What`s InsIde “ I chose Boyer because of its faculty and reputation for

Transcription

N ew s for Al umni an d F r i e n d s of
th e Boyer C oll ege of M u s ic & D a n c e
FALL 2007 / Winter 2008
Formerly MuseLetter
“I chose Boyer
because of its faculty
and reputation for
excellence.”
What’s Inside
The George and Joy Abbott
Center for Musical Theater
Temple Jazz Band shares
the stage with Vanguard
Jazz Orchestra
Access to Excellence
Campaign for Temple
Presser Hall Expansion
www.temple.edu/boyer
Encore
F e at u r e s
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The Legacy Continues
Joy Abbott honors George Abbott’s legacy through a gift to
establish new center for musical theater
4
The Gift of Opera
Graduate voice & opera scholarships established through gift
from alumna Ann Robinson
5
The New School Reunites
New School alumni honor founder’s centennial
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Presser Hall Expansion/Addition
New atrium and expansion underway at 13th & Norris
About Boyer College
of Music and Dance
Temple University’s Boyer College of
Music and Dance offers a diverse
curriculum, wide array of degree
programs and exemplary faculty,
preparing students for careers as
educators, performers, composers and scholars. Undergraduate
and graduate degree programs
are offered in instrumental studies,
jazz studies, theory, music therapy,
choral conducting, music education, composition, music history,
voice and opera. In addition to
on-campus performances, student
ensembles perform at Lincoln
Center, Carnegie Hall, Kimmel
Center for the Performing Arts and
Jazz at Lincoln Center. The faculty
at Boyer is recognized nationally
and internationally as performers, researchers, academic experts
and scholars, garnering Grammy
awards, major research grants and
accolades from the press.
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Community Music Scholars Program
Temple Music Prep’s flagship program
On the cover: The Baptist Temple,
future home of the Temple University
Symphony Orchestra in 2009
EDITOR
Linda Fiore
[email protected]
EDITORIAL ASSISTANTS
Nate Friedman
Patrick Hildebrandt
Jason Horst
CONTRIBUTING WRITERS
Millie Bai; Linda Fiore;
Tara Webb Duey; Janet Yamron
DESIGN
Media Collaborative
PHOTOGRAPHERS
Ryan Brandenberg; Jessica Griffin
Kelly & Massa: Joseph Labolito; Betsy Manning
Rahav Segev; Patrick Snook; Cylla Von Tiedemann
TEMPLE UNIVERSITY
BOYER COLLEGE OF MUSIC AND DANCE
DEAN
Robert T. Stroker, Ph.D.
D e pa r t m e n t s
4
Alumna Spotlight
Gaynell Sherrod
ASSOCIATE DEANS
Beth Bolton, Ph.D.
Ed Flanagan, Ph.D.
ASSISTANT DEAN
David Brown
DIRECTOR OF FINANCE & ADMINISTRATION
Susan Alcedo
5
Gallery of Success
Danielle Orlando and Derrick Hodge
DIRECTOR OF COLLEGE RELATIONS
& EXTERNAL AFFAIRS
Linda Fiore
8
Student Spotlight
ASSOCIATE DIRECTOR OF COLLEGE RELATIONS
& EXTERNAL AFFAIRS
Jason Horst
Danielle Garrett
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Alumni/Faculty News
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2006-07 Contributors
Inside Back cover: Calendar of Events
DIRECTOR OF DEVELOPMENT
Janine Scaff
ASSOCIATE DIRECTOR OF DEVELOPMENT
Tara Webb Duey
Correspondence:
Temple University
Boyer College of Music and Dance
1715 North Broad Street
Philadelphia, PA 19122-6097
Announcements about Boyer College alumni,
faculty and students should be sent to:
Tara Webb Duey at [email protected]
Boyer is a member of the
President’s University Community
Programs Working Group.
If you’d like to be added to Boyer’s email list,
visit www.temple.edu/boyer and click on
“Join our E-Mail List” on the lefthand side.
♻ This paper contains 50% recycled content including 25% post consumer waste
Letter from the Dean
Dear Alumni and Friends:
en·core:
a demand for repetition;
a second achievement
that surpasses the first
Welcome to the premiere edition of ENCORE, which replaces Museletter as a news and
events forum for Boyer’s alumni and friends.
Each year, our faculty achieve the highest level of academic and artistic excellence through
performance, research, writing, composing, teaching and lecturing. Take a look at the
faculty news section and events calendar and you’ll see the rigorous activities in which
they’re engaged throughout the year.
Our alumni continue to represent Boyer on national and
international levels by teaching, composing, arranging,
performing and actively supporting their alma mater. In fact,
the number of Boyer alumni choosing to make a gift has
increased annually, with 2006-07 reflecting the second
highest participation rate among non-professional schools
and colleges at the university. Many thanks to our dedicated
alumni for making this possible.
Our alumni continue to represent Boyer on
national and international levels by teaching,
composing, arranging, performing and
actively supporting their alma mater.
President Hart recently announced Temple’s $350 million capital campaign. I am pleased to
announce that Boyer’s original goal of $6 million, as part of that campaign, has been raised
to $12 million due to several major gifts which will create opportunities within the College as
well as partnerships with other schools and departments.
Two Temple alumnae have made unprecedented bequests to the Boyer College. Through an
extraordinary gift of theater rights, Joy Abbott will help to create a center for musical theater
and BFA program. Additionally, Ann Robinson has announced plans to give back to her alma
mater with a bequest for full graduate voice and opera scholarships.
Lastly, I invite you to learn more about a new initiative, Boyer: Building Better Communities
(BBBC), which highlights our outreach efforts and supports President Hart’s vision of the University continuing to play a prominent role in the city’s cultural development. If you’d like to
receive a BBBC brochure, contact [email protected] or visit www.temple.edu/boyer/bbbc.
As we enter a new year at the College, reflecting growth, creative endeavors and innovative opportunities for students, your vision, support and commitment continue to provide a
spotlight on Boyer’s many achievements, of which we all can be proud.
Sincerely,
Robert T. Stroker
Dean
Make Your Gift online at www.myowlspace.com
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George Abbott 1887 - 1995
The Legacy Continues
The George and Joy Abbott Center for Musical Theater
“Some day, when an actor belts out ‘You Gotta Have Heart!’ from the 1955 musical
Damn Yankees, Temple University and its new center for musical theater will benefit,
thanks to an unusual gift,” wrote The Chronicle of Higher Education. Speaking of
having heart, there is no bigger one than that belonging to Joy Abbott, widow of
“Mr. Broadway,” the incomparable George Abbott, who had an unparalleled impact
on the careers of numerous musical theater legends, including, Hal Prince, Carol
Burnett, Bob Fosse, Liza Minnelli, Gene Kelly and Shirley MacLaine.
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T h e G e o r g e a n d J o y A b b o t t C e n t e r f o r M u s i c a l T h e at e r
Mrs. Abbott, a Temple alumna, has bequeathed her share of rights and
future royalties earned by theater productions authored by her late
husband to the Boyer College. The bequest, which is currently valued at
a minimum of $6 million, will serve as the lead gift in establishing the
new “George and Joy Abbott Center for Musical Theater” combining
programs at the Boyer College and the School of Communications and
Theater. The Center will draw performers, guest artists, scholars,
technicians and teachers, providing an interdisciplinary approach to
training students.
“I always wanted to ensure George’s legacy was preserved in a way that
would benefit future generations,” stated Mrs. Abbott, “and this is a way
to pay tribute to his legacy and dedication to mentoring young artists.”
The announcement was made during an October 25 reception
at Sardi’s, in the heart of New York’s theater district with luminaries
Hal Prince, Tommy Tune and Donald Saddler in attendance.
Memorabilia from Abbott’s illustrious career — including original
scripts of Pal Joey and The Boys from Syracuse; an original Hirschfeld
drawing of George Abbott, Leonard Bernstein, Jerome Robbins and
Comden & Green; Tony Awards; Abbott’s Pulitzer Prize; as well as
numerous personal letters to famous friends such as Gene Kelly and
Stanley Donen — will also be donated to the Center.
“The Abbott Center will attract some of the most accomplished professionals in the field,” said Robert T. Stroker, Dean of the Boyer College.
“This historic gift will allow us to continue Mr. Abbott’s legacy and
teach the craft of musical theater in much the same way he did throughout his extraordinary career — as a mentor to scores of young people.”
Students who graduate from the BFA program will do so with working knowledge of staging, lighting, production, performance and other
aspects of professional musical theater — taught by the best in the field.
“We are honored and privileged that Joy Abbott has designated her
alma mater as the beneficiary to Mr. Abbott’s unparalleled legacy,” said
Temple University’s President, Ann Weaver Hart. “Her unprecedented
gift to the Boyer College will permanently alter the performing arts
landscape at Temple, helping to shape future careers in musical theater
for decades to come.”
George Abbott, who was nicknamed “Mr. Broadway” for presenting
over 100 works for the Broadway stage, earned seven Tony Awards,
including a 1976 Tony for lifetime achievement. Abbott is a Pulitzer
Prize winner for the musical Fiorello. He made his Broadway debut as
a performer in 1913’s The
Misleading Lady. His debut as
a director came in the 1926
comedy Love ‘em and Leave
‘em, which he also wrote.
Abbott remained a figure
on the Broadway scene until
his death in 1995 at the age
of 107.
From left: Dean Stroker, Joy Abbott,
Tommy Tune and Hal Prince at Sardi’s
on October 25, 2007
Among the theatrical productions whose
royalties will benefit the Abbott Center
and BFA program at Boyer College are:
A Holy Terror
A Tree Grows in Brooklyn
Anya
Beat the Band
Broadway
Coquette
Damn Yankees
Fiorello!
Flora, The Red Menace
Four Walls
Heat Lightning
Ladies’ Money
Lilly Turner
Love ‘em and Leave ‘em
Music Is
New Girl in Town
On Your Toes
Ringside
Sweet River
Tenderloin
Those We Love
The Boys from Syracuse
The Fall Guy
The Pajama Game
Three Men on a Horse
Where’s Charley?
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Alumna Spotlight
Gaynell Sherrod
EdM ‘91, EdD ‘98
When Dr. Gaynell Sherrod was 14
years old and living in upstate New
York, she knew that with 8 siblings
at home, dance lessons would be
hard to come by unless she was able
to pay for them herself. And she
did. It would end up being her good
fortune to study with a professor at
the University of Buffalo who was
offering lessons at a local community center. That woman was Dr.
Kariamu Welsh, who is now Chair
of the Department of Dance at Boyer.
