Adoption of revised Syllabi of Music for MDP Ist to IVth semester

UNIVERSITY OF JAMMU
/
(1O/June/ ADP/21)
It is hereby notified for: the informoiion of oll concerned thot ihe ViceChoncellor, in onticipotion to ihe opprovol of ihe Acodemic Council, is pleosed to
outhorize the odopiion of the revised Syllobi iasubject Music of Mosiers Degree
progromme lsi to lVth Semesters for the exominotion to be held in the yeor os under
olongwith %oge of chonge:-
Adoplion of revised svllqbi of M.A. I to lV semesler
M.A. lst Semester for lhe exqminolion to be held in ihe
Course
No.
Title
Applied Theory-l
History of lndion Music-l
Stoge Performonce-l
ProcticolTest-l
400
40r
402
403
yeo(s)
Tooqe of chonqe
Chonge is less thon l0%
No chonge
Chonge is less thon l0%
Chonge is less thon l0%
M.A. llnd Semester for the exominotion lo be held in the
Iitle
Course No.
Applied Theory-ll
History of lndion Music-ll
Stoge Performonce'll
450
451
452
ProcticolTest-ll
453
M.A.
lllrd
Course
500
501
502
503
Title
Applied Theory-lll
History of lndion Music-lll
Stoge Performonce-lll
Procticql Test-lll
550
551
552
503
Title
Moy
201 1,2012 & 2013
Chonge is less thon l0%
No chonge
Chonge is less thon l0%
Chonge is less thon l0%
yeo(s)
Dec. 20]0,2011'2012
Toooe of chonoe
Chonge is less thqn
Chonge is less thon
Chonge is less lhon
Chonge is less thon
M.A. lvth Semester for ihe exqminotion lo be held in the
Course Nq
yeor(s)
Tooqe ol cho'noe
Semesfer for the exominolion to be held in the
No.
Dec. 2010,2011, 2012
yeo(s)
10%
l0%
l07o
l0%
Moy
201 'l , 2012 & 2013
%oqe qf chonqe
Chonge is less lhon '10%
Music from Vedic Period to Preseni Chonge is less thon l0%
Times ond Regionol Folk Music
Chonge is less thon 10%
Stoge Performonce
Chonge is less thqn 10%
ProcticolTesl
Aesfhetics
Conld.
The olternotive question popers ore required
regulotion given os under:-
i).
ii).
iii)'
University
lf ihe chonge in the Syllobi ond Courses of Study is less thon
25%, no olternotil
Quesiion poper will be sel.
if the chonge is 25% ond obove bul below 50% otternstive Qurestion Poper be set for
one yeor.
lf the chonge is 50% ond obove on whole sctherne is chonqed ofternstive euestion
Poper ore set for two yeors.
5d.
tr A ^^
-^:^^
io be se- :s oer the
. .. ,'tr
(0m.. P-5' PA'lli'1''1lA.F,{I A}
mfG[snm.em
MASTER DEGREE PROGRAMME IN MUSIC
SCH EM E:
The following courses of study
,r.
pr"r.ribed for the
1-s
and
2nd
Semesters of Master Oegiee
Programme in Music:FIRST SEMESTER:
COURSE NO.
TITLE
CREDITS
-l
400
Applied Theory
401
History of lndian Music -
402
Stage Performance
Practical Test
1{}3
AJI
mrrus
-
4
4
4
I
- I (Practicals)
4
|
4
-r
I
amc c@mrydsqry
srcmfrrqE;Egb
l:,,r1ai1,
450
lp$dils't
451
History of lndian Music
452
Stage Performance -ll (Practicals)
453
Practical Test
- ll
-
ll
4
4
4
All courses are compulsory
DISTRIBUTION OF MARKS
THEORY
4- Credit Course
SEMESTER EXAMIf{ATION
80 marks
SESSIONAL ASSESSMENT
20 marks
STAG E PERFORMANCE/PRACTICALS
4-Credit Course
50 marks
50 marks
9**
tr
SESSIONAL ASSESSMENT
of marks in each theory paper and 50 % in practical paper shall be reserved for sessional
assessment. ln case of regular students,internal assessment received from the colleges will be
added to the marks obtained by them in the university examination and in case of Frirnte
candidates marks obtained by them in the University emmination shall be increased
ZA %
p
ro
portio n ately i n accorda n ce with th e
Un
iversity Statutes/Regu lati ons-
L
,y-
FIRST SEMESTER
No:400
Title: Applied Theory-l
Course No
:4
Credit :4
Maximum Marks :100
Duration of Examination
r Z%hrl
a)Semester Examination : 80
b)Sessional Assessment : 20
Syllabus for the examinations
to be held in December
Z.OLO,}OL1-
&z0tz
SYTLABUS
UNIT-I
Detailed description of notations (vilambit and drut khayal)or {maseet khani,raza khani gat)
of ragas {i)Yaman(ii)Ahir Bhairav(iii)Darbari Kandra{iv)Adana(v)Des (vi)Mian Malhar with alaaps
and tans or-'tdas in different layakaries.
