JOSEPHINE MECKSEPER Born in Lilienthal, Germany Lives and

JOSEPHINE MECKSEPER
Born in Lilienthal, Germany
Lives and works in New York, USA
EDUCATION
1992
1990
MFA, California Institute of the Arts, Valencia, USA
Graduate Studies, Hochschule der Künste, Berlin, Germany
SELECTED SOLO EXHIBITIONS
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
Josephine Meckseper, Proyectos Monclova, Mexico City, Mexico (forthcoming)
Josephine Meckseper, Gagosian Gallery, Paris, France (forthcoming)
Josephine Meckseper, Galerie Reinhard Hauff, Stuttgart, Germany
Josephine Meckseper, Timothy Taylor Gallery, London, UK (catalogue)
Silver Shadow, Half Gallery, New York, NY
2X (I) ST, Neuer Aachener Kunstverein, Aachen, Germany
Mark Boulos and Josephine Meckseper, The Rose Art Museum at Brandeis University, Waltham, USA
Josephine Meckseper, Andrea Rosen Gallery, New York, USA
Josephine Meckseper, Parrish Art Museum, Water Mill, New York, USA
Josephine Meckseper, Worpsweder Kunsthalle, Worpswede, Germany
American Leg, Window Spaces, Contemporary Art Gallery, Vancouver, Canada
Manhattan Oil Project, with Art Production Fund, The Last Lot, Times Square, New York, USA
Josephine Meckseper, Timothy Taylor Gallery, London, UK
Josephine Meckseper, The FLAG Art Foundation, New York, USA (catalogue)
Josephine Meckseper: Contaminator, ARNDT, Project room, Berlin, Germany
You can leave your hat on, Galerie Reinhard Hauff, Stuttgart, Germany
Josephine Meckseper, Elizabeth Dee Gallery, New York, USA (catalogue)
Josephine Meckseper, Kunsthalle Münster, Münster, Germany
Josephine Meckseper: Recent Films, Indianapolis Museum of Art, Indianapolis, USA
Josephine Meckseper, John McWhinnie at Glenn Horowitz Bookseller, New York, USA
Josephine Meckseper, Blaffer Gallery, The Art Museum of the University of Houston, Houston, USA
American Apparel, Nottingham Contemporary, Nottingham, UK
Josephine Meckseper, Migros Museum Für Gegenwartskunst, Zurich, Switzerland (catalogue)
New Photography 2008: Josephine Meckseper and Mikhael Subotzky, Museum of Modern Art,
New York, USA
Josephine Meckseper Arndt & Partner, Berlin, Germany
Josephine Meckseper Elizabeth Dee Gallery, New York, USA
Josephine Meckseper Colette, Paris, France
Josephine Meckseper GAK, Gesellschaft für Aktuelle Kunst, Bremen, Germany (catalogue)
Josephine Meckseper, Kunstmuseum Stuttgart, Stuttgart, Germany (catalogue)
Josephine Meckseper, Galerie Reinhard Hauff, Stuttgart, Germany
International Project Room, Galerie Reinhard Hauff, ARCO 2006, Madrid, Spain
%, Elizabeth Dee Gallery, New York, USA (catalogue)
The Bulletin Board, White Columns, New York, USA
IG-Metall und die Künstlichen Paradiese des Politischen, Galerie Reinhard Hauff, Stuttgart,
Germany (catalogue)
Lustgarten, Borgmann Nathusius Galerie, Cologne, Germany
2001
Shine - oder Jedem das Seine, Galerie Reinhard Hauff, Stuttgart, Germany
SELECTED PUBLIC COLLECTIONS
Baltimore Museum of Art, Baltimore, USA
Brooklyn Museum, Brooklyn, USA
FRAC Nord - Pas de Calais, Dunkerque, France
Hammer Museum, UCLA, Los Angeles USA
Kunsthalle Bremen, Germany
Kunstmuseum Stuttgart, Germany
Metropolitan Museum of Art, New York, USA
Migros museum für gegenwartskunst, Zürich, Switzerland
Museum of Modern Art, New York, USA
Museum on the Seam, Jerusalem, Israel
National Gallery of Victoria, Melbourne, Australia
Pérez Art Museum Miami, Miami, USA
Solomon R. Guggenheim Museum, New York, USA
Whitney Museum of American Art, New York, USA
SELECTED GROUP EXHIBITIONS
2017
2016
2015
2014
2013
NGV Triennial, National Gallery of Victoria, Melbourne, Australia (forthcoming)
Viehof Collection: International Contemporary Art, Deichtorhallen Hamburg, Germany
NO MAN’S LAND: Woman Artists from the Rubell Family Collection, The National Museum of Women
in the Arts, Washington, D.C. USA, traveling from Rubell Family Collection (catalogue)
9999, The Fireplace Project, East Hampton, USA
History of Nothing, Inside the White Cube, White Cube Bermondsey, London, UK
I don’t care, Galerie Reinhard Hauff, Stuttgart, Germany
The Whitney’s Collection, Whitney Museum of American Art, New York, USA
NO MAN’S LAND: Woman Artists from the Rubell Family Collection, Rubell Family Collection, Miami,
USA (catalogue)
20 Years of Collecting: Between Discovery and Invention, Zabludowicz Collection, London, UK
Storylines: Contemporary Art at the Guggenheim, Solomon F. Guggenheim Museum, New York, USA
Pop Departures, Seattle Art Museum, Seattle, USA
Taipei Biennial 2014, curated by Nicolas Bourriaud, Taipei, Taiwan
Silver Pockets Full, The Fireplace Project, East Hampton, USA
Surplus Living, KM Temporaer, Berlin, Germany
The Brancusi Effect, Kunsthalle Wien, Vienna, Austria (catalogue)
CalArts Benefit 2014, Paula Cooper Gallery and Metro Pictures, New York, USA
A World of Its Own: Photographic Practices in the Studio, The Museum of Modern Art, New York, USA
We Fragment, Collect and Narrate, Cultuurcentrum Mechelen, Belgium; traveled to Kunstmuseum
Thun, Thun, Switzerland; Galerie Robespierre, France; Leopold Hoesch-Museum-Düren,
Germany, curated by Sayoko Nakahara at FRAC Nord-Pas de Calais (catalogue)
DISPLAY, Contemporary Art Galleries, University of Connecticut, Storrs, USA
Between Critique and Absorption, Haggerty Museum of Art at Marquette University, Milwaukee, USA
The Last Brucennial, curated by The Bruce High Quality Foundation, New York, NY
2Q13 – Women Artists, Women Collectors, curated by Marcelle Joseph and Lydia Cowpertwait,
Lloyds Club, London, UK
FLAG’s Five Year Anniversary Celebration, FLAG Art Foundation, New York, USA
2012
2011
2010
2009
REVERSE ENGINEERING, Curated by Bill Powers, The Fireplace Project, East Hampton, USA
The Spook Rock Road, Galerie Frank Elbaz, Paris, France
Secrets of Sunset Beach, Timothy Taylor Gallery, London, UK
L’Ange de l’histoire, Palais des Beaux-Arts, Paris, France
Cultural Freedom in Europe, Goethe Institute, Brussels, Belgium
Living With More Art, Galerie Reinhard Hauff, Stuttgart, Germany
Now’s the Time: Recent Acquisitions, curated by Lauren Hinkson and Carmen Hermo, Solomon F.
Guggenheim Museum, New York, USA
Newly Renovated Contemporary Wing, Baltimore Museum of Art, Baltimore, USA
The Simple Life, curated by Valérie Knoll and Bettina von Dziembowski, Kunstverein
Springhornhof, Neuenkirchen, Germany
est. 2002: 10th Anniversary Summer Exhibition, Elizabeth Dee Gallery, New York, USA
Parque Industrial, Galeria Luisa Strina, São Paulo, Brazil
Living With Art, Galerie Reinhard Hauff, Stuttgart, Germany
Cultural Production, Andrea Rosen Gallery, New York, USA
Évasion, Lanchester Gallery, Coventry, UK
Kunst-Stoff, Städtische Galerie, Karlsruhe, Germany
Gestamtkunstwerk: New Art from Germany, The Saatchi Gallery, London (catalogue)
NY: New Perspectives, Brandnew Gallery, Milan, Italy (catalogue)
Geschmack: der gute, der schlechte und der wirklich teure, Kunsthalle Baden-Baden, Germany
(catalogue)
Praxis, Elizabeth Dee Gallery, New York, USA
A Portrait of the Artist As a Young Man, Galerie Reinhard Hauff, Stuttgart, Germany
Sharjah Biennial 10: Plot for a Biennial, Sharjah Art Museum, United Arab Emirates, curated by
Suzanne Cotter (catalogue)
Cover Girl, Galerie des Galeries, Paris, France (catalogue)
Glamourama, Lanchester Gallery, Coventry, UK, curated by Milly Thompson
Singular Visions, Whitney Museum of American Art, New York, USA
Contemporary Magic, National Arts Club, New York, USA, curated by Stacy Engman
The Right to Protest, Museum on the Seam, Jerusalem, Israel
The Exquisite Corpse Project, Gasser & Grunert Gallery, New York, USA curated by David Salle
(catalogue)
Going International, FLAG Art Foundation, New York, USA
Man könnte es die Elastizität des Raumes nennen, The Forgotten Bar /Galerie im Regierungsviertel,
Berlin, Germany
Peter Saville: Accessories to an Artwork, Glenn Horowitz Bookseller, East Hampton, USA
Shut Your Eyes in Order to See, Galerie Praz-Delavallade, Paris, France
Superfemmes, Rathausgalerie Kunsthalle, Munich, Germany
You’re Scripted, Gabriele Senn Galerie, Vienna, Austria (catalogue)
CONTACT Toronto Photography Festival, Museum of Contemporary Canadian Art, Toronto,
Canada (catalogue)
Changing the World, ARNDT, Berlin, Germany
Der Freie Wille ist Eine Illusion, Forgotten Bar Project Berlin, Germany, curated by Claudia
Seidel
Whitney Biennial 2010, Whitney Museum of American Art, New York, USA, curated by
Francesco Bonami and Gary Carrion-Muriyari (catalogue)
My Brother, My Killer, Freymond-Guth & Co. Fine Arts, Zurich, Switzerland
The Library of Babel/In and Out of Place, 176 / Zabludowicz Collection, London, UK
Contemplating the Void, Solomon R. Guggenheim Museum, New York, USA
HomeLess Home, The Museum on the Seam, Jerusalem, Israel
Zeigen. An Audio Tour Through Berlin, Temporäre Kunsthalle Berlin, Berlin, Germany
