When the Lights Went Out ed pack - Tara-Arts

Transcription

It’s Divali - time for...
WHEN THE LIGHTS WENT OUT
Education Resource Pack for Key Stage 2
When the Lights Went Out Education Resource Pack
2
Contents
Introduction
3
About TARA
4
Divali Teacher’s notes
5
Synopsis of the Play
6
Follow Up Activities
Drama: Hanuman’s Footsteps
7
Drama: Imaginary Objects
8
Drama: Building Bridges 1
9
Design Technology/Team Building: Building Bridges 2
10
Drama: Story-telling circle
11
Writing: About the Play
12
Art: Ceremonial Elephant, Drawing and Creating
13
Art: Elephant from a milk bottle
13
Art: Monkey Masks
14
Art: King Ravana, Drawing and Creating
15
Art: Make a Wedding Garland
16
Feedback form
17
TARA ARTS 356 Garratt Lane London SW18 4ES
Tel: + 44 (0) 20 8333 4457 Fax: + (0) 20 8870 9540 www.tara-arts.com
WHEN THE LIGHTS
WENT OUT
TARA’s captivating 50-minute show about India’s greatest festival
for Years 3 to 6
Two performers draw children into the adventures of the legendary lovers, Sita
and Rama, Hanuman the wondrous monkey king, and of course the terrifying
ten-headed demon Ravana.
The production supports Key Stage 2 teaching in Religious Education & English:
Speak and Listening - in addition to helping pupils’ creativity across the
curriculum.
This Education Resource Pack provides additional materials to explore Divali,
including ideas for Art, Drama, English and RE.
This pack was created for TARA by Helen Cadbury www.theatrestudy.com
and Anne Hutchison www.annehutchisonart.com
With thanks to:
Ravana: from TARA’s exhibition of The Ramayana
at the British Library
for information about licence to copy or distribute this material click on:
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
3
ABOUT TARA ARTS
TARA produces global theatre for local audiences. Positioned between East and
West, TARA has pioneered cross-cultural theatre for over 3 decades.
What does TARA do?
The company tours vibrant adaptations of European and Asian classics and new
work, brings the great stories of the world to children in junior schools and, at
TARA Studio, develops emerging artists and new audiences. We have produced
work at the National Theatre, Trafalgar Square, the British Library and a host of
other theatres across Britain, Europe, and Asia.
Why?
On July 4th 1976, Gurdip Singh Chaggar, a 17-year old Sikh boy living in
Southall, fell victim to a racist murder. Out of the protests surrounding his death,
an Asian public presence emerged in Britain, with a variety of Asian Youth
Movements springing up in all the major British cities... and TARA.
When?
TARA was founded in 1977, by young Asians. It was the first Asian-led theatre
company to be formed in the UK. It has been creating theatre and touring for
over thirty years.
“Tara’s work is a terrific synthesis of east
and west.”
Sir Richard Eyre
“Tara have stretched British cultural life
and helped to make those of us with
different origins visible to ourselves and
others.”
Naseem Khan, OBE
4
DIVALI: Teachers Notes
a brief introduction to Divali*
What does Divali celebrate?
The Hindu festival of Divali celebrates
the victory of good over evil. It is a
festival of light, driving out darkness. In
different parts of India, there are
different traditions about the origins and
significance of Divali. In When the
Lights Went Out, we explore the story
of Sita and Rama and the ten-headed
demon Ravana. The lights are lit to
welcome Rama and Sita back to the city
of Ayodhya. The story of Rama was
written down as an epic poem, The
Ramayana. In Gujarati, the festival
honours Lakshmi, the goddess of
wealth. In Nepal Divali commemorates
the victory of Lord Krishna over the
demon king Narakaasura and in Bengal,
it is associated with the goddess Kali.
What all the different versions have in
common is that Divali celebrates light
over darkness and knowledge over
ignorance.
What happens in Hindu homes?
The word Divali in Sanskrit means a row
of lamps. The traditional lamps are oilfilled clay lamps called divas, which are
lit to drive out evil and to remind us of
the lamps that welcomed Rama home.
