Yamaha 02R96 brochure - fra www.interstage.dk
Transcription
Yamaha 02R96 brochure - fra www.interstage.dk
www.global.yamaha.com www.yamaha.co.jp/product/proaudio/homeenglish interstage This document is printed on chlorine-free (ECF) paper with soy ink. LPA464 Printed in Japan Phistersvej 31, 2900 Hellerup, Danmark Telefon 3946 0000, fax 3946 0040 www.interstage.dk - pro audio with a smile F E A T U R E S Meet the New Standard: The Yamaha 02R96 Digital Mixing Console A lot has changed in the world of digital audio production since the Yamaha 02R sparked the revolution back in 1995. But through it all the 02R became and remained the professional standard. Now, as the industry settles on the 24-bit 96-kHz format for the foreseeable future of professional digital audio, and surround sound proves that it is here to stay, it’s time for a change. Meet the new standard: the 02R96. With more than five times the processing power of the original 02R, the 02R96 represents a thorough revision that brings every aspect of the console F Unprecedented 24-bit, 96-kHz Performance Throughout Unlike conventional equipment that achieves operation in 96-kHz mode with reduced number of channels, the 02R96 imposes no such limitations — at 44.1 kHz, 48 kHz, 88.2 kHz or 96 kHz. Full 96kHz resolution with 32-bit internal processing and 58-bit accumulators is the standard. You get 56 channels of transparent, superdynamic 24-bit/96-kHz audio, plus all the additional effects and processing you’ll ever need for most applications. Yamaha has included a comprehensive range of FX Edit Reverb 5.1 96-kHz compatible stereo effects with 32-bit internal processing in the 02R96 — plus several designed specifically for surround. And you can use as many as four individual effect processors simultaneously. up to date with today’s most advanced production needs. And since the 02R96 inherits key features from Yamaha’s flagship DM2000 Digital Production Console — 96-kHz audio, surround monitoring, E A T U R E S instantaneously layer-switched to control any of 56 channels. Having all controls right in front of you at all times not only saves space, but it also means that all operations can be carried out without having to move away from the monitoring “sweet spot”. What’s more, all available inputs, outputs, effects, and channel inserts can be assigned to any of the console’s channels or outputs via the 02R96’s remarkably versatile, easy-to-use digital patching system. In Patch For example, any of the four effect processors can be assigned to an auxiliary buss for send-type operation, or inserted directly into any input channel as required. A direct out function also allows the signal from any of the 56 input channels to be routed directly to any digital or analog output. The eight auxiliary busses can also be patched to anywhere in the system. Centralized control means you’ll never have to run around to physically re-patch cables whenever you need to reconfigure the system, and patch setups you might want to use again can be stored in the patch library for instant recall at any time. studio manger software, and DAW control — it makes the most advanced technology for commercial Top-quality Channel Compression, Gating, EQ and Delay sound and music production available to a broad range of engineers and facilities. Superlative Analog Head Amplifiers & Converters And what about critical A/D conversion? All onboard A/D and D/A conversion makes use of the finest 24-bit/96-kHz converters. This is particularly important in the 02R96 because it features head amplifiers derived from the acclaimed DM2000 — some of the finest analog mic preamps available in any console, anywhere. The on-board converters ensure that you get an excellent digital representation of the warm, transparent output from these remarkable mic preamps. I/O capability is also in line with the rest of the console’s performance: four I/O slots accept a new range of 24-bit/96-kHz-capable Mini-YGDAI digital and analog I/O cards as well as existing types. 