Ed Wood Music- EW1-37-Catalog-9-2010

Transcription

COMPleTe CATaloGUe
EW 1 – thru - EW 39
September
2010
1
Ed’s taBLE -o- ContENTs
EW #
oNE: action
pg. 9
“This is the one with all the action! Driving drums. Big strings. Great for trailer work or if
you just want that huge theatrical sound. Get with it kids, give this one a whirl!”
ED.
EW #
tWO: rock
pg. 13
“This is the one that has it all. Skateboards to strings to ska. Oh yeah, even one funky little
number. So crank it up and use it often. You’ll be glad you did!”
ED.
EW #
three: trailer percussion
pg. 16
“This is the one with even more Action! Driving drums. Big Bad strings. Great Stuff.
Moody, Fun and Powerful. It’ll do the trick!!”
ED.
EW #
foUR: real rock
pg. 20
“This is the one with Real Rock. Strange in style, gritty in sound and supped-up with Live
energy. Lay it in your work, and I promise, the big boss is gonna dig it!”
ED.
EW #
fIve: dance & electronic
pg. 24
“This is the one with the funky grooves and the beats to make you get up and move.
So give it a spin, then lay it in and all your work will be approved. A+ stuff.”
ED.
EW #
sIX: weird drama rock
pg. 28
“This one’s got pounding drums and troubled melodies. Perfect for thrillers, intense drama and
extreme action. It’ll make your work unique… and give it a kick in the a@#!!”
ED.
2
EW #
SevEn: rock & wave
pg. 32
“This is the one that has the rockin’ guitars and can’t-get-out-of-your-head melodies.
If you wanna drive your work, make it cool and catch an ear, Use this one often!!”
ED.
EW #
eigHT: alternative techno
pg. 37
“This is the one that gives you the Edge. Driving drums. Great big guitars. Cool electronics.
Fat samples. So, hip up your work kids… give this one a spin!!!”
ED.
EW #
NinE: alternative techno
pg. 41
“This one picks up where our last disc left off. Lots of big fat drums, thick guitars and the
latest, hippest sounds around. It’ll make your work ‘cinchy’.
ED.
EW #
Ten: ethnic world
pg. 45
“This one has multiple layers of exotic drums and ethnic voices. It’ll take you and your work to
distant lands… all from the comfort of your cushy edit bay. Enjoy!”
ED.
EW # ElevEn:
heavy rocktronica
pg. 48
“This is the one with big beats, metallic guitars and way cool synth riffs.. Some angry. Some
sexy. It doesn’t matter if you’re a lover or a fighter, You’ll dig them all.”
ED.
EW #
TwelvE: epic drama
pg. 52
“This is the one with the drama, the adventure and the sweeping sounds to make your work sing!
Too much? Go ahead, you’re gonna love it. Give it a shot!”
ED.
EW #
thirteen: rock
pg. 55
“This is the one that has more rocking guitars and in-your-face melodies. If you like to rock
and want your work to roll… This one will do the trick.”
ED.
EW #
FourtEEN: guitar techno
pg. 59
“This is the one that has more rocking guitars edgy, tech grooves and cool fx. If you dig
the action, and like it in hyper-drive… jump on one of these trax.”
ED.
3
EW #
FiFtEEN: drama & suspense
pg. 62
“This is the one with drama, suspense and all the emotion. Cheer up… there are two peppy
little #’s at the end to bring you back from the edge.”
ED.
EW #
SIXtEEN: silly, comedy, rock, etc.
pg. 68
“This is the one that’s got all the silly fun music to show your playful side AND the driving
rock to say, ‘Hey, I know Comedy’.”
ED.
EW #
SevenTEEn: rocktronica
pg. 77
“This is the one that’s got grooves with super cool tech sounds and a massive dose of heavy
guitar. Watch your fingers, this one’s got teeth!”
ED.
EW #
EIGHTeeN: action & drama
pg. 81
“This one got it all! Action, Adventure, Trip-Hop, Drones, Even a Waltz. You’ll dig it Daddy…
like a shovel. ”
ED.
EW #
NIneTEEn: drums, action, rock
pg. 87
“This is the one with the head-pounding Drums! Boom! Boom! Boom! Plus, a bonus pack of
rock and pop tracks do it up on the back end. ”
ED.
EW #
TwEnTy: action & adventure
pg. 92
“This is the one with big action adventure! Great for motion picture advertising or just
to make your stuff sound Huge. Use wisely.”
ED.
EW #
TwenTY-OnE: jazz, ambient, acoustic
pg. 96
“This is the one got the cool, groovin’ jazz with smooth melodies and trick beats. The back-end
ambient and acoustic is majorly on the chill side. Relax… just use it!”
ED.
EW #
TwenTy-tWO: urban & hip-hop
pg. 101
“This one’s for my homies in the edit bay. It’s got the super phat, funky grooves to make
your body move. Let’s get it on… your work.”
ED.
4
EW #
TwenTy-THRee: horror thriller
pg. 104
“This one’s got the dark, sinister, scary, creepy stuff and the ‘bits and pieces’ to make your
skin crawl. Listen with the lights on… If you still get scared, call your mommy.”
ED.
EW #
TwEnTy-foUr: atmosphere light
pg. 110
“This is the one that has exotic melodies and voices a la Cirque du Soleil… packed with rich
textures and sounds from all over the world. Use it to take a trip.”
ED.
EW #
TWentY-FivE: sound design & fx
pg. 114
“This is the one I love! Cool alien effects, pulsing, throbbing, fuzzy stuff you won’t hear
anywhere else. It’ll make your work FLY like a saucer.”
ED.
EW #
twENTy-sIX: metal & rock
pg. 121
“This is the one with the tense bone-crushing guitars and thumping, driving drums to get
your work slammin’! Great for sports, action or to just pound your point home. Bring aspirin
to play @ maximum volume.”
ED.
EW#
twenty-SeVeN: percussion & dark drama
“This is the one with all the dark drones, big drums and percussive drama.
Whether you need to Creep it up or Crank it up… this one will Do it up.”
ED.
EW#
tWEnTy-eiGHT: heavy rocktronica
pg. 125
pg. 135
“This is the one that’ll get things done. Edgy, jumpy, jittery… with a 10 ton punch!
A real heavy hitter. ”
ED.
EW#
TwEntY-NinE: rock, pop & vocal
pg. 139
“This is the one with the cool rockin’ moves and the heavy Now grooves. If you need your
party jumpin’, get this one pumpin’. ”
ED.
EW#
tHiRty: thriller- drums, drama & drones
Pg. 147
“This is the one with the drums, the drama, the drones…oh my.
It’s one killer, thriller, chiller.”
ED.
5
EW#
ThiRTy-oNe: drama, action adventure
“This is the one that really gives it to ya. The ‘Holy Crap!’, ‘Which wire should I cut?’,
Manicky-Panicky, Big Bad Action Adventure.”
Pg. 154
ED.
EW#
thIRTY-TWo: investigative, medical, technical
drama
Pg. 158
“This is the one that gets down to the nitty gritty. The CSI’s, Super Snoops,
Private Dicks, News Hounds, Limping Docs and High-Tech Lab Rats will appreciate
the musical accompaniment.”
ED.
EW# thIRTy-thREE: more pop & rock
“This is the one with the super rockin’ cats that know where it’s at. It’s Rock and Pop
Pg. 166
and Vocals. Pump up your stuff with a hit of this and that.”
ED.
EW#
ThirTy-fOUr: indie alternative rock
“This is the one that pumps and jumps and rocks it out. Use it to blast your work through the roof…
Pg. 171
It’s pretty bitchin’.”
ED.
EW# tHiRTy-FivE: Trailer, Soundtrack and Score
“This is the one full of big dark magical fantasy triumphant action adventure drama trailer soundtrack
Pg. 175
score and more. Say it fast, it’s fun!”
ED.
EW# THIRty-siX: Drama
“This is the one with all the drama… creepy, dark, hip, sexy and sometimes a little freaky. Not
Pg. 180
that there’s anything wrong with that.”
ED.
EW# tHirtY-SeVen: Beats, Grooves & Urban Moods
“This is the one that will bounce you right off your rolling chair. Designed to pump you up or
Pg. 185
chill you out… like a popsicle.”
ED.
6
“This is it! The whole Ed Wood Music kit & kaboodle, so to speak.
The Lucky 37. Get yours on a USB flash drive no bigger than a potsticker.”
ED.
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1 - oNE – action
2 - tWO – rock
3 - three - trailer percussion
4 - foUR – real rock
5 - fIve - dance & electronic
6 - sIX – weird drama rock
7 - SevEn – rock & wave
8 - eigHT – alternative techno
9 - NinE – alternative techno
10 - Ten – ethnic world
11 - ElevEn – heavy rocktronica
12 - TwelvE – epic drama
13 - thirteen – rock
14 - FourtEEN – guitar techno
15 - FiFtEEN – drama & suspense
16 - SIXtEEN – silly, comedy, rock, etc.
17 - SevenTEEn – rocktronica
18 - EIGHTeeN – action
19 - NIneTEEn – drums, action, rock
20 - TwEnTy – action & adventure
21 - TwenTY OnE – jazz, ambient, acoustic.
22 - TwenTy tWO – urban & hip-hop
23 - TwenTy THRee – horror thriller
7
EW # 24 - TwEnTy foUr – Atmosphere light
EW # 25 - TWentY FivE – sound design & fx
EW # 26 - twENTy sIX – metal & rock
EW# 27 - twenty-SeVeN: percussion & dark drama
EW# 28 - tWEnTy-eiGHT: heavy rocktronica
EW# 29 - TwEntY-NinE: rock, pop & vocal
EW# 30 - tHiRty: thriLLer - drums, drama & drones
EW# 31 - ThiRTy-oNe: drama, action adventure
EW# 32 - thIRTY-TWo: investigative, medical, technical drama
EW# 33 - thIRTy-thREE: more rock & pop
EW# 34 - ThirTy-fOUr: indie alternative rock
EW# 35 - tHiRTy-FivE: Trailer, Soundtrack and Score
EW# 36 - THIRty-siX: Drama
EW# 37 - tHirtY-SeVen: Beats, Grooves & Urban Moods
***More on the way… stay tuned.
8
“This is the one with all the action!
Driving drums. Big strings. Great for trailer work
or if you just want that huge theatrical sound.
Get with it kids, give this one a whirl!!”
EW#
1–
2–
3–
4–
5–
6–
ED.
oNE: action
TRASHCAN ALLEY (:55)
Intense pounding drums and percussion with all kinds
of cool sounds slammin’ out the beat.
Action & Adventure, for sure.
TRASHCAN ALLEY (:30)
Composed by: Julian Beeston, ASCAP
Published by: FANGLOVE MUSIC, ASCAP and PMTK212
MUSIC, ASCAP
BIG AND SCARY (1:03)
Driving percussion with big ‘ol strings… making it a huge,
scary, tense, action adventure.
BIG AND SCARY (:27)
MUSIC, ASCAP
ON THE RUN (1:08)
Up your a** drums with bad-a** strings and orchestral
stabs. Big. Fast. Moving. Catch it if you can.
ON THE RUN (:30)
MUSIC, ASCAP
9
EW#
oNE: action
(CONT.)
7–
8–
9–
10 –
11 –
12 –
13 –
14 –
15 –
16 –
17–
MONOLITH (1:05)
Awesome drum grooves, moves, stabs and riffs… with cool
time changes and orchestral backing.
MONOLITH (: 29)
Published by: FANGLOVE MUSIC, ASCAP and PMTK212MUSIC, ASCAP
MOW ‘EM DOWN (1:08)
Big stinky drums with killer orchestral tension. Time changes.
Building. Pounding. Thinking. Action packed!
MOW ‘EM DOWN (:25)
SPACED OUT (1:05)
Groove-driven action. Kind of spacey. Hand drums, shooting
stars, pounding groove with a little alien intervention.
SPACED OUT (:24)
WRECKING BALL (:60)
Methodical action drums with effects to thrill. Orchestral
backing rocks it when you least suspect it.
WRECKING BALL (:29)
THE ACTION ADVENTURES OF SHAKA ZULU (1:09)
Intense action drama with cool tribal drums. Suspenseful,
Dramatic, Orchestral stabs. The relentless pursuit of action.
THE ACTION ADVENTURES OF SHAKA ZULU (:30)
THE WARRIOR (1:02)
Pounding ACTION drums with dramatic orchestral stings.
Super huge Effects and changes. BIG and Imposing.
10
EW#
oNE: action
(CONT.)
18–
THE WARRIOR (:30)
Pounding ACTION drums with dramatic orchestral stings.
Super huge Effects and changes. BIG and Imposing.
19–
EYE OF THE STORM (1:09)
Suspenseful drama with driving drums and strings. The
Fast tempo gets you going, then the sweeping changes
calm you down just before the storm hits.
EYE OF THE STORM (:29)
20–
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22–
23–
24–
25–
26–
27–
DESERT TREK (1:04)
Groove driven drama with cool drums and sitar. Sit back,
take a trip and rock your world.
DESERT TREK (:30)
DARK CONGO (1:09)
Dramatic voices and strings with tribal drums. Enter Another
world… dark, mysterious, always moving.
DARK CONGO (:30)
NIGHT OF A 1000 DRUMS (1:02)
Dramatically layered drums and percussion. Moving.
A Suspenseful, mysterious world feel.
NIGHT OF A 1000 DRUMS (:28)
CATCH YOUR BREATH (1:05)
Bang’n off the top! Intense orchestral drama, driving drums,
with string stabs and cool tempo changes.
11
EW#
oNE: action
(CONT.)
28–
CATCH YOUR BREATH (:28)
Bang’n off the top! Intense orchestral drama, driving drums,
with string stabs and cool tempo changes.
29–
CLICK CLICK (1:02)
Big fat super cool Drama. Clicking sticks, frantic Drums
and Super-slick effects.
CLICK CLICK (:29)
30–
31–
32–
METROPOLIS (:60)
Big City Dramatic drums with menacing strings. Stuff for the
big brass. Best used for the corporate jungle, ‘the Donald’s’
big bad boardroom or a scene-stealing crime caper.
METROPOLIS (: 29)
12
“This is the one that has it all. Skateboards to strings to ska.
Oh yeah, even one funky little number. So crank it up and
use it often. You’ll be glad you did!”
ED.
EW#
tWO: rock
1-
MOTOR CITY DRIVE (:58)
Guitar driven rock that gets your motor runnin’.
Rev it up!
Composed by: Edward Keith Wood, BMI and Marc Stewart
Danzeisen, BMI
Published by: Edward Keith Wood MUSIC, BMI and Danzeisen
Music, BMI
2–
MALICE IN THE TOWN (:30)
Upbeat ska groove with cool rock guitar riff! On the
light side.
MALICE IN THE TOWN (:60)
Composed by: Edward Keith Wood, BMI and Paulie Michael Kosta,
BMI and Julian Beeston, ASCAP
Published by: Edward Keith Wood MUSIC, BMI and Paulie Michael
Kosta MUSIC, BMI and Fanglove Music, ASCAP and
PMTK212 Music, ASCAP
3–
4–
THRILL RIDE (:30)
This one is built for speed! It’s kick-ass rock and roll!
Screaming Vocal shout at top ‘Yeah!”. Surf this one!
BMI
Kosta MUSIC, BMI
13
EW#
tWO: rock
(CONT.)
5–
6–
7–
8–
9-
10 –
11 –
12 –
THRASH IT (:30)
‘Off the hook’ super fast ‘Energizer Bunny’ thrashing punk
rock that just keeps going and going. Go ahead and use it,
I dare you!
THRASH IT (:60)
Composed by: Edward Keith Wood, BMI and Paulie Michael Kosta, BMI
Kosta MUSIC, BMI
ON THE FLY (:30)
Funky Cool retro 70’s groove. if you wanna funk it up, let this
one fly.
ON THE FLY (:60)
Kosta MUSIC, BMI
THE GRIND (:30)
See song title for description. This one’s got an evil,
menacing, heavy metal march with an infectious groove that
makes you want to hear more. An ominous melody with
cranking guitar solo.
THE GRIND (:60)
Kosta MUSIC, BMI
DIRTY FILTER (:28)
Nasty rock groove with cool heavy metal guitar.
DIRTY FILTER (:55)
Tricky at the top… rockin’ til the end.
Composed by: Edward Keith Wood, BMI ,Paulie Michael Kosta, BMI
and Julian Beeston, ASCAP
14
EW#
tWO: rock
(CONT.)
13 –
14 –
15 –
16 –
17 –
18 –
19 -
SHUT UP WORLD (:30)
Upbeat light pop rock with happy melody . Peppy, I tell ya!
SHUT UP WORLD (:57)
BMI and Julian Beeston , ASCAP
I FEEL FINE (:25)
Light rock guitar with fun upbeat groove. Makes you smile.
I FEEL FINE (1:03)
STRUMMIN’ THE CASBAH (:28)
Cool 80’s rock with a Ska groove! Take a walk on the
light side.
STRUMMIN’ THE CASBAH (:53)
ROLLING THUNDER (:54)
Drum driven drama with heavy strings. Staccato strings,
marching drums and big fantastic feel.
Composed by: Edward Keith Wood, BMI and Marc Stewart
Danzeisen, BMI
Published by: Edward Keith Wood MUSIC, BMI and Danzeisen
Music, BMI
15
“This is the one with even more Action!
Driving drums. Big bad strings. Great Stuff.
Moody, Fun and powerful. It’ll do the trick!!”
ED.
EW#
1–
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6–
REACH THE PEAK (1:07)
Dramatic building strings, climbing methodic drums.
Big Action. Orchestral Vibe.
REACH THE PEAK (:29)
MUSIC, ASCAP
READY FOR WAR (1:10)
Sneaky start. Builds to Dramatic drums with string and
bass stabs. Action Adventure.
READY FOR WAR (:28)
MUSIC, ASCAP
HOLY ROLLING BOULDERS (:58)
Dramatic rolling drums with pulsing strings and
orchestral stabs. Pounding. Marching. Action
Adventure.
HOLY ROLLING BOULDERS (:29)
MUSIC, ASCAP
16
EW#
(CONT.)
7–
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10 –
11 –
12 –
13 –
14 –
15 –
16 –
17–
LIGHT THE FUSE (1:11)
Crash into Intense pounding drums with driving strings
and brass. Big Action Adventure. Run!
LIGHT THE FUSE (:29)
SUNRISE AT SAIPAN (:55)
Dramatic percussion with proud strings and hidden
secrets. A magical action adventure.
SUNRISE AT SAIPAN (:28)
SUPPLY LINE (1:13)
Dramatic drum open. Military drums with a Tech groove.
String punches. Action and adventure.
SUPPLY LINE (:29)
CANTON WARRIORS (:59)
Dramatic open. Eastern style swirling melodies with intense
pounding drums and cool sfx. All action and adventure.
CANTON WARRIORS (:29)
RISING FROM THE ASHES (1:13)
Dramatic with suspenseful strings, mysterious melodies and
methodical drums. Action meets adventure.
RISING FROM THE ASHES (:28)
IN THE DISTANCE (1:03)
Subtle, laid-back drums with swelling melodic string
effects. An adventure.
17
EW#
(CONT.)
18–
IN THE DISTANCE (:26)
Subtle, laid-back drums with swelling melodic string
effects. An adventure.
19–
ARIEL VEIW (1:08)
Dramatic rolling drums with cool effects… haunting string
melodies and brass stabs. Action/adventure.
ARIEL VEIW (:27)
20–
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23–
24–
25–
26–
HAND TO HAND COMBAT (1:08)
Undercover military ops. Relentless pounding drums with
driving melody. Big Action. Big Adventure.
HAND TO HAND COMBAT (:27)
MAN ON A MISSION (1:03)
Tribal drums with a mysterious tick-tock break in the
middle. Big hits. Sneaky suspense. Big Action meets
Big Adventure.
MAN ON A MISSION (: 26)
DEATH MARCH (:55)
Big full drama with Hits, Stabs, Rhythmic drums and gothic
voices chanting at the top.
Big Action. Big Adventure.
DEATH MARCH (:25)
18
EW#
(CONT.)
27–
28–
29–
30–
END GAME (1:06)
Groove driven techno spy chase with layered string
melodies and super cool brass stabs. Action crazed
Adventure.
END GAME (:28)
FLIGHT OF DANGER (1:13)
Dramatic strings with military style drums. It’s not just
big Action, it’s big Adventure.
FLIGHT OF DANGER (:25)
19
“This is the one with Real Rock.
Strange in style, Gritty in sound and supped-up with Live Energy.
Lay it in your work, and I promise, the big boss is gonna dig it!
ED
EW#
12–
3–
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5–
6–
foUR: real rock
HEAVY LIFT (:30)
Jump’n drums with hard-hitting rock guitar. Super groovy
with vibra slap breaks and squealing guitar.
HEAVY LIFT (:60)
Twice the fun of above.
HEAVY LIFT (:60)
This one’s got some cool gut crunching vocals about
half way through. Look out!
Composed by: Edward Keith Wood, BMI & Paulie Michael Kosta, BMI
Kosta MUSIC, BMI.
BLOWING SUNSHINE (:30)
Smokin' fast guitar rock with solo. Hang on to your hat!
BLOWING SUNSHINE (:60)
Told ya. Now you need a new hat!
Kosta MUSIC, BMI.
BLAST! (:30)
Hard driving melodic happy guitar rock. Good times.
Published by: Edward Keith Wood MUSIC, BMI & Paulie Michael
Kosta MUSIC, BMI.
20
EW#
foUR: real rock
(CONT.)
7–
BLAST! (:60)
A 60 second blast of the same. Hard driving melodic
happy guitar rock. More good times.
Composed by: Edward Keith Wood, BMI & Paulie Michael
Kosta, BMI
Kosta MUSIC, BMI.
8–
RAT RACE (:30)
Upbeat drum driven hard rock, rock, rock with cool
squealing guitar break in the middle.
RAT RACE (:60)
More rock, rock, rock.
Kosta, BMI
Kosta MUSIC, BMI.
9–
10 –
11 –
12–
13 –
BOILING POINT (:30)
Heavy groove guitar with super fast drum kicks. Hard Rock
with grinding guitar riff and quirky keyboard break in the
middle. Funky.
BOILING POINT (:60)
See, it was super fast. Check out that funky break.
Kosta, BMI
Kosta MUSIC, BMI.
SPY JAM (:30)
Cool pop rock groove with fuzzy guitar melody & some ‘ooh
ahh’ chanting to spice it up. Get Smart and use this one to
Fun things up.
SPY JAM (:60) Same as above. Super groovy.
Kosta, BMI
Kosta MUSIC, BMI.
21
EW#
foUR: real rock
(CONT.)
14 –
FIVE KNUCKLE SHUFFLE (:30)
Driving ‘Lust for life’ style drums with a rock ‘n roll boogie
guitar.
Kosta MUSIC, BMI.
