catalogue

Transcription

catalogue

Buying at Waddington’s™
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description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage
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Blue Streak Fine Art Transfer
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INTERNATIONAL ART
AUCTION
Tuesday 27 November 2007 at 1 PM
VIEW
Sunday 25 November Noon - 5 PM
Monday 26 November 10 AM - 3 PM
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Front Cover Illustration: Lot 316
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This catalogue and its contents © 2007 Waddington McLean & Company Ltd.
Waddington’s, Joyner and Curator Asset Management are trademarks of Waddington McLean & Company Ltd. All rights reserved.
Photography by Waddington’s™.
Works from the collection of the Late Joseph and Margaret Rethazy, Hamilton, Ontario,
proceeds to benefit the Joseph and Margaret Rethazy Charitable Foundation, Hamilton
The Rethazy Charitable Foundation in Hamilton, Ontario provides aids and funding to several international
vocational and rehabilitation centres including: ORT, Canada; Emunah Women of Canada; Beit Halochen and
rehabilitation centres for disabled veterans in Israel.
Lot numbers in red indicate works from the Rethazy collection
4
Waddington’s™ Auctioneers & Appraisers
AMERICAN
The Eliot Candee Clark Sketchbook Drawings
The following lots, nos. 1 to 5, were purchased from the estate of
the artist by Auslew Gallery, Norfolk, Virginia; from whom
purchased by the family of the present owner, circa 1984
1
Eliot Candee Clark (1883-1980), American
CENTRAL PARK, NEW YORK (3 Sketchbook Drawings); Three colour
pastels with pencil on tan/green paper, each signed, one with
monogram stamp, one signed and dated 1908 at New York in
pencil lower right
(2) 4” x 8.5” — 10.2 x 21.5 cm.; 3.9” x 8.5” — 10 x 21.7 cm.
Est. $1,000/1,500
2
CENTRAL PARK (4 Sketchbook Drawings): BY THE POND; FIGURES ON
THE HILLSIDE OF THE PARK; FIGURES IN BLUE UNDER SHADY TREES;
FIGURES AMONG BIRCHES; Four colour pastel and conte drawings; each
signed, the first title on blue paper; signed in ink lower left and stamped
with monogram lower right. The second title on tan paper; signed lower
right and dated 1908 lower left, inscribed N.Y. in pencil upper right
margin. The third title on tan paper; signed with monogram lower right,
stamped monogram upper left margin. The fourth title on blue paper;
signed with monogram lower right, stamped monogram upper right
margin. Unframed.
Various sizes 9.6” x 5.3” — 24.5 x 13.5 cm.; 6.7” x 4.7” — 17 x 12 cm.; 7.7” x
4.5” — 19.5 x 11.5 cm.; 8.3” x 4.1” — 21 x 10.5 cm.
Est. $400/600
International Art - Tuesday 27 November 2007 1 PM
5
3
VENICE (From a Sketchbook); Colour pastel and pencil; signed
with monogram lower right
9.1” x 5.9” — 23 x 15 cm.
Est. $300/500
4
Four Landscapes: COWS IN A LUSH SUMMER LANDSCAPE; FOUNTAIN IN A
PARK (Central Park?); ROLLING PASTURE IN THE HILLS, AUTUMN; EARLY
SNOW; Four colour pastels on dark tan paper; two signed with monograms;
two signed in pen and ink and each stamped with monogram. Unframed.
Each approximately 9” x 12” — 22.9 x 30.5 cm.
Est. $1,000/1,500
6
5
IMPRESSIONIST LANDSCAPES (5 Sketchbook
Drawings): IMPRESSIONIST HILLSIDE; LANDSCAPE
WITH EVENING LIGHTS; BIRCH TREES AND
HAYSTACKS; ROAD IN MISTY SPRING LIGHT;
COUNTRY ROAD AT DUSK; Five colour pastels,
four on tan paper; one on dark gray paper, the
first three signed with monogram and stamped
with monogram, the fourth title, signed lower
right and stamped with monogram. Unframed.
Sheet approximately 9” x 12” — 22.9 x 30.5 cm.
Est. $700/900
6
Lewis Edward Herzog (1868-1943), American
PEOPLE ON A TRAIN; Pencil drawing; signed
lower right
Sight 4.6” x 7.5” — 11.7 x 19 cm.
Est. $200/300
Provenance: The Estate of the artist; Auslew
Gallery, Norfolk, Virginia; from whom purchased
by the present family collection in 1979
7
7
Mary Shepard Greene Blumenschein
(1869-1958), American
PORTRAIT OF A YOUNG MAN; Colour pastel on
paper; signed with initials M.S.G. lower right
13.4” x 10.25” — 34 x 26 cm.
Est. $300/500
Provenance: Mayo Gallery, Richmond, Virginia,
acquired in 1984
Note: The artist was born in New York and
married the American artist Ernest
Blumenschein in 1905. Together they worked
as illustrators in Paris to support Ernest’s
studies. They relocated in New York in 1909
and eventually settled in Taos in 1919 where
she stayed until her death in 1958.
8
Edward Charles Volker (1871-1925),
American
ART SCHOOL MODEL POSES IN A HAT;
Charcoal drawing on laid paper
Sight 21” x 15.5” — 53.3 x 39.4 cm.
Est. $300/400
9
Arthur Prince Spear (1879-1959), American
BEAUTY IN A FLOWING GAUZY DRESS; Colour
pastel on brown paper; signed lower left
23” x 19” — 58.4 x 48.3 cm.
Est. $1,000/1,500
Provenance: Fred Baker Inc., Chicago
10
Reynolds Beal (1867-1951), American
PORT AU PRINCE; Colour pastel; signed lower
left, titled and dated Mar. 10, 1925 lower right.
Unframed.
Sheet 8.75” x 11.6” — 22.2 x 29.5 cm.
Est. $300/500
Provenance: Purchased from Rosalind
Miesksell, Chicago art dealer in 1984
8
11
Two Marine Sketchbook Drawings:
PROVINCETOWN, SEPT. 23, 1916; BAIT HUT;
The former title, a pencil drawing heightened
with colour crayon; the latter, a pencil
drawing; each signed, the drawing with
colour annotations, the former, titled and
dated. Unframed.
Sheet 10” x 13.5” — 25.4 x 34.3 cm.
Est. $500/800
12
Three Sketchbook Drawings of Bermuda: BERMUDA
(Harbour); ALONG FRONT STREET, HAMILTON; FRONT STREET;
Three conte drawings; each signed, titled and dated March
1940. Unframed.
Sheet 6” x 8.75” — 15.2 x 22.2 cm.
Est. $600/800
Note: Drawn on the verso of a printed Ocean liner breakfast
and luncheon menu, dated Jan.12, 1940 in the plate
13
Three 1901 Sketchbook Drawings of Funchal: FUNCHAL
FROM ROCKS NEAR NEW HOTEL LOOKING N.E., WED.
AUG. 4, 1901; SUNRISE - FUNCHAL FROM LANDINGMOLE, SAT. AUG. 24, 1901; MARKET BOATS, FUNCHAL
AFTER SUNRISE FROM MOLE, SAT. AUG. 24, 1901; Three
pencil and colour pencil drawings; each titled and
dated, two with colour annotations. Unframed.
Sheet 9” x 12” — 22.9 x 30.5 cm.
Est. $1,000/1,500
9
14
Sketchbook Studies Chronicalling Marine Activities In 1904: DAVID’S
ISLAND, SEPT. 8/04; PORT WASHINGTON, SEPT. 8/04; SEPT. 9/04; SEPT. 10/04;
and SEPT. 11/04; CITY ISLANDS, SEPT. 11/04; PORT WASHINGTON, SEPT.
12/04; and OYSTER SMACKS OFF HEMPSTEAD, SEPT. 14/04; Eight
watercolours; each titled and dated, the watercolour entitled Port
Washington, further annotated, “Oil on white board” in pencil. Unframed.
Each sheet 5” x 7.9” — 12.7 x 20 cm.
Est. $1,000/1,500
10
15
Eleven Marine Studies From Sketchbooks, 1896-1906 including: U.S.S.
PORTSMOUTH OFF GREENWICH, 1896 (2); FLEET FISHING SCHOONERS, 1901
(2); NEWPORT FROM PORT GREEN PARK, JULY 1899; TEXAS OFF LONDON,
1903; HARTFORD, NEW LONDON, 1903; FRENCH CRUISERS, NORTH RIVER,
MAY, 1906 (3); AND PROVINCETOWN, N.D.; Seven pencil drawings; three
watercolours; and one pastel; each titled, most dated. Various sheets sizes.
Unframed.
4.5” x 6.25” — 11.4 x 15.9 cm.; 5.75” x 9” — 14.6 x 22.9 cm.; 5.25” x 7.75” — 13.3
x 19.7 cm.; 9.75” x 13.5” — 24.8 x 34.3 cm.
Est. $800/1,000
11
16
Eleven Sketches of Funchal and Lisbon In 1901 including: U.S.S. MARIETTA
AND THE STEAMER, “BITHYNIE”- MARSEILLE; COALING A STEAMER;
PORTUGUESE WARSHIP - DIU; and BRAZILIAN BATTLESHIP; Eleven pencil
sketches heightened with colour; each titled and dated, most with colour
annotations. Unframed.
Sheets 7” x 10” — 17.8 x 25.4 cm.; 6” x 9.5” — 15.2 x 24.1 cm.
Est. $500/900
12
17
Paul R** Koehler (1875-1909), American
GIANT’S HEAD, MAINE; Colour pastel; signed
lower left, titled verso
15” x 22.75” — 38.1 x 57.8 cm.
Est. $500/700
19
Wilson Henry Irvine (1869-1936), American
TWO SUMMER LANDSCAPES IN THE HILLS; TWO MARINE STUDIES; Four aquaprints (aquatints
each heightened with colour pastel and watercolour); each signed lower left. Unframed.
Sheet 14” x 18” — 35.6 x 45.7 cm.
Est. $800/1,200
18
New York School (Early 20th Century)
BOY IN A GIRL’S BEDROOM WINDOW;
Watercolor washes; inscribed date 1918 in
pencil lower right. Unframed.
9.75" x 10.5" — 24.8 x 26.7 cm.
Est. $1,000/1,500
Provenance: Ex. Coll. Professor AmirkhanianShwalov, St. Petersburg and California
Provenance: Richard C. Edgeworth Dealer of Fine Art, Chicago acquired from the estate of the
artist; from whom purchased by the family of the present Private Collection, Ontario in 1978
Note: The artist invented the technique called aquaprints as a new method of painting based
on an old Japanese method of marbelizing paper used in fine books. The artist controls the
flow of colours so as to reproduce the forms of nature and allowing for a detail of line and
colour combinations not possible in any other medium. The printed ground heightened with
pastel and watercolour allows for variations and are unique compositions , similiar to a
monotype.
Irvine exhibited aquaprints in several shows including the Lyme Art Association, the Curtis H.
Moyer Gallery, London in 1927, the Albert Roullier Art Galleries, Chicago and exhibitions held
in New York and Hartford, Connecticut.
Additional prints by the artist will be included in Waddington’s International Print auction to
be held in the Fall of 2008.
13
22
Hartwell Leon Woodcock (1853-1929), American
BERMUDA BEACH SCENE; Watercolour; signed and dated
1920 lower left
13.5” x 18.5” — 34.3 x 47 cm.
Est. $500/700
20
John Alonzo Williiams (1869-1951), American
CAT SITTING IN FRONT OF A WINDOW; CAT ON A TABLE;
Pair of colour pastels; each signed, the former on the
window; the latter, lower right
Each 9” x 12” — 22.9 x 30.5 cm.
Est. $1,000/1,500
Provenance: Wm. Greenbaum, Fine Art Dealer, Concord,
Mass in 1982
21
Clement Weisbecker (1900-?), American
LEOPARDS FIGHTING; Watercolour; signed lower right
12” x 17.5” — 30.5 x 44.5 cm.
Est. $300/400
14
23
Henry McDaniel (20th Century), American/Canadian
ROSS POOL, N.S.; TRANQUIL INLET WITH FISH HUTS; Two
watercolours; each signed lower right, the former titled verso
Sight 17.5” x 24.3” — 44.5 x 61.7 cm.
Est. $1,000/1,500
24
Anton Otto Fischer (1882-1962), American
SIGNALLING THE RESCUE BOAT; Oil on canvas; signed and dated 1935 lower right
18” x 36” — 45.7 x 91.4 cm.
Est. $1,500/2,500
27
Attributed to Carl Oscar August Erickson
(1891-1958), American
ANATAU TOETOE; Oil on canvas laid down on
masonite; indistinctly signed, Eric? , dated 39
at Bahiti and titled lower left
29” x 36” — 73.7 x 91.4 cm.
Est. $500/700
Provenance: Charles Thomas Croucher, New York, acquired directly from the artist;
By descent through the family to the present Private Collection, Toronto.
Note: Charles Thomas Croucher, grandfather of the present owner, was Managing Editor of
Saturday Night and the Canadian Home Journal in the mid to late 1930’s. Croucher
commissioned Fischer to paint this and the following canvas, lot #26 to illustrate a story that
appeared in the Canadian Home Journal.
This work and lot 26 were gifted to Croucher after completion of the assignment.
28
Charles Franklin Pierce (1844-1920),
American
COWS GRAZING BY A WOODLAND PATH;
Watercolour; signed lower left
9.5” x 14.5” — 24.1 x 36.8 cm.
Est. $300/500
25
Frank Handlen (19th/20th Century),
American
CRASHING WAVES ON A FOGGY DAY; Oil on
masonite; signed lower right. Unframed.
40” x 56” — 101.6 x 142.2 cm.
Est. $1,000/1,500
26
Anton Otto Fischer (1882-1962), American
CARGO SHIP IN HEAVY SEAS; Oil on canvas;
signed and dated 1939 lower right
22” x 30.5” — 55.9 x 77.5 cm.
Est. $1,500/2,500
Provenance: Same as lot 24
Literature: Same as lot 24
Note: Same as lot 24
29
Hartwell L ** Woodcock (1853-1929),
American
MAN AND CART ON STREET, SOMERSET,
BERMUDA; Watercolour; signed and dated
1903 lower left
20” x 13.75” — 50.8 x 34.9 cm.
Est. $500/700
15
30
Emlen McConnell (1872- ), American
HELP AND THE NEGRO QUESTION; Charcoal
drawing on paper laid down on a working
board support heightened with white;
signed with remains of a title on the verso of
the support
Sight 17” x 8” — 43.2 x 20.3 cm.
Est. $300/500
33
19th Century American School
SISTERS IN A LANDSCAPE; Oil on canvas;
sculpted in the oval
28.5” x 23.5” — 72.4 x 59.7 cm.
Est. $1,000/1,500
Provenance: Acquired in the Boston area
Provenance: Saturday Evening Post, New York
Note: A drawing executed for Saturday
Evening Post, n.d., label verso
32
American School, Circa 1860
CHILD WITH A DOG; THE TIRED MODEL; Pair
of colour pastels
Sight 17.5” x 13.25” — 44.5 x 33.7 cm.; 15.5” x
12” — 39.4 x 30.5 cm.
Est. $800/1,200
Provenance: Joy Emery Gallery, Michigan
31
Manner of William Sydney Mount (18071868), American
PORTRAIT OF AN AFRICAN-AMERICAN MALE;
Charcoal drawing on laid paper. Unframed.
15.6” x 12.75” — 39.7 x 32.4 cm.
Est. $600/800
16
34
Monogram A**D**C** (act. 1868),
American School
PRETTY DARK HAIRED GIRL; Oil on canvas
laid down on masonite; signed with
monogram and dated ‘68 lower left
15.75” x 20” — 40 x 50.8 cm.
Est. $300/500
37
Thomas Bigelow Craig (1849-1924),
American
CATTLE GRAZING BY A WOODLAND POOL;
Oil on canvas laid down on board; signed
lower left
20” x 30” — 50.8 x 76.2 cm.
Est. $2,000/3,000
39
Thomas J. Fenimore (19th/20th), American
CATTLE WATERING IN FOREST RIVER; Oil on
canvas; signed and dated 1891 lower left
20” x 30” — 50.8 x 76.2 cm.
Est. $700/900
35
George Cochran Lambdin (1830-1896),
American
CALLA LILY; Oil on canvas en grisaille; signed
with initials and dated /88 lower right
16.5” x 14” — 41.9 x 35.6 cm.
Est. $2,000/3,000
36
Henry Cleenewerck (1818-1901), American
TOWNSFOLK ON A BEACH, CUBA?; Oil on
board; signed lower left
8” x 9” — 20.3 x 22.9 cm.
Est. $1,000/1,500
38
Thomas Bigelow Craig (1849-1924),
American
SUMMER AFTERNOON; Oil on canvas; signed
lower right, signed and titled verso
10” x 14.3” — 25.4 x 36.3 cm.
Est. $1,500/2,000
40
A** Bryan Wall (1872-1937), American
FARMER LEADING HIS FLOCK ON A SUNLIT
LANE; Oil on canvas; signed lower right
20” x 30” — 50.8 x 76.2 cm.
Est. $1,000/1,500
Provenance: The Roberts Art Gallery, Toronto
17
41
William Bruce (1861-1911), American
RIVER IN MOUNTAINOUS LANDSCAPE; Oil on
canvas; signed and dated 1906 lower left
14” x 18” — 35.6 x 45.7 cm.
Est. $1,500/2,000
43
Gordon Phillips (1927- ), American
MOUNTAIN MAN; Pencil drawing; signed and
titled lower left
Image 6.5” x 5.25” — 16.5 x 13.3 cm.
Est. $300/500
45
Eugene R. Garin (1922-94 ), American
CALIFORNIA LANDSCAPE WITH SEQUOIA
TREES; Oil on canvas laid on masonite; signed
lower left
19.75” x 23.75” — 50.2 x 60.3 cm.
Est. $500/700
Provenance: Kennedy Galleries Inc., New York
acquired in 1971
44
Charles Franklin Reaugh (1860-1945),
American
TEXAS LONGHORN, KNICKERBOCKER; Colour
pastel; signed, dated 1926 and inscribed on
the old backing
Sight 4” x 6.75” — 10.2 x 17.1 cm.
Est. $1,000/1,500
46
Hubert Wackermann (1945- ), American
SIOUX CAMPFIRE; Oil on board; signed and
dated 1990 lower left
18” x 24” — 45.7 x 61 cm.
Est. $700/1,000
Provenance: Webberley Gallery, Chicago,
Illinois, purchased in 1978.
Provenance: Dedication from artist dated 817-1991 verso
42
Frances Isabella Brundage (1854- ), American
NATIVE MOTHER AND CHILD; Watercolour
illustration; signed lower left
14” x 8.5” — 35.6 x 21.6 cm.
Est. $200/300
18
47
Joseph A. Imhof (1871-1955), American
IRON TAIL SIOUX; Oil on canvasboard; signed lower right
37.5” x 31.5” — 95.3 x 80 cm.
Est. $9,000/12,000
Note: Imhof was acquainted with Buffalo Bill Cody as a young man
and travelled to Europe with Cody’s Wild West troupe around 1890.
Imhof was Cody’s personal guest in Antwerp.
Iron Tail Sioux, the majestic subject of this portrait, was one of about
100 Sioux who travelled to Europe with Cody.
Although this portrait is undated, it was probably executed after
1907, long after Imhof and Iron Tail had returned to the United States
from Europe. The background in the work suggests a southwestern
setting, possibly Taos.
48
Max Bachmann (1862-1921), American
BUST OF AN INDIAN; Bronze; signed and dated 1902 with copyright
Height 22.8” — 58 cm.
Est. $3,000/5,000
Provenance: Frederick W. Thom Limited, Toronto, acquired in 1968
19
49
COUNT THEM OFF TO ME - HOW MANY; Acrylic on
canvas; signed lower right, titled to gallery label
verso, reg. No. 12,138 and numbered no. GP#61 1 verso
30” x 40” — 76.2 x 101.6 cm.