56 Channels in 3 Layers, Plus Extraordinary Patching Flexibility All 56 input channels on the 02R96 feature flexible, independent compression and gating/ducking processors for dynamics control. The 4-band parameter channel equalizers also offer extra versatility with switchable “type I” or “type II” EQ algorithms to deliver the type of EQ response you prefer. Even the channel delay goes beyond the norm, with a maximum delay of 453 Channel View milliseconds. Expandable Data Libraries Setting up EQ, compression, and other parameters for a mix from scratch can be a daunting task, so Yamaha has provided an extensive selection of presets in a range of “libraries” that can simply be selected and used unmodified, or edited to suit specific requirements. Libraries are provided for effects, compression, gating, EQ, I/O patching, and more. Of course, your own setups can be added to the libraries for instant recall whenever they are needed. One of the advantages of working with digital is that it allows maximum power and flexibility to be packed into minimum space. On the 02R96 24 precision 100-millimeter motorized channel faders can be 2 02R96 02R96 3 F E A T U R E S F I/O Expandability and Plug-in Capability The 02R96 provides everything you need for 5.1 surround processing, panning and monitoring. The 02R96’s real I/O versatility comes in the form of four Mini-YGDAI expansion slots. The expansion slots are 24-bit/96-kHz compatible, so you can select I/O and processing cards to provide the input/output configuration and processing capabilities that are perfect for your needs. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU format, or extra analog I/O capability, the appropriate Mini-YGDAI cards are available. Apogee’s high-performance A/D and D/A cards are supported, as is the very powerful Waves Y56K effects plug-in card. A Complete Surround Solution E A T U R E S Intuitive Interface Designed for Maximum Productivity If you’ve used an 02R before, you’ll feel right at home with the 02R96. It even has the same footprint size as the 02R, so replacing existing equipment is a snap. You will notice, however, that the control surface and user interface have been expanded and enhanced to allow analog-style hands-on operation with minimum need to refer to the LCD. 16 user-defined keys which can be assigned the functions of your choice are also provided. User Defined The 02R96 provides everything you need for 5.1 surround processing, panning and monitoring — including joystick — without any external equipment or the need to reassign channels for surround use. In addition to graphic monitor configuration displays, the 02R96 also provides multi-channel surround pan/position displays so you can see where multiple channels sit in the surround mix at a glance. The joystick provided for surround panning in the console’s SELECTED CHANNEL control section has high 128 x 128 step resolution for exceptionally smooth control, and a divergence parameter can be used to adjust the hard/phantom center ratio for each channel. Additional facilities provided by the monitor processing section include individual bus (speaker) muting and attenuation, overall level control for all monitor outputs, stem mix monitoring via independent source selection capability for each expansion slot, bass management for subwoofer delivery, and independent delays for precision speaker tuning. Studio Manager Software Supplied The 02R96 comes with Yamaha’s Studio Manager application for both Macintosh® and Windows® platforms, allowing total control and management of all console parameters via a comprehensive graphic interface. Comprehensive Automation and Scene Control The 02R96 takes automation and scene memory recall to new levels of precision and ease-of-use. While providing full automation of virtually all console parameters, the 02R96 features smooth and quiet touchsensitive, 100mm motorized faders that make writing and updating automated mixes faster and more intuitive than ever. And all automation data is recorded at 1/4-frame accuracy to ensure excellent precision. Integrated DAW Control Surround Monitor Monitor Alignment Surround Edit Bass Management The 02R96 has been designed to integrate tightly with leading digital audio workstations such as Digidesign’s Pro Tools® system and Steinberg’s Nuendo® to create a complete production and mixing environment. Mixing and processing parameters, as well as transport control and editing functions can be controlled directly from the 02R96 surface. Integration with Emagic’s Logic Audio® is also planned. Since the 02R96 employs the same control protocol as Yamaha’s flagship DM2000 Digital Production Console, collaboration with software/hardware developers brings the same benefits to both consoles. Remote (Insert) 4 02R96 Remote (Channel) 02R96 5 H A R D W A R E H 1 Refined Interface The Yamaha 02R96 has been designed on the strength of past successes plus invaluable feedback from leading engineers and artists worldwide. It is the latest step in an ongoing evolution that makes more production power, creative potential, and operational efficiency available than ever before. 