Catalogue PDF

Transcription

Catalogue PDF

POST-WAR & CONTEMPORARY ART
Tuesday, May 10, 2016
NEW YORK
POST-WAR ART
CONTEMPORARY ART
AUCTION
Tuesday, May 10, 2016 at 11am
EXHIBITION
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Friday, May 6, 10am – 5pm
Saturday, May 7, 10am – 5pm
Sunday, May 8, Noon – 5pm
Monday, May 9, 10am – 2pm
LOCATION
Doyle New York
175 East 87th Street
New York City
212-427-2730
www.Doyle.com
www.Doyle.com/BidLive
www.DoyleNewYork.com/BidLive
Catalogue: $40
POST-WAR ART
INCLUDING PROPERTY
FROM THE ESTATES OF
Abraham Biller
Nan Rosenthal and Henry B. Cortesi
Ronnie Cutrone
Patricia M. De Bary
The Honorable Judith S. Kaye and Stephen R. Kaye, Esq.
Alma Perlis
A Virginia Philanthropist
Peter K. Warren
Suzanne Schnitzer
INCLUDING PROPERTY FROM
The Collection of Joachim Neugroschel
A New England Collection
A New York Artist
Karen E. D. Seibert, Drewes Estate
CONTENTS
Post-War Art
Contemporary Art
1-87
88-148
GlossaryI
Conditions of Sale
II
Terms of Guarantee
IV
Information on Sales & Use Tax
V
Buying at Doyle
VI
Selling at Doyle
VIII
Company Directory
IX
Auction Schedule
XI
Catalogue Subscription Form
XII
Absentee Bid Form
XIII
Lot 86
2
Victor Brauner
Romanian, 1903-1966
Bird
Signed Victor Brauner on
backing paper
Watercolor on paper laid to
illustration board
9 1/2 x 11 5/8 inches
(24.13 x 29.52 cm)
C
$5,000-7,000
2
Estate of Nan Rosenthal and
Henry B. Cortesi
1
Pablo Picasso
Spanish, 1881-1973
Untitled (Bearded Face), 1972
Signed Picasso, dated 16-4-72 (uc), inscribed pour (ul)
Ballpoint ink on paper
12 3/4 x 9 3/4 inches (32.38 x 24.76 cm)
This work is accompanied by a certificate from Maya Picasso
C
$10,000-15,000
3
Man Ray
American, 1890-1976
Abat-Jour (Lampshade), 1964
Aluminum, from an edition of 100
15 x 18 x 18 inches
(38.1 x 45.72 x 45.72 cm)
C
$5,000-7,000
3
6
DOYLE • MAY 10, 2016 • NEW YORK
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7
5
Arman
French, 1928-2005
Rondelle de Belle, 1994
Terra cotta with pearlescent glaze, from an edition of 5
Height 57 inches (144.78 cm)
C
$10,000-20,000
6
Arman
French/American, 1928-2005
Statue of Liberty
Signed RA and numbered 16/20
Bronze with green patina, artist’s proof
C
$5,000-7,000
4
Louise Bourgeois
French/American, 1911-2010
Point of Contact, 1967-68
Bronze with black patina, from an edition of six with one Artist’s Proof
4 3/4 x 10 1/4 x 5 1/2 inches (12.06 x 26 x 13.9 cm)
Cast nos. 1/6 and 2/6: dark patina
Cast nos. 3/6 and AP: silver nitrate and polished patina
Cast nos. 4/6 and 6/6: black and polished patina
Cast no. 5/6: golden brown and polished patina
Selected Exhibition History:
Rodin Museum, Paris The 21st Annual Salon of Young Sculptors in
Paris, May - Jun. 1969; bronze, cast no. 1/6
The Metropolitan Museum of Art, New York, NY Small Bronzes,
Sep. 5 - Dec. 7, 20003; bronze, cast no. 1/6
Tate Modern, London, England Louise Bourgeois: Retrospective
Oct. 10, 2007 - Jan. 20, 2008; bronze, cast no. 3/6. Traveled to the
Centre Georges Pompidou, Paris, France Mar. 5 - Jun. 2, 2008;
Solomon R. Guggenheim Museum, New York, NY Jun. 27 Sep. 28, 2008; Museum of Contemporary Art, Los Angeles, CA
Sep. 25, 2008 - Jan. 25, 2009; Hirshhorn Museum & Sculpture
Garden, Washington D.C. Feb. 28 - Jun. 7, 2009
8
DOYLE • MAY 10, 2016 • NEW YORK
Selected Literature:
Morris, Frances. Louise Bourgeois, with essays by Paulo Herkenhoff,
Julia Kristeva, Donald Kuspit, Elisabeth Lebovici, Mignon Nixon,
Linda Nochlin, Alex Potts, Rob Storr, et al. United Kingdom: Tate
Publishing, 2007, [Retrospective Catalogue - reprinted in 2008 for US
venues of tour, and also published in French by the Editions du
Centre Pompidou with supplemental images.] Not reproduced.
Listed with exhibited works.
Bernadac, Marie Laure, and Jonas Storsve. Louise Bourgeois, with
essays by Paulo Herkenhoff, Julia Kristeva, Donald Kuspit, Elisabeth
Lebovici, Frances Morris, Mignon Nixon, Linda Nochlin, Alex Potts,
Rob Storr, et al. France: Editions du Centre Pompidou, 2008. [French
edition of Retrospective Catalogue with additional images - originally
printed by Tate Publishing, 2007.] Not reproduced. Listed with
exhibited work.
Bronze cast no. 1/6 is in the collection of the Metropolitan Museum
of Art, New York.
C
$70,000-90,000
See Illustration Front Cover
6
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7
Harry Bertoia
American, 1915-1978
Willow, circa 1975
Stainless steel
52 1/2 x 30 x 30 inches (133.35 x 76.2 x 76.2 cm)
Provenance:
Purchased directly from the artist by the current owner,
Jan. 3rd, 1976
Includes original receipt with sculpture rendering
Harry Bertoia’s legendary farm in Bally, PA was many
things: purchased with the funds he received from the
design of his iconic Diamond Chair for Knoll International,
the rural Berks County locale allowed Bertoia an easy
commute to Knoll’s Design and Development space in
nearby East Greenville. The farm was also home to his
family, studio, and many sculptures. Greeted by Bertoia
upon their visit in 1976, the consignors of the present
work were given the full tour of the artist’s barn (which
doubled as his showroom), where Bertoia played several
of the sonambient sculptures on view, displaying their
otherworldly atmospheric tones. The “Willow” sculpture,
acquired that same day, is a scarce and beloved example
of Bertoia’s works drawn from nature, related to the
artist’s Bush and Dandelion form sculptures. Its steel wires
drape gracefully, swaying and undulating akin to the tree
branches of its namesake. Bertoia himself wrapped the
work and packed it into their car for safe transport back
to their home. Less than two years later, Harry Bertoia
passed away while at his farm, while his Willow has lived
on in the couple’s home, made all the more special by the
unique experience the owners had while visiting with the
artist, a true icon of 20th century art and design.
C
$30,000-50,000
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8
Antonio Grediaga Kieff
Spanish/Canadian, b. 1936
Motivo Espanol, 1985
Signed Kieff, dated 1985 and numbered 1/1
Bronze on marble base
Height including base 30 inches (76.2 cm)
C
$4,000-6,000
10 DOYLE • MAY 10, 2016 • NEW YORK
9
Antonio Grediaga Kieff
Spanish/Canadian, b. 1936
Cubic Folklore, 1975
Signed Kieff, dated 1975, numbered 1/1, inscribed en
hommage a Placido Domingo and as titled
Bronze on marble base
Height including base 30 inches (76.2 cm)
C
$4,000-6,000
10
Reuben Nakian
American, 1897-1986
Running Nymph, 1981
Dated 1981 and stamped 6/9
Bronze with dark brown patina on stone plinth,
from an edition of 9
22 3/4 x 31 x 14 1/4 inches (57.78 x 78.74 x
36.19 cm)
C
$8,000-12,000
10
12
12
Gino Morandis
Italian, 1915-1995
Immagine N. 190
Signed Gino Morandis (lr), signed Gino Morandis
and inscribed as titled on the stretcher
Oil on canvas
25 1/4 x 31 1/2 inches (64.13 x 80.01 cm)
11
Claude Venard
French, 1913-1999
Untitled, 1954
Signed C. Venard and dated 54 (lr),
inscribed No 16 on the reverse
Oil on canvas
39 1/2 x 39 1/2 inches (100.33 x
100.33 cm)
C
$5,000-7,000
Provenance:
The artist
Galerie Internationale, New York
Thence by descent to the current owner
C
$3,000-5,000
13
13
Leonardo Cremonini
Italian, 1925-2010
Untitled, Woman with Yarn, 1950
Signed Cremonini and dated 50 (ll)
Oil on canvas
50 1/2 x 31 1/4 inches (128.27 x 79.37 cm)
C
$8,000-12,000
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14
Dmitri Plavinsky
Russian, 1937-2012
Open Bible, 1970
Signed with artist’s monogram and dated 70 (ur)
Oil, plaster, tempera and cloth collage on canvas
24 1/4 x 34 1/4 inches (61.59 x 86.99 cm)
Provenance:
Acquired by the current owner in Moscow directly from
the artist in the early 1970s.
C
$30,000-50,000
15
Ibrahim Hussein
Malaysian, 1936-2009
Jellyfish, 1967
Signed Ibrahim Hussein, dated ‘67 and inscribed N.Y. (ll)
Oil on canvas
55 3/4 x 57 5/8 inches (141.60 x 146.36)
Unframed
Provenance:
The artist
C
$30,000-50,000
16
Ibrahim Hussein
Meeting with Kachina, 1967
Signed Ibrahim Hussein (ll), dated IX 30’67,
inscribed New York and as titled (lr)
Oil on canvas
56 x 56 inches (142.24 x 142.24 cm)
Unframed
Provenance:
The artist
C
$30,000-50,000
17
Ibrahim Hussein
Man with Possessions, 1964
Signed Ibrahim Hussein and dated ‘64 (lr)
Oil on canvas
48 x 48 inches (121.92 x 121.92 cm)
Provenance:
The artist
C
$20,000-40,000
19
Albert Eugene Gallatin
American, 1881-1952
Untitled, 1941
Initialed G (lr), inscribed Albert Gallatin and
dated 1941 on backing paper
Oil on canvas on Masonite
17 x 15 inches (43.18 x 38.1 cm)
C
$8,000-12,000
Property of Karen E. D. Seibert, Drewes Estate
20
Werner Drewes
American, 1899-1985
Tranquil Formations, 1940
Signed Drewes (ll), signed with artist’s mark
and dated 40 (lr)
Oil on canvas
13 x 22 inches (33.02 x 55.88 cm)
C
$6,000-8,000
19
18
Philippe Hiquily
French, 1925-2013
La Kuan Yin, 1991
Signed Hiquily, numbered 2/8 and stamped with Bocquel
Foundry mark
Bronze with brown/black patina, from an edition of 8 with 4
Artist’s Proofs
Height 32 1/4 inches (81.91 cm)
Provenance:
Gallerie Patrice Trigano, Paris
French sculptor Philippe Hiquily produced semi-abstracted
figurative sculpture using bronze, various metals and later
examples employing hide, bone and fossils. His body of work
also includes furniture. La Kuan Yin is a standout work by the
artist, with simplified, flattened and elongated forms.
C
$10,000-15,000
20
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Balcomb Greene
American, 1907-1990
Woman
Signed Balcomb Greene (lr)
Oil on canvas
30 x 48 inches (76.2 x 121.92 cm)
Provenance:
The artist
Bertha Schaefer Gallery, New York
Private collection
C
$3,000-5,000
22
21
Paul Kelpe
American, 1902-1985
Collage Construction, 1936
Initialed P.K. and dated 36 (ll)
Conte crayon and collage on brown paper laid to
illustration board
13 1/2 x 17 1/4 inches (34.29 x 43.81 cm)
Provenance:
Marilyn Pink Gallery, CA
Private collection, NY
Beth Urdang Fine Art, Boston
Private collection, NJ
C
$8,000-12,000
22
Irene Rice Pereira
American, 1902-1971
Untitled
Signed Pereira (lr)
Gouache, ink, pencil and red chalk on paper
14 x 20 inches (35.56 x 50.8 cm)
C
$5,000-7,000
24
Byron Browne
American, 1907-1961
In Central Park, 1960
Signed Byron Browne (ll), Signed
Byron Browne, dated 1960 and
inscribed as titled on the reverse
Oil on canvas
20 x 26 inches (50.8 x 66.04 cm)
C
$3,000-5,000
24
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25
Leon Kelly
American, 1901-1982
Bedouin Woman, ella esta usando hilo dental, 1958
Signed Leon Kelly and dated 1958 (ul), inscribed
as titled (cr)
Red chalk on paper
76 x 60 inches (193.04 x 152.4 cm)
Provenance:
Acquired directly from the artist by the
current owner
C
$5,000-7,000
26
26
Louise Nevelson
American, 1899-1988
Untitled, Portrait of a Woman
Signed Nevelson (uc), inscribed This painting was
given to me long time ago by Louise Nevelson,
signed Bumpei Usui and stamped with Usui’s chop
mark on label affixed to the reverse
Oil on canvasboard
25 1/2 x 19 3/4 inches (64.77 x 50.16 cm)
27
Elaine de Kooning
American, 1818-1989
Pele #3, 1982
Signed E. de K. and dated 82 (lr), dated
1982 and inscribed as titled on backing
Oil on canvas
60 x 46 inches (152.4 x 116.84 cm)
C
$7,000-9,000
Provenance:
The artist
Bumpei Usui
Private collection
C
$8,000-12,000
MARY (MOLLY) L. ADAMS
On September Fourth, 1998, Mary (Molly)
L. Adams passed away two days after her
seventy-third birthday. She left behind no
children, but her nieces and nephews were
enriched by her caring guidance down the
many splendid paths of the New York art
world. Molly Adams was born in Cedarhurst,
New York. She graduated from Smith College,
then served in the Foreign Intelligence Agency
in Washington D.C. during the Second World
War. After the war ended, she moved to New
York and settled at 101 Saint Marks Place, where
she remained for the rest of her life, and began a
career as an actress. As a fixture in the downtown
New York arts scene, Molly met many artists.
Larry Rivers became a friend, as did Nell Blaine,
Willem de Kooning, Michael Goldberg, and
Robert Goodnough. Offered in this auction are
two of the works from her collection.
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29
Willem de Kooning
American, 1904-1997
Untitled (Three Women)
Signed de Kooning (ll), inscribed Happy Birthday/
Dear Molly/Johanna Lisa and Bill (lr)
Ink on paper
8 1/2 x 11 inches (21.59 x 27.94 cm)
Estate of Susanne Schnitzer
28
Franz Kline
American, 1910-1962
Untitled, circa 1957
Signed Kline (lr)
Oil on paper board
9 1/4 x 11 3/8 inches (23.5 x 28.75 cm)
Provenance:
Estate of the artist
Orin Riley
Thence by descent to Suzanne Schnitzer
This work is accompanied by a letter of authenticity
from David McKee, with estate designation no. ZP 85
C
$150,000-250,000
Provenance:
The artist
Mary (Molly) L. Adams, New York
C
$8,000-12,000
30
Nell Blaine
American, 1922-1996
Cityscape, Chelsea View, 1953
Signed Nell Blaine and dated Oct. ‘53 (lr)
Pastel on cream paper
18 3/4 x 23 3/4 inches (47.62 x 60.32 cm)
Provenance:
Acquired from the artist by
Mary (Molly) L. Adams, New York
C
$3,000-5,000
30
Estate of a Virginia Philanthropist
31
Milton Avery
American, 1885-1965
Woman Drawing, 1942
Signed Milton Avery (cr); inscribed Woman Drawing, signed
Milton Avery and dated 1942 on the reverse
Oil on canvas
28 x 36 inches (71.12 x 91.44 cm)
Provenance:
The Milton Avery Trust
[Riva Yares Gallery, Scottsdale, AZ]
Private collection, VA
Literature:
Robert Hobbs, Milton Avery, Manchester, 1990, p. 121, illus.
Exhibited:
New Britain, CT, New Britain Museum of American Art, The
Milton Avery Family, Nov. 2 - Dec. 1, 1968, cat. no. 13, illus.
