christmas catalogue 2006
Transcription
christmas catalogue 2006
C H R I S T M A S C ATA L O G U E 2006 . 91 - 93 Walton Street London SW3 2HP Tel: +44 (0)207 581 9056 Fax: +44 (0)207 581 1336 [email protected] www.coskunfineart.com Francis Bacon 1909 - 1992 Triptych August 1972-1989 Three Lithographs on Arches paper Individually signed in pencil lower right, and numbered in pencil lower left Edition: 180 Paper: 35 3/8 × 24 5/8 inches (90 × 62.5 cm) Image: 25 3/4 × 19 1/8 inches (65.5 × 48.5 cm) Triptych 1983-1984 Three Lithographs on Arches paper Individually signed in pencil lower right, and numbered in pencil lower left Edition: 180 Paper: 35 3/8 × 24 5/8 inches (90 × 62.5 cm) Image: 26 3/8 × 19 5/8 inches (67 × 50 cm) Robert Indiana b.1928 Love 1996 From the set of twelve Serigraphs in colours on ANW Crestwood Museum Edition paper Signed and dated in pencil, numbered Edition: 200 61 × 51 cm Love 1996 From the set of twelve Serigraphs in colours on ANW Crestwood Museum Edition paper Signed and dated in pencil, numbered Edition: 200 61 × 51 cm Love 1996 From the set of twelve Serigraphs in colours on ANW Crestwood Museum Edition paper Signed and dated in pencil, numbered Edition: 200 61 × 51 cm Love 1996 From the set of twelve Serigraphs in colours on ANW Crestwood Museum Edition paper Signed and dated in pencil, numbered Edition: 200 61 × 51 cm Roy Lichtenstein 1923 - 1997 Sandwich and Soda 1964 I Love Liberty 1982 Screenprint on clear plastic From the X + X (Ten Works by Ten Painters) portfolio Signed and dated Edition: 500 Sheet: 20 × 24 inches Image: 19 × 23 inches Corlett 35 Screenprint on Arches 88 paper Numbered, signed and dated in pencil lower right Edition: 250, plus 73 AP Sheet: 38 3/8 × 27 1/8 inches Image: 32 3/8 × 21 1/8 inches Corlett 192 Reflections on Crash 1990 Forms in Space 1985 Screenprint on BFK rives paper Signed numbered and dated in pencil lower right Edition 125, plus 20 AP Sheet: 35 3/4 × 52 inches Image: 31 1/8 × 42 1/2 inches Corlett 217 From the Reflections Series Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somereset paper Numbered, signed and dated in pencil lower right Blind stamp, lower right Workshop number on verso in pencil, lower left Edition: 68, plus 16 AP Sheet: 59 1/8 × 75 inches Image: 53 1/16 × 69 inches Corlett 239 Reflections on Hair 1990 Reflections on Conversation 1990 From the Reflections Series Lithograph, screenprint, woodcut, and metalized PVC collage with embossing on mold-made Somerset paper Numbered, signed and dated in pencil lower right Edition: 68, plus 16 AP Sheet: 53 3/4 × 66 7/8 inches Image: 47 1/8 × 60 3/4 inches Corlett 240 From the Reflections Series Lithograph, screenprint, woodcut, and metalized PVC collage with embossing on mold-made Somerset paper Numbered, signed and dated in pencil, lower right Blind stamp, lower right Workshop number on verso in pencil, lower left Edition: 68, plus 16 AP Sheet 56 1/8 × 45 inches Image 49 9/16 × 38 7/8 inches Corlett 241 Reflections on Brushstrokes 1990 From the Reflections Series Lithograph, screenprint, woodcut, and metalized PVC collage with embossing on mold-made Somerset paper Numbered, signed and dated in pencil lower right Blind stamp, lower right Workshop number on verso in pencil, lower left Edition: 68, plus 16 AP Sheet: 57 1/8 × 71 inches Image: 50 9/16 × 64 15/16 inches Corlett 242 Reflections on The Scream 1990 From the Reflections Series Lithograph, screenprint, woodcut, and metalized PVC collage with embossing on mold-made Somerset paper Numbered, signed and dated in pencil lower right Edition: 68, plus 16 AP Sheet: 48 3/4 × 65 3/8 inches Image: 42 3/8 × 59 1/4 inches Corlett 243 Reflections on Minerva 1990 From the Reflections Series Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper Numbered, signed and dated in pencil, lower right Edition: 68, plus 16 AP Sheet: 42 x 51 inches Image: 35 7/16 × 45 11/16 inches Corlett 244 Oval Office 1992 Screenprint on Rives roll paper Numbered, signed and dated in pencil lower