12 11 2 2 3 1 6 5 7 9 8 10 * Rear panel shown with optional I/O cards installed. Selected Channel Section The SELECTED CHANNEL controls are the handson channel controls for the currently selected input and output channel, with analog-style buttons and knobs for direct, easy access to every single parameter. Need to adjust the high-mid frequency a little? Just grab the HIGH-MID encoder and turn. And while we’re on the subject of EQ, note that individual numeric displays are provided for each of the four EQ bands, displaying precise frequency and dB values immediately below the encoders so you don’t have to refer to the LCD display. All of the sub-sections within the SELECTED CHANNEL section also feature DISPLAY keys that instantly bring the corresponding parameters up on the LCD display. 4 Monitor Section 6 User Defined Keys These 16 keys can be assigned to control any functions you choose. You could, for example, individually mute surround monitor speakers, arm tracks on an MTR, etc. When the Pro Tools® or Nuendo® Remote Layer mode is selected, the USED DEFINED KEYS are automatically assigned to dedicated control functions by default. 7 Machine Control The 02R96 has been provided with a comprehensive range of facilities for external machine control. MMC protocol is supported, and control can be switched between MTR and master target machines. The MACHINE CONTROL section features basic transport control in the familiar layout – REW, FF, STOP, PLAY, and REC – for fast, efficient transport operation, plus locator keys for easy cue access. 8 Channel Strips The 24 channel strips on the 02R96 panel provide access to the most essential operations for the corresponding channels. Depending on the currently selected layer, the channel strips will control channels 1 through 24, channels 25 through 48, or channels 49 through 56 as well as the eight AUX sends and eight busses (the “Master Layer”). Also the channel faders and encoders will function according to the settings in the FADER MODE and ENCODER MODE sections. In addition to a fader and rotary encoder, each channel strip includes a channel ON/OFF key, a SOLO key, and AUTO key to turn mix automation on or off for that channel, and a SEL key which assigns the channel as the console’s “Selected Channel”. Detailed control for the currently selected channel – dynamics, EQ, buss assignment, panning and surround positioning, – is available via the SELECTED CHANNEL controls. The 02R96 MONITOR section features separate, multiple source selectors for the studio and control room sends, solo capability, separate source selectors In addition to the master stereo fader with its own and level control for surround monitoring, a DIMMER switch, and a TALKBACK section complete with slate capability. The 02R96 also offers advanced surround monitoring capability. ON, SEL and AUTO keys, the master section includes keys for input channel layer selection (1-24, 25-48, or MASTER) as well as a selector for remote control. 5 13 Display Control The DISPLAY ACCESS keys determine which type of data will be shown on the LCD panel — a total of 12 selectable categories — in addition to the DISPLAY keys provided for each of the 02R96 control sections. This approach minimizes the need to scroll through onscreen lists when you need access to a particular type of data. Below the display access keys are a group of EFFECTS/PLUG-IN keys that can be used to instantly bring the parameters for any of the four simultaneouslyassignable effects to the display. Editing and selection of on-screen parameters is easy, too, via encoders located immediately below the display. 3 4 Fader & Encoder Mode The FADER MODE keys allow the 02R96 faders to be instantaneously switched between fader and auxiliary level control, while the ENCODER MODE keys assign the console’s rotary encoders for pan, send level, and other assignable control functions. Scene Memory Here’s where you can store all console parameters as a new scene, or instantly recall previously-stored scenes. A numeric display right next to the STORE, RECALL, and UP/DOWN keys shows the current scene number – 01 through 99. Additional scene memories can be managed via a computer running the 9 10 Master & Layer Section Data Entry Large cursor, INC/DEC, and enter keys are complemented by a data entry dial that lets you spin in values quickly and easily. The data entry dial also doubles as a shuttle/scrub dial for recorder or DAW control. 11 A R D W A R E Analog Input Section Inputs 1 through 16 feature high-performance head amplifiers for microphone or line input that deliver a pristine signal to the console’s precision 24-bit/96-kHz A/D converters. 