Untitled - Dedece Blog

2011
2011 COLLECTION
Artecnica is a Los Angeles based design company that collaborates with the most
established and emerging international designers to create inspiring decorative
objects for the living environment.
Alongside such talented designers as Tord Boontje, Hella Jongerius and the Campana brothers, we continue to explore vibrant, colorful ways of expressing compelling ideas and bringing delight and discovery to everyday design.
Artecnica is committed to considering issues of environmental sustainability and
responsible manufacturing. Products are often made with recycled materials and
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JV\U[YPLZ[VWYVK\JL\UPX\LOHUKJYHM[LKVIQLJ[Z[OH[YLÅLJ[PUKPNLUV\ZZRPSSZ;OPZ
O\THUP[HYPHUHWWYVHJOZ\WWVY[ZZOHYLK^VYRHUKWYVÄ[HJYVZZIVYKLYZJ\S[\YLZ
races, and religions. Here again, design acts as a catalyst for change, providing an
opportunity to help transform the global landscape.
LOS ANGELES CALIFORNIA
508 S San Vicente Blvd.
+1 323 655 6551
[email protected]
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Artecnica 2011 Collection
3
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ARTECNICA® GLOBAL OUTREACH
1 LOS ANGELES, USA
TAHMINEH JAVANBAKHT
& ENRICO BRESSAN,
ART DIRECTION
2 NEW YORK CITY, USA
RICH BRILLIANT WILLING, DESIGNERS
KARL ZAHN, DESIGNER
STEPHEN BURKS, DESIGNER
3 GUATEMALA CITY, GUATEMALA
DWC ARTISAN CENTER,
TRANSGLASS
4 LIMA, PERU
DWC ARTISAN CENTER,
BEADS & PIECES
5 SAN PAOLO, BRASIL
FERNANDO & HUMBERTO CAMPANA,
DESIGNERS
6 RIO DE JANEIRO, BRASIL
DWC ARTISAN CENTER,
COME RAIN COME SHINE
7 CAPE TOWN, SOUTH AFRICA
DWC ARTISAN CENTER, TATU
12.
8. NEW DELHI, INDIA
MANUFACTURING CENTER
9 HANOI, VIETNAM
DWC, ARTISAN CENTER,
TRANSNEOMATIC
13.
2.
11.
1.
8.
10 HONG KONG, CHINA
MANUFACTURING CENTER
11 THE NETHERLANDS
PAULA ARNTZEN, DESIGNER
HELLA JONGERIUS, DESIGNER
9.
3.
10.
12 STOCKHOLM, SWEDEN
CLARA VON ZWEIGBERGK,
DESIGNER
13 LONDON, UK
TORD BOONTJE & EMMA WOFFENDEN, DESIGNERS
STEPHEN JOHNSON, DESIGNER
4.
5.
6.
7.
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Artecnica’s Global Outreach
7
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An initiative to manufacture and produce
products in accordance with humanitarian
and environmentally friendly principles,
founded by Artecnica in 2002.
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Artecnica had invited talented designers of international fame to contribute
new ideas to an ever expanding design
collection and to team them with artisans
in need around the world, invigorating
commerce and assisting surrounding
communities.
The mission is to promote self-sustaining
communities of talented artisans in
underdeveloped countries. The model is
simple: the value of artisan-made goods
has always been appreciated. But with
the globalization of trade, village artisans
have become divorced from their tradi[PVUHSTHYRL[ZPUZ\SH[PUN[OLTMYVT[OL
potential demand for their craft.
1
9
5
13
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1 - Beads & Pieces Caramic artisans, Peru
2 - Coppa Rocca, Rio de Janeiro, Brazil
3 - Beads & Pieces The Shipibo Tribe, Peru
4 - Transneomatic weaving process, Vietnam
5 - Beads & Pieces Caramic artisans, Peru
6 - Transneomatic Tires, Vietnam
7 - Transneomatic weaving process, Vietnam
2
Design With Conscience Artisans
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Our objective is to avoid the mechanization of the artisan, which devalues his
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both a design and an economic standpoint. In accomplishing these goals they
try to avoid the assembly line production, exploitation of third world labor,
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organizations with global reach.