right Edition 175 plus 25 AP, 8PP, 12 exhibition proofs Sheet: 35 5/8 × 45 7/16 inches Image: 29 1/4 × 39 inches Corlett 277 Water Lily 1993 Screenprint on Lana Royale paper Numbered, signed and dated in pencil, lower right. Blind stamp, lower right: copyright symbol. Stamped on verso, lower left. Workshop number on verso in pencil, lower left. Edition: 130, plus 28 AP Sheet: 18 × 23 inches Image: 12 × 17 1/16 inches Corlett 281 Water Lily 1993 Screenprint on Lana Royale paper Numbered, signed and dated in pencil, lower right. Blind stamp, lower right: copyright symbol. Stamped on verso, lower left. Workshop number on verso in pencil, lower left. Edition: 130, plus 28 AP Sheet: 18 × 23 inches Image: 12 × 17 1/16 inches Corlett 281 Two Nudes 1994 From the Nudes Series Relief print on Rives BFK mold-made paper numbered, signed (rf Lichtenstein), and dated ('94) in pencil, lower right Edition: 40, plus 12 AP Sheet: 48 1/6 × 41 3/16 inches (122.2 × 104.5 cm) Image: 41 5/8 × 35 1/16 inches (105.6 × 89.1 cm) Corlett 284 Two Nudes State I 1994 From the Nudes Series Relief print on Rives BFK mold-made paper Inscribed (State 1), numbered, signed (rf Lichtenstein), and dated ('94) in pencil, lower right Edition: 10, plus 6 AP, 1 RTP, 1 PPI, 1 PPII, 1 T Glimp, 1A Sheet: 48 1/6 × 41 3/16 inches (122.2 × 104.5 cm) Image: 41 5/8 × 35 1/16 inches (105.6 × 89.1 cm) Corlett 285 Nude with Blue Hair State 1 1994 From the Nudes Series Relief print on rives BFK mold-made paper Inscribed (State 1), numbered, signed (rf Lichtenstein), and dated ('94) in pencil, lower right Edition: 10, plus 6 AP, 1 RTP, 1 PPI, 1 PPII, 1 T Glimp, 1A Sheet: 57 7/8 × 37 5/8 (147 × 95.5 cm) Image: 51 5/16 × 31 11/16 (130.4 × 80.5 cm) Corlett 287 Thinking Nude State 1 1994 From the Nudes Series Relief print on rives BFK mold-made paper Inscribed (State 1), numbered, signed (rf Lichtenstein), and dated ('94) in pencil, lower right Edition: 10, plus 6 AP, 1 RTP, 1 PPI, 1 PPII, 1 T Glimp, 1A Sheet: 42 1/8 × 61 inches (107 × 156.9 cm) Image: 35 5/8 × 55 7/8 inches (89.8 × 142 cm) Corlett 290 Henri Matisse 1869 - 1954 Poesies Antillaises From the set of 28 unsigned lithographs Conceived 1950-53; published in 1972 Printed on Arches paper Edition: 250 (numbered 1-250) 38.3 × 29.2 cm Printer: Mourlot Freres, Paris (illustrations), Fequet et Baudier, Paris (text) Publisher: Fernand Mourlot, Paris, 1972 Claude Duthuit Henri Matisse: Catalogue raisonne des ouvrages illustres, no.37 Poesies Antillaises From the set of 28 unsigned lithographs Conceived 1950-53; published in 1972 Printed on Arches paper Edition: 250 (numbered 1-250) 38.3 × 29.2 cm Printer: Mourlot Freres, Paris (illustrations), Fequet et Baudier, Paris (text) Publisher: Fernand Mourlot, Paris, 1972 Claude Duthuit Henri Matisse: Catalogue raisonne des ouvrages illustres, no.37 Joan Miró 1893 - 1983 Trace sur la paroi V 1967 Escalade Vers La Lune 1969 Etching and aquatint with carborundum in colours on Mandeure rag paper Signed in pencil and numbered Edition: 75 58.5 × 92.5 cm Dupin 443 Etching and aquatint in colours on Mandeure rag paper Signed in pencil and numbered Edition: 75 104.5 × 75 cm Dupin 496 Exile Noir 1969 Grand Carnassier 1973 Etching and aquatint with carborundum in colours on Arches wove paper Signed in pencil and numbered Edition: 50 106 × 68 cm Dupin 497 Aquatint with etching and carborundum in colours Signed in pencil and numbered Edition: 75 106 × 69.5 cm Dupin 502 Archipel Sauvage II 1970 Etching and aquatint on arches paper Signed and numbered in pencil Edition: 35 58.5 × 92 cm Dupin 528 Archipel Sauvage V 1970 Etching and aquatint on arches paper Signed and numbered in pencil Edition: 35 58.5 × 92 cm Dupin 531 Frappeuse de Silex 1973 Etching, aquatint and carborundum on Arches paper Signed in pencil and numbered Edition: 50 73.5 × 104 cm Dupin 579 Serpentine 1979 Aquatint, etching and corborundum on arches paper Signed and numbered in pencil Edition: 50 100.5 × 70 cm L'Ange Crible 1973 Incisiva 1974 Aquatint on