HD-Compatible DigitalBroadcast Voice Processor

Transcription

order/info: 1·800·426·8434 • www.bswusa.com
HD-Compatible Digital Broadcast Voice Processor
AirTools 6200 Digital Voice Processor
The AirTools 6200 Digital Voice Processor is a dual-channel voice processor with 24-bit/48 kHz internal DSP,
capable of processing two discrete microphone or line-level sources independently or as a stereo pair.
Processes include filtering, parametric equalization, compression, AGC, de-essing, gating, room simulation,
and more. The 6200 has 2 analog mic/line inputs, 2 line outputs, and 2 digital AES outputs, along with
Ethernet, RS-232, RS-485, USB, MIDI, RC-1, and analog control ports. ESE time code. Get all the details on
how to incorporate this into your HD signal chain. Call your BSW sales rep today.
6200AT
List $2,099.00
Call BSW For Lowest Price: 800-426-8434
• Dual-channel voice processor with
compression, AGC, EQ and more
• 256 programs—a unique setting for each
on-air personality
• Windows PC software included for easy
programming and IP control
Industry Standard Voice Processor
Symetrix 528E Voice Processor
The Symetrix 528E offers six major functions in a single rack space unit. Perfect for
broadcasters, the 528E enhances vocal intelligibility, increases perceived loudness
and “presence”, and reduces off-mic noise. The 528E performs six separate functions:
microphone preamplification, de-essing (sibilance removal), compression/limiting,
downward expansion, parametric EQ, and voice symmetry alignment. All six
processors may be used simultaneously. Each function features a full complement
of controls in an easy-to-use layout. Separate LED meters monitor mic gain and
dynamics gain reduction functions, thus facilitating quick and accurate adjustments.
528E
List $599.00
LowestPrice
only $499!
Features:
• Mic preamp with a switchable 15 dB pad and 48V phantom power
• Front-panel mic/line level switch
• Voice symmetry switch (phase rotator)
• De-essing with frequency and range controls
• Compression/limiting with downward expansion
• 3-band parametric EQ
• Balanced XLR mic and line level inputs
• Balanced XLR and unbalanced 1/4" outputs
• 1/4" in and out patchpoints on each section
Focus Those Voices!
Focusrite VoiceMaster Pro
Voice Processor
The VoiceMaster Pro combines a preamp with a noisereducing expander, vocal saturator, compressor, EQ and
de-esser. The voice-optimized EQ, Vintage Harmonics and
Tube Sound capabilities offer a virtual creative playground.
A separate stereo monitoring circuit gives you latency-free
monitoring of vocal/FX loop/mix played back from DAWs
with direct and delay-free control. Backlit VU output meter.
The VoiceMaster Pro features XLR mic input and 1/4" TRS
line input connectors, with the mic input duplicated on
the front together with an instrument 1/4" input. You also
get 1/4" insert jacks on the rear panel.
VMPRO
List $799.99
LowestPrice
VMPRO
TRAKMASTERPRO
only $64999!
Focusrite TrakMaster Pro
Voice Processor
TWINTRAKPRO
The TrakMaster Pro is Focusrite’s most affordable voice
processor. It combines a high-quality mic preamp, front-panel
DI, mid-scoop EQ and intuitive optical compression. The
preamp ensures low noise and distortion and delivers clarity
without unwanted artifacts. It also includes a Low Impedance
switch. The mid-scoop EQ is a quick problem-solver, with two
different cut depths and an adjustable frequency control. With
the addition of variable attack and the unique ‘Squash’ mode,
the vintage compressor is equally capable of transparent
compression or imposing its own character.
TRAKMASTERPRO
144
List $399.00
LowestPrice
only $299!
AUDIO PROCESSORS – VOICE
Focusrite TwinTrak Pro Dual Voice Processor
Designed as an affordable dual mono/stereo channel strip and tracking device,
the TwinTrak Pro boasts comprehensive latency-free monitoring and extensive
digital connectivity capabilities. Each channel features Focusrite’s Platinum preamp, embellished with
the option of instant ‘air’ and variable input impedance for improved microphone performance and
extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for
vocal problem solving. The dual mono/stereo optical compressor features fast-acting optos and the
ability to operate as a true ‘twinned’ stereo pair. The TwinTrak Pro has a built-in D/A converter so you can
feed in digital signals directly! Analog XLR mic inputs, 1/4" TRS line inputs, 1/4" TRS insert jack; digital
S/PDIF input, Word Clock input; 1/4" TRS FX send and return.
TWINTRAKPRO
List $699.99
LowestPrice
only $599!

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The AirTools 6100 and 6000 Broadcast Audio
Delays provide up to forty seconds of audio delay
to your live or syndicated broadcasts making it
easy – and affordable – to keep your airwaves
clear of unwanted comments or profanity.
With a full 20 kHz stereo bandwidth and four
user-selectable algorithms, your audience will
be unaware of the delayed broadcast. Carrying a
competitive price tag,
the AirTools 6000 brings world-class
profanity delay within the reach of
any broadcaster. While advanced
features found on the 6100 include
AES digital I/O, TC89 time code dual
window display support RS-232
remote control.
Clean, flexible, easy to use and seamless:
AirTools Broadcast Audio Delays.
With the help of Symetrix AirTools 6100 Broadcast Audio Delays, NASCAR race fans
are transformed from distant observers to virtual co-pilots by listening to the clear
and profanity-free, live, in-car communications of their favorite NASCAR drivers at
every Nextel Cup Series™ race. (PHOTO CREDIT: GETTY IMAGES)
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Q: How do you get consistently great sound
from one mic used by many voices throughout
the day?
A: Simple. Use a voice processor capable of
providing custom processing for each voice.
The AirTools 6200 Digital Voice Processor
provides two independent mic channels programmed from the front panel or a Windows®
GUI. Each unique voice can be recalled upon
demand using any of a number of convenient
methods: front panel, AirTools RC-1 desktop
remote, Windows (over your LAN if you like), or
the 6200’s internal calendar.
Economy... efficiency... great sound. Two processors in one rack space for your host and cohost
or guest – by the market leader in broadcast
voice processing.
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Easily customize your voice chain with the
6200’s Drag ‘n Drop modules.
Vorsis Voice Processing – Now Networkable w/ PC Interface
Vorsis M1 Digital Voice Processor
No matter how quickly technology evolves, you can always count on Vorsis to deliver
the digital goods to keep you on track. This flexible digital mic processor offers presets,
security, networkability and easy-to-set-up parameters. Either from the front panel, or
from the PC graphic interface, you can control all individual parameters to give each
voice talent his or her own sound with just a simple press of a button. Features include
an extremely low noise microphone preamp with phantom power, 44.1, 48 or 96 kHz
output sample rates, 4 bands of parametric EQ, high and low pass filters, and a fully
adjustable compressor, de-esser, and expander. The M1 also offers real-time TCP/IP
remote control. Boasting a 24-bit AD/DA converter, AES3 digital and analog outputs,
it comes loaded with factory designed presets, and makes it easy to design your own.