Allentown, PA, Allentown Art Museum, Paintings by
Milton Avery and His Family, Sep. 4 - 26, 1971, cat. no. 11
Austin, TX, The University of Texas Art Museum,
Milton Avery: Drawings & Paintings, Dec. 5, 1976 - Feb. 6,
1977, p. 54, p. 11 illus. (traveled to Summit, NJ, Summit Art
Center, Mar. 13 - Apr. 17, 1977; Wichita, KS,
Edwin A. Ulrich Museum of Art, Nov. 30, 1977 - Jan. 15, 1978)
Sarasota, FL, John and Mable Ringling Museum of Art,
Milton Avery: Retrospective Exhibition, Sep. 23 - Oct. 31, 1977
Edmonton, Alberta, Canada, The Edmonton Art Gallery,
Milton Avery, Sep. 22 - Oct. 22, 1978 (traveled to Banff,
Alberta, Walter Phillips Gallery, Nov. 24 - Dec. 15, 1978;
Windsor, Ontario, Windsor Art Gallery, Jan. 1 - 29, 1979;
Saskatoon, Saskatchewan, Feb. 9 - Mar. 5, 1979;
Hamilton, Ontario, Art Gallery of Hamilton, Mar. 23 Apr. 23, 1979
Palm Beach, FL, The Society of the Four Arts, Milton Avery,
Feb. 4 - Mar. 5, 1978
Tokyo, Japan, Milton Avery, May 2 - 20, 1983, cat. no. 3, illus.
Miami, FL, Center for the Fine Arts, Milton Avery: A Singular
Vision, Feb. 7 - Apr. 10, 1988, cat no. 12, p. 27 illus.
Created in 1942, Woman Drawing is a wonderful example
of Milton Avery’s final and most celebrated style. Influenced
by Henri Matisse, Avery’s mature style takes shape at the
beginning of the 1940s and continued until his death in
1965. His technique of rendering landscapes and figures
with delineated fields of color gave the world modernist
works of art that are also tranquil. As can be seen in this
work, the compositions are rendered emphasizing balance
of form and color, while downplaying the need for anatomical
accuracy or a naturalistic palette. In the year after this work
was created, Avery began showing with Alex Rosenberg
Gallery. Joining with Rosenberg, an ex-patriot of France
and dealer of Picasso, Braque and the great modernists
of Europe, was quintessential in the artist’s recognition as
a modernist painter and led to museum exhibitions at the
Phillips Memorial Gallery, the Baltimore Museum of Art, and
the Whitney Museum of Art in his lifetime.
Sources:
Haskell, Barbara, Milton Avery, 1982,
Whitney Museum of American Art.
C
$200,000-400,000
32
Theodoros Stamos
Greek/American, 1922-1997
Infinity Field, Lefkada Series, White Morning #IV, 1980
Signed Stamos on the stretcher, signed Stamos, dated 1980,
inscribed for Niko Xylouris and as titled on the overlap
Oil on canvas
30 x 22 inches (76.2 x 55.88 cm)
Provenance:
The artist
Niko Xylouris
Ericson Gallery, New York
C
$12,000-18,000
33
Paul Jenkins
American, 1923-2012
Phenomena Three Mile Magic Lantern, 1984-85
Signed Paul Jenkins (lc), dated 1984-85 and inscribed as
titled on the reverse
Acrylic on canvas
64 x 48 inches (162.56 x 121.92 cm)
C
$15,000-25,000
34
Paul Jenkins
American, 1923-2012
Phenomena Anderson Lode, 1972
Signed Paul Jenkins, dated 72, inscribed to
David Anderson and as titled on the reverse
Watercolor on paper
92 x 41 1/2 inches (233.68 x 105.41 cm)
Provenance:
The artist
David Anderson, New York
Dorothy Tananbaum Gallery, Inc., New York
Private Collection, New York
C
$12,000-18,000
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Paul Jenkins
American, 1923-2012
Phenomena: Velvet Rent Cloth, 1977
Signed Paul Jenkins (ll)
Watercolor on paper
43 x 31 inches (109.22 x 78.74 cm)
Provenance:
Gimpel & Weitzenhoffer, New York
C Estate of Abraham Biller
$7,000-9,000
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36
Afro
Italian, 1912-1976
Untitled, 1955
Signed Afro, dated Dec. 55 and inscribed
a David con Amicizia (lr)
Ink and watercolor on blue paper
7 1/4 x 3 1/8 inches (18.41 x 7.93 cm)
Provenance:
The artist
G. David Thompson
Helene S. Thompson
Private collection
C
$3,000-5,000
37
Michael Goldberg
American, 1924-2007
Untitled
Signed Goldberg (lr), stamped DuPont
Collection on the reverse
Oil on canvas
30 x 40 inches (76.2 x 101.6 cm)
C
$8,000-12,000
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38
James Hiroshi Suzuki
American, b. 1932
Untitled
Signed Suzuki (lr)
Oil and paper collage on canvas
60 x 72 inches (152.4 x 182.88 cm)
C
$7,000-9,000
39
Manoucher Yektai
Iranian, b. 1922
Blue Vase, 1983
Signed Yektai and dated 83 (ll)
Oil on canvas
15 x 15 inches (38.1 x 38.1 cm)
Provenance:
Alex Rosenberg Gallery, New York
C
$18,000-22,000
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41
Joe Stefanelli
American, b. 1921
O+B Arrangement, 1962
Signed Stefanelli, dated 1962 and inscribed as
Oil on canvas
71 x 61 1/4 inches (180.34 x 155.57 cm)
Unframed
Provenance:
Collection of the family of the artist
Joe Stefanelli is the last living artist from the now
famous Ninth Street art exhibition. As part of the
second generation of the New York based Abstract
Expressionist artists, or The New York School,
Stefanelli has had a long career creating large
works with bold brushstrokes and compelling
color juxtapositions.
In 1951 from May 21st through June 10th, Joe
Stefanelli and his contemporaries mounted an
exhibition in an unused commercial space at
60 East 9th Street in New York. Today, the poster
created for this exhibition is a checklist for those
painters who lead the way for mid-century abstract
painting, including Willem de Kooning, Philip Guston
and Jackson Pollock. Also listed are the dealers
who championed the artists’ works, among them
Grace Borgenicht, Tibor de Nagy and
Betty Parsons.
Joe Stefanelli was born and raised in Philadelphia, PA.
He studied fine arts at The Philadelphia Museum
School and the Pennsylvania Academy before his
education was interrupted by the Second World
War. He returned to settle in lower Manhattan
where he met many of the artists that would be his
counterparts in the Abstract Expressionist movement.
He continued his studies with multi-generational
mentor both as painter and teacher, Hans Hofmann,
as well as at The New School for Social Research
and Art Students League.
C
$6,000-8,000
40
Manoucher Yektai
Iranian/American, b. 1922
Blue Tablecloth, 1952
Signed Yektai and dated 52 (ul)
Oil on canvas
14 x 16 inches (35.56 x 40.64 cm)
Provenance:
Grace Borgenicht Gallery, New York
C
$15,000-20,000
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Joe Stefanelli
American, b. 1921
She Follows Ben, 1963
Signed Stefanelli, dated 63 and inscribed as
Oil on canvas
69 1/2 x 60 inches (176.53 x 152.4 cm)
Unframed
Provenance:
C
$6,000-8,000
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Joe Stefanelli
American, b. 1921
Jack’s Progress, 1963
Signed Stefanelli, dated 63 and inscribed as titled
on the reverse
Oil on canvas
51 1/2 x 44 1/4 inches (130.81 x 112.39 cm)
Provenance:
C
$6,000-8,000
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44
Jack Roth
American, 1927-2004
The Mathematical Awakening, 1979
Initialed R and dated 79 (ll), signed Roth, numbered
30130, dated 79 and inscribed as titled on the
overlap
Acrylic on raw canvas
70 x 49 3/4 inches (177.8 x 126.36 cm)
Provenance:
The artist
Knoedler & Co., Inc., New York
Private Collection
45
Jules Olitski
American, 1922-2007
Ishtar Descent-3, 1980
Signed Jules Olitski, dated 80, inscribed as titled
and numbered 80-00-1 on the reverse
Acrylic on canvas
19 1/4 x 46 inches (48.89 x 116.84 cm)
Provenance:
Knoedler & Co., New York
C Estate of Alma Perlis
$10,000-15,000
Exhibited:
Jack Roth: Recent Paintings, Mar. 21 - May 9, 1982,
Montclair Art Museum, Montclair, NJ
C
$7,000-9,000
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Walter Darby Bannard
American, b. 1934
The Plains #2, 1970
Signed W.D. Bannard on the reverse, dated
1970 and inscribed as titled on the stretcher
Alkyd resin on canvas
78 x 93 inches (198.12 x 236.22 cm)
Provenance:
Lawrence Rubin Gallery, New York
Professor Hanford Yang
Exhibited:
Walter Darby Bannard: A Retrospective,
Oct. 2 - Nov. 11, 1973,
Baltimore Museum of Art; traveled to:
High Museum, Atlanta,
Houston Museum of Art, Houston
Walter Darby Bannard, 1970,
Lawrence Rubin Gallery, New York
C
$5,000-7,000
48
Dan Christensen
American, 1942-2007
Gabi’s Garden, 2002
Signed D. Christensen, dated 2002 and
inscribed as titled on the overlap
Acrylic on canvas
39 1/4 x 28 1/4 inches (99.69 x 71.75 cm)
C
$4,000-6,000
49
Dan Christensen
American, 1942-2007
Boca West, 1977
Signed D. Christensen, dated 1977 and
inscribed as titled on the reverse, inscribed
as titled on the stretcher
Acrylic and gesso on canvas
33 1/2 x 41 1/2 inches (85.09 x 105.41 cm)
Provenance:
Meredith West Contemporary, New York
C
$3,000-5,000
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48
47
Walter Darby Bannard
American, b. 1934
Western Air #5 1969
Dated 1969, inscribed
Artist/W.D.Bannard, and as titled on
the stretcher
Alkyd resin on canvas
67 x 99 inches (170.18 x 251.46 cm)
Provenance:
Tibor de Nagy Gallery, New York
Exhibited:
Walter Darby Bannard, 1969,
Tibor de Nagy Gallery, New York
C
$4,000-6,000
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51
Property from a New York Artist
50
Robert Natkin
American, 1930-2010
Connecticut Lanscape, 1972
Signed Natkin (lr)
Oil on canvas
83 x 76 inches (210.82 x 193.04 cm)
C
$10,000-15,000
See Illustration Inside Front Cover
51
Robert Natkin
American, 1930-2010
Iago, Field Mouse Series, 1970
Signed Natkin, dated 1970 and inscribed Iago
on the stretcher
Acrylic on canvas
70 x 58 inches (177.8 x 147.32 cm)
Provenance:
Acquired directly from the artist by the
current owner
52
52
Robert Natkin
American, 1930-2010
Bath Series, 1979
Signed Natkin (lr), stamped with artist’s stamp
on the stretcher
Acrylic on canvas
56 1/4 x 36 1/4 inches (142.87 x 92.07 cm)
Provenance:
Continental Insurance, New York
C
$4,000-6,000
This lot is accompanied by a volume of Pete
Fuller’s 1980 publication Natkin, inscribed by
the artist to the current owner. Also included is
a serigraph-printed dress gifted from the artist
to the current owner.
C
$7,000-9,000
53
Stephen Edlich
American, 1944-1989
Choral Suite No. 140, 1976
Signed Edlich, dated 1976, inscribed “ll,
C.D.A.P./Juan. A” and as titled on the reverse
Collaged burlap, twine and acrylic on canvas
44 1/2 x 30 1/4 inches (113.03 x 76.83 cm)
Provenance:
[Sale] 7671 Contemporary Art, lot 304, Christie’s
East, Feb. 21, 1995
C
$3,000-5,000
53
54
Jacques Nestlé
French, 1907-1991
No. 102
Stamped Atelier JN/Jacques Nestlé on the
reverse, stamped Atelier JN/Jacques Nestlé
and inscribed as titled on the stretcher
Watercolor and collaged paper on paper laid
to canvas
60 x 59 inches (152.4 x 149.86 cm)
Provenance:
Galerie J.M. LeFell, Paris
C
$4,000-6,000
55
56
55
Sam Gilliam
American, b. 1933
Bad River Series #9
Signed Sam Gilliam and numbered 9 (lr), numbered
9 on the stretcher
Acrylic on embossed handmade paper on canvas
77 1/2 x 47 inches (196.55 x 119.38 cm)
56
Sam Gilliam
American, b. 1933
Wash I, 1997
Signed Sam Gilliam (lr), dated 97 and inscribed as
titled (lc)
Watercolor and mixed media on paper
31 x 35 inches (78.74 x 88.9 cm)
Provenance:
Jack F. Cass Fine Art Inc., Kirkland, WA
This work was created at Tandem Press,
Madison, WI
C
$8,000-12,000
Provenance:
Marsha Mateyka Gallery, Washington DC
C
$3,000-5,000
54
Estate of Nan Rosenthal and Henry B. Cortesi
57
Otto Piene
German, 1928-2014
Untitled
Oil on wood
4 3/8 x 3 3/4 inches (11.11 x 9.52 cm)
C
$8,000-12,000
58
Otto Piene
German, 1928-2014
Untitled
Oil on wood
2 7/8 x 6 7/8 inches (7.3 x 17.46 cm)
C
$8,000-12,000
60
Otto Piene
German, 1928-2014
Untitled, 1965
Signed Piene and dated 65 (lr)
Pigment and soot on paper
14 x 11 inches (35.56 x 27.94 cm)
Unframed
C
$5,000-7,000
60
59
Otto Piene
German, 1928-2014
Untitled, 1964
Signed Piene and dated 64 (lr), inscribed for Nan (ll)
Fire gouache on paper
17 3/8 x 20 5/8 inches (44.13 x 52.38cm)
C
$8,000-12,000
61
Otto Piene
German, 1928-2014
Untitled (Iris), 1965
Signed Piene and dated 65 (lr), inscribed
To Nan May 13 65 O. (ll)
Fire gouache and silkscreen on paper
17 3/8 x 19 5/8 inches (44.13 x 49.84 cm)
C
$3,000-5,000
61
62
James Guy
American, 1909-1983
Untitled, Construction, circa 1949
Signed Guy (lc)
Oil on wood and steel construction on particle
board support
36 x 36 x 2 1/4 inches (91.44 x 91.44 x 5.71 cm)
Provenance:
The artist’s family
Private collection, CT
C
$8,000-12,000
63
Gustavo Montoya
Mexican, 1905-2003
Boy in Orange Vest
Signed Gustavo Montoya (lr)
Oil on canvas
23 5/8 x 19 3/4 inches (60 x 50.16 cm)
C
$8,000-12,000
65
Eduardo Kingman
Ecuadorian, 1913-1997
Untitled, 1951
Signed E. Kingman and dated 51 (ll), signed E. Kingman (lr)
Oil on canvas laid to foamcore
26 x 30 inches (66.04 x 76.2 cm)
C
$10,000-15,000
64
Hector Hyppolite
Haitian, 1894-1948
Landscape
Signed H. Hyppolite (lc), inscribed
as titled on the reverse
Acrylic on board
24 x 19 inches (60.96 x 48.26 cm)
C
$7,000-9,000
66
66
Francisco Zúñiga
Mexican, 1912-1998
Maternity, 1969
Signed Zga and dated 1969 (lr)
Watercolor with red and black chalk on paper
19 5/8 x 25 1/2 inches (49.84 x 64.77 cm)
Please note this work will be included in
the forthcoming Volume V of the Francisco
Zúñiga catalogue raisonne.