Arches paper Signed and numbered in pencil Edition: 50 104.5 × 73.5 cm Dupin 571 Aquatint on Arches paper Signed and numbered in pencil Edition: 75 86 × 62 cm Emehpylop 1974 Arlequin Enturbanne 1980 Dry-Point and cement imprint on Mandeure rag paper Signed and numbered in pencil Edition: 75 104 × 75 cm Dupin 451 Lithograph Signed and numbered in pencil Edition: 50 90 × 61 cm ML VI no.1196 Pablo Picasso 1881 - 1973 L'espagnole 1962 Homme barbu couronne, 1962 Linocut in colours Signed in pencil (lower right) and numbered (lower left) Edition: 50 35 × 27 cm Bloch 1088 Linocut in colours Signed in pencil (lower right) and numbered (lower left) Edition: 50 35 × 27 cm Bloch 1104 La Dame a la Collerette 1963 Linocut in colours Signed and numbered Edition: 50 53 × 40 cm Bloch 1147 Tete de Femme No. 6. Portrait de Dora Maar 1939 Aquatint 29.8 × 23.7 cm Stamped with Marina Picasso Collection stamp Edition: 106 proofs, unpublished Bloch 1338 Aquatint 27 May 1968 Signed in pencil Edition: 50 12 × 6 cm Bloch 1598 Aquatint 29 May 1968 I Signed in pencil Edition: 50 8.5 × 6 cm Bloch 1601 Aquatint 2 June 1968 I Signed in pencil Edition: 50 8.5 × 6 cm Bloch 1616 Aquatint 2 June 1968 II Signed in pencil Edition: 50 8.5 × 6 cm Bloch 1617 Aquatint 20 July 1968 IV Signed in pencil Edition: 50 18 × 22 cm Bloch 1692 Aquatint 17 July 1968 III Signed in pencil Edition: 50 15 × 22 cm Bloch 1688 Aquatint 20 September 1968 I Signed in pencil Edition: 50 21 × 26.5 cm Bloch 1807 Aquatint 1 October 1968 I Signed in pencil Edition: 50 22.5 × 32.5 cm Bloch 1825 Auguste Rodin 1840 - 1917 Homme qui marche sur colonne (à fondre) Bronze 354 × 60 × 39 cm Signature, number and inscriptions: ‘A Rodin, no 05/08 © by musée Rodin 2006/Coubertin, Fondeur, Paris’ La Méditation dite de la Porte Bronze 49.3 × 20.9 × 26.3 cm Signature, number and inscriptions: ‘A Rodin, no 05/08 © by musée Rodin 2004/E. Godard, Fondeur, Paris’ Génie du Repos Éternel Bronze 193 × 100 × 91 cm Signature, number and inscriptions: ‘A Rodin, no 8/8 © by musée Rodin 1996/Coubertin, Fondeur, Paris’ Ugolin de la Porte Bronze 41 × 61.5 × 41 cm Signature, number and inscriptions: ‘A Rodin, no 01/08 © by musée Rodin/Coubertin, Fondeur, Paris’ La Création Bronze 20 × 25.5 × 11 cm Signature, number and inscriptions: ‘A Rodin, no 03/08 © by musée Rodin 2006/E. Godard, Fondeur, Paris’ Polyphème et Acis Bronze 29.2 × 22.6 × 15.1 cm Signature, number and inscriptions: ‘A Rodin, no 1/8 © by musée Rodin 2006/Coubertin, Fondeur, Paris’ Le Baiser Torse masculin du Baiser Bronze 51 × 41.8 × 34 cm Signature, number and inscriptions: ‘A Rodin, no 04/08 © by musée Rodin 1996/E. Godard, Fondeur, Paris’ Signed on the base ‘Rodin’, stamped with the foundry mark, ‘F.Barbedienne Fondeur’ Bronze with dark patina 10 inches (26 cm) This work will be included in the forthcoming Catalogue Critiqu de l'Oeuvre Sculpte d'Auguste Rodin being currently prepared by the Comite Rodin under the directior of Jerome LeBlay under the archives no 1999V944B Éternel Printemps Apollon écrasant le serpent python Bronze 119.4 × 83.8 × 43.2 cm Signature, number and inscriptions: ‘A Rodin, no 02/08 © by musée Rodin 1996/Coubertin, Fondeur, Paris’ Signed on the base ‘Rodin’, stamped ‘Barbedienne. Fondeur’ Bronze with dark brown patina 15 3/4 × 19 × 11 3/4 inches (40 × 49 × 30 cm) Conceived in 1884, cast between 1898 and 1918 in an edition of 80 This work will be included in the forthcoming Catalogue Critiqu de l'Oeuvre Sculpte d'Auguste Rodin being currently prepared by the Comite Rodin under the directior of Jerome LeBlay under the archives no 2000V950B. Femme accroupie et Martyre (à Fondre) Bronze 65.60 × 41.60 × 36.50 cm Signature, number and inscriptions: ‘A Rodin, no 5/8 © by musée Rodin 2006/E. Godard, Fondeur, Paris’ Les Trois Vertus (à fondre) Bronze 28.7 × 24 × 15.5 cm Signature, number and inscriptions: ‘A Rodin, no 03/08 © by musée Rodin 2006/E. Godard, Fondeur, Paris’ Femme qui se peigne Bronze 24.00 × 14.50 × 13.70 cm Signature, number and inscriptions: ‘A Rodin, no 03/08 © by musée Rodin 2002/E. Godard, Fondeur, Paris’ L’Ecclesiaste Bronze 24.9 × 25.8 × 28 cm Signature, number and inscriptions: ‘A Rodin, no 05/08 © by musée Rodin 1999/E. Godard, Fondeur, Paris’ Martyre, pm Bronze 61 × 41 × 16.3 cm Signature, number and inscriptions: ‘A Rodin, no 02/08 © by musée Rodin 1995/E. Godard, Fondeur, Paris’ Nu féminin agenouillé, penché vers l’avant Bronze 16.5 × 11.3 × 19.5 cm Signature, number and inscriptions: ‘A Rodin, no 04/08 © by musée Rodin 2004/E. Godard, Fondeur, Paris’ Petite Main Droite Petite Main Gauche Signed and stamped with the foundry mark ‘A. Rudier Fondeur Paris’ Bronze with dark green patina 4 5/8 inches (11.8 cm) This work will be included in the forthcoming Catalogue Critiqu de l'Oeuvre Sculpte d'Auguste Rodin being currently prepared by the Comite Rodin under the directior of Jerome LeBlay under the archives no 2000V947B. Signed, stamped with the foundry mark ‘G. Rudier Fondeur Paris’ and ‘© by Musée Rodin, 1964’ Bronze with green patina 4 5/8 inches (11.8 cm) Executed circa 1885-1910 This work will be included in the forthcoming Catalogue Critiqu de l'Oeuvre Sculpte d'Auguste Rodin being currently prepared by the Comite Rodin under the directior of Jerome LeBlay under the archives no 2000V949B. Hiroshi Sugimoto b.1948 Galvez House (Luis Barragan) 2002 Satelite City Towers (Luis Berragan) 2002 Black and white photograph Signed recto on mount in pencil Blind stamped recto in margin, lower right Edition: 25 20 × 24 inches Black and white photograph Signed recto on mount in pencil Blind stamped recto in margin, lower right Edition: 25 20 × 24 inches Austrian Post Office 2001 Black and white photograph Signed recto on mount in pencil Blind stamped recto in margin, lower right Edition: 25 20 × 24 inches Eiffel Tower 1998 Black and white photograph Signed recto on mount in pencil Blind stamped recto in margin, lower right Edition: 25 20 × 24 inches Tokyo International Forum 1999 Black and white photograph Signed recto on mount in pencil Blind stamped recto in margin, lower right Edition: 25 20 × 24 inches Saint Benedict Chapel (interior) 2000 Black and white photograph Signed recto on mount in pencil Blind stamped recto in margin, lower right Edition: 25 20 × 24 inches Kunsthaus Bregenz 2000 Chrysler Building 1997 Gelatin Silver Print Signed on a label affixed to the aluminium backing Edition: 5 58 3/4 × 47 inches Black and white photograph Signed recto on mount in pencil Blind stamped recto in margin, lower right Edition: 25 20 × 24 inches Andy Warhol 1928 - 1987 Gee, Merrie Shoes c. 1956 December Shoe c.1955 Offset lithograph and hand coloured watercolour on paper Stamped with the Estate of Andy Warhol and Andy Warhol Foundation for Visual Arts Initialled TJH in pencil 9 7/8 × 14 inches (25 × 35.6 cm) Offset lithograph and watercolour on paper Signed and Titled (lower left) Stamped by the Estate of Andy Warhol and The Andy Warhol Authentication Board, Inc. and numbered on reverse 9.25 × 8 inches (23.5 × 20.2 cm) Candy box (Heart patterned White) 1979-84 Synthetic polymer and silkscreen inks on canvas Stamp signed verso by the Estate of Andy Warhol Recorded by the Estate of Andy Warhol: Catalogue: PA 86.029 14 × 11 inches Candy Box (Heart Patterned Yellow) 1979-84 Synthetic polymer and silkscreen inks on canvas Stamped signed verso by the Estate of Andy Warhol Recorded by the Estate of Andy Warhol: Catalogue: PA 86.026 14 × 11 inches Guns 1985 Synthetic polymer and silkscreen inks on canvas Stamped by the Estate of Andy Warhol and initialled by the executor of the Estate Vincent Freemont Recorded by the Estate of Andy Warhol: PA15.034 16 × 20 inches Dollar Sign 1982, Synthetic polymer and silkscreen inks on canvas, Signed, stamped by the Andy Warhol Art Authentication, Inc, Recorded by the Estate of Andy Warhol: A116.062 20 × 16 inches Marilyn Monroe (Marilyn) 1967 Pink Marilyn 1985 45.5 × 35.5 cm Synthetic polymer paint and silkscreen ink on canvas Signed by Warhol, dated and signed