Museum`s `I Am AZ Music` - MIM Music Theater
Transcription
Museum`s `I Am AZ Music` - MIM Music Theater
CLASSIFIEDS FIND BUSINESSES FOR SALE, AUCTIONS, PETS, FURNITURE AND MORE PAGES 5-8 10 TOP FEB.14 DEALS FREE WORLD WONDER SEE THE GRAND CANYON Celebrate Arizona’s centennial with free entry to Grand Canyon National Park on Tuesday, Feb. 14. Save the regular $25 per vehicle or $12 per person if entering by foot, bicycle or motorcycle. The deal applies to entrance fees only; camping, reservation and tour fees are extra. nps.gov/grca. ARIZONA LIVING 1912-2012 Arizona’s Centennial SUNDAY 2-FOR-1 ADMISSION SEA LIFE ARIZONA Visit Sea Life with your special someone and get two tickets for the price of one. Valid after 2 p.m. Monday and Tuesday, Feb. 13-14, at the admissions desk. Regular admission is $18. At Arizona Mills, Priest Drive and Baseline Road, Tempe. 480-4787600, visitsealife.com/Arizona. » FOR MORE DEALS, SEE PAGE 5. INSIDE SUNDAY LIVING 3 TV listings 4 Puzzles 7 Pets SECTION E SUNDAY, 2.12.2012 THE ARIZONA REPUBLIC LIVING.AZCENTRAL.COM Clockwise from top left: Exhibit items include a Guerrini accordion, which was popular among O’odham musicians; an Alice Cooper stage jacket from the late 1960s that was made by his mother, Ella Furnier; a photo of singing cowgirl Billie Maxwell (second from left); and a photo of Native American jazz musician Russell “Big Chief” Moore. PHOTOS FROM THE MUSICAL INSTRUMENT MUSEUM, JOHN P. DIXON (MAXWELL) AND GILA RIVER INDIAN COMMUNITY (MOORE) ARIZONA’S The “I Am AZ Music” exhibit also includes the Koto Harp-Guitar (above) made by William Eaton and a Duane Eddy guitar (below). SONG Museum’s ‘I Am AZ Music’ showcases state’s influence and innovation By Larry Rodgers The Republic | azcentral.com D ramatic “shock rock,” politically charged Chicano music, twangy surf guitar, breezy country-pop, soothing New Age flute, moody “emo,” rootsy jangle-rock, cowboy campfire tunes and the sonic gumbo known as waila all have a common denominator: Arizona. As our state celebrates its centennial, it may not seem to be a hotbed of American musical sounds and trends along the lines of New York, Chicago, Nashville or New Orleans. But supremely creative Arizona-spawned acts including Alice Cooper, Lalo Guerrero, Duane Eddy, Marty Robbins, R. Carlos Nakai, Jimmy Eat World, the Gin Blossoms, Billie Maxwell and the Joaquin Brothers have helped create sounds to enrich the American musical landscape since Arizona was granted statehood in 1912. George Harrison listened to Eddy’s echoing guitar work before joining the Beatles. Marilyn Manson idolized Cooper before pushing shock rock in stunning new directions. Guerrero is hailed as the father of Chicano music, and Nakai brought Native American flute to huge New Age audiences. The Roberto-Venn School of Luthiery in Phoenix, home of the cutting-edge instruments of William Eaton, is the longest-running guitar-making school in North America. “I Am AZ Music,” an exhibit opening at Phoenix’s Musical Instrument Museum on Saturday, Feb. 18, gives plenty of attention to such well-known Arizonans as Cooper, Linda Ronstadt and Fleetwood Duane Eddy recalls the 1957 w day in hen bought he Gretsch this guit Phoenix ar in . E3 See ‘AZ MUSIC’, Page E2 Token gives sense of belonging O n my desk at work is a pinkand-red tissue-paper flower with a chocolate Hershey kiss at the center and a shiny green ribbon twisting up the stem. My co-worker Claudia gave it to me last year on Valentine's Day, completely unexpectedly, tucking it next to my computer before I arrived. It is a little faded now, but I've kept it because it takes me right back to when I was a kid in grade school and Valentine's Day meant 32 little die-cut cards featuring Barbie, the Smurfs, Snoopy and Spider-Man, my name scrawled on the tiny white envelopes piled on my desk. In second grade, every kid gave a valentine card to every My So-Called Midlife KARINA BLAND The Arizona Republic other kid in the class, even the mean girl who was taller than the teacher and wouldn't let you on the swings unless you paid her a quarter or let her punch you in the arm. (For 25 cents, I took the punch.) On Valentine's Day, even the tall mean girl was nice. And those little cards, with heart-shaped