(catalogue)
2008
2007
Dance in My Experience, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
1989. Spione. Mauer. Kinderheim – An Der Brücke Zwischen den Welten,Villa Schöningen,
Potsdam, Germany
Morality: Beautiful from Every Point of View, Witte de With, Rotterdam, The Netherlands (catalogue)
1989. End of History or Beginning of the Future? Comments on a Paradigm Shift, Kunsthalle Wien,
Vienna, Austria, curated by Gerald Matt (catalogue)
Infinitesimal Eternity—Images Made in the Face of Spectacle, Yale University School of Art
Gallery, New Haven, USA (catalogue)
Learn to Read Art: A History of Printed Matter, Badischer Kunstverein, Karlsruhe, Germany; traveled to
PS1 Contemporary Art Center, Long Island City, New York, USA, curated by AA Bronson
No Soul for Sale: A Festival of Independents, Galerie im Regierungsviertel/ Forgotten Bar Project
Berlin at X Initiative, New York, USA
Narcotica, Galerie Im Regierungsviertel/Forgotten Bar Project Berlin, Germany, Basel,
Switzerland
Extended. Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst,
Karlsruhe, Germany (catalogue)
FAX, The Drawing Center, New York, USA; traveled to: Contemporary Museum, Baltimore, USA;
Plug In ICA, Winnipeg, Canada; Para/Site Art Space, Hong Kong; Torrance Art Museum,
Torrance, USA; Burnaby Art Gallery, Burnaby, Canada; Dowd Gallery, State University of
New York, College at Cortland, Cortland, USA (catalogue)
Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie, Karlsruhe, Germany (catalogue)
MAN SON 1969. Vom Schrecken der Situation, Hamburger Kunsthalle, Hamburg, Germany
Living Together, Centro Cultural Montehermoso Kulturunea, Vitoria Álava, Spain; traveled to Museo de
Arte Contemporáneo de Vigo, Spain, curated by Xabier Arakistain and Emma Dexter
(catalogue)
Prospect.1 New Orleans, USA, curated by Dan Cameron (catalogue),
Shrink-Wrapped, Or Belkin Satellite Gallery, University of British Columbia,Vancouver, Canada
Strange Connections: Art und Fashion, KUNST + PROJEKTE, Sindelfingen, Germany
Constellations, Artissima, Turin, Italy, curated by Stephanie Moisdon and Susanne Pfeffer
Alternating Beats, Museum of Art - Rhode Island School of Design, Providence, USA
Asking we Walk, Voices of Resistance, Den Frie Udstillingsbygning, Copenhagen, Denmark
Business As Usual, Museum of Contemporary Art Detroit, Detroit, USA
That Was Then… This is Now, PS1 Contemporary Art Center, Long Island City, New York, USA
Zidovi na ulici | Walls in the Street, Siemens Arts Program, MSUB, Museum of Contemporary Art,
Belgrade, Serbia (catalogue)
Common Affairs: Steirischer Herbst 2008, Landesmuseum Joanneum,Graz, Austria (catalogue)
Vertrautes Terrain - Aktuelle Positionen in / über Deutschland, ZKM / Museum für Neue Kunst,
Karlsruhe, Germany (catalogue)
Sculpture Is…, Arndt & Partner, Berlin, Germany
Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, New York, USA
Bare Life, The Museum on the Seam, Jerusalem, Israel (catalogue)
Nouvelles Acquisitions/Volet 1, FRAC Nord – Pas de Calais, Dunkerque, France
Brave New Worlds, Walker Art Center, Minneapolis, MN, curated by Doryun Chong and Yasmil
Raymond (catalogue)
From 60 to 7, Henie Onstad Kunstsenter, Hovikodden, Norway, curated by Frank Lubbers
An Atlas of Events, Calouste Gulbenkian Foundation, Lisbon, Portugal (catalogue)
Shadows in Paradise, FRAC Nord - Pas de Calais, Dunkerque, France
When We Build Let Us Think That We Build Forever, The Zabludowicz Collection, Baltic Centre
for Contemporary Art, Gateshead, UK, curated by Jérôme Sans
New York: States of Mind, Haus der Kulturen der Welt, Berlin, Germany; traveled to Queens
Museum of Art, New York, USA, curated by Shaheen Merali (catalogue)
Resistance Is, Whitney Museum of American Art, New York, USA, curated by Christina Kukielski
2006
2005
2004
2003
2002
2001
2000
Rendición Extraordinaria/Extraordinary Rendition, NoguerasBlanchard, Barcelona, Spain
Second Moscow Biennale of Contemporary Art: Footnotes about Geopolitics, Market, and
Amnesia, Moscow, Russia, curated by Joseph Backstein, Daniel Birnbaum, Nicolas Bourriaud,
Fuliya Erdemchi, Gunnar B. Kvaran, Rosa Martinez and Hans Ulrich Obrist (catalogue)
Just Kick It Till It Breaks, The Kitchen, New York, USA, curated by Debra Singer and Matthew
Lyons (catalogue)
Media Burn, Tate Modern, London, UK, curated by Emma Dexter
Josephine Meckseper, Eric Baudelaire, Adrian Piper, Wayne Gonzales, Elizabeth Dee Gallery,
New York, USA
The Unhomely: Phantom Scenes in Global Society, 2nd International Biennial of Contemporary
Art of Seville, Seville, Spain, curated by Okwui Enwezor (catalogue)
The Searchers, EFA Gallery, New York, USA, curated by Molly Dilworth and Amoreen Armetta
(catalogue)
USA Today, Works from the Saatchi Collection, Royal Academy of Arts, London, UK; traveled
to the State Hermitage Museum, St. Petersburg, Russia (catalogue)
Video America, The Hospital Gallery, London, UK, curated by Neville Wakefield
Big City Lab, Art Forum Berlin, Germany, curated by Friederike Nymphius (catalogue)
Two Friends and So On, Andrew Kreps Gallery, New York, USA
Trial Balloons, Museo de Arte Contemporaneo de Castilla y Leon, MUSAC, Leon, Spain, curated
by Yuko Hasegawa, Agustin Perez Rubio and Octavio Zaya (catalogue)
Stephen Andrews, Marc Handelman, Josephine Meckseper, Tom Molloy, Steve Mumford, Barbara
Pollock: This Ain’t No Fooling Around, Rubicon Gallery, Dublin, Ireland
Whitney Biennial 2006: Day for Night, Whitney Museum of American Art, New York, USA,
curated by Chrissie Iles and Philippe Vergne (catalogue)
Cooling Out - On the Paradox of Feminism, Lewis Glucksman Gallery, University College, Cork,
Ireland; concurrently exhibited at Halle für Kunst, Lueneburg, Germany; Kunsthaus Baselland,
Muttenz, Switzerland (catalogue)
Experiencing Duration, Biennale d’art contemporain de Lyon 2005, Lyon, France, curated by
Nicolas Bourriaud and Jérôme Sans (catalogue)
Schwarz Brot Gold - Die Neue Republik, Oldenburger Kunstverein, Oldenburg, Germany
Girls on Film, Zwirner & Wirth, New York, USA
Bonds of Love, John Connelly Presents, New York, USA, curated by Lisa Kirk (catalogue)
A.B.Normal, NYEHAUS, New York, USA (catalogue)
twinkle, twinkle, Galerie Reinhard Hauff, Stuttgart, Germany
Heimweh: Young German Art, Haunch of Venison, London, UK, curated by Juliane von Herz
(catalogue)
The Future Has a Silver Lining: Genealogies of Glamour, Migros Museum für Gegenwartskunst,
Zurich, Switzland, curated by Heike Munder and Tom Holert (catalogue)
Dresscode, Kunstverein Neuhausen, Neuhausen/Fildern, Germany
American Idyll, Greene Naftali, New York, USA
Fuckin’ Trendy, Kunsthalle Nuremberg, Nuremberg, Germany, curated by Ellen Seifermann
(catalogue)
All That Glitters, Islip Art Museum, East Islip, USA
In the Public Domain, Greene Naftali, New York, USA
Nation, Frankfurter Kunstverein, Frankfurt, Germany
Josephine Meckseper, Christoph Steinmeyer, Bernard Kahrmann, Elizabeth Dee Gallery, New
York, USA
Bitch School, The Bronx Council on the Arts, Longwood Arts Project, New York, USA
Good Vibrations: Philip Argent, Marcy Freedman, Heribert Freidl, Josephine Meckseper, Galerie Jette
Rudolph, Berlin, Germany
Wine, Women & Wheels, White Columns, New York, USA
New New York, Texas Fine Arts Association, The Jones Center for Contemporary Art, Austin, USA,
1999
1998
1996
1995
1994
1992
1990
1989
curated by Alejandro Diaz (catalogue)
Grok Terence McKenna Dead, Feature Inc., New York, USA
Flea Market, Gavin Brown’s Enterprise, New York, USA
Wunderbar, Art Club Berlin at W139 Gallery, Amsterdam, Netherlands
Overflow, D’Amelio Terras, Marianne Boesky Gallery and Anton Kern Gallery, New York, USA,
curated by Caroline Schneider and Meg O’Rourke (catalogue)
Criss Cross: Some Young New Yorkers III, PS1 Contemporary Art Center, Long Island City, New York,
USA
Free Coke: Lines, Drawing and Paper, Greene Naftali, New York, USA
Lifer, Cardozo School of Law Gallery, New York, USA, curated by Kenny Schachter
Super Freaks: Post Pop and the New Generation. Part 1: Trash, Greene Naftali, New York, USA
Selective Affinities, Wahlverwandtschaften, New York Security Ministorage, New York, USA
Art Club Berlin, Art Forum, Berlin; Au Base, New York, USA; Artistsspace W139, Amsterdam,
Netherlands; curated by Klara Wallner
Mixing Messages: Graphic Design in Contemporary Culture, Cooper- Hewitt, National Design
Museum, New York, USA, curated by Ellen Lupton
Departure Lounge, PS1 Contemporary Art Center, Clocktower Gallery, New York, USA
Summer Show, Greene Naftali, New York, USA
Intervention: Tendenzen im Schatten der Stadtplanung, Stiftung Starke, Berlin, Germany
(catalogue)
Wheel of Fortune, Lombard-Fried Fine Arts, New York, USA
Benefit Exhibition, American Fine Arts, New York, USA
Alter Image, 450 Broadway Gallery, New York, USA