Call BSW for the lowest price.
VORSIS-M1 List $849.00
Aphex 230 Voice Processor
Let’s face it: everybody wants a better
voice, on air and in production. Vocal presence is HUGE,
and there’s no better way to get it than with a great
voice processor. Aphex has created an analog, single-channel
preamp and voice processor specifically for broadcasters. Its
comprehensive features include tube preamplification, Easyrider
auto-compression, Logic-Assisted gating, de-essing, parametric
EQ, and Aphex’ Aural Exciter and Big Bottom psychacoustic
effects – all through.
230 List $799.00
Features:
• Low-noise tube mic preamplifier
• Easyrider auto-compressor:
no pumping
• Logic Assisted Gate: no false
triggering or lost parts
• Split-Band De-esser: no dulling
• Parametric EQ designed for vocal frequencies
• Aphex’s Aural Exciter and
Big Bottom effects
• Balanced analog I/O and post send/return
• AES3, S/PDIF I/O; optical digital outs
• Word clock I/O
• Remote Cough Switch input with soft mute
PreSonus Eureka Voice Processor
The PreSonus Eureka features a discrete Class A
transformer-coupled microphone preamplifier with
variable input impedance, FET compressor with hard/soft
knee modes, and 3-band fully-parametric equalizer. The Eureka also has balanced
send and return jacks so that you can insert your favorite outboard processor.
eureka
LowestPrice
List $699.95
only $49995!
Accessories: ad192 24-bit/192 kHz digital output $19995
Features:
• Variable mic input impedance; switchable phantom power
• Fully variable compressor with hi-pass side chain; 3-band fully parametric EQ
• -20 dB pad, phase reverse, 80 Hz high-pass filter; analog VU metering
• Balanced XLR and 1/4" TRS I/Os
AIR Corp 500PH Voice
Processor with DB-25 Control
The AIR corp 500PH mic/voice processor is built for the
rigors of broadcasting and on-air voice processing. It
features a 3-band EQ, compressor/expander, de-esser, and more. The processor also allows for simultaneous mic and line level output for mix-minus setup.
Features:
• Input level selection
• Remote control via DB-25 port
500PH List $799.00
• Compressor/expander; de-esser; 3-band EQ
• Simultaneous mic/line output for mix-minus setup
• Effects insert point; 1/4" TRS effects loop I/O
• Balanced XLR input, line output and mic output
dbx 376 Tube Preamp
and Voice Processor
The dbx 376 channel strip has a tube preamp, onboard
compressor and de-esser, and adds a digital output! It‘s loaded
with an XLR input with 20 dB pad and phantom power, dbx
Type IV conversion, a phase invert switch, instrument input,
word clock I/O and more.
376DBX List $599.99
LowestPrice
only $499!
Features:
• Tube preamp section with phase invert switch
• Compressor, de-esser, and low cut filter
• Mic/line I/O with AES/EBU and S/PDIF digital outs
• 3-band parametric EQ and
full LED metering
• Word Clock input/output and insert jack
®
Low-Cost Vocals!
dbx 286A Voice Processor
The dbx 286A mic preamp and voice processor is an
inexpensive way to get really great sounding vocals,
with a studio quality mic preamp, compressor, deesser, expander/gate and more, all in one easy-to-use
affordable rackmount unit. A top seller year in, year out.
286A
146
List $299.95
LowestPrice
only $199!
Features:
• S tudio quality mic preamp with phantom power
• Compressor circuit and de-esser
•P
atented high- and low-frequency detail controls
• High-pass filter and expander/gate section
®
• Balanced mic and line level inputs
• Insert jack for outboard processing and effects
• Balanced XLR inputs and 1/4" TRS outputs
Focusrite Liquid Channel
Voice Processor and
Compression Modeler
Imagine being able to instantly access any of the best
compressors and or mic preamps ever available – even the
ones that are impossible to find, let alone afford. The Liquid
Channel is an ultra-cool professional channel strip that
emulates virtually every classic mic pre and compressor. Combining radical analog preamp technology
with Dynamic Convolution techniques, the Liquid Channel fuses cutting-edge analog design with
lightning fast SHARC DSP. Augmented by fully digital controls and optional remote software, The Liquid
Channel provides the ultimate fluid vintage collection, packing tons of amazing sounds into one unit.
Liquid Channel is loaded with 40 classic mic-pre and 40 classic compressor emulations and offers an
endlessly expandable library of emulations via USB download. 100 program memories allow you to save
parameters. Other features include 192 kHz internal processing and A-D/D-A converters; digital EQ; and
adjustable harmonic distortion accounts for variance in vintage originals.
LIQUID CHANNEL List $2,999.99
Focusrite ISA430
Classic Analog Channel Strip
Universal Audio 6176
Classic Analog Channel Strip
This channel strip combines Universal Audio’s highly acclaimed 610 tube microphone
preamp with their legendary 1176LN compressor to create the ultimate single channel
signal path. The 6176 mic preamp section maintains the quality and character of the
celebrated 2-610 while adding high-tension power regulation for improved bass
response and a front-panel 15 db pad switch. The compressor section of the 6176 is
an exacting re-creation of one of the most beloved compressors in recording history,
featuring lightning-quick attack and release times along with big, beautiful Class A
amplifier tone. Features include one 12AX7A and one 6072A vacuum tube per channel;
variable input gain and output levels; mic, balanced line, and Hi-Z inputs; multiple
impedance settings; classic EQ; ability to use Mic Pre & Compressor separately ("Split")
or in series ("Join").
6176
List $2,899.00
AIRCORP
Product
500PH
Pre Gain
50
Analog/
Digital
Analog
The ISA 430 MKII Producer Pack represents the pinnacle of Focusrite’s analog channel
strip technology, bringing together classic compressor and opto-compressor, limiter,
gate and de-esser designs in one comprehensive production tool. Augmented with
additional features and flavors, alongside unmatched internal routing and connectivity,
the ISA 430 MKII enables today's recording professional to enjoy the unique sonic
contribution of these heritage designs within one extremely versatile processor.
Features:
• Transformer-based mic-pre with variable impedance and ‘Air’ feature
• Multi-format compressor; switch between Focusrite’s transparent VCA
circuit and a vintage optical circuit
• Function as 4 separate modular processors: mic pre, EQ, Dynamics & stereo ADC
• Precision VU metering of input level, Insert 1 or 2 Return level, Compressor gain
reduction or Sidechain listen level (switched)
ISA430MKII
Voice Processor Comparison Chart
Mfr.