C
$3,000-5,000
67
José Maria Mijares
Cuban, 1921-2004
Untitled, 1992
Signed Mijares and dated 1992 (lr)
Acrylic on canvas
60 x 40 inches (152.4 x 101.6 cm)
This work is accompanied by a certificate of
authenticity from the artist
C
$3,000-5,000
69
68
68
Emilio Sanchez
Cuban/American, 1921-1999
Doorway #14
Initialed ES (ll)
Oil on canvas
50 x 32 inches (127 x 81.28 cm)
Provenance:
The artist
The Contemporaries Gallery, New York
Private collection
C
$5,000-7,000
69
Antônio Bandeira
Brazilian, 1922-1967
Abstract Composition, 1966
Signed Bandeira and dated 66 (lr), signed
Antônio Bandeira and dated 1966 on artist’s label
Ink, gouache and watercolor on paper
10 x 13 inches (25.4 x 33.02 cm)
Provenance:
The artist
Ninette Lyon, Paris
Thence by descent
Private Collection, England
C
$3,000-5,000
67
72
Olga Albizu
Puerto Rican, 1924-2005
Untitled, 1965
Signed Olga Albizu and dated 1965 on the stretcher
Oil on canvas
40 x 24 inches (101.6 x 60.96 cm)
C
$7,000-9,000
73
Ramon Oviedo
Dominican, 1927-2015
Personaje Mitologico
Signed Oviedo (ll), signed Oviedo, inscribed
Santo Domingo Republica Dominicana and as titled
on the reverse
Acrylic on canvas
24 x 30 inches (60.96 x 76.2 cm)
C
$3,000-5,000
70
70
Sergio de Castro
Argentine, b. 1922
Haut Lieu, 1962
Signed Castro (lr), signed Castro, dated 62-17 and
Oil on canvas
44 1/2 x 57 1/4 inches (113.03 x 145.41 cm)
C
$4,000-6,000
72
71
Antonio Suárez
Spanish, b. 1923
Pintura 110, 1962
Signed Suárez and dated 62 (lc), signed Suárez,
dated 1962 and inscribed as titled on the reverse
Oil on canvas
46 3/8 x 35 1/4 inches (117.79 x 89.53 cm)
Provenance:
The artist
C
$3,000-5,000
71
73
75
Estate of Patricia M. De Bary
74
Orville Bulman
American, 1904-1978
Le Jazz Hot
Signed Bulman (ll), signed Orville Bulman
and inscribed as titled on the reverse
Oil on Masonite
10 x 8 inches (25.4 x 20.32 cm)
C
$10,000-20,000
76
75
Orville Bulman
American, 1904-1978
Le Horn Hot
Signed Orville Bulman (ll), signed Orville Bulman
and inscribed as titled on the reverse
Oil on Masonite
10 x 8 inches (25.4 x 20.32 cm)
C
$10,000-20,000
76
Orville Bulman
American, 1904-1978
Madame LaFarge et Ses Filles, 1963
Signed Bulman (lr), signed Orville Bulman, dated
1963 and inscribed as titled on the reverse
Oil on Masonite
10 x 8 inches (25.4 x 20.32 cm)
Provenance:
Hammer Galleries, New York
C
$6,000-9,000
77
77
77
Walter Tandy Murch
American, 1907-1967
(i) Molybdenum, Open Hearth
Stamped Walter Murch (ur), inscribed as titled in
margin (ll)
Gouache and blue pencil on paper
Image size 8 1/4 x 10 1/4 inches (20.95 x 26.03 cm),
sheet size 16 5/8 x 13 7/8 inches (42.22 x 35.24 cm)
Provenance:
The artist
Betty Parsons Gallery, New York
(ii) Untitled (Train Tracks)
Stamped Walter Murch (lr), inscribed #41 on the
reverse
Gouache and blue pencil on paper
Image size 7 1/8 x 7 1/4 inches (18.09 x 18.41 cm)
Provenance:
The artist
Betty Parsons Gallery, New York
C
$3,500-5,500
78
Lester Johnson
American, 1910-2010
Dream Scene, Vincent Series #12 (Twilight), 2004
Signed Lester Johnson (lr), dated 2004 and inscribed
Vincent #12 (Twilight) on the stretcher
Oil on canvas
50 x 40 inches (127 x 101.6 cm)
Unframed
C
$4,000-6,000
78
79
Joseph Hirsch
American, 1910-1981
Linebacker, 1974-79
Signed Joseph Hirsch (ll)
Oil on canvas
68 x 50 inches (172.72 x 127 cm)
Provenance:
Exhibited:
Realist Antecedents, Feb. 19 - Mar. 31, 1985,
Artists’ Choice Museum, New York
C
$7,000-9,000
80
Joseph Hirsch
American, 1910-1981
Folies Bergere
Oil on canvas
16 x 19 5/8 inches (40.64 x 49.84 cm)
Unframed
Provenance:
C
$3,000-5,000
80
83
82
81
Joseph Hirsch
American, 1910-1981
Head and Tail, 1978
Signed Joseph Hirsch (ul)
Oil on canvas
16 x 18 inches (40.64 x 45.72 cm)
Provenance:
C
$2,000-3,000
82
Doris Caesar
American, 1893-1971
Untitled (Standing Woman with Drape)
Signed Caesar
Bronze with dark brown patina
Height 29 1/4 inches (74.29 cm)
C
$3,000-5,000
83
Joseph Benjamin O’Sickey
American, 1918-2013
New Trees for Planting, 1983
Signed O’Sickey and dated ‘83 (lr),
inscribed as titled on the overlap
Oil on canvas
60 x 72 inches (152.4 x 182.88 cm)
Unframed
C
$6,000-8,000
81
86
Elizabeth Strong-Cuevas
American, b. 1929
Hello, 2014
Initialed SC, dated 2014, numbered 2/6
and stamped with the Tallix Foundry mark
37 x 15 3/4 x 8 1/4 (95.88 x 40 x 20.95 cm),
base size 3 1/2 x 16 3/8 x 10 7/8 inches
(8.89 x 41.59 x 27.62 cm)
84
84
Paul Cadmus
American, 1904-1999
Male Nude, 1968
Signed Cadmus, dated 1968 and inscribed NM
56 (ll), dated 1968 (ur)
Colored pencil on gray paper
26 1/2 x 14 3/4 inches (67.31 x 37.46 cm)
Provenance:
The artist
[DC Moore Gallery, New York]
Exhibited:
Paul Cadmus: The Male Nude 1950-1999, Oct.
10 - Nov. 9, 2002, DC Moore Gallery, New York
C
$10,000-15,000
85
Provenance:
The artist
Private collection, Europe
C
$40,000-60,000
85
Paul Cadmus
American, 1904-1999
Artist and Model
Signed Cadmus (ul)
Colored chalk on gray artists’ board
26 x 22 inches (66.04 x 55.88 cm)
Provenance:
The artist
[DC Moore Gallery, New York]
Exhibited:
Independent Visions: American Drawings &
Watercolors, Apr. 14 - May 14, 2013,
DC Moore Gallery, New York
C
$8,000-12,000
CONTEMPORARY ART
87
Joe Brainard
American, 1942-1994
Self Portrait Number Two: My Underwear November 14, 1966, 1966
Signed Joe Brainard (cr)
Ink on paper
28 1/4 x 21 7/8 inches (71.75 x 55.56 cm)
Provenance:
Felix Landau Gallery, Los Angeles
Estate of Felix Landau
Landau Family Collection
C
$8,000-12,000
Lot 130
88
89
88
Sol LeWitt
American, 1928-2007
Irregular Shape - Black, 1992
Signed S. Lewitt and dated 92 (lr)
Gouache and ink on shaped paper
15 1/2 x 22 inches (39.37 x 55.88 cm)
Provenance:
John Weber Gallery, New York
C
$4,000-6,000
89
Mel Bochner
American, b. 1940
Kvetch, 2013
Signed Bochner and dated 2013 (lc)
Monoprint with collage, engraving and embossment
on hand-dyed Twinrocker paper
8 x 12 inches (20.32 x 30.48 cm)
Provenance:
Two Palms, New York
C
$5,000-9,000
Estate of the Honorable Judith S. Kaye and Stephen R. Kaye, Esq.
90
Ron Kleemann
American, 1937-2014
Hard Cafe on the Rock, 1986
Signed Kleemann and inscribed America (lr)
Oil on linen
90 x 60 inches (228.6 x 152.4 cm)
Provenance:
Purchased directly from the artist by the Honorable Judith S. Kaye
and Stephen R. Kaye, Esq.
A seminal figure in the Photorealist movement, Ron Kleemann created
techincally precise works with specific attention to reflections and
surfaces. Hard Cafe on the Rock is a classic depiction of New York’s
original Hard Rock Cafe during its 57th Street incarnation from
1984 to 2005. The work is a prime example of Kleemann’s oeuvre,
and of the Photorealism movement altogether - Pop-tinged subject
matter on a massive scale, with masterful attention to light, as it
plays off chrome and glass.
C
$40,000-60,000
Literature:
Louis K. Meisel, Photorealism Since 1980, New York, 1993
91
91
Marilyn Minter
American, b. 1948
Frostbite, 2006
Signed M. Minter on card affixed to backing
C-print, from an edition of 25
16 x 20 inches (40.64 x 50.8 cm)
Provenance:
Salon 94 Gallery, New York
C
$5,000-7,000
92
Marilyn Minter
American, b. 1948
Frostbite, 2007
Signed M. Minter, dated 2007 and inscribed as titled,
signed M. Minter and dated 2007 on note card
Unique double-sided print on aluminum lunchbox
7 x 8 x 4 inches (17.78 x 20.32 x 10.16 cm)
Provenance:
The artist
The Lunchbox Auction, Dec. 7th, 2007, Food Bank for
New York City and The Luncbox Fund, New York
C
$5,000-7,000
93
Cindy Sherman
American, b. 1954
Untitled (Artist in Her Studio) 1983
Signed C.S. and dated ‘83, (lr) numbered 51/125 (ll)
Chromogenic print, from an edition of 125
Sheet size 20 x 16 inches (50.8 x 40.64), image size
15 3/8 x 10 5/8 inches (39.05 x 26.98 cm)
C
$10,000-15,000
92
96
Donald Baechler
American, b. 1956
Yellow Tulip, 2006
Signed DB and dated 2006 (lr), signed Donald Baechler
on the reverse
Gesso, flashe and paper collage on paper
27 x 21 inches (68.58 x 53.34 cm)
94
Keith Haring
American, 1958-1990
Andy Mouse, 1986
Signed K. Haring and dated 86 (lr)
Marker on artist’s stationery
11 x 8 1/2 inches (27.94 x 21.59 cm)
Provenance:
Cheim & Read Gallery, New York
C
$5,000-7,000
Provenance:
Lucas Schoormans Gallery, New York
Purchased by Hal Meltzer from the above, 1991
C
$10,000-15,000
96
97
Bill Jensen
American, b. 1945
Still Life, 1977
Signed Bill Jensen, dated Oct. 20 1977 and inscribed
Oil on canvas
30 x 22 inches (76.2 x 55.88 cm)
94
Provenance:
Acquired by the current owner from the Washburn
Gallery, 1981
95
Keith Haring
American, 1958-1990
Untitled, 1989
Signed K. Haring and dated 89 (lc)
Marker on paper
Sight size 5 x 7 inches (12.7 x 17.78 cm)
Provenance:
Purchased from the artist by Hal Meltzer
C
$5,000-7,000
95
Exhibited:
Painting From the Mind’s Eye, Feb 23 - Mar 23, 1983,
C.W. Post Center, Long Island University, Brookville, NY
1976-1986: Ten Years of Collecting Contemporary,
Nov 13, 1986 - Jan 18, 1987, Wellesley Museum,
Wellesley, MA
Selections From the Contemporary American...,
Feb 13 - Mar 21, 1987, Knight Gallery,
Spirit Square Center for the Arts, Charlotte, NC
Contemporary American Art: Selections from the
Edward R. Downe, Jr. Collection,
Nov 15, 1987 - Jan 17, 1988, Parrish Art Museum,
Water Mill, NY
C
$7,000-9,000
97
The Collection of Joachim Neugroschel
98
Joe Coleman
American, b. 1955
Apocalyptic Scene
Crayon on paper
22 3/4 x 28 5/8 inches (57.78 x 72.7 cm)
Provenance:
Purchased directly from the artist by
Joachim Neugroschel
C
$6,000-8,000
Estate of Ronnie Cutrone
100
Ronnie Cutrone
American, 1948-2013
Untitled
Acrylic and glitter on canvas
48 x 48 inches (121.92 x 121.92 cm)
Unframed
C
$3,000-5,000
98
100
99
Martin Wong
American, 1946-1999
Untitled (Portrait of a Boy)
Acrylic on canvas
5 x 7 inches (12.7 x 17.78 cm)
Unframed
C
$3,000-5,000
Estate of Ronnie Cutrone
101
Daze
American, b. 1962
Zurich Train Station, 1984
Signed Daze, dated 84 (lr), signed
Daze, dated 84 and inscribed as titled
on the reverse
Aerosol paint and collage on canvas
51 x 67 inches (129.54 x 170.18 cm)
Provenance:
The artist
Ronnie Cutrone, New York
C
$3,000-5,000
99
101
102
Brian Clarke
British, b. 1953
Black, White on Red, 1979
Signed Clarke and dated 1979 on the reverse
Acrylic on canvas
72 x 72 inches (182.88 x 182.88 cm)
Unframed
Provenance:
The artist
Vesti-Dane Gallery, Scottsdale, AZ
Private collection, Boston
Exhibited:
Brian Clarke, May 31 - Jun. 29, 1980,
Sheffield City Art Galleries, Sheffield, England
C
$7,000-9,000
104
104
Antony Gormley
British, b. 1950
Valence and Matrix, 2000
Signed Antony Gormley, dated ‘00 and inscribed
Water-dispersed anyline dye and carbon on paper
8 1/4 x 11 1/2 inches (20.95 x 29.21 cm)
102
Provenance:
White Cube, London
C
$5,000-7,000
103
Brian Clarke
British, b. 1953
Untitled
Acrylic and collaged paper and newsprint
on paper
59 1/2 x 47 1/2 inches (151.13 x 120.65 cm)
Provenance:
The artist
Private collection, Boston
C
$2,000-3,000
105
Peter Schuyff
Dutch, b. 1958
Untitled, 1984
Signed Schuyff and dated 84 on the reverse
Acrylic on canvas
66 x 46 inches (167.64 x 116.84 cm)
Unframed
Provenance:
Pat Hearn Gallery, New York
C
$5,000-7,000
105
103
106
106
George Condo
American, b. 1957
Untitled, 2007
Signed Condo and dated 07 (ul)
Graphite on paper
13 1/2 x 11 5/8 inches (34.29 x 29.52 cm)
C
$7,000-9,000
107
107
George Condo
American, b. 1957
Untitled, 2004
Signed Condo and dated 04 (ur)
Pastel, graphite and marker on paper
11 5/8 x 8 1/4 inches (29.52 x 20.95 cm)
C
$5,000-7,000
108
Donald Sultan
American, b. 1951
Tomatoes and Egg, 1998
Dated Jan 19, 1998 and inscribed as titled (cl), signed D. Sultan,
dated Jan 19, 1998 and inscribed as titled on the reverse
Tar, spackle and oil on tile over wood
12 x 12 inches (30.48 x 30.48 cm)
Provenance:
Baldwin Gallery, Aspen
[Sale] Christie’s New York, Jun. 30, 2008
C
$10,000-15,000
109
Dominique Polles
French, b. 1945
Obsidienne, circa 1980
Signed Polles, inscribed Italy, and numbered 1/2
Bronze, from an edition of 2
Provenance:
Purchased directly from the artist by the current owner
Literature:
Sylvie Blin, Polles, Firenze, Edizioni Polistampa, 2003,
p. 79 color illus.
C
$20,000-30,000
110
Rebecca Warren
British, b. 1965
Noir, comme mon ame, 2007
Bronze, from an edition of 5 plus 2 AP
12 x 11 3/4 x 11 inches (30.48 x 29.84 x 27.94 cm)
An example from the edition was included in the exhibition Rebecca Warren,
Mar. 10 - Apr. 19, 2009, Serpentine Gallery, London
2006 Turner Prize nominee Rebecca Warren creates brutalist post-Giacometti
adventures in new sculpture. Building cartoonish, distorted objects alluding to
figural forms, sometimes recognizable, sometimes severely abstracted, Warren’s
approach to creating is obtusely both reverent to the history of sculpture yet
contemptuous of understood practices and usage of materials.
C
$30,000-50,000
112
Fred Wilson
American, b. 1954
Drop, Dripped, 2003
White and black glass in two parts, edition of 20,
published by Sculpture Center
White “drip” 15 x 3 1/2 inches (38.1 x 8.89 cm),
black “drop” 3 x 12 x 12 inches (7.62 x 30.48 x
30.48 cm)
C
$5,000-7,000
113
113
Philip Taaffe
American, b. 1955
Untitled, circa 1993
Ink and watercolor on paper
27 1/2 x 39 1/4 inches (69.85 x 99.69 cm)
Provenance:
Livet Reichard & Co., New York
111
Exhibited:
Drawing the Line Against AIDS: An Exhibition in Conjunction
with Art Against AIDS Venezia Under the Aegis of the 45th
Venice Biennale at the Peggy Guggenheim Collection
June 8-13 1993, loan no. 1157.93
C
$5,000-7,000
111
Mark Greenwold
American, b. 1942
The Need to Understand, 2002-2003
Oil on wood
16 x 15 inches (40.64 x 38.1 cm)
114
Charles Long
American, b. 1958
Abe Lincoln, 1992-95
Rubber over armature with single hair from Abraham Lincoln
56 x 25 x 25 (142.24 x 63.5 x 63.5 cm)
Provenance:
DC Moore Gallery, New York
Exhibited:
Mark Greenwold: A Moment of True Feeling,
1997-2007, Oct. 10 - Nov. 10, 2007, DC Moore
Gallery, New York
C
$3,000-5,000
112
Sculptor Charles Long (twice awarded the Pollock-Krasner grant)
creates biomorphic, and at times blob-like, abstract sculptures.
He chooses, however, to challenge the textbook definition of
abstraction: his sculptures are not extractions or adaptations of
existing forms, but rather explorations into the self and nature.
At first glance, “Abe Lincoln,” appears to be a simple form,
created as a vessel to showcase a single hair from the 16th
President. That withstanding, in an interview for Bomb Magazine
(Spring 2012), Long explains “...that’s a minimal surface. It’s a
sphere pulled to a point, and when it comes to that final point,
that’s where Abraham Lincoln’s hair comes out of it. For me,
the minimal surface is this ultrageneralized form, exhibiting a
minimum of surface difference, but at this point of extension,
it takes on a radical subjectivity as you understand this line is
also a person, in this case Lincoln, a DNA structure, and all the
history around him.”
