Fredericia Lookbook 2015

Transcription

L OOKBOOK 201 5
THE MODE RN
ORIGI NAL
F re de r ic ia .c om
M A N I F E S TO
Y o u c a n n o t p l a n f o r o r i g i n a l i t y.
But you can strive.
Y o u c a n s t r i v e f o r c r a f t s m a n s h i p t h at
c a n w i t h s ta n d e v e r y u s e a n d a b u s e
… a n d s u rv i v e .
Y o u c a n s t r i v e f o r d e s i g n , t h at i s n o t e a s i ly s e d u c e d
by t h e c h e a p t r i c k s o r tr a n s i e n t t r e n d s .
Y o u c a n s t r i v e f o r a q u a l i t y t h at,
a s i t l i v e s a n d b r e at h e s t h r o u g h t h e a g e s ,
W i l l b e c o m e m o r e b e a u t i f u l , m o r e at t r a c t i v e .
You can strive for an unarguable aesthetic
t h at t r a n s c e n d s a n y r e p r o a c h .
Y o u c a n s t r i v e t o m a k e e v e r y d e ta i l i m m o r ta l .
Y o u c a n s t r i v e t o , e v e n i n t h i s d ay a n d a g e ,
t o c r e at e s o m e t h i n g t r u ly o r i g i n a l .
A n d w i t h f a i r w i n d s a n d d e d i c at i o n , i t m i g h t j u s t b e ,
y o u h av e c r e at e d s o m e t h i n g a l i t t l e m o r e p e r m a n e n t.
A legacy
A Modern Original.
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O U R A P P R OAC H
F r e d e r i c i a b e g a n a s a t h o r o u g h ly D a n i s h d e s i g n
h o u s e , b o r n o f a p r o u d h e r i ta g e . A h e r i ta g e o f
u n f a lt e r i n g d e d i c a t i o n t o t h e p e r f e c t i o n a n d
p r o g r e s s i o n o f t h e d e s i g n c r a f t. S i m p l e p r i n c i p l e s
g u i d e u s a l o n g i n o u r a m b i t i o n t o c r e at e a n d
d e l i v e r a c o l l e c t i o n t h at w e b e l i e v e w i l l b e t h e
m o d e r n o r i g i n a l s o f t o m o r r o w.
S i m p l e p r i n c i p l e s t h at h o n o u r o u t s ta n d i n g
q u a l i t y t h r o u g h a c a r e f u l s e l e c t i o n o f m at e r i a l s ,
f u n c t i o n a l i t y a n d at t e n t i o n t o d e ta i l .
W e a r e p r o u d o f o u r c o l l a b o r at i o n s w i t h a
c a r e f u l ly c h o s e n c i r c l e o f i n t e r n a t i o n a l d e s i g n e r s ,
all renown for their exceptional level of design
i n t e g r i t y, a s w e l l a s o u r a b i l i t y t o i d e n t i f y a n d
n u r t u r e ta l e n t.
A l l w i t h t h e a m b i t i o n o f c r e at i n g d i s c u s s i o n
w o r t h y d e s i g n t h at i s a lway s b e a u t i f u l ly c r a f t e d ,
r e l e va n t a n d a e s t h e t i c a l l y i n t r i g u i n g .
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T h o m a s G r av e r s e n , O w n e r
07
Pag e 1 3
H AV E A S E AT
Pag e 3 3
MAKE YOURS EL F
C O M F ORTA B L E
Pag e 6 5
HAN D C R AF T E D
E XC E L L E NCE
PAG e 7 6
OUR DE S IGNERS
PAG e 7 9
C ATA L O G U E
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ABOUT F RE DER ICIA
A f u s i o n o f t h o u g h t- i n h e r i t e d p ro p e rt i e s a n d
i n n o v a t i v e i d e a s i s w h a t F r e d e r i c i a s ta n d s f o r
t o d a y. F o u n d e d i n 1 9 1 1 , F r e d e r i c i a h a s a l w a y s
b e e n a f a m i l y o w n e d a n d m a n a g e d c o m p a n y. F r o m
i t ’ s m o d e s t b e g i n n i n g s a s a Da n i s h u p h o l s t e ry
w o r k s h o p, t o b e c o m i n g a m a j o r f o r c e i n t h e
emerging shape of Danish Modern in the 1950s, to
t o d a y, w h e r e t h e F r e d e r i c i a n a m e h a s b e c o m e a
t r u ly i n t e r n at i o n a l b r a n d .
O u r p r o u d h i s t o r y o f d e s i g n c o n t i n u e s e v e r y d ay
a s w e s t r i v e t o c r e at e t h e m o d e r n o r i g i n a l s o f
t o m o r r o w . T h e c o m b i n a t i o n o f ta l e n t e d d e s i g n e r s ,
our personal approach during the development
s ta g e , a n d a n e t w o r k o f p r o d u c t i o n p a r t n e r s
t h at e m p l o y t h e l at e s t t e c h n o l o g i e s g u a r a n t e e s
u n pa r a l l e l e d e x c e l l e n c e .
O u r h i s t o r y, p e r s o n a l i t y a n d c o m m i t m e n t t o
q ua l i t y i s r e f l e c t e d i n e v e ry p i e c e o f f u r n i t u r e
t h a t l e a v e s o u r f a c t o r y.
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H AV E A S E AT
Dining, Working, Living
Have A Seat
Børge Mogensen designed the Søborg
Chair in 1950. His intention was to fuse
the industrial properties of plywood with
c a b i n e t m a ke r s’ p r i n c i p l e s a n d a t o u c h o f
his signature functionalism.
A combination that resulted in a
remarkably simple, yet aesthetically
enduring design that earned the award
“ C o m e b a c k o f t h e Ye a r ” b y t h e D a n i s h
Design press.
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Opposite Page: Søborg Chair — Model 3050 — Lacquered oak.
Have A Seat
Have A Seat
“MY GOAL IS
T O C R E AT E
T H I N G S T H AT
W I L L S E RV E
MAN AND GIVE
HIM THE LEAD
ROLE, INSTEAD
O F, BY T H E
FORCE OF THE
DEVIL, ADAPT
MAN TO THE
T H I N G S .”
In 1952 Mogensen built onto the Søborg series with a steel-framed version.
Adding details such as the slightly tapered legs, Mogensen successfully
demonstrated the use of woodworking principles in steel.
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— Børge Mogensen
This Page: Søborg Chair — Model 3061 — Grey painted oak / black painted steel / fabric (Sunniva 7 72).
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Have A Seat
The generous seat and back of the Søborg
Chair provides for many hours of use,
allowing time to enjoy the food, the
conversation or the work.
A true functionalist, Mogensen believed
that furniture should encourage freedom
o f p e r s o n a l i t y. T h e S ø b o r g c h a i r e x p r e s s e s
this perfectly in any environment… at
home, in restaurants, in working areas,
or any socially engaging space.
Opposite Page: Søborg Chair — Model 3051 — Black lacquered oak / fabric (Sunniva 7 72).
Mesa table — Model 4630 — Black linoleum / black painted steel.
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Have A Seat
This Page: The Spine series designed by Space Copenhagen in 2011, pays respect to the traditions
of craf tsmanship and hand upholstering to which Fredericia built its name on.
B ø r g e M o g e n s e n’s i c o n i c s h a ke r t a b l e i n s o l i d o a k w a s d e s i g n e d i n 1 9 6 4 a s a d u r a b l e a n d
a e s th e t i c a l l y c l e a n t a b l e, w i th th e c h a r a c t e r o f th e wo o d b e i n g i t ’s h i g h l i g h t .
Opposite Page: The Spine barstool has become one of the most sought af ter barstools for upscale
restaurants, hotels, bars, and public spaces throughout the world. The backless version was
added in 2014 to give another perspective on the distinctive series.
