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102 . - . - Genesis, 70- Marillion, 80- , « ». : - , - , . . - .

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7.
8.
9.
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.:«
. Poplex/ .
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.
», 2003.
.
.:
, 2009.
. : 1998. 285 .
254 .
.
.
-
Genesis,
80- ,
:
70».
«
-
Marillion,
,
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,
.
.
-
.
-
Genesis,
70-
«
Marillion,
80- ,
».
:
-
,
-
,
.
Dmyro Terentiev. Modifications of progressive rock in classic and crisis
periods. The article considers the pecularities of the direction progressive rock
on the examples of two groups: group Genesis, a representative of the
progressive 1970s and group Marillion, a representative of the progressive
1980s or Neo-prog .
Key words: progressive rock, features of rock music, pecularities of a
composition.
(
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(
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102
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Remix
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103
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_____________________________________________________________________________________________________
,
(
),
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,
,
.
,
,
.
.
(House, Breakbeat, Drum'n'Bass (D'n'B),
Jungle, Techno, Trance, Ambient, Lounge, Minimal, ChillOut,)
Haus
Trance
Techno.
,
Trance
"Adagio
for Strings"
.
,
1936
"Adagio for Strings" (2. 11),
original mix.
Trance
Tiesto (
«Parade of the Athletes»)
ATB.
, Tiesto
,
(
).
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,
,
48
(02:15 02:57).
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3.
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5,
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3
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(pad).
128 Bpm
Trance,
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104
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(
),
01:15,
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02:19
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03:34,
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02:19
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02:57
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, 02:57
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9
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Version (
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:
,
,
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,
,
,
,
(albom version, club version, extended
(
) version, radio version, clip, concert version).
,
cover-version (
,
.
,
).
,
.
,
,
«Nostalgia» Armin van Buuren,
,
Jody
Wisternoff.
,
,
.
(
Trance),
,
.
,
.
.
,
.
, Ferry Corsten
,
1999
4
UK Singles
Chart.
03:43
9
.
105
'
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,
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pad
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,
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Remake (
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«
,
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-
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,
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,
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, «Pieces in a modern style»,
«Adagio for Strings»
,
,
.
,
,
Ambient,
,
.
,
,
:
106
,
.
,
,
'
_____________________________________________________________________________________________________
(cover version)
(cover -version)
(
)
(cover-version)
(extended,
,
radio)
,
,
,
,
:
,
,
.
.
1.
2.
.
-
/ .
.
2005.
-
.
/
.:
.
, 2001.
. :
.
160 .
,
190 .
3.
4.
5.
: http://ru.wikipedia.org
: http://dic.academic.ru
: http://discomixes.ru
.
.
,
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:
,
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,
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:
,
,
.
Anna Utina. Techniques of update of musical compositions are in club
electronic music. The author of the article affects the problem of concepts, gives
determinations of in-use in club electronic music terms and makes examples of
their practical application.
Key words: club electronic music, musical compositions, terminology.
107
'