C
$4,000-6,000
114
117
Huang Gang
Chinese, b. 1961
Strength of the Dragon, 2001
Signed Huang Gang, dated 2001 and
signed in chop (lr)
Enamel and gold leaf on board
41 3/8 x 41 3/8 inches (105.09 x 105.09 cm)
Provenance:
Bao Lin Gallery, Hong Kong
C Estate of Peter K. Warren
$4,000-6,000
118
Cao Liwei
Chinese, b. 1956
Herding in Gansu Province, 1998
Signed with chop and Liwei, Cao, and
dated 1988.6 (lr)
Oil on canvas
36 x 42 inches (91.44 x 106.68 cm)
Provenance:
Hefner Galleries, Inc., New York
C
$6,000-8,000
117
115
115
Lee Hock Moh
Sinagaporean, b. 1947
Untitled (Floral Garden)
Signed in Chinese letters with two seals (uc)
Ink and color pigments on paper laid to
paper scroll with silk borders
68 x 37 1/2 inches (172.72 x 95.25 cm)
C
$12,000-18,000
116
116
Senaka Senanayake
Sri Lankan, b. 1951
Deer, 1972
Signed Senaka Senanayake and dated 1972
(lc), inscribed as titled on the reverse
Oil on canvas
35 1/4 x 40 1/2 inches (89.53 x 102.87 cm)
C
$5,000-7,000
118
119
119
Roberto Juarez
American, b. 1952
Fan Mover, 1982
Signed Roberto Juarez, dated 1982 and
Oil and acrylic on canvas
78 x 80 inches (198.12 x 203.2 cm)
Provenance:
Robert Miller Gallery, New York
C
$3,000-5,000
120
Rosi Schwartzman
Peruvian, b. 1947
Untitled, 1995-99
Signed R Schwartzman and dated 95-99 (lr)
Oil on linen
31 1/2 x 39 1/2 inches (80.01 x 100.33 cm)
Provenance:
Galeria Forum, Lima, Peru
120
121
Eberhard Havekost
German, b. 1967
Untitled, 1996
Tempera on magazine page laid to card
11 1/4 x 8 3/4 inches (28.57 x 22.22 cm)
121
Provenance:
Galerie Gebr. Lehmann, Berlin
C
$7,000-9,000
122
Nikolay Moltchanov
Russian/American, b. 1959
Old Punk, 1996
Signed Nikolay and inscribed 37 (lr), signed
Nikolay Moltchanov, dated 1996 and
hvinscribed as titled on the reverse
Watercolor on paper
12 1/2 x 10 inches (31.75 x 25.4 cm)
C
$3,000-5,000
Literature:
Rosi Schwartzman, Galeria Forum, 1997,
pp. 10, 11, color illus.
C
$3,000-5,000
122
123
123
David Novros
American, b. 1941
Untitled (Home Savings Study), 1986
Watercolor on paper
25 x 61 inches (63.5 x 154.94 cm)
Provenance:
The artist
Readers Digest Association,
Collection of Fine Art, New York, no. 60493
C
$3,000-5,000
124
Benjamin Edwards
American, b. 1970
Starbucks, Seattle: Compression, 1998
Acrylic and texture mediums on canvas
52 x 76 inches (132.08 x 193.04 cm)
Unframed
Provenance:
Lucas Schoormans Gallery, New York
C
$5,000-7,000
125
Stanley Casselman
American, b. 1963
IR-38-4, 2013
Signed Stanley Casselman, dated 2013 and
Acrylic on canvas
49 x 42 inches (124.46 x 106.68 cm)
Unframed
C
$12,000-16,000
124
126
Betsy Eby
American, b. 1967
Icarus, 2003
Signed Betsy Eby, dated 2003, inscribed
Vaporizing XXXIV and as titled on
the reverse
Encaustic on panel
48 x 60 inches (121.92 x 152.4 cm)
Unframed
C
$4,000-6,000
126
128
127
Nicole Charbonnet
American, b. 1966
Zebra, 2007-08
Signed Charbonnet, dated 2007-08 and
Acrylic and oil on canvas
72 x 96 inches (182.88 x 243.84 cm)
Unframed
C
$3,000-5,000
129
128
Rebecca Purdum
American, b. 1959
NYC 329, 1991
Signed Rebecca Purdum, dated 6-91 and inscribed
as titled on the overlap
Oil on canvas
84 x 60 inches (213.36 x 152.4 cm)
Unframed
129
Rebecca Purdum
American, b. 1959
NYC 143, 1986
Signed R. C. Purdum, dated 1/1986 and inscribed as
titled on the overlap
Oil on canvas
55 x 43 inches (139.7 x 109.22 cm)
Unframed
Provenance:
Jack Tilton Gallery, New York
C
$6,000-8,000
Provenance:
Jack Tilton Gallery, New York
C
$4,000-6,000
127
130
Mark Flood
American, b. 1957
Garden Wall, 2001
Signed Mark Flood on the reverse, dated 9/01 and inscribed as
titled on the stretcher
Acrylic on canvas
20 x 16 inches (50.8 x 40.64 cm)
Provenance:
The artist
Marty Walker Gallery, Houston
Purchased from the above by the present owner
Mark Flood’s beloved series of lace paintings began in the 1990s,
beginning as decorative backgrounds to text-based pieces, then
evolving into some of his most sought-after and highly-regarded
works. The use of color and pattern to create a beautiful abstract
image belies the satirical, impish Mark Flood notorious for sending
surrogate impersonators to take his place at his exhibitions. David
Markus for Art in America (Dec. 16, 2012) described the lace paintings
as “large canvases that exploit the seductiveness of fraying, finely
wrought fabric.” With this series, lace is employed by Flood as
a stencil; not a collaged element remaining with the work. Lace
is manipulated, soaked in paint, pressed strategically against the
canvas, and then lifted away. The series of paintings are the results
of chance, as Flood peels back the lace to reveal the finished work.
C
$15,000-20,000
131
Walton Ford
American, b. 1960
Loss of Harmony, 1990
Signed Walton Ford and dated 1990 on the reverse
Oil on wood
35 3/4 x 37 3/4 inches (90.8 x 95.88 cm)
Provenance:
Acquired by the current owner directly from the artist
Exhibited:
Walton Ford: Early Works, May - Jun, 2012,
Franklin Riehlman Fine Art, New York
In over-simplified terms, we could say an artist either expresses the
voice of the masses or that of his own self-reflection. The early paintings
of Walton Ford are often reflections of his own life experiences. In
Loss of Harmony, painted in 1990, Ford is reflecting not on his own
experiences, but rather on the history of his family as slave owners in
the southern United States prior to the Civil War. Much like the works
the artist is now producing, these early works also convey challenging
messages often using humor. In a 2003 interview, “Walton Ford:
Political Humor and Colonial Critique,” from the PBS series “Art in
the Twenty-First Century,” Season 2, episode “Humor,” the artist
states, “I was interested in confronting that aspect of my background
and making pictures about it. And when I was thinking about my
ancestors there was something kind of pathetic about them.”
Ford’s current works take a much broader view of humanity and are
more expressive of the voice of the masses. Still using imagery of
the 19th century, he often uses the written word of others as his
foundation to then build his imagery, pulling from the journals of
British explorer Sir Richard Francis Burton, and the American naturalist
John James Audubon.
C
$15,000-20,000
132
McDermott & McGough
American, 20th Century
I Hadn’t a Heart Left to Pray 1967, 2007
Signed McDermott & McGough, dated
2007, and inscribed as titled on
the reverse
Oil and silkscreen on canvas
20 x 18 inches (50.8 x 45.72 cm)
Unframed
Provenance:
Maruani & Noirhomme Gallery, Brussels
C
$7,000-9,000
133
Kiki Smith
American, b. 1954
(i) Puppet, 2001
Signed Kiki Smith and dated 2001 (lr),
numbered 16/48 (ll)
Color iris print, from an edition of 48
16 x 22 inches (40.64 x 55.88 cm)
132
Provenance:
Pace Editions, New York
(ii) Untitled (from Head with Butterfly),
1993
Signed Kiki Smith, dated 1993 and
numbered 2/5 on the reverse
Ektacolor print, from an edition of 5
Image size 22 5/8 x 15 inches
(57.46 x 38.1 cm)
Provenance:
Pace MacGill Gallery, New York
(iii) Calling, 2000
Signed Kiki Smith and dated 2000 on
the reverse
Ektacolor print mounted to board, from
an edition of 3
Image size 18 5/8 x 12 3/4 inches
(47.3 x 32.38 cm)
Provenance:
(iv) Harpies, 2000
the reverse
an edition of 3
29 3/4 x 19 3/4 inches
(75.56 x 50.16 cm)
Provenance:
(v) Harpies, 2000
the reverse
an edition of 3
Image size 15 1/2 x 23 inches
(39.37 x 58.42 cm)
Provenance:
C
$4,000-6,000
133
133
133
133
133
134
Jonathan Meese
German, b. 1970
Napoleon II, 2006
Initialed JM, dated 06, numbered 1/3, stamped
with foundry mark H. Noack Berlin, and inscribed
Napoleon
Bronze on marble base with wood plinth, this work
is 1 from an edition of 3
Bronze including marble base height 29 inches
(73.66 cm), plinth height 39 1/2 inches (100.33 cm)
C
$15,000-20,000
133
VIEW THE FULLY ILLUSTRATED
VIEW CATALOGUE AND BID ONLINE AT DOYLE.COM 91
136
Margaret Kilgallen
American, 1967-2001
Untitled Silhouette, circa 1997
Acrylic on found paper
10 1/2 x 7 inches (26.67 x 17.78 cm)
Unframed
C
$6,000-9,000
136
135
Margaret Kilgallen
American, 1967-2001
Red-Eye, circa 1999
Acrylic on found paper
10 1/8 x 7 5/8 inches (25.71 x 19.36 cm)
137
Shepard Fairey
American, b. 1970
Burmese Monk, 2010
Signed Shepard Fairey (lr), numbered 1/2 (ll)
Hand-painted multiple (HPM) with screenprint on metal,
edition of 2
24 x 18 inches (60.96 x 45.72 cm)
Provenance:
Jonathan Levine Gallery, New York
C
$4,000-6,000
Exhibited:
Hammer Projects: Margaret Kilgallen, Feb. 6-Apr. 2, 2000,
UCLA Hammer Museum, Los Angeles
Literature:
Eungie Joo, Margaret Kilgallen, In the Sweet Bye and Bye, Los Angeles: Cal Arts,
2005, p 151, color illus.
C
$10,000-15,000
137
140
Peter Tunney
American, 20th Century
Today is the Day
Signed Peter (lr)
Acrylic and collage on canvas
60 x 48 inches (152.4 x 121.92 cm)
C
$7,000-9,000
140
138
138
Blek Le Rat
French, b. 1951
Breaking Down Walls, 2008
Signed Blek Le Rat, dated 2008 and inscribed N.Y.C. (lr)
Aerosol paint on canvas
39 1/4 x 29 1/4 inches (99.69 x 74.29 cm)
Unframed
141
Roy Nachum
Israeli, b. 1979
Lip, Curl, 2006
Signed Roy Nachum, dated 2006 and inscribed as titled on
the reverse
Oil on canvas
84 x 81 inches (213.36 x 205.74 cm)
Unframed
C
$6,000-8,000
Provenance:
C
$5,000-7,000
139
James Jean
American, b. 1979
Male Arabesque, quadriptych, 2008
Mixed media on Rives BFK paper
Each 15 x 15 inches (38.1 x 38.1 cm), total size 60 x 15 inches
(152.4 x 28.1 cm)
Provenance:
C
$4,000-6,000
141
139
142
Aaron Young
American, b. 1972
Landscape, 2010
Laminated glass with shredded tire rubber and
epoxy resin
84 x 60 inches (213.4 x 152.4 cm)
Provenance:
Bortolami Galleries, New York
Exhibited:
Light Breaks Where No Sun Shines, December
2010, Bortolami Gallery at the Webster,
Miami Beach
Performance-based artist Aaron Young creates
raw, confrontational situations, resulting in
monolithic works standing as a testament
to the performance. Among his best-known
works are his pieces in which motorcycles
are ridden across plywood, the resulting tire
marks creating a network of abstract patterns.
Roberta Young of the New York Times equated
“Greeting Card,” his motorcycle performance
held at the Park Avenue Armory in 2007, to
“watching gladiators at the Roman Colosseum.”
Often compared to controversial artist
Chris Burden, Young has a penchant for
aggressive, masculine works that are all things
loud, dirty and bombastic. For this 2010 work,
“Landscape,” Young, in a continuation of these
performances, produced the work by doing
“burnouts” on a motorcycle while aimed
at the sheet of glass. The eventual tire failure
from being ridden to destruction caused
molten rubber tire chunks to spray onto the
glass surface. Finally, Young poured liquid glass
overtop the shredded rubber to hold it into
place, creating an ad-hoc glass and rubber
sandwich. Getting closer to the piece, it
seems one can still smell faint traces of motor
oil and exhaust.
C
$20,000-40,000
143
143
Aaron Young
American, b. 1972
Weekend King 2009
Screenprint on aluminum
24 x 24 inches (60.96 x 60.96 cm)
Provenance:
Bortolami Gallery, New York
BAMart Auction, New York
C
$4,000-6,000
144
Terence Koh
Chinese/Canadian, b. 1977
Untitled (Flowers for Baudelaire), 2008
Confectioner’s sugar and corn syrup on canvas, in
neon light box
10 3/4 x 12 1/2 x 5 inches (27.3 x 31.75 x 12.7 cm)
Provenance:
Vito Schnabel Gallery, New York
C
$4,000-6,000
See Illustration Back Cover
144
145
Rob Wynne
American, b. 1950
Acknowledge, 2013
Signed Rob Wynne and dated 2013 (lc)
Thread and glass beads on paper
24 x 18 inches (60.96 x 45.72 cm)
C
$4,000-6,000
146
Korakrit Arunanondchai
Thai, b. 1986
Bangkok Boy, 2014
Initialed KA, numbered 13/20 and
Acrylic on photo paper, from an edition
of 20 unique works 18 7/8 x 23 7/8 inches
(47.94 x 60.64 cm)
Provenance:
Gift of the artist to the current owner, as
part of the Burning Denim performance at
MoMA PS1, Mar. 9 - May 25, 2014
C
$3,000-5,000
147
Jon Pylypchuk
Canadian, b. 1972
I miss you and all the weight you
carried for me, 2013
Inscribed as titled (lr)
Aerosol on collaged paper, mailing
envelopes, and cardboard on carpet
36 x 52 inches (91.44 x 132.08 cm)
Provenance:
[Sale]
The Children’s Museum of the Arts
Art Auction, 2013,
The Children’s Museum of the Arts,
New York
C
$3,000-5,000
147
145
148
146
148
Hiro Yokose
Japanese, b. 1951
Untitled Triptych #5184, 2010
Signed Yokose, dated 2010 and
inscribed 5184 on reverse of first panel
Oil on canvas stretched to panel
Total size 60 x 120 inches
(152.4 x 304.8 cm)
Unframed
C
$6,000-7,000
End of Sale
Artist Index
with a click of your mouse at Doyle.com
Afro36
Albizu, Olga 72
Arman
5, 6
Arunanondchai, Korakrit 146
Avery, Milton
31
Baechler, Donald
Bandeira, Antônio Bannard, Walter Darby Bertoia, Harry
Blaine, Nell Blek Le Rat
Bochner, Mel Bourgeois, Louise Brainard, Joe Brauner, Victor
Browne, Byron Bulman, Orville Cadmus, Paul Caesar, Doris
Casselman, Stanley
Charbonnet, Nicole Christensen, Dan Clarke, Brian Coleman, Joe Condo, George
Cremonini, Leonardo Cutrone, Ronnie
96
69
46, 47
7
30
138
89
4
87
2
24
74-76
84, 85
82
125
127
48, 49
102, 103
98
106, 107
13
100
Daze101
de Castro, Sergio 70
de Kooning, Elaine 27
de Kooning, Willem 29
Drewes, Werner 20
Eby, Betsy
Edlich, Stephen Edwards, Benjamin 126
53
124
Fairey, Shepard Flood, Mark Ford, Walton 137
130
131
Gallatin, Albert Eugene
Gang, Huang Gilliam, Sam Goldberg, Michael Gormley, Antony Greene, Balcomb
Greenwold, Mark Guy, James 19
117
55, 56
37
104
23
111
62
Haring, Keith
Havekost, Eberhard Hiquily, Philippe
Hirsch, Joseph Hock Moh, Lee
Hussein, Ibrahim Hyppolite, Hector
Jean, James Jenkins, Paul
Jensen, Bill
Johnson, Lester
Juarez, Roberto Kelly, Leon Kelpe, Paul Kieff, Antonio Grediaga Kilgallen, Margaret
Kingman, Eduardo
Kleemann, Ron
Kline, Franz Koh, Terence
LeWitt, Sol
Liwei, Cao Long, Charles
94, 95
121
18
79-81
115
15-17
64
139
33-35
97
78
119
25
21
8, 9
135, 136
65
90
28
144
88
118
114
McDermott & McGough
Meese, Jonathan
Mijares, José Maria Minter, Marilyn
Moltchanov, Nikolay Montoya, Gustavo Morandis, Gino
Murch, Walter Tandy
132
134
67
91, 92
122
63
12
77
Nachum, Roy Nakian, Reuben Natkin, Robert
Nestlé, Jacques Nevelson, Louise
Novros, David 141
10
50-52
54
26
123
Olitski, Jules O’Sickey, Joseph Benjamin Oviedo, Ramon
Pereira, Irene Rice
Picasso, Pablo Piene, Otto Plavinsky, Dmitri Polles, Dominique
Purdum, Rebecca
Pylypchuk, Jon 45
83
73
22
1
57-61
14
109
128, 129
147
Ray, Man Roth, Jack
Sanchez, Emilio
Schuyff, Peter
Schwartzman, Rosi Senanayake, Senaka
Sherman, Cindy
Smith, Kiki Stamos, Theodoros Stefanelli, Joe
Strong-Cuevas, Elizabeth
Suárez, Antonio
Sultan, Donald Suzuki, James Hiroshi 3
44
68
105
120
116
93
133
32
41-43
86
71
108
38
Taaffe, Philip Tunney, Peter 113
140
Venard, Claude
11
Warren, Rebecca
Wilson, Fred
Wong, Martin
Wynne, Rob 110
112
99
145
Yektai, Manoucher
Yokose, Hiro Young, Aaron 39, 40
148
142, 143
Zúñiga, Francisco 66
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GLOSSARY
The following examples define some of the terms
used in this catalogue. The reader is reminded
that all of the terms and descriptions used in this
catalogue as to authorship, period, culture, source
or origin for any property are made and used as
qualified statements and opinions only, and are
subject to the Conditions of Sale and the Terms
of Guarantee.
