popo zow

Transcription

popo zow
310◆肋`姉zUz"“g血z勧zYz伽噸/Cb緬噸""伽"o〃
●BecommittedindevelopingadeepfifendshipwiLhyourintimateparlnerasacuSlliontodealwithbothintcrnalandextemalstresso鱈downlheroad
oBeunconditionallyacceptingofyourpartncr,SCO1℃personality,Youmustmakeyourpartner比elthatyounyhardtounderstandtheculIuralcontextthatsheorheiscommgfTom・
cBeHexibleinleamingthecommunicalionstylesofyourinti‐
matepartnerandlearntocode-switchfTomdirecttoindirect
sIylesol・fmmverbaltononverbalattendingbehaviors.
●BediligentindepositingcmotionaUysupportivemessagesin
yourreIatiomShipResearch(Gottman&Silver,1999)indicalesthevalidityofthe“5-to-1ratio"-youneedtodeposit
fivepositivemessagesirlyourintimaterelationshiptocoun‐
teractonenegativemesSagO
oBepositiveinyourrelationshipmemories、Research
(Got[man&Silver,1999)indicatesthatthemo1℃youengage
inpositiverelationshipmemoIy唾Uections,themoreyou
thinkpositivelyabouttheculTentstatcofyourintimaterelationship.◆
Jli
鐵蕊蕊欝鐡鰯蕊議蕊
oBeresponsivctothe“emoUionaltasks''awaitingyouinyour
intimaterelationshipandlearntoshareLhemresponsibly
andwithenjoyment.
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ChaPteroutIine
□TheE・netSelfLocalVersusGlobalOutlook
eLocaIVErsusGIobalIdentiW
③DefiningdleBackgroundofE-net'ers
□E、nefers:WhoAreTheyl
⑥TheLensofTbIevision:IdentityImitation
eRapandHip-HopMusに:IdentityExp庵ssion
②FashionandGadgets:IdentityConstruction
③video:Iden[iWTTansfbrmation
QlnterCuItu「alTbolkit:Recap5andCheCkpoints
InIndiaoyogaisa5000-yEaトoIdBpi「-
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QIh旦巳【'二1J血miij:yLDjalEmjEalLhallenge5⑧SpatiaIZoneDialectics
⑥TもmporalZoneDiaIectics
③IdentityZoneDiaIectics
Chapterl2◆。'"榊冴"如吻"伽“肋j噸“G吻伽雌邇吻313
c城eITs,Wea耀打zow"gnraFmUc耀仙lMIre〃spce(fルIノIel7ceゴノomkeq
"101,2e"KKosiMow,Taれこhe/】とcroMow〃fo化ノツTrgcAj?oZolgyAnM,/12`‐
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sびん3.
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po〃〃c皿肋にs陶叩ecoIfreJ叩olmWde"r肱sollqgJoba叱畑?艶COM,
wAnrisrAei岬旦c、/、伽sgloMse"b〃j"rel℃LJlrzl〃CO""'2J`"jmrio"?
MM,egi"wi(仙北/I伽。"。/ZM〕ncAg池`Mo/・Qco"“J叩Cl唾'γ㎡ご耐ly
1hIDZlg/、〃どw…cepfweKAea雌。猶hqvecoi"e`Mieaizezヒザ山Tri聯
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城cmfpQpz血rα伽'℃oMMePelo伽e"rofaco"彫1,2pol唾ぴi此"伽jS
“P伽?e`例"alllM2eCノ岬蛇'℃ojTcIzl血swjrhsoj打echeckpoi"毎jbMajly
伽Cl℃LlllrJl1籾ノpmcrにe、
TheE・lletSelf8L⑥calVersusGIobalOutlook
鰹`瓢udie圏h……。,川。ughin…CM杣.…ityof
anindividual(viaanceslralties)automaticallyguaranteesgroupmembership・However,weleamedinCllapter5thatethnicityisnotastatic
phenomenonRather,itisasubjectiveexpericncethatinvolveslheactivemanagementofingroup/outgroupboundaries,Inthistwcntyfirst
cemuIy,bothindMdualistsandcollectMsts,regardlessoftheircul-
tures,a唾atthecrossroadsofredefining,exploring,andreinventing
theircontemporaryidentities.
LocaIVersusGIobalIdentity
Let祖examinethefOllowingstoxy;19-yea形oldThiNguyenwasa
contestantfbrMissVietnamZOO3,SouthernCalifbrnia,Throughout
thepageant,shewaschallengedbyotIue暇(andalsobyherownopinion)concemingwhethershewas"Vietnameseenough”imthislalger
USculturalworld"Itlshard/,shemused,,,becausemostofuswere
bornhereintbeUS.,andwe,revelHyAmericanized,Howevemwe,reaU
inthatsameboatofnotbeingAmericanenoughfbrtheAmericansand
notbeingⅥemameseenoughfbrtheVietnamese・Itishardtofindthat
balance,,(Nguyen,ZOO3,p・A4).Anothercontestantwithredhighlights
inherllaimKellyLyj鑓marked,“Myparentstellmeallthetimetllatl
dontIitintothetraditional[imageofa]Vietname&egirL…Ifigu唾I
shouldtlytostandoutbybeingmyself,,(Nguyen,2003,F.M).
