1935 July 1 Art Digest - American Artists Professional League

.I)e¬r.iltife cll-I
i_he
llitlge
liolldr
B.v GRAh_I Ti'OOD
[Size .'3:3# x .'39'' Oil on panel, dated 1935]
If yo" (1l.i `SCrki"[J Fi"a. ill.i-Am,a,rica,a a"d lAIodcr" Pal"tiltgS, Portra,its}
Etclli"tis
cald
Sc"Ifit"I.a.-rLC,a ha,Ve i}llfiO,I.ta"i rLC,Orbs from. the ShtdiOS Of
GILBERT STUART
WINSLOW HoMER
THOMAS H. BENTON
I, S. CopLEY
FRANK DuvENECK
LAUREN FoRD
RoT3ERT SpENCER
RANDALL DAVEY
BENJAMIN WEST
ALBERT P. RyDER
R.
JoHN H. TwACHTMA\r
A. BLAKELOCK
ERIC HuDSON
I. ALDEN WEIR
EMIL CARLSEN
A. H. WyANT
GEORGE INNESS
GRANT WooD
ARTHUR B. DAVIES
HoMER MARTIN
PAUL SAMPLE
THOMAS EAKINS
JoHN STEUART CuRRY
JoHN S. SARGENT
LuIGI
Publications
ARTIIrR
r,RTC
B.
D,\\TF,i
Flu)SO\'
,..
.......
..
AIJBF'RT P. RYI )F'J<
rIORATrO
GRANT
\YOOI)
......
. .. .
_i-i)0
i..:0
. . . . . . . . .
1JJO
lr|ONTEMPOR_-\RY _\ _\I F, R I C'ANPRf\'TS.
1931
..
,
,..
_i-.Oil
Ferargil Galleries
ART
FOR
ALBERT STEWART
aI"1
IJithOgraPhS
C' \T. _i_\TDIl:RSOh-
\\|I| DYSO*T
^I.IC'E `\ B|FJJ+
I..\|'RE\r FORD
3.OI)
7._:0
\Yl\I,HER
I.:RNF,ST IJ..\\TS()\T
Etchings
,. #1lJ.00
R. SLOAN BREDIN
LucIONr
THE
rl IO_\l\S BI:i\TO\-
.\IJ3F,RT IiECK+\I_+N
RUSS l3Rf\|-Gilt
\\'. R. LOCKE
PIIIIJP CIIENl:`+-
I,|IGI LUCIONI
CTI.\Rl,Its
I.'R_i_\Ft f\. N_A:\'KIVELL
\I.
C_\PPS
IOIl\T S. CL-RRT
l|()TD PARSC)NS
.\RTlll|t B. D.\\TES
Ill.:\'RT a. PITZ
IOII\-
|'Il_-\P\IJES \T. SIIITH
_-i.
DI_i
OH\_ I)C)\\-S
.\. S. \I..\cLEOD
6N3EEwASTy:7:hKSTc=TETy
GARDEN
AND
HOME
AND
MUSEUM
Tit.e
=1rt Digest, lit Juley, 1935
3
SOME COMMENT ON THE NEWS OF ART
By PEYTON BOSWELL
A Soiled Escutcheon
Ier' quoted in the next editorial:
"O God!
O Sam Diego!-
Sam Diego is presenting to the world a
great art exhibition as a part of its california Pacific International Exposition.
But the politicians of sam Diego-alone
our artists be assessed for expressions
which are their own life, especially when
buyers are slow, or even never patronize
them?
Can studio paintings be of known
value before being sold?
Cannot they
be considered unfinished until signed or
sold! Are they not in the same category
with unso]d manuscripts| or a musician'§
practice until performance in concerts?
Are not income tax sales sufficient?
can
of all the world-are taxing artists for the
they tax
or utensils
1934] that Mrs. Grundy} who lives there
unsold canvases in their studios.
It is as
if New York taxed its poets for the manuscripts the magazines won't publish, taxed
its writers for the short stories that are
returned by editors with printed rejection
slips, or its musical composers for music
that never gets past an audition in a hardboiled studio that can make money on
nothing but jazz whine or Harlem yells.
When the Association of Museum Directors met at Yale. Reginald Poland, director of the Fine Arts Gallery of Sam
Diego, sent a telegram which Said that
throughout the nation sam Diego County
artists alone Were being taxed for unsold
creations' and that in all the country sam
Diego's assessors alone consider such
paintings tangible property.
''When European artists are admitted
of creation?
The materials involved are
worthless as such. \X/hen combined in art
work' can assessors or anyone else put
fair monetary value on them? Are not
sales-taxes or income-taxes fairer' and is
not this tax on unsold art unfair?
It
surely will stifle creativeness and drive
artists elsewhere.
The tax itself makes
same as everywhere else (the old dame
is ubiquitous)I had taken a look at the
tomb of the opera singer, Selma Kurz'
who had died the year before, which
bore the marble figure of a semi-clad recumbent woman. A sculptor had made it
at the behest of her husband, a famous
surgeon} Professor Ha]ban.
Mrs. Grundy hurriedly covered the
figure with sacking.
Her handiwork was
photographed by the newspapers and
periodicals of Vienna.
The clericals rejoiced but many of the "common people"
viewed the sacking clad figure and smiled_
Columns on columns were printed.
And
then the grave was surrounded by a
wooden enclosure. Mrs. Grundy| of course}
Robert Browning wrote a play, which
now is never performed, called "A Blot
on the Escutcheon."
And now comes another soiled escutcheon.
creativenessS
labor}
still more need for the P. \X/. A. P.
I
would appreciate the convention's vote on
assessments on living artists for unsold
work.
Cordial greetingsI"
The response Of the Association Of Art
Museum Directors was the passing of this
resolution:
"The Association of Art Museum Di-
rectors in executive session assembled
unanimously protests the proposed taxation on the unsc''ld work of the artists of
and not taxed," asked Mr. Poland,.,should Sam Diego County.
S'uch an unprece-
CCI WISH WE
COULD
dented act would make the fair name of
the county a byword and a reproach
throughout the entire United States."
To paraphrase the words of samuel But_
wO Goc1! O MontI.eal!"
From Vienna came word in February'
was behind the screen}-but what was the
sainted old dame doing?
Now, in I935,
the boards have come down' and it is dig-
GET SOMETHING IJIKE
THAT.
Will be the thought of -any a I10merOWner Visiting the exhi_
bitions at Sam Diego and the De Young Memorial Museu- in
Sam Francisco. The same thought will be in the minds of
visitors to the long list of other summer exhibits throughout
the country.
It is just such home-owners that our Consultant Service is de-
signed to help,-to find tIle right Picture for the right Place
at the right price.
Even though you may not yet be ready to make an actual pup_
chase, we suggest that you let us send you a folder about this
Consultant Service? and, when issued in tIle falI9 a new booklet
that will be helpful to those who would add to the beauty and
culture of tIleir homes through appropriate Pictures.
MACBETH
ESTABIJISHED
ll EAST 57th STREET
GALLERY
IS9f?_
NEW YORK CITY
4
The
;lit
Digcsta ]st
Jldy, ]C)3.5
closed, according to the New York
.Times,- that Mrs. Grundy went to the
THE
MODERN MOVEMENT
IN PAINTING
By I.W. Earp
A new book including an important
text by an author who has known
the artists personally| and 16 new
mounted color plates reproduced
with perfect accuracy from . . .
DERAIN
SEuRAT
MATISSE
ROuAuLT
VANGOGH
BRAQuE
ROY
RENOIR
CHAGALL
UTRILLO
CEZANNE
PICASSO
ROUSSEAU
SOuTINE
MODIGLIANI
A book completely unrivalled in
color,
interest
and
value.
Paper, $3.50 - Cloth, $4.50
At your bookseller or
THE STUDIO PUBLICATIONSl lNC.
38I Fourth Avenue
New York
Garden of Eden for a remedy.
leavesI
THE PRINT CORNER
is distributing the wol.k (Jf
No fig
Three Marine Artists
Of COurSe| for they dO not grow
in Vienna.
But ivy does!
All of this reminded The Art Digest of
an incident that once befell in Montreal
which caused Samuel Butler to write the
verses called.'Psalm of Montreal."
They
were written in l875 when the English
poet, painter and musical composer, visiting Canada' found that the museum
there, possessing a plaster cast of the Discobolus, had draped its middle portion
and, not content with that, had consigned
it to a room which Butler described as
filled with -all manner of skinst plants,
snakesl insects, etC."
"In the middle of them," says Butler'
.'was an old man stuffing an owl.
'Ah!'
said I.
GoRllOX Grt.LX.I - - Etchin.g? Dr!.-Pot.nt
sajlol.a ancl Ships, also Character Studies
PHII.IP KAPPEL - - D/.),-Pol',ic
ships on the IIigh Seas and in I-Iarbor
EFTINES:I ". `ff f^TSONI - - Block-Prim.ts_ Color
seashore and Ilal.bar, also Lands'cape
Pl.ints serlt On ill)Pl.O\.al tO l`eSPOnsit)1e a.ollt?1.trlrS : exhibitions ful.niShed.
.1clIII.a.i+.X
}Irs.
THE
illrIIliI.ie.S
C`I|itrlcs
PR)NT
tO:
||'hitmlOre.
CORNER,
Hingham
Director
Center,
Massachusetts
DURAND - RUFL
1_? I.1St Fift\.-.set.I.nth Su.eec
,So you have some antiques here:
\'l::\T \'()RIt
why don't you out them where people
can see them?'
- 'well, sir,' answered the custodian,
'you see they are rather vulgar.I He then
XIX and XX Century
French Paintings
talked a great deal,- according to Butler's account,
printed in the London
-Spectator" of 1878, and said his brother
P_\RIS
did all Mr. Spurgeon's printing} and that
his brother-in-law sold Mr. Spurgeon his
hats.
[Mr. Spurgeon was Canada's great
preacher of the Mid-Victorian age].
There are seven stanzas in the poem of
Samuel Butler, who was the grandson of
the Bishop of Lichfield, a town which was
the birthplace of another Samuel' whose
last name was Johnson.
Here are the
three that mean the most:
37
}z!li i!i-
_\\.c.Hue
|lc.
I.'ri|\1l:mJ
:i+a 55:5:i_i - i++Lseia==¥ :+=ss== 5+=j:; : _f==i= gis?i : 1+iT+ee+i_I :
RALPH
M.
GALLERIES
l'
I
iFT
And I turned unto the man of skins and
said unto him)
.'O thou man of skinst
FERARGIL
EARLY CHINESE ART !!
\X/herefore hast thou done thus to shame
the beauty of the Discobolus?"
But the Lord had hardened the heart of
the man of skins
And he answered, I.My brother-in-law is
haberdasher to Mr. Spurgeon."
O God!
O Montreal!
'The Discobolus is out here because he
F. NEWLIN PRICE, Pres!'de72f
63 East Fifty-Seventh St.
is vulgar.
He has neither vest nor pants with which
NEW YORK
W.
L.
EHRICH
to cover his limbs;
I} sir, am a person of most respectable
connections.
My brother-in-law is haberdasher to Mr.
B.
of the former
Ehrich Galleries
M.
NEWHOUSE
Ehrich - F\Tewhouse
Lm.u:|mt.;lt(.(i
Pcringings
578 MADISON ATE. AT 57TII STREET
NEW YORK
O God!
rJ=,tiilr".i{lls
MO D E RN
Boswe]l,
Bo.swell'
JL.
illclusiTe;
F R E N C H
Fuller Building, New york
second
Erlitor,
class
art
"(..ws
l:.rJ"?
a"d
$3.00
(rpi"i(I"
prI.
yl.al..
()i
tllr.iuOI.ld.
I,cl;s'.
I-uyber,
Semi-monthly|
.June,
hi(1S
tI.1l.
S"bscI.iP-
Helen
July,
S7ih
New Yor.k City
Stl.I,:I)
_-1*~?;::++till_-_=Tse__i:_-=cei;A;
:_-.<J<iT=a±RE=___iiTiTTf¬|55:+jii.i+¥ss=zst5=5+i:;lr¥TaJae5i-_=
THE
DOWNTOWN
PAINTINGS and SCULPTURE
l}\. LEADING 4MERICAN ARTISTS
+
$100
I)igl'st.
October
Inc.:
Pe.vion
to
and
}Iay,
Ser)tember.
oat.
$3JO;
States,
single
Ad`.ertising
Office'
Telephonl`:
\'Ohmtt.er
1st
lit..},,i.
.Tuty,
Business
Alice
15,
}fanager,
McCarthy,
EXHIBITION
1\'t..st-
1:Sill
Strt.t.I
i-ew 1'ork
11'_.LTI3R
GOT,OIt,fi
&
OILS
GROUP SHOW
Morton Galleries
130 TH,fes1 57lh StI.eel
drGENT
New York
_rty'Iay |3
Lo
oat. I
SUMMER EXHIBITION
National Associatiotl Of
Women PaimLcrs and Sculptors
1930,
at
the
$3.00
copies,
116
East
the
year;
25
cents.
59th
.--)-I?I..-)7l.
St.,
New
Volume
Joseph
Elltered
po.st
I., under the act of March 3,
United
i:
EXTRAORDINARY VALUES FOR
DISCRIMINATING COLLECTORS
GALIE-S
42|tr5¥"Street
1(,i
Secretary,.
August
Boswell;
}[anager,
matter
.\'ew york, h'.
Foreign,
pI.i.I(."tS.Critl""lt
on
,Joseph
Treastlrer.
Circulation
scription..
13lc..l=.s:I
Presitlent;
monthly
.,\ssistant
I.u.\-bet;
;\RT
(,.lt
Editor, Pe.vton Bo.well; ,.\h-sociate Editor, Pe!.ton Boswell, Jr. ;
Madison Aye. and 57th Street
TllE_
i.oni'luupd
TIIE ..\ltT I)lGEST is published by The .l\rt
Ilo.yton
600 Madison Awe.
O Mont1.eal!
Then I said' -O brother-in-law to Mr.
Spurgeon's haberdashert
\X/ho seasonest also the skins of Canadian
owls'
Thou callest trousers 'pants,I whereas I
call them 'trousers'`
Therefore thou art in hell fire and may
the Lord pity thee!"
O God!
O Montrea1!
Pierre Matisse
)\.`.:,//.
i;:'';i
I I:3
Spurgeon."
of the former
\'L"llOuSe Galleries
a
office
1879.
S+.20;
Editorial
IX,
lit.
\'o.
in
Sub-
Canada,
York.
aS
and
|'.
18,
TRENT ENGRAVING CO.
[c'#f gr¢£gr¢ fc) THE ART DIGBST]
Specialists in
FINE HALF TONES
for Artists, Art Bea.lers and Publishers
Your inquiry solicited
229 S. WARREN ST.I TRENTON' N. I.
ART
grb6
G:;lei.(ll
"B
rF
TG
Cc""billccl.-culi[h TLlr:i f\Ti`GuS Oj Sa" Fra1.CiSCO
()ffi(t.S:
l16 EclSt 5()lil `+I.
2(i
I)rI.
.\ |'o|lpF:i-DI|L\[ OF. TllF: _\R.I. \-F_\\.i A_\-D ( )I,INION OF. TILE \\'OP.IJ,)
Vohamc: Lit
Xc.tu, 1'orl.., -X. i-., 1st I"l" 1935
I.ssllcs
l'c.(lr
$3
No. 18
Sam Diego Follows Chicago in Showing Vital Art at a World,s Fair
Thl.
Fi"a. ill.Is Gallc.I.i
Of
`Scl"
I)i.e[lo.
By PEYTON BOSWELL
ment
\\|len the \\bI.l|l',i Cohmlbian I::xhibition \\.as
held in ChicclL,O in 1893 tllcrc was a fin.a arts
displcly in a SPeCially COnStruCted hi"'lCling On
the :I,Pal.I.i,rounds.`' in a
I" Bcll"lit"I
not too inSPirinf_, lO-
caticm_ that I.ontainc.cl a collc.ction ulliCh COntlibutc.|l to the 'back\\.zH.ClnCSS Ot' Amc.ricfln art
l'o|. tllc next tub.a ,i,eneratiOnS-th:lt infl:,CtCCl an(I
fixed ill.e mecliollity and ba"litv of European
B(1hOa.
Pal.I`.' `Scc"r
of
lilt C(llifor"i(1
to r|lal museum men. who kne\\. some-
=\"cl it -s cql"lll\- fortunate that the curGllifOmia
Pztci.fie
I"tcI.IlatiOnal
Expo`si-
Louisiam,I Porch:tse Exposition at St. IJOl'liS in
190+. \\.hich hanclc.ll out mecia1`i \ i,alOrC tO Amcr-
ican ancl FJurOPC.an C.Ontemlml.dry Painters, mO.St
of \\llOSe names now hal.a been for(i,Otten anCl
\`.hose ineclal pictures" lm.nc_I only `!t I.ew clolI
room.
at
hopccl
I-.tine _\rt.i Galler.\-.
to ol.gani.ze
Tlle nc._tt
it`s
llisplav
\\,orld..i
as kno\\.n. \\ill
Re.'.".nalcl
(.)I.
I,air i'n
the
Pr)-
fine
arts.
_\meri|.a..+a
bc the one at
lilr
San I.'rancisco
San
I.`ra"a:sc.a.
\`.hich did a good deal better.
When
the
Centur),-
of
Pro,L'r.CSS
F'.xlro.Siti(m
was first plannecl for C'hicajL,a it \\.aS amOunCed
that a great F`inc Arts Palac`c. \\.oulcl bc built.
IJatCr tbCrC u.eI.a financial
the orgz"li./.ation
Daniel
Catton
hitC.has, anCl fi"llv
ol- the fine. arts clisplav wac.i
turn.ccl ovel. to the An
tlnclcr the direction ot
Rich.
Tmtitutc of Cliicago.
R()bcrt IIarshe and
TllllS
CclmC
first really great art exhibition
\\ith a world?a l'air.
DREAMS
By JUIJ_dy GETIIMAN ANDREWS
I"
Pal.k
the
a.clc,I.ill[J
becomes
an
tI.e
whole
ellC]1all}ed.
drcall.+1 illwmiltatiO1?, i.I llladC tO
withi.I; the tI.eec.
of
Balboa
(Iardell..
A
Come f1.Olll
The folio(JC iS a 1-"a(gil
ble"d of gold. a"d' drefi. `slladowy bl"cs.
Next came the big I.air at
in
abc)ut
COmPll.lion
Of
the
least
1.500.000
that
thc.
I`OPulatiOn.
It
mc,"--.c.mcnt ol.
is'io
this
he
a.xposi-
ti,Jn \\ill i,i\.C: I)I. \\':llter llcil c1 1-rc|- h:mcl to
asScmblc
the.
LTC.ateSt
country has c.\.c.I. seen.
fine
arts
CXllibitl("I
the
Ilo is clil.a.ctor of botll
the Cali1'ol.nia Pal:lee of |hc i.c"-,ion c!t' IIcmor
Chic:I.i,0'`S \\'("-l|l'S I.lair \\.aS 1-ollo\\.ecl b\. the
the au|`tion
the.
other bricl{_.e to a:lklclnCl. \\.hit.h Will make the
tion at S:m I)iero turnc|l to the art clirector
1ancl.
l-_`lchl.atI'nL,
l3.rl""siliou.
u.hole ,.Ba\r Rc.(JiOn'' Prat.1iCall)- tme I.it\., \\ith
ol. the citv`s
salon st:lndal.cls cm the Unite.d.States.
1(1rS in
1938.
I"lei."HIio"(ll
Golclen date Brid.{_,a to _\Ifll-in Count\- anll tbe
1hit1.I,.
l.ant
in
Pacific
the
collnCCtiOn
Tt \\.as fortunate that the
Century of Progl.css mana£,cmcnt for financial
reasons hall to tum o\.er its fine arts depart-
rich I.1lSSet reCIs a.lld !Jl.CCIIS i"I ilie
freld
ParI.:1.SIC.
"la"1ler,
i".riti"fl
MaI-
1.a."la"tic
"soltls lo s'l[Jh fOl. love. OltCC mOI.a.
T1.OOPS
"i Sp(1"iSh Sj"gel.S -ct!a"drl. about C1.Cati."g
frictut.cs cl(laillSt
the
gal.CIClt. WCII!s toMcdl
T#tith rh/lot".ish lllmS alld IMcliCalt alejos!
willie
tit.ey
stl."m
g"itc1}.S
avid
1"al`.a
ar-
tie"late tile "load 5f a.tlcn.i"g. Tl.a folmiains of tile fralio aud tllc (JrCat i)OOIS Of
the
the
PIasa I.ef[ect and m,"ltifilyl i1?,fi.1riteI.y
scelic, tI.a c].aracter a"di the cha1.m,`
wliich stir the sfr;.'I.`lt Of tlic tI".olbgs ga.tI.-
eI.Cd hal.a fl.Om tI.a clldS Of the earth.
in Ijn|.oln Park. o\.c|.looking th.: Patilic. aml
the De Youm_, _\1emenial _\1uselHn in dOlllen
Gate Park. ;"Ill ha-i just `<llo"l his grl.at ability
i'or
(`r¥,anizjn.¥
iL,C.thor
the.
I.`rancisco
t\TO
this
c.xhibiti(ms
b)-
\\.hiCh
engrossing
summer.
are
ancl
getting
wllil.h
tor
S:m
:".a
dc-
seribcll else.\\.here in thi; issue.
But the S:m Diet_+a sho\\. is the. sllbjcct ol`
this
special
mlmber
Precious ilICICCd iS
of
TIIE
-`\R.I
the exllibition to the al.I world.
th.e
Fine
stan|ls
thentic
in
_-\rts
the
Balbo:I
Gallery
miclcllc. of
of
Sam
Bealltil'ul is
Diego.
fasc`in:ltinur
Park-some. of it
lanclscapc garclenc.d,
I)IGEST.
the r`rivilcgc ot' presenting
some of
\\.bi|h
and
au-
\i.onllc.rt.ull\-
it c.x:'l.tl]. as
ii
\\.as in Pro-Spanish days-which is the scc.nc
of the Gllil.cmlia Pacific International E.vlOSition. The Fine _-\rts Palac.e occupies a position in the center of the fair! like the gem that
sits in the forehead c)i a monarch`s ero\\.n.
The Fine Arts Gallery o1' San Dicgo \\.as
6
Tit.e
|1rt Digest, 1st
I"ly2 ]935
point of importance.
It gives the artist of
the Sou|1N\.CSt and the West a place in the
sun.
Despite the display of old masters, espcciall). those or Spain. it is the contemporary
art of the South\\.est that strikes the kc.vnote,
--a.ipcciall?. ".c.lcomc bcc:lusc ot. the short.shrift
usuall).. given tQ the \\.eSt by the East.
E\.en bc.fore the exhibition opened, Arthur
_\lillieL
art Critic
\l.rote:
Of
the
Log Angelcs
,ri'7;aCJ,
£.That no important link in the chain
o1. the South\l.cst's art history shall be missed)
th.e director ol. the g,allcry? Reginald Poland,
and
tw,a
business
men
connoisseurs,
Julius
wangcnheim and Aims B. Titus, have been
flitting up and do\\.n the state thcs.c several
months` dusting off dim pictures in Sam Fran-
ci..co basements or rapping on out-ol'-the-way
studio cloors of lit-ing artists from the Golden
Gate to the Mexican border.
I.The I.,ine Arts Gallery of San Diego, while
not o\.er
larL}e.
|
iS One Of
the
most beautiful
and ".c`ll amointcd art museums in the \TOrld.