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TRANSGLASS® CANDLE
Design by Emma Woffenden and Tord
Boontje
Fresh Cut Grass
Ø 3 in, H 4 in / Ø 7.62 cm, H 10.16 cm
F 5028 GS PL0
Ripe Currant
Ø 3 in, H 4 in / Ø 7.62 cm, H 10.16 cm
F 5028 RC PL0
DESIGN WITH CONSCIENCE®
11-13
TranSglass
14-15
Beads & Pieces
16-17
TransNeomatic
18-19
Come Rain Come Shine
20-21
Tatu
10
Design With Conscience
An organic, soy-based candle infused
with the earthy scent of fresh cut grass
and ripe currant, hand poured in a recycled glass bottle. 9oz, 50hr. burn time
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TRANSGLASS®
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shapes and forms. Since its launch, tranSglass™ has become one of Artecnica’s
best-selling items. With its recycled origins
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conveys a positive attitude towards the
environment.
Design by Emma Woffenden and Tord
Boontje
CUT VASE
Ø 3.5 in/8.9 cm H 12 in/30.5 cm
Polished F 5013 AS PL0
Satin F 5013 AS ST0
tranSglass™ is an Artecnica Design with
Conscience project. With the help of Aid
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provides assistance to artisans worldwide,
Artecnica collaborated with Guatemalan
artisans to bring Emma Woffenden and
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TUMBLER
Ø 3.125 in, 7.9 cm/H 3 in, 7.6 cm
Set of 4 polished F 5022 AS PL0
TWO HOLE VASE
Ø 3 in, 7.6 cm/H 8.5 in, 21.6 cm
Polished F 5024 AS PL0
Satin F 5024 AS ST0
BEAK
Ø 3 in/7.6 cm H 12 in/30.5 cm
Polished F 5012 AS PL0
Satin F 5012 AS ST0
JUG
Ø 3 in/7.6 cm H 11 in/27.9 cm
Polished F 5009 AS ST0
Satin F 5009 ST PL0
CHAMPAGNE DISH
Ø 3.45 in/8.76 cm L 11.75 in/29.8 cm
H 1.45 in/3.68 cm
Satin F 5027 AS ST0
Polished F 5027 AS PL0
DOUBLE VASE
Ø 3 in/7.6 cm H 14.3 in/36.5 cm
Polished F 5015 AS PL0
5015
GLASS
Ø 2.15 in/5.5 cm H 3.3 in/8.6 cm
Set of 4 Polished F 5016 AS PL0
LIDDED CARAFE
Ø 3.1 in/8 cm H 9.6 in/24 cm
Polished F 5021 AS PL0
Satin F 5021 AS ST0
5013
5009
5010
5012
5014
CARAFE
Ø 3.25 in/8.3 cm H 8.5 in/21.6 cm
Polished F 5014 AS PL0
Satin F 5014 AS ST0
VASE 1
Ø 3 in/7.6 cm H 9.5 in/24.1 cm
Polished F 5010 AS PL0
Satin F 5010 AS ST0
5013
5016
5021
5024
5027
12
Design With Conscience
5028
5022
13
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TATU TABLES & STOOL
A Design with Conscience project. Steel
wire is deliciously airy, visually pliant and
weather reilient in brilliant modular furniture
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Design by Stephen Burks
COFFEE TABLE
Ø 33 in / 83.8 cm
H 19 in / 48.3 cm
Triple module construction
Large tray 33 in / 83.8 cm H 1 in / 2.5 cm
Large bowl 17.5 in / 81.3 cm H 6.5 in / 2.5 cm
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Red F 4002 RD GS0
White F 4002 WH GS0
Hand-woven in South Africa by artisans
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meshes traditional with urbane. Coffee
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HUKIHZRL[":PKL;HISLILJVTLZHTLdium tray, bowl and trash can. One piece
Z[HJRHISLZ[VVSJVTWSLTLU[Z[OLJVSSLJtion providing the required seating.