Jump to the early 1990s when Sherrod was coming off an eleven-year
stint dancing with the prestigious local company, Philadanco. She was
reunited with Dr. Welsh as a master’s candidate and Future Faculty
Fellow at Temple. She then toured for two years with The Urban Bush
Women Dance Company, which took her to Brazil, Jamaica, Italy,
Austria and England. She returned to Temple and completed her EdD
in dance pedagogy in 1998.
The Gift of Opera
She was a field hockey player and coach, US Postal Service nominee for
Federal Woman of the Year and graduate student at MIT, but it is her
fond memories of Temple University that will benefit voice and opera
students preparing for careers in music.
Ann McKernan Robinson (’58) and her husband Armand I. Robinson have pledged $900,000 to create a fund for graduate scholarships
in voice and opera at the Boyer College. A separate fund has been
established in support of Temple’s women’s field hockey program. The
Ann McK. and Armand I. Robinson Opera Scholarship Fund marks the
first full graduate scholarship and the highest gift to the Department of
Voice and Opera.
“Temple is forever grateful to the Robinsons,” said Temple President
Ann Weaver Hart. “Athletics and the performing arts have always been
a source of energy, enrichment and joy for the university. To impact one
realm for generations of future Temple students is a great achievement;
to impact both is extraordinary.”
Hailing from Swedeland, PA, Robinson claims her intention to create
two separate funds in support of opera and field hockey “was a conscious
decision to fuel both passions.” Looking back on a long and successful
career, she cited the University’s founder Russell Conwell and his Acres
of Diamonds speech and thoughtfully considered what kind of legacy
she could leave behind.
She graduated from Temple with a
bachelor’s degree in physical educa“My experience at Temple was more rigorous than I had anticipated,”
said Sherrod, now Assistant Professor of Dance at Florida A&M in Tal- tion from the College of Education
lahassee. “I had been introduced to the dimensionality of dance, but had and then taught and coached field
hockey at the University of Pennnever explored it academically.”
sylvania and Chestnut Hill College.
She cites Sarah Hilsendager, Brenda Dixon Gottschild, Eva Gholson
She held positions as an executive
and Kariamu Welsh as some of the many professors at Temple who
assistant at McCall Corporation
showed her how to combine scholarship with community work. “They
and Lever Bros., Inc. In 1973, she
didn’t coddle us, they nurtured us with firm hands,” she said. “They
took a job at the United States
believed in us and made sure we experienced academic rigor and vigor.
Postal Service’s Management Intern
It was their influence that helped me decide to pursue dance educaProgram and 30 years later, retired
tion.” She also cites the encouragement from her dance professors to
as vice president and consumer
take courses in theology, education, exercise physiology and African
advocate.
American studies to help form a foundation of knowledge on how dance
Robinson was first introduced to Boyer’s award-winning Opera Theater
intersects with other disciplines.
program in 2004 when she attended a performance of Poulenc’s
While working on her doctorate, Sherrod was able to use the Future
Dialogues des Carmélites. “Christine Anderson [Chair, Voice & Opera]
Faculty Fellow to teach at New Jersey City University, which was folgave such an informative talk prior to the opera and I was very imlowed by a three-year position as the Director of Dance Pedagogy for the
pressed with the level of the performance and the professional grade of
City of New York, in collaboration with the Department of Education.
the students’ voices. It blew my socks off. I come back to campus each
She was responsible for citywide professional development for dance
fall to see a new production,” she said. She and her husband are both
educators and classroom teachers and successfully brought major dance
opera devotees and regular subscribers to the Washington National
companies from around the country into New York schools.
Opera and attend a Met production each year.
When asked how her experience at Boyer helped prepare her for the
When asked what she thinks this historical gift will mean to the Boyer
next steps in her professional career, she again cites the faculty. “I
College and the opera department, Robinson said she hopes to be sitwas pushed,” she said. “Drs. Welsh and Dixon Gottschild recognized
ting in the audience when another Temple voice and opera graduate
I had big footprints I wanted to fill. They helped me find the steps to
performs at the Met. “But most of all,” she added, “I hope that our gift
fill them.”
will get other Temple alums to think about the assets they have and the
legacies they could leave.”
Sherrod’s steps have, over the years, taken her from community dance
classes to academia, where she shares her knowledge, enthusiasm and
On behalf of Boyer’s future opera stars, thank you Ann Robinson.
experience with the next generation of dance educators, helping them
fill their own footprints.
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New School of Music Reunites
Gallery of Success
On July 14, 2007, alumni, friends, family and colleagues from 12 states
gathered in Rock Hall for a concert and reception celebrating the centennial of Jascha Brodsky, the legendary violinist and teacher who, with
Curtis Quartet colleagues Max Aronoff and Orlando Cole, founded The
New School of Music in 1943. Organized by New School alumni, the
concert featured alumni performers Levon Zarasian, Millie Bai, Joyce
Ramee and Nancy Kromer Baun, and brought together over 150 members of the New School family, some of whom had not seen one another
in many years.
Each fall, two graduates from each of Temple’s schools and colleges
who have achieved professional distinction, are chosen to be inducted
ino the Gallery of Success, along with a new class of awardess. Their
portraits and bios are displayed alongside many other notable alumni in
Mitten Hall. The 2007-08 Boyer recipients are Danielle Orlando and
Derrick A. Hodge.
Created to train orchestral and chamber music
performers, the New
School drew some of
the most talented young
people from around the
world, many of whom
now hold performing
and teaching positions
in ensembles and schools
in the United States
Brodsky family and friends (from left: Millie Bai;
and abroad. In 1986, the Jaci Greenstein (great granddaughter); Richard
New School merged with Brodhead; MaryAnne Finkelstein (daughter);
Boyer to form the current Sharon Greenstein (granddaughter)
Department of Instrumental Studies. The New School’s Preparatory and Extension Division
joined Temple’s Music Preparatory Division, and its Center for Gifted
Young Musicians was also created to provide advanced instruction for
pre-college students.
In tribute to their contributions as
both New School and Temple faculty members, Dean Robert Stroker announced at the centennial
concert that two of Rock Hall’s
string studios have been named
in perpetuity for professors Jascha
Brodsky and Orlando Cole.
New School Alumni (from left: Charles DePasquale,
Kathleen Schneider, Laura Lee Fischer, Nancy Baun,
Richard Gosnay, David Brown, Rosaria Macera)
Danielle Orlando BMus ‘79, MMus ‘82 is the principal opera coach at
The Curtis Institute of Music and serves as master coach on the music
faculty of the Academy of Vocal Arts. In this position, she collaborated
with renowned tenor Luciano Pavarotti as accompanist,
judge and artistic coordinator for the Luciano Pavarotti
International Voice Competitions. She also spent nine seasons working with Gian Carlo Menotti for the Festival dei
due Mondi in Spoleto, Italy as an assistant conductor and
coach, in addition to editing several of his compositions.
Ms. Orlando has appeared on “Good Morning America,”
“Live with Regis and Kathie Lee,” “Live by Request on
A&E,” the “Rosie O’Donnell Show” and “Larry King
Live,” accompanying such artists as Luciano Pavarotti, Andrea Bocelli
and Michael Bolton. She recently accompanied tenor Marcello Giordani in recital at the Supreme Court of the United States. She also collaborated with Placido Domingo and the Washington Opera and served
as artistic administrator with the Opera Company of Philadelphia.
Ms. Orlando began her piano studies at the Settlement Music School
in Philadelphia and continued at the Eastman School of Music in New
York. She earned a master’s in piano performance at Temple University,
graduating summa cum laude. Ms. Orlando is affiliated with distinguished opera companies, festivals and young artist programs, including
the Metropolitan Opera, Teatro Colon in Buenos Aires, the American
Institute for Music Studies in Graz, Austria, the European Center for
Vocal Arts in Belgium and the Merola Program at San Francisco Opera.
Derrick A. Hodge BMus ‘01 is a composer of various musical genres,
ranging from jazz and orchestral chamber music to pop and R&B. Understudying with Grammy-nominated composer Terence Blanchard, Mr.
Hodge received on-the-job training while performing as an instrumentalist on films including She Hate Me, Waist Deep and Inside Man.
Mr. Hodge is currently composing music for his
band and for artists Common and Kanye West, as
well as scoring music for film. In September, two of
his bands debuted in New York.
In 2001, Mr. Hodge received a bachelor’s in jazz
composition and performance. He also studied
acoustic and electric bass privately. Active in the
Temple music community, he performed with the
Temple University Jazz Band and Small Ensemble
and the Temple University Gospel Choir. He was the first jazz major to
participate in the Temple University Symphony Orchestra.
Aronoff family and friends (from left: Alexandra
Aronoff Katz, Milton Katz, Dorothyanne Aronoff
Katzenstein, Bill Katzenstein, Nancy Baun)
Hodge has worked with many notable artists, including Boyer faculty
member Terell Stafford, Donald Byrd, Bootsie Barnes, Kirk Franklin, Bonnie McClurkin, John P. Kee and the New Life Community
Choir, Kenny Lattimore, Q-Tip, Mos Def, Timbaland, Jill Scott, Musiq
Soulchild, Gerald Levert, Common, Kanye West, Andre 3000, Sade,
Mulgrew Miller and Clark Terry. He also composed music for the films,
When the Levees Broke: A Requiem in Four Acts, Who the #$%#@ is
Jackson Pollock? and Faubourg Treme: A Story of Black New Orleans.
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A cc e s s t o E x c e l l e n c e : t h e 1 2 5 t h A n n i v e r s a r y C a m p a i g n f o r T e m p l e
On October 5, 2007, President Ann Weaver Hart announced the public phase of a $350 million multi-year capital
campaign for Temple University, culminating in December 2009, in conjunction with the University’s 125th anniversary
celebration. Branford Marsalis performed with the Temple University Jazz Band, directed by Professor Terell Stafford,
and SCAT alumnus Bob Saget emceed as a thousand friends of Temple celebrated the announcement at the Constitution Center in Philadelphia.
Temple’s story is one of the most impressive in American higher education, and its success has
been achieved with very limited discretionary resources. The 125th Anniversary Campaign, for
which $270 million has already been raised, will result in enlarging the University’s endowment,
with a focus on increased support for students, faculty and research, as well as improving facilities and broadening ties with the larger community.
As founder Russell Conwell envisioned, Temple provides qualified students of every background
and means access to an education of remarkable quality. This campaign will ensure that mission’s success in perpetuity.