Est. $10,000/15,000
Provenance: Kennedy Galleries Inc., New York,
acquired in 1971
Exhibited: Kennedy Galleries Inc., in Western Paintings
and Bronzes, June 1971, No. 3
Literature: Illustrated on the front cover of the
accompanying exhibition catalogue
50
NEAR DUSK; Acrylic on board; signed lower right, titled
and numbered no. GB #18 (2251) to gallery label verso
20” x 24” — 50.8 x 61 cm.
Est. $6,000/9,000
Provenance: Kennedy Galleries Inc., New York
acquired in 1971
Exhibited: Kennedy Galleries Inc., in Western paintings
and Bronzes, June 1971, No. 1
20
51
Ben Benn (1884-1983), Russian/American
THE APPROACHING STORM; Oil on canvas; signed and dated 36 lower left,
signed, titled and dated 36 verso
16” x 20” — 40.6 x 50.8 cm.
Est. $6,000/8,000
52
Charles Paul Gruppe (1860-1940), American
CALEDONIA NEAR ROCHESTER; Oil on canvas; signed lower left, signed and
titled to label verso
24” x 30” — 61 x 76.2 cm.
Est. $3,000/4,000
21
53
Frank C. Penfold (1849-1921), American
THE DEFENDER; Oil on canvas; signed lower
right
48” x 35” — 121.9 x 88.9 cm.
Est. $5,000/7,000
54
Harry Jackson (1924- ), American
TRAPPER; Bronze; signed and dated 1970,
inscribed casting #7
Height 20.3” — 51.5 cm.
Est. $4,000/6,000
Provenance: Kennedy Galleries Inc., New York, 1971
22
55
Agnes Martin (1912 - 2004), Canadian/American
STILL LIFE, DAISIES IN A JAR; Oil on canvas; signed lower right. Circa 1940’s. Unframed.
24” x 30” — 61 x 76.2 cm.
Est. $1,000/1,500
Provenance: Acquired in Greenwich, Connecticut
56
Manner of Cherry Jaffe Huldah (1901-2001),
American
SUNDAY OUTING IN THE PARK; Oil on board; bears
apocryphal monogram lower left
30” x 23.5” — 76.2 x 59.7 cm.
Est. $2,000/3,000
61
Gottfried Arnegger (1905- ), Austrian
VILLA ON A SUNLIT BAY; Oil on canvas; signed
lower left
15.9” x 7.8” — 40.3 x 19.75 cm.
Est. $1,000/1,500
57
Rolph Scarlett (1891-1984), American
ABSTRACT COMPOSITION; Gouache on
paper; signed lower right
Sight 13.75” x 16.5” — 34.9 x 41.9 cm.
Est. $1,000/1,500
Provenance: With La Parete Gallery, Toronto
59
Karl Eugene Fortess (1907-1995),
American
SURREALISTIC LANDSCAPE; Charcoal
drawing; signed with initials lower right
Sight 18” x 14” — 45.7 x 35.6 cm.
Est. $300/400
AUSTRIAN
58
Rolph Scarlett (1891-1984), American
GEOMETRIC DESIGN; Gouache over pencil;
signed lower right
Sight 10.8” x 16.2” — 27.5 x 41.2 cm.
Est. $2,000/3,000
62
Alois Arnegger (1879-1967), Austrian
MEDITERRANEAN VILLA; Oil on canvas;
signed lower right
23” x 31” — 58.4 x 78.7 cm.
Est. $2,000/3,000
Provenance: With La Parete Gallery, Toronto
60
Josef Jungwirth (1869-1950), Austrian
RED PEONIES AND IRIS IN A BLUE AND WHITE
VASE; Oil on canvas laid down on masonite;
signed upper right
40” x 25” — 101.6 x 63.5 cm.
Est. $1,000/1,500
23
63
Rudolf Jelinek (1880-1958), Austrian
YOUNG MOTHERS ON A PARK BENCH; Oil on canvas; signed lower left
28” x 38” — 71.1 x 96.5 cm.
Est. $2,000/3,000
65
T** Kurzweil (19th/20th Century), Austrian
THE LOVE LETTER; Oil on canvas laid down on
masonite; signed at Wein lower right edge
37.25” x 30.25” — 94.6 x 76.8 cm.
Est. $1,500/2,500
Provenance: Harrison Galleries, Vancouver
64
Josef Fux (1841-1904), Austrian
STILL LIFE OF WATERMELON, GRAPES,
POMEGRANTES, PINEAPPLE AND BRASS ON A
LACE COVERED LEDGE; Oil on canvas; signed
lower right
34.25” x 26.25” — 87 x 66.7 cm.
Est. $4,000/6,000
24
66
Edmund Adler (Rode) (1876-1965), Hungarian/Austrian
CHILDREN PLAYING; Oil on canvas; signed E. Rode lower right
20” x 24” — 50.8 x 61 cm.
Est. $4,000/6,000
BELGIAN
67
Henri Victor Wolvens (1896-1977), Belgian
MARINE AVEC PLAGE DOREE ET CABINES; Oil on canvas; signed lower left,
dated 1945 lower right
21.3” x 31.5” — 54 x 80 cm.
Est. $15,000/20,000
Provenance: Ex. Coll. Mme. J. van de Velde, Belgium acquired directly from
the artist;
By descent to her daughter, Ghislaine van de Velde, Brussels, Belgium;
By descent to the present Private Collection, Canada
Literature: Cited in Georges Marlier’s, Henri- Victor Wolvens, Cat. No. 557, pg.
298
Note: Together with a copy of Marlier’s book, autographed with dedication
to J. van de Velde from her friend Wolvens inside front cover
25
68
Jules Victor Genisson (1805-1860), Belgian
CATHEDRAL INTERIOR; Oil on panel; signed and dated
1849 lower right
20.5” x 16.75” — 52.1 x 42.5 cm.
Est. $5,000/7,000
Provenance: Frederick W. Thom Limited, Toronto,
purchased November 1971 and accompanied by
original bill of sale
69
Georges Croegaert (1848-1923), Belgian
A FLORAL PRESENT; Oil on panel; signed and dated
1888 at Paris lower left, titled verso. Unframed.
13.4” x 15.7” — 34 x 40 cm.
Est. $8,000/12,000
26
75
John Robert Keitley Duff (1862-1938), British
SHEEP ON COASTAL OUTCROP; Watercolour;
signed lower right
10” x 14.5” — 25.4 x 36.8 cm.
Est. $300/500
70
**Voitl (19th/20th Century), Belgian ?
ARAB MUSICIANS; Oil on print background
on canvas; signed lower right
10.5” x 8.5” — 26.7 x 21.6 cm.
Est. $400/600
Note: In an Eastern spool-turned wood frame
72
Niek van der Plas (1954- ), Belgian
UMBRELLAS ON THE BEACH; MAKING SAND
CASTLES; Pair of oils on panel; each signed
lower right, each with stamped signatures
verso
Each 6” x 6” — 15.2 x 15.2 cm.
Est. $1,000/1,500
73
Lot as may appear.
BRITISH WATERCOLOURS
76
James Wallace (19th/20th Century), British
SHEEP GRAZING BY A RIVER; HILLTOP WITH
CASTLE RUINS; Two watercolours; both
signed lower right
13.5” x 19.5” — 34.3 x 49.5 cm.; 13.25” x 19” —
33.7 x 48.3 cm.
Est. $400/600
71
Fernand Gaudfroy (1885-1964), Belgian
SWANS SWIMMING NEAR A BATHER; Oil on
masonite; signed and dated 1955 lower left
16” x 12.5” — 40.6 x 31.8 cm.
Est. $900/1,200
74
Rosa Place (Exh. 1880-81), British
STUDY OF FOREST PLANTS ON A BANK;
Watercolour on prepared board; signed and
dated Mch 1859 lower right
18” x 22.5” — 45.7 x 57.2 cm.
Est. $300/500
27
79
Frederick James Shields (1833-1911), British
THE LITTLE WAIFS; Watercolour; signed and
dated 1853 lower left. Sculpted circular mat.
Diameter 9” — 22.9 cm.
Est. $1,000/1,500
77
Arthur Winter-Shaw (1869-1948), British
CORNFLOWERS, BABY’S BREATH; ANEMONIES
IN A VASE; Two watercolours; each signed
lower left, each titled to gallery labels verso
Sight 15” x 10.5” — 38.1 x 26.7 cm.
Est. $400/600
Provenance: A. Luscombe Carroll ( The Carroll
Galleries) London and Canada
78
Arthur Winter-Shaw (1869-1948), British
COSMOS AND OTHER FLOWERS; DAISIES
AND MARIGOLDS; ROSES ON A LEDGE; Three
watercolours; each signed lower left,
Sight (2) 15” x 10.5” — 38.1 x 26.7 cm.; 10.75” x
15” — 27.3 x 38.1 cm.
Est. $600/900
28
80
William Tatton Winter (1855-1928), British
GATHERING KINDLING; Watercolour; signed
lower left, titled to label verso
11.75” x 8.5” — 29.8 x 21.6 cm.
Est. $400/600
82
Charles E** Hannaford (1863-1955), British
THE GRAMPIAN HILLS NEAR BREAMER INVERNESS-SHIRE, SCOTLAND; Watercolour;
signed, titled and dated 1848 lower left
Sight 17” x 27” — 43.2 x 68.6 cm.
Est. $500/700
83
Charles E** Hannaford (1863-1955),
British
THE SHEPHERD OF THE GLEN, GLENCOE,
ARGYLE; Watercolour; signed and titled
lower left
17” x 26.5” — 43.2 x 67.3 cm.
Est. $800/1,200
81
Frederick James McNamara Evans (?-1930),
British
FISHERMAN MENDING A NET; PORTRAIT OF A
FISHERMAN; Two watercolours; both signed lower
right
13.5” x 10” — 34.3 x 25.4 cm.; 5.75” x 4.75” — 14.6 x
12.1 cm.
Est. $800/1,200
84
James Roberts (19th Century), British
GLENORCHY IN ARGYLSHIRE; Watercolour;
signed, titled and dated October 22nd,
1894 lower left
18.75” x 25.75” — 47.6 x 65.4 cm.
Est. $800/1,200
85
Thomas Edward Francis (Exh.18991912), British
CHALFONT ST. GILES, BUCKINGHAMSHIRE;
Watercolour; signed lower left, titled verso
10” x 14.5” — 25.4 x 36.8 cm.
Est. $300/400
86
Warren Williams ( 1863-1918), British
FISHING IN A QUIET COVE; Watercolour;
signed lower left
13.25” x 23.25” — 33.7 x 59.1 cm.
Est. $700/900
29
90
Frank M. Chase (1843-1898), British
CHICKENS IN A COTTAGE YARD; Watercolour;
signed lower left
9.5” x 8.75” — 24.1 x 22.2 cm.
Est. $300/500
87
Herbert E** Butler (1861-1931), British
FISH HARBOUR - POLPERRO, CORNWALL; Watercolour; signed lower left, titled verso
Sight 9.75” x 13.5” — 24.8 x 34.3 cm.
Est. $800/1,200
Provenance: Purchased in an antique shop in Cornwall
88
John Cuthbert Salmon (1844-1917), British
FIGURES BOARDING A FERRY ON A VILLAGE
SHORE; Watercolour; signed lower left
29” x 49” — 73.7 x 124.5 cm.
Est. $1,000/1,500
91
Claude Hayes (1852-1922), British
SHALFORD, GUILDFORD; Watercolour; signed
lower right, titled verso
6.5” x 9.75” — 16.5 x 24.8 cm.
Est. $400/600
89
19th Century British
FISHERMAN ON RIVER BANK; PICNICKERS BY
A BRIDGE; Pair of watercolours; each signed
with monogram CHW and dated 1866
Each 14.25” x 21.25” — 36.2 x 54 cm.
Est. $1,000/1,500
Note: Possibly by Charles Horwell Woodman
(1823-1888)
30
93
Herbert Bland Sparks (1800- ), British
A ROSE FROM A SUITOR; Watercolour; signed
lower left
Sight 23.25” x 17” — 61 x 43.2 cm.
Est. $700/900
92
Frederick James Aldridge (1850-1933),
British
SAILING SHIPS IN BECALMED WATERS;
Watercolour; signed lower right
Together with:
R**T**Wilding (fl.c.1915), British
FISHING BOATS OFF THE CORNISH COAST,
Together with:
A**T**Nash (19th/20th Century),British
HAY BARGE, Watercolour; signed and dated
1891 lower right
3” x 7” — 7.6 x 17.8 cm.;8” x 15.5” — 20.3 x
39.4 cm.; 11.5” x 16.5” — 29.2 x 41.9 cm.
Est. $800/1,200
94
John Fraser (1858 - 1927), British
RIVER LANDSCAPE WITH BRIDGE;
Together with:
Edward H. Atwell (19th/20th Century), British
SAWLEY BRIDGE, Watercolour; signed and
dated ‘32 lower right, titled to exhibition label
verso
9.25” x 13.25” — 23.5 x 33.7 cm.; 9.5” x 13” —
24.1 x 33 cm.
Est. $400/600
95
Walter Henry Sweet (1889-1949), British
COCKINGTON FORGE; CLOVELLY, DEVON;
HALL AT ATHELHAMPTON, DORSET; Three
watercolours; the first two titles signed lower
left, the last lower right.
14.25” x 21” — 36.2 x 53.3 cm.; 15” x 10.75” —
38.1 x 27.3 cm.; 7” x 10” — 17.8 x 25.4 cm.
Est. $1,000/1,500
31
96
William Sidney Cooper (1854-1927), British
AT HIGHSTEAD KENT; Watercolour; signed and dated
1915 lower right, titled verso
Sight 9.25” x 13.25” — 23.5 x 33.7 cm.
Est. $1,000/1,500
99
Harold Joseph Swanwick (1866-1929), British
RETURNING FROM WORK; Watercolour; signed lower left
8” x 12” — 20.3 x 30.5 cm.
Est. $1,200/1,500
97
William Sidney Cooper (1854-1927), British
FLOCK OF SHEEP AT REST; Watercolour; signed and dated
1916 lower right
10” x 14” — 25.4 x 35.6 cm.
Est. $1,500/2,000
100
Harold Lawes (Exh.1892), British
NEAR COLCHESTER, SUFFOLK; Watercolour; signed lower left
9.5” x 14.75” — 24.1 x 37.5 cm.
Est. $300/500
98
Attributed to Thomas Sidney Cooper (1803-1902),
British
IN CANTERBURY MEADOWS; FLOCK AT REST; Pair of
watercolours; each signed and dated 1878 lower left and
bottom centre respectively, one signed and titled to old
backing
Sight 9” x 7” — 22.9 x 17.8 cm.; 7.5” x 10” — 19.1 x 25.4 cm.
Est. $800/1,200
32
101
Henry Spernon Tozer (1864-d. circa 1938), British
ENJOYING THE HARVEST; Watercolour; signed and dated 1921
lower left
Sight 8.75” x 12.75” — 22.2 x 32.4 cm.
Est. $1,200/1,600
102
Henry Spernon Tozer (1864-d. circa 1938), British
SAYING GRACE; Watercolour; signed and dated 1923 lower left
Sight 8.75” x 11.75” — 22.2 x 29.8 cm.
Est. $1,200/1,800
104
George Hamilton Constantine (1875-1967), British
EVENING GLOW; Watercolour; signed and tilted lower right
Sight 10” x 13” — 25.4 x 33 cm.
Est. $800/1,200
105
George Hamilton Constantine (1875-1967), British
THE OLD PIER, STONEHAVEN; Watercolour; signed and
titled lower left
13.75” x 20” — 34.9 x 50.8 cm.
Est. $1,000/1,500
103
Charles E** Hannaford (1863-1955), British
HERRING BOATS IN PORT; COASTAL VIEW; Pair of watercolours
13.5” x 20” — 34.3 x 50.8 cm.
Est. $1,000/1,500
33
106
Benjamin D** Sigmund (fl.1880-1904),
British
AT THE COTTAGE GATE; Watercolour; signed
lower left, titled verso
12.25” x 16.25” — 31.1 x 41.3 cm.
Est. $1,000/1,500
108
Henry Decon Hillier (1858-1930), British
HIGHLAND CATTLE AT A LOCH; Watercolour;
signed lower right
20.75” x 14” — 52.7 x 35.6 cm.
Est. $300/500
110
John Frank Swingler (fl.1880-1895), British
BROOK AND HEATHER; WOODED RIVER; CART
TRACK IN ROLLING LANDSCAPE; Three
watercolours; the first two titles signed lower
left and right respectively
19.25” x 25” — 48.9 x 63.5 cm.; 16.5” x 24.5” —
41.9 x 62.2 cm.; 25” x 9.5” — 63.5 x 24.1 cm.
Est. $900/1,200
107
Henry John Kinnaird (Act.c.1880-died
c.1920), British
NEAR GORING, SURREY; Watercolour; signed
lower right, titled lower left
15.5” x 11.5” — 39.4 x 29.2 cm.
Est. $800/1,200
34
109
Frederick John Widgery (1861-1942), British
MOORLAND SCENE; Watercolour and
bodycolour; signed lower left
11” x 18” — 27.9 x 45.7 cm.
Est. $800/1,000
111
Noel Harry Leaver (1889-1951), British
EXETER CATHEDRAL; Watercolour; signed
lower left
10.5” x 14.5” — 26.7 x 36.8 cm.
Est. $1,000/1,500
113
Herbert Parsons Weaver (1872-1945),
British
CONTINENTAL TOWN SCENE; Watercolour;
23.5” x 15” — 59.7 x 38.1 cm.
Est. $1,000/1,500
112
Henry Thomas Schäffer (1854-1915),
British
CAPILLA MAJOR; Watercolour; signed and
titled at Toledo Spain lower right
Sight 18” x 13.5” — 45.7 x 34.3 cm.
Est. $800/1,200
114
Cecil Arthur Hunt (1873-1965), British
WINDMILL AT RHODES; Watercolour and
gouache; signed lower right, signed, titled
and numbered No. 5 to exhibition label verso
Sight 12” x 15.75” — 30.5 x 40 cm.
Est. $1,000/1,500
115
Herbert Parsons Weaver (1872-1945),
British
VENETIAN CANAL; HOLLYHOCKS BY SUNLIT
STEPS; Two watercolours; the former signed
lower right, the latter signed and dated1925
lower left
14.5” x 7.75” — 36.8 x 19.7 cm.; 10” x 13.75” —
25.4 x 34.9 cm.
Est. $1,000/1,500
Exhibited: Royal Society of Painters in
Watercolours, London, n.d., no. 5
35
116
Wilfred Knox (1884-1966), British
THE RIALTO BRIDGE, VENICE; Watercolour;
signed and dated 1929 lower left
Sight 10” x 14.25” — 25.4 x 36.2 cm.
Est. $900/1,200
117
Charles Jones Way (1835-1919), British
ST. MARK’S SQUARE; SANTA CROCE, ALASSIO;
Two watercolours; the former signed lower
left, the latter signed and titled lower right
9.4” x 13.2” — 24 x 33.5 cm.; 13” x 19.25” — 33 x
48.9 cm.
Est. $1,200/1,600
36
118
Fred L. Foster (19th/20th Century), British
SAN GIORGIO MAGGIORE; Watercolour; signed and dated ‘76
lower left
11” x 17” — 27.9 x 43.2 cm.
Est. $500/700
119
Frederick William Scarborough (c.1860-1939), British
A YORKSHIRE FISHING HARBOUR; SHIPPING IN A HARBOUR; Pair of
watercolours, each signed lower right, the former, titled lower left
Each 10” x 14” — 25.4 x 35.6 cm.
Est. $3,000/5,000
120
Edward Duncan (1803-1882), British
CARTING BRUSH; Watercolour; signed and dated 1855 lower left
16.5” x 26” — 41.9 x 66 cm.