SIDE TABLE
Ø 23 in / 58.4 cm
H 25 in / 63.5 cm
Triple module construction
Medium tray 23 in / 58.4 cm H 1 in / 2.5 cm
Medium bowl 22 in / 55.9 cm H 8.5 in / 21.6 cm
Medium trash can 13 in / 34 cm H 16 in / 40.6 cm
Red F 4003 RD GS0
White F 4003 WH GS0
STOOL
Ø (seat) 12 in / 30.5 cm H 16 in / 40.6 cm
Single component construction
Red F 4001 RD GS0
White F 4001 WH GS0
4003 RD
4002 RD
20
Design With Conscience
4001 WH
21
THE BILLBOARD PROJECT
23-25
Stretch Bag
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Impressed by Artecnica’s pioneering
Design W/ Conscience program, TBWA\
MAL (Advertising Agency for Apple,
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Artecnica to recycle their large format
billboards.
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products from this new Collection. They
are sustainable, simple and beautiful.
22
The Billboard Project
23
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GARLAND LIGHT
Design by Studio Tord Boontje
Ø 10 in / 25.4 cm
H 10 in / 25.4 cm
BLACK CHROME F 8412 BC PL0
WHITE F 8415 WC PL0
52
Lighting
53
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FUTURE FLORA
Design by Studio Tord Boontje
LAURE
Ø 12.5 IN / 31.75 CM
H 8.5 IN / 21.59 CM
F 8451 SL ST0
NADINE
Ø 9.75 IN / 24.76 CM
H 10.75 IN / 27.3 CM
F 8453 SL ST0
RUGIADA
Ø 9.5 IN / 24.13 CM
H 9.75 IN / 24.76 CM
F 8452 SL ST0
Metal, maximum
60 watt rating.
Precision-etched metal sheets that
transforms into three exotic bloom
shaped forms. Future Flora inhabits the
intersection of nature and technology.
Future Flora’s contoured openings,
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conspire to illuminate space by casting
poignant radiance.
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by connecting intricate metal sheets
that comprise each design. As pictured
from left to right, styles include: Laure,
Rugiada and Nadine.
56
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HUKSPRL[VZLL[OLJVSVYZJOHUNL^OPSLNLU[S`[\YUPUN¹;OLZ[HYRJVU[YHZ[VM[OL
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Z\ZWLUKLKPU[OLHPYI`HKLSPJH[LMYHTHUK[OPU^PYLZ[OLLMMLJ[PZX\PL[S`Z[YPRPUN
MYHNPSLHUKL[OLYLHSS`ILH\[PM\S
(JJLZZVYPLZ
WONDERLAND
Each candleholder features darling objects and characters balancing atop one
another that appear to defy all laws of the
physical and ideal. Each style is cast in
solid aluminum metal and is hand-carved
^P[OPUKP]PK\HSJYHM[ZTHUZOPWHUKZRPSS
providing a solid structure to the seemingly teetering design. The Wonderland
collection continues to charm and invite
HSS[V1VOUZVU»ZZLU[PTLU[HS¸PTWYLZZPVUZ
and memories of something somewhere.”
