program - INSTITUT FRANÇAIS de BIRMANIE
Transcription
program - INSTITUT FRANÇAIS de BIRMANIE
PDF Compressor Pro n! o i t i d e 3rd INTERNATIONAL FILM HERITAGE FESTIVAL PROGRAM Hélène Jeanbrau©1996-Cine Tamaris FREE N IO ADMISS memoryilmfestivalyangon 1 PDF Compressor Pro Foreword MEMORY ! Festival in Yangon MEMORY! International Film Heritage Festival was created in 2013 as one of the very few festivals dedicated to Cinema Heritage around the world. A journey to the past, a window onto the world of Women ! MEMORY! is the sole festival of its kind in Asia. Over 50 classics from around the world during 10 days in Yangon Why ilm heritage ? Across the world ilms are at risk. One half of all ilms made before 1950 and over 80% made before 1929 are lost forever. Preserving ilms and enabling access to this heritage is a cause that is shared by all countries. Festival’s theme in 2015 is centered around WOMEN! Future generations must be able to have access to these works. Conferences and masterclass during 5 days from May 30th to June 3rd featuring International speakers from the ilm industry Matching the standards of an international ilm festival, the objective of MEMORY! Festival is primarily to enable access to ilm heritage to wide audience as a key part of memory and source of enrichment in a country with very little access to classics. At this critical and delicate time in the history of cinema, witnessing the transition from ilm to digital, MEMORY! Is also an annual rendezvous in Asia for the professionals working in the ilm industry, and in particular ilm heritage. MEMORY! gathers together international delegations from around the world who contribute actively to the Conferences and Workshops Program. Prestigious Guests of Honor from Myanmar and abroad : actors and ilmmakers to highlight Film Heritage MEMORY Music & Cinema Program : Live performances for silent movies Free admission to all events This festival, is non-proit with free admission to all events (screenings and conferences). It is quite an adventure to set up such an event and it takes several months of planning and hard work as the ilms of the past are spread and not always easy to locate. But here we are, ready for this journey. We would like to express our deepest gratitude to the HE U Ye Htut, Minister of Information, who believed in this festival and gave us the full support of the Myanmar ilm organizations. We also express our deepest gratitude to HE Thierry Mathou, Ambassador of France in Myanmar who encouraged actively this festival to happen in Yangon and supported its organization. And of course, we would like to stress that this festival would never have existed without the incredible support of all our partners who also believed in the program. Our thanks go to all. Gilles Duval and Séverine Wemaere Co-General Delegates of MEMORY! International Film Heritage Festival Cléo from 5 to 7 2 3 PDF Compressor Pro The Essentials Music and Cinema Over 50 classics Young Myanmar rock star Itö and his band Gita Yaung Sone will accompany two early age « feminist » movies , notably Alice Guy’s 1906 The Consequences of Feminism. This program will propose 3 live performances : silent ilms will be revisited by Myanmar and foreign musicians, like in the early age of cinema… From one country to another, from the early days of cinema to more recent classics, from one vision to another. MEMORY! will present above 50 different version of women - loved, hated, despised, criticized, admired, heroic, defeated, mean or brave… - starting as early as 1906. The Adventures of Prince Achmed (1926), one of the irst animated feature ilms will be screened a live performance by Myanmar traditional musicians under the supervision of famous Myanmar ilmmaker U Kyi Soe Tun Through this selection, the festival aims at opening a window onto the world of the past so that we may better understand the world of to day. And Fritz Lang’s monumental Metropolis, 1927 science-iction movie will be revisited with a 2-piano live accompaniment, by German pianists Pierre Oser and Katharina Brandl, thanks to the key contribution of the Goethe Institut. Guests of Honor Leading cinema, professionals, whether in front or beind the camera, have accepted to contribute to this non proit event in order to highlight the richness of cinema legacy. They will share their love for cinema and their experience with the audience during masterclass and conferences. From abroad : Catherine Deneuve (France), Michelle Yeoh (Malaysia), Cheng Pei Pei (Hong Kong), Marrie Lee (Singapore), Lana Gogoberidze (Georgia), Salomé Alexi (Georgia), Olivier Assayas (France) and producer Charles Gillibert (France). And from Myanmar : the ilmmaker Daw Thin Thin Yu the actresses Daw Swe Zin Htaik, Daw Khin Thida Htun and Daw Nwe Nwe San Myanmar Film Treasures This section comprises four Myanmar classics thanks to the generosity of the Ministry of Information who have provided access to these ilms. Pho Pyone Cho, (Mr Sweet Smiley) 1955, by Mya Maung Ta Kyawt Hna Kyawt Tae Ko ThI (Poem for Babies) 1971, by Win Oo Ta Ka Ka Ta Bawa (Life, Once Upon A Time) 1978, Maung Tin Oo Nay Kyauk Khe (Mr Sun Stone) 1983, by Daw Thin Thin Yu © CINETAMARIS These four ilms are only a fraction of the rich cinematographic history in the country and highlight the work of female Myanmar director Daw Thin Thin Yu. The Young Girls of Rochefort 4 5 PDF Compressor Pro ni d ån\ ; {Am˙ t \ t r !}Niuc\cMtkaRupR\ ˙c\Aem∑AN˙s\p∑´eta\kiu (2013)KuN˙s\m˙a kmıaAN˙M>A®pa;kRup\R˙c\A em∑AN˙s\et∑kiu rv\s¨;gu%\‘pTa;t´. R˙a;R˙a;på;på;p∑´eta\ts\KuA®Ps\ stc\Pn\t^;K´.ta®Ps\påty\" {Am˙ t \ t r !}ha AaR˙m˙a ts\Kutv\;eqa d^liuAm¥oi;Asa;p∑´eta\p´®Ps\påty\" RupR\ ˙c\Aem∑AN˙s\Siuta Ba®Ps\liu>l´Siurc\ kmıaAn˙M>A®pa;m˙a Rup\R˙c\et∑ha SuM;ROM;k∑y\ep¥ak\ q∑a;Niuce\ ®KAN†ray\et∑n´> rc\Siuc\enrpåty\" (1950)KuN˙s\mtiuc\m^kRiukk \ ¨;K´.t´.Rup\R˙c\Aa;luM:r´> Tk\wk\n´> (1929)KuN˙s\mtiuc\m^k Riuk\k¨;K´.t´.Rup\R˙c\et∑T´k 80% ek¥a\ha By\lium˙®pn\mr Niuce\ ta.eAac\ luM;wep¥ak\SuM;q∑a;®p^®Ps\påty\" Rup\R˙c\et∑kiuTin\;qim\;esac\.eR˙ak\Piu>n´> d^Aem∑A N˙s\et∑kiu Al∑y\tk¨Âkv\>ROK∑c\.rPiu>Siuta Niuc\cMtiuc\;kAqiAm˙t\‘plk\KMTa;t´.Aer;ts\Ku ®Ps\påty\" d^Aem∑AN˙s\lk\raet∑kiu enac\laenak\qa;et∑ Al∑yt \ k¨Âkv\>ROel.laK∑c.R\ ˙iqc\.påty\" \ ^esPiu> ’ki; Niucc\ MtkaRup\R˙c\p∑´eta\ts\Kur´.sMet∑n´> {Am˙ t \ t r !}p∑´eta\r´.rv\R∑y\K¥k\et∑kiukv pm\;ram˙a ADikrv\R∑y\K¥k\keta. Am˙t\r®Kc\;r´>eqa.K¥k\Aenn´>lv\;ekac\;' gN†wc\ka;et∑ kiuÂkv\>ROK∑c\.nv\;på;eneq;t´.Niuc\cMts\Niucc\ Mr´> bhuqutÂk∑y\wmOArc\;A®ms\Aenn´>lv\;ekac\;' RupR\ ˙c\Aem∑AN˙s\et∑kiu priqt\Am¥a;suk Âkv\>rOel.laK∑c.r\ esPiu>p´®Ps\påty\" RupR\ ˙c\kends\g¥s\ty\Bwk¨;e®pac\;takiu m¥k\®mc\’kMet∑>enrt´. AKuliu Rup\R˙c\qmiuc\;r´.Aer;på AK¥k\k¥t´.AK¥in\m˙a {Am˙ t \ t r !}ha Rup\R˙c\elak - AT¨;q®Pc\. Rup\R˙c\Aem∑AN˙s\ - T´ k k∑¥m\;k¥c\Att\pvaR˙c\et∑At∑k\ AaR˙m˙a N˙s\s√\et∑>SuMp∑´ts\Kulv\;®Ps\påty\" {Am˙ t \ t r !}ha kmıatw˙m\;kla®p^: ehae®pap∑´et∑n´> Alup\RuMeS∑;eN∑;p∑´et∑m˙a påwc\pM.piu; ®Pv\.Sv\;ep;Âkt´. Niuc\cMtkakkiuy\sa;l˙y\et∑ At¨SuMNiuc\Piu>lv\:suRuM;ep;påty\" d^p∑´eta\ha A®mt\As∑n\;At∑k\mrv\R∑y\p´ As^As√\Aa;luM;(®pp∑´n´>ehae®pap∑´et∑)ha wc\eÂk: AKm´.®Ps\påty\" d^liuAs^As√\kiu s^mMeSac\R∑k\rtaha s∑n>\ sa;mOts\rp\®Ps\®p^; lepåc\;m¥a;s∑a ÂkaeAac\ Kk\Kk\K´K´’ki;pm\;s^mMeSac\R∑k\rta®Ps\påty\" Ba®Ps\liu>l´Siueta. Atit\kRup\ R˙c\et∑ha enraAm¥oi;m¥oi;m˙ap¥M>N˙M>erak\R˙ien®p^; d^zat\ka;et∑kiuR˙aeP∑et∑>R˙iPiu>Siuta A®m´ly ∑ \ k¨t´.kisßts\rp\mhut\påB¨;" dåepmy\. AKu d^m˙aerak\enÂk®p^miu> d^Kr^;At∑k\ASc\qc\.påp´" d^p∑´eta\®Ps\e®mak\er:At∑k\ p∑´eta\AepÅyuMÂkv\mOn´> ®mn\maRupR\ ˙c\Asv\;ARuM;et∑r´. A®pv\.Aw eTak\KMmOrR˙ieAac\ pMpiu;mOet∑At∑k\ ®pn\Âka;er;wn\Âk^;@anwn\Âk^; √^;r´T∑!