On the Lamb, Thicket Gallery, New York, USA
Geiselnahme, The Puck Building, New York, USA (performance); Zum Goldenen Hirschen, Hamburg,
Germany (exhibition)
Verisimilitude and the Utility of Doubt, White Columns, New York, USA, curated by Bill Arning and
Gregory Crewdson
This Is Your Home, Stuyvesant Town, New York, USA, curated by Ania Corcilius
Page 5, 450 Broadway Gallery, New York, USA
Agent Artist, PS1 Contemporary Art Center, Long Island City, New York, USA
Paranoid, M*Y*T*H Series, The Brewery Gallery, Los Angeles, USA, curated by Sam Durant
Tattoo Collection, Andrea Rosen Gallery, New York, USA; Galerie Daniel Buchholz, Cologne,
Germany; Jennifer Flay Gallery, Paris, France, organized by Air de Paris, Nice, and Urbi et
Orbi, Paris, France
Licht und Schein, KUBUS, Kunstverein Hannover Land, Hannover, Germany
Neue Darmstädter Sezession, Darmstadt, Germany
Grillen, Ohlauer Strasse, Berlin, Germany
SELECTED FILM FESTIVALS AND SCREENINGS
2011
2009
Landmarks Video, University of Texas at Austin
Hot or Cold, Haus der Kulturen der Welt, Berlin
Migrating Forms Film Festival, New York
SELECTED LECTURES AND SYMPOSIA
2016
2014
Visiting Artist Lecture, Yale School of Art, New Haven, April 11
The Artist Project, Metropolitan Museum of Art, Season 6, New York
Young Collectors Council, Solomon R. Guggenheim Museum, New York, February 22
“Shame, Guilt & Prejudice: Emerging Possibilities”, 42 nd Annual NAAP Conference, Scholastic
Center, New York, November 15
2012
2011
2010
2009
2008
2007
“Pop Art: Thomas Crow, Milton Glaser, Catharina Manchanda, Josephine Meckseper, Gary Panter: An
Art Book Series Event”, New York Public Library, New York, October 15
“SAM Talks: Josephine Meckseper”, Seattle Art Museum, Seattle, Washington, October 9
“Collaborations: Artists and Architects Sharing Space”, Friends Seminary Auction 2014, Phillips, New
York, February 20
“Subjective Histories of Sculpture: Josephine Meckseper,” SculptureCenter, New York NY, April 9
Visiting Artist Lecture, Yale School of Art, New Haven, CT, March 19
“Josephine Meckseper on Hanne Darboven,” Artists on Artists Lecture Series, Dia Art Foundation,
New York, April 4
“The Type,” Andrea Rosen Gallery, New York, July 13
Whitney Contemporaries Gallery Talk with Gary Carrion-Murayari, Elizabeth Dee Gallery, New
York, May 20
Contemporary Photography Forum, Museum of Modern Art, New York, March 18
Young Collectors Council, Guggenheim Museum, New York, February 19
Indianapolis Museum of Art, Indianapolis, Indiana, December 10
University of Houston, Houston, Texas, November 12
Nottingham Contemporary, Nottingham, United Kingdom, July 28
“How Can Art be Political in a Free Market System?,” Rotterdam Dialogues: The Artists, Witte de
With Center for Contemporary Art, Rotterdam, Netherlands, April 16-18 (catalogue)
Fundación/Colección Jumex, Mexico City, July 10
Art Center College of Design, Pasadena, California, November 6
MONOGRAPHS, BOOKS, AND EXHIBITION CATALOGUES
2016
Ammirati, Domenick and Piper Marshall. Josephine Meckseper: 10 Minutes After. London:
Timothy Taylor Gallery, 2016.
Allen, Gwen. The Magazine: Documents of Contemporary Art. London: Whitechapel Gallery, 2016.
2015
Behnke, Christoph and Cornelia Kaastelan, Valerie Knoll, Ulf Wuggenig ed. The Simple Life. Art in the
Periphery of the Center. Berlin: Sternberg, 2015
NO MAN’S LAND: Women Artists from the Rubell Family Collection. Miami, FL: Rubell Family
Collection, 2015.
Venero, Isabel and Amy Ontiveros eds. 25 Years Of Andrea Rosen Gallery. New York, NY:
Andrea Rosen Gallery, 2015
2014
Manchanda, Catharina. Pop Departures. New Haven: Yale University Press, 2014, p. 26-29, 56-57,
84-85
Bourriaud, Nicolas, et al. l’ange de l’histoire. Paris: Beaux-Arts de Paris Éditions, 2014
2013
Davis, Ben. 9.5 Thesis on Art and Class. Chicago: Haymarket Books, 2013, p. 164, 212.
Luyckx, Filip. Cultural Freedom in Europe. Brüssels: Goethe-Institute, 2013.
Matt, Gerald A. Artists Talks. Nürnberg: Verlag für Moderne Kunst, 2013
Welchman, John C., ed. Sculpture and the Vitrine. Surrey: Ashgate Publising, Leeds: Henry Moore
Institute, 2013.
2012
Lee, Pamela M. Forgetting the Art World. Cambridge: The MIT Press.
Sakamoto, Carla. FOR WHICH IT STANDS: Americana in Contemporary Art. New York: Farameh.
2011
Meckseper, Josephine, and Francesco Bonami. Josephine Meckseper (exhibition catalogue). New York:
FLAG Art Foundation, 2011
Chauveau, Bernard (editor), Cover Girl, Galerie des Galeries, Paris
(exhibition catalogue). Paris: Galeries Lafayette – La Galerie des Galeries, pp. 14-15.
Engman, Stacy, Contemporary Magic: A Tarot Deck Art Project, National
Arts Club, New York (exhibition catalogue). New York: KLÜP Foundation, p.54.
Gesamtkunstwerk: New Art from Germany at the Saatchi Gallery. London: Saatchi Gallery.
On View, Worldwide, for the Month Of…. New York: Kunstverein NY, October.
Rancière, Jacques, A felszabadult néző. Budapest: Műcsarnok -Kunsthalle, p. 22.
2010
2009
2008
Saadawi, Ghalya (editor), interview with Rachel Hooper, Sharjah Biennial 10: Plot for a Biennial,
Sharjah Art Foundation, United Arab Emirates (exhibition catalogue). Sharjah: Sharjah Art
Foundation, pp. 437-442.
Bonami, Francesco and Gary Carrion-Muriyari (editors), 2010, Whitney Biennial, Whitney Museum of
American Art, New York (exhibition catalogue). New Haven: Yale University Press, pp. 84-85.
Etgar, Raphie, The Right to Protest, Museum on the Seam, Jerusalem (exhibition catalogue). Jerusalem:
Museum on the Seam.
Gray, Zoë, Miriam Kathrein, Nicolaus Schafhausen, Monika Szewczyk, Ariadne Urlus (editors),
Rotterdam Dialogues: The Critics, The Curators, The Artists. Rotterdam: Post Editions and
Witte de With, Center for Contemporary Art, pp. 216, 238, 265
Lulic, Marko, art & film: curated by_vienna. Nürnberg: Verlag für modern Kunst, pp. 90-95 (exhibition
catalogue).
Pérez Rubio, Augustin, ed. Discursive Variants: MUSAC Collection III. León: Museo de Arte
Contemporáneo de Castilla y León.
Pervasive Influence, CONTACT Photography Festival, Museum of Contemporary Art Toronto
(exhibition catalogue).
Singer, Debra, Creamier: Contemporary Art in Culture: 10 Curators, 100 Contemporary Artists, 10
Sources. London: Phaidon.
Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie Karlsruhe (exhibition catalogue).
Dailey, Meghan (introduction), The Shape of Things to Come: New Sculpture. Rizzoli, pp.490-511.
Dexter, Emma, 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich. London: Thames
and Hudson, pp. 314-319.
Extended. Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst Karlsruhe
(exhibition catalogue).
Gonzales, Erik, et. al, Infinitesimal Eternity—Images Made in the Face of Spectacle, Yale University
School of Art Gallery (exhibition catalogue), edited by George Rush.
Hooper, Rachel, Sylvère Lotringer, and Heike Munder, Josephine Meckseper, Zurich: JRP|Ringier.
Jansen, Gregor and Thomas Thiel (editors), Vertrautes Terrain – Aktuelle Positionen in & über
Deutschland, ZKM / Museum für Neue Kunst,
Karlsruhe (exhibition catalogue) Heidelberg: Kehrer Verlag; pp. 278.
Lotringer, Sylvère, Vitamin 3-D: New Perspectives in Sculpture and Installation. London: Phaidon Press,
pp. 194-197.
Matt, Gerald, Cathérine Hug and Thomas Mießgang (editors), 1989. Ende der Geschicte oder Beginn der
Zukunft, Kunsthalle Wien and Villa Schöningen (exhibition catalogue). Nuernberg: Verlag für
moderne Kunst Nürnberg (forthcoming).
Morality, Witte de With Center for Contemporary Art (exhibition catalogue)(forthcoming).
Müller, Vanessa Joan (editor), Béton Brut, Dance in My Experience,Kunstverein für die Rheinlande und
Westfalen, Düsseldorf (exhibition catalogue). Schwarzach am Main: Benedict Press, pp. 11-13,
59.
Neil, Jonathan T.D. (editor), FAX, The Drawing Center (exhibition catalogue). New York: The Drawing
Center/Independent Curators International.
Rancière, Jacques, Der emanzipierte Zuschauer, trans. Richard Steurer. Vienna: Passagen Verlag, p. 37
(ill.).
Roth, Andrew and Phil Aarons (editors), In Numbers: Serial Publications by Artists Since 1955, New
York: PPP Editions; pp. 51-52, 160-164.
Zeigen. An Audio Tour Through Berlin, Temporäre Kunsthalle Berlin (exhibition catalogue). Berlin:
Temporäre Kunsthalle.
Andelkovic, Branislava, Marko Lulic and Thomas Trummer (editors), Zidovi na ulici | Walls in the
Street, Siemens Arts Program, MSUB, Museum of Contemporary Art (exhibition catalogue),
pp. 70-75, 194.
Bloemink, Barbara, et. al, Prospect.1 New Orleans (exhibition catalogue), Brooklyn: Picturebox, pp. 238
– 241.
2007
2006
2005
2004
Hoff, James (editor), Top Ten: 1998-2008. New York: No Input Books, p. 304.
Holzwarth, Hans Werner (editor), Art Now Vol. 3. Cologne: Taschen, pp. 308-311.
Lotringer, Sylvère, Gabriele Mackert and Mona Schieren, Quelle International. Josephine Meckseper.