Design by Stephen Johnson
Made from 100% recycled Aluminum
Candle Holder
HORSE
L 5.9 in, W 4.2 in, H 11 in / L 15 cm,
W 10.67 cm, H 27.95 cm
F4033WHST0
BRANCH
L 6.1 in, W 4.3 in, H 10.5 in / L 15.5 cm,
W 10.93 cm, H 26.67 cm
F4034WHST0
LADY
L 4.5 in , H 12.0 in, Dia 4.0 in/
L 30.48 cm, H 11.43 cm, Dia10.16 cm
WHITE F4030WHST1
RABBIT
L 4.0 in , H 10.25 in, Dia 3.0 in/
L 10.16 cm, H 26.03cm, Dia 7.62 cm
WHITE F4028WHST1
BIRD
L 5.0 in , H 8.5 in, Dia 3.0 in/
L 12.7 cm, H 21.5 cm, Dia 7.62 cm
WHITE F4029WHST1
4028
4034
4029
4033
76
Accessories
4030
77
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;OLZLJOHYTZHYLPU[LNYH[LK^P[OHSHYNLOVVR[OPZM\UJ[PVUHSP[`WHPYLK^P[O[OLPY
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BOTTLE STOPPERS
Design by Studio Artecnica
Sold as one style 8pc per box
7PUR(X\H7\YWSL*SLHY@LSSV^
H 4 in, 10.2 cm W 3 in, 7.6 cm D 4.5 in,
11.4 cm
LILI (set of 8 multi-color)
F1218 08MT1
MAGNOLIA (set of 8 multi-color)
F1240 08MT1
ORCHID (set of 8 multi-color)
F1231 08MT1
Magnolia
Orchid
Lili
A delicate bloom caps the fragrant contents of the evening’s wine bottle, bringPUNILH\[`[VIHYHUK[HISL*HZ[PUS\ZO[VULZVMYLZPU[OLIV[[SLZ[VWWLYZ»ÅVYHS
perfection will last forever. These brilliantly colored blooming bottle stoppers were
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ÅVYHSKLZPNUZ"LHJOHZL[VM
86
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+HKHJSVJRYLJHSSZ[OLLZZLUJLVMZ\YYLHSPZT
(JJLZZVYPLZ
!
THINKING OF YOU
Design by Studio Tord Boontje
NOW
H 8 in, 20.3 cm/W 5.5 in, 14 cm
D 5.5 in, 14 cm
Silver Satin F 5017 WS PL0
HERE
H 8 in, 20.3 cm/W 4 in, 10.2 cm
D 4 in, 10.2 cm
Silver satin F 5018 SL ST0
FOREVER
H 12 in, 30.5 cm/W 6 in, 15.2 cm
W 6 in, 15.2 cm
Silver satin F 5019 SL ST0
Finely crafted metal vase-covers used to
embellish recycled glass
QHYZHUKJVU[HPULYZ7HJRHNLKÅH[[OL`
are easily transformed into
lovely sculptural objects.
5019
90
Accessories
5017
5018
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1
2
9
10
11
3
5
4
12
13
14
1 - TransCulture Exhibition, Paris
2 - Indianapolis Museum of Art
3 - Design Museum Holon, Isreal
4 - Useless LIfe, Singapore
46::5L^@VYR
6, 7, 8, 9, 13, 16 - Artecnica Showroom
10 - 13.798 Grams of Design, Salone Milan
12 - Taxidermi by Liz Young
11 - DECO oh Exhibition, Brussels
14 - Gwangju Design Biennale, Korea
6
102
7
8
15
16
103
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(Y[LJUPJH^HZIVYU1H]HUIHRO[
^VYRZHUKSP]LZPU3VZ(UNLSLZ
TORD BOONTJE
PAULA ARNTZEN
RICH BRILLIANT WILLING
EMMA WOFFENDEN
HELLA JONGERIUS
STEPHEN JOHNSON
designer
designer
designers
designer
designer
designer
;OYV\NOV\[OPZ^VYR;VYK)VVU[QL
explores juxtapositions of the old
and new, naturalism and technology.