1.1:
.2:
ErlU[a
s'hi.rcf-{ otr
ragro as descrilihec
ab@u,e
l-3: Cornpansim and ontrast d fifFerent
-[aal,Char Taal, Dhamar,Deepchandi)
UNIT
tdc ,nrrilig &Em h ffinem b1eiel(B
II
ll.1: Detailed study of Gharanas of Vocal music.
ll.2: Historical development of following ragas: Bhairav,Kandra and Malhar.
ll.3: Principles of compositiorfrrind vadan and vrind gaan.
UNIT III
lll.1: Biographical sketch of the following musicians:
(a) Ustad Ab{r-din Khan {b) Ustad Bade Gulam Ali Khan (c} Ustad Bismillah Khan (d) Pandit
Bhim Sen Joshi (e) Kishori Amonkar (f) Pandit Shiv Kumar Sharma
*
lll.2: Detailed study of Gamak and its kinds
lll.3: Knowledge of the following musicalterms with examples:
N
ayas,Al patav-Ba hutav,Avi rbhav-Ti robhav,Va
d i-Sa
mvadi.
)
,
e{g//t'/
\Y/,'
tr
..'/"
NOTE FOR PAPER SETTING
The question paper will contain two questions from unit
-l
and three questions each
from unit-
ll and Unit-lll.Total number of questions to be set in the question paper will be FrgfrLThe
candidate will be required to attempt four questions selecting atleast one $restflon frorn each
unit. All questions shall carry equal mark.
Boo,ks Recommended:
1. Kramik pustak malika by V.l{.Ehatkfiandey.
Ke Prakar byJ.TShah
2. Malhar
Y
3. Kandf Ke Prakar by J.TShah
4. Sarang Ke Prakar by J.T.Shah
5. Bhairav Ke Prakar by J.T.Shah
6. Sangeet Ke Gharanon lO Charcfia by S.KChau@
7. Swaron Aur Rago Ke Vikas Mein Vadyon Ka Yogdan by lndrani Chakrmrti8. Dhwani Aur Sangeet by l-alit Kishore Sirgft
9. Sitar Marg by Shri Pad Bando Padhlaya
10. Tansen Aur Saini Gharano Ki Parampara by Sunita Dhar
11. Hindustani Shastriya sangeet Ke Gharana Parampara by Shambu Nath Mishra.
?
g
FIRST SEMESTER
Course No : 401
Title : History of lndian Music-l
Credit- : 4
Maximum Marks :100
a)Semester Examination : g0
b) Sessional Assessment : 20
Syllabus for the examinations to be held in Dece m ber 20LA,2OLL
&2012
Duration of Examination
:
2%hrs.
SYLTABUS
UNIT-I
1.1:Music in Vedic period.
1.2:Music in Ramayana,Mahabharat and puran.
|.3:Music in Drama and Mahakavyas of Kalidas.
1.4:Music in Budhas and Jain treatises.
UHTT.II
t
h
r
frl.Lil'tistory of Mursic in ancfrent period (third to thirteen century)
s2il
crfticd study d 3 grrns ard
rnusicians d irodern Times.
descritin d rnorttwrathe rrriry of Lmrrrana b fte
ll.3:Knowledge of following Gra nthas:
(a) Natya 5hastra........ Bharat
{b) Sangeet Makrand & Nardhiya Shiksha .....Narad
(c) Brihat Deshi ..... Matang Muni
uNtT- lil
lll.l:Study of Dhrupad style of singing
lll'2:Rag Vargikaran from ancient to modern times (according
to ancient,medieval & scholi'i! of
modern times).
lll.3:study of Nibadh & Anibadh
5
w*{/
NOTE FOR PAPER SETTING
The question paper will contain two questions from unit
jand three questions eadl frorn unit-
ll and Unit-lll.Total number of questions to be set in the question paper will be F€htThe
candidat€ will be required to attempt four questions selecting adeast one questiqn fu-orn each
unit"All questions shall carry equal marks.