Est. $3,000/5,000
121
**Russell (19th/20th Century), British?
LADIES OF A ROMAN COURT; Watercolour; signed with
adjoined first initial and dated ‘78 lower left
17.8” x 34.5” — 45.2 x 87.6 cm.
Est. $2,000/2,500
122
John White (1851-1933), British
BOAT LAUNCH, OLD SHEPHERD’S
COTTAGE, BEER, E. DEVON; Watercolour;
signed lower left, titled verso
21” x 14” — 53.3 x 35.6 cm.
Est. $2,000/3,000
123
Charles Edward Dixon (1872-1934), British
THE POOL; Watercolour; signed, titled and dated 1911 lower left
Sight 10.5” x 30” — 26.7 x 76.2 cm.
Est. $4,000/6,000
Exhibited: Eland’s Art Gallery, Exeter in the 23rd Annual Spring Exhibition, “Pictures of
the West Country by Devonshire Artists”, no. 241 as “The Pool of London” label
verso
37
124
Manner of Sir Peter Lely (1618-1680),
British
LADY CAREW; Oil on canvas sculpted in the
oval; inscribed to an old partial label to the
stretcher
30” x 25” — 76.2 x 63.5 cm.
Est. $1,000/1,500
126
Manner of Sir Godfrey Kneller (16461723), British
GENTLEMAN IN ARMOUR; Oil on canvas
sculpted in the oval
29.5” x 25” — 74.9 x 63.5 cm.
Est. $1,000/1,500
128
19th Century British School
PORTRAIT OF A LADY; PORTRAIT OF A
GENTLEMAN; Pair of oils on panel
8” x 6” — 20.3 x 15.2 cm.
Est. $900/1,200
125
After Sir Godfrey Kneller (1646-1723),
British
MONSR. ST.EVREMOND; Oil on canvas
sculpted in the oval; bears initials lower left,
inscribed verso
30” x 25” — 76.2 x 63.5 cm.
Est. $1,000/1,500
127
Manner of Thomas Lawrence (1769-1830),
British
YOUNG GIRL PICKING FIGS; Oil on canvas laid
down on panel
40” x 32.25” — 101.6 x 81.9 cm.
Est. $2,000/3,000
Note: Engraved by R. White
38
Provenance: Ex-collection of a Montreal
family of British origin
129
19th Century British
ELEGANT LADY IN SATIN BEFORE THE COSTUME
BALL; Oil on canvas laid down on masonite. Circa
1820.
32” x 24.5” — 81.3 x 62.2 cm.
Est. $2,000/3,000
131
James Ward (1769-1857), British
THE MARQUESS OF EXETER’S ...SULTAN; Oil on board; signed with initial monogram and
dated 1823 lower right, partial title and dated 1823 at Newmarket to a label verso
12” x 16” — 30.5 x 40.6 cm.
Est. $5,000/7,000
130
Attributed to James Digman Wingfield (1800-1872), British
ELEGANT FIGURES ACROSS FROM THE CAMPANILE AND ST. MARK’S
VENICE; Oil on canvas; bears signature W. Wingfield lower right
10.5” x 14.5” — 26.7 x 36.8 cm.
Est. $2,000/3,000
Provenance: The Cooling Galleries Ltd., London and Toronto
132
John E. Ferneley (1782-1860), British
MELTON MOWBRAY, A BAY HUNTER IN A STABLE, THE PROPERTY OF
HENRY GEORGE HERBERT, 7TH EARL OF CARNARVON; Oil on canvas;
signed and dated 1831 at Melton Mowbray lower left
28” x 36” — 71.1 x 91.4 cm.
Est. $25,000/35,000
39
134
William Joseph Shayer (1811-1892), British
MIDSHIPMAN AND HIS GROOM IN A STALL; Oil on canvas; titled and with
artist’s name to gallery label verso
24” x 30” — 61 x 76.2 cm.
Est. $2,000/4,000
Provenance: The Fine Art Galleries, The T. Eaton Company Limited,Canada
133
William Shayer (1787-1879), British
OLD MAN WITH A HORSE (THE WAYFARER); THE COWHERD;
Pair of oils on panel; each signed lower left
Each 14” x 12” — 35.6 x 30.5 cm.
Est. $10,000/15,000
135
Manner of George Morland (1763-1804), British
A GYPSY ENCAMPMENT; Oil on canvas
21” x 28” — 53.3 x 71.1 cm.
Est. $1,000/1,500
Provenance: Campbell’s Gallery, Toronto
Provenance: Fine Art Repository, Liverpool;
The Cooling Galleries, London;
The Estate of Andrew A. Kinghorn, Toronto
40
136
** Faulkner (19th Century),
British/American
WINTER - GIRL IN HOLLY WREATH CROWN
HOLDING A SPRIG OF HOLLY; Oil on canvas,
framed in the oval; titled and with artist’s
name to label verso
21.25” x 18.75” — 54 x 47.6 cm.
Est. $800/1,200
137
Henri LeJeune (1820-1904), British
THE CYMBAL GIRL; Oil on panel; signed with
monogram and dated 1877 lower right
9.2” x 5.25” — 23.3 x 13.3 cm.
Est. $1,000/1,500
138
**Brill (19th Century), British
ROBIN’S EGGS IN A NEST ON FOLIATE BANK;
Oil on canvas tondo; signed and dated 1879
lower left
Diameter 9.25” — 23.5 cm.
Est. $500/700
139
William A** Sims (fl.1911), British
A LEISURELY CUP OF TEA; Oil on panel;
signed lower left
9” x 6.5” — 22.9 x 16.5 cm.
Est. $500/700
140
John Hayes (1857-1945), British
RING-AROUND-THE-ROSIE; Oil on canvas;
signed lower left
30” x 25” — 76.2 x 63.5 cm.
Est. $3,000/3,500
141
Mark William Langlois (act. 1860-1890),
British
BATHTIME; Oil on canvas; signed lower left
21” x 17” — 53.3 x 43.2 cm.
Est. $1,000/1,500
41
144
William Henry Vernon (1828-1909), British
ROMANTIC SPOT BY THE RIVER, EVENING; Oil
15” x 21.5” — 38.1 x 54.6 cm.
Est. $800/1,200
142
Edwin Thomas Roberts (1840-1917),
British
GOOD GIRL; Oil on canvas laid down on
masonite; signed lower right
14” x 12” — 35.6 x 30.5 cm.
Est. $1,000/1,500
143
Henry Maidment (1896-?), British
A BYE PATH NEAR MAYFIELD, SUSSEX; Oil on
canvas; signed lower left, titled and numbered
Ex 42 to the stretcher
12” x 18” — 30.5 x 45.7 cm.
Est. $800/1,200
42
145
A. Roland Knight (1879-1921), British
THE POACHER; Oil on canvas; signed lower
left, titled to stretcher
6” x 8” — 15.2 x 20.3 cm.
Est. $700/1,000
146
Max Parsons (19th/20th Century), British
NEEDLES, ISLE OF WIGHT (Barque and Fishing
Boats Off The Coast); Oil on panel; signed
16.25” x 22” — 41.3 x 55.9 cm.
Est. $500/700
147
Manner of Clarkson Stanfield (1793-1867),
British
THE FISHERMAN’S COVE (Moonlight); Oil on
panel
10” x 18” — 25.4 x 45.7 cm.
Est. $700/900
148
R** Fenson [Henry Maidment](1896-?), British
GIRL LEADING GEESE BY A BOY FISHING
FROM A BRIDGE; Oil on canvas; signed lower
right
20” x 30” — 50.8 x 76.2 cm.
Est. $800/1,200
150
Joseph Thors (b.c. 1843-1898), British
A DROVER AND FLOCK OUTSIDE A THATCHED
COTTAGE; Oil on canvas; signed lower right
12” x 18” — 30.5 x 45.7 cm.
Est. $1,500/2,500
152
Alfred Walter Williams (1824-1905), British
ST.MARTHA’S NEAR GUILDFORD, SURREY; Oil
on canvas; initialled and dated 1873 lower
left, titled to label verso
9” x 15” — 22.9 x 38.1 cm.
Est. $600/800
Provenance: The Cooling Galleries Ltd.,
London and Toronto
149
W**K** Mathieson (19th Century), British
CATTLE WATERING BELOW A CASTLE RUIN;
Oil on canvas; signed with adjoined
compound first initials W.K. or K.W. and dated
1878 lower left
20” x 30” — 50.8 x 76.2 cm.
Est. $700/800
151
B** Poole (19th Century), British
MOTHER AND CHILD IN A STORMY
HIGHLAND LANDSCAPE; Oil on canvas;
indistinct partial signature lower left
28.5” x 40.5” — 72.4 x 102.9 cm.
Est. $1,000/1,500
153
Daniel Sherrin (1868-1940), British
RIVERSIDE COTTAGES, EVENING; Oil on
canvas; signed (painted over) lower left and
with apocryphal signature C.Williams lower
right
20” x 30” — 50.8 x 76.2 cm.
Est. $800/1,000
Provenance: The Cooling Galleries Ltd.,
London and Toronto
43
154
Alexis de Andreis (1880-1929), British
CAVALIER IN A RED CAPE; Oil on canvas;
signed lower right
32.25” x 26” — 81.9 x 66 cm.
Est. $1,500/2,000
157
James Wallace (19th/20th Century), British
RIVER LANDSCAPE WITH WAYFARER AND SHEEP; Oil on
canvasboard; signed and dated 1895 lower right
13.25” x 19” — 33.7 x 48.3 cm.
Est. $400/600
155
Albert Milton Drinkwater (1862- ), British
A TASTING PARTY IN A CELLAR; Oil on canvas;
signed lower left
20.5” x 30” — 52.1 x 76.2 cm.
Est. $1,000/1,500
156
George Armfield (1811-1887), British
DIGNITY AND IMPUDENCE; Oil on canvas;
signed and dated 1854 lower left, titled verso
20” x 24” — 50.8 x 61 cm.
Est. $1,500/2,000
44
158
Attributed to James Edwin Meadows (1828-1888), British
BUSY DAY WITH HAYWAGON; FEEDING TIME IN THE VILLAGE; Pair of oils
on panel; inscribed: J.E. Meadows to the gallery labels verso
Each 8.25” x 15” — 21 x 38.1 cm.
Est. $5,000/7,000
Provenance: Frost and Reed, London; Eatons and Cooling inscribed to the
frames verso
159
Thomas Finchett (19th Century), British
LOOKING DOWN THE LLEDR VALLEY FROM
PONT-Y-PANT NEAR BETTWS-Y-COED; Oil on
canvas; signed lower left, titled to the
stretcher
16” x 24.25” — 40.6 x 61.6 cm.
Est. $1,000/1,500
160
Herbert H** Newton (1881-1959), British
FISHERMEN’S CAMP; Oil on canvas; signed
lower left
16” x 26” — 40.6 x 66 cm.
Est. $1,000/1,500
Provenance: An indistinct label from a gallery
in Glasgow to the stretcher
161
J** N** (Early 19th Century British School)
FIGURES LOADING A VESSEL WITH BRITISH
INDIAMEN AND PASSENGER PACKETS ALONG
A COAST WITH GARRISON ON OPPOSITE
SHORE (ISLE OF WIGHT?); Oil on canvas;
partial signature, J:N and indistinct date
1809? lower left
8.25” x 19” — 21 x 48.3 cm.
Est. $1,000/1,500
162
Manner of Arthur Joseph Meadows (18431907), British
LOBSTER FISHERS, YARMOUTH, MORNING; Oil
on canvas; signed indistinctly and dated
1888? lower left, remains of a signature and
titled to a label to the stretcher
10” x 14” — 25.4 x 35.6 cm.
Est. $1,000/1,500
163
Gustave de Breanski (1856-1898), British
FISHING BOATS OFF THE COAST OF DOVER;
Oil on canvas; signed lower right
23.5” x 33.5” — 59.7 x 85.1 cm.
Est. $2,000/3,000
164
David James (act. circa 1883-1897), British
A QUIET MORNING - THE NORTH SEA; Oil on
canvas; signed and dated 1882 lower right,
titled to gallery label verso
17.75” x 30.75” — 45.1 x 78.1 cm.
Est. $2,000/3,000
Provenance: Ex.Coll. Sir Henry Pellatt, Casa
Loma, Toronto inscribed to the Garfield
Galleries, Toronto label verso
45
165
George Turner (1843-1910), British
THE MAJOR OAK, SHERWOOD FOREST; Oil on canvas; signed and dated ‘92
lower left, signed and titled verso
20” x 30” — 50.8 x 76.2 cm.
Est. $5,000/7,000
166
Haynes King (1831-1904), British
AWAITING THE RETURN OF THE BOATS; Oil on panel;
signed lower right
12” x 7.5” — 30.5 x 19.1 cm.
Est. $5,000/7,000
46
167
Charles Sims (1873-1928), British
MILK AND SODA; Oil on canvas; signed lower right
28” x 36” — 71.1 x 91.4 cm.
Est. $5,000/7,000
168
John Callcott Horsley (1817-1903), British
CRITICS IN COSTUME: FASHIONS CHANGE; Oil on canvas;
signed and dated 1880 lower right, titled to printed label
verso
20.5” x 16.25” — 52.1 x 41.3 cm.
Est. $5,000/7,000
Provenance: By descent through the family, originally of
Kingston, Ontario
169
William Mander (1850-1922), British
FIGURES FISHING IN A TRANQUIL POOL; Oil
on canvas; signed lower left
24” x 35.5” — 61 x 90.2 cm.
Est. $3,000/4,000
171
Alfred Fontville de Breanski (1877-1955), British
EARLY MORNING, BURNHAM BEECHES; A SUMMER EVENING, BURNHAM BEECHES; Pair of oils
on canvas; each signed lower right and lower left respectively, each signed and titled verso
12” x 20” — 30.5 x 50.8 cm.
Est. $4,000/6,000
Provenance: The Cooling Galleries, London
and Toronto
172
John Anthony Park (1880-1962), British
ON THE BEACH; Oil on panel; signed lower right, signed and titled
verso
6” x 8.5” — 15.2 x 21.6 cm.
Est. $3,000/4,000
170
John Frederick Tennant (1796-1872), British
THE WATERING PLACE; Oil on canvas; signed and dated 1864 lower left,
24.5” x 36.25” — 62.2 x 92.1 cm.
Est. $2,000/3,000
173
Manner of George Vicat Cole (1833-1893), British
CHILDREN PICKING BERRIES IN AN EXTENSIVE LANDSCAPE; Oil on
canvas; bears signature lower right
20” x 30” — 50.8 x 76.2 cm.
Est. $1,000/1,500
47
174
John Frederick Herring Jnr.
(1815-1907), British
THE FARMYARD; Oil on canvas;
20.25” x 24” — 51.4 x 61 cm.
Est. $8,000/12,000
175
Philip Hermogenes Calderon (1833-1898), British
FRENCH PEASANTS FINDING THEIR STOLEN CHILD; Oil on canvas;
signed with monogram lower left
16.75” x 13” — 42.5 x 33 cm.
Est. $8,000/12,000
Note: This work is a smaller version of Calderon’s larger painting of
1859 exhibited at the Royal Academy, no. 634, now held in a private
collection.
48
176
George Vicat Cole (18331893), British
A SURREY LANDSCAPE; Oil
on canvas; signed with
monogram lower left, titled
to gallery label verso
24.5” x 36.75” — 62.2 x 93.3
cm.
Est. $10,000/15,000
Provenance: Watson Art
Galleries, Montreal
177
Sidney Richard Percy (1821-1886),
British
ULLSWATER, CUMBERLAND; Oil on
canvas; signed lower left
15” x 12” — 38.1 x 30.5 cm.
Est. $6,000/8,000
49
178
Edward Seago (1910-1974), British
THE SEINE AT DUCLAIR; Oil on masonite; signed lower left, titled verso
12” x 15.75” — 30.5 x 40 cm.
Est. $8,000/12,000
179
Alfred Fontville de Breanski (1877-1955), British
IN THE WESTERN HIGHLANDS; Oil on canvas; signed lower left; signed and
titled verso
20” x 30” — 50.8 x 76.2 cm.
Est. $6,000/8,000
50
180
Alfred De Breanski Snr (1852-1928), British
ULSWATER; Oil on canvas; signed lower left; signed and titled verso
29.5” x 49.5” — 74.9 x 125.7 cm.
Est. $40,000/60,000
Provenance: The Cooling Galleries Ltd., London and Toronto purchased in
1948 and accompanied with original receipt
51
181
Edward Seago (1910-1974), British
THE BASIN - HONFLEUR; Oil on canvas; signed lower left, titled to the stretcher
20” x 24” — 50.8 x 61 cm.
Est. $40,000/60,000
52
IRISH
183
Alexander Williams (1846-1930), Irish
APPROACH TO KILLARNEY; Watercolour;
signed and titled lower left
7.25” x 14.5” — 18.4 x 36.8 cm.
Est. $500/700
182
David Herbert Lawrence (1885-1930),
British
ANDROGYNOUS FIGURE (Eros and Psyche);
Pen and ink drawing; signed, and dated 1929
at Rome bottom centre, inscribed in pen and
ink, “Eros and Psyche” lower right and
inscribed in Italian upside down across the
bottom. Unframed.
Sight 12” x 8.25” — 30.5 x 21 cm.
Est. $700/900
185
Lord Gordon MacMillan-Hughes (? - 2005),
Irish/American
COMELY CLOUD (Nude Lady Floating); Oil on
30” x 40” — 76.2 x 101.6 cm.
Est. $2,000/3,000
Provenance: Acquired directly from the artist
while he was residing in Eluthera, Bahamas
Provenance: R.A. Gekoski, London, England
Note: The drawing was executed on the verso
of a Roman restaurant menu.
184
Dennis H** Osborne (1919- ), Irish
THE BUSKERS; Oil on canvas laid down on board; remains of the top
part of the signature lower right
15.25” x 19.25” — 38.7 x 48.9 cm.
Est. $600/800
186
Ronald Ossory Dunlop (1894-1973), Irish
TOW PATH RICHMOND ON THAMES; Oil on canvas; signed lower
right, titled to the stretcher
17.25” x 19.25” — 43.8 x 48.9 cm.
Est. $3,000/5,000
53
187
Maurice Canning Wilks (19111984), Irish
BLOODY FORELAND
HOMESTEADS, CO. DONEGAL; Oil
on canvas; signed lower right,
titled to the stretcher
20” x 24” — 50.8 x 61 cm.
Est. $6,000/8,000
Provenance: Frost and Reed
Inventory label 0/10092 verso;
Watson Art Galleries, Montreal,
acquired in February 1958 at the
gallery closing sale;
Accompanied by original bill of
sale and gallery closing
advertisement
188
Kenneth Webb (1927- ), Irish
EVENING LIGHT DUNDRUM BAY; Oil on canvas; signed lower right, signed,
titled and inscribed, The Warren Studios Ballywalter verso
14” x 36” — 35.6 x 91.4 cm.
Est. $10,000/15,000
Provenance: Collection of Air Vic Marshall I.C.Cornblat, Ottawa, acquired
while residing in England in the 1960’s.
Note: Framed at the Ritchie Hendriks Gallery, Dublin
54
IRISH/SCOTTISH
189
Erskine Nicol (1825-1904), Scottish/Irish
THE MAGIC SHILLELAGH; Oil on board; signed and dated 1860 lower right,
11.75” x 14” — 29.8 x 35.6 cm.
Est. $6,000/8,000
Provenance: By descent through the family orginally of Kingston, Ontario
190
John Smart (1838-1899), Scottish
THE HALT OF THE HERD, STRATHYRE; Oil on canvas; signed and dated 1883 at Strathyre lower right,
signed, titled, dated 1883 and numbered No.1 verso
30” x 50” — 76.2 x 127 cm.
Est. $8,000/12,000
55
191
Peter McDowall Mitchell (1879-1940), Scottish
SUNLIT STREET WITH WOMEN CONVERSING IN A
DOORWAY; Watercolour; signed lower right
13.5” x 16” — 34.3 x 40.6 cm.