Bremen: GAK.
Rancière, Jacques, Le spectateur émancipé. Paris: La Fabrique editions, p. 32, ill.
Schaschl, Sabine, Bettina Steinbrügge, René Zechlin (editors), Cooling Out - On the Paradox of
Feminism, Kunsthaus Baselland, Muttenz/Basel, Switzerland (exhibition catalogue), Zürich:
JRP|Ringier, cover and pp. 136-137.
Common Affairs: Steirischer Herbst 2008, Landesmuseum Joanneum, Graz: Edition Camera Austria
(exhibition catalogue), pp. 95-103, 126.
Tresaco, Boyer, Best New York Art 2008. New York: Theredoom, pp. 18-19.
Weibel, Peter, Vertrautes Terrain - Aktuelle Positionen in & über Deutschland, ZKM / Museum für
Neue Kunst, Karlsruhe (exhibition brochure), pp. 49, 226.
Baudrillard, Jean, and Sylvère Lotringer (introduction), Forget Foucault. Los Angeles: Semiotext(e), 2nd
Revised Edition, cover ill.
Bourriaud, Nicholas, et. al., Second Moscow Biennale of Contemporary Art: Footnotes about
Geopolitics, Market, and Amnesia (exhibition catalogue). Moscow: Artchronika, pp. 102-103.
Brand, Roy (editor), Bare Life, Museum on the Seam, Jerusalem (exhibition catalogue), pp. 81-78.
Enwezor, Okwui, Christian Hoeller and Marion Ackermann (editor), Josephine Meckseper. Ostfildern:
Hatje Cantz Verlag.
Hooper, Rachel, “Satire and a Cynical Smile: Josephine Meckseper,” Brave New Worlds, Walker Art
Center, Minneapolis (exhibition catalogue), edited by Doryun Chung and Yasmil Raymond, pp.
144-149.
Merali, Shaheen (editor), New York – States of Mind. Art in the City (exhibition catalogue), London:
Saqi, pp. 116-119.
Ribeiro, Antonio Pinto, An Atlas of Events (exhibition catalogue). Calouste Gulbenkian Foundation, pp.
50-51.
Singer, Debra and Matthew Lyons, Just Kick It Till It Breaks, The Kitchen, New York (exhibition
catalogue).
Big City Lab, Art Forum Berlin (exhibition catalogue). Berlin: Messe Berlin GmbH.
Dailey, Meghan, Patricia Ellis and Norman Rosenthal, USA Today: New American Art from The Saatchi
Gallery (exhibition catalogue). London: Royal Academy of Arts, cover and pp. 248-263.
Day For Night, Whitney Biennial 2006, Whitney Museum of American Art, New York (exhibition
catalogue). New York: Henry N. Abrams, Inc.
Enwezor, Okwui (editor), The Unhomely: Phantom Scenes in Global Society, 2nd International Biennial
of Contemporary Art of Seville (exhibition catalogue). Seville: Fundación BIACS.
Lotringer, Sylvère, The Josephine Meckseper Catalogue No. 2 (exhibition catalogue), New York and
Berlin: Sternberg Press.
Schmidt, Jason, Artists, Paris: Edition 7L., p. 14.
The Searchers, EFA Gallery, New York (exhibition catalogue).
Trial Balloons, Museo de Arte Contemporaneo de Castilla y Leon, MUSAC, Leon (exhibition
catalogue).
A.B.Normal, NYEHAUS, New York (exhibition catalogue).
Bonds of Love, John Connelly Presents, New York (exhibition catalogue). Canada: PAZAZZ.
Expérience de la durée, Biennale d’art contemporain de Lyon 2005 (exhibition catalogue). Paris: Paris
Musées.
The Future Has a Silver Lining: Genealogies of Glamour, Migros Museum für Gegenwartskunst, Zurich
(exhibition catalogue). Zurich: JRP-Ringier.
Gandhi, Arun, et al., 2/15: The Day the World Said No to War. New York: Hello NYC; Oakland and
Edinburgh: AK Press.
Heimweh: Young German Art, Haunch of Venison, London (exhibition catalogue).
Kelsey, John and Andrew Ross, The Josephine Meckseper Catalogue (exhibition catalogue). New York:
2003
2000
Lukas & Sternberg.
Fuckin’ Trendy, Kunsthalle Nuremburg (exhibition catalogue).
New New York, The Jones Center for Contemporary Art, Austin, Texas (exhibition catalogue). Austin:
Texas Fine Arts Association.
SELECTED TEXTS BY THE ARTIST
2012
Bozidar Brazda, Josephine Meckseper, and Nicola Trezzi. "Cady Noland." Flash Art Jan./Feb. 2012: 6568.
PERIODICALS, RADIO, AND TELEVISION
2016
2015
2014
“Anita,” The Billionaire Art Collector, BBC, London. June 10, 2016.
Graver, David, “Timothy Taylor at Frieze New York 2016,” Cool Hunting, May 6, 2016.
Kinsella, Eileen, “What Are Dealers Bringing to Frieze New York 2016?,” ArtNet News, May 3, 2016.
“Kunst aus dem Katalog,” Sueddeutsche Zeitung, June 16, 2016.
Robertson, Laura, “Protest culture and art allow us to bring up uncomfortable questions”: The Big
Interview: Josephine Meckseper,” The Double Negative, November 26, 2015.
http://www.thedoublenegative.co.uk/2015/11/protest-culture-and-art-allow-us-to-bring-upuncomfortable-questions-the-big-interview-josephine-meckseper/
Urist, Jacoba, “Does ‘American Art’ Exist Anymore?” The Atlantic, November 18, 2015.
“Josephine Meckseper at Timothy Taylor Gallery, London,” Vernissage TV, November 2, 2015.
Yablonsky, Linda, “Jump Start,” ArtForum, October 17, 2015.
Abrams, Amah-Rose, “10 Must-See Gallery Show in London During Frieze Week,” ArtNet News,
September 28, 2015.
Hamer, Katy Diamond, “The Talk,” Sleek Magazine, 2015.
“Garage $ale,” Garage Magazine, Issue no. 8, Spring/Summer 2015: 246.
“Garage Talk: Josephine Meckseper,” Garage Magazine, 2015.
Peña, Veronica Gonzalez “The Dream” Neue Journal Issue 1 Spring 2015: 92-93
Slowey, Anne “Art Star” Elle, May 2015: 306-309
Davis, Jake, “Two Collection Artists Explore the Possibilities of Mirrors in Art,” Guggenheim Blogs,
April 10, 2015. https://www.guggenheim.org/blogs/checklist/mirrors-in-collection
Gavin, Francesca, “Mirrored Art,” Financial Times, January 15, 2015.
Graves, Jen, “Pop Departures Challenges Our Deepest Belief Systems,” The Stranger, November 12,
2014, http://www.thestranger.com/seattle/pop-departures-challenges-our-deepest-beliefsystems/Content?oid=20990659
Miller, Brian, “POP Departures at SAM,” Seattle Weekly, November 4, 2014,
http://www.seattleweekly.com/arts/955172-129/pop-departures-at-sam
Blanqui, Auguste “The Infinite Repetition Of Revolt: Andrea Geyer and Josiah McElheny” Art In
America June/July 2014: 136-141
Buesing, Nicole and Heiko Klaas, “The bitter-sweet lure of the commodity world,” DARE:
Magazine fur Kunst und Überdies, April 2014, http://blog.daremag.de/2014/04/diebittersuessen-verlockungen-der-warenwelt/
de Villeneuve, Poppy, “What Made Me: Josephine Meckseper,” T-Magazine.com, October 21, 2014,
http://www.nytimes.com/video/t-magazine/100000003188515/what-made-me-josephinemeckseper.html
“Surface Tension,” The New York Times Style Magazine, October 19, 2014: p. 106, 108, 110, 112.
Meckseper, Josephine, email interview with Damian Griffiths, “Re:,” Relief Magazine, Issue 2, 2014: p.
92-103.
Crow, Kelly, “Car Parts, Guitars and Wall Art at Art Basel,” Wall Street Journal, June 19, 2014,
http://online.wsj.com/articles/at-art-basel-car-parts-guitars-and-wall-art-1403230679
2013
Peterman, Dan, “Art and Consumerism,” Express Milwaukee, April 13, 2014,
http://expressmilwaukee.com/article-23109-art-and-consumerism.html
Smith, Roberta, “Josephine Meckseper,” NYTimes, January 17, 2014,
http://www.nytimes.com/2014/01/17/arts/design/josephine-meckseper.html?_r=0
Timm, Tobias, “Ein Fest der Künstlerinnen,” Die Zeit, May 15, 2014, p. 56.
“What’s On View at Chelsea galleries” Time Out New York, December 26: 38
Bochicchio, Sarah, “Parrish Art Museum Raises One Million at Annual Fundraising Gala,” Whitewall,
July 16, 2013, http://whitewallmag.com/lifestyle/parrish-art-museum-raises-one-million-atannual-fundraising-gala
Chaillou, Timothee, “Selection 1/3,” Garagisme Magazine, April 2013.
Duke, Angie, “Now, Meckseper’s Multiplicity,” East Hampton Star, July 2, 2013,
http://easthamptonstar.com/Arts/2013702/Now-Meckseper%E2%80%99s-Multiplicity
Expósito, Frank, “Stars and Stripes,” Artforum, July 25, 2013, http://artforum.com/diary/id=42106
Fargo, Jason, “Through the Looking Glass,” Avenue Magazine On The Beach, July 2013: p 110-115.
Freeman, Nate, “Art’s New Summer Home,” New York Observer, July 22, 2013: p A1, A2
Goldstein, Andrew M., “Six to Watch This July,” Artspace, July 2, 2013,
http://www.artspace.com/magazine/interviews_features/six_to_watch_this_july
Gopnik, Blake, “Magpie Loose in a Car Dealership,” Daily Beast, July 17, 2013,
http://www.thedailybeast.com/articles/2013/07/17/josephine-meckseper-at-the-parrish-is-thedaily-pic-by-blake-gopnik.html
Gordon, Amanda, “Hamptons Scene: Ackman, Navab, Solomon at Parrish Party,” Bloomberg.com, July
15, 2013, http://www.bloomberg.com/news/2013-07-15/hamptons-scene-ackman-navabsolomon-at-parrish-party.html
Haden-Guest, Anthony, “Anthony Haden-Guest’s New York,” The Art Newspaper, Number 248,
July/August 2013, p 39.