B(X)I(S RECOM}IEI*D€D
{1)
{2)
{3)
t4)
{5}
Rise of il{usic in Anciemt Wmfld hV
Ctrt Sachs
l-listory of Mrlsicail lnstrurnemts hy Crrrt Sadrs
Flistorical Derc{oprnerut of Indlan Musna by kajnamard Sffiamd
Bhartifa Sar€eet l(a tthas W SS.PranFpe
Bhartifa Sargeet Ka fthas bV UrneshJoshi
(61 Natya Shastna bV Bharat
t7) Bhrit Deshi by Matang
{8} Sangeet Ratanakar bySharang Dev
(9) Bhartiya Sangeet Vadaya by Lal Mani Mishra
(10) Short Historical Survey of Music by V.N.Bhatkhandey
(11)Sangeet Chintaman by Acharya Brihaspati
(12)Sangeet Shastra Praveen by J.N.Pathak
)l
^6"
\,'*V-./
Y*'2/"/
- -,' -/"
FIRST SEMESTER
Title
Course No :402
Credit : 4
Duration of Examination :
Minutes for each student.
:
Stage Performance
-l
Maximum Marks :100
30
to 45
a) Semester Examination : 50
b) Sessional Assessment : 50
Syllabus for the examinations to be held in December 201:O,20LL &2OL2
SYLTABUS
1. Demonstration of a raga selected from prescribed syllabus along with Alaap
Maseet Khani,Raza Khani gat with todas and jhalas for instrumentalists .
jod
'
Alaap Bada Khayal,ChotaKhayal with proper gayaki,Tarana for vocalist.
----Marks
35
2Ability to sing one DFrrupad or Dhamar for vocalislOne dhun for instrumentalis.
nilarks-15
ffir
,)
^"dIr/
*o./
r,\Y
F
FIRST SEMESTER
Course No : zl03
Credit : 4
Duration of Examination :
Minutes for each student-
Trtle : PrasticalTest
-l
Maximlun'n lk{anks
3O
:1@
to 45
alSernester Emrnrlrmation : 50
b) Sessfronall Assesslrrent ; 5fl
Syllabts forr tl're exanmfrmations to be held in Decernben 2010,201f &2012
stLlAEl,Js
1"
2.
of lntrumenrt.
Following ragas are prescribed for practical paper
Tr.rning
(i)Yaman(iilAhir Bhairav{iii}Darbari$f Kandra(iv}Adana(v)Des (vi)Mian Malhar
From above ragas any 4 ragas be selected for detailed study out of which 3 Slow Khayal or
Maseet Khani Gat and all the six for Drut Khayal or Raza Khani Gat.
3.
Demonstration of following talas playing on hand with different layakaries:
(i)Ek Tal (ii)Char Tal (iiilsul Tal (iv)Dhamar {v)Deep Chandi (vi)Jhumara
(vii)PunjabiTal
4.
Comparative studies of the ragas.
5.
Practical file
\#9/
sEcohtD SEMESTER
Course No :450
Title : Applied Theory
-ll
Maximum Marks :100
alSemester Examination : 80
Duration of Examination: 2%hrs.
b) SessionalAssessment : 20
Syllabus for the examinations to be held in May 20L1,2012 &2013
SYTLABUS
UNIT-I
t.1: Detailed descriptiqn of notations lVilambit and Drut Khayal] or [Maseet
the
Ragas(i)Maru Bihag{ii}Desi(iii)Gour Malhar(iv)Todi {v)
tvluhani( vilBageshwri with alaaps and tans or todas in different layakaries.