Candles and electric lights are also used
and in India the lights are kept burning
all night long. Houses are cleaned and
special paintings called rangoli are
made on the threshold of the home to
welcome the goddess Lakshmi.
Fireworks light up the sky. Gifts and
sweets are given and there are special
prayers and blessings.
What links can be made to other
faiths or traditions?
Every major world faith has a festival of
light. Compare the lights at Christmas
and discuss why early Christians, chose
to celebrate Christmas at the darkest
time of year in Europe. In the Jewish
faith Hannukah is a festival of light.
Cards are sent at Divali, as they are at
Christmas and at the Muslim festival of
Eid. Fireworks are part of Chinese New
Year and the November 5th
commemoration of the foiling of the
gunpowder plot.
Why not plan a Divali celebration with
your class?
Candles and lamps can make a
wonderful focus for circle time, quiet
time or creative writing. There are lots
of ideas in this pack for you to follow up
after the play and we have discovered
some fantastic Further Resources
online:
(TARA and its partners are not responsible for
the content of external websites, which are
suggested in good faith)
http://www.activityvillage.co.uk/rangoli.htm images and activities using Rangoli designs
http://www.firstschoolyears.com - good resources
and ideas
http://www.reonline.org.uk - a portal to a wide
range of RE resources
(cc) http://flickr.com/photos/dhondusaxena
*Divali can also be spelt Diwali, but we have
chosen to use the letter v because it is a more
accurate rendition of the pronunciation.
5
When The Lights Went Out
Synopsis
In our play the story of Sita and Rama is told by two girls, Sally and Samina, who take on all the
characters in the legend. The synopsis is useful for the teacher to know what to expect, but
should not be used with the children until after the play, otherwise it might spoil the story for them.
They tell how in the Circular City there is a contest to win the hand of Princess Sita. Ravana, the
ten-headed demon, who is the King of Lanka, arrives and tries his luck. With a bit of effort, he
passes the test but Sita will not give him the wedding garland. In his anger, he leaves,
threatening Sita that one day she will have to look on him forever. When Rama arrives, he
passes the test easily and Sita agrees to marry him.
Meanwhile, Rama’s step-mother, Queen Kaikai, wants her own son to be the next king, so she
tricks her husband, Rama’s father, into promising that Rama should be sent into the forest and
not become King. Sita agrees to go with him and they leave together on the River Ganges. That
is when the lights go out all over the Circular City
Sita and Rama live peacefully in the forest but over on the Island of Lanka, Ravana, the tenheaded demon, is still seething that Rama stole Sita from him. He then has an idea to steal her
back from Rama. He sends one of his demons, disguised as a deer, to lure her away. When a
deer appears to her in the forest she asks Rama to catch it and bring it to her. To keep her safe
he puts a magic circle round her and she has to promise not to step outside it.
When Rama has gone, a poor old beggar man comes along. He is hungry and Sita takes pity on
him and invites him to eat with her. As he steps into the circle, a wall of fire springs up. If he
comes into the circle he will burn, if he stays outside he will starve. Sita takes pity on him and
steps outside the circle, whereupon the old man grabs her wrist. It is not an old man, but
Ravana, the ten-headed demon. Even though Sita calls for help, Rama cannot hear her and
Ravana carries her off in his chariot.
Jatayu, King of the Eagles, challenges Ravana but the demon fights him and cuts off his wings.
Jatayu falls to earth. Ravana, with Sita in his clutches, flies towards Lanka. Meanwhile in the
forest, Rama chases the deer, but it disappears; it was a trick of Ravana. He hears someone
calling Sita’s name and finds the broken body of Jatayu, who tells him what Ravana has done.
When Rama sits down to think about how he will get Sita back, he hears a sound; it is Hanuman,
the monkey king. Hanuman agrees to help and flies to Lanka, carrying the wedding garland that
Sita gave Rama, so that she will know he is not a trick too. Hanuman proves himself further by
showing Sita that he has a picture of Rama in his heart. He promises to return with his army of
monkeys.