by Frederick Hughes From the portfolio of ten screenprints on paper Signed in pencil and numbered with a rubber stamp on verso; some signed in ball-point pen; some initialled on verso; some dated. Edition: 250, 26 AP signed and lettered A-Z on verso 36 × 36 inches (91.4 × 91.4 cm) Feldman & Schellmann II.23 Banana 1966 screenprint on styrene some have stamped signature on recto, some signed on verso. Some stamped AP on recto, some dated Edition: approximately 300 17 × 36 inches (43.2 × 91.4 cm) Feldman & Schellmann II.10 Chicken and Dumpling (Campbell’s Soup II ) 1969 Screenprint on paper Signed and numbered with a rubber stamp on verso Edition: 250 (numbered 1-250), 26 AP (lettered A-Z) 35 x 23 inches (88.9 x 58.4 cm) Feldman & Schellmann II.52 Flowers 1970 From a portfolio of ten screenprints on paper signed in ball-point pen and numbered with a rubber stamp on verso; some dated Edition: 250, 26 AP signed and lettered A-Z in ball point pen verso 36 × 36 inches (91.4 × 91.4 cm) Feldman & Schellmann II.65 Flowers 1970 From a portfolio of ten screenprints on paper signed in ball-point pen and numbered with a rubber stamp on verso; some dated Edition: 250, 26 AP signed and lettered A-Z in ball point pen verso 36 × 36 inches (91.4 × 91.4 cm) Feldman & Schellmann II.70 Mao 1972 Vote McGovern 1972 Screenprint on Arches 88 paper signed and numbered in ball-point pen on verso Edition: 250 42 × 42 inches (106.7 × 106.7 cm) Feldman & Schellmann II.84 From a portfolio of ten screenprints on Beckett High White Paper Signed in ball-point pen and numbered with a rubber stamp on verso Edition: 250, 50 AP 36 × 36 inches (91.4 × 91.4 cm) Feldman & Schellmann II.92 Mao 1972 Portfolio of ten screenprints on Beckett High White Paper Signed in ball-point pen and numbered with a rubber stamp on verso Edition: 250, 50 AP 36 × 36 inches (91.4 × 91.4 cm) Feldman & Schellmann II.90-II.99 Mick Jagger 1975 From a portfolio of ten screenprintson Arches Aquarelle (Rough) paper Signed (lower right) and numbered in pencil (lower left). Some signed in felt pen. Most of the prints are also signed in black, green, or red felt pen by Mick Jagger Edition: 250, 50 AP, 3 PP 43.5 × 29 inches (110.5 × 73.7 cm) Feldman & Schellmann II.139 Mick Jagger 1975 From a portfolio of ten screenprintson Arches Aquarelle (Rough) paper Signed (lower right) and numbered in pencil (lower left). Some signed in felt pen. Most of the prints are also signed in black, green, or red felt pen by Mick Jagger Edition: 250, 50 AP, 3 PP 43.5 × 29 inches (110.5 × 73.7 cm) Feldman & Schellmann II.140 Mick Jagger 1975 From a portfolio of ten screenprintson Arches Aquarelle (Rough) paper Signed (lower right) and numbered in pencil (lower left). Some signed in felt pen. Most of the prints are also signed in black, green, or red felt pen by Mick Jagger Edition: 250, 50 AP, 3 PP 43.5 × 29 inches (110.5 × 73.7 cm) Feldman & Schellmann II.141 Mick Jagger 1975 From a portfolio of ten screenprintson Arches Aquarelle (Rough) paper Signed (lower right) and numbered in pencil (lower left). Some signed in felt pen. Most of the prints are also signed in black, green, or red felt pen by Mick Jagger Edition: 250, 50 AP, 3 PP 43.5 × 29 inches (110.5 × 73.7 cm) Feldman & Schellmann II.142 Skulls 1976 From a portfolio of four screenprints on Strathmore Bristol paper signed and numbered in pencil as follows: II.157 and II.159 - lower left; II.158 - lower centre; II.160 - signed lower right, numbered lower left Edition: 50, 10AP 30 × 40 inches (76.2 × 101.6 cm) Feldman & Schellmann II.157 Skulls 1976 From a portfolio of four screenprints on Strathmore Bristol paper signed and numbered in pencil as follows: II.157 and II.159 - lower left; II.158 - lower centre; II.160 - signed lower right, numbered lower left Edition: 50, 10AP 30 × 40 inches (76.2 × 101.6 cm) Feldman & Schellmann II.160 After The Party 1979 Screenprint on Arches 88 paper Numbered in pencil lower right ; stamped by The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., and