Khani,Raza Khanil of
fl-2:cnrfrtir=il
stttdv
d
ragps desoriibed ahotre'
1.3:Comparison and Contrast of
differenttalaswritirgttern in ditrerent k4fakari6
(ilJhaptal(iilRupak {iii)Ga1'jhampa iv}Jhumara v}Punjabi Tal
UNIT-II
ll.1:Study.of Gharanas in lnstrumental Music (Sitar)
ll.2:Classification of lndian lnstruments and detailed study of the following instruments
(a) Sitar (b)Vichitra Veena (c) Sarod
ll.3:Knowledge of musical terms with examples:
Mee nd, ka na,ghaseet, mu rki,functions of jawari,
Zamzama,al
a n ka
r,va geya ka
r
uNlT-1il
lll.1:Biographical sketch of the following musicians
{a} Swami Haridas (b)Tansen (c) Pandit omkar Nath Thakur
(dlUstad Mushtaq Ali Khan {e)Dr"l-al Mani Mishna (f)Pandit Ravi Shanker {g}Girja Devi
\ry-/
,*gf
?
!-
_-r'
-'/
ET
lll.2:Detailed study of Voice Culture"
lll.3:Define concept of Drone,Principle of musical Drone(Tanpura)
NOTE FOR PAPfR SETNNG
The question paper will contain two questions from unit
- I and thnee questioris
eactr frorn
unit-ll and Unit-lll.Tstal number of questions to be set in the question paper willil be Elght.The
candidate will be required to attenxpt four questions selecting adeast one qr.rcstion fnom each
unit.All questions shall canry equal rnanks.
BOOI(S RECOMMET{DED
(1) Kramik pustak malika by V.N.Bhatkhandey.
(2) Malhar Ke Frakar by J"T"Shah
(3) Kandra Ke Prakar by J.T.Shah
(4) Sarang Ke Prakar by J.T.Shah
{5) Sangeet Ke Gharaon ke Charcha byS.K.Chaubey
(6) Sawaron Aur Ragon ke vikas me Vadyon ka yogdan by lndrani Chakravarti
(7) DhwaniAur Sangeet by Lalit Kishore Singh
(8) Sitar Marg by Shri Pad Bando Padhyaya
{9) Tansen aur Saini Giarana Ke parampara by Sunita Dhar
(10)
Hindustani shastriya sangeet Gharana parampara by shambhu Nath Mishra
It>
r*l
\*d
-.
SECOND SEMESTER
Course No :451
Title : History of lndian Music
Credit : 4
Duration of Examination
-ll
Maximum Marks :100
:
2%his.
a) Semester Examination : 80
b) Sessional Assessment : 2O
Syllabus for the examinations to be held in May 2011,2012 &2013
SYIIABUS
uNtT-r
1.l:History of lndian music of medieval period from 13th to lgth century
1.2:Knowledge of following Granthas
{a) Sangeet Ratanakm........Sharang Dev
(b) Swar Male Kalanidhi.....Ramamatya
{c} Sangeet Parijat.-..,.....".. Pand it Ahoba I
(dl Cfratur Dandi Prakastrika-.Vayankat Makhi
lJ I ttu
ard wtlyae<'scU iltilrsicd krda
reeftcFd
& drangEd
drlry maderral
period-
ttrr-t
ll.1: Establishment of swaras on 2|Shrutis from ancientto modern times according to
different scholars with relation to vibrations of string on the length of veena.
ll.2: Time theory of Ragas. tts Origin and development.
ll.3: origin of notation system along with its merits and demerits.
uNrT-ilt
lll.1: Detailed Study of Khayal style of singing, Survey & evolution of Thumri
characteristics of purvab & punjab ang Ki Thumri.
lll.2: Evoluiion of thatas
lll'3:Qualifications and disqualifications of Vocatists and lnstrumentalists.
i't
(.
&
main
ud,
NOTE FOR PAPER SETTING
two
suestions from unit _r and three que,srjons
each from unit_
lT::::::: ::::r_*',,:oynquestions
to be
set in the quesrion paper.wiilr he
Eight"rhe
:"lli::tlll,t:iiT.::::"to anempt four questions
serecting
L15,t Et" t ilc
::::T:::l::-.1''"d
unit.All guestions shalt carry equal marks.
atreast
me question from
each
tsOOI$ RE@MMENIDED
t!.) Rise olf Mtrsic in Ancient World By Curt Sachs
f2) N-llstory sf h,lusicai lnstruments by Curt Sachs
{3) Flistoricar Dweropment of lndian Music by prajnanand
swarni.