\kiu AT¨;lOik\lOik\ l˙´l˙´ek¥;z¨;tc\R˙ipåty\" d^p∑´eta\kiu rn\kunm\ ˙a®Ps\e®mak\eser;n´> s^mMeSac\R∑k\er;m˙a Ac\ tiuk\Aa;tiukA \ a;ep;pMpiu:K´.t´. ®mn\maNiucc\ Mm˙®pc\qs\qA M mt\Âk^; t¥y\r^ mat¨;kiulv\; AT¨; ek¥;z¨;tc\R˙ipåty\" då.®pc\ k¥ena\' k¥m ti≥u r´. Pk\sp\AP∑´>Asv\;et∑Aa;luM;r´. d^p∑´eta\AepÅyuMÂkv\mOA®pv\.Awn´> AM.mKn\;srak¨v^p.Mpiu:mOmpåp´ d^p∑´eta\ha By\lium˙ ®Ps\e®mak\laNiucm\ ˙amhut\B¨;Siutalv\; AT¨;e®paÂka;liupåty\" Aa;luM;kiu AT¨;ek¥;z¨;tc\påty\" g¥^;l\ d¥øba;l\ N˙c\. eSbrc\; ewm´r\ {Am˙ t \ t r !}Niuc\cMtkaRupR\ ˙c\Aem∑AN˙s\p∑´eta\f p¨;t∑´kiuy\sa;l˙y\m¥a; 6 rn\ k u n \ m ˙ { Am˙ t \ t r!}p∑ ´ e ta\ kmı a qi u > P∑ c \ . e p;qv\ > ®ptc\ ; epåk\ t s\ K u A en®Pc\ . Ati t \ q i u > Kr^ ; ts\ e Kåk\ … Am¥i o ;qm^ ; m¥a;AeÂkac\ ; ! rn\kunm\ ˙a (10)rk\Âka®pqmv\. kmıatw˙m\;m˙gN†wc\ka;epåc\;(50)ek¥a\ (2015)KuN˙s\p∑´eta\r´>ADikAeÂkac\:Araketa. {Am¥oi;qm^;m¥a;} ®Ps\påty\" ®mn\maN˙c\.Niucc\ Mrp\®Ka;m˙ gu%\qtc\;T¨;®Ka;t´. AT¨;Ev\>qv\eta\m¥a; RupR\ ˙c\Aem∑AN˙s\kiu m^;emac\;Tiu;®prn\ qRup\eSac\m¥a;N˙c\. Rup\R˙c\Pn\t^;Riuk\k¨;q¨m¥a; eml(30)rk\en>m˙ z∑n\l(3)rk\en>Ti (Rup\R˙c\elakm˙ Niuc\cMtkam˙ehae®paq¨m¥a;kiusv\;RuM:j (5)rk\Âkak¥c\;pmv\. eS∑;eN∑:ehae®pap∑´m¥a;N˙c\. lk\eR∑;sc\ASc\.®mc\.qc\tn\;m¥a;) {Am˙t\tr!}g^tN˙c\.RupR\ ˙c\As^As√\AqMtit\Rup\R˙c\m¥a;At∑k\ g^tN˙c\.t∑´Pk\eP¥a\e®PmO As^As√\Aa;luM:At∑k\ wc\eÂk;AKm´. ADi k qi r n\ A K¥k\ m ¥a; gN†wc\ka;epåc\;(50)ek¥a\ ts\Niuc\ck M ts\Niucc\ M' Rup\R˙c\qmiuc\;r´.eKt\√^;kenenak\piuc;\ eKt\et∑k gN†wc\zat\ka;et∑' A®mc\ ts\Kukents\Kukiu eKÅeSac\ta®Ps\påty\" {Am˙t\tr!}ha (1906)KuN˙s\ks®p^: Am¥oi;qm^;et∑ r´.Rup\puMAm¥oi;epåc\;(50)ek¥a\kiu K¥s\Kc\KMrq¨' mun\;t^:KMrq¨' sk\Sup\R∑MR˙aKMrq¨' ewPn\KMrq¨' ATc\ Âk^;el;sa;KMrq¨' q¨r´ekac\;' AROM;ep;rq¨' Âkc\namOkc\;m´.q¨' qt†iR˙iq¨ sq®Pc\. tc\Sk\q∑a;m˙a ®Ps\påty\" AKuliueR∑;K¥y\Ta;t´.ka;et∑ktSc\. d^p∑´eta\ha d^en>kmıakiu puimiu na;lv\eser;At∑k\ Atit\kkmıakiuRO®mc\Niuce\ Aac\ ®ptc\;epåk\ts\epåk\ P∑c\.ep;Piu>rv\r∑y\påty\" AT¨ ; Ev\ > qv\ e ta\ m ¥a; RupR\ ˙c\elakkeKåc\;eSac\pvaR˙c\m¥a;ha - kc\mrakeR˙>k®Ps\es' enak\k®Ps\es - Rup\R˙c\ Aem∑AN˙s\r´.Âk∑y\wmOkiu m^;emac\;Tiu:®pPiu> d^A®mt\As∑n\;At∑k\mrv\R∑y\t´.p∑´eta\m˙a tk\erak\ K¥^;®mHc\.Piu>lk\KMK´.Âk®p^:' lk\eR∑;sc\ASc\.®mc\.qc\tn\;et∑n´> eS∑;eN∑:ehae®pap∑´et∑m˙a priqt\n´> At¨ q¨tiu>r´.RupR\ ˙c\elakAepÅTa;R˙t i e.´ mt†an´>Aet∑>A’kMet∑kiu mYewKMsa;m˙a®Ps\påty\" 7 © StudioCanal © StudioCanal PDF Compressor Pro Niucc\ Mrp\®Ka;m˙ - kk\qrc\; dnb\ (®pc\qs\)' m^R˙y \ yui; (mel;R˙a;)' K¥n\;epep(ehac\ekac\)' mar^l^; (skçap¨)' lana giuguib\zrs \' Saliuem; ≥lk \S^ (eg¥a\g¥^ya)' Aiul^b^ey ; A a S a y a ;s \ (®pc\qs\)n´> Tut\lup\q¨ K¥a;l\s \ g¥^l^b´ (®pc\qs\) ®mn\maNiuc\cMm˙ - Rup\R˙c\dåRiuk\ta edÅqc\;qc\;yu' qRup\eSac\m¥a;®Ps\q¨ edÅeS∑zc\Tiuk\' edÅKc\q^taT∑n\; n´> edÅN∑´>N∑´>sn\;' ®mn\ m aRu p \ R ˙ c \ f APi u ; tn\ r tnam¥a;As^ A s√\ d^As^As√\m˙a gN†wc\ka;et∑kiu Am¥a;®pv\q¨Âkv\>rOK∑c\.resPiu> ®pn\Âka;er;wn\Âk^;@anr´.estnan´> pM.piu;mOAr ®mn\maRup\R˙c\ka;(4)ka;kiu tc\Sk\®pqm˙a®Ps\påty\" - ®memac\ f Pu i ; ‘pM ; K¥oi (1955) - wc\ ; √^ ; f ts\ e k¥a. N ˙ s \ e k¥a. e t;ki u q ^ (1971) - emac\ t c\ √ ^ ; f ts\ K åkts\ B w (1978) - edÅqc\ ; qc\ ; yu f enek¥ak\ K ´ (1983) d^Rup\R˙c\ka;(4)ka;ha ®mn\maNiuc\cMr´.Âk∑y\wt´.Rup\R˙c\qmiuc\;AeÂkac\;kiu tsit\tedq®mc\esm˙a®Ps\®p^:' AT¨;q®Pc\. ®mn\maAm¥oi;qm^;Rup\R˙c\dåRiuk\taedÅqc\;qc\;yukiu m^;emac\;Tiu;®pm˙a®Ps\påty\" © StudioCanal g^ t N˙ c \ . R u p \ R ˙ c \ d^As^As√\m˙a g^t®Pc\.t∑´Pk\eP¥a\e®PmOAs^As√\(3)Kukiu tc\Sk\påmy\" AqMtit\Rup\R˙c\et∑kiu d^ka;et∑kiuRuMtc\s√\kAe®KAenn´>Sc\Sc\ ®mn\man´>Niuc\cM®Ka;qa;g^tpvaR˙c\et∑k g^tn´>At¨ ®pn\lv\t∑´Pk\eP¥a\e®Ptc\Sk\m˙a®Ps\påty\" A^tiuSiut´. l¨cy\era.(K\)g^tpvaR˙c\k q¨.r´>g^terac\suMt^;wiuc\;n´>At¨eP¥a\e®Ptc\Sk\my\. {Am¥oi; qa;m¥a;N˙c\.tn\;t¨ v^mYR˙ier;liula;t´.Am¥oi;qm^;wåd}Siuc\ra AqMtit\eKt\√^:Rup\R˙c\(2)ka: \ g^;r´> {Am¥oi;qa;m¥a;N˙c\.tn\;t¨v^mYR˙ier;liula;t´.Am¥oi;qm^;wådr´. enak\Sk\ AT¨;q®Pc\. A´ls t∑´rld\m¥a;}(1906) namv\ek¥a\Rup\R˙c\dåRiuk\ta√^;Âkv\siu;T∑n\;r´.Âk^;Âkp\mOeAak\k ®mn\maRiu;rag^tpvaR˙c\et∑k t∑´Pk\g^tn´>tc\Sk\eP¥a\e®Pmy\. pTmSuM;kat∑n\;zat\lm\;R˙v\ka;ts\ka;®Ps\t´. {Aamk\ mc\;qa;r´>s∑n\>sa:Kn\;m¥a;} (1926) Prz\ ln\:g\r´> teKt\Sn\;qs\ema\k∑n\;Rup\R˙c\ka;®Ps\t´. Anagt\sit\k¨;y√\qipπMRup\R˙c\‘mie> ta \ sn∂ya;pvaR˙c g¥amn\ \N˙s\√^;®Ps \t´.pPN AiuMa n´>katPa (192a)kiu– Goethe Institut r´> ek¥;z¨;n´> ya;N˙ssN∂ \luM;quM;®p^: \.g^t®Pc liuk \j Rup\R˙c\et;g^te®PeP¥a \p∑´A®Ps\ ®pn\lv\ brn\dl\ tiu>k tc\Sk\m˙a®Ps\påty\" A Woman is a Woman 8 9 PDF Compressor Pro FILMS Classics from around the world: portraits of women through the ages © DR Building a selection around a theme gives us a starting point, and makes it possible to guide our audience through the rich history of cinema worldwide. 120 years after the birth of motion pictures, we offer you a collection organized around the theme of WOMEN. With over fifty heritage films from very different countries and periods, the festival will offer myriad different portraits of women: loved, hated, despised, criticized, admired, heroic, defeated, mean or brave... And you will be surprised at how contemporary still are many of the films from the dawn of cinema. June 5 • 3PM The Adventure of Prince Achmed (Die Abenteuer des Prinzen Achmed) Lotte Reiniger Germany - 1926 Silent with musical live accompaniment. German intertitles & English subtitles • 66 mn • Hand-Tinted & Toned A wicked sorcerer tricks Prince Achmed into riding a magical flying horse. The heroic prince is able to subdue the animal, which he uses to fly off to many adventures. While travelling, he falls in love with the beautiful Princess Peri Banu, and must de feat an army of demons to win her heart. June 5 • 6:30PM All About Eve Joseph L. Mankiewcz USA – 1950 English with English subtitles • 138 mn • Black & White An ingénue insinuates herself in to the company of an established but aging stage actress and her circle of theater friends. June 2 • 4PM Black Narcissus Michael Powell, Emeric Pressburger UK – 1947 English with English subtitles • 101 mn • Color A group of nuns struggle to establish a convent in the Himalayas where isolation, natural, and cultural differences conspire to drive the well-intentioned missionaries mad. Black Narcissus 10 11 ©Paramount Park Circus5 PDF Compressor Pro June 7 • 6PM The Blue Angel (Der Blaue Engel) Josef von Stemberg Germany - 1930 German with English subtitles • 107 mn • Black & White An elderly professor’s ordered life spins dangerously out of control when he falls for a nightclub singer. Breakfast at Tiffany’s June 7 • 9AM Black Edwards USA – 1961 English with English subtitles • 115 mn • Color A New York socialite becomes interested in a young man who has just moved into her apartment building. June 1 • 9PM Buba Nutza Gogaberidze Georgia (URSS)– 1930 Silent with Russian intertitles. Musical accompaniment • 39 mn Black & White This documentary film is about one of Georgia’s regions, Racha. A story about a remote mountain community during the rise of the USSR. May 31 • 9AM Cléo from 5 to 7 (Cléo de 5 à 7) Agnès Varda France - 1962 French with English subtitles • 90 mn • Black & White Pop singer Cléo has two hours to wait until the results of her biopsy come back. After an ominous tarot card reading, she looks to those around her, but fails to find the emotional support she needs. She finds comfort talking with a soldier in a park. His troubles put hers in perspective, and Cléo comes to terms with her selfishness. Breakfast at Stefany’s 12 13 June 1 • 5PM Clouds of Sils Maria (Sils Maria) Olivier Assayas ©Cwwircus PDF Compressor Pro France- 2014 French with English subtitles • 123 mn • Color At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. Come Drink With Me May 30 • 7PM Hing Hu Hong-Kong – 1966 English • 95 