This Page: Spine Chair — Model 1720 — Lacquered oak / vegetable tanned leather (Natural 90)
Shaker table — Model 6286 — Soap treated oak.
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Opposite Page: Spine Stool — Model 1735 — Black lacquered / leather (Black 88)
Spine Barstool — Model 1730 — Black lacquered / leather (Black 88).
Have A Seat
“THREE STEPS
F O R WA R D
AND TWO
BACK STILL
MEANS I’VE
TA K E N A
STEP IN
THE RIGHT
DIRECTION!”
The 6284 dining table by Børge Mogensen is constructed with oak of the finest selection.
This results in a table surface that can be described as equally exposed and refined.
W i t h t h e S p i n e c h a i r, S p a c e C o p e n h a g e n h a s a l s o i n d u l g e d i n h i g h q u a l i t y, h a n d c r a f t e d
m a t e r i a l s t h a t g i v e t h e s e r i e s a n e l e g a n t a u t h o r i t y.
T h e p r e c i s e t r a n s p a r e n c y o f t h e Tr i n i d a d c h a i r a l m o s t d i s s o l v e s i n a p l a y o f l i g h t a n d
shadow, yet at the same t ime gives the chair a str ikingly bold voice.
This Page: Spine Chair — Model 1720 — Black lacquered / leather (Black 88).
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— Nanna Ditzel
D i n i n g Ta b l e — M o d e l 6 2 8 4 — S o a p t r e a t e d o a k .
Tr i n i d a d C h a i r — M o d e l 3 2 9 8 — B l a c k / b l a c k p a i n t e d s t e e l .
Have A Seat
Have A Seat
Jigsaw fretwork creates a sense of transparency in the facades of Victorian houses in the
Caribbean. Nanna Ditzel translated this into a modern original design breakthrough in 1993
u t i l i s i n g n e w C N C t e c h n o l o g y t o c r e a t e t h e Tr i n i d a d c h a i r. T h e Tr i n i d a d h a s w o n d e s i g n
awards in America, the UK, and Denmark and is still highly celebrated throughout the world.
T h i s Pa g e : Tr i n i d a d C h a i r — M o d e l 3 2 9 8 — O a k / w h i t e p a i n t e d s t e e l .
O p p o s i t e Pa g e : Tr i n i d a d C h a i r — M o d e l 3 2 9 8 — D u s t y b l u e / d u s t y b l u e p a i n t e d s t e e l ,
black / black painted steel.
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25
J 3 9, B ø r g e M o g e n s e n’s f a m o u s wo o d e n c h a i r w i th h a n d - wove n p a p e r c o r d s e a t w a s d e s i g n e d
i n 1 9 4 7. T h e m i n i m a l d e s i g n d r a w s l i n e s t o M e d i t e r r a n e a n f o l k c h a i r s a n d i t s s i m p l i c i t y a n d
ve r s a t i l i t y e a r n e d i t th e n i c k n a m e “ T h e Pe o p l e’s C h a i r ”. 3 2 3 6 i s M o g e n s e n’s 1 9 5 6 e vo l u t i o n o f
“ T h e Pe o p l e’s C h a i r ” — th i s t i m e d e s i g n e d a n d d i m e n s i o n e d a s a g e n e r o u s l y p r o p o r t i o n e d a n d
m o r e e x c l u s i v e u p h o l s t e r e d d i n i n g c h a i r.
This Page: Dining Chair — Model 3236 — Black lacquered oak / leather (Black 88),
soap treated oak / leather (Red 83).
Opposite Page: J39 Chair — Model 3239 — Soap treated oak / natural paper cord.
Have A Seat
Have A Seat
W i th th e Pa t o s e r i e s , Fr e d e r i c i a’s l e g a c y o f i m m a c u l a t e d e t a i l i n g a n d c r a f t s m a n s h i p m e e t s t o d ay ’s
i n d u s t r i a l s t a n d a r d — t h e s t a c k a b l e p l a s t i c c h a i r. T h e h u m a n - c e n t e r e d d e s i g n i s t h e w o r k o f D a n i s h Icelandic design duo Welling/Ludvik. Presented in 2013 af ter nearly three years of development,
Pato sets a new standard for the execution and finish of polypropylene material. The series meets
every possible contemporary demand for home, office, and public spaces and is available in
upholstered versions for extra comfort as well as different visual statements.
This Page: Pato 4 Leg Armchair — Model 4210 — Quar tz grey / quar tz grey painted steel.
P a t o 4 L e g C h a i r — M o d e l 4 2 0 0 — Ye l l o w / y e l l o w p a i n t e d s t e e l .
Pa t o S l e d g e B a s e C h a i r — M o d e l 4 1 0 2 — Ve g e t a b l e t a n n e d l e a t h e r ( N a t u r a l 9 0) / b l a c k p a i n t e d s t e e l .
Opposite Page: Pato Sledge Base Chair — Model 4102 — Fabric (Crisp 4604) / blue painted steel.
Pato 4 Legs Chair — Model 4200 — Blue / blue painted steel.
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Shin Azumi designed the Nara series for Fredericia in 2009. His star ting point was to analyse
th e b o d y ’s s e a t e d p o s i t i o n i n D a n i s h M o d e r n c h a i r s , a n d f r o m th e r e h e a p p l i e d a s y s t e m a t i c
and graphical aesthetic. Nara chairs support the muscles and ligaments around the spine,
ensuring a stable and natural sitting position without unnecessary pressure on the spine
i t s e l f. T h e b a r s t o o l v e r s i o n s o f N a r a a r e a v a i l a b l e i n b o th b a r a n d k i t c h e n c o u n t e r h e i g h t .
This Page: Nara Barstool — Model 1832 — Black lacquered ash.
Nara Chair — Model 1820 — Black lacquered ash / fabric (Crisp 4211).
Opposite Page: Nara Coat Stand — Model 1880 — Black lacquered ash.
M A K E YO U R S E L F
C O M F O R TA B L E
Lounging, Resting, Conversing
The Spine Lounge series was designed in 2011 by Space Copenhagen for the reception area of a
Michelin-starred Copenhagen restaurant. The upholstered cushions are created with the same
t e c h n i q u e a n d q u a l i t y u s e d f o r B ø r g e M o g e n s e n’s 1 9 6 0 s e xc l u s i ve f u r n i t u r e r a n g e. L i ke w i s e, th e
Icicle coffee tables by Thomas Pedersen draw on both traditional and contemporar y influences
to create an organic, yet dynamic design.
This Page: Spine Lounge Sofa — Model 1712 — Black lacquered / leather (Black 88).
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 1 0 / H : 4 3 c m — B l a c k l a m i n a t e / b l a c k l a c q u e r e d o a k .
Opposite Page: Spine Lounge Chair — Model 1710 — Black lacquered / leather (Black 88).
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 2 0 / H : 5 4 c m — B l a c k l a m i n a t e / b l a c k l a c q u e r e d o a k .
M a k e Yo u r s e l f C o m f o r t a b l e
Haiku is the poetry of simplicity where
so much is expressed in a few simple
l i n e s . T h e s a m e i s t r u e fo r G a m f r a t e s i ’s
poetically designed sofa that was
launched by Fredericia in 2011.
H a n s S a n d g r e e n J a ko b s e n’s 1 9 9 8
masterpiece, the Gallery stool, pushes
the properties of molded plywood to the
maximum limit to form a recognisable,
sculptural, and durable stool.
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Opposite Page: Gallery Stool — Model 1610 — Black lacquered ash.
Haiku Sofa — Model 1633 — Leather (Black 88) / fabric (Sunniva 752).
Gamfratesi has used simple means to create a sofa that suggests both a protective
shell and cosy setting. The contrast repeats in the meeting between the rigid,
e n c l o s i n g s h a p e o f t h e e x t e r i o r a n d t h e s o f t e r, m o r e i n t i m a t e i n t e r i o r.