In connection with the attribution of authorship,
as described in paragraph 2 of the Terms of
Guarantee, the following terms are used in this
catalogue, and are defined as follows:
FURNITURE AND DECORATIONS
REGENCY ROSEWOOD SOFA TABLE
First quarter of the 19th century. This heading with
the date included means that the piece is, in our
best judgment, of the period indicated with no
major alterations or restorations.
REGENCY ROSEWOOD SOFA TABLE
This heading without inclusion of a date indicates
that in our best judgment, the piece, while basically
of the period, has been substantially altered or
restored and in some cases it may also indicate
that the piece has been constructed from old parts.
REGENCY STYLE SOFA TABLE
The inclusion of the word “style” in the heading
indicates that, in our opinion, the piece is an
intentional copy or reproduction of an earlier work
or style of works.
PAINTINGS
Renovated 1487 SF 2BR, 2 Bath on East 64th
LR w large windows, open chef's kit, FDR/3rd BR, MBR suite,
laundry rm w W/D. 9' ceilings. FS condo w pool. Owner/broker.
$2.25M. Web 14467415. Soonjin Song 212.434.7060
NICOLAES MAES
In our best judgment the work is by the named
artist. This is our highest category of authenticity
in the present catalogue.
2013 – v.7
®
ATTRIBUTED
TO NICOLAES MAES
In our best judgment, while the work is of the
period of the named artist, and on the basis of
style can be ascribed to him, we cannot state
with certainty that it is by him.
SCHOOL OF NICOLAES MAES
In our best judgment, the work is of the period of
the named artist, by a pupil or close follower of
the artist, but is not by the artist.
Modern West Chelsea Loft
Prime Pristine West Village 1BR + Loft Condo
Cobble Hill 2BR, 2.5 Bth Condo Dplx In The Arches
1 bedroom, office, 2 baths, Schiffini kitchen & 14' ceilings. Full
service condo w amenities. Appx 1118 square feet. $1.595M.
Web 14485694. Shannon Helms Wisniewski 646.613.2604
14 foot ceilings, sunflooded north, south and west
exposures. Low monthlies. $1.695M. Web 14435192.
Tracie F. Golding 212.452.4394
Private courtyard entrance, renovated kitchen with pantry,
laundry room, hardwood floors, large closets. $1.595M.
Web 14509809. Shelton Smith 917.750.3047
The Right Broker Makes All the Difference.
Over the past 36 years, Stribling brokers have successfully represented the world’s most discerning clients,
offering an exceptional level of service, integrity and sophistication coupled with an in-depth understanding
of the ever-changing real estate market. Stribling professionals embrace a wide range of tastes and styles,
A SAVILLS
INTERNATIONAL
ASSOCIATE
SIGNED NICOLAES MAES
In our best judgment, the signature, monogram,
initials or other similar indicia of authorship is a
recognized signature of the artist and appears in
one of the six areas of the painting designated
as follows:
(u.l.) Upper left
(l.l.) Lower left
(u.r.) Upper right
(l.r.) Lower right
(u.c.) Upper center
(l.c.) Lower center
BEARS SIGNATURE, NICOLAES MAES
In our best judgment, the signature, monogram,
initials or other similar indicia of authorship is not
that of the artist and may have been added at a
later date.
DATED
In our best judgment, the date indicated on the work
is the date the work was executed.
DATED (FOR BRONZES)
In our best judgment, the date indicated when the
original model was executed. Since the exact date
of the casting of a bronze sculpture is often unknown
and illustrations in reference books may not specify
which particular cast is discussed or illustrated,
it should be pointed out that dates of execution
and entries listed under Literature in the individual
catalogue entries do not necessarily refer to the
castings included in the sale.
PRINTS
EDITION
Information regarding the size of the edition is given
when possible.
SIGNATURE
Only manuscript signatures of the artists are indicated.
Signatures “in the plate” are not mentioned since
they are considered part of the image.
QUALITY AND CONDITION
An attempt has been made to give relevant
information concerning the quality of the impression,
the size of the margins and the condition of the
prints when possible. These descriptions are qualified
statements or opinions only, and are made subject
to the Conditions of Sale and Terms of Guarantee.
The print sleeves are the property of Doyle New York
and are not included in the sale.
MEASUREMENTS
As with any description in this catalogue,
measurements are qualified statements or opinions
and are subject to the Conditions of Sale and
Terms of Guarantee. Doyle New York shall not be
liable for any mistakes in measurements.
Measurements have been made to the best of our
ability, and are given in inches to the nearest
1/4 inch and millimeters, height before width.
Unless otherwise indicated, etchings and engravings
are measured by the dimensions of the plate
marks.Woodcuts, lithographs and silkscreens are
measured by the dimensions of the images.
All pictures are framed unless otherwise noted in
this catalogue.
NAME OF THE ARTIST
Subject to the Conditions of Sale and Terms of
Guarantee set forth in this catalogue, and except
where stated as being “after” or “attributed to”
an artist, each lot is by the artist appearing at the
head of the lot, except in the case of lots containing
works by more than one artist.
TITLE
If there is a generally accepted title for the print,
that title is given in upper case at the beginning
of the lot description. If the work has no title or
the title is unknown to us, a descriptive title is
given in brackets.
REFERENCES
Information from the standard catalogues of the
artists’ works is cited when possible following the title.
CIRCLE OF NICOLAES MAES
In our best judgment, the work is of the period of
the named artist and closely related to his style.
MEDIUM
The mediums are described as fully as possible,
although secondary techniques may not be listed.
MANNER OF NICOLAES MAES OR AFTER
NICOLAES MAES OR FOLLOWER OF
NICOLAES MAES
In our best judgment, although the work is in the
style of or a copy of a work by the named artist,
it is of a later period.
DATE
The date given is that of the original plate, block,
stone or screen. It is not necessarily the date at
which the impression offered for sale was printed.
ensuring that each client is matched with the broker who can best assist them in buying or selling their home.
STRIBLING.COM · UPTOWN 212 570 2440 CHELSEA 212 243 4000 TRIBECA 212 941 8420 BROOKLYN 718 208 1900 · EQUAL HOUSING OPPTY
I
CONDITIONS OF SALE
1. BINDING TERMS
The lots listed in this catalogue will be offered by
Doyle New York as owner or as agent for consignor
subject to the following terms and conditions.
Where Doyle is agent, the contract is between
seller and buyer. The following Conditions of Sale
and Terms of Guarantee constitute the entire
agreement with the purchaser relative to the
property listed in this catalogue. By bidding at
auction you agree to be bound by these terms:
2. AS IS
All lots are sold “AS IS” and without recourse and
neither Doyle New York nor its consignor makes
any warranties or representations, express or
implied, with respect to such lots, except for the
limited warranties expressly stated in the Terms
of Guarantee section of this catalogue. Prospective
buyers are strongly advised to examine personally
any property in which they are interested, before
the auction takes place, to determine its condition,
size, and whether or not it has been repaired
or restored.
Except as otherwise expressly and specifically
provided in the Terms of Guarantee, neither
Doyle New York nor its consignor makes any
express or implied warranty or representation of
any kind or nature with respect to merchantability,
fitness for purpose, correctness of the catalogue
or other description of the physical condition,
size, quality, rarity, importance, medium, material,
genuineness, attribution, provenance, period,
culture, source, origin, exhibitions, literature or
historical significance of any lot sold. The absence
of any reference to the condition of a lot does not
imply that the lot is in perfect condition or completely
free from wear and tear, imperfections or the
effects of aging; nor does a reference to particular
defects imply the absence of others. References
in the catalogue entry or the condition report to
damage or restoration are for guidance only and
should be evaluated by personal inspection by
the bidder or a knowledgeable representative.
EXCEPTIONAL CUSTOM BUILT HOME
Greenwich, CT - 15 Wyckham Hill Lane • $3,950,000
This custom built 7,000 sq. ft. shingle home designed by Shope, Reno, Wharton is set on
4.34 acres with access to Babcock Preserve and a private pond. The formal living/dining
and kitchen/family rooms have fireplaces and French doors opening to stone terraces and
the pool/spa, greenhouse, and gardens. This 5 bedroom, 3.3 bath home features a 1st floor
master suite with private terrace, and a 2nd floor private office. A nature lover’s retreat only
10 minutes to town.
Julianne C. Ward
203-231-1064
[email protected]
www.95724.bhhsneproperties.com
A member of the franchise system of BHH Affiliates, LLC
The Terms of Guarantee are controlling, and no
statement, whether written or oral, and whether
made in this catalogue, an advertisement, a bill
of sale, a salesroom posting or announcement,
the remarks of an auctioneer, or otherwise, shall
be deemed to create any warranty, representation
or assumption of liability. All statements by Doyle
New York in the catalogue entry for the property
or in the condition report, or made orally or in
writing elsewhere, are statements of opinion and
are not to be relied on as statements of fact.
Except as stated in the Terms of Guarantee, neither
Doyle New York nor the seller is responsible in any
way for errors or omissions in the catalogue or any
supplemental material. Buyers are responsible for
satisfying themselves concerning the condition of
the property and the matters referred to in the
catalogue entry.
Doyle New York and its consignor make no warranty
or representation, express or implied, that the
purchaser will acquire any copyright or reproduction
rights to any lot sold. Doyle New York expressly
reserves the right to reproduce any image of the
lots sold in this catalogue.
The copyright in all images, illustrations and written
material produced by or for Doyle New York relating
to a lot, including the contents of this catalogue, is,
and shall remain at all times, the property of
Doyle New York and shall not be used by the buyer,
nor by anyone else, without our prior written consent.
the item will sell or its value for any other purpose.
Estimates do not include the buyer’s premium.
Where “Estimate on Request” appears, please
contact the Specialist Department for further
information.
3. WITHDRAWAL
Doyle New York reserves the right, at our complete
discretion, to refuse admission to the premises or
participation in any auction and to reject any bid,
as well as the right to refuse to acknowledge any
bidder. The highest bidder acknowledged by the
auctioneer will be the purchaser. The auctioneer
has the right at his absolute and sole discretion
to advance the bidding in such a manner as he may
decide, to withdraw or divide any lot, and to
combine any two or more lots. In the event of
error or dispute between bidders, or in the event
of doubt on our part as to the validity of any bid,
whether during or after the sale, the auctioneer
has final discretion to determine the successful
bidder, to continue the bidding, to cancel the sale,
or to reoffer and resell the lot in dispute. If any
dispute arises after the sale, the Doyle New York
sale record shall be conclusive.
Doyle New York reserves the right to withdraw
any lot at any time prior to the commencement
of bidding for such lot and shall have no liability
whatsoever for such withdrawal.
4. RESERVES
If the auctioneer decides that any opening bid is
below the value of the lot offered, the auctioneer
may reject that bid and withdraw the lot from sale;
and if, having acknowledged an opening bid, he
decides that any advance thereafter is insufficient,
he may reject that advance.
Unless otherwise indicated, all lots are offered subject
to a reserve, which is the confidential minimum
price below which such lot will not be sold.
No reserve will exceed the low estimate of the lot.
Reserves are agreed upon with the consignor or,
in the absence thereof, in the absolute discretion
of Doyle New York.
Unless otherwise announced by the auctioneer,
all bids are per lot as numbered in the catalogue.
Lots marked C preceding the estimate are consigned
and reserved. Those marked • are reserved property
in which Doyle New York has an interest.
Doyle New York on occasion makes loans or
advances funds to consignors.
The auctioneer may implement the reserve by
opening bidding on any lot by placing a bid on
behalf of the seller. The auctioneer will not specifically
identify bids placed on behalf of the seller.
The auctioneer may further bid on behalf of the
seller, up to the amount of the reserve, by placing
successive or consecutive bids for a lot or by placing
bids in response to other bidders. Unless otherwise
noted in the catalogue or by an announcement
at the auction, Doyle New York acts as agent on
behalf of the seller and does not permit the seller
to bid on his or her
own property.
5. ESTIMATES
Each lot in the catalogue is given a low and high
estimate representing that range which, in the
opinion of Doyle New York, represents a fair and
probable auction value. When possible, the estimate
is based on previous auction records of comparable
property, condition, rarity, quality and provenances.
The estimates are often determined several months
before a sale and are therefore subject to change
upon further research of the property, or to reflect
market conditions or currency fluctuations.
Estimates are subject to revision. Actual prices realized
for items can fall below or above this range. An
estimate of the selling price should not be relied
on as a statement that this is the price at which
6. BIDDING
7. PURCHASER’S RESPONSIBILITY
Title passes upon the fall of the auctioneer’s hammer
to the highest acknowledged bidder, subject to
the conditions of sale set forth herein. Such bidder
there upon assumes full risk and responsibility
there for (including, without limitation, liability
for or damage to frames and glass covering prints,
paintings or other works). Although in our discretion
we will execute orders or absentee bids or accept
telephone bids as a convenience to clients who are
not present at auctions, we are not responsible
for any errors or omissions in connection therewith.
When making a bid, a bidder is accepting personal
liability to pay the purchase price as follows, unless
it has been explicitly agreed in writing with Doyle
New York before the commencement of the sale
that the bidder is acting as agent on behalf of an
identified third party acceptable to Doyle New
York, and that Doyle New York will look only to the
principal for payment:
The total purchase price to be paid by purchaser
is the amount of the successful bid price plus a
premium of 25% on the first $100,000 of the
hammer price, 20% on the portion from $100,001
through $2,000,000, and 12% on that portion of
the hammer price exceeding $2,000,000.
Payment shall be made as follows:
A cash deposit of not less than 25% of the purchase
price (unless the whole purchase price is required
at the sole discretion of Doyle New York) will be
paid on the day of the auction. Deposits shall
apply to all purchases made at this sale and not
to any one particular lot.
II
CONDITIONS OF SALE CONTINUED
Masterpiece Home in Glen Ridge, New Jersey
$
2,590,000
Prior to the sale, the buyer must provide us with his
or her name and permanent address and, if so
requested, details of the bank from which payment
will be made.
The balance of the purchase price, if any, will be
paid not later than 5 pm one (1) day following
the day of the auction. Such payment shall be
made in U.S. dollars by certified or cashier check
drawn on a U.S. bank unless other arrangements
are made with Doyle New York. The buyer will not
acquire title to the lot until we have received all
amounts due to us from the buyer in good cleared
funds even in circumstances where we have released
the lot to the buyer. Doyle New York reserves the
right to hold merchandise purchased by personal
check until the check has cleared the bank.
The purchaser agrees to pay Doyle New York a
handling charge of $35 for any check dishonored
by the drawee.
At some auctions there may be a video or digital
screen. Errors may occur in its operation and in
the quality of the image, and Doyle New York
does not accept liability for such errors.
Any objects offered at this auction which contain
materials from a species that is endangered or
protected, including, but not limited to, ivory,
coral and tortoiseshell, may require a license or
certificate prior to exportation from the United States
or an individual state and additional certificates
or licenses for importation into another state
or country. Some materials may not be exported,
imported into other states or countries or resold.
It is the purchaser’s responsibility to be aware of
applicable laws and regulations and to obtain any
required export or import licenses or certificates
and any other required documentation.