Temple’s appropriation from the Commonwealth of Pennsylvania meets approximately 18 percent of its revenue needs. Private support from alumni and friends is paramount if Temple is to
invest in the excellence of its programs and faculty while maintaining its affordability.
As private support for the University increases through this campaign, each new gift means
new possibilities. At the Boyer College of Music and Dance, we have raised $10.3 million of
Temple President
our own campaign goal of $12 million, and already, new gifts are making a difference. They
Ann Weaver Hart
are creating additional student scholarships, funding exciting research involving the arts, health
and learning, supporting community music and dance programs for Philadelphia school-aged children, and enabling
our facilities to expand in accordance with our needs. (See below.)
Presser Hall Expansion Project Begins
Presser Hall will soon have a new addition that will benefit Boyer students
and faculty. When Tyler School of Art opens its doors at 13th and Norris,
Presser Hall will share a spacious new entrance and atrium in addition to a
new wing that will include studios, classrooms and administrative space.
To many Boyer College music alumni, Presser Hall was “home” since
its opening in 1965. For decades,
it housed the classrooms, practice
rooms, faculty and administrative
offices and vending machines that
defined the lives of music majors.
As the College expanded, merging
with the New School of Music in
1985 and then the dance department in 2002, additional buildings
and existing space were renovated to
accommodate Boyer’s growth.
The rear of the building (Norris
Street) is under construction and will
open onto a spacious glass atrium
serving as the entrance to both Tyler and Presser Hall and shared performance, exhibition and multipurpose space.
On the west side (13th Street) an addition, with state-of-the-art classrooms, practice rooms and teaching studios on the first floor will be built
onto what is currently the front of the building. The second floor plans
include larger rehearsal space, more practice rooms and a recording studio.
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In September of 2008 the atrium will be completed, and the old entrance
will be closed to allow for construction of the new wing. The addition will
open in the fall of 2009.
This new space would not be possible without contributions from our
friends and alumni. Already, as announced in our last newsletter, we have
gratefully received two major gifts
for this project. The Presser Foundation, a major source of support
for the College since its early days
at Temple University, is providing $600,000, and the Immordino
family is contributing $250,000,
for which the percussion studios in
Presser Hall will be named in the
family’s honor.
Additional naming opportunities
are available at all levels of giving,
and may be spread over a period of
five years.
We are very excited about this project, and look forward to sharing the
finished building with our alumni and friends when the work is completed.
For further information about supporting Presser Hall’s expansion, please
contact our Director of Development, Janine Scaff at 215.204.5689, or
[email protected].
Va n g u a r d J a z z O r c h e s t r a : 2 0 0 7 - 2 0 0 8 A r t i s t s - i n - R e s i d e n c e
The Temple University Jazz and Lab Bands, under the direction of Professor Terell Stafford, shared the stage with the Vanguard Jazz Orchestra on November 27, 2007 at the Kimmel Center for the Performing
Arts. Formed in 1966 as the Thad Jones/Mel Lewis Orchestra, the Vanguard has become one of the most acclaimed and innovative big bands
in jazz history. The band remains committed to the original Jones/Lewis
precepts of sound
and the nurturing
and encouragement
of creativity and
experimentation,
for the creators,
performers and
listeners of jazz.
Boyer faculty
members Terell
Stafford and Dick
Oatts are members
of Vanguard.
Vanguard will be back in town in the spring conducting master classes,
which will be open to the public, with Boyer students. Watch our
website, www.temple.edu/boyer, for more information.
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BOYER
BUILDING BETTER COMMUNITIES
Making a difference through the performing arts.
www.temple.edu/boyer/bbbc
Education +
Partnership +
Collaboration
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Student Spotlight
Danielle Garrett
If there ever was a definition of an
overachiever, Danielle Garrett fits
the bill.
Not only is Danielle pursuing a
master’s degree in string pedagogy
at Boyer, she also teaches violin at
Temple Music Prep’s Community
Music Scholars Program (CMSP),
Germantown Friends School
and Anchoring Bright Children’s
Preschool.
As if Danielle’s plate isn’t full
enough, she is orchestra manager
at Philadelphia Sinfonia, under the
direction of alumnus Gary White
(MM ‘95). Such a list of accomplishments would be impressive for any student, but even more so for
Danielle, who had to overcome an unexpected challenge over the past
several years.
Da n c e A l u m n i S h o wc a s e 2 0 0 7
The Dance Department sold out two nights in October for its Alumni
Showcase 2007, featuring works by Ananya Chatterjea (EdD ‘96) and
Danielle has Focal Dystonia, a rare neurological disorder that causes
Charles O. Anderson (MFA ’02). Anderson’s company, Dance Theater
involuntary muscle contractions. In her case, the disorder affects her fin- X, performed Tar, inspired by African, African American and Indiggers. She had begun working toward a master’s degree at Boyer in 2002, enous (Native) American rabbit trickster tales, most notably Uncle
but had to take time off to address her medical issues. It was a difficult
Remus’ “The Wonderful Tar Baby Story” and Disney’s “Song of the
period for her because she was unable to practice the violin. Danielle’s
South.” Ananya Chatterjea presented sections of her new dance work,
teacher, Professor Helen Kwalwasser, put her in touch with a friend who Pipaashaa with her company, Ananya Dance Theatre, which was a
had the same condition and referred her to a specialist. Her condition is collaboration with the Women’s Environmental Institute to research
now under control and she returned to Boyer this past fall.
linkages between global corporate waste and environmental racism.
She worked in the choreographic structure of Abhinaya, or expressional
While a student at Roxborough High School, Danielle studied with
dance, which is a dominant genre in the Odissi style of classical Indian
Sergei Nussil at CMSP and then earned a bachelor’s in music education
dance.
from Chestnut Hill College. It seems appropriate that Danielle would
end up “giving back” to CMSP and Philadelphia Sinfonia — this time
as a teacher rather than a student.
“Because of my experience at CMSP — taking lessons and playing in
the orchestra under conductor Gary White — I knew that I wanted to
focus on ensemble work and orchestral music,” Danielle said.
Considering her strong musical background, Danielle’s perseverance is
hardly surprising. Her uncle is a professional guitarist, her cousin is a
percussionist and her brother plays clarinet with the Delaware National
Guard Band. Needless to say, family gatherings involve a lot of musical
activity.
“I chose Boyer because of its faculty and reputation for excellence,”
she noted. “I take what I learn from the courses and build upon that
as a student and teacher. My coursework enables me to look for new
approaches to learning and teaching.”
Danielle has raised the bar for excellence, not only for herself, but for
her students who benefit from her many artistic endeavors.
Temple University and the Arts and Quality of Life Research Center will host
the 2008 National Conference of the Society for the Arts in Healthcare in April
2008. Dr. Cheryl Dileo, Professor of Music Therapy and Director of the Research
Center, is chair of the local committee.
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It’s Saturday Morning … Do You Know Where Your Children Are?
It’s 8:30 a.m. on a brisk November Saturday and most people are still in
their pajamas enjoying a second cup of coffee. But in Presser Hall, a dedicated team of music teachers and administrators are welcoming students
enrolled in the Community Music Scholars Program (CMSP), one of the
flagship programs of Temple University’s Music Preparatory Division.
CMSP instructors are Boyer alumni and graduate teaching assistants, as
well as music teachers in Philadelphia public schools. Students are recommended by teachers and selected based on auditions, musical ability, level
of family support and commitment to their lessons, rehearsals and the
program itself.
Program Coordinator, Melissa Douglas, has a
warm, sunny personality and doesn’t seem bothered by the early hour or the bustle of students
hurrying about the hallways. In fact, the students
themselves don’t seem to mind that they could
still be in bed or parked in front of the TV, and are
instead joking with their teachers and enjoying the
company of fellow musicians. But there’s also a lot
of serious learning taking place.
Douglas, who holds undergraduate and graduate degrees in both music
education and vocal performance, came to CMSP in 1997 after a decade
at the New England Conservatory as an academic advisor and Associate
Dean for Students.
John Jacques, a 10th grader at Central High School, is practicing a flute
duet with his teacher, Steve Wilensky. Down the hall, Tyler Tritt, an
eighth-grader at Masterman, is working on a particularly challenging
phrase with his trumpet teacher, Michael Franchetti (BM ‘01). Benjamin
Blazer (BM ‘99, MM ‘95) conducts the CMSP string ensemble and the jazz
orchestra is rehearsing a lively version of an arrangement under the direction of Jason O’Mara.
With 145 students currently enrolled in music and dance, CMSP provides
individual instrumental instruction, ensemble performance, music theory
lessons and dance classes to elementary and high school students attending
Philadelphia public schools. With an impressive 85% of the costs generously
underwritten, CMSP is seeing its highest enrollment in over a decade.
“Many parents have told me that the structure, one-on-one coaching and
ensemble performance opportunities their children receive at CMSP is a
primary factor in their level of interest in and enjoyment of music,” said
Douglas. “I’ve seen many students mature as musicians and young people
because of the personal attention and level of encouragement they receive
from our terrific teachers.”
The jazz orchestra takes time out to move music stands for a photo shoot.
A trumpet player rushes in a few minutes late and the other students tease
him for holding things up. He pulls
his instrument from the case, runs
a hand through his hair and strikes
a pose along with the group. Like
everything at CMSP, it’s a
team effort.
CMSP and Music Prep are part of
Boyer: Building Better Communities
To learn more about CMSP and Temple Music Prep, visit www.temple.edu/boyer/musicprep
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Hailed by Newsweek as “the high priests of brass,” the American Brass Quintet,
now in its 48th season, will perform as guest artists with the Temple University
Wind Symphony (under the direction of Professor Arthur D. Chodoroff) on
Sunday, March 2 at 3:00 PM at the Rutgers-Camden Center for the Arts. The
concert is free and open to the public. www.rutgerscamdenarts.org
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Orchestra to Debut at Carnegie Hall
The Temple University Orchestra, under the baton of Professor Luis
Biava, will make its Carnegie Hall debut on April 2, 2008 at 8:00 pm.
A work for orchestra has been commissioned by alumnus Bill
McGlaughlin (BM ’67, MM ’69), recipient of the 2007 Boyer Tribute
Award and host of NPR’s Exploring Music with Bill McGlaughlin,
currently aired on WRTI FM.
Boyer faculty member and Philadelphia Orchestra principal clarinetist,
Ricardo Morales, will perform Nielsen’s Clarinet Concerto with
the orchestra.
Tickets are available after February 1 from Carnegie’s box office at
212.247.7800 or www.carnegiehall.org. Boyer will provide free bus
transportation from main campus for alumni, students, faculty and
friends. Watch our website in March for further details.