• 40 classic mic pres, 40 classic compressors
• Expandable library via USB downloads
• Fully digital controls and free software for
comprehensive remote operation
List $2,999.99
Number of
Number of
Audio Channels EQ Bands
Processes
Output
Connections
1
3
Pre, Sym, De-Ess, EQ,
Exp, Comp
XLR
XLRx2, AESx2
$2,099
XLR, TRS, AES
$799
List Price
$799
AIRTOOLS
6200AT
90+
Digital
2
4 parametric
Exp, Comp
APHEX
230
Tube 65
Analog
1
3 (1 parametric)
Exp, Comp
2
Pre, De-Ess, EQ, Exp,
Comp
TRS
$299.95
XLR, TRS, AES,
S/PDIF
$599.99
dbx
286A
60
Analog
1
dbx
376DBX
Tube 60
Analog
1
3 (1 parametric
Pre, De-Ess, EQ, Comp
FOCUSRITE
ISA430MKII
60
Analog
1
4 (2 parametric)
Comp
XLR
$2,999.99
FOCUSRITE
LIQUIDCHANNEL
80
Digital
1
3 parametric
Pre, EQ, Comp
XLR, AES
$2,999.99
FOCUSRITE
TRACKMASTERPRO
60
Analog
1
1
Pre, EQ, Comp
TRS, S/PDIF
$399.00
FOCUSRITE
TWINTRAKPRO
60
Analog
2
1
Pre, EQ, Comp
XLRx2, TRSx2
$699.99
FOCUSRITE
VMPRO
60
Analog
1
3 (2 parametric)
Comp
XLR, TRS
$799.99
PRESONUS
EUREKA
52
Analog
1
3 parametric
Pre, EQ, Comp
XLR, TRS
$699.95
Exp, Comp
XLR, TRS
$599
Symetrix
528E
60
Analog
1
3 parametric
UNIVERSAL
AUDIO
6176
65
Analog
1
2
Pre, EQ, Comp
XLR
4 (2 parametric)
Exp, Comp
XLR, AES
Vorsis
M1
70
Digital
1
$2,899
$849
147
Aphex Compellor Series
Intelligent Compressor/Limiters
320A and 320D
Not strictly a compressor or limiter, the Aphex Compellor 320A is an incredibly
intelligent dual channel leveler. It automatically gives you dynamic control over your
mix, letting you maintain optimum average levels at all times. Extremely easy to use,
you only need to set the Drive level to generate the desired amount of processing,
set the Process Balance control between Leveling and Compression and adjust the
Output level for unity gain. The 320A is then ready to provide complete dynamic control
– smooth, inaudible compression, increased system gain, desired program density
and the freedom from constant “gain riding” – automatically! Its unique circuit design
actually enhances transient qualities, thus making even heavy processing undetectable.
Now you can get the Aphex 320 Compellor with digital I/O (320D). If there’s a digital
input, the output slaves to the same clock, up to 96 kHz. If there is no digital input
(audio or clock), then the unit defaults to a pre-selected frequency.
Features:
• Dynamic silence gate eliminates “breathing”
• Quick compression recovery
• 3 modes of stereo/dual mono operation
• Comprehensive metering
• Balanced or unbalanced I/O via XLR connectors
• AES3 digital input/output (320D)
The single-channel 323A combines Compellor circuitry with Aphex’s popular Aural
Exciter circuitry. Balanced or unbalanced I/O via XLR connectors.
320A
320D
323A
2-channel compressor
List $1,350.00
2-channel comp/digital I/O List $1,495.00
Mono compressor/exciter List $949.00
Universal Audio LA-2A Leveling Amplifier
This faithful re-issue of the legendary Teletronix LA-2A leveling amplifier is
hand-built and carefully tested to bring natural, golden-era sound to your recordings.
Its unique electro-optical attenuator system gives you instantaneous gain reduction
with no increase in harmonic distortion for the cleanest compression imaginable.
Features:
• Lag free, distortion free optical attenuator system; distortion less than 0.5% THD
• 0 to 40 dB gain limiting; output level of 10 dBm and 40 dB gain
• Balanced stereo interconnection
• Low noise - less than 70 dB below +10 dBm output
LA-2A
List $3,599.00
Universal Audio LA-3A
Audio Leveler
This re-issue of the legendary 1969 leveler/
limiter has all the features of the original.
T4 electro-optical attenuator delivers the
signature transparent compression curve
cherished by so many engineers through the decades. In addition to the original
model’s Jones Barrier terminals and XLR connectors on the rear panel, it sports a new
gain mode for even greater studio versatility: up to 50dB gain! Find out more
at www.bswusa.com today.
LA-3A
2RU half-rack design List $1,999.00
148
AUDIO PROCESSORS – COMPRESSORS
Aphex Dominator Series
Multiband Peak Limiters
The Aphex 720 Dominator II is a precise stereo multi-band peak limiter for applications
requiring an absolute peak ceiling. The 722 model adds pre-emphasis.
Features:
• Peak ceiling adjustable .2 dB
over 34 dB range
• Switchable low-mid and
mid-high crossover
720
722
multiband peak limiter
same with pre-emphasis
• Balanced XLR I/O
• Remote control hardwire bypass
• Dynamic range 104 dB
• THD distortion of less than .005%
List $1,350.00
List $1,495.00
Aphex 661
Compressor/Limiter
This single channel unit combines several
of Aphex’s leading technologies such as
Expressor manual compression circuitry,
Easyrider automatic compression and
Tubessence tube sound circuitry.
661
List $749.00
Features:
• HFX high frequency expander
• Balanced XLR and 1/4" TRS I/O
• Sidechain low-cut filter
•20 segment audio level and gain
reduction meters
• Switchable +4 dBu/-10 dBV levels
Universal Audio 1176LN Compressor/Limiters
This re-issue of the first (and wildly popular) all-transistor peak limiter is updated for
today’s recording challenges, but faithful to the design and intentions of the original.
Easy to operate, with a pushbutton selection of compression ratios and incredible
attack time, the 1176N features a Class A line level output amplifier and custom-built
output transformer for peerless performance. Try it as a compressor for vocals or bass.
Features:
• True to the original in design, manufacture, and performance
• Modeled after 1176LN blackface, D and E revisions
• F.E.T. gain reduction
• Pushbutton selection of compression ratios: 4:1, 8:1, 12:1, 20:1
• Ultra fast attack time 20 microseconds to 800 microseconds
• Adjustable release time 50 milliseconds to 1.1 second
• Class A line level output amplifier
• Custom-built Putnam-designed output transformer
The 1176-SA option calibrates two mono 1176s for stereo operation. Compatible with
both new and vintage models, it sports a full metal enclosure for proper shielding and
gold-plated connectors
The 2-1176 two-channel version of the acclaimed 1176-LN offers the same great
performance and features of that mono unit in true stereo. In dual mono mode, it
gives you independent compression and gain controls for maximum flexibility, and
takes up only 2U rack space.