Recallourearlierdiscussioninwhichidentitydi雌Irmtiationand
idcntityinclusionappeartobetherepeatedthemesthatrunthrough
theoldandnewgenerationsofthetwenly-firslcentuKyLWhatthesetwo
youngwomenaredescribingisaconstantshiftbetweenwantinglobe
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314◆u2“】趣"zmijZg血Jr7MF"海/Cb滅禰""J“郡0〃
an“individual',andwantingtoremainapartofthegroupaswelL
Howeve町thereisasensethattheyaresepara[edfmmthegmupbrnot
beingethnicenoughThesetwoⅥetnameseAmericanwomenwantto
化elasenseofgroupbelongingandconnectiomM,atthesametime,
asserttheiruniquepersonalities・
Onaglobalscale,newgenerationsofindividualsareattemptingto
c1℃ateathirdidentity--afUsionofindMdualismandcollectMsm・At
thesametimelhautheyembracethefUnctionofindividualprivacyand
expression,theyalsolonglbrglobalbelongingandconnectionthaL
transcendstraditionalethnic-culturalboundarieS・Thelnternet,some-
--ll⑥、A4pFevidesuleideaLlimらte-bridge-these-dialnetB:iGally-⑨PPosite=vaL
uesanddesi唾s、
DefmingtheBackgroundofEnet,ers
Thelnternetisacentmlhub-thechannelthatoffbrsusawide-
openspacetocommunicatcgloballyandtoconnectwithindMduals
frDmdiversewalksoflifb,Moreimportant,Ihishubpulseswithspeed
andefficiencybThelnternetgivesusacommonlanguage-EngliSh-
withwhichtocommunicateandbondwithfellowgIobalcitizens
(Swerdlow,1999).TheEnglishlanguage,inoperationwithvirtualreal‐
itybhookspeopletogetheronaninstantaneousgloballeveLThisglobal
connectionissoappealing,so“hip,"andsovelypersuasivcthaLitconstantlyshapesandrecontoul電oursenseofcompositeself
Thelntemetallowsuse鵡todevelop雁latiomshipsacrossthebarrierSoftime,space,geographybandcultural-ethnicboundaries・Of
course,werealizethatthisglobalspaceisalsoaveryprivileged
space-accessibleonlytomembersandculturalgroupswhohavethe
accessandmeanstoafhdsuchtechnologicalI℃sources,Italsoprivi‐
legesindMdualswhocanuseEnglishcomfbrtablyasamediumof
lntcrne[communicationlthasbeenestimatedthatapproximateIy605
「:■
;
millionpeopleusethelntemetonadailybasis,andtheye-maileach
otheracrossdive鴎eage-groupsandacrossdiverseculturalbound‐
alies-fmmMongoliatoArgentina,andfmmlcclandtoNewZealand
(httpWwwwnua・ie/surveysノhow-many-online/).Forexamplc,oneout
ofeveD:yfburchild1℃ninUSkindelEartensnowusesthelntemetto
playanddohomework(FellelBZOO3).Whendiscussingimportant
issuesininterculturalcommunication,wecannolongeraffOrdto
ignorethepowerfUlinfluenceofmoderntechnology・
Thinkbackfbramomenttothediscussionofvalueorientationsin
ChaptCr3、OurvaluesallowustoattachIneaningSandexpIanations
concerningpcopleandeventsthatarehappeningarounduSBC[hcuIturalandpersonalvaluesgiveusasenseofdirectionintcmnsofwhat
isgoodorbad,rightorwrong,fairorunfaimCulmralandpersonalVal‐
uesaIsochangeovertime・TheyarenotsuaticentitiesTheroleofthe
lnuernetconnec[ionaddsanotherlayerofcomplexitytoourunde1L
1I
Chalp[erlZ◆Cb沈禰""加如〃、J釘励"咽〃GZb`"/jtjb"ばり31ラ
Standingofchangingvaluesinthetwentyh函tcentuuyLThefbllowing
sectionsexplaintheauthors,ncwlycoinedterm,lheg-77“trf血1㎡妙.
Enet,ers:VVhoAreThev7
Thee・net,eridemitystandsfOranewgenerationofindMduals,
fromanyagegroup,wiredtothelnternetviaintersectingspace.
Enet,ershavebothalocalselfandaglobalselfSomemaycallthisa
"hybrid,,identitybecauseitisablendofmanyaspectsonhelocaland
globaleMm、meⅡ1t↓haLissmE噂db9faLSomcmzL9fcaLthis-2fglobalization"becauseweaI℃nowaIlresidentsofabigglobalvillageThoughit
isahybridglobalphenomenon,theenetidentityisalsoanoutcomeof
powerandpopularcultu唾.
TheaspectofpowercomesfTomthefactthataccesstothelnternet
andnewtechnologiesislimited・NotevelyonecanaffOrdtobehooked
uptotheglobaIsuperhighwayBehindthemediumofidentilyrecon‐
structionsandimagcshapingareteamsofcorporations,businesses,
marketers,andpublicI9elationsspecialistswhointendtoSpreadtllE
latesttechnologicalgadgets・Oneoftheprimalypurposesofimage
reshapingisfbrprofilmakingandprofitrecyclinglbbeconnected
andtobc"in』”affIuentindividualsonagloballevelarewillingtopay
moneytopurchasethelatestandhottestgadgetsand。iscardoutdated
models」nessence,bei1ugtechnologicallyupdatedallowse・netindMd‐
ualstodiStmgLfjshthemselvesasbeingIhe“fi曙t-waveusers”while
simultaneouslybelongmgtoa蝋st-track,disposableculture,
Theenetidentityisalsolinkedtopopculture・Popcultureisnot
onlyjTTassculture,thecuItmeoftheimaginedcommunitybitisalsoa
systemofbeliefSandhabitsconsumcdinvariousways,bydifh℃m
p⑥ople(Zelizelj2001).Inaddition,popularculturefbstersaclimatein
which“globallyethnicJ,isactuallyappealingtodiversegroupsona
globalleveLForexampIe,actorVinDieselrefusestodiscusshisethnicity(slillunknown),andsingerMariahCarey(EuropeanAmericanand
Vbnezuelan)didsoonlyundersignificantmediapl9essureThenew
ambivalent-looking,glbbqM伽ccelebrityhasmassappealin副nyeth‐
nicmarkeLSheorhecanconnectwiththemassesonvariouslevels
andcanalsoappcaltothosewhodonotdefinethemselvesclearly
withinaparticularethnicgroupThecelebrityiconhasatonceno
clearethnic-culturalidentityandsoreHectsadistinctiveglobaLethnic
identitybecauseofherorhisfUsionlookandhyblidtaste・
Thinkfbramomentaboutyourownidentity:Howdoyouthink
technologyhaLSshapedyouridentity?Howdoyouthinkpopcultu1℃
hasinHuencedyoursenseofself?Whatwouldhappenifyouwokeup
tomorrowmorningandyourcompute恥yourmobilephone,your
page町andyourtelevisionhadalldiSappearedfiPomyourhouse?Could
yousuMvefbroneweekwitIloutaIltheseelectronicgadgets?