This Page: Haiku Sofa — Model 1632 — Fabric (Harald 242) / fabric (Crisp 4604).
“ WE T RY TO
FIND A BALANCE
BETWEEN THE
TRADITIONAL
AND THE
SURPRISING,
BETWEEN
HARMONY AND
D I S H A R M O N Y.
CONTRASTS
ARE CENTRAL
FOR OUR
I N S P I R A T I O N .”
— G a m f r at e s i
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T h i s Pa g e : H a n s J We g n e r ’s s i m p l e c o r d e d s e a t s t o o l i s a n e x a m p l e o f th e D a n i s h t r a d i t i o n
of designing modern furniture using sticks and dowels.
O p p o s i t e Pa g e : E j v i n d A J o h a n s s o n’s e m b r a c i n g J 6 4 c h a i r d r a w s a p a r a l l e l t o W i n d s o r a n d
Vienna chairs, as well as Nordic folk furniture, all merging to form a distinctive shape.
This evolution of tradition is also characterised in the J63 stool.
This Page: J16 Stool — Model 16002 — Soap treated oak / natural paper yarn.
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Opppsite Page: J64 Chair — Model 3064 — Black lacquered beech.
J63 Stool — Model 3063 — Black lacquered beech.
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“ I N FA C T, YO U B E C O M E
M O R E TA P E R E D I N T H E
C O N S I D E R AT I O N O F
OBJECTS. WITHIN A
F A I R LY N A R R O W R A N G E ,
IT I S P O S S I B L E TO
P U S H TO T H E E D G E O F
M AT E R I A L A N D S H A P E
OPTIONS, SOMETIMES
E XC E E D I N G T HE M E V E N .
I T I S T H E R E T H AT
YO U L E A R N . YO U SEE
THE CONSEQUENCES,
W H AT Y O U A R E D O I N G
WRONG, AND THEN
B E C O M E W I S E R .”
The Hunting Chair was designed in 1950 by Børge Mogensen and marked the beginning of his work
w i t h e x p o s e d w o o d e n f r a m i n g a n d s a d d l e l e a t h e r. T h e l e a t h e r s e a t i s a d j u s t e d w i t h s o l i d b r a s s
buckles, and the chair is both very comfortable and easy to move around to different locations in
the home. The rustic combination of materials develops a special patina as it ages, making The
Hunting Chair a seating sculpture that only becomes more stunning with time.
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— Børge Mogensen
T h i s P a g e : H u n t i n g C h a i r — M o d e l 2 2 2 9 — U n t r e a t e d o a k / v e g e t a b l e t a n n e d n a t u r a l s a d d l e l e a t h e r.
Prime Time is an easy chair made for cosy
relaxing. The two veneered shells support
wide cushions, allowing for more than one
p e r s o n t o s i t i n t h e c h a i r s i m u l t a n e o u s l y.
To m S t e p p d e s i g n e d t h e c h a i r i n 1 9 9 7 f o r
watching television together with his
y o u n g d a u g h t e r.
Opposite Page: Prime Time Chair — Model 15100 — Walnut / black painted steel / fabric (Coda 103).
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Bold and playful, the Mundo Lounge
chair is a very Scandinavian design
t h a t a l s o r e v e a l s a s e n s e o f h u m o u r.
Susanne Grønlund designed the
chair in 2008.
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Opposite Page: Mundo Lounge Chair — Model 1036 — Black lacquered oak /
black lacquered oak legs / fabric (Sunniva 152).
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Pato Conference chair expands the versatilit y of the successful Pato by Welling/Ludvik
“ P A T O R E TA I N S
ITS ABILITY
TO APPEAR
EXCITING
WHEN IT'S
REDUCED TO
ITS ABSOLUTE
SIMPLEST FORM.
THEREFORE
P AT O C A N
BE USED
E V E RY W H E R E .”
series. Launched in 2013, the conference chair features a swivel base with optional
casters. The visual statement of the chair can be tuned from basic to exclusive with
optional upholstery and arms.
T h i s Pa g e : Pa t o Co n fe r e n c e A r m c h a i r — M o d e l 4 0 1 2 — Ve g e t a b l e
tanned leather (Walnut 95) / black painted steel.
— Welling/Ludvik
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Icicle is a versatile series of
occasional tables. Featuring veneered
and laminated tabletops in various
shapes as well as removable solid wood
legs in a range of finishes and heights.
The tables can be stand-alone or
combined in different heights to form
an interior landscape.
O p p o s i t e P a g e : I c i c l e C o f f e e Ta b l e — M o d e l 1 2 3 0 / H : 4 3 c m — O a k v e n e e r o v e r
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white laminate / lacquered oak.
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 2 0 / H : 5 4 c m — W h i t e l a m i n a t e / l a c q u e r e d o a k .
No. 1 was the first sofa Børge
Mogensen designed when he became
Fr e d e r i c i a’s h o u s e d e s i g n e r i n 1 9 5 5 .
Fused with his signature minimalist
aesthetic and elements typical of
the 1950s, along with new functional
details such as removable and
interchangeable cushions.
The result is a sofa that invokes
a f a m i l i a r, y e t d i s t i n c t l y p e r s o n a l
character that has proven to transcend
ever-changing trends.
O p p o s i t e P a g e : N o .1 . S o f a — M o d e l 2 0 0 2 — Fa b r i c ( L u n a 4 2 0 4 ) / f a b r i c
(Crisp 4211) / lacquered oak.
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T h i s Pa g e : I n 1 9 4 5 B ø r g e M o g e n s e n d e s i g n e d th e Sp o ke b a c k S o f a f o r th e D a n i s h Ca b i n e t m a ke r ’s G u i l d
Au t u m n e x h i b i t i o n . T h e th o u g h t b e h i n d th e s o f a’s d e s i g n w a s a m e l d i n g o f a n E n g l i s h d ay b e d a n d Fr e n c h
Chaise longue. The distinctly iconic sofa with adjustable reclining side and exposed construction was
too sophisticated for modest post-war culture and it did not go into production until 1962.
Opposite Page: With No. 1, for the first time Mogensen used the combination of a tightly upholstered
frame with loose inner cushions in both the seat and back. With contrasting upholstering on the outer
frame and inner cushions, the design can be tuned to many visual directions.
T h i s Pa g e : Sp o ke b a c k S o fa — M o d e l 1 7 3 9 — S o a p t r e a t e d o a k / fa b r i c ( B a l d e r 2 0 74 ) /
leather buttons (Walnut 95).
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O p p o s i t e P a g e : N o .1 . S o f a — M o d e l 2 0 0 3 — Fa b r i c ( L u n a 4 6 0 1 ) / f a b r i c ( C r i s p 4 6 0 4 ) / s m o k e d o a k .
With its geometrical angles and rustic
e l e g a n c e, B ø r g e M o g e n s e n’s Sp a n i s h C h a i r fo r
Fredericia stands out as a true original.
The chair was presented in 1958 as part of an
innovative living space exhibition, in which all
tables were removed from the floor to create
an open communication space.
The Spanish Chair was inspired by an ancient
A n d a l u s i a n c h i e f t a i n’s c h a i r t h a t M o g e n s e n h a d
seen on holiday in Spain, and expanded on his
e a r l i e r w o r k i n s o l i d w o o d a n d s a d d l e l e a t h e r.
Opposite Page: Spanish Chair — Model 2226 — Soap treated oak / vegetable
t a n n e d n a t u r a l s a d d l e l e a t h e r.
57
A game using sticks was the inspiration
behind Micado, an occasional table that
i s s t r i k i n g i n i t s s i m p l i c i t y.
The simple, three-legged construction
is assembled without hardware and
su p p o r t s i t se l f.