1176LN
1176SA
2-1176
Mono processor List $2,399.00
Stereo interconnect List $99.00
Stereo processor List $3,399.00
Classic dbx Dynamics Processing with
Manual or Automatic Controls
dbx 1066 2-Channel Compressor/Limiter
For advanced dynamics control, this flexible 2-channel compressor/limiter allows you to choose
the level and style of compression/limiting you like. Want to instantly add that classic dbx
response to your mix? It’s there at the touch of the ‘Auto’ button. Or use the independent Attack
and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic
bleed in the signal path? Frequency dependent gain control is a snap to set up and execute
with the Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and
your favorite EQ to dial in the specific frequencies you want to trigger the device. A contour
switch allows entire mixes to be easily smoothed with soft compression while keeping low
frequencies from punching holes in the overall mix. Selectable input and output metering allow
you to make sure that everything is matched up level-wise. Balanced XLR and 1/4" TRS I/O.
1066 List $599.95
LowestPrice
only $399 !
95
®
dbx 166XL/266XL Compressor/Limiters
The dbx 166XL stereo-linkable
compressor/limiter/expander/
gate offers a choice of Over-Easy
or hard-knee compression with
two sets of program-dependent
attack and release time constants.
Balanced XLR and 1/4" I/O. See it at
www.bswusa.com.
166XL List $359.95
LowestPrice
only $249 !
95
The economical 266XL (not shown)
uses dbx AutoDynamic automatic
attack and release circuitry to deliver
true dbx compression for a wide range
of applications, plus an advanced gate
circuit for smooth, natural-sounding
gating. It features a sidechain insert.
Balanced XLR and 1/4" TRS I/O.
266XL List $229.95
LowestPrice
only $14995!
Tapco Squeez 2-Channel Compressor/Gate
Mackie’s Tapco Squeez delivers two channels of smooth, natural compression and
gating, plus an adjustable “Air” filter adds natural top-end as you compress. The
Compressor section offers both auto soft-knee and hard-knee curves, while the
Soft Gate employs an expander function at the threshold.
Features:
• Individual Threshold, Ratio, Attack, Release controls
• Output gain compensation controls
• Auto attack/release function with indicator
• Precision 8-segment Gain Reduction meters
• XLR/ 1/4" TRS and Side Chain connections
SQ2 List $129.99
LowestPrice
only $9999!
ACP88
The Alesis 3630 is an affordable dual-channel compressor that handles everything
from vocal recording, to home studio work to stereo program mixdown. Its built-in
noise gate always ensures quiet performance, while its variable attack and release
offers great sonic flexibility.
Features:
• Switchable RMS/peak, hard/soft knee compression
• Sidechain inputs for de-essing or ducking functions
• Dual mono or stereo operation
• Unbalanced 1/4" I/O with +4 dBu/-10 dBV selection
List $199.00
LowestPrice
only $99!
Behringer Compressor/Limiters
List $1,199.95
For The Quickest Way
To A Great Master,
Take The Express!
TC Electronic Finalizer Express Mastering Processor
MDX4600
The Behringer MDX4600 is a super affordable 4-channel expander/gate/compressor/
peak limiter that delivers four channels of first-class dynamic control. The MDX2600 is a
2-channel version with auto/manual controls and XLR/1/4" TRS I/O.
Features:
• Switchable program-adaptive compression circuitry
• Interactive expander/gate circuitry
• Switchable low contour filter prevents “pumping”
• 8-segment LED meters, selectable +4 dBu/-10 dBV
• Balanced XLR and 1/4" connectors
MDX4600 4-channel List $159.99 $12999
LowestPrice from $10999!
MDX2600 2-channel List $139.99 $10999
150
Feeding multiple signals into your chain? The PreSonus ACP88 is an 8-channel
dynamics processor designed to provide compression, limiting and noise gating in
a variety of applications including multitrack recording, live sound reinforcement,
broadcast and permanent sound installations. Each channel on the ACP88 provides
crystal clear, musical compression and is equipped with full-featured controls
including variable attack and release and soft/hard knee.
Features:
• Manual or auto compressor modes
• Noise gate with gate key/sidechain for precise frequency gating applications
• Flexible channel linking (from 2 to 8 channels together in any order)
• LED indicators
• Balanced 1/4" TRS I/O (selectable +4 dBu/-10 dBV)
• 2RU rack-mountable, all-steel chassis
Alesis 2-Channel Compressor/Limiter
3630
PreSonus 8-Channel Compressor/Limiter
AUDIO PROCESSORS – COMPRESSORS
The Finalizer Express is the efficient way to deliver the finishing
touches of clarity and warmth to your mixes, putting the world of
professional mastering within your reach. Insert the Finalizer Express between the
stereo output of your mixer or workstation and your mastering recording media
to refine your tracks with powerful mastering tools, adding real energy to your mix
without worrying about “overs”. Spectral balance is improved, bass is tightened, the
level is optimized and your mix sounds like a final master! Go online for more details.
finalizerexpress List $1,595.00
BSW Offers Package Pricing.
Call Us For Your Discounted Price.
Universal Audio Solo
Series Mic Preamps
These single-channel mic
preamps (with instrument DI) put
professional performance in reach
of most any budget, enhancing
the most basic to the most exotic
microphones with their signature
sound. Both feature 48v Phantom Power, Lo Cut filtering, Phase Reverse, and for even
greater tonal variety, a flexible dual impedance selection for both Mic and DI inputs.
They also include essential DI features like Thru for easy use with an amplifier, plus
Ground Lift and a versatile Mic/Line level output switch. The Solo/110 features Class A
precision for uncompromised dynamics and clarity while sounding warm and friendly.
The Solo/610 offers an all-tube design for silky vintage warmth.
SOLO-110
SOLO-610
List $949.00
List $949.00
Apogee Mini-MP
Mic Preamp
FOR USE ON LITE OR WHITE BACKGROUND
The Mini-MP offers an amazing-sounding
portable mic preamp system that is an
ideal addition to mobile studios and
professional facilities alike, delivering
Apogee quality that you can take anywhere. The Mini-MP features two individual
ultra-fast, high gain and low distortion preamps, each providing 75 dB of gain.
Adjustment is step-less via a single control knob, so there’s no need for pads or other
types of noisy switch mode gain adjustments.
Chandler Limited Germanium Mic Preamp
Hungry for a new sound? This newly designed preamp/DI uses classic Germanium
transistors in all class A, transformer balanced circuits to give you an extensive
sonic menu to create with. Running on +40 volt power, high current, with a huge
+34 output before clipping, the GERMANIUM-PRE gives new meaning to the word
“smooth,” offering a warmth that melts into your tracks like butter, but also having the
ability of to deliver a blast of power when you so desire.
The GERMANIUM-PRE requires the Chandler PSU1 power supply (sold separately)
to operate.