15 –
FIVE KNUCKLE SHUFFLE (1:53)
OK, so this one’s longer. Even more driving ‘Lust for life’
style drums with a rock ‘n roll boogie guitar. This version
has building melody to big rock stabs… then takes off
again jamming to the end.
Kosta MUSIC, BMI.
16 –
HOLLYWOOD DRIVE (:30)
Mid-tempo driving melodic rock with guitar solo at end.
Hollywood Blvd to Sunset Strip to Beverly Hills 90210…
this one gets around .
HOLLYWOOD DRIVE (:60)
Same as above with more guitar solo. This one even takes
you on a tour of the Hollywood Hills and the OC too.
BMI
Kosta MUSIC, BMI.
17 –
18 –
19 –
ROCKSLIDE (:30)
This one’s got upbeat jumping jive-style drums with punchy
guitar hits and vibra-slaps. Groovy spy stuff. Rock on.
ROCKSLIDE (:60)
Same Upbeat jumping jive-style drums as above, but even
more punchy guitar hits. Same spy vibe.
BMI
Kosta MUSIC, BMI.
22
EW#
foUR: real rock
(CONT.)
20 –
21 –
22 –
23–
24 –
25–
26 –
27 –
BUMP AND GRIND (:30)
A slow and sexy guitar strip rocker with grinding groove
and melodic guitar solo.
BUMP AND GRIND (:60)
BMI and Julian Beeston ASCAP
80’S SKATER (:28)
Upbeat 80’s rocker rolls along with heavy guitars and cool
groove. It’s rock on rollers. Bust out your board dude.
80’S SKATER (:60)
JOOLZ ROCK (:30)
70’s style driving rock n’ roll with fuzzy guitar.
JOOLZ ROCK (1:04)
Published by: Fanglove Music, ASCAP and PMTK212 Music, ASCAP
LANE CHANGE (:28)
Cool mid-tempo rock with slide guitar effects and
a 70’s vibe.
LANE CHANGE (:58)
BMI and Julian Beeston ASCAP
23
“This is the one with the funky grooves
and the beats to make you get up and move.
So give it a spin, then lay it in
and all your work will be approved.
A+ stuff.”
EW#
12–
3–
4–
5–
6–
ED.
fiVe: dance & electronic
HEY LADIES (: 28)
Fidgity little number with a kool electronic dance groove.
HEY LADIES (: 57)
Published by: Fanglove Music, ASCAP & PMTK212 Music, ASCAP
ULTRA DISCO (:30)
Bumpin’ and jumpin’ electronic disco.
Dance Cheerleader dance!
ULTRA DISCO (1:02)
BAHHD BOYZ (:30)
Whatcha gonna do when they blah, blah, blah!
Electronic reggae dance groove.
BAHHD BOYZ (:57)
24
EW#
(CONT.)
7–
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10 –
11 –
12 –
13 –
14 –
15 –
16 –
TRIGGER THAT BEAT (:30)
A beat that has been triggered. Electronic dance
Runway style. Drum groove w/ fun effects.
TRIGGER THAT BEAT (1:02)
JEWS HARP GROOVE (:29)
Popping and bubbling electronic dance groove.
Hop. Pop. Don’t stop.
JEWS HARP GROOVE (:60)
PALM PILOT (:30)
‘Hello Kitty’, moto-techno type groove stuff. Upbeat,
Super fast techno groove. Cool bass line, non-stop
Drum groove with fun effects.
PALM PILOT (:60)
COSMOS ALL AROUND (:28)
Hip and trendy barfly type glass groove.
Hyper lounge lizard techno dance vibe.
COSMOS ALL AROUND (:60)
FRANKIE GOES TO BARSTOW (:29)
Relax… just do it. Hit the dance floor or the
Runway. Just get up and do it with your bad self.
FRANKIE GOES TO BARSTOW (:59)
25
EW#
(CONT.)
17–
18–
19–
20–
21–
22–
23–
24–
25–
26–
BLUE TUESDAY (:30)
New order 80’s groove. Pumping 80’s dance groove
With electronic synth solos.
BLUE TUESDAY (:60)
MIDNIGHT AT THE GYM (:30)
Workout-type groove that’ll make you crazy!
Bubbly, fidgety, groovy, non-stop movin’ techno dance stuff.
MIDNIGHT AT THE GYM (:56)
LOOK MA, ONE HAND (:29)
Simple jerky dance groove with a fuzzy organ. Crazy
song with a super low bottom-end .
LOOK MA, ONE HAND (:58)
DA ODYSSEY (:29)
This one’s a poppy, jerky, jivey, electric, hipster,
Super- quick ditty with a booming sliding bass line and
drums.
DA ODYSSEY (1:01)
TOGETHER FOREVER (:29)
A smooth ‘Twenty-Something’ car ad type thang with
A super funky dance groove. You’ll dig it.
TOGETHER FOREVER (:60)
26
EW#
(CONT.)
27–
28–
29–
30–
31–
32–
33–
34–
35–
36–
LEAD THAT CHEER (:29)
Super fast spastic dance groove for the really
High stuff at cheerleader competitions. Go team!
LEAD THAT CHEER (:60)
SPEEDFUNK (:29)
Super funky, mad fast hyper groove. Guitar-driven
Speed funk with whacked out drums.
SPEEDFUNK (:55) RO
LOW AND DRAGGIN’ (:30)
Low disco. I mean, extremely low disco. A low bass
Groove that’ll take you way down. Hang. Chill.
LOW AND DRAGGIN’ (:58)
PACE YOURSELF (:30)
Upbeat happy dance groove with a super positive
Vibe. Oh look, I’m making progress! Go me go!
PACE YOURSELF (:58)
FLOATING ON THE DANCE FLOOR (:30)
Spaced out intro with a Madonna-like ‘get into-the-groove’
dance vibe. Vocals and samples. Dance, spin, twirl, chill,
trip.
FLOATING ON THE DANCE FLOOR (:58)
27
“This one’s got pounding drums and troubled melodies.
Perfect for Thrillers, Intense Drama and Extreme Action.
It’ll make your work unique …
and give it a kick in the a@#!”
ED
EW#
1-
2–
3–
4–
STALKER (:30)
Intense, pounding, creepy and very troubled drama with
Metal guitars. Mystery. Tension. Horror. Action. Chilling
suspense w/drums, grinding guitar & bass.
STALKER (:60)
Composed by: Edward Keith Wood, BMI and Paulie Michael
Kosta, BMI
Kosta MUSIC, BMI.
EERIE DRIVER (:30)
Scary! Metallic guitar, Driving drums and Stabbing strings.
Creepy groove. Tension. Action. Mystery. Horror. Suspense.
Look out!
EERIE DRIVER (:60)
BMI
Kosta MUSIC, BMI.
28
EW#
(CONT.)
5–
6–
7–
8–
9–
10 –
11–
12 –
TRIBAL SCARE (:30)
Pulsing tribal drums and hard driving guitars pound it out
with low strings. Tension. Action. Mystery. Horror.
Suspense w/drums & bass.
TRIBAL SCARE (:60)
Kosta, BMI
Published by: Edward Keith Wood MUSIC, BMI and Paulie
Michael Kosta, BMI
THE HUNTER (:30)
Methodically stalking its prey. Hard grinding guitar,
Building drums & dramatic strings. Tension. Action.
Suspense w/drums & bass.
THE HUNTER (:60)
Kosta, BMI
Kosta MUSIC, BMI.
911 (:30)
Frantic! Crunchy metal guitar with wailing sirens and
strings. Non-stop pounding drums. Extreme Tension. Punk
Action. Suspense with drums & bass.
911 (:60)
Kosta, BMI
Kosta MUSIC, BMI.
10 MM MARCH (:30)
Gun cock kicks off military-styled drums with sliding bass
guitar… then grinds out a super cool, super hard groove. A
monster gun shot with ring out hammers it home. Tension.
Action. Chunky Suspense.
10 MM MARCH (:60)
Published by: Edward Keith Wood MUSIC, BMI and Paulie Michael Kosta
MUSIC, BMI.
29
EW#
(CONT.)
13 –
14 –
15 –
16 –
17 –
18 –
AFTERBURNER (:30)
Pounding percussive drums with driving hard rock guitars.
Up-tempo, Tense, Action-packed Suspense with cool hits
and stops.
AFTERBURNER (:50)
Kosta MUSIC, BMI & Fanglove Music, ASCAP & PMTK212
Music, ASCAP
GOTHIC GRUNGE (:30)
Grungy drums with gothic metal guitar. Voices and strings
create cool tension. Action. Mystery. Suspense with drums
and bass.
GOTHIC GRUNGE (1:12)
Music, ASCAP
ENEMY AIR SPACE (:30)
Dramatic strings with military drums and swelling strings.
Tense, action-packed and mysterious. Suspense with drums
& bass.
ENEMY AIR SPACE (:60)
Music, ASCAP
30
EW#
(CONT.)
19 –
20–
21 –
22–
23 –
24–
RISING SUN (:30)
Dramatic pulsing groove with proud, hopeful strings. Tense,
Action-packed and suspenseful with drums & bass.
RISING SUN (:60)
Dramatic pulsing groove with proud, hopeful strings. Tense,
Action-packed and suspenseful with drums & bass.
Kosta MUSIC, BMI & Fanglove Music, ASCAP &
SNEAK ATTACK (:28)
Constant driving drums with string stabs and hits. Tension.
Action. Adventure. Super Spy Suspense w/drums & bass.
SNEAK ATTACK (:60)
Composed by: Michael Toland, ASCAP
Published by: Fanglove Music, ASCAP
GODZILLA IN THE MIST (:30)
Scary pounding drums, stabbing strings with monster heavy,
hard churning guitars. Big and foreboding. Tension. Action.
Adventure. Suspense w/drums & bass.
GODZILLA IN THE MIST (1:04)
Kosta MUSIC, BMI & Fanglove Music, ASCAP &
31
“This is the one that has the rockin’ guitars
and can’t-get-out-of-your-head melodies.
If you wanna drive your work,
make it cool and catch an ear,
Use this one often!!”
EW#
1–
2–
3–
4–
ED.
SevEn: rock & wave
UP YOUR ACADEMY (:30)
Upbeat Driving New Wave Pop Punk Rock with cool guitar
scratches and squeals. Alternative Rock Comedy.
UP YOUR ACADEMY (:50)
BMI and Julian Beeston, ASCAP.
Published by: Edward Keith Wood Music, BMI and Paulie Michael
Kosta Music, BMI and Fanglove Music, ASCAP and
FLUFFY THE UMPIRE LAYER (:30)
Up-tempo New Wave Guitar Rock with siren-like guitar
solo in the middle. Alternative. Pop. Punk. Rock. New Wave.
Comedy.
FLUFFY THE UMPIRE LAYER (:60)
32
EW#
SevEn: rock & wave
(CONT.)
5–
6–
7–
8–
9–
10 –
11 –
12 –
CHECKERED FLAG (:30)
Super fast up-tempo fun rock ‘n roll . Layered guitars make it
rock. Winner takes all! Alternative Pop Punk Rock Comedy.
CHECKERED FLAG (:60)
PREP SCHOOL FOOL (:30)
Dumb guy rock with fun chunky guitar groove. Where’s the
keg dude? Alternative Pop Punk Comedy Rock.
PREP SCHOOL FOOL (:50)
PARTY BOP (:30)
Jumpin’ good time, party bop rock ‘n roll daddy! Fun stuff.
Alternative Pop Punk Comedy Rock.
PARTY BOP (:52)
TEENS RULE (:30)
Coming of age teen rock anthem. Ah, the dreams of youth.
Super cool drum intro kicks into mid-tempo ditty with a
happy guitar melody. Alternative Pop Punk Rock Comedy.
TEENS RULE (:58)
Kosta
Music, BMI and Fanglove Music, ASCAP and PMTK212
Music, ASCAP
33
EW#
SevEn: rock & wave
(CONT.)
13 –
14 –
15 –
16 –
17–
18–
LICK ‘EM STICK (:30)
Crazy guitar rock, with a great breaks and guitar growls.
Super fast, in-your-face, cranking Alternative Pop Punk
Comedy Rock.
LICK ‘EM STICK (:54)
ACROSS THE LINE (:30)
Motorized rev-up-your-engines, guitar-driven
rock ‘n roll. Up-tempo Speed Racer. Alternative
Pop Punk Rock Comedy.
ACROSS THE LINE (:48)
ANTHONY MICHAEL IN THE HALL (:30)
High school rock with cool guitar climb in the full cut.
Fun kickin’ drums. Alternative Pop Punk Rock
Comedy.
ANTHONY MICHAEL IN THE HALL (:52)
34
EW#
SevEn: rock & wave
(CONT.)
19–
20–
21–
22–
23–
24–
25–
26–
WET AND WILD (:30)
Up-tempo, driving guitar rock ‘n roll. Great splashy ending!
Perfect tag to rock it home. Alternative Pop Punk Rock Comedy.
WET AND WILD (:46)
BLINK 1 EDDIE 2 (:30)
Fun, Fast, New Wave Guitar Rock. Happy! Happy! Happy!
Alternative Pop Punk Rock Comedy.
BLINK 1 EDDIE 2 (:53)
STROKE IT (:30)
Fast guitar rock with a little two-step get along. Alternative
Pop Punk Rock Comedy.
STROKE IT (:48)
LOOKING UP (:30)
Melodic, happy driving rock for when the top’s down on the
car. Very optimistic. Alternative Pop Punk light Rock Comedy.
LOOKING UP (:55)
35
EW#
SevEn: rock & wave
(CONT.)
27–
28–
JUST HAPPY (:30)
Melodic, happy, driving-with-the-top-down, acoustic
rock. Optimistic…Alternative Pop Punk Light Rock
Comedy.
JUST HAPPY (: 55)
36
“This is the one that gives you the Edge.
Driving drums. Great big guitars. Cool electronics. Fat samples.
So, hip up your work kids… give this one a spin!!!”
ED.
EW#
1–
2–
3–
4–
5–
6–
EigHt: alternative techno
WAX THE TRAX (:30)
Pulsing bass, driving drums and heavy guitar. Come on! An
Industrial, Electronic, Techno-driven Drama Alternative.
WAX THE TRAX (:60)
Composed by: Julian Beeston, ASCAP and Edward Keith Wood, BMI
Published by: Edward Keith Wood MUSIC, BMI and Consumed
Publishing, ASCAP
KEMIKAL REACTION (:30)
Explosive groove with Big Chords. A Rocktronica, Industrial,
Dramatic Alternative.
KEMIKAL REACTION (:60)
Publishing, ASCAP
aka FUN (:30)
Hip, playful, driving hard rock with funked out groovy drums,
trippy effects and a super cool melody. A Rocktronica,
Industrial, Rock, Drama Alternative.
aka FUN (:60)
Publishing, ASCAP
37
EW#
(CONT.)
7–
8–
9–
10 –
11 –
12 –
13 –
14 –
SHAKE THAT THANG (:30)
Struttin’ supermodel stuff. Pulsing, Electronic runway vibe.
A Rocktronica, Industrial, Drama Alternative.
SHAKE THAT THANG (:60)
Composed by: Julian Beeston, ASCAP and Edward Keith Wood,
BMI
Publishing, ASCAP
DOG BREATH (:30)
Big Fun stinky drums with killer rock guitar riffs.
DOG BREATH (:60)
BMI
Publishing, ASCAP
L.A. VICE (:30)
Seedy underground rocktronica groove, Saturday Night
Cruisin’ the Sunset Strip kind of stuff. An Industrial, Drama
Alternative.
L.A. VICE (:60)
BMI
Publishing, ASCAP
Wham Bam! (:30)
He shoots he scores! Gary Glitter style pulsing Sport Rock
with industrial drums and pounding groove.
A Rocktronica, Drama Alternative.
Wham Bam! (:60)
BMI
Publishing, ASCAP
38
EW#
(CONT.)
15 –
16 –
17–
18–
19–
20–
21–
22–
23–
24–
ASSEMBLY LINE (:30)
Mechanized popping rocktronic groove with Heavy Synth
sound. Industrial Rock. Drama Alternative.
ASSEMBLY LINE (:60)
Publishing, ASCAP
All TIED UP (:30)
Industrial cruelty at its best. A Dark Menacing Driving Guitar
groove. Rocktronica, Industrial, Drama Alternative.
All TIED UP (:60)
Publishing, ASCAP
THICK AND JUICY (:30)
Big phatt slow groove with low bass and wide-open rock
guitar chords. A Rocktronica, Industrial, Drama Alternative.
THICK AND JUICY (:60)
Publishing, ASCAP
JOE THE ROBOT (:30)
Slow Robotic Techno groove with cool synthesizer melody. A
Rocktronica, Industrial, Drama Alternative.
JOE THE ROBOT (:60)
Publishing, ASCAP
TRICK ASS (:30)
Funky rolling bass line and drums, low-key guitar with a
Trick-ass groove. A Rocktronica, Industrial, Drama
Alternative.
TRICK ASS (:60)
Publishing, ASCAP
39
EW#
(CONT.)
25–
26–
27–
28–
PUMP ME UP (:30)
Driving guitar rock with nutty breakdown in middle.
PUMP ME UP (:60)
Publishing, ASCAP
HAMMER HEAD (:30)
Foot stompin’ grungy guitar rock with wide-open drum
groove . A Rocktronica, Industrial, Drama Alternative.
HAMMER HEAD (:60)
Publishing, ASCAP
40
“This one picks up where our last disc left off.
Lots of big fat drums, thick guitars
and the latest, hippest sounds around.
It’ll make your work ‘cinchy’.
EW#
1-
2–
3–
4–
5–
6–
ED.
MY MUSCLE CAR (:30)
Get your Bone-Crushing Death-Metal-Satan guitar on baby!
Pounding, relentlessly heavy, Rocktronica with ‘car alarm
Chirp’ in the middle. An industrial, drama alternative.
MY MUSCLE CAR (:60)
THUD IN THE MUD (:30)
Fat ‘n funky low bottom-end groove with cool synth hits
in the middle. It’s a heavy, Rocktronica, Industrial, drama
alternative.
THUD IN THE MUD (:60)
LOW AND SWEET (:30)
Low -rolling techno groove with edgy metal guitar. It’s a
Rocktronica, industrial, drama alternative.
LOW AND SWEET (:60)
41
EW#
(CONT.)
7–
8–
9–
10 –
11 –
12 –
13 –
14 –
15 –
16 –
GENERATOR (:30)
Driving guitar that rocks steady. Mid tempo with funky
breaks. It’s a Rocktronica, industrial, drama alternative.
GENERATOR (:60)
LAY ME DOWN (:30)
Sexy spy groove with fuzzy guitar riff and cool breakdowns.
It’s a Rocktronica, industrial, drama alternative.
LAY ME DOWN (:60)
NEW BLOOD (:30)
Sexy, chunky, airy, sexy, chunky, airy, sexy… well, you get it.
A Rocktronica, industrial, drama alternative.
NEW BLOOD (:60)
SAD RAVER (:30)
Slow electronic drum groove with descending melody.
It’s a Rocktronica, industrial, drama alternative.
SAD RAVER (:60)
STOMP YOUR GUTS OUT (:30)
Big wide-open drums with thick guitar and synth
Melody. It’s a rocktronica, industrial, drama alternative.
STOMP YOUR GUTS OUT (:60)
42
EW#
(CONT.)
17–
18–
19–
20–
21–
22–
23–
24–
25–
26–
FUNK BUBBLES (:30)
Funky, funky, funky. Pumpin’ and thumpin’ bubbly dance
Groove with screaming mimi’s. Rocktronica, industrial,
drama alternative.
FUNK BUBBLES (:60)
ONE NATION (:30)
Steady rolling upbeat techno groove with vocal s like “one
Nation”, ‘robot’. A Rocktronica, industrial, drama alternative.
ONE NATION (:60)
STEAM MACHINE (:30)
Pulsing, popping, techno with fuzzy guitar. A mechanical, robotic,
STEAM MACHINE (:60)
GRITTY FILTER (:30)
Gritty guitar rock with cool up tempo driving techno
groove. Rocktronica, industrial, drama alternative.
GRITTY FILTER (:60)
BOILER ROOM (:30)
Down-in-it groove with badass guitar. A popping, bubbling,
trippy dealio with super cool breaks in the middle. A
BOILER ROOM (:60)
43
EW#
(CONT.)
27–
28–
29–
30–
31–
32–
SUPER MODEL DOWN (:30)
Strut your stuff! Up tempo runway disco groove with
Big bass line and cool synth melody. A Rocktronica,
Industrial, drama alternative.
SUPER MODEL DOWN (:60)
RIDE IT (:30)
Super-charged! Up tempo, driving, straight ahead action
Guitar rock! It’s a rocktronica, industrial, drama
Alternative.
RIDE IT (:60)
HOLE LOTTA LOVE (:30)
Zepplin-inspired, classic guitar rock with a tech synth
melody sprinkled in. A rocktronica, industrial, drama
alternative.
HOLE LOTTA LOVE (:60)
44
“This one has multiple layers of exotic drums and ethnic voices.
It’ll take you and your work to distant lands…
all from the comfort of your cushy edit bay.
Enjoy!”
ED.
EW#
1–
2–
3–
4–
5–
6–
7–
8–
9–
teN: ethnic world
UNDER THE DESERT SUN (1:08)
Sexy Middle Eastern groove with hand drums and cool
voices. Unique percussion. Escape to another world.
UNDER THE DESERT SUN (:28)
UNDER THE DESERT SUN (1:57)
Published by: FANGLOVE MUSIC, ASCAP AND PMTK212 MUSIC, ASCAP
NECKSTRETCHER (: 59)
Cool African groove to jump up and down and chant to.
Voices, percussion and vibe take you to another world.
NECKSTRETCHER (: 30)
NECKSTRETCHER (1:54)
RUNNING ACROSS KENYA (: 58)
Building African hand drums. It’s got the beat to
take you into another world.
RUNNING ACROSS KENYA (: 30)
RUNNING ACROSS KENYA (1:53)
45
EW#
teN: ethnic world
(CONT.)
10–
11–
12–
13 –
14 –
15 –
16–
17 –
18 –
19 –
20 –
21 –
22 –
23 –
24 –
BELLY DANCE (1:02)
Sexy exotic Middle Eastern drums with cool sitar melody.
Slink into a worldly experience.
BELLY DANCE (:29)
BELLY DANCE (2:00)
HASHPIPES AND HAREM GIRLS (1:01)
Slow, laid back, slightly loopy, practically stoned, Middle
Eastern groove with a bathhouse vibe.
HASHPIPES AND HAREM GIRLS (:30)
HASHPIPES AND HAREM GIRLS (3:04)
HAND DRUMS IN THE MARKET PLACE (!:00)
Cool and sexy hand drums with Middle Eastern vibe and
exotic voices from another world.
HAND DRUMS IN THE MARKET PLACE (:30)
HAND DRUMS IN THE MARKET PLACE (3:56)
SPY IN THE GRASS (1:01)
A super Sneaky little surveillance number. Watch your step!