lollipops in clear wrappers and pink boxes of Sweethearts Conversation Hearts taped to the envelopes, the biggest and best one from my best friend, and one with a horse on it from the boy I thought was cute (he really gets me) told me that I belonged. Forty years later, this tissuepaper flower with “Happy Valentine's Day” written on the underside of the paper green leaf makes me feel that way too, like I belong here. Two desks down, Scott still has his flower from Claudia too, and for the same reason: It made him feel included. Granted, when we were kids, the teacher sent home a list of names so no one was left out. (Being forgotten on Valentine's See BLAND, Page E5 To find great restaurants and dining deals, go to dining.azcentral.com. REACH US: Diane Porter, Arizona Living editor, 602-444-NEWS or [email protected]. E2 S U N D AY , F E B R U A R Y 12 , 2 012 FROM THE COVER ‘AZ Music’ American music,” says Robert Doyle, who has owned the label since 1992. The label’s most influential artist is Navajo flute master Nakai. “He was the forerunner of the renaissance of the (Native American) flute,” Doyle says. “The more traditional flute can sound harsh; he creates a more soothing sound.” Buoyed by his music’s popularity with the New Age community, the Grammy-nominated Nakai has sold 1 million copies of his 1993 album, “Canyon Trilogy.” He is the only native artist recording outside pop music to accomplish that feat. Continued from Page E1 Mac’s Stevie Nicks. But it also celebrates underthe-radar acts that helped push musical boundaries inside and outside our state’s lines. “As a newcomer to Arizona, I have been extremely impressed by the sheer amount of musical ingenuity that has come out of the state in the past 100 years,” says MIM curator Cullen Strawn, a key player in the exhibit, which will run 11 months. “It’s a very eclectic blend. … These were major forces in different kinds of popular music.” Longtime Arizona music historian John P. Dixon says, “There are so many styles of music that have an Arizona influence. You will see these things, and you will also get (to hear) audio.” Guitar slinger Eddy, who was inducted into the Rock and Roll Hall of Fame because of such global hits as “Rebel Rouser,” “Peter Gunn” and “Because They’re Young,” puts it this way: “The spaciousness and openness of the desert, the feel of it and the smells, shaped my music. I play like that, with big notes and open spaces. I figured out through the years that I’ve been subconsciously influenced by that.” The MIM exhibit uses visitors’ headsets to play music that automatically changes as they stroll through the decades. It offers up-close looks at such instruments as country star Buck Owens’ red-white-and-blue guitar and a double-neck model strummed by Eddy on “American Bandstand.” It personalizes things further with garments, such as the dress that Glendale’s Jordin Sparks wore the night she won “American Idol” and two stage outfits donned by Cooper. Video clips, historic photos and a timeline add more perspective. Indian influence Native American and White cultures mixed in one of the Valley’s more popular ensembles when Arizona was admitted to the Union. In fact, the Phoenix Indian School Band helped Arizonans celebrate their new status. “They played in some pretty important events, like the procession that was part of the statehood ceremonies in 1912 and for (then-former) President Coolidge at the dedication of Coolidge Dam (near Globe, in 1930),” Strawn says. The Phoenix Indian School and its band were part of federal programs at the turn of the 20th century aimed at pushing young Native Americans to assimilate into White life and urban areas. Musicians wore militarystyle uniforms and played marching-band songs on brass and drums. Unfortunately, the Native American sounds that band members might have grown up with were excluded from the band’s repertoire. But in the decades leading up to the school’s closure in 1990, students gradually were allowed to start reconnecting with their native culture. As Arizona moved into the Roaring ’20s, a pair of acts singing the kind of music that early settlers had enjoyed were breaking new ground. The Arizona Wranglers went from singing at a root-beer drive-in