Halle, Howard, “Top five shows: Nov 28-Dec 4, 2013,” TimeOut NY, November 26, 2013,
http://www.timeout.com/newyork/art/top-five-shows-nov-28dec-4-2013
Hatt, Etienne. “Exposition "L'Ange de l'Histoire 2.0", Palais des BeauxArts, Paris,” artpress.com,
http://www.artpress.com/article/23/05/2013/exposition-lange-de-lhistoire-20--palais-des-beauxarts--paris/29008.
“Josephine Meckseper,” Wall Street International, December 6, 2013, http://wsimag.com/art/6232josephine-meckseper
“Josephine Meckseper’s Car Art Gets a “Platform” at the Parrish Museum,” Artspace, July 16, 2013,
http://www.artspace.com/magazine/news_events/josephine_meckseper_at_the_parrish
Jovanovic, Rozalia and Benjamin Sutton, “Our Complete Guide to Summer Art in the Hamptons,”
Blouin Artinfo, http://www.blouinartinfo.com/news/story/923372/our-complete-guide-tosummer-art-in-the-hamptons
Knofel, Von Ulrike, “Geschlechtereterennung,” Der Spiegel. No 12, 2013: p 138-140.
Krieger, Inga, “Grundlagenforshung,” ZEITmagazin, February 14, 2013: p 49.
La Force, Thessaly, “A New Parrish: Josephine Meckseper at the Herzog & de Meuron-designed
Museum in Water Mill,” Vogue Daily, July 18, 2013, http://www.vogue.com/872967/a-newparrish-josephine-meckseper-at-the-herzog-de-meuron-designed-museum-in-water-mill/
Laster, Paul, “Parrish Art Museum Midsummer Party,” Art in America, July 13, 2013,
http://www.artinamericamagazine.com/news-features/events/parrish-art-museum-midsummerparty/
Miller, M.H, Andrew Russeth, Zoë Lescaze and Dan Duray, “11 Things to Do in New York’s Art World
Before November 25,” Gallerist, November 18, 2013, http://observer.com/2013/11/10-things-todo-in-new-yorks-art-world-before-november-25/
Nelson, Karin, “August’s Most Wanted,” W Magazine, August 2013
“Parrish Art Museum,” e-Flux, July, 2013, http://www.e-flux.com/announcements/josephine-meckseper6/
2012
“Parrish Art Museum presents Josephine Meckseper exhibition,” Museum Publicity, July 2, 2014,
http://museumpublicity.com/2013/07/02/parrish-art-museum-presents-josephine-meckseperexhibition/
Powers, Bill, “Reverse Engineering,” Muse Magazine, Summer, 2013: p 150-151.
Regatao, Gisele, “Art Talk: The Four Art Shows to See Before the Year is Over,” WNYC, December 20,
2013, http://www.wnyc.org/story/art-talk-four-art-shows-see-year-over/
Russeth, Andrew, Michael H. Miller, Zoë Lescaze and Dan Duray, “11 Things to Do in New York’s Art
World Before July 7,” Gallerist NY, July 1, 2013, http://galleristny.com/2013/07/things-to-doin-new-yorks-art-world-before-july/
Russeth, Andrew, “Josephine Meckseper at Andrew Rosen Gallery,” New York Observer, December 10,
2013, http://observer.com/2013/12/josephine-meckseper-at-andrea-rosen-gallery/
Shiffman, Allyson, “Josephine Meckseper and the Burden of History,” INTERVIEW, November 25,
2013, http://www.interviewmagazine.com/art/josephine-meckseper-andrea-rosen-gallery/
Shaw, Dana, “Parrish Art Museum Holds Midsummer Gala On Saturday,” 27East.com, July 15, 2013,
http://www.27east.com/news/article.cfm/Water-Mill/24248/Parrish-Art-Museum-HoldsMidsummer-Gala-On-Saturday
Small, Rachel, “Parrish Art Museum’s Midsummer Party,” INTERVIEW, July 12, 2013,
http://www.interviewmagazine.com/nightlife/parrish-art-museums-midsummer-party
Spears, Dorothy, “Galleries as the Art World’s Leading Indicators,” New York Times, October 27, 2013:
p 20.
Walsh, Brienne, “Josephine Meckseper Digs into Capitalism’s Artifacts,” Modern Painters, July/August,
2013: p 58-63.
Yuan, Linyee, “Corvettes, Commercials, and Chrome: Josephine Meckseper at the New Parrish
Museum,” Details, July 23, 2013, http://www.details.com/blogs/daily-details/2013/07/corvettescommercials-and-chrome-josephine-meckseper-at-the-new-parrish-museum.html
Allison, Chelsea, “Uncommon Ground: Josephine Meckseper’s New Installation Takes Shape in Times
Square, “ Vogue.com, March 1,
http://www.vogue.com/culture/article/josephine-meckseper-manhattan-oil-project/.
Browne, Alix, “Texas Tea Party,” T Magazine, March 6,
http://tmagazine.blogs.nytimes.com/tag/josephine-meckseper/.
Casadei, Marta, “Nancy Gonzalez and Two x Two,” Vogue.it, October 23, 2012,
http://www.vogue.it/en/shows/oddities/2012/10/nancy-gonzalez-and-two-x-two.
Chaillou, Timothée. “ Josephine Meckseper.” Whitewall Magazine, Winter, pp. 60-61.
“Close-up.” Modern Painters, April, p. 25.
Durray, Dan. “Josephine Meckseper Plans Times Square Oil Rig.” The Observer, February 20, 2012,
http://galleristny.com/2012/02/josephine-meckseper-plans-times-square-oil-rig/
“500 Words: Josephine Meckseper,” Artforum.com, March 6,
http://artforum.com/words/id=30454.
Gavin, Francesca, “Less Than Zero,” Twin Magazine, Fall/Winter.
Giesbrecht, Jennifer, Vancouver Magazine, August 1,
http://www.vanmag.com/Entertainment/Josephine_Meckseper_at_Contemporary_Art_Gallery.
Glassber, Lauren, “Pumping for oil in Manhattan,” ABC Eyewitness News, March 8,
http://abclocal.go.com/wabc/story?section=news/local/new_york&id=8573773
Gopnik, Blake, “Artist Josephine Meckseper Digs for Oil in Times Square–And Strikes Gold.” The Daily
Beast, March 4,
http://www.thedailybeast.com/articles/2012/03/04/artist-josephine-meckseper-digs-for-oil-intimes-square-and-strikes-gold.html.
Gopnik, Blake, “There’s Art in That There Oil,” The Daily Beast, March 6, 2012,
http://www.thedailybeast.com/articles/2012/03/06/josephine-meckseper-installs-oil-pumpsnear-times.html
Goukassian, Elena, “Commissions,” Sculpture, June, pp. 20-21.
Haller, Vera, “On Oil Rigs and Art in Midtown.” The Huffington Post, March 9, 2012,
2011
http://www.huffingtonpost.com/vera-haller/manhattan-oil-project_b_1333048.html
Heidenry, James, “Crude Remark,” Manhattan Magazine, March, p. 34.
“Josephine Meckseper, at her ‘Manhattan Oil Project.” The New Yorker, March 26, p. 10.
“Josephine Meckseper Designs Oil Rigs in Times Square for ‘The Manhattan Oil Project’,” The
Huffington Post, March 7,
http://www.huffingtonpost.com/2012/03/06/josephine-meckseper-desig_n_1324987.html.
“Josephine Meckseper, Manhattan Oil Project,” Time Out New York, March 8-14, p. 39.
“Josephine Meckseper’s Manhattan Oil Project in Times Square.” FlashArt Online, February 21, 2012,
http://www.flashartonline.com/interno.php?pagina=news_det&id=1416&det=ok&title=Josephin
e-Meckseper’s-Manhattan-Oil-Project-in-Times-SquareJovanovic, Rozalia, Andrea Russeth, and Dan Durray, “8 Things to Do in New York’s Art World Before
April 16,” The New York Observer,
http://galleristny.com/2012/04/8-things-to-do-in-new-yorks-art-world-before-april-15/#slide1
Kennedy, Randy, “A Wildcat Operation in Midtown,” The New York Times, March 1, p. C3.
Klassen, Kelsey, “Shop Talk: Contemporary Art explained.” WE Vancouver, June 5,
http://www.wevancouver.com/lifestyle/157293325.html.
“Künstlerdorf setzt zeitgenössische Akzente,” NDR.de, November 11,
http://www.ndr.de/kultur/kunst_und_ausstellungen/niedersachsen/meckseper105.html
Lookofsky, Sarah, “Josephine Meckseper – The Final Shop,” dismagazine.com
http://dismagazine.com/discussion/27805/the-final-shop/
Mathis, Samantha, “Samantha Mathis Chats with Artist Josephine Meckseper about her ‘Manhattan Oil
Project,’” Paper TV, March 28,
http://www.papermag.com/2012/03/josephine_mecksepper.php.
Nelson, Karin, “Gen W The Artist is Present,” W Magazine, October, pp. 142-147.
Pan, Lara, “Conversation with Josephine Mecksper,” Res Magzine, November, pp. 14-24.
“Phantom oil pumps and a soaring marble column arrive at New York’s Time Square.” artdaily.org,
http://www.artdaily.org/index.asp?int_sec=2&int_new=54064.
“Rigged, “ Interview, March 2012, p. 120.
Russeth, Andrew, “Josephine Meckseper’s ‘Manhattan Oil Project’,” The New York Observer, March 2,
http://www.galleristny.com/2012/03/josephine-mecksepers-manhattan-oil-project/.
Smith, Roberta, “Josephine Meckseper: ‘Manhattan Oil Project’,” The New York Times, March 23, p.
C25.
Spears, Dorothy, “Striking Oil, Artistically, in Midtown,” The New York Times, March 5,
http://green.blogs.nytimes.com/2012/03/05/striking-oil-artistically-in-midtown/.
“Tips for Today.” Paper Mag, March 5, 2012,
http://www.papermag.com/2012/03/tips_for_today_josephine_mecks.php
Walleston, Aimee, “Josephine Meckseper Drills to New York’s Dark Center,” Art in America, March 5,
http://www.artinamericamagazine.com/news-opinion/news/2012-03-05/josephine-meckseper/.
Warren, Tamara, “Manhattan Oil Project By Josephine Meckseper,” Forbes, March 16, 2012,
http://www.forbes.com/sites/tamarawarren/2012/04/16/manhattan-oil-project-by-josephinemeckseper/.