mn • Color A group of bandits kidnaps the governor’s son and demands their imprisoned leader to be set free in exchange. June 6 • 11AM The Consequences of Feminism (Les résultats du féminisme) Alice Guy-Blaché France – 1906 Crouching Tiger, Hidden Dragon Black & White 1900. A new millenium. Women act like men, and men like women! May 31 • 7:30PM ©Celestian Pictuires Silent. Live music accompaniment by Gita Yaung Sone • 6 mn • Crouching Tiger, Hidden Dragon Ang Lee Hong-Kong – 2000 Chinese with English subtitles • 120 mn • Color Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, exceptionally skilled, adolescent nobleman’s daughter who is at a crossroads in her life. Come Drink ith Me 14 15 ©Sony ParkCircus PDF Compressor Pro May 30 • 11AM Forever Yours Tawee Na Bangchang Thailand – 1955 Thai with English subtitles • 117 mn • Color When Master Papo brings his new young bride home to his logging camp, an unusual affair unfolds between her and his nephew when the two are literally made prisoners of their desire. June 4 • 3PM Gilda Charles Vidor USA – 1946 © DR Gilda English with English subtitles • 110 mn • Black & White Johnny is a gambling cheat but faithful employee at an unsettling casino owned by Ballin Mundson. Things take a turn for Johnny as his alluring ex-lover Gilda becomes his boss’ wife, and Mundson’s machinations begin to unravel. May 30 • 4PM A Girl of the Bush Franklyn Barrett Australia – 1921 English • 94 mn • Black & White and tinted A story of greed, love and revenge. Lorna Denver inherits a wealthy sheep station. Excluded from the will, Oswald Keane, the dissolute nephew, is facing ruin and his only way out is to marry Lorna. But she is an independent and enterprising woman, and has a love interest of her own: the young and handsome prospector Tom Wilson. June 1 • 11AM Girls in Uniform (Mädchen in Uniform) Leontine Sagan Germany - 1931 German with English subtitles • 98 mn • Black & White At an all-girls boarding school, Manuela falls in love with a teacher with scandalous consequences. Girls in Uniform 16 17 Jun 6 • 9AM The Goddess © DR PDF Compressor Pro Shen nu WuYonggang China - 1934 Silent with musical accompaniment. Mandarin intertitles with English subtitles • 73 mn • Black & White Street walker by night, devoted mother by day, a woman fights to get her young son an education amid criminal and social injustice in 1930s China. June 4 • 1PM Hiroshima My Love (Hiroshima mon amour) Alain Resnais France - 1959 French with English subtitles • 90 mn • Black & White A young French woman spends the night with a Japanese man in Hiroshima, where she had hoped to make a film about peace. He reminds her of the first man she loved. It was during World War II, and he was a German soldier. June 2 • 11AM The Housemaid The Goddess © Argos Films © Kofa (Hanyo) Kim Ki-young South Korea - 1960 Korean with English subtitles • 110 mn • Black & White Dong-sik’s wife is expecting a baby. The couple already has two children, and Dong-sik is having trouble paying the bills on a music teacher salary, especially now that they’ve moved into a bigger house. Hoping to make things easier for his spouse, he hires a young housekeeper, but soon finds himself ensnared by her adulterous wiles. June 4 • 9AM Insiang Lino Brooka Philippines – 1976 Tagalog with English subtitles • 95 mn • Color Insiang lives with her mother Tonya in a slum an the outskirts of the city. After being raped by Dado, her mother’s criminal companion, Insiang’s anger and frustration reach a boiling point and she concocts a plan to fix things once and for all. The Housemaid 18 Hiroshima My Love 19 PDF Compressor Pro June 7 • 8PM Imitation of Life Douglas Sirk USA – 1959 English with English subtitles • 125 mn • Color A struggling actress with a young daughter meets another single mother, an african-american woman who becomes her housekeeper. Mother-daughter tensions run high as one daughter lives in the shadow of her mother’s success, while the other relentlessly rejects her racial origins. June 4 • 5:30PM La Dolce Vita Federico Fellini Italy – 1960 Italian with English subtitles • 174 mn • Black & White Journalist and man-about-town Marcello struggles to find his place in the world. He is torn between the allure of Rome’s elite social scene and the stifling domesticity offered by his girlfriend, all the while striving to become a serious writer. June 2 • 9AM The Lady from Shangai Orson Welles USA – 1947 English• 87 mn • Black & White Intrigued by gorgeous Mrs. Bannister, the adventurous Michael O’Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot. June 1 • 9AM The Life of Oharu ©ParkCircus (Saikaku ichidai onna) Kenji Mizoguchi Japan – 1952 Japanese with English subtitles • 148 mn • Black & White Japanese with English subtitles • 148 mn • Black & White In feudal Japan, Oharu, the daughter of a samurai, is sold as a prostitute when her passionate romance with a man of a lower social standing is discovered. Now middle-aged, Oharu looks back on her sorrowful past. The Lady of Shangai 20 21 PDF Compressor Pro June 7 • 1PM Life, Once Upon a Time © DR (Ta Kha Ka Ta Bawa) Maung Tin Oo Myanmar- 1978 Myanmar language • 111 mn • Black & White A mentally unstable young man stabs a stranger and flees the scene, wandering the countryside. Homeless and with little recollection of his past, he meets a kind old man and his granddaughter who offer him food and shelter. As the police find out about the stabbing and attempt to arrest the young man, his attachment and loyalty to his hosts may just be the medicine necessary to set him on the correct path. June 1 • 3PM Line of Credit (Kreditis Limiti) Salomé Alexi Georgia- 2014 Georgian with English subtitles • 85 mn • Color Nino, woman in her 40s, led a comfortable life in the Soviet Union, but in modern Georgia she finds it hard to keep up with the changes. Nino resolves to the most wide-spread practice of getting a mortgage loan at high interest. Little by little she gets deeper into debts, which becomes a vicious circle she cannot escape. May 30 • 1:30PM Lola Montès Max Ophüls France – 1955 French with English subtitles • 116 mn • Color The film tells the tale of Lola Montès, an adventurous nineteenth century dancer, actress, and courtesan who was well known for her romantic affairs with great men. Now appearing as the featured attraction at a seedy circus, she recounts her stories to the curious ringmaster. © DR June 3 • 9AM Line of Credit The Lonely Wife (Charulata) Satyajit Ray India– 1964 Bengali with English subtitles • 117 mn • Black & White Set in late nineteenth-century India, a workaholic newspaper editor and his lonely wife, Charulata, are growing distant. When her husband’s poet cousin comes over to stay with them, Charulata finds herself both creatively inspired and dangerously attracted to him. A delicate tale of a marriage in jeopardy and a woman taking the first steps toward establishing her own voice. 