Cecilie Manz designed the awardwinning table for Fredericia in 2004.
O p p o s i t e P a g e : S p i n e L o u n g e C h a i r — M o d e l 1 7 1 0 — L a c q u e r e d o a k / f a b r i c ( To p a s 7 9 4 ) .
58
S p i n e L o u n g e S o f a — M o d e l 1 7 1 2 — L a c q u e r e d o a k / l e a t h e r ( Ta n 8 2 ) .
M i c a d o Ta b l e — M o d e l 1 2 1 3 — L a c q u e r e d o a k .
59
This Page: Børge Mogensen designed the bench 3171 for Fredericia in 1956. With its robust
s i m p l i c i t y th e b e n c h i s a n e x a m p l e o f M o g e n s e n’s l i f e l o n g d r i ve f o r a p e r f e c t a n d p u r i f i e d s h a p e.
Opposite Page: Hans J. Wegner was of ten referred to as a master of chairs, and the J1 6 is
considered to be a masterpiece. The rocker with the sensually curved arms was inspired by
t r a d i t i o n a l A m e r i c a n S h a ke r f u r n i t u r e, f u s e d w i th We g n e r ’s p o e t i c l i n e s .
This Page: Dining Bench — Model 3171 — Black lacquered oak / leather (Black 88).
Opposite Page: J16 Rocking Chair — Model 16000 — Soap treated oak / natural paper yarn.
61
As it so happened, a design school final exam project utilising purely functional analysis, resulted in a
very sculptural conclusion. Stingray offers a 360° choice of seating positions and embraces its user with
comfort from every angle. The award-winning chair is available both in highest grade plastic with ultra
smooth glossy texture and upholstered wooden versions.
T h i s P a g e : I c i c l e C o f f e e Ta b l e — M o d e l 1 2 2 0 / H : 5 4 c m — W h i t e l a m i n a t e / l a c q u e r e d o a k .
Stingray Rocking Chair — Model 3500 — White / white painted steel.
N e c k Cu s h i o n — M o d e l 3 5 0 3 — Ve g e t a b l e t a n n e d l e a t h e r ( Wa l n u t 9 5 ) .
L a m b s k i n — M o d e l 3 5 0 5 — B r o w n l o n g h a i r.
Opposite Page: Stingray Upholstered Rocking Chair — Model 3525 — Fabric (Perla 164) / white painted steel.
HAN D C R AF T E D
E XC E L L E NCE
The Børge Mogensen Select Collection
Hand Crafted Excellence
With a second to none choice of materials,
construction and execution, the Børge
Mogensen Select Collection models are the
finest in quality and completely unique in
their beauty as they age.
Perhaps this is why the series is seen in
e m b a s s i e s , e x e c u t i ve o f f i c e s , m i n i s t e r ’s
cabinets, upscale hotels and the most elite
of homes around the world.
The prototype of Sofa 2213, was originally
d e s i g n e d fo r M o g e n s e n’s o w n h o m e i n 1 9 6 2
with the frank ambition to simply create
the ultimate sofa.
Every sofa and chair in the collection
is 100% hand crafted and upholstered
i n o u r f a c t o r y.
66
Opposite Page: Easy Chair — Model 2207 — Fabric (Star 787) / Black lacquered oak.
Sofa — Model 2213 — Leather (Black 88) / Black lacquered oak.
Easy chair 2207 is part of a family that also encompasses a two and three seat sofa, as well as the
highback wing chair 2204. The elegantly curved back makes the models as beautiful in mid-room as
they are against a wall.
T h i s Pa g e : H i g h b a c k W i n g C h a i r — M o d e l 2 2 0 4 — Ve g e t a b l e t a n n e d l e a t h e r ( N a t u r a l 9 0) / U n t r e a t e d o a k .
Opposite Page: Easy Chair — Model 2207 — Fabric (Star 787) / Black lacquered oak.
69
In addition to its functional and aesthetic
qualities, the Børge Mogensen Select
Collection draws upon the 100 plus years
o f Fr e d e r i c i a’s m a n u fa c t u r i n g e x p e r i e n c e.
The structured, yet fluid, visual shape of
the collection requires a selection of only
the finest materials.
From the solid hardwood frame
construction, to the carefully measured
ratio of foam to feather in the cushions, the
collection is thoroughly uncompromising.
The bull hides used at Fredericia are of
the highest calibre, from animals that have
been raised under strict ethical guidelines.
Sofa 2333 was the last piece of furniture Børge Mogensen would finish before he died
in 1972, at only 58 years old. As demonstrated throughout the Select Collection, he
transformed the time-honoured upholstering traditions of Fredericia into a contemporar y
geometrical and minimalist design.
70
O p p o s i t e P a g e : S o f a — M o d e l 2 3 3 3 — Ve g e t a b l e Ta n n e d L e a t h e r ( C h e s t n u t 9 1 ) / s m o k e d o a k .
71
DESIGN IS THE
L A N G U A G E T H AT
C O M M U N I C AT E S
WITHOUT SUBTITLES
The Astral Bench, designed by Per Borre in 1979, comprises of only two repeat element s
that interlock to create the back and seat. The construction forms a semi-circle
wherefore the bench balances its own weight, creating a unique seated sculpture free
of obtrusive metal support elements. Astral is suitable for both indoor and outdoor use.
72
Opposite Page: Astral Bench — Model 1111 — Oiled jatoba.
F a b r i c s a n d C o l o u r Pa l e t t e s
All furniture shown in this catalogue are upholstered in fabrics and leathers
preferred by Fredericia. As textiles are a vital element to our designs, we have a
close collaboration with weaving mills in Denmark, along with leather tanneries in
Sweden and Italy to select and develop fabrics and skins that are best suited to our
furniture designs and manufacturing methods. As our furniture is hand-upholstered
74
a n d m a d e t o o r d e r, w e a r e a l s o a b l e t o u p h o l s t e r i n c u s t o m e r s ’ o w n m a t e r i a l . O u r
c o l o u r p a l e t t e i s c a r e f u l l y c h o s e n e v e r y y e a r.
75
Our Designers
Børge Mogensen
(1914-1972)
Our Designers
In their work with Fredericia, Space
Copenhagen seek to rethink the uphol-
Borre pursues the expressive and sculp-
Børge Mogensen was one of the most
stering traditions held at our factory for
tural properties of thought-through
influential designers in shaping Danish
more than 100 years. Page 85
construction. This ambition is very much
Modern design and present day Frederic i a’s fo u n d i n g d e s i g n e r f r o m 1 9 5 5 u n t i l
his death in 1972. He found inspiration
fulfilled in his masterpiece, the 1979 As-
G a m f r at e s i
all over the world in his quest to create
Børge Mogensen
Hans J. Wegner
to create a self-supporting structure.
Page 95
generations. Mogensen's most recognised
quickly becoming a rising star in the de-
pieces were developed during his collab-
sign world with their poetic and organic
oration and friendship with Fredericia
style that bridges northern and southern
Niels Jørgen Haugesen
CEO Andreas Graversen. Page 80
design culture. Contrasts are the central
(1936-2013)
Ejvind A. Johansson
source of their inspiration and with
World-renowned designer of iconic
Fredericia they balance traditions with
Haugesen used the high-tech movement
the unexpected. Page 86
with thought-through functionality and
immense attention to material to create
Welling/Ludvik
Danish chairs, Wegner insisted to infuse
widely recognised Danish design. In his
work with Fredericia, he perfected the
details of the 1984 Haugesen table to
achieve a truly optimal design. Page 95
his functional designs with a poetic and
Danish-Icelandic design duo Hee Welling
playful edge. Wegner 's essential rocking
and Gudmundur Ludvik prove that the
chair for Fredericia was designed as part
basics can always be reinvented. With
of a program to popularise the ideas of
Fredericia, they combine their functional
simple modernism led by Børge Mogensen
and human-centered designs with our
during the 1940s in Denmark. Page 83
experienced attention to detail and ma-
With discrete and playful aesthetics,
terial intuition that creates quality and
Ce c i l i e’s w o r k s d e m o n s t r a t e t h a t f u n c -
l o n g e v i t y. P a g e 8 7
tional details are able to create the aes-
Ejvind A. Johansson
Gamfratesi
logic is the repetition of two basic parts
Danish-Italian design duo Gamfratesi is
(1914-2007)
Space Copenhagen
tral Bench for Fredericia, where the basic
everyday objects that would endure for
Hans J. Wegner
Nanna Ditzel
Per Borre
that emerge from intuition and emotion.