A percussive, elusive, magical melody. Voices. World.
SPY IN THE GRASS (:30)
SPY IN THE GRASS (2:05)
A-SONG-A-STAN (1:00)
Percussive glasses and finger cymbals make it super sexy
and way groovy… all with a Middle Eastern vibe.
A-SONG-A-STAN (:30)
A-SONG-A-STAN (3:00)
46
EW#
teN: ethnic world
(CONT.)
25–
26–
27–
28–
29–
30–
31–
32–
33–
34–
ROAD TO JORDAN (1:00)
A desert road, soldiers, voices, checkpoint, super spy vibe.
Look out! A cool hip-hop groove with a Middle-Eastern beat.
ROAD TO JORDAN (: 30)
ROAD TO JORDAN (3:50)
CLIMBIMG EVEREST (1:00)
Slow, dripping, percussive, slightly hip hop groove with
Katmandu type vibe. It’ll take you places in the world.
CLIMBING EVEREST (:30)
CLIMBING EVEREST (4:24)
PACKING FOR PACKISTAN (1:01)
In-a-hurry drum groove with a hip Middle Eastern vibe.
Super spy kind of world feel.
PACKING FOR PACKISTAN (:30)
CAIRO ON THE HORIZON (1:00)
A groovy cool, methodical groove with dripping drums.
Feel the heat of the Middle East. A world beat.
CAIRO ON THE HORIZON (:30)
47
“This is the one with big beats, metallic guitars
and way cool synth riffs. Some angry. Some sexy.
It doesn’t matter if you’re a lover or a fighter,
You’ll dig them all.”
ED.
EW# ElevEn: heavy rocktronica
1-
2-
3-
4-
5-
6-
DISTRESSOR (:29)
Big sexy drum groove with heavy techno guitar and great
breaks, stops and starts. Extreme alternative hard rock
action drama.
DISTRESSOR (:58)
Written by:
Julian Beeston, ASCAP and Jason Miller, BMI
Published by: Fanglove Music, ASCAP and Edward Keith Wood
MUSIC, BMI .
SYNTHETIC KINETIC (:30)
Big guitar breaks and great groove for super-knarly action
adventure. Upbeat, extreme alternative hard rock action
drama.
SNYTHETIC KINETIC (1:05)
Written by:
Julian Beeston, ASCAP and J Hendrikson, ASCAP
Published by: Fanglove Music, ASCAP and PMTK212 MUSIC, ASCAP.
IN THE KISSER (:30)
Wide-open, super-sexy drum groove with funky hard rock
guitar like ‘Prince’. Extreme alternative heavy Rocktronica,
action, drama.
IN THE KISSER (1:03)
Written by:
MUSIC, BMI
48
(CONT.)
78-
910-
11 -
12 -
13 14 -
15 16 -
TWEEK YOU OUT (:31)
Crazy pounding drama with pulsing bass and drums.
Extreme alternative hard rock action drama.
TWEEK YOU OUT (:30)
Written by:
SLIP MODE (:30)
Angry action-drama with cool synth guitar melody and metallic
percussion. Extreme alternative heavy, hard rock action drama.
SLIP MODE (1:01)
Written by:
MAD SUPREMACY (:30)
Frantic action drama with heavy drum groove and
awesome guitar solo. Extreme alternative hard rock
drama.
MAD SUPREMACY (:58)
Written by:
PRE ROLL (:28)
This one starts groovy and turns to insane metal dirge.
PRE ROLL (:59)
Written by:
MUSIC, BMI .
JACK KNIFE (:30)
Action drama rolling drums with heavy rock guitars.
Extreme hardcore adventure alternative.
JACK KNIFE (:58)
Written by:
49
(CONT.)
17 18 -
19 20 -
21 22 -
23 24 -
25 26 -
PULLING TEETH (:27)
A very jumpy number. Tight-lipped tense guitar-driven
action drama. Extreme alternative hard rock.
PULLING TEETH (:58)
Written by:
BURNING HEAT (:29)
Laid back groove with dramatic rock guitar solo. Extreme
alternative hard rock action drama.
BURNING HEAT (1:01)
Written by:
KOMPRESSOR (:32)
Action drama synth groove with big guitar. Extreme
alternative hard rock.
KOMPRESSOR (1:02)
Written by:
SANDBLASTER (:30)
Dance groove with cool string fx and hand claps. Upbeat
alternative
SANDBLASTER (:60)
Written by:
Julian Beeston, ASCAP and Ulrich Hepperlin, BMI.
And Edward Keith Wood Music, BMI and Paulie Michael
Kosta Music, BMI.
BEAVER LEAVER (:28)
Up-beat techno disco groove with metal guitar. Grinds into
extreme alternative hard rock action drama.
BEAVER LEAVER (1:01)
Written by:
50
(CONT.)
27 28 -
29 30 -
POWER DRAIN (:30)
Pulsing house beat-driven with fuzzy synth melody and
cool rave style. Alternative groove.
POWER DRAIN (1:01)
Written by:
Juliian Beeston, ASCAP and Ulrich Hepperlin, BMI.
And Edward Keith Wood Music, BMI and Paulie Michael
Kosta Music, BMI.
PANIC ATTACK (:29)
Upbeat intense pounding drums with heavy guitar melody.
PANIC ATTACK (:30)
Written by:
MUSIC, BMI .
51
“This is the one with the Drama, the Adventure
and the sweeping sounds to make your work Sing!
Too much? Go ahead, you’re gonna love it.
Give it a shot.”
ED.
EW#
TwelvE: epic drama
1-
TERMINATED (2:16)
Pulsing dramatic action, pounding drums and String
melodies… kind of scary. Building, winding, ominous,
thrilling, suspenseful, orchestral… with a kick.
Written by:
Michael B Coulter, ASCAP & Tobias A Johnston ASCAP
2-
MUTANTS (2:12)
Big, slow, creepy open… turns into a huge pounding dramatic
action thriller. Sweeping Orchestral suspense. Watch out
behind you!
Written by:
Michael B Coulter, ASCAP & Tobias A Johnston, ASCAP
3-
RE ENTRY (2:52)
Spaced out action adventure. Orchestral tension.
Suspenseful strings and mysterious melodies.
Written by:
4-
HERO’S RESOLVE (2:48)
Dramatic military action score with sweeping
Orchestral, suspenseful open. Proud. Triumphant.
Written by:
52
EW#
TwelvE: epic drama
(CONT.)
5-
DEFCON 5 (2:20)
Sneaky. Big, action drama with pulsing orchestral
Tension and suspense. String and brass melodies.
Written by:
6-
GAUNTLET (1:22)
Dramatic action score. On the chase. Orchestral tension
And suspense. Up-tempo Jason Bourne Adventure kind of
stuff.
Written by:
7-
THE CHASE OVERTURE (1:13)
A worldly thriller! A mystery tour with rocking guitar solo in
the middle and James Bond wrap up at the end.
Written by:
8-
SIGHNS (:30)
Groove-driven techno action. Strings and xylophone grab
you and take you on a thrilling exciting ride. Giant single
drum hit pounds out the end.
Written by:
9-
LAND HO! (1:47)
Big sweeping action adventure. A magical discovery is
made. Orchestral and uplifting strings.
Written by:
10 -
FLIGHT (2:40)
Soar high. Take off on a mysterious orchestral tour with
this uplifting adventurous score. Piano solo with guitar
backing.
Written by:
53
EW#
TwelvE: epic drama
(CONT.)
11 -
IT’S AN ADVENTURE (2:12)
Dramatic adventure on the high seas. Obo open. Sweeping
Orchestral with curious chords and melodies.
Written by:
12 -
GOOD NEWS (2:42)
Sweeping dramatic epic score. Optimistic orchestral with
Swirling melodies. Piano. Flute. Clarinet. Strings. Pretty.
Written by:
13 -
WINGS OF VICTORY (2:34)
Big, stirring, dramatic score. Victorious strings and
orchestrations. The perfect end to the grand adventure.
Written by:
14 -
I’M A SWASHBUCKLER (2:20)
Alas, pirates! With a big brass blast, you’re off on a high seas
action adventure chase. Swirling melodies with tympani
drum hit in middle.
Written by:
15 -
TURMOIL (2:43)
A suspenseful, orchestral mystery turns into an epic,
dramatic adventure! James Bond would enjoy this one
with a martini… shaken, not stirred.
Written by:
54
“This is the one that has more rocking guitars
and in-your-face melodies.
If you like to rock and want your work to roll…
This one will do the trick.”
ED.
EW#
1–
2–
3–
4–
5–
6–
7–
8–
thirTeEn: rock
READY STEADY (:31)
Driving rock, upbeat with cool guitar melody. Tight, hip end.
READY STEADY (:55)
Composed by: Julian Beeston, ASCAP and Jes Christensen, ASCAP
WHO FLUNG POO (:32)
Upbeat happy guitar rock. Fun stuff. Good for comedy.
WHO FLUNG POO (:58)
ROAD TRIP (:32)
Wide-open, Up-tempo fun rock ‘n roll to drive to. Grinding
guitars with great groove and squealing guitar scratch
ROAD TRIP (:55)
BEATS ME (:33)
Upbeat, Double-time, Driving Guitar Rock bro.
Fast action, fun stuff with cool drum break.
BEATS ME (:57)
55
EW#
thirTeEn: rock
(CONT.)
9–
10 –
11 –
12 –
13 –
14 –
15 –
16 –
17–
18–
19–
20–
POUNDING THE PAVEMENT (:33)
Good time anthem guitar rock! Great rockin’ open with
hard-driving beat and a fun build.
POUNDING THE PAVEMENT (1:00)
CHUNKY STYLE (:33)
Fast, chunky, guitar rock. Very upbeat and Super fun. With
up-tempo grinding guitars too. Good times!
CHUNKY STYLE (1:00)
BIG BAD BOOGIE (:31)
Rockin’ Blues-style guitar boogie with shuffle beat.
BIG BAD BOOGIE (:52)
ROCK ME BABY (:32)
Revved up driving rock with guitar scratches & cool melodies.
ROCK ME BABY (1:02)
Composed By: Julian Beeston, ASCAP and Jes Christensen, ASCAP
FLATHEAD (:33)
Classic driving rock and roll with cool licks man. Gets your
motor running.
FLATHEAD (:57)
SPAZ (:33)
Spastic, Upbeat, ultra fast, Punk Rock style. New Wave rock.
SPAZ (1:03)
Composed by: Edward Keith Wood, BMI & Paulie Michael Kosta, BMI.
Kosta Music, BMI
56
EW#
thirTeEn: rock
(CONT.)
21–
22–
23–
24–
25–
26–
27–
28–
29–
POP CURE (:31)
Up-tempo, New Wave guitar Rock. The ‘Cure’ for Happy!,
Happy, Happy!
POP CURE (1:03)
Composed by: Michael B Coulter, ASCAP. and Tobias A. Johnston, ASCAP.
Published by: Fanglove Music, ASCAP and PMTK212 Music, ASCAP.
FAR OUT MAN (:33)
New Breed Garage Rock and Roll. Grungy guitar. VINES,
HIVES…ish.
FAR OUT MAN (1:02)
METAL HEAD (:33)
Early 90’s driving guitar metal with lots of solos. Hard
pumping fun.
METAL HEAD (1:01)
DAY TRIPPIN ‘ (:32)
Late 90’s style New Wave, in-your-face guitar rock.
DAY TRIPPIN’ (1:02)
Composed by: Edward Keith Wood, BMI & Paulie Michael Kosta, BMI.
Kosta Music, BMI
CHUMP SUCKER (1:03)
Big, modern, chunky, mid-tempo Punk Rock, lots of guitars.
Cool drum bass open & tight ending. ‘Green Day’ inspired.
Kosta, BMI.
Kosta Music, BMI
57
EW#
thirTeEn: rock
(CONT.)
30–
MR HYPER (1:03)
Super fast Punk Rock with cool ‘Cars –style’ keyboard solo.
Rock, don’t stop.
Kosta, BMI.
Published by: Edward Keith Wood Music, BMI and Paulie
Michael Kosta Music, BMI
31–
MAC’ S RIDE (:33)
GREEN DAY STYLE ROCK GUTAR. Malcolm digs it.
MAC’S RIDE (:60)
Composed by: Edward Keith Wood, BMI AND Paulie Michael
Kosta, BMI and Fred Coury, ASCAP
Kosta Music, BMI And Fanglove Music, ASCAP and
32–
58
“This is the one that has more rocking guitars
edgy, tech grooves and cool fx.
If you dig the action, and like it in hyper-drive…
jump on one of these trax.”
ED.
EW#
1–
2–
3–
4–
5–
6–
STONEHEAD (:32)
Driving guitar action with funky rocktronic drums.
Grungy with cool stops, starts and FX.
STONEHEAD (1:04)
Composed by: Julian Beeston, ASCAP & Jes Christensen, ASCAP
RAMROD (:32)
Relentless building, pounding, action guitar with cool drum
sample. Hard stops and starts.
RAMROD (1:04)
ETHEREAL SLUT (:30)
Sexy Rock Groove with spacey electronic vibe.
Driven, edgy, guitar action with cool stops and starts.
ETHEREAL SLUT (1:05)
59
EW#
(CONT.)
7–
8–
9–
10 –
11 –
12 –
13 –
14 –
15 –
16 –
CUT THROAT (:31)
Drum-driven heavy pounding guitar techno rock, sounds
like ‘My Sharona’ on crack.
CUT THROAT (1:04)
SCREWED (:28)
Fuzzy guitar rock, wide-open drums with sexy, steady
groove. Heavy, man.
SCREWED (:59)
PRE COG (:30)
Cool tech drums and freaky FX with grungy guitar. Cool end.
PRE COG (1:03)
VICIOUS POPCORN (:32)
Popcorny beat with vicious guitar. Huh? Dark, Metal,
Rock kind of stuff with Hard stops and starts.
VICIOUS POPCORN (1:02)
WEAPONS OF CHOICE (:29)
Laid out groove with climbing melody and cool bass line.
Hard-pounding Rock beat. Metal Slammin’ groove.
WEAPONS OF CHOICE (1:01)
60
EW#
(CONT.)
17–
18–
19–
20–
21–
22–
23–
24–
ROAD RAGE (:30)
Driving groove with big guitar chords and stuff. Up-tempo,
Ready-to-go kind of hard rock. Slick, beat-driven open with
slide guitar intro.
ROAD RAGE (1:10)
BURN YOU ALIVE (:29)
Bad-ass upbeat double-time driving drums with pounding
guitar and cool siren. Hot stuff!
BURN YOU ALIVE (1:01)
POLE CLIMBER (:31)
Up-tempo, driving action with strange changes and breaks.
Angry, heavy metal guitars with big beats.
POLE CLIMBER (1:02)
HORSEPOWER (:28)
Funky intro and drum groove with cool FX and great guitar
breaks. Action Rock.
HORSEPOWER (1:04)
61
“This is the one with Drama, Suspense and all the Emotion.
Cheer up… there are two peppy little #’s at the end
to bring you back from the edge.”
ED.
EW#
1–
2–
3–
4–
5–
6–
7–
fiFTeEN: drama & suspense
HEARING VOICES (:31)
Gothic operatic voices with a pulsing run. Orchestral
strings. Exciting, Optimistic. Challenging.
HEARING VOICES (1:01)
Composed by: James A. Latham, ASCAP
Published by: Fanglove Music, ASCAP and PMTK212
Music, ASCAP
ALONG THE EDGE (:31)
Very Hitchcockian… Suspenseful action drama with
Swirling string and brass melodies. Mysterious and Fun.
ALONG THE EDGE (1:01)
Music, ASCAP
PEACEFUL RELEASE (:31)
Suspenseful rhythmic percussion with choral Ahhhs.
A suspicious journey.
PEACEFUL RELEASE (:31) Alt with strings
PEACEFUL RELEASE (1:01) The longer version
Music, ASCAP
62
EW#
(CONT.)
8–
9–
10 –
11 –
12 –
13 –
14 –
15 –
16–
17–
18–
INTO THE ARENA (:31)
Gladiator-style action drama. Very big string melodies
And horns make this one strong and beefy like a Steve
Reeves Movie. Foreboding, competitive, muscular,
manly and dramatic.
INTO THE ARENA (1:01)
Music, ASCAP
GRID IRON GLADIATORS (:31)
Macho He-man style action drama. Military drums
& Manly chorus pump this one up. Pass the chunky soup.
GRID IRON GLADIATORS (1:01)
Music, ASCAP
THE ESCAPE (:31)
Suspenseful spy drama groove with chicka chicka
guitar. James Bond, I spy, Mission Impossible vibe.
THE ESCAPE (1:01) same vibe, but a little different.
THE ESCAPE (:31) Underscore with strings only.
THE ESCAPE (1:01) Underscore only.
Music, ASCAP
THE INVESTIGATION (:31)
Dramatic laid back groove with ambient strings and
rhythmic bass. Suspense. Mystery. Drama.
THE INVESTIGATION (:31) Alt mix.
THE INVESTIGATION (1:01) The long version.
Music, ASCAP
63
EW#
(CONT.)
19–
20–
21–
22–
PLUCK IT (:31)
Slow plucking strings with light underscore. Time to
think, pick the safe, crack the code.
Get into a suspenseful groove.
PLUCK IT (1:01)
Music, ASCAP
FINDING CLUES (:31)
Slinking Spy slivering into a clue-filled situation.
Percussive groove track with ambient dramatic strings.
Thinking, Exploring… Jason Bourne, perhaps?
FINDING CLUES (1:01)
Music, ASCAP
23–
A VIEW FROM THE BOTTOM OF THE POOL (:29)
Drowning suspense. Hitchcock-ish. Ripe with
intrigue, swelling strings and lots of mysterious drama.
Music, ASCAP
24–
JAGGED EDGE (:31)
Suspenseful mystery with plucking strings. Scary,
Mysterious, Foreboding, Intense, dramatic.
Think Hitchcock or a Harrison Ford thriller.
JAGGED EDGE (1:01)
Music, ASCAP
25–
64
EW#
(CONT.)
26 –
27 –
28–
29 –
30–
31–
32 –
33 –
AFTER ALL THESE YEARS (:31)
Coming home to the farm you grew up on. Sniff. Sniff.
Sweet , Melodic, dramatic strings and piano. Emotional
and thoughtful
AFTER ALL THESE YEARS (1:01)
Music, ASCAP
HEROES AMONG US (:31)
Beautiful, Big moving string score. Swelling melodies.
Very Dramatic.
HEROES AMONG US (1:01)
Music, ASCAP
FALLEN HEROES (:31)
Beautiful strings and woodwinds that say good-bye to a
hero. Dramatic feel with respectful Drum cadence.
Stirring and Emotional.
FALLEN HEROES (1:01)
Music, ASCAP
BEYOND THE HORIZON (:31)
Strings rising like the sun. Ambient drama with brass solo.
Uplifting, dramatic, orchestral.
BEYOND THE HORIZON (1:01)
Music, ASCAP
65
EW#
(CONT.)
34 –
35 –
36–
37–
38–
39–
40–
41–
SAPPY BUT PERFECT (:34)
Piano, guitar and flute. I’m cured, I will always love
you…etc. Beautiful melodies. Inspiring. Uplifting.
SAPPY BUT PERFECT (1:01)
Music, ASCAP
SAPPY BUT PERFECT TOO (1:01)
Piano and guitar with beautiful melody. Same ‘little
Jimmy came home’ vibe as above.
Sweet and Thoughtful.
SAPPY BUT PERFECT TOO (:31)
Music, ASCAP
CLIFFS OF DOVER (:31)
Strumming acoustic guitar and fiddle with Adventure
vibe. Mystery. Drama. Takes you places.
CLIFFS OF DOVER (1:01)
Music, ASCAP
AWAKENINGS (:31)
Layered strings with woodwind effects. Pensive.
Thoughtful. Waiting. Mysterious. Plotting.
AWAKENINGS (1:01)
Music, ASCAP
66
EW#
(CONT.)
42–
CITY SLICKER ROUND UP (:31)
Macho Western Style. Big and Brassy. Playful, fun, silly
and Beefy… “It’s what’s for dinner’.
Music, ASCAP
43–
IRISH JIG (:30)
Gets you up out of your seat. Irish style dance with
woodwinds and orchestra.
Music, ASCAP
67
“This is the one that’s got all the Silly Fun
music to show your playful side
AND the driving Rock to say,
‘Hey, I know Comedy’.”
ED.
EW#
SiXtEEn: silly, comedy, rock, etc.
1–
SWING BABY (1:03)
Jammin’ ‘Stray Cats’ style. Rockabilly swing with lots of brass,
piano and guitar solos. Twirl me baby! Upbeat, up-tempo
fun stuff.
Composed by: Michael B. Coulter, ASCAP &Tobias A. Johnston, ASCAP
2–
STRIP SHOW (1:04)
Burlesque review style sexy blues-rock. Raucous horns and
brazen Brass melodies. Just try to keep your clothes on.
Composed by: Michael B. Coulter, ASCAP & Tobias A. Johnston, ASCAP
3–
FUNKY MONKEY (1:05)
Funky groove with 70’s sit-com style feel. Game Show,
Good Times… with big horn and organ solos.
4–
MIGUELS MERENGUE (1:04)
Merengue style with a ‘Ricky Ricardo’ Cuban vibe. Up-tempo.
68
EW#
(CONT.)
5–
CLOWN CAR (1:04)
Swingin’ jive trombone with vibes. It’s very silly. Quick and
Fun. Up-tempo groove.
6–
RADIO CLOWN CAR (1:03)
Vintage radio-sounding swingin’ trombone. Jive. Fun. Silly.
7–
CREOLE STRUTTIN’ (1:04)
New Orleans style upbeat Boogie with sax and guitar
solos. Fun and light.
8–
SLAP HAPPY PAPPY (1:06)
Funky, zippy Jazz with cool sax solo. Upbeat. Up-tempo with
fun trumpet solo too. Fun stuff at the end.
9–
KITTY KAT JAM (: 50)
Jumpin’ jive, very upbeat stray-cat style rock. Jammin’
boogie rock with piano melodies with guitar solos.
10 –
PIMP DADDY (1:00)
Huggy Bear Starsky & Hutch style 70’s groove. Funky horn stabs
and awesome organ.
69
EW#
(CONT.)
11 –
TRIPPY TROMBONES (1:04)
Pumping groove with funny trombones all over the place.
Clown happy groove. Great for Comedy.
Composed by: Michael B. Coulter, ASCAP &Tobias A. Johnston, ASCAP
12 –
A FINE ROMANCE (1:31)
Laid back lounge-like Jazz groove with Sax solo and cool
vibes. Super smooth.
A FINE ROMANCE (1:30)
Same super smooth jazz groove, no vibes.
13 -
14–
STAND UP AND BOOGIE (2:25)
One song… Four different ways to stand up and boogie.