Further, the purchaser shall be responsible for
on-time payment of the full purchase price of the
lot, even if the obtaining of any such license is
denied or delayed.
Doyle assumes no liability for failing to identify
materials from endangered or protected species
or for incorrectly identifying such materials.
This masterpiece home is located in highly desirable Glen Ridge, New Jersey and boasts six bedrooms, four full baths and
two half baths. This magnificent home was completely renovated and has maintained many original details you don’t want to miss!
Some original elements include ribbon inlaid hardwood floors, a marble fireplace, leaded glass bookcases and pocket doors,
and sparkling Swarovski and Schonbek light fixtures. The incredible gourmet kitchen features luxurious appliances such as
Sub-Zero, ASKO, Wolf, Bosch, and a Shaw farmhouse sink. Located just .4 miles to Mid-town Direct trains and Upper Montclair
Village, this home is perfect for commuters.
For more information or to take a tour visit: www.205FernwoodAveMontclairNJ.com
For more information about this property please contact:
Samuel Joseph
See Our Full Luxury Collection at
www.BHHSNJ.luxury
Sales Associate
Luxury Collection Specialist
Berkshire Hathaway HomeServices
New Jersey Properties
Montclair Office
695 Bloomfield Ave, Montclair, NJ 07042
Office: 973-744-5544
Cell: 917-359-8990
Fax: 973.744.1517
[email protected]
www.samjosephrealtor.com
©2016 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices
symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.
8. REMEDIES AVAILABLE TO
DOYLE NEW YORK
In addition to the other remedies available to us
by law, we reserve the right to impose a late charge
of 1 1/2% per month of the total purchase price
if payment is not made in accordance with the
conditions set forth herein. All property must be
removed from our premises by the purchaser at
their expense not later than (2) business days
following its sale and, if it is not removed, Doyle
New York reserves the right to charge a minimum
storage fee of $5 per lot per day or to deliver the
property to a public warehouse for storage at the
purchaser’s expense, to be released only after
payment in full of all removal, storage, handling,
insurance and any other costs incurred, together
with payment of all other amounts due to us.
Doyle New York shall have no liability for any
damage to property left on its premises for more
than (2) days following the sale.
If any applicable conditions herein are not complied
with by the purchaser, in addition to other remedies
available to us and the consignor by law, including
without limitation the right to hold the purchaser
liable for the total purchase price, including all fees,
charges and expenses more fully set forth herein,
we shall be entitled in our absolute discretion
to exercise one or more of the following rights
or remedies:
a) To charge interest at such rate as we shall
reasonably select;
b) To hold the defaulting buyer liable for the total
amount due and to commence legal proceedings
for its recovery together with interest, legal fees
and costs to the fullest extent permitted under
applicable law;
c) Cancel the sale of that, or any other lot or lots
sold to the defaulting purchaser at the same or
any other auction, retaining as liquidated damages
all payments made by the purchaser;
d) Resell the property whether at private sale or
public auction without reserve, and the purchaser
will be liable for any deficiency, cost, including
handling charges, the expenses of both sales, our
commission on both sales at our regular rate, all
other charges due hereunder and incidental damages;
e) To set off the outstanding amount remaining
unpaid by the buyer against any amounts which
we may owe the buyer in any other transactions;
f) Where several amounts are owed by the buyer
to us, in respect of different transactions, to apply
any amount paid to discharge any amount owed
in respect of any particular transaction, whether
or not the buyer so directs;
g) To reject at any future auction any bids made
by or on behalf of the buyer or to require a deposit
from the buyer before accepting any bids;
9. LIMITED LIABILITY
If for any cause a purchased lot cannot be delivered
in as good condition as at the time of sale, or should
any purchased lot be stolen or mis-delivered or
lost prior to delivery, Doyle New York shall not be
liable for any amount in excess of that paid by the
purchaser. We are not responsible for the acts or
omissions of carriers or packers of purchased lots,
whether or not recommended by us. Packing and
handling of purchased lots by us is at the entire risk
of the purchaser and Doyle New York will have no
liability for any loss or damage to such items.
10. DOYLE NEW YORK EMPLOYEES
Employees of Doyle New York are not prohibited
from bidding on property. In the course of their
employment it is possible that they may have
access to information not available to the public.
11. WAIVER OF CONDITIONS
Any and all of these conditions may be waived or
modified in the sole discretion of Doyle New York.
The Conditions of Sale, Terms of Guarantee, the
glossary, if any, and all other contents of this
catalogue are subject to amendment by us by
oral announcements made during the sale.
Salesroom notices amend the catalogue description
of a lot after our catalogue has gone to press.
They are posted in the viewing galleries and
salesroom or are announced by the auctioneer.
Please take note of them.
12. All measurements and weight are approximate.
Doyle New York is not responsible for damage of
glass covering paintings, drawings, other works
or frames and lamp shades regardless of cause.
13. If any part of these Conditions of Sale is found
h) To take such other actions as we deem necessary
or appropriate; or
by any court to be invalid, illegal or unenforceable,
the balance of the conditions shall continue to be
valid to the fullest extent permitted by law.
i) To effect any combination thereof.
14. The rights and obligations of the parties with
In addition, a defaulting purchaser will be deemed
to have granted and assigned to us a continuing
security interest of first priority in, and we may retain
as collateral security for such purchaser’s obligations
to us, any property or money of or owing to such
purchaser in our possession. We shall have all of
the rights accorded a secured party under the
New York Uniform Commercial Code with respect
to such property and we may apply against such
obligations all monies held or received by us for
the account of, or due from us, to such purchaser.
At our option, payment will not be deemed to have
been made in full until we have collected funds
represented by checks, or in the case of bank or
cashier’s checks, we have confirmed their authenticity.
In the event the purchaser fails to pay any or all of
the total purchaser price for any lot and Doyle
New York nonetheless elects to pay the consignor
any portion of the sale proceeds, the purchaser
acknowledges that Doyle New York shall have all
of the rights of the consignor to pursue the purchaser
for any amounts paid to the consignor, whether at
law, in equity, or under these Conditions of Sale.
respect to these Conditions of Sale and Terms
of Guarantee, as well as the purchaser’s and our
respective rights and obligations hereunder, the
conduct of the auction and any matters connected
with any of the foregoing, shall be governed
and interpreted by the laws of the State of New York.
By bidding at auction, whether present in person
or by agent, by written bid, telephone or other
means, the buyer shall be deemed to have submitted,
for the benefit of Doyle New York, to the exclusive
jurisdiction of the federal or state courts located
in the state and county of New York and waives
any objection to the jurisdiction and venue of any
such court.
III
TERMS OF GUARANTEE
EXQUISITE
Doyle New York warrants the authenticity of
authorship of each lot contained in this catalogue
solely and expressly subject to the terms and
conditions set forth below.
Uncovering hidden gems every day
1. DEFINITION OF AUTHORSHIP
©2015 An Independently owned and operated franchisee of BHH Affiliates, LLC. CalBRE# 00991380
“Authorship” is defined as the artist, artisan,
workshop, designer, school, period, culture,
or source of origin, as applicable and indicated
in the description of the lot. The warranted
information appears in bold print immediately
following the individual lot number; no other
language in the catalogue is warranted, including
any supplemental material which appears below
the bold print headings. Doyle New York is not
responsible for any errors or omissions in any
material, which appears below the bold print
headings. The description of authorship in this
catalogue may be amended by a supplement to
the catalogue, or by notices or announcements
at the time and place of the auction sale.
Shauna Covington | 949.412.8088
Laguna Beach | $18,995,000
bhhscalifornia.com | 888.995.7575
This catalogue may contain one or more glossaries
explaining the terminology used in the catalogue.
All terminology used in this catalogue, including
the contents of the glossaries, are merely qualified
statements or opinions and are not intended or
made as warranted statements or representations
under these Terms of Guarantee. Doyle New York
makes no warranties whatsoever, express or implied,
with respect to any material in the catalogue,
except as set forth in bold print headings following
individual lot numbers in this catalogue and subject
to the exclusions set forth below.
2. COVERAGE UNDER
THE GUARANTEE
Subject to the exclusions set forth below in
paragraphs 5 and 6, Doyle New York warrants
the authorship (as that term is defined above)
of each lot in this catalogue for a period of five
years from the date of the sale of the lot.
The guarantee is made only to the original purchaser
of record at the auction, and only the registered
bidder for the lot at the auction will be considered
as the original purchaser. The buyer must give
written notice of claim within five years from the
date of the auction. Doyle New York may require,
at its option, to have the purchaser obtain at the
purchaser’s expense the opinion of two recognized
experts (approved by Doyle New York) in the field
relating to the item in question, before Doyle New
York determines whether to rescind a sale under
the above warranty. Upon request, Doyle New York
will provide the purchaser with the names of
acceptable experts.
3. NON-ASSIGNABILITY
The benefits of this warranty are not assignable and
shall be applicable only to the original purchaser
of record (i.e., the registered bidder) and not to
any subsequent owners (including, without limitation,
donees, heirs, successors, beneficiaries or assigns)
who have, or may acquire, an interest in any
purchased property. The original buyer must
have remained the owner of the lot without disposing
of any interest in it to any third party.
4. SOLE REMEDY
The purchaser agrees that in the case of a breach
of warranty under these Terms of Guarantee, he shall
have no remedy other than rescission of the sale
and the refund of the original purchase price paid.
The original purchase price paid is defined as the
amount of the successful bid price, plus the buyer’s
premium. No rescission and refund will be made
unless the item is returned to Doyle New York
at 175 East 87th Street, New York, NY 10128, in the
same condition as at the time of sale. The remedy
of rescission and refund is exclusive and the
purchaser waives any other remedy which may be
otherwise available in law or equity. Doyle New
York shall not be liable for any special, consequential
or incidental damages incurred or claimed including,
without limitation, loss of profits or for interest.
5. EXCLUSIONS
This warranty does not apply to:
i. authorship of any paintings, drawings or sculpture
created prior to 1870, unless the lot is determined
to be a counterfeit which has a value at the date
of the claim for rescission which is materially
less than the purchase price paid for the lot; or
ii. any catalogue description where it was specifically
mentioned that there is a conflict of specialist
opinion on the authorship of a lot; or
iii. authorship which on the date of sale was in
accordance with the then generally accepted
opinion of scholars and specialists, despite the
subsequent discovery of new information, whether
historical or physical, concerning the artist
or craftsman, his students, school, workshop or
followers; or
iv. the identification of periods or dates of execution
which may be proven inaccurate by means of
scientific processes not generally accepted for use
until after publication of the catalogue, or which
were unreasonably expensive or impractical to use
at the time of publication of the catalogue.
The term counterfeit is defined as a modern fake
or forgery, made less than fifty years ago, and made
with the intent to deceive. The authenticity of
signatures, monograms, initials or other similar
indications of authorship is expressly excluded
as a controlling factor in determining whether a
work is a counterfeit under the meaning of this
Terms of Warranty.
6. LIMITED WARRANTY
As stated in paragraph 2 of the Conditions of Sale,
neither Doyle New York nor its consignor makes
any express or implied representations or warranties
whatsoever concerning any property in the
catalogue, including without limitation, any warranty
of merchantability or fitness for a particular purpose,
except as specifically and expressly provided in
these Terms of Guarantee.
IV
Fine & Rare Wines
May 19 & 20, 2016 • Smith & Wollensky, New York City
INFORMATION ON SALES AND USE
TAX RELATED TO PURCHASES AT AUCTION
To better assist our clients, we have prepared the
following information on Sales and Use Tax related
to property purchased at auction.
WHY DOYLE NEW YORK
COLLECTS SALES TAX
Virtually all State Sales Tax Laws require a
corporation to register with the State’s Tax
Authorities and collect and remit sales tax if the
corporation maintains a presence within the
state, such as offices. In the states that impose
sales tax, Tax Laws require an auction house,
with a presence in the state, to register as a sales
tax collector, and remit sales taxcollected to the
state. New York sales tax is charged on the hammer
price, buyer’s premium and any other applicable
charges on any property picked up or delivered
in New York, regardless of the state or country in
which the purchaser resides or does business.
WHERE DOYLE NEW YORK
COLLECTS SALES TAX
Doyle New York is currently registered to collect
sales tax in the following states: New York and
the District of Columbia.
For any property collected or received by the
purchaser in New York City, such property is
subject to sales tax at the existing New York State
and City rate of 8.875%.
WHERE DOYLE NEW YORK IS NOT
REQUIRED TO COLLECT SALES TAX
Doyle New York is not required to collect sales
tax on property delivered to states other than
those listed above. If the property is delivered to
a state where Doyle New York is not required to
collect sales tax, it is the responsibility of the
purchaser to self-assess any sales or use tax and
remit it to taxing authorities in that state.
Doyle New York is not required to collect sales
tax for property delivered to the purchaser outside
of the United States.
RESTORATION AND
OTHER SERVICES
Regardless of where the property is subsequently
transported, if any framing or restoration services
are performed in New York, it is considered to
be a delivery of the property to the purchaser in
New York, and Doyle New York will be required to
collect the 8.875% New York sales tax.
CERTAIN EXEMPTIONS
Most states that impose sales taxes allow for
specified exemptions to the tax. For example, a
registered re-seller such as a registered art dealer
may purchase without incurring a tax liability, and
Doyle New York is not required to collect sales tax
from such re-seller. The art dealer, when re-selling
the property, may be required to charge sales
tax to its client, or the client may be required to
self-assess sales or use tax upon acquiring the property.
If a not-for-profit or charitable organization is selling
property through Doyle New York, it may be sold
as a tax exempted purchase. The not-for-profit
seller must be registered with the New York
Department of Taxation and Finance as an exempt
organization and the property must be picked up
or delivered in New York. However, a compensating
use tax is due from the buyer if any such lot is shipped
to any of the states where Doyle New York maintains
offices. It is the buyer’s responsibility to ascertain
and pay all taxes due. Buyers claiming exemption
from sales tax must have the appropriate
documentation on file with Doyle New York prior
to the release of the property.
LOCAL TAX ADVISORS
As sales tax laws vary from state to state, Doyle
New York recommends that clients with questions
regarding the application of sales or use taxes to
property purchased at auction seek tax advice
form their local tax advisors.
If the property is delivered into any of the states in
which Doyle New York is registered, Doyle New York
is required by law to collect and remit the appropriate
sales tax in effect in the state where the property
is delivered.
Property collected from Doyle New York premises
by common carriers on behalf of the purchaser for
delivery to the purchaser at his address outside
of New York is not subject to New York Sales Tax.
If it is delivered by the common carrier to any of
the states where Doyle New York is required to
collect sales tax, applicable tax will be added to
the purchase price.
#
zachys
® New York • Hong Kong • San Francisco • [email protected] • zachys.com/auctions
tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838
V#
BUYING AT DOYLE
Since 1963, Doyle New York has built a worldwide
reputation for expertise, integrity and service. In our
New York salesrooms, we hold approximately forty
auctions annually featuring fine art, jewelry, furniture,
decorative arts, books, prints, couture and a variety
of other categories. Our global audience of buyers
and sellers know the quality of our sales and
appreciate our standard of service. If you are new
to the auction process, please take a moment to
review the following information.
+
®
®
June 15
NEW YORK
Larry Bell (American, b. 1939), Small Mirage Series #156,
Signed Larry Bell, Oil and mixed media collage on canvas, 30 1/4 x 30 1/4 inches. Estimate $2,500-3,500.
212 - 427- 2730 DOYLE.COM
The following will help in understanding the auction
buying process. All bidders should read the
Conditions of Sale and Terms of Guarantee in
this catalogue, as well as the Glossary or any other
notices. By bidding at auction, bidders are bound
by the Conditions of Sale and Terms of Guarantee,
as amended by oral announcements or posted
notices, which together form the sale contract
between the successful bidder (purchaser),
Doyle New York and the seller (consignor) of the lot.
BEFORE YOU BID
Doyle New York produces both printed and Internet
auction catalogues that contain descriptions of
the property being offered and the presale
estimates and are available prior to the sale date.
Our free Internet catalogues, available at Doyle.com,
also provide illustrations, direct communication
with our specialists, and the ability to leave online
absentee bids and track lots. The catalogues will
help familiarize you with property being offered
at the designated auction.
In addition, Doyle.com offers a free Internet
Personal Shopper that allows collectors to enter
keywords of objects they are seeking. As each
Internet auction catalogue is posted online, the
collector is notified by email of any matches.
A prospective buyer must complete and sign a
registration form and provide identification before
bidding. We may require the production of bank
or other financial references.
PROVENANCE
In certain circumstances, Doyle New York may
print in the catalogue the history of ownership
of a work of art if such information contributes
to scholarship or is otherwise well known and
assists in distinguishing the work of art. However,
the identity of the seller or previous owners may
not be disclosed for a variety of reasons. For example,
such information may be excluded to accommodate
a seller’s request for confidentiality or because the
identity of prior owners is unknown given the age
of the work of art.