316今Ui9U*JwUT77zjH咽血JF7I目FJ如噸/Cb翻漉灘"2m“〃
Wecanviewanenet,eridentity,orLheshort-fbrmtermj⑭、net
1.$ntityiasacompositeidentitythatisshapedbytechnologybbypopuIarcu】tulne,andbymasSconsumption・Ane.、etselfcanhaveboth
intemalandcxtemal仇cets、IntemallMonecanholdhybridcomponentsofcthnic-culturalvalues(e9.,collectMsmandindividualism)
andcontemporaIyaspectsofbeing-in-doingvalueorientations(正call
theChapter3discussionabout"ValueOrientationPattcrns,,)Inaddi‐
tion,thee・netindMdualcanswingflexiblybelweenthehigh-context
andlow-contextcommunicationsystems・AnindMdualwithanenet
identityhasasenseofcommunalbelongingonagloballeveLSheorhe
Lahmkn血Llp」皿ith」Elihneヨ竃ue-yeuLlikE世minded-indmduals」AjmLacLiH姪ly
carveoutadistinctive"adoptedcommunity,,(e、g,byhobbies,bygame
types)andcommunicateferventlyviachatroomsore-discussion
groups.
Letlsexaminesomeofthese巳-cAq噸αe"sKicsandhowtheyrelateto
communication:
Hbcr)D砲icfThee、netselfislinkedtotheageofelectronics・Gadgelsanddevices(e、9.,cellphones,PalmPilots,e-mail)allow
e・net'erstocommunicateatanytimeorplace,makingthis
thecentralhubofcommunication.
E】『ご/LJsive:theenetselfisanexclusivegroupofindividualswho
a正inbetweengmups・Theymaybemembe届ofspecific
ethnicorracialgroups,buttheyarealsoloyaltothclntemet
communityEFore、net'ers,thelnterneIServesasthemain
connectiontotheworld.
ErAIT比、と""(y;Thee・netselfincludesindividualswhomay
haveethnicloyaltiestotheirtmditionalgroups・Howevem
theyoftentendtodisplaymomesolidaritywiththeirtechno橇
gIobalnetworks・Theirsocialgroupidentitiesaremultiftlc‐
etedandnetwoIk-based、Theyalso比elHexiblein"bolrow‐
ing',ethnicidentitiesfi。mothergroupsintermsofoutward
appearancesanduseofethnicartifacts・
丘叩Iori"gJAsaconsumelLbasedidentityjthee・netselfappeaIsto
individualswhoareinsea1℃hofthelT已工Zbigthing,whether
itisfashion,music,trends,orWとbsitcs・TheNetservesasa
wayofcreaLillgaspaceandacommunityinwhichtheycan
bclong
E"Toricopz5Tllee-netJerscommunicatewithemoticons、
Emoticons(seeChapter8)areconveyedthroughlext
messaging,instantmessaging,ande-maiLAsimple
emoticonisworththreesentencesandgivesthesendera
chancefbranonymityWhohastimetogoindepth?!
Chap[e「12◆Cb7""F""”蜘刀加卿j5iJrゴ咽回CAD此/」Zムソガ"〃317
篝
■蕊
il
ii
凸Tfelm伽?2巳"r5Kul・tCobain,theformerleadsingerforNirvana,
sang,“he1℃wea1℃now》entertainus1,,TlleentertainmentindustIyintheUnitedStatesisa480-billion鐸dollarindustly
(Wcl幻999).Moste・nefershavcaninsatiableappetitefOr
enuertainment、Withmovies,DVDsDgames,anddownload-
ableaccessories,whyleavethehouse?AndthisappetiteiS
notlimitedtotheUnitedStates・AccordingtoMcClure
(2002),JapaneseyoungadultsunderageZ5spenlmore
moneyoncellphonesandvideogamesthanyoungaduItsin
anyotlIercountries.
E、"o17nyfTee.、etseistietoteoominglnterneteconomybTrendyfnshionStatementsal迫discovel程dandpur‐
chasedonline,orthroughsp⑥cificonlinemagazincs`orvia
chalroomconversations.E,net'ersal巴wiUingtospendlarge
amountsofmoneytokeepup-to-date、WehrfTitz(2000)neportedthatmillionsofwiredshoppersinJapansulfthenet
fbrpmducts,andoneinfburinSouthKoI℃abrowsesthe
Webtoshop,playgames,orday言trade・Acrosstheglobe,
e,net'erscanaccesseBaycomandbidonauctioneditems
fbra1℃asonablepriceWhywaitfbrtheneweslorretroChi‐
cagoCubsbaseballcapwhenyoucanclickontoeBaybcom?
Theseareonlyafewofmanycharacteristicsofane・netidentityja
selfthatreHectsanewgenerationoftechno-sawyindividuals・Canyou
comeupwithyourowne・net-ism?
TheE・netldentit:DialeEticalChaIIenes
Thee・netidentityisacorneI巴toneofcontemporalyidentitydevel‐
opment,ThissectionhighlightssomeoftheimportantissuesUhatco必
cerntheinterpIaybelweenlechnologyandglobalidentitydevelopment・Perhapsoneofthemoststrikingchallengesofthee・net
interactionistheaspectofdialectics・DialccticaltemsionSa唾conflictsthatcomefiPomtwoopposingfbrcesthatexistatthesametime
(Baxter&Montgomelyj1916).Forexample,tensionscanexistwhen
sometimesyouwanttospendlotsoftimewithyourrelationaIpartneri
andothertimesyou化elyourrelationalpartneriscrampingyourstyle
ormakingyou比elstiUedbynoileavingyoualone,These[ensionscreatechallengesfbranindividualandbrthedyadicrelationship,How‐
evel;suchdialecticaltensionscanalsosparkinIelpelちonalcolIabora‐
tionandcreatMty-iflhedialeclicsaremanagcdflexiblyand
adaptivelybThefbllowingpagesdiscussthreeofthemaiordialectical
pulls;space,time,andidcntity(seeTHble121).