E l ai n e B r o w n T r i b u t e
On October 12, 2007, Dean Stroker made the announcement of
naming the Elaine Brown Chair in Choral Music, having reached
the half-way point of raising the necessary funds to fully endow this
prestigious professorship. The interest shown by dedicated alumni,
colleagues and friends of the late Elaine Brown and the Boyer College
brought 90 people to the celebratory dinner from the Philadelphia area
as well as Arizona, California and Massachusetts. Thanks to those who
were there to honor Elaine Brown’s vision and commitment to the
choral arts.
From left: Professor Jeffrey Cornelius, Sonya Garfinkle, Dean Stroker and
Professor Janet Yamron
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Alumni News
F ac u l t y N e w s
This past summer Jason Bechtold BSMus ‘98 manager of choral activities at Boyer, had seven pieces of his choral music published by Really
Good Music, Ltd. His song for baritone and piano, Away on Sunday, was
recently recorded by faculty member David Arnold and Emilily Kosasih BM
‘06, MM ‘07.
This past May, Christine Anderson served as a judge for the Classical
Singer 2007 College Expo High School Vocal Competition in San Francisco, where she also presented an audition workshop called Successful
Auditioning: The Dynamic First Impression. In June, she presented a
workshop entitled Tempus Fugit: Making the Most of Every Lesson for
the Voice Foundation’s 36th Annual Symposium in Philadelphia. During
the summer, she was awarded a Dean’s Grant and a Temple University
Summer Research Fellowship to travel to France for continuing work on
her research project, From Paris to the Pyrenées: the Songs of Déodat
de Séverac. Dr. Anderson gave pre-concert lectures for the Philadelphia
Chamber Music Society in November and December.
Josh Bynum MM ’02 presented a trombone recital at Ouachita Baptist
University (AR), where he is a member of the faculty.
Marc-André Hamelin’s BM ’83, MM ’85 recital in November at Lincoln
Center’s Rose Theater was “a prime example of humour, surprise, sentiment and dignity,” according to the New York Times’ Bernard Holland.
Days later, he performed Chopin’s Piano Concerto No. 1 as a last-minute
substitute for violinist Sarah Chang (Music Prep alumna) at the Kimmel
Center under Philadelphia Orchestra guest conductor Jiri Belohavek.
Karen Hosmer DMA ‘97 was promoted from Instructor to Assistant Professor at SUNY - Schenectady where she teaches oboe and music theory.
She recently hosted her second Capital District Double Reed Day, and
continues to perform as a member of the Albany Symphony Orchestra and
the Springfield Symphony Orchestra.
Roberto Iriarte MM ‘96 led the Hudson High School Chamber Orchestra
on a tour of Europe this past summer that culminated in their winning
First Place in the string orchestra category at the 36th International Youth
and Music Festival in Vienna. Iriarte, who studied bassoon at Boyer and is
currently Orchestra Director at Hudson High School, was excited that “the
kids were able to see the places where classical music was born,” and
plans to consider future tours with the young musicians.
Prema Kesselman BM ‘03 won First Prize in the Malcolm Arnold Concerto Competition and, as a result, performed Arnold’s Flute Concerto No.
2 with the Royal Philharmonic Orchestra in London. Kesselman represented Trinity College of Music and competed against five other wind soloists
from major U.K. conservatories. She received her Master’s from Trinity in
October, and is currently completing a Postgraduate Advanced Diploma.
In addition, she has been appointed Principal Flute with the Orquestra
Filarmónica de Santiago, Chile, and was chosen as an artist with the Swiss
Global Artistic Foundation and will be giving concerts throughout Europe
under their auspices.
Pianist Aglaia Koras MM ‘81 appeared this past November at Carnegie’s
Weill Recital Hall as part of her ongoing “Beethoven and Chopin Plus”
series. Koras served on Boyer’s faculty while simultaneously receiving her
Master’s degree as a student of Natalie Hinderas.
Emiliano Pardo-Tristán MM ‘98, DMA ’06 presented a CD release recital in
Rock Hall on December 1, which featured guitar pieces from Latin America
and Spain. He was joined by soprano Anna Noggle and violinist Luigi Mazzocchi.
Brad Schoener BMusEd ’84 was selected for the Mr. Holland’s Opus
Award, given to five music teachers annually in recognition of passionate
dedication to their roles as teachers. The $10,000 award was presented
this past April. He also received the Teacher of the Year Award from the
University of Pennsylvania chapter of Phi Delta Kappa International.
Timothy Schwartz DMA ‘07 was recently appointed chair of the string
department at Lehigh University where he is also a full-time member of
the violin and viola faculty.
In June, Luis Biava led the Festival of the Youth Symphony Orchestra of
the Americas in Puerto Rico in celebration of its 25th Anniversary. In July,
he served as conductor and senior artistic administrator at the Pacific Music Festival in Sapporo, Japan, and in August he appeared as guest conductor with the Philadelphia Orchestra at Saratoga Springs. He conducted the
National Symphony Orchestra in Bogotá, Colombia in sold-out concerts
this past September. Also in September, he was named Artistic Advisor to
the Puerto Rico Symphony Orchestra. In September and October, he led
the Temple University Symphony Orchestra in performances in Reading
and Philadelphia that included performances of new works by Cynthia
Folio and Richard Brodhead. In November, he led the Temple University
Sinfonia.
Richard Brodhead’s With Sonorous Voice was performed in October
by the Temple University Symphony Orchestra under the direction of
Luis Biava. The concert overture was composed in 2004 on commission
from the Delaware Valley Philharmonic Orchestra for its 50th anniversary
season. He is currently working on a chamber concerto commissioned by
Network for New Music with funds from the Dietrich Foundation that will
be premiered in the 2008-2009 concert season, and a Sonata for Cello
and Piano for Scott Kluksdahl and Noreen Cassidy-Polera.
Students of Philip Cho paid tribute to the 40th anniversary of his
American debut and 35th year as professor at Boyer with a concert at the
Kimmel Center on Oct. 14. The concert was co-sponsored by the Seoul
National University Alumni Association and the Joong-Ang Broadcasting
Station.
Cheryl Dileo presented a lecture and supervised graduate research at the
University of Melbourne where she has been named Honorary Associate Professor and Principal Fellow within the Faculty of Music. She also
presented “Research Evidence and Innovative Practice in Music Therapy
for Managing Pain and Enhancing Quality of Life” at the Yale University School of Medicine symposium, Pain Management through Music
Therapy. In November, she served as Co-Chair of the Prevention and
Health Enhancement through Music Therapy Institute at the American
Music Therapy Association national conference in Louisville and presented
the paper, “Music Therapy as a Viable, Evidence-Based Approach to Health
Enhancement: Present and Future.” Dr. Dileo is the local host for the
2008 Society for the Arts in Healthcare Conference, April 16-19, 2008 in
Philadelphia.
In January, Cynthia Folio traveled to the Hawaii International Conference
where, with Aleck Brinkman, she presented Rhythm and Timing in Two
Versions of Berio’s Sequenza for Flute Solo. Both also performed with
Latin Fiesta at the conference. She appeared at the Pennsylvania Convention Center with Latin Fiesta this past September and later that month had
the Temple University Symphony Orchestra premiere the orchestral version
of, A Matter of Honor: A Portrait of Alexander Hamilton at Reading and
Haverford. In November, she was invited as a guest lecturer at CUNY to
present recent research on jazz analysis, had a feature article The Inspiration From My Child’s World – An Interview With Cynthia Folio, Ph.D.
published in the online journal “epilepsy.com” and presented a poster ses-
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sion at the Judith Hoyer Lecture for the American Epilepsy Society Annual
Meeting in Philadelphia. Also in November, she presented a paper with
Steven Kreinberg regarding collaborative web-based learning tools for
enriching music history and theory courses at the national conference of
the College Music Society in Salt Lake City.
Matthew Greenbaum had his chamber opera, A Floating Island,
performed this past spring as part of Temple University’s Peregrine Atelier
Series, with choreography by Joellen Meglin. His Mute Dance was performed at The Graduate Center of the City of New York and Dance Movements was performed at the Mannes College of Music. Additionaly, Bau
was performed by the Cygnus Ensemble at Vassar College. Greenbaum
recently completed his book, “Musical Dialectic,” and is currently working
on a piece for voice, ensemble and video to be performed internationally
in 2008 and a work for three wordless soprani and the unified forces of
the Momenta String Quartet and Cygnus Ensemble scheduled to be performed in fall 2008. This coming April, all-Greenbaum evenings of music,
text and video will take place at the Chelsea Art Musem and Rock Hall.
Alan Harler attended the annual Chorus America conference in Los
Angeles this past June, where his former student Iris Levin was chosen
to appear with her choral group Vox Femina. In July, he conducted the
Mendelssohn Club in a performance of Beethoven’s 9th Symphony with
Charles Dutoit and the Philadelphia Orchestra at the Saratoga Art Center
-- this marks Harler’s 20th year with the chorus. The following month, he
was awarded the Elaine Brown Award for Choral Excellence at the annual
ACDA-PA summer conference. The award is “presented to an individual
for outstanding lifelong work in the choral art.” In November, the Mendelssohn Club presented the Philadelphia premiere of John Adam’s On the
Transmigration of Souls at Girard College. It also presented the premiere
of Fredericksburg, by doctoral composition student David Carpenter with
William Stone performing as baritone soloist at the Kimmel Center.
Professor Harler also conducted Handel’s Messiah in December with the
Orquestra Sinfonica de Puerto Rico in San Juan.
Lawrence Indik, together with Charles Abramovic, performed
Maurice Wright’s Song Cycle at Temple’s Ambler campus in October.
Dr. Indik’s documentary, Ardmore, a Village at Risk, which he directed
and which features music by Wright, aired on PBS TV-12. He performed
a recital of lieder at the German Society in Philadelphia, appeared in a
Boston performance of Handel’s Messiah and served as Cantor for the
High Holidays at Congregation Ner Zedek in Philadelphia. Additionally, he
submitted an article to the Journal of Singing and continues his research in
vocal science and pedagogy.
Joann Marie Kirchner presented a paper on performance anxiety at a
Colloquium on the Health of Music Education at the University of Minnesota and conducted workshops for the Maine State Music Educator’s
Association, as well as a Piano Pedagogy Colloquium held at the University
of Arkansas. In addition, at the Pennsylvania Music Teacher’s State Convention, Kirchner presented her research findings from a study undertaken
at Temple which examined the relationship between playing music while in
states of flow and anxiety.