Features:
• Warm, organic vintage sound
• 48 Volt and phase reverse
• Unbalanced DI with 100k input impedance
• Precise feedback control; dynamic drive control
• Ultra-responsive Pad and Thick switches
• VU Meter
GERMANIUM-PRE
List $1,205.00
Accessories: PSU1 Required outboard power supply List $225.00
FOR USE ON DARK BACKGROUND
mini-mP List $795.00
Avalon M5 Mic Preamp
Don’t sacrifice on your preamp. The
Avalon M5 mic pre is designed to
provide absolute signal integrity
and musical performance. The M5
combines an advanced transformer
input stage with twin Class A cascade
FET and bipolar discrete amplifiers
for sonic excellence unequaled by lesser designs. The M5 is ideal for vocal and
acoustic instruments, and has an active DI input for the direct recording of guitars
and keyboards. Avalon’s advanced true symmetry design offers high-voltage, large
headroom, extended bandwidth and low noise. Microphone and Hi-Z inputs to +36dB;
very low noise -126 dB; high headroom +30 dB; gain switched in 2 dB steps to +64 dB.
M5 List $1,750.00
Blue “Robbie”
Tube Mic Preamp
One of the quietest and most
detailed tube preamps available, the
Robbie boasts ultra-low noise metal
film resistors along with polystyrene
capacitors. It combines the best of
both solid state and tube technology,
giving you an electronically-balanced, fully
discrete input stage, tube gain stage (ECC88
twin triode), and an electronically-balanced solid-state
output stage. There is no switching crossover distortion anywhere in the
balanced audio signal path, and it offers 34 dB headroom.
ROBBIE
List $1,299.00
Chandler Limited TG2 Mic Preamp
Perhaps the best sound of all time came out of Abbey Road Studios. There are the
Beatles, Pink Floyd, and, well, who else matters? Chandler recreates the rare EMI
TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles used in
the late 60's and early 70's. The TG2 is remade from original design notes and circuit
board drawings, provided by Abbey Road and EMI to ensure extreme authenticity!
This pre offers a creamy, smooth tone with a surprisingly open, clear top end. We
heard these when they were unveiled at AES, and were absolutely blown away.
TG2
List $2,310.00
Accessories: PSU1 Required Outboard power supply List $225.00
TRUE Systems P-Solo
Mic Preamp
Does it sound too good to be true? Not if it comes
from TRUE Systems! Sporting the same design and
sound of the Precision 8 and P2 Analog preamps (used
on countless Grammy-winning recordings and major
concert tours), the compact, single channel, P-SOLO
provides high-end sonic performance at a surprisingly
cost-effective price. The P-SOLO is perfect for all
microphone applications, while its Instrument Direct
input feature offers stunning articulation, presence and
depth when an instrument preamp is needed.
Features:
• Natural, musical, highly-detailed soundfield
• Complete compatibility and results with any mics
• A totally balanced, dual servo, high dynamic range,
transformerless design
• Internal, linear AC power supply for excellent
transient response
• High impedance instrument input
P-SOLO List $695.00
Up to 76dB of Gain!
LowestPrice
• High-pass filter and 48v
phantom power
• Dual analog outputs
• Four-level metering
• Volume control with 10db
input level attenuation
• Compact, portable, solid
desk-top case
only $595!
NEW!!
True Systems Microphone Preamp for Ribbon Mics
The P-SOLO Ribbon mic preamp is specifically designed to get the best out of both new-technology and vintage ribbon microphones. Built with
military-grade, hand-matched components, it boasts a massive distortion-free frequency range (1.5 Hz -500 kHz), loads of headroom, excellent
transient response and low noise. Other features include high-pass filtering, dual analog outputs, high-impedance instrument input and
four-level metering. Also an excellent preamp for dynamic mics, it has no phantom power, which can be potentially damaging to ribbon mics.
P-SOLORIBBON List $745.00
AUDIO PROCESSORS – MIC PREAMPS
151
The Perfect Digital
Front End with
Dual Tube Preamps
Aphex 207D 2-Channel Mic Tube Preamp
with Digital Output
The 207D is an affordable2-channel tube pre with a quality 24-bit/96 kHz output,
making it the perfect front end for digital systems. It reveals the subtlety of vintage
condensers, electrets and dynamic mics, and also has instrument inputs.
Features:
• Extremely low jitter clock output/input on BNC
• Mic and instrument inputs on each channel
• MicLim and continuously variable gain
• 48V phantom power
• Polarity, 20 dB pad and low cut filter switches
• Balanced XLR and 1/4" I/O; digital out on XLR & RCA
ART DIGITAL MPA 2-Channel
Tube Preamp with Digital Output
The ART Digital MPA is one of the finest microphone preamps with built-in digital
conversion delivering warmth, presence and clarity not found in most preamps. The
MPA Gold’s selectable Tube Plate Voltage function delivers a wide variety of tones,
with very low distortion and noise. And ART’s unique tube circuitry uses two 12AX7A
tubes to render unsurpassed detail and clarity for the broadest range of microphones.
Take advantage of this world class processing via the analog and digital outputs.
AES/EBU, S/PDIF, TOSLINK, and ADAT interfaces allow connection to the broadest
range of audio equipment. The Digital MPA provides 24-bit or it can adapt to 16-bit
applications with the push of a button. The A/D is front-panel adjustable from 44.1
to 96 kHz or syncs to ADAT or external word clock (32 to 100 kHz). Dual VU meters.
The MPA Gold is the 2-channel tube preamp minus the digital conversion/outputs.
$
DIGITALMPA List $539.00
39900
$
MPAGOLD
List $379.00
29900
LowestPrice
Presonus BlueTube DP
2-Channel Mic Preamp
The Presonus BlueTube DP 2-vhannel mic preamp
delivers the best of all worlds with both a
solid state preamp stage and a tube preamp stage.
Features: 12AX7 tube, high headroom Class A gain
stage (55 dB gain), XLR and 1/4" high-Z combo
connectors, -20 dB pad, VU meters.
only $199 !
95
PreSonus TubePre Mic Preamp
The TubePre from PreSonus is a versatile tube preamp
that adds great warmth and presence to vocals or
instruments. It boasts a dual-servo gain stage for ultralow noise and wide dynamic control, a backlit VU meter,
switchable phantom power, a -20dB pad, and an 80Hz
rumble filter to quash low frequency noise. Separate
XLR and 1/4" connectors give you plenty of flexibility.
Fits in desktop MaxRack shown on page 155.
tubepre
Accessories:
MAXRACK
152
List $129.95
LowestPrice
only $9995 each!
List $99.95
7995
$
LowestPrice
only $499!