Befbrelaunchingintolhisdiscussion,pleasecheckyourreactions
onQuickPolll2.1.
318◆DhH胸坤"迩咽血琵yrzJ伽糎/α碗碗""2噸"、〃
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Pleasecheck[hewordsorph胞日eBthatbeBtde曰cribeyouroveraIla[[i‐
[ude[owa「dtn巳u二eo1meIn[ernetandcompaIqeyourresuI[switha
dassma[。s:
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Focu聖。
Exci[emen[
Wbrk
PiayfuI
EfIbrt
AEtion
Fに[ion
Reali 呼
SpatiaIZoneDiaIeCtiCS
Forane・nelJenthelntemetprovidesprlvacyandanonymilyinthc
safeenvironmentofonebfreespace、Thee、netculturetransforms
spaceinsuchawaythatindividualscanexperienceboththeplMJ印
PCとandtheco"zl7TzdFzalpo彫ininstantspaceandtimezones・Ifyou
havecheckedwordsonboththeleft-handandright-handcolumnsof
QuickPolll2」,yourenotgoingclnzyYbu,鴎justoneofthemany
;
indMdualswhointeIprettheuseofthelntemetfrombothdialectical
poles・Withintheprivacypole,thePalmPilot,personalcomputeI1and
mobilephoneau℃accessedinprivate,personalspaceWearenotconfinedtoacomputerlaborroomtoaccessthelnterneLWecantrave]
throughthevisualworldinasportsstadium,atthemovies,sittingin
theparkoraIectunBehalLorwhiletmvelingonanairplane,Ohentimes,
wedonothavelowaitmo1℃thanZOsecondstohaveacommunication
exchangewithanotherhumanbeing・Wecanenloyasimpletextmessage,instantmessage,orevenJpgpictures・
SimullaneouslMthelnternetprovidesasenseoPsharedcommunal
spaceChatrooms,onlinejournal醤,messageboards,andfan-based
WebsitesoHera、individualaSenseofcommunalconnectionand
belongingtoaparticulargroupSharingthispJlMcspaceintheWeb
communityallowsindividualstoengage,explore,andinteractwith
eacllotheracrossculIuralboundarieswithoutactualfklce-[o-facecon-
tact.Enet,e'雷seethelnternetasprovidingwonderfUlopportunitiesto
reconnectwithlong-lostfriendsandhighschoolswee[hear[sJcreate
IJli
ChaP〔erl2◆Cl。":鯛""如伽伽騨励切'W砒伽/雌"”311
newldationships,enhancegIobalteamcreativityBandempowerpco‐
plethroughhumanrightsandintemationaIsupportgroups・College
studentscancollaborateacrossculturesviaonlinediscussionboards
ore-mails・Facultyand1℃seamcherswhohavenevermetcachother
face-tMacecanengageinonlinecollaborationand唾searchpmjects
acrossnationalborde1&
Atthesametime,howeve喝attheclickofabutton,allthesesounds,
images,sights,andactionscaninstantaneouSlyvanishTheindividual
canreclaimhjsorherquietspaceorprivacyinseconds・Thispeculiar
senseof蝉alityversusfictionexistSaSablunylineinthevirtualrealily
W⑥r
W。.
砲mporaIZoneDiaIectics
Thelnternethasalsodrastically1℃・rientedourSenseoftime-IthaS
contractedand,atthesametime,expandedspaceandtimeviailsmul-
tichannel,multiclicking,andinstamaneousdoo眼to-doordelivelyfb好
maLItoffe曙mdMdualssimultaneousopportunitiestomovequickly
backandfbrthbetweenmonochronicamdpolychronictimeschedules
(唾calltheChapter8"RegulatingTime"section).Externallybindividu‐
alsmayexperiencetensionsbyconstantlyshifLingbetween
monotr秘ckfocus(i、e、,workingononeprojectatatime)and
lnultitracMbcus(i、e、,tendingtomultiplee、nettasksoractMties)on
thelnterneLCommunicationwise,indMdualswithmonotrackfbcus
canalsooftenbumpintomisunderslandingswithindMdualswho
enJoymultitrackfOcusbecauseofthcirmultitaskinghabitsonthe
lnternet・
MorcspecificallMthel7To"ofmcke、j2erco椛"zLKlTicato応canconcem-
trateononlyonetaSkatalime,Whiletheya唾workingonataskprojectonthecompute町theywouldfinditdifficulttobesimultaneously
talkingtotheirfiPiendsonac⑤llphone,switchingtoanswerlnge-mail
relationalmessages,andtalkingtosomeonemghtnexttothem,How‐
ever,〃zL山it7acke、加erco噸J〃LlFTicaforsCanbequitcadeptat
mullitracking-workingonmultipleprQjects,suchassurfingtheNel
andatthesamelimcchattingwithfTiendsontheircellphones・The
e・netmuIlitrackindividualsalsoadheretoabcing-in-doingvaluephi‐
losophyhWhileonthenet,theycanchaLwithfriendsacroさsthegIobe,
accessdailynewspapersinseverallanguages,anddownloadnewsong
releases、Thebeing-in-doiHnge.n⑥tphil⑪sophymeansthate・net
multit噸ckindMdualscanfUsethe"beingmode,,valuedirnensionwith
the“doingmode〃valuedimension-theycanbefullyenjoyingthe
here-and-nowmoment,spendingbe雌gtimewiththeirmultiple
fTiendsinthecluatroomandalso血i"gothertaskactivities、Thereisno
doubtthatthee,netgenemtionisachangedgenerationintermsoftra‐
ditionalculturalvaluesandnormsheldbytheirparents,orgrandparents,generation.
