February/March 99 - Toronto

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February/
March’99
RR ii cc hh mm oo nn dd
update
P u b l i s h e d
b y
T E N A N T
P r o f i l e
in side
Lisa Steele, Kim Tomczak
&
Studio
4 5 2
Toronto Outdoor Art Exhibition (nonprofit organization/annual juried
summer artshow) — Studio 264
Speakers Spotlight – agency with a
roster of international public speakers
— Studio 235
Inside/OUT now occupying Studio 219
in addition to Studio 456
Q Studio now occupying Studio 399
in addition to Studio B105
4 0 1
R i c h m o n d
L t d .
volume 6
number 1
Studio 123 Opens!
It was with great jubilation and much relief
that the Board of Directors of Studio 123
received the go-ahead to open its doors on
January 4, 1999. Representatives from Metro Children’s
Services and the Provincial government agreed to license
the new early learning centre, calling it a creative and
innovative pilot project. “Workplace is the only way for
daycare to go,” said Yvonne Park
Park, Licensing Specialist
with the Ministry of Community & Social Services. “It
meets employers and employees needs, and is good for
the kids because their parents are on site. ” Park also
Studio 123’s
commended everyone
well-lit interior
involved in the childcare
project saying, “This was a really energetic group of
people to work with. They showed incredible
initiative in making the centre a reality.” Penny
Davies
Davies, in affiliation with the Canadian Mothercraft
Society
Society, takes the helm as Studio 123’s supervisor,
and early learning specialists Marsha Ferguson and
Cindy
Jones are working with the infants and
Yvonne Park (l) and
toddlers.
If you would like to register your child or
Studio 123 Board Member
Dr. Fraser Mustard
simply have an inquiry, please call (416) 343-0093.
(Studio 281)
Olivia Chow at 401
Given her status as the City of Toronto’s first Children
and Youth Advocate, Councillor Olivia Chow has a
special interest in daycare availability within her ward.
“Studio 123 is a welcome and much-needed childcare
centre in this community,” she stated. “I am also
delighted about the arts component.” A board
member of the Art Gallery of Ontario holding a degree
in fine art, Councillor Chow also expressed concern
about spiraling rental rates for artists, but was pleased
to learn of 401 Richmond’s commitment to the arts and
affordable downtown studio space.
page 1
Penny Davi
es (c) an
d
Olivia Ch
ow (r) wi
th
new Studio
123
registrant
Terrific Turnout for Holiday Marketplace
The mood was festive as visitors to 401 checked out the Sixth Annual
Marketplace. Justin Deneau (Studio B99) greeted guests by the
Holiday Marketplace
front door with classical guitar; on the third floor, in Expanding Boundaries
(Studio 372), harp could be heard; and, by the fourth floor elevator,
students from Esmeralda Enrique’s School of Spanish Dance entertained
the crowd. Enthusiastic volunteers from Studio 123 (this year’s charitable
donation) were stationed in the lobby handing out maps and selling raffle
tickets. Media coverage for the annual event reached an all-time high
thanks to organizers extraordinaire Anne McTaggart (Studio 372) and
William Brown (Studio 433). Watch for an invitation to participate in next
year’s event - there’s always room for more!
Flamenco on the fourth floor
during the Marketplace
!
n
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TCV Visits 401
Representatives from Toronto Community Ventures
Ventures, headed by
Reeve, dropped by 401 recently. Founded in
Reverend Allan Reeve
1992, TCV is a non-profit organization committed to the social,
economic and environmental revitalization of Riverdale. They
provide facilities and resources to groups and individuals
interested in working in an entrepreneurial way to create
community and cooperative enterprises. According to
Community Organizer & Planner Lisa Tolentino
Tolentino, 401 shares
many of the features of TCV’s community/business development:
“We want to exercise similar concepts and initiatives in our area,
and found it very useful to be able to see how 401 Richmond has
put them into action.” TCV is currently introducing a directory of
community-minded businesses in the Carlaw Corridor (between
Queen E and
Gerrard), once a
region of large-scale
manufacturers, now
home to hundreds
of artists, artisans,
photographers and
high-tech
entrepreneurs. You
can contact TCV at
their website:
www.web.net/~tvc.