Est. $300/500
192
Robert Russell MacNee (1880-1952), Scottish
EVENING BROOK; Watercolour; signed lower left
10” x 13.5” — 25.4 x 34.3 cm.
Est. $600/800
193
James Greig (1861-1941), Scottish
IN THE PYRENEES, MOONLIGHT; Watercolour; signed
Sight 14.25” x 21.25” — 36.2 x 54 cm.
Est. $500/700
56
194
James Greig (1861 - 1941), Scottish
A GARDEN IN THE PYRENEES; Watercolour; signed
14” x 21” — 35.6 x 53.3 cm.
Est. $500/700
195
John Terris (1865-1914), Scottish
STREET SCENE ON A COLD WINTER’S NIGHT;
Sight 15.25” x 21.25” — 38.7 x 54 cm.
Est. $600/800
196
Erskine E. Nicol (? - 1929), Scottish
FISHING BOATS IN THE MIST; Watercolour; signed
and dated 1914 at Egypt lower right
Sight 19.5” x 32.5” — 49.5 x 82.6 cm.
Est. $700/900
197a
18th Century Dutch/Irish School
AN OLD WOMAN CONTEMPLATING LIFE, Oil on canvas,
44" x 34.5" — 111.8 x 87.6 cm.
Est. $1,500/2,500
Provenance: Purchased in Dublin in 1955
197
David Octavius Hill (1802-1870), Scottish
FIGURES BY A LOCH; Watercolour; signed and indistinctly titled lower right
5.75” x 5” – 14.6 x 12.7 cm.
Together with:
W**Carter (19th Century),British
RIVERSIDE THATCHED COTTAGE, Watercolour; signed lower left
6.5” x 5” –15.24 x 12.7 cm.
Together with:
John Fullwood (19th/20th Century),British
VILLAGE OF WESTON, WARWICKSHIRE, Watercolour; signed lower left
6.25” x 8.75” – 15.9 x 22.22 cm.
Together with:
Will Anderson (1800-?), British
OLD HOUSE NEAR GODALMING, Watercolour; signed lower left, titled
verso
4.75” x 6.75” – 12 x 17.1 cm.
Together with:
William Sidney Morrish (1844-1917), British
DERBYSHIRE HILLS, Watercolour; signed lower left, titled verso
6.5” x 9.5” – 16.5 x 24.1 cm..
Est. $600/800
198
John Hamilton Glass (fl.18901925), Scottish
IN ARGYLESHIRE; Watercolour;
signed lower left, titled to gallery
label verso
13.5” x 9” — 34.3 x 22.9 cm.
Est. $200/300
57
199
Hugh Allan (1862-1909), Scottish
A ROCKY COAST; Oil on canvas; signed lower
left, signed to artist’s label to the stretcher
20” x 30” — 50.8 x 76.2 cm.
Est. $600/800
202
Alexander Brownie Docharty (1862-1940), Scottish
SHEEP GRAZING IN AN AUTUMNAL LANDSCAPE; Oil on canvas; signed
lower right
14” x 18” — 35.6 x 45.7 cm.
Est. $1,000/1,500
Provenance: Robert Macindoe, London label to the frame
200
David Octavius Hill (1802-1870), Scottish
NEW HAVEN HARBOUR; Oil on board laid
down on board; signed lower left
18” x 24” — 45.7 x 61 cm.
Est. $1,200/1,800
Provenance: Alex Drysdale, Edinburgh
201
Andrew Black (1850-1916), Scottish
FISHERMEN IN A DORY; Oil on canvas; signed
lower left
16” x 24” — 40.6 x 61 cm.
Est. $1,000/1,500
Provenance: Artist’s label at 69 St.Vincent
Street, Glasgow verso
58
203
William Caldwell Crawford (1879-1960),
Scottish
A COTTAGE WINDOW; Oil on canvas; signed and
dated 1933 lower left; titled to artist’s label verso
30” x 25” — 76.2 x 63.5 cm.
Est. $2,500/3,500
Provenance: Aitken Dott & Son, Edinburgh
204
David Gauld (1865-1936), Scottish
COWS IN A MEADOW; Oil on canvas; signed lower right
20” x 30” — 50.8 x 76.2 cm.
Est. $8,000/10,000
DANISH
206
Robert Panitzsch (1879-1949), Danish
AT THE PIANO; Oil on canvas; signed and dated 33 lower right
23” x 19.75” — 58.4 x 50.2 cm.
Est. $1,500/2,000
205
Viggo Olaf Pieter Langer (1860-1942), Danish
CALLA LILIES BY A FOUNTAIN IN A COURTYARD; Oil on panel; signed
and dated 1918 lower right
55.5” x 39.25” — 141 x 99.7 cm.
Est. $2,000/2,500
207
Soren Christian Bjulf (1857-1942), Danish
THE FISH MARKET AT GAMMEL-STRAND, COPENHAGEN; Oil on canvas; signed lower right
21” x 18.5” — 53.3 x 47 cm.
Est. $800/1,200
59
DUTCH
208
Louis van Staaten (1836-1909), Dutch
A DUTCH HARBOUR; Watercolour; signed
lower left
15.5” x 23.25” — 39.4 x 59.1 cm.
Est. $800/1,200
212
Willem Hendriks (1888-1966), Dutch
CATTLE GRAZING IN A SPRING LANDSCAPE;
Oil on canvas; signed lower left
24” x 32” — 61 x 81.3 cm.
Est. $1,200/1,500
Provenance: F. Miller Fine Art Trade Guild,
Putney, S.W. London
210
Herman N. Hyneman (1859-1907), Dutch
PROFILE OF A LADY; Oil on canvas; signed
and dated 1901 lower left
11.5” x 8.75” — 29.2 x 22.2 cm.
Est. $1,000/1,500
209
Nicolaas Pieneman (1809/10-1860), Dutch
AN OFFICER’S DRESSING TABLE; Oil on board;
signed lower left
17” x 12.25” — 43.2 x 31.1 cm.
Est. $1,000/1,500
60
211
Adrianus Johannes Groenewegen (18741963), Dutch
MILKING TIME; Watercolour; signed lower
left, signed and titled to a label on the frame,
9.6” x 14.2” — 24.5 x 36 cm.
Est. $1,000/15,000
Provenance: Thomas McLean, London;
The Watson Galleries, Montreal;
The Hundred Antiques, Toronto;
Collection of the Late Joseph and Margaret
Rethazy, Hamilton, Ontario
Note: Proceeds to benefit the Joseph and
Margaret Rethazy Charitable Foundation,
Hamilton
213
Arnold Marc Gorter (1866-1933), Dutch
COWS GRAZING BY A POND; Oil on canvas;
signed lower right
18” x 22” — 45.7 x 55.9 cm.
Est. $2,000/3,000
216
Cornelius Bouter (1888-1966), Dutch
A LOLLIPOP FOR A GOOD GIRL; Oil on canvas
laid down on masonite; signed lower right
10” x 12” — 25.4 x 30.5 cm.
Est. $900/1,200
218
Niek van der Plas (1954 - ), Dutch
BATHERS SUNNING AND WALKING THE
BEACH; Oil on panel; signed lower right,
stamped signatures verso
6” x 8” — 15.2 x 20.3 cm.
Est. $800/1,000
214
Fanny (Fanny Corr) Geefs (1807-1883),
Dutch
WASHDAY; Oil on canvas; signed and dated
1859 lower right
26.5” x 18.25” — 67.3 x 46.4 cm.
Est. $1,500/2,000
215
Cornelius Bouter (1888-1966), Dutch
PLAYING WITH BABY; Oil on canvas; signed
lower right,
16.1” x 20.1” — 41 x 51 cm.
Est. $1,200/1,800
Provenance: Kunsthandel M. L. De Boer,
Amsterdam
217
G** Drag** (19th/20th Century),
Dutch/Belgian
DUTCH SEAMSTRESSES; Oil on canvas; signed
indistinctly lower left
14.25” x 16” — 36.2 x 40.6 cm.
Est. $600/800
219
Niek van der Plas (1954 - ), Dutch
A BUSY BEACH SCENE ON A BLUSTERY DAY;
Oil on panel; signed lower right, stamped
signature verso
10” x 12” — 25.4 x 30.5 cm.
Est. $1,000/1,500
61
220
Marinus Johannes (de Jongere) Drulman (1912-1977), Dutch
DE SLAPER WINDMILL WITH THE TOWN OF BERKEL IN THE DISTANCE;
Oil on canvas; signed lower right
24” x 40” — 61 x 101.6 cm.
Est. $1,500/2,500
222
Willem George Frederik Jansen (1871-1949), Dutch
UNLOADING THE CATCH; Oil on canvas; signed lower right
12” x 20” — 30.5 x 50.8 cm.
Est. $4,000/5,000
Provenance: J.A. Cooling & Sons, Bond St., London
221
Marinus Johannes (de Jongere) Drulman (1912-1977), Dutch
SHIPPING IN ROTTERDAM HARBOUR; Oil on canvas; signed lower
right
19.25” x 31.25” — 48.9 x 79.4 cm.
Est. $3,000/4,000
62
223
Willem George Frederik Jansen (1871-1949), Dutch
FISHING BOATS AND SHELLFISHERS ON A BREEZY DAY; Oil on panel;
signed lower right
5.9” x 8.5” — 15 x 21.5 cm.
Est. $700/900
226
Niek van der Plas (1954- ), Dutch
YOUNG GIRL WADING NEAR SHORE ON A
BUSY BEACH; Oil on panel; signed lower
right; stamped signature verso
16” x 19.75” — 40.6 x 50.2 cm.
Est. $2,000/2,500
228
Anton Karssen (1945- ), Dutch
A MOTHER AND HER CHILDREN PLAYING ON
A BEACH; Oil on panel; signed lower right
8” x 9.5” — 20.3 x 24.1 cm.
Est. $1,000/1,500
224
Jan Jacobus Matthijs Damschröeder
(1825-1905), Dutch
THE NEW PET; Oil on canvas; signed lower
right
16.5” x 13” — 41.9 x 33 cm.
Est. $1,500/2,500
225
Manner of Jan Van Huysum (1682-1749),
Dutch
FLORAL STUDY WITH BUTTERFLIES; Oil on
canvas
30” x 25” — 76.2 x 63.5 cm.
Est. $2,000/3,000
227
Niek van der Plas (1954- ), Dutch
CHILDREN SUNBATHING AND MAKING
SANDCASTLES ON A BEACH; Oil on panel;
signed lower right, stamped signature verso
15” x 23” — 38.1 x 58.4 cm.
Est. $1,800/2,200
229
Karel Appel (1921-2006), Dutch
PERSONNAGE; Charcoal drawing; signed
lower left
Image 8” x 6.5” — 20.3 x 16.5 cm.
Est. $800/1,000
63
230
Charles Henri Joseph Leickert (1816-1907), Dutch
BUSY VILLAGE ON THE RIVER; Oil on board; signed lower left
7” x 10” — 17.8 x 25.4 cm.
Est. $3,500/4,500
232
Bernard de Hoog (1867-1943), Dutch
DREAMING; Oil on canvas; signed lower right
20” x 16” — 50.8 x 40.6 cm.
Est. $7,000/9,000
Provenance: Passed down from a private collection, Montreal to the
present owner
231
Cornelis Westerbeek (1844-1903), Dutch
RETURNING WITH THE FLOCK; Oil on canvas; signed and dated ‘97
lower right
23.75” x 39.5” — 60.3 x 100.3 cm.
Est. $5,000/7,000
64
233
Bernardus Johannes Blommers (1845-1914), Dutch
A QUIET PRAYER; Oil on canvas; signed lower left
20.5” x 16” — 52.1 x 40.6 cm.
Est. $1,000/1,500
234
Bernardus Johannes Blommers (1845-1914), Dutch
THE LITTLE HELPER; Oil on panel; signed lower right
7” x 5.5” — 17.8 x 14 cm.
Est. $8,000/10,000
Provenance: Maison Artz, La Haye
65
235
Bernard Pothast (1882-1966), Dutch
AFTERNOON READING LESSON; Oil on canvas; signed lower right
24” x 20” — 61 x 50.8 cm.
Est. $15,000/20,000
66
236
Johan Frederik Cornelis Scherrewitz (1868-1951), Dutch
SHELLFISHERS AT LOW TIDE; Oil on canvas; signed lower right
22.25” x 18.25” — 56.5 x 46.4 cm.
Est. $25,000/35,000
Provenance: Watson Art Galleries, Montreal
67
237
Jozef Israels (1824-1911), Dutch
THE FAMILY MEAL; Oil on panel; signed lower left
16” x 20” — 40.6 x 50.8 cm.
Est. $15,000/20,000
Provenance: Reportedly by descent through the family from Senator Frank
P. O’Connor’s collection (of Laura Secord Candies)
68
FRENCH
238
17th/18th Century Dutch/Flemish School
A QUEEN AND HER PET PARROT; Oil on canvas
48” x 38” — 121.9 x 96.5 cm.
Est. $3,000/5,000
240
Y** Corneau (19th/20th Century),
European
ARABS ON HORSEBACK; TAKING A PRISONER;
Pair of oils on canvas; each signed lower
right
12.5” x 20.75” — 31.8 x 52.7 cm.
Est. $2,000/3,000
241
18th Century French School
PORTRAIT OF A PHILOSOPHER; Sepia crayon
drawing on wove paper, inscribed and dated
in pen and ink: DC V. A. 1776 lower right
Sight 21.25” x 16” — 54 x 40.6 cm.
Est. $400/600
EUROPEAN
239
T** Asosief ? (19th/20th Century), European
VILLAGERS MEETING UNDER A TREE OUTSIDE TOWN; Oil on canvas; indistinctly signed lower
right
26.25” x 34.5” — 66.7 x 87.6 cm.
Est. $1,500/2,500
242
18th Century French School
PORTRAIT OF A GENTLEMAN IN PERIWIG
SEATED LEFT; Colour pastel on paper mounted on linen
24” x 19.5” — 61 x 49.5 cm.
Est. $700/900
69
243
Philibert-Louis Debucourt (1755-1832),
French
From LES ADOLESCENTS A LA MODE;
Watercolour; signed and dated 1801 lower
right
Image 5.25” x 7.25” — 13.3 x 18.4 cm.
Est. $1,000/1,500
244
Attributed to Baron Francois Gerard
(1770- 1837), French
OSSIAN’S GARDIENNE; Black chalk on cream
laid paper. Circa 1802.
Sheet 22.25” x 16.5” — 57.2 x 41.9 cm.
Est. $400/600
245
Follower of Francois Boucher (1703-1770),
French
PASTORAL WITH CHILDREN PLAYING WITH A
BIRD CAGE; Pencil on paper; inscribed lower
right.
Together with:
18th/19th Century French or Italian
School
ELEPHANTS; FIGURES WITH A CHILD;
Two pencil drawings
4.25” x 6.25” — 10.8 x 15.9 cm.; 6.75” x 5.5” —
17.1 x 14 cm.; 3.5” x 5.5” — 8.9 x 14 cm.
Est. $700/1,000
Provenance: Phyllis Hattis Fine Arts, New York
70
246
Eugene Isabey (1803-1886), French
A STUDY OF A LADY IN A WIDE BRIMMED
HAT (Two Views, A Double-Sided Work); Black
chalk drawings on grey paper
Sight 10.25” x 7” — 26 x 17.8 cm.
Est. $2,000/3,000
247
René Piot (1869-1934), French
STUDY OF THREE DRAPED LADIES; Watercolour; signed lower right side
10” x 6.1” — 25.3 x 15.5 cm.
250
Jean Cocteau (1889-1963), French
HEAD OF A FAUNE; Colour crayon drawing;
10.5” x 8.24” — 26.7 x 20.9 cm.
Est. $800/1,200
Est. $1,000/1,500
Provenance: The Drawing Shop, New York;
Sears Vincent Price Collection purchased by the family of the present private collection,
Ontario in 1968
Note: Likely a study for a wall mural
248
Blanche Odin (1865-1957), French
VASE OF ROSES; Watercolour; signed lower
centre
7.25” x 11” — 18.4 x 27.9 cm.
Est. $700/900
Provenance: Abe Loublin, New York
249
Charles Despiau (1874-1946), French
RECLINING NUDE; Sepia chalk drawing;
signed lower right
Sight 10.25” x 16” — 26 x 40.6 cm.
Est. $800/1,200
Provenance: B.C. Holland Gallery, Chicago;
Purchased from Sears Vincent Price
Collection, no.42332 in 1968;
Mazelow Gallery, Toronto
251
After Jean Picart Le Doux (1902-1982),
French
L’ENVOL; Tapestry; signed in the weave lower
right, titled and numbered no. 219 to publisher’s label verso, signed in pen and ink by
the artist. Woven by Maison M. Berthaut,
Aubusson.
61.6” x 49.8” — 156.5 x 126.5 cm.
Est. $2,500/3,500
71
252
Rene Gruau (1909-2004), French
THE MASK; Oil on canvas; signed upper left
51” x 39” — 129.5 x 99.1 cm.
Est. $10,000/15,000
Provenance: Zarach Gallery, Grosvenor Square, London, one of three oils acquired by the present Private Collection, Toronto, in
July 1978 and included in this catalogue
Note: This and the following lots, nos. 253 and 254, will be included in the forthcoming book on the artist to be edited by
Assouline, Paris
Gruau was born Count Renato Zavagli-Ricardelli in 1910 in Italy. By the age of 18, he was working as a fashion illustrator in
Milan. In the early 1930’s, he moved to Paris, the fashion center of Europe. Here he became close friends with many of the young
designers of the day including Christian Dior, Pierre Balmain and Jacques Fath. His fashion designs appeared in magazines and
newspapers such as Marianne, Le Figaro, Femina and Marie-Claire. During World War II, he worked in Lyons as sole illustrator for
Marie-Claire. He also began exhibiting his paintings in the local galleries at this time. During the 1940’s, Gruau moved to the
United States to work for Harper’s Bazaar, Vogue and later Flair magazine. He also frequented Hollywood to create portraits of
the rich and famous. By the 1950’s, the “Gruau Style” became highly sought after by the leading international haute couturiers.
Over the years, Gruau also created costume and stage designs for several plays in Paris and British theatrical comedies.
72
253
Rene Gruau (1909-2004 ), French
WARRIOR DANCER; Oil on canvas; signed lower right
59” x 47” — 149.9 x 119.4 cm.
Est. $10,000/15,000
Provenance: Same as previous lot
254
Rene Gruau (1909- 2004), French
THE WARRIOR; Oil on canvas; signed upper right
51” x 39” — 129.5 x 99.1 cm.
Est. $10,000/15,000
73
255
Octave Alfred Saunier (19th Century),
French
VILLAGE FIELDWORKERS HAYING ALONG A
THE RIVERBANK; Watercolour; signed lower
right
Sight 8.5” x 11” — 21.6 x 27.9 cm.
Est. $400/600
256
Elaine Eugenie Diverly (1914- ), French
TERRE IRRADIER (Radiant Land); Watercolour;
signed and dated 77 lower left, signed, titled
and dated 1977 verso and verso backing
20” x 15” — 50.8 x 38.1 cm.
Est. $300/500
74
257
Jean Baptiste Georges Gassies (18291919), French
RIVER SCENE WITH MOORED PUNTS AND
FIGURE ON A BRIDGE; Watercolour; signed
lower left
9.5” x 13” — 24.1 x 33 cm.
Est. $400/600
258
Léon Breton (19th/20th Century), French
WAITING THEIR RETURN; Oil on canvas;
signed and dated 84 at Havre lower left.
Unframed.
39.25” x 28.75” — 99.7 x 73 cm.
Est. $700/900
259
Pierre Gourdault (1880- 1915), French
FARMYARD; Oil on canvas; signed lower right
22” x 18” — 55.9 x 45.7 cm.
Est. $500/700
260
E** Perretton (19th/20th Century),
French?