1) boogie woogie stand up bass with piano and horn
stabs.
2) More piano, no horn stabs.
3) Cooking solo bass. Cool and slinky
4) Bass and horns, orchestra backing.
15-
FUN BRASS BOOGIE (1:02)
Rockin’ fun boogie groove with brass stabs.
FUN BRASS BOOGIE (:34)
FUN BRASS BOOGIE (1:02) Rhythm only.
Composed by: Christopher W. Holden, BMI
Published by: Edward Keith Wood Music, BMI & Paulie Michael Kosta
Music, BMI
1617-
18-
ISLAND PARTY (1:03)
Tropical Romp with Fun Horn melody and groovin’ bass
line. Silly comedy… bring my drink with a pretty little
umbrella in it, please.
(CONT.)
70
EW#
(CONT.)
19-
20-
212223-
24–
25–
26–
27–
28–
29–
ISLAND PARTY (:36)
Tropical Romp with Fun Horn melody and groovin’ bass
line. Silly comedy… bring my drink with a pretty little
umbrella in it, please.
ISLAND PARTY (1:02) Rhythm only.
Kosta Music, BMI
HORNY BLUES (1:04)
Rolling 70’s Blues Boogie with fun horns and cool bass riff.
Mid-tempo groove.
HORNY BLUES (:36)
HORNY BLUES (1:03) Rhythm only. No horns.
Kosta Music, BMI
ROADHOUSE JAM (:60)
Classic guitar driven, slinky walking bass boogie with big
horns.
ROADHOUSE JAM (:30)
ROADHOUSE JAM (:60) Rhythm only. No horns.
Kosta Music, BMI
LATE NIGHT SWING (:60)
Twirl your girl, but don’t spill your martini. Supper Club
swing dance with light melodies. Late Night. Merv Griffin.
Variety Show style.
LATE NIGHT SWING (:30)
LATE NIGHT SWING (:60) Rhythm only.
Kosta Music, BMI
71
EW#
(CONT.)
30–
MERRY MELODIES (1:15)
Three in one. Three happy cartoon melodies.
What’s up doc?
31–
CARTOON CHASE (1:37)
Classic cartoon fun stuff with banana peel slip too!
Multiple versions of Plucking strings up and down the
stairs. Super fun.
32–
STROLLING IN THE PARK (:54)
Classic comedy piano solo. Very silly. Up-tempo, light.
33–
SWEEPING LOVE THEME (:22)
Strings in a sweeping love theme. Soap opera style, big
dramatic love scene. A dip with a kiss.
34–
MYSTERY STRINGS (:12)
Mysteriously Swirling strings and piano melodies.
Hypnotizing!
35–
DEAD MAN’S MARCH (:14)
Pray for the dead and the dead will pray for you.
72
EW#
(CONT.)
36–
HAUNTED ORGAN (:28)
Welcome to my nightmare! Halloween style Haunted
House Organ a la ‘The Ghost and Mr. Chicken”
37 –
PSYCHO STRING STABS (:30)
Imagine psycho string stabs…. and here they are.
Scary and stabby.
38–
HEY HO LET’S GO! (:30)
‘The Ramones’ style rock. Upbeat fun time guitar punk rock.
HEY HO LET’S GO! (:60)
Composed by: Fred Coury, ASCAP
39-
40–
41-
42–
43
44–
45-
VACATION (:30)
‘Green Day’ Inspired Rock. Mid-tempo guitar driven rock.
VACATION (:60)
RIDE ON (:30)
‘The Vines’ inspired new-style garage rock. Heavy, grungy
RIDE ON (:60)
JAM IT (:30)
‘JET’ Inspired Rock. Upbeat guitar rock. Fun stuff w/ cool end.
JAM IT (:60)
73
EW#
(CONT.)
46–
47-
48–
49-
50–
51-
52–
53-
54–
55-
KICK OUT THE JAMS (:30)
Upbeat double-time kickin’ guitar rock. Tight end.
KICK OUT THE JAMS (:60)
DIZZY LITTLE PUNK (:60)
Jammin’ driving punk rock with fun melody and cool drums.
DIZZY LITTLE PUNK (:30)
Composed by: Fred Coury, ASCAP and Edward Keith Wood, BMI and
Paulie Michael Kosta, BMI.
And Edward Keith Wood Music, BMI and
Paulie Michael Kosta Music, BMI.
WAKE UP (:60)
‘Green Day’ inspired driving upbeat new wave with hard
guitar rockin’ melody.
WAKE UP (:30)
PUMP & STUFF (:60)
Upbeat Pumping little happy guitar rock number with cool end.
PUMP & STUFF (:30)
GOOD TIMES (:60)
Good time rock ‘n roll. Upbeat guitar-driven punk-like rock…
that rides into fun, melodic new wave.
GOOD TIMES (:30)
74
EW#
(CONT.)
56–
57-
HIGHWAY JAM (:60)
Fast driving guitar rock with happy melody and Punchy
ending. Really upbeat with fun changes for a rockin’ ending.
HIGHWAY JAM (:30)
Paulie Michael Kosta Music, BMI
58–
59-
60–
61-
62–
63-
BIG MAN ON CAMPUS (:60)
Medium tempo fun melodic guitar rock. Frat party stuff.
BIG MAN ON CAMPUS (:30)
Composed by: Fred Coury, ASCAP and Edward Keith Wood, BMI
and Paulie Michael Kosta, BMI.
SPIKE THE PUNCH (:60)
Early 80’s Teen-Movie-stuff . New wave, fun guitar rock.
Think Molly Ringwald and Anthony Michael Hall . Ahhhh.
SPIKE THE PUNCH (:30)
Composed by: Fred Coury, ASCAP and Edward Keith Wood, BMI
and Paulie Michael Kosta, BMI.
DRIVE ME CRAZY (:60)
Upbeat New Wave Guitar Rock with cool musical climb and
awesome ending. Listen to the whole thing!
DRIVE ME CRAZY (:30)
75
EW#
(CONT.)
64–
E-FAUX (1:03)
Funky, Groovy ‘Beck’ Styled Jam with ‘wah-wah’ guitar.
Composed by: Fred Coury, ASCAP .
Published by: Fanglove Music, ASCAP and PMTK212 Music, ASCAP.
65–
VIDEO KILLED THE SUMMER GIRL (1:01)
Early 80’s Teen Movie kind of New Wave Rock. Synth
keyboard, “Super Mario Brothers’ videogame open.
Composed by: Fred Coury, ASCAP .
Published by: Fanglove Music, ASCAP,
66 –
BOW WOW (:29)
Slow and Funky, ‘Yellow’ style groove… with ‘Bow wow’ vocal.
Composed by: Julian Beeston, ASCAP .
Published by: Fanglove Music, ASCAP.
67–
DRUMS AND STUFF (1:16)
Upbeat driving drumbeats and solos…. Just when you need
them.
68
ONE FREDDIE GONE (1:01)
‘Violent Femmes’ style Hip and Groovy jam with acoustic
guitar, stand up bass and xylophone.
76
“This is the one that’s got Grooves
with Super Cool Tech sounds and a massive dose of Heavy Guitar.
Watch your fingers, this one’s got teeth!”
ED.
EW#
1–
2–
3–
4–
5–
6–
sEvEntEEn: rocktronica
BANK LEFT (:32)
Super Slick solo-bass open leads to relentless
Rocktronica spy chase action with heavy guitars.
BANK LEFT (:56)
Composed by: Julian Beeston, ASCAP and U. Hepperlin, BMI
Published by: Fanglove Music, ASCAP and Edward Keith
Wood, BMI
PULL UP (:37)
Super cool James Bond, Jason Bourne spy action…
hanging from the helicopter kind of stuff. Driving action
with cool synth groove.
PULL UP (1:03)
Composed by: Julian Beeston, ASCAP and U. Hepperlin, BMI
Published by: Fanglove Music, ASCAP & Edward Keith Wood
Music, BMI
EARTHQUAKE (:37)
Percolating action with heavy guitar. Frantic drum groove.
Cranking rocktronica. Super heavy and fast too.
EARTHQUAKE (1:08)
77
EW#
(CONT.)
7–
8–
9–
10 –
11 –
12 –
13 –
14 –
15 –
16 –
GEAR SHIFT (:34)
Shifty, Funky, Popping and Rocking Action. A super Spy
Rocktonica adventure.
GEAR SHIFT (1:01)
LOCK JAW (:32)
Funky, jerky, uptight, tense yet super groovy vibe with
stressed out guitar and hard-hitting ending.
LOCK JAW (1:06)
Music, ASCAP
SPACE BABE (:34)
Haunting female vocal opens to sexy hard driving
Rocktronica action with funky guitar. A super cool, she-spy,
space adventure.
SPACE BABE (1:03)
Composed by: Julian Beeston, ASCAP and K. Grefe, ASCAP
Music, ASCAP
SIRENS CALL (:34)
Groove style with cool drum break in the middle. Spacey,
Spy-like, effect-filled with background voices.
SIRENS CALL (1:10)
Music, ASCAP
DESERT CHASER (:31)
Middle Eastern vocal chant with super hip percussive
Rocktronica groove. Guitar backing. Worldly spy vibe.
DESERT CHASER (1:16)
78
EW#
(CONT.)
17–
18–
19–
20–
21–
22–
23–
24–
25–
26–
ENERGY CRISIS (:34)
Constant, relentless, uptight, heavy guitar-driven
rocktronica with awesome breaks.
ENERGY CRISIS (1:03)
ECLIPSE (:34)
Intense, driving, rocktronica action with angry guitar,
ups and downs, stops and starts and lots of heavy stabs.
ECLIPSE (1:08)
SNAPPER (:35)
Zippy fast synth groove with very cool fuzzy tones and
rockin’ drums. Fun breaks, stops & starts & snappy fx.
SNAPPER (1:12)
QUICK PUNCH (:35)
Evil Guitar and Driving Drums. Heavy-duty action. Insanely
hard Rocktronica.
QUICK PUNCH (:57)
COSMONAUT (:40)
Pounding, hard-rolling, relentless drums with Chunky Metal
Guitar. Heavy Rocktronica.
COSMONAUT (1:05)
Published by:
Fanglove Music, ASCAP
79
EW#
(CONT.)
27–
28–
INSTALLER (:35)
Hard, heavy, pounding Rocktronica groove with tech drum
loops and electronic guitar.
INSTALLER (1:01)
80
“This one got it all!
Action, Adventure, Trip-Hop, Drones, Even a Waltz.
You’ll dig it Daddy… like a shovel. ”
ED.
EW#
EiGhteeN: action
1-
KING KONG IN THE CITY (1:33)
Hip, African, jungle vibe. Action adventure with big hits
and drums. Look out for that big monkey!
Composed by: EDWARD KEITH WOOD, BMI
Published by: EDWARD KEITH WOOD MUSIC, BMI
2-
SMASHING SKYSCRAPERS (1:39)
Opens to monster big dramatic hits and slick effects then
kicks into super cool action adventure with cranking big
orchestral backing.
3-
ATOMIC SEWER BOY (1:32)
Creepy under-the-streets ‘Ninja Turtle’ action adventure
kind of thing with drum loops and effects.
Cowabunga Dude!
4-
DRUMS UP THE WAZOO (1:34)
Rolling and driving drums up the wazoo with big orchestral
hits. Action. Adventure. Chasing. Running. Hurry!
81
EW#
EiGhteeN: action
(CONT.)
5-
ACTION MAN (1:39)
Crazy tempo changes, driving drums and orchestral
stabs… with lots of action, man.
6-
STICKS ARE CLICKING (1:32)
Fast-paced action adventure with percussion and
strings and effects and dramatic melodies, Oh my!
7-
RIDE INTO THE SUNSET (1:05)
Hard-driving action drums… tense, dramatic strings
and strong, brave melody. Adventure!
Composed by: JULIAN BEESTON, ASCAP
Published by: FANGLOVE MUSIC, ASCAP & PMTK212
MUSIC, ASCAP
8-
RUN EVE RUN (1:35)
Groovy yet intense, high-tech , high-energy action
adventure with cool breaks and changes.
Composed by: JULIAN BEESTON, ASCAP
Published by: FANGLOVE MUSIC, ASCAP & PMTK212
MUSIC, ASCAP
9-
AMAZON STORM (1:31)
Action adventure in the Jungle… with driving drums and
pounding percussion. Watch your back.
10 -
SWINGING IN THE RAIN (1:31)
Boom! Swing into Action with this big super slammin’ spy
adventure. Driving drums and percussion.
82
EW#
EiGhteeN: action
(CONT.)
1 1-
VISIONS OF CANTON (1:02)
Bond takes on Bourne in this international mission to
China. Asian-inspired melodies with driving drums.
12 -
ZOMBIES GONE WILD (:32)
Effect-filled scary suspense with drum hits. Thriller,
adventure.
Composed by: Julian Beeston, ASCAP.
13 -
CAPTAIN JACK (2:18)
Dramatic, suspenseful open into High Seas style action
adventure.
1 4-
CREEPY CRAWLY (1:04)
Thrillingly suspenseful scary Drone open… kicks into big
creepy instrumental driving action adventure. Building
drums pound to dramatic ending.
15 -
LONELY DRONELY (1:14)
Beautiful drone with haunting voices in a reflective tone.
Pretty, relaxing, instrumental, calm, chilled out.
Published by: FANGLOVE MUSIC, ASCAP & PMTK212 MUSIC, ASCAP
1 6-
SHADOW DREAMS (1:03)
Dreamy drone with synth strings. Slow and beautiful.
Reflective and soothing. The calm before the storm.
83
EW#
EiGhteeN: action
(CONT.)
17 -
LOST IN AWE (1:05)
Where dreams take you… A spaced out journey to another
world. Slow drone with percussion and effects.
18 -
SPOOKY DRONE (:33)
It’s an ‘oh so spooky’, super-airy drone. Ouuuuu.
1 9-
DRIVING IN THE DESERT (:58)
It’s not a mirage, it’s a super cool rolling groove with string
hits and a great head-bobbing melody.
20 -
MEXICAN STANDOFF (1:10)
‘Massive Attack’ style Wide-open drums and tremelo guitar.
21 -
TIMES UP (1:11)
Mild suspense with clock-like groove. Grinding and cool…
a pleasant way to go.
22-
OXYGEN BAR MIRAGE (1:08)
Airy ‘Massive Attack’ styled vibe kicks into wide open
strings and effects. ‘Portis Head’ feel.
23 -
ROLLING ON THE SHORE (1:06)
Cool Rolling drum groove with bass melody, effects and
subtle synth strings.
84
EW#
EiGhteeN: action
(CONT.)
24 -
DESERT HIGHWAY GROOVE (1:06)
Smooth, Laid-back groove with synth string melodies and
funky guitar too.
25 -
WHA WHAT’S IN THE BAG DUDE? (1:03)
Hip drum groove with funky wah-wah guitar. Upbeat and
Energetic. Pretty darn peppy.
Composed by: Vincent Cacciotti ASCAP
26 -
BUMPS IN THE NIGHT (1:03)
Rolling, pounding, driving drum groove with muted horn
accents and lots of creepy effects.
Composed by: Vincent Cacciotti, ASCAP
Published by: FANGLOVE MUSIC, ASCAP PMTK212 MUSIC, ASCAP
27 -
MARY JANE (:40)
‘Green Day’ styled guitar punk rock. Up-tempo, upbeat,
driving.
28 -
WE BE SPIES (2:07)
Jason Bourne styled action adventure. Horns and thinking
melodies. Creeping, Stalking, Doing Surveillance… the
stuff spies do.
Composed by: Jim Lathem, ASCAP
29 -
ITS OUTTA HERE (1:13)
Big scene-stealing dramatic instrumental. ‘The Natural’
hits a home run…. Or Captain Kirk takes the Star Trek
Enterprise out for a spin.
85
EW#
EiGhteeN: action
(CONT.)
30 -
NAVAL ENGAGEMENT (:58)
The whole fleet sets sail on an inspired action adventure.
Big sweeping orchestral action drama with strong ending.
31-
TWILIGHT OF MY LIFE (1:54)
Beautiful, sweeping drama with strings, piano and orchestra.
Thoughtful and provoking… with reflective pause. Positively
lovely.
86
“This is the one with the Head-Pounding Drums!
Boom! Boom! Boom! Plus, a bonus pack of
Rock and Pop tracks do it up on the back end. ”
ED.
EW#
1–
2–
3–
4–
5–
6–
7–
8–
NiNeTEEn: drums, action, rock
INTO THE SUNSET (: 32)
Running, pounding, pumping tribal drums and percussion.
Big action and adventure.
INTO THE SUNSET (: 56)
Composed By: Julian Beeston, ASCAP.
MERCURY (: 33)
Zippy intro… pounding, pumping, hard-driving tribal drums.
MERCURY (1:02) super cool intro on long version too.
METAL BLADE (: 29)
Spooky intro with pounding, driving drums… even a metal
blade sfx in middle. Tribal action adventure. Run!
METAL BLADE (: 58)
SUPERNATURAL (: 28)
Pounding, driving tribal drums. Heavy percussion with cool
Breaks and supernatural effects.
SUPERNATURAL (1:00)
87
EW#
(cont.)
9–
10 –
11 –
12 –
13 –
14 –
15 –
16 –
17–
18–
MEN OF STEEL (:32)
Cool, steady groove with great breakdown in the middle
and cool rising ending. Pounding action drum groove.
Big adventure, almost Tribal.
MEN OF STEEL (1:02)
STAKEOUT (:30)
Tingly breaks and Big drum action. Super Driving
Dynamic drums. Sneaky.
STAKEOUT (1:02)
STEALTH (:30)
Stealth open… to big pounding action adventure with heavy
drum accents and breaks.
STEALTH (:59)
RAISE YOUR SWORDS (:30)
Methodical, lumbering, pounding, super cool driving drum
action.
RAISE YOUR SWORDS (:56)
TREASURE CHEST (: 30)
Steady rolling and pounding drum groove.
You’ll dig finding this one!
TREASURE CHEST (: 58)
88
EW#
(cont.)
19–
20–
21–
22–
23–
24–
25–
26–
27–
28–
SACRED TEMPLE (: 30)
Super Groovy open with effects, hand drums and
Practically sacred percussion. Drums that take
you into a sacred world.
SACRED TEMPLE (1:00)
STOLEN TIME (: 30)
Effect-filled, slinky, spacey open… goes into Rolling drums
pounding out a heavy groove with funky breaks.
STOLEN TIME (1:04)
SECRET ISLAND (: 32)
Exotic, Sexy, drum groove. Takes you to another world….
An island, perhaps? A secret one.
SECRET ISLAND (1:02)
TRIBAL SENSATION (: 28)
Upbeat, layered, big, pounding, driving tribal drums.
Great Action. Effect-filled adventure.
TRIBAL SENSATION (1:00)
BLOOD AND BONES (: 32)
Super-fast, super-cool drums pound out a great trashcan
lid bangin’ groove. Yep, real trash can lids.
BLOOD AND BONES (: 58)
89
EW#
(cont.)
29–
CRAZY DRUMS MAN (1 :04)
Super Wacky drums…. slippin’ and slidin’ all over the place.
Lots of effects and comedic pauses… it’s even got a spy
vibe going on.
Composed by: FRED COURY, ASCAP
30 –
LET’S GO (1: 05)
Driving, energetic garage band rock. Pop fun stuff.
31–
LET’S GO AGAIN (1: 03)
Driving energetic garage band rock. More poppy fun
stuff… cool changes at back end.
32–
LITTLE MISS (: 60)
Sweet, quirky little electric piano number.
‘Postal Service’ vibe. Airy and hopeful, but still cool.
33–
HAVE NO FEAR (: 30)
Acoustic, finger snaps and brass. Happy pop rock with a
fun, upbeat groove. Spoon-vibe.
34–
KNIVES (: 30)
Tech drum loops and electronic guitar with great groove.
The Bravery vibe… with ‘whoa ho’ vocal chorus.
KNIVES (1:05)
35–
36–
MONSTER TRUCKER (: 30)
Monster huge and heavy wide-open tech drum groove with
rocking metal guitar.
90
EW#
(cont.)
37–
HYPERTENSION (: 56)
Tense rocking guitar tech with groovy synth vibe and
Funky effects.
38–
LOTTA ROCKA (3:43)
Heavy duty, hard metal, rocktronica with grinding groove.
39–
ELECTRO HEAVY (3:24)
Heavy electronica dance groove with kickin’ rock guitar.
40–
JUST A BABE (3:24)
‘Killers’-style driving pop rock with awesome string melody.
41–
29 DAYS LATER (1: 43)
Scary, slow-building horror show. Suspenseful drama…
end of the world kind of stuff.
91
“This is the one with Big Action Adventure!
Great for Motion Picture Advertising or just
to make your stuff sound Huge. Use wisely.”
ED.
EW#
tWEnTy: action & adventure
1–
MEN RAISE YOUR SWORDS (1:20)
Menacing, pounding, frighteningly big action adventure
with driving drums and relentless, building chants.
Ominous.
2–
MERCURY RISING (1:40)
Pounding drum open kicks into fast-paced action with
pulsing string melodies, brass accents and driving,
rolling drums. Choral rise to climax.
3–
TRIBAL PULSE (1:58)
Big creepy drum hit open. Fast-paced, pounding action
adventure with relentless, driving tribal drums.
Mysterious breaks.
4–
YOUR BLOOD AND BONES (2:02)
Ominous tribal drum open… turns into big pulsing action
with strings, effects and voices.
92
EW#
(cont.)
5–
SACRED TEMPLE VOICES (1:57)
Super groovy open with haunting voices. Keeps getting
groovier and groovier til practically… sacredly groovy.
6–
ISLAND PARADISE (1:07)
Uplifting, melodic voices with groove drums and
optimistic melodies. Kicks at back end into super cool,
worldly, ‘Bond girl’, spy vibe.
7–
LOST IN TIME (1:13)
Spacey, effect-filled open. Pounding drum groove
with strings and effects. Timely.
8–
SUPERNATURAL KILLER (1:47)
Back alley and super creepy. Haunting effects turn to
pounding, driving drums with voices and a supernatural,
horror vibe.
9–
RIDE INTO THE SUNSET (1:38)
Big string action with rolling, pulsing, exciting drum
groove and building, pounding, orchestral stabs. John
Wayne huge.
10 –
CLIFFHANGER (1:37)
Suspenseful and super cool action drama with building
strings and drums. Jason Bourne spy stuff or big D.C.
Political drama kind of stuff.
93
EW#
(cont.)
11–
STEEL HEART (1:43)
Pound! Drive! Go! Great big drum groove with cool manly
voices and strings. Action Drama. Bond, Bourne, Oliver
Stone – ish.
12 –
PIRATES BOOTY (1:34)
Action strings and drums. Big sneaky drama. Orchestral
hits and stabs. Adventure matey!
13 –
THE BATTLE (1:48)
Intense, but sneaky . War is Hell! Pounding drums.