By building a bridge, the one million monkeys reach Lanka. Hanuman and the monkeys fight the
demons and Rama faces Ravana. Every time he shoots an arrow to cut off one the demon’s
heads, another one takes its place. Hanuman whispers to Rama who prays to his arrow. This
time it hits Ravana in the belly button and Ravana falls down dead.
Sita puts the garland around Rama’s neck and they are married again. Hanuman carries them
home to the Circular City, where the lamps are lit to welcome them back.
6
Follow Up
Drama Activities
Hanuman’s Footsteps
Purpose: to get the children working together; to use movement safely; to
physicalise characters; to create suspense; to create an active and fun warm-up to
further drama activities.
Hanuman has a million monkeys in his tail, but they are always trying to creep up on
him to become top monkey. (This game is a monkey version of grandmother’s
footsteps.)
1. One child is Hanuman and faces the wall while the other children start at the
other end of the hall/playground.
2. The monkey children have to creep up, monkey style, but when Hanuman turns,
they have to stand as still as statues. Obviously they have to be very quiet
monkeys!
3. If Hanuman thinks they are just rocks he will not see them, but if one of them
moves, he will know it is a monkey and he will send it back to the beginning.
4. If a monkey manages to reach Hanuman and tap him on the shoulder, they
become the new King of the Monkeys.
5. If the children run too fast, try slow motion monkeys, with more control to the
movement.
6. You could make the mask on page 14 and swap the Hanuman mask over when
someone ‘wins’. The mask will make turning and spotting naughty monkeys just
a bit more of a challenge.
7. If your group is large enough, half could watch and then swap over. Hanuman’s
Footsteps is a very good spectator sport! Discuss with the children how it
creates suspense and drama when we watch someone creep up on someone
else. Think about how this might work in a different kind of story, such as a ghost
story.
7
Follow Up
Drama Activities
Imaginary Objects
Purpose: the group learn to work together; to accept an idea; to mime an imaginary
object; to improve their eye contact. They are doing all the things an actor has to do on
stage. The actors in TARA’s performance use this game in rehearsals.
1. The Visible and Invisible Ball
You Will Need: a soft ball or bean bag; the hall.
1. All the players stand in a circle. Using a soft ball or a bean bag they throw and
catch the ball across the circle. The person throwing says their own name (e.g.
Sam) and the name of the person they are throwing to (Sam to Alisha). Then
Alisha throws it, saying her name and the person she is throwing to.
2. Once everyone has had the ball at least once, ask them to try it without speaking,
they must use eye contact to check the person is ready. The ball should stay
active, not be held for more than a moment. (Try it at the beginning of the year
when you have new class, you’ll learn the names far quicker this way!)
3. If they find this pretty easy, add a second ball that goes at the same time, see if
you can get up to 3 going!
4. Now, remove the real balls and ask the group to imagine an invisible ball that
they throw and catch, as it crosses the circle it changes. For example, it begins
as a tennis ball, now it is a netball, now a tiny superball, now a huge, heavy
watermelon. The throwers and catchers must adapt how they handle the invisible
ball to show its weight and size.
2. The Scarf is…
You Will Need: A scarf, preferably of a chiffon or silky material that has some
movement to it. In TARA’s performance the long scarf, known as a chunni, worn by
many Indian women, is used in several different ways.
1. All the players sit or stand in a circle. The scarf is in the middle. The teacher will
need to model the first example. One by one, players come into the centre and
pick up the scarf and say “The scarf is…” eg: a river, and create the shape and
sound of the river with the scarf. Each time the scarf is something different.
2. Let the players choose when to come in; they will sense taking turns. It is more
intimidating to less confident children if they have to wait for their turn to come
round the circle. If they are unsure, they could go up in pairs and create
something together.
8
Follow Up
Drama Activity
Building Bridges 1
Purpose: to encourage team work; problem solving; co-operation; working safely. In
TARA’s show the actors build an imaginary bridge with some of the children in the
audience.