A NEW TRICK; Oil on canvas; signed lower left
13.5” x 16.5” — 34.3 x 41.9 cm.
Est. $1,000/1,500
263
Paul Jobert (1863-1942), French
EVENING CALM; Oil on board; signed lower left, titled to gallery label
verso
23.5” x 28.25” — 59.7 x 71.8 cm.
Est. $2,000/3,000
Provenance: The Watson Art Galleries, Montreal
261
Charles Euphraise Kuwasseg (1838-1904), French
AN ALPINE VILLAGE WITH WASHERWOMEN AT RIVER’S EDGE; Oil on
canvas; signed and dated 1868 lower right
13” x 9.75” — 33 x 24.8 cm.
Est. $2,000/3,000
262
Charles Cottet (1863-1924), French
COASTAL LANDSCAPE; Oil on board; signed lower right, illegibly
14” x 17” — 35.6 x 43.2 cm.
Est. $2,000/3,000
Provenance: W. Scott & Sons, Montreal
264
Emile Charles Lambinet (1815-1877), French
A SHADED POOL WITH FISHERMAN AND FIGURES CONVERSING BY A
FENCE; Oil on panel; signed lower left
9” x 17.25” — 22.9 x 43.8 cm.
Est. $1,500/2,500
75
265
Camille Joseph Etienne Roqueplan (1803-1855), French
MOTHER AND CHILD ON A BRIDGE; Oil on cradled panel; signed
lower right
6.25” x 8.25” — 15.9 x 21 cm.
Est. $2,000/2,500
267
Boris Riab (1898-1975), Russian/French
POINTER IN A LANDSCAPE; Watercolour; signed lower right
Sight 13” x 19.25” — 33 x 48.9 cm.
Est. $1,500/2,000
Provenance: William Marchant & Co., The Goupil Gallery, London
266
Attributed to Constant Troyon (1810-1865), French
COWS AT REST IN AN EXTENSIVE LANDSCAPE; Oil on canvas; bears
initials lower left
16” x 20” — 40.6 x 50.8 cm.
Est. $3,000/4,000
76
268
René Billotte (1846-1915), French
SNOW COVERED VILLAGE ON THE RIVER, EVENING; Oil on canvas;
signed lower right
28” x 38.25” — 71.1 x 97.2 cm.
Est. $2,000/3,000
269
A** Beraud (19th/20th Century), French
RUE DE RIVOLI (Tour St. Jacques); Oil on canvas; signed lower right, titled to the stretcher
12.5” x 17” — 31.8 x 43.2 cm.
Est. $1,500/2,000
271
Francois Gerome (1895- ), French
L’ARC DE TRIOMPHE; Oil on canvas; signed
and titled at Paris lower right
20” x 24” — 50.8 x 61 cm.
Est. $1,500/2,000
273
Charles Levier (1920- ), French
WOMEN IN THE STREETS OF PARIS;
Sight 22” x 15” — 55.9 x 38.1 cm.
Est. $600/800
270
Paul-Marcel Candies Balmigere
(19th/20th Century), French
A SQUARE IN PARIS; Oil on canvasboard;
signed lower left, titled to gallery label verso
18.5” x 21.75” — 47 x 55.2 cm.
Est. $1,500/2,500
272
Armand Marie Guerin (1913-1963), French
NOTRE DAME ET LA SEINE; Oil on masonite;
signed lower left, titled and inscribed verso
25.25” x 32” — 64.1 x 81.3 cm.
Est. $800/1,200
274
Paul Le Masson (1897-1971), French
LE CAMELOT; Oil on panel; signed lower
right, titled verso
7.25” x 9.5” — 18.4 x 24.1 cm.
Est. $500/700
Provenance: Coll. E. Molinar, N.Y.C.;
Coll. Mr. & Mrs. T.E. Hanley, Bradford, PA;
Gifted in 1987 to a friend, inscribed verso;
Private Collection, Montreal
77
275
Paul Renard (1941-1997 ), French
CARRIAGES IN THE BUSY STREETS OF PARIS;
Oil on panel; signed lower right
12” x 15.5” x `” — 30.5 x 39.4 x 0 cm.
Est. $1,000/1,500
277
René Rambert (19th/20th Century),
French
BOUQUINISTES ON A WET EVENING, PARIS;
Oil on panel; signed lower right
16” x 11.75” — 40.6 x 29.8 cm.
Est. $600/800
276
Paul Renard (1941-1997), French
PARIS AT NIGHT; Oil on canvas; signed lower
left
20” x 24” — 50.8 x 61 cm.
Est. $1,200/1,800
78
278
Lucien Philippe Moretti (1922-2000),
French
SCHOOLGIRL IN A CAFE; Oil on canvas;
signed lower right
18.25” x 22” — 46.4 x 55.9 cm.
Est. $800/1,200
279
Bernard Taurelle (1931- ), French
LA COIFFURE; Oil on canvas; signed lower
right, titled and inscribed, NY3281 verso
39.5” x 39.75” — 100.3 x 101 cm.
Est. $1,500/2,000
Provenance: Galerie Felix Vercel, New York
and Paris
280
Bernard Taurelle (1931- ), French
LES HAUTES HERBES; Oil on canvas; signed
lower right, titled verso
28.75” x 36” — 73 x 91.4 cm.
Est. $1,500/2,000
Provenance: Galerie Felix Vercel, New York
and Paris
281
Edouard Léon Cortés (1862-1969), French
IMPRESSION D’AUTOMNE; Oil on panel; signed bottom centre.
Unframed.
7.5” x 10.6” — 19.1 x 27 cm.
Est. $2,000/3,000
Provenance: Studio of the artist by descent to his daughter in 1969;
Private Collection, acquired in 1997
Literature: To be included in the forthcoming second volume:
Edouard Cortes, Catalogue Raisonne de L’Oeuvre Paint being prepared
by Nicole Verder for publication in 2008.
283
Eugene Henri Cauchois (1850-1911), French
GERANIUMS IN A STONEWARE VASE; Oil on canvas; signed lower
right
15” x 18” — 38.1 x 45.7 cm.
Est. $4,000/4,500
282
Michael Auguste Colle (1872-1949), French
ECLUSE PRES DE LA SYNAGOGUE A BACCARAT; Oil on canvas; signed
and dated 04 lower right, titled and numbered no. 67 to the
stretcher
30.5” x 41” — 77.5 x 104.1 cm.
Est. $6,000/8,000
Provenance: Ex.Coll. J.B. Corbin to the stretcher;
Kaplan Gallery, London, acquired in 1971
Exhibited: Kaplan Gallery, London in Michael Colle, First London
Exhibition of Paintings, 5-30 October 1971, no. 3, illustrated in the
accompanying exhibition catalogue
284
Emile Bernard (1868-1941), French
STILL LIFE OF FRUIT AND LUSTRE WARE; Oil on canvas; signed and
dated 37 upper right
16” x 12.5” — 40.6 x 31.8 cm.
Est. $7,000/9,000
79
285
Roland Oudot (1887-1981), French
ROSES AND ZINNIAS; Oil on canvas; signed lower left, titled to the
stretcher
20” x 24” — 50.8 x 61 cm.
Est. $3,000/4,000
287
Claude Hughes Pissarro (1935- ), French
LA FEMME LEBLOND A LA BISTIERE; Colour pastel on paper; signed
lower right, signed and titled verso
15.7” x 21” — 39.9 x 53.3 cm.
Est. $4,000/6,000
Provenance: Dominion Gallery, Montreal
286
Claude Hughes Pissarro (1935 - ), French
L’ILE DE MOISSON A VETHEUIL; Colour pastel on paper; signed lower
right, titled verso
9.25” x 13.5” — 23.5 x 34.3 cm.
Est. $2,500/3,500
80
288
Jean Isy de Botton (1898-1978), French
LE CHAMPS DE COURSE A DELVILLE; Oil on canvas; signed and dated
70 lower left, signed, titled and dated 1969 verso
18.5” x 22” — 47 x 55.9 cm.
Est. $1,500/2,000
289
Théo Tobiasse (1927- ), Israeli/French
LE CHARRETT ET LA TORAH; Oil on canvas; signed mid right, titled upper
left
28.7” x 23.4” — 73 x 59.5 cm.
Est. $25,000/35,000
Provenance: The Waddington Gallery, Montreal
81
Francois Gall Collection
The collection of the Late Joseph and Margaret Rethazy, Hamilton,
Ontario, proceeds to benefit the Joseph and Margaret Rethazy
Charitable Foundation, Hamilton
The following lots, 290 to 299 inclusive, were likely acquired by the
Rethazy’s directly from the artist. Testimony of the friendship that
existed between the Rethazy’s and the artist is evident in the various
letters from Francois Gall and his wife that are held in the family
archives. Gall dedicated a copy of Andre Flament’s book, F. Gal, cited
below, to the Rethazy’s after visiting them in Canada in 1978. From
Paris, March 29, 1978, Gall writes: “A mes chers amis Margot et Josef
Rethazy en souvenir de mon merveilleux sejour a Hamilton et de mon
voyage inoubliable a Niagara Falls en leur chaleureuse compagnie”
291
François Gall (1912-1987), French
PENSIVE GIRL; Oil on canvas; signed lower left
12” x 9” — 30.5 x 22.9 cm.
Est. $4,000/6,000
290
AU CAFE; Oil on canvas; signed lower left
10.6” x 8.7” — 27 x 22 cm.
Est. $5,000/7,000
Provenance: Collection of the Late Joseph and Margaret Rethazy,
Hamilton, Ontario, friends of the artist
82
292
GIRL IN BLUE DRESS READING; Oil on canvas; signed lower left
18.5” x 15” — 47 x 38.1 cm.
Est. $6,000/8,000
293
AU CAFE; Oil on canvas; signed lower left
18.5” x 11” — 47 x 27.9 cm.
Est. $6,000/8,000
294
François Gall ( 1912-1987), French
AT THE RACES; Oil on canvas; signed lower left
18.5” x 13” — 47 x 33 cm.
Est. $6,000/8,000
Literature: See Andre Flament’s, F. Gal, colour pl. 33, Paddock a Auteuil, for a
similar canvas painted in 1976
83
295
AU PIANO; Oil on canvas; signed lower right
14” x 11” — 35.6 x 27.9 cm.
Est. $5,000/7,000
296
YOUNG GIRL IN PINK READING ON A RIVER BANK; Oil
8.7” x 10.6” — 22 x 27 cm.
Est. $4,000/6,000
84
297
PLAGE A TROUVILLE; Oil on canvas; signed at Trouville lower left
12” x 18” — 30.5 x 45.7 cm.
Est. $4,000/6,000
298
BALLERINA; Charcoal heightened with gouache on
pink paper; signed lower left
Sight 21.25” x 25.25” — 54 x 64.1 cm.
Est. $700/900
Literature: See Andre Flament’s, F. Gal, fig. 22 for a
similar drawing in reverse
299
GIRL IN PINK PATTERNED DRESS AT A CAFE; Charcoal
heightened with watercolour; signed at Paris lower
right
Sight 17.5” x 12.5” — 44.5 x 31.8 cm.
Est. $700/900
85
300
Ginette Rapp (1928-1998), French
VILLAGE WITH CHURCH; Oil on canvas;
signed lower left
35.25” x 46” — 89.5 x 116.8 cm.
Est. $1,500/2,000
302
PORT DE TERNEUZEN - HOLLAND; Oil on canvas; signed lower left, titled to the verso
backing
36” x 45” — 91.4 x 114.3 cm.
Est. $1,500/2,000
304
Francois Mercier (19th/20th Century),
French
THE ARTIST’S ATELIER; Colour pastel; signed
at Paris lower right
24” x 18” — 61 x 45.7 cm.
Est. $1,000/1,500
301
VILLAGE AU BORD DU CANAL DE L’OURCY;
Oil on canvas; signed lower left, titled to the
stretcher
35.25” x 46” — 89.5 x 116.8 cm.
Est. $1,500/2,000
303
Gustave Vidal (1895-1966), French
A SUNLIT LANE OF A SEASIDE VILLAGE; Oil
18” x 24” — 45.7 x 61 cm.
Est. $1,000/1,500
Provenance: The Fine Art Galleries, The T.
Eaton Co. Ltd., Canada
86
305
Pierre Auguste Brunet-Houard (18291922), French
KNIGHTS IN BATTLE ON HORSEBACK; Oil on
canvas; signed and dated .16 lower left
21.75” x 18” — 55.2 x 45.7 cm.
Est. $1,000/1,500
306
Victor Marais-Milton (1872-1948), French
HIS FAVOURITE DRAWINGS; Oil on panel; signed
lower left
13.5” x 10.5” — 34.3 x 26.7 cm.
Est. $2,500/3,500
Provenance: Frederick W. Thom Limited, Toronto;
acquired in December 1973 and accompanied by
original bill of sale
307
Charles Louis Kratke (1848-1921), French
BORED OFFICERS AT A TEA PARTY; Oil on panel;
15.5” x 19.75” — 39.4 x 50.2 cm.
Est. $4,000/6,000
Provenance: Odon Wagner Gallery, Toronto
87
308
Adolphe Weisz (1838 -d. after 1900), French
HER WEDDING DAY; Oil on panel; signed at Paris lower right
17” x 13.5” — 43.2 x 34.3 cm.
Est. $10,000/15,000
Provenance: Private Collection, Ontario acquired in Boston in the mid
1980’s
88
309
Henriette (Sophie) Butler Browne (1829-1901),
French
VISITING GRANDMOTHER; Oil on canvas; signed and
dated 1880 lower left
38” x 51.5” — 96.5 x 130.8 cm.
Est. $7,000/10,000
Provenance: Private Collection, Connecticut, U.S.
310
Adolphe Joseph Thomas Monticelli (1824-1886),
French
FIGURES IN FRONT OF STATUARY; Oil on panel;
signed lower right
20.9” x 14.8” — 53 x 37.5 cm.
Est. $10,000/15,000
Note: Entitled, Pastorelle, on an old unidentified
description from a catalogue, and entitled “Carnival
Eve“ on another label verso
89
311
Edouard Louis Dubufe (1829-1883), French
LA BARATREUSE; Oil on canvas; signed lower left
52” x 38” — 132.1 x 96.5 cm.
Est. $20,000/30,000
90
312
Narcisse Virgile Diaz de la Pena (1807-1876), French
GARDEN PARTY, FONTAINEBLEAU; Oil on canvas; signed lower right
9.6” x 12.8” — 24.5 x 32.5 cm.
Est. $15,000/20,000
Provenance: J.A. Cooling & Sons, London;
The Estate of Andrew A. Kinghorn, Toronto
91
313
Theodore Rousseau (1812-1867), French
FONTAINEBLEAU; Oil on canvas; strengthened signature lower left
10.75” x 8.75” — 27.3 x 22.2 cm.
Est. $10,000/15,000
Provenance: The Estate of Andrew A. Kinghorn, Toronto
92
314
Antoine Bouvard (1870-1956), French
EVENING LIGHT VENICE; Oil on canvas; signed lower left, titled to gallery
label verso
9.6” x 13.1” — 24.5 x 33.4 cm.
Est. $6,000/8,000
Provenance: Watson Art Galleries, Montreal
315
**Pelletier (1917-1956), French
A SUNLIT FISHING PORT; Oil on canvas; signed lower left
15.25” x 22” — 38.7 x 55.9 cm.
Est. $3,000/4,000
93
316
Félix Ziem (1821-1911), French
GONDOLE DEVANT LES GESUATI, AU CLAIR DE LUNE; Oil on panel; signed lower left
19.5” x 28.75” — 49.5 x 73 cm.
Est. $70,000/90,000
Provenance: Coll. of the artist, Sidney Arbouin, Loissy;
By descent through his family to his granddaughter, Nelita Geoffroy-Dechaume, Loissy in 1984;
From whom purchased by the present Private Collection, Montreal in 1984
Literature: Reproduced in colour in Anne Burdin-Hellebranth’s Catalogue Raisonne, Félix Ziem
1821-1911, no. 679, pg. 271;
Illustrated in “Venice and the Fabulous Orient of Marco Polo” with a variant title: “Venice, Clair de
lune sur la Lagune” a colour advertisement for Puccini’s opera Turandot
Note: Together with two additional certificates including a statement of authenticity from
Miguel Pierre, Paris dated 30 mai 1987 and a certificate from G. Heim-Gairac, Paris, dated 23
Mars 1984
94
317
Paul Gauguin (1848-1903), French
LE PETITE PARISIENNE; Bronze; signed
Height 10.4” — 26.3 cm.
signature detail
Est. $20,000/30,000
Provenance: Gallery Sixty-Eight Auctions, Toronto, 1973
Exhibited: Cast from an original and first exhibited at the 6th Impressionist Exhibition in Paris in 1881 as “Dame en Promenade“
Literature: The model is illustrated in C. Gray’s, Sculpture and Ceramics of Paul Gauguin, pg. 113;
Illustrated on the front cover of the auction catalogue, Gallery Sixty-Eight Auctions, Toronto, November 20-21, lot 121, 1973, lot 121
Note: Cast by Vollard from the stained and carved wood original by Gauguin
96
318
Manner of Jean Raoux (1677-1734), French
VENUS AND HER ATTENDANTS FROLICKING AND BATHING IN AN ACADIAN LANDSCAPE; Oil on panel
17” x 28” — 43.2 x 71.1 cm.
Est. $20,000/30,000
Provenance: Ex-Coll. John Plampin and family, Suffolk, England;
By descent through the family
Note: Family correspondence believed this painting to be the work of Jean Raoux. However there is an
indistinct date and signature under the paint, 1794? (after the deceased date of the artist) lower right
97
319
Manner Of Piat Joseph Sauvage (1744-1818), Flemish
ALLEGORIES OF THE GIFTS OF AIR; WATER; Pair of oils on canvas en grisaille
27.25” x 28.25” — 69.2 x 71.8 cm.
Est. $5,000/7,000
320
Attributed to Nicolas Vleughels (1668-1737),
French
THE FINDING OF MOSES; Oil on panel en camaieu
brun. Unframed.
15” x 19” — 38.1 x 48.3 cm.
Est. $1,500/2,500
Note: Thought to be a sketch or study for a formerly
lost work by Vleughels of approximately the same
size, executed on canvas rather than panel.
321
Circle of Lodewijk de Vadder (1605-1655), Flemish
RIVER LANDSCAPE WITH ELEGANT FIGURES CONVERSING WHILE A PIPER PLAYS AND TOWNSFOLK PROMENADE ON THE OPPOSITE SHORE;
Oil on panel
11.5” x 29” — 29.2 x 73.7 cm.
Est. $10,000/15,000
Provenance: Ex.Coll. Victoria Woods, inscribed on two old, hand-written labels “Gifted to us on our silver wedding anniversary by Mr. and Mrs.
William Goodenough“; By descent
98
GERMAN
326
P** Gossnell ? (19th/20th Century),
Austrian/German
UNGARISCHES DORF (Hungarian Village); Oil
on board; part of an indistinct signature
lower right, titled to label verso
5.3” x 11” — 13.5 x 27.9 cm.
Est. $500/700
322
R** Wenig (19th Century), German
LAZY DAYS; Watercolour; signed and dated
81 at München lower right
16” x 21” — 40.6 x 53.3 cm.
Est. $500/700
324
Franz Leitgeb (1911-1997), German
PORTRAIT OF AN OLD TYROLEAN; Oil on
board; signed lower left
10” x 7” — 25.4 x 17.8 cm.
Est. $500/700
323
Baroness Helga von Cramm (? -1901),
German
BORDIGHERA; Watercolour; signed and titled
lower left
11” x 18” — 27.9 x 45.7 cm.
Est. $300/500
325
Ludwig Kandler (1856-1927), German
A FRIENDLY SMILE; Oil on canvas; signed and
dated 1917 mid right. Unframed.
19.5” x 15.75” — 49.5 x 40 cm.