Janine Lindgren & George
Farmer (Studio 217) with
daughter Krista at
Tenant Party
CARO Honours Artists
Artists Tony Urquhart and Kim Ondaatje
Ondaatje, founders of
CAR (Canadian Artists representation) attended a fete in
their honour at CARO (Studio 440) on December 10,
1998. The celebration was organized to pay tribute to
the original members of this much-needed non-profit
organization which provides vital support to professional
visual artists throughout Ontario. Said CARO’s General
Manager Sharona Plakidas
Plakidas, “We are indebted to Kim,
Tony and the
late Jack
Chambers.
Through
their efforts,
Canada
was the first
country in
the world
to pay
exhibition
fees to
Tony Urquha
rt (l) & Ki
artists.”
m Onda
at
CARO’s 20th
atje (r)
anniversar
y event
TCV on building tour
page 2
Photo cred
it: Cheryl
Rondeau
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Approximately 200 people
vied for space (and food!) at
this year’s Tenant Party
Party. Held
at the Loftus Lloyd Café
(Studio 135), the fifth annual event was
made especially merry by the fabulous
cuisine and cozy atmosphere. Tenants
mixed and mingled while their children
found a perfect playplace in the caféstyled seating area in the hall. The
evening’s highlight: tenants receiving
prizes at the long-awaited raffle draw
(all proceeds to
Studio 123 Early
Learning Centre).
profile
Studio 452
In a perfect world, every artist would have access to
Aboriginal film & video. She describes the cultural/educational
‘a V tape,’ an organization existing solely to increase
endeavor as, “an incredible experience. Taking my expertise
awareness of and appreciation for their work.
on site was so personal. I knew people on the reserves
The brainchild of Lisa Steele and four others at Art
wouldn’t be exposed to experimental media arts.”
Metropole
Metropole, the first video art distributor in the world, V tape
Even when arts funding is cut, as recently happened, V tape
is unique in Canada for its unconditional support of
stays afloat
independent video producers and free public
looking for
exposure to video and media arts.
creative ways to
The project began in the early 1980s when Lisa and
make money.
her colleague, Kim Tomczak decided to create a
For example,
computerized listing of existing videos – something
they provide
never done before. As a part of that challenge, they
support services
traveled extensively, visiting libraries, schools, and
and the highest
film boards, asking the question: What would it take
quality exhibition
to increase your use of artists’ video?
equipment to
Their findings snowballed into V tape as it is known
customers like
today: Canada’s largest repository of contemporary
art centres,
video and media arts, a national cataloguing service
galleries,
V tape team (l to r): Louise Liliefeldt,
for over 1300 artists with a database of almost 4100
schools, festivals
Lisa Steele, Cynthia Lickers, Wanda
titles available for cross-referencing, a specialized
and individual
vanderStoop, Kim Tomczak, Cheryl
resource/education library holding rare publications
artists. Their
Rondeau, Leslie Peters
and tapes, an archive documenting the 30-year
video duplication
history of video in Canada, and an international
and restoration services also bring in considerable revenue.
distributorship for over 570 artists and independent
As a result, V tape produces 41% of its own funds (with
producers throughout the country.
additional support coming from the Canada Council, Toronto
V tape’s specialty is inclusion. Unlike commercial distributors Arts Council and Ontario Arts Council) – an excellent ratio for a
which operate in the same way as private galleries with a
non-profit.
stable of artists from whom they take upwards of 50% of
Much of the credit for V tape’s success goes to the vision and
sales, V tape labours on behalf of the video artist. Theirs is a drive of Lisa and Kim. Both are out-of-towners, Lisa hails from
more democratic, generous approach where an impressive
Kansas City, MO, and Kim from Victoria, BC. As an
75% of the $100,000 generated in sales and rentals per
undergraduate in English & Drama (1968), Lisa began
annum goes back to the artist. “Our commitment is to artists’ exploring film and was soon submitting silent 8 mm
economic rights,” states Lisa, “consequently we are very
productions instead of papers. “Those were the hippie days,”
dogged in our pursuit of artist fees, especially royalties from
she says. Her interest in media arts led to a specialty in video,
media and video festivals.”
and by 1972, she was teaching in Toronto. Lisa went on to a
In that spirit, five distinguished career in visual arts, activism and women’s
years ago V
issues. She is a founding member of several publications and
tape formed a
grassroots organizations, and recipient of YWCA’s Women of
partnership
Distinction Award of Merit (1992). In addition to her leadership
with the
at V tape, she teaches video at the Ontario College of Art and
Aboriginal Film Design and the University of Toronto.