Woodward, Daisy, “Josephine Meckseper,” Another Magazine, October 12, 2011,
http://www.anothermag.com/current/view/1461/Josephine_Meckseper
Wyma, Chloe, “23 Questions for “Manhattan Oil Project” Artist Josephine Meckseper,” artinfo.com,
April 20,
http://www.artinfo.com/news/story/800972/23-questions-for-manhattan-oil-project-artistjosephine-meckseper.
“Cover girl à la Galerie des Galeries,” À Nous Paris, February 14, p. 21.
Douglas, Sarah, “Paddle 8, The Latest Online Art Sales Venture, Bets on Virtual Exhibitions,”
ARTINFO, April 27,
http://www.artinfo.com/news/story/37560/.
Madden, Kathleen, ‘Critic’s Picks’, Artforum online, April 1,
2010
http://artforum.com/picks/section=nyc#picks27296
Meckseper, Josephine, “Josephine Meckseper on Carsten Höller’s Sliding Doors (2003),” Tate Etc., Issue
23, Autumn, p. 110.
Morse, Trent, “Josephine Meckseper: FLAG Art Foundation,” ARTnews, Summer, Volume 110, Number
7, p. 121.
Neil, Jonathan T.D., “Josephine Meckseper,” Art Review, October, Issue 53, pp. 86-91.
“The 100 Best Fall Shows, Modern Painters, September, pp. 70-71.
Trembley, Nicolas, “Rage Against the Vitrine,” Numero, August, Volume 125.
Ullrich, Wolfgang, "Die Hybris des Hyperdekorativen." Kunst und Kirche, February, pp. 16-19.
2010, Visionaire No. 57.’ Visionaire; Limited edition, January 31
Belenky, Alexander, “Why Aren’t Artists Angry Anymore?,” The Atlantic, March 3.
Bradley, Bill, “A Sneak Peek at the Whitney Biennial,” VF Daily | Vanity Fair, February 25.
www.vanityfair.com/online/daily/2010/02/a-sneak-peek-at-thewhitneybiennial.html.
Bodin, Claudia, “Got weiss, was Amerika im Schilde führt,” ART Das Kunstmagazin, February 25,
www.artmagazin.de/kunst/26831/whitney_biennale_2010_new_york.
Bodin, Claudia, “Immer shön laufen und trinken,” ART Das Kunstmagazin, March 5,
http://www.art-magazin.de/kunst/27168/armory_show_new_york.
Budick, Ariella, “Confronting the Void, Guggenheim, New York,” Financial Times, Arts: Design &
Architecture, March 4.
“Capture,” Interview, March, p. 72.
Carrion-Muriyari, Gary and Josephine Meckseper, interview by Leonard Lopate, “2010 Whitney
Biennial,” The Leonard Lopate Show, WNYC, April 16.
Chaillou, Timothée, "Apparaître Ici," L'art même 46, 1er Trimestre, 2010, pp.12-13.
Chaplin, Julia, “Art Basel Miami’s Big-Buzz 10,” The New York Times, November 28.
Decker, Julia, and Lars Reichardt, “Hoffnung is für mich ein duboioser Begriff,” Süddeutsche Zeitung
Magazin, No. 19, May 14, cover and poster insert.
Douglas, Sarah, and Andrew Goldstein, “Bustling Armory Opening Heralds Contemporary Art Market
Resurgence,” ARTINFO, March 4,
www.artinfo.com/news/story/34062/bustling-armory-opening- showscontemporary-art-marketresurgence/.
Eberle, Todd, “The Whitney 2010 Ambienalle,” VF Daily | Vanity Fair, February 24,
http://www.vanityfair.com/online/daily/2010/02/the-whitney-2010-ambienalle.html.
Egan, Maura, “Fair Game | Playing it Safe at the Armory,” New York Times / T Magazine Blog, March 5,
http://tmagazine.blogs.nytimes.com/2010/03/05/fair-game-playing-it-safe-atthe-armory.
Gartenfeld, Alex, “2010,” Art in America Online, April 21,
http://www.artinamericamagazine.com/reviews/2010.
“Goings on About Town: Art,” The New Yorker, March 8.
Goldstein, Andrew, Andrew Russeth and Amber Vilas, “Whitney Biennial 2010 Breakdown: The
Outliers,” ARTINFO, February 23,
www.artinfo.com/news/story/34003/whitney-biennial-2010-breakdown-theoutliers.
Gopnik, Blake, “Art review: Blake Gopnik on 2010 Whitney Biennial, consumed with small Change,”
The Washington Post, March 4, p. C03.
“Guggenheim artists fill ‘void’ with ideas,” France24, February 13, 11:33 PM, and
www.france24.com/en/20100213-guggenheim-artists-fill-void-with-ideas.
Hall, Emily, “Josephine Meckseper at Elizabeth Dee,” Artforum, September, 329-330.
Halle, Howard, “Art Review: 2010 Whitney Biennial,” Time Out New York, Issue 753, March 4-10.
Häntzschel, Jörg: "Ruhe bitte!: die Krise der amerikanischen Kunst bei der Whitney Biennale,"
Süddeutsche Zeitung, February 27.
Johnson, Ken, “Ahoy From Nudes, a Pirate and Scrooge McDuck,” The New York Times, March 4.
“Josephine Meckseper,” The New Yorker, Goings on About Town: Art, June 7, p. 12.
Kazanjian, Dodie, “Dee’s Day,” Vogue, October, 298-301, 336 (ill.).
Kuhn, Thomas, “Whitney Biennial: 2010,” Kunstforum International, No. 202, May/June, pp. 284-289.
2009
Kunitz, Daniel, “Josephine Meckseper,” Modern Painters, June 10,
http://www.artinfo.com/news/story/34873/josephine-meckseper/
Laster, Paul, “Surveying the 2010 Whitney Biennial,” Flavorwire, February 26,
http://flavorwire.com/73377/surveying-the-2010-whitney-biennial
Levin, Todd, “Whitney Biennial: The Voices of Silence,” Flash Art, No. 272, May/June, pp. 61- 62.
McGarry, Kevin, “2010: A Small Odyssey,” Rhizome Front Page, March 10,
http://rhizome.org/editorial/3362.
“Meckseper im Whitney,” Stuttgarter Zeitung, February 2.
Monick, Dan, “She’s got balls,” PAPER, September, 112-127.
Phillips, Lisa, “Whitney Biennial,” Interview, February, pp. 100-107.
Pollack, Barbara, “Whitney Biennial: A review of ‘2010,’” ARTnews, Volume 109/Number 4, April
2010, pp. 104-105.
Smee, Sebastian, “Whitney show is an anthem to the awful,” The Boston Globe, A&E, February 25.
Smith, Roberta, “Creative Debate, Not Too Loud,” The New York Times, The Arts, June 2, pp. C1, C5.
Smith, Roberta, “Take This Museum and Shape It,” The New York Times, Weekend Arts, February 19,
pp. C23, C27.
“Smoke and Mirrors,” W Magazine, November 2010, pp.144-147.
Szewczyk, Monika, “Josephine Meckseper: American Still Life,” Flash Art, No. 272, May/June, pp. 98100.
Thorson, Alice, “Whitney Biennial art show keeps a smaller, tighter focus in 2010,” The Kansas City
Star, March 13.
Walker, Benjamen, “WhiBi Conversations: Film and Video,” WNYC Culture Blog, February 18,
http://culture.wnyc.org/blogs/whitney-biennial- 2010/2010/feb/18/whitney-biennialconverstions-film (ill. only).
Walleston, Aimee, “In the Style of Bonami/Bonami in Profile,” V Magazine Online,
http://www.vmagazine.com/article.php?n=14968.
Walleston, Aimee, “Josephine Meckseper/Elizabeth Dee,” The Last Magazine, No. 5, Fall, 19.
Wilson, Michael, “Josephine Meckseper: The artist critiques contemporary America,” Time Out New
York, No. 770, July 1-7.
Winklbauer, Andrea, "Vom heissen Atem der Geschichte," Neue Zürcher Zeitung, Kultur, January 20.
Wolff, Sarah, “Best of the Whitney Biennial,” The Daily Beast, February 24,
http://www.thedailybeast.com/blogs-and-stories/2010-02-24/best-of-thewhitney-biennial.
Yablonsky, Linda, “Whitney Biennial Mishmash Serves Up Michael Jackson, Macrame,”
Bloomberg.com, February 25,
www.bloomberg.com/apps/news?pid=20601088.
Yablonsky, Linda, “Women’s Work,” The New York Times Style Magazine, February 28, pp. 142-144.
Ackermann, Tim, “Alles is kommerziell, alles ist politisch,” Welt am Sonntag, Kultur, November 8.
“Am Lack kratzen,” St. Galler Tagblatt Gesamtausgabe, February 23.
“Björks Image-Designer,” Annabelle, No. 3, February 4, p. 42.
Bodewein, Lena, “Widerstand erzeugen: Josephine Meckseper im Portrait,” ARD German Radio
Network, August 27.
Britt, Douglas, “Unsettling works are order of the day,” Houston Chronicle, September 11, E2.
Bugmann, Urs, “Unter dem Glanz klaffen die Abgründe,” Neue Luzerner Zeitung Gesamtausgabe,
February 23.
Buhr, Elke, "Drei Fragen an: Josephine Meckseper," Monopol. Magazin für Kunst und Leben, No. 4,
April, p. 14.
Büsing Nicole & Klaas, Heiko, "Auf dem Pulverfass," kunstmarkt.com, April 21.
Danicke, Sandra, “Gnadenlos und schwarzweiß,” Frankfurter Rundschau, March 2.
“Das Spiel einer Doppelagentin,” Zürichsee-Zeitung, Gegenwartskunst, April 20.
Dumas, Brittni, “Art. Love. Politics.” Envy Magazine Online, Houston Arts, September 30,
http://envymags.com/2009/09/art-love-politics/.
Fronz, Hans-Dieter, “Schönheit als Ware,” Badische Zeitung, May 7.
Giezendanner, Petra, ”Krieg von seiner gestylten Seite,” Art ensuite, April 3.
Glauner, Max, "Josephine Meckseper, Kapitalismuskritik reloaded," Kunstforum International, No. 196,
April/May, pp. 363-364.
“Glanz und Politik im aktuellen Amerika,” 20Minuten, February 23.
Hess, Eva, "Wollt ihr die totale Kunst?," SonntagsZeitung, February 15.
“In Der Politischen Gefahrenzone,” Züri Tipp, February 19.
“Josephine Meckseper,” Active live, No. 4, April.