48-volt phantom power for condenser microphones is individually switchable for each input, trim controls and pad switches facilitate optimum level matching with the source, and switchable inserts make it easy switch external analog processing gear into or out of the pre-A/D signal path while maintaining optimum signal quality in wired installations. Inputs 17 through 24 accept line-level signals singly (each input has an independent trim control) or in pairs for stereo input. 12 Meter Bridge The MB02R96 Peak Meter Bridge is a complete levelmonitoring station with 12 12-segment level meters that can be used to display pre-EQ, pre-fader, or postfader input channel signal levels. An additional eight meters display levels on the console’s eight busses. A separate 32-segment stereo meter is provided for the main stereo program. 13 Rear Panel A quick look at the rear panel should tell you that the 02R96 is designed for serious production. Balanced XLR and TRS connectors are provided for inputs 1 through 16, in addition to insert jacks (insert switches are provided on the console). Line-input channels 17 through 24 feature balanced TRS inputs. Then there are balanced analog studio, stereo, control room, and monitor outputs as well as eight balanced “omni” outputs. Analog 2-track inputs are provided in addition to digital 2-track inputs and outputs featuring both AES/EBU and coaxial connectors. On-board sample rate conversion allows CD players and other digital sources connected to the digital input to be monitored or routed to an input channel without having to be synchronized to the system clock. A wide range of synchronization and control options are available via word clock inputs and outputs, SMPTE and MTC time code inputs, MIDI connectors, and both serial and USB “TO HOST” connectors. Cascade in and output connectors allow two 02R96 consoles to be cascaded to provide up to 112 channels. Even the cooling fan is specially designed for ultra-quiet operation so that machine noise doesn’t interfere with critical monitoring or recording operations. supplied Studio Manager software. 6 02R96 02R96 7 A P P L I C A T I O N S A P P L I C A T I O N S An Awesome Performer In Any Application The 02R96 with Nuendo® In this system the Yamaha 02R96 is combined with Steinberg’s Nuendo® computer-based audio workstation for double-channel mode 32 track 96-kHz recording. While the 02R96 functions as an advanced control surface for the software, it can also handle critical audio processing tasks as well as monitoring. Example 3 Direct 96-kHz Integration with Pro Tools® HD PAN REVERB CUTOFF KNOB CONTROL FUNCTION RESONANCE CHORUS TEMPO ATTACK RELEASE ASSIGN A ASSIGN B ASSIGN 1 KN 1 KN 2 KN 3 KN 4 MEQ LOW MEQLOWMID MEQ HI M ID MEQ HIGH ASSIGN 2 REMOTE CONTROL ON/OFF MASTER VOLUME VOLUME 1 VOLUME 2 VOLUME 3 VOICE PERFORM SLOT 1 MASTER DRUM KITS FAVORITES PRE 2 A. PIANO KEYBOARD PRE 3 ORGAN COMMON SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY DEC/NO SONG SCENE SF1 1 PRE 1 GM USER PLG 1 GUITAR / PLUCKED BASS STRINGS D E SLOT 2 MY16-AT (ADAT Signals) x 4 SLOT 3 PLG 2 PLG 3 BRASS REED/PIPE CATEGORY SEARCH BANK SECTION GROUP ON/OFF VOLUME 4 LOCATE mini YGDAI Cards ADAT Signals Integrated Sampling Sequencer Real-time External Control Sur face Modular Synthesis Plug-in System ARPEGGIO SYSTEM SEQ TRANSPORT With the new Pro Tools® HD system the 02R96 can directly Nuendo® PCI Card MUSIC PRODUCTION SYNTHESIZER MODE EFFECT BYPASS INSERTION SF2 SF3 SF4 INC/YES A B C SYN LEAD SYN PAD/ CHOIR SYN COMP 1 2 3 F G H SE MUSICAL FX COMBI 4 5 6 7 8 TRACK SELECT 12 13 14 15 16 MUTE DRUM / CHROMATIC PERCUSSION PERCUSSION Guitar etc. INFORMATION SF5 2 ELEMENT/ PERF.PART / ZONE NUMBER REC EDIT COMPARE OCTAVE DOWN CS 1 CS 2 CS 3 CS 4 ZONE 1 ZONE 2 ZONE 3 ZONE 4 JOB STORE F1 F2 F3 F4 F5 F6 EXIT ENTER 9 10 11 EXECUTE SCENE STORE SET LOCATE SOLO UP transfer 32 tracks of 96-kHz audio in double speed mode. Add to this the 02R96’s advanced control surface features, and you MOTIF have an extraordinarily powerful, efficient computer-based hard- USB disk recording system. A5000 02R96 Macintosh or PC MIC Example 1 HDR 48tr Recording (44.1/48-kHz), 24tr Recording (96-kHz) Pro Tools® HD 1 System (HD Core™ card) * With the Pro Tools® HD 192 I/O interface, operation is only possible up to 96-kHz. AES/EBU Stand-alone hard disk recorders such as the Tascam MX-2424 or Alesis HD24 are rapidly gaining popularity. Here’s a system in mini YGDAI Cards which either recorder is paired