numbered initialled TJH verso Included with the Gold Edition of the 1979 book Exposures by Andy Warhol, published by Grosset & Dunlap, Inc. New York Edition: 1,000, 30AP, 3 PP, 10HC 21.5 × 30.5 inches (54.5 × 77.4 cm) Feldman & Schellmann II.183 Ladies and Gentlemen XXI/L, 1975 Screenprint on Paper numbered in Roman numerals and signed and numbered in pencil on verso Edition: 250, 50 AP 37 × 25 inches (95.2 × 64.8 cm) Feldman & Schellmann II.27 Shadows II 1979 Portfolio of six screenprints with diamond dust Signed and numbered in pencil on verso Edition: 10 (Each print is Unique) 109.2 × 77.5 cm (43 × 30.5 inches) Feldman & Schellmann II.210-215 available individualy or as a complete porfolio Ten Portraits of Jews of the Twentieth Century 1980 Portfolio of ten screenprints on Lenox Museum BoardSigned and numbered from the edition of 200 as followsGertrude Stein, Martin Buber, Albert Einstein, George Gershwin, Golda Meir, Sarah Bernhardt, Sigmund Freud - lower right; Franz Kafka, Louis Brandeis, The Marx Brothers - lower left 40 × 32 inches (101.6 × 81.3 cm) Feldman & Schellmann 226 – 235 available individualy or as a complete porfolio Shoes 1980 Shoes 1980 From the portfolio of five screenprints with diamond dust on Arches Aquarelle (Cold Pressed) paper Signed and numbered in pencil (verso) Edition: 60 40 × 59 inches (102.2 × 151.1cm) Feldman & Schellmann II.253 From the portfolio of five screenprints with diamond dust on Arches Aquarelle (Cold Pressed) paper Signed and numbered in pencil (verso) Edition: 60 40 × 59 inches (102.2 × 151.1 cm) Feldman & Schellmann II.255 Superman (Myths) 1981 The Witch (Myths) 1981 From a portfolio of ten screenprints with diamond dust on Lenox Museum Board Signed and numbered in pencil (lower right) Edition: 200, 30 AP, 5 PP, 5 EP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.260 From a portfolio of ten screenprints on Lenox Museum Board Signed and numbered in pencil (verso) Edition: 200, 30 AP, 5 PP, 5 EP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II. 261 Dracula (Myths) 1981 From a portfolio of ten screenprints on Lenox Museum Board Signed and numbered in pencil (lower right) Edition: 200, 30 AP, 5 PP, 5 EP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.264 Mickey Mouse (Myths) 1981 Silkscreen with diamond dust on Lenox Museum Board Signed and numbered 22/200 in pencil (lower left) Edition: 200, 30AP, 5PP, 5EP, 30TP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.265 $ (Quadrant) 1982 From the portfolio of two screenprints on Lenox Museum Board Signed and numbered in pencil. Each print is unique Edition: 60, 10 AP, 3 PP 40 × 32 inches (101.6 × 81.3 cm) Feldman & Schellmann II.283 $ (Quadrant) 1982 From the portfolio of two screenprints on Lenox Museum Board Signed and numbered in pencil. Each print is unique Edition: 60, 10 AP, 3 PP 40 × 32 inches (101.6 × 81.3 cm) Feldman & Schellmann II.284 African Elephant (Endangered Species) 1983 From a portfolio of ten screenprints on Lennox Museum Board Signed and numbered in pencil lower right Edition 150, 30AP, 5 PP, 5EP, 3HC, 10 numbered in Roman numerals, 1BAT, 30 TP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.293 San Francisco Silverspot 1983 From the Endangered Species Portfolio Screenprint in unique colours on Lenox Museum Board Signed and numbered in pencil lower right Edition: TP 1/30 (Unique Print) 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann IIB.298 Black Rhinoceros 1983 Orangutan, from the Endangered Species series 1983 Portfolio a portfolio of ten screenprints on Lenox Museum Board Signed and numbered in pencil lower right Edition: 150, 30AP, 5PP, 5EP, 3HC, 10 numbered in Roman numerals, 1BAT, 30TP. 