“Josephine Meckseper,” Kunstmagazin, No. 3.
“Josephine Meckseper,” likeyou, February 17.
Kaufman, Anthony, “‘Migrating Forms’ at Anthology Film Archives,” The Village Voice, April 15.
Kobelt, Nina, “Reklamieren gegen die Reklame,” News, February 23.
Krebs, Edith, "Alles geht fein säuberlich auf," Die Wochenzeitung, March 19.
Kucera, Andrea, “Kritik an Kapitalismus, Krieg und Konsum als Kunstform,” Zürcher Landzeitung,
February 28.
Marzahn, Alexander, “Kalt wie Chromstahl,” Basler Zeitung, April 1.
McQuaid, Cate, “Videos, then and now, tell a story,” The Boston Globe, January 4.
Meckseper, Josephine, “Josephine Meckseper on Birkenstocks’ unearned radical rep,” TAR Magazine,
No. 2, Spring, p. 118.
Meier, Philipp, "Strahlender Abglanz des amerikanischen Albtraums," Neue Züricher Zeitung, February
24.
“migrosmuseum | Josephine Meckseper,” Art-TV.ch, February.
Moser, Kati, “Politische Kunst einer starken Frau,” Schweizer Illustrierte, March 23.
Müller, Sabine, “Hemmungslose Verführer – Austellung: Josephine
Meckseper übt in Münster Kapitalismuskritik,” Münstersche Zeitung, No. 247, October 22, Kultur.
Powers, Bill, “Car Culture | Josephine Meckseper,” New York Times / T Magazine Blog, September 24,
http://tmagazine.blogs.nytimes.com/2009/09/24/car-culture-josephinemeckseper.
Restorff, Jörg, “Austellungen im März,” Kunstzeitung, March 5.
Richter, Peter, “Der Mann mit den Mädchen,” Frankfurter Allgemeine Sonntagszeitung, No. 5, February
1.
Santilli, Paula, “Crítica Realidad,” Semana, September 13-19, Culture, p. 22.
“Schaufenster-Kunst,” Vanity Fair Germany, March 6.
Schindler, Felix, "Politische Kunst in gestylter Kulisse," Tages-Anzeiger, February 23.
Schroeder, Mariana, “A Video Artist’s Uncompromising Political Takes,” Wall Street Journal Online,
March 26, Europe News.
Schwake, Vanessa, “Konsum trifft Krieg,” GQ-Magazin.de, March 6.
Sherwin, Skye, "Josephine Meckseper," Art Review, Issue 30, April, p. 25.
Spampinato, Francesco, Arte e Crimini di Josephine Meckseper,” Impakt, No. 2, October.
Stevenson, Bob, “Josephine Meckseper,” The Front Row, KUHF Houston Public Radio, October 20.
“Subtile Analyse des amerikanischen Wertesystems: Künstlerin Josephine Meckseper stellt neue Werke
in Münster aus,” Stadtmagazin Echo Münster Online, Kultur, October 22,
http://www.echo-muenster.de/node/5624.
“Transatlantic,” Parkett, No. 85, June, pp. 34, 38.
Trieloff, Sabine, “Josephine Meckseper / Migros Museum, Zürich,” Vernissage.tv, February 27.
Ullmer, Brigitte, “Ich nehme der Kunst ihren Sonderstatus,” Du Magazin, No. 795, April, pp. 122-124.
Von Montgelas, Marie-Hélène, “Gib mir fünf! Tipps der Woche,” art, February 20.
Wang, Michael, “Form and Function,” Artforum.com, April 10.
Wendland, Johannes, "Krieg und Konsum," Handelsblatt, February 27.
Wewer, Antje, “Die Schwarz-Weiß-Malerin,” Süddeutsche Zeitung, March 21.
Wiginton, Christina, “Prop Star,” HOUSTON Magazine, September, pp. 12 and 44.
“Wirtschaftskrise und Konsumrausch Die Kunst der Josephine Meckseper,” Kunst Raum Münster, No. 4,
October-December, pp. 9, 21, and 24.
Wüst, Karl, “Keine Zukunft für alte Männer in Amerika,” Thurgauer Zeitung and Der Landbote,
2008
2007
February 26.
Wüst, Karl, “Kritischer Blick – mit Ironie versetzt,” Schaffhauser Nachrichten, February 26.
Zimmer, Nina, “Meine Top 5 im Mai,” Kunstmagazin, No. 5.
Amado, Miguel, “An Atlas of Events. Calouste Gulbenkian Foundation”Artforum, February, p. 309.
Bayer, Helen,"FAT Magazine," Next Level, Edition 13, pp. 110-113.
Bodin, Claudia and Jürgen Frank, "New York und ich," Art (Germany), No. 10, October, p. 53.
Büsing, Nicole and Heiko Klaas,”The Erosion of the Symbolic, Josephine Meckseper,” Next Level,
Edition 13, pp. 74-77.
Carlin, T.J., “Art review: ‘That Was Then...This is Now,’” Time Out New York, September 11-17.
Dany, Hans-Christian, "Josephine Meckseper," Springerin, No. 02, Spring, p.57.
Gillick, Liam, "Josephine Meckseper," Interview, November, pp. 48-49.
Halle, Howard, "Josephine Meckseper," Time Out New York, May 15-21, p.73.
Hildebranst, Tina and Heinrich Welfing, “Was tun wenn’s brennt?,” Zeit Magazin Leben, February 28,
pp. 18-21.
Johnson, Ken, "Josephine Meckseper," The New York Times, May 16, p. E29.
Johnson, Ken, "Will the Revolution Be Museumized? Will There Be a Revolution?," The New York
Times, July 25.
Jones, Kristin M., "Josephine Meckseper," frieze.com, May 8.
Judd, Flavin, "Josephine Meckseper," BOMBsite.com, December 11.
Kastner, Jeffrey, "Party Lines," Art and Auction, July.
Mummenhoff, Julia, "Ornament der Masse," Spike Art Quarterly, No. 15, Spring, pp. 123-124.
Probst, Carsten, "Zeitgeist-Rebellin," Deutschlandradio, February 16.
Raab, Jürgen, "Aktionen & Projekte," Kunstforum International, No. 193, September-October, p. 412.
Rosenberg, Karen, "Splitting a Gallery in Half to Focus on Social Strife," The New York Times,
September 11.
Schirrmeister, Benno, "Kunst, so unromantisch, wie es nur geht," die tageszeitung, February 21.
Schneider, Konstantin, “Josephine Meckseper: Gewagtes Spiel/Going for Broke,” Berliner
Kunstkontakter,http://www.berlinerkunstkontakter.de/flash/kw3708/meckseper20092008.htm.
Spampinato, Francesco, “Arte e Crimini di Josephine Meckseper,” Impakt, No. 2, October.
"Steirischer Herbst 2008," Camera Austria, 102/2008, July.
"Untitled, 2008," herbst. Theorie zur Praxis, Graz: Steirischer Herbst, pp. 90-97.
Zhong, Fan, “New Photography 2008: Josephine Meckseper and Mikhael Subotzky,” Interview,
September.
Artnet Questionnaire, “Where is Josephine Meckseper,” artnet.de, September 20.
Amado, Miguel, “Just Kick It Till It Breaks,” Artforum.com.
Braun, Adrienne, “Die Demo als Deko,” Süddeutsche Zeitung, July 17, p. 13.
Bryan-Wilson, Julia, “Josephine Meckseper: Display; the female form and protest culture,” Frieze No.
105, March, p. 166.
Büsing, Nicole & Klaas, Heiko, “Josephine Meckseper,” artist kunstmagazin 72, February, pp. 22- 27.
Büsing, Nicole & Klaas, Heiko, “Josephine Meckseper: Die Kunst der stilvollen Anarchie,”
spiegelonline.de, July 14.
Carnevale, Fulvia and John Kelsey, “Art of the Possible: An interview with Jacques Rancière,” Artforum,
March, p. 259.
Christofori, Ralf, Checkpoint, Jan - April 2007, pp. 60-69 (excerpt from Monopol, No. 04/2005).
Christofori, Ralf, “Schöne Ware Welt,” Der Tagesspiegel, August 12, p. 26.
Columbus, Nikki, “Previews: Josephine Meckseper,” Artforum, May, p. 206.
Cotter, Holland, “Just Kick It Till It Breaks,” New York Times, April 13, p. E34.
Cumming, Laura, “Go ahead and shock me," The Guardian (London), January 7.
Deepwell, Katy, "Social Feminism and the question of difference," n.paradoxa, Vol. 19, January, p. 94.
Diez, Georg, “Atelierbesuch: Josephine Meckseper,” ZEIT magazin Leben, 27/07, June 28, pp. 46-48.
Fox, Dan, “USA Today,” Frieze, No. 105, March, p. 183.
Frenzel, Sebastian, “Ich bin dann mal links,” Vanity Fair 07/29, July 12, pp. 112-115.
2006
Genocchio, Benjamin, “Resistance Is...,” The New York Times, Museum and Gallery Listings, July 6.
Harris, Jane. “Art and Politics,” Artnet.com, August 29.
Herbert, Martin, “2nd Seville Biennial,” Frieze, No. 104, January/February, pp. 162-163.
Johnson, Ken, "Never Mind the Map: Sometimes New York City is More of an Idea" (Art Review: New
York States of Mind), The New York Times, December 12.
“Josephine Meckseper Ausstellung im Kunstmuseum Stuttgart,” arte Kultur, arte-televison, July 10.
“Josephine Meckseper Ausstellung im Kunstmuseum Stuttgart”, Nachtkultur, SWR 3-television, July 13.
Kedves, Jan, “Wäschetag,” Monopol, Magazin für Kunst und Leben, No. 6, June, pp. 68-75.
Knöfel, Ulrike, “Die Frau ist schwierig,” Der Spiegel 42/2007, October 15, pp.182-183.
Kuni, Verena, “Josephine Meckseper im Kunstmuseum” Kunstbulletin, September 20, p. 60.
“Kunstmuseum in Stuttgart zeigt das Werk der Konzeptkünstlerin Meckseper,” tagesthemen, ARDtelevision, July 13.
Leisten, Georg, “Die Warenwelt verdaut ihre Kritiker,” Stuttgarter Zeitung, July 14, p. 33.
Léith, Caoimhín Mac Giolla, “Cooling Out,” Frieze, No. 105, March, pp. 180-181.
McElheny, Josiah, “Readymade Resistance,” Artforum, No. 6, October, pp. 331-332.
Meckseper, Josephine, “The Artists’ Artists,” Artforum, December, p. 132.