Born in the Netherlands in 1968,
he studied industrial design at the
Eindhoven Design Academy before
enrolling at the Royal College of
Art in London. The launch of Tord’s
>LKULZKH`*VSSLJ[PVUTHYRZHU
L]VS\[PVUPU;VYK»Z^VYR
Dutch artist Paula Arntzen, born in
PZJ\YYLU[S`^VYRPUNPU(YUOLT
where she has her own design
studio. Arntzen studied traditional
M\YUP[\YLTHRPUNH[/4*PU(TZ[LYdam before she studied Product
Design at ArtEZ Academy of the Arts
in Arnhem.
Founded in 2007, Rich Brilliant Willing is an internationally recognized,
Manhattan-based design studio.
Theo Richardson, Charles Brill & Alex
Williams are Rich Brilliant Willing.
Each member has a different point of
]PL^"VULL_WSPJP[S`SV]LZTH[LYPHSity, another has an unconventional
color palette and eye for sculptural form, the third is an inventor
bringing spontaneity and theatrical
LULYN`[V[OL^VYR9PJO)YPSSPHU[
>PSSPUN^HZUHTLKHTVUN[OL¸;VW
40” designers by I.D. magazine in
1HU\HY` HUKUHTLKHU¸(]HU[
Guardian” by Surface magazine in
November of the same year.
,TTH>VMMLUKLU^VYRZHZHUHY[PZ[
producing sculpture and installations. She has a special interest
PUNSHZZTHRPUNHUKOHZJ\YH[LK
exhibitions, lectured and acted as
an educational examiner in this area.
Emma is represented by Barrett
Marsden gallery London. She earned
an MA in ceramics and glass at
Royal College of Art. London.
Dutch designer Hella Jongerius (born
1963) combines craft techniques
with modern technology to create
VIQLJ[Z[OH[HYLZ[YPRPUNS`UL^HUK
provocative. Jongerius’ range is
diverse and broadly derived. Her
designs typically employ a mélange
of media such as ceramics, steel,
plastic, felt, and precious metals.
The resulting designs emphasize
simple forms, rich textures, and
materials that often retain traces of
their origin and purpose.
Stephen Johnson explores less
VI]PV\ZMHJL[ZVMKLZPNU/PZ^VYR
centers largely on how design can
exist for the cognitive, as well as our
more commonly perceived physical
needs. Through a love of ornamenta[PVUHUKRP[ZJOOLJVUZPKLYZKLZPNU
HZM\SÄSSPUNLTV[PVUHSULLKZSPRL
humour and nostalgia. Johnson lives
HUK^VYRZPU3VUKVU
Tord Boontje is also Head of the
Product Design Dept. at the Royal
College of Arts in London where he
teaches graduate courses.
Paula Arntzen’s designs represent
a combination of lightness , colour
and monumental shaping. Her
KLZPNUZÄUK[OLPYVYPNPUPUHMHZJPUHtion for grand forms and qualities of
a material. After constant study and
observation she managed to obtain
HKLLWRUV^SLKNLHUK\UKLYZ[HUKing of the material and its unique
characteristics. This is a procedure
through which the designer decides
not only on the form and shape but
also the elements that will determine
and lead to a multi-function object
creation. A creation that will serve
both a decorative and a functional
item that can be used in a space or
event.
Awards: 2002 Arts Council of England grant, 1999 research funding
from The London Institute. 1998
Arts Council of England combined
arts grant, 1997 The Arts Foundation Glass Fellowship. 1994 Crafts
Council setting up grant, 1984 Crafts
Council advanced training grant.
1VUNLYP\Z^VYRZPU9V[[LYKHT^OLYL
she heads her own design company,
JongeriusLab. Her designs have
been manufactured and sold by
Vitra, Cappellini, and IKEA to name
a few. Jongerius’ designs are also in
the permanent collections of several
leading museums including the MuZL\TVM4VKLYU(Y[5L^@VYRHUK
San Francisco Museum of Modern
(Y[;OLÄYZ[Z\Y]L`VM1VUNLYP\Z
^VYR^HZW\ISPZOLKI`7OHPKVUPU
2003.