and Video Art
Kim is equally active. After earning a degree from Emily Carr
Alliance to
College of Art in art history & painting (1976), he headed to
promote
Toronto to explore the art scene. A foray into photography,
rector Aboriginallydi
lm
video and performance led to work with Lisa, a partnership that
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has proved both personally and professionally rewarding. They
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mediaworks.
married and have collaborated on numerous award-winning
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Outreach
mediaworks. Kim shares his expertise in the restoration of
ll
and Bi
Coordinator
electronic artwork with a small circle of international
Cynthia Lickers oversees the seminal project which includes specialists, is on the board of countless art galleries and arts
workshops and screenings throughout Ontario as well as the organizations, and plays a strategic role in such groups as the
publication of imagineNative (1998), a catalogue of
Continued on Page 4
page 3
T I D B I T S
◆ Artist Alice Burton (Studio 205) was a finalist in the 1998
Competition for Excellence in the Art for her work Los
Desaparecidos (acrylic on paper). The competition, sponsored by
The Canadian Artists and Producers
Professional Relations Tribunal
Tribunal, was
established to commemorate the 50th
anniversary of the United Nations’ Universal
Declaration of Human Rights. Alice and
artists Irene Bond (Studio 205) and Debbie
Smith
Smith, will be showing works on paper
Alice Burton (l)
and canvas A Cure for the Blahs at the
& Irene Bond of
Here & Now Gallery, 527 Parliament St
Studio 205
from February 1-24, 1999.
◆ Congratulations to YYZ (Studio 140) on being
named a recipient of the fourth annual Lieutenant
Governor’s Awards for the Arts
Arts, and one of 21 arts
organizations from across Ontario recognized for
developing private sector and community support.
Presenting the awards were the Honourable Hilary M. Weston
Weston,
Lieutenant Governor of Ontario and the Honourable Henry N. R.
Jackman
Jackman, former Lieutenant Governor of Ontario and Chairman of
the Ontario Arts Council. Mr. Jackman stated, “Today’s award
winners have brought the energy and creativity they are known for on
the performances stages and in the art galleries of the province – to
the arena of private sector fundraising. They have each recognized
that the creative spirit matched with an entrepreneurial spirit, is key to
the future prosperity of the arts in Canada.”
at 401
Richmond
Renowned caterer Jamie Kennedy
Kennedy, currently in
house chef at the Royal Ontario Museum, fired
up his famous ‘french fries and mayonnaise’ for
the opening of Toronto Adult Students
Association & the Central Technical School’s
ART CENTRE at Gallery 401 (Studio 240) on
December 15, 1998. Much to the delight of
everyone, Kennedy set up his kitchen on the
loading dock. The fundraiser was organized to
highlight the importance of adult art education
and to showcase the students’
accomplishments.
llery 401
ies at Ga
fr
up
g
Servin
V tape continued from Page 3
Alliance for Canada’s Audio-Visual Heritage.
Lisa and Kim exude enthusiasm about their move to 401
Richmond in 1995, stating that the location has significantly
increased visibility. “The environment at 401 has enabled us
to make connections with a larger and more diverse public
than was ever possible before,” says Kim. “Just being here
performs a public relations function for us. People drop by
who ordinarily would never see us, and for a small arts
organization, that’s vital.” The spacious fourth floor office also
houses a 20-person screening room, giving V tape the
opportunity to present artists’ videos on site.
But the public isn’t alone in benefiting from what V tape has to
offer. The staff, all artists, unanimously credit V tape with
furthering their careers. Singer/songwriter Wanda
vanderStoop, who joined V tape in 1990 as Communications
Manager, finds the job invaluable for the insight it brings to the
promotion of her music: “Being in this kind of organization is
inspiring for me. I have learned how to approach marketing
my own work, to envision a different kind of networking
system that doesn’t simply mimic the corporate structure.”
Recently V tape and Canadian Art held a reception to launch
the Winter 1998 issue of the magazine featuring Peggy Gale’s
article A White Light, a celebration of groundbreaking video
works by Inuit artists. The evening was also an opportunity to
thank Margie Zeidler, owner of 401 Richmond Ltd., for her
outstanding support of the arts.