I| shoulders a dual task for the exposition. Its
pcrmap.ent
treasures, among them Rubens's
EI Grecois St. Francis,i Zur-
.Iioly I.`amih..!
bara'n's.\Iad6nml and Child ".ith St. John)
ancl his.St. Jcrc)me;' and the great German
primiti\.e` `I\-stic Marriage of St. Catherine),
fa[nous
pclinti.ngS. together With Gobelin tapeStrics and pictures by Zuloaga and the brothers
I)a Zubiaurre. arc many of' them related to
the spanish cLltur= whic.h is california!s backl<sacramc"[o
I"ditl" 1l:itII I)a.(JS= hr CIlaI.lei C. NrahI. I-c1.,i by the_Ca!ifor"i+1
'];;;(;;';''oi';-il-;-'i;;li;I;
;i iI('"ro1:. Xahl. bar" jn Germa.".yJ ;:!aS tile fiI.St
to
fiofi,"IaI.i=e
TYe.stcr" setti"[J
tile
i"
[Je".re
fiat"ti"a.
.i,round. T1"s the permanent collection strikes
a note introducton. to the de\.elopment of
_American art on this coast "hich began about
eiL'htT-fit-a i.C.arS ar_i,a.
the birthplace of Till,-. -.\RT DIGr,S1..
got tbc
when
he
iclccl
Ot-
hc w.a.i
\+.alkcd
the
in
o\.el.
maga.Z.ine
san
the
in
I)ieL,a.
hills
Its fol-llnr
Jul)~.
Nc.xt
of
Balbozl
19-?6,
monling
P:irk
tO
the Gallcr\,-. an|l explainecl th.a idea to ReLrinald
polanc1.
\\,hen
the
idea
describecl. polan|l said:
ancl
iclc.al
hacl
,.It'.` llnl-flnm..
bCCn
Ol-ten
sonlething \ ;a eXPla;neCl to us \\'hich \\.e I.ecogni,z-e
as
bcin£.
so
I(.gic`1l
aS
IO
be
ine\.itable.
and \\,a \\.onclcl. u.hv nobo|h. e\.el. thougllt Of
it before.
B\r all
I.neanS.
BTos\Tall. Start i-Ol".
.\RT DIGEST."
.-\nCl
the founder took almost
the next train back East. whcrc hc ]"blished
the first number on Not.cmbcr 1' 1926.
TIlc exhibition at Sam Diego is described at
lenf`,th else\+|l¬l.a in this number, and several
of its trcasurcs are rcprc)duced. Reports from
the fair inclicatc. that. in proportion, the succ.ass. in point ol' attenclance. of the fine arts
.¢ho\'t,. Will be Ilk.a that of chicago,a
century
\of Progress disIllay.
The San Diet,a exhibition has One l`eCuliar
:.It \\.as 'thc seleTction of this
latter section
\\.hick i,a\.a }[essrs. Poland. \\-angenheim and
Titus -m. slceplcss nights.¬ IIow to epitomize
its story i-n a fe\\. ".dl-Chosen examples \`.'lthout sliLlltim-, the lit.elf Production Of C.reatiVe
\_
art in
19.1t5te Cfllil.ornia. \\.as theil- I".oblcm.
¬:_\l-tar se\.Oral months of scanning forgotten
"`_,a./_ines
and
the
scant\.
I.elercnce
works
a\-ailable. one of th|` three gentlemen clCtually
sat up ni(-,Ills i"iting a sur\.a). of art in Califor.nia.
-\Ifinv important artists. among them
}Ioran. Kcitil. Bierstadt. Carlsen. Matthews
and scores o1. others. pla).ed an ec;fly Part in
tile StOrY. fOllO\Tl-a bV the generation Of land-
scal`ists.such as Gu;r Rose? William W¬ndt,
Benjamin C. Bro\rm. i/Iaurice Bratln. Wachtel,
on \|.hose heels now tread the current crop of
lust),.?.ounger native sons.
i¬Still another bugaboo kept the art com-
mittee from the arms of Morpheus.
The aycr-
aL,a
looking
\iSitOr
tO
an
thrills. not histon-.
eXPC)SitiOn
iS
for
Much of the ¬art' \\.hich
loomed large b_-foic 1900 (and after) is pretty
cluFl
stuff
a[`art
from
its
historical
value.
Should the\. rut up a dutiful exhibit full of
historical n'ames.i or should thcv sur\.ey the
ar.ailable paintings. scullmlrc and prints procluced dul.ing the last eight)r-fit.a years and
a.-1leCt
from
anah.tical
tin
them
Only
WOrkS
\+.hiCh
Pass
an
test as art.?
i-ou
kno\\.
Your
art-world.
vou
\\ill
rcali7-a t'hat the CXPO'SitiOn!S art COmmit'tee made
a brat.a stand \\.hen they decided that their
exhibit should be first.ind last a show of
the South".est's Art with a capital A.
If a
historical
art
cold.
fit,|H.a Clidn't
accomplishment-he
Ill a
bcarcllcss
measure
uP
stayed
out
in
Youngster could
actual
in
the
deliver
better
aesthetic
i,OOd'S
than
a
graybeard
\\.eighte|l \\ith honors and mystic lettel.s-the
`striplin¥``` mmc and work "..ant in.
{Th.a rc.al aim. then! of the art exhibition
has bccn to present the panorama of art as it
.<riNr
hY
fi".-.+I
I.
|[a(a"lald
I")ok
a"
ll.I.iUhl
""d"." a1.I
¬t'i"a
of
llf
i"
Sc"lhl
ilo"ira.
IrI.i[Jht,
=l"I".ira. I.Cfir{..SC"tS the
Caliin"lid
tat"tors.
ZtlhO.{urOte
Pl.ogressi-cle
tl.a
has been and is beinlCLr PrOCluced' in the Pacific
South\\.est.
The historical note is there. but
the artistic note is dominant.'!
The ...lit Digest, lit July, 1935
I
Sam Diego Exhibit Offers Sweeping View of Art of the Southwest
By A. B. TITUS
Vice-Prcsitlent) Sam Diego Fine !1rts Society
The
exposition!s
official
art exhibiti(m
dis-
plays a record c)i the devclopmcnt of the art
of the Soutl"vest.
It has a meanillg a"d a
purpose in accord with th.a intent ot. the exposition to display the cultural as well as
the rfaterial resources of the Southwest.
major
pal-I
Of
the
COlleCtiOn
iS
the
The
art
Of
California, not because this is a California ex-
position! but because Califomia hulks largest
in the art of the Southwest.
Nc\+. Mexico
has the only other art centers of consequence
in this section whose artists have bctn generally represented in the various annual exhibitions held throughout the Southwest. to the
consequent enhanccm.ent of the art lil-a of the
entire rcglon.
The collection
as assenlbled
covers a period of some e.lghty-fiv.a Years. a:a[:i:e_:
proximately from th.e time of califo'rnia,s
mission tot the union in 1850. do\ul tO
present.
In the art commi-|tcc,a selectioll
the artists included, it I+,.as its endeavor
choose those 1|.hO hat.e done th.a most
shape the course of Sc)uthwcstcrn art.
Until a comparati\.ely recc.nt pen.od, the
of this region has been esscntiallv that
the lanclscapc paintcl..
The beautv'of the
versified
neighboring scenery.
the
mountain
ranges. the foothills and Wall.eys, the rugged
coast land the sea. all bathed in peHICtual
sunshine, together ".ith the moclerate c`limatc`
kept most of the artists painting out-of-doors.
However, in late ),.ears there lras gr.oml up
an increasing m"nber of artists I".eoccupied
with other and more subjecti\.e problems.
While many of the older artists hal.a felt the
influence oi this nc\\. 1ea\.en, it is chiefly the
"The
Hal.th
ficrso"clI
liar"(".d
[ai"Ii"us
of
I)i-ro". t1
tl.a
lIJest
"ati~re Califol.1liall.LC,hose Clisti"ctly
co"""a"d
"alto"al
attc."tic".
him ".as grclft.ed upon a training in the meticu-
unc\.em he acquired a phenomenal success. The
lous Dtisselllorf sl.hool.
ing the l`oursc of ".cstcm art \\..as also con-
and the Yosemitc with stcrcoscopic truth. and
his cant.ascs broui,ht fabulous prices in New
siclcl.able.
Thomas Ilill. \\r.ho arri\.ed in
and Thomas Moran. \\.ho a.ame in
1861.
1871. both
York.
ills
\\.estcI.n
Ilo paintecl the Sierras
Paintin.i,S
\\.ere
CnthuSi-
bom in I+ingland clnCl botll trained in I:urOPe,
aslicallY I_-Cei\.all abroad. anCl hC \\.:lS honored
formed
\\ith
With of'ficial decorations lN, Fl.ant.|. and Russ;a
pcrioll
of
Kcit`h
sc.e!lic
cant.clSeS
the
Ea.st:
time tot becom.a traditional fiellrcs in tllC local
for
painting
scene. as hat.a their elclcrs
I':x]")sition in
herein.
I)I
mfluonce of his Gal.lv contemporaries in shap-
younger generation "1lo are thu.i cleflc|.tint, a
part of the art stream into ne\\. chamiels.
These voun,gen artists baye not as vet had
m|`ntioncd
li"(y-ct,(r:'
bl.Ought
llill
at
a
trio
".ho
p-,:intin,i,.
them
\\.fls
the
llion.ccrcll
Thlir
COnS'IdCrable
a\`.arcled
the
Philfldelphia
a
California
Con£'ress
fame
chase his
first
in
l`ri:,.a
Centemli:ll
m.1CIC
a
lap.'_.a
-Scttlemont of
aPl`l.OPriali(m
Calil.(".nia
tO
Pur-
by Juni-
pcI.a Serra..`. to hang in the Glpitol at Washinf-.t("1.
B\.
1875
.s(mlC
fC".tT-
PaintC.rS
\\.ere
a|.tit.ch. en:,:F_,all in the inClustiv of advertising
187c;. "\ a Calil'ol.nia landsl`allC.
Mcran \t.as also ac|.1:lil.rlef.1 as one ot- the best
to the. \"".lil thc. `tJIOl.ieS O1. Cfl'li!.omia's moun-
influential factors ill the trCncl. mentinnccl. an'cl
etchers of his cla\...
tc,tin
they al.a
B.lerstallt brought' to the \\.,astern painters the
spell of the IIudson R'l\..er school, which in
Some
have come
therefore
to
the
includccl
front as
in
espcciallv
this c.xllibitiOn
as ref)rcscmati\.a of a current mo\.emcnt. IIow-
During the sixlicsl 1.\lbCrt
I:ulL,C.S
leys.
|
allll
Cam,.OnS.
\`.:ltCrfalls
:md
th.e plains in 18+9 \\ith his parents, and who
eveL the fOllOuinE? retrOSPeCtiVC Sur\.eV Will bC
-.` ~\,=j==.-\Q- - -- -\\t\S\.l* i.... -`;`
brought clot"1 Onl)- tO the Period inClu'din`L, and
just sub``equent to thl- San Francisco exposition. \\.hich brou£,ht to lic|1t many nC\+. artists
of the west: so only those will bc mentioned
who had come to th.l: fore prior to about 1920'
and \l.ho thcrcforc can be accepted as "traditional."
Tile chronolc)gical de\-elo[Mnent Of the art Of
California follows a path from north to south.
California u.as hat a sleepinro possibility. until
the +,olden year of 1849 brought th6usands
of pear)I.c to dcvclor) its latent resources.
At
the time wc bet,in, 1850. with California just
admittec! into tbc Union. San Francisco was
a small community of less than fiftv houses.
There was alread;' a little group df artists
there, but tlle only one to gain wide act.cntion
was Charles Nahl, w.no.<.a | gcnrc llaintings were
the
first
to
populari.z.a
tile
\+.l`StCrn
Setting.
Born in Germany. of an artist family, anal
trainecl in Paris, he was the first artist worthy
of the name to seek the far west.
\|illiam
Keith, a Scot, who was destined for half a
century to be the best kno\\m of the westem
artists. came to San Francisco as a vout!1 in
l859. ' Beginning in a
granclios... sty.l'e shared
with iliS COntemPOrarieS, hC gradually forsook
it for a mol.a poetic vein.
I-Ie was'the first
artist in California to achieve distinction bv
reason of the subjecti\.a note in his work'.
Thou:-'h lnis output was rrocli`eious and i-er).
"I_amy, _XL..Ztl Nc..TiCOr hy rd"d.rCWI Da`sl)"I.a.
h(I.a
r"fit"I.Cd
the
val-
Thc. \\.ork ot- i,hall \\.c-.l|.h. \\.ho crossed
SPir`it
As i". all I.is la"d.scafies, Dasdi".g Jlas
of
]li`s
s"I)jcct.
8
Tit.e
:,b.i
Digrst, ]st
]ul.y, 1935
Albert P. Ryder Hailed bT Many as Greatest American Painter
\|
*r
..The Lo`,i ll-I"ller hy -.llh{].i
Rydcl.,` Iai"fir,
b+`
u;tlliy';rifiC.i
viess{ad` rc\ilh
plus.sc.i.s((1
PllCt.. "lySIir
;u; [J".
i"ld
lll.rll[rSt
:1
dl.(1""Cr. Il(l`s
Of.1"Ill.iC(1"
sc(I"i
ec'""""iC
i;lCC(_XS
;).""
("m.:rI:""
nf
l"I
P. Rydel..
hi.I
~
(I.lf[ Of Mrs. I--I"".y i. F=-rcrctt to th( F`"lc :lrls _Sllrirly llj..+i"I I)it.u(..
I)(cli
d"I.i"!J
d{..Sr:"I.
r(I.+cl.-LJ.lil..
Altho"(Jh
hi.`S
(1S
iu. his book,.tJIou
firoclai""d_I
"laSiCrS.
iS
lift.ti""..
hC.
Slm-`"I
bX
the foIIolri"(I a"OIatio" fI.Om h."I i.Criti"a "Std hy Tho".as C:I.a.d¬"
1atcr
stL1|liC.|l
ill
\llmi|.l1
.|11|l
in
P:Iris.
|.at.Tic,|l
on tlleSe traClitirmS illtn the nC,i.I Centul|-.
paintiner
of
expertlT
the
perir)a
b\- artists
\\-as
\\.bO
ClnnC
f-'r)all
llaCI
The
Painting.
well
been
trainec1.
The ff)uncling of the San Franti`¬cr).\rr .\s-
\\.ith
panoramic
of
Air-"-;1s tt boy, sI(I"di"!l
;lS SCl"tlI.a -Of
Stretched Calr-.,ai: I
i". "ly
.cc'ollld
fioss(.I.x'.a" Ille..¢.her(.-{¢,ilk
ln
cI.((lit il
lir`.i.
iI"."lI[JIlollt
t]lC
Ct""i"!J
(lflrS.
The
llad
nln1.(."
rl`l.(1rllim-,S
un
Of
Sl`Cn.lC
u.OnderS.
:lnd
the
rc.centl\.
;l1.qulfl ("calcl] m-them more thz"1 1hC rl":rL,all
a|-hie\.I.m.i.Ill-
gLlnllC"I r)I the Sli`rI.clS.
Tn the SMI Era"l`i."`o Art
"\itkc.n
_\Iathe`\.`q_
born
in
Tnstit"?c..
18r)0 clml
trainc.d
_.\1.t1""-
in
Paris.
peliocl.
sc`l")I
subsc,qllC.lit
to
rla).
lift. Of the
\\,illi:mrs Opt.ned
the
tile
a
Bollerlli:UI
larf-,a
rCCJI'on.
San
part
TIT
C'lub
in
the
I,Q7+. \'ir£,i1
I.'r<,ulCiSCr) S|.hot)I
of
Design. as an off.shoot of the ..\l.I .\\<ociation
-a school that later. as tbc \I:lI.k IInpkins
rnsututc. :mcl tocla\. as
of
Fine..\rts.
muc.h
nf
the
tbc. C{1Iifomi.1
has' bccn
rcr-ric"1'.i
art
the
focal
women
of
u.llO
\\.ere
caliI.ornia
fluence of hi.s
tO
art.
form
all
instruction.
point
Clc\.eloiv1,.a.nt.
of
Iinlil
on
the staff of the Scbc`f)I of D.csif_,n ancl its
successors.. hc latcr rcturnccl to \Te\\. York.
Another \TeH-k-mu.n instruc.tor of this era u.as
R,lrmlOnd Tellalld. an I,nf_.lishmap. \\.ho I:lught
at 'thc school of Desien for some t\\.entT i.ears.
As
atec] 1n and abOutihe Bay region. The CarmelMontcre)- section was 'beinf_, picmcerell as a
Iie
its
the
Clean
ol.
the
art
California
()i
co"tc."lfioral.y
ia"lo"`s
I" lilt
nil.d`s
lilli.i
mc.tcll
set.ift
Shaft
of
sc"IfituI.a,
hCttCl._.
art from the I:ast and from abroad.
to
sequence. the art of the rl,ii"1 bCLran tO acquire
an air of sophistication.
The i.otm(-'er i,cneration of art students. coming in' frown tlle East
and from abroad. bra,.]eri in a fl.esher and
more universal rot"I of yie\\-.
Interr\retation
their
Ch;'ef
in-
terest. rather than their clders' preoccupatic)n
Of
tlw
"1O1.a
tl.an
C-tic.I.
tlee
-eel.I,
it
the.
PletlSCS
"cssc,uce
of
tI;a Nell.OfiOIili"
Gal.uaIIo..LrhOm
of bet"(JjamiiiC". nLC.iih. tile
-.c'ell
Iatrst zt.oi.k.. ¢1
"se
`.Tag
p:lintc.I.``¥-
a"a
a 'culi."g.. O1., if
tis..¢1ith
the
disti"glti`shcd
nature
mur:ll
\TcSt.
Q"ct=al bird c)i tile }Iclyct fiotteI.S tlf Cola",. ¢ls
brought to san Fr:ancL¬co the bc.st Qf Current
of
tllC
Bl.c"I.a"si i`s on' disfilay.
the Catifc".1lia S"" the
SCCmS
flash.
I3I.au.CuSi
of
of
90's.
In con-
sl.ulptul.l.
name.a
in
at
the
p(".tr.~litlm..
aPPC.:1r in
dc.ri\.a
his
Rnbert
i.I.Om
all
th:tl
an-
`¢amC.
Wc.ll knc""I al.c. I-Ie"I)r Breuc.I. Xa\ier
-\I:ll.1incZ. Oottar|lo Pi:lz.z.oni. _\1flttco i:mllona.
I.,r±"1CL+.\ll.Comas. I.inlest Pci.tottcl. anll i,harleS
At' the. opcninL+ Ol. tlliS l.entur).,
`
th:m :tt llcmlC.:
-.tat sc"lpt"I.a of Dalio".ey.
mooc!`s
Of
SCULPTURE
B_\- JUIJA GETHMAN..\\TDRE\TS
r`ainting ground about l883. b\. sl1\.Oral artists.
headed by _Julian Rix.
Tn th'e late 80,a and
dealers
mur:tlS.
Stanton
has
for
.,\l.tllur Putmm`s sculptural art \\.as conlim_,
into llc".c.r. pcl-haps more appreci:ltc.ll in Fl..1nCe
(m
a"a s".+prats
the
pflintc.I ancl
C)I
tc.ac.him_r
art.
mc.|i.,Ll
Rollo Pc.tars.
:m\- one clrtiSl
much c)I the early mom""cl"I sculpture cre-
of
in-
\Tel<tc.rn
.\I.|.iU'tC.i.tS
the,u1
fli(lilt."
The1-a iS al.SO
li"sell"l'S.'RoostrI,. hy
an|l
fl
the.
Qf
hc;d
a teacher hc perhaps had a g,reater influcncc
one c)i th.e student,i. DmF_,la,S Tilclen. e'xc-cuted
c.nllc.c.tors
diStinCti\-a
School
Carlsen \\.as tile first of the I"m- diStilF`,uiShed
artists \l.hose names appcarelI 'as instructors
discriminatingr
a
sho\`inL,
tllc.n
".llC)Se
:lrtist-``.
ancl
clcstin.ecl
(1f
Ol-
c_,(|l|l
fielCI
\I:m).
z.ations
,1nC1
tllC
a
my
I
"lasfel.fit(I.:
tIlat
flrrat
I"OStt.rS
Tmtitutcl
bim
ua'i Jol"1
in 1872` marked the formatirm of t\\-a ol.'_'ani-
1871.
ilt
\\.;l`<
nal.i
in
a(\\-arcle|l
ln`stitllte. ::`<
u.as teaching and llc.\.elopim-' a.(_.roup of mc.n
socI'atir)n
_\mc.ricfm
The gent;cr _QCCner\. nr tlle San ftanci.sc.a ran-
hcfol.a.
I.cali=id tI;a[
nf
the.
1.rSllll
"css.
Sil...Cl.
i"_ Cl.ct.Ol.k.
I-Ji.I...Spil.it
=1f1.iCali
AI.Clii[e"kO'S
tOl.SO, iS al. alto(!elhCI.
allStraCtiO1.;
hllmC".
tVcsl
hilt
fi(I"I.a
Of
;i
m/Ore
the
Zo1.aClfS
See"lS
tO
laSii1.fJ
tis
gl.eat-
Da"I;-"-is
as
"ol"y a"cl ctrr"ally bea"tit"I as a GI.eCk.
stat;lt.. I"lt moI.rPIasticj lt is cast i1.
aI""1i"llm. a"d
tI.is soft
mc.tat
has a
sllhtlc
¢.armth
pletlsa"i
(llld
lo the eye.
(I
gel.tloueSS
mC)St
_
Ills talent \\.as de\.elopim`, dur-
im-, Ills ].clulh spent in Sc,"1 Diego.
I
The i.el.y
~
pcr`soml art of M:"-rd Di_ton` a n:tti\.a. CalifcH-nian.
W(1S
the.n I C_'ainin'_I
nfltiC"1
:ttterltiOn
tbrouLrh
his PflintingS Of the \\-I..¢t.
-\rmin
\
IJanson. born in Gllif(n-nia. rc.i.cmtl\. I.elurned
from I`ainting in Bdgium, scttlecl oli the COaSt
:tt }I(.mterev \\.hc.re he
ticms
a)I
\\.illi:"n
aLin
R:i\.
fro.:i.o
\\.c`st
th.a
fishermc.n
Ritschc.I.
paints
allll
:mll
his interprcta-
their
late.I
lil.a
Paul
fit
Sea.
DouL,hCrt).,
s.|-ttlc.d in this a:lrmc.I-\I(Jnterl.i. a:Ctim1.
B(".nttln. 'l.ho b:lil been spl-i-i'alizjllf., in
I.C.`SeaI-eh
:Lbt-)LIT
this
abeXl|l.
:ll.$O
I.I.turn|l|l
tO
the
time.
Sclnta B:lrb¬.".:I ,i,rC.". uP ale"'_I "ith its Sister
art c.olonic.s to the north.
_.\lex:tnder llarmer
\`.as one. ol- its pit-.c.I artists. :mll llere Tllomas
\Iorcln
SPerlt the. I.1ttC.I Part Ol' Ills life: Colin
Campbc.ll C("lpcr.
parshall. \\itb his
Shall.
¬[nd
I.amc..
flrtist
:ls
son.
De
\Titt
I)tllFIlaSS
did
Par-
In 1930. I.,a.rn:md I,unL,ran. John Gamble
othc.I
:trtists.
\\ith
la\mlen
associates,
slartc.d the, s|.h()ol of the.irts and invited
I.'rank \Iorlc.i- 1.'ll.tchc.r I-n I,dinburgh to
hc.ad it. Bl.lm.ore. Bro\\.ne later succeeding him.
In the c.arh. 80'.+ \\.hen San Francisco had
The Art Digest. 1st ]ulyI, 1935
9
Millard Sheets Began Young and Carried His Fame to the East
m*-_r~
.
'¢B,yl
tile
Old
BI.iCkrardr
A T'IFatel.
Colol.
I)I
Milklrd Sheets c)i Los A"gales.
Sheets is a"e"profillcr TX.hO iS.1bOt "WithO"i hO"Ol. ill his a.i"i,
list
(oo;I"I(I:i:ialf:(I,t!le i:"!lrCo;.'tfalf: I:lei"Cl:laftsl.II.CtflethirlSCtad:I;g afil:i3iC"li;1osOil;I;I
Of
aWClrdS.
Si"ce
the panoramic subject matter of tlne early Sam
Francisco group.