with the 02R96 for an all-digital signal path and awesome mixing and processing power for MY8-AE96 x 4 (AES/EBU) 48 track 44.1/48-kHz recording or for double-channel mode 24 track 96-kHz recording. Example 4 02R96 mini YGDAI Cards MY16-AT (ADAT Signals) x 3 USB or 192 I/O * MX-2424 x 2 Macintosh or PC HD24 x 2 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 02R96 5.1 Surround Monitoring Example 2 No matter what field of audio you work in, MSP10 SW10 (Powered Sub Woofer) (Powerd SP) sooner or later you’ll probably need to work MSP10 MSP10 (Powerd SP) LFE (Powerd SP) C L Word Clock or R with surround mixes. The 02R96 has been specifically designed to provide a complete surround solution. In the system shown here OMNI Out Connection with 96-kHz recorders the 5.1 program is monitored via powered mini YGDAI Cards monitors and a subwoofer (the 02R96 also MY8-TD (TASCAM Signals) includes bass management facilities for subwoofer sound) connected to the console’s 02R96 the number of I/O connections must be used. MY8-AT/TD/AE cards work in double channel mode to handle 96-kHz audio. The newly introduced MY16-AT card can handle 16 channels of 44.1 / 48-kHz audio or up to 8 channels of 96-kHz audio in double channel mode. With the latest equipment that handles 96-kHz audio as standard (in double speed mode like the 02R96) you can make standard LS 02R96 Although the 02R96 handles 96-kHz audio as standard, most of the currently available digital recorders can handle 96-kHz audio only in double channel mode (using 2 tracks to make one). In this configuration, the 02R96 uses one channel for one (96-kHz) track, but twice Discrete Master Recording OMNI outputs. 8 TASCAM DA Series etc... MSP10 MSP10 (Powerd SP) (Powerd SP) RS connections using the MY8-AE96 card. MY8-AE96 card can work either in double speed or double channel mode. 02R96 9 S O F T W A R E O Studio Manager Software P T I O N S Options The 02R96 comes supplied with Yamaha’s Studio Manager software application for both Macintosh and The 02R96’s real I/O versatility comes in the form of four mini-YGDAI expansion slots. The expansion Windows platforms. Studio Manager gives you complete access to all parameters for either on-line or slots are 24 bit/96-kHz compatible, so you can select mini YGDAI plug-in cards to create the input/output off-line control, and the program’s visual interface makes it easy to relate on-screen controls to configuration that’s perfect for your needs. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU the corresponding console functions. The Studio Manager can also be used to manage an extensive format, or extra analog I/O capability, the appropriate cards are available. Top-quality I/O and processing archive of mix data. The Studio Manager includes the following main display pages: cards are also available from other industry-leading manufacturers such as Apogee ® and Waves ®. * Guidence on the use of Mini-YGDAI cards http://www2.yamaha.co.jp/div/webmg/pa_card/e/check.php3 Console Window Effect Editor Window mini YGDAI Cards Almost a complete virtual mixer, this In addition to offering superb quality, the 16 I/O Series display shows the primary 02R96 02R96 internal effects include an channel parameters “in-line”, as they extensive range of editable parameters so would appear on an analog console. the effects can be precisely customized This is a comprehensive overview for your requirements. The Effect Editor designed for fast, efficient editing of brings all related parameters for the selected effect together in a the most essential mix elements. comprehensive display to make detailed editing easier than ever. System Setup Dialog Surround Editor Window This display includes all the basic setup parameters for the 02R96. Here’s When the console is being used in surround mode the where you’ll define your production “environment”. Surround Editor display can facilitate surround positioning 96-kHz Series MY16-AT MY8-AD96 MY8-DA96 16 channel ADAT format I/O 8 channel Analog Input Card 8 channel Analog Output Card MY8-AE96 MY8-AE96S 8 channel AES/EBU format I/O 8 channel AES/EBU format I/O (w/Sample rate converter) of individual tracks. Selected Channel Window Similar to the SELECTED Standard Series Library Window CHANNEL section on the 02R96 The 02R96’s dynamics, EQ, and effect libraries are an extraordinarily console, this display includes all convenient tool for managing frequently-used setups. The Studio Manager MY8-AE MY8-AT MY8-TD MY8-AD24 parameters for the currently selected Memory Management display makes operation easier than