The MIC2200 2-channel tube mic preamp boasts discrete mic/line inputs with soft mute
and 48V phantom power while offering a vast 2 Hz - 200 kHz bandwidth for a wideopen sound. Two fully parametric EQs give you plenty of sound-shaping options, while
its built-in tube adds warmth and transparency to your signal. It also features a fully
tunable and switchable 12 dB high-pass filter, a phase reverse switch on each channel,
level conversion (-10 dBV to +4 dBu) and can function as a DI box when needed.
MIC2200
List $129.99
M-Audio
AudioBuddy
2-Channel
Mic Preamp
and Direct
Box
LowestPrice
only $9999!
Symetrix 302S
Mic Preamp
This phantompowered dual mic
preamp and direct
box has everything you need to record
microphones and guitars directly onto your computer.
It features two channels, each with a balanced XLR mic
input and a high impedance unbalanced 1/4" input.
Gain control, signal/clip LEDs and a professional grade
balanced/unbalanced line output.
Designed for broadcast, sound reinforcement, and digital
and analog recording, the Symetrix 302 offers substantial
sonic improvement over stock mixers or console preamps.
It features solid stereo imaging, excellent transient
response, very low noise and almost undetectable
distortion. Features: polarity reversal switches and
15 dB pads on both channels; +48 volt phantom power;
gain variable from 20 to 60 dB; works with virtually any
professional microphone.
302S
List
$369.00
LowestPrice
only $279!
AUDIOBUDDY List $119.95
LowestPrice
List $229.00
LowestPrice
List $599.00
Behringer MIC2200 2-Channel Mic Tube Preamp
only $399 with digital output!
Affordable
Desktop Mic Pres
BLUETUBEDP
207D
only $89!
Behringer
MIC200 Mic
Tube Preamp
Behringer’s
MIC200 is
a tube mic/
line preamp
with modeling
technology and
a built-in limiter.
Preamp modeling allows
you to optimize your
recordings by choosing from
16 preamp voicings designed for
vocals, acoustic and electric guitars, drums, and more. In
addition, the MIC200 utilizes a 12AX7 vacuum tube for
exceptional warmth and low noise. When used as a DIbox, it provides outstanding signal integrity. It features a
phase reverse switch, +48 V phantom power and 20 dB
pad. I/Os are on balanced 1/4" TRS and XLR connectors.
MIC200
List $64.99
LowestPrice
only $4899!
ART Compact
Tube Mic Preamps
The very affordable Tube MPPS employs ART’s hybrid
design to add warmth and fatness to a signal while
maintaining exceptionally low noise. It features a handselected 12AX7a tube, phantom power, and phase reverse,
and it works great as direct box—boosting the sound of
any instrument you plug into it. LED metering, up to 70 dB
gain. The new Tube MPPS-USB adds a USB connection.
The Tube MP Studio V3 is similar to the non-USB version
of the MPPS but adds ART’s Variable Valve Voicing for the
ultimate in warm tube sound. The economical Tube MP
features variable input gain, a 20 dB pad switch, phantom
power, phase reverse and more. See them all online.
TUBEMPPS
List $89.00 $6900
TUBEMPPS-USB
List $129.00 $9900
TUBEMPSTUDIOV3 List $89.00 $6900
TUBEMP
List $55.00 $4400
LowestPrice
from $44!
Mackie Onyx 800R 8-Channel Mic Preamp
Focusrite Red Series 4- and 2-Channel Mic Preamps
RED1
These preamps boast classic Focusrite transformer-based design, making them
the perfect companions for all high-quality ribbon, valve and condenser mics. The
4-channel Red 1 features switchable phantom power, phase reverse, an illuminated
VU meter, and a scribble disc for denoting channels. Mic gain is switched in 6dB steps
over a 66dB range, for accurate, precise channel matching and recall. The 2-channel
Red 8 offers identical channel controls to the Red 1, and is especially suited to
demanding mono or stereo recording work. The output stages of both the Red 1 and
Red 8 will easily drive very long cable runs without significant loss of quality, making
them ideal for remote recording. For more details and specs visit www.bswusa.com or
call your BSW sales rep today.
RED1
RED8
4-channel mic preamp
2-channel mic preamp
List $3699.00
List $2799.00
If you’re looking to add eight stellar-sounding mic preamps to your computer audio
setup, hard disk recorder or analog rig, look no further. The Mackie Onyx 800R is
a high-performance, eight-channel rackmount mic preamp with simultaneous
analog and 192 kHz multi-format digital outputs. Built upon Mackie’s flagship Onyx
mic preamp circuitry, the 800R delivers boutique studio preamp performance with
features such as variable mic input impedance controls for “tuning” each preamp to
its connected mic. This, along with superior analog components and premium
24-bit/192 kHz A/D converters, gives the Onyx 800R unrivaled fidelity and dynamic
range – making it a top choice for a range of professional studio and live applications.
The mid/side decoder makes a stereo recording mono compatible. This is especially
important for broadcast and film production applications. Two instrument input jacks
– no DI needed! Also AES/EBU, ADAT lightpipe and S/PDIF.
ONYX800R
List $1,299.99
Aphex Remote-Controllable 8-Channel Mic Preamp
ISA428
Focusrite ISA Series
4- and 8-Channel Mic Preamps
Focus your sound with these flexible 4- or 8-channel units, featuring transformerbased microphone preamps with switchable impedance as well as direct instrument
inputs for extra versatility. Their input stage provides enhanced control, allowing
you to switch between four carefully selected input impedance settings. You can
either perfectly match the pre amp with any microphone or use different settings to
creatively shape the sound of the microphone you’re using. They come with plenty
of analog I/O including unbalanced 1/4", balanced XLR and balanced 1/4" TRS. The
ISA428 (shown) offers VU meters. Check them out online today.
isa428 4-channel List $1,999.99
isa828 8-channel List $2,999.99
A favorite of top audio pros, the Aphex1788A offers eight preamps in a 2RU space.
Compatible with Pro Tools, it boasts a unique 20 dB limiter and a digitally controlled
low noise amplifier that allows its input gain to be adjusted in 0.125dB steps and
1dB stops with no noise or glitches. All of its settings can be remotely controlled via
Ethernet or MIDI, with the optional Aphex 1788RC hardware remote or on a PC or Mac
after downloading control software at the Aphex website. Go online for more details.
1788A
1788RC
1788-1
8-Channel mic preamp
Remote control
Digital output module List $4,995.00
List $1,495.00
List $995.00
PreSonus Advanced 8-Channel Mic Preamps
Eight channels of pristine mic preamplification, inserts on every channel, and an
internal power supply set the Presonus DigiMAX LT apart from others on the market.
Focusrite OctoPre 8-Channel Mic Preamps
The Focusrite OctoPre is an 8-channel mic preamp featuring 8 independent
compressors/limiters. Starting with a brick wall limiter (to avoid those critical overs),
the OctoPre then allows you to add increasing amounts of compression.