Contemporary witll I. Bond
Los.Am-,alas
Francisco ll.aS Elmcr Wachtel` whose oils ex-
bet.omc
a
\\.as
cosmopolitan
only
a
center
struggling
with
hamlet,
still strdnL.lY marked \-\.ith tl1.a m-aI-lana flavor
of its pueb'lo cla\-s.
Gut.I.on Borglum! whose
scull`tural art is indav shaping molmtains into
the
semblan|-a
of An'1CriCa,a
llCrOCS.
Was
then
r)loitcd for many I-cars the dry arro).os of
the nci=hboring foothills. as also did the watercolors of h.ls \lifc. \1aric)n Cat.anaugh Wachtel.
In
the
late
80's
th.esc
artists,
\\.ith
sc\.Oral
a i.("m-,star. ranching \\ith his br6ther salon
kindred souls. organized the IJOS A"i,eleS Art
at'santa..\na.
and
i\.isociation.
roI.traits in his IJOS Angelcs studio.
I. Bond
FrallCiSCO. a lad of u`.ent\.. \\.as as prominent
the region.
and
pclinting
landSCaprTS
in musicall |irtlcs then :as he later \\.as as
a painter.
llc intl.oduced into Southcm Califr)1.nia some.thinC_. Of the LTlnlliOSC mamlCr an|l
lllC
first
Benjamin
Organized
Bro\\m
art
group
came
in
Brow"I
\\.|Te lirC
lhusiasls uI' this rl-+_,ion.
the
i".entieth
18f)5)
arri\.ed
centttlrv
first Ctdlim_' en-
1n
the first rc,lrt or
\\.illI.am
I.ram 'C`hicaL,a.
\\.endt
\Tilll
celil\. and
Pf".C.r r)I Ills \\.OI-k
(b".n
Ills
Julia BI.aCkC.n \Tenllt. the SL`tIlptl.cSs.
H()lbeilr)S St. Sebasti(m
in
1895.
Thou+.h a lamlsl.ape painlCL llc a"ll bis bl.other
ll"I.ell a.
the". Ills
fame, fo,u"dcd
a"
leis
(ill::.d::fit::Si\.Si';CoI. T:a#;estCeOl1::i,I.Sa'1.tJilsfs thfrae"I.a:I.aEi:lfa PteOa"i.hi
nearl\.. fc)rt\- i.cars of art activ.itv to its cr.edit!
alread\,
Le"i bus the Artist'
lc)catc|l
there
about
19(lO.
in
E-ast-a
its
lleriod
of stage coactl. sage-brush. allcl coal-oil lamps.
ITis friend, W,llliain Wendt. spent one early
sl.ason paihting lTith him at I"1guna. and lie
cvcntuallv returned to build his studio there.
Norman -St. CIair and CoI".a\. Grifflth were
of that carl\- time. arri\.ing bcf-ore 1906. Karl
ancl C`larence Ilinkle. t\\.a of IJaf_,una!S
Tens
claims
to
I-ame.
both
came
in
1918.
That
s(1m.a TC.clr \\itneSSeCl the formation Of the IJa-
¥um i),efi||| Art _\soSciation. ore_,ant.z.all chiefl\r
ln- E|,tsar P:i\.ne.
Through' th: inclcfatigabl.a
efforts of _\m|-a IIills. its eat-h.
the
as`<iSi[~"lee
Of
\\illiam
rrCSillent.. anll
Grifl`ltll
anCl
aSSO-
\\il.c..
111e Sin-
hrOulrht
w.ho
si"col.a
him
:i
A Collector.)a Pal.tI.(lit
Ilo.st'of clisciplc.s.m p.lint. and big Was the most
l"trked
influence.
Ill"n'1ol`al
acl\-cnt ot. the current
dean
of
Stiutllem
flrt
up
£rener:ttiol1.
C'alifol.nia
lo
tllc.
Ilo is
:u.li.+1.<.
.\rLbur -\Izltlle\\.`S Of the \Torrh.
lhc.
fl,i
lS
i.;lck \\'ilkin-
s"I Smilb \\.f,S itnC)tller among the ,early group
I1(li"tl.I.S
".h"
t"tlll`-.lllll
Still
]1lclkCS-a
I)I
I.|.|.ul.|l
tJl'
II;mson
thLi
I,0S
PllthulT.
_\nlJ|.l|+S
\\.ho
re(_.i(m:
came
in
Otllel.i
FJO5.
\\.C.I.a
I:|lur.1r
Pa\mc.
Com.ad Buff_ an|1 Paul 1,au!it.z.
thc~ rctum nt. Guv Rose lO I.os _\m_,.JleS at
liLiS
rCIIi(1ll
h(ill
tln' influellCe
("i
l.i".I.a"I
:LIL
\\.hich \\-a`i little reco+,nizecl at the time. Though
bcm
in
Southern
Califomia,
he llad
clurimL+ his early YCarS in France.
Painted
1I¬ brouL|1t
h¢mlC "ilh hint t'hC first hint Of SOrhiStiCatiOn
to the art of rhc region.-its filet ":tti\.C. COntal.I "itll the SChOOI Of Impressionism. Stanton
\Tacdonalll
\\+ight:
a
unique
indi\idualist.
sought in his paintings to blend \Tcstcrn ci\.ilirz.ation \vith Oriental philosophy.
Ilo has been
much more successful in this than hat.e the
Orientals
who
ha+.a
attempted
a
similar
fusion.
¢.St.
ScbaJltialt,"
by
IlaltS
EIoll)ein,
Le"I br Willitts I. Hole to Sa".Diego.
The varied coastal scenery at Laguna Beach
always offers something of fr.ash interest to
the artist. It was pioneered by Gardner Symons
D(1.LfiCI
Eds[ro1"`S
CalifoI.nia
13"st
A1.i
of
ll'illitts
Collccto1..
I.
Hole,
10
'1'h¬ Ilrt Digest, lit July, 1935
Two Examples by the Most Famous of the Old Masters of Spain
''J)(".tl.nib of
a
Gr"Ilr"I"ll
fritll
Ills
Seal.ctcll.x."
by
Goya.
I-a"i
"St. Fro"(i.sf
by
DI.. Sic.[lfl.ircl Al.a"I to Sa" Dicgo.
ciated artists and art lot,-erg. the I,aL,una Art
Gallery was built. The woik of ElallOr Col-
burn. Ruth P.eabody and Thomas liunt also
has 'attracted atteniion to Laguna Beach.
In l926 Mr. and Mrs. A. S. Bridges gal.a
to the City of Sam Diego the beautif.ul building whose galleries house the collection and
the exhibitions of th.a Fine Arts Socictv of
sam Diego.
This. and tile installation atihat
time of Reginald Poland as director of the
Gallery. marked a renaissance in the art life
of th: community.
The first artist in local
annals was f\mmi- Fambam. \\.ho came to San
Diego in l888 aI-I.cr hat.ing been for some
i.cats curfltor o1- tile Fine Arts Academy in
i3uffalo.
Ilo painted here until his deatil in
192_?.
Charles A. Fries. from the Cincinnati
sl.hool which has been the training ground of
so many. prominent American artists, arrived
ill
l897;
hy
I:,I
(;r(.(a.
-.1
(;ift
of
MI.. a"d
lMr!s. I,1Mrtis" S. a.i.id(/cs to iSa".Di{-(/a.
\Tilliam
Piercc`
who
had
just
tuI-ned from Europe! follow.ed in 1899.
rc-
In the
)-ears since then many artists of national re-
I+.ould be a roster of a multittlcle of brilliant
members of the art \\.orld.
In this limited space we cannot more than
indicate the highlights of the first seventy Years
of the south\-i.estt's art grc".th.
The.sLbsequcnt fifteen I.ears ha\.e I+itnessed the rise of
a
post-\Tar 'L,en¬ratiOn
Of
artists.
There
\
is de\,.eloping a group of \1.ater COIOriStS and
print makers in the Soutl".eat wllO are doing
outstallding ".ark
1\.hit.h
Nc\+- t'ork Cit).. Charles Reiffel I.ram Buffalo.
recognition;
the yongnger
E`,lliot ToI.rev from Boston.-lured by the con-
and the sculptor`s= :".a likc\\.ise making history.
pute hat.a located her'|-:
Maurice Braun from
and
iS
rCCCi\.ing
national
llaintcrs
in
stant sunshine and changing scene` \\ith ocean.
mountain top and desert but an 'hour or u,.6
fi Diseuse"
anal.I.
Otto
Schn.cider.
I-rom
Buffalo.
IIt |ZLlminum
has
painted and taught hcI.a.I I()I many )-Cars. One
of the most influential I'actors in cultural art
circles has been Alice Klaubcr. whose painting,s
rellcct
the best of
Impressionism.
A
painter
and
teacher
f\llrcd _\,Iitcilel1.
u,ith
many
followers
is
Earliest established of local
sc.ulptors is James Tank Port.er.
ETerett Gce
Jac.kson. painter and instructor. is thoroughl).
familiar with the Mexican art idiom throuL,h
|
residoncc in old Mexico.
Donal FIord also
ii\.eel and studied in Mexico, and his sculp-
f-;,:;i
tures dcalillg \\ith llatiVC Subjects reflect his
intimate knowl.cdgc of the life of the countr\..
S(mle of Sam Diego,s painters also are repre-
J
/
i
sented
occasionally
tions.
chief am6ng
in
national
these
print
are
exhibi-
Margot
and
Marius Rocle. I\.an _\Icsseni,er. IJ¬Slie Lee. and
\
E\.erect Gce Jackson.
Tlle artists of Nc\+. Mexico \l-ark in a region
\\.hosc, romalltiC i"Story goes back through the
ii
(
++
i::
ccntt".ics
:'i;
I;';
/
*)iI`l!
/
Its
In
to
the
clays
of
th.c
concluistaclorc._g.
life as an art colony dates from
1898.
thflt )-I Joseph II: Shf"T SPrC:Ill tllC.
stol.\. Clf
amon!r
lhC. Charm
his
artist
an|1
color of this
frie"lls.
Bc.rt
section
Phillips
and
F`,. LTBlumensdlci" \\.crc. the first to respond.
'l
Sc)(1n
ft)llow.C.CI
llftu,i.
\T:llter
Ir\in.¬_I
u'c.I.
tllC. \\,OI.k Of
C`c)u.<e.
anCl
lllese
\iCtOr
men
a.
E.
Bernim:-
IIigt_JinS.
reached
the
.\S
Eastem
/ ;
-,.
a
I/
.r=f_...
:lit C=ntel.a I.rmn \\.hich most of them llfi|l COmC..
..-..,
/`,
inl`l.c.a_qinLrh.
/
I_
i
/
i.I-rclle
Gift
of
+I/,
:
,
./
\Ic..xil.o:
-.- ~
GllilbcI.I:.'
lllI.S.
Il.
llY
SIC"aI.I
Tout()ll`+i-I_tlltil.a.a.
tO
:Sc1"
I)irgO.
_\n|1rc.\\.
of
t'"Use
c".
\\lm
the.rC
Rchc.I.I
Dasbeu.{_,.
\\l"1
ba\.c.
ii\.a
a.amC
more
artists
ITem.L
Juliu`s
Randa'lI
I)a\.a.\-.
in
I:trlic.d
T:log
thc`l.a
or
i;I
a\\.hi'lc
tC)
\'c.\\.
Rolsho\.cm.
Tllc
Santa
to
li.et
Fc..
paint.
.`SfiiI.it
tllI.r
l"
Of
the
1l.illlc"ll
I)a"Cr:`' ill""l`""tl"
ZoI.CICIl.
I-a.Ilt
bY
ScltlPA1.list.
oil,
Tll.c. flrt Digest, lit I.uly, 1935
ll
Ret5Crinald Poland Relates History of Sam Diego's Beautiful Gallery
.'Jcsus.Sul. lc I_ac de Gcnef:aI.eta.:i by Dclacl.oi_r.
"wo"a". 1,With Blue Tu..ndan.:I I)yl Pablo Picasso.
Lei?i br W1.ight I;"di"gto"`
By REGINALD POLAND
bv an unknown artist: the picture has grown
\|ith the Years.
Th.a Gallery already boasts
a
gc)od representation of Spanish primitive
Di.I.eCton., Fi1.a.drtS Gallcr.yl of Son Diego
Fortunately; there were no {l\.bjtc clll)hants"
or sour chromos ill Sam Diego,s
Fine Al-ts Galha
lery when it opened nine years ago last March.
In fact, though fine in quality, our permanent acquisitions only consisted of: a marble
sketch bv. Gutcon Borglum, a painting, by
sorolla, I.tour Flemish 16th century tapestries
and a group of bronze sculptures by the late
Arthur Putnam.
Today San Diego owns a collection whose
value may conscr\.ati\.ely be estimatecl at o\..cr
three quarters ot- cl million dollars.
The. policy
has been to develop our collections alcmL, three
line.
Sl`anish art, in view of our colonial
historL' reCCi\-CS a major Place.
IJate anll con-
painting.
The ample Aragonese Retablo of
St. Joh dating about 1460, is of great intcrcst. It u.as gil.en by Samuel H. Kl.¬ss, of
New York City, who has just doIlated a Second
Spanish primitiye, The Crucifixion," attributed
b); Professor C. R. Post to Tomas Giner
(c.
1+90).
Professor Post attributes
a
rare
'Ticta" to the XV Century "Master of Buda+
The Teutonic group includes Rubens, fTIoly
Family," a large and lovely canvas, painted
entirely by Rubcns; about 1625! according to
Dr. W. R. Val.entiner.
.1|1e Mvstic Marriage
of st. cathcl.ine." a triptych by. 'The Master
of Frankfort" (c. 1550)? is loved by many as
art oI' our nail,hbOrS across tllC Pacific, \\.hich
forms a Smlf but choice oriental ,icclion
Elder.
tion
|lc\.otccl
to
art, with a special sec-
Calif-omia,s
part
in
it_,
gets
much attention. and European painters, whose
inllucnl.a has bi.en important to us. are sho\`.n
with lhc.m.
our
The third line of tnt:I.est is the
in
g,:lllel.i..
P.1illting
has
had
first
Place
in
tions.
Tapcstrics probabl). come
sculpture anll the dccorali\..c arts.
Our
affec-
next, then
-\1am. or
Francis!"
paintint5C,:
EI
Gr.eco!s
"St.
(\\.llicll I)I. A. I,. Mayor rel.orcl.i in
his Catalogue Raisonni.) is one of the best.
The rcc.ant ancmvmous gift ol- tile s(rmc".hat
Italianatc.,¬-\Iac1(;mla \\ilh lnf:mt St. John"
b\,. Zurbaran` \\.as once in
lllC _.\ltamira Col-
1e'ction.
Some people consiller that the Gtllen.'.i scconll Zl".I-.a". :¬St. Jcromc," ft".meal)in.King Louis Pllilippe's colll-ction` i`s as rmc.
as ant. picture in
painteci
\\ith
Ribcl.a?
is
voun¥r
J
man
may
turn
lhc Gallcr)-.
sensation:llly
clisEin;+ui.`Jl.all.
\\|1iCh
.lThl.
renlislic
-i
i.Cl.Lain
I.1.llf
Sil"1.``
lil,htilF-T
lil-,I".L.
:luthOlitiCS
f)l'
h).
of 'vda7.quC7-.
to
\\.aS
he
|liI.eet1\-
".quirCll
:lS
1'I.OIn
:i
lhc
quisc
dc
Vet.nCui1.
is
eclually
interesting;
its
linear rh+.thm and dark and light pattern are
a challen.ge to any period.
moclcm cxclmPICS.
\Te [`ass I-ram the natural-
ism old Cow.ot's i.Torcling the Stream" into the
stil.I more sk.¬tc'n\. st\,.lc ot- Andr6 and Boudin,
then.:nto
the impressionistic lanclscapes by
Maufl.a ancl I,oiseau. ancl thence into postim[`ressionism and expressionism. By ToulouseI,autrec \\.c bat.a a sketch of Yvctte Guilbert
-.''A flat liICe. a nose that has nothing Greek
in it. e\.cs \\ith a \\ilcl satanic lil-Jht
in them,
\
cvc.lids i.,ltber satanical cl heap Of reddish hair}
fl'at
breasts.
Goncourt.
that,s
ancl
so
the
\\.oman.9
I,autl.cl.
l`aintcd
So
wrote
her)
but
THE BARD OF AVON
rarch-
_slrfi or tit.a I,(i("d. Ihc
r'i"(.
JI.iS,
l'(lJSS
of
I".Iislir
firl.ic"(c.
ln
i"io
lead to
(-;Inhe
lilt.
i".i(l'"lcll
(I
fllr
tJ.lal
.may
(J1.eelt
n{c.,llel.r
.worl`.i
a".
m"lller "Illl.-.\.ilk
)"Irlkl.S
`Sll.lj`irir"i
rtl'll..
of
'{uc".ie
file
TIlca[r(..
SI"lk.c`s[cal.r,I
firI..irrli"I
1llour
Palace
.a.iSitOr
(".cll.way
fi(ltli.s
fllr
T1:ill
rI.a.+rllfed.lH
uutli.n!l
cm
roI.CSt
i""ll
lr(I-`sfcl.
rlli,
a:rfio-sitioll
tI".("l!IIl-
F-Il(lI(llldr
i".
tilt
Tlle
II1`l`X
e-T-
I.ra`X("I
i".
I.JlylllNI
a-i
llu"."I;
F."!lli.+Il
con"lil.r
da"cc;.
nf_fc.I.;d
;'ml tI" (I-I.CC"I.
tn IIil. 1Iajr:sty ©"ec"
r,li=_ahcll1.
hCfnl.¬.
CaCh
I
plcly.lakes
P.nsses`sio"(
[ll¢.-c`.Ilil.I.
Of
OIIl.
;i
fiCI.fnI.1llallCe
I;s
as.Lee
Ci-tliliS(llioll
of the r'l.ouch music hall of the high-p'ltched
{¬ninetic.S."
There is an early \TOrk by Dufy!
¬,The.
mc.am¢
B).'Jl. a. A.
;I
rlf
a
CI;I"..
alld
Proc.cSsion..,
lcclSt..
a
a
rh\.tlimicalllv
\.ihr.,mlh,-
cleCOrati\.e.
cl\.namic
big
Sti11-
1ife ot. blossmllinr-, l1"".r's. in a r_'hlzt-- of colorl
by IT=nri Matis`se.
its
The contemporfln,- Spanish dcpal.tmcnt holds
o\m \\ith the 'I.,rent.h.
Inclll|l|.d ;are the
internc,ttiomllh-
knn\\.n
full-len(-Ttb
fi.-rill-e_
"+\n-
lrHu.O I,fl (i..llic.i,:I.-
lb- Zu,lo:F_.a: 1hI.C.a I.am.aSeS
bv
Sitilors
sc".olla:
I.'amnn
clc
..Tllc.
zubi..urr.a.
and
of
t\TO
Onclarl.oa..,
Of
the
b\.
bCSi
\\-elks of tbc I:1lter'S brOther` Valentin: ¬:J\bueloS.?,
(Gl.allcll.arentS)
anC1 ('Golden Wedding."
Still more moclc.m arc the Gfillcrv,a (£Composi`
tinnal ITeacl." b)r Joan Jun)1T, ;nd The Almond
Trcc
I.`rau:
¬'G.1liCian
'1nC1
the
\\'hitC
Pc[.ls:lnts.!'
Strcc.I."
bv
_Tose
bT Cat.log h',raside,
"1ml tl".cl. l`ictl".es b). Peclro'Pruna.. the most
tilt.
ban|l
f1"C Cl.l.Zt1,lou
QucsneFs po'rtrait of llenriettc de Balzac, Mar-
km(lscapc be. othon EL.iesz'. and last' butt by no
(lil(1
out
view in the Royal Scottish Gallery in Edinbul.gh, is imnortint. Though less ¬fimportant,"
hat-a cone.c.nil.atecl fill the gaict). and tragedy
clistinction
:I
hofle\.l1
Among French
cqualied by this master.
Among the F1.Cnl.h i.XamPleS there iS a
Gobclin-type tal\n.qtr).. The Plunclcrin9 Of
has a
Le
Spanish
great si,;e and attracti\.encss.
oils Gusta\..a Courbct?s {iSilent Pool," once on
in this poit_-nt uneditcll.sketch he sccms to
1-ram .._,oed
fricncls m Sam I)ice_,a ancl from all parts of the
Unitccl States.
About halt. ol. tllC OICl master l`ollc.ction rl.r-
and silk, it is a decoratively colored panel of
ilo e\.er
which
our trcasurcs h:l\.a conic as i,il'tS.
rcscnts
Pt'al-/.-on-the-Rhine b\. the Officers of Louis
XIV.9
%Paintcd" with wo\.en thrc.ads of wool
The Fl-ouch section brillgS uS into the more
pesth.`?
our outstanding olcl painting. While less known,
it is as fine in color ancl pattern as Memling!s
executic)n of the same subject.
It was formerly in the Church ot- Casbas` IIucsca, Spain.
Perhaps next in t-rencral affection would come
the "Saxon C'ol".tic.r." by IJuCaS Cranach the
temporary American
Lent lJy the Portla"d (OI.a.)
Al.i fl`ssbcia.tiolt tO Sa" Die[JO.
firc`+i nf care fride as.`c.I- lonl`. ""d li.+te".
imrnrtn"I
of
lbenl
a
Pie:L¢Sn-Ilk-a
fiLrurC
Of
I..Blanche.'' ".hiull \\.a`< in the (-".our thflt \\-On
12
Tile llrt Digest, lit Jelly, 1935
Artists of East and West Vie With Canvases at Sam Diego Fair
"A"-.a, _X:eTaCla:i
A Water Color by Fl.allk Bcrg"la" of Sa" Fl.allcisco.
I~e"I hy the Artist to Salt. Diego.
him second rri./.c in the Carnegie International
a fe\\- Tears ago.
The Americcin
section
still
needs
strength-
ening; the)ucJh \\.e hal.e made a fair beginning.
of the first" truly American group of paiIlter`S.
Ryder is represented by lil.e Lost \\|1ale!!.
and La F:lrge and Homer bv lesser ".orks.
several cal1\.aSeS by William Chase represent
the influcnc.a of German realism, and a paint-
ing by John Ii. Twachtman, the first American
development of French impressionism. Of i.The
Eight" who affected the American revolt
against Academism five are represented by exceptional works.
We have the exquisite "Shy
as a Rabbit?, by Arthur B. Davis: ¢'Bernadita,,, a resonantly colored portrait by Robert
Henri; The IIaney Kid),) (a memb6r of the
Tammany family)} by George Luks; "Falls in
Winter," bv. Ernest Law.son; and '(Italian Procession)" b.y John Sloan.
Other outstanding
American works are: Thanksgi\.ing" bv Emil
carlsen' and I(Bali Drama" bv Maurice.Sterns.
The graphic arts ar.a as representati\,e as the
oils, and include an important grc)up of origimal
i.Bali DI.ama:-'
of
\\-a arc fcaturing, a Childrcn's Room in the
exposition exhibition at the I.tine Arts Gallery:
a number of the items on i.ie\\(. are permanenth- ours. and have been shown in a Children,s
rioom \\.hic`h we have maintained practicall?.
since the Gallery opened.
One of the great advantages of an cxpositicm
is, that the c:"Idles which hat.a been hiddeIl
uIIClcI. bushels arc brought forth for the illumination of the multitude.
Pri\.at.a collectors and art associatioIIS, Off the beaten track
of travel, are giving the public an opportunity
at Sam Diego to see in the Palace of Fine Arts
master works which may not be shown again
in a lifetime.
|Iolbein,s (cSaint Sebastian" is
such a cam-as, lenti to us by Willitts Hole.
of Los Angeles. We are accustomed to think
of Holbein as the painter and engra\.er of the
Court of I-Ienry VIII, where hc did indeed
earn his title to glory.
But the can\.as loztncd
to us is not of this familiar group} though a
I.critable gem. The color harmony is built up
in green-blues and maize, with a very telling
accent in tcrra-Gotta.