Est. $300/500
327
Johan Heinrich Hasselhorst (1825-1904),
German
THE MILK VENDOR’S STALL; Oil on canvas;
signed lower right
8” x 9.5” — 20.3 x 24.1 cm.
Est. $2,500/3,000
99
328
Adolf (Constantin) Baumgartner-Stoiloff (1850-1924), German
CONVOY OF GOLD IN SIBERIA; Oil on panel; signed lower right,
21” x 16.25” — 53.3 x 41.3 cm.
Est. $6,000/8,000
329
Carl Haag (1820-1915), German
CROWED STREET OF A ROMAN TOWN; Watercolour heightened
with white, sculpted with arched top; signed lower right. Dated
1849 to the matboard recto.
17.5” x 13” — 44.5 x 33 cm.
Est. $3,000/5,000
100
330
Wilhem von Gegerfelt (1844-1920), German
FISHERMEN AT NIGHT, VENICE; Oil on canvas; signed lower left
16” x 22.25” — 40.6 x 56.5 cm.
Est. $1,500/2,000
331
Karl Heffner (1849-1925), German
ABANDONED BOATS AT RIVER’S EDGE; Oil on canvas; signed lower
right
32.25” x 28” — 47 x 66.7 cm.
Est. $2,000/2,500
332
Karl Heffner (1849-1925), German
FISHING BOATS IN A VILLAGE HARBOUR; Oil on canvas; signed lower
left
18.5” x 26.25” — 47 x 66.7 cm.
Est. $2,000/2,500
333
Helene Funke (1869-1957), Austrian/German
ADAM UND EVE; Oil on canvasboard; signed twice lower left
30” x 23.75” — 76.2 x 60.3 cm.
Est. $3,000/5,000
Note: A retrospective exhibition for the artist is being held this year
in the Lentos Art Museum in Linz, Austria. The exhibition includes
125 works. A significant portion of her work was destroyed, lost in
fire or disappeared. In 1906 Helene joined the Fauve (wild ones)
group of artists in Paris. In a letter to a friend in 1944, she said of herself: “I too am a lonely Stepwolf”
101
HUNGARIAN
Pal Fried Collection
The collection of the Late Joseph and Margaret Rethazy, Hamilton, Ontario,
proceeds to benefit the Joseph and Margaret Rethazy Charitable Foundation,
Hamilton
334
Pal Fried (1893-1976), Hungarian/American
CARMEN; Oil on canvas; signed lower right, titled verso
24” x 30” — 61 x 76.2 cm.
Est. $1,500/2,500
336
FLOWER SELLER; Oil on canvas; signed upper left
30” x 24” — 76.2 x 61 cm.
Est. $1,500/2,000
Provenance: Collection of Joseph and Margaret Rethazy, Hamilton, Ontario
Note: The Rethazy’s were close friends of Pal Fried and François Gall and
no doubt acquired many of these works directly from the artists
335
ROMA; Oil on canvas; signed lower centre, titled verso
24” x 30” — 61 x 76.2 cm.
Est. $1,000/1,500
102
337
AT THE OPERA; Oil on canvas; signed lower right
30” x 24” — 76.2 x 61 cm.
Est. $1,500/2,500
338
AT THE MAKEUP TABLE; Oil on canvas; signed upper left
30” x 24” — 76.2 x 61 cm.
Est. $2,000/3,000
339
THE BALLET CLASS; Oil on canvas; signed lower right
40” x 30” — 101.6 x 76.2 cm.
Est. $2,500/3,500
103
340
Béla Ivanyi Grünwald (1867-1940), Hungarian
SUMMER BOUQUET IN A BLUE VASE; Oil on canvas laid down on
masonite; signed lower right
21.5” x 17.2” — 54.6 x 43.8 cm.
Est. $3,500/5,000
341
Austro-Hungarian School (19th/20th Century)
STILL LIFE OF TULIPS, ROSES, IRIS, CHRYSANTHEMUMS, POPPIES,
PEONIES AND OTHER FLOWERS IN A GLASS VASE ON A LEDGE
WITH BUTTERFLY, A SNAIL AND OTHER INSECTS; Oil on canvas;
signed indistinctly lower right
30” x 24” — 76.2 x 61 cm.
Est. $3,000/4,000
104
342
Bela Balogh (1909-1980), Hungarian
STILL LIFE, VASE OF LILACS, FRUIT, STEIN AND
GLASS ON A LEDGE; Oil on canvas; signed
lower right
24” x 36” — 61 x 91.4 cm.
Est. $700/900
343
Janos Czene (1904-1984), Hungarian
SALON INTERIOR; Oil on canvas; signed lower
right
16” x 20” — 40.6 x 50.8 cm.
Est. $400/600
Provenance: Collection of the Late Joseph
and Margaret Rethazy, Hamilton, Ontario
Hamilton
344
Emil Pap (1884- ), Hungarian
AT THE MARKET, TOWN SQUARE; Oil on canvas laid down on panel; signed lower right
9.75” x 13.5” — 24.8 x 34.3 cm.
Est. $600/800
345
Attributed to Karoly Ferenczy (18621917), Hungarian
YOUNG GIRL WITH A DOLL; Oil on canvas;
signed with initials K.F. with possibly the title
Bambini lower left
24” x 19.75” — 61 x 50.2 cm.
Est. $700/900
346
Jeno Ring Kasznár (1875- ), Hungarian
BOY WITH CIGARETTE; Oil on board; signed
lower left,
Together with:
Kalaman Mesterhazy (1857-1898),
Hungarian
ENJOYING A RELAXING SMOKE IN A TAVERN;
Oil on board; signed lower left
16” x 12” — 40.6 x 30.5 cm.; 15.25” x 11.5” —
38.7 x 29.2 cm.
Est. $800/1,000
105
347
Hajnacka Szarka (20th Century),
Hungarian
SUNNY DAY AT A BEACH CAFE; GIRL WITH
HER DOG IN A GARDEN; Two oils; the former,
an oil on canvas; signed lower right, the latter, an oil on masonite; signed lower right
24.5” x 20” — 62.2 x 50.8 cm.; 16” x 12” — 40.6
x 30.5 cm.
Est. $600/800
348
Maximilian Schurmann (1890-1960), Austro-Hungarian
COLLECTION OF 24 SKETCHBOOK WATERCOLOURS, DRAWINGS AND PRINTS: LANDSCAPES;
GENRE SCENES AND FIGURAL STUDIES; Twelve watercolours; eleven crayon, pencil and pen
and ink drawings and one etching; most signed, many dated 1930 to the 1940’s, some titled
and inscribed. Unframed.
Various sizes 3.5” x 4.25” — 8.9 x 10.8 cm.; 8.75” x 11.75” — 22.2 x 29.8 cm.
See illustration six
Est. $1,000/1,500
Provenance: Estate of Charlotte Csaky, Oshawa
and Margaret Rethazy Hamilton, Ontario
Hamilton
106
349
W. Emerich Vizkelety (1819-1895),
Hungarian
MARKET SCENE; Oil on canvas; signed lower
left
19.9” x 27.2” — 50.5 x 69 cm.
Est. $800/1,200
351
Endre Komaromi-Kacz (1880-1969),
Hungarian
SULTRY NUDE ON A DAYBED; Oil on canvas;
signed lower left
24” x 32.7” — 61 x 83 cm.
Est. $1,000/1,500
Provenance: Collection of the Late Joseph and
Margaret Rethazy, Hamilton, Ontario
353
Hamilton
László Neogrady (1861-1942), Hungarian
COUNTRY GIRL FEEDING THE GEESE;
WOMAN ON A VILLAGE LANE; The former, an
oil on masonite; signed lower right, the latter,
a watercolour; signed lower left
13.5” x 19.5” — 34.3 x 49.5 cm.; 9.5” x 13.25” —
24.1 x 33.7 cm.
Est. $600/900
Margaret Rethazy Hamilton, Ontario
Hamilton
350
W. Emerich Vizkelety (1819-1895),
Hungarian
MARKET DAY; Oil on canvas; signed lower
right
23” x 31” — 58.4 x 78.7 cm.
Est. $1,200/1,500
352
Zsigmond Uhrig (1919-1993), Hungarian
FIGURES ON A PARKLAND PATH WITH CHILDREN PLAYING; Oil on board; signed and
dated 959 lower right
19.25” x 28” — 48.9 x 71.1 cm.
Est. $600/800
107
354
Aurél Bernath (1895-1982), Hungarian
KALAPAS LANY (Girl With The Hat); Oil on
39” x 29” — 99.1 x 73.7 cm.
Est. $1,000/1,500
356
Gyula Glatter (1886-1927), Hungarian
A FOREST STREAM; Oil on canvas; signed lower right
25.75” x 32” — 65.4 x 81.3 cm.
Est. $2,000/3,000
355
Geza Udvary (1872-1932), Hungarian
TEA TIME; Oil on canvas; signed lower right
32” x 19” — 81.3 x 48.3 cm.
Est. $1,000/1,500
Margaret Rethazy, Hamilton, Ontario
Note: Proceeds to benefit the Joseph and Margaret
Rethazy Charitable Foundation, Hamilton
108
357
Herman Lipot (1884-1972), Hungarian
BATHERS IN A SUMMER LANDSCAPE; Oil on canvas; signed lower right
19.75” x 23.75” — 50.2 x 60.3 cm.
Est. $1,000/1,500
361
Antal Berkes (1874-1938), Hungarian
BUSY STREET SCENE AT NIGHT, BUDAPEST;
Oil on paper; signed lower right
9” x 10.5” — 22.9 x 26.7 cm.
Est. $600/800
358
BACCHANT; Oil on canvas; signed lower right
20” x 24” — 50.8 x 61 cm.
Est. $1,000/1,500
359
BATHERS BY A FOREST POOL; Oil on board
4.9” x 7.4” — 12.5 x 18.8 cm.
Est. $400/600
360
MOTHER AND CHILD BATHING IN A WOOD;
AUTUMN LANDSCAPE WITH FIGURE; FIGURES IN AN AUTUMNAL FOREST; Three oils
on masonite, each signed lower right
Approximately 15.5” x 19.75” — 39.4 x 50.2 cm.
Est. $1,000/1,500
and Margaret Rethazy, Hamilton, Ontario
Hamilton
362
Jeno Koszkol (1868-1935), Hungarian
GONDALIER AT VENICE, CA D’ORO;
Watercolour; signed at Venezia, Ca D’Oro
lower right
Sight 24.5” x 18.5” — 62.2 x 47 cm.
Est. $2,500/3,000
109
363
Dezsö Pécsi Pilch (1888-1949), Hungarian
COUNTRY GIRLS IN THEIR SUNDAY BEST IN THE DAPPLED SHADE; Oil on
canvas; signed lower right
31.5” x 23.75” — 80 x 60.3 cm.
Est. $8,000/12,000
Provenance: Family of the artist by descent
110
366
A BOWL OF PEACHES; Oil on canvas laid down on board; signed
lower right
9.75” x 12.75” — 24.8 x 32.4 cm.
Est. $400/600
364
BEDROOM INTERIOR AT NIGHT; Watercolour; signed and dated 1911
lower rIght
Sight 18” x 11.5” — 45.7 x 29.2 cm.
Est. $1,000/1,500
365
STUDY OF A DRAFT HORSE IN PARADE REGALIA; Oil on canvasboard;
13.5” x 16.5” — 34.3 x 41.9 cm.
Est. $1,000/1,500
INDONESIAN
367
Soerjosoebroto Abdullah (1897-1941), Indonesian
OVERLOOKING AN INDONESIAN RIVER LANDSCAPE; Watercolour and
gouache; signed lower left
24” x 28” — 61 x 71.1 cm.
Est. $500/700
Provenance: G.C.T. van Dorp and Co., Bandoeng
111
368
Affandi (1907-1990), Indonesian
PERAHU (Boats); Oil on canvas; signed with initial lower left. Circa 1960’s.
37.8” x 45.3” — 96 x 115 cm.
Est. $30,000/40,000
Provenance: Gifted to a prominent educational institution in Washington
DC, in 1981
112
I TA L I A N
369
Marchello Mascherini (1906-1983), Italian
WOMAN RUNNING; Bronze with dark brown patination; signed and signed
with initial
49.5” x 53” x 7.5” — 125.7 x 134.6 x 19.1 cm.
Est. $10,000/15,000
113
372
Egisto Manzuoli (19th/20th Century),
Italian
GLEANERS; Oil on canvas; signed and
inscribed at Firenze verso
12” x 16” — 30.5 x 40.6 cm.
Est. $800/1,200
370
19th/20th Centruy Neopolitan School,
Italian
ISOLA DI CAPRI; SORRENTO; Pair of
gouaches; each titled in the bottom margin
Sight 8” x 11.5” — 20.3 x 29.2 cm.
Est. $800/1,200
Provenance: Inscribed to Madame Richmond
in the artist’s hand verso
374
P** Cagni (19th/20th Century), Italian
THE MANDOLIN PLAYER; Oil on canvas;
signed lower left
32” x 13.5” — 81.3 x 34.3 cm.
Est. $600/800
371
Francesco de Nicola (1883-1958), Italian
FIGURES AT A RUIN, NEAR VESUVIOUS; Oil on
panel; signed lower right
14” x 10” — 35.6 x 25.4 cm.
Est. $700/900
114
373
19th Century Italian School
SIBLINGS BEGGING IN THE STREETS OF
ROME; Oil on canvas; inscribed: R.A.A. Jones
and dated indistinctly /77 verso
10” x 8” — 25.4 x 20.3 cm.
Est. $300/500
377
Enrico Coleman (1846-1911), Italian
PEASANTS TILLING THE FIELDS IN THE CAMPAGNA OF ROME;
Watercolour; signed at Roma lower right
Sight 12.75” x 24.75” — 32.4 x 62.9 cm.
Est. $5,000/7,000
375
Augusto Lovatti (1852-1921), Italian
THE VINEYARDS AT CAPRI; Oil on panel; signed at Capri lower left
13.25” x 9.5” — 33.7 x 24.1 cm.
Est. $2,000/3,000
Provenance: Haynes Art Gallery, Toronto
376
Ettore Ascenzi (19th/20th Century), Italian
CHILDREN IN ANCIENT ROME; Watercolour; signed lower right
Sight 21” x 13.5” — 53.3 x 34.3 cm.
Est. $1,000/1,500
378
Riccardo Pellegrini (1863-1934), Italian
WAITING FOR THE BOAT; Oil on panel; signed and dated 1894 lower
right
11” x 7.25” — 27.9 x 18.4 cm.
Est. $3,000/5,000
115
379
Stefano Novo (1862- 1927), Italian
PROMENADERS ON THE RIALTO BRIDGE,
VENICE; Oil on panel laid on board; signed
lower left
11.5” x 15.5” — 29.2 x 39.4 cm.
Est. $2,000/3,000
382
** Gianni (19th Century), Italian
ARABS AT A WELL; Oil on canvas laid down on masonite; signed lower left
20” x 28” — 50.8 x 71.1 cm.
Est. $1,000/1,500
380
Ezelino Briante (1901-1970), Italian
THE HARBOUR; Oil on canvas on masonite;
signed lower right
19.25” x 27.5” — 48.9 x 69.9 cm.
Est. $1,200/1,800
381
Giuseppe Marino (1916-1975), Italian
MISERICORDIA CANALE; Oil on canvas;
signed lower right, titled to gallery label
verso
19.5” x 29.5” — 49.5 x 74.9 cm.
Est. $1,000/1,500
382A
P** Mario (19th/20th Century), Italian
MOTHER AND CHILD IN A HAYFIELD; Oil on canvas; signed and dated Roma 1887 lower
left
16.5” x 24.5” — 41.9 x 62.2 cm.
Est. $1,500/2,500
Provenance: Private collection Toronto acquired circa1965 by descent through family
Provenance: Galerie Dominion, Montreal
116
383
Riccardo Pellegrini (1863-1934), Italian
MUSICIANS AND DANCERS IN A MOONLIT COURTYARD; PEASANTS
WATCHING A GROUP OF MEN IN A DISPUTE IN SUNLIT COURTYARD; Pair of
oils on canvas; each signed and dated 1894 lower right
22.75” x 11.5” — 57.8 x 29.2 cm.
Est. $10,000/15,000
117
384
Paolo Sala (1859-1924), Italian
THE GRAND CANAL BY SANTA MARIA DELLA SALUTE; Oil on canvas; signed
lower right
23.75” x 39.5” — 60.3 x 100.3 cm.
Est. $10,000/15,000
Provenance: The Cooling Galleries, London and Toronto
118
385
Luigi Pastega (1858-1927), Italian
NEW RED STOCKINGS (Idle Gossips); Oil on canvas; signed
lower right, inscribed to the stretcher
23.75” x 17.5” — 60.3 x 44.5 cm.
Est. $10,000/15,000
386
C**A** Simonetti (19th Century), Italian
THE WEAVER; Oil on canvas; signed and dated 1872 upper
left
10.5” x 7.75” — 26.7 x 19.7 cm.
Est. $3,000/4,000
119
386A
Angelo Zoffoli (fl.1860-1910), Italian
PRESENTATION OF A PROSPECTIVE SUITOR; Oil on canvas; signed at Roma lower right
24” x 39.5” — 61 x 100.3 cm.
Est. $10,000/15,000
Provenance: A. di Francesco D’Atri, Rome, 1913; Private Collection, Toronto; By descent
387
Salvatore Frangiamore (1853-1915), Italian
THE CARDINAL; Oil on canvas; signed at Roma lower left
22” x 27” — 55.9 x 68.6 cm.
Est. $5,000/7,000
Provenance: Alexandre D’Atri & Son Fine Art Galleries, Roma
120
388
Enrico Frattini (1890-1968), Italian
SMILING ITALIAN GIRL; Oil on canvas; signed
lower left
Together with:
V** Maresca (19th/20th Century) Italian
BOY WITH CIGARETTE; Oil on canvas; signed
lower left
Each approximately 15” x 11” — 38.1 x 27.9
cm.
Est. $1,000/1,500
389
Eduardo Forlenza (20th Century), Italian
NEOPOLITAN BEAUTIES; Pair of oils on panel;
one signed lower left
Together with:
Romalo Puci (20th Century), Italian
NEOPOLITAN GIRL, Watercolour; signed lower
right
11” x 6” — 27.9 x 15.2 cm.; 10” x 8” — 25.4 x
20.3 cm.
Est. $500/700
390
Raffaele Frigerio (19th/20th Century),
Italian
THE OLD FISHERMAN; THE FISHERMAN’S
WIFE; Pair of oils on canvas laid down on
masonite; each signed lower right and left
respectively
13.6” x 10” — 34.5 x 25.5 cm.
Est. $400/600
121
391
Ercole Magrotti (1890-1967), Italian
BAITA D’ALTA MONTAGNA; Oil on canvas;
signed lower left, titled to gallery label verso
15.7” x 31.5” — 40 x 80 cm.
Est. $1,500/2,000
Provenance: Fontarte Milanese, Rome
393
Guido Odierna (1913-1991), Italian
SUNRISE CAPRI COAST; Oil on canvas; signed
lower left, titled to the stretcher
24.5” x 32” — 62.2 x 81.3 cm.
Est. $700/900
395
Cesare Bacchi (19th/20th Century), Italian
A DAY AT THE BEACH; Oil on canvas; signed
lower left
15” x 22” — 38.1 x 55.9 cm.
Est. $800/1,000
and Margaret Rethazy
Hamilton
392
Cipriano Mannucci (1882-1970), Italian
IN THE BOUDOIR; Watercolour; signed at
Firenze upper left
15.5” x 11” — 39.4 x 27.9 cm.
Est. $1,000/1,500
122
394
20th Century Italian
GIRL IN A GARDEN; STILL LIFE, VASE OF
FLOWERS; Double sided oil on board; traces
of signature and date lower left of former
25.5” x 18.5” — 64.8 x 47 cm.
Est. $1,000/1,500
396
ADORATION OF THE MAGI; Oil on copper
8.5” x 6.5” — 21.6 x 16.5 cm.