22 23 PDF Compressor Pro June 4 • 8:45PM Madame Freedom (Jayu Buin) Han Hyeong-mo South Korea- 1956 Korean with English subtitles • 125 mn • Black & White In this story about twins separated at birth, a young man is given a second chance to love. June 3 • 6PM A Man Vanishes (Ningen Jôhatsu) Shôhei Imamura Japan - 1967 Japanese with English subtitles • 130 mn • Black & White A man disappears without a trace, leaving his fiancé behind. The filmmaker and crew attempt to solve this missing person’s case by consulting psychics, collecting testimonies, and taking the narrative into unexpected directions that compel the viewer to question what is documentary reality and what might be fiction. June 6 • 6PM Metropolis Fritz Lang Germany – 1927 Silent with musical live accompaniment. German intertitles & English subtitles • 148 mn • Black & White In the future, the citizens of a towering metropolis are sharply divided between the laborers and upper management. The son of the city’s mastermind falls in love with a working class prophet who predicts the coming of a Savior, one who will resolve their differences. June 6 • 7:30PM © LeonardDeRaemy Mississippi Mermaid (La sirène du Mississipi) François Truffaut France- 1969 French with English subtitles • 123 mn • Color Louis is a tobacco planter who eagerly awaits his mail-order bride Julie. She does not resemble her photo, but he marries her anyway. When she ansconds with his savings, Louis goes after her and finds more than just the money. Mississippi Mermaid 24 25 PDF Compressor Pro June 3 • 11:30PM Moon Over Malaya Cantonese with English subtitles • 91 mn • Black & White Ngok Ming is an idealistic young man, passionate about promoting and developing education in Malaya. He approaches a wealthy Chinese businessman to raise funds for building schools and meets the young heiress, Cholin .Things get complicated when love begins to interfere with business. May 31 • 1PM © Ho Kian Ngiap Family&HKFA Chun Kim Malaysia, Singapore – 1957 Mr Sun Stone (Nay Kyauk Khe) Daw Thin Thin Yu Myanmar- 1955 U Ko Ko • Myanmar • 120 mn Set against the backdrop of beautiful Inle lake, this is a story of the trials and tribulations of Kyaw Hein at the hands of his manipulative step mother and apathetic step brother. Even his own father is unable to prevent the constant scheming taking place under the family roof. June 5 • 2PM Mr Sweet Smiley (Pho Pyone Cho) Maung Mya Maung Myanmar- 1955 Myanmar language • 112 mn • Black & White Comic opera actor Cho Gyi is a gambler and a drunk. He is also an abusive husband. When his wife Mu has finally had enough she leaves him to raise their son alone, and in time she finds a successful man who treats her with respect. Years later she attends a traveling opera show and recognizes two of the performers... May 30 • 9PM My Neighbor Totoro (Tonari Totoro) Hayao Miyazaki Japan - 1988 Japanese with English subtitles • 86 mn • Color When two girls move to the countryside to be near their ailing mother, they find that their new home is in an enchanted forest inhabited by a menagerie of mystical creatures. Moon Over Malaya 26 27 PDF Compressor Pro June 3 • 4PM Not Wanted Ida Lupino USA – 1949 English • 91 mn • Black & White Abandoned by her dashing lover, a pregnant young woman shuns a caring man who’ll marry her and enters a home for unwed mothers. An adoption is followed by regret, and the young woman finally realizes who is on her side. Passerine Bird June 7 • 11:30AM Red Peony Gambler: Flower Cards Match (Hibotan Bakuto Hanafuda Shôbu) Tai Katô Japan - 1969 Japanese with English subtitles• 98 mn • Color In this part one, Oryu, the wandering female gambler, has to choose sides in a deadly face off between rival Yakuza gangs in Nagoya when she finds out that there is an impersonator using her moniker “Red Peony” around the gambling dens. The identity of this impersonator brings the simmering issues to a bloody boil. The part two is “Oryu’s Visit”. June 5 • 10:30AM (Con Chim Vành Khuyên) Nguen Van Thong & Tran Vu Vietnam- 1962 June 7 • 4PM Vietnamese with English subtitles • 43 mn • Black & White In a simple fishing village during Vietnam’s struggle for independence, little Nga and her father try to help the revolutionaries, but the colonial spies are never too far away. June 5 • 4:30PM The Passion of Joan of Arc Red Peony Gambler: Oryu’s Visit (Hibotan Bakuto: Oryû Sanjô) Tai Katô Japan - 1970 Japanese with English subtitles • 100 mn • Color The part two and end of the series “Red Peony”! Oryu, the wandering female gambler, searches for a blind child she left behind and gets involved in yet another yakuza turf war that culminates in a Tokyo Theatre. (La passion de Jeanne d’Arc) Carl Theodor Dreyer France - 1928 Silent with French intertitles & English subtitles • 88 mn • Black & White A chronicle of the trial of Jeanne d’Arc on charges of heresy, and the efforts of her ecclesiastical jurists to force Jeanne to recant her claims of holy visions. Poem for Babies June 6 • 12PM (Ta Kyawt Hna Kyawt Tae Ko Thi) Win Oo Myanmar- 1971 Myanmar • 140 mn• Black & White Ko Kyaw Swar is an up-and-coming musician but his mother thinks his passion is immature. He leaves home to seek his fortune and a chance encounter with a radio celebrity teaches him that love is never quite where you expect to find it. 28 The Smiling Madame Beudet June 6 • 11AM (La souriante Madame Beudet) Germaine Dulac France – 1922 Silent with French intertitles. Live music accompaniment by Gita Yaung Sone • 38 mn • Black & White • Light Cone An bright woman trapped in a marriage with a complete buffoon, Mme Beudet decides to play a trick on her husband and load his revolver with real bullets. However, when he picks up the gun the next day he jokingly points it at her... 29 PDF Compressor Pro June 1 • 1PM Some Interviews on Personal Matters (Ramdenime intervie pirad sakitkhebze) Lana Gogoberidze Georgia- 1977 Georgian with English subtitles • 95 mn • Color Sofiko, a young newspaper employee, is passionately involved in her work interviewing people who have submitted complaint letters to the editor. One of the women Sofiko interviews is her mother, and the pair’s onscreen relationship strongly resembles the tragic early life of the director and her mother, making this a very personal film for Lana Gogoberidze. June 3 • 13:30PM © DR Stage Sisters Wutai Jiemei Xie Jin China- 1969 Mandarin with English subtitles • 114 mn • Color Chronicles the fortunes of two actresses in pre-revolutionary China, who are separated by money and politics. June 4 • 11AM Story of a Love Affair (Cronaca di un amore) Michelangelo Antonioni Italy – 1950 Italian with English subtitles 98 mn Black & White A wealthy industrialist becomes curious about his trophy wife Paola’s past and hires a private investigator. The detective discovers that she had fallen desperately in love with the handsome Guido as a young girl, and may have participated in a crime to win his affection. June 5 • 11:30AM Sunset Boulevard Stage Sisters 30 © SIFF Billy Wilder USA – 1950 English • 110 mn • Black & White A middle aged film star lives in solitary splendour and nostalgia, determined to recover her former glory. When an unemployed script writer happens upon her home, she forces him to stay and re-write the script with which she plans to make her come-back. 31 PDF Compressor Pro May 31 • 3:30PM May 29 • 1PM A Taste of Honey The Women Tony Richardson UK – 1961 George Cukor USA – 1939 English • 100 mn • Black & White The moving story of a plain young girl who becomes pregnant by a black sailor, befriends a homosexual, and gradually becomes a woman. English with French subtitles • 130 mn • Black & White Mary Haines tries to win back her husband back from the claws of his lover, but her methods (prompted by the advice of her friends) succeed only in taking the couple to the Reno divorce courts. 