Steven Kreinberg has been busy on the lecture circuit this year. In June,
he made a presentation with Dr. Catherine Schifter of the College of
Education at the National University Telecommunications Network Conference in Philadelphia. In November, he made a presentation for the Horizon
Wimba Conference held at Temple. He also gave three presentations at
the joint conferences of the College Music Society and the Association for
Technology in Music Instruction (ATMI) in Salt Lake City, including a paper
jointly written and presented by Cynthia Folio. Dr. Kreinberg has been
selected to serve on the ATMI National Conference Planning Committee
from 2009 through 2011, and will chair the ATMI National Conference in
2010. He and Steven Zohn have developed the new General Education
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course, “The Art of Listening,” which will be pilot tested in the 2008-2009
academic year. Dr. Kreinberg reviewed a new music appreciation textbook
entitled, “Classical Music Listening,” to be published by Oxford University
Press. He currently chairs the Boyer College Music and Dance Teaching
Academy Committee and serves as co-chair with Aleck Brinkman on the
Teaching, Learning, and Technology Committee.
Two compositions by Jan Krzywicki, Vogelfänger for solo piano and
Fable for baritone saxophone and piano, were performed in September on
a Postlude concert at the Kimmel Center following a performance by the
Philadelphia Orchestra. In October, he conducted the world premiere of
Luca Antignani’s Barlow Prize commission, Viaggio di Humbert, with Network For New Music at the University of Pennsylvania. Also with Network,
he conducted the premiere of a work by Alexander deVaron in November.
Joyce Lindorff toured Taiwan and China in November. She was a guest
artist of the National Sun Yat-Sen University Art Center’s Baroque Camerata, performing concertos of JS and CPE Bach in the National Concert
Hall, Taipei, and other locations in Taiwan. She gave harpsichord master
classes at the Hong Kong Academy for Performing Arts and several other
institutions. At the Central Conservatory in Beijing, she delivered a lecture
on 18th-century musical exchange between China and the West and
inaugurated the China Conservatory’s new Flemish harpsichord by Michael
Walker with a solo recital of old and new music.
In September, Lambert Orkis participated in the Trondheim International
Chamber Music Competition and Festival (Norway) where he served as an
adjudicator and performed four concerts. Together with David Hardy, Principal Cello of the National Symphony Orchestra, he performed Beethoven’s
complete works for piano and cello at Rock Hall. He also appeared with
Hardy in concerts in Washington, D.C. and Virginia, appeared in Virginia
with the Castle Trio on period instruments, and with The Kennedy Center
Chamber Players at the Kennedy Center. In October, he gave a chamber
music master class at the University of Virginia. A DVD of his performances
of Mozart’s 16 Sonatas for Piano and Violin with Anne-Sophie Mutter was
released by Deutsche Grammophon. In November, he was a guest artist in
residence at the Banff Centre in Alberta, Canada where he performed the
Brahms sonatas in Banff and Calgary with violinist Steven Dann.
During 2007, Dr. Reynolds presented on the topics of service-learning
(Charles Leonard Symposium, Columbia Teachers College), music acquisition (Mountain Lake Colloquium; First International Gordon Institute for
Music Learning Conference; New Directions: General Music, Michigan
State University), the role of the Music Educators National Conference
(MENC) in supporting early childhood music education with Corin Overland (PhD candidate, Music Education (Keokuk II: The MENC Centennial
History Symposium), and in-progress research on music teacher preparation with Patrick Urban (BMusEd ’06) (Pennsylvania Music Educators Association). Dr. Reynolds completed a book chapter, Language Acquisition
and Music Acquisition: Possible Parallels, with co-authors Dr. Susi Long
and Dr. Wendy Valerio (MMusEd ’90, PhD MusEd ‘93) of the University
of South Carolina. The chapter is published in Listen to Their Voices:
Research and Practice in Early Childhood Music, Vol. 3 by Canadian
Music Educators Association. Dr. Reynolds also had an invited article about
improvisation published in the CMEANews—the Connecticut Music
Educators Association journal. She gave invited presentations on the topics
of early childhood music research and field experiences in music education
(PMEA), the use of movement activities in general music (Michigan chapter
of the Gordon Institute for Music Learning), and the applications of Music
Learning Theory in general and instrumental music settings (Souderton
School District). From Temple’s TECH Center, Dr. Reynolds and members of
Boyer’s (CMENC) chapter shared a polycom video conference presentation
with University of Michigan faculty member, Dr. Colleen Conway, and UM
School of Music CMENC members. The students—mostly undergraduates—shared the types of preparation they experience in their respective
programs; and their college coursework, extern teaching fieldwork, and
student teaching placements; and the current climate of seeking employment after graduation in their respective regions. At the recent Global
Temple Conference, Dr. Reynolds and Holley Haynes (MM ‘06) presented
the Little Oak Children’s House and Boyer College of Music: Sound Partners in Music Education collaborative teaching and research relationship
from 2002 to the present.
This past summer, Eduard Schmieder was president of the jury for the
14th International Violin Competition in Bucharest and served on the jury
for the 16th International Violin Competition “Andrea Postacchini” in
Fermo, Italy. He gave lectures at the Edsberg/Stockholm National Conservatory in Sweden, and led iPalpiti Orchestra on a tour of Poland under the
auspices of the United Colors of Music Festival in celebration of the 50th
anniversary of the European Union. In July, he directed iPalpiti in a concert
at Los Angeles’ Disney Hall for the finale of the 10th International Laureates Festival. In August he gave master classes and lectures at the Mozarteum Summer Academy in Salzburg and at the Qingdao Music Festival in
China, where he also conducted the Qingdao Symphony Orchestra. This
past November, he was a member of the jury at the International Louis
Spohr Violin Competition in Weimar, Germany.
During 2007, Deborah Sheldon spoke at a number of conferences in the
US as well as abroad. She was featured speaker at the Texas Music Educators Association annual conference in San Antonio where she presented
four talks, including: “I Play Cigar-Box Banjo. Does That Count?”: Music
in Daily Life, The Supreme Art of the Teacher, Spurring Progress While
Honoring Tradition, and Follow the Leader: Enhancing Your Rehearsals.
At the 17th National Symposium for Research in Music Behavior in Baton
Rouge, Dr. Sheldon presented research focused on music and leisure of
university music professors. She was selected to present this research at
the Society for Education, Music and Psychology Research conference on
Musical Participation at the University of Sheffield (England). The paper,
entitled Pursuits of Music Participation Beyond the Profession, was coauthored by Boyer Music Education Doctoral candidate Nathan Buonviri.
She recently presented research at the Research in Psychology of Music
and Music Education International Conference on Training Music Teachers.
Music Education Doctoral candidates Nathan Buonviri, Hugh Williamson,
and Michael Britcher co-authored the paper Critical Thinking in Verbalization Techniques of the Instrumental Music Director: Skilled Masters and
Evolving Novices. Dr. Sheldon also spoke at the Yale Class of ’57 Inaugural
International Conference: Music, A Child’s Birthright. In addition, she conducted the Dauphin County High School Honor Band in Harrisburg, PA.
Jeffrey Solow was elected president of the New York-based Violincello Society, the nation’s second-oldest cello society. This past summer he
traveled throughout China for a three week tour of master classes and
concerts and, back in the U.S., participated in the Summit Music Festival,
the Quartet Program at SUNY-Fredonia and the Lake Placid Institute. He
was recently featured on NJN Public Television’s award-winning program
“State of the Arts,” and performed at Utah’s Park City International Music
Festival in October. In addition to writing articles and reviews for The Strad
magazine, Strings magazine and American String Teacher, he edited and
transcribed works by Bach, Mendelssohn, Beethoven and Debussy for International Music Co., Theodore Presser, Henle Urtext editions and Ovation
online editions. This coming March he will be giving a recital and master
class tour of California.
Philadelphia City Paper wrote that Merian Soto’s States of Gravity and
Light #2 at the Fringe Festival is so calmed down its like being in a yoga
class...Best is Soto herself performing Toshi Makihara, a human musical
instrument...quite beautiful all at the same time.” Soto’s premiere of What
is Love? (composed by Maurice Wright) was reviewed in The New York
Times as part of the Lincoln Center Out of Doors festival. Soto presented a
series of free outdoor performances in November as part of her One Year
Wissahickon Park Project, comprised of performances during each season
meant to expand participants’ and viewers’ ideas about the nature of
dance, performance, the elements and seasons. The performance, which
was designed to be seen in passing, took place along Forbidden Drive just
south of the Mt. Airy Avenue Bridge. The project is supported by Boyer
College and Dance Advance, a program of the Pew Charitable Trusts.
Tram Sparks, who was named Boyer’s Associate Director of Choral
Activities, served as clinician and adjudicator for the Inaugural Choral
Festival at Council Rock High School North and joined William Stone in
master classes at the Philadelphia High School for Creative and Performing Arts (CAPA) and Lehigh Valley Charter School. She appeared as guest
conductor of the American Choral Directors Association (PA) Honor Choirs
Festival, and conducted the Temple University Concert Choir in appearances with William Stone on the Philadelphia Chamber Music Society’s
concert series.
William Stone taught at the Opera Theatre and Music Festival of Lucca,
Italy, this summer. Three Temple voice students participated. In September,
he performed for Robert Ward’s 90th birthday celebration (Ward is a Pulitzer Prize winner for his opera, “The Crucible.”) at the Ravenscroft School
in Raleigh, NC. “[Ward is] an example for the next generation of how
important it is to stay busy and keep working,” said Dr. Stone in the News
& Observer. He also performed with the Temple University Concert Choir
at the Independence Seaport Museum in November.
Maria del Pico Taylor led her ensemble Latin Fiesta as part of its annual
Many Roots, Many Faces concert at the Pennsylvania Convention Center
(Philadelphia). “The Latin Fiesta band competently and professionally led
the procession of traditional music,” wrote Jim McCaffrey in The Bulletin. She has also taught master classes on the Taubman Technique at the
South Jersey Music Teachers Association and the PMTA State Convention
at West Chester University, and was on the panel of judges at the South
Jersey Music Teachers competition at Rowan University.