String stabs. Voices. Ominous. Mysterious. Action. Drama.
14 –
SLING METAL BLADE (1:47)
Huge, intense, pounding, driving drums with awesome
strings and voices. Great back end. Big action drama.
15 –
GOD OF DRUMS (1:47)
Gigantically Huge, relentlessly intense, action adventure
drums. Faster and faster. Bigger and bigger. Dramatic.
16 –
CREEPER JEEPER (1:33)
Pounding, crashing, cool and creepy. Strings and voices in
horror-suspense drone.
94
“This one’s got the cool, groovin’ jazz
with smooth melodies and trick beats.
The back-end ambient and acoustic is majorly on the chill side.
Relax… just use it. ”
ED.
EW#
TwEntY-OnE: jazz, ambient, acoustic
1–
JAZZER IN NASSAU (1:05)
Head shakin’ good times. Mid-tempo jazz with trumpet
solo and Latin groove flavor.
2–
TRUMPET MEETS SAX (1:02)
Cool and Breezy. Smooth jazz with the trumpet and sax
trading solos.
3–
BOY DONE GOOD (1:21)
Movin’ and Groovin’. Funky, jumpin’ jazz groove with
flute and trumpet solos.
4–
CHILLS AND THRILLS (1:02)
Peppy jazz with guitar solo open. Awesome trumpet
riff at the end.
95
EW#
(cont.)
5–
DUSK (1:05)
Smooth, laid back jazz with off-the-hook trumpet
Solo. Real cool man. Sunglasses required.
6–
MOMENTS (1:05)
Chilled jazz with keyboard open into muted trumpet,
stand up bass boogie.
7–
OFF TO THE BAY (1:02)
Latin flavored jazz with flute solo and brass stabs.
Salsa groove makes you want to get up and dance.
8–
ON THE BEAT (1:01)
‘Dave Brubeck’ styled jam with organ. Cool saxophone
and guitar solos too.
9–
OUT THERE (1:02)
Piano and percussion open to smooth flute solo over
funky groove. Clean guitar solo takes you out.
10 –
SCRAPER(1:09)
Big open funk groove with cool 70’s feel. Sax solo and
R&B guitar. Vocal accents.
96
EW#
(cont.)
11–
SEXY GAL (1:05)
Sexy, slinky, mid-tempo jazz groove with saxophone solo.
12 –
SPELL (1:12)
Laid-back chilled groove with flute solo, electric piano
and wind chimes. Relax, it’s all good.
13 –
STUNKER FUNKER (1:04)
Funky jazz groove with saxophone solo and 70’s R&B
guitar vibe.
14 –
TOOTY FLUTY (1:05)
Flute solo mixes it up in this groovy, super jazzy little
number.
15 –
UNDERCOVER (1:01)
Big 70’s jazz groove with sax solos. Huggy Bear, Starsky
and Hutch, super cool kind of stuff.
16 –
FLOATING COOL (1:09)
Trippy, airy, jazzy with flute and muted trumpet solos.
17 –
FUNKER (1:04)
Funky, funky, funky jazz. Super low groove.
97
EW#
(cont.)
18–
HORNS ON 6TH STREET (1:00)
Trumpet blastin’ jazz groove. A New York City street
jazz special.
19 –
LISTENING EASY (1:03)
Easy listening jazz groove with clean, fresh guitar.
20 –
MAN CRAZY (1:05)
Flirty, sexy and light little ditty with cool jazzy flute.
21 –
FREEDOM (1:10)
Airy, contemporary, trip-hop kind of jazzy groove.
22 –
ABOUT MY LIFE (WITH STRINGS) (:43)
Reflective, acoustic guitar with thoughtful string melodies.
23 –
ABOUT MY LIFE TOO (NO STRINGS (:46)
Reflective, acoustic guitar with thoughtful melodies.
Same life, no strings.
24 –
FLOATING DOWN THE RIVER (4:02)
Relaxing, tranquil, meditative, ambient guitar.
98
EW#
(cont.)
25 –
PEACEFUL (4:07)
Quiet, tranquil and airy. Light ambient guitar
26 –
HOPEFUL GUITAR (4:26)
Optimistic acoustic guitar melody with violin strings.
Ambient, relaxing, tranquil.
27 –
SERENE (6:43)
Peaceful string melodies. Meditative, tranquil…
like a relaxing trip to a day spa in the middle of the day.
28 –
SPANISH TEMPLE (5:00)
Tranquil siesta. Meditative ambient guitar with hand
drums and percussion.
29 –
TIME (4:06)
When you’ve got nothing but time… try this beautiful,
melodic, ambient, acoustic guitar with serene melodies.
30 –
AWAKEN TO BEAUTY (4:20)
Beautiful piano. Quiet, elegant melodies with choral
backing. An awakening.
99
EW#
(cont.)
31 –
HEALING TIDES (5:15)
Ambient, airy piano with voices and serene effects.
Quiet, reflective, meditative, yoga pose, day spa stuff.
32 –
PASSING STORMS (5:10)
Pleasant piano with light drum backing. Ah, the serenity.
33 –
WHERE DREAMS BEGIN (6:52)
Dreamy, airy piano with light string backing. Serene.
Meditative. Calm and soothing.
34 –
YOUR BEATING HEART (5:14)
Moody and reflective yet strong. Piano with airy effects.
100
“This one’s for my homies in the edit bay.
It’s got the super phat, funky grooves to make your body move.
Let’s get it on… your work.”
ED.
EW#
1–
2–
3–
4–
5–
6–
7–
TwEnTy-twO: urban & hip-hop
ROLLIN’ WITH THE HOMIES (:34)
Smooth ‘Snoop Dog’ hip hop groove. Super groovy 70’s
vibe with strings and bass melody. It’s got it going on.
ROLLIN’ WITH THE HOMIES (1:04)
IN ‘DA PLACE (:34)
Super fat funk groove with orchestral hits and synth
melodies. Drums all up in ‘da place.
IN ‘DA PLACE (1:07)
GHETTO PIPER (:31)
Super slick 70’s soul groove with Bad-ass guitar and
‘Shaft’ style flute. Hip hop.
GHETTO PIPER (1:04)
THE REVENGE OF SLINKY PLINKY (:31)
Low ridin’, bumpin’ urban hip hop drum groove with
cool accents and breaks. ‘
(cont.)
101
EW#
(cont.)
8–
THE REVENGE OF SLINKY PLINKY (1:09)
Low ridin’, bumpin’ urban hip hop drum groove with
cool accents and breaks. ‘
9–
BEAT BOX (:33)
80’s style beat box groove with fly 90’s style hip hop
melodies and synth riffs.
BEAT BOX (1:03)
10 –
11–
12 –
13 –
14 –
15 –
16 –
17–
18 –
CASSA NOVA (:33)
Sexy, Latin-flavored hip hop groove with piano.
CASSA NOVA (1:03)
CHEEKY BE-ATCH (:34)
Squeaky , cheeky, gangsta hip hop groove with guitar
and strings.
CHEEKY BE-ATCH (1:09)
CRAZED (:32)
Rolling urban groove with string melodies and funky
synth guitar line.
CRAZED (:57)
THE LEGEND OF HUMPTY (:30)
70’s action cop drama. Funky, ala ‘Superfly’.
THE LEGEND OF HUMPTY (1:06)
102
EW#
(cont.)
19 –
20 –
21 –
22 –
23 –
24 –
25 –
26 –
27 –
38 –
29 –
30 –
MOTHER FUNKER (:33)
Get your funk guitar hip hop groove on.
MOTHER FUNKER (1:03)
FUNK SLICKER (:31)
Hip hop drum and bass groove with 70’s R&B funk guitar.
FUNK SLICKER (1:07)
HIP HOP ROUND UP (:30)
Hip hop drum groove… with a western flare.
HIP HOP ROUND UP (1:12)
SODA CRUSH (:35)
Rollin’ hip hop style drums and percussion.
SODA CRUSH (1:08)
BASS THUMPER (:33)
Dramatic hip hop with big drum and bass groove.
BASS THUMPER (1:03)
WEAVER (:34)
Dreamy keyboard melody over laid-back hip hop groove.
WEAVER (:59)
103
“This one’s got the dark, sinister, scary, creepy stuff
and the ‘bits and pieces’ to make your skin crawl.
Listen with the lights on…
If you still get scared, call your mommy.”
ED.
EW#
tWenTy-ThRee: horror thriller
1–
IT’S IN THE BASEMENT (:35)
Creepy, spooky, big long horror drone with effects.
Makes your skin crawl.
Composed by: Eric Gantenbein, ASCAP & Vincent Cacciotti, ASCAP.
2–
DEATH MACHINE (:36)
Mechanical clunking, robotic clanking, metallic stomping.
Big, ominous horror stuff.
3–
MENTAL FLOSS (1:38)
Dark and Spooky, Spacey and Sinister horror drone filled
with big echoing effects and voices. Chilling. Ominous.
Think… ‘The Ring’.
4–
THE RUT (:18)
Scraping, slithering, knocking, chilling horror vibe.
104
EW#
(cont.)
5–
DEVIL BREATH (:51)
Dark, sinister drone with scraping and banging effects.
Heavy breathing that will give you chills.
6–
BREATHLESS (1:35)
Like a bad dream. Super creepy drone and effects. Chilling.
Frightening. Dark and imposing.
7–
FAST TIMES (1:02)
Something’s in the attic. Scary, dark drone… with light
drum hits and shaky percussion effects.
8–
GUNNER (:55)
Slow rise with frightening effects and voices… builds to
crashing, pulsing, driving Thriller Rock. Strings and
percussion and drums.
9–
PUMPING BLOOD (:25)
Frightful! Pounding, pulsing, horror vibe with layered effects.
10 –
BEHIND THE DOOR (:15)
Squealing, ‘squeaky door’ horror drone with scary hits and
effects.
105
EW#
(cont.)
11–
GROOVY GHOULIE (:39)
Scary, ominous drone rolls into freaky drum beat with dark
bass line. Super groovy.
Composed by: Eric Gantenbein, ASCAP and Vincent Cacciotti, ASCAP.
12 –
THE MOURNING AFTER (1:13)
Stalking, menacing horror with big, echoing hits,
frightening pulsing drums, scary voices, strings and
distant thunder crashes… ends in reflective pause.
13 –
SPACE SWELL (:15)
Big, dramatic spacey rise with hit at the end.
Composed by: Vincent Cacciotti, ASCAP.
14 –
THE DEAD RISE UP (:15)
Dark, frightening drone with effects.
15 –
RISER-X (:17)
Giant Ominous Rise with exploding end.
16 –
KAH BOOM (:09)
A big, bang, boom… nuclear explosion!
17–
ALIEN ARRIVAL (:20)
Scary, alien voices with crackling effects and booms.
Crop circles… Crash to earth kind of stuff.
106
EW#
(cont.)
18 –
ZIPPY RISE ECHO (:14)
A zippy rise with echo.
19 –
ZIPPY RISE (:14)
A zippy rise. Ouuuuu.
20 –
WEAPONS HOT (:23)
Pulsing space laser gun fires, rises, falls and shoots at end.
21 –
ALIEN SNAKE FARM (:11)
Crunchy, crashing space alien snakes strike! Scary!
22 –
WHO’S OUT THERE? (:20)
Spikey, Warbly, Spacey drone with drum beat backing
and crash at end.
23 –
SPECTER (:09)
Spine-chilling screeching horror sound effect.
24 –
SECRETS AND LIES (:44)
Be very afraid. Bass-driven drone, high-pitched squeals,
scary effected drum hits.
107
EW#
(cont.)
25 –
MARTIAN FEEDING (:18)
Space alien electricity effect with airy scary drone
on back-end.
26–
ALIEN BUG ZAPPER (:16)
Low bass drone with dripping effect and squealing alien
bug zapping at the end.
27 –
COSMIC FEEDING (:17)
Spacey drone with crunchy, hungry alien munching sound
effects mixed in. Metallic clank at end.
28 –
DEATH CREEPER (:30)
Hollow, spacey, scary really long drone.
29 –
BUBBLE UP (:14)
Pulsing, bubbling rise with dry ending.
30 –
DEATH MACHINES (:13)
Scary, pulsing, pounding with zapping electric effects.
Imagine Frankenstein’s lab.
31 –
ALIEN MATING CALL (:28)
Come to me 3 headed lizard woman! Squealing, scraping,
high-pitched alien mating call drone.
108
EW#
(cont.)
32 –
BELLY OF THE ALIENS (:22)
Dark, creepy, slithering, scary, fuzzy effect-filled with
drums in the distance and scratchy old record sound.
33 –
CARGO DOORS (:29)
Super creepy. Synth bass drone with laser effects
throughout. Wobbly, pans left to right, right to left.
109
“This is the one that has exotic melodies
and voices a la Cirque du Soleil…
packed with rich textures and sounds from all over the world.
Use it to take a trip.”
ED.
EW#
1–
ALONG THE SANDS (1:43)
Beautiful, airy, light and breezy with exotic drums and
female voices. Relax and enjoy. Cirque du soliel feel.
2–
REFLECTIONS (2:55)
Thoughtful, reflective, melodic, slow piano with drum track.
The mellow moments at a Cirque show.
3–
WONDERFUL FLIGHT (2:37)
Female voices set a light, airy, optimistic tone for take off.
Cirque du Soleil feel.
4–
TRAPEZE DU SOLEIL (1:56)
Exotic female voices and instrumental melodies whisk you
away on a grand high wire adventure. Cirque du Soleil feel.
110
EW#
(cont.)
5–
CIRCUS OF THE SUN (3:06)
Cirque du Soleil feel with female voices take you on a
journey filled with melodic, sitar-like guitar melodies.
6–
TURKISH SKYLINE (1:59)
Exotic instrumental. World vibe. Cirque du Soleil feel.
7–
THE SAD GREEK (2:40)
Sweet, melancholy instrumental. The sad clown at the
Cirque show walks slowly off into the distance.
8–
CULTURAL AMBROSIA (2:50)
Eclectic instrumental mix. Meditative, relaxing, reflective,
inspiring. Spa trip.
9–
POSITIVE VIBES (2:01)
Pleasant, perky little number. Optimistic, out-going, happy
with bass, plucking strings, vibes, a shaker and wind
chimes too.
10 –
WHY SO SERIOUS? (1:42)
Suspenseful, tense atmosphere with strings and drones
building to a climax.
111
EW#
(cont.)
11–
HAUNTED BEAUTY (2:56)
Haunting yet optimistic world vibe with beautiful female
vocals and hand drums..
12 –
WHY DID YOU DO IT? (2:03)
Sad and reflective piano and strings… makes you think.
Light dramatic instrumental.
13 –
THE MIGRATION (3:03)
Woodwind and string melodies cascade to a climax.
Beautiful, dramatic instrumental.
14 –
THAT WAS CLOSE (2:11)
Suspenseful strings and piano with music box ending.
Actually, pretty darn creepy. Dark, dramatic, somewhat
spooky.
15 –
AIRY FAIRY (2:26)
Smooth, light, airy, breezy, expressive dramatic
instrumental. Think of a Cirque du Soleil dramatic,
reflective, trapeze moment.
16 –
WOLFPACK RUN (1:53)
Dramatic bass-driven instrumental. Adventure chase
kind of thing.
112
EW#
(cont.)
17 –
QUIET MOMENTS (2:30)
Beautiful, reflective solo piano . High drama. Emotional.
18–
BIRDSONGS (3:50)
Birds chirping… no, really. Acoustic guitar and strings.
Beautiful, reflective, melodic light drama.
19 –
SLEEPY GUITAR (1:42)
Slow moving solo acoustic guitar. Pleasant, reflective,
light and ambient… with wind chimes.
20 –
SUPER MELLOW PIANO (2:29)
Super mellow, way slow, really sad, reflective solo piano.
21 –
JEEZ, THIS IS REALLY SUPER MELLOW PIANO (3:18)
Way mellow, really slow, super sad and totally reflective
solo piano.
113
“This is the one I love!
Cool alien effects, pulsing, throbbing, fuzzy stuff
you won’t hear anywhere else.
It’ll make your work FLY like a saucer.”
EW#
ED.
TwEnTy-fIVe: sound design & fx
1–
ALIEN UNDERGROUND (:22)
Crashing alien drone with voices.
2–
ALIEN CLAWS ON GLASS (:30)
Squealing, scraping, screeching effect with bottom end
bass drone. Super creepy.
3–
BASS SYNTH MUSH (:31)
Mushy, scary, horror vibe. Modulating bass synth effects.
4–
AIRY SCARY (:32)
Scary, space effect.
114
EW#
(cont.)
5–
SCIENCE LAB PULSE (:15)
Pulsing, scary, electronic bursts.
6–
ELECTRIC TURNAROUND (:17)
Electric effect with bass and effects.
7–
WAVY ECHO SYNTH (:15)
Spacey, wavy, modulating synth echo.
8–
DIGITAL MIND MELT (:20)
Electric synth sequencer sfx with scary breathing
drone at the end.
9–
REVERSE BELLS (:15)
Weird, warbly bells recorded in reverse.
10 –
CRASH AND SCRAPE (:10)
Crash and scrape effect.
11–
CRUNCH IN THE DARK (:19)
Scary rise, crunching along the way with a big smack
in the back.
12 –
VICIOUS CYCLE (:14)
Repetitive backwards drums with tape delay.
115
EW#
(cont.)
13 –
SCRAPE THE BLADE (:12)
Blade scrape effect with echo.
14 –
ELECTRIC SPACE EEL (:24)
Electric, scratchy, spacey, scary effects with echo.
15 –
MARBLE IN A STEEL DRUM (:13)
Echoing, flapping, bouncing, circling metal ball in a
cylinder kind of sound. Circular.
16 –
SPRAYING FROM MARS (:13)
Space crunch, squirt, pound with echo.
17 –
INTO THE BLACK HOLE (:46)
Pounding, falling, squealing, high-pitched drone with
orchestral stabs and ambient reverse echo at the end.
18–
ALIEN SCREAM (:11)
Spacey, scary, alien squeal effect.
19 –
LOW RUMBLE (:08)
Big bass, spacey, rumbly effect.
116
EW#
(cont.)
20 –
FRYING THE LANDSCAPE (:08)
Super laser beam burning effect.
21 –
SINKER (:06)
Zapping, sinking effect.
22 –
CROP CIRCLES (:22)
Pulsing laser beam blasts. Scary ‘Chicken Little’
kind of thing.
23 –
ASTEROID BELT (:22)
Space laser, scraping effect with hit at the end.
24–
PITCH BENDER (:18)
High-pitched bending synth sound effect. Old school
Thriller… ‘Scary Movie’ style.
25–
BOTTOM TO TOP (:25)
Synth rise and fall and fall and rise. A cool effect with big
crash at the end.
26 –
FLANGE DRUM LOOP (:12)
Heavy effected beat box drum loop.
117
EW#
(cont.)
27 –
STATIC ELECTRICITY (:19)
Pulsing static electricity effect.
28 –
PULSING FUZZ (:23)
Fuzzy synth effect. Pulsing up and down and up and down.
29 –
HOMESICK AIRHORN (:11)
Fog horn like rising synth effect.
30 –
GUITAR SQUEAL (:07)
Squealing echo guitar.
31 –
WARBLE GUITARBLE (:16)
Echo-ey, fuzzy, warbly, electric guitar effect.
32–
OMG… THE CREATURE! (:09)
Scream! Cheesy horror film synth effect. Title to explain.
33 –
DROPPING BOMBS (:31)
Throbbing synth bass with falling effect.
34 –
GUITAR TAG (:13)
You’re it! Heavy metal fuzzy guitar tag.
118
EW#
(cont.)
35 –
PITCHY BEACON (:11)
High-pitched, Squealing, Pulsing Light house effect.
36 –
LOW GUITAR CHORDS (:30)
Descending low, dark and heavy guitar chords.
37 –
GUITAR MONKEY (:09)
Eeek! Fuzzy guitar with squealing monkey effects.
Pong on hyper overdrive.
38 –
GUITAR SQUIRREL (:06)
Squirrelly high-pitched guitar licks. Confrontational
squirrel screams. Scary!
39 –
METAL GOD GUITAR (:21)
Metallic, heavy metal guitar power chords.
40 –
BENT NOTE (:06)
Rising, bent guitar note.
41 –
E.T.’S BOOMERANG (:07)
Spacey, spinning boomerang effect with echo.
119
EW#
(cont.)
42 -
GUITAR FEEDBACK (:15)
Heavy, open guitar strum with feedback.
43 –
COMPERTIZED BASS MACHINE (:11)
Freaky low bass thumping. Robot walking into a wall
over and over again.
44 -
THE CHIPMUNK SPIN (:14)
Record being spun on hyper drive with squeaky little
‘Chipmunk’ voice effect. Watch the little guys Go!
45 –
EXIT TO URANUS (:15)
Spacey back and forth effect.
46 -
ELECTRIC SKIPPER (:18)
High-pitched electric skipping effect with echo.
47 –
CLEAN TEETH (:06)
Electric guitar stabs with high-pitched drill effect.
48 -
ECHOPLEX GUITAR (:15)
Taped delay styled electric guitar echo.
120
“This is the one with the tense bone-crushing guitars
and thumping, driving drums to get your work slammin’!
Great for sports, action or to just pound your point home.
Bring aspirin to play @ maximum volume.”
ED.
EW#
TWenTy-siX: metal & rock
1–
GRIT YOUR TEETH (1:11)
Gritty heavy metal with pulsing grungy guitar stabs,
super cool drum break in the middle and crowd rise
effects.
Composed by: Fred Coury, ASCAP.
2–
STACKED (3:30)
Heavy, hard-driving metal rock with guitar solos and big
crankin’ ending.
3–
LOTTA ROCKA (3:40)
Hard rockin’ four-on-the-floor metal.
4–
SYSTEM DOWN (3:50)
Mid-tempo heavy dirge metal with cool world vibe. String
and guitar melodies, Hard Rock Adventure. ‘System of a
Down’ vibe.
121
EW#
(cont.)
5–
SMACKED (2:37)
Cool rise to big crunching, grinding grungy guitars.
Hypnotically heavy Metal Rock.
6–
KICK IT IN (2:17)
Up-tempo, driving guitar rock with cool double bass riff in
the middle. Heavy Metal. ‘Judas Priest’ vibe.
7–
IN THE RING (1:02)
Crazy double kick drum 90’s metal. Hard Rock, Heavy,
‘Metallica’ vibe.
8–
STEEL RACER (2:32)
Fast and Furious. High energy, up-tempo, hard-driving
guitar metal rock.
9–
SLASH AND TURN (2:15)
Grinding, high-energy, up-tempo hard, heavy rock. Big
dramatic grinding metal stabs at back end. Great stops
and starts.
10 –
DIPSTICK (1:07)
Hard punches right off the top. Guitar-driven heavy groove.
Rockin’ metal with bitchin’ guitar solo.
122
EW#
(cont.)