\lllile liolbein is generally considered as the most French of the
German painters, he seems to us her.e "echt
sketches (many of them by. Californians) as
well as a collection of original prints ranging
from the primitive ¬'block book" examples into such old masters as Scll6n,gauer, Diirer ancl
Deutsch,>) and most delightfully so.
Of tile Spanish masters loaned, there is a
Rembrandt:
fifteenth century panel from the wimam Rock-
through
the
important
contem-
porary Sr\anish? French and American print
lnakers.
Among the American contemporaries
exhlblted. Rockwell Kent. ',Pop" 1Iart. Glare
I,ei£|)ton and Paul Landacrc
(of Southern
California) are the most outstanding.
The collection of Oriental arts inclutles coptic
textiles from the 2nd to the 8th centuries.
rare Chinese porcelains, jades and i\.aries. old
Korean pottery. almost as subtle in color and
form as that o'f'the sung potters, and a variety
of Buddhist art from China, Japan. Siam and
Bulmah.
A series of exhibitions of locally o\uled Craft
work, eacll time in a Particular-medium. has
brought
into
our
permanent
collect.Ion ' rare
groups of objects.
For example. ll.a Can justly
boast of a representation of earlv- Americah
glass as fine as any on the coast.. our laces
have distinction, four panels of them alone
presenting a I,.eritable enc)-c]opaedia of this
craft.
The ceramics group includes all the
types of metal lustre. and Stafforclshire. Chdsea. Lo\vestoft and Wedgwood.
hill N.elson Gallery of Art of Kansas City?
by Nicolas Solano, an Angel,. a detail from
"r'rhe Death of St. Catherine."
It is unlike
"1y Other angel of our acquaintance, and yet
in the simplification and intention of the figure,
it is so near the art expression of our time
that the language is one we understand and
enjoy.
EI Greco,s fcJesus on the Mount of
Olives." lent by Mr. A. Linares of _\,Iadrid.
is well known a.a an inspiration to the modi
tile
A" Oil b_y )Ia"I.ice Sic:r"a.
Gift
I_ate Ill.S. BIi"the S. A""stro"g.
Ii. KrcSs. Go).a is the plain air "intcl.: \\.hilc
the Pattern and rhythm Ch:lrm uS. the im+
pression of figllrcs m'oving in light i.< ol. srccial
importance.
\\-a
hat.a
here
the-
Goya
\\ilO,
next to Vela.,-qua,/-. \\.clS the i,reateSt Stimulus
to those \`.ho de\.clopecl
iml"-essionism I'n Our
time.
Another unustral canvas is the Delacroix,
lout to us bv the Portland Arc A`+sociation.
It is a superb cxa"`le of Delacroix the colorist,. and of the dramatic Delacroix.
The dramatic
qtlalitv
\\ith him.
is
less
extreme
than
is
usual
rile treatment of the sky and the
+
figures, particularlTr the hands. Share something
of the mystic ch.aracter of the \\.ark of EI
Greco, Wimam Blake and Albcrt R\.der. While
it is rich in color-reds. blues a'nd yellows
crowdint>c, in upon each other.it \\.aS no doubt
painted before Delacroix, n;eeting "ith constable and Bonnington.. if one ma)- judge by
the brush \\.ark.
Among the loans of contemporar)~ painting,s
the Picasso speaks loudest.
It \\.as not painted
in any one of his periods or chromatic- eccmomy.
A bright blue scarf frames the strongly moacIIcd face. touching t'he warm red shawl about
the should.erg.
A green jacket "ith white
sleet.es and deep violet skirt against a maroon
back,around form the other colt)I masses, with
bro\un and black superimposed in the string of
beads and occasional outlines.
this ''Woman
Though \.ivid,
\Tith Blue Turban
is not a
".arm picture.
It is lent to th.c e-thibition by
\l+ight IJudingtOn Of Santa Barbara.
In the loans of modcm.American painting>
\\11iStlCr'S
{¬Annic
IIadc-n"
is
so
exquisitely
rendered that the artistry is forgotten in ou'r
contemplation of the sc'nsiti\.a spirit of th.a
child.
It has ob\.iously. been painted w.ith as
ernS.
much tenderness and understanding as the porA Velazquez.I "Peasants in a Market PIace."
trait of his mother.
The loan is from willitts
represents thc` influence of Carat-aggjo in this
Hole or IJOS Angeles.
George I3cllor`.a, c.Picnic,,
masters de\.eloprnent.
It is a loan from wi1from the Adolph IJe"iSOhn Collection mainl]'tts Hole. Henry Herbert Day} of New York,
tains its place in the interest ot. beholders.
lends us Carreno de Miranda!s 'Tortrait of a
Important livmg Americans are represented in
Lad)..,,. which is on.a of this master,s most suc- the foIIo\\ing loans: Lean Kroll,..Tear Tree
cessful clCl".e\.emcnts in the style of Velazquez.
in Blossom,i; Reginalcl Marsh,. c:Jack curley,s
Th.a unusual Goyas are displayed.
In the
Dance _\Iarathon"; charles shceler..The Cac¬Tortrait of a Gentleman ancI His Secretary."
tus.,; Eugllle Speicher, (Tconies in a Glass
lent to us by Dr. Siegfried f\ram. Goy'a,.s
Vase?" lent by. Mr. William Cracker, of Sam
~
k.c.cn.¬c.nse of character is revealed; in '..Woman
\\ith
Tort.cldOrS." lent tO uS by Mr.
Samud
Francisco; Luigi Lucioni, f(Close Colors;" lent
b)- }Irs. Ilenrv A. E\.c.rctt.
Tll.e ill.i D'lgtst, lit
Jul.y, 1935
L3
New York Owners Loan Spanish Old Masters to Sam Diego Show
`<PoI.t1.Clit
".rile :]ss""lptio" of [I.( I.il.gi":I hy Fl.ay I"a" Ca".ttl
(spa"isll. i.".ca
133n).
I_el-1t by
l.i a
16]f-l6$5).
:1I.II"". U. Nencx!lon.
3,.ou"`(I I,I:oma"/
I-a"i by
Hc"I.y
hy Ca".c"(1 dC
Hc1.ha.I
Day
-|li1""dCl
nf
(S[a"ish,
Ne.-.:l TnI.k..
Landscape Architecture at Sam Diego Is Worthy of the Tradition
agathca.
By R. D. PERRY,
I,c"I(Iscapl:
\\|1ile th3 Sl.Ctne Ot- the C.XI"1S;lion :LS a ".hOll.a
is
a
foul.tcc.n
bun|lrc.|l
1,1CrC
Ele\,.ation is achie\.ed with oli\.a trees
:md 1;lrf_,a all.andcrs.
ill.Chit"i
t±arllen
lmn\\.n
aS
Accents are sumliell by
oralF-.a
de\.ia.
the
Yellow
s(-)mnce of m:lr-renta
i)ox\\.God stanclards ancl a box\\.odd ball in a
tbe
but,e blue urn on the platform of the second
cll-opt,
i.uch`<ifl.
Tn
series
\\.(ln|l
hor|lcrecl
bed.i
of
steps.
Thcsc
steps.,
markecl
with
c`nf"i./.i-m1.
Cla\.
lilies.
tile
dig-
and orange combined in
anCl
the
CIC']iC.ate
tlle
Center
I.ises
¬.lad\.'S
ear-
these
bOX-
Of
a
fnulltaim
the
Balboa Pu.k. tu.(i.small t-rarllons Within it aI.e
I:i'll, colulmar cugcni.1S. di\illC arounCl the llead
"sl.ull`tul.cll fit-,ure nf cln Tnllian \\.oman "ith an
of special interest.
ol. 'lhc
olla.
Belo\T the ,<Outh=1m lO._"_.ia Ol' the IIousc of
lit)spital;I).; in cl rr¬1mC "I lo\\.ering cucal"1luS,
"n;ls bccn rcTrQCiulCd tllC most 1'amous of all
the
llil1.`icle
cclSa Jc.lI
bours
,_,u.|lens
of
Spain.
the cnchanling
pergolas
nc)nia
ccnic
tcrI.:lCC.
hc.(")-
\.enusta
fount:tin
"ith
lhnkC.d
(m
I".a
climbinL.
rOSC`S
:md chererc..
From
lit.all
in
a
into
\\.hich
u.ate.I
gushes
The \yater-lilies and
Paths flround llle Pool
skirt
and
beds
o1'
I.OSC.S
'1'lle
tel.mination
of
tllc
tiled
SiCICS
¢1nd
by
big-
lhc Sara-
pool, a.entered
between the pergolas: \+.ater is c:".ried in con-
ser\.atiTe Moorish fashion. to the middl.e and
lower lc.\.els of the cJarden.
An o\.erlook to
the low.c.I let-els is afforclcd bv an iron railed
area on the central axis bet\+I.eon two oblong
\
planting -beds. These box".nod bard.crcd beds
are he'lghtencd
bv tall chamaerops cxcelsa which
I
shade gardenias, v.eronicas and blue lobelia.
Variegated i\..). trained in balls marks their
axial limits.
On the south of these beds a
balanced stair joins on a platform before a
grotto in which the water makes its second
appearance.
Shadows from water cannas, calla
lilies and cyperus, flickered by the water, are
cast on the blue dome of the grotto.
The middle level, to which access is afforded from a path system outside the garden
walls, as well as from the balanced stair,
features two large flower beds of geranium and
b\-
f>,rc.at
I)nml
and
a
circular
gracc1'ul
seat.
pepper
lrc.c...
1ierc
\\.arks
ol- tlle C..tPO.+iliOn.
\\.hicb
of
is
art
nnc
to
of
com.a
the
out
In tllis retreat the inherent
accented
rolmnCC Oil P:llmS. the \"lrmth ot' genial flo\+.ers
gz".llen
a
and llle imitatirm (JI' sparkling \t.ater a.tpress
is
well
to.¬\.err.`.isitop
a
ITord.
pc.rmanent
\.ibllrnumS
.\\ilh box".ood pyramids.
Ill.:Ill. 1'rzlm.cJ \yith ltali:m a)|"css and aul`uba)
Gibralt:"..
The uppcl. lc\.l.I oI. this garden is a spacious,
hiick-pat.c.cl
pool..
cyperus arc abundant.
Rl.i. -\Ien.a (iarllon of Ronlla. a i..c".
nortl1.ul.
lal.ge
1'rum a - ,_,lazed lion llCad.
in
WlliCh
Shade
Of
CICtCrminCd
the
the
|.xtcnt of this gal.clc.n, lh.c. \isitor. can rest and
enjoy the mingled I-ragrancc of daplme odora
and petunias.
I3cilin|l him lhc \\.aler. \\.'niCh
was confined for the last time in the w.all
head. ov.erflows the u.all and tumbles do\\-n
bulllli..1L,
Tile
i"
lS
tllc.
ho.spitality
to
which
the
|lC`|li|`:llcd.
I,:lI.J|.ns
()1'
tbc.
Palace
ol-
the
Alca-/.ar
Se"llc l'l".nisll tlle inspiration i-or the lc\.ul
I).pl. of garden knc".n as the Jarclin --All.:tzar.
The
parti
is
cie\.eloped
t\\.a minor :lxes_
rated
T\ith
lout,
b),. a
long
a.tis
and
The intersections are elaboPOlyChrOmCd
tiled
Pools
in
the fanyon.
Before him rise the walled levels
of a garden inspired by the i\1oors, who w.ere
u-.n!cll water jets i.ram caretulh. copied foun-
masters of topography in its adaptation to
landscape architecture.
Th.e patio of the FIousc of IIospitality is
reminiscent of a similar treatment in Guadala-
The lorv i+.all on the South side of the garden
is opened b)- i"a arches surmounted by. broken
jara. Here stately palm, cocos plumosa and
phoenix reclinata, strengthen the corners and
rise high above the balconies with their
wrought iron rails from which are suspended
Color in tlle i.arden is confined to the central
beds which are bordered with boxwood hedges.
The exterior beds are maintained as a green
foil. At the opening of the exposition the beds
were a gay mosaic of pansies. This bedding
will bc succeeded by flaming zinnias) a dahlia
show and a wi"ter planting of chrysanthemums.
gay pots ol trailing geraniums, vincas and
convolvulus.
Watel. in a well head reflects
the languorous banana trees which cluster
around it. Similar forms of leaves are found
in the exotic strelitzia nicholai. The gay color
of Mexico is achieved through the orange of
fragile tuberous begonias, the purple of statics,
tain h.Cads.
pediments.
Gal. tiled benches frank the pools.
The piers of this wall are accented
\`,.ith earth¬n\Tclre Pots heat.y \`.ith bCauCameaS.
In the late afternoon from the pergola
the drifting shadows of the towering eucalyptus and the soft splash of water create a
quiet retreat.
14
Tll.e flit Digest, 1st
July, 1935
Rhenish Artist Painted, About 1550, Feature Work at the Fair
"-|lystic
MaI.I.ia[Ie
Of
St.
calk;riliC:I
A I;:iptr:h by
the.
of
F1.a"!`.fort,
Flemish, active
_LIaster
Germall.
ilk
the
or
RIlillC
Vullcv
abou,i
1550.
ocs;;'i /i eI.lr
a" AltaI.frieCe in
I(
I.Ch Of Cast)as, Huesfiaill.
;
tO
the
of
Sow
l[.rlle[i.
ol' I.'eling Wilclenstcin); Murillo, "The Pcm'tent
Trec
Winter" (P. C.).) IJuig,i I_ucioni...Close Colors"
The art a.rhibilioll. at the Fille Al.ts Gallel.y of Sa" Dicgo is so lay(ge a"d so TaI.led
-\/Iagclalen" (Gift of Mr. and Mrs. 1I. H. Timkcn): Ribera' "A SibvP (P. C.); Solano. 'Dctail from the Death oi St. Catherine" (William
that space does."c)i fic1.".it tl?a liSti"g Of all
Rockhill Nelson Gallery) ; Velasque7.. £T.easants
the a-x:hibits. The folio-wilt[J lists al.a P1.i"ted
in a l\/Iarket Place"
A. E+.erect); Reg'inalcl Marsh. 'Tack Curley,s
Dance _\/Iarathon..., Iris A. Miller. (Tulips"
so that rea,del.s of THE. ART DIGT3ST: "lay ObtaiSt a. frartial id-ca. of the.magnit"dc ;i the
task that Director Polo+.d and his col.fl.Cl.eS
virgiri and child with st. John" (P. C.).
A Varied List
hove
accolllPlisl.ed
evith
sllcl.
co"I"lelldable
(Willitts I. IIole); Zur-
baran. 6¬Saint Jeromc" (P. C.); Zul.baran. ¬The
"*..
.a
*
CONTEMPORARY OILS ANl)
SCULP-
(Lent
Blossc)m;.'!
[Jift
Socicly
fl.c"" lil.s. Corn Tim-
:a;.,a:
in
:1
Arts
b\-
Mrs.
I::rnest
IIerlr\.
I,a\\.son,
J\.
£Talls
E\.erect);
in
George
hoks. "The Ilane\. Kid" (Gift of Mrs. Henry
(P. C.); Agnes Peltcm. "Primal \l.,ring" (P.
C.): IIo\.sap Pushman. "Still Life" (Gift of
Mrs. Henry. A. E\.cl.ett): _|lbert P. Ryder,
The I_ost'\\-hale"
(Gift of Mrs. IIenry A.
success. The ke.y "P. C." desi[I"ateS PeI.manent Collection of the Fi"e rd1.iS Societyl
of Son Diego. i#Ilhcre no le"dcl. is me"tic"ed the a.xI.ibit
came clil.cat from the
TURE-Gcorg,a Bellows? {The Picnic" (Sam-
E\.erett):
uel Lewisohn) and "Lobster Cove, Monh.cgan"
terior"
(Gift of Mrs. Iicnry A. Everett); i\,lax Bohm,
Charles R. Sh.¬eler. ¬¬Thle Cactus:." John Sloan,
(¬Italian ProceSSion" (Gift of ML and Mrs.
artist.
r\. E\-erect); Emil Carlscn, (Thanksgi\.ing Still
Lil.e" (Gift of 1\/Ielville Klauber); \\illiam -\I.
Appleton S. Briclgcs).. Eugene Speicher, fTeo_
nics in a Glass Vase., (Lent by Wimam H.
cracker); Maurice Stcrne. £¬Bali Drama" (Gift
OLD
MASTERS
LECTION
AND
(PER\jrANENT
LOANS)-IJuCaS
(The Saxon CourtieP
COI-
Cranach,
(P. C.): Cornelis De
Vos. "PortI.ail Of a Knit-'ht"
(aft oI- Dr. S.
F..flr:"n) ; lians IIolbcin+he Yolm(fcL.,Saint
sebastian" (\\'illitts I.
c¬Girl \\'ith Pet Do;*`.
IIolc): \'ill)laS _\lacs=
(Gil.i Ol. -\lL and \1rs.
Appleton Bridges); -\Iastcl- ol' rrankt-orti..The
Mystic Marriage ot- St. Catllerine" (Gift c)I
l\,Irs. Corn Timken Burnctt); Rubens., I.The
liolv Tamil+." (Gil.I o1. Mr. and Mrs. Ii. II.
Tim.ken); i)a\icl T.aniers; ,The All.hc.mist
t'Thc Raising ot' Lazarus" (Gift of Mrs. I-lenry
(Gift r)I \Irs. Ilenr\. A. E\.crett); ELihu Vedcier.
"Italian
Scan;"
(I,ant
bv
Mrs.
Ellis
Bishop):.Tames A. McN. \\lliS-tler. ¬Tortrait
of Annie I-lack.n9 (1,out b). \\'imtts I. Iiole):
"\lbert -\nclre. £<Garclen of the Tuilerics" (Gift
r,f \,Tr. anc1 \Irs. Appleton S. Bridges); Raoul
CREATORS OF THE SHOW
OfficeI.S Of the Fi"a :,-1I.tS Society-_llrs.
"-1MIetol1.
S.
AI.ChCl.
Brid[JeS, Ilo"oI.aI.y
|I.
II""[i"[JtOl1,
fil.csidc"i:.I"Ii"s
_.l1"I(I.hlc,
tI.c.(lSlll.Cr:
.sccl.etal.r:
lil.i.
_.Art
Ass'n`
Ore.):
_\cloll``hc
\[(lnti-
si`xt(I"i
Tit"I,
"lf:rilllr"c]cllt;
Racllel
I.`I.¢l"l`.
|I"rI.ar.
R:tl-bl-I..Port"it
ol-
h/Ira.
C`ficlc.ll:`?
Pelll.a
a(m./.ales
Bc.rru.-,ueto.
(¬Saint PetcF (Gil't o1' I.'Jlric11 Gallc.ric..i): Ju:"1
i"(lid-- r(;laud.
de
\Iirancla.
¬Tc".lr:tit
oi'
:I
I,acl\.`,
1Y.
:ll.i
llibitin"-lilli"s
.-Ii"lt:
(Gift 'of \Ir. aml \IL¢. Aprl_1tOn Bric1*,es); EI
Greco. ¬|esus (m the. -\Iount of ()lit-es=` tl-\.
iioll-Rr[Jillald
Linarc.s);
B. T`lllls. al.i
Giner.
:Tlle
Crucif1-tiOn"
S.
Julia
OS-
IItl.-NrS.
Hc(1IJ1..SCCl.CIal.I:
fuel.`-"lei.
jlli(a-
Polu"d.
cltratol.:
thr
FI-
(ll(lil.IIIOll :
I-_:li..cahetll
Trmpll.I("I
C.("lllllittt.a
`Tnl"lso".
Polalld.
.fOl.
lilt
cllai""a":
I.a"isc
of
}Irs.
Blanchc
S.
Arm'1StrOng);
1)Ill.\-. -The Err)menade"
E_.Tllihi-
_.lil"a
Hal.b+.
Abbott
(Gift of \Irs. S. A.
-\Ia)'.): lose Frau. ¬The Almond Tree"
(ll- EL<kine
H.
(Lent by Mary A.
(Gift
I. C'ampbcl1); Othon Fri.es./-. ('The
creek.I (Gil:I nf \rrs. S. A. May); Joan _Tun\.eI..
I.frmlPOSitiOn,i
(P. C.); Ilenri Matisse,
¬-,,sti" Tjfe" (Gift of Mrs. M. A. Wcrlheimer);
P;lhlo Pi|`asso.
'|1.oman
\\ith
Blue. Turban"
(Lcmt I"- \\Ti{-rht Ltldim-,ton).. Peclro Pruna.
i.Bl;"1l.ilC'.. (P. a.)...h<c. Gutierrez Snla". The
Tnotb I.`,xtr;lc-tor.'
(Bmnkh.n Musetlm): Sore"a. i.sc.lf portrait`. (Gift oof Paul R. i/Iabury).)
T("l"I.¢e-Llutr|.C. "T\.ettc Guilb|.rt"
rr".
KIallhel..
B.. Til"I. R\r[I.maid
E.rr("ti.-a.i
(;riluu'au
Gil.i()I.d
C:a";"litfet,
11`Tilliam
(Ilel-- Ikl.bc" D¢TIt,-) : FJ Greco_ I.St. I.`r:"Ill.a.'
Tm-i
Ttlyl(".'
Re"lei.`
Trtlll!Iellheilll.
Dal.hy.
sit".""I"`
diI.eCtOI.:
(lil.(lloI.:
G'c"t."ll
I_ouise
Cat.rend
F.
A.
I-.
staff of lhc-F`"'e Al.ts Gallc1.X-R\e!l-
and Kinft=r lJOuiS *Vn
of 'Dr. S. F. j\ram):
Ilarold
C;corgc
Lo"is
fl.ed
sccI.Ctarxp.
=1lldI.CI\'S.
nel. '1Jonriettc Dc Hal./.ac I)'F,nil..|LIuC,¢'' (aft
.-`.i(C-
.tlicc.-pI.aside"I;
..?ice-frl.e`Side"i;
cclli. (The i,\bcluction!'
(Gil-I of Robe.rt C.
Vose) : F\'.1ttier. ¬.T\,Iadame Dc. Bol"-bfm-Conti
(P. a.): I-`rancoi`s Qua.<-
fiI.CSid("i :
hO"Ol.I".y
Ira"[JC"Ilei"., fil.esi<lanI ;
\Vimam
(Portland
In-
Fisher).)
Grc:nc):.Tolm ll T\TaChtman. 'fihe Shore"
B.
(P. a.); Courbct. "The Silent Poop (P. a.):
Delacroix. 'Tesus Sur Le lJaC De Gene./_clretb"
"Italian
H.
b). 1hC \Vedncsday Club).,I Lcon Kroll. ¬.Tear
`SeCO"d
1JanCISCaPe''
Walter
+..1. E\.crett) : Robert Ilcnri. (6Bernadita'' (IJent
Pal.tly.
Corot:
Sargent.
by i4rs.
That.c.r. 6.Girl in \\'hite"
=Ii"lr
Timkcn);
(Lent
Sin.iJer
Chase, {hasc Hom.cstcad) Shinnccock'! (Gift
of Mrs. \Valter Iiarrison Fisher); Arthur B.
Davics: ¬(Shy as a Rabbit" (aft of Mrs. Henry
(Gift ol. Mrs. Ilc.nry A. E\-I.rctt); Cllarllin;
'Le Singe Antiquairc" (Gift of` Mr. and \IrS.
R.
Jolm
_\IrS.
Robert
¬¬`itll.lops
Ot.
ZllbiaurrC..
riau.
(Gift of
SmaI.1): R:""m lie 7,tlbiauree,
OIlll!l"."`f`L
"'? (p.
(P. a.):
a.): cllal.lcs
Valcntin Desde
`'.'-\l"C.lO.i
.'\1I.`S.
S:tclie
_-\.
\Tay"
(\Tr`<.
Sadie
A.
\Ia?-) : Pahlo Gc--rallo. ¬TJe 'Cnq", (i,Ictrorolitan
}Iusel"m) : h.:m \1e.itro\.ic, £''-\Iotller and Child;»
Bessic Pot1|.r Vomoh. ¬1-ounL' \Iother."