00 • 0PM June 2 • 6PM They Called Her... Cleopatra Wong The Young Girls of Rochefort English • 111 mn • Color « She purrs like a kitten... Makes love like a siren... Fights like a panther! ». Singapore’s top policewoman, Miss Cleopatra Wong, who heads the Seasian Interpol Criminal Investigation Department (C.I.D.), teams up with her Filipino counterpart to bust a counterfeit currency operation that threatens several Asian countries with bankruptcy. French with English subtitles • 125 mn • Color Delphine and Solange are twin sisters who love the arts so much that their entire world transforms into a musical. Bobby A. Suarez Singapore – 1978 (Les Demoiselles de Rochefort) Jacques Demy France - 1967 June 2 • 1:30PM June 5 • 9AM The Young Ones Wanda Barbara Loden USA – 1970 English • 102 mn • Color Wanda is down and out. She has left her husband and children, and abandoned herself to drink and chance. When she meets a rude thug at a bar, she decides to follow him, hoping perhaps for some sense of direction. Caiyun Fei Li Hsing Taiwan - 1973 Mandarin with English subtitles • 110 mn • Color In this story about twins separated at birth, a young man is given a second chance to love. May 31 • 5:30PM A Woman is a Woman (Une femme est une femme) Jean-Luc Godard France - 1961 French with English subtitles • 89 mn • Color An exotic dancer is desperate to become a mother. When her reluctant boyfriend refuses to be a father, she turns to his best friend. Either way she is determined to get what she wants. 32 May 31 • 11AM Zazie in the Metro (Zazie dans le Metro) Louis Malle France - 1960 French with English subtitles • 89 mn • Color Ten-year-old Zazie has to visit with relatives in Paris so that her mother can spend some time with her lover. However, Zazie escapes her uncle’s watchful eye and sets out to explore Paris on her own. A screening for kids bur not only! 33 PDF Compressor Pro Sublime moments of silent ilms and live music. © DR During MEMORY! Festival, silent ilms will be revisited by musician like in the early age of cinema... Film Heritage comprises silent films… For the screenings of those movies, either there is a recorded soundtrack either there is a live performance on stage during the screening, as it was the case at the early age of cinema. Within MEMORY! Festival, we have programmed 3 sessions with a live performance for silent films. The idea is to create awareness about the screening of such films, by performing a musical accompaniment, in conditions similar to the time they were released. Each of this accompaniment will be very different and a unique experience, thanks to the creativity of the various musicians involved. The Adventures of Prince Achmed 34 The Adventures of Prince Achmed (1926), one of the irst animated feature ilms with a live performance by Myanmar traditional musicians under the supervision of famous ilmmaker U Kyi Soe Tun Directed by female German director Lotte Reiniger, this film is using a silhouette animation method of her own invention, partially inspired by traditional shadow play. The plot is a pastiche of stories from “One Thousand and One Nights.” The Adventures of Prince Achmed was a critical and popular success when it was released. U Kyi Soe Tun, Myanmar filmmaker, director of Laurel Art Academy, coordinated and suU Kyi Soe Tun pervised the live musical accompaniment by musicians with traditional Myanmar instruments as he already did for several live accompaniments such as for the screening of Myanmar Classics My Darling in October 2014. U Kyi Soe Tun joined Laurel Art Academy as president in January 2012 when the school was founded by Daw Thidar Linn. He is also a respected director over 30 years. He has earned five Myanmar Academy Awards: Best Director for Doe (1989), Thu Khun Ma Khan Pi (Never Be Slaved) (1997), Going Upstream (2002) and Hexagon (2005); and Best Screenplay also for Hexagon. His 1997s historical film, Never Be Slaved, based on the best-selling novel by Teikkatho Phone Naing, cemented his reputation as a quality filmmaker who takes his time. He is also known for his knowledge of film. On MRTV 4’s Movie Talk, he has chatted about films, actors and directors from the silent era to the present every week since 2009. His 2011 compilation of short stories Maung Kyaut Khae and Other Short. Stories earned him the Dr Tin Shwe Award for Literature. 35 PDF Compressor Pro Two Early age « feminist » movies with young rock star Itö and his band Gita Yaung Sone © DR Myanmar 25 years old composer, vocalist and multi-instrumentist Itö (Win Thut Thawdar) has been an active member of the Myanmar’s musical scene for the past 10 years. From his first rock album Min Shi Yar released in 2005 and his participation to the Myanmar underground metal scene to his recent collaboration with US jazz guitarist David Mooney, Itö’s musical universe crosses cultural and musical boundaries, navigating between jazz, rock and electronic music. After having explored the possibilities offered by 8 string guitars through his participation in the Djent scene and to the Myanmar Guitar Instrumental Show, Itö has worked at enriching his music with influences from Myanmar traditional music in his late musical productions,. For the live accompaniment of 2 silent films within MEMORY! Festival , Itö is performing with Gita Yaung Sone (music in color), a musical collective formed by Itö himself, Myanmar contra-bass player Pan Khan Taing, French percussionist Damien Gueroult and their guests.They will provide musical accompaniment for The Consequences of Feminism (1906) by Alice Guy-Blaché and The Smiling Mrs Beudet (1922) by Germain Dulac, two films directed by pioneer female directors. Screening at the Nay Pyi Taw Theater, Yangon. © Gaumont Production Itö and his band Gita Yaung Sone The Consequences of the Feminism 36 37 PDF Compressor Pro Metropolis, the monumental film by Fritz Lang (1890 – 1976), was filmed in the Berlin of the Golden Twenties where it premiered in 1927, and is today considered one of the masterpieces of early German cinema. It tells the story of a dystopian megalopolis inhabited by two sharply segregated groups: the upper management class luxuriates wonderful gardens and palaces, basks in the sunlight and frolics all day long; the labourers slave around the clock, somewhere far below underground, in order ensure the smooth functioning of the city above. Metropolis was and is a film of superlatives in every respect. It can be seen as the first feature length science fiction film in the history of cinema. With a runtime of two and a half hours, it was the longest and by far the most expensive film production of its time. …one of the great achievements of the silent era, a work so audacious in its vision and so angry in its message that it is, if anything, more powerful today than when it was made.The Goethe-Institut is proud to contribute the newly restored and completed version of Metropolis to the MEMORY! Film Festival 2015 in Yangon. The silent movie classic will be presented as a film concert, with live accompaniment on two grand pianos by Pierre Oser and Katharina Brandl from Munich, Germany. ©Production Still Fritz Lang’s monumental Metropolis, 1927 science-iction classic revisited, by pianists Pierre Oser and Katharina Brandl Katharina Brandl ©Production Still Screening at National Theater, Yangon, on Saturday, June 6 at 6pm Pierre Oser Metropolis 38 39 PDF Compressor Pro MEMORY! Organizers MEMORY! Partners www.memoryfilmfestival.org MEMORY Cinema is a non profit entity, acting worldwide in the field of preservation and promotion of film heritage but also in educational programs related to film heritage. Among its main actions: Enable access to film heritage in the frame of cinema events, in particular film festivals ; Restoration programs ; Lost films programs ; Educational programs…MEMORY Cinema created MEMORY International Film Heritage Festival in 2013. The first edition (June 2013) and the second (June 2014) took place in Phnom Penh, Cambodia, alongside Technicolor Foundation for Cinema Heritage. The 3rd edition is now based in Yangon Myanmar. In 2014, MEMORY Cinema also organized with the Institut français some partial rerun (Reprise) of