in Phoenix to touring nationally in the late 1920s. JOHN P. DIXON Maxwell has been called the original cowgirl singer, and the MIM has some history to back that up. “She was from the White Mountains and was a true cowhand, unlike later country singers who would affiliate themselves with Western cowboy culture,” Strawn says. Maxwell got her start as part of a four-piece band called the Maxwell Family Orchestra. All the members split their time between playing music and farming and ranching. In 1929, Maxwell became what Dixon believes is the first Arizonan to end up on a record. Maxwell traveled to El Paso to record “Cowboy’s Wife” on the Victor label, which later became RCA Victor. The Maxwell-penned song, which describes the joys and disappointments of marriage to a cowhand, also made the singer a pioneer among female country singers with its social commentary, Strawn said. At one point, Maxwell sings that she must “swallow my disappointment” as her husband seems more interested in eating supper than kissing her after a hard day’s work. Also heading toward stardom in the late ’20s were the Arizona Wranglers, whose members started singing together while working at a rootbeer drive-in in Phoenix and ended up with a local radio show. The group was lured to Los Angeles for a show on a larger radio station and toured nationally behind such hits as “The Strawberry Roan.” Some members later played singing cowboys in Hollywood Westerns. Chicano icon The 1930s found Guerrero as a teenager in his ‘Golden era’ This traditional fiddle was made by San Carlos Apache artist Anthony Belvado. MUSICAL INSTRUMENT MUSEUM native Tucson, learning guitar and singing from his mother, Concepción, an immigrant from Mexico. He learned traditional music but also was influenced by such radio favorites as Al Jolson and Bing Crosby. That inspired Guerrero to bring swing and boogie-woogie into Spanish-language music in the 1940s. Guerrero was not allowed to speak Spanish at his high school, and that type of treatment, as well as the plight of farmworkers and other immigrants, would be among the subjects that crept into his music after he moved to Los Angeles and started recording. Songs such as “El Chicano” and “El Corrido de Cesar Chavez” helped develop the social commentary of Chicano music. “Lalo is an icon,” says Ruth Lara Vichules, a Phoenix singer-songwriter who performs in Spanish and English. “A lot of people don’t know that he is from Arizona.” In the 1940s, a Native American jazz musician helped illustrate how artists sometimes break social barriers before other parts of the population. Russell Moore, nicknamed Big Chief, was a full-blooded Pima who left the Gila River Indian Community as a teenager for Chicago. “He became a great trombone player in the tradition of New Orleans jazz,” Strawn says. “By the ’40s, he had hooked up with Louis Armstrong, played with him for about three years and later, again, in the 1960s.” Moore’s initial run paired a Native American with an AfricanAmerican bandleader in a group that also included Whites. This was two decades before the Civil Rights Act of 1964 was passed. With the dawn of the ’50s came the founding of Phoenix’s Canyon Records by Ray and Mary Boley. The label has been home to scores of Native American artists ever since. “For 15 years, Canyon was the only place, aside from the Library of Congress or (Smithsonian) Folkways, to find Native The late ’50s ushered in what Dixon calls “the golden era” of Arizona music. Much of that revolved around producer Lee Hazlewood and a tiny recording studio in central Phoenix. Hazlewood wrote and produced “The Fool,” a top-10 hit in 1956 featuring Phoenix singer Sanford Clark, and he helped Eddy record many of his highest-charting hits at Audio Recorders. Aided by engineer Jack Miller, Hazlewood ran Eddy’s guitar through a 10,000gallon water tank set up behind the studio to create the twangy sound that morphed into surf guitar in the early ’60s. The water tank is part of the MIM exhibit. Also breaking out in the ’50s was Glendaleborn country-pop singer Marty Robbins, who made a name in Phoenix THE ARIZONA REPUBLIC before leaving Arizona in 1951 to record in Nashville. After scoring a huge country hit with “A White Sport