(1923-2002)
Welling / Ludvik
Cecilie Manz
thetic essence of an object in a subtle
Thomas Pedersen
Ejvind A. Johansson built upon Børge Mo-
w a y. H e r e a r l y r e c o g n i t i o n o f h e r c o n t r i bution to Danish design began with her
table "Micado", designed for Fredericia
in 2004. Page 95
gensen's ambition to furnish the homes
Combining unusual innovations in ma-
of Danes with functional modernism. In
terial and construction with references
general, Johansson was perceived as
to historical designs, Pedersen is both
unorthodox in his methods and philoso-
unconventional, yet rooted in tradition.
phies. Nevertheless, his J64 chair pays
Pedersen's award-winning designs always
homage to the principles of Mogensen's
have a functional starting point from
S a n d g r e n J a ko b s e n’s d e s i g n b r e a k t h r o u g h
m e t h o d o l o g y. P a g e 8 4
which his more elaborate organic shapes
happened in 1998 with his masterpiece,
emerge. Page 91
the highly awarded Gallery stool, devel-
Nanna Ditzel
(1923-2005)
H a n s S a n d g r e n J a ko b s e n
oped in collaboration with Fredericia.
Susanne Grønlund
By pushing the properties of moulded
plywood to the maximum limit, a sculptural and functional construction emerged.
Thomas Pedersen
Susanne Grønlund
To m S t e p p
Per Borre
Page 95
Nanna Ditzel, with her postmodernism
Grønlund builds upon the Scandinavian
and rebellion against tradition, became a
tradition of design, adding a sense of
leading figure well after her 70th birth-
humour to her creations. With the 2009
d a y, i n t h e r e n e w a l o f D a n i s h d e s i g n i n
Mundo chair for Fredericia, she succeed-
the 1990's. Her works very often had a
ed to create a a new logical structure for
subjective starting point, which was con-
a previously explored field of moulded
Mastering the scientific approach to de-
trary to specific problems to be solved.
plywood chairs. Page 92
sign as dictated by Kaare Klint and Børge
Mogensen, Azumi applies his own visual
H o w e v e r, s h e h a d a m a g n i f i c e n t a b i l i t y
to transform her artistic dreams into
very functional and purposeful designs.
Tom Stepp
Page 84
interpretation to functional structures.
To g e t h e r w i t h F r e d e r i c i a , A z u m i h a s
fused Japanese aesthetics with tradition-
S t e p p’s m a n i fe s t o s t a t e s t h a t g o o d d e -
S pa c e C o p e n h a g e n
Shin Azumi
al Danish design principles. Page 96
sign is something that does not hurt to
use. This frank approach means that his
designs are very often created to solve
Niels Jørgen Haugesen
76
Cecilie Manz
Hans Sandgren Jakobsen
Shin Azumi
Copenhagen design duo Space Copenha-
a specific requirement for his own life.
gen make headlines with their signature
Though a functionalist at heart, Stepp is
style of elegant, yet classical design
not afraid to include a personalised style
lines infused with a contemporary edge
in his no-nonsense designs. Page 95
77
C ATA L O G U E
BØRGE MOGENSEN, hans J. Wegner , Ejvind A. Johansson, Nanna ditzel ,
S PA C E C O P E N H A G E N , G a m F r at e s i , W e l l i n g / L u d v i k , t h o m a s p e d e r s e n ,
s u s a n n e G r ø n l u n d , t o m s t e p p, P e r b o r r e , n i e l s j ø r g e n h a u g e s e n ,
c e c i l i e M a n z , h a n s s a n d g r e n J a ko b s e n , S H I N A Z U M I
Catalogue
BØRGE MOGENSEN
Catalogue
BØRGE MOGENSEN
The Søborg Chair — Model 3050
2207 Easy Chair — Model 2207
2208 Sofa — Model 2208
W: 51 cm, D: 49 cm
Seat upholstered
W: 69,5 cm, D: 82 cm
L: 128 cm, D: 82 cm
L: 186 cm, D: 82 cm
H: 7 9,5 cm, Sh: 44,5 cm
W: 51 Cm, D: 49 cm
H: 84 cm, Sh: 43 cm
H: 84 cm, Sh: 43 cm
H: 84 cm, Sh: 43 cm
H: 7 9,5 cm, Sh: 45,5 cm
Wt: 24 kg, Cbm: 0,53 m3
Wt: 3 7 kg, Cbm: 0,97 m3
Wt : 4 5 kg , Cb m : 1,4 m 3
Wt: 5 kg, Cbm: 0,22 m3
Wt: 5,5 kg, Cbm: 0,22 m3
2202 Stool — Model 2202
The Wing Chair — Model 2204
W: 50,5 cm, D: 48,5 cm
Seat upholstered
W: 58 cm, D: 58 cm
W: 69 Cm, D: 88 cm, H: 106 cm
L: 148 cm, D: 78 cm
H: 7 9,5 cm, Sh: 44,5 cm
W: 50,5 cm, D: 48,5 cm
H: 43 cm, Wt: 9 kg
Sh: 43 cm, Wt: 29 kg
H: 78 cm, Sh: 43 cm
H: 7 9,5 cm, Sh: 45,5 cm
Cbm: 0,2 m3
Cbm: 0,8 m3
Wt: 48 kg, Cbm: 1,09 m3
Wt: 6 kg, Cbm: 0,22 m3
Wt: 6,5 kg, Cbm: 0,22 m3
80
The 2212 Sofa — Model 2212
The 2213 Sofa — Model 2213
2334 Easy Chair — Model 2334
L: 158 cm, D: 81 cm
L: 221 cm, D: 81 cm
L: 207 cm, D: 78 cm
By Peter Mogensen
By Peter Mogensen
H: 80 cm, Sh: 43 cm
H: 80 cm, Sh: 43 cm
H: 78 cm, Sh: 43 cm
L: 180 cm, D: 78 cm
W: 85 cm, D: 78 cm
W t : 5 3 k g , C b m : 1 ,1 8 m 3
Wt: 73 kg, Cbm: 1,66 m3
Wt: 68 kg, Cbm: 1,53 m3
H: 78 cm, Sh: 43 cm
H: 78 cm, Sh: 43 cm
Wt : 6 0 kg , Cb m : 1,4 1 m 3
Wt: 34 kg, Cbm: 0,63 m3
81
Catalogue
BØRGE MOGENSEN
Catalogue
BØRGE MOGENSEN