Features:
• 8 balanced XLR mic inputs
• 8-channel line-level I/O via 25-pin D-sub for easy connection with patchbays
• 8 independent compressors/limiters
• 2 chnls w/phase-reverse and 1/4" TRS front inputs
Focusrite's OctoPre LE 8-channel mic preamp is the “lite edition” of the OctoPre,
bringing Focusrite pre-amplification to a new level of affordability for DAW and digital
console users. OctoPre LE provides 8 channels of pristine Focusrite preamps, including
two "Super Channels" that offer mic impedance matching and instrument DI inputs.
There are no compressor/limiters on the OctoPre LE.
OCTOPRE
OCTOPRELE
Accessories:
8-channel mic preamp with dynamics 8-channel mic preamp without dynamics
digimax lt Features:
• Dual-servo mic preamps with 48V phantom power
• 8 combo XLR-1/4" TRS inputs with -20 dB pad
• 1/4" TRS inserts on every channel
• Digital sync with Word Clock I/O via BNC; ADAT LightPipe output
• Selectable 48, 44.1 and 32 kHz sample rates
The DigiMAX FS is an economical 8-channel preamp with Neutrik connectors on the
front – inserts, direct outs and D-to-As on the rear.
The DigiMAX 96K is a top-of-the-line model with advanced features, such as EQ
enhancement, RMS/peak limiting, phase reverse, and 24-bit output selectable at up to
96 kHz on every channel.
DIGIMAXLT List $999.95
DIGIMAX
List $1,699.95
DIGIMAXFS List $799.95
List $999.00
List $699.00
OCTOPRE-AD 24-bit/96 kHz ADAT I/O card for OctoPre List $249.99
OCTOPRE-LEAD 24-bit/48 kHz ADAT I/O card for OctoPreLE List $249.99
M-Audio Octane 8-Channel Preamp With ADAT Lightpipe
RDL Stick-On Mic Preamps
Radio Design Labs Stick-Ons are compact, high-quality
audio interface devices that can be directly and discreetly
mounted on equipment, under counter tops, or combined
in rackmount systems. Active units require a 24-volt power
supply such as the PS24A (sold separately).
STM1 Mic preamp, fixed gain
List $118.11
STM2 Mic preamp w/ variable gain List $162.14
Accessories:
PS24A
10595
13995
$
$
24-volt power supply
LowestPrice
22
$
95
from $10595!
Specifically designed enhance the front end of any multitrack digital recording system,
Octane delivers pristine digital signals to any Lightpipe-compatible devices such as
hard disk recorders and digital mixers. M-S matrix encoding lets you use advanced
stereo miking techniques. It also features analog preamp direct outs for each channel.
Features:
• 8 line inputs
• 8 mic preamp channels, two • ADAT Lightpipe output (TOSlink)
with instrument ins
• 24-bit audio resolution
OCTANE
List $749.00
LowestPrice
only $599!
153
Pack Your Rack with Effects Processors from BSW
Yamaha SPX2000 Professional Effects Processor
• More than 120 superb effects
•2
4-bit A/D-D/A converters;
32-bit/96kHz internal processing
• 5-color LCD for easy reference
• Comprehensive I/O, including USB
The Yamaha SPX2000 stereo multi-effects processor features Yamaha’s “REV-X” reverb algorithm and a
96 kHz digital signal processor. The SPX2000 is packed with effects in three banks: the preset bank includes
97 programs, including 17 rich REV-X reverbs with advanced parameters such as room size, plus 80 other
cutting-edge, quality effects; the classic bank contains 25 time-tested effects harkening back to the original
Yamaha SPX90; and the user bank stores 99 user programs. It offers balanced XLR, unbalanced 1/4" and
AES/EBU I/O, with Word Clock input and MIDI and USB connectivity.
SPX2000
List $1,249.00
Rich, Dedicated
Reverb
Eventide R2016 Stereo Reverb Processor
Eventide's Reverb 2016 is a dedicated reverb with easy "one knob/one job" controls
that recreates the legendary reverb algorithms of their SP2016 – Stereo Room,
Room Reverb and High Density Plate. Every aspect of the original effects has been
duplicated including every detail of the user parameters. While the algorithms are
identical to the originals, the hardware implementation is state-of-the-art, with
features that include a high performance 24 bit DSP, 24 bit analog audio I/O, digital I/O
and MIDI interface. The Reverb 2016 was designed from the perspective that reverb
is used nearly always and warrants a dedicated box with an optimal user interface.
The Reverb 2016 user interface is extremely easy to use and features dedicated
controls for each of the effects' parameters. The controls and display are intuitive. The
panel controls are optimized for the studio and for live performance. Up to 99 user
presets can be stored. While recreating the original reverbs, it also features brand new,
enhanced versions of the originals. These "New" reverbs have the same basic structure
of the originals but with more complex early reflections, higher density, and finer
control of the parameters. The "New" reverbs represent the natural evolution of the
development work that maxed out the array processing power of the SP2016.
Features:
• 6 reverb effects and a dedicated user interface
• Recreates 3 original SP2016 reverb effects: Stereo Room, Room Reverb, High
Density Plate
• 3 new enhanced versions of the original effects
• Fast top-level UI (one knob – one job) optimized for studio and live performance
• Stores up to 99 user defined presets.
• Digital input/output (S/PDIF); Dual function footswitch input
• input kill switch, relay bypass switch
• >98 dB dynamic range; 24-bit conversion
• Balanced/unbalanced input selection via rear panel push button switch;
connections (XLR and 1/4")
• MIDI in & out
R2016 List $2,195.00
Lexicon MX400 4-Channel Effects Processors with USB
Yamaha REV100 Effects Processor
Lexicon’s new generation of dual stereo/surround reverb processors offers rich effects
along with plug-in convenience in a 4-input/4-output design (dual stereo or 4-channel
mono). Their USB “Hardware Plug-In” format gives complete plug-in control within any
VST or Audio Units software environment, letting you control all automation and recall
parameters exactly as you would with any software plug-in. You get rich, complex
reverb algorithms, delays, effects and dbx dynamics for maximum sonic versatility.
Equally at home in live applications, they supply the FOH engineer with a backlit LCD
screen. Choose balanced 1/4" TRS I/O (MX400-L), or balanced XLR I/O (MX400XL).
The MX-300 is a 2-in/2-out (stereo or dual mono channel) model with many of the
same features including the easy-to-read LCD screen. See it at www.bswusa.com.
MX400-L 4-channel balanced 1/4" TRS I/O List $799.95 $49995
MX400XL 4-channel balanced XLR I/O List $879.95 $57889
MX-300
2-channel balanced XLR and 1/4" TRS I/O List $449.95 $29995
The REV100 is a quality true stereo multi-effects processor that’s easy to use. Just
select one of its 99 top-quality preset effects and you’re ready to go. The three most
critical parameters for all effect programs are adjustable via rotary panel controls.