the main edition in five ASEAN countries. The MEMORY Cinema Association also contributed in 2014 to the restoration of Marriage Italian Style (1964), by Vittorio de Sica. www.institutfrancais.com www.institutfrancais-birmanie.com Institut français is the agency for the Ministry of Foreign Affairs with responsibility for cultural activity outside France. It works to promote artistic exchange and dissemination of the French language, books and knowledge. Institut Français also complements the role of UniFrance Films in promoting French patrimonial cinema, the non-commercial screening of recent films, and showcasing its professionals. And Institut français supports world cinema through the “Cinémas du Monde” pavilion at the Cannes Film Festival, the Cinémathèque Afrique, and the Aide aux cinémas du monde for the funding of films, which Institut français manages alongside the National Centre for Cinematography and the Moving Image. In Myanmar, Institut français de Birmanie (IFB), directly attached to the French Embassy in Yangon, develops cultural cooperation and artistic projects all year long. Very active partner of MEMORY! Festival, IFB supports the major cinematographic events taking place in Myanmar. MEMORY Cinéma is co-headed by Gilles Duval and Séverine Wemaere. www.burma.total.com MEMORY! International Film Heritage Team Co-General Delegates: Gilles Duval and Séverine Wemaere Total E&P Myanmar (TEPM) is the Operator of the Yadana Consortium along with its partners MOGE, Chevron and PTT-EP. The Yadana Consortium produces gas from the offshore Yadana Gas ield since 1998. It currently supplies around 50% of Myanmar domestic gas consumption while exporting around 600 Mscfd to Thailand. Total E&P Myanmar is also actively pursuing exploration activities in Myanmar. Recently, TEPM has been awarded on 2015, Feb 25th the deep offshore YWB block which is 100% operated by TEPM. TEPM is committed to Corporate Social Responsibility as a core policy embedded in its operations. It prescribes Ethics, HSE and Code of Conduct to all stakeholders, while maintaining one of the most advanced human resources policy in Myanmar. As part of its commitment towards Myanmar and its local communities, TEPM has implemented since 1995 major Socio-Economic Programs in the pipeline area to improve Health, Education, Access to Energy, skills of local community, Micro Finance, etc. TEPM also develops nationwide CSR programs and is actively involved in the EITI process. Film Office: Julien Badon Trailer: Simon Wallon Design & Graphics: Agnès Bouche Barbare and Etienne Robial Writer: Theo Stojanov Mingalar Cinemas Group is the largest exhibitor chain in Myanmar with over 25 screens in 4 different cities across the country. With over 20 years of experience, Mingalar Cinemas Group provides movie goers the best movie entertainment experience with the latest movies, the latest digital cinema technologies and the world-class customer service. Translation: San San Hnin Tun Photographer: Christine Tamalet Press Europe: Matilde Incerti Administration: Pascale Bouillo 40 www.cnc.fr The CNC (the French national center of cinematography), created by the act of 25 October 1946, is a public administrative organization with a legal entity status and financial autonomy. It operates under the authority of the Ministry of Culture and Communication and Frédérique Bredin is its President. The CNC’s principal responsibilities are: regulation; support for the economy of the film, television, video, multimedia and technical industries; the promotion of films and television productions and their broadcasting to all audiences; the preservation and enhancement of cinema heritage. 41 PDF Compressor Pro www.goethe.de/myanmar www.france24.com The Goethe-Institut is the worldwide active cultural organization of Germany with 160 centers around the globe. It promotes knowledge of the German language and fosters international cultural cooperation. The center in Yangon was the first institute in SE-Asia, founded as early as in 1959, but had to be closed already three years later after the putsch of General Ne Win in 1962. Only in 2013, the branch in Myanmar was re-opened and is offering initially its services on the premises of the French Institute in Pyay Road, before moving into an old villa in central Yangon still under renovation. From its newsroom in Paris, France 24, the international news channel gives a different perspective to global affairs. Broadcast in French, English and Arabic, the expression of diversity, confrontation of viewpoints and debate are central to the channel’s programming. In addition to comprehensive news bulletins every half hour, numerous magazine programmes and reports provide context and the keys to understanding the world. Thanks to the channel’s reporters and its unique network of several hundred correspondents located in nearly every country across the globe, France 24 has put on the ground coverage is at the heart of programming schedule. France 24 is: 3 nonstop news channels (in French, English and Arabic), 300 million TV households that receive the channel 24/7, 43.2 million TV viewers a week (no extrapolation), 13 million visits and 12 million videos viewed every month, gathering 14 million followers on its social networks. In Myanmar the institute had a irst center in the late 19 We convey a comprehensive image of Germany by providing information about cultural, social and political life in our nation. Our cultural and educational programmes encourage intercultural dialogue and enable cultural involvement. They strengthen the development of structures in civil society and foster worldwide mobility. With our network of Goethe-Instituts, Goethe Centres, cultural societies, reading rooms and exam and language learning centres, we have been the first point of contact for many with Germany for over sixty years. Our long-lasting partnerships with leading institutions and individuals in over ninety countries create enduring trust in Germany. We are partners for all who actively engage with Germany and its culture, working independently and without political ties. www.arte.tv Since its founding, Arte France Cinema has been involved in more than 600 ilms and has worked together with over 300 different directors representing more than 50 different nationalities. The subsidiary policy focuses on talent renewal, efforts to boost European and world cinema, and steps to revitalize French cinema. Roughly speaking, co-production may be broken down into three categories: one-third irst features, one-third French ilms, and one-third international joint ventures. www.mpa-i.org. Promoting & Protecting Screen Communities in Asia Paciic. The Motion Picture Association (MPA) and the Motion Picture Association International (MPA-I) represent the interests of the six international producers and distributors of ilmed entertainment. To do so, they promote and protect the intellectual property rights of these companies and conduct public awareness programs to highlight to movie fans around the world the importance of content protection. These activities have helped to transform entire markets beneiting ilm and television industries in each country including foreign and local ilmmakers alike. The organizations act on behalf of the members of the Motion Picture Association of America, Inc (MPAA) which include; Paramount Pictures Corporation; Sony Pictures Entertainment Inc.; Twentieth Century Fox Film Corporation; Universal City Studios LLC; Walt Disney Studios Motion Pictures; and Warner Bros. Entertainment Inc. The MPA and the MPA-I have worldwide operations which are directed from their