No. 1 Sofa — Model 2002
No. 1 Sofa — Model 2003
The Coupé Sofa — Model 2192
5 2 6 7 C o f f e e Ta b l e — M o d e l 5 2 6 7
C 1 8 Ta b l e — M o d e l 6 2 9 0
C 1 8 Ta b l e — M o d e l 6 2 9 1
L: 143 cm, D: 86 cm
L: 206 cm, D: 86 cm
L: 154 cm, D: 89 cm
L: 150 cm, W: 75 cm
L: 180 cm, W: 90 cm
L: 140 cm, W: 90 cm
H: 83 cm, Sh: 42 cm
H: 83 cm, Sh: 42 cm
H: 106 cm, Sh: 42 cm
H: 54 cm, Wt: 28 kg
H: 71 cm, Wt: 35 kg
H: 71 cm, Wt: 40 kg
Wt: 42 kg, Cbm: 0,8 m3
W t : 5 4 k g , C b m : 1 ,1 m 3
Wt: 65 kg, Cbm: 1,8 m3
C b m : 0,1 2 m ³
C b m : 0,1 8 m 3
C b m : 0,1 4 m 3
The Spoke-back Sofa — Model 1789
The Spanish Chair — Model 2226
The Hunting Chair — Model 2229
6 2 8 4 Ta b l e — M o d e l 6 2 8 4
T h e S h a k e r Ta b l e — M o d e l 6 2 8 6
T h e S h a k e r Ta b l e — M o d e l 6 2 8 9
L: 160/197 cm, D: 76,5 cm
W: 82,5 cm, D: 60 cm
W: 70,5 cm, D: 87 cm
L: 180 cm, W: 90 cm
L : 1 9 5 c m , W : 9 7, 5 c m ,
L : 1 5 0 c m , W : 9 7, 5 c m
H: 86 cm, Sh: 40 cm
H: 67 cm, Sh: 33 cm
H: 67 cm, Sh: 28 cm
H: 70 cm Wt: 40 kg,
H: 71 cm, Wt: 56 kg,
H: 71 cm, Wt: 40 kg
W t : 3 3 k g , C b m : 1 ,1 8 m 3
W t : 1 2 kg , Cb m : 0,4 1 m 3
W t : 9 kg , Cb m : 0,4 5 m 3
C b m : 0,1 8 m ³
Cbm: 0,2 m3
C b m : 0,1 6 m 3
HANS J. WEGNER
3171 Bench — Model 3171
J 39 Chair — Model 3239
3236 Chair — Model 3236
J16 Rocking Chair — Model 16000
L: 170 cm, W: 48 cm, H: 76 cm
W: 48 cm, D: 43 cm, H: 77 cm
W : 5 0 c m , D : 4 7 c m , H : 74 c m
W: 63 cm, D: 93 cm
W: 52 cm, D: 40 cm
Sh: 43 cm, Wt: 21 kg
S h : 4 4 , 5 /4 6 c m , W t : 4 , 5 k g
Sh: 43 cm, Wt: 6 kg
H: 107 cm, Sh: 42 cm
H: 45 cm, Wt: 4,8 kg
Cbm: 0,82 m3
Cbm: 0,26 m3 (2 Pcs.)
Cbm: 0,28 m3 (2 Pcs.)
Wt: 11 kg, Cbm: 0,58 m3
C b m : 0,1 m 3
82
J16 Stool — Model 16002
83
Catalogue
EJVIND A. JOHANSSON
Catalogue
NANNA DITZEL
J63 Stool – Model 3063
J64 Chair - Model 3064
B e n c h Fo r Tw o — M o d e l 2 6 0 0
W: 48 cm, D: 34,5 cm
W: 59,5 cm, D: 54 cm
L: 150 cm, D: 70 cm
Nanna Lounge Chair — Model 2640
W: 76 cm, D: 65 cm
H: 47 cm, Wt: 4 kg
H: 7 9,5 cm, Sh: 45 cm
H: 98 cm, Sh: 40 cm
H: 82 cm, Sh: 41,5 cm
C b m : 0,1 1 m 3
Wt: 5,8 kg, Cbm: 0,28 m3
Wt: 20 kg, Cbm: 1.32 m3
Wt : 1 0 kg , Cb m : 0,4 6 m 3
Nanna Bench — Model 3540
NANNA DITZEL
Tr i n i d a d C h a i r — M o d e l 3 2 9 8
Tr i n i d a d C h a i r — M o d e l 3 2 9 6
Tr i n i d a d A r m c h a i r — M o d e l 3 2 9 9
Nanna Bench — Model 3530
W : 4 7, 5 c m , D : 5 7 c m
Seat upholstered
W: 61 cm, D: 57 cm
L: 234 cm, D: 65 cm
L: 313 cm, D: 65 cm
H: 83 cm, Sh: 44 cm
W: 48,5 cm, D: 57 cm
H: 83 cm, Sh: 44 cm
H: 81 cm, Sh: 43 cm
H: 81 cm, Sh: 43 cm
H: 83 cm, Sh: 45 cm
W t : 5 kg , Cb m : 0,4 6 m 3 ( 2 Pc s . )
Wt : 4 0 kg , Cb m : 1,4 8 m 3
Wt: 50 kg, Cbm: 1,97 m3
W t : 4 kg , Cb m : 0,4 m 3 (4 Pc s . )
W t : 4 , 5 kg , Cb m : 0,4 m 3 (4 Pc s . )
S PA C E C O P E N H A G E N
Tr i n i d a d A r m c h a i r — M o d e l 3 2 9 7
Tr i n i d a d B a r S t o o l — M o d e l 3 3 0 0
Tr i n i d a d B a r S t o o l — M o d e l 3 3 0 1
Spine Chair — Model 1720
Spine Bar Stool — Model 1730
Seat upholstered
W: 45 cm, D: 50 cm
Seat upholstered
W: 46,5 cm, D: 58 cm
W: 45 cm, D: 51 cm
W: 42,5 cm, D: 35 cm
W: 61 cm, D: 57 cm
H: 112 cm, Sh: 76,5 cm
W: 45 cm, D: 50 cm
H: 76 cm, Sh: 46,5 cm
H : 1 0 4 c m , S h : 74 c m
H : 6 8 / 74 c m , W t : 5 ,6 /5 ,7 kg
H: 83 cm, Sh: 45 cm
Wt: 5 kg, Cbm: 0,34 m3
H : 1 1 2 c m , S h : 7 7, 5 c m
Wt: 8 kg, Cbm: 0,3 m³
Wt: 10,2 kg, Cbm: 0,34 m³
C b m 0,1 4 m ³
W t : 6 kg , Cb m : 0,4 6 m 3 ( 2 Pc s . )
84
Spine Stool — Model 1735
Wt: 5,5 kg, Cbm: 0,34 m3
85
Catalogue
S PA C E C O P E N H A G E N
Catalogue
WELLING/LUDVIK
Spine Lounge Chair — Model 1710
Spine Lounge Sofa — Model 1712
Pato 4 Leg Chair — Model 4200
W: 80 cm, D: 81 cm
L: 160 cm, D: 81 cm
Polypropelene
Seat upholstered
Fully upholstered
H: 71 cm, Sh: 41 cm
H: 71 cm, Sh: 41 cm
W: 55 cm, D: 52 cm
W: 55 cm, D: 52 cm
W: 55 cm, D: 52,5 cm
Wt: 25 kg, Cbm: 0,56 m³
W t : 4 5 k g , C b m : 1 ,1 4 m ³
H: 79 cm, Sh: 46,5 cm
H : 7 9 c m , S h : 4 7, 5 c m
H : 8 0 c m , S h : 4 7, 5 c m
Wt : 5, 2 kg , Cb m : 0,4 8 m 3 (4 Pc s . )
Wt : 5,4 kg , Cb m : 0,4 8 m ³ (4 Pc s . )
Wt : 5,7 kg , Cb m : 0,4 8 m 3 (4 Pc s . )
Pato 4 Leg Armchair — Model 4212
S p i n e C o f f e e Ta b l e — M o d e l 1 7 4 0
S p i n e C o f f e e Ta b l e — M o d e l 1 7 5 0
Polypropylene
Seat upholstered
Fully upholstered
L: 60cm, W: 60 cm
L: 120 cm, W: 60 cm
W: 57 cm, D: 52 cm
W: 57 cm, D: 52 cm
W: 57 cm, D: 52,5 cm
H: 45 cm, Wt: 20 kg
H: 45 cm, Wt: 35 kg
H: 79 cm, Sh: 46,5 cm
H : 7 9 c m , S h : 4 7, 5 c m
H : 7 9 , 5 c m , S h : 4 7, 5 c m
C b m : 0,1 9 m ³
Cbm: 0,38 m³
Wt : 5,7 kg , Cb m : 0,4 8 m 3 (4 Pc s . )
Wt : 5, 9 kg , Cb m : 0,4 8 m 3 (4 Pc s . )
Wt : 6, 2 kg , Cb m : 0,4 8 m 3 (4 Pc s . )
Pato Sledge Chair — Model 4102
870