Est. $800/1,200
401
17th/18th Century Italian
MUSES IN THE CLOUDS; Pencil drawing laid
down on a support; inscribed: regalo di Rosa
R. Cotellini? in sepia ink along the bottom
edge
Sheet 6.3” x 8.5” — 16 x 21.5 cm.
Est. $300/500
397
Late 16th/17th Century Sienese School
THE VIRGIN; Oil on canvas. Unframed.
14” x 11.25” — 35.6 x 28.6 cm.
Est. $1,000/1,500
398
Circle of Sebastiano Ricci (1659-1734),
Italian
THE FINDING OF MOSES; Sepia pen and ink
drawing with brown wash
7.25” x 9.75” — 18.4 x 24.8 cm.
Est. $1,000/1,500
399
A STUDY OF A BEARDED SAINT; Red chalk;
inscribed “Early 17th Century Bavarian or
Austrian study for ceiling mural. Artist
unknown” verso
7" x 5.25" — 17.8 x 13.3 cm.
Est. $1,000/1,500
400
Circle of Pietro Berrettini called Pietro da
Cortona (circa 1596-1669), Italian
TWO FEMALE ALLEGORICAL FIGURES; Pen
and brown ink with brown and gray wash
8.25” x 6.75” — 21 x 17.1 cm.
Est. $800/1,200
402
17th Century Italian
A BATTLE SCENE; Pen and ink with sepia
wash
10” x 14.25” — 25.4 x 36.2 cm.
Est. $800/1,000
123
403
Simone Cantarini (1612-1648), Italian
YOUNG WOMAN HOLDING A CHALICE; Red
chalk heightened with white; inscribed by
Anton Maria Zanetti: “Simone Cantarini Pesa”
lower right
4.5” x 5.75” — 11.4 x 14.6 cm.
Est. $2,000/3,000
407
Domenco De Angelis (1852-1904), Italian
VILLAGERS AT A WELL; Oil on panel; signed at
Roma lower left
7.75” x 11.75” — 19.7 x 29.8 cm.
Est. $1,000/1,500
405
19th Century French or Italian School
STUDY OF THREE WOMEN UNDER AN
UMBRELLA; Pencil on laid paper
5.1” x 4.8” — 13 x 12.2 cm.
Est. $800/1,200
L AT V I A N
404
Attributed to Francesco Bartolozzi (17281813), Italian
STUDIES OF PUTTI; Sepia pen and ink drawing on laid paper with rampant dragon on
domed socle watermark
Sheet 13.8” x 9.3” — 35 x 23.5 cm.
Est. $500/700
406
Giovannni Sottocornola (1855-1917),
Italian
SHEPHERDESS AND FLOCK; Sepia chalk
drawing; signed lower left
Sight 18.5” x 12.5” — 47 x 31.8 cm.
Est. $1,500/2,000
Provenance: Jerrold Morris International
Gallery Limited, Toronto
124
408
Ansis Artums (1908-1997), Latvian
RUDENS (FALL) SALACGRIVA; Oil on canvas;
signed and dated -81 lower right
24” x 27.75” — 61 x 70.5 cm.
Est. $800/1,000
Provenance: Estate Collection, Hamilton
acquired in Latvia; By descent
MEXICAN
POLISH
413
Mieczyslaw Filipkiewicz (1891-1950),
Polish
A FROZEN STREAM AND REFLECTIONS;
Sight 6” x 12” — 15.2 x 30.5 cm.
Est. $500/700
409
Ansis Artums (1908-1997), Latvian
FARMHOUSE FROM THE HILLSIDE; Oil on canvas; signed and dated -70 lower right
29” x 39.5” — 73.7 x 100.3 cm.
Est. $1,000/1,500
411
Omar Centeno (20th Century), Mexican
A FROZEN VENUS; Wood, frosted glass and
resin sculpture; cast signature to the lower
edge. Fitted with a light at the base, electrified
63" x 35.2" x 2" — 160 x 89.5 x 5.1 cm.
Est. $2,000/3,000
Provenance: Cabo San Lucas, Mexico
NEW ZEALAND
410
Ansis Artiums (1908-1997), Latvian
ORANGE FRITILARA IN A VASE; Oil on canvas;
39” x 31.75” — 99.1 x 80.6 cm.
Est. $1,000/1,500
412
John Gibb (1831-1909), British/New Zealand
ON THE AVON AT BURWOOD, NEAR CHRISTCHURCH; Oil on canvas; signed and dated 1885
lower right, titled to stretcher
26” x 42” — 66 x 106.7 cm.
Est. $4,000/6,000
125
414
Alfons Karpinski (1875-1961), Polish
ROSES IN A BLUE AND WHITE VASE ON A MANTEL; Oil on board; signed
mid right
11.5” x 27” — 29.2 x 68.6 cm.
Est. $1,500/2,000
417
Adam Setkowicz (1876-1945), Polish
THE MEETING PLACE; Watercolour and gouache on laid paper;
signed lower left
Sight 5.75” x 12.75” — 14.6 x 32.4 cm.
Est. $800/1,200
415
Kyzyzak Mieczyslaw (1914-1984), Polish
WOLVES ATTACKING TROIKA; Oil on canvas; signed lower right
24” x 32” — 61 x 81.3 cm.
Est. $800/1,200
416
Andrzej Dobrowolski (1921- ), Polish
PORTRAIT OF A COSSAK; Watercolour; signed and dated 1929 lower left
13.75” x 12.75” — 34.9 x 32.4 cm.
Est. $500/700
126
418
Maria Wawrzonek (1930- ), Polish
DAISIES MIXED WITH PURPLE BLOOMS; WILD ROSES IN A GLASS
VASE; Two oils on canvas; both signed and dated 72 lower right
and with artist label and certification verso
18.25” x 15” — 46.4 x 38.1 cm.; 14” x 9.5” — 35.6 x 24.1 cm.
See illustration of one
Est. $700/900
420
Leszek Piaseck (1928-1990), Polish
VIENNA RESCUE; Oil on canvas; signed lower left
27.5” x 47.5” — 69.9 x 120.7 cm.
Est. $3,000/5,000
Provenance: Acquired circa 1976 from the artist’s dealer while in Canada
Exhibited: In “Polish Winged Husar’s The Heroes of the Battle of Vienna, 1683”, the 300th Anniversary of the
Vienna Rescue, an exhibition held at The Fine Art Galleries, The T. Eaton Co., Ltd., College Street, Toronto
in 1983
RUSSIAN
419
Maria Wawrzonek (1930- ),
Polish
WHITE AND YELLOW DAISIES;
MIXED DAISIES; Two oils on canvas;
each signed and dated 72 lower
right and with artist label and certification verso
24” x 19.5” — 61 x 49.5 cm.; 25.5” x
19.5” — 64.8 x 49.5 cm.
Est. $1,000/1,500
421
O** Krelov (20th Century), Russian
MODEL IN A LANDSCAPE; Four watercolours; each signed in cyrillics lower right. Contained in one
frame.
Sight 4” x 4” — 10.2 x 10.2 cm.
Est. $500/700
422
K** Sunin (20th Century), Russian
LAKE VIEW; Monotype; signed in cyrillics and dated 73
lower right, inscribed with artist’s name and indistinctly titled to a customs document accompanying the lot
from Leningrad
16.5” x 22.7” — 41.9 x 57.8 cm.
Est. $500/700
423
Vyacheslav Fyodorov (1918-1985),
Russian
EVENING; Oil on board; signed in cyrillics and
dated ‘69 lower right, titled in cyrillics to
label verso
10” x 17.5” — 25.4 x 44.5 cm.
Est. $600/800
Provenance: Estate Collection, Hamilton acquired in
Latvia; By descent
127
424
Victor Emanuelov (1884-1940), Russian
SUNLIT MOUNTAINS; Oil on canvas; signed lower right
20” x 30” — 50.8 x 76.2 cm.
Est. $800/1,200
426
Attributed to El Lissitzky (1890-1941), Russian
SUPREMATIST COMPOSITION; Watercolour and gouache and pencil;
signed lower left, stamped number 10 in blue ink above signature
lower left. Unframed.
Sheet 19.75” x 15” — 50.2 x 38.1 cm.
Est. $10,000/15,000
Provenance: Purchased from a collector in Amsterdam along with
other Russian avantguard items with provenance from the Malevich
family.
425
Evueni Lavrentiev (1928- ), Russian
POPPIES; Oil on canvas; signed with initials in cyrillics and dated 98
lower right, signed and titled in cyrillics and dated 1998 verso
24.5” x 21.25” — 62.2 x 54 cm.
Est. $1,000/1,500
128
427
Attributed to El Lissitzky (1890-1941), Russian
COMPOSITION; Watercolour and gouache and pencil on paper laid
down on a paper support. Unframed.
13.8” x 8.7” — 35 x 22 cm.
Est. $3,000/5,000
429
Ivan Kovalenko (1931- ), Russian
ASTERS; Oil on canvas; signed in cyrillics lower right, signed and
titled in cyrillics and dated 2000 verso
21.5” x 28” — 54.6 x 71.1 cm.
Est. $900/1,200
Provenance: Purchased from a collector in Amsterdam as a Lissitzky
along with other Russian avantguard items including lot 426 with
provenance from the Malevich family.
428
Nikolai Ivanovich Getman (1917- 2004), Russian
MAMMOTH TUSKS (Bevni Mamonta); Oil on canvas; signed in cyrillics
and dated 65 lower right, signed, titled at Chukotka in cyrillics and
dated 1965 verso
20.5” x 23” — 52.1 x 58.4 cm.
Est. $1,500/2,500
430
Eugeni Gavrilkevitch (1929- ), Russian
THE SONG; Oil on canvas; signed with cyrillic initials and dated 98
lower left, signed and titled in cyrillics and dated 1998 verso.
Unframed.
23.25” x 18” — 59.1 x 45.7 cm.
Est. $1,000/1,500
129
S PA N I S H
431
Enrique Estevan y Vicente (1849-1927), Spanish
SPANISH LADY ON THE TERRACE OF A COUNTRY ESTATE; Oil on canvas,
signed Estevan lower left
61” x 30” — 154.9 x 76.2 cm.
Est. $10,000/15,000
130
432
Ricardo Arenys Galdon (1914-), Spanish
JOCKEYS PREPARING FOR THE RACE; Oil on canvas;
signed lower right
24” x 32” — 61 x 81.3 cm.
Est. $3,000/4,000
433
Salvador Dali (1984-1989), Spanish
THE JEWELLED CROSS; Dark grey marble with red
glass beads and gold coloured metal tubes; dated
1980, numbered 439/750 and inscribed: Dalart N.Y.
on a plaque to the base of the cross. Published
under contract with Gala Publications for Dalart, N.Y.
in 1980 in a total edition of 1690 examples. Together
with a certificate from the Salvador Dali Archives
Ltd., company, New York. Together with a plexiglass
case.
14.5” x 9.5” — 36.8 x 24.1 cm.
Est. $1,500/2,000
131
SWISS
434
Enrique Marin Higuero (1876-1940), Spanish
COUNTRYMAN AND BURRO, TOLEDO; Watercolour; signed lower left
30” x 21.25” — 76.2 x 54 cm.
Est. $1,500/2,500
435
Circle of Angelica Kauffmann (1741-1807), Swiss
A LADY AND ATTENDANTS IN HER DRESSING ROOM; Oil on canvas
21” x 16.5” — 53.3 x 41.9 cm.
Est. $500/700
Provenance: La Venecia, Habana; Acquired by the present owner at a
Cuban auction held in Toronto in the late 1960’s
436
Guido Sigriste (1864-1915), Swiss
NAPOLEON AT WAGRAM; Oil on cradled panel; signed lower right
17” x 27” — 43.2 x 68.6 cm.
Est. $4,000/6,000
132
SWEDISH
437
Enrico Campagnola (1911-1984), Swiss
PORTRAIT OF A BOY; Oil on masonite; signed lower
right
17” x 14” — 43.2 x 35.6 cm.
Est. $300/500
439
Alfred Wahlberg (1834-1906), Swedish
SUNLIT FOREST; Oil on canvas; signed lower right
13.5” x 17.8” — 34.3 x 45.2 cm.
Est. $500/700
Y U G O S L AV I A N
438
Lotti Kraus (1912-1985), Swiss
TRANSFORMING FIGURES IN CONVERSATION; Pen
and ink drawing; signed and dated 50 lower left
Sight 11.75” x 9.25” — 29.8 x 23.5 cm.
Est. $200/300
440
Veljko Stanojevic (1892-1967), Yugoslavian
RAFTERS ON A RIVER; Oil on canvas; signed lower right,
25.75” x 36.5” — 65.4 x 92.7 cm.
Est. $1,000/1,500
133
INDEX
A
A**D**C**
34
Abdullah, Soerjosoebroto
367
Adler, Edmund
66
Affandi
368
Aldridge, Frederick James
92
Allan, Hugh
199
American School
32
American School, 19th Century
33
Anderson, Will
197
Andreis, Alexis de
154
Angelis, Domenico de
407
Appel, Karel
229
Armfield, George
156
Arnegger, Alois
62
Arnegger, Gottfried
61
Artiums, Ansis
408, 409, 410
Ascenzi, Ettore
376
Asosief , T**
239
Atwell, Edward H.
94
Austro-Hungarian School, 19th/20th Century
341
B
Bacchi, Cesare
395
Bachmann, Max
48
Balmigere, Paul-Marcel Candies
270
Balogh, Bela
342
Bartolozzi, Francesco
404
Baumgartner-Stoiloff, Adolf (Constantin)
328
Beal, Reynolds
10, 11, 12, 13, 14, 15, 16
Benn, Ben
51
Beraud, A**
269
Berkes, Antal
361
Bernard, Emile
284
Bernath, Aurél
354
Billotte, René
268
Bjulf, Soren Christian
207
Black, Andrew
201
Blommers, Bernardus Johannes
233, 234
Blumenschein, Mary Shepard Greene
7
Botton, Jean Isy de
288
Boucher, Francois, Follower of
245
Bouter, Cornelius
215, 216
Bouvard, Antoine
314
Breanski Snr, Alfred De
180
Breanski, Alfred Fontville de
171, 179
Breanski, Gustave de
163
Breton, Léon
258
Briante, Ezelino
380
Brill, **
138
British, 19th Century
89, 129
British School, 19th Century
128
Browne, Henriette (Sophie) Butler
309
Bruce, William
41
Brundage, Frances Isabella
42
Brunet-Houard, Pierre Auguste
305
Bryan Wall, A**
40
Butler, Herbert E**
87
C
Cagni, P**
Calderon, Philip Hermogenes
Campagnola, Enrico
Cantarini, Simone
Carter, W**
Cauchois, Eugene Henri
Centeno, Omar
Chase, Frank M.
Clark, Eliot Candee
Cleenewerck, Henry
Cocteau, Jean
Cole, George Vicat
Cole, George Vicat, Manner of
Colle, Michael Auguste
374
175
377, 437
403
197
283
411
90
1, 2, 3, 4, 5
36
250
176
173
282
Constantine, George Hamilton
Cooper, Thomas Sidney, Attributed to
Cooper, William Sidney
Corneau, Y**
Cortés, Edouard Léon
Cottet, Charles
Craig, Thomas Bigelow
Cramm, Baroness Helga von
Crawford, William Caldwell
Croegaert, Georges
Czene, Janos
104, 105
98
96, 97
240
281
262
37, 38
323
203
69
343
D
Dali, Salvador
Damschröder, Jan Jacobus Matthijs
Debucourt, Philibert-Louis
Despiau, Charles
Diverly, Elaine Eugenie
Dixon, Charles Edward
Dobrowolski, Andrzej
Docharty, Alexander Brownie
Doux, Jean Picart Le, After
Drag**, G**
Drinkwater, Albert Milton
Drulman, Marinus Johannes (de Jongere)
Dubufe, Edouard Louis
Duff, John Robert Keitley
Duncan, Edward
Dunlop, Ronald Ossory
Dutch/Flemish School, 17th/18th Century
Dutch/Irish School, 18th Century
433
224
243
249
256
123
416
202
251
217
155
220, 221
311
75
120
186
238
197a
E
Emanuelov, Victor
Erickson, Carl Oscar August, Attributed to
Evans, Frederick James McNamara
424
27
81
F
Faulkner, **
136
Fenimore, Thomas J.
39
Fenson, R. [Henry Maidment]
148
Ferenczy, Karoly, Attributed to
345
Ferneley, John E.
132
Filipkiewicz, Mieczyslaw
413
Finchett, Thomas
159
Fischer, Anton Otto
24, 26
Forlenza, Eduardo
389
Fortess, Karl Eugene
59
Foster, Fred L.
118
Francis, Thomas Edward
85
Frangiamore, Salvatore
387
Fraser, John
94
Frattini, Enrico
388
French or Italian, 18th/19th Century
245
French or Italian School, 19th Century
405
French School, 18th Century
241, 242
Fried, Pal
334, 335, 336, 337, 338, 339
Frigerio, Raffaele
390
Fullwood, John
197
Funke, Helene
333
Fux, Josef
64
Fyodorov, Vyacheslav
423
Geefs, Fanny (Fanny Corr)
Gegerfelt, Wilhem von
Genisson, Jules Victor
Gerard, Baron Francois, Attributed to
Gerome, Francois
Getman, Nikolai Ivanovich
Gianni, **
Gibb, John
Glass, John Hamilton
Glatter, Gyula
Gorter, Arnold Marc
Gossnell, P**
Gourdault, Pierre
Greig, James
Groenewegen, Adrianus Johannes
Gruau, Rene
Grünwald, Béla Ivånyi
Gruppe, Charles Paul
Guerin, Armand Marie
H
Haag, Carl
Handlen, Frank
Hannaford, Charles E**
Hasselhorst, Johan Heinrich
Hayes, Claude
Hayes, John
Heffner, Karl
Hendriks, Willem
Hemy, Charles Napier
Herring Jnr., John Frederick
Herzog, Lewis Edward
Higuero, Enrique Marin
Hill, David Octavius
Hillier, Henry Decon
Hoog, Bernard de
Horsley, John Callcott
Huldah, Cherry Jaffe, Manner of
Hunt, Cecil Arthur
Huysum, Jan Van, Manner of
Hyneman, Herman N.
329
25
82, 83, 103
327
91
140
331, 332
212
164A (see Addenda)
174
6
434
197, 200
108
232
168
56
114
225
210
I
Imhof, Joseph A.
Irvine, Wilson Henry
Isabey, Eugene
Israels, Jozef
Italian School, 17th Century
Italian, 17th Century
Italian, 17th/18th Century
Italian, 20th Century
47
19
246
237
399
396
373
402
401
394
J
Jackson, Harry
James, David
Jansen, Willem George Frederik
Jelinek, Rudolf
Jobert, Paul
Jongere de, Marinus Johannes Drulman
Jungwirth, Josef
G
K
Galdon, Ricardo Arenys
Gall, François
Kandler, Ludwig
Karpinski, Alfons
Karssen, Anton
Kasznár, Jeno Ring
Kauffmann, Angelica, Circle of
King, Haynes
Kinnaird, Henry John
Kneller, Sir Godfrey, After
Kneller, Sir Godfrey, Manner of
432
290, 291, 292, 293, 294,
295, 296, 297, 298, 299
Garin, Eugene R.