head ofices in Los Angeles and Washington, D.C. and overseen in the Asia Paciic by a team based in Singapore. www.bouygues-construction.com Bouygues Batiment International, part of Bouygues Construction group, one of the world leader in the construction industry, is operating in Myanmar since June 2013 under BYMA, a Joint Venture with Yoma Strategic Holding. BYMA is currently building high quality construction projects in Star City, promoting modern construction techniques in Myanmar. BYMA is very much involved in the local community, with over 1,400 employees. BYMA is promoting international standards related to safety and quality, with strong emphasis on training and promoting local talents. The Japan Foundation is Japan’s only institution dedicated to carrying out comprehensive international cultural exchange programs throughout the world. With the objective of deepening mutual understanding between the people of Japan and other countries/regions, our various activities and information services create opportunities for people-to-people interactions. The Japan Foundation was established in October 1972 as a special legal entity supervised by the Ministry of Foreign Affairs with the objective of promoting international cultural exchange through a comprehensive range of programs in all regions of the world. In October 2003, it was reorganized as an independent administrative institution. Based on a government endowment of 78 billion yen, the activities of the Japan Foundation are inanced by annual government subsidies, investment revenue, and donations from the private sector. 42 43 PDF Compressor Pro MEMORY! International Film Heritage Festival wishes to express its deepest gratitude to Ministry of Information of the Republic of the Union of Myanmar Embassy of France in the Republic of the Union of Myanmar Embassy of France Guillaume Habert, Charles Bonhomme, Aurélie Pigeau Institut français Loïc Wong and Stéphanie Rabourdin, Paris team and Myanmar team : Anne Coutinot, Chrsitine Houard, Agnès Nordmann, Sébastien Bris, Sarah Mboji, Marie Torrès Total Xavier Préel, Cho Cho Win Mingalar Group Zayar Zaw and his team CNC Frédérique Bredin, Pierre-Emmanuel Lecerf, Michel Plazanet, Béatrice Rodenbour Ministry of Foreign Affairs of the Republic of the Union of Myanmar, Ministry of Culture of the Republic of the Union of Myanmar, Myanmar Motion Picture Development Department Myanmar Motion Picture Organization Goethe Institut Franz Xaver Augustin, Simone Mehlem, Stephanie Mueller, Franziska Humpert, Joshua Pyae Sone Oo Moving Picture Association Susan Lee Japan Foundation Yuki Matsui Embassy of Japan Wuit Yee Soe, Yusuke Matsuoka and to Bouygues Julien Esch Institut français, TOTAL E&P Myanmar Mingalar Group, CNC, Embassy of Germany in the Republic of the Union of Myanmar, Goethe Institute Moving Picture Association (MPA), Japan Foundation, Embassy of Japan in the Republic of the Union of Myanmar, Bouygues Bâtiment International, France 24, Arte, Savoy, Gulliver Myanmar Arte Olivier Père, Rémi Burah with special thanks to and to France 24 Bertrand Brice, Nathalie Lenfant, Laure Demouchy Savoy Alex Ruether, Naing Win Win Aung Gulliver Myanmar Hervé Fléjo Lana Gogoberidze, Salomé Alexi, Olivier Assayas and Charles Gillibert Véronique Ardant, Jean Todt, Florence Woerth, Kit Wong, Shirleen Wong, Prïncia Car, Léna Mardi, Mélita Toscan du Plantier Teresa Huang, Lin Wenchi, Misha Anissimov, Tee Pao Chew, Davide Pozzi, Jueren Woo, Davy Chou, Howard Besser, Suresh Chabria, Mick Newnham, Sally Jackson, Gayle Lake, Akira Tochigi, Hidenori Okada, Gabrielle Kelly, Benedict Olgado, Raphaël Millet, Jérémy Segay, Toh Hun Ping, Warren Sin, Ivan Pun, Paolo Bartorelli Audrey Azoulay, Anne-Sophie de Gasquet, Aude Accary-Bonnery, Marguerite Hittier, Pascal Letellier, Astrid Risselin, Sonia Robin, Loïc Leplat, Anne Meyniel MEMORY! Committee MEMORY! Music and Cinema U Theing Aung, U Wynn Kyi, U Kyi Soe Tun, U Lu Minn , U Myint Thein Pe, U Kyi Soe Tun and the Laurel Art Academy, Pierre Oser and Katja Brandl, Itö (Win Thut Thawdar) and his musical collective Gita Yaung Sone with Pan Khan Taing and Damien Gueroult HE U Ye Htut, Minister of Information of the Republic of the Union of Myanmar, H.E Mr Thierry Mathou, Ambassador of France in the Republic of the Union of Myanmar Catherine Deneuve, Michelle Yeoh, Cheng Pei Pei, Marrie Lee, Daw Thin Thin Yu, Daw Swe Zin Htaik, Daw Khin Thida Htun, Daw Nwe Nwe San U Thein Tun Aung, Daw Swe Zin Htaik, U Thein Naing MEMORY! Team Julien Badon, Pascale Bouillo, Matilde Incerti, Jérémy Charrier, Theo Stojanov, Agnès Bouche Barbare, San San Hnin Tun (INALCO), Etienne Robial, Christine Tamalet 44 45 PDF Compressor Pro Warm thanks to the films rights owners and to the film archives Laurence Braunberger (Les Films du Carrosse) Agnès Varda, Rosalie Varda-Demy, Mathieu Demy, Cecilia Rose (Ciné-Tamaris) Davide Pozzi, Elena Tammacaro, Rossana Mordini, Cecilia Cenciarelli, Gianluca Farinelli (Cineteca di Bologna) Bobby A. Suarez (BAS Film Productions) David Vashadze (Georgian National Film Center) Nino Dzandzava (Audio-Visual Archives of Georgia) Agnès Bertola, Yvonne Varry (Gaumont Pathé Archives) Jeanne Vellard (Light Cone) Lola Gibaja, Mathilde Bauer (Gaumont) Paul Rausch (Center for Southeast Asian Studies, University of Hawaï) Hoang Mai (Vietnam Film Institute) Antoine Ferrasson (Tamasa) Zhao Jing (China Film Archive) Margot Rossi, Sehnaz Ugur, Anne-Laure Barbarit, Victoire Thevenin (MK2) Markus Wessolowski, Mathias Bollinger (Deutsches Filminstitut) Christel Strobel (Agentur für Primrose Film Prod) Josephine Ng, Ilex Hou (Celestial Pictures) Adisurya Abdy, (Sinematek Indonesia) Massimo Vigliar, Monica Giannotti (Surf Film) Marco Cicala (Cinecitta Luce) Seulki Shim, (KOFA) Kim Dong-Won Astro A-List Warren Sin (National Museum of Singapore) Toh Hun Ping Chalida Uabumrungjit (Thai Film Archive) Graham Fulton, Frida Runnkvist (Park Circus) Julia Kelly, Erika Gerhart (Hollywood Classics) Fleur Buckley, George Watson (BFI) May Haduong, Cassie Blake (Academy Film Archive) Susan Oxtoby (BAM/PFA) Marco Joachim (Televentures) Todd Wiener, Ross Lipman (UCLA Film Archive) Daniel Bish, Jurij Meden (George Eastman House) Tee Pao Chew (Asian Film Archive) Marco Valerio Fusco (Intramovies) Marc David Jacob (Edinburgh International Film Festival) Alain Benguigui, Olivier Huynh (Sombrero Films) Guillaume Landry (DHL) ©ParkCircus2 Jueren Woo (Shanghai Internation Film Festival) Breakfast at Stefany’s 47 PDF Compressor Pro DATES FILMS, CONFERENCES & MASTERCLASSES DURATION LANGUAGE & SUBTITLES for FILMS HALL DATES May 29 FILMS, CONFERENCES & MASTERCLASSES DURATION LANGUAGE & SUBTITLES for FILMS HALL June 1 01:00 PM The Women,1939, by George Cukor (USA) 133 mn English with English subtitles HALL 1 9:00 AM The Life of Oharu, 1952, by Kenji Mizoguchi (Japan) 148 mn Japanese with English subtitles HALL 1 04:00 PM The Young Girls of Rochefort, 1967, by Jacques Demy (France) Opening Ceremony in presence of Catherine Deneuve and most of the Guests of Honors of the festival. On invitation only. 120 mn English with English subtitles HALL 1 9:00 AM Buba, 1930, by Nutsa Gogoberidze (Georgia), in presence of Lana Gogoberidze & Salomé Alexi 39 mn Russian intertitles HALL 2 9:40 AM Conference by Hidenori Okada (National Film Center of Japan) «Kashiko Kawakita, her life and films» 90 mn 11:00 AM Girls In Uniform, 1931, by Leontine Sagan (Germany) 98 mn German with English subtitles HALL 1 9:00 AM Conference by Howard Besser (USA / New York University) «From Alice Guy to Barbara Loden» 90 mn 01:00 PM 95 mn Georgian with English subtitles HALL 2 9:00 AM My Neighbor Totoro, 1988, by