11–
SHARK ATTACK (1:11)
Slow, creeping, melodic metal guitar riff builds to heavy
metal grinding groove.
12 –
THE EXCITER (1:06)
Exciting double-time 90’s style metal with double kick
drum break. Up-tempo, Heavy Rock.
13 –
OFF MY BACK (3:58)
Mid-tempo western bass and drum vibe works into hip cool
nu metal jam that keeps building and building .
14 –
BONE CRUSHER (1:33)
Dark and Heavy. Sinister guitar groove with cool drum
break.
15 –
STOMP YOU OUT (1:22)
Pounding insane speed metal guitar with wicked double
kick drum groove .
16 –
ALL JUICED UP (1:33)
Super fast and spastic speed metal with electronic break
in the middle.
123
EW#
(cont.)
17 –
ROCK AROUND THE TRACK (1:03)
Rolling bass and drum intro lead to heavy guitar line and
keyboard melody.
18–
BEHIND THE WHEEL (1:15)
Twisting and turning. Driving drum groove with cool fuzzy
and funky guitar line.
124
“This is the one with all the dark drones, big drums and percussive drama.
Whether you need to Creep it up or Crank it up…
this one will Do it up.”
ED.
EW#
1–
NEVER SAY DIE (:37)
Dark, Pounding, Tense, Scary. Drums with hits banging faster
and faster to climax. Edgy, Dark Drama… Horror, Thriller vibe.
2–
SNEAKY STALKER (:55)
Dark Drone with Ominous pounding, building drums. Scary ,
Sinister, dramatic action. Horror, thriller vibe.
3–
SKIN CRAWLER (1:29)
Slow rising spooky drone with huge building hits
intertwined with scary strings and creepy piano to make
your skin crawl. Horror, thriller, Suspense, Dark Drama.
4–
THUNDER STRIKE (1:02)
Massive, relentless drums with dark, synthesizer bassline. Percolating, percussive, intense, action-driven
drama.
125
EW#
twenty-SeVeN: percussion & dark
drama
(cont.)
5–
PUDDLE OF BLOOD (1:08)
Rhythmic percussion with massive booming drums.
Stalking, thrilling, action, pounding, dark drama.
6–
LIE IN WAIT (:53)
Dark, pulsing, sinister drone with creepy rise, bells and fx.
Heavy, pounding drums with deep string stabs, creating
tension, suspense, darkness.
7–
THE PREDATORS (:42)
Action adventure drums… pounding, building and
slamming back and forth and up and down in a fierce
tribal rhythm.
8–
THE DARK FORCE (1:15)
Dark, scary drone with suspenseful strings. Building,
pounding drums and tremendously sinister crashes.
Great action Drama that would make Darth Vader proud.
9–
ROBOTIC ASSASSIN (1:23)
Pulsing, crashing, slamming robotic war! Drums and FX
pound to the end. Terminator style.
10 –
GRAND THEFT (1:06)
Pulsing, popping, building, continuous dark percussive
cool groove with tech synth strings. Great upbeat action.
126
EW#
drama
(cont.)
11–
THE SEIGE (:54)
In the moment - driving drums with percussive hits,
pounding faster and faster to an explosive, dramatic end.
Action. Drama.
12 –
THE EXCAVATION (1:26)
Methodical, tense, percussive melody with cool , laboratory
effects and hits - all over a low drone. CSI feel - Music to
investigate by. Mysterious, thinking Drama.
13 –
SNAKE HANDLER (:57)
Creepy, weird and warbly drums become dramatic driving
drums pounding out a steady methodical beat with electronic
FX. Scary!
14 –
JUMANJI (1:22)
Jumping, pounding, thumping, popping , clicking tribal
drums with big hits, rhythmic sticks and a great build.
Intense.
15 –
MACHETE (:46)
Dramatic slicing, rolling and cutting hand drums with
upbeat percussion and creepy, misty jungle chase FX.
16 –
APE CITY HANGERS (1:01)
Big hairy, chunky drums …. For swinging in trees. Midtempo jungle action .
127
EW#
drama
(cont.)
17 –
RECKLESS RACKET (:56)
Edgy hand drums and hard-hitting metallic percussion
with huge FX. Faster and faster accents build to big hit at
the end. Chase, tension, action.
18–
HEAD HUNTERS (:58)
Mysterious, exotic drums and percussion with light
melody. Sexy, moody, dramatic action and adventure. Slow
tempo start, building to end.
19 –
RISE AND SHINE (1:04)
Wake up! Military style hard action drama. Drums with cool
percussive breaks and accents. Strong action, manly
adventure.
20 –
MEAN MISTER MONSTER (:57)
Scary, dark drone with dramatic deep bass synth hits
winds its way into a slinky, sexy, monster groove.
21 –
JUNGLE JANGLE (:50)
Dark but groovin’ jungle drums with dramatic jangly
percussion. Action, Chase, Adventure.
22 –
ALIEN DEPLOYMENT (:44)
Big, pounding scary drum groove with ominous drone
undertones and hard steel hits. Action drama adventure.
128
EW#
drama
(cont.)
23 –
DARK BLISS 66 (2:17)
Dark, dreamy drone with spooky keyboard melody , cool
strings, wobbly rises and mystic FX. Groovy jazz beat @ :45
in - a la ‘Riders On the Storm’.
24–
RECLUSE (:35)
Fast and hard, super-dark and sinister drone rises with FX
and echo scream over rolling, pulsating drums. Scary!
25–
DROP DEAD DREAD (:58)
Dark, dramatic , bass drone with airy strings with a big hit
in middle… another hit at end.
26 –
WAREHOUSE CREEPER (:12)
Dark ticking, bubbling FX and huge hits with scary strings
and rolling drums. A ‘random Ghost banging around the
Warehouse’ kind of thing.
27 –
DEEP DARK FREEZE (:42)
Creepy ‘ringing in your ears’ efx and big ominous hits… and
more hits. Dark atmospheric drone-filled drama.
28 –
DARK THOUGHTS (1:00)
Dark, thinking, melodic percussion. Drone filled rises and
hits with creepy strings.
129
EW#
(cont.)
29 –
A FACE IN THE WATER (1:13)
Creeping synth with a dark piano melody , random hits and
water effects. Drowning drama.
30 –
MINE SHAFT (1:06)
Dark, pounding, pulsing, clanking… a steady pursuit into
the depths of darkness.
31 –
ABOMINABLE (1:21)
Clanking, pounding, working . Effect- filled glacial trek. In
pursuit of the abominable snowman kind of stuff.
32–
EASTERN ALLIANCE (:50)
Drone-rising, suspense-filled dark melodic drama with fx.
33 –
RAIN DANCE(:58)
Clicking, pulsing suspense with intense pounding til the
end. Effect-filled dark drama.
34 –
LOST ISLAND RITUAL (:55)
Hand drums drive this pulsing dramatic cue. Tribal
pounding build to the end.
35 –
MEDUSA’S LOUNGE (1:22)
Exotic trip to a forbidden place. Hand drums, effects,
shaking, stirring, dramatic , intriguing spy drama.
130
EW#
drama
(cont.)
36 –
ROUST (:53)
Pounding, pulsing military-style drums. Persistent,
intense, rousting drama.
37 –
CONTINUUM (:54)
A spacey, warbly, rising, effect-filled trip with upbeat melody.
38 –
PSYCHOSCAPE (1:14)
Space laser ticking and clicking, flipping and flopping,
dripping and dropping with effected scrapes and super
cool, low growling drones.
39–
ANDROID RISER (:49)
Alien communication. Spacey effects, robotic wars,
galactic interfacing.
40–
DEFENDER(1:10)
Big, bold drums. Pounding Dramatic action.
41 –
AFTER THE DEMISE (1:38)
Dawn after the demise. Percussive bells and chimes paint
a dark world… but become optimistic at the end. Somber
drama.
131
EW#
drama
(cont.)
42 –
ESCAPE THE TOMB (1:15)
Slow ominous drone, spooky voices and effects. Pulsing,
dark drama with bass synth hits and a slow, sexy drum
groove. Thriller. Adventure.
43 –
IN THE DARK (:59)
Dreamy, scary, dark drone with big drum hits and effects.
Rolling, pounding, trudging drama. A thrilling, horrible
nightmare.
44 –
Where’d Everybody Go? (:50)
Creepy, rising, dreamy, deserted, desolate drama.
Where’d everybody go? Thriller. Horror.
45 –
LUMINOUS FLUX (1:03)
Scary hollow voices, creepy, spacey, screeching effects
and hits. Dark and spooky drama. Thriller. Horror.
46–
MUTANT STEW (:56)
A mix of creepy, scary effects, drum hits. drones and a
spicy horn swirl around to make a delicious, horror,
thriller stew.
47–
GALACTIC BATTLE (1:12)
Screaming space effects pulsating and battling to the end.
Action, adventure drama, space chase.
132
EW#
drama
(cont.)
48 –
THE FOUR RIDERS (:55)
Big, pounding, building, Apocalyptic drums. Intense
drama. Ominous and dark. Relentless action adventure.
49 –
PASS THE BEAKER (:54)
Popping, bubbling and slightly scientific. Dark, measured
beats that crank up at the end. Percussive drama.
50–
DEADLY SINS (1:36)
Groove-driven dark drama with building synth strings and
windy air effects. Super -hip, mid-tempo melody. Suspense.
Thriller.
51 –
ISLAND WARRIOR (:44)
Fierce, pounding tribal drums with movin’ percussive bed.
Action. Adventure.
52 –
DIG THEM BONES (1:06)
Methodical building drums with percussion. Clanking
metal and big hits working into a cool, sexy groove.
Investigative. Drama. Suspense.
53 –
MIRAGE MIND MELT (:50)
Trippy weird drama. Slow grooving drums and percussion
with big hits at the end.
133
EW#
drama
(cont.)
54 –
I’M DOWN HERE, IN THE LAB! (1:26)
A trippy, poppy groove with trickling percussive sound and
pounding drums. An investigative feel. CSI, man.
55 –
DARK RUMBLER (1:05)
Rumbling, dread-filled, bottom-end drone with subtle
guitar effects. Stalking, hovering, churning, atmospheric
drama.
134
“This is the one that’ll get things done.
Edgy, jumpy, jittery… with a 10 ton punch!
A real heavy hitter. ”
ED.
EW#
1–
2–
3–
4–
5–
6–
7–
8–
THE BEAST (1:49)
Grinding, pulsing, fast-paced, hard-drivin’ action
rocktonica. Awesome guitar hook. Intensely cool!
THE BEAST (1:04)
THE BEAST (:32)
HEIST (1:25)
Pumping, grinding, tightly-wound groove with rolling bassline and intensely dirty guitar. Super fast! Big, bad, really
down and dirty, gritty action!
HEIST (:55)
HEIST (:31)
ROMPER STOMPER (1:02)
Up-tempo, guitar-driven with cut-time breaks and tempo
changes. Super fast slammin’, jammin’ rocktronica. Harddriving stuff.
ROMPER STOMPER (:32)
135
EW#
(cont.)
9–
10 –
11 –
12 –
13 –
14 –
15 –
16 –
17 –
18 –
19 –
HAMMER DOWN (1:08)
Dramatic and heavy guitar-driven rocktronica with cool
breaks and effects. Dark, Evil, Aggressive, Menacing…
Think ‘Terminator’.
HAMMER DOWN (:35)
MAN WITH A PLAN (1:02)
Fast, guitar-driven rocktronica with cool driving drums.
Speed Racer takes on Racer X. Extreme sports feel.
MAN WITH A PLAN (:33)
FREAKIN’ MANIA (1:26)
Freakin’ Funky FX, dude! Crazy off-the-hook, manic
rocktronica. Skateboarding, surfing, snowboarding.
Extreme high energy.
FREAKIN’ MANIA (1:02)
FREAKIN’ MANIA (:34)
IN YA FACE (1:01)
Chunky at the top... kicks into a funky drum groove and
heavy rollin’ synth melody with lots of cool breakdowns.
International spy flare. Action. Adventure. Chase.
IN YA FACE (:31)
GUITAR HO (1:07)
Groovy, slamming, jamming , driving guitar with cool
breaks. Fast-paced action and big rockin’ adventure.
GUITAR HO (:33)
136
EW#
(cont.)
20 –
21 –
22 –
23 –
24 –
25 –
26 –
27 –
28 –
29 –
VIOLENT VIOLET (1:01)
Funky bass synth techno groove rolling into a cool melody.
Extremely super -slick… super-spy, super-hero, super-star
stuff.
VIOLENT VIOLET (:31)
COOL KILL (1:03)
Mesmerizingly delicious. Up-tempo, super-groovy retro
guitar groove. It’s got it going on.
COOL KILL (:33)
SLAG MASTER (1:05)
Slow, wide-open, funky groove with cool guitar synth
melodies. International-spy-on-his-private-jet kind of
thang.
SLAG MASTER (:32)
PUNCH IT (1:03)
Rolling electronic rock groove. Bass-driven, mid-tempo
techno action. Crankin’ little number with a hip spy,
investigative feel.
PUNCH IT (:31)
BASKET CASE (:59)
Crime scene cool. Rhythmic guitar groove with edgy tech
drum loops and effects. Super hips stops and starts.
Worldly Action vibe.
BASKET CASE (:32)
137
EW#
(cont.)
30 –
31 –
32 –
33 –
34 –
35 –
36 –
37 –
38 –
39 –
DEVIL IN THE DETAILS (1:04)
Edgy , awesome drum groove with driving synth melodies,
fuzzy effects and big guitar chords. Cool techno vibe.
DEVIL IN THE DETAILS (:33)
FAT BOY (1:01)
Chunky, techno guitar groove with slacker drum hits and a
beefed up back end. Methodical, thinking, Investigative.
FAT BOY (:29)
MONGOOSE (:56)
A super-sneaky groove on hyper-drive. Way-fast, spy-guy
electronic action with deep synth bass-line and cutting
guitar.
MONGOOSE (:31)
SCREAMING PIGBAG (1:03)
70’s-inspired retro open kicks into a big, modern,
rocktronica party! Rockin’ drums with fun stops and starts,
cool breaks and funky, funky guitar.
SCREAMING PIGBAG (:30)
TRANSMISSION (:58)
Frantic, action drama with pounding drum breaks and
nervous synth melodies. Paranoid, ticky and freaky, but
you gotta love it.
TRANSMISSION (:31)
138
“This is the one with the cool rockin’ moves and the heavy Now grooves. If
you need your party jumpin’, get this one pumpin’. ”
ED.
EW#
1–
TEXAS BOOGIE WOOGIE (1:47)
Southern fried, down ‘n dirty boogie rock with an
awesome duel slide and kickin’ lead guitar solos.
Jamming, upbeat , fun and bluesy.
Composed by: Michael Kosta, ASCAP.
2–
IN THE AIR (1:11)
Driving upbeat ‘Killers’ style pop rock with
awesome string melody.
3–
NEXT BEST THING (1:37)
Upbeat guitar-driven pop rock with cool guitar
solo at :44 in. Upbeat and fun.
4–
BOB AND TWITCH (1:25)
Up-time pumping guitar rock with raw new wave
edge. Indy, Garage Rock… “OK Go” style.
139
EW#
(cont.)
5–
SANTIAGO DRIVE (:40)
Mid-tempo Latin percussion and groove with a
sexy guitar melody. Latin Rock. Modern ’Santana’-vibe.
6–
HEAD ON (1:11)
Hard, screaming rock with melodic piano colliding head on
with an awesome lead guitar solo break. Great guitar and
drum build at end… with cool breaking glass.
7–
APE KNUCKLE (2:18)
Funky ‘Lenny Kravits’ style gritty guitar rock. Gets heavier
as it heads to a cool, low-end break down at 1:44. Funk Metal.
8–
SHAKE IT BABY (1:07)
Upbeat, high-energy rock with big horn stabs and
Groovy Melody. Great International spy driving music.
Super fast, Funky, Fun, Action Rock.
SHAKE IT BABY (:32)
9–
10 –
11 –
12 –
13 –
ENERGIZED (1:00)
Cool, upbeat indy synth new wave with an edgy
guitar and poppy melody. Indy Pop Rock.
ENERGIZED (:32)
SUNSHINE DAY (1:03)
Cheery pop rock with an upbeat, happy groove. Optimistic
string melodies with a light pop vibe.
SUNSHINE DAY (:34)
140
EW#
(cont.)
14 –
15 –
NIGHT SHIFT (1:04)
Super-shifty, cool and funky 80’s groove with a turn to an
upbeat pop melody… a la Gere in ‘Gigolo’. Funky, but light
pop rock.
NIGHT SHIFT (:33)
16 –
RUNNING TIME (1:31)
Indy synth guitar rock kicks into an upbeat melody.
Starts driving at :57 seconds in. Cool pop groove.
Composed by: Sean Smith, SESAC.
Published by: MAClove Music, SESAC.
17 –
POP CAR (1:09)
Happy, upbeat Indy pop rock with catchy, fun melody. Great
for car advertising. A la ‘Postal Service’.
POP CAR (:30)
18 –
19 –
20 –
JOY KILLER (1:42)
Melodic pop rock with chilled out keyboard melody
at the top, quick up-tempo groove in the middle … and
cool tight ending. Hipster Indy Rock.
JOY KILLER (:27)
21 –
BEAUTIFUL GIRL (1:10)
Happy , ‘feel good’, pop song with beautiful string melodies
and guitar. In the style of ‘Cold Play’. Indy Pop Rock.
22 –
Cool Thing (1:18)
Upbeat, dance, pop kind of thing with a great groove,
disco guitar and a chorus of children shouting ‘Hey!”
In the style of ‘Ting Tings’. Dance Pop Rock.
141
EW#
(cont.)
23 –
24 –
25 –
26 –
27 –
28 –
29 –
30 –
31 –
32 –
BAGHDAD GIRLZ (:57)
Middle-Eastern style grinding dance pop with an exotic
rock guitar to really spice it up.
BAGHDAD GIRLZ (:30)
IN DISGUISE (1:01)
Cool synth intro leads to 90’s dance groove with pop melody
and acoustic guitar. Light rock in the style of ‘Midnight Oil” or
“INXS”.
IN DISGUISE (:31)
FLOATING IN SPACE (:59)
Light Indy Synth Rock with open guitar chords and effects.
Upbeat and cheerful pop.
FLOATING IN SPACE (:33)
UP THE COAST (1:03)
Mid-tempo light guitar rock. Building to the end. Good
feeling groove. Light Pop Rock.
UP THE COAST (:32)
HAPPY STREET (:58)
Laid back light groove pop rock with cool, synth melodies.
Cruising along, driving the Strip or along the PCH.
HAPPY STREET (:34)
142
EW#
(cont.)
33 –
34 –
35 –
36 –
SMOOTH MOVE (2:08)
70’s style light funk groove with sax and flute solos.
Smooth bass-line gives it a jazzy feel.
SMOOTH MOVE (:30)
SEVENTIES SKATER (1:45)
Upbeat, peppy 70’s style disco right out of the roller rink.
Dance groove with funky guitar and string melodies.
SEVENTIES SKATER (:29)
37 –
DESERT PLAINS MIRAGE (1:21)
Solo Spanish style guitar. Romantic , sexy and reflective.
Very mirage like. A cabanero reflects on his checkered
past.
Composed by: Michael Kosta, ASCAP and Frank Harold Wilsey, ASCAP.
38 –
MANHATTAN (:37)
Old New York ‘Woody Allen’ style jazz with stand-up bass,
brushes on drums and a piano solo.
39 –
JAZZY (1:27)
Silly, old-fashioned comedy stand up bass with piano solo
and finger snaps. Curious funny stuff. A fun, cartoon vibe.
40 –
ZOOT SUIT COOL (:45)
Laid-back finger snaps and cymbals make this one super
cool and extra groovy. What are you wearing?
143
EW#
(cont.)
41–
CRUISIN’ (1:48)
80’s ballad-style guitar rock with solos and pulsing string
stabs. Builds to the end.
42–
WHEN IT’S THIS GOOD (1:27)
Pop rock ballad. Instrumental with guitar solo and
acoustic ending. In the style of ‘Jonas Brothers’.
Composed by: MICHAEL KOSTA, ASCAP.
Published by: Fanglove Music, ASCAP and Gracerose Music, ASCAP.
43 –
THE WHOLE NINE (2:50)
Modern metal with screaming vocals and chunky, driving
guitar with solos. Lyrics “You know about everything…
talking it all away… taking the whole nine.” In the style of
‘Linkin Park’
Composed by: Vincent Cacciotti, ASCAP and Eric Gantenbein, ASCAP
44 –
NOW IS THE TIME (4:04)
Contemporary dance pop groove with female e vocal.
Upbeat and positive. Lyrics: “Now is the time… to live my
life”. Cher meets Jewel.
45 –
WITHOUT YOU (5:32)
Modern pop ballad in style of Emo. Slow with female vocals
and harmony. Moody and reflective. Lyrics: “I can’t just
turn back time, I count the days going by without you…” and
“I can’t enjoy the ride without you”.
144
EW#
(cont.)
46 –
CRY (3:25)
Britney Spears style dance pop with heavy guitar groove
chorus. Lyrics: “Cry, like I cried for you then. Cry, knowing
never again” and “How does it feel to feel what I feel?
Never again, yeah, never again. “ Broken-hearted , womanscorned kind of vibe.
47 –
GOODBYE IS HARD TO SAY (4:59)
Slow emotional pop song with female vocals. Lyrics are:
“Goodbye is hard to say, leave another way. Goodbye is
hard to say, leave another day.” It’s a sweet yet sad love
song in the style of ‘Massive Attack”.
48 –
THINK IT OVER (3:55)
Britney Spears styled pop groove ballad with female
vocals. Light harmony and airy keyboards. Lyrics : “Just
think it over, cause it’s not over.”
49 –
SO U SAY (3:42)
Pop with a hip hop groove a la Britney Spears. Female vocal
with effects and guitar-driven chorus. Lyrics: “Take my
heart and lock it away.”
50 –
WHERE I’M AT (3:52)
Acoustic pop song with slow jam hip-hop groove. Lyrics:
“So long to love, just had enough. Can’t change my mind,
too hard to find. Alone is where I’m at.” In the style of ‘Pink’.
145
EW#
(cont.)
51 –
MY HIGH (4:41)
Slow, hip-hop groove with female vocal and harmony. Lyrics:
“You’re like a drug, you’re no good for me. I breathe you in,
filling me with ecstasy. And when you’re gone my body starts
to cry, I’m in withdrawal, I can’t give you up, my high.” In the
style of Beyonce’.
52 –
STEP BY STEP (4:08)
Dance, house groove with female vocals and keyboards.
Lyrics: “Open your eyes and see. Taking it step by step.” In
the style of Madonna meets Cher.
146
“This is the one with the drums, the drama, the drones…oh my.
It’s one killer, thriller, chiller.”
ED.