May 9-16 / June 14-20
ONLINE
Futura (Lenny McGurr) (American, b. 1955), Untitled,
Signed Futura, Acrylic and marker on canvas, 10 x 20 inches. Estimate $1,500-2,500. May 9-16.
#
212 - 427- 2730 DOYLE.COM
SPECIALIST’S ADVICE
Prospective bidders may be interested in
specific information not included in the catalogue
description of a lot. For additional information
please contact either a Doyle New York specialist
or Doyle New York’s Client Services Department.
You may also request a condition report from the
specialist in charge.
BIDDING AT AUCTION
Auctions are open to the public without any admission
fee or obligation to bid. Pre-auction viewings are
open to the public free of charge. Doyle New York’s
specialists are available to give advice and condition
reports at viewings or by appointment. The auctioneer
introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue.
The auctioneer accepts bids from those present
in the salesroom, from telephone bidders, from
Internet bidders or by absentee written bids left
with Doyle New York in advance of the auction.
LIVE BIDDING
The most exciting way to participate at auction is the
traditional method of bidding live in the salesroom
with an auction paddle. Buyers who would like to bid
may register for a paddle on the day of the sale upon
entering the salesroom at least 30 minutes before
the sale. The paddle is numbered so as to identify
you to the auctioneer. To register, you will need a form
of identification such as a driver’s license or credit
card. If you are a first-time bidder, you will also be
asked for your address, phone number and signature
and a bank reference in order to create your account.
To avoid any delay in the release of purchases,
please pre-arrange check or credit approval through
Doyle New York’s Credit Department at 212-427-4141
ext. 205. If you are bidding for someone else, you will
need to provide a letter from that person authorizing
you to bid on that person’s behalf. Issuance of a
bid paddle is in Doyle New York’s sole discretion.
Once the first bid has been placed, the auctioneer
asks for higher bids, in increments determined by
the auctioneer. To place your bid, simply raise your
paddle until the auctioneer acknowledges you.
As a courtesy to bidders, a currency board may be
operated. It displays the lot number and current bid
in both U.S. dollars and foreign currency. Exchange
rates are approximations based on recent exchange
rate information and should not be relied upon as
a precise invoice amount. Doyle New York assumes
no responsibility for any error or omission in foreign
or United States currency amounts shown.
TELEPHONE BIDDING
Clients unable to attend the sale may still participate
live by bidding on the telephone with a trained staff
member on the auction floor. The Telephone Bid Forms
are available on our Web site, in our printed catalogue,
and through our Client Services Department. Please
contact the Bid Department prior to the sale to make
arrangements or to answer any questions you may
have. Telephone bids are accepted only at Doyle
New York’s discretion and at the caller’s risk. Calls
may also be recorded at Doyle New York’s discretion.
By bidding on the telephone, prospective buyers
consent thereto. Telephone bids cannot be accepted
for lot estimated below $1,000. Arrangements must
be confirmed with the Bid Department at least
24 hours prior to the auction at 212-427-4141 ext. 242.
Arrangements to bid in languages other than
English must be made well in advance of the sale
date. Doyle New York offers all absentee and
telephone bidding services as a convenience to
our clients but will not be responsible for errors
or failures to execute bids.
ABSENTEE BIDDING
For buyers unable to participate live in the salesroom
or on the telephone, Doyle offers the option of
Absentee Bids. Absentee Bids work exactly as if
the bidder were in the salesroom bidding up to a
predetermined price limit, except that the price
limit is given confidentially to Doyle ahead of time.
Absentee Bid Forms are available on our Web site,
in our printed catalogues, and through our Client
Services Department. Return the completed Absentee
Bid Form to Doyle New York either by mail or by
fax. When the lot that you are interested in comes
up for sale, a Doyle New York representative will
execute the bid on your behalf, making every effort
to purchase the item for as little as possible and
never exceeding your limit. The auctioneer may
execute absentee bids directly from the rostrum,
identifying these as “absentee bids,” “book bids,”
or “order bids.” This service is free and confidential.
For detailed instructions and information, please
see the Doyle New York Absentee Bid Form at the
back of this catalogue or on our Web site. In the
event that identical bids are submitted, the earliest
will take precedence.
INTERNET BIDDING
Buyers may also conveniently leave bids on our
Web site through our Internet catalogues. These bids
are executed at the auction in the same fashion
as an Absentee Bid.
LIVE INTERNET BIDDING
BidLive! with a click of your mouse! Bidders from
around the world now can experience the excitement
of bidding live at Doyle New York on their computers.
Simply sign in at Doyle.com, then register to bid
live in real time in an upcoming sale. It couldn’t be
easier or more convenient!
No increased Buyer’s Premium! Purchases made
on BidLive! are subject to the identical buyer’s
premium as purchases made through the saleroom
bids, telephone bids and absentee bids. There are
no additional fees!
Bid throughout the sale! With BidLive! you may log
in during the sale to bid on specific lots, or leave the
bidding console open all day on your computer.
Total convenience for a global clientele! In the
past, foreign bidders often required the assistance
of telephone clerks who spoke Spanish, German,
French, Mandarin etc., in order to execute their bids.
With BidLive’s clear numeric display, foreign buyers
need no longer rely on bilingual telephone clerks
to place their bids.
MAC USERS: Please use Firefox browser (download).
BidLive!, powered by Invaluable, does not support
iPhone or iPad at this time.
Doyle New York does not guarantee that live Internet
bidding will be uninterrupted or without error, or
that Internet bids will be received.
VI
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BUYING AT DOYLE CONTINUED
SUCCESSFUL BIDS
Successful absentee bidders will be notified
after the sale. Absentee bidders will receive
a list of sale results if they enclose a stamped
self-addressed envelope with their Absentee Bid
Form. Printed lists of auction prices are available
immediately after the sale on our Web site and at
our galleries. While invoices are sent out by mail
after the auction, we do not accept responsibility
for notifying you of the result of your bids. Buyers
are requested to contact us by telephone or in
person as soon as possible after the sale to
obtain details of the outcome of their bids to
avoid incurring unnecessary storage charges.
AFTER THE AUCTION
If your bid is successful, you can go directly to
Purchaser Accounting to make payment
arrangements. Otherwise, your invoice will be
mailed to you. The final price is determined by
adding the buyer’s premium to the hammer price
on a per-lot basis. Sales tax, where applicable,
will be charged on the entire amount. Payment is
due in full immediately after the sale. However,
under certain circumstances, and generally with
the seller’s agreement, Doyle New York may offer
buyers it deems creditworthy the option of an
extended payment plan. Credit terms should be
arranged prior to the sale. Please contact the
Credit Department for information on credit
arrangements for a particular lot.
METHODS OF PAYMENT
Accepted forms of payment include bank wire
transfers, cash (in US currency up to $5,000),
traveler’s check (in US currency up to $5,000),
money orders (in US currency up to $5,000),
or personal check made payable in US dollars
drawn on a US bank, unless other arrangements
are made with Purchaser Accounts. It is Doyle
New York’s policy to request any new clients or
purchasers preferring to make a cash payment
to provide: verification of identity (by providing
some form of government issued identification
containing a photograph, such as a passport,
identity card, or driver’s license), confirmation
of permanent address and identification of the
source of the funds. Invoices greater than $5,000
require payment by certified check, bank check
or wire transfer. Credit cards are not accepted for
payment of auction purchases.
VII
#
To pay for a purchase by check, please see our
cashier and fill out a Check Acceptance Account
form. Until approved, you will not be permitted
to remove purchases before the check has
cleared. To avoid delivery delays, prospective
buyers are encouraged to supply bank or other
suitable references before the auction. Check
acceptance privileges are reviewed from time to
time by Doyle New York and may be granted or
withdrawn at our sole discretion. Checks should
be made payable to Doyle New York. Note that
checks drawn on foreign banks may be accepted
with the approval of the Credit Department, may
not be accepted for values under $500, and that
there is a $100 minimum collection charge on
checks drawn on foreign banks located outside
the U.S. Certified checks, banker’s drafts and
cashier’s checks are accepted at Doyle New York’s
discretion provided they are issued by a reputable financial institution governed by anti-money
laundering laws. Instruments not meeting these
requirements will be treatedas “cash equivalents”
and subject to theconstraints noted above.
Please direct inquiries regarding wire transfer
or ACH credit to Steven L. Kuzio, 212.427.4141
ext. 202, [email protected]
BUYER’S PREMIUM
The invoice will include the successful hammer
price of the item and the buyer’s premium.
Doyle New York charges a premium to the buyer
on the final bid price of each lot sold at the
following rates: 25% on the first $100,000 of
the hammer price, 20% on the portion of the
hammer price from $100,001 through
$2,000,000, 12% on the portion of the hammer
price exceeding $2,000,000. Applicable sales tax
will also be added to the final total. New York
Sales tax is charged on the hammer price, buyer’s
premium and any other applicable charges on
any property picked up or delivered in New York
State, regardless of the state or country in which
the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related
to Purchases at Auction” in the back of the
catalogue.All sales are final and subject to the
Conditions of Sale.
PICK-UPS
Once your payment has been cleared, property
may be released. Unless otherwise agreed by
Doyle New York, auction purchases should be
paid for and picked up at Doyle New York within
48 hours of the auction. Items left beyond the
48 hours may be subject to a storage fee (see
below). Please note that the hours for removal
of property are Monday through Friday from
8:15am until 4:45pm, except on auction days
during which only purchases made that day may
be picked up. As a courtesy to purchasers who
come to Doyle New York to pick up property,
Doyle New York will assist in the packing of lots,
although Doyle New York may, in the case of
fragile articles, choose not to pack or otherwise
handle a purchase. Doyle New York will not
be responsible or liable for damage to glass
covering paintings, drawings or other works, or
damage to frames, regardless of cause.
SELLING AT DOYLE
STORAGE FEES
Pursuant to section 8 of our Conditions of Sale,
we request that successful buyers collect their
property within two business days following the
sale. Should the property (except jewelry, coins,
stamps or as announced by the auctioneer)
remain on our premises for more than 31 days
following a sale it will be transferred to an
independent warehouse on the buyer’s behalf at
the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred
property will no longer be in Doyle New York’s
custody or care, Doyle New York will not be
able to assist you with pick-up or shipping
arrangements. To avoid storage charges, please
arrange for the removal of your purchases as
soon as possible.
At Doyle New York, we commit our expertise,
experience, market knowledge and global
outreach to every sale. The numerous auction
records set in our salesrooms are testimony to the
advantages of selling property at Doyle. To make
the auction process as easy and convenient as
possible, our team of dedicated professionals
will guide you through the entire appraisal and
auction procedure. As part of our commitment
to providing comprehensive auction services to
collectors, institutions and estates, Doyle New
York offers several options to those seeking to
sell their property: consignment of the objects to
auction at Doyle, outright sale of the objects to
Doyle, a combination of both, or referrals to
other organizations.
Please Note: Transfer to a Storage facility of
uncollected purchases past the 31-day grace
period will constitute delivery of the property to
the buyer in New York State. As a result, buyer
will be liable to pay New York State Sales Tax if
not tax-exempt.
OBTAINING AN APPRAISAL
The charges are payable to an outside Storage
Company and therefore cannot be waived by
Doyle New York. We encourage all buyers to
collect purchased property within two business
days following the sale.
In order to collect property from Yorkville Van and
Storage, buyers must present a copy of a paid
invoice bearing a Yorkville warehouse release
stamp. This warehouse release stamp can only
be obtained from the cashier at Doyle New York’s
main reception desk located at 175 East 87th St
in Manhattan.
SHIPPING
Shipping is the responsibility of the buyer.
Upon request, our Client Services Department
will provide a list of shippers who deliver to
destinations within the United States and
overseas. Kindly disregard the sales tax if an
I.C.C. licensed shipper will ship your purchases
anywhere outside the state of New York or the
District of Columbia.
ENDANGERED SPECIES
Certain property sold at auction, for example,
items made of or incorporating plant or animal
materials such as coral, crocodile, ivory, whalebone,
tortoise shell, mother-of-pearl, etc., irrespective
of age or value, may require a license or certificate
prior to exportation and additional licenses or
certificates upon importation to another country.
Doyle New York suggests that buyers check on
their government wildlife import requirements
prior to placing a bid. Although licenses can be
obtained to export some types of endangered
species, other types may not be exported at all, and
other types may not be resold in the United States.
The first step in selling property at auction is to
obtain a free informal appraisal of the item. The
appraisal includes an estimated value, which is
the specialist’s best judgement as to what the
object will sell for at auction. The figure is based
upon the specialist’s expertise and knowledge
of what similar items are fetching in the current
auction market.
There are various ways to obtain appraisals.
Information and appointments to view property
in your home or in the gallery can be arranged
through our Scheduling Department, an appropriate
Specialist Department, or a Doyle New York
Regional Representative. Once your property has
been evaluated, Doyle New York representatives
can then help you determine how to proceed with
the auction process. They will provide information
regarding sellers’ commission rates and other
charges, auction timetable, shipping and any other
further services you may require.
SUBMITTING PHOTOGRAPHS
We welcome photographs of property to evaluate
for possible auction if the property is not portable,
or if you are not able to visit our galleries. If you
have a large collection, are presentative selection
of photographs is acceptable. Please bring in the
photographs or email photos of your objects to
the Scheduling Department. You may also mail
photographs to the Scheduling Department, or
call them at 212-427-4141, ext. 260, to discuss
your property and perhaps arrange an appointment
with a specialist. Please be sure to include the
dimensions, artist’s signature or maker’s mark,
medium, physical condition, and any other relevant
information. Our specialists will provide a free
preliminary auction estimate subject to a final
estimate upon first hand inspection.
REGIONAL APPRAISAL DAYS
Doyle New York’s Regional Representatives host
free appraisal days on a regular basis throughout
Connecticut, the metropolitan Washington, DC
area, as well as in other areas throughout the
United States. These popular events provide ease
and convenience for collectors outside of New York
who wish to sell their property at Doyle. At these
events, we accept property for upcoming auctions
in our New York salesrooms through both
consignment and outright purchase.
SELLING YOUR PROPERTY
CONSIGNING TO AUCTION
In consigning property to auction, the seller retains
ownership until the successful sale of the item at
auction. When property is consigned to Doyle for
auction, we devote the expertise of our specialists
and professional staff to achieving outstanding
prices at auction.
THE CONSIGNMENT CONTRACT
When you consign property to Doyle New York
you will receive two copies of our Consignment
Agreement, the legal document delineating the
terms of sale. One copy should be initialed, signed
and returned; the other kept for your records.
Once the property is received in our gallery, you
will be sent a Contract Schedule listing the property,
the planned sale dates, the estimated price ranges,
and the reserves will be listed, along with the
agreed upon seller’s commission and other
related fees.
RESERVE PRICE
Before an item is offered at auction, the consignor
and Doyle New York may agree on a reserve price,
a confidential minimum selling price. Unless a
specific reserve is arranged, a discretionary reserve
is fixed at fifty percent of the low estimate. If the
consignor designates a reserve on a lot, and it
remains unsold, there will be a buy-in fee charged
on the reserve price.
OUTRIGHT SALE TO DOYLE
Outright purchase of property by Doyle allows the
seller the advantage and convenience of immediate
payment. Many sellers prefer this method of sale
rather than consigning their property to auction
and awaiting payment after the successful sale of
the items. For further information please contact
our Scheduling Department.
AFTER THE AUCTION
PAYMENT TO CONSIGNORS
Payment to consignors is mailed five weeks after
the date of the sale, together with a final settlement
statement. The amount of payment is the hammer
price of each lot successfully sold, less the
commission and any other fees.
ESTATE AND
APPRAISAL SERVICES
For forty years, Doyle New York’s Appraisal and
Auction Services Department has worked with
museums, corporate collections, banks and law
firms, trust and estate professionals, heirs, and
private clients across the nation providing our
comprehensive appraisal and auction services.
Our thorough, well-researched fair market appraisals
have earned Doyle a solid reputation for
professionalism, integrity and service throughout
the United States.
Doyle New York offers a full range of expert
appraisal services, specializing in providing timely
formal appraisals for estate tax and probate
purposes. Our expert team of specialists and our
professional staff bring years of experience to each
appraisal. Full color digital photographs may be
included in the appraisal in order to make each
object easily identifiable. Depending on the
location, we are happy to provide, at no charge,
a preliminary walk-through examination to
determine approximate costs and special needs.
Appraisal fees are based on the scope of the
property with travel expenses additional.
Doyle New York will prepare a customized proposal
tailored to the specific property under consideration
for auction, including a commission and fee
structure developed to maximize returns to consignors.
We may also make an outright purchase offer on
individual items or entire estates. As part of our
focus on comprehensive estate liquidation, we
offer our unique “Broomclean Service” – our own
trucks and crew will transport the fine property to
Doyle, remove remaining items, and leave the
premises “broomclean.”
INFORMATION
For more information please call 212-427-4141,
ext 260, or email [email protected]. For estate and
appraisal services, please contact our Appraisal
and Auction Services Department at 212-427-4141,
ext. 227.