Hayao Miyazaki (Japan) Kids Screening 86 mn Some Interviews On Personal Matters, 1977, by Lana Gogoberidze (Georgia), in presence of Lana Gogoberidze 03:00 PM Georgian with English subtitles HALL 1 90 mn Line of Credit, 2014, by Salome Alexi (Georgia), in presence of Salomé Alexi 85 mn Workshop by Davide Pozzi (Italy / Cineteca di Bologna L’Imagine Ritrovata) «Technics of restoration» Study Cases : Insiang & Mya Ganaing» 04:00 PM Master Class by Daw Thin Thin Yu, Daw Swe Zin Htaik, Daw Khin Thida Htun & Daw Nwe Nwe San 60 mn 11:00 AM Forever Yours, 1955 by Tawee Na Bangchang (Thailand) 117 mn 05:00 PM 125 mn French with English subtitles HALL 1 01:30 PM Lola Montès, 1955, by Max Ophüls (France) 114 mn The Clouds of Sils Maria, 2014, by Olivier Assayas (France), in presence of Olivier Assayas & Charles Gillibert 04:00 PM A Girl of the Bush, 1921, by Franklyn Barrett (Australia) 95 mn Mississippi Mermaid, 1969, by François Truffaut (France), in presence of Catherine Deneuve 123 mn French with English subtitles HALL 1 06:00 PM Master Class by Cheng Pei-Pei 60 mn 07:00 PM Come Drink With Me, 1966, by King Hu (Hong Kong) in presence of Cheng Pei-Pei 95 mn May 30 10:30 AM HALL 2 Japanese with English subtitles HALL 1 HALL 2 Conference by Susan Lee (Moving Picture Association) “The Copyright: the American modele” 90 mn 9:00 AM Cléo from 5 to 7, 1962, by Agnès Varda (France) 90 mn HALL 1 English HALL 1 07:30 PM HALL 2 June 2 HALL 1 9:00 AM Workshop by Gabrielle Kelly (NYU Film School / Tisch School of the Arts - Asia) «Finding your voice» 120 mn 9:00 AM The Lady from Shangai, 1947, by Orson Welles (USA) 87 mn 10:30 AM Master Class by Lana Gogoberidze & Salomé Alexi 60 mn 11:00 AM The Housemaid, 1960, by Kim Ki-young (Korea) 111 mn Korean with English subtitles HALL 1 01:30 PM The Young Ones, 1973, by Li Hsing (Taiwan) 110 mn Mandarin with English subtitles HALL 1 04:00 PM Black Narcissus, 1947, by Emeric Pressburger & Michael Powell (UK) 101 mn English with English subtitles HALL 1 05:00 PM Master Class by Marrie Lee 60 mn 06:00 PM They Called Her… Cléopatra Wong, 1978, by Bobby A. Suarez (Singapore), in presence of Marrie Lee 111 mn English HALL 1 9:00 AM Conference by Chew Tee Pao (Asian Film Archive) «Representation of Gender in Singapore Films» 90 mn 9:00 AM The Lonely Wife, 1964, by Satyajit Ray (India) 107 mn 10:30 AM Conference by Frances Calvert (Film University Babelsberg ‘Konrad Wolf’) «Women in German Expressionist film» 90 mn 11:30 AM Moon Over Malaya, 1957, by Chun Kim (Malaysia-Singapore) 91 mn HALL 1 English HALL 2 French with English subtitles HALL 1 10:30 AM Conference by Suresh Chabria (Film and Television Institute of India) «Women in Indian Cinema» 90 mn 11:00 AM Zazie in the Metro, 1960, by Louis Malle (France) Kids Screening 89 mn 12:00 PM Master Class by Catherine Deneuve 60 mn 01:00 PM Mr Sun Stone, 1983, by Daw Thin Thin Yu (Myanmar) in presence of Daw Thin Thin Yu, Daw Swe Zin Htaik, Daw Khin Thida Htun & Daw Nwe Nwe San Myanmar Film Treasures 120 mn 03:30 PM Taste of Honey, 1961, by Tony Richardson (UK) 100 mn English HALL 1 05:00 PM Master Class by Olivier Assayas & Charles Gillibert 60 mn HALL 2 05:30 PM A Woman is A Woman, 1961, by Jean-Luc Godard (France) 84 mn 06:30 PM Master Class by Michelle Yeoh 60 mn 07:30 PM Crouching Tiger, Hidden Dragon, 2000, by Ang Lee (Hong Kong,) in presence of Michelle Yeoh 120 mn 48 HALL 2 Thai with English subtitles May 31 9:00 AM HALL 2 HALL 2 French with English subtitles HALL 1 HALL 2 Myanmar language HALL 1 HALL 3 English HALL 1 HALL 2 HALL 2 June 3 French with English subtitles HALL 1 HALL 2 Chinese with English subtitles HALL 1 HALL 2 Bengali with English subtitles HALL 1 HALL 2 Cantonese with English subtitles 49 HALL 1 PDF Compressor Pro DATES FILMS, CONFERENCES & MASTERCLASSES DURATION LANGUAGE & SUBTITLES for FILMS DATES HALL FILMS, CONFERENCES & MASTERCLASSES DURATION LANGUAGE & SUBTITLES for FILMS HALL June 7 June 3 13:30 PM Stage Sisters, 1969, by Xie Jin (China) 116 mn Mandarin with English subtitles HALL 1 04:00 PM Not Wanted, 1949, by Ida Lupino (USA) 91 mn English HALL 1 06:00 PM A Man Vanishes, 1967, by Shôhei Imamura (Japan) 130 mn Japanese with English subtitles HALL 1 9:00 AM Insiang, 1976, by Lino Brocka (Philippines) 95 mn 11:00 AM Story of a Love Affair, 1950, by Michelangelo Antonioni (Italy) 98 mn Italian with English subtitles HALL 1 01:00 PM Hiroshima My Love, 1959, by Alain Resnais (France) 90 mn French with English subtitles HALL 1 03:00 PM Gilda, 1946, by Charles Vidor (USA) 110 mn English with English subtitles HALL 1 05:30 PM Dolce Vita, 1960, by Federico Fellini (Italy) 174 mn Italian with English subtitles HALL 1 08:45 PM Madame Freedom, 1956, by Han Hyeong-mo (South Korea) 125 mn Korean with English subtitles HALL 1 9:00 AM Wanda, 1970, by Barbara Loden (USA) 102 mn English HALL 1 10:30 AM Passerine Bird, 1962, by Nguyen Van Thong & Tran Vu (Vietnam) 43 mn Vietnamese with English subtitles HALL 2 11:30 AM Sunset Boulevard, 1950, by Billy Wilder (USA) 110 mn English with English subtitles HALL 1 02:00 PM Mr Sweet Smiley, 1955, by Mya Maung (Myanmar) Myanmar Film Treasures 118 mn Myanmar Language HALL 1 04:30 PM The Passion of Joan of Arc, 1928, by Carl Theodor Dreyer (France) 88 mn French with English subtitles HALL 1 06:30 PM All About Eve, 1950 by Joseph L. Mankiewicz (USA) 138 mn English with English subtitles HALL 1 June 4 09:00 AM Breakfast at Tiffany’s, 1961, by Blake Edwards (USA) 115 mn English with English subtitles HALL 1 11:30 AM Red Peony Gambler: Flower Cards Match, 1969, by Tai Katô (Japan) 98 mn Japanese with English subtitles HALL 1 01:00 PM Life, Once Upon a Time, 1978, Maung Tin Oo (Myanmar) Myanmar Film Treasures 111 mn Myanmar Language HALL 1 04:00 PM Red Peony Gambler: Oryu’s Visit, 1970, by Tai Katô (Japan) 100 mn Japanese with English subtitles HALL 1 06:00 PM The Blue Angel, 1930, by Josef von Sternberg (Germany) 107 mn German with English subtitles HALL 1 08:00 PM Imitation of Life, 1959, by Douglas Sirk (USA) 125 mn English with English subtitles HALL 1 HALL 1 June 5 June 6 09:00 AM The Goddess, 1934, by Wu Yonggang (China) 73 mn Mandarin with English subtitles HALL 1 11:00 AM The Consequences of Feminism, 1906, by Alice Guy (France) & The Smilling Madame Beudet, 1922, by Germain Dulac (France) Live accompaniment by Itö and his band 6 mn French with English subtitles HALL 1 12:00 PM Poem for Babies, 1971, by Win Oo (Myanmar) Myanmar Film Treasures 140 mn Myanmar Language HALL 1 03:00 PM The Adventures of Prince Achmed, 1926, by Lotte Reiniger (Germany) Live accompaniment by Laurel Art Academy. Kids Screening 65 mn HALL 1 03:00 PM Conference by Frances Calvert «Fritz Lang’s “Metropolis”- its impact on world cinema» 60 mn 06:00 PM Metropolis, 1927, by Fritz Lang (Germany) Screening at the National Theater Live accompaniment by the pianists Pierre Ozer & Katharina Brandl 148 mn German with English subtitles HALL 2 German with English subtitles National Theater © LeonardDeRaemy 44mn Mississippi Mermaid 50 51 PDF Compressor Pro MEMORY! International Film Heritage Festival 2015 is organized by under the high patronage of with the support of and the contribution of Media partners Technical Partners YANGON / May 29-June 7, 2015 facebook: memoryfilmfestivalyangon / Free admission Venue : NAY PYI TAW CINEMA NO. 242/248 Sule Pagoda Road, Kyauktada Tsp Contact : [email protected] / [email protected] rn\kun\ / eml (29)rk\en>m˙ z∑nl \ (7)rk\en≥' 2015 eP.sBut\ - memoryfilmfestivalyangon / wc\eÂk;AKm´. k¥c\;pmv\>enra -– en®pv\eta\ Rup\R˙c\RuM nMpåt\ 242 /248 S¨;elBura;lm\;' ek¥ak\tMta;‘mi>ny\ Sk\q∑y\rn\ - [email protected]/[email protected]