Coat and a Pink Carnation,” Robbins went to New York to cross over into pop with “El Paso” and “Don’t Worry” in the early ’60s. “Marty knew he could do bigger and better things, and knew there was an entire (pop) audience he was missing out on,” Dixon says. Roots of waila The ’60s also brought broad exposure to a style of dance and music that had its seeds in southern Arizona in the 1800s. Catholic missionaries taught members of Arizona’s Tohono O’odham tribe (called the Papago at the time) to play fiddle, and when German settlers arrived later, they brought accordions and polka music. Norteño sounds came up from the Mexican border areas, and cumbia later arrived from South America. Young tribal members returned from boarding schools with a love of brass and woodwinds. From the hodgepodge, waila emerged as a precursor to world music, and Florence’s Joaquin Brothers were premier performers of the style starting in the mid-’60s. The original waila gatherings ran all night, to avoid the heat. Angelo Joaquin Jr., whose late father started the Joaquin Brothers, says a waila festival that he has helped run in Tucson since 1989 has brought the Native and non-Native communities See EXHIBIT, Page E3 sean emery walter osTaNek bowser and blue Health Screening Jimmy FlyNN michelle leadbeaTer wrighT February 14 & 15, 2012 • 10:00 AM to 4:00 PM Mesa Convention Center, 201 N. Center Street, Mesa, AZ 85211 info: 1-800-265-3200 no x-ray radiation Free entertainment Early Detection Saves Lives will be showcased at the event with live entertainment from country to classic to pop. Presented by Medipac (U.S.) International Inc. Scottsdale, Arizona Tom AR-0007705893-01 Free admission to enter the Mesa Convention Center and experience the show. Parking is free. Feature areas at the show offer interactive workshops, exhibits and the comfort of our hospitality center. For sponsor and exhibitor information please call 1-800-326-9560 FROM THE COVER THE ARIZONA REPUBLIC Exhibit Continued from Page E2 closer together. “We live on the second-largest Indian reservation, and, for years, there has been a wall between the reservation and Tucson,” he says. “Since we put on our first waila festival, that has really helped to remove the wall, or at least soften it.” A world away in the mid-’60s, Vincent Furnier and some classmates at Cortez High School in northwest Phoenix formed a band that would use a number of names, including the Spiders. Furnier, who became Rock and Roll Hall of Famer Alice Cooper, and his group dreamed up early versions of the theatrics that acts like Manson and Ozzy Osbourne would use decades later. “They painted white rope (to create) a web-type thing between them and the audience,” Dixon recalls. “It looked like a spider web.” Radio pioneer Another Valley music pioneer spotlighted at the MIM came into his own in the ’70s and ’80s. After making a fortune as a California-based country singer and a star on the comedy series “Hee Haw,” Buck Owens purchased radio stations in the midto late-’60s in Bakersfield and 6:00 6:30 7:00 Recent acts The MIM exhibit also spotlights acts from the past few decades that are better-known to younger visitors. Tempe’s Gin Blossoms helped usher in the jangle-rock of the ’90s with 1992’s “New Miserable Experience,” an album Valley concert promoter Charlie Levy calls one of the most solid of that era. Levy also credits Mesa’s Jimmy Eat World with recording a seminal album for fans of melodic, introspective “emo” music — 1999’s “Clarity.” Sparks pumped up Arizona’s pop scene by winning the sixth season of “American Idol” in 2007, and she since has recorded two million-selling albums. Phoenix-born country singer Dierks Bentley has joined Sparks in the million-selling ranks by becoming one of the new breed of country stars putting plenty of rock into his music, and Tucson’s Calexico has built a national following with its own blend of Latin, Americana and alternative-rock influences. Strawn says he and the MIM staff can’t wait to see what Arizona musicians will create to build beyond what “I Am AZ Music” has on display. “If the coming 100 years are anything like what we have seen so far, music fans have a lot to look forward to,” he said. 7:30 8:00 8:30 A golden guitar