Maurice Wright’s electroacoustic score for Merian Soto’s What Is
Love? premiered at Lincoln Center Out-Of-Doors this past summer, with
the composer at the laptop. A Fish’s Tale premiered at the International
Computer Music Conference in Copenhagen and his Quartet For Strings
(1983), performed by the Serafin String Quartet, made its New York
premiere in September at Carnegie Hall. OCTET (2006) was featured on
the closing concert of the Mid-Autumn Harvest Festival in Montreal. The
Society for Electro Acoustic Music in Sweden presented GENIS (2003) in
Stockholm, and soprano Laura Heimes and pianist David Pasbrig premiered
Mythology, a cycle of songs based on poems of William F. Van Wert. In
November, the Oregon Symphony Orchestra principal flutist David Buck
and principal oboist Martin Hebert performed Plaints and Airs in Portland,
and Dr. Wright presented a concert of his collected visual music compositions at San Diego State University, followed by a master class. He also
spoke at Palomar College, where three visual music works were featured
in concert. Additionally, his first visual music composition, Seven Cartoons
was shown in Dresden in November.
Steven Zohn presented a paper at the conference “Antonio Vivaldi: Past
and Future” at the Fondazione Giorgio Cini in Venice, and wrote a chapter
on “Overture-Suite, Concerto Grosso, and Harmoniemusik in the Eighteenth Century” for the forthcoming “Cambridge History of EighteenthCentury Music.” He also continued his work as President of the Society for
Eighteenth-Century Music.
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Contributors 2006 - 2007
Gifts to the Boyer College of Music and Dance
Boyer College relies on the generous support of alumni and friends who have contributed to the annual fund and other important initiatives during
our fiscal year ending June 30, 2007. We extend our deepest gratitude to each and every donor. Your support lets us know that you believe in our
efforts to deliver quality educational programs and to create a vibrant community of Boyer faculty, students, alumni and friends dedicated to artistic
excellence.
The Dean’s Circle is an exclusive group
of donors of $1,000 or more. Donors
at this level are already members of the
Russell Conwell Society of the University,
but Boyer College donors can also enjoy
special privileges that go along with
Dean’s Circle membership. For further
information, contact Tara Webb Duey at
215-204-1938, or [email protected]
$500,000 and Above
The Presser Foundation
Ann McKernan and Armand I. Robinson
$100,000-$499,999
Georgann Immordino, Vincent Immordino
and the Immordino Family Foundation
$25,000-$99,999
Dorothy Richard Starling Foundation
Edwin B. Garrigues Trust
Phoebe W. Haas Charitable Trust
John C. and Chara C. Haas
Anonymous
$10,000-$24,999
Joy V. Abbott
Argosy Foundation
Greenfield Foundation
The Bank of New York Mellon
$500-$999
Benjamin and Lorraine Alexander
Allied Beverage Group LLC
AstraZeneca LP
Melvin J. Chisum
Matthew J. Colucci
Creperie At Temple, Inc.
Ellen de Pasquale
Dilworth Paxson LLP
C.W. Dunnet & Co.
Michael and Nini Feldman
Joseph Flummerfelt
Helen Gelles
Edie Huggins
Robert and Mimsye Katz
Samuel P. and Connie Katz
Shirley King
Dolores L. Kuykendall
Marc and Joan Lapayowker
Ralph F. Marta
National Philanthropic Trust
Paccar Foundation
Holly A. Phares
Sidney R. Rosenau Foundation
David G. Steele
Swift Mailing Services, Inc.
Edward and Karen Szyszko
Stephen T. Takats
Kariamu Welsh
Tarleton D. Williams
$250-$499
Luis and Clara Biava
Raphael Bloomgarden
Blanche Henrietta Burton-Lyles
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$5,000-$9,999
$1,000-$2,499
Sheila Fortune Foundation, Inc.
Sonya C. Garfinkle
Fred and Elli Iselin Foundation
H2L2 Architects/Planners LLP
Johnson & Johnson, Inc.
Mykhaylo Kulynych
Asbjorn R. Lunde
Lambert T. and Janice Kretschmann Orkis
Charles H. Schisler
Martin N. Webster
Janet M. Yamron
Carl A. Bannwart
Peter A. Benoliel and Willo Carey
Anita Fay Brown
Douglas Christian
Jeffrey M. Cornelius
William H. Cunliffe, Jr.
Cunningham Piano Company
Robert A. Davis, Jr.
Robert J. Davis
Alexander DeFonso
Anthony and Barbara S. Di Toro
Dolfinger-McMahon Foundation
John and Marilyn Douglas
Donald W. and Joslyn G. Ewart
Jacqueline Beach Faulcon
Edward and Anne Marie Flanagan
Phillip E. Gladfelter
Alan Harler
Harmelin & Associates, Inc.
Herman, Garden, Nierenberg & Cooper
Nancy W. Hess
Faustina Lee Holman
Aquiles Iglesias
Lawrence Indik and Sharon Beth Eckstein
Ricardo C. Jackson
L. William Kay, II
Leroy E. Kean
Helen Kwalwasser and Harvey Wedeen
Ronald and Nancy Hanna Leong
Peter J. and Ann M. Liacouras
$2,500-$4,999
Estelle Lotman Benson
Estelle L. Benson Revocable Living Trust
Teresa A. Benzwie
Gary J. Blume
Richard C. Brodhead and Joellen Meglin
Morton Check
Emilio and Carole Haas Gravagno
Jacobs Music Company
Donna Marie Kohut
Helen L. Laird
H.F. and Marguerite Lenfest
Lomax Family Foundation
Walter P. and Beverly Lomax
Musical Fund Society of Philadelphia
Al and Gabrielle Kazze Rinaldi
Sodexho, Inc. and Affiliates
Gerald S. Wingenroth
Chestnut Hill Cardiology, Ltd.
Dennis W. Cronin
Richard Dash
Ronald R. Donatucci
Patrick Drudy
Loretta C. Duckworth
Geoffrey Duffine
Jack Ende
Norman Feinsmith
Anne Marie Gibson
Jonathan Gomberg
Stephen J. Harmelin
Richard H. Helfant
Yoon-Jay Jung
Arthur and Evelyn Krosnick
Susan Cohn Lackman
Joyce L. Magann
Mitchell L. Margolis
Leona E. Markson
Diane L. Mattis
Richard T. McCrystal
Merck and Company, Inc.
Julian and Lynn Meyer
Jeffrey A. Norton
Tim Pappas
Lachlan Pitcairn
Nicolas Real
Joel and Harriet Samitz
William and Sally H. Scheible
Richard and Sheila G. Segal
Murray H. Shusterman
Raymond and Maria C. Taylor
Gary J. Vigilante
Welker Real Estate, Inc.
Juliet C. Welker
William A. Loeb
Joanna Mell Mark
David S. Markson
Martha Meinster
Cheryl A. Muth
Steven J. Nierenberg
Daniel H. and Margo Polett
Power Magnetics, Inc.
Edward J. Resnick
Beatrice S. Rossman
Schwab Charitable Fund
Jay Segal
Selectronics, Inc.
Harriet Canady Soffa
Laurence H. and Christine Stone
Vanguard Charitable
Endowment Program
Ann F. VanSant
Estate of Hilda Q. Walton
William Penn Foundation
Avedis Zildjian Company
Anonymous (2)
Robert J. and Amy Goodman Weller
Barbara A. Willig
Wiremold Foundation, Inc.
$100-$249
A.I. Consulting LLC
Aadata, Inc.
Chris Abbott
Barbara S. Abbott
Charles Abramovic, Jr.
ACE INA Foundation
Ali’s Middle East Food
Jacqueline F. Allen
Ronnie Alper
Christine L. Anderson
Auto Ranch, Inc.
Daniel and Marcy Bacine
Harold and Ruth Sinberg Baker
Roger Barascout
Elizabeth C. S. Barron
Stephen F. Barsky
Nina M. Bartolomeo
Kenneth and Susan E. Basalik
Diana Beddows
Leslie H. Benoliel
Barbara W. Bingham
Carol Rapp Birchak
J. Lawrie Bloom
Frank M. Bolkus
A. Freeman Bradley
Franklin C. & Jean F. Bratton
Michael Brenner
Brenner Motors, Inc.
Kathleen Ann Broderick
Marguerite Laura Brooks
David and Kathleen Brown
Dorothy A. Brown
Joseph C. Bruno
Joseph Camardo
John Joseph Carr
Elizabeth L. Carrow
Susan V. Carson
Michael and Frances Carunchio
Danielle N. Cohn
Irma H. Collins
Richard and Suzanne Conaboy
Theresa Purcell Cone
James Edward Conte
Gregory J. Costa
Peter Charles Cottone
Douglas and Mary E. Cowperthwaite
Marvin L. Cravetz
Craig and Mary Culbert
John J. and Judy Jones Curtis
John Richard Custis, III
Cynthia A. Dallas
Kenneth M. Davis
Thomas F. and Alma C. Delaney
Janet M. Derrington
Anthony J. Dijulio
Mary DiSanto-Rose
Margaret Obert Dissinger
John Michael Dobson
Robert Donahue
Alvin H. Dorsky
John T. and Melissa Douglas
C. John Duey and Tara Webb Duey
Duffy Real Estate, Inc.
John A. Dulik
Dupree Funeral Home, Inc.
Joel Edelstein and Elizabeth McKinstry
Edgar Einhorn
EMC Products
Paul A. Epstein
Vera B. Eubanks
Marco Victor Farnese
Fidelity Brokerage Services LLC
Michael Filerman
Diego Fiorentino
John and Lisa Dimedio Flamma, Jr.
Adelaide H. Flinker
Sandra Folzer
Nevis T. Ford
Susan F. Fry-Wickard
G. C. Renovations LLC
Olga Gagliardi Getto
John D. Giampietro
David Gillis
A. Mark Glickstein
Charles M. and Norma Golden
Joanna Goldstein
Mary Woodmansee Green
Stanley A. Greene
Lisa Greenspan
Carol J. Grey
Larry and Ruth Guichard
John Reynolds Hall
Darla S. and Jeffrey Hanley
Alison Harmelin
Andrew Harmelin
Sharon Zeltman Harrison
James and Mona A. Heath
James E. Henry
Brian R. Hersh
Sylvia Ho
Stanley and Gloria Hochman
Carroll W. Humphrey
Richard Hykes
Bernard E. Ilson
Harold Isen
Dolores D. Jackson
Catherine S. Jarjisian
Dorothea R. Johnson
Donald G. Josuweit
Michael R. Katz
Nancy Katz
Ruth J. Katz
Barbara J. Keene
Jane C. Keller
Kennedy House Cultural Series
Ronald L. Kershner
George E. Klima
Sharon Kolasinski
Millard Elwood Krebs
Steven E. Kreinberg
Jody A. Lausch
Jonathan R. Lax
Bernard Lee
Patricia Taylor Lee
Richard D. Lee
Alan and Edina Salus Lessack
William Leung
Levine, Staller, Sklar, Chan,
Brown & Donnelly P.A.