Cll*|
(Gft f)I S{."mlc.I II. Ere.LJ; Go)-a. "Portrait
of a Gontlerml1 \\ith Iiis Secretar\-" (I)r. S.
F. dram). ancl T'`.I Palcle" (S:"mleliI. Kres_a)..
Juan Dcl
\I;I./..u. ¢,Pbilip IV of Spain"
(aft
1.tlI". a.I i"`slomllion= I-Ii==ahrlll Sh;rma"`
c"I.atol:
of
cI.aft`s
i"d
Of
{llildI.a"+`S
d(-
SOL|l I\\l=ST OII£ AND SCLIJPTURE1`homfls
Pa;.till(1lf.
IIill.
=.Sketch"
t\lills
Colic.:_re);
\V'il-
liam Kcitl1. landscape" (Califcn-nia Palace of
Tll.i
(;"y
lriu!li"s
"I
=1-I.ir("I
lios..a
the
Jrf:'
hi"le
lo
fiick."
ilJcpre.ssi("1
Rt.frrl.i"!J
IO
IT
-ccilh
Sclrmil
the
Digr3t, ]Sl:.July, ]C)35
Pruna, lVIodern Spaniard, Honored at Fair
Give Us Joy!
(IPou"Its
rb.i
of
CICl:-clu"(e
""iicc I/i.-I a.I.c"lt lVood's foI.Ihcomi"[J I"WI`.
lm
c"lI""Pt".(".y
;1"lei.ira"
f(1i"Ii"(l`
1,ri(Nli."S Ill"""":I tile i(let tI";i
arli`sts..'
are
cr"tl.ulr
"I
1.1-.ri(all
al"w`x(
lilt
i"i(lI.i(ll)l\
"I".i
`+({."{..
tit(l`se a.cJto
d"I(i"I,u.sPl.(I.s
l^;II..
_Nr.
the :'cho.c(Ill-
oj
I]lI:
Il:iu`(Jilts..
I" i."lI. i`<>`uC Of June 1`st I note that Grant-
\Tooll. ".ill lla\.I. a b(")k l`ubliShCll by I)"lblc-
d:ty Doran.
i "c al.io \Tl.. \Too|l sat_i tlHH the Smll
to\ulS Ol. Ohio.
foot-hillls
of
the..+llH"< O'f i-a.u.
1\1i.i.iouli.
will
bc.
York.
l'l.a"ul.eel
'' lil(lllChCr
/? \l
1h.C
b).
:I
I}cll).I)
i,I.OuP C)f arti`StS \\.hot arc a._tPrC.SSing America.
Nrn\.. as a matt|T Ol' faC| tlliS iS a \fCr).- Small
:mll
I.rullc.
myJ
millll
p"lion
Ot-
clcplorablc
-.\i'nctiC:I,
tlrat
cl
aml
book
it
iS
Sl10ulll
PI.llml.
Clmlc"lfi".{1l.y
_i fi""isll.
tO
bL.
publisllcll clcpicling Am.erica in this \\isc.
\\'hy
must cllosen artists almost in\.ariablv be those
\\.1lo
clcpict
\\.ants
to
Ohio
to\uns,
tarry.?
Why
whcl.Gin tone
lmlSt
the.
never
SlunlS
Of
N|.\\. York ancl' the \\.as|e|l r|.:i|.hc..i ol. k:"I.ias
ah."-`< bc. l`la"ll up as beiI1= \ml.lil.:I:'
I-i. thi`s
the.I.CSult
Of
the
CIC`l"-eSSiOn:.
\\'l"- lloc.sn?I some publisher a(m"nission (.m
artist-of \isicm (other tllan that of the sorclicl)
lil
to i-a:LIL".c- Amelica as it ".as` anll as it hc)rc..i
I() bc..I,
(3i\.a us some i.Xc.lmPlc.s of mow whose
\i.¢i(-m
l1:l\.a
is
"iclcl.
|hC
ancl
I.eSOr|S
more
Oi'
hope.t'ul.
Ilolh.u.ooc1.
tlle
Let
us
Bay.
of
J}rI.lil(1Ilrllt
C'olle.cliolt
I:ill,a
Gallery
s:m I.`r:mcisco` the Rockies. \rlic'higan Avenue,
nf
par-k _\\.enue.I central park,. tllc Bridges of
East Ri\-cr. the. night clubs of New York
and the green mountains of VeI-mOnt.
Give ¬ihc American Sccne`: a New Deal.
and be clone
u.ith
the
dumps ol-
the.
Die(I".
"Salty"
Baron Discovers Cohn
Max
Two Civil Service Jobs
Open
COmrCtitiOn
postsriommcrcial
CX:lmi"atiOnS
illustrator,
Arthur
C(1hn
hCICl
his
first
SOIO`3.`
ex-
hibition frc- June 1 to 15 at the A. C. J\.
The United States Civ.il Sonic.a Commission
two
Sllll
cloleful
clqlrC`iSiOn.
almOunCeS
o]
ill.tS
Galleries.
\\-e`¬t
I.:ighth
St..
Nc\\.
York.
\\.here. ac`cordin(-I to the //'orf,/-rf/r.gr¢", ¬¬Mr.
for
$1,800
52
a
year,
ancl
assistant
commercial
illustrator,
$1;620.
Applicants must ha\.a the cqui\.al.ent
of a +-yc.ar lligh school course, at least one
year's experience as fl commercial illustrator,
or a spcciali,/.ell coul.sc in draughtingj or a
complc.1c )..C:". in an arChitel.tural Or art Course
RlrOn.
\\-hO
runs
bare a
llOSiti\.a
tfllent."
cohn
the
gallCrV.
WOulCI
geniu`S fOI.
S.CCm
tO
Cli`sco\.erillg, yO\-,
.ls termed i''a
1,ifteCl.
ti\.a. able pail"cr. at- the -"llent
imagina-
more im-
polla"t i("- \\.hclt he PrOmiSt.a tO be th:"I ".hat
Ilo
alrc.:l|h'
paintimi,s of \,e\\. 1-ark life and Comet-tic.ut
scenes
illL,.
u
color \\ith c.qual LICilit).` tllc. //rr,//r/ ,/"-/""".
I.cl.ogni./-I.d art
s|.lluols mat- bc. substituted l'or tllc c.xpel.iencc
rcquircml'nt.
Applicati(m ful.ms may bc obtained from the
set-relary9 Board ol. lnited States Ci\.il Service
hi:aminc.rs; or al any first class post office, or
front the Ci\.il Sc.r\icc Ccrmmission at Wash-
jI:li,)i.Oni5. Tllcy
must be filed
not lfller than
"Fomentation"
are
I"-esented
Savs. for.tMl.. Gllm
in
both
Oil
a"d
\\.ate.I.
flC.hit.\-i..i C.k".it\. in
u.(H.kS \\ith Cleft.<uroneS.i in
.(-,God
m*.''
picting
and the
It is an
ancl other
against a
I.tom the
rc.I-,arcl for. colt".I compositi(m ancl llra\\.the l`aintinL,a al.C. lla\.ore.ll \\.ith
formation
of
salt
in
prehistoric
-TiaCl proclllcts deri\.ed from salt.
imaginary compositiom
Dinosaurs
crcaturcs of the carh. a._,,js are sho\\.n
background ol. str.al"i,; I.egetation.
e\..aporatim-I I(,Ike rises a dccorati\.a
L|zJ
tree `.lilosc. branches and foliac,a tl.ace the uses
Products
from salt.
Ot-
C\.Cry
da).
lit'C
that
.I_t.thl.I illtO a
rh).tl"nil` CIC.Sit_,n :tided by SPark-
This
mul.:ll.
\\.hi|`h
\\-(|s
clollC
\rith
i.i
the
s\lnpclth\- for the. \\.OrkC.r; the S'" bclie\.a.a that
(f:lbo\.a a.ll. h.c is not inI.ectell \Tith the l`"`at_,andist itch.9
*[EDITORIAL
_\'OTE-It's
``.on|lcI.ful
tO
get
IT?Ill
first
at
c)I a
the
llc.I.oraticm
in
thl.
The
public
sponsoring
buildil"-,
b\-
sifm.
cxpc.cli
m:lkin't`r
the
othcl.
plzm
cc)rpoI.fltiOnS
a
tO
success.
fore they knew \\1lat was ilappcming they had
JOHN LEVY GALLERIESl lnc.
\\,inston. \\.ho tclls' the stan- in the New York
f.Nr}t
at
I-or
SlO
all.
Thc\.
apiece.
solcl
g.i.lting
45
the.if
of
the
money
PAINTINGS
back anl1 `<oml` moI.C b:Silles. and tbc rc.al a.s-
taler bcL,an :I,i\-ilFi a\\.ay the Paintings Out Of
his ollie:: toy foment enthusiasm among his
c.lie,nts.
a
Tbi.i u.orkcd so \\.c.ll thflt llc had only
hunclrccl
of
the
oriLrimll
COllCC|ion
left
a
1-c\\. cklTS ago, and hC.3sihinkinf_, of stlling the.
rest
an'd trvinf_, to
i,i\-a
:"I.a\. rC.al estate."
of. 'a
a
car-
l")ration marks a nC.\\. Step in arti`StiC-altruism.
I)I. Smith. ip. chat+,l` of the C`hcmistrv Di\.i-
_i rccll estate m:tn anll an artist flienCl re-
frame..s
CO-
serif.<' tn c.ncil.clc chemistry
Institute..
centlT fOtmd thCmSC|\.CS in Flato\\,.,s Auction
Ron"-1_i On tTniv.ersity Place, New York.
Be-
I,rot.
the
opcratirm ol. the. Pc.-s\.l\.a"1ia Salt Compan)-,
I
\\|lilc
a\+.'.I.v fI.Om the hal.kne`YeCl teI.m. i.OIle man Show"I.
boug,ht -an ollll lot of 368 paintings for $367.
6irou think they \\.c.I.a stuc`k" asks Archcl.
COme
This crmlPlex tllemc is \\.o\.en to-
ling color.
these
his :lltI`-tl.h a"lil
the
times tllrouf_,ll the c\..aporation or inland seas>
:"1d
is."
in zl colll.gc or uni\.crsily ot` rcc.ognizcd sl:lndComplclicm o1- courses in
I-Ienn,. C. Pit.z. h:l`i just i.ompleted a mural
for the. Franklin InslitutC` Philadelphia, de-
ONE EAST 57th STREET, NEW YORK
join
in
1L___
The j1].i Digest, 1St July, 1935
Sam Francisco Show Stirs Query, ¬¬Is There an American SchoolP"
__r:-_-''=::- '.:-:-::_'=TREi:ffREfEffiBEBffl:EEREr-,r=
"Self
Po1.h.ail,»
I)y
To
tI.a
by
.Jtt"let
DctI.Oil
trace comprehensivcl).
the
A.
}Ic_i:.
I"stilu[c.
of
T1.his[ltr.
Ialeu[
=11.tS.
clc.`.dormant
Pacific Coast critics.
".Srlf
Pt".I).ai.I:" by TriI[ia"i
lil..
a"d
\\.ark;nr "ith the. u.hull-
ill.s.
}[. Cll(ls(.
Ch{Il.Ic.s
F.
I"l[
I,y
I,i;illiams.
ent da?- are I_-presented by carefully selected
c`aI".ages-tlle c.i'r`rhtcenth and nineteenth centurl- artists beim_I clisplclyed at the DeYoung
-\Icmorial \Iuseum. ancl those of the tu.entieth
at the Palace.
But unclerneath the i.aried and
intriguing surface of th;s i,real CXh1.bit;On lurks
the still un:"1S".erablc quest;on whether th.ere
iii::,i:in:i`i:i:efi::iciiiilteiiieiir:ciisii,ii:;t[::iii:rcii1;,i,i;i:i.;ii,I:,iiii;oil;a:;iI.::.i:i::.,:11i'i;:irli:i;i :iiritCC:i:;a;I,u::i:i;::s,r¬ciei:i:ii:i::iii,rri:a:i::i:iinii:i,a:1iicrsii,i'oii:::sisi;:1:£i,:::i::;ii¬e,t;s::;i,,ri:1::iicii;ieeliir:,i,;'t:a;ill;::
is
trul)- -\mc.rice,"1
I`ainting Or ".hether
there
are only. paintim-rs. '=,odd ancl bad. done bv
-\mericans in America.
Dr. He;i I",riling i;
the fore.",orcl to the catalo£,uc (nnc of the finest
e\-er to bc iSsuecl in tllc i:nitecJ States, contflim'nr-I lI3 bcaut].ful rerroduct;(mSL. states an
ol"'nion
the
at TariclnCe tn tbc belicf8 Of most Of
a:tlifornia
critics.
m :r.:i-l`i;:. l<l!-:i t`; n.;Jt1S;I II.ill`1l:aI:iri;su-I;1l:lt:all;:`aCISI I\l`ci;lcth-
lramFere.d the clc\.elo["ncnt of ft natioml art,
1hi,<
i.oL"tr)-
has
I"-ol]uccc]
p<,i;ntinl,
".hich
;s
genuinch- -\ml.ric.an.
_\ I).pe of r;-lintimJ dif!.c,I.¬"I 1.]'.(lm an]lh].nrJ Creat¬C] elsewhere and a
.true a-tpre`<si"1 Of rhc
zt.s
!`l:or!c.
;mcl
tbeir
lancl-.
lit.a.i.
its soil
becftuse
=mcl air!
it
clrew
l`1"aI.actor a"ll `strc.m=th from the same mysterirm`i fort+i.s that. in fm fistoIli.illin,r-,1). brict. time,
11a\.a fOrmc.ll :I nation out of n"lriple e!cments.
¬.Thi``
ki"J
¢1r
rfl;lit;"{J
h;L`
the str:Li¥|lti-"I"i".ll"cs.i ".hit.h
S()mCth;"_r
Of.
1\.a like to r¬gard
a.s i-}TiC:Ul)- -\-.ril.;"1. Of tllC SCn]1etimeS almost
hiunt fr.-kill.I.i ui. the T"lkc`c.
t!ie
p.,lintl.rS
milk
c3f
t!tl.lml.l\.c.S
\\iUt.QOlnl.tllilF-I
lha.<l
i-llh'OSC
\mericfln
brilF-.c.s
fi.<!lhl."1C.i_`
=c.I
of
to
till..<oher
cnLineC.rS
="1J
Tl.i_.tlns that
fmt
i+.llO
maLllifleent
inlli\+.1tinl-I
dc!
built
ou.I
highways;
S=.lLconficwhce.
tl.!1.I.i. 1"ll ".ull C!lluntI'nn.
their
objecti\,itv
compe-
The.ir pictures hfl\.a
:I. li."~1!"iL.!tt i""1C-it.T \\llil.h lets us glacllv over-
l""k
"`l-:lsitlll:tl
\\.F&:tt
!1:l!.S'"
s",""I,
Sc.n.<c.
I;lull).
c`fimpo§ili(m
ll)i"inLr.
i-nr
Tlle\,-
lil.an"1iC
or
C)ft.en
some-
r||.Gal
:.ITccti\.I,He.|i.
a
e\.en
\\.i1}erll t!liS is - i"ictl!. lleri\.cJ from subject
":i"lT...i
l.!i;"...LC[l."I,=l;C
".h;l.h.,lrrl.;".`=
[o
bc
Tll.a
"thai.leg Col.-Lle1.t`"
hy
I_a"i hv
related to a
]OIl" IIesselilts
(1728-]778).
"¢Th¬ Ccj.who{s I).,.ea"i: hy Jolm Carroll.
`nalti-"lori. _LI"se"I;i..
general
trend of the American
characteristic feature of I+.hat is most original
American paint-
1nt`r} has COme Of age.?,
what might bc cionc.
Director \Valter IIeil
of the galleries was \\,.isc in his selections.
He
did not includ.e experiments, yet he was liberal
in his selections of all schools, particularly in
the present day.
Ilo gathered a distinguished
group of paintings for display.
Time helped
him cull the works of the 18th and 19th centuI.ieS-it took a.t_,OOCl deal of thought to cull
so well in the -?Oth ccnturv....
'Time. as wc said before, helped select the
Glenn Weasels. critic of the San Francisco
Ji/rgO"c7?/r, takes issue With
Dr. Iieil on
this
point: '(Although this show comes at a time
whoa America's artistic indepellCl.enCe iS \\.idely
almOullCed.
it Will
demonstrate
more
COnC]u-
si\dy thari ever that the story of painting in
Ameiica-as of architecture-lias been thclt Of
a series of influences from r"rope_
The EI1-
glisll portrait scllools ot. CJainSbOrOugh and Rev"olc1.q set the pace fr". our StuflrtS anCI Cnplcv.s.
+
Rut,.sdae1!
Claude I,a-in
and
the
t=r,roup inspired our landsl-apists.
I.1teh-
our
W.hO
I+.Ould
cultural
cllt
roots.
P"t
us
Barbi,/.ton
`"Ch
lleterogeneous
in
it.s
spite
inspection
tuly collection in
of
the
twentieth
Cravens ot- the S;ln I.`rancisco ^fcmulyf made the
follo"ing `c_rcneraliz:ltion: "American art, _generally
speaking?
maill Streams.
of
the
Oflklanll
scl"mI.
nO
selmlS
tO
bC
flOWinE;I
i".th
I'ol.
our
1'uttll.a
to
cosmopolitan
I.C.1atiom
\vitll
art
never i.cnturc
\\ill
moclerns?
1-oreitJn
ha\.a
,/1/.l'/)I//I,.
I).Pieal
particularlv-
in
but
l`iihitions
:H1
HIGGINS
STERNER
PHILIPP
ROMANO
SOYER
LUKS
WOICESKE
WRIGHT
thCSC
PiOnC`l`r`¢
\\h:tt
al.I.
bat
OPEN ALL SuMMER
Correspondence
cl-asc
Invited
\mCriCan
some of our
Calil'orm'.1.
rcpre`scnt
I
mavbc
.Seenl
tO
hat.a begun p.lonl.eri.m_I. l"t m r1-iCular eX¬1mPICS Of
I
.',|t shows
popu1:"ion.1nll
I(|rth.
R
HASSAM
TAUBES
iS
J\mC.ril.an
llc,\-c.lr)p.
C("ntliC.i.
r_£onti-nued on page TJ|
by
Our
tO
illustl.fitcd.9 hc \\.rites.
the
two
-
pions of the Amen-ican sccnc but most of them
are completely objecti\-a.
Such of their works
The hcaci-waters of one sprang
th:lt there is not vet, c.\tm among. the moclems'
:I I)TiCal ^meriClan arL
Th`,lt \\i" bl+.+ome1hil"_I
in
g:Hlg Clrapc I.csto6ns ot. crepe on wreckage and
decay.
¬'Therc al-a fine Painters amoni, th.ese cham-
PAINTINGS - ETCHINGS
¬Thc whole col".tie ol. --\mc`lic:m paint-
im_, ls w.all
realism and iprimitiv.e) imitation.
It
\\inding,, unstable course from such
illustratol.a as Benton. Riddle, Burchfield, Criss)
E
clition..`'
i Dungan
and fed by many sluggish tributaries.
is compo;eel of regional illlustration)
M A EN
blencled and fused its "r\-imf_r tra|lilions into
what might bc trul\T l`allC:I :m \meril`cln traII.
cen-
lhC Palace galleries. Junius
fl.om
n1- I:Ill
polullatioli
anotll¬l. critic al\wllO finds
irregular,
Its delta
snapshot
takes its
hallelujah chorus. while the Burchfield-Hopper
After an
\\ishcs the. United St.1tCS iS Still too i-Olm¬_, anCl
too
from the greatest of the old masters.
Its
course is marked bv such tllorough, conscientious workmen as Spcichcr. Sterna. Kroll, Poor
and McFee. Tlnis stream is deep.
tThe otiler Stream iS Wider, but Shallow and
cnuugh.?!
Original
off-ch cmirelv
in
Lerlit I)y tlle aI.ti.St
I,rost ot- our
that
Sht:""i.
!uel.n
The
I(mc..
T9
Curry. Ficne. IToppcr, Kane! Kantor, Marsh)
Grant Woocl and numerous others.
¬,The
B.cnton-Riddle-Curry group
leads
a
ancl nativ.a workme-n as I.,;kin.a and R\-|ler hal.a
bccn appl-eciatec|
No\\. tllat
the title has
s\\.uns :"FIV from SO-a.allCd I::urOPean influences
the tcndencv is natllrallv to\\.arcl the other extrcmc. and'we hc".a th.a. neu. group of isolationists
July, 1935
olcler paintings, just as timc! in the future,
will remo\.e mucll that is being painted toclav.
Tim.e is our best :".I critic, but he is not fa'st
figure painters stcmmcd from the French.I,\cadcmy..
Our most important artists
painted
larf=elv abroad.
i,,It. is only \.cr\.
Digest, 1st
tI".a";Jh. the Helm. Galleries.
people who like to dramati7.a e\.erVthing from
skyscrapers ancl bridges to marathon dances
and divorce suits.
But a I.igorous sense of
fact: an uncomlll.omising and sonletimeS almost
set.ere objec.lit.ism. \l.oulcl seem to be the most
in American painting. .. .
ill.t
cx-
not
38
Ee
57
ST.I
No
Y®
CS
20
'1'll.e
;h.t
Digest. ]st
Jlllyl, 1935
Cleveland,s Slice of the Art ofAmerica Provides Interesting Show
1)l.``pitc.
till.
I."l``li"Its
anll
dlTll).tr:ll`=.
.".:":n-
iIF-,
|, Ot. -\ml.Ill.(m :".ti`<tS in I.:urOl`CT` hc. ".I:tl.`¢.
I.:lit in thi,i i.oulnl.\. ll:ls. |1ulinL, tllC nin.i.teC.llth
|\."1t".i.
,<tc:tllil\-
|lu,1.tin;Hl|.|..
lil.\\Tl)i"I
i.i
siLmiStS_
mi.m.<
i-ot
hi.okl.n
Tfj|l.1\-.
Clu.`li`1
Pr"Jul`c
;H.a
"ll\-
tO
I.I.Om
the.Se
th:lt
\T".k
tllC.
h:ls
i"i.a\.
C.\.en
in
Ol-
1!l|.
\\.hr)Se
the.
\\llil`h
Ji``tin"ishilF+
I+:uropc.a"I
arti.SLi
Impres-
"ti\-C`
C.lC-
Char:tl`tC'liStil``e.
_\mC.ri|.:Ul
al.ti.`t
bC.I.(lme
l|m.<ciuu.<' uf lHiS l1.:lli\t. C.n\irOmllC.nt. but C\.a.n
till. |.riti|``. zu-I..¬tr"lLl\. c,U\.:H.a Of tile -American
sc.c.nc..
.
ThLc
lFllil.C.ll h)- :I
b:L`i`=
I"I-
i"-ci.Jn
|`'lCl{1l.
_\lalI!ieC.
IT:;!r|.I.I
\t.r\.
:m|l
Tul`.i
|lomin:ltc.`<.
I::il1¬hC.IniuS.
nc\.lT aC-
|'li_<CIimill:ltlnm.I
PonJ|l.,_,fL<t.
G|.ol.,_,I.
P:L<li"
I-Lmtl.mrf-.)-- ".tiSL`.
Still
li"llilialitr.
Critic_ i`< tlll- one. neCCSSar)f
bc.i.auSl.
_\monLr
a.Kc.I.I1.c.
I,llkS.
:".C?-I.1
lhc
ancl
t!ltil.
\\ith
inlhlc.nco
artL`ts
Dot.a
Samuel
liSiCCl
ot.
sll.ire
tocla\..
the
il-1:
t|il|.|.1u{lliti- oi. Gcrm:ul F..tm+i..i"lism. hilt tlleir
ohjc.l`ti\.c.``.al.c
-\ml,rL.m
is
GiITL".ll
Bc.al
"f \\.hose
S!":m.
tc"ll\.
lhc
llifft.I.I.nt.
(,HIN.a:Ll.h
anll
\\.nrk
I.',I-nest
f".a
bet.`.