ever. 8 channel AES/EBU format I/O 8 channel ADAT format I/O 8 channel Tdif format I/O 8 channel Analog Input Card(24 bit) channel: level, buss assignments, sends, gate, compressor, equalization, delay, and more. Third Party Models Timecode Counter Window Displays current SMPTE time code in hours, minutes, seconds, and frames. MY4-AD MY4-DA MY8-mLAN 4 channel Analog Input Card(24 bit) 4 channel Analog Output Card(20 bit) mLAN interface card Y56K : Waves effect and ADAT I/O AP8AD : Apogee AD converter AP8DA: Apogee DA converter Patch Editor Window When you add several Mini-YGDAI expansion cards to the 02R96 to MB02R96 SP02R96 create the input/output configuration you need, input and output Peak Meter Bridge Side Pad patching can become an issue. The Patch Editor display makes patch assignments easy with an easy-to-use matrix type visual interface. 10 02R96 02R96 11 S P E C I F I C A T I O N S S P E C I F I C A T I O N S ANALOG OUTPUT SPEC Specifications 99 Sampling Frequency Internal External Signal Delay Power Requirements 44.1kHz, 48kHz, 88.2kHz, 96kHz Normal rate 44.1kHz-10% - 48kHz+6% Double rate 88.2kHz-10% - 96kHz+6% (CH INPUT to STEREO OUT) Fs=48kHz Fs=96kHz Fader 100mm motorized with touch sense x 25 Fader Resolution Master faders, Stereo fader Dimensions 1.9 ms 0.7 ms Weight +10--96,-∞dB (256 steps/100mm ) 0--130,-∞dB (256 steps/100mm) 1 Total Harmonic Distortion * Input Gain = Min. Fs=48(96)kHz 0.05% 20Hz to 20(40)kHz @+14dB into 600Ω 0.01% 1kHz @+18dB into 600Ω (CH INPUT to STEREO OUT) Frequency Response (CH INPUT to STEREO OUT) Fs=48kHz Fs=96kHz Dynamic Range (maximum level to noise level) DA Converter (STEREO OUT) AD+DA (to STEREO OUT) Hum & Noise *2 (20Hz-20kHz) Rs=150Ω Input Gain=max. Input Pad=0dB -128dB (EIN : Equivalent Input Noise) -92dB (Residual Output Noise) @STEREO OUT STEREO OUT off -92dB (96dB S/N) @STEREO OUT STEREO fader at nominal level and all CH INPUT faders at minimum level. -64dB (68dB S/N) @STEREO OUT STEREO fader at nominal level and one CH INPUT fader at nominal level Input Sensitivity=-60dB 0.5,-1.5dB 20Hz - 20kHz @+4dB into 600Ω 0.5,-1.5dB 20Hz - 40kHz @+4dB into 600Ω 74 [48]dB from CH INPUT1-16 [17-24] to STEREO OUT/OMNI (BUS) OUT 74 [48]dB from CH INPUT1-16 [17-24] to OMNI (AUX) OUT (via pre input fader) 74 [48]dB from CH INPUT1-16 [17-24] to CONTROL ROOM MONITOR OUT (via STEREO bus) Crosstalk (@ 1kHz) Input Gain=Min. -80 dB adjacent input channels (CH1-24) -80 dB input to output *1 Total Harmonic Distortion is measured with a 6dB/octave filter @80kHz. *2 Hum & Noise are measured with a 6dB/ octave filter @12.7kHz equivalent to a 20kHz filter with infinite dB/octave attenuation. 120 V 230 V 230 V 200W 200W 200W 60Hz 50Hz 50Hz Height Depth Width 239(352) mm (including the MB02R96) 685(697) mm (including the MB02R96) 667(700) mm (including the SP02R96) Operating free-air temperature range 10-35°C Storage temperature range -20-60°C Accessories AC Cable CD-ROM (Studio manager) Options Digital audio interface card (MY16, MY8, MY4 series) PEAK METER BRIDGE: MB02R96 SIDE PANEL: SP02R96 Output Level GAIN SW *1 Nominal Max. before clip Connector 10k Ω Lines - -10dBV (0.316V) +4dBV (1.58V) 150 Ω 600 Ω Lines - +4dB (1.23 V) +18dB (6.16 V) XLR-3-32 type (Balanced) *2 STUDIO MONITOR OUT [L, R] 150 Ω 10k Ω Lines - +4dB (1.23 V) +18dB (6.16 V) Phone Jack (TRS) (Balanced) *3 C-R MONITOR OUT [L, R] 150 Ω 10k Ω Lines Phone Jack (TRS) (Balanced) *3 OMNI OUT 1-8 150 Ω 10k Ω Lines INSERT OUT 1-16 600 Ω PHONES 100 Ω 34 kg 110dB typ., Fs=48 or 96kHz 105dB typ., Fs=48 or 96kHz Maximum Voltage Gain U.S./Canada H B For Use With Nominal 600 Ω STEREO OUT [L,R] GENERAL SPECIFICATIONS Number of scene memories Actual Source Impedance Output - +4dB (1.23 V) +18dB (6.16 V) +18dB (defalt) +4dB (1.23 V) +18dB (6.16 V) +4dB -10dB (0.245V) +4dB (1.23V) +4dB (1.23 V) +18dB (6.16 V) Phono (Unbalanced) Phone Jack (TRS) (Balanced) *3 10k Ω Lines - 8 Ω Phones - 4mW 25mW 40 Ω Phones - 12mW 75mW Phone Jack (TRS) *4 Stereo Phone Jack (TRS) (Unbalanced) *5 *1. The maximum output level of each OMNI OUT can be set internally. *2. XLR-3-32 type connectors are balanced (1=GND, 2=HOT, 3=COLD). *3. Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND). *4. Phone jacks are wired: Tip=OUT, Ring=IN, Sleeve=GND *5. PHONES stereo phone jack is unbalanced (Tip=LEFT, Ring=RIGHT, Sleeve=GND). • STEREO OUT [L, R], 0 dBV is referenced to 1.00 Vrms. • In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms. • All output DA converters (except INSERT OUT 1-16) are 24-bit, 128-times oversampling. DIGITAL INPUT CHARACTERISTICS Terminal LIBRARIES 1 2 3 Effect libraries (EFFECT 1-4) Number of factory presets Number of user libraries 52 (EFFECT 3-8: 44) 76 2TR IN DIGITAL Compressor libraries Number of factory presets Number of user libraries 36 92 CASCADE IN Gate libraries Number of factory presets Number of user libraries 4 124 EQ libraries Number of factory presets Number of user libraries 40 160 Channel libraries Number of factory presets Number of user libraries 2 127 Surround Monitor libraries Number of factory presets Number of user libraries 1 32 Input patch libraries Number of factory presets Number of user libraries 1 32 Output patch libraries Number of factory presets Number of user libraries 1 32 Bus to stereo libraries Number of factory presets Number of user libraries 1 32 Format AES/EBU IEC-60958 IEC-60958 - Data Length 24 bit 24 bit 24 bit - Level RS422 0.5Vpp/75Ω 0.5Vpp/75Ω RS422 Connector in Console XLR-3-31 type (Balanced) *1 RCA Pin Jack RCA Pin Jack D-SUB Half Pitch Connector 68P (Female) *1. XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) DIGITAL OUTPUT CHARACTERISTICS Terminal 1 2TR OUT DIGITAL Format AES/EBU *1 Professional use Data Length Level RS422 XLR-3-32 type (Balanced) *4 0.5Vpp/75 Ω RCA Pin Jack 0.5Vpp/75 Ω RCA Pin Jack RS422 D-SUB Half Pitch Connector 68P (Female) 2 IEC-60958 *2 Consumer use 24 bit *3 3 IEC-60958 *2 Consumer use 24 bit *3 - - CASCADE OUT *1. channel status of 2TR OUT DIGITAL 1 type : 2 audio channels emphasis : NO sampling rate : depends on the internal configuration Connector in Console 24 bit *3 *2. channel status of DIGITAL OUT 2,3 type : 2 audio channels category code : 2 channel PCM encoder/decoder copy prohibit : NO emphasis : NO clock accuracy : Level II (1000 ppm) sampling rate : depends on the internal configuration *3. dither : word length 16 - 24 bit *4. XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) Available Mini-YGDAI card specifications ANALOG INPUT SPEC Input INPUT A/B 1-16 * Guidence on the use of Mini-YGDAI cards http://www2.yamaha.co.jp/div/webmg/pa_card/e/check.php3 PAD GAIN Actual Load Impedance -60 dB 0 3k Ω -16 dB 26 INPUT 17-24 -34 dB - 4k Ω For Use With Nominal 50-600 Ω Mics & 600 Ω Lines 600 Ω Lines +10 dB INSERT IN 1-16 2TR IN ANALOG 1 [L, R] 2TR IN ANALOG 2 [L, R] - Input level Sensitivity *1 Nominal Max. before clip -70 dB (0.245 mV) -60dB (0.775mV) -46dB (3.88mV) -26dB (38.8mV) -16dB (0.123V) -2dB (616mV) 0dB (775mV) +10dB (2.45V) +24dB (12.28V) -44dB (4.89mV) -34dB (15.5mV) -20dB (77.5mV) 0dB (775mV) +10dB (2.45V) +24dB (12.28V) Connector A: XLR-3-31 type (Balanced) *2 B: Phone Jack (TRS) (Balanced) *3 Phone Jack (TRS) (Balanced) *3 10k Ω 600 Ω Lines -6dB (388mV) +4dB (1.23 V) +18dB (6.16V) Phone Jack (TRS) *4 10k Ω 600 Ω Lines +4dB (1.23V) +4dB (1.23 V) +18dB (6.16V) Phone Jack (TRS) (Balanced) *3 10k Ω 600 Ω Lines -10dBV (0.316 V) -10dBV (0.316 V) +4dBV (1.58V) Phono (Unbalanced) *1. Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are maximum position.) *2. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD). *3. Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND). *4. Phone jacks are wired: Tip=OUT, Ring=IN, Sleeve=GND • In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms. • For 2TR IN ANALOG 2 levels, 0 dBV is referenced to 1.00 Vrms. • All input AD converters (except INSERT I/O 1-16) are 24-bit linear, 128-times oversampling. • +48 V DC (phantom power) is supplied to CH INPUT (1-16) XLR type connectors via individual switches. 12 02R96 Maker Yamaha Model MY8-AT MY8-AE MY8-TD MY8-AD24 MY4-AD MY4-DA MY8-mLAN MY16-AT MY8-AD96 MY8-DA96 MY8-AE96S MY8-AE96 Function Digital I /O Digital I /O Digital I /O A to D In A to D In D to A Out mLAN Interface Digital I /O A to D In D to A Out Digital I /O Digital I /O IN 8 8 8 8 4 8 16 8 8 8 OUT 8 8 8 4 8 16 8 8 8 Format ADAT AES/EBU TDIF IEEE 1394 ADAT AES/EBU AES/EBU Res / Freq 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 20 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz Connector Toslink x 2 D-sub 25pin D-sub 25pin TRS x 8 XLR x 4 XLR x 4 1394 6pin Toslink x 4 D-sub 25pin D-sub 25pin D-sub 25pin D-sub 25pin Note Can handle 96 kHz by double channel mode Can handle 96 kHz by double channel mode Can handle 96 kHz by double channel mode Replacing MY8-AD (20 bit 44.1/48 kHz) Function Effect & I/O A to D In D to A Out IN 8 8 - OUT 8 8 Format ADAT - Res / Freq 24 bit 44.1/48 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz Connector Toslink x 2 D-sub 25pin D-sub 25pin Note Check instructions for multiple use Check instructions for multiple use Check instructions for multiple