Richard J. Liberty
Irene Linck
B. Bernadette LLoyd
Barry and Gail M. Lozenski
Kenneth D. Mackler
Main Line Nursing, Inc.
Sidney Mark
Marcia Korn Maull
Lois Feldman Mauro
David A. McConnell
Catharine M. McGlaughlin*
Bernard and Susan Strang McGorrey
Mardia Melroy
Brian Ernest and Mary Jo R. Meneely
Ronald B. Merriweather
Linda Metzler
Ernest Meyer
Jeffrey R. Miller
Fannie C. Moran
Mary Durbano Morina
Alan and Debra S. Mudrick
Music Alumni of Temple University
Harris and Roslyn Ominsky
Arnold L. Pfannenstiel
Philadelphia Joint Board
Edmund I. Phillips
James E. Pickel
Evelyn H. Plant
Gail and Nancy F. Poch
Elliot Portner
David D. Ramadanoff
Ruth N. Reber
William E. and Barbara Rhydderch
Robert Richards
William W. Richards
Richie’s Deli and Pizza
Violet S. Richman
Michael Riley
Lynne C. Rose
Margaret O. Roth
Dan H. Rothermel
Jenny R. Santangelo
Samuel and Selma Savitz
Bobby Scannapieco
Benjamin A. Schachter
Martha Furman Schleifer
Doris B. Schmauk
Mary E. Scott
Stephen and Patricia Segal
Paul G. Shane
Joyce M. Shatto
Gail Shister
Joseph W. Showalter
Syd Rentz Sklaroff
Barbara Sonies
Kelly Anne Spratt
Alan C. Staller
Glenn and Linda Steele
Scott Surden
Esther R. Sylvester
Teenagers In Charge
Dolores Fairfax Thomas
Kenneth W. Thompkins
Rosemarie W. Trainer
Leon W. Tucker
Janice and Daniel Tuerk
Patrick A. Urban
Robert M. Valent
Thomas D. Vangel
Verizon Foundation
E. Jean Vorters
Rudolph Vrbsky
Aaron B. Waitz
Michele P. Walsh
Nathaniel and Evelyn Washington
Bernard and Lois Watson
Harvey L. Waxman
Bailus M. Webb, Jr.
Walter L. Weidenbacher
David and Babette Wenerd
James John Wharton
Jack Williams
Joseph N. Williams
Roberta R. Winemiller
Daniel and Cindy K. Wohl
Edward and Rita Wolotkiewicz
Harriet J. Yeager
Jin-Wen Yu
Harry and Joanne Yutzler
Anne B. Zehner
Paul Zelez
Bette and Martin* Zipin
to $99
Action Pest Control
Jennifer J. Adam and Matthew Herman
Deborah L. C. Adams
Michael and Anne Agatone
Mark N. Aikins
Adele Ajl
Marci Alegant
Ellen H. Allen
Brenda Alpar
Joanne S. Annas
Maria B. Archer
Elinor A. Armsby
George A. Articolo
Carla Lancellotti Auld
Raymond C. Austin, Jr.
Everett Eugene Badgett
Joanne K. Bailey
Ernest C. Baker
Karen Barbato
Arthur H. Baron
Valerie Barone
Deborah S. Bates
Charles Bechtold, Jr.
Periilene Berman
Linda Biando
Charles and Lucinda Toomey Birnbaum
Lauren Blake
Sarah E. Blaskovitz
Jane F. Bliss
Alice Bloch
Nona V. Born
Geneva Norwood Bost
Thomas A. and Lynn L. Bougher
Sharon A. Breden
Alice Mae Bredenberg
Barbara Brenner
Deborah J. Bridgewater
Christopher Joseph Brill
John D. and Jeanne Brna
Gerald and Hope E. Broker
Ardie Stuart Brown
Joshua R. Burg
Karen A. Burke
Elaine H. Burnett
Reynard and Noreen Burns
Katherine G. Burton
James F. Cannon, Jr.
Carol Cates Castel
Nicholas P. Cernansky
Milton Chase
Deborah Chatman-Royce
Laura S. Childress
Robert W. Cho
Robert J. and Marilyn Weber Clark
Johnnie Clarkson
Tracy A. Clyde
Robert J. Cockrell
Thomas D. and Patricia H. Conrad
Eleanor J. Conway
Doris A. Cook
Melinda Copel and Andrew Kosciesza
Richard D. Copeland
Glenda L. Cosenza
Ronald Brooks Cox
Jean Coyle
Gary A. and Roberta Glass Cripps
Lynne C. Criss
Paul L. Croom
Amy J. Cruzan
Marilyn P. Daggett
Jodee Davidson Daniels
Lewis B. Dashe
Janet C. Defreitas
Luca V. Del Negro
John F. DeRosa
Lynore D. Desilets
Richard V. DiBlassio
Denise Diffenderfer
Vincent B. DiMura
Christopher and Karen DiSanto
Michael J. Ducassoux
June Rose Duffine
Christine M. Dunleavy
Philip C. Eastburn
Elder Connections, Inc.
Hildegard V. Ely
Richard and Christine Emmert
Ann Raum Emmons
Hugh M. and Karen O’Donnell Emory
Shellie P. Erlanger
Matthew L. Erlanger
John R. Evans
Fantasia Jewelry Company, Inc.
Anita M. Findley
Lynne E. Fitzgerald
Carol Fleischman
Sylvia G. Flinker
Matthew F. Fogleman
Clarice J. Ford
Marlene Forgione
Harriet Forman
David and Patricia Foster
Laura Frey
Joshua Frimet
Craig W. and Bonnie Jean Fry
Nathan and Diana D’Alesio Gable
Keith S. Garabedian
Patrick R. and Rosemary Gault
GEICO Direct
Lawrence H. Geller
Leroy T. Gerson
Larry Giacchino
Katherine Giacomelli
Stephen W. Gillespie
Allison Giltinan
Daniel and Laura E. Gingrich
Cynthia L. Glashan
Sol Glassman
Herman Goldner
Silvia R. Golijov
Regina K. Gordon
Joseph J. and Marian Gordon
Angela H. Graham
Paul and Sara Green
Peter W. Greydanus
Richard J. Groller
Martin T. and Lingchin Hacker
Carol Williams Hafner
Gene K. Hahn
Lyle W. Hall, Jr.
Jeannine W. Hamburg
William E. Hamilton
Janet Mary Hamilton
Encore
|
15
Robert Harmelin
Richard W. Hastings
Dorothy Hawthorne
Eileen M. Hayes
Margery E. Heins
Clarence and Annel Henry
Carl Bruce Hermanns
Anna Mary Herr
Virginia Shaffer Herrmann
Jason M. Herrmann
Robert Hershberger
Adam J. Hershberger
Allison Jean Herz
Curtis and Mary Anne Hicks
Molly G. Hicks
Lloyd Kenneth Hill
Nancy René Hill
Pamela C. Hitchcock
Andree E. Hochman
Elizabeth Voss Hohwieler
Evelyn S. Holmes
Joanne Halpern Horne
Horace R. Hosbach, Jr.
Donna R. Hunt
Joseph Hussey
Judith E. Hussong
Albert and Irene Hyder
Florence Mary Ierardi
Earl M. Ince
John M. Jadus
Michael Janes
Yongho Ji
Inoel Jirau
Kathleen Tirrell Johnson
George Bryan and Cynthia Chester Jones
John W. and Gail P. Jones
Leonard and Catherine Maximo Jones
Janet M. Jordan
Gary L. Jungkeit
Just Clean It
Matthew and Deborah Kampf
Martha Kaplan
Gregory P. Kauriga
Scot C. and Wendy Warfield Kelly
Robert J. Kestler, Jr.
Sook Won Kim
Saem Kim
Jeanne Faith King
Paul S. Kinsey
Guy W. Kirk
Stephen A. Kiser
Diane Klein
Barbara Jean Klubal
Carol Louise Knisell
Ronald F. Kolla
Charles A. Kolsby
Herbert F. Kolsby
Nancy P. Kopf
Connie J. Koppe
Joshua L. Kovach
Theresa Kowalski
Michael G. Kozak
Paul and Sarah Krause
Karl David Krelove
Charles Kriessman
16
Encore
|
Elsie G. Krinitsky
Johanna M. Kucinski
Kevin H. Kunkle
Andrea D. La Russo*
Denise P. Labonde
Richard Fischler Lampe
Erik and Carolyn Lampe
Michael M. Landrum
Michelle A. LaPaglia
Catherine T. Larlick
Tom and Frances J. Lawton
Rachel M. Leanza
David Leatherbarrow
Helen Won Lee
Robert C. Leedom
Eloise J. Leftrook
Scott R. and Kathleen A. Lehman
Hester Null Lehman
Rea Carole Leland
Michael and Karen Leland
Michael J. Lelevich
James M. Lepore
Rodolfo Leuenberger
Bruce and Francine Goman Levin
Sheldon M. Levin
Arthur and Lili M. Levinowitz
Sandra Levin Levinson
John R. Linton
Stephen J. Lisowski
Lei Liu
Karen C. Locantore
Arthur P. Loeb
Robert M. and Victoria K. Loebell
Ellen J. Feldman Lohman
Esther K. Long
William M. and Connie M. Long
Christina Lynn-Craig
Lester Lyon
M & P Ellis Eye Foundation
Jenna M. Mahler
Ken and Nancy Malanowicz
Alice C. Malloy
Harry J. Mancia
Raymond and Donna Mang
Dennis J. Marconi
Carl Mariani, Jr.
Richard and Cynthia McGee Marini
Debra L. Marsch
Walter B. Mattner
G. Craig Maven
A. Erna McKevitt
Susan Will McNiff
Armando D. Mendoza
Patrick M. Mercuri
Aaron Miller
David and Ollie Miller
Charles J. Miller, Jr.