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naveuoleam[oglvemoreIlmeanqspace[o[nemonoumcKlnqwlquals
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outinthelnternetworld、TheycantransposesomeofthesocialskilIs
famwaycultures、Forpeoplewithdisabilities,thelnternetoperateson
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e、netselflburspecificareaswiUbediscussed:television,music,fthsh‐
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rur
ThetermgわbajiZario1rhasbothpositiveandnegativeimplications
inthecontempora可socialwoIldBroadlySpeaking,itmeansthecul-
turalinteldependenceandrealignmentprocessesduetotheglobal
economyje-commer℃ejmassmedia,andthenuxofimmigrationpat‐
tems・IndMdualswhosupportglobalizationseethewolldasbecom-
ingmoreinterdependentandinevitablyso,Theglobaleconomyand
gIobalmassmedia,inparticulanbringusalltodevelopglobalcitizen‐
shipsofaworldwide“globalvillage''一thusbrcakingdownnational
andculturalboundaries・
Fromadiffbrentanalyticalstan。point,opponenlsviewglobaliza‐
tionasnegativebecauseitdestroyscuIturalboundaIiesandWk:Stern‐
izesmanyindigenouscultmes・Forexample,jthasexportedimagesof
US・wealth,consumerism,andotherUS・massmediaimages
throughouLtheworldandcreatedmany“consumingj,colonieswitha
strongU.S、‐dominantHavoエAccordingtoitsopponents,globalization
dilutesordestroysculturesJanguages,cultulnletiquettes,values,and
tmditions・See,fbrexample,lhetop-tenall-timeworldwideboxoffice
grossingmovies(JeopardyBox12.1)andcheckouttheglobalinHu-
enceofHollywoodTbfUrtherexplo1℃thistopicofglobalization,letも
firstlookattelevisiontrendsontheglobaIleveL
TheLerusofT色Ievision8Identitylmitation
Justhowdoesapersomsidentitydevelop?Ifyouthinkbackto
priorchapters,theinflucnceofourparents,socialization,andpeersis
especiallyl℃levant・Growingup,didyoueverwatchSEsn"reSmEa?
PbA2"zo17?肋wErRaJTgE2庵?肋GiOA?Asyouwatchedtheshow)didyou
everaskyou曙elf"Gee,Iwonderifkidsinlndiaa塵watchingthesamc
show?"Don,tworlyifyouneverthoughtaboutthis、MajorUStelevi-
sionshowsareeasilyaccessiblemtheintemationalmarket,
Oneofthewaysinwhichane・nctpeI竃onlearnsabouthisorher
identityoranotherpelmnbidentityisthroughtelevision,Tdevision
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lntheUnitedStates,entertainmentisthcsecond-laIgestexport
(ZelizeI;2001).UStelevisionisevelywhere,Diffbrentcountrieshave
diffbrenttastcsandmanya塵captivatedbyUS.-exportedtelevision
shows・Thesuccessofexportcdtelevisionshowsrunsthegamutfi℃m
olderseriestonewersenes・Forcxample,inGermanyjthemostpopularteleviSionshowsarethenewershows,B"耐rAc肋"Tp舵SノtUyerand
助α榊e4butinltalManolderseries,M股鋤hasRalT解l;has[hela噌一
estaudienceFranceandSpainpre比rtheactionscriesAIiqs・SyndicatedshowSareequallypopulanZelizer(ZOO1)reportsthatlranians
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nationalmarket,andtheyarealsousuallydubbedintothelocaIlanguage、Forexample,inlsraeLArgentiner2に"oMns(soapoperas)with
Hebrewsubtitlesarea"blissfiIllyfrivolousobsession1"(Rotella,ZOO3).
WatchingTVdramashowsgivesthcinternationalvieweranoppor‐
tunitytocheckouttI壇nds,styles,andfashionstatements、Forexample,
whenJenniferAnistonmadeherdebutonnfeFTms,apopuIarTVsitcom,herlayeredhairstylewentglobalManywomeninvariousparts
ofthegloberequestedthe“Aniston''cut・WhcntheJapaneseTVcartoonshowPt〕雌"m1TdebutedintheUnitedStates,evelykidhadtobuy
Pokemontradingcards・Thisbringsupaqucstion:Exactlyhowglobal
随'℃叱剛舵蝿eMmWO以伽yM1AeCbsbys,andsoapoperas,includ‐
ing、)'打as恥areequallypopulamInPakistan,withalargeEnglish-
speakingpopulation,ハqsf“川捌*S*H,andBとK)ノMz【cAa唾populamAs
morecountriesproducetheirowntelevisionshows,thevariety
increaseswithavailabilityandfUnding、
us・networksarepurchasinginlernationalandhomegrownpro-
ductions,areversenowofglobalization・InlernationalTVgivesusa
comparisonofculture-specificandcultu1℃‐universaldisplayrules
(e、9.,nonverbalcues).IndividualsintheUnitedStatesareallowedto
takeasnapshotofuhesimilaritiesanddiffbrencesincommunication.