V tape president John Greyson
imagine
presented Margie with a piece of
birch bark signifying a tree to be
planted in her honour in the new
courtyard this Spring.
Watch for: Oakville Galleries has issued an artist publication in connection with a crossCanada tour of The Blood Records written and annotated, Lisa and Kim’s criticallyacclaimed mediawork released in 1996. Ecstatic Memory, a year-long series of five
video programs taking place at the Art Gallery of Ontario, includes Lisa Steele’s
talented work from June 2 - August 8, 1999. The screening of Possible Maps, a curated
show focusing on the collision of body & technology, at V tape this Spring.
page 4
Aboriginal Film & Video
Art Alliance & V tape
partnership project
We
You...
Saw
Fuse Magazine (Studio 454) and This Magazine (Studio 396)
were mentioned in article by The Toronto Star (November 30,
1998) with regard to publications which have been threatened
with lack of funding from the Ontario Arts Council. At issue is
the fact that these magazines, along with five others, mix political
and social commentary with arts coverage. This year’s grants
were received, but next year’s funding remains uncertain.
Anne Graham McTaggart of Expanding Boundaries (Studio 372) was recently invited by
CBC-TV’s Newsworld to appear on Benmergui Live. The show focused on public reaction
to the question: What does the millenium mean to you? McTaggart’s powerful pilgrim
image draws attention to the importance of walking consciously towards that threshold.
CityTV captured Gwendolyne
Hats (Studio 427) taking
second place in the Royal
Bank One of Kind Christmas
Stocking Competition on
Breakfast Television (December 1998). Their spectacular
entry, which took two weeks
to make, almost never made
it to the competition, however.
Placed in a plastic bag at the loading dock for pick
up, the colourful creation was about to be tossed into
the garbage before eagle eye Bill Weiler of JAL
(Studio 128) dashed to retrieve it. Way to go Bill!
Jeannie Thib’s (Studio 362)
recent show Binary Codes on
exhibit at Leo Kamen Gallery
was enthusiastically reviewed
by Gary Michael Dault in The
Globe & Mail (December 12,
1998). Dault referred to Thib’s
printed images on paper
gloves as, “such a delightfully
delicate show the works hang
in the air like a fragrance”.
Parmjit Parmar of Red Pepper Productions (Studio 256) was
highlighted in the Toronto Star (November 30, 1998) for her
documentary, Set Fire to Water: The Story of Sikh Women in
Canada. An independent producer, Parmar is seeking
funding and television air time for her film, and also hoping to
gain entry to schools by way of the Equity Studies Centre.
Pleasure Girls (1995), a photo series by P.
Elaine Sharpe of Visual Narrative (Studio 357)
was the subject of CityTV’s Oh La La aired
December 5-7, 1998. Sharpe first exhibited
Pleasure Girls at 401 Richmond during
ArtsWeek 1995, and so enjoyed the building,
she signed on as a tenant shortly after.
Raffle
What a huge success! Thanks to so many generous supporters, a raffle, organized by Studio
123’s Board of Directors, raised considerable cash for Studio 123 Early Learning Centre.
Congratulations to the lucky winners, many of whom were 401 tenants:
Winner
Heather Urquhart (Studio 384)
Jim Smith (Studio 261)
Oliga & Vatché Kouyoujian (Studio 130)
Judy Sarik
Ingrid Mayerhofer (Studio 110)
Taylor Mackenzie
Gokche Erkan (Studio 240)
Irene Packer (Studio 122)
Richard Tong (Studio 121)
Melissa Mitchell
Martine Allard
M. Galleas
Len Choptiany (Studio 425)
Prize
Watercolour
Drawing
Print
Sculpture
Portraiture
Luggage
Gift basket
CDs
CDs
CDs
Subscription
Subscription
Subscription
Contributor
Paul Fournier (Studio 210)
John Brown (Studio 262)
Jeannie Thib (Studio 362)
David Pellettier (Studio 215)
Ron Wood
Heartline Pictures (Studio 228)
Wood/Heartline
Aero Luggage (Studio 230)
Second Cup (Spadina & Richmond)
Anya Wilson (Studio 220) & Attack Records (Studio 395)
Anya Wilson (Studio 220) & Attack Records (Studio 395)
Anya Wilson (Studio 220) & Attack Records (Studio 395)
This Magazine (Studio 396)
Fuse Magazine (Studio 454)
Mix Magazine (Studio 446)
Many thanks to all who contributed prizes. Special mention goes to Greg Spooner for highest raffle sales.