Roger G. Miller
Gary Lee Miller
Kathy B. Miller
Subarna M. Misra
Juliet F. Mitton
Michele Molnar
Daniel Monaghan
Agnes Moncy
Darla A. Moore
Michael L. Moreno
Wayne R. and Kathleen Fitzgerald Moser
Nelson H. Muschek
Joseph Myerov
Angelo T. Napoli
Katharine R. and Randy W. Navarre
A. George and Deborah Newnham
Joseph Peter and Roseann D. Noce
Viviane Young Norris
Joseph and Susan O’Brien
J.A. and Phyllis Cecelia Okuri
Wendy R. Oliver
Wayne and Elaine Olson
Colleen O’Malley
Rosemary A. Omniewski
June C. Ottenberg
Joanne and Raymond Padilla
Joyce G. Page
Peter R. Pajak
Anthony Pantelopulos
Dena Vlahos Papadopoulos
Robert V. Parisi
Chang Park
Najwa D. Parkins
Grant Van S. Parr
Harry Patchin
Alan Burket Paterson*
Ronald M. Pearlstein
Matthew J. Pello
Melinda McIntosh Pember
Beth A. Pensiero
Casper Pepe
Janine M. Pero
Carmen G. Perron
Fred Peters
Roseann Pfannenstiel
Christina C. Pierangeli
Joseph Podolsky
Alba L. Potes
Bonnie Wurster Powell
Jeffrey Stuart Prall
Ralph F. Purri
Edward Raditz
Philip Raezer
Eric P. Rasmussen
Corrie E. Raulli
Yvonne W. Rawls
Jean R. Redlinger
Sheila Roman Rees
William L. Regan
Marcia Christ Reinert
Stanley Relkin
Claudia Revak
Alison Reynolds and Patrick Snook
Kathryn H. Rhyne
Abigail L. Richardson
James R. L. Robb
Nathalie G. Robinson
Susan C. Rockwell
Michael B. Rodell
Keith Roeckle
Christina M. E. Romann
Rebecca Brown Rooks
Adrienne E. Root
Arcenia Guzman Rosal
Joan B. Rosenberg
Louis and Renate G. Rosenblatt
Grace Rosenthal
John Rosner
Alan and Paula Rothman
Booker and Patsy Rowe
Richard F. Rudzinski
Joseph M. Ruscitto
David Earl Rutt
Jeanne G. Sach
Harriette Sall
Edith H. Saltzberg
William P. Sandel
Jessica L. Sarian
William and Jo Anna Saville
Deborah Fehr Savitske
Fred R. Savitz
Charles J. Scanzello
Robert I. Schachner
Catherine A. Schaeffer
David N. Schidlow
Jean E. Schlegel
Geraldine Schneeberg
Lynn G. Schoepske
Joan R. Schumacher
John L. Schwartz, Jr.
Virginia Schwartz
Nancy F. Schwartz
Marlene B. Scott
Barbara Sebring
Ruth R. Serata
Phebe Odom Settles
Giga Shane
William and Linda Shaull
Marc E. Sherman
Blaine Franklin Shover
Tal Shtuhl
Greta and Paul H. Sick
Jennifer Perrin Siple
Richard Smith
Susan Kammerer Smith
Barbara J. and Robert Edward Solly
Gussie Spector
Aurelle P. Sprout
Deborah S. Stahl
Edgar N. Stahley, Jr.
William and Lori W. Starsinic
Marian J. Stieber
Loniel and Nancy V. Strang
Elisabeth J. Swanson
Cy Lewis Swartz
Susan Swerdlow
Colin R. Taber
Frederick J. Taylor
June M. Temple
Suzanne Spicer Tiemstra
Gloria Davis Todd
Topaz Star Music, Inc.
Ibrook Tower
Toys R Us, Inc.
Julia Bullard Trahan
Bryen R. Travis
Michael P. Tunney
Vernice D. Ukkerd
Dorothy S. Underhill
Nicholas J. Vallerio
Cory and Lisa Van Brug
Marion G. Vanderloo
Scott and Barbara Vanpatter
Nancy M. Vees
J. Jon Veloski
Frances K. Vitali
Deborah R. Volker
Katy E. Vona
Sylvia B. Voynow
William Wade
Elaine D. Wade
Peter A. Warchal
Joan E. Warren
Timothy and Sandra W. Weckesser
Evelyn Weinstein
David and Patricia Welsh
Marcine C. Whatley
Marlene C. Williams
Gretchen Susan Williams
Andrew S. Willis
Lance and Sara B. Wilson
Angelica Florendo Wingert
Laura Wolfinger
David S. Woodhull
William and Janet Salvo Woods
Kathleen R. Wright
Kimberly C. Yocum
Dana M. Zajko
Andrea Zakheim-Poetsch
Verna Engel Zelaney
James W. Ziccardi
Stephen E. Ziminsky
Ross R. Zimmer
Margo K. Zitin
Irene Pelech Zwarych
Joan Zylkin
*deceased
Mark Your Calendars
All events are open to the public and free of charge unless otherwise indicated with *. Visit www.temple.edu/boyer for a full calendar of events.
January 22, 2008, 2:40 PM (RH)
March 28 & 29, 2008,
8:00 PM (TT)
Master Class: Marietta Simpson,
mezzo-soprano
SCUBA National Touring Dance
Alliance*
January 24, 2008, 7:30 PM (RH)
Artists-in-Residence Recital:
Momenta String Quartet
April 4, 2008, 1:40 PM (RH)
January 28, 2008, 7:30 PM (RH)
Master Class: Lydia Artymiw, piano
Faculty Recital: Phillip R. O’Banion,
percussion
April 4 & 5, 2008, 8:00 PM (TT)
January 30, 2008, 7:30 PM (RH)
Guest Artist Recital: Jeri-Mae Astolfi,
piano
January 31, 2008, 7:30 PM (KH)
Faculty Recital: Ed Flanagan,
Jazz Guitar
February 5, 2008, 7:30 PM (RH)
Faculty Recital: Glaux
February 8, 2008, 1:40 PM (RH)
Guest Artists Recital:
Biava String Quartet
April 13, 2008, 3:00 PM (RH)
Natalie L. Hinderas Master Class:
Nelita True, piano
February 12, 2008, 7:30 PM (RH)
Temple University Concert Choir
February 24, 2008, 3:00 PM (RH)
February 13, 2008, 7:00 PM (KH)
Faculty/Guest Artist Recital:
Norman David & The Eleventet
February 14, 15 & 16, 2008, 8:00
PM (CDT)
Kariamu and Company: Traditions*
February 17, 2008, 3:00 PM (CH)
Temple University Symphony
Orchestra, Luis Biava, conductor
Temple Jazz Band at Dizzy’s Club*
Coca-Cola (Jazz at Lincoln Center)
watch www.temple.edu/boyer for
updates on this performance
April 13, 2008, 4:00 PM (TC)
Temple University Concert Choir
Tram Sparks, conductor
April 25, 2008, 7:30 PM (TT)
April 27, 2008, 3:00 PM (TT)
February 29, 2008, 2:40 PM (RH)
Temple University Opera Theater*
L’Egisto by Francesco Cavalli
John Douglas (Director),
Jamie Johnson (Producer)
February 13, 2008, 2:40 PM (RH)
Master Class: Peter Stumpf, cello
Faculty Recital: Conwell
Woodwind Quintet
Guest Artists Recital: Carol Jantsch,
tuba and Susan Nowicki, piano
Master Class: Andrew Willis,
fortepiano
May 4, 2008, 4:00 PM (HT)
May 5, 2008 (tentative)
Master Class: The Philadelphia
Singers: David Hayes, conductor
Master Class: Biava String Quartet
Temple University Wind Ensemble
and Collegiate Band
Michael Britcher, conductor
April 7, 2008, 4:30 PM (KH)
Thursday, February 21, 2008,
7:30 PM (RH)
Friday, February 22, 2008,
2:40 PM (RH)
May 4, 2008, 2:00 PM (TT)
Master Class: Carlo Barone,
conductor and guitarist
April 7, 2008, 10:00 AM (RH)
Guest Artists: Oberlin Contemporary
Music Ensemble
Temple University Wind Symphony
Arthur D. Chodoroff, conductor
Temple University Concert Choir,
Chorale, Singers and Chamber
Choir
Alan Harler, Janet Yamron,
Alan Harler, Jeffrey Cornelius and
Tram Sparks
Faculty Dance Concert*
January 29, 2008, 7:30 PM (RH)
May 2, 2008, 7:30 PM (TT)
April 28, 2008, 7:30 PM (RH)
March 2, 2008, 3:00 PM (GT)
Temple University Wind Symphony
Arthur D. Chodoroff, conductor
American Brass Quintet,
guest artists
March 17, 2008 at 1:40PM (RH)
Master Class: Anthony McGill,
clarinet
Temple University Sinfonia
Luis Biava, conductor/Michael
Tsalka, pianio
CDTConwell Dance Theater
April 29, 2008, 7:30 PM (TT)
GTGordon Theater, Rutgers-Camden Center for the Arts
Temple University Jazz Ensemble
Dick Oatts, director
April 29, 2008, 7:30 PM (KC)
Temple Music Prep Gala*
March 18, 2008, 7:30 PM (RH)
CH Centennial Hall, Haverford School
HT Church of the Holy Trinity
KC Kimmel Center for the Performing Arts
KH Klein Recital Hall (Presser Hall)
RHRock Hall Auditorium
TTTomlinson Theater
TCTrinity Center for Urban Life
Orlando Cole Tribute Master Class:
Lynn Harrell, cello
TEMPLE UNIVERSITY SYMPHONY ORCHESTRA AT THE KIMMEL CENTER AND CARNEGIE HALL
March 30, 2008, 7:30PM
April 2, 2008, 8:00PM
7th Annual Kimmel Center for the Performing Arts Concert
Temple University Symphony Orchestra and Combined Choirs
Luis Biava and Alan Harler, conductors
MOZART Requiem in D Minor, K. 626
WILLIAM McGLAUGHLIN Title TBA (world premiere commission)
MUSSORGSKY Pictures at an Exhibition
Tix: $20-35, available at the Kimmel Box Office
215.893.1999 or www.kimmelcenter.org, after February 1.
Verizon Hall, Kimmel Center for the Performing Arts
Temple University Symphony Orchestra, Carnegie Hall
Luis Biava, conductor and Ricardo Morales, clarinet
WILLIAM McGLAUGHLIN Title TBA (New York premiere)
NIELSEN Clarinet Concerto, Op. 57
MUSSORGSKY Pictures at an Exhibition
Tix: $10-25, available at Carnegie Hall Box Office, 212.247.7800 or
www.carnegiehall.org after 2/2/2008.
Boyer will provide a free bus from main campus to Carnegie Hall.
Watch our website in March for more details.
Professor Luis Biava and the Temple University Symphony Orchestra at Alice Tully Hall, Lincoln Center, March 2007
Rock Hall
1715 N. Broad Street
Philadelphia, PA 19122
NON-PROFIT
ORGANIZATION
U.S. POSTAGE
PAID
PHILADELPHIA, PA
PERMIT NO. 1044

What`s InsIde “ I chose Boyer because of its faculty and reputation for

Transcription

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