I.'ilml..
Bc.lil:ll-|l
:".tL<t.`.
a's
I.ePrOlluCtiCmS
pl.cSl.ntl.lL.1nCl
F.u|,ell|. SF|iullC.I.
\IaI.Sh.
lnurnlCSt:lbl\.
tll..<ul.h
_Tt3hn
Lc.("I
ltr"".
RetrimllI
an|l
\I"li`+
It:mtor.
K:lrliol
From Japan
-\
l"uI.SC. in
I:lp"lc.sc I.olol.
lm'nti".-.
\\ill
i)a
L'i\.|ln b\. SulF/-u`ki T.1ma at tlll. S".:lluse i.nile.rSit\..summc.I. sl`hool. Jul). 8 to. -\uc-rust lf).
gull.zJl'ki ti""t. a
i"inting, as
rni\-ersit\.
SPeCialiSu in.I:ulanC.SC l-OIOr
tan.f-,ht b). Koh.an Tobari of the
cJf
Paris.
is
the
son
(|t'
Suc17_uki
k\\.ason. 'a cclghi-.1ted _hPanC.,<e :".tiSt ".Ilo \\.aS
:[\\.ardc.cl a '_rolcl meclal in the 1900 Par.ls E-t-
positicm.
`.=1cl.ollclI`xj
hy G,iff(".(I
tic(lI.
I,e"i
hy
rie
\`.aS
li"""sllur". (;clll".i"S.
:"lil 'clecol.:Icing
At
the
teenth
C`le\.c.1cmcl
\llnual
A,Iusoum
Exhibiti(m
of
_.\l-I
of
tllc.
American Oils is on i.ie\`. I""il July 7.
mitti"i,
the
ClifliCult\.
selection
I.ram
Francis.
I.ul.atol.
Ot-
cur'rent
ol-
mclkinL,
an
matcl.ial.
paintings;
1.`il.-
Contempor:try
in'
\
ShO\\.+i
mcnts
of
(,tt
".llil.ll
le:l`it..assemble
the
the
l.olmtl-i.'s
public
for
a
furniture
I.al.tort..
Ilis
compo`sl-l1: :md shollld fo"n a basis I.or judL,-
ment
Bru|.c. an|1 hil\\.zH.d B. Rowari tc) th.e Syracuse
I)i. those int|.restc.|l in |`urrc.nt cfTorts."
This 'croSs-section of- I.onteml"-trary paintimi
RcL,i()"ll Committee:
t`Tllc r`rinl¢ arc \.crT fine. anCI Yer\. unusual.
c.mbI.:lees 87 can\.ages culled 1.ram \.:trious sccti(ms \\ith (.I I.c|1rC.SentatiOn Of local ".ork which
Please
the
alTorlls act.I.lanclers an oppoI.tunily tO judge
ciate
llleir outlult from a "tioml p.crspccti\.a.
_\Ir. rrancis cites the liftc.i.nth flmual
cm.Taran.i.sc. colt". printing \\.llich \\ill bc pub-
Muserllil.a B"//f,r!'", that this fmll lhC Prl-CeCdinL,
il"a
S.
IIc.nn.
star.cs
brou.-,hr
pl.ints in the. P. \T. -i. P. exltibition in Washim_rtcln brouL,ht this message i'rOm Ecl\\.ftrd
_.\d'-
ObjCCtiV-a
first
-ticc hi. his P. \\'. A. P. \`.ol.k. :lt.ter li\ing,
in s"cilse I-or ncarl\,-~ t\`.cnt\- \rll".,i. paintin!g
PlinCil1:1l
produl.t'lon
ale-
is
tdl
his
lil-.
Y;lma
bor\.
distimJuiShed
mucll
\\-e ar\prc.
\\.ark.I.
_\rr. Yam{1 has \\.ritten all|1 illuStI.:tted a book
as
1.I".lher prool. ol` Amc.rica`_s artistic nationalism.
liSlled
soon.
RulminL,
C.OnCul.rentlY
With
the
.`uliuncl. se.sSi(". the. s\Ta|-u.Se _\Ius|-'um ot. Fine
\HS
iS
hOl|lim_I
I"JOl"OCkS
Tfuna
an
a..\-llibiti()n
Ol-
i,Tints
and
h\- I:H`:mC.`<C. SChor)I C.1lilJI.en.
obtain-lil
the
collection
cliract
-\Ir.
from
Jall`fm.
Wehle Succeeds Burroughs
II;u.r\.
I(i
the
Br;m|lc,is
post
-\[c.tropolit:m
Bn.`son
_\IIi
Wchle
of
-\Iuscum;
Bul.I.(JuL'hS.
\\t.lllC.
lla``
l1:1S
ctlrfltor
of
sucl.eedinr+
\\.hO
been
been
\\'ith
appointed
p:lintimJS
died
at
the
the
late
lflSt Not.llnber.
the
muSC-um'S
de-
I`artmerlt Ol' I:lintim-' Since 1919. ser\.ing
:ll.ti"'J I.ur:ttou. i.Ol. the Past Si_i months.
-\lr. \\c.llle LTalluated i-n I-Iar\.:ll.d in
i:ltcT
I:lkillL.
i.r:t|luatC
COOLS.CS
in
lhc
fine
as
191l,
arts_
In all, b|. b:ls bcc.n oniraged in muse.um \TOrk
I.or ti,Jhteerl i.ears.
rOr tl\.a i-a.:Ira, I.ram 1916
I" 1918. hc '".{1S an assistant. at 'the Minne:lr"!is
Institute.
nf
_.\rtS.
BRUMMER GALLERY
55 East Fifty-seventh St.
New York
..=lflrl.
lilt
nli:.===(ll.dr
I,y
I:,rllest
I:it."i.
I_ellt
hr
Do.LCIltO.-L\m
Gallc.I.y.
TI":
John Petrina Dies
Auction Total
=lrt:
I)i:gr-+i, 1st
July, 1935
21
Gilbert Stuart in tltc. a:try collection. ancl the
other. {.T\\.a Sin,LJinf+.
Bo\-s'.. b\.
I.,r"I;
1Ials in
.Tolm Pc.trim` artist. author and facult\. mcmbcr of pratt Tjlstitute; diecl in F,\.ansto'n. \Tv-
tion-J\ndCrSOn GalilTieS totaled $2.81t.172 dur-
zlrt smith.
oming. June I_1-. I.rCun a fraC|ureCI Skull. SuffCre:a
in£r
pa<_mc.`. rc.ac`hcd $1J.000 ill the Sale of th.-1 COl-
in all.r""omobilc acciclcnt +i.bile on 'his
at
to
California
Carlotta
for
a
Pctrina.
summer vacation.
who
is
also
a
".ay
Mrs_
prominent
_\ucti(m sales al
the
193+-5
the American _Art
sea`stm.
rc.all./.a.|l
.\ssocia-
Ill.Om
f)8
sales
1++ sessions.
_\naly,zjm-, the i,ranll total.
the i,allcri.cs anmlmce 'that p(,tintingS brougllt
allist. \\.(,LS \\-ith him at the time. as \L.c1.S |hCir
S+65.f)17:
1iterar\propert)/.
(book``
manuscripts.
and
aut'ograph
material),
$838.827;
son. Trm\..
prints;I $117,667,:
I)uling' bi.i
I.our
years
ot-
association
With
Pratt Institute. Pellina lit.ed tlp to the.school's
dnetri"a of ''clor'ng as well as teaching,." and
bc.c:""I. k"(""1 aS One Of the natiOn'S '1Cading
illustrclt"L<.
1,ast January hc held an exhibi-
furniture.
tape.strics'
jects.. $1.392!060.50.
Top price for the season \`/.as brougllt b.\~ 22 then unlulbii.shed I.ettc.rs b). Eli./-abcth and Robert l3rowning)
ccs`scs oI. Reprocluction.', ".hich has wide popu-
sessions rcali.,.cd $3J4-?.434. or $628.3f)2 more
larit\. as a c_,uidc bock to artists who desire
to h'a\.c tllalr ".ark appear in print.
than this year.-something \\.hich economists
may interpret as they u.ill.
IJiterar). I"-OPerty
have
been
exhibited
in
France :lt the Salon dos Artistes Franc(,tis and
at the Salon _\'ational dos Beaux .. I t S I and
i" the United States at th.c National Academy)
the -.\rchitectural League, the Print Club of
Philaclelphia and the Art Institute of Chicago.
IIis paintin1-,. I.Chapelle Sur le Pant, Avignon,"
u-as purl.hascd b),. the I.trench Ministry. of Fine
i
Arts
fc)I
its
national
call.ection.
Baron de Bles ls Dead
I3aron Al.thul. d.a
"Brotherhood"
she)wed a
gain of _30 per c._.nt o\.cr the cor-
'''Uni\.ersal Brothel.hood'' \\.as the theme of
a poster and mural cant.cat for art students
sI-lSOrCd bV
tbC International
Art Center
of Rocrich hiuseum. \.c\\. i-ark.
..\u.ards hal.e
just been announcccl ¢,ls follow.s:
\Iurals. first
prize, $7J-, Violet II. }Icsaros; second. $25,
Regina Kuri.e.
Poster designs. first pri./.a. Sj5,
Peter Kcrr;
second. #15.
\\'illiam
Robilliard.
responding figure ol' the last season ancl is the
Judges in the contest i,TerC Iiildrcth Mciere,
Adolph Treidlcr and lJOuiS L. IIorch.
The
highest total reali.,.cd since the merger of the
Andcrson Gallcrics and the American Art As-
Roerich
Museum
contcmplatcs
makinL,
the
contest an amlual :tffair ,'to roster among the
sociation in l929.
High lights tills sc.ason, from Oct. 10 to A/law
I
students and youth the ideals of tolcrancc,
human fratemity. i,Cod "ill :"ld \md.-`Litand-
28, were the disr)crsal of the contents of Ophir
IIall, residence ot the late Mrs. W|litelaw Reid
at Purchase.. N. Y.: the distinguished collection of the late Eli B. Springs; and the estates
ing
of the late Judge Elbert FI. Garv and Emma
Modernistic art is no queerer than the things
that sometimes hallPCn tO it in the hancis_ of
customs ins!lectors.
Recently a Spanish lady}
T. Gar\/..
among
peoples
a"d
"at].("1S.
Queer Indeed
and lccturcr
The..h.F_,hC.St total allZlinC.Cl hit am. One Col-
on flrt,. diecl on June 19 :lt Los Angcles. Amollg
Ills best km".n u.c)I.ks is a \-olume entitlcc1 ¬TIow
lection dllring the sea."l u.iS g_?95.807.50
rc.all./-cll b). the al.I :-I other propert\. o[. the
to
late. Eli B. Sl"inL.S. o1. \Tt`\\. York a"'cl Char-
take
lotte. +\-. C.
:tl'tcr lookinL, it O\..a.r. had the I:t|h- take.n into
Distinc_,ui,<h
Bles, writer
IIigh pril.es paicl for prints include $6.200
i.or a cc"nplcle set of 'rrlle Cries of I,ondon..I
rugs.
S+0..000.
1)uring the l933-3+ season, 69 sales at 135
\\.ol.ks
corot.s..I,; Cat.alier llans la Cam-
lcc`tion o1. Burton S. Castles.
silver, sculpture. porcclains 'ancl other ire ob-
tion of 1-?() illustrations from his book. "Pro-
Petri"'s
the collc.cticm 1.ormcd hi..the late Charles Stc`+.-
the
Saints
the Lrranll~`-I Ol. Da\.ill
in
Art."
Bl.cs. l-out.I
Ilo
was
Painter Ol.
-.\mo"t=, tllc I"lintinL,a. ¬'IJa Char_
I
l.ctlc.A cle`i art.`s'. b). C`(".ot brou:_,lil $11?000.
I-IolkH1|l.
Bc- in -\klnchestcr, England.. Baron cle Bles
\\.as del.oratlld bV the French, B-.Ig:an! Italian
a"cl Roumanian go\.cmments for distinguished
sc.r\.i|.a in the u.orld \Ta1..
The tc)p I"il.l` Ol'
the `SCaSOn
I.en. a
painting,
:!'.!c-lilt?n 'i.:.iIii;gfi.¬,si.:'o. I'r\¬i',lhcce,,. _!ll:led alt1.Cer"l.1tOelJtrati:
it
into
Sllain=
customs
inspectors,
I.ustolh. in the. belicl' that the dra\\im_, \\.as a
thinl). I lliS±rllisc.ll
I"ll..ll.our:tic
u.a.i S_?o.Goo. a slHn SCPZ'ratCl\. aUaincd he. I".;
milit:".). clc.l'cnsc..i :lt
can\.asc.a,. one. a portI.ail Ol..Lath.
ill
I,islon- h\.
the
tl1.i
Sllll
I.`rallciscc)
l`lan
ol-- l.cl.lain
\Iaclril!.-/""."I (,i/.,;.J"J
"_Tc.=¢s:`
I-Ie was major of
the Roy:l1 \\'c.lsh I.`us.lliers and seryed as Br.lt-
i.`ll aJlilini.<trator at Cologne in the p:-)st-war
ocl.upatinn nf the British.
Baron de Blc.s once
\\.a`< c|litnr r)I the C,`o"oc.a;fl ///rf+f/.fc oI. Pal.its.
C'omim_I
to
tbi.i
cnuntrv
~
he
continued
his
\\.titill r_I.
450 Artists-and Cash
\'J\\.
T".k'.i
Sl.\.entb
\TashinLrt(m
Sqll".a
f)"tll(ml. -\l.I I,xhibition enclecl in a bocm| markc.I \\ith ,$1.870 I-a:1lir/_eel On lbc last c'la\..
Ac-
cm.clinr_I to i-ernon a. porter. chairman' of the
Artists` I\iCI C`r)mmittce. the total for the show'
wfis ,#f;..lilt,. lli\-ic1|.ll une\-cnh- among the 450
pal.tiCir:"i"Lr a"iSl`. Otto Bit.;.bals \\.as ¬t.ll.i.i.=cl.?
b?- bi.a 1'all"I.i as the -.`t ,"l.ces.`I'ul a,.\hibit-or;
hc `snlll all"lu1 ,i-1_1-0 \mrth ol. impa`stc)s.
_\nrJthC.I.¢ati.`flcd arti.`t \\.as Frank Schnc.icler. one
of
\\l10,`C.
C'lipper
Sllip
r`aintinLLS
\TaS
bout,ht
by ill.S. -\lbC.rl Barker of Little Falls. N..I.
TllC
th.e
C\Tbilc.-i-(1u-\\.ail.-
12r)
sqtral.a-foot
Miras
hung
botrsc
and
al.tist§
mural
|licl
wall.
wlli|-ll
but
Orencio
outsille tbc pI.O\inCetO\\.n PlavI"il-cd :lt. $50=000 ".asn,i bougri.
-
__ i
"Three Trees", $5,000
OIll a"i.ra\inL,a SOld at C. a. Boerner,s at
I-cipsii,,. Gc.I-n)f_. brought astonishingl),. high
prices.
Rembrand-l?s fLandscape \\ith Thrcc Trees"
l2.000
reichmarks
($5.000);
c.'CF'rist
Pre-
s.entcd tn the People" ll,500 RM.. 'The Increclulit)-
of
St.
rITIOmaS"
3.000
riM;
''S;x,s
Bridge" -?.400 RM: and his ('Landscape with
an ObeliSk'} 2.000 RM, were the highest
bids.
Among the Dtirer prints the most coveted u.ere: «The Passion of Our Lord" 6,000
RM: '(Melancholia" 3,800 RM;.The Prodigal
Son" 3,600 RM. and '(St. Jerome in His
Study"
3.500 RM.
J
The American Artist, John I. Froehlich,
is pictured standing beside one of h;s
recentpaintings, which was unveiled this
spring at the State Museum at Harrisburg, Pa. This canvas depI.CtS the PreS_
entation of the last draft of the consti_
tution of the United States of America
in Independence Hall, Philadelphia.
Many leading artists rely onDevoe
Artists, Colors, because they have always
found them uniform-brilliant and true
in tone. Try them and see how they help
yo#r work! Devoe & Raynolds Co., Inc.,
1 West 47th Street, New York Gty.
ARTISTS' MATERIALS
Deuoe also mclhes a complete I;ne of artists, oil color. b"lshes
22
The rdrt Digest, 1st July, 1935
Morgan Sale
Among the Print Makers
Christie,s in IJOndon Was the SCene Of lively
bidding on the I. P. Morgan collection of historic I;1iniatureS: June 24-27.
The total was
$3+0.65l. which w.as a little more than onethird of what the collector paid.
¬'An air of almost cathedral calm pervaded
Minneapolis Gets ¬¬Maximilian" by Lucas
the
auction
room."
the
|7frczZd
?`r!.bit?zc.
re-
ported.
a(There liras none of the clamor so
often heard in auction rooms where articles
of less value are offered."
The sale attracted
world-wide attention. for the collection included
specimens of the best work in miniatures from
the l6th to the 19th centuries.
Of greatest po]lular interest, perhaps, was
the f'Armacla jcu.eF presented by Qucc.n Eliza-
beth to sir Thomis IIeneage in gratitude for
the countr.v,s deli\.erance from the Spanish
I-\rmada.
It ".as purc|lased for $14,000 by the
\-ational Art Collection Fund. and will be
placed on I.ie\+. at the Victoria and Albert
_i,IuSeum in lrfondon.
Both th.e cot.er and the
interior contain portraits of the Queen.
Iiolbein's famous Pemberton I`Ortrait. Which
Lord Du\.can sold to I. P. Morgan 31 Years
a'go for $14.26+ u.as acquired bv him at Christie's for $30.306,
Painted on'the back of a
pla)ing card. it represents a vounlg Wornan Of
th.a time of IIenrv VIII.
Lord Duveen re-
linquislled t`osscssiSn of it to the nation.
An-
athcr Holb:in. a portrflit of Sir Thomas More.
\\.as acquired b). sir Felix Cassel for $4,ilo..
Other high r\rices included: "portrait of a
Lady." b.v Iioskins for $3.,-?16, £Tortrait of a
Nobleman" b.\. Isaac OIi\y.er for $3,215, tTrince
of Wales" b). Oliver for $2,,387; cTortrait of
a Gentl.eman.'' b]. |Ioskins for $2J27 and
"Nobleman.., b.v Oli\.er for $1,452.
Caro in Pasadena
Grace Nicholson. cm.ner of the Grace Nicholson Galleries in Pisadena. Gal., amlOu"CeS the
engagement of charles B.' Care, formcrlv with
Parish-\Tatsc)n ComI`¬lnY Of New York, as her
~
¬lE".peI.Or _Ma;ximilia":
E"gl-lcd Portrait byl Lucas Vatb I.eyde".
Emperor
Maxlmilian,
('thc
last
of
the
knights.,' is the subject of a master engraving
bv Lucas van Leyden which the Minneapolis
Iistitute of Arts has recent1\,. aclded to its
the artist,s best period, being dated 1520.
Diirer visited Lucas in Antwerp. They exchange.a prints and Dtircr made a portrait of
his collcagu.g which is norv in the Bl-itish Mu-
print collection.
John Taylo'r Arms in his
'tHandbcok ol. Print Makers and Print Mak-
seum.
inc)c},"
important engrav.cr of his time.
calls
engravers.
Lucas
one
of
the
three
greatest
The portrait of llaximilan is from
Lucas was illfluenCCd
b\,- this COntaCt
and after Diirefs death hc bec'ame the most
To _h,,Ir. Arms
Lucas u-as ¬¬conspicuous for his po\\.er of com-
position,
his abilit),.
to suggest emotion,.
g,eneral mama-ELF.
Mr.. Caro. who is an authority in the realm of art and is regarded as
an exrlert On jeWCIrv. has been instrumental
in forming
- many
* -i,rea't'collections in the United
States, both pri\.ate and public.
Precious antiques from China: Java, Tibet,
Korea and the South Sea Islands are included
in hliss _\'icholson.s collection; famed throughout the world among connoisseurs ot. Oriental
art.
It is not \\ithout reason that her galleries are kno\\|l as ,.Grace Nicholson's Treasure
I-Iouse of Oriental Art."
and
his ma¥ilifiCent eraftSmanShiP."
".\s an empel.oL \Ia.timilian has bccn termed
(¬a giftecl amatc.ur in politics," being more ab-
$3.00
sol.bed in I.estoring the mecliaeval splendor of
hi_i
lf you want to subscribe to
THE ART DIGEST
whose price is $3.OO per year'
fill
in this blank and mail
it to the
East
59th
Street,
\.<.tie
was
agttl.:"ldi~,Tement
conscious
o1.
im-
York
1\.lost of his time \\.as
m""-
\\.frs
boa)ks
a
\\.hiall
tlrouL.h
I.endcr
Street Cr No.
him
01.
pcrsoml
jefllous)._
c.tmsummate {j.LrOiStt*
I
Writim_r
fe
clcscribe his exp,t'oits and
hC
I.cmstruc.tile
tl.:tit~-i
or
I
_\I:-+-ximili:lil
plTSC"llitic1$
City Cr State
hc
src.nt i" mirltarv cxpcditions motivated by pr.i-
all\.cnturcs.
New
than
fol- I.hanf_Jim_, Gcrmanv.
sc\.c.I:ll
magazine at
116
kin1'Clom
mecliate_soci:ll ancl politicc,ll mc.asures desirfrb1¬
also
brOui-:lit
reforms.a
one of the
Gothic
Itis
about
clisr:Irate
most inLl.rc.Sti"i-I
I`ubliSheCI
Prints
aS
\\.all
aS
are
bcin|r
clisllla).eel
k]c.i.mann Galleries this summer.
impor-rant paintinL,a b). -.\mC.rid:m
Cll\
\.lC\\..
YORK
RErmrm
ee: e: kf y; u: pp;
'!
Suites - $25
fat-Orite
ti|lc.a b-T Glildc. Iiassam. Albert Sterna.I an|1
El"-,cne' Ilif+{=ills
NEW
Single - $10
Double - $12
Eul.one.
A Notable Print Show
\i\\.I\-
IN
lf the New York residence you are
looking for should be quiet, convenient and comfortable, we recommend
the
LE
MARQUIS.
This charming hotel has long been
a favorite with people who require
excellent accommodations at moderate rates.
fit
the
In ftclclition.
I"lStCrS
arc.
HOTEL
LE
MARQUIS
l2 East 3lst Street, New York City
JL Kno!¢ IIolel
Tit.a !Irt Digest, lit July), 1935
Z3
Great Calendar of U. S¢ and Canadian Exhibitions
BIRMINGIIAM, AIJA.
Birmingham Public IJibrar.Y Art Gallery-To
Sept. 1: Southern States Art IJeague traVCling exhibit.
MOh'TGOMERY' Aha.
Montgomery Museu- of Fine Arts-July:
Dixie art colony of Ala.
CARMEL, CAI,.
carmel Art Associatiom-July: Oils.
I,AGUh'A BEACH' CALIF.
by member.a ,. oi\s b.+r "\omca\s Hunt, `_+'ater
colors by Elsie Lot+..el. Pomeroy| work by
Karl Yens.
Log Ah'GEIJES' GAL.
Foumdt|tioI| Of Western Art-July: Second
annual exhibition of |Vestern dese|.I and
Indian paintings.
IJOS Amgele8 Museum of
Art-July... Paintings and sculpture from
To July
14: Paintings by Martin Kosleck. To July
15: |Vater colors ancl dl.awings by Ben
Messick; block prints by Victor Yon Pribosic.
stends|hl Art GilllerieS-July: 25
European Mastel. paintings from the 15th
to loth century lent by TVildenstein & Co.
staI|le.\.
Rose
Gtlller.y-July:
Prints
by
19th and 20th centur}. Fl.ench model.ns.
OAKLA-\'I). Call.
oakltmd Art G1|ller}.-July : Paintings by the
Sketch Club; paintings of Mexican subSects by Grace Spaulding John.
pal,OL=fi VERDES ESTATES, CAL-
palos verdes ComJnunity Arts AssociationTo July 5: Paintings by artists of the
South Ba}-.