G A M F R AT E S I
Haiku — Model 1633
Polypropylene
Seat upholstered
Fully upholstered
L: 156 cm, D: 92 cm
L: 228 cm, D: 92 cm
W: 57 cm, D: 51 cm
W: 57 cm, D: 51 cm
W: 57 cm, D: 51,5 cm
1000
Haiku — Model 1632
1500
H: 79 cm, Sh: 46,5 cm
H : 7 9 c m , S h : 4 7, 5 c m
H : 7 9 , 5 c m , S h : 4 7, 5 c m
Wt : 6,0 kg , Cb m : 0,4 8 m 3 (4 Pc s . )
Wt : 6, 3 kg , Cb m : 0,4 8 m 3 (4 Pc s . )
Wt : 6,6 kg , Cb m : 0,4 8 m 3 (4 Pc s . )
1000
1000
870
H: 104 cm, Sh: 45 cm
Wt: 81 kg, Cbm: 2,9 m3
870
H: 104 cm, Sh: 45 cm
Wt: 56 kg, Cbm: 2,03 m3
2200
86
1000
870
1500
2200
87
Catalogue
WELLING/LUDVIK
Catalogue
WELLING/LUDVIK
Pato Bar Stool — Model 4300
Pato Office Chair — Model 4020
Polypropylene
Seat upholstered
Fully upholstered
Polypropylene
Seat upholstered
Fully upholstered
W: 45 cm, D: 50 cm
W: 45 cm, D: 50 cm
W: 46 cm, D: 50 cm
W: 68,5 cm, D: 62 cm
W: 68,5 cm, D: 62 cm
W: 68,5 cm, D: 62 cm
H : 9 7/ 1 0 9 c m , S h : 6 6 / 7 7 c m
H: 97 /109 cm, Sh: 66/77 cm
H : 9 8 / 1 1 0 c m , S h : 6 7/ 7 8 c m
H: 81-91 cm, Sh: 46,5-56,5 cm
H : 8 1 - 9 1 c m , S h : 4 7, 5 - 5 7, 5 c m
H : 8 1 - 9 1 c m , S h : 4 7, 5 - 5 7, 5 c m
W t : 7, 1 / 7, 5 k g , C b m : 0 , 3 4 m 3
W t : 7, 4 / 7, 7 k g , C b m : 0 , 3 4 m 3
W t : 7, 7 / 8 , 0 k g , C b m : 0 , 3 4 m 3
Wt: 9,7 kg, Cbm: 0,25 m3
Wt: 10 kg, Cbm: 0,25 m3
Wt: 10,3 kg, Cbm: 0,25 m3
Pato Conference Chair — Model 4000
Pato Office Armchair — Model 4030
Polypropylene
Seat upholstered
Fully upholstered
Polypropylene
Seat upholstered
Fully upholstered
W: 63 cm, D: 50 cm
W: 63 cm, D: 50 cm
W: 63 cm, D: 50 cm
W: 68,5 cm, D: 62 cm
W: 68,5 cm, D: 62 cm
W: 68,5 cm, D: 62 cm
H: 79 cm, Sh: 45,5 cm
H: 79 cm, Sh: 46,5 cm
H: 7 9,5 cm, Sh: 46,5 cm
H: 81-91 cm, Sh: 46,5-56,5 cm
H : 8 1 - 9 1 c m , S h : 4 7, 5 - 5 7, 5 c m
H : 8 1 - 9 1 c m , S h : 4 7, 5 - 5 7, 5 c m
Wt : 8,4 kg , Cb m : 0, 2 5 m ³
Wt: 8,6 kg, Cbm: 0,25 m³
Wt: 8,9 kg, Cbm: 0,25 m³
Wt: 9,9 kg, Cbm: 0,25 m3
Wt: 10,2 kg, Cbm: 0,25 m3
Wt: 10,3 kg, Cbm: 0,25 m3
Pato Conference Armchair — Model 4010
Pato Bench — Model 4330
Polypropylene
Seat upholstered
Fully upholstered
Polypropylene
Polypropylene
W: 63 cm, D: 50 cm
W: 63 cm, D: 50 cm
W: 57 cm, D: 50 cm
W: 157 cm, D: 51,5 cm
L: 213 cm, D: 51,5 cm
H: 79 cm, Sh: 45,5 cm
H: 79 cm, Sh: 45,5 cm
H: 7 9,5 cm, Sh: 46,5 cm
H: 78 cm, Sh: 46 cm
H: 78 cm, Sh: 46 cm
Wt: 9,7 kg, Cbm: 0,25 m³
Wt: 8,8 kg, Cbm: 0,25 m³
Wt: 9 kg, Cbm: 0,25 m3
W t : 2 7, 5 k g , C b m : 0 , 8 m 3
W t : 3 5 , 5 k g , C b m : 1 ,1 m 3
88
Pato Bench — Model 4340
89
Catalogue
WELLING/LUDVIK
Catalogue
WELLING/LUDVIK
M e s a Ta b l e — M o d e l 4 6 1 2
S o l a C a f é Ta b l e — M o d e l 4 6 7 0
L: 120 cm, W: 120 cm
Ø: 70 cm
L: 70 cm, W: 60 cm
L: 70 cm, W: 70 cm
H: 73 cm, Cbm: 0,28 m3
H: 71/105 cm
H: 71/105 cm
H: 71/105 cm
W t : 1 8 k g , C b m : 0,1 8 m 3
W t : 1 8 k g , C b m : 0,1 8 m 3
W t : 1 9 k g , C b m : 0,1 8 m 3
M e s a Ta b l e — M o d e l 4 6 1 8
M e s a Ta b l e — M o d e l 4 6 2 0
M e s a Ta b l e — M o d e l 4 6 2 2
S o l a Ta b l e — M o d e l 4 6 7 8
S o l a Ta b l e — M o d e l 4 6 7 9
L: 180 cm, W: 90 cm
L: 200 cm, W: 100 cm
L: 200 cm, W: 120 cm
L: 130 cm, W: 70 cm
L: 160 cm, W: 70 cm
H: 73 cm, Cbm: 0,31 m3
H: 73 cm, Cbm: 0,38 m3
H : 7 3 c m , Cb m : 0,4 5 m 3
H: 71/105 cm
H: 71/105 cm
Wt: 40,5 kg, Cbm: 0,6 m3
Wt: 39 kg, Cbm: 0,7 m3
THOMAS PEDERSEN
90
M e s a Ta b l e — M o d e l 4 6 2 3
M e s a Ta b l e — M o d e l 4 6 2 6
M e s a Ta b l e — M o d e l 4 6 3 0
Stingray Rocking Chair — Model 3500
L: 220 cm, W: 120 cm
L: 260 cm, W: 120 cm
L: 300 cm, W: 120 cm
High Gloss Plastic
Stingray Rocking Chair — Model 3525
Fully upholstered
H : 7 3 c m , Cb m : 0,4 5 m 3
H: 73 cm, Cbm: 0,5 m3
H: 73 cm, Cbm: 0,69 m3
W: 120 cm, D: 114 cm
W: 122 cm, D: 114 cm
H: 83,5 cm, Sh: 34 cm
H: 86 cm, Sh: 34 cm
W t : 1 7 k g , C b m : 1 ,1 m 3
W t : 2 5 k g , C b m : 1 ,1 m 3
91
Catalogue
THOMAS PEDERSEN
Catalogue
SUSANNE GRØNLUND
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 0 0
Mundo Bar Stool — Model 1048
Ø : 9 0 c m , H : 4 3 /4 9 c m
L: 70 cm, B: 70 cm, H: 43/54 cm
Ø: 50 cm, H: 43/54 cm
W: 49 cm, D: 46 cm
Mundo Bar Stool — Model 1049
Front upholstered
W t : 1 0 k g , C b m : 0,1 m 3
Wt: 6,5 kg, Cbm: 0,06 m3
W t : 3,4 kg , Cb m : 0,0 3 m 3
H : 8 7/ 1 1 0, 5 c m , S h : 6 3 /8 6 , 5 c m
W: 49 cm, D: 46 cm
Wt: 8,5 kg, Cbm: 0,34 m3
H : 8 7/ 1 1 0, 5 c m , S h : 6 5/8 8 , 5 c m
Wt: 9,5 kg, Cbm: 0,34 m3
Mundo Chair — Model 1040
L: 84 cm, B: 63 cm
L: 127 cm, B: 90 cm
L: 150 cm, B: 58 cm
W: 57 cm, D: 53 cm
Mundo Chair — Model 1044
Front upholstered
H: 43/54 cm, Wt: 5,7 kg
H : 4 3 /4 9 c m , W t : 1 4 k g
H : 4 3 /4 9 c m , W t : 1 3 k g
H: 75 cm, Sh: 45,5 cm
W: 57 cm, D: 53 cm
Cbm: 0,07 m3
C b m : 0,1 3 m 3
C b m : 0,1 m 3
Wt: 4,3 kg, Cbm: 0,33 m3 (3 Pcs.)