You will need: chairs; the hall.
NB: This requires a health and safety discussion with the children first. Read through all
the instructions before beginning and make sure they agree to the following ground rule:
only one child can stand on one chair at a time. The version with chairs is appropriate for
year 5 or 6 but for younger children an easier variation is to use large squares of fabric
(you could put in an appeal for old pillow cases) to create stepping stones over the
water.
1. Hanuman has to get his monkey army over the water to Lanka. In teams of five,
with six chairs, how can the group cross from one side of the hall to the other?
2. If a group does something that isn’t safe, or anyone’s foot touches the water they
have to stop and go back to the beginning and try again.
3. The winning team should work out that they have to co-operate by passing the
empty chair along the line, moving along carefully and then picking up the empty
chair again.
Making Activity
Building Bridges 2
Purpose: as above, but a classroom based version
You will need: lots of newspapers, paper clips; sellotape; plasticine monkeys.
1. In order to get Hanuman and his monkey army across to Lanka, each group
needs to build a bridge between two tables approximately a metre and a half
apart with only the materials provided.
2. Some members of the class could make the monkey army out of plasticine while
the other groups are making the bridge, or the monkey army could be prepared
in a previous session. It would be a tall order to build a million, but to test each
bridge it should be able to carry at least 3 monkeys.
3. Try this as a staff development exercise, but for adults it has to be done without
talking!
9
Follow Up
Drama Activities
Story-telling Circle
Purpose: to embed the learning about the story of Rama and Sita; to enable all the
children to be involved in role play; to embed learning about story structure.
You will need: the synopsis from page 6; chalk; the hall; something to make a sound,
like a rain-stick, maracas or bells.
1. Put the children into groups of two or three.
2. Ask them to create a frozen picture of the moment in the play that has stayed in
their mind.
3. Each little group might have more than one if each child has a different favourite
moment.
4. Arrange the groups in a circle.
5. Using the rainstick (or similar) make a magic ‘freeze’ sound over each group in
turn.
6. The rest of the class watches until it is their turn.
7. Ask the class if they can arrange the frozen moments in the order in which they
happen. Are there any gaps? Discuss these.
8. The children then sit in a circle and the teacher makes a circle of chalk, like
Rama’s magic circle, on the floor. Anyone inside the circle is performing, anyone
outside is audience. Discuss how a performer needs to behave and how an
audience needs to behave.
9. The teacher starts to read the story of Sita and Rama (from the synopsis). At
each new moment in the story, the appropriate number of volunteers need to get
up and form a frozen picture in the centre of the circle.
10. When the magic story sound is made, the picture comes to life, when it sounds
again, the picture freezes.
11. Then that picture dissolves, the teacher reads on and a new picture takes its
place.
12. The teacher will need to give some encouragement to reluctant children, you
may choose to go round the circle in turn, but often it works very well to take
volunteers but make it clear nobody can go up twice until everyone has had at
least one turn. Continue until the whole story is complete.
10
Follow Up Activities
Writing Ideas
1. Y5/Y6. Ask the children to write the story of Sita and Rama. It will be much
easier if they have already explored it in the Story Circle Activity. This could form
a longer project to include pictures and IT research.
2. Letters from the forest.
Imagine you are Sita or Rama when you are living in the forest. You miss your
friends in the Circular City. You write a letter describing the forest to them. It is
very different from the city so you need to describe it very well. Remember to
use the five senses: What smells are there? What textures can you feel there?
What can you see? What can you hear? And when you stick out your tongue,
what does the air taste like (or the fruit you can pick…) This activity could be
differentiated depending on the age group, the senses could be written down or
included in a writing frame.
3. Writing about the play.
Can you write an advert for the play? How would you describe it to someone who
has never seen it? Use the picture below as a reminder. (Although this is a
different actor, it will help stimulate thinking.)
11
© www.annehutchisonart.com
12
Sangita the elephant is being dressed
for Rama and Sita’s wedding.