SACRAMEa\'TO' Call.
california stute IJibrar}.-July : Lithographs
of Boulder. Dam by |Villiam TVoolett. E. B.
Crocker Art Galler.y-Summer: Pet.manent
collection.
Pacific International A1`t Exhibit.
S&L±*TA BARBARA, GAL.
Memorial
Art
Gallery-July :
Marine paintings by VI7illiam Ritschel and
Armin Hansen. Photographic portraits by
Hart.y Eichheim.
SA_V FRA_\TCISCO,
Call.
Gelber-IJiliemtllal Ga|ler}.-July 1-15.. Pastels
and water colors by A. L. Lindstrom. July
15-30: Sporting prints.
California Palace
of tile IJegiOn Of Honor-To July 7: Loan
exhibition of Amel.icam painting of Both
century; Loan exhibition of Dutch and
Flemish landscapes of the 17th century.
July:
|Vo1.k by Californians.
Sam Frll.n-
cisco Museum of Art-To July 21: Rockwell Kent; drawings b_y Old and Modern
Masters; group show by Sam Francisco
artists. To August 13: Sculpture by
Bufano. To August 30: Modern French
painting; ear.ly Chinese art.
M. H. De
Young
-|Iemorial
RIuseum-To
July
7:
Loan exhibition of American painting of
18th and 19th centuI.ieS.
STAJ-\TFORI) U_\|VERSITY, Call.
Thomses lYelton Stn,nford Art Gnllery-To
July 8: Oils by Jean Manlnheim; Oils by
Edgar Pa}me.
July ]5-August 2:
exhibition of masterpieces.
I)Eh`VER. COIJ.
Fit.(.hburg Art {'enter-July 1-15 : Boston Art
C|lub
t1.aVeling
exhibition.
July
16-30:
Paintings frc)m the 14th Corco1.an Biennial.
GIJOL=CESTF.R. nIASS.
Glouc,eater So(.ict}- of Artists, Inc.-Summer:
|Vol.k by members. 2\Torth Shore Art Asso(.inti(m-SummeI.: TVol.k b}. member.s.
>'ORTII.1nII+TO>'. nIASS.
SmitII Gtollege }Iutleum of Art-Summer:
Per]1|anent COlleC.lion.
PITTSIqEIJD' nrASS.
BerksI|ire Must.um-To July 8.. Early Italian
pztintings in the collec.lion of Frank C.
Smith) Jr.
SPRI_+'GI+`IFJJI)J MASS.
Springfiel{1 Muse`lm of Fine Arts-To Sent.
15:
Loan
Contempol.art. Mexican p¬LintingS.
1YEIJI,ESIJE1'' }IASS.
Farnsw.ort]l RIuseum-Summer: Stuclent exhibition.
ST. IJOUIS, MO.
water. color exhibition.
FITZ11'ILLIAM, nt. II.
Rodmtln Gllller}.-Summer: American paintings.
MA}-CHESTER, I.\T. H.
Currier Gltller.y of Art-July 7-31: |hrork by
members of the Merrimack Valley Art Association; paintings by New Hampshire
artists.
+\'EWTARK, N. .I.
I.\Te".ark Museum-Summer: Tibet, customs,
art and religion ; modern American paintings and scmlpture; European decorative
a1`tS.
TRE>TTON, N. I.
New Jerse}. Stitte }Iuseum-To
Paintings by Chicago aI.lists.
Sent.
1:
SA}`TA FE, N. I.1I.
Samt& Fe Art Museum-July: Paintings by
Sheldon
Pal.Sons.
July
16-August
16:
Theatre a1.tS exhibit from twluseum o£
RIIodel.n Art.
OLD IJ1'_1IE' CON}'.
nual exhibition of oils and scull)Cure.
IIARTFORD, CO2\Th`.
|Yads\1,Orth
Atllelleuln-Summer. :
A,Iassine
collection ; Crmnec.ticut tel.centenary fur.nilure exhibition; Connecticut prints exhibition.
iVASHIJ.|'GTOh', D. C.
Arts Club-Summer: Rflembers annual exhibition.
Corc.orttll Gz|1lery of Art-Summer:
Sm=Lll
by
brOnZeS
by
Amel.ic.ans.
Anlel.icans ;
I)ubli{:
miniz|tu1.eS
I,ihrz|r.y-EEL|.ly
sculpture.
82nd)-Summer.: Oriental rugs and textiles ; prints by Hogal.th ; Egyptian acces\Vest .r57th)-Summer.. C)ils aml water colors
by
member.s.
Argent
of
the
N:ttional
AssociaLtiOn
(iuilc1.
IJt.(mar{l Cla.yt(m Gill|el.}., Inc. (108
of inter.i()I.S by lnemberS.
St.udent exhibi-
July: O1.iginfll dl.awings b}. Master.s ;
Mexic.=ln
prints.
c`hiciLgO
a:LIlc.Pies
Asso-
ciiltion-.July: IJandSCaPeS b). Rudolph F.
Ingel.le ; bil`d p:1intingS by Julius I:1Iol.sse1.
Tudor GillleriC.S Of the Chicago |Vomiln?s
Club-To Sent. 20: P=tintings a+nd sculptut.a by senior students at Tlle A1.t Instilute.
HAGERSTO\V_\', RID.
W-asllillgtOm Colmt.v ltluseum of Art-To Oct.
1:
Sing.el. Collection.
OGLL\'QUIT, nrE.
Ogunquit Art Assoofiltiom-.July 1 : |Vo1.k by
members of the Ogunquit AI.t Association.
PORTIJ_.1I\'D, ME.
Sw.eat Memoritll Gtlller}r-To Sent. 1: Contemporcrll`y American paintings.
(42
i,Women
E:1St I)7th)-Summel.: Oils and watel. colors by Am¬ric.an cll.tiStS.
Ct)ntemp(-lr.i.
Arts (41 \\rest 54th)-Jut.v: Gl.Cup exhibi-
G¬Lllel.}..
U. S. _i-iltional }Iuseum-July:
Pl.ints b}r \\'ashington IJeiC.:I Club.
lion.
Of
Paintel.s ancl Sc.ulptol.s.
Bran.I Park-New
York Beta.li¢ill Gtlr{lcns hlust-um-To Sept.
1: 1Vork b}. membel.s of the Bronx a1.lists
Americ.±ul Pot.tl.ails lent by National Art
Art Institllte-To JUT.i. 14:
Galleries
1Vest 57th)-Summel.: \Vork b.v membel.s
tion.
CIIICtAGO' IIJIJ.
by Americans.
IJrL
Salle
ings.
Metropolitnlu
G!|lleries
(730
Fifth
tors.
Mil(.II Galleries (108 lVest 57th)Summer: Selected paintings by Americans.
Museum of tIle Gil+. of h'eu. York (Fifth
Aye. at 103rd)-Summer: "New York in
Fiction."
|Vest
}Itlse|lm
of
Modern
5:3rd)-Summer:
lures and prints.
Art
Paintings'
(ll
sculp-
_\ational Arts Club (119
East
loth)-Summer:
lion.
Old Print Shop (150 Lexington Ave.)
Permanent collec-
-Summer.: Old pl`ints of American summet. I.esorts.
Pelt a. Brush Cl|Ib (16 East
loth)-Summer: Oil paintings by memhers.
P}.nsoll Printers (229 \Vest 43rd)Summer: Origin<1lS used in The Colophon.
Reinhar(lt. Glllleries
(730 Fifth Ave.)SummeI.: Old MasteI.S and model.n French
ar.a Americ.cln Paintint,a.S. Sat)"1gundi Club
(47 Fifth A\.e.)-Summer.: Annual exhibition
b}-
members.
S<.ht|1theis
Gnlleries
(142 Fulton St.)-Permanent exhibition of
works b_v Americ.an and foreign artists.
E.
&
A.
Silberman
57th)-Summer:
Old
GltllerieS
(32
Masters.
East
Sixtieth
De"-ltors CIub (745 Fifth Av.a.)-
To Jul.v 26:
Photogl.aphs am(1 rendeling.s
Dikri|n Kelekiz|n
(598 Madis(m J\Ve.)-Per.manent exhibition
of wf)rks of
:Ll.t.
Model.n I)Tints. |1'il{1enstein a. Co. (19 East
aim.imlati Art llluseum-July 4-31: loth annual exhibition of the Ohio |Vater Color
Society. To Sent. 1: Paintings from the
collection of Mary Hanna; contemporary
French and English paintings; etchings
and drypoints by Frank Duveneck; prints
of the 15th, 16th, and 17th centuries lent
by Edwin A. Seasongood.
CIJEVEIJAND, O.
Clevekmd Museum of Art-To July 7: Con_
temporary American oils.
July 10-Sept.
1: Prints by Cleveland artists; paintings
fI`Om the Permanent COlleCtiOn.
I)A1'TOhT, O.
I)a}.ton Art. Illstitute-July: Paintings by
Randall Davey; water colors by Maurice
Vlaminck; contemporary sculpture and
sculptor.'s drawings; paintings by Ernest
Blumenschein; paintings by |Valt Kuhn.
CHESTER SPRI}TGS, PA.
Summer ScIIOOI Of the Pem]ls}.lvania Academy
-To July 13 : Landscapes by Pennsylvania,
EIJ}IIRA, Jr`T. I.
Armot Art Galler}.-To July 15: Third exhibition of work by ElmiI.a, artists.
BROOKLYh'. h'. Y.
Brookl.+.II Musellm-To Sent. 15: Paintings
by seven Hungarian painter.S; modern
J\yE||' 1'ORK, hr. I.
show.
prints
60th)-Summer.:
C)1d Masters.
flownrd
Yollng Glllleries (677 Fifth Awe.)-Master_
pieces of the 17th and 18th centuries.
CIh'CI|'}`ATI' O.
shELWIS.
sir)ns. Ameri(.iln Woman|s Association (353
Local
anCl
Gllller}. (3105 Broadway)-To August 15:
Paintings b_\. Anton RefregieI. and group.
MacbetII Ga.llery (ll East 57th)-Summer:
Oils, water color.s and pl.ints. Gu.+. E. Mayor
(578 Madison
Ave.)-Summer:
Antique
jades and porcelains ; mo(Tern Master etch-
pot.celains ; f'lne pl.ints ; Persian 2Lnd Indian
IJ}"1e Art Association-To Sent. 1: 34th an-
}Iuseum-July:
oI.S
Street Gllller.y (138 East 60th)-Summer:
Modern paintings ancl prints.
l1'e.+.he Gal_
leries
(794
Lexington
Ave.)-Summer:
artists
Art
Klcemann Galleries
(38 East 57th)-Summer: Oils, water col-
11IIh'}'EAPOI,IS, 1IIh'2i'.
}IinnenpoliB
Institute
of
Arts-Summer..
Pel`sian pottel`ies ; paintings from Minneapolis collections; 18th century English
}Ietropolitlln Muser|m of Art (Fifth Awe. at
Denver
Mist.ellaneous I)I.intS.
Awe.)-Paintings by Old and Modern Mas-
met-: Amel.ican paintings, fine pl.ints.
I1`IT('IIBURG, RIASS.
City- Art Musellm-To July 15 : International
SA_`T I)IEGO, Call.
Gallery of Fine Arts-To Nov. ll: California
Faulkner
}Iuseum of Fine Artfi-To Sent. 1: Arts of
the TheatI.e in Ja\,¢rl; Italian engravings
of the 15th c.entur},; Old Master drawings;
contemporary English I)rintS; etchings by
Jacques Callot.
I)oil & Richllr{lS-Sum-
IJflLguna BelM.h Art AsEIOCitLtiOn-July: Thrork
Josef van Stet.nberg'S COlleCtiOn.
A>'DOTER' MASS.
Addlson Gilller}- of Ameri{mn Art-July 10Sent. 3: Pot.traits and furnitul.e in Essex
County.
BOSTO>'' MASS.
DurzL"l-Ruel
G±|lleries
(12 East 57th)-Summel.: Fl.ench I)aintings of the loth :Iud 20th centur.ies. Feritrgil Gitllc.I.ie`S
(63 RES+st 57th)-Summer.:
Oils, wate.I. a.OIO1.a ¬lnd Prints by le¬tding
Americans.
I,'ren(,I| ctz Co. (210 East :-J7th)
-Pet.manent exhibition of antique wol.ks
of art.
Gitller.v ot' Americfln IIl{1iz1|| Art
(850 IJeXing.ton A\.e.)-Summe1.: _T\`EttiVe
al`ts.
Gt-rartl (48 ]lI:1St 48th)-July: Exhibition by the Nc.w YoI.k Society of C1.ilftSmen.
}rarie IIztrriman (61-63 East 57th)
-Summer: GI.OuP Show by AmeI-iCanS.
"J!|cob IIirscI| (.'30 \Vest 5*th)-Per.manent
exhibition of antiquities.
Kennecly & Co.
(78;3
Fifth A\.e.)-To Sent.
15:
Early
Aml.I.ican lamdscapes and genre. Iire{1erick
KeI)I"'l & Co. (16 East 57th)-Summer.:
artists.
PITTSBURGH, PA.
Cn.rnegie Institute-July: Thrork by Pitts_
burgh artists.
PRO1'II)E_\'Cm. R. I.
i|Iuse|lm of the RI|ode Island ScI|ool of I}e~
sigll-To Sent. 15: Paintings fl.om the collection of Ml.. and _ill.s. John TV. Garrett..
selections from the bequest of ±l/Il.s. FredCrick Allien.
nIRE}rPHIS, TEN}'.
Brooks I\Iemorifll Art G¬lller}--July: Paint_.
ings by TVilliam P. Silva.
DAIJLA`ti, THX.
Dilllils _1Iusellm Of Fine Jrlrts-To Sent. 10:.
\Vo1.k b}r D?`llas al.lists.
FORT |VORTII, TEX.
Fort W'orth Mllsetlm Of Art-To July 26:
Photogr¬lphs br Fol.I lVol.th Camel.a Club..
IIOUSTOnT. TF,X.
-lluseum of Fille Arts-To oat. 1:
Repro-.
due.,lions of Old Mastel` dl`=l\\'ings.
SA_\' A+'TO}'IO. TEE.
lVittc RIG-ori=tl }IllSeum-July: wol.k of muscum :l1.t CktSSC.S.
SIfATTIJE, |VASII.
St.attle Art _\Iuseum-To.July 6: Progl.essive
Paintel.s of Southel.n C£llifol.niaL ; Pl.intS by.
Ghz+1-leg Heflne}r; "Io\\.a Speaks,"
(_±\. F.
A.).
Jul}+
ll-Sent.
''30:
Gl.oup
show of.
Seattle aI.lists; |\.O1.kS fl.Om 17th to Both
c'entur}..
}IAI)I.qO>t' \\|IS.
\Yisconsill
Union-To Juh. 7:
|Visconsin'
Painters & Sculptors rotary exhibition.
±NIIL\\.AH1¬B_`E.
\\`1'S.
Lil.+.toll Art Gilllc.r}--Summel` : Student exhibition.
OSIIKOSH,
+TIS.
Oshkosll Public }Iusellm-To Sent. 1 : Paint_
ings by Jessie K. Chase; paintings by
H. I Stoltenberg.
2|
'fI1.a
ill.t Digest, ]st
July, 1935
Museum Buys Matjcmificent Chinese Crowns
Classified
Advertisements
The rate for Classified Advertising is
10c i)er word, ?e1.
insertion;
1ninim1¢m
charge $1.50. Tenns.. cash with order.
Each wol.d, initial and whole number is
counted as one word. Copy "mst be typewritten or pri¢tted clearly1. Address.. rrfm
ALRT DTGES;I, 116 East 59th Street, New
York City.
POHLIS
RIURAIJ PAIhTTI>_GS.
Sketches
made for approya1. Route 8, Box 143, Sam
Antcmio' Texas.
ETCFTER'S PRESS for sale, stal. handle, bed
plate 2rl" x 18" in pet.feet order. with stand.
Cost originall}. ?160.
|Vnuld sell for ?90.
Cro.w"
of a
In|1icatiyc.
ot-
DowogcI.. CI.i"esc' XT,-II
the
magnificence
of
Ce"i"ry.
collection.
in
Sllc|l
a
\\.a\.
that
the
Ornaments
u.I-mbll1 \\ilI| the all,hl:.st moti(Jn Oi. tllC ".a:".er.
in.I_,
I.\-1nll tlll. a.ll.-,a c,lri. h\.C PhOC.nixes 1.ram ".nose
amid motifs deri\.ed from the plum, the iris,
the bamboo and marine life. Two ornate hair-
bcilk.i
lk.!`c.nll _ta.isc!s i-omposed
tln-I.allc.ll
\\.ilh
i.a..d_
.\bO\.a
o1.
th._.Se
t\\.a
pc.flrls
arc.
rC.Pre-
poetic
inscriptions
appear on
either
ill.|ls llv amont_, tlle clclicate
clatc I(". tIliS CXtraOrCli"ry piece of craftsman-
bolas tllc. composition tot,CthCr.
ship.
\`-ol-k
scc.ms
618-flo(i)
a:".h.
Sung
(9f)0-1280)
L\.
fl.t.e
D.
IIomcr Saint-Gauclens. director of line arts
pc.rioll.
at Carncc_,ie
Institutc`
amlolmces
ciil..cctclr anCI Curator Of Prints.
the
A////{.rI';i:
..The
CorrmlittCe in aC`C`ePting Mr. Balkan:s resiuna-
a.qual in tbc jl.".a.I \\.cll.k Of "". Other a"lmlrT-
ti(m mmccl ilim llC)nOrarT CuI.alOr Of Flints aS
iL."gr_rests
a
there
the
finest
kinc1' of
mark
of apt".a.cifltion.for
lace.\\.ork clr (.mhrOi|lel.I-. One see.,s it ancl d(1_.Sn't
tilF_ruiSbCd
hclic\.a
print.s in
in 192_?.
one.I.i
\Iol.a
c.Tea.I,
eh.1.it:.
ln-
Cnntrc1.it.
i.i
the
Sm:Ill.er
cro\Tn in \\.hiCh lhi. iiHniliar nmtifS bat.C bCC.n
cli.<cirL:nl.ll
to i(1rm
qulliitT_
Of
a
Clesifun
``il\.el.-rill.
tbc
ancl
his lolllC-r :mll
Ilo
became
ftcting
IJI':Il`Rll_i.a
\\.f)rkman-
sent
Ask for
flnywhere.
pan}.,
6T
47 East 9th Streetl
I.
COIJORS.
.rL1`tiStS'
CliS-
curate)I.
assistant
X.
mflter-ifllS
(."ming. the
h`ew Yol.k's pc)l"l¬ll'
Sum)l`\.
natirtn's.
saul.ee
Stencil
fiLSt
be-
Not-t3lt}- CIJm-
Fifth -\\.emue, _\`ew Yo1.k.
IIII,IJ TOP I*-i-' Due.hess Cc}unt}-, Studio
suite
for.
sale.
}Iount:tin
i.ie\\.,
tl.eeS,
.-`pI.ingS, eleetl.ieit}-, Phone.
_1Iandll,ille Fl-ost.
Rhinebeck' h'. Y_
of
ail.ector
..Rl.BE`'.f£.'
John O!Ccmnol.. Jr., `ThO llas bccn besincss
manaitcr of fine :trts for the past 15 i-a.afsl
has been namecll assistant clirector.
almost clal¬sic in
fill.glee
SCr\-ice.
1915
fat.tuner of Pastels.
_X¢=\+. Tot.t¬`
The Fine -Arts
i-:".il,I). t,"lil lcll.lil.ac]. ot- 1hC teClmiqllC I-,a "a
ller.c ancl
}1fln}- pattel.ns.
Fl.ames
PIT. ROSEltTII_iIJ® AI.tiStS' matel.ials. RIanu-
the 1.CSif-ma-
I,::lstc.I.n
in
?1.95.
samples.
Bl.axton -|rt CcmlPan}-, I.35..3 E. 58) h'ew York.
tirJn Ol- Ed\\.aI.cl Duff Balkan as actin.I as`<i.slant
\\TiteS
York.
O'Connor Is Promoted
tbC.
=\lfm prit.st. thl. -tic.tl-ol"litan,a ct".atnr "i raf
art.
upcm request. Payment with order. Artists'
suppl}- price list sent f|.ee. New York Central
Supply Company} 64 Third Avenue, New
"'3w \tide)
eXquiSi.tl..
to bc of the lc,Ire TalF_I
or
DUCK CAhtTAS, excellently prepared. 46W x
6 yards, $5.00. Postage prepaid. Sample
PI(,lTtfRE FRA}IES in I.a\\- uT)nd, ..30// x 40"I
ConlPOSeCI Of he1".Con thirty / ancl fC".t1. _SITfi-
itself
HEADQUARTERS, Genuine Dry Colors for
Artists use. Fezandie & Sperrle, 205 Fulton
St., New York.
tllough further researc.h may reveal an earlier
laI..(-re I,C.all \\ilh cma"ting golcl flames \\.hit.h
eacI1.m
ARTISTS| RAW' MATERIAL,S. Dry colors,
special oils, eta. Durex Art Company, 317
East 14' New York.
side
|b.ef`s witll the COUP.i- lit.a ol. the 17th i-entl-..
jc.\\.d-|.c.ntc.rc.d llo\\.a.I.s: era;les for iirlurC.\it\. :m|l
hattcl-flc..¬ suggcstinL, +,ayet}.; hot.ering O\-CTr the
a-merlLs.
ARTISTS' ||IATERIAI,S. Orders filled
promptly anywhere. Joseph Mayer CompanyI 5 Union Squar.e, New York City.
propert\- of a do\\.ager.
stylistic similarity allies the simpler head-
thcmum. the orchid. the llfum-the Il("I.e'Li Of
1.<,ltC
printing needs address.. John Hopkins PressI
217 Center St., h`ew York Cit}., h`. I.
pins \\.hich resemble modern pendant earrings
accolmpany the cro\un; I+,.hick was doubtless the
Slllt:ltions oI. the. imperial peon)-, the l`hr+..+an-
the I.t|ur'.`c.aSons.
PRI*7TI}'G of catalogues, bl.ochures, announcements for galleries, artists, schools'
Craftsmanship work and prompt, personal
set.\.ice at low Cost. For a quotation on your
green and wh.ltc jade and coral, the effect,
mc\.erlh.elcss, is perhaps richer tIlan the more
a)mate diadem of the earlier period.
\Yithin a border of four-petalled flowers and
a delicate meander is a rich ancl ordcrl}. pattern of i,.in.cs and phoenixes balanced against a
yertical rc)w of three roscttcs. Cartouchcs bear-
The' larger crow.n is a mass of bird zmd
flo\\.c.I fc)rms fashioncd of gold and set \\,.ith
lmcut rubies molmtcd on a light iron I-rams
\\.orb
Address Box 511, The Art Digest.
M"sc"m.
ship has a lacc}. appearance.
\\'hile the i,cu.els
\\.llic.h brighten the ornament arc imitation
impc.rial
china are t\\.a crow.ns wl_Itch the Mctropolit:"I
Mug.Sum of Art has just purchased from the
Ralph M. Chair Galleries, for the uric.ntal
.lcwelr\.
C`o").tesy, Net1.OfrOlita".
_ARTIST.S'
]m"1e in qufllit}..
no\\-nefl _\I.lists.
ftdT. Pflge i?;3).
BRrSIIES:-Su-
rni\.el.Salh- used b}r I-e-
Sold
b}-
aLll
Cl|±Z11el.s.
See
Bz/J/C,I, Gz/z.dlc ro THE ART DIGEST,S J4d7¢er+irerlJ
Addr®BBeS Will Bo Found in Advertlsoments. mrms listed here Will be glad tO Bend announcement. Or CatalOgueB tO readers On request.
ART Gil.I,ERIES
Araem
F-I.till7g
GalZeries
........_......
18
Bsllffrl
RI.1-I:"""eI.