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.299 From a portfolio of ten screenprints on Lennox Museum Board Signed and numbered in pencil lower right Edition: 150, 30AP, 5 PP, 5EP, 3HC, 10 numbered in Roman numerals, 1BAT, 30 TP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.301 Grace Kelly 1984 Ingrid Bergman as herself 1983 Screenprint on Lenox Museum Board Signed and numbered in pencil lower right Edition: 225, 30 AP, 8PP, 2 HC, 50 numbered in Roman numerals, 20 TP 40 × 32 inches (101.6 × 81.3 cm) Feldman & Schellmann II.305 From the portfolio of three screenprints on Lenox Museum Board Signed and numbered in pencil lower right Edition: 250, 20AP, 5PP, 30HC, 30TP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.313 Ingrid Bergman as the Nun 1983 From a portfolio of three screenprints on Lenox Museum Board Signed and numbered in pencil lower right Edition: 250, 20AP, 5PP, 30HC, 30TP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.314 Ingrid Bergman (with hat) 1983 From a portfolio of three screenprints on Lenox Museum Board Signed and numbered in pencil lower right Edition: 250, 20AP, 5PP, 30HC, 30TP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.315 Reigning Queens (Royal Edition) Queen Ntombi Twala of Swazliland 1985 Queen Elizabeth II of the United Kingdom 1985 From the portfolio of sixteen screenprints on Lenox Museum Board Signed and numbered lower right in pencil Edition: 40, 10 AP, 5 PP, 3 HC, 30 TP 39 1/8 × 31 1/2 inches (100 × 80 cm) Feldman & Schellmann II.335 A complete portfolio of four Screenprints on Lenox Museum Board with Diamond Dust Signed and numbered in pencil Lower left Edition: 30, 5 AP, 2 PP 39 3/8 × 31 1/2 inches (100 × 80 cm) Feldman & Schellmann II.346 x II.349 Paramount (Ads) 1985 From a portfolio of ten screenprints on Lenox Museum Board Signed and numbered in pencil, lower left Edition: 190, 30 AP,5 PP, 1 BAT, 30 TP, 5 EP, (3/5 EP) 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellman 352 Chanel (Ads) 1985 From a portfolio of ten screenprints on Lenox Museum Board Signed and numbered in pencil lower left Edition: 190, 30 AP, 5 PP, 5 EP, 10 HC, 10 in Roman Numerals, 1 BAT 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.354 Van Heusen Ronald Reagan (Ads) 1985 From a portfolio of ten screenprints on Lenox Museum Board Signed and numbered in pencil, lower right Edition: 190, 30 AP,5 PP, 1 BAT, 30 TP, 5 EP 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.356 The New Spirit Donald Duck (Ads ) 1985, 1985 From a portfolio of ten screenprints on Lenox Museum Board Signed and numbered in pencil lower left Edition: 190, 30 AP, 5 PP, 5 EP, 10 HC, 10 in Roman Numerals, 1 BAT 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.357 Love 1983 From a portfolio of three screenprints on Rives BFK paper Signed and numbered in pencil lower left Edition: 100, 10AP, 2PP, 5EP 26 × 19 5/8 inches (66 × 49.8 cm) Feldman & Schellmann II.312 Frolunda Hockey Player, 1986 Screenprint on Lenox Museum Board Signed and numbered in pencil lower left Edition: 100, 20AP, 5 PP 39 3/8 × 31 inches (100 × 80 cm) Feldman & Schellmann II.366 Cowboys and Indians 1986 Portfolio of ten screenprints on Lenox Museum Board Signed and numbered in pencil as follows: Annie Oakley, General Custer, Kachina Dolls, Plains Indian Shield, Mother and Child, Geronimo, Indian Head Nickel lower left. John Wayne, Northwest Coast Mask, Teddy Roosevelt lower right. Some John Wayne prints are unique and dated and marked unique on verso Edition 250, 50 AP, 15 PP, 15 HC, 10 numbered in Roman numerals 36 × 36 inches (91.4 × 91.4 cm) Feldman & Schellmann II.377-386 Beethoven 1987 From the portfolio of four screenprints on Lenox Museum Board Signed and numbered verso by the Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Edition: 60, 15 AP, 10 PP, 20 numbered in Roman Numerals, 72 individual TP not in portfolios Signed and numbered verso by the Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity 40 × 40 inches (101.6 × 101.6 cm) Feldman & Schellmann II.393 Beethoven 1987 From a portfolio of four screenprints on Lenox Museum Board Signed and numbered verso by the Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Edition: 60, 15 AP, 10 PP, 20 numbered in Roman Numerals, 72 individual TP not in portfolios Signed and numbered