蕊■鱗蝋繍繍111十iI1lllij
stereotypesofpeoplcindiflbIm[culluresandethnicgroups.IWotypes
oftelevisionshowsareconsistentlyindemandintheglobalmaエkct:
actionshowsanddramasActionshowsaI℃enlicingtowatchbecause
oltheircombinationofaction,violence,andsex.Ⅵewersdonotneed
to1℃allylistcntotheshowbwordswhentheyllavevividimagesanda
lotofvisualaction・DmmashowshavealsodoneveIywellintheinteI-
Chapterl2十。'漉翻""噸吻)M、“鮒噸9忽GA,“/LムゲフT"リ323
Tnlili
Forexample,肋jzCルノWasaphenomenalhitseriesinJapan1,
tbisone-hourprogram,threeironchefS(Japanese,Chinese,and
Frenchcookingstyles)hadtoworkwithone"suIprise',ingredientand
createthcmostinnovativedisheswiththalthemeingredient・Howevel;
anoutsidechefwhoworkedac1℃ssfromIheironchef,challengedone
ofthemTheshowconcludedwjthatastetcstandtheannouncement
ofthewinnemTheserieSwassoengagingandpopularthatinl999,
FoodTVacablestationintheUnitedStates,boughttherightsliorthe
showllbecameaninstanthitwithfansacrosstbeUnitedStates,who
beganwatchingandhittingWebpagesdevotedtotheshow・h1TdTe/
attractedsuchala聡eaudiencethattheth鑓eironchef曾we唾inviUcdto
theUnitedStatesinaspecialepsiode,calledBarrに可rAe肋冗助歌:
ノVbwIMcBnrZZBThiswasthelastshowtapedfbrtheseries,FoodTVI
howevel;continuestoair1℃pcatsofoldbattlesduetopopulardemand
RealityTVcomesinmanylbImSJbutthemostcommonfOcusof
theseshowsisthedevelopmentofintelpersonalrelationshipS・RenI
WMtidebutedonMTVinll92,Fmmthestart,thisshowwasnewb
exciting,andunfamiIia虹Sevenroommateswerechosentolivewilh
eachotherlbrthにemonthsAllhoughtargetingayoungdemogHnphic,
theshowgeneratedviewe曙acrossage-groupsinterestedinthedramaticlivesofthesesevenindividualslMnginLhcsamehouse・Reaノ
M〕測乱isnowinitsninthseason,spawningthreerealityknockoff
shows:Roα`Rzdles(filmingsevenindividualslivingontheroad),Ba肱
o打he艶xBs(fbImerRoα‘R`【んsand比an化rkfcastmembers),and
RozHLfRLl彫s陥岱LdsRe砲lⅡ/b湖.Asasidenote,onecouplchasactually
marriedaftermeetingontheseries・
Thedesiretowatch淫al-lifepeopleoncamerahasextendedtovari-
ouscontextsandsituations、Theresult?Moreshowshavebeendevel-
opedtotapintothe塵alityuniverse、Abriefsummalylistspastand
presentshowsthatpromotc“realitychecks,,:
324◆的吻丁鰄Fz`メビ咽血雌nFYMt鄭》〃/CbJ"'"""j““〃
。]nheBacMo紐ncAcio肥f1e(ZOOO-present):individualsnarrow
down50datestoonemarnageproposal;
oAl7Te"caJTJdOl(ZOO1-present):singelscompetefOrarecord
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overcomingmanyoftheir"feaI電',inthep1℃cess;
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oBigB)Mz2r(originatedintheNethenands):roolnmalescompetefbronemilliondoUars;
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lntheirevelydaylives,lonelyconsumerScancreatecommunity
withIhelivesandrelationshipsfbrmedontelevisionRealityTVgives
thee・netindividual[heopportunitytolivevicariouslythmughtbeIives
ofothelsandtomakeconnectionsTheseshowsaredi正ctlylinlKedto
thelnternetjfOImingfan-basedWebsitesdevotedtosharingopinions‘
evcncomplainingaboutthecharactersasiftheywereourfiiendsThis
isadixCct唾sullofthee-netvirtualreautyculture・Realitytelevision
individualsaspireto"belikej,asingemagroup,oraband、Nothinghas
inHuencedglobale.、ごtidentityasmuchaship-hopmusic、Hip-hop
music,whencombinedwithmusicvideos,hascmss-pollinatedpopu-
larmediaandchangedthedynamicsofidentityfOrmationacrossthe
globe,Thisvisualaidhasinnuencedmoreyouthacross[heglobethan
anyothertrendinhistolyB
Hip-hopmusic(orrap,asitwasoncecaUedandisstillrefb、程。to
bysome)sprangfromtheinnel3cityghettosoftheUnitedStalesinthe
elry,or“bling-bling")Rapandhip-hopmusiccamefromAfiRican
AmericanyouthwhowerediscouragedbylzLcialoppressionandthe
inequalityofli化Rappingwasanart,awayofexpI℃ssingtheproblems
theyfacedlMngontheouteredgesofsocietyLAsthemusicincreased
inpopularityandprogresSedfTomtheinnercitytothesuburbs,rap
promotesafbrmofvirtualbondbetweentherealitycharactersandthe
musicandhip-hopbecamebigbusinesswhenWhiteIeenagersstarted
actual比amchallenges,orrewaldsfbrlheviewersForexample,the
ReqノWbrjdseriesactuallyeducatedviewerswithpublicservice
hip-hopexploded・Inthepastthreeyeal巻,hip-hophascontinuedto
generatethehighes[musicsalesinIheUnitedStatesandintemational
asteenpregnancybalcoholabuse,discrimination,andhomophobia・
ZOO3?(CheckoutJeopardyBoxlZ2)Forthefirsttimeinmusichis‐
tolistenandbuythemusic(Zwmgle&McNaUyl919)Attha[point,
markets、Doyouknowwhatwerethetop-tenBiUboamSinglesinFall
anmouncementsbasedon"real,,eventsthatoccur1℃dontheshow)such
to則onOctober3,ZOO3jBillboalrlr⑥portedthatlhetop-tensinglesi、
theUnitedStateswe罐byrappers(withtheexceptionofthenumber
Insum,televisionisaformofentertainmentwatchedglobanylThis
globalconnectionJavisualaidtomatchthecultu麺loruniversalnarra‐
山
COS(i、e、,radioalonedoesnotMlycaptu麺themusic,mood,andatti‐
tudebehindthegmupanditSSingers).AsaInesult,musiccreateSiden‐
tilyandsparksacommunalsenseofspaceandtime、Theseenet
mid-1970sRapmusichasbeenassociatedwithgraffiti(ortagging),
dancet1℃nds(breakdancing),scratching(adeejaysimultaneouslymixingtwoormo正vinylrecoIds),andartifacts(goldandplatinumjew‐
whotheyerroneouslybelieveisawealthyman
audience,sometimes,televisedeventsarerealenoughtogenerate
Lp
Chap[ErlZ◆Cb碗…"如吻"ん“Hz域咄α伽6忽ノノ泓償"”325
RapandHiP-HopMusic:ldemtyExpression
Throughmusic,somee・net,ersfindacommoniden[ityexpression
andconnectionwithothers-especiallybecausemusicexpresses
exactlywhattheymaybefCeling,Musicinspirest唾、。s,fashion,and
alternativewaysofexpressionandmakesastatemenLMusicmayalso
bringcontrovcrsyJconHict,andresistanceJnthepaSt,radiowasthe
mostcommonmediumusedtolistentopopulartunesandcatchlive
shows.P1℃sentlyjradioisonthebrinkofextinctionOnemaJorI造ason
isthee・netgroup・EnetJersdownloadmusictitlesoffthelmernet,
burnthemdirectlytoaCD,andwatchthencwcstandlatestmusicvid-
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tive,isoneofthemostpowerfulaspectsofthee・netidemityUnlikein
radioandprint,e、net,ersareaHbmedavisualtourtoactuallycheck
outtheculturallyspecifictastes,sounds,reactions,andlocalpeoplein
thescene・Thesesoundsandimagesmayexiston凱velysuperficial
Ievel;howevel】theymayalsoServeasafirstenticementtoe,net,eⅡ悪Io
UytothatcCu、tlyanddomorein-depthexploratio、.