Continued on Page 6
page 5
Studio 123 continued
from Page 5
Fundraising
We at 401 Richmond believe that quality childcare is essential. It assists not only the people on the job by having their
children close to them, but also humanizes the work environment. To that end, 401 Richmond Ltd., the company which
owns the building, has pledged a considerable sum to make
the project a ‘go’ (over $50,000 to date in construction costs
and $30,000 per year on waived rental fees).
Still money is needed. The bad news is that government
funding is nonexistant for new childcare centres. To start up
a centre costs tens of thousands of dollars in equipment and
staff costs, and it will take six months for Studio 123 to
sustain itself through childcare fees.
Thus far, the volunteer Board of
Directors at Studio 123 has worked
ceaselessly to fundraise, accumulating
some $75,000 in products and
services. For example, Hudson
Plumbing donated sinks and fixtures, Appliance
Canada contributed a dishwasher, INTO Electronics installed a
security system, and Royal Bank of Canada chipped in $3,150.
Tenants at 401 have also been terrific; many have given time
and money, others products and services. The raffle garnered
$3,500, the Buy a Brick program brought in over $2,500, and
this Spring, a Silent Auction should generate thousands more.
But the bottom line is: Studio 123 needs
to raise $10,000 over the next six months
to keep operating. Please show your
support by filling out a Buy a Brick form
($20 for 1/2 brick; $40 for whole), if you
already have not done so. You can put
the brick in your own name or someone
else’s (say, a child, your company or in
memoriam). Make out a cheque to
Canadian Mothercraft Society (all
Chris
proceeds going to Studio 123), and you
Penny Edge &
samy
a
n
o
Davie
o
P
will receive a tax receipt as well as your
s
tha
Lali
brick on Studio 123’s Wall of Honour
(near the elevator on the 1st floor).
Tireless volunteers pulled the project together for opening day.
Paul Fournier
Fuse Magazine
Golden Touch Flooring
Mary Gordon
Anonymous
Lesley Graham
Anonymous
Murray Greenspoon
Aero Luggage
Gwendolyne Hats
Appliance Canada
Isaac Heron
Attack Records
Mary Lou Hill
Sally Bennett
Hudson Plumbing
Mark Berry
Mike Hyde
Blockbuster Video
i-13 media inc.
Beth Brenzel
Icon Ltd.
Pat Broms
Kilim Crafts
John Brown
Stefani & Elaine Kirsh
Alice Burton
Sandee & Willie Koza
Business Depot
Canadian Mothercraft Society Guntar Kravis
Murray Laufer
CARFAC Ontario
Diane Laundy
Robert Chandler
Rick Lazar
Michael Cochrane
Cynthia Ledgley
Continental Can
Lettieri
Cuppa Coffee Animation
Risa Levinson
d~Code
Jerry Levy
Penny Davies
Sandra Lewis
Ryan Davies
Janine Lindgren
Drapery Design
Eastern Vision Productions Inc. Living Earth
Loftus Lloyd Café
Chris Edge
Tony Louro
Esmeralda Enrique
Steve Marsh
Fashion Crimes
Studio 123
Supporters:
Lily Mazzulla
Paul McKeown
Dorothy McKinnon
Anne McTaggart
Alfonso Merlini
Midtown Reproduction Services
Mix Magazine
Mike Moody
Allen C. Morris
Betty & Fraser Mustard
Pat Newell
Jeannie Ng
Brenda Northey
Lauren O’Malley
Paper E. Clips
Brent Pearlman
David Pellettier
Percolator Pictures
Pleasant Pheasant
Lalitha Poonasamy
Q Studio
Donald Quan
Rite Printing & Graphics
Jane Roberts
Vicki Rodgers
Joan Rogers
Royal Bank of Canada
Royal Canadian Academy
Liz Rykert & John Sewell
Leah Salomaa
page 6
Saman Design
Scholastic Canada
John Scott
Jim Scull
Second Cup
Adam Shaheen
Ann Soden
Edna & James Soden
Lesley Soden
Greg Spooner
Lisa Steele & Kim Tomczak
Susan Stevenson
SUCH Design Inc.