But they have left her half finished, and it
is getting late. Please help to finish the
ceremonial preparations.
Draw more rangoli patterns on her front
legs and colour them in, like the ones on
the back leg. Put some fringes and
tassels on her blanket and hat, along
with some of the decorations, jewels and
patterns above.
Ceremonial Elephant
-
draw, finish and colour
Finish decorating the carriage on top of
her back, so she is fit for Sita to ride
through the streets at Divali. That’s
much better, now she can hold her head
up.
Ceremonial Indian Elephant -
Humble plastic
milk carton....
.........to regal elephant
in an hour or so.....
13
Cut the carton in half
round the circumference.
Draw with spirit based
pen and cut out front
legs.
Draw and cut out tail and
back legs.
Trim trunk to size, a bit
shorter so she doesn’t
trip over it!
Ready to decorate with sequins,
ribbons, tissue paper, anything
sparkly & colourful.
OR....paint first with
acrylic based paints.
follow making instructions below
Trim and adjust the base
to balance.
Draw and cut out the sides.
EITHER decorate straight onto the container, sticking on sequins, ribbons etc
onto the bare carton.......
Decorate different shaped containers
as well , ready to go on parade for
Rama and Sita’s return to the palace
at Divali.
©www.annehutchisonart.com
14
Monkey Masks
copy and cut out here’s how.....
Enlarge monkey masks x4 using
photocopier, onto card.
Each monkey face is made from a
few simple shapes. Use your
photocopy to make templates for
children to draw around.
Draw round shapes on different
coloured card or sugar paper, so
that each feature will stand out.
Stick all shapes onto one bigger
backing sheet and then cut out the
whole mask.
Make holes just above the ears.
Use elastic to go around children’s
heads.
What a monkey army you will create!
Hanuman, the Monkey King
Some of his foot soldiers - why not try creating some of your own?
15
Ravana according to legend, had ten
heads. Our portrait here is unfinished.
Please give him seven more heads and
eight more pairs of arms.
You can design a different helmet for
each head and make all individual.
When you have drawn his extra arms,
please put a staff or tool in each hand
so that he can make himself really useful. Copy the ones from above, or invent
some of your own.
In lots of images, Ravana has blue skin,
but you can make it any colour if you
wish.
King Ravana, the Ten Headed Demon - draw, colour
and finish
Happy drawing!
Wedding Garland
Make these to fit your children for a
play, or to decorate the whole
classroom for Divali. Long or short,
they are simple and decorative.
Orange and red are popular colours
for a wedding garland.
follow the making instructions below
You can buy tissue in ready cut
circles, but if there isn’t time to
get some, just cut some circles
about 10cm across - it won’t
take long. Rough edges add to
the floral effect.
Twist the end around the form a little
stalk.
The stalk should be quite
tight and about half a
centimetre long.
This is a bit fiddly, but good fine
motor practice for little fingers!
The wire is pulled tightly around
the stalk - make sure it is
secure.
16
The next flower can go a little
further down the wire. When
you run out of wire, just wind
another piece around to join
them up.
Pinch them in half like
this, rather than folding.
Florist’s wire can be bought from
most florists very cheaply. It
comes in about 20cm lengths
and is plastic coated. It is not too
sharp, so pretty safe for classroom use.
Keep adding more and more, till you
get your wedding garland the right
size. If you are working with younger
children, you can do the wiring. But
if they are a little older, this wire is
very easy to use.
Education Resource Pack
FEEDBACK FORM
If you have found this pack useful, please take a moment to give us your
feedback.
What year group are your pupils in?
Which pages did you use with your pupils after the TARA performance?
Which resources will you use in future schemes of work?
Was the level of this pack appropriate for your pupils? (If no, explain how we
could have made it better).
Is there any other information you would have liked, in order to enhance your
students’ experience of the TARA performance?
Any other comments?
Please return to TARA ARTS at the address/fax or email below:
17

When the Lights Went Out ed pack - Tara-Arts

Transcription

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