider
Redfern, Charles Kinghorn
Redmore, Henry
Renard, P**
Romney, George
Roosenboom, Albert
Roosenboom, Nicolas Johannes
Rubens, Peter Paul, After
Rungius, Carl Clemens Moritz
Ryder, Chauncey
330
309
288
77
289
35
116
224
90
52
192
215, 249
14
30
S
Sauvage, Piat Joseph, Manner of
213
Schaefer, Henri Alex
226
Schlesinger, Henry Guillaume
261
Schoneberger, Armand
269
Schreyer, Adolf
265
Schulman, David
195
Schulz, Bruno
319
Seago, Edward
144, 150, 151, 152, 153
Secola, A**
307
Seeger, Hermann
267
Seerey-Lester, John
24
Shannon, Sir James Jebusa
27
Shepard, Ernest Howard
81
Sheringham, George
125
Sherrin, Daniel
131
Sims, Charles
103
Slater, Charles Henry
65
Smith, George
100
Snape, Martin
110
Soos, Tamas
285
Stannard, Henry John Sylvester
66, 68
Steinfeld, Franz, Attributed to
41
Stuart, Charles
92
Svensson, Gunnar
334
Szewczenko, Konstantine
314
U
Ustinov, Sir Peter
Velde, Jan van de
Verdier, L**
Veronese, Paolo, After
Verveer, Elchanon Leonardos
Vetter, Charles
Vezzani, Felix
Viana, Michele
Vizkelety, W. Emerich
Volt , Nikin, the Manner of Brueghel
Vreendenburgh, Cornelis
37
188
211
292
185
262
296
301
277, 278
212
194
W
Wain, Louis William
Walbourn, Ernest
Walton, Frank
Ward Jr., William
Warhol, Andy
Watson, Thomas
Weatherstone, Alfred C**
Wicker, Mary H.
Widgery, Frederick John
Wiggins, Guy Carleton
Wilks, Maurice Canning
Williams, John Haynes
Williams, Penry, Attributed to
Wolf, Franz Xaver
Wouwerman, School of Philips
79
105
102
8
39
59
72
7
67
34
170
54
55
43
189
Z
Zabehlicky, Alois
Zakharov, Feodor
48
324
CONDITIONS OF SALE
9 The buyer shall pay for all lots within 48 hours from the date of the sale, after
be sold is subject to variation to be posted or announced verbally in the auction
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the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not
mislead in the description issued, and the utmost care is taken to ensure the
become the owner of the lot until paid for in full. Items must be removed
correct cataloguing of each item, such descriptions are purely statements of
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incurred.
purchasers and no warranty of the correctness of such description is made. An
opportunity for inspection of each article is offered prior to the time of sale. No 10 Each lot purchased, unless the sale is cancelled as above, shall be held by the
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sale will be set aside on account of lack of correspondence of the article with its
buyer until fully paid for and taken away.
description or its reproduction, if any, whether colour or black & white. Some
lots are of an age and/or nature which preclude their being in pristine condition 11 Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes
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(Canada).
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I N F O R M AT I O N F O R S E L L E R S
Paintings, drawings, prints, furniture, jewellery and all forms of
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where we can provide you with preliminary auction estimates and
consignment procedures. Please visit our website at
www.waddingtons.ca for details on our various departments and how
to contact the specialists. We also accept mailed and emailed
requests for advice on the marketability of objects. A photograph and
phone number must accompany a full description of each item.
Our specialists regularly travel to major Canadian cities to meet with
prospective consignors. For further information, or to arrange an
appointment, please contact our Toronto office.
Property normally arrives at Waddington’s™ or Joyner™ Waddington’s
at least three months before the sale in order to allow our specialists
time to research, catalogue, photograph and promote the items.
Consignors will receive a contract to sign, setting forth terms and fees
for our services.
Restrictions exist regarding the export of species protected under
CITES (Convention on International Trade in Endangered Species).
All Narwhal Tusks must have a Marine Harvest Number or a Marine
and Mammal Transport number to be sold at Waddington's.
Commission Rates
Items selling for $7,501 or more
10%
Items selling for $2,501 to $7,500
15%
Items selling for $251 to $2,500
20%
Items selling for $250 or less
25%
*There is a minimum handling charge of $20 per item
Insurance
A 1% insurance charge, based on the hammer price of the property,
will be applied to all accounts.
S P E C I A L I S T D E PA R T M E N T S
Furniture, Clocks & Lighting
Alastair J. McLean
416 847 6167
[email protected]
Fine Jewellery
Don P. McLean
416 847 6170
[email protected]
Barry Hookway
416 847 6168
[email protected]
Bonnie Herman
(Client/Business Development)
416 847 6171
[email protected]
International Art
Susan Robertson
416 847 6179
[email protected]
Mandy Ilk
(Client Services Administrator)
416 847 6182
[email protected]
Inuit Art
Duncan McLean
416 847 6183
[email protected]
Jewellery & Watches
Don P. McLean
416 847 6170
[email protected]
Silver, Glass, Ceramics, Sculpture
& Decorations
Bill Kime
416 847 6189
[email protected]
Asian, African, Pre-Columbian
Works of Art, Carpets, Rugs,
Musical, Photographic & Scientific
Instruments
Thomas Quirk
416 847 6185
[email protected]
Royal Doulton Figurines,
Smallwares
Dennis Reid
416 847 6187
[email protected]
Monthly Fine Art
Doug Payne
416 847 6180
[email protected]
JOYNER™ CANADIAN FINE ART
Geoffrey Joyner
Robert Cowley
Raphaela Dunlap
Louise Dudley
416 504 5100
[email protected]
WADDINGTON’S™
BRIGHTON
David Simmons
101 Applewood Drive
Brighton ON K0K 1H0
613 475 6223
[email protected]
Christa Ouimet
416 847 6184
[email protected]
WADDINGTON’S™
COLLINGWOOD
Valerie Brown
P. O. Box 554
O P E R AT I O N A L S TA F F
Collingwood ON L9Y 4B2
705 445 8811
C.F.O. / C.O.O.
Bonnie Herman
416 847 6171
[email protected]
Appraisals
Lynda Macpherson
416 847 6191
[email protected]
Production Manager
Patrick Staheli
416 504 9100 ext 6210
[email protected]
General Manager/Accounting
Duane Smith
416 847 6172
[email protected]
Media Relations
Duncan McLean
416 847 6183
[email protected]
Building Manager
Buck Gothreau
416 847 6174
[email protected]
Creative & Technical
Jamie Long
416 847 6188
[email protected]
Photography
K. Ross Hookway
416 847 6190
[email protected]
Receiving
Steve Sheppard
416 847 6186
[email protected]
Accounts Manager
Karen Sander
416 847 6173
[email protected]
Systems & Online Support
Sergey Stankevich
416 504 9100 ext 6212
[email protected]
Andrew Brandt
416 504 9100 ext 6200
[email protected]
Corporate Receptionist
Kate Godin
416 504 9100
[email protected]
Graphic Design
Amelia Earl
[email protected]
[email protected]
CURATOR ASSET
MANAGEMENT™
Kathryn Minard
416 847 6194
[email protected]
Shelia Osborne
416 847 6193
[email protected]

catalogue

Transcription

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