Meinhardt, Johannes, “Josephine Meckseper: In den Fängen der
Konnotation,” Kunstforum International 188/07, July, pp. 431-432.
Merali, Shaheen, “Biennials/Survey Shows,” Frieze, No. 104, January/February, p. 125.
Peine, Sibylle, “Lob des Designer-Hammers,” Die Welt, August 3, p. 24.
“Portfolio,” Art on Paper, January/February, cover and pp. 44-45.
Reier, Sharon, “Contemporary Art: Follow the money,” Herald Tribune, January 27-28.
Rosenau, Mirja, “Sexy Stützstrümpfe,” Art, October, p. 89.
Rosenberg, Karen, “At Fairs by the Beach, The Sands of Creativity,” The New York Times, December 8,
pp. A15, A19.
Sansom, Anna, “This city is a riot. Josephine Meckseper,” Sleek Magazine, No. 13, Winter 2006/2007,
pp. 110-115.
Schumacher, Hajo, “Gefaehrliche Liebschaften,” Sueddeutsche Zeitung Magazin, February 9, pp. 8-9.
Ullrich, Wolfgang, “Der Duft der Kapitalismuskritik,” die tageszeitung, September 18, p. 21.
Widmann, Arno, “Den Durchblick simulieren,” Frankfurter Rundschau, August 3, p. 37.
Woeller, Marcus, “Der große Kunstrabatt,” die tageszeitung, July 23, p. 15.
"Academy plans new US art showcase," BBC News, April 5.
Andrews, Max, “Trial Ballons,” Frieze, October, pp. 262-263.
“American Expressions,” Harper’s Bazaar, November, p. 112.
Baker, R.C., “Adrian Piper, Eric Baudelaire, Josephine Meckseper, Wayne Gonzales,” Village Voice,
December 6.
Bollen, Christopher, “Adrian Piper, Wayne Gonzales, Eric Baudelaire,
Josephine Meckseper,” New York Times, December 8.
Burn, Gordon, “Make it new,” Saturday Guardian, October 14, pp. 12-13.
Clayton, Richard, “Legends of the Fall,” The Sunday Times Culture Magazine, September 17, p. 10.
"Cool Feminists," Irish Arts Review, October, p. 35.
Coulson, Amanda, “Emerging Artists, Josephine Meckseper,” Modern Painters (London), March, pp.
60-62.
Dunne, Aiden, “This Ain’t No Fooling Around,” The Irish Times, April 7.
Eleey, Peter, “2006 Whitney Biennale,” Frieze, June-August, pp. 256-57.
Ellis, Patricia, “Catching up with Charles (Saatchi),” Flash Art, October, pp.66-67.
Falconer, Morgan, “The States They’re In,” The Times 2, October 4, p. 15.
Gopnik, Blake, “Red, White and Bleak,” The Washington Post, March 2, p.C1.
Johnson, Ken, “Cady Noland Approximately,” The New York Times, May 12,p. E32.
Knöfel, Ulrike, “Die Zeitgeist-Rebellin,” Der Spiegel, July 10, pp. 126-127.
Lewis, Ben, “Private View,” Prospect, July, p. 60.
Lienhard, Tim, “Josephine Meckseper: Eine Deutsche bei der New Yorker
2005
2004
2003
2002
2001
Whitney Biennale,” Arte-televison (Germany, France), March 4.
Littlejohn, Georgina, “Academy feud,” Evening Standard (News Extra), May11, p. 19.
Markovits, Benjamin, “Culture sculpture,” The Times Literary Supplement,November 3, p. 18.
McKeith, Eimear, “A war on the road to nowhere,” Dublin Sunday Tribune,April 16.
Meckseper, Josephine, "A Project for Atlántica." Atlántica Magazine,Summer, p. 78-89.
O'Brien, Treasa, "Cooling Out – on the paradox of feminism," Circa, No. 118,Winter, pp. 92-95.
Pisano, Hortense, "Bomben, Sexbomben überhaupt," die tageszeitung,September 19.
Porter, Charlie, “Demand Economy,” GQ Style: Luxury Edition,Autumn/Winter.
Reynolds, Nigel, “Saatchi is ready for another sensation at the RA” DailyTelegraph, April 4.
Rosenberg, Karen, “Ready to Watch,” New York Magazine, February 27, pp.46-48.
Scott, Andrea, “Exhibit A-list,” Time Out New York, February 23-March 1, pp.16-22.
Scott, Andrea, “Josephine Meckseper, ‘%’,” Time Out New York, January 12- 18, p. 58.
Sholis, Brian, “Josephine Meckseper,” Artforum, February, pp. 111-112.
Smith, Roberta, “Josephine Meckseper,” The New York Times, January 6, p. E34.
Spiegler, Marc, “American Renaissance,” The Art Newspaper, No. 171, July- August, p. 32.
“USA Today: New American Art from The Saatchi Gallery,” The Week, October 14, p. 31.
Von Burg, Dominique, “Im Taumel vielfaeltiger weiblicher Lebensentwuerfe,“ Kunstbulletin, cover and
pp. 36-47.
Ward, Ossian, “Young Americans,” DB Artmag No. 38, October, p. 13.
Wullschlager, Jackie, “An Ad-man’s Snapshot of America,” Financial Times, October 9, p. 11.
Ammirati, Domenick, “Critics’ Picks: Bonds of Love,” Artforum.com, September.
Christofori, Ralf, “Josephine Meckseper,” Monopol, Berlin, August, p. 22-33.
Doran, Anne, “‘Girls on Film’: Zwirner & Wirth,” Time Out New York, September 1–7, p. 57.
Egan, Maura, “Au Courant,” New York Times Style Magazine, November, p. 26.
“Experiencing Duration, Biennale d’art Contemporain de Lyon, 2005,” Flash Art, December, pp. 97-98.
Kurbjuweit, Dirk, “Putsch gegen die Wirklichkeit: Gerhard Schröder will das Wahlergebnis nicht
akzeptieren,” Der Spiegel, 39, September 26, p. 165.
Meckseper, Josephine, “Top Ten,” Artforum, Summer, p. 142.
“Neue Kunst,” Berliner Zeitung, September 29, pp. 1, 34 and cover.
Studer, Margaret, “Autumn Is for Art Fairs,” The Wall Street Journal Europe,September 23–25, cover
and p. 1.
Gopnik, Blake, “Studio Visit: The Artist at Home with Contradictions,” The Washington Post, April 13,
pp. C1, C7.
Harrison, Sarah, “Heimweh: Young German Art,” Art Monthly, October.
Herbert, Martin, “Heimweh: Young German Art,” Time Out London, September 29–October 6.
Mayer, Gabriele, “Frauen brauchen schusssichere Kleider,” Frankfurter Allgemeine Zeitung, January 14,
p. 33.
Ross, Andrew, "Low Pay, High Profile," The New Press.
Zimmermann, Annina, “The Future Has a Silver Lining: Genealogies of Glamour,” Springerin 3, p. 69.
Ammirati, Domenick, “Critics’ Pick: Josephine Meckseper,” Artforum.com, May–June.
Appel, Stefanie, “Volkskunst,” Prinz (Frankfurt), May 30.
Buhr, Elke, “Auf dem Meldeamt,” Frankfurter Rundschau, May 15.
Christofori, Ralf, “Die verlorene Heimat der Lara Croft,” Potsdamer Neueste Nachrichten, July 8.
Pisano, Hortense, “Globale und lokale Zeichentraeger,” TAZ (Berlin/Frankfurt) June 5, p. 17.
Reed, John, “Editor's Choice: Josephine Meckseper,” Bomb, Summer/Fall, p. 20.
Urban, Regina, “Designerkleider als feuerfester Schutzanzug,” Nuernberger Nachrichten, December 10,
p. 27.
Verwoert, Jan, “Nation-Stereotyen en iconen van het globalisme,” Metropolis M 4, p. 157.
Albers, Markus, Welt am Sonntag (Berlin), September 22, p. 53.
Christofori, Ralf, “Pop-politische Wahlversprechen,” Frankfurter Allgemeine Zeitung, January 5.
Feist, Silvia, “Radikales Flimmern,” Vogue (Germany), February, p. 132.
“Verkitschte Flagge,” Stuttgarter Zeitung, November 20.
2000
1999
1998
1996
1995
1994
Chaplin, Julia, “They Like it Like That,” Smock (New York), November, p. 40.
“Fette Welt,” Marie Claire (Germany), February, p. 21.
Freund, Michael, “Feuer unterem Hintern, Nummerngirls in Glitzerwaesche," Der Standard (Vienna),
January 8, Album section, p. 5.
Schachter, Kenny, “Lifer,” Zing magazine, Spring/Summer, p. 249.
Schmidt, Jason, “Beds,” Flaunt, December/January.
“Criss Cross: Some Young New Yorkers III,” Zing magazine (New York), Winter, p. 5.
Levin, Kim, “Overflow,” The Village Voice (New York), August 3, p. 72.
“Mob Rule: Material and Narrative,” New York Arts Magazine 32, April 7.
“Pop Art,” New York Post, March 30, p. 6.
Smith, Roberta, “Free Coke,” The New York Times, February 26, p. E41.
Waldherr, Gerhard, "Die Poesie von Mord und Totschlag," Die Sueddeutsche Zeitung (Munich), October
2-3, p. 7.
Estrela, Alexandre, “Josephine Meckseper,” Biblia (Lisbon), December, pp.34–35.
Von Schlegell, Mark, “Selective Affinities,” New York Arts Magazine, June, p.17
Haden-Guest, Anthony, "True Colors: The Real Life of the Art World," New York: The Atlantic Monthly
Press, p. 337.
Mattussek, Matthias, “Stolzes Absaufen,” Der Spiegel 4, p. 177.
Müller, Katrin Bettina, “Zeitschleife,” Der Tagesspiegel, July 11, p. 26.
Saltz, Jerry, “Summer Group Show,” Time Out, July 24–31, p. 34.
“The Eight Day Weekend,” The New York Observer, February 12.
Held, Matthias, “Ruhm oder Rueckfahrkarte,” Allegra Magazin (Hamburg), October, pp. 170–72.
Hertin, Katja, “New York/Berlin,” Der Tagesspiegel (Berlin) December 11, p.12.
“ML Mona Lisa: New York,” ZDF Television, Germany.
“New FAT,” Adbusters, Vol. 3, no. 3, Winter.
Dalton, Jen, “Out of Site,” Fizz (Seattle) 2, pp. 104–06.