Terry Sullivan
The Founders’ Network
Jeannie Thib
Pauline Thidor
This Magazine
Tamiyo Tomihiro
Heather Topp
Mary Truemner
Rita Vinieris
Jennifer Welsh
Anya Wilson
L. D. Wood
Ron Wood
Jane & Eb Zeidler
Laura & Robert Zeidler
Margaret Zeidler
Zeidler Roberts Partnership
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bulletin
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M
O
N
D
A regular feature of 401 UPDATE, the Bulletin Board
is your opportunity to communicate with other tenants
and keep them in touch with what is happening in your
organization. If you are having a sale or exhibition, or
just want to tell others about your product/service, simply
supply Lesley Soden in Studio 204 with the written
information and we will print it here.
ent exhibits
. 2, 7-10pm
OCA - Stud
ns Tue. Feb
e
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1
, 7-10pm
February
Tue. Feb. 9
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“Re : late”
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to March 13
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506-9595
Suite 240 Tel:
Fax: 506-1589
e-mail:
performance Wed. Feb. 17 at 8 PM
The Black Shiny Shoes Opera
and other work by
Marlene Madison Plimley
og.co
gokche@interl
Fatherlands
Curated by Cheryl Sourkes
Featuring work by Katherine Knight, Scott McLeod,
Wendy Oberlander, Bob Sherrin and Sharyn Yuen
Opening: Thursday February 4th, 5 - 8 pm and continuing until March 6th
opening Sat. Feb. 27, 2 - 5 PM
In Time
Rachelle Viader Knowles
exhibition continues through March 20
YYZ Artists’ Outlet
401 Richmond St. W. Suite 140
T 416.598.4546 F 416.598.2282
[email protected]
www.interlog.com/~yyz
Gallery 44
Centre for Contemporary
P h o t o g r a p h y
Studio 120
From the video Nothing to be written here by
Wendy Oberlander
~
Studio 372
Open Studios Tues. & Wed. evenings
continue 5-9 pm @$35 includes most materials
floorcloths, hand-printed frames + much more!
Millennium Feb. 25 & Mar. 25th 6-9 pm @ $10
Evenings Contribute to the Millennium Book & Bowl!
BookArts Feb. 6th & 7th and Mar. 6th & 7th
Weekends Create your own “storage” and “pop-up books”
To register & to visit the studio call Anne Graham McTaggart at (416) 599-0432
page 7
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bulletin
board
M
O
N
D
A regular feature of 401 UPDATE, the Bulletin Board
is your opportunity to communicate with other tenants
and keep them in touch with what is happening in your
organization. If you are having a sale or exhibition, or
just want to tell others about your product/service, simply
supply Lesley Soden in Studio 204 with the written
information, and we will print it here.
to February 6
‘Balancing’
Linda Beech
February 9-27
Opening Reception:
Feb 11 (6-8 pm)
‘Molt’
Yvonne Koo
Amy Thompson
Natalie Walburger
March 2-13
‘Urban Hieroglyphics’
Opening Reception:
March 4 (6-8 pm)
gallery 76
416.260.5856
studio 389
March 16-April 3
Opening Reception:
March 18 (6-8 pm)
‘South Asian Visual
Art Collective’
Studio 110
January 16 - February 20
Lisa Beaudry
Welcome to the Inflated World of
Rain and Muffin
Lauren Schaffer
Diamond as Big as the Ritz
COMMUNICATIONS DESIGN
• web sites • CD-ROMs
• multimedia presentations • print
Special
web page
design
discount
to 401
tenants
401 Richmond St. W. Suite 425
(416) 977-5597
www.i-13media.com
March 6 - April 17
Debbie O’Rourke
The Milkweed Patch
February/
March‘99
Richmond
u p d at e
volume 6
number 1
Published by 401 Richmond Ltd.
401 Richmond St. W., Studio 204, Toronto, Ontario M5V 3A8 Canada
T: (416) 595-5900 F: (416)-595-5904 Web site: www.401richmond.net
Editor
Lesley Soden
(Studio 204)
Design
i-13 media inc.
(Studio 425)
Printer
Rite Printing
(Studio 109)
Deadline for submissions for the April/May Newsletter is March 8, 1999.
Publication date: April 1st.
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