45
Gassies, Jean Baptiste Georges
257
Gaudfroy, Fernand
71
Gauguin, Paul
317
Gauld, David
204
Gavrilkevitch, Eugeni
430
214
330
68
244
271
428
382
412
198
356
213
326
259
193, 194
211
252, 253, 254
340
52
272
54
164
222, 223
63
263
220, 221
60
325
414
228
346
435
166
107
125
126
INDEX
Knight, A. Roland
Knox, Wilfred
Koehler, Paul R**
Komaromi-Kacz, Endre
Koszkol, Jeno
Kovalenko, Ivan
Kratke, Charles Louis
Kraus, Lotti
Krelov, O**
Kurzweil, T**
Kuwasseg, Charles Euphraise
145
116
17
351
362
429
307
438
421
65
261
L
Lambdin, George Cochran
Lambinet, Emile Charles
Langer, Viggo Olaf Pieter
Langlois, Mark William
Lavrentiev, Evueni
Lawes, Harold
Lawrence, David Herbert
Lawrence, Thomas, Manner of
Leaver, Noel Harry
Leickert, Charles Henri Joseph
Leitgeb, Franz
LeJeune, Henri
Lely, Sir Peter, Manner of
Levier, Charles
Lewsey, Tom
Lipot, Herman
Lissitzky, El, Attributed to
Lovatti, Augusto
35
264
205
141
425
100
182
127
111
230
324
137
124
273
164B (see Addenda)
357, 358, 359, 360
426, 427
375
M
MacMillan-Hughes, Lord Gordon
MacNee, Robert Russell
Magrotti, Ercole
Maidment, Henry (see also R. Fenson)
Mander, William
Mannucci, Cipriano
Manzuoli, Egisto
Marais-Milton, Victor
Maresca, V**
Marino, Giuseppe
Mario, P**
Martin, Agnes
Mascherini, Marchello
Masson, Paul Le
Mathieson, W**K**
McConnell, Emlen
McDaniel, Henry
Meadows, Arthur Joseph, Manner of
Meadows, James Edwin, Attributed to
Mercier, Francois
Mesterhazy, Kalaman
Mieczyslaw, Kyzyzak
Mitchell, Peter McDowall
Monticelli, Adolphe Joseph Thomas
Moretti, Lucien Philippe
Morland, George, Manner of
Morrish, William Sidney
Mount, William Sydney, Manner of
185
192
391
143, 148
169
392
372
306
388
381
382A
55
369
274
149
30
23
162
158
304
346
415
191
310
278
135
197
31
N
N**, J**
Nash, A**T**
Neogrady, László
Neopolitan School, 19th/20th Century
New York School
Newton, Herbert H**
Nicol, Erskine
Nicola, Francesco de
Novo, Stefano
161
92
353
370
18
160
189, 196
371
379
O
Odierna, Guido
Odin, Blanche
Omar (Centeno)
Osborne, Dennis H**
Oudot, Roland
393
248
411
184
285
P
Panitzsch, Robert
206
Pap, Emil
344
Park, John Anthony
172
Parsons, Max
146
Pastega, Luigi
385
Pellegrini, Riccardo
378, 383
Pelletier, **
315
Pena, Narcisse Virgile Diaz de la
312
Penfold, Frank C.
53
Percy, Sidney Richard
177
Perretton, E**
260
Phillips, Gordon
43, 49, 50
Piaseck, Leszek
420
Pieneman, Nicolaas
209
Pierce, Charles Franklin
28
Pietro, Berrettini (Pietro da Cortona), Circle of
400
Pilch, Deszö Pécsi
363, 364, 365, 366
Piot, René
247
Pissarro, Claude Hughes
286, 287
Place, Rosa
74
Plas, Niek van der
72, 218, 219, 226, 227
Poole, B**
151
Pothast, Bernard
235
Puci, Romalo
389
R
Rambert, René
277
Raoux, Jean, Manner of
318
Rapp, Ginette
300, 301, 302
Reaugh, Charles Franklin
44
Reid, Flora MacDonald
200A (see Addenda)
Renard, Paul
275, 276
Riab, Boris
267
Ricci, Sebastiano, Circle of
398
Roberts, Edwin Thomas
142
Roberts, James
84
Roqueplan, Camille Joseph Etienne
265
Rousseau, Theodore
313
Russell, **
121
S
Sala, Paolo
384
Salmon, John Cuthbert
88
Saunier, Octave Alfred
255
Sauvage, Piat Joseph, Manner of
319
Scarborough, Frederick William
119
Scarlett, Rolph
57, 58
Schäfer, Henry Thomas
112
Scherrewitz, Johan Frederik Cornelis
236
Schurmann, Maximilian
348
Seago, Edward
178, 181
Setkowicz, Adam
417
Shayer, William Joseph
133, 134
Sheerboom, Andrew
168A (see Addenda)
Sherrin, Daniel
153
Shields, Frederick James
79
Sienese School, Late 16th/17th Century
397
Sigmund, Benjamin D**
106
Sigriste, Guido
436
Simonetti, C**A**
386
Sims, Charles
167
Sims, William A**
139
Smart, John
190
Sottocornola, Giovannni
406
Sparks, Herbert Bland
93
Spear, Arthur Prince
Staaten, Louis van
Stanfield, Clarkson, Manner of
Stanojevic, Veljko
Sunin, K**
Swanwick, Harold Joseph
Sweet, Walter Henry
Swingler, John Frank
Szarka, Hajnacka
9
208
147
440
422
99
95
110
347
T
Taurelle, Bernard
Tennant, John Frederick
Terris, John
Thors, Joseph
Tobiasse, Théo
Tozer, Henry Spernon
Troyon, Constant, Attributed to
Turner, George
279, 280
170
195
150
289
101, 102
266
165
U
Udvary, Geza
Uhrig, Zsigmond
355
352
V
Vadder, Lodewijk de, Circle of
Vernon, William Henry
Vicente, Enrique Estevan y
Vidal, Gustave
Vizkelety, W. Emerich
Vleughels, Nicolas, Attributed to
Voitl, **
Volker, Edward Charles
321
144
431
303
349, 350
320
70
8
W
Wackermann, Hubert
Wahlberg, Alfred
Wallace, James
Ward, James
Wawrzonek, Maria
Way, Charles Jones
Weaver, Herbert Parsons
Webb, Kenneth
Weisbecker, Clement
Weisz, Adolphe
Wenig, R**
Westerbeek, Cornelis
White, John
Widgery, Frederick John
Wilding, R**T**
Wilks, Maurice Canning
Williams, Alexander
Williams, Alfred Walter
Williams, Warren
Williiams, John Alonzo
Wingfield, James Digman, Attributed to
Winter, William Tatton
Winter-Shaw, Arthur
Wolvens, Henri Victor
Woodcock, Hartwell Leon
46
439
76, 157
131
418, 419
117
113, 115
188
21
308
322
231
122
109
92
187
183
152
86
20
130
80
77, 78
67
22, 29
Z
Ziem, Félix
Zoffoli, Angelo
316
386A
GLOSSARY
The terms below are used in this catalogue for your guidance, with the meanings ascribed to them below. While
the use of these terms is based upon careful study they are not warranties; the auctioneer and the seller assume
no risk, liability or responsibility for the authenticity of authorship of any lot in this catalogue described by these
terms. In this regard, you are requested to read condition 1 of the Conditions of Sale.
Artist’s name or recognized designation: In our qualified
opinion, a genuine work executed by the artist.
Attributed to: In our opinion, probably a work by the artist
but less certainty as to the authorship is expressed than in
the preceding category.
Circle of: In our opinion, a work of the period of the artist
and closely related to his style.
Studio of: In our qualified opinion a work, by an unknown
hand, possibly executed under the supervision of the artist
School of: In our opinion, a work executed in the artist’s
style and possibly by a pupil or follower of the artist.
Manner of: In our opinion, a work executed in the artist’s
style and probably of a later period.
After: In our opinion, a copy of a work of the artist.
***: Is in the place of an unknown name.
Signed/Dated/Inscribed: In our opinion, the work has been
signed/dated/inscribed by the artist. The inclusion of a
question mark indicates some doubt.
Bears signature/Bears date: In our opinion, the
signature/date may be by a hand other than that of the artist.
Certificates/Literature: Any reference to certificates or
literature represent the opinion of the authority or author(s)
shown.
Provenance: It is intended to indicate previous collections
or owners, other than the present.
Measurements: Height precedes width in all measurements.
Measurements shown are in inches and centimeters.
CONDITIONS OF SALE
9 The buyer shall pay for all lots within 48 hours from the date of the sale, after
sold is subject to variation to be posted or announced verbally in the auction
which a late charge of 2% per month on the total invoice may be incurred or
room prior to the time of sale. While the auctioneer has endeavoured not to
the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not
mislead in the description issued, and the utmost care is taken to ensure the
become the owner of the lot until paid for in full. Items must be removed
correct cataloguing of each item, such descriptions are purely statements of
within 10 days from the date of sale , after which storage charges may be
opinion and are not intended to constitute a representation to the prospective
incurred.
purchasers and no warranty of the correctness of such description is made. An
opportunity for inspection of each article is offered prior to the time of sale. No 10 Each lot purchased, unless the sale is cancelled as above, shall be held by the
auctioneer at his premises or at a public warehouse at the sole risk of the
sale will be set aside on account of lack of correspondence of the article with its
buyer until fully paid for and taken away.
description or its reproduction, if any, whether colour or black & white. Some lots
are of an age and/or nature which preclude their being in pristine condition and 11 Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes
some catalogue descriptions make reference to damage and/or restoration. The
arrangements satisfactory to the auctioneer for the inspection of such lot by
lack of such a reference does not imply that a lot is free from defects nor does any
a fully qualified person acceptable to the auctioneer to determine the
reference to certain defects imply the absence of others. It is the responsibility of
genuineness or authenticity of the lot, to be carried out promptly following
prospective purchasers to inspect or have inspected each lot upon which they
the sale of the lot, and if, but only if, within a period of 14 days following the
wish to bid, relying upon their own advisers, and to bid accordingly.
sale a written opinion of such person is presented to the auctioneer to the
effect that the lot is not genuine or authentic, accompanied by a written
2 Each lot sold is subject to a premium of 20% of the successful bid price of each lot
request by the buyer for rescission of the sale, then the sale of the lot will be
up to and including $50,000 and 15% on any amount in excess of $50,000 as part
rescinded and the sale price refunded to the buyer.
of the purchase price.
1 All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be
3 Unless exempted by law, the buyer is required to pay Ontario Retail Sales Tax and 12 Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in
Federal Goods and Services Tax on the total purchase price including the buyer’s
premium. For international buyers, taxes are not applicable when purchases are
shipped out of country.
4 The auctioneer reserves the right to withdraw any lot from sale at any time, to
divide any lot or to combine any two or more lots at his sole discretion, all without
notice.
5 The auctioneer has the right to refuse any bid and to advance the bidding at his
absolute discretion. The auctioneer reserves the right not to accept and not to
reject any bid. Without limitation, any bid which is not commensurate with the
value of the article offered, or which is merely a nominal or fractional advance
over the previous bid may not be recognized.
6 Each lot may be subject to an unpublished reserve which may be changed at any
person only), certified cheque (U.S. & Overseas not applicable), travelers
cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard
(up to $25,000). As Waddington's requires written authorization for all credit
card purchases, credit cards must be presented in person by the cardholder
and therefore cannot be accepted over the telephone. However, fax
authorization arrangements can be made.
13 In the event of failure to pay for or remove articles within the aforementioned
time limit, the auctioneer, without limitation of the rights of the consignor
and the auctioneer against the buyer, may resell any of the articles affected,
and in such case the original buyer shall be responsible to the auctioneer and
the consignor for:
(a) any deficiency in price between the re-sale amount and the
amount to have been paid by the original buyer;
(b) any reasonable charge by the auctioneer for the storage of such
articles until payment and removal by the subsequent buyer; and
(c) the amount of commission which the auctioneer would have
earned had payment been made in full by the original buyer.
time by agreement between the auctioneer and the consignor. The auctioneer
may bid, or direct an employee to bid, on behalf of the consignor as agreed
between them. In addition, the auctioneer may accept and submit absentee and
telephone bids, to be executed by an employee of the auctioneer, pursuant to
14 It is the responsibility of the buyer to make all arrangements for insuring,
the instructions of prospective purchasers not in attendance at the sale.
packing and removing the property purchased and any assistance by the
auctioneer or his servants, agents or contractors, in packing or removal shall
7 The highest bidder accepted by the auctioneer for any lot shall be the buyer and
be rendered as a courtesy and without any liability to them.
such buyer shall forthwith assume full risk and responsibility for the lot and must
comply with such other Conditions of Sale as may be applicable. If any dispute
15 The auctioneer acts solely as agent for the consignor and makes no
should arise between bidders the auctioneer shall have the absolute discretion to
representation as to any attribute of, title to, or restriction affecting the articles
designate the buyer or, at his option, to withdraw any disputed lot from the sale,
consigned for sale. Without limitation, the buyer understands that any item
or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all
bought may be affected by the provisions of the Cultural Property Export Act
cases shall be final.
(Canada).
8 Immediately after the purchase of a lot, the buyer shall pay or undertake to the 16 The auctioneer reserves the right to refuse admission to the sale or to refuse
satisfaction of the auctioneer with respect to payment of the whole or any part
of the purchase price requested by the auctioneer, failing which the auctioneer
in his sole discretion may cancel the sale, with or without re-offering the item for
sale.
THIRD PARTY LIABILITY
Any person on Waddington’s™ Auctioneers & Appraisers premises, before,
during or after the sale, shall deem to be there at his/her own risk and
he/she shall have no claim against Waddington’s™ or Joyner™ Waddington’s
in respect of any injury he/she may sustain or any accident which may
occur.
to recognize any or all bids from any particular person or persons at any
auction.
INFORMATION FOR BUYERS
All lots will be offered and sold subject to the Conditions of Sale
which appear in this catalogue as well as any Glossary and posted or
oral announcement. By bidding at auction, bidders are bound by
those Conditions and Glossary, as amended by any oral
announcement or posted notices, which together form the contract
of sale between the successful bidder (buyer), Waddington’s™ or
Joyner™ Waddington’s, and the consignor (seller) of the lot.
Descriptions or photographs of lots are not warranties and each lot
is sold “as is” in accordance with the Conditions of Sale.
A premium of 20% of the successful bid price of each lot up to and
including $50,000 and 15% on any amount in excess of $50,000 is
paid by the buyer as part of the total purchase price.
Ontario Retail Sales Tax is charged on all purchases, whether picked up
or delivered in Ontario, unless the buyer completes a valid exemption
form at the time of purchase. All lots are subject to Goods and Services
Tax on the hammer price and on the buyer’s premium, whether picked
up or delivered in Canada.
Bidding
To bid in person at the auction, you must register for a bidding
number by showing identification acceptable to the Auctioneer
upon entering the salesroom. Your number will identify you if you are
the successful bidder. You will be responsible for all lots purchased
on your bidding number. Banking information may be requested by
Waddington’s™ or Joyner™ Waddington’s.
You may submit an Absentee Bid Form if you are unable to attend
the sale. Please refer to this form in the back of this catalogue for the
appropriate forms and further information.
Bidding by telephone, in limited circumstances, can be arranged prior
to the sale. While we are pleased to offer absentee and telephone
bidding as a service to our clients, and take great care in their
commission, the Auctioneer will not be responsible for errors or
failure to execute bids.
The Auctioneer may also execute bids on behalf of the consignor to
protect the reserve. The reserve is the confidential minimum price
the seller is willing to accept for his or her property, below which it
will not be sold
Payment
Payment for purchases must be by cash, INTERAC direct debit (Cdn
clients in person only), certified cheque (U.S. & Overseas not
applicable), travelers cheque, bank draft, electronic transfer (fee
applies), and VISA or Mastercard (up to $25,000). As Waddington's
requires written authorization for all credit card purchases, credit
cards must be presented in person by the cardholder and therefore
cannot be accepted over the telephone. However, fax authorization
arrangements can be made.
Removal of Purchases
The purchaser will be responsible for shipping and insurance
expenses. The Auctioneer will, upon request, provide names of
professional packers and shippers but will not be responsible or have
any liability for providing this information.
Purchases must be paid for within 48 hours of the date of the sale,
and removed from premises within 10 days of the date of sale (see
Conditions of Sale, conditions 8 to 15).
Clients are advised that packing and/or handling of purchased lots by
our employees or agents is undertaken solely as a courtesy for the
convenience of clients.
INFORMATION FOR SELLERS
Paintings, drawings, prints, furniture, jewellery and all forms of
decorative arts and collectibles may be brought to our Toronto office
where we can provide you with preliminary auction estimates and
consignment procedures. Please visit our website at
www.waddingtons.ca for details on our various departments and
how to contact the specialists. We also accept mailed and emailed
requests for advice on the marketability of objects. A photograph
and phone number must accompany a full description of each item.
Our specialists regularly travel to major Canadian cities to meet with
prospective consignors. For further information, or to arrange an
appointment, please contact our Toronto office.
Property normally arrives at Waddington’s™ or Joyner™ Waddington’s
at least three months before the sale in order to allow our specialists
time to research, catalogue, photograph and promote the items.
Consignors will receive a contract to sign, setting forth terms and fees
for our services.
Commission Rates
Items selling for $7,501 or more
10%
Items selling for $2,501 to $7,500
15%
Items selling for $251 to $2,500
20%
Items selling for $250 or less
25%
*There is a minimum handling charge of $20 per item
Insurance
A 1% insurance charge, based on the hammer price of the property,
will be applied to all accounts.
SPECIALIST DEPARTMENTS
Furniture, Clocks & Lighting
Alastair J. McLean
416 847 6167
[email protected]
Barry Hookway
416 847 6168
[email protected]
Steve Sheppard
416 847 6186
[email protected]
Andrew Brandt
416 504 9100 ext 6200
[email protected]
International Art
Susan Robertson
416 847 6179
[email protected]
Doug Payne
416 847 6180
[email protected]
Musical, Photographic
& Scientific Instruments
Thomas Quirk
416 847 6185
[email protected]
Silver, Glass, Ceramics, Sculpture
& Decorations
Bill Kime
416 847 6189
[email protected]
Inuit Art
Duncan McLean
416 847 6183
[email protected]
Lindsay Rose
416 847 6181
[email protected]
JOYNER™ CANADIAN FINE ART
Geoffrey Joyner
Robert Cowley
Raphaela Dunlap
Louise Dudley
416 504 5100
Christa Ouimet
416 847 6184
[email protected]
Jewellery & Watches
Don P. McLean
416 847 6170
[email protected]
Eileen Weisberg
416 847 6169
[email protected]
Asian, African, Pre-Columbian
Works of Art and Carpets & Rugs
Thomas Quirk
416 847 6185
[email protected]
Royal Doulton Figurines,
Smallwares
Dennis Reid
416 847 6187
[email protected]
[email protected]
WADDINGTON’S™
BRIGHTON
David Simmons
101 Applewood Drive
Brighton ON K0K 1H0
613 475 6223
[email protected]
WADDINGTON’S™
COLLINGWOOD
Valerie Brown
OPERATIONAL STAFF
P. O. Box 554
Collingwood ON L9Y 4B2
C.F.O. / C.O.O.
Bonnie Herman
416 847 6171
[email protected]
Corporate Receptionist
Kate Godin
416 504 9100
[email protected]
General Manager/Accounting
Duane Smith
416 847 6172
[email protected]
Appraisals
Lynda Macpherson
416 847 6191
[email protected]
Creative & Technical
Jamie Long
416 847 6188
[email protected]
Media Relations
Duncan McLean
416 847 6183
[email protected]
Accounts Manager
Karen Sander
416 847 6173
[email protected]
Photography
K. Ross Hookway
416 847 6190
[email protected]
Accounts Staff
Mandy Ilk
416 847 6182
[email protected]
Systems & Online Support
Sergey Stankevich
416 504 9100 ext 6212
[email protected]
Graphic Design
Amelia Earl
[email protected]
Production Manager
Patrick Staheli
416 504 9100 ext 6210
[email protected]
Monthly Fine Art
Doug Payne
416 847 6180
[email protected]
Building Manager
Buck Gothreau
416 847 6174
[email protected]
705 445 8811
[email protected]
CURATOR ASSET
MANAGEMENT™
Kathryn Minard
416 847 6194
[email protected]
Shelia Osborne
416 847 6193
[email protected]

catalogue

Transcription

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