RESULTS OF SALE
You may track realized prices of your consigned
property in real time and view all sales results
online at Doyle.com. A preliminary settlement
statement itemizing the hammer prices, commissions
and fees is mailed to the consignor after the
auction. You may also call us at 212-427-2730 for
prices realized.
VIII
#
MAY REACH US DIRECTLY BY DIALING 212-427-4141
DIRECTORY YOU
PLUS THE EXTENSION.
REGIONAL REPRESENTATIVES
Laura Doyle, Director of Regions
212-427-4141, ext. 219
[email protected]
OFFICERS
Kathleen M. Doyle, Chairman/CEO
ext 215, [email protected]
Ann Limer Lange, Senior Vice President
Malcolm Mac Neil, Vice President
Rodney Lang
Senior Executive Vice President
Elaine Banks Stainton, Senior Vice President
Harold E. Porcher, Vice President
Nan Summerfield, Senior Vice President
310-276-6616, [email protected]
Edward Ripley-Duggan, Vice President
Louis LeB. Webre, Senior Vice President
Alison Robinson, Vice President
Peter Costanzo, Vice President
Gillian M. Ryan, Vice President
Anne Cohen DePietro, Vice President
Charlotte A. Taylor, Vice President
Samira Farmer, Vice President
Shani Toledano, Vice President
Anna K. Hicks, Vice President
Eileen Weisbaum, Vice President
Cynthia Klein, Vice President
Janice Youngren, Vice President
Joanne Porrino Mournet
Executive Vice President
Kenneth McKenna
Executive Vice President/CFO
Laura Doyle, Vice Chairman
Executive Vice President
Reid Dunavant, Senior Vice President
David A. Gallager, Senior Vice President
Peter Lang, Senior Vice President
ADMINISTRATION
ABSENTEE AND TELEPHONE BIDS
Bill Fiddler
Bid Fax: 212-427-7526
ACCOUNTING
Ryan Won
Emma I. Ebue
Julie Bacongco
CATALOGUE PRODUCTION AND DESIGN
Eileen Weisbaum, Director
CLIENT SERVICES
Janice Youngren, Director
Mary Dobbin
ESTATE AND
APPRAISAL SERVICES
Bill Fiddler
Joanne Porrino Mournet, Executive Director
Elizabeth Jones
Lindsey Friedman, Esq.
Steven L. Kuzio
Gillian M. Ryan, On-site Estates Coordinator
MEDIA AND COMMUNICATIONS
DEPARTMENT
Louis LeB. Webre, Director
Charlotte A. Taylor, Art Director
Ryan Sobotka, Photographer
Manager of Photography, Fine & Decorative Arts
Kosala Kumara, Advertising
Hisao Oka, Photographer
Manager of Photography, Furniture & Decorative Arts
ext. 255 [email protected]
MUSEUM SERVICES
INVENTORY CONTROL
Eddy Santana
AUCTIONEERS
Rodney Lang
Joanne Porrino Mournet
Janice Youngren
Cynthia Klein
Peter Costanzo
Alison Wermuth, Graphic Designer
RESTORATION SERVICES
Charles Mournet, ext 224
IX
#
CATALOGUE SUBSCRIPTION
Chelsea Wynne
Chelsea Wynne
Danielle Kiser, Traffic Coordinator
CALIFORNIA
Nan Summerfield, G.G.
310-276-6616
[email protected]
Emily Marchick, G.G.
310-276-6616
[email protected]
Mary Urban, Manager of
Auction and Appraisal Services
310-276-6616
[email protected]
FLORIDA
Collin Albertsson
561-322-6795
[email protected]
NEW JERSEY
Jill Bowers
212-427-4141, ext. 225
[email protected]
NORTH CAROLINA
Hilary Pitts, G.G.
704-582-2258
[email protected]
WASHINGTON, DC/MID-ATLANTIC
Reid Dunavant, Director
202-342-6100
[email protected]
Samira Farmer
202-342-6100
[email protected]
Kristen Ostermayer
202-342-6100
[email protected]
BEIJING
Winnie Hu
[email protected]
HONG KONG
Jasmin Blunck
[email protected]
SPECIALIST DEPARTMENTS
Stephanie Cuenca, Senior Graphic Designer
PHOTOGRAPHY PRODUCTION
Melissa Aldrich, Photographer
Manager of Photography, Jewelry
BOSTON / NEW ENGLAND
Kathryn Craig
617-999-8254
[email protected]
CONNECTICUT
Kathy Brackenridge
212-427-4141, ext. 211
203-637-6209
[email protected]
Peter Costanzo
Books, Photographs & Manuscripts
Anne Cohen DePietro
Paintings
David A. Gallager
Furniture and Decorative Arts
APPRAISAL AND
CONSIGNMENT SERVICES
Alison Robinson, Director/Consignments
Ashley A. Hill
Doris M. Fugazy
Ayala Levi
Alexis Gyateng
Charlotte Williams
Claire Abrahamson
19TH AND 20TH CENTURY
DECORATIVE ARTS
Malcolm Mac Neil, Director
20TH CENTURY DESIGN
Anna K. Hicks, Director
AMERICAN FURNITURE
AND DECORATIVE ARTS
David A. Gallager, Director
ASIAN WORKS OF ART
Marley Rabstenek, Consultant
BOOKS, AUTOGRAPHS
AND PHOTOGRAPHS
Edward Ripley-Duggan, Director
Peter Costanzo, Director
COINS, STAMPS AND COLLECTIBLES
Norman Scrivener, Consultant
ENGLISH AND CONTINENTAL
Peter Lang, Director
Rodney Lang
David A. Gallager
Peter Lang
Malcolm Mac Neil
Anna K. Hicks
Todd Sell
Emily Casden, Administrator
Amanda Langer, Administrator
ext. 244. [email protected]
JEWELRY
Ann Limer Lange, G.G., Executive Director
Kevin Zavian, Senior Specialist
Mallory Jones Basch, G.G., Specialist
Martha Altobelli, F.G.A., Administrator, Cataloguer
Alexandra Fulham, Administrator
CALIFORNIA JEWELRY
Nan Summerfield, G.G.,
Director of California Operations
310-276-6616
[email protected]
Emily Marchick, G.G.,
Associate Director of California Operations
310-276-6616
[email protected]
PAINTINGS AND DRAWINGS
Elaine Banks Stainton
Acting Director
Anne Cohen DePietro
Director, American Art
Harold E. Porcher
Director, Modern & Post-War Art
Shani Toledano
Associate Director
Angelo Madrigale
Director, Contemporary Art
Ariel Gold
Cataloguer
Hermine Chivian-Cobb
Senior Specialist, Fine Art
LeeAna Wolfman
Registrar
PRINTS AND MULTIPLES
Cynthia Klein, Director
RUGS, CARPETS AND TAPESTRIES
Mark M. Topalian
NORTH CAROLINA JEWELRY
Hillary Pitts, G.G.
704-582-2258
[email protected]
X
#
AUCTION SCHEDULE
MAY
JUNE
JULY
IMPRESSIONIST & MODERN ART
Auction: Tuesday, MAY 3 at 11am
Exhibition: April 29 – May 2
BELLE EPOQUE: 19TH & 20TH CENTURY
DECORATIVE ARTS
Auction: Wednesday, JUNE 8 at 10am
Exhibition: June 4 – June 7
JEWELRY, WATCHES, SILVER & COINS
BY ORDER OF THE PROVIDENT
LOAN SOCIETY
Auction: Tuesday & Wednesday,
JULY 12 & 13 at 10am
Exhibition: July 6 – 8 & 11
Auction: Tuesday, MAY 10 at 11am
Exhibition: May 6 – 9
FINE JEWELRY - BEVERLY HILLS
Auction: Monday, MAY 16 at 10am (Pacific)
ENGLISH & CONTINENTAL
FURNITURE & DECORATIONS /
OLD MASTER PAINTINGS
Auction: Wednesday, MAY 18 at 10am
®
DOYLE+DESIGN
Exhibition: June 11 – 14
FINE JEWELRY
Auction: Thursday, JUNE 16 at 10am
®
DOYLE AT HOME
®
DOYLE AT HOME
Auction: Wednesday, JULY 27 at 10am
Exhibition: July 21 – 22, 25 – 26
CATALOGUE SUBSCRIPTIONS
ENGLISH &CONTINENTAL
FURNITURE& DECORATIONS
And
OLD MASTER PAINTINGS
& DRAWINGS
(3 Auctions Per Year)
YOUR N AME
$35
($40)
$90
($115)
BELLE EPOQUE: 19TH & 20TH
CENTURY DECORATIVE ARTS
$35
($40)
$90
($115)
AMERICAN PAINTINGS,
FURNITURE & DECORATIVE ART S
$35
($40)
$60
($75)
IMPORTANT JEWELRY
$45
($50)
$120
($145)
COUN TRY
FINE JEWELRY
$35
($40)
$60
($75)
PH ON E
FINE JEWELRY - CALIFORNIA
$35
($40)
$60
($75)
IMPRESSIONIST & MODERN ART:
EUROPEAN & AMERICAN ART
$40
($55)
$80
($110)
POST WAR & CONTEMPORARY ART
$40
($55)
$80
($110)
PRINTS & MULTIPLES
$30
($40)
$60
($75)
RARE BOOKS, MAPS & AUTOGRAPHS $35
($40)
And
PHOTOGRAPHS
$60
($75)
COINS, BANK NOTES & STAM PS
$25
($30)
$45
($55)
ASIAN WORKS OF ART
$35
($40)
$60
($75)
DOYLE+DESIGN ®
$35
($40)
$60
($75)
DOYLE AUCTION PREVIEW
Free
Free
BUS IN ES S N AME
AUGUST
®
DOYLE AT HOME
Auction: Wednesday, AUGUST 17 at 10am
Exhibition: August 11,12 – 15,16
JEWELRY & CONTENTS OF
ABANDONED SAFE DEPOSIT BOXES
Auction: Thursday, AUGUST 18 at 10am
Exhibition: August 11,12 – 15,16
ADDRES S
CITY
STATE
Z IP CODE
ALTERN ATE PH ON E
EMAIL ADDRES S
CLIEN T N UMBER OR ID REF EREN CE
PAY ME NT
All orders must be paid in advance. No cash please.
CH ECK OR MON EY ORDER
Please make check or money order payable to
Doyle New York and drawn on a U.S. bank only.
VIS A
CATALOGUES
EXHIBITION HOURS
SELLING AT AUCTION
View the catalogues and leave bids online
at Doyle.com, or for printed
catalogues please call 212-427-2730 x203
or email [email protected]
212-427-4141, option 5
or visit Doyle.com
We invite you to contact us for a
complimentary auction evaluation of your
collection. Please call 212-427-2730 or
email [email protected]
MAS TERCARD
CARD #
EXPIRATION DATE
S ECURITY CODE
S IG N ATURE
#
XI
DOYLE
NEW YORK, NY 10128
212 - 4 2 7- 2 730
DOY L E .COM
Single
One Year
Catalogue
Subscription
(Overseas Price) (Overseas Price)
Please CHECK the category then
CIRCLE the corresponding price
PLEA SE PRINT
DOYLE SUBSCRIPTIONS DEPT
175 E 87TH ST
S U B TO TA L
$
S A L E S TA X : NY residents only
+
TO TAL
$
NY, NY 10128
FAX: 212 - 427- 2730
[email protected]
XII
175 EAST 87TH STREET
NEW YORK, NY 10128
212-427-2730
F O R O F F IC E US E ON LY
DOYLE.COM
ABSENTEE & TELEPHONE BID FORM
1.16
* Name and address must agree with resale
certificate, if applicable. Invoices cannot be
changed once registered.
Please indicate the type of bid you are submitting. Please check one:
ABSENTEE BID
** If you are using a cell phone for bidding, a
safety bid is required in case of lost connection.
TELEPHONE BID
Please indicate in what capacity you are bidding. Please check one:
B I D D I N G O N B E H A L F O F A C O M PA N Y
16PT02 • POST-WAR & CONTEMPORARY ART
S ALE D ATE
MAY 10, 2016
NAME *
ADD RES S *
Change of Address
STATE
ZIP CO DE
EMAI L
FAX
Steven Kuzio
212-427-4141, ext 202
[email protected]
BIDDING SERVICES
Absentee & Telephone Bids
Bill Fiddler
212-427-4141, ext 242
Bid Fax: 212-427-7526
[email protected]
BidLive! Internet Bidding
Elizabeth Jones
212-427-4141, ext 204
[email protected]
SPECIALISTS
CL IE NT N UM B ER
(N E W C LI EN TS: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)
T OP LIMI T OF B ID /
SAF ET Y B ID
Excluding Buyer’s Premium
LOT
NUM BER
TOP LI MI T OF BID /
SA FETY BID
LOT
NUMBER
TO P LIMIT O F BID /
S AFETY BID
• Buyers unknown to Doyle New York are
advised to arrange payment or supply credit
references in advance of the sale date.
Otherwise, purchases cannot leave our
premises until checks have cleared.
• A 25% deposit may be required on certain
absentee bids.
• Lot descriptions do not include damage,
repairs or restoration to items. The absence
from the description of any such notes
must not be taken to imply that the lot is
in perfect condition. Condition reports are
provided upon request.
• Successful bidders should make arrangements to have their purchases removed
from the premises no later than 4:30pm on
the day following the sale.
° Terms and Conditions of Sale may be viewed
in the catalogue, on our Web site and in our
salesroom.
Terms and Conditions of Sale°
B I D D I N G I N C R E M E N T S (The auctioneer
may vary the increments at his/ her discretion.)
$0 – $100 . . . . . . . . . . . . . . . $10
$100 – $500 . . . . . . . . . . . . . $25
$500 – $1,000 . . . . . . . . . . . . $50
$1,000 – $2,000 . . . . . . . . . . $100
$2,000 – $5,000 . . . . . . . . . . $250
$5,000 – $10,000 . . . . . . . . . $500
$10,000 – $20,000 . . . . . . . . $1,000
$20,000 – $50,000 . . . . . . . . $2,500
$50,000 – $100,000 . . . . . . $5,000
$100,000+ . . . . . . . . . . . . $10,000
S IGN ATU R E
Consumer Affairs No. 0777006
I understand and agree to the
Submit bids by FAX: 212-427-7526 or email: [email protected] by 5pm (Eastern) the evening before the auction.
Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207
NEW YORK
175 East 87th Street
New York, NY 10128
212-427-2730
[email protected]
CALIFORNIA
9595 Wilshire Boulevard
Beverly Hills, CA 90212
310-276-6616
[email protected]
BOSTON / NEW ENGLAND
129 Newbury Street
Suite 400
Boston, MA 02116
617-999-8254
[email protected]
CONNECTICUT
136 East Putnam Avenue
Greenwich, CT 06830
212-427-4141, ext 211
203-637-6209
[email protected]
• A Buyer’s Premium, as stated in the Conditions
of Sale, will be added to the hammer price.
PHO NE (DAY OF SALE)**
XIII
Janice Youngren, Director
212-427-4141, ext 207
[email protected]
• In the event that identical bids are submitted,
the earliest will take precedence.
PHON E
L OT
NUMBE R
• Absentee bidding is a service provided with
the understanding that Doyle New York shall
not be responsible for errors and/or omissions.
Changes to bids on the day of sale must be
submitted in writing by fax or email.
• Absentee bids are executed in competition
with the audience, on an alternate basis. Due
to the uncertainties of bidding patterns, a lot
may sell to the audience for the same amount
or slightly less than your bid. To avoid this
possibility, you may authorize us to increase
your bid by one increment by placing a plus
sign (+) beside the maximum bid.
COMPANY (If applicable)
CI TY
CLIENT ACCOUNTS
• Telephone bids will only be accepted on lots
with a low estimate of $2,000 and above.
You must be prepared to bid at least to the
low estimate.
B I D D I N G A S A P R I VAT E B U Y E R
SAL E TI TLE
CLIENT SERVICES
NEW JERSEY
212-427-4141, ext 225
[email protected]
Harold E. Porcher
VP, Director, Modern
and Post-War Art
212-427-4141 ext 235
Harold.Porcher@
Doyle.com
Angelo Madrigale
Director, Contemporary Art
212-427-4141 ext 237
Angelo.Madrigale@
Doyle.com
Hermine Chivian-Cobb
Senior Specialist,
Fine Art
212-427-4141 ext 252
[email protected]
WASHINGTON, DC /
MID-ATLANTIC
3256 Prospect Street, NW
Washington, DC 20007
202-342-6100
[email protected]
NORTH CAROLINA
704-582-2258
[email protected]
FLORIDA
561-322-6795
[email protected]
Front Cover
Back Cover
Inside Front Cover
Lot 4
Lot 144
Lot 50
NEW YORK, NY 10128
212 - 4 2 7- 2 730
DOY L E .COM
MAY 10, 2016
DOYLE

Catalogue PDF

Transcription

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