{4) tshartifa Sangeet Xa I'thas by Umesh Josh!.
(5) ilatfa Shastra by Bharat
(5) Bhrit Deshiby Marang
(7) Sangeet Ratankar by Sharang Dev
(8) thartiya Sangeet Vadaya by tal Mani
Mishra
(9) Short Historical Survey of Music
by V N Bhatkhandey
(10) Sangeet Chintamani by Acharya Bhristata.
(11) BharatKaSangeetSidhantbyAcharyaBhrispat
(LZl
Sangeet Shastra praveen byJ.N.pathak
l/)
,,,^P*{ ,--
IJ
SECOIVD SEMESTER
Course No :452
Credit : 4
Duration of Examination
Title : Stage performance
:
-ll
Maximum Marks :100
30 to 45 mintues
For each student.
a) Semester Examination : 50
b) Sessional Assessment : 50
Syllabus for the examinations to be held in May
201L,2012 &2013
SYttABUS
1)
i
li
Demonstration of ragas selected from prescribed
syllabus arong with:
Alaap,jod.
Maseet Khani,Raza Khani,gat with todas and and jhalas
for instrumentalists.
I
li
Alaap,Bada Khayal,Chota Khayalwith proper gayaki
Tarana for vocalists.
2l
Ahflilry *o
mg qre Dtnpd
instnmentalHs
r3
...Marks 35
c Dtsrsfuuursrs, prryirydq* dhun fw
...
Marks
15
:l
SECOND SEMESTER
Course
No:453
Credit :4
Duration of Examination
For each
:
Title : Practical Test Jt
Maximum Marls :l0O
30 to 45 mintues
student.
a)
Senwter Fnrnination : 5O
bl Sersional Assessrnent :5O
slhbus forthe examinations to be held in May zo11.zo12 &2013
stu.ABts
1) Tuning
of insbumefit
2) Following ragas are.prescriH for practicals
(i)Maru Bihag{ii)Desi(iii) Garr Mathd iv}Todi (v) lytuttan(
vi}Bageshwari
From above ragas any 4 ragas be selected for detailed study out
of which 3 slow Khayal or
Maseet Khani Gat and allthe six for Drut Khayal or Raza Khani Gat.
3)
Comparative studies of ragas
4l Demonstration of foilowing tatas praying on hand with different
rayakaries
(i)Jhaptal(ii)Ru pak { iii)Gajjhampa ivlhumara v)punjabi
rar
s) Practicalfile
t1
,f.
\/rr.
lr
SEMESTER COURSES
FOR
MASTER'S DE€REE PR*GRAIVIME
rilrMuSl€
The following courses
Programme in Music :-
of study are presc.ribed far the 3'd and
4th Semesters
of Master's
Degree
THIRD SEMESTER
COURSE NO.
CREDTTS
TITLE
Applied Theory -lll
History of lndian Music-lll
s00
501
502
Stage Performance
-lll
Practical Test-lll
s03
4
4
4
4
All Courses are comPulsory.
FOURTH SEMESTER
@rrRsE
llo.
5s2
Aesthetics
Music from Vedic Period to Present
And Regional Folk Music
Stage Performance -lll
s53
PracticalTest-lll
550
551
An
CRHXTS
TITI,"E
4
4
4
4
(pev5eo ave c.o-'1"'^l+rr)
DISTRIBUTION OF MA'RKS
THEORY
4 Credit Course
4 Credit Course
SEt\4ESTER EXAMINATIONS
80 Marks
50 Marks
SESSIONAL ASSESSMENT
20 Marks
50 Marks
SESSIONIAL ASSESSMENT
practical paper
the marks in each thecry paper and 50% marks in stage perfcrmance and
regular students, i*ter*al assessnlefit
shail be reserue,J fo;' sessicriai assessmeni lil case c,f
ined by thern in the unive;'sit'/ exarnination
received fn*rn the college rviii be added t* the r.:":arks obte
in the university examinatiorr shall be
and in case of private candidates marks obtained by them
?a% at
increased pr"oscrtiorrateiy in eccorda*ce u;iih ti:e Staiuieslreguiaticn:'
L5
wg/
J
s
f
f
3
F
.l
€
THIRD SEMEST'FR
DFTAILED SYTLABUS
COURSE NO.sOO
CREDITS
TITLE: APPLTED THEORY-l ll
:4
DURATION OF EXAMS: 2%hrs.