斫,)'`坐h;'1ル』:W」ご〕【W恥叔ルルw吋獅gMlFg耐i唾ルヅjL,w、~〆二:Ⅲ鰯w:~:,!』工
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onesong,Beyonce,s“BabyBoyj',whichfeaturesSeanPaulfrom
JamaiCa).ItiseasytoseetheworldwideinHuenceofthisgenreof
識
musicthatiscastacrossdivel巴eculturalbordersLetもcheck・utthe
fOllowingstolyinDoublenke12.1.
11)録懸恵職
Thisexample1℃Hectstheglobalimpactofhip-hopmusiclnpac
Shukal;or"ZPac/,wasaveIypopular噸partistinthcUnitedStates・
Hewasfamouslbrhisabilitytorelatetobothyoungandolderaudiences・Hewasamixtu鴎ofagangsta“thug,,andsomonewithagenuine,“real',persona-Inl996,TUpacwasshotandkilledinLasVビgas・
npacjSmusiccontinuestoliveon,inCDsales,posthumouslybTnpads
sustainingsuccessasaniconhasalottodowithIhetypeofpel巴onhe
産presentsgsmar[,awareofhissu】roundings,dccpinhisobservations
Jil l
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oftheworldaroundhim,AndtakingprideinhiscommunityThis
鑿:
senseofbelongingandrepresentinghiscommunityisanidentityvalue
manye・net,erscanrelatetQ
Thoughmanyenet'e曙takeprideinassertingtheirindividualvoice
andrightsandinprotectingtheirpersonalprivacyjIheyalsovalueloy-
二.f
encedbyUSstyles・THkingrapandhip-hoptrends(e、9.,breakdancing)andaddinguniquedanceMstsandstyleshaveresultedina
globalfUSionidentity
ThemusiccombineselementsofUS・music(reggaeandrap),fashion(surfweal3blondehai11andbaggyclothes),andKoreanstyIesto
makeanewfOrmofmusicDyedhail;baggyjeans,anddesignerIabcls
areallにatu1℃sofK-popsingers・Asiancitiesarefallingfortheidentity)
attitude,andvaluesofhip-hop,butUSrappc曙a1℃lookingtothe
AsianculturefbruniqLleandunusualbeatsRappersandhip-hopart-
mSjnth亘山itedStateshaYealSQM日QWedheごUYIMrQmLhEIEasi(Wu
langClan,Jay-Z,MissyEIliott,RKellylJaRule,andBustaRhymes).
someactuallyuseAsianiluslruments(MissyElliott,JaRule,R・Kelly)
andproducemajorllitsacrossLheglobe(e、9.,“GeturfreakOn/,
“BetweenMeandYOu',).
Outsidethegenreofhip-hop,musicasanidentityexpressionin
socialintemctionispopulamForexample,manye、netindividualshave
beenexposedtokaraokelmmJapanTheriseofkaraokeinJapanhas
beensuccessMlymarketedincountriessuchasAustlnlia,NcwZea-
land,SoulheastAsia,NorthAmerica,andEurope(Kelly,2000).
Karaokeisacross-culturalphenomenon-croSsingage,gendc期ethnic,
andstatuslines・Whatdoessingingkaraokegive[ous?Accoldingto
Kelly(1998),karaokesatisfieslhedesirefbrpc函onalidelIlityexpreS‐
siononavocalleveLWi=canemulateandcopyourhworitesingers,
[℃lievestress,andenjoysoul-satisfyingcommunicationlndeed,itis
reallyafbrmofaftlntasyfUlfillmenLTheTVcontestshowA噸e〃Ca〃
moLfbrexample,iSahugesuccessintheUnitedStatesinbothitsfirst
andsecondSeasonsTheShowallowsindividualswilhlittle,some,and
plentyof[alentlosinginfTonlofamassaudience,Thisis,inrealit弧an
integralivefimctionoftheneedfbrpeI巴onalidentityexpressionand
personalidentityattentionjandatthesametime,itc1℃atesashared
altytothecommunityandprotectionofthe“turF'andneighborhood.
expenenceofaudicncepalficipationandcommunalsolidaIity
Finally)MTVEuropealsohasextensiveshowcasesfbr掴ppers、1,
1999,MTVEuropelaunchedthreeZ4-hourdigitalprogrammingservicesintheUnitedKingdom、Forexample,MTVBaseinEnglandjthe
firstmusicchanneldedicatedexclusivelytoR&Banddancemusic,
'nhct,itisnotsulprisingthatmanycontemporaIyglobalcitizens
二コ
CI1aP[er12◆α祁沈""伽加〃ん“H7z力qgaGUb伽ノム企"ばり327
practiceanewformofindividualismandcollectivismthatintegrates
theselectiveaspectsof`『I-identity,,and“we-identity,,valueorientations・WeCancall[hesehybridvalueorientationsac配ativesynthesiS
ofcoHmbomrjwiIT`fW血qlisJ71・
reHectshybridglobalhip-hopmusictrends、Thesuccessofrapand
OutsidctheUnitedStates,theIiseofthehip-hopidentitycanbe
hip-hopcoversMTVLatinAmerica,MTVAustralia,andMTVAsiaAs
culturalboundariesblurviaMTVmusicgenerations,musicisnolongerethnic-specificorgenre-$pecific、1,s[ead,musichascraflcdacom-
linkedwithMTVlwhichisseenin79millionUShouseholdsand384
millionhouseholdsacrosstheworld(Viacom,ZOO3).MTVhasbecome
sopopularincountriessuchaslndiathatEaslAsianyoutha1℃known
asthenewpan-Asianyouthcultu歴(McC1ure,ZOOZ,DecemberZ8).