day Future Rock and Roll Hall of Famer Duane Eddy was still playing in Valley nightclubs in 1957, when he purchased the guitar that would help bring him global fame. Eddy recently looked back on that day: “I bought that guitar in the spring of 1957 from Ziggie’s, which is on North Third Street (in Phoenix). It’s still there. Ziggie (Zardus), the old man, was running it then, and I went in looking for a new guitar. I was kind of dreaming. There was a white (Gretsch) Falcon on the wall, and I drooled over that for a while. … It was $760, which I definitely couldn‘t afford. So Ziggie said, ‘I got something that’s more practical for you.’ He opens up this case, hands me this orange Gretsch 6120, Chet Atkins model. I sat down, and it nestled in there just perfect. The neck Duane was a dream, narrow and easy to play. It was Eddy perfect for my hand. I said, ‘This is perfect, Ziggie. Let’s work out a deal. How much is it?’ ‘$450.’ ‘I can’t do it now, Ziggie, but maybe toward the end of summer.’ “He said, ‘What are you playing now?’ I said, ‘I got a Gibson (Les Paul) gold top, ’54.’ … I went out to the car, got it, and he looked at it. He said, ‘I can give you $65 toward the new one; your payments will be $17.50 a month.’ I said, ‘I’m not 21 yet.’ He said, ‘Your dad can sign (for the loan) when he comes up from Coolidge.’ So I picked up my Gibson and started to leave. He said, ‘Where you going?’ I said, ‘I’ll be back when my dad comes to sign.’ He said, ‘No, you won’t. Leave that Gibson here and take the Gretsch.’ I said, ‘You’re kidding.’ He said, ‘No you can have it, take it. I trust you.’ “So I walked out of there with a brand-new guitar that day, and it was the guitar that was to make my fame and fortune. I didn‘t know it at the time. I just knew that I had a guitar that I loved dearly.” — Larry Rodgers 9:00 9:30 10:00 Healing Power Of Juicing: Will do 31 Kitchen Cold Case: Sandhogs. Bones found in a subjobs in one. (cc) way are identified. (cc) (HDTV) % CBS The 54th Annual Grammy Awards: Excellence in the recording industry. 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(N) (cc) Mob Wives: Sit (N) Mob Wives (cc) How I Met/Mother How I Met/Mother How I Met/Mother How I Met/Mother News at Nine (N) 8:40 Instant Replay The Unit: The Unit must get out of Spain. Monk: Mr. Monk Gets a New Shrink. (cc) ESPN ESPN2 FSNAZ GOLF SPEED 5:00 NBA Basketball: Miami Heat at Atlanta Hawks. (N) NBA Basketball: Utah Jazz at Memphis Grizzlies. From the FedEx Forum in Memphis, Tenn. (N) (Live) (HDTV) SportsCenter (N) (Live) (HDTV) (cc) 5:00 NHRA Drag Racing: O’Reilly Auto Parts Winternationals. From Pomona, Calif. (N Same-day Tape) (cc) Thrills & Spills SportsCenter (N) (Live) (HDTV) (cc) E:60 5:30 College Basketball: Stanford at USC. (N) (Live) (HDTV) World Poker Tour: Season 10 (Taped) World Poker Tour: Season 10: Preview. The Best of Pride (N) (HDTV) The Game 365 PGA Tour Golf: Champions: Allianz Championship, Final Round. PGA Tour Golf: AT&T Pebble Beach National Pro-Am, Final Round. From Pebble Beach, Calif. (HDTV) (cc) Golf Central (N) The Day (HDTV) Mustang Boss 302 (HDTV) Two Guys Garage Car Crazy (HDTV) SPEED Center (HDTV) Dangerous Drives (HDTV) CNBC CNN FOXN MSNBC Dog Show: 135th Westminster Kennel Club Dog Show: Opening Night. (cc) Black in America: The New Promised Land Piers Morgan Tonight (HDTV) Huckabee (N) (HDTV) FOX News Sunday With Chris Wallace Caught on Camera (N) (HDTV) Caught on Camera (HDTV) AMC BRAVO ENC FLIX HBO IFC MAX SHO STARZ SUND TCM TMC The Walking Dead: Cherokee Rose. (cc) The Walking Dead: Chupacabra. (cc) The Walking Dead: Secrets. (cc) (HDTV) The Walking Dead (cc) (HDTV) The Walking Dead: Nebraska. (N) (cc) The Real Housewives of Orange County The Real Housewives of Orange County The Real Housewives of Atlanta (HDTV) The Real Housewives of Atlanta (HDTV) The Real Housewives of Atlanta (N) (HDTV) 5:20 Tango & Cash (’89) ›› ‘R’ 7:05 A Man Apart (’03) › Vin Diesel. A DEA agent searches for his wife’s murderer. (cc) Outbreak (’95) ›› Dustin Hoffman. Army doctor fights spread of deadly virus. ‘R’ 5:40 Mad Love (’95) ›› Chris O’Donnell. ‘PG-13’ (cc) 7:20 Indian Summer (’93) ››› Alan Arkin. ‘PG-13’ (cc) Father of the Bride (’91) ››› Steve Martin, Diane Keaton. ‘PG’ (cc) 