'
MAX. MARKS: 100
a) Semester Exam : 80 Marks
b) Sessional Assessment : 2O Marks
SYLI3BUS FOR THE EXAMINANOHS TO 3E HE1D IN THE DEC. 2O1O.2tn1&AN:I
SYIIABUS
ut{]T
-
|
Writirg in Bhat Khandey l{otatirn System Vilambit Khyal,Chob KhyaUMaseet
KhaniGat Raza Khani Gat in Ragas(slrudh Sarangshyam Kalyan,Bhatiyar,Komat
Rishabh Asawari,talitMarwa,Ragesttwari)& Talas(SwariJat) in sirgle and double
layakaries with definition .
1,1:
1.2: Compare
& contrast the ragas & talas mentioned above including the ragas and
talas prescribed in first and second semester courses.
UNIT_ II
il.L: Elementary knowledge of Western Music, Harmony, Melody, Swar, Scale Equally tempered
Scale, Diatonic Scale, Major tone. Minor tone, Semi-tone, Free Vibration, Forced Vibration, Absolute
Pitch.
ll.2: Western Notation System.
ll.3: Bio-graphical sketches of the following:- Mozard, Beethoven, Handel.
WIT-!X
h
lll.L :Dekshini Taal Padpti
lll.2 :Comparative study in Ragas of Carnatak & Hindustani Sangeet padhati
lll.3:Classification of the instruments of Hindustaniand Carnatak music.
t&
t/
sgrE
FoR PAPER SETTING
The question paper will contain 2 Qtrestions from Unit
- I and 3 Questions
each from Unit
-ll
& Unit -ltl. Total number of questions to be set in the question paper will be fight. ihe
candidates will be required to attempt four questions selecting atleast one question from
, each unit. All questions shall carry equal marks.
BOOKS RECOMMENDED:
1)
Sangeet Manual by Dr.Maritunjay Sharma& Ram Narayan Tripathi
2\
3)
Bhartiya Sangeet Sangrah by Shalinder Kumar Goswami
Sangeet Subodh by Dr.Devinder Kour
4\
Sangeet Saar by Veena Mankaran
I -l-
wP-
IF
g;ir
ii
Jt
c
3
r
THIRD SEMESTER
DETAILED SYLISEUS
TITLE: HISTORY OF |HDIAN MUStCJfi
'
couRsE No.501
CREDITS
:4
MAX. MARKS:1ffi
a) Semester Exam :8[) Marks
b) Sessional Assessrnent : 20 Marts
DURATION OF EXAMS: 2%hrs.
SYTjjBUS FOR
TTIE
ExAMTiIAilOflS TO B€ HE[I!
IT{
THE T}Ec. UNO.
EIIII & IItrJT
5Yu-A8U5
t $ttT-|
of lndian Music frrom 18m C-entury onrmrds.
contribution of Pt. v.N- Bhat Khandev & pt- v.D. paluskar in the field of Music.
1.1: History
1.2:
UNIT-II
ll.1: Classification of taalas
ll.2: lmportant aspects of Prabandh, Dhatu, Angas, Jaaties, Varieties of prabandhas
ll.3: Writing of Hindustani taals in Karnataki Padhati & Karnataki Taals in Hindustani
Padhati.
ll.4: Detailed study of Rabinder
UNIT
-III
:
Sangeet.
ESSAYS
lll.1: Kaanth Sadhana, Relation of Music with other fine Arts, Music & Religion, Role of Media
in development of lndian Classical Music, Music in Society, Shastria Sangeet & Folk Sangeet.
NOTE FOR PAPER SETTING
The question paper will contain 2 Questions from Unit
- I and 3 euestions
each from Unit _lt
& Unit -lll. Total number of questions to be set in the question paper will be fighti the
candidates wili be required to attempt four questions selecting atleast one question from
each unit. All questions shall carry equal marks.