When you create a sound, press the Store button to register it in the REV100 memory.
LowestPrice
Features:
• Reverb, delay, modulation effects and combinations
• Rotary controls for three most critical parameters
• 99 editable factory presets
• Input and output level controls
• Peak LEDs
• Unbalanced 1/4" I/O and MIDI interface
REV100
List $329.00
4-channel from $49995!
LowestPrice
only $259!
TC Electronic M•ONE XL Effects Processor
Lexicon MX200 2-Channel Effects Processors with USB
The MX200 is an affordable two-channel effects processor with independent controls.
Featuring acclaimed Lexicon algorithms, the MX200 offers increased versatility with both
dynamics processing (compressor/de-esser) and special effects. The MX200 also adds
a USB connection for use in computer recording applications. You even get 99 presets
including chorus, flanger, phaser, tremolo/pan, pitch shift, reverbs, halls and more.
Balanced analog 1/4" TRS I/O and digital S/PDIF I/O.
MX-200
154
List $299.95
LowestPrice
only $19995!
AUDIO PROCESSORS – EFFECTS
TC Electronic’s M•ONE XL dual effects processor includes 25 incredible effects (such as
reverb, chorus, tremolo, pitch, delay and more) and lets you run two simultaneously.
Even create your own combination effects! Very cool pro-level tool.
Features:
• Enhanced early reflections and reverb tails; 200 factory, 100 user presets
• 24-bit A/D-D/A converters
• Unbalanced S/PDIF digital I/O; balanced XLR I/O and MIDI in/thru/out
MONEXL
List $495.00
LowestPrice
only $399!
Behringer REV2496 4-Channel
Reverb and Effects Processor
The Behringer REV2496 simulates some of the world’s
most renowned reverbs and also features high-quality
modulation effects from X-over delay to chorus/flanger
plus stereo compressor, with high-quality 24-bit/96 kHz
A/D and D/A converters plus full 96 kHz operation with
both effects processors.
Features:
• Full 4-channel operation up to 96 kHz, for two separate effects processors
• 8 high-end reverb algorithms
• AES/EBU I/O, optical S/PDIF I/O, Wordclock In, MIDI
• 10 different routing types for flexible assignment
• Access to 4 effect parameters makes editing easy
• Separate ROM and preset banks with 400 presets
• Balanced XLR and 1/4" TRS connectors
REV2496 List $229.99
LowestPrice
only $17999!
Behringer DSP2024 Effects Processor
Behringer’s DSP2024P Virtualizer Pro 24-bit multi-effects processor has 71 impressive effect algorithms. It gives
you powerful modulation, amp simulation, distortion and special effects as well as effective dynamic and
psychoacoustics processing/EQ on top of Behringer’s renowned “Virtual Room” reverbs. All for only $99.99!
DSP2024
List $129.99
LowestPrice
only $9999!
Behringer Audio Enhancement Processor
The DSP1424P Ultramizer Pro provides multiband program-adaptive compression and peak limiting to your
program material. A built-in 3D surround processor brings spatial enhancement and improved stereo imaging,
while onboard noise reduction keeps your sound clean. Balanced XLR and 1/4" TRS I/O.
DSP1424P
List $129.99
only $9999!
LowestPrice
TC Electronic M350 2-Channel Effects Processor
The M350 dual-engine effects processor combines 15 quality reverbs with 15 multi-purpose effects, and sweetens the
deal by including an AU/VST compatible software editor, giving you seamless control and editing integration with DAW
systems. 24-bit processing and AD/DA conversion delivers the full transparency of reverbs and effects. The auto-sensing
S/PDIF digital input ensures rock-solid input connection in any setup. It comes with an easy-to-read preset display, and
provides MIDI in/out, MIDI clock tempo sync, pedal control of tap tempo, and global bypass.
Alesis Compact Effects Processors
The Alesis NanoVerb is an affordable 18-bit multi-effects
unit with 16 programs of reverb, chorus, rotary/leslie
simulation, flange and delay; with mix, input, output
and effects-adjust controls. The smaller PicoVerb
lacks the output and adjust controls, but has updated
24-bit A/D-D/A and 28-bit internal processing. Both
have unbalanced 1/4" line-level I/O jacks.
$
NANOVERB
List$135.00
9900
$
PICOVERB
List $99.00
7900
LowestPrice
Features:
• 15 true and stunning stereo reverbs; 15 legendary effects
• 256 multi-effect/reverb presets + 99 user preset locations, a total of 355 presets
• 5 seconds of delay
• Dual send/return & serial style setups
• Auto-sensing 24-bit S/PDIF digital I/O, 44.1-48 kHz
M350
List $249.00
LowestPrice
only $199!
from $79!
BSW Offers
Package Pricing.
Call Us For Your
Discounted Price.
Alesis MidiVerb4 and MicroVerb4 2-Channel Effects Processors
The MidiVerb 4 is a flexible stereo, multi-effect processor with the ability to combine up to 3 effects simultaneously.
Features: 256 factory presets and 128 user settings including reverbs, delays, chorus, flanging and pitch effects;
comprehensive graphic editing system which lets you program your own effects and store them in memory (large,
easy-to-read display); stereo or mono modes; auto level sensing inputs; unbalanced 1/4" I/O and MIDI I/O; assignable
footswitch jack (footswitch not included).
The economical MicroVerb 4 does not have the large LCD screen that the MidiVerb4 has and eliminates some
factory and user settings. It provides 200 factory presets and 100 user settings. Dual send programs allow you to
send one effect to one channel and another to the other channel. Unbalanced 1/4" I/O and MIDI I/O.
$
MIDIVERB4 List $299.00
19900
$
LowestPrice from $149!
MICROVERB4 List $249.00
14900
PreSonus Mini-Rackable Desktop Audio Processors
These handy 1/3-rack space PreSonus audio units stack up to six tall in the MaxRack desktop mini-rack. The
PreSonus EQ3B is a single channel, 3-band fully parametric EQ with an 80 Hz roll-off , +/-12 dB of boost/cut on three
overlapping frequencies. The HP4 headphone amp has four outputs on the front panel, and adjustment over control
room monitors with a separate volume control and monitor mute switch. The COMP16 is a simple yet professionalquality compressor. Simply select from 16 onboard presets, adjust the desired level of compression and you’re set!
The TubePre brings warmth and presence. It includes switchable phantom power, a mic phase reverse switch,
-20 dB pad, 80 Hz rumble filter, XLR and 1/4" connectors, VU meter, and a tube saturation level control.
EQ3B
HP4
List $129.95
COMP16 List $129.95
List $129.95TUBEPRE List $129.95
Accessories:
MAXRACK
List $99.95
LowestPrice
only $9995 each!
7995
$
AUDIO PROCESSORS – EFFECTS
155