Gclllel.1.I
C'¢l:I.I+illtt
ill(r(lS
Ra!ph
hI. Chail
Dclw`niown
"l
Galleries
lliI.*'.h
I_e>rlJ
..........
!l
!l
2_
......_.........................
!I
Gllllel.ies
Carle
.S(:h,or)I
(i"pe
clew.eland
Colorado
...............".....19
....................lT
School
(:I.().*.x
(.orner
tS(:htJt:)I
Academy
E.cI.S:Pal.i
lei.t1.I
Co.
Art
'SulTII-Ilel.
ll'tJI.Ir.sllop
()lil(Il.{l
&
of
Fine
_.Ll.i
I:,liar
lY£ldellStei1.
.....................30
........................16
ART
SCHOO1_S
of Allied Arts ............-£8
+l'(tylnlllI _.1d(tms Portrait Class.....SO
BoI.i.S JIItiSfeld S.lrm.met School....Otr6
AlllhON!l
'I'hien..e
.......-.................86
chI.i A(ra(lemll of C'inc£n.1.att..........89
Al.I IIH*;itute Of Ch,icago ............Q8
Bael. Sr:h.ool of Art .......................30
Blclke
,*ludios
..............................O~1
FIIl.IISU:Ol.lh
Fi7t(:h
S(_.ilclat
Iolln FolillSbee
1Itlrtford
Al.I
....,i.i.I
.........................:i}_1
S{:llr)ol
*llliII11-eI.
...................:2_#
*(.IIOOl
*r.hoot
............30
............-2T
................................9=f;i
l'Iuii.i:a.a
.................I_6
*r:hoot
.,................q)~9
GloucesteI. Al.i r:oul.iie* .................30
Gl.a:Iud te.nil.at Seh.Col oI _.Ll.i ......2-8
Ilo.ns
IIofmanla
Ni(llll,i
*ehOOl
Internatioleal School i)I
................#,i
_.lit
........2T
#I.I(ool
_.1I.I
MiIln.eIIPOli.S
hlooI.a
.I+(.ll.rJr)I
I.1lSI.
o!
Ol.lermi<
Y.
f. i.
X.
S(.IIaOl
i).i.s
..Lrl
EI.iC
PrI])a
Pall,Il.
Pl.all
..........J_9
cS
..1l)plied
Fi.lie
lil,S:itlllt,
*(.hrIIJI
..1pplied
Of
of
_.|I.i
rille
.............i_S
_,|l.tS
.....i.£9
............................2r
(Jf
r)i
_.tI.i
:Ll.i
.........29
..............28
.............................DtJ!l
..............................30
ITaum LI. IJOS School of
_.hit ......9.8
IliSl.
t:ohllll.bill
Dot:oe di
I.li.,II.SI,
(:,a/I,n]/
....2_*
...........>In
.........................>-(.1
of
Pllil?Iillg
'Sr.Il.OOI
.....)-a)
...........i_S
'Sr_.hool
....2_S
BRUSH1],b
..................._.......33}
)IclllufclcloI.ieS
......f!.5
Fez;untlie
Jl.
(:em.enl. Co. ...................3!I
R{lwnolds ........................Q.1.
II.
FI.ie<lI.iCh,S,
cf:
Spell.le
Gl.1l:lllll(I.I:her
PeI`ma1.emg
Tcllens &
(:Ill.S.a
.......,|rI
ARTISTS MATERIALS
"*llell
Sul"n.er ,School a(, Suugatuck ....®~|
Of
Bl.ugh.
J|l.I
Furfshir)ll
Jlllsetln.I
(:I.ll"lI![l(:ileJ.
I-Ililed
BI.OS.
I(oh-I-XooI.
1St. I_a.uis Scha}ol of Fi,.ne _.Iris ....9,.9
loam,
Bull.lli.el.,S
..............................80
Syracu.se
tlnicel..flitly
....................L2.8
Art
|l.
IIurlock
Slevlell*
*r.i"JOI
ARTISTS
.hlI)ale
_.Ll.i
-.I)./
_.lil
.School of lhe Bo.slon }IuSeum .,..9«8
1.eslel.
i)I
r1'oo(lu.llrcl
|l.(}l.(.a.*Ic,.I.
......................)I)
|Iorli!I.Ia
Sr:/lorJl
RockpoI1 'SlllIUneI. tlrlt.SS ..............I)"5
I:lil.be,I.Io RolllIIIIO .School
............2ri9
................30
School
|l-i(I(li"'.#
........................2_[I
lSl.hot_)I
School
cit
_,1IJ
i)i
*(.II-OOl
Tl'r}(JrllJlll.!l
I)c.sign
................_...............,!S
..................28
Citar
I,ayton
I",lJi"I[lrll
(;"]l
Of
*(.ll.i}rJI
TTc)t"I.RlrJ(.I:
............2-tl
............_...1_il
Ai.t
KallSaS
Sr.I"-IrJI
'l'lIIl"I
"SI"}lle!I
{)i
Re.i.s.a
_.LI.i
S(-:ience
S(.hoot
I12SlitJIIe
ll:il?.olck
of
'#llltlio.i:
_.1cclclemll
Rtllqli-1IIJ
."..................`+r)
'r"".'
....................................;i_*
of
,S<.hoot
"......2_i
j|rt
ll'r)illt,lI
i.
_tiI.i
ill.IS
(lei.rllllir:
for
......................2_R
{3f
Ill.Slit.llte
Ill,(hI.*ll.,)I
¥.
........................30
'*(_.htJOl
Ilo.f<!illlle
Wetl.IJPOIilcll1
ITew
............_...........j2t)
(.I(J.*.*e,*
filrII.lllI-(a(I
............8S
Arts
......,.................................,10
I){llll.(JI.i.Sr.Oil(1
I)a.*i(Jn
'3
Pri.nt
.......".............q28
JII.I
springs
Pierre Matisse .............................. I
Morton Galleries ..''''..'.'''..''''''.''.' .lI
........................
Of
(:eilzt:I.
Gill
Gauer¬es
ltj.I
....88
-.1(I(1Cle"(u of rille _.1I.I's...;:I.(!I
P(Jl!l
Mac;beth
of
.S(.IlcIOI
Chita!_lo
............._..........9_0
Arts & Cl.a/ts
Uol.coran School of Art ................B8
......_...........(..a-uar
Gclllel.ies
'Silldioii
C"I. School of
4
............
i;"llel.!l
I{leelll,(1_lUI
John
?.r)
.....................`
F;hrirh-Xeu`house
I"I.llh
............
........_........
a(Illel.u
Du'.a1.d.Ruet
Fe+I.I-!I.[Iil
Boothbrl?I
II
Co.
Pe'.cit
P¢l-per
IllC.
............$1
......................8!I
.............................]3
........................2.5
Co.
................3!l
..................................3:),
P±g,mentS ....................8Otl
Son
..............................31.
MISCELLANEOUS
M.
GI.ieT:a
BeSelel.
Co.....................
Lanter.n
LSlide
Cover
!I
..................Q5
Tilt rfrt Dig`cst, 1st July, 1935
2S
-J1###idF.
The Be§eler
Lantern Slide Col
Artists
Illustrating
Drawing Board
fo1`
WATER
PE
N
AND
offers
Dc.I)th
Of
tooth
that
20,000 subjects of
COLOR
,
PENC
INK
§ul.fad.a-smooth
finish-asy
will
Satisfactory
Sum.plea
to
stand
L
and
I.Oug.h
§tl.ir)-{lua]it}-
intensiye
thickness
for
I
DRAWINGS
for
el.asuI.eS.
standard
Pl.r}of-leslinq
quality.
oT'
Request
HuRLOCK BROS.
COMPANY, Inc.
ARTAPPRECIATION AND
Office
THE HISTORY OF MODERN ART
&
Tl'(Jl.I+.x:
;f356:39P TuADRLKoEwT sSTL¥EETT
philadelphia.
Send tor catalogues
131 East23rd SLreeL NewYorkCity
TRADE
}I.IRK-REG.
I.I.
S.
PAT.
OFF.
¬cThe Artists9 B-sh Supreme
RI(;II'r:
Tllis
of
I.epl.a(lil(-.lion
..1.
Z.
I)Cli1.tin(I ,
c1!lllr("Ij(.
Itv-te,
of
I:I)i].il
r}f
GeoI.(Ie,
lI,(Irk:,
()I
Iirll.Se'S
T}OI.i.I.m.I.S
On
I.,Ilk.j5
lil.a
the
IIIe
{1t
a(:(:".SiiJn
lh.a #olclen nI,ubilet3
_.ll.I
Sluclenl.a
Leagu.e
lilt,
in
1.9P-5),
Geol.qe
I~uI¢s
paintirln
i(ln
(I.a
the
Dtl1.Ceul."
tt;lldience
w{ls
"II(Ill:tliI)efOl.a
of
5}rIO
I)eri:OnS.
The ''RUBEIVS" Brushes are preferred by all Artists wllO appreciate quality, and durability9 tO Obtain
superior results in painting their masterpieces.
The excellent quality of these brusIleS9 Which Con_
lain the finest bristles, makes the brush responsive
to the Artists' touch.
..GeoI.(le
LhiJ:.s
clt
TifoI.Ict8
B.v A
Z. KI.use
"Ever since I startecl painting I haue usec1 'RAVBENS'
Brushes9 and Otuing tO £1.eir superior quditr> I have
l}een. able to produce remarkable results with them:,
A. Z. Kruse~
==j=iL_LI:I:==--_-=j=:
"j3(.I?/=`.\lS'..` BI.ulihe`` t|li\.¬rSall\. used bV renO\\.nell Artists.
Solcl at all Artisls` Mate.rial Stores.
UNITED
BRUSH
MANUFACTORIES
Ilo ¬t, 118 WOOSTER STREET. i-Elf ¥ORK
26
Th.e flit Digtst, 1st July, 1935
A Review of the Field in Art Education
J4 U±OunC|ng
i\
SpECt.hL
FoR
T\yc+YEi\R
\'Ou_sea
ST,\RTINC
Carmel,s "Picture of the Month" for
Couns±
\\?a_\£L1_tt
OcTOBER
lsT
IN
FINE AND APPLIED ART
Interior Architecture and Decoration,
I-Iistory of Art, Costume Design and
Illustration, Graphic Advertising} Life
Class. Sculpture.
Criticisms by distinguished artists.
The regular twc+year course at Finch,
for
preparatory-SChOOl
graduates,
Will
continue.
This
consists of
cultural
studies combined with a vocational
major in Art, Dramatics! Music, Writing) Iiome MakingJ Or Secretarial Work.
For catalog} addrc5S Executive Dean
DAY
AND
RESIDENT
FINCH
_SCHCDL-
= 6l EAST77th ST., NEWYORK ±
HARRY
LEITH_ROSS.
The present Carmcl Art Association, locatecl
at carmcl-BT-The-Sea. California. is an out-
A.N.A.
will direct the Landscape Class of
grow.th
in
HOPE
PENNSYLVANIA
july lst to August 31st
For fur.ther information and Prospectus
address: Harr}- Leith-Ross' P. O. Box
133,
Litchfield,
Conn.,
until
June
25.
After June 25: New Hope, Pa.
ANTHONY
of
the
interestint;f,
group
ot'
painters
\tw\..ho began assembling there twcnt)Lfi\.a }.Cars
JOHN FOLINSBEE' N.A.
NEW
"Mal.:i"{.."' by Paul Do"ghel.tr.
6 SOUTH SL ROCKPORTI MASS.
SUMMER SCHOOL OF CAR:I
CENTRAL CITY, COLORADO
lTeSiCIent: I.-,. Ch:lrltcm Fortune. lice-presiclent;
hat.a bccn much apprcciatcll fincl her absence
tile Cincl.nnati Al-t \Iuseum. filling the
tion k.ft i.acant hip the resi(-matiorn of
stanlev simon last.Al"il.
\Ir. P\.ke \vill
timlc the ".orb ol. -\Ir`s. Simon \\ith the
l55
Carl
Street
Chicago,
be
inaurJIurfltCCl
this
posiMrs.
conchil-
ffill.
tlrc.r: and \Tcll\. \Iont.ague. cur.atOr.
frcml Cinc:imlati \\ill be rec_,rettecl``.
\Irs. Iiard"lm_I chamberlain. formerl:r of tbc staff of the
I:lft \Iusc.um lras becn apt,ointc.|l to sllcceed
her.
\Ii`¢s
_\Jr. P\l=c.. fr)1lrm.inE= _1 COurSe fit the \Ja`ssa-
Ill.
Lr,1|luatell
in
\\1l|,re
,q`cciftli./.c.|l
]|e
l9JO
i.rom
Sl.ulptGl-a.
ITar\.arll
in
the
I-Ic
1-ni\.ersit1-.
fine
arts
under
crmnL
STANLEY
]umlhlT
nf
Public
hull.Clinr-,a
in
p"L=trm bet,ir lil.Cf`r.+"i\.a SC.ulPturC by }Ir. Pyke.
WO®DWARD
SuMMER PAINTING CLASS
BzlSS Rocks, Gloucester
Ju|u and August
PAI2[-TI>TG I>- OIL a |VATER COLOR
w/.a.re /or Cle.,.a.z£/d!/.
_i
44 Hunt St., Neuton' Mass.
\hH-|.all.1
FJileC.n
Rc)ci.t_revs
has
just
lt.sic-"cd
i)l.r pfL¬1 {1S regi`<tLlr Of the Cincimlati -Art \Iu-
<(,um. folio\\inL.
I lur,i|,i.
B|.r|.;HL
i.u.ri|-.:i
this
:(i
:i
her mat.I.iaC_,a.tim.`q
1
to Jt)hn
The musci"n..a almOlmCement
:FITr(.Ciati\.a
note:
:,,IIer
"|{mb.T Oi' tbC n".<Cmn Staff.till.l-a
ser\ices
1939
Rnll{-rcrs
\`.ill
fill
Mrs.
Greenville's Art Group
_\l.t
intcrc.,¬t
in
Green\.illc.
the off-raniz_:ltirm
Bc.t\\.eon
the
monlbC+rSbiP
first.
of a
an|l
r-.rC.\\~
S.
a..
sc.cond
from
\\.:ls
Fine Arts
17
mc.|1tingS
\
to
fro
ripe
Society.
the
members.
The fJrOur hC.Ill '1n CXhibiti(Jn at hihrfiry Iiall,
\\.llich
\\.aS
pl.olfT/m-rell=
beCttuSe
Of
POPular
in-
terc.st) i-rc"n one "-I.ek to a second week.
."l`!l lli``tinLiliShell i"`i".uCtOrS aS lil.tl"r Pope._
c|l.1Ildl|,I R. Pn.<t. Gc.nrL.a I-.i,clLrCll.1nll Kclmeth
Con`"clr)
C`harllhCrl{,`lin?a rOSitinn at the Taft Museum.
for
prl,n[il.a.s.nip unlll.I arc.hileCtur.:ll
MISS MAROCrIKA ANISFELD
The
Cincinnati Changes
cl"lsc.ttS.scl-tl ol- _,\it` served a term of ap-
For i.nformation write
displays.
\`ora Grabill. secret-an.: Paul \Thitman. treas-
nc.gic course in art :lprrccifltion fclr aclults to
CANISFELD
sculpture
of the most rc.cent ¬¬picture of the month."
Armin IIansen. sea painter ancl etcher, is
|lron?a classct.<. allcl Will also assist in the Car-
CBORIS
of
Thcl.a is a chamzc of cxhibitian the' first rJf
each
moilth.
The 1.ears
progr-am
incluclc,s
Ihrold Fairchil|l P\-ke has been appointed
a.<sisLlnt in the I,,du-a:ltional I)apartment of
_ Catalogue on Request -
l`resent¢ition
\_
SCHOOL of PAINTING
July and August
the
association,a.July exhibition. just opened. con-
tains a \\idc \.arict\. of \l.ark of a remarkably
a(=o. attracted be- the ama7jng natul.al beauty
hilt-rh quality} a(mlil-le aS it docs largely I.ron
oF the place.
Mimy of these pioneers are still
the immediate \\-ork|+I the studios.
\\ith the
acti\.a in the ne\y or#'ani.z.ation, wllich now conlarJ`r,e membership. SPal.a limitations in the main
sists of 80 mcmhers and u.hich o\\ms ancl operates its own exhibition galleries.
Among the
gallery rrc\..erlt rerrcsentative exhibits of large
rcL,ular .exhibitors
arc
Joe
Mora,
\\illiam paintiIT_,S; hence a Custom has been established
Ritschel,. John OLShca, Armin IIanscn, Ferdi- \\li"-ebT one larL,a Cam.aS iS hung in each
momhli,- sbo\1ing Called The Picture of the
mncl Bcrgdorff. Paul Doughcrty, Arthtlr Ilill
|Ionth..')
Tbe accompan]ing reprc)cluction is
Gilbert' IIenricita Sllorc. \1illiam \Tatts. E.
c`harlton Fortune. Charles Braclforcl IIullson;
the Botkc.` Austin James, Julia Stohr! Stallil.}.
\\'ooc1. P`"l \1bitman. ancl P.cl.cv GI.a\r.
THIEME
juriecl ancl nan-JUT). hang'lngs of water colors,
a)ils. clravings. etchings and lithographs, and
Orrani~/-ccl
I,'to foster art and the amlual cxtr
il.ibition
l'(lr
of
the
ni- art ".arks h.ere.
bcLSt
creati\.e
I".mc.m
I"uk."
{1rtiSt§,
-\I.".Sh.,ill
I)..1".llSLln,
the
\iCC
\\itll
SC)Cie1-T
\\ith
cln
Pl.e\-oat
PreSillent;
is
llri./.eS
I
iS
l'1Onar
roll
pr.I+siclc.nt;
Goollc
g,i\.en
COmPOSCd
Bl.i.an.
for
Abe
scc-
retar)-:.1nll PI.OI-. Randolph I. Lee 'cha,lrman
Gil
tile
mCmberSlliP
COmmitteC.
Pl.1nS
arc
unllc.I ".alr fc!r an llCli\.a pro'--m next \TintCr.
The :1rt
Digest, 1st ]1lly, 1935
2J
A Review of the Field in Art Education
Unusual (Popular Choices, at Cincinnati Show
HANS HOFMANN
SUMMER SCHOOL
AT PROVINCETOWN
June 24 - September 14, 1935
classes in drawing and painting.
Students may work from models' still-life,
landscape, or compose improvisationally.
AMERICANS will trelcome the opportunity to study with
Hofmann in this country.
For t\+.enty years his intemationally famous school in }Iunich has drarm students
from ever). country.
It has produced influential teachers and painters clear in cancel)t,ion, aeSthetiCally significant in their work.
SHEIJDON CHENF1'' author of "A Primer of Modern
Art," and uExpressionism in Art": "It seems to me
that IIans IIofmann has a I)Otter grasp than any other
artist-teacher on the problem of plastic organization.
which lie at the heart of modern painting.
In so far
as training and personal contact can make students
into painters, Hang H'ofmann offers more than anyone
I know and his school in New York should become a
creative center tlnsurpassed in Europe and America."
| Prospectus and fu.rther inforn.ation obtaincLble
f7.Om.:
Tlle Hans Hofmann School of Fine Arts
|37 East 57th Street, New York City
BLAKE
School
..I-a"d.+cape witI. risl"."la": by Doris Lee.
ciHCi-uuali.I
The adult voters
selected a
llOl.tr(,lit ()i cltl
picked an idealized landscarc during the bal1oting for the most popular painti"g in the
42nd Annual Exhibition ot. American Art at
the Cincinnati Art Museum which closed June
9.
Between May 12 and june 3, a period of
three weeks. 2.15.6 ballots were cast, 1,472 bv
adults and '68i bv children.
First choice oi
the grown-ups wa.s Anne Ilunt,s ¬{Portrait of
Lawrence Burt." with Jean McLanc,s ¬Two
Bovs" as ruIln'er uP.
The children selected
Do.Tis Lee,s (Landscape with Fisherman," with
no close competitor.. Anne FIunt stood fifth.
Tabulation of the 'combined votes gave the
following results:
first= ¬'Lanclscape with Fish-
erman" bv Doris Lee; second, ({Portrait of
Lawrence 'Burt" bv Anne FIunt; third, ¬Red
Buildings in Sunlight" by Luigi Lucioni; fourth,
fTwo Boys" by Jean McLane; fifth. a large
nude by Eugene Speicher; sixth. ¬iMrfs. Scott!s
House" bv I:cl\`..ard Hopper.
None received
oi the woodstock colony.
Born in Aledo)
Illinois, in 1905. she studied with Arnold Blanch
Anne
Ilunt's
of
Lawrence
Burt,
ing for size or subject matter.
gcncrcllly appealing bcl.ausc it was '1lot sloppy."
earmarks of being' an agcmi+/.ecl bid for sensatic)Hal
relics of a pal-ticul:tr era, as. are the pclintingS
\\.licrc.
of a. C. Bln£,ham. C. C. \Yard clnCI SOmC Of
the anonymous prim'lti\.l-a."
rolFs to\\.boy's Dre"n' is one of the most
John Carrolrs ¬tlowboy,a Dream," one of
the
1-our
reI".OduC.lion.a
that
:lCCCmlPflny
this
iS
frCCCIOm
in
Painting
aS
Well
as
else-
For instance. I submit that John Car-
cll.a.H"ttiC. hCmCSt. C"-i.(I,inal uP-tO-date. Amclic.an
paintin.'_,a in the \\.hole sho\\..
|hc
}JIarsh-Kulm-Curr\.
pictures
rcligic)us
ly dcfenclccl by the c|i.tic.s.
strcct scenes. in that i't epitomizes quite simply
all that th: others :lrc "rrulous about ancl
permitted
to
call
badly clone..I
1\.1r. Dungan said
the
,prcl.i("ls'
pictures You
bccflllSe
i-I
iS
are
SO
\Ir. Cl.a\.cns tcrmecl it 'fprob-
ably the acme of superflli:Flit\.." acldinfJ' that
tcthis painting2
including its
title, has
all
the
I-ircuscs. - burlesque
of
cnthusiasms.
t,Tills is on.c ot.
sho\\.s
ancl
it docs it in :I --i.I :is up-lorclatc as the
latest
Ancl
stl.camlitlecl
Mr.
cat..,I?
Carroll
hi-self, ¬'That's \\.hat
for
Folder
affiliated with
June Q4
-
Auqu8t
31,
19$5
classes in figure painting' landscape, still
life painting' lithography, pictorial design.
Address:
FREDERICK
CHAPIN
I
F.
FURSMAN,
EDGAR
A.
Director.
RUPPRECHT
See,y., Summer School of Painting
Sang.atuck' Michigan
PAUL L. GILL
summer class in Creative Art
Harvery Cedars, N. I.
Auspices PhiladelphiaY.W.C.A. Camp Whelen
August 17 to 31
Further in,for_m(ltion, ,rates, eec.. Write:
y.w.c.A. 12Z2 Locust St., Philadelphia, Pa.
JERKY FARNSWORTH, A.N.A.
Summer School of Painting
on Cape Cod
Landscape,
Portrait,
Still
Life,
Oil
and
watercolor. Term: June 15 to Sent. 15.
Jyri!e /or C¢.rc!4Zar.
Address: Secretary|
Farnsworth Su]r-mer Scllool. Truro, Mass.
Tt is bcltC.I. than
article) \"s both bitLcrlV Crilil.iZeCl and Staunch-
of it:
of
SUMMER SCHOOL OF THE
ART INSTITLJTE OF CHtCA®O
In contraclition Mr. \T.cssels wrote: {Know.lcdiTC
edge
AT SAUGATUCK, MICHIGAN
puhlicit},..?`
as may sur\.i\-a a e¬ntury or so \\.ill probably
be regarded as comeclies of mannel.s; quaint
the
§uMMER §OHOOL OF PAIN"G
which recei\,.ecl such acclaim froln adult voters.
was lent b),- Mrs. I. D. Roller. A minorit);
of those `.oting' commented on the picture,s
('sound painting'," its ¬tomposition" and the
praised its (lifelike" quality.
Noteworthy