YOungelitesinBombayarealsofallinghrlheMTVstylehip-hop
munalSpaceorglobalsoundstagefbre,net'erstorelaletooneanothe凪
tovcnt,andtobeheardatthesoulfUllevelWhatisftlshionableand
(Tnkahaslui,2003)・WiththehclpofMTVSouthKo罐ahasexploded
soulfUlinAsian,LatinAme減can,andEumpeanregionsisalsofash‐
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musicspaceappearstotranscendeuhnicity>culture,andgender
intothcmusicindustⅡ秘changingtheidentityandlookofSouthKore-
ans、TheSouthKo1℃anmusiciscalledK-PoporgUyo・K-popsingel君
a1℃knownfbrtheiruniqueandhipstyleofmusicbutareheavilyinUu‐
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Newtomediastudies,thevideorevoMionhaschangedthewaywe
seeourworldtodayTherewereoncevelyquiettownsandcitieswith-
outsatellitedishesorVCRslnl985,PicolyertraveledtoAsiaandcap-
turedtheAyb瓶culturUsofEastandWestHewasoneofthefirstto
describehow)throughvideo,U、S・cultu1℃hastransfOrmedthepeople
ofAsia:
Suddenly,then,Americacouldbelbunduncensoredineven[he
worldもmostclosedsocieIies・intacMnevenitsmosLdistantcor‐
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、ers・PeasanMnChmaorthe[fbrmer]SovieUUnioncouldnow
enjoyimagesofswimmingpools,shoppingmalls,andothers[ar
spangledpleasuresofthcAffluentSocietyinsidetheiTownliving
rooms;remotevillagersinBurmacouldnowapplaudRambdS
lalge喉than-lifd1eroicsonlydaysafterthcyhiLthesc唾ensofWisconsinjandLheLi"彫HOZdscolTtA巴jPmi詑巳wasnowpartofthe
neighborhoodinlO8countriesaroundtheworld.(1989,p,6)
Beyondvideqvideogameshavealsosignificantlychangedtheface
甲P▲四
ofthCmediaindustIyBrianGInden,MTVbExecutiveVicePresidcnt
ofMusicandTnlentProgramming,COmmented,“Whenilcomesto
pacingJaction,andcapturingyouthculturerightnoW,itballcoming
fromvideogames',(aScitedinJensen,2002).
Newtechnologyhasdefinitelychangedthef2Lceofvideogames、
Japanesecompaniesstartedmakinggamemachinesfbrthehomcthat
werebiggelBstronge囚andfastemNolongerdidyouneedcoinsor
changefOr[I1earcade;vidcogamesweremo唾complex、Over60per‐
centofUS・Americansplayvideogames(overl45millionpeople,with
anaverageageofZ8)(Jensen,2002).Wilhtheadvancedtechnology
andgreatertalentofgraphicar[ists,evenhip-hopstarsa蛇crosSing
overtovideogamestoappearascharactersmgamesJeffJensen
(ZOOZ)proclaimedthaMdeogameshavebecome,`themedium,capablcofcreatingicons(e、9.,Mario,Sonic,LaraCroft),crazes(e,9,
PokelTTo〃andDaI2ceDqlTceRevo!以血〃aresweepingarcadesand
PlayStationsworldwide),andlalgerculturalripples(e、9.,fromLransbrmingTVsportspresentationstochangingthewaystomesa1℃toldin
films),,(PZ3).
Inasense,videogamesallowusthcsamepleasu唾aswatching
I1calitytelevision:livingthroughtheeyesofanotherandtlyingtofind
outwhowearcthmughinteractingwiththosewhoarelivingoutside
ofourworldWtョcannottalkabouttheinfluenceofvideogameswith-
outmentioninganime.A冗伽e,oranimation,hasbecomeanimportant
aspectofmainst1℃amUS・cul[u鑓.Itspopularityisnotlimitedtothe
UnitedStates、AnimationextendsitsboundariestoEastAsiancoun‐
triesaswellasEurope・Animeisafbrmofmainstreampopularculture
andanintellectuallychallengingartform(Napie町2001)Ontelevi-
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challengesLlcee・nete曙intheircontemporawcomlnunicaIjonpro-
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tion,andidentityalienationandinclusionThissectionnamednumer‐
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particulal;import-exporttelwisionShows,hip-hopmusic,fashion
accessoriesandelectronicgadgets,andvideogamesaswellaStheir
inHuenceonthelocalcommunityandatthegIoballevelwe正。is‐
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Weneedtodevelope・netcommunicationHexibilitybyreHectingon
someof[hefbllowingcheckpoints:
oOuridentityisvulnerableandChanging、T1ytodevelopa
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contact-cenlricThoseindMdualswhoarenotdigitallysawy
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nicateonadifhCntplayingfield・Internet-centricindMdu‐
alsmustlearnfmmcontact-centricindividualsthattheirbe‐
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us・Creativityalsoblossomsbecauseofdiversemindsetsand
dive曙ewolkhabits
bBeawarcoftheimpactandexportofUScul[ure・Modern
technologyhasblurreddistinctivecultu画llmesBeopento
thosewhothinktheyshareaspectsofUS・culture(atleast
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toseekadditionalinfbrmationwhenyoua1℃notsux℃about
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nontechnologicalcultulnaltypesandvicevel竃a.
●Becauseoftheinfluenceofdiffbrentelectronicgadgets,we
a1℃goinglocommunicatemoreandmorewithmdividuals
whohavedive曙elearningstyles(e、9.,Visual,auditoly,tac‐
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stylesandalsorespectfUlofandadaptivetoothers'1eaming
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