:OLPZUVTPUH[LKMVY¸5L^;HSLU[
¹I`3PKL^PQ,KLSRVVY[HUKKPKH
Paper Projects for the Arnhem Mode
Biennale (the biggest fashion event in
the Netherlands).
106
107
ESTUDIO CAMPANA
CLARA VON ZWEIGBERGK
designer
designers
Since 1983, Fernando and Humberto Campana have achieved
worldwide recognition through their
^VYRPUKLZPNU6YKPUHY`TH[LYPHSZ
are transformed and reinvented into
priceless objects that carry both
creativity and the spirit of Brazil – a
combination of chaos and solution. The Campana Brothers are
constantly investigating new design
possibilities. The exchange of information creates bridges and dialogue
between communities factories, and
industries which is a constant source
of inspiration. Estudio Campana
designs are part of the permanent
JVSSLJ[PVUZVM4V4(5L^@VYR[OL
Centre Georges Pompidou in Paris,
and the Vitra Design Museum in Weil
am Rhein, Germany.
108
)VYUPU:[VJROVST ]VU
A^LPNILYNRZ[\KPLKPSS\Z[YH[PVUHUK
graphic design in Sweden, France
and USA. She culminated her
studies at the Art Center College
of Design in Pasadena, after which
ZOL^VYRLKHZHNYHWOPJKLZPNULY
for several advertising agencies and
KLZPNULYZPU:[VJROVST0U ZOL
founded Rivieran Design Studio, with
two partners, as a multi-disciplinary
agency spawning many successful
collaborations with fashion, illustration, architecture, furniture, product
HUKNYHWOPJKLZPNU9P]PLYHUX\PJRS`
gained the eye of the press for its
unique structure and interior space.
She has designed and illustrated
ZL]LYHSIVVRZHTVUN[OL¸(*VSSLJ[PVUVM;PJRL[Z¹I`*HYV\ZJORH^OPJO
has become a cult item in Japan.
After four years as a graphic designer at Lissoni Associati in Milano,
^P[OJSPLU[ZZ\JOHZ)VMÄ7VYYVHUK
Alessi, she has now re-started her
Z[\KPVPU:[VJROVST
KARL ZAHN
INGA SEMPÉ
STEPHEN BURKS
designer
designer
designer
Karl Zahn studied Industrial Design
at the Rhode Island School of
Design with an emphasis on manufacturing and fabrication. Studying
PU+LUTHYRPUZ\WWVY[LK
his love of handcraft and his style
bears a danish modern sensibility.
/PZ^VYRKLHSZ^P[OTH[LYPHSP[`HUK
explores the practical and emotional
relationship we have with products in
this increasingly complicated world
driven by technology and fraught
with environmental guilt.
Inga Sempé’s design vision is greatly
inspired by the innovative precision
of everyday objects. The Paris-based
designer combines clean lines with
a characteristic airiness to create
pieces that are gracefully streamlined
and disarmingly warm. Linear tex[\YLZHUKWH[[LYUZÄN\YLWYVTPULU[S`
PUOLYIVK`VM^VYR:LTWt^HZ
born in 1968. She has designed for
Edra, Cappelini, Magis, Ligne Roset,
and Baccarat.
:[LWOLU)\YRZPZVULVM[OLTVZ[
recognized American industrial
designers of his generation. He and
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Projects, have been responsible for
creative design direction on projects
ranging from retail interiors and
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and home accessories. He has
developed innovative concepts for
renowned international brands and
has consistently been at the forefront
as an African-American industrial
designer. Exhibitions included the
Victoria & Albert Museum and the
Cooper-Hewitt National Design Museum’s Design Triennial, the Museum
of Science and Industry’s exhibition
Design For Life and solo museum
show at the Knoxville Museum of
Art’s Design Lab gallery.
Stephen studied architecture at the
Illinois Institute of Technology and
product design at IIT’S Institute of
Design, as well as attending Columbia University’s Graduate School of
Architecture.
109
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