SCISKS RE€OMMENDED:
li
2i
Bhariiya Taaloan Ka Shastriya Vivachan by Dr.Arun Kumar Sen
Sange*t Vishared by Vasant
tE
,rnofi'
t1
THIRD SEMESTER
DETAILED SYLLABUS
NO.5O2
CREDITS:4
TITLE:
COURSE
STAGE PERFORMANCE-III
MAX. MARKS : 100
DURATION OF EXAMS: 30-45 MlN. FOR EACH
CANDIATE
a)Semester Exam :80 Marks
b)Sessional Assessment : 20 Marks
SYLLABUS FOR THE EXAMINATIONS TO BE HELD IN THE DEC. 2010. 20T.1 & 2012
SY1IABUS
1.
One
ilbef{dnni
Gaq orre Razaltani Gat willt
aln4, JoqTodas Jhalas for
lnslnrnenbk
ard One Bara Xhayal, One chhota ftayal with frtll qryaki forVocalists
ln any one of the ragas prescribed in course No.SS.
2.
Elementary knowledge of Playing slow or fast compostion on Harmonium.
NOTE:- The candidates may not be interrupted during performance.
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THIRD SEMESTER
DETAILED SYLLABUS
couRSE NO.503
.
CREDITS:4
DURATION OF D(AMS: 3G45 MIN. FOR EACH
TITLE:
PRACilCALTEST-|||
MAX. MARKS: 10O
CANDIATE
a)Semester Exam :5O Marks
b) Sessional Assessment : 50 Marks
snrSls
1- TunitEof hrtnrrstr
i
2. capacitv to phy d|eras of Teenbal , $n@al, R$alg Kehava on TaHa3- Demonstration of folkrwing talas in single & douHe Layalarie$ srari" Jat
4. Following Ragas for Practical detail Study:Shudh sarang, shayam Kallyan,Bhatiyar Komal, Rishabh Asawari, Lalit,Marwa,
Rageshwari,
5.
One Thumri or Dadra for Vocalists in Ragas:- Kafi, Bhairvi, Khamaj
Or
I
One Gat other than Teen
taal for lirstrumentalists'
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rouR'IrtlEMEsIEg
DETAILED SYLLABUS
TITLI:AESTHETICS
COURSE NO.55O
CREDITS
:4
MAX. MARKS: 100
a)Semester Exam : 80 Marks
DURATION OF EXAMS: 2%hrs.
b) Sessional Assessment : 20 Marks
SYTLABUS FOR THE EXAMINATIONS TO BE HELD IN THE MAV. 2011, 2012
& 2013
SYLLABUS
UNIT-
I
1.1":
Aesthetics and its applications in Music and fine Arts"
1.2:
lmportance of Aesthetics in lndian music.
1.3:
Art
as a
forrn of expression.
[,ruT- n
Itt lfisbrbl
_11.2:
ouffiplAristotb & Plab
lmportance of Navrasas in lndian Classical Music.
ll.3: The four facets of Aesthetics in Art Kala , Art & Craft.
uNtT-lll
lll.1: Classification of Art.
!11.2:
Feelings and emotions in Music
lll.3: Aesthetics as theory of fine art and its appreciation.
NOTE FOR PAPER SETTING
,4
The question paper will contain 2 Questions from Unit
-
I and 3 Questions each from Unit
-ll
& Unit -lli. Total number of questions to be set in the question paper will be Eight. The
cendidates will be required to attempt four questions selecting atleast one question from
each unlt. All questions shall carry equal rnarks.
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BOOKS RECOMMENDED:
1.
7.
3,
4.
5.
67-
Asethetical Essay by S.K. Sexsena
Hindustani Music & Aesthetic concept of furm by Anjali Mittal
Bhartiya Sangeet & Aesthetic by Madhurhta Bhattnagar
Accoustizl Perspective on
Studies
-rn
Raga and RasaTheory bySayarnabta Rao
Music Aesthetic by Sitansu Rry
Historbl Studyof lndian [lrxt b,y Strrat Chander far$pe
Tradttbnal Music of Xatrnir by Sunita Dhar
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FOURTH SEIIIESTER
DETAII-ID SYLLABUS
TITLE: Music from Vedic Period
MAX. MARKS: 100
COURSE NO.551
CREDITS
:4
DURATION OF EXAMS: 2%hrs.
to Present & Regional Folk Music
a) Semester Exam : 80 Marks
b) SessionalAssessment : 20 Marks
SYLLABUS
UNIT_
I
1.1: Study
of Musical forms frorn Vedic period to Present Period, Samgaan, Dhruva gaan,
Mahagitika
l-2: Concept of Geet , Anibadh Ragaalap, Rupakalap, Prabandh, Alapti
rttm-l[
It.t
O$ap
Ashat
Panampara Mein Saryeet
ll-2: lmpact of gayan on lnstrumental Music
ll.3: lmportance of Music in lndian Society.