EW#
tHiRty: thriLLer- drums, drama & drones
1–
DRUID SACRIFICE (1:59)
Ominous gothic voices and drums pounding out an Epic
Battle! Clanking metal and big hits. Gothic percussion.
Action Drama.
2–
CHOKEHOLD (:48)
Scary dark drone with rising FX, voices and big hits. Horror,
drone, dark drama.
3–
MEAN MACHINE (1:44)
Dark, scary drone with percussive hits building to a
rhythmic, almost robotic groove with fuzzy bass FX.
Horror. Thriller. Dark drama.
4–
CHASE IS ON (:38)
Suspenseful action with swirling strings, gothic voice
stabs and big hits frantically building to the end. Thriller,
suspense.
147
EW#
(cont.)
5–
DRIVING WITH THE DEVIL (1:17)
Creepy open with distant bells and scary hits.
Builds into a super cool, methodical groove.
Explosion FX at the end. Groovy, Dark Drama, Suspense.
6–
SNAKESKIN (:33)
Frantic thriller. Piano and strings pound out a tense groove
with cool string underscore. Action, thriller, suspense.
7–
BIG BANG THEORY (1:40)
Reluctant and scary piano at the top… large and long build
to pure horror! Big frightful finale. Horror, Thriller, drama.
8–
THE KEEPER (1:38)
Scary, horror thriller… chills with otherworldly
FX and super spooky percussion. Moaning
drones make this one extra creepy all the way to the end.
Horror, thriller, dark spooky drama.
9–
INTRUDER (:45)
Scary strings and brass at the top lead to a tension-filled
frightening percussive groove. Suspense, Thriller, Chase!
10 –
BURN (:42)
Ominous robotic pounding with metallic vibe, FX and scary
guitar. Terminator style Thriller. Dark, dramatic
percussion.
148
EW#
(cont.)
11–
STAIRWAY (:36)
Tense building strings and brass. Driving piano and
percussion underscore. Action thriller chase.
12 –
TEMPLE CREEPS (1:09)
Creepy bells and cymbals create a haunted monk
caveman kind of thing. Horror, Thriller, Drama.
13 –
THE TRAP (1:03)
Pulsing strings, thrilling ‘Hitchcock’ style orchestral. Strings
and brass build with percussion and a swirling harp to a big
dramatic ending. Suspense-filled Thriller Chase Drama.
14 –
HAUNTED HALL (:54)
Creepy bells and drone with FX make for a suspenseful,
deserted yet decidedly haunted house feeling. Horror,
Drone.
15 –
VERTIGO (:29)
Plucking strings, woodwinds, brass and staccato
orchestral hits build in a frenzied chase. Thriller,
suspense, horror. In the style of ‘Hitchcock’.
16 –
DARK TOURS (1:02)
Rising drones with voices and music bouncing around in
active discord. Unsettling and weird… with hits and stabs.
Horror, Thriller.
149
EW#
(cont.)
17 –
BEAST’S CAVE (1:49)
Scary drone with tense echo guitar effects and ghostly
sounds. Uptight and creepy horror/thriller.
18–
PSYCHO STRIKE (:51)
Uptight and tense psycho strings with swirling, building
orchestral underscore. Rises and stabs create urgency.
Horror, thriller.
19 –
DEEP MINING (1:05)
Low ominous drone with airy efx. Scary and alone. Desolate
and cold. Horror drone.
20 –
MIDDLE EARTH (1:02)
Light drone with spacey, airy effects throughout. Desolate,
cold and alone. Dark drone.
21 –
THE SWARM (:44)
Strings build to scary melody. Swirling to dramatic climax.
Thriller, drama, drones.
22 –
ALBATROS (:45)
Pulsing strings and stabs open. Creepy piano melody
drives to the end. Drama, action.
150
EW#
(cont.)
23 –
THE SPOOKS COME OUT (1:36)
Airy, dramatic rises. Dark, pulsing melody. Creepy, sinister
vibe. Thriller, drone, drama.
24–
EERIE UNDERGROUND (:59)
Disturbing drone… what it sounds like inside your head
when you’re underground. Thriller, drama, drones.
25–
ENLIGHTENMENT (:46)
Tense and tinkling with dramatic rises and FX. Thriller,
drama.
26 –
CONTACT (:42)
Spacey drone rises and falls. Like a mental field trip. Relax
and breathe.
27 –
HIPSTER HAUNT (1:12)
Fun and spooky. Rhythmic percussion with scary effects
and rises. A hipster ghoul party at Frank’s place. Thriller.
28 –
DAS SPOOK (1:15)
Buzzing, swirling, effect-filled spooky piece with rising
drones and disturbingly scary ending. Thriller.
151
EW#
(cont.)
29 –
HOVERCRAFT (:54)
Alien spacecraft hovering. Bass-driven melody with
spooky rises and falls. Thriller, drama, drones. Scary.
30 –
AIR UP THERE (:58)
Airy, spacey drones to chill by. Calming, relaxing, sweet
swirling melody. Drones, drama.
31 –
SPACE (:46)
Alone in space. Quiet, reflective and a little frightening …
out there floating without a ship in sight. Drone.
32–
HAUNTED LULLABY (1:13)
Slow, disturbing piano melody with scary, swirling strings.
Building orchestral drama with haunted overtones and big
hit at end. Dark drama, thriller.
33 –
GOING DOWN (1:18)
Heartbeats intro into dark, hipster melody. Building. Piano,
strings, percussion. Dark drama, thriller.
34 –
WATCHER IN THE WINDOW (1:14)
Introspective piano and string melody. Thought
provoking… takes you to a dark place. Dark drama, thriller.
152
EW#
(cont.)
35 –
THUMP AND DESTROY (:34)
Thumping, driving percussion with scattered drum hits
and effects. Nuclear ending. Drama.
36 –
KEEP RUNNING (1:30)
Scattered percussive hits get faster and faster launching
into a fierce tribal rhythm. Action, drama, thriller.
37 –
DO NOT PANIC (1:11)
Intense airy open… builds to super underground
percussive melody with effects and rad hits. Percussion,
drama, action, thriller.
38 –
WHERE TO TURN (1:01)
Super agent drama. Dark, intense, swirling string melody
with great resolve. Drama, thriller.
39–
THE HOLLOW (:44)
Hollow, dark and droney. Winds and chimes swirl and howl
into a menacing melody.
153
“This is the one that really gives it to ya. The ‘Holy Crap!’, ‘Which wire
should I cut?”, Manicky-Panicky, Big Bad Action Adventure.”
ED.
EW#
1–
RED WIRE, GREEN WIRE (1:05)
Pounding, driving drums with big strings and heavy guitar @49
seconds. Building tension and stress. Great for action drama. Jack
Bauer is racing through the city.
2–
MANIC PANIC (1:26)
Manic and frantic pounding drums with heavy guitar, cool
strings and FX. Drums and guitar go completely nuts and
build to a crazy finish. Great for chase and destruction.
3–
BATTLECRY BABY (1:15)
Dramatic strings and pulsing, pounding drums lead to an
out of the blue heavy and dirty guitar break @ :37. Crazy
action drama with big hits, great for chaos and mayhem.
4–
TANKS ON THE HORIZON (1:36)
Big ominous action adventure orchestra. Building military
style with pounding drums. Dramatic pulsing strings.
154
EW#
(cont.)
5–
SLIDING DOWN THE MOUNTAIN (1:06)
Tick Tock. Building percussion and strings with big hits
working into driving Action Adventure groove. Suspense.
Chase.
6–
BITCHIN BELLS AND WHISTLES (1:00)
Spooky, percolating and building percussion with moody
suspense-filled strings. Very rhythmic drama.
7–
NUCLEAR WASTELAND (2:05)
Exciting orchestra and drums with emotional melodies.
Heavy guitar helps build tension and lends power.
Impactful and strong action adventure.
8–
FRENZY IN THE CITY (1:47)
Pounding, driving drums and string melodies in a fastpaced action adventure chase. Big hits give impact. Jack
Bauer on the run.
9–
ENDEAVOR (:53)
Slow groove with strings and voices building in a brooding
vibe. Dramatic adventure.
10 –
PRAYER CIRCLE OF FEAR (1:20)
Slow, spooky, ominous and pounding drums and
percussion roll with suspenseful string melodies…
creating great dramatic tension.
155
EW#
(cont.)
11–
SEND IN THE GIANTS (1:29)
Big driving orchestra and drums pound out a larger-thanlife frantic action chase. Developing and urgent melodies
make for a great dramatic adventure.
12 –
RISING FROM THE DEPTHS (1:39)
Classic action adventure with intense, swirling, building string
melodies getting faster and faster. Dramatic tension and stress rise
to the top.
13 –
NIGHTMARE MACHINE (1:18)
Big, scary, ominous heart-racing action. Pounding drums and
percussion with big orchestra chasing after you.
14 –
SPOOKS IN THE TEMPLE (:51)
Dark and sinister with creepy FX. Cool percussive groove.
Horror, suspense and drama.
15 –
WARLORDS ON THE MOVE (1:05)
Big drums and driving percussion with building strings.
Dramatic developing action in faraway lands. The pressure
is on.
16 –
ASSAULT (1:23) *drums only
Driving drums and percussion building to a booming end.
156
EW#
(cont.)
17 –
PRIMAL THUD (1:40) *drums only
Big pounding tribal drums.
18–
BALL BUSTER (1:44) *drums only
Pounding, ball-busting action drums.
19 –
BASE JUMPER (1:21) *drums only
Heavy TOM TOMS pound into an off-time drum kit beat.
20 –
BIONIC BEATS (1:11) *drums only
Crazy all-over-the-place drums and percussion. Up-tempo
and wacky.
21 –
ON THE RAMPAGE (1:12) *drums only
High-energy drums with odd time changes. Cool, raging action.
22 –
ARMADA (1:19) *drums only
The fleet goes into battle. Pounding military-style drums.
23 –
WIG WAM OF EVIL (1:15) *drums only
Slow, pounding tribal drums mixed with evil FX.
24–
NERVE DAMAGE (:59)
Driving, uptight and nervous action drums.
157
“This is the one that gets down to the nitty gritty. The CSI’s, Super Snoops,
Private Dicks, News Hounds, Limping Docs and High-Tech Lab Rats will
appreciate the musical accompaniment.”
ED.
EW# thIRTY-TWo: investigative, medical,
technical drama
1–
COLD CASE (1:06)
Clean, antiseptic piano melodies mix with grooving percussion
and mysterious strings to create a curious and nosey investigative,
medical drama vibe. Optimistic, vibrant, vivid.
Published by: Maclove Music, SESAC.
2–
MOLECULAR RELEASE (1:22)
Hip and mysterious sequenced keyboard melody with
working groove and ambient string pads. Great
investigative case-solving drama. Medical, technical
intensity. Eclectic and powerful.
3–
PRYING EYES (1:11)
Dangerously cool and curiously unfolding investigative
drama. Piano and strings create a fantastic mysterious
feel then gives way to a hip, pounding groove. Great for
snooping or almost getting caught.
158
tech drama
(cont.)
4–
MYSTERY LAKE MYSTERY (1:06)
Swirling piano and urgent underlying percussion create a
mysterious and tense dramatic, investigative and
strangely important mood. Revealing and intense.
5–
DISSECTING THE TRUTH (1:07)
‘Music box’ like opening melodies kick into an up-tempo
groove that builds with clean guitar, powerful piano and great
accent hits. Upbeat, driving, super-smart and dramatic.
6–
DOUBLE TOP SECRET IDENTITY (1:09)
Dramatic open with bell gong. Swirling piano melodies.
Builds with eclectic mix of strings, percussion and
powerful electric guitar stabs. Steady, urgent, moving
drama with punchy ending.
7–
DNA FRAGMENTS (1:13)
Airy strings and piano opens up to pulsing bass and
drums, creating a methodical rhythm. Curious and
investigative. Crime or medical drama.
8–
CAUGHT IN THE ACT (1:06)
Dark and dangerous, curious and investigative drama.
Piano and guitar melodies slice in and out of drum hits,
strings and FX. Investigative, crime drama, medical feel.
159
tech drama
(cont.)
9–
THE TEAM ON THE SCENE (:57)
Pulsing, building percussion and strings with strong guitar
punches, strings and swirling keyboard melodies.
Prepared and powerful… Ready to roll.
10 –
DARK TIMES (1:06)
Dark and ominous drone with awesome voices and hip
groove. FX and hits. Great for dark alleys, haunting reveals
or for anything Evil.
11–
NOTHING BUT THE FACTS (1:12)
Pulsing and popping percussion and keyboards. Builds
into a grooving investigative drama. Important, revealing,
powerful reporting.
12 –
MOVE IT, MOVE IT (1:02)
Dark and mysterious urgent groove with building strings and FX.
Purposeful and steady. Moving and dramatic.
13 –
RESEARCHING A CURE (1:11)
Twinkling piano open leads to hopeful guitar and strings.
Building drums and percussion. Positive, powerful and strongly
optimistic.
160
tech drama
(cont.)
14 –
SECRETS, LIES AND STUFF (1:10)
Intense, upbeat and pulsing percussion with piano and
guitar. Building into a proud and confident groove. Strong,
smart, important.
15 –
JUST FOLLOWING LEADS (1:03)
Serious thinking melodies with drums and clicking bell…
help the CSI’s delve even deeper into their investigation.
16 –
HEAD RUSH (:51)
Thought-provoking and focused melodies with confident
building drums and percussion. Twisting, tumbling and
intense. Investigative drama.
17 –
SPEED BOATS AND HUMMERS (1:04)
Big, wide-open groove with chunky synth bass-line.
Pounding beats, Bent guitar notes and powerful fast and
chunky flavor. Great for the big chase to catch the killer.
18–
ON THE STREETS (1:10)
Dramatic and sparse piano open creates mystery and
intrigue. Percussion steadily builds to the end. Great for a
without-a-trace or vanished investigation.
19 –
URBAN SLUMLORD (1:11)
Grooving drum beat with sexy, jazz-funk vibe. Guitar and
sax riffs are great for urban reporting or when you just
want to get up and groove. Cool.
161
tech drama
(cont.)
20 –
DAN GERMAN ON THE CASE (1:07)
Grooving, rolling drums with a big fat, fuzzy synth bass.
Great for the ‘bad ass’ team in route to bust the
investigation wide open. Kickin’!
21 –
INQUISITIVE FREAK (1:01))
Funky, thumping drum groove with super cool and confident casesolving melodies. Investigative, medical drama.
22 –
SHADES ON, SHADES OFF (1:11)
Super ‘badass’ rolling groove with bass synth and
methodical melodies. Investigative cool.
23 –
DOOMSDAY SURPRISE (1:23)
Dark, dramatic string pad with random drum hits and
string stabs. Dark ‘end of the world’ kind of stuff. Intense,
Powerful and somewhat scary.
Composed by: Michael Toland, ASCAP.
24–
POIGNANT GOOD-BYE (1:03)
Reflective piano with light percussion and chimes. Breaks
at :30 and builds again even stronger. Sentimental, warm
and thought provoking.
25 –
GROOVY PRIVATE DICK (1:12)
Groovy percussion with ‘private eye’ type horn solos.
Drums open up bigger at :33. Cool, sexy and on the case.
162
tech drama
(cont.)
26 –
THE DEEP SADNESS (1:19)
Sad and brooding piano with melancholy strings. Good for
the telling of unspeakable crimes. Dark, sad, moody drama.
27 –
WHAT LIES BENEATH (1:17)
Clean, meticulous investigative groove with hand drums
and piano at the top. Light rolling synth melody @ :30 with
chimes and FX. Super-slick CSI type situation.
28 –
IN HARM’S WAY (1:14)
Industrial-style drums with big guitar stabs and steady
building strings… create a pressure-filled intense vibe.
Strong, powerful, intense, awesome. Watch your back!
29 –
MIDEAST PEACE CONVOY (1:40)
Building hand drums and Middle Eastern instruments, with
male voices in the background, create a meditative
journey to distant land. Reflective, explorative,
investigative drama.
30 –
MIDDLE EASTERN GROOVE CHANT (:35)
Hip, Middle-Eastern groove with male vocal chants. Takes
you into another world. Investigative, explorative, intense.
31–
NEW REFLECTIONS (1:48)
Airy strings and piano create an optimistic journey with
hand drums and woodwinds. Uplifting and hopeful… like
floating on a cloud.
163
tech drama
(cont.)
32 –
OPIUM DEN DRAG (:39)
Slow and methodical, low and draggin’ drums and percussion.
Beakers and test tubes all over the place. Experimental, explorative
and deep delving drama.
33 –
BEAT IN THE BOX (1:16)
Grooving electro-beat with fat synth lines and funky percussion.
Investigative and stalking melodies make this one Undercover
Cool.
34 –
PSYCHO HOUSE SEXY (1:10)
Hip, bubbling percussion and driving drum groove with
synth voices and melodic strings. Straight movin’. Great for
investigative news and drama.
35 –
RUN FOR COVER (:44)
Siren-like squealing guitar effect at the top kicks into
massive driving rock with cool ending. Rocking medical
emergency!
Composed by: Joseph Timothy Curtis JT, ASCAP.
36 –
VIRAL FLOOD (1:23)
Dark drone with big hits and shimmering chimes. Synth
pads and voices create a futuristic weird mood. Menacing
and thoughtful.
37 –
SHALLOW GRAVE (1:15)
Subterranean, dark and brooding drone with big, scary hits
and FX. Creepy, dark drama.
164
tech drama
(cont.)
38–
ENDS OF THE EARTH (1:13)
Uplifting and inspiring strings and chimes with some
woodwinds. Light percussive groove with swelling
melodies. Strong, positive and bright.
39 –
TOMB RAIDER (1:10)
Dark drone with driving drums and swelling synth pads.
Heart-pounding drama. What’s at the bottom of the well?
40 –
NIGHT PROWLER (1:00)
Running-out-of-breath piano bass line with random drum
and orchestral hits. Psycho, thriller, dark mystery, chase.
41 –
AREA 51 (1:04)
Methodical and building groove with drum hits and guitar echoes.
Spooky, sneaky, dark investigative drama.
Composed By: Michael Toland, ASCAP.
42 –
STEPS OF THE CAPITOL (:32)
Intense pounding drums and orchestral hits combine with
string voices to create a serious, investigative news vibe.
Dramatic. Commanding.
43 –
BEHIND LUNATIC EYES (1:16)
Drone with big hits, FX, synth pads and twisted percussion.
Scary and Lonely.
165
“This is the one with the super rockin’ cats that know where it’s at. It’s Rock
and Pop and Vocals. Pump up your stuff with a hit of this and that.”
ED.
1–
2–
3–
4–
ELECTRIC SHAKE (1:42)
Steady bass drum intro kicks into big rockin’ guitar groove. Great
medium tempo groove with cool guitar solo. 80’s ‘top 40’ rock ‘n
roll. :30 has great intro.
ELECTRIC SHAKE (:30)
FUNKY DREAM (1:04)
Up-tempo groove rock with cool effected piano open and
rocking Wah Wah guitar. 80’s ‘top 40’ pop rock, Alternative.
FUNKY DREAM (:31)
5–
ROCK SHOW (1:02)
Quick, up-tempo rock with driving drums and multiple
guitar solos and hooks. Cool end. Rock, Alternative, Guitar
Rock.
6–
HIP CHECK (1:34)
Sneaky guitar and slick drum open builds to melodic
driving hard rock. Cool climb @ :60. Hard Rock, Rock.
166
(cont.)
7–
BLACK AND BLUE (:51)
Driving guitar and drum open slams into punky hard rock.
Check out the cool ending. Alternative, rock, punk.. Perfect
for Extreme sports.
Published by: Gracerose Music, ASCAP.
8–
HOT WORK (1:01)
Melodic piano open slams into pop rock with great guitar
solos and melodies. Cool drum licks break out @ :30 and
set up super guitar and drum solos. Rock, pop.
HOT WORK (:31) - cool drum open.
9–
10 –
11 –
12 –
13 –
14 –
15 –
THE CIRCUS STOMP (:59)
Bizarre, but super hip circus keyboards mix with hard
rockin’ guitars to create a very bitchin’ piece. Yeah, I said
‘Bitchin’. Long version has cool diving stop @:40. Driving
rock, alternative rock.
THE CIRCUS STOMP (:31)
RUBBER HITS THE ROAD (:45)
Hard driving and heavy boogie rock ‘n roll with great slide
guitar solo. Perfect for grungy car and truck stuff or
Nascar. Rock, hard rock.
RUBBER HITS THE ROAD (:31)
STRANGE LUCK (1:08)
Upbeat, driving acoustic and electric rock with up-tempo
drums. Rock, Pop, alternative.
STRANGE LUCK (:30)
167
(cont.)
16 –
17 –
HYPER DRIVE (1:02)
Fast, hard-driving, heavy-hitting rocktronica style rock
with cool breaks and FX. Hard Rock, Industrial Rock.
HYPER DRIVE (:31)
18 –
ALL IN MY MIND (1:08)
Indie, up-beat, pop rock with hooky guitar melodies. Top
down on the car, bungee jumping, sky diving kind of stuff.
Fun, open vibe. Reflective, Pop Rock.
19 –
STEEL RACER WITH VOX-N-SLIDE (2:36)
Ramping slide guitar intro slams into fast, hard-driving
rock with cool vocal shouts, “Hey Whoa”, “Oh Yeah!”
“Yeah!”. Super heavy guitar with great ending. Rock.
20 –
WRECKING BALL (2:30)
Gritty, dirty, fuzzy drums with rolling and popping bass line.
Funky guitar with FX plays heavy against the groove. Guitar
gets a little scary @ 1:13. Alternative, hard rock.
21 –
SHAKE (2:54)
Female vocal pop rock and dance with lyrics: “Let’s go…
Go!”, Hey!”, “Shake it, Shake it”, “Come on and shake it”,
“Let’s go, move it just right”, “Do ya wanna, do you wanna
shake it?” Cool breakdown @1:30. Male vocal rap. Driving
dance pop rock.
168
(cont.)
22 –
IN MY HANDS (4:41)
Female vocal pop rock dance groove with lyrics: “That I
know without shame, although I will forgive, the sand in my
hand goes slipping away…” Dance, Pop, Alternative.
23 –
YOU TAKE ME HIGHER (5:11)
Pulsing dance pop that builds with synthesizers and drums
and percussion. Male vocal repeats, “You take me higher,
you got the power to put out the fire, you take me higher
and higher and higher.” Euro-dance club vibe.
24 –
WITH THE TOP DOWN (1:07)
Fun, Groovy mid-tempo guitar rock. Alternative, pop rock.
WITH THE TOP DOWN (:30)
25 –
26 –
27 –
28–
29 –
30–
31 –
GROOVY LOVEBUG (1:04)
Psychedelic open to Mid-tempo acoustic and electric
guitar rock. Fun, alternative, pop rock.
GROOVY LOVEBUG (:32)
GETTING AWAY FROM IT ALL (1:03)
Light, happy, guitar rock with acoustic and clean electric
guitars. Drums and percussion. Light rock pop.