H: 75 cm, Sh: 46 cm
Wt: 5,3 kg, Cbm: 0,33 m3 (3 Pcs.)
SUSANNE GRØNLUND
92
Mundo Lounge Chair — Model 1034
Mundo Lounge Chair — Model 1036
W: 78 cm, D: 65,5 cm
W: 78 cm, D: 65,5 cm
H : 7 7, 5 c m , S h : 4 6 c m
H: 79 cm, Sh: 47 cm
Ø: 150 cm, H: 72,5 cm
Wt: 11 kg, Cbm: 0,53 m³
Wt: 10 kg, Cbm: 0,54 m³
Wt : 4 0 kg , Cb m : 0,4 1 m 3
E a s y Ta b l e — M o d e l 1 3 0 5
93
Catalogue
SUSANNE GRØNLUND
TOM STEPP
Prime Time Easy Chair
Prime Time Stool
E a s y Ta b l e — M o d e l 1 3 6 2
E a s y Ta b l e — M o d e l 1 3 7 4
E a s y Ta b l e — M o d e l 1 3 8 0
— Model 15100
— Model 15102
L: 125 cm, W: 60 cm
L: 140 cm, W: 70 cm
L: 195 cm, W: 80 cm
W: 95 cm, D: 94 cm
W: 70 cm, D: 60 cm
H: 72,5 cm, Wt: 24 kg
H: 72,5 cm, Wt: 29 kg
H: 72,5 cm, Wt: 37 kg
H: 96 cm, Sh: 43 cm
H: 53 cm, Sh: 43 cm
Cbm: 0,08 m3
C b m : 0,1 1 m 3
C b m : 0,1 8 m 3
Wt: 35 kg Cbm: 0,93 m3
W t : 9 k g , C b m : 0,1 9 m 3
PER BORRE
NIELS JØRGEN HAUGESEN
E a s y Ta b l e — M o d e l 1 3 8 4
E a s y Ta b l e — M o d e l 1 3 8 3
E a s y Ta b l e — M o d e l 1 3 8 6
Astral Bench — Model 1111
T h e H a u g e s e n Ta b l e — M o d e l 4 7 5 0
L: 140 cm, W: 80 cm
L: 125 cm, W: 80 cm
L: 160 cm, W: 80 cm
L: ½ Ø 450 cm, D: 225 cm
L: 186/305 cm, W: 92 cm
H: 72,5 cm, Wt: 30 kg
H: 72,5 cm, Wt: 27 kg
H: 72,5 cm, Wt: 32 kg
H: 81 cm, Sh: 42 Cm, Cbm: 8,58 m3
H: 72 cm, Wt: 52 kg
C b m : 0,1 1 m 3
C b m : 0,1 m 3
C b m : 0,1 3 m 3
Cbm: 0,2 m3
CECILIE MANZ
94
Catalogue
H A N S S A N D G R E N J A KO B S E N
E a s y Ta b l e — M o d e l 1 3 8 8
E a s y Ta b l e — M o d e l 1 3 8 9
E a s y Ta b l e — M o d e l 1 3 9 0
M i c a d o C o f f e e Ta b l e — M o d e l 1 2 1 3
Gallery Stool — Model 1610
L: 180 cm, W: 80 cm
L: 190 cm, W: 80 cm
L: 180 cm, W: 90 cm
Ø: 60 cm, H: 49 cm
W: 52 Cm, D: 36 cm H: 48 cm
H: 72,5 cm, Wt: 35 kg
H: 72,5 cm, Wt: 36,5 kg
H: 72,5 cm, Wt: 36,5 kg
Wt: 3,8 kg, Cbm: 0,03 m3
W t : 4 k g , C b m : 0,1 2 m 3
C b m : 0,1 5 m 3
C b m : 0,1 8 m 3
C b m : 0,1 9 m 3
95
Catalogue
SHIN AZUMI
Nara Coat Stand — Model 1880
Nara Chair — Model 1810
H: 180 cm, W: 32 cm
W : 4 7, 5 c m , D : 5 0 , 5 c m
Nara Chair — Model 1820
Seat Upholstered
D: 42 cm, Wt: 10 kg
H: 83,5 cm, Sh: 43,5 cm
W: 48 cm, D: 51 cm
Cbm: 0,27 m3
Wt: 5 kg, Cbm: 0,22 m3
H: 83,5 cm, Sh: 44,5 cm
Wt: 5 kg, Cbm: 0,22 m3
Nara Bar Stool — Model 1830
W: 44,5 cm, D: 44,5 cm
Seat Upholstered
H: 99 cm, Sh: 67 cm
W: 45 cm, D: 45 cm
Wt: 6 kg, Cbm: 0,3 m3
H: 99 cm, Sh: 68 cm
Wt: 6 kg, Cbm: 0,3 m3
W: 44,6 cm, D: 47 cm
Seat upholstered
H: 108 cm, Sh: 77 cm
W: 45 cm, D: 47 cm
Wt: 6 kg, Cbm: 0,3 m3
H: 108 cm, Sh: 78 cm
Wt: 6 kg, Cbm: 0,3 m3
96
More info:
HQ, sales and production:
Fredericia Furniture A/S
Treldevej 183
D K- 7 0 0 0 F r e d e r i c i a
Tel: +45 7592 3344
P R , m a r k e t i n g a n d r e ta i l :
Fredericia, Copenhagen Office
Frederiksborggade 22
D K- 1 3 6 0 C o p e n h a g e n K
Tel: +45 3312 4644
w w w. F r e d e r i c i a . c o m
Bureau: UncleGrey/ Copen Hagen
Photography: Frederik Lindstrøm
Stylist: Sidsel Rudolph
Te x t : R a s m u s G r a v e r s e n / E l i z a v e t a F r i e d m a n / U n c l e G r e y

Fredericia Lookbook 2015

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