It.4:Role of computers and internet in promotion of lndian Music.
uNlT- lll
DOGRIFOLK
lll.1: Ceremonial Songs of Duggar
lll.2: Folk lnstruments of Duggar
lll.3: Folk Dances of Duggar
lll.4: Contribution of Dr. Karan Singh in Dogri Folk.
OR
SUFIANA
lll.1: Sufi & Sangeet
lll.2: Sufi Sangeet Parampara of Kashmir
Itl.3: Detailed Study of Gharanas of Sufiana Music
lll.4: Contribution of following Musicians in Sufiana:-
a)
bi
Ustad Tibet Saqual
Ustad Qallen BaaP
L3
Y
ii
,ip l
ii
,ni
n'i
t!
ii
"fl
\
c)
Vadali Bandhus.
NOTE FOR PAPER SETTING
The question paper will contain 2 Questions from Unit
- I and 3 Questions each from Unit -ll
question paper will be Eight. The
in
the
to be set
& Unit -lll.
candidates will be required to attempt four questions selecting afleast one question'from
each unit. All questions shall carry equal marks.
Total number of questions
800(5 RE€OilIIIETIED:
L- The Music of lrdian b)'Atya Be$rn Fyzee Retrarnan
Z- Kashmir ftosqui by lfoor nbM. Bhatt
3. Study of Sufiana Music h the badgrotrtd of lndian Music by t}r- Raj Kumari4- llarnara Salt'tya- 1!187, 1!XX}91.2{II!
5. tXrgar Ka Lol SahitF By ShiY t{tumdf
6. A$rat Orhap &Vallab*r Sam Pradaya ry tX. t)in hfal Gupta
7- Krishan Bhakti Kavya Me Sakha Bhav By Sharan Bihni Gosrami
8. lndian Culture in Medieval Hindi Poetry by Dr- Nadai Gopal Gupta
9. Madhya Yougeen Pillars of Classical Music By Sh. Sakha & Dr. Surekha Sinaha
10. Bhartiya Sangeet Aur Sangeetagya By Ramlai Mathur
1L. Adhunik Kaal Me Shastriya Sangeet by Dr.Hukam Chand
L1
25
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FOURTH SEMESTER
DETAILED SYLLABI'S
TITLE:
couRSr No.s52
CREDITS:4
DURATION OF EXAMS:
STAGE PERFORMANCE-Ill
MAX. MARKS: 100
30ral15MIN.FoREACHCANDIATEa}semesterExam:5oMarks
b) Sessional Assessment : 5O Marks
SYLLABUS
L.
Maseet Khani Razakhani with todas'
Detail Raga of your choice with alaap, Jor, Jorjhala,
Jhala for lnstrumentalists'
full gayakai for Vocalist
One Bara Khaya[, One Chotta Khayal with
2.DogriFolkMusicforVocalists,PahariDhunorDogriDhunforlnstrumentalists.
during performance'
NOTE: The candidate may not be interrupted
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FOURTH SEMESTER
pETATLEp SyLLABUS
TITLE:
cotJRSE NO.553
CREDITS:4
DURATION OF EXAMS:30.45 MIN, FOR EACH CANDIATT
PRACTICALTEST
MAX. MARKS: 100
a)Semester Exam : 50 Marks
b) Sessional Assessment : 50 Marks
SYLLABUS
L Tunirg of the lnstrument
L Capclty to pfry dnfas of Elrtaal,
L 0cffi.lirdFilr*gTr*-
nmng, ffi,
@.
Folladng
Chaartaal, Dadra on Tabla'
hlrffil Inorb4e b ltn
ir
rl*ft $b d siEtuB dlgy are
Ragas fior Practi'cal detail study:-
Basant,Paraj.
shud kalyan,Puriya Dhanashri,Puria,Madhuvanti,shiv Ranjani,
5.
Sadra or Chaturang for Vocalists
OR
playing of the National Anthem or any Patriotic song on Harmonium for lnstrumentalists'
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