4:30 S.W.A.T. ›› Megamind (’10) ››› Voices of Will Ferrell. ‘PG’ (HDTV) 8:10 The Adjustment Bureau (’11) ›› Matt Damon. ‘PG-13’ (cc) (HDTV) Luck: Ace meets with a talented whiz kid. (N) Open Water 2: Adrift 6:45 The Devil’s Rejects (’05) › Sid Haig. A sheriff and two bounty hunters track a murderous family. ‘R’ Portlandia: Cat Nap. Todd Margaret The Devil’s Rejects (’05) › Sid Haig. ‘R’ 5:20 Harry Potter and the Deathly Hallows: Part 1 (’10) ››› Daniel Radcliffe. (cc) 7:50 Strike Back 8:40 Strike Back (cc) (HDTV) Cherry Falls (’00) › Michael Biehn. ‘R’ (cc) (HDTV) 5:50 The Hurt Locker (’08) ››› Jeremy Renner, Anthony Mackie. ‘R’ (cc) (HDTV) Shameless: Father’s Day. (cc) House of Lies: Utah. Californication Shameless: Can I Have a Mother. (N) 5:20 Battle: Los Angeles (’11) ›› Aaron Eckhart. ‘PG-13’ 7:20 Secretariat (’10) ››› Diane Lane. The story of the 1973 Triple Crown winner. (cc) Priest (’11) ›› Paul Bettany, Karl Urban. ‘PG-13’ (cc) 5:35 Peter and Vandy (’09) ›› (cc) Brideshead Revisited (’08) ››› Matthew Goode, Hayley Atwell. ‘PG-13’ (cc) (HDTV) 9:15 Gigantic (’08) › Paul Dano, Zooey Deschanel. ‘R’ (cc) Funny Girl (’68) ›››› Barbra Streisand. Ziegfeld Follies’ Fanny Brice loves gambler Nicky Arnstein. ‘G’ (cc) 8:45 Hester Street (’75) ››› Steven Keats. A Russian Jew adapts to 1890s New York. Marty (’55) ›››› 5:15 Extraordinary Measures (’10) ›› Black Filmmaker Bran Nue Dae (’09) ›› Rocky McKenzie. ‘PG-13’ (cc) (HDTV) I Am Number Four (’11) ›› Alex Pettyfer, Timothy Olyphant. ‘PG-13’ (cc) (HDTV) BASIC CABLE A&E APL BBC BET CMT COM COX 7 DIS DSC E! FAM FOOD FX GAME HGTV HIS LIFE MTV NICK OWN SPIKE SYFY TBS TLC TNT TOON TRAV TRU TVL USA VH1 WGN-A SPORTS Tyler Perry’s House of Tyler Perry’s Meet the Stargate Atlantis: The stress of the coming Payne (cc) Browns (HDTV) battle weighs on the Atlantis team. (cc) NEWS ’Til Death: Ally’s Preg- The Family Stone (’05) ›› Dermot Mulroney, Sarah Jessica Parker. A man introduces his nant. (cc) uptight girlfriend to his family. ‘PG-13’ The Hal Lindsey Report Cámara Loca (cc) MOVIES LOCAL CHANNELS 2/12/12 Phoenix, where he had lived with his family in the 1930s and 1940s as a Dust Bowl refugee. The Phoenix stations would become KNIX-AM (1580) and -FM (102.5). During the ’70s Owens and a team including his son Michael and program director Larry Daniels pioneered the use of audience surveys and marketing to a wide audience to make KNIX-FM the top station in the Phoenix market. The Valley also was put on the nation’s map of fine instrument makers in 1975, when the Roberto-Venn School of Luthiery opened. Co-founder and current director William Eaton has become internationally known for the one-of-a-kind instruments he created at the school. He has built several variations on his harpguitar design that feature multiple necks or loops of wood to allow for 20 or more strings, producing the sound of both instruments. “I envision some sound I am looking for … and an instrument is created,” Eaton says. “I do that simply out of the passion of a performer.” Eaton recently built an 18-footlong, 18-string instrument from a dead tree on the school’s property. The Roberto-Venn School has graduated more than 1,700 students, who have come to the Valley from every continent except Antarctica, Eaton says. S U N D AY , F E B R U A R Y 12 , 2 012 CNN Newsroom (N) (HDTV) Geraldo at Large (N) (cc) (HDTV) MSNBC Undercover: Inside a Crack House Dog Show: 135th Westminster Kennel Club Dog Show: Opening Night. (cc) Black in America: The New Promised Land Piers Morgan Tonight (HDTV) Huckabee (HDTV) Stossel (HDTV) To Catch a Predator: Petaluma 1. To Catch a Predator: Long Beach 1. ADVERTI S E M E N T Weddings & Special Occasions TO PLACE AN AD, CALL 602-444-4972 • wedding.azcentral.com For your Listening & Dancing Pleasure. The Fabulous Decades.Your favorite hits throughout the yrs. Music for any occasion.480-888-7825 480-338-1421 Knight Flight Pro. DJ’s. Post Holiday Special $200 Off w/Ad for January & February Events. Call Russ Knight 623-934-3384 or knightflightdjs.com Divorced, Catholic? Comfortable Weddings. By "Fr." Jim www.marriedpriest.com flexible/most locations 623-931-2404 Weddings &Receptions, Digital $495! 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