use Maximum 5 Nodes Can handle 96 kHz by double channel mode Sampling Rate Converter for Input, 2 cards max. with 02R96 Third Party Maker Waves Apogee Model Y56K AP8AD AP8DA • Specifications and appearance subject to change without notice. • All trademarks and registered trademarks are property of their respective owners. Pro Tools® and Digidesign® are trademarks of Avid Technology Inc. HDR24/96 and MDR24/96 are trademarks of Mackie Designs Inc. Nuendo® is a trademark of Steinberg Media Technologies AG. Macintosh® is a trademark of Apple Computer, Inc. Adat and HD24 are trademarks of Alesis Corporation. Windows® is a trademark of Microsoft Coporation. Tascam, TDIF, MX2424 are trademarks of Teac Corporation. Logic Audio® is a trademark of Emagic Soft-und Hardware GmbH. 02R96 13 14 Speaker Control 8 64 AD AD SRC SRC SRC 10 8 TO MONITOR SELECT 8 R L BUS 1-8 R 2 2 2 FX4 SEND 1-2 FX3 SEND 1-2 FX2 SEND 1-2 FX1-4 Sur1 EFFECT TO SURROUND MONITOR 16 16 16 16 AD SIGNAL PEAK AD IN 17(...24) GAIN FX1 SEND 1-8 L 1(...16) TO TALKBACK SELECT INSERT AD IN OFF ON AD PAD AUX 1-8 RCA [2TR IN ANALOG 2] TRS [2TR IN ANALOG 1] COAXIAL [2TR IN DIGITAL 3] COAXIAL [2TR IN DIGITAL 2] AES/EBU [2TR IN DIGITAL 1] 16 METER SW 74 RS2 SLOT 4 LS2 GAIN R SLOT 2 RS SIGNAL PEAK L 0 26 C ON LS 48V PHANTOM SLOT1 Input 1-16 SLOT2 Input 1-16 SLOT3 Input 1-16 SLOT4 Input 1-16 AD Input 17-24 AD Input 1-16 INPUT PATCH BUS 1-8 AUX 1-8 2TR A2 L/R 2TR A1 L/R 2TR D3 L/R 2TR D2 L/R 2TR D1 L/R Sur1 Return 1-8 FX1 Return 1-2 FX2 Return 1-2 FX3 Return 1-2 FX4 Return 1-2 Monitor Speakers AUX1-8 INSERT OUT Monitor Alignment OMNI OUT or SLOT 1- 4 OFF Delay SLOT 3 Stereo Stereo Att.. L R LS RS C SW LS2 RS2 [SLOT IN] (1-4) Down Mix ATT 74 56 8 8 2 8 SLOT 1 SLOT 2 SLOT 3 SLOT 4 OMNI 1 OMNI 2 OMNI 3 OMNI 4 OMNI 5 OMNI 6 OMNI 7 OMNI 8 16 16 16 16 ON off 3 4 5 DA DA DA DA DA DITHER DITHER DITHER DITHER DA DA 8 8 8 8 8 8 8 8 8 BUS SOLO R PINK NOISE ASSIGN2 ASSIGN1 8 1kHz 50Hz 500-2kHz BPF 8 8 8 8 2 2 2 2 2 2 LFE C Rs Ls/S R L R L PAN ON AUX8 SOLO LOGIC STEREO AUX8 AUX7 STEREO L STEREO R AUX7 AUX 1-8 8 BUS 1-8 8 C-R LEVEL ATT DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY SURROUND MONITOR to C-R DA DA SURROUND MONITOR LEVEL TO OUTPUT PATCH LPF1 LPF2 HPF HPF HPF HPF HPF DITHER AUX 1(...8) TO INPUT PATCH [CONTROL ROOM MONITOR OUT] [PHONES] [STUDIO MONITOR OUT] SURROUND MONITOR R L R L COAXIAL [2TR OUT DIGITAL3] COAXIAL [2TR OUT DIGITAL2] AES/EBU [2TR OUT DIGITAL1] AUX 1(...8) DITHER BUS 1(...8) STEREO R STEREO L TO INPUT PATCH BUS 1(...8) DITHER DA STUDIO DA LEVEL PHONES DA LEVEL DA INSERT OUT 74 CONTROL ROOM 2 CONTROL ROOM METER METER BUS to STEREO STEREO 2 LEVEL DIRECTOUT 1-56 56 The same the above 4BAND EQ OUTPUT DELAY INSERT INSERT ON LEVEL OUTPUT DELAY COMP METER METER (Gain Reduction) (Out Meter) Same as stereo master L INSERT INSERT ON LEVEL BAL COMP METER METER (Gain Reduction) (Out Meter) METER STEREO SOLO L ATT INSERT MONITOR SELECT 8x8 Patch SLOT L (-10dBV) R [STEREO OUT] L (+4dBu) R [SLOT OUT](1-4) BUS 1-8 SLOT1 Input 1-8 SLOT2 Input 1-8 SLOT3 Input 1-8 SLOT4 Input 1-8 [OMNI OUT] STEREO 2TR D1 2TR D2 2TR D3 2TR A1 2TR A2 BUS1-8 AUX1-8 METER 4BAND ATT EQ INSERT 762 02R96 Block Diagram 8 7 6 2 DA DA 1 SLOT 1 SLOT 2 SLOT 3 SLOT 4 Isolate DA [CASCADE OUT] [CASCADE IN] To CASCADE OUTPUT LEVEL AUX DIRECT OUT 1(...56) PRE/POST ON LFE PAN PAN TALK BACK USE AD IN (1-16) AS TALKBACK AD SINE100Hz SINE1kHz SINE10kHz PINK NOISE BURST NOISE OSCILLATOR Keyin Self or Stereo Link COMP METER METER INSERT LEVEL METER SOLO 420 697 (685 excluding connecters) 50 B L O C K STEREO R STEREO L INSERT OUT DIRECT OUT 1-56 AUX1-8 BUS 1-8 STEREO SURROUND MONITOR AD IN 1-16 ON (Gain Reduction) (Out Meter) INPUT DELAY METER INSERT 4BAND EQ [TALK BACK] Mono in x 56 Keyin 12ch Group(1-12,13-24....) AUX 1-8 GATE METER (Out Meter) METER (Gain Reduction) INPUT 1(...56) 5.1 ST Down Mix SLOT 1 Processor Bass Management Processor x8 MONITOR MATRIX 2TR Master Recorder B • 3.1 L R [INPUT] (17-24) From SLOT • 5.1 5.1 Master MTR [INSERT I/O] (1-16) 02R96 L R LS RS C LFE 1 2 3 4 5 6 S T A • Individual Bus Mute • Global Level Control • External Source Monitor O U T [INPUT] (1-16) Monitor Processor L R BUS1 (L) BUS2(R) BUS3(Ls/C) BUS4(Rs/S) BUS5(C) BUS6(LFE) BUS7 BUS8 STEREO L STEREO R SOLO L SOLO R AUX 1 AUX 8 Bus to Stereo x 16 S L O T SELECT Bus 1 2 3 4 5 6 L R LS RS C LFE OUTPUT PATCH Surround Monitoring Diagram TALKBACK DIMM 22 MONO Bus 700 667 (663 excluding screw heads) TB DIMM 239 DIMM 352 2TR OUT DIGITAL PATCH Dimensions DIMM 175 D I M E N S I O N S / D I A G R A M D I A G R A M 02R96 15