GETTING AWAY FROM IT ALL (:33)
ONE LAST DAY (1:08)
Upbeat, optimistic, pop rock with driving bass-line riding
all the way through. Rock, pop.
ONE LAST DAY (:35)
169
(cont.)
32 –
33 –
34 –
35 –
36–
37 –
38–
39 –
PUNK YOU UP (1:03)
Fast driving punk rock style with heavy guitars. Slam away
all you punkers!
PUNK YOU UP (:30)
GETTING TWISTED (1:03)
Medium tempo funky guitar rock. Electric guitar groove,
cool rockin’ drums and sexy melody takes it out.
GETTING TWISTED (:30)
NO ANGER MANAGEMENT (1:04)
Super spastic intro into a metal dirge with heavy throbbing
guitars and pounding angry drums. Hard and dark rock.
NO ANGER MANAGEMENT (:33)
IN THE MOMENT (1:00)
Driving guitar rock goes from moody to optimistic. Dark to
light rock. Cloudy to partLy-sunny.
IN THE MOMENT (:31)
170
“This is the one that pumps and jumps and rocks it out.
Use it to blast your work through the roof… It’s pretty bitchin’.”
ED.
EW# ThirTy-fOUr: indie alternative rock
1–
2–
3–
4–
5–
6–
7–
8–
9–
10 –
GOOD MORNING (1:17)
Up-tempo happy guitar rock. Clean and Peppy. Cool Guitar solo.
Have a great day!
GOOD MORNING (NO SOLO) (1:17)
GOOD MORNING (:30)
GOOD MORNING (NO SOLO) (:30)
JUMPIN’ JIVE (1:05)
Big, fat, wide-open tom-tom drums pounding out a wicked
groove. Punchy, slamming, power-chords make it swing.
Jive, rockabilly, big band style.
JUMPIN’ JIVE (:30)
LURCH AND STRUT (1:12)
Gritty, sexy, reggae groove with nice ‘n nasty baseline. Creepy, cool
organ and haunting guitar notes make it super groovy.
LURCH AND STRUT (NO SOLO) (1:12)
LURCH AND STRUT (:30)
LURCH AND STRUT (NO SOLO) (:30)
171
(cont.)
11 –
GIMME SHIMMIE (1:20)
Up-tempo indie rock with catchy baseline, hand claps and
percussion. Indie, guitar, alternative garage rock.
12 –
SUPER PEP (1:25)
Driving, up-tempo, super fast, alternative rock with
acoustic and electric guitars. Cool percussive breaks.
Happy, Peppy, Punchy… Feel-Good Indie rock.
SUPER PEP (:30)
13 –
14 –
15 –
16 –
17 –
18 –
19 –
20 –
21 –
OPEN ROAD (1:43)
Cool, driving, alternative rock. Crunchy guitars with pop
melodies and punchy breaks. Happy, open road feel.
OPEN ROAD (:30)
DOWN AND DIRTY (2:13)
Mid-tempo, gritty, down ‘n dirty rock with classic guitar hooks and
breaks. Get out your Air guitar!
DOWN AND DIRTY (:35)
DOWN AND DIRTY (:56)
DOWN AND DIRTY (MORE GUITAR) (:35)
GALLACTIC PARTY (1:05)
Super slick, spacey open kicks into up-tempo, driving,
synth rock with guitars and FX.
GALLACTIC PARTY (:30)
172
(cont.)
22 –
23 –
STICKY FINGERS (1:00)
A little cow bell with some classic rock guitar and groovin’
percussion make this a fine example of classic ‘good time’
rock.
STICKY FINGERS (:30)
24–
HAND HELD (1:33)
Funky, driving, super-quick drum and base groove. Video
game madness. Cool breaks and guitar squeals.
25 –
MIAMI BREAKERS (1:39)
Big, wide-open and funky. Hooky guitar intro. Slick groove
with FX and orchestral stabs. Killer beach action.
Composed by: David Richard Christopher Norland, ASCAP.
26 –
ANARCHY IN THE EGG NOG (1:25)
Punky, new wave, driving rock with sleigh bells! Festive,
sparkling, bright, good holiday fun. Christmas cool.
27 –
SMOOTHE RIDER (:30)
Smooth and groovy drum and base with acoustic guitar
and spacey keyboard. Cool echo vocals at end. Relax, ride
and chill.
28 –
SKATEBOARD CHRISTMAS (1:14)
Rocking and festive! Bright and quick-witted holiday style.
Bells and twinkles make for a Merry Christmas mood.
Reggae breakdown in the middle is super cool.
SKATEBOARD CHRISTMAS (:33)
29 –
173
(cont.)
30 –
SUGAR BABY (2:55)
Slow-building, hooky pop song with medium-tempo and
happy guitar melodies.
31 –
SLACKER IN BLACK (2:02)
Ultra heavy alternative metal with grinding, gnarly guitar.
Mean and evil with dark melodies. Super black grunge.
32 –
FRIZZLE FRAZZLE (3:19)
Building, tossing, turning intro pounds into angry metal
guitar grind. Mid-tempo with thumping drums and wicked
guitar changes. Dark alternative Metal.
174
“This is the one full of big dark magical fantasy triumphant action adventure
drama trailer soundtrack score and more. Say it fast, it’s fun!”
ED.
1–
THE ENEMY WITHIN (1:49)
Dark and Ominous open with huge hits leading into driving action
with Gothic voices. All in @ 1:07 building to a frantic ending! Great
for all genres. Dark Action Adventure.
Composed by: Jim Latham, ASCAP.
2–
IN THE EVIL ROOM (1:52)
Dark, Gothic Voices build dramatically with big orchestra
and drums in Epic Evil Suspenseful Action.
3–
MAGIC IN THE ALLEY (2:15)
Magical Fantasy with Haunting Choir and wonderfully
curious melodies. Magic and Wizards abound. Adventure,
Family, Magical.
4–
PIRATES OF THE ADEN (1:53)
Haunting and Beautiful Solo vocal starts this majestic
action adventure. Drums and strings build to a rousing
climax.
175
(cont.)
5–
THE RISING ARMY (1:54)
Dark and intense Orchestral score. Tension and Suspense
come to a climax with building strings and drums.
Dramatic, epic adventure, dark drama.
6–
SECRETS OF THE TOMB (1:51)
Dark drama leading to intriguing magical fantasy. Wonderful
Gothic choir comes in @ 1:08 and builds to the climax with
voices and drums. Adventure, Fantasy, Dark Drama.
7–
YO HO ON DECK (2:01)
Drum-driven orchestral action sets sail for the High Seas. Beautiful
melodic breakdown @ 1:05 builds to chanting male voices and a
stirring finish. Swashbuckling Adventure Action Drama.
8–
HELLO SATAN (1:37)
Gothic Choir with Orchestral pulses. Builds to Evil, Satanic
Devil Terror. Thriller, Horror, Dark Gothic Drama. Sorry.
9–
GRIP OF TERROR (1:00)
Troubling dark drama. Tense, pulsing and stabbing.
Wonderfully terrifying orchestra. Thriller, horror,
suspenseful dark drama.
10 –
AFTERMATH (1:13)
Beautiful, stirring string melodies with a slow moving
underscore. Drum and bell hits add drama to this dark,
mournful journey. Triumphant Drama.
176
(cont.)
11 –
RETURN TO VICTORY (1:17)
Curious and confident open leads to triumphant and
uplifting score with swirling strings and voices. Stirring
and dramatic adventure.
12 –
DEPENDENCE DAY (1:57)
Bold and courageous melodies inspire this triumphant,
orchestral action adventure. Driving, insistent drums kick
in @ :47 . Action, Drama, Adventure.
13 –
STORM THE CASTLE (1:55)
Dangerous drums and orchestra pound out a risky ‘edge of
your seat’ action. Tense and suspenseful. Action Adventure.
14 –
SHERWOOD JOURNEY (1:02)
Curious melodies with stabbing orchestra and swirling
woodwinds. Great for perilous chase. Action Adventure
Chase Drama.
15 –
CHARGE BRIGADE (1:12)
Mid-tempo, pounding drums with an ominous orchestral
score. Threatening and risky. Drama, Action Adventure.
16 –
BEIRUT SUNRISE (1:12)
Grooving hand drums and Middle-Eastern singing create a realistic
and sometimes somber mood. Panoramic Ethnic Drama. A journey
through the streets or the mountains of the Middle East.
International groove.
177
(cont.)
17 –
DEFENDING THE CLIFFS (1:27)
Productive and building score with tense string melodies.
Military style drums and orchestra create uncertainty and
a sense of danger and suspenseful action.
18 –
THE ESCAPE TUNNEL (1:02)
Tense and uptight. Hand drums, piano and strings create a
mounting tension. Great chase action.
19 –
OUT FLANKED (:35)
Tense, driving and building score with drums and strings.
Urgent and dire with sweeping strings @ :48. Big hits and
swirling melodies build to a climax.
20 –
THE SUPER DICK DETECTIVES (2:01)
International spy flavor with building percussion and
string stabs. International action drama. Chase scene
stuff.
21 –
MIDNIGHT RAID (1:57)
Building military drums and strings with classic
underscore create great action and tension. Dramatic
adventure.
22 –
DOUBLE AGENT (1:02)
Classic groovin’ spy chase scene with awesome string
melodies and drum rolls. The good guy drives along the
cliffs suddenly making his getaway in the helicopter
above. Action, Adventure, Drama.
178
(cont.)
23 –
SNAKE CHARMER (1:02)
Mysterious marketplace drama-filled with hand drums and
pungi melodies to hypnotize the snake. Ethnic, world,
mystery, drama.
24–
METAL MACHINE MAN (1:10)
Clanking, building, working and thinking drama with
mechanical groove and metal hits. Great reality, techno
drama.
25 –
SNEAKY SECRET (1:02)
Hip and mysterious spy drama. Strings and piano create
drama and intrigue.
26 –
THE DOUBLE CROSS (1:15)
Super groovy, slick and sexy. Spy drama adventure. Great
drum groove with woodwinds kicks in @ :36.
27–
SWITCHING THE CASE (1:13)
Music box-like plucking strings at Open lead into a
mysterious adventure groove. Perfect for the ol’ switch-aroo. Hip groove, cool action.
28 –
BUILDING A SKYSCRAPER (1:07)
Mechanical and precise percussion and strings create
tense drama. Big, wide open groove kicks in @ :36. Super
cool adventure drama.
179
“This is the one with all the drama… creepy, dark, hip, sexy
and sometimes a little freaky. Not that there’s anything wrong with that.”
ED.
1–
THIS CREEPY HOUSE (1:28)
Pulsing, dark and mysterious drama. Builds with heavy,
creepy guitar and piano @ :57. Dark, investigative Drama,
Action adventure.
2–
ASSEMBLE THE DEAD (1:39)
Fast, urgent drums and percussion with dark choir and
strings in @:37. Cool reverse echo at end. Dark Action
Drama.
3–
PIRANHA WHIRLPOOL (1:23)
Dramatic open with drum hits leads into driving drums and
percussion. Big hits and string pads lead to climax.
Percussive dark drama.
4–
THE CURE (1:33)
Mysterious and thoughtful piano and percussive groove.
Investigative and thinking drama.
180
(cont.)
5–
FUNKY ZOMBIE GI (1:36)
Bubbly intro leads to funky guitar groove with cool drum
break and solo. Mysterious strings help build tension.
Composed by: Julian Beeston, ASCAP and Jamison Martin Boaz, ASCAP.
6–
BIG HEAD (1:37)
Funky driving groove with big, open drum beat. Great for
action, adventure and sports. Driving groove rock.
7–
HACK OF ALL TRADES (1:14)
Plotting and thinking drama with cool bass and string groove.
Mysterious and Investigative. Suspense, Action.
8–
LIES, LIES AND MORE LIES (1:29)
Driving, percussion and FX create an investigative Groove.
Piano and strings lend to the drama. Fast and intense pace.
Dramatic Mystery.
9–
THE BACK ALLEY (1:33)
Dark and Dramatic open with bell hits and piano. Chunky
guitar hits in @ :37 build the dark drama. Haunting and
reflective.
10 –
THE FACT IS (1:13)
Pulsing, circulating percussion and melodies with big
piano hits. Dramatic investigative new drama. Good for
medical, emergency or frantic pace. Investigative,
Medical, Drama.
181
(cont.)
11 –
PROCESSING (1:31)
Percussive, processing and percolating melodies. Synth
melodies and drum hits at the end. Thinking, processing
drama. Investigative, Medical, Drama.
12 –
SPRINKLE TWINKLE (1:58)
Light percussion and keyboards create an open, airy feel
with slick percussive groove. Upbeat, positive and sexy.
13 –
NEW IDENTITY (1:30)
Mysterious and groovy percussion. Cool guitar EFX and
drum beats. Determined and Purposeful. Investigative
groove.
14 –
HYBRID GRIND (1:48)
Percussive groove with catchy synth melody hits a big
groove @ :57 and even bigger with heavy guitar @ 1:09.
Driving and hard at the end. Grinding, grungy, dark groove
rock.
15 –
ALRIGHT NOW (1:27)
Electronic groove with cheerful keyboard melodies. Dance
groove and synth bass. 2000’s style. Spirited and free.
Dance pop.
16 –
BETRAYAL (1:19)
Light drums and percussion with piano. Nice breakdown @ :29 has
echo drum hit then builds back up with strings. Revealing and
thoughtful. Investigative groove.
182
(cont.)
17 –
HEAT BETWEEN THE SHEETS (1:54)
Popping sexy groove with guitar solo @ 1:08. Vixen gets her
man. Sexy groove rock. Active and provocative. Groove sexy.
18 –
DOWN AND DIRTY (1:25)
Lonely groove and dark piano open leads to guitar and
drums. The tempo and intensity increases dramatically @
:49. Jittery and nervous. Investigative, Medical drama.
19 –
COLD LONELY PLACE (1:32)
Dark piano and strings create solitude. Creepy FX make this
one weird. Deep and Haunting. Dark Drama.
20 –
NARROW TRUTH (1:28)
Percussion and FX mix with piano to create an
investigative thought-provoking mood. Drama,
Investigative, Legal. Dramatic Mystery.
21 –
CRIME NOIR (1:35)
Slow, sexy Crime Drama groove with guitar solos FX. Light
piano helps create the mood. Sexy investigative drama.
22 –
MY DOWNFALL (1:11)
Heartbeat-like open with dark FX builds to chaotic drums,
organ and crazy sounds. Crazy and Frantic. Drums and
percussion.
183
(cont.)
23 –
RUSHING ON MY RUN (1:13)
Dramatic swirling piano opens to a slow groove with
sparse melodies. Hip and Mysterious.
24–
BAD GUYS EATING WITH CHOPSTIX (1:49)
Methodical drums and FX with airy breakdown @ :29.
Building back to the open… revealing more clues to the
mystery. Hip.
25 –
HIPSTER (1:21)
Hand drums and exotic melodies take you to mysterious
places. Cool, electric guitar gives a secret agent vibe.
26–
MOSS GARDEN (1:42)
Open, airy and kind of strange. Slow groove with melodic
acoustic guitar and strange synthesizer melody.
27 –
LOVELY DROWN (1:14)
Slow groove, light and airy with drone. Atmospheric and
moody.
28–
CRYSTAL CLEAR (1:28)
Funky, slow groove with twinkling keyboards and FX.
Ambient and airy. Atmosphere light.
184
(cont.)
29 –
YELLOW PAGES (1:00)
Light, airy drone. Atmospheric. Light.
185
“This is the one that will bounce you right off your rolling chair.
Designed to pump you up or chill you out… like a popsicle.”
ED.
1–
B BOX ROLLIN’ (1:14)
Up-tempo dance groove with rolling bass line and cool FX.
Hip hand claps give 80’s vibe. Get ready to dance! Rave.
2–
LIKELY LADS (1:47)
Tough Urban groove with sparse melodies. Low and slow.
Confident and cool.
3–
SWEET LITTLE GUNZ (1:34)
Playful and child-like melodies with drum groove and hand
claps. Sweet and light.
4–
DAMM THAT ASS (1:38)
Pulsing, bumping, super sexy dance groove. Cool
electronic melodies add sparkle. Fun, poppy dance.
186
(cont.)
5–
DAFT FRED (1:17)
Steady, rockin’ dance groove. Fuzzy synth bass with
electronic voice singing in the percussion. Pumping,
bouncy and fun.
6–
YO’ RESPECT (1:43)
Slow Urban beat with bottom-end bass style and laid back
melody. Rolling Urban groove. Dark… and looking for
trouble.
7–
SHUT IT DOWN (1:54)
Electronic melodies with a light groove. Laid back with airy
keyboard strings.
8–
SIMPLY DIMPLY (1:38)
Slow Urban beats with synth melodies. Electronic groove.
Optimistic and meticulous.
9–
TOW THAT LOAD (1:46)
Drum machines and synth melodies in a slow to medium
electronic groove. Deliberate and building.
10 –
GROOVE MAGIC (1:28)
Dreamy, airy and spacey melodies with Urban drum
machine groove.
11 –
THE LITTLE WIFEY (1:18)
Slow Urban groove with synth melodies. Sexy and sly.
187
(cont.)
12 –
FEELING GOOD (1:19)
Urban groove with Latin flavor and acoustic guitar. With a
little 80’s videogame vibe at the top. Out-on-the-town fun!
13 –
TWIRL (1:46)
Dance drum groove with spacey string background and
twirly synth solo. Up-tempo fast paced. Electronic dance.
14 –
LUMPY GRAVY (1:39)
Sexy dance groove with bass and keyboards. Open and
Groovy. Electronic Dance.
15 –
BEEF JERKEY (1:54)
Urban hip hop groove with laid back electric keyboards off
the beat. Tough and sexy. Urban, electric.
16–
MISFORTUNE (1:34)
Staccato and curious string and keyboard intro leads to
funky Urban groove. Thinking and snoopy.
17 –
CEREMONIAL (1:30)
Open and airy intro leads to fat keyboard bass line and
dance groove. Positive and fun.
18–
DRESS UP GIRL (1:20)
Mid-tempo synth bass groove. Great for the runway or the
dance floor. Cool ending. Upbeat.
188
(cont.)
19 –
VIP (2:04)
Up-tempo dance groove with cool melodies and
breakdowns. Fun, fresh and exciting.
20–
LOVE TRIANGLE (1:29)
Funky and silly dance beat with chunky synth bass line and
groove. Forward and moving and positive.
21 –
DIAMOND MINES (1:56)
Slow Urban groove with swirling piano melodies and fat
drum and bass hits. Reality, situational.
22–
BLINDED (2:06)
Upbeat rave dance groove with FX and fuzzy keyboard
melodies. Excited. Fun. Dance, Rave Cool.
23 –
RAVE MASTER (2:10)
Slow groove, light and airy with drone. Atmospheric and
moody.
24–
NUT BAG (1:32)
Silly and sneaky keyboard synth line leads to fun dance
groove. This one is funky and quirky.
25 –
OMNI POUND (1:27)
Light, upbeat mid-tempo happy groove with cheerful
melodies. All is well. Poppy and happy.
189
(cont.)
26–
NUTS (1:52)
Slow and percussive vibe with playful melodies on the
fuzzy synthesizer. Happy and childlike. Curious and Fun.
27 –
GRINNIN’ EAGLE (1:34)
Mid-tempo Urban groove with rolling bass line and FX.
Serious and progressive. Reality Situational.
28–
MANLY MAN (1:48)
Jumpy bass, drums and melody bouncing off the wall. Mid –
tempo. Reality situational.
29 –
NIFTY (2:22)
Slow, hip hop groove with airy strings and sparse melodies.
30–
GROOVE TOWN (1:56)
Low and slow. Funky groove with string hits and rolling
bass line.
31 –
TIK TOK HOP (1:56)
Slick Urban groove with organ and synth hooks.
32–
YO’ MIKEY (1:40)
Rolling bass-line with Hip Hop beat. Dramatic strings.
190
(cont.)
33 –
DEEP (1:35)
‘Old School’ hip hop drum beats and hand claps work this
slow Urban groove. Reflective and moody.
34 –
EASY COME EASY (1:07)
Laid-back groove. Light but dramatic piano and strings.
Curious and investigative. Reality Situational.
35 –
ON THE JUICE (1:21)
Jumpy little number with frantic keyboard line and low
bass. Upbeat Urban Electric.
36–
ROBOT GANGSTA’ GROOVE (1:37)
Hip hop gangsta’ groove. Low and slow. Urban.
37 –
SPOOKY DO (1:15)
Slick Urban groove with frantic keyboard climb and crazy
melodies. Kinda Spooky. Urban Hip Hop.
38–
CHOP SHOP COP (1:52)
Slow and draggin’ Hip hop beat with police siren FX and
heavy bass drum hits with low synth drone. Urban.
39 –
LAYIN’ OUT (1:24)
Chilled out melodies with a mid-tempo Urban groove.
Smooth and laid back. Urban electric.
191
(cont.)
40–
THE CLOUDS (1:31)
Investigative and spacey. Slow tempo hip hop groove with
light piano and funky synth melodies. Urban electric.
41 –
SMOOTH IT OUT (1:31)
Laid-back Urban and jazzy groove with light electric piano
and fretless bass riffs, percussion and chimes.
42–
MY LIFE IN A CAR (2:13)
Bounding bass line, spacey keyboard melody and airy
strings. Mid-tempo groove.
Composed by: Louis Anthony Clark, ASCAP.
43 –
AUTOMATIC MEALTIME (1:58)
Quirky melodies and cool FX and breaks. Mid-tempo
groove.
44–
CATCH MY FALL (1:28)
Electronic groove with light sparse melody. Electric piano
solo! :30 in. Cool heavy synth bass line.
45 –
HATED IT (2:45)
Dark, Urban groove with airy spacey strings.
46–
MY PARTY (3:26)
Frantic and bouncy Electronica with fuzzy synth melodies
and cool breakdowns.
192
(cont.)
47 –
LITTLE BLACK BAG (3:01)
Cool, slick and laid-back groove with cool programmed
bass and tick tock break @ 1:38. Electronic.
48–
POP SHOP (1:42)
Rave vibe intro leading into a more pop feel. Mid-tempo
dance groove.
49 –
SAFE CRACKERS (2:12)
Slow rolling drum groove with robotic melody and strings. Picking
up tempo @ :48. Urban electric.
50–
OFF THE CUFF (3:22)
Funky drum groove with fat synth bass and electric
keyboards. Groovy and mysterious. Electronic.
193
“Ed will let you know more soon.”
ED.
EW# THIRTy-eigHT: INTERNATIONAL ACTION
coming soon.
194
“Ed is still thinking about this one.”
ED.
EW# thirTY-NIne: THREE FACES OF ED – ACOUSTIC,
RETRO-CHEEKY, ODDTRONICA
coming soon.
195

Ed Wood Music- EW1-37-Catalog-9-2010

Transcription

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