verso by the Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity 40 × 40 inches (101.6 × 101.6 cm) Feldman & Schellmann II.392 Lenin 1987 Screenprint on Arches 88 paper Signed and numbered in pencil on a stamped certificate of authenticity by the Executor of The Estate of Andy Warhol (verso) Edition 150, 30AP, 5 PP, 5EP, 3HC, 10 numbered in Roman numerals, 1BAT, 30 TP 39 3/8 × 29 inches (100 × 74.9 cm) Catalogue: Feldman & Schellmann II.403 Black Lenin 1987 Screenprint on Arches 88 paper Signed and numbered in pencil (lower left) Edition:120, 24 AP, 6 PP, 10 HC 39 3/8 × 29 inches (100 × 74.9 cm) Feldman & Schellmann II.402 Moonwalk 1987 From a portfolio of two screenprints on Lenox Museum Board Signed with a printed signature and numbered in pencil lower right. The prints are also numbered in pencil and signed in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Edition: 160, 31 AP, 5PP, 5EP, 66 individual TP not in portfolios 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.404 Moonwalk 1987 From a portfolio of two screenprints on Lenox Museum Board Signed with a printed signature and numbered in pencil lower right. The prints are also numbered in pencil and signed in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Edition: 160, 31 AP, 5PP, 5EP, 66 individual TP not in portfolios 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.405 Camouflage 1987 From a portfolio of eight screenprints on Lenox Museum Board Signed and numbered in pencil on verso by the executor of The Estate of Andy Warhol on a stamped certificate of authenticity Edition: 80, 3PP, 1EP, 84 individual TP not in portfolios 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.407 Camouflage 1987 From a portfolio of eight screenprints on Lenox Museum Board Signed and numbered in pencil on verso by the executor of The Estate of Andy Warhol on a stamped certificate of authenticity Edition: 80, 3PP, 1EP, 84 individual TP not in portfolios 38 × 38 inches (96.5 × 96.5 cm) Feldman & Schellmann II.409 Madonna and Self-Portrait with Skeleton’s Arm (after Munch) 1984 Muhammad Ali 1978 Screenprint on Lenox Museum Board Stamped by The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP 35.43 and initialled TJH on the reverse Unique Print 32 × 40 inches ( 81.3 × 101.6 cm) Feldman & Schellmann IIIA.62 A pair of Screenprints on Curtis Rag paper Stamped by The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., and numbered PT 074B UT.002/074C UT.004 and initialled TJH on the reverse 45 x 35 inches (114.3 x 88.9 cm) each Shah of Iran c.1978 Screenprint on Curtis Rag paper Stamped by The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP 41.81 and initialled TJH on the reverse Unique Print 45 × 35 inches (114.3 × 88.9 cm) Feldman & Schellmann IIIC.38 Giorgio Armani c. 1981 Screeprint on newsprint paper Stamped by The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP 42.01 and initialled TJH on the reverse Unique Print 48 × 36 inches (122.5 × 92.1 cm) Feldman & Schellmann IIIC.58 Alfred Hitchcock 1983 Gerard Depardieu 1986 Screenprint on Saunders Waterford (Hot Pressed) paper Stamped by The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP 41.22 and initialled TJH verso Unique Print 30 × 20 inches (77.5 × 52.7 cm) Feldman & Schellmann IIIB.14 Screenprint on coloured graphic art paper Stamped by The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., and numbered UP 42.07 and initialled TJH on the reverse 15 × 11 1/2 inches (38.7 × 29.2 cm) Feldman & Schellmann IIIB.48B Tom Wesselman Study for Beautiful Bedroom Kate 1982 Coloured pencil and tracing paper Signed and dated lower left verso 14 x 19.7 cm 1931 - 2004 Study for Sunset Nude with Mondrian 2003 Ink and coloured pencil on 100% rag tracing paper Signed and dated in pencil lower right 8.5 x 12.4 cm .. Study for Sunset Nude with Matisse 2003 Liquitex on paper Signed and dated in pencil lower right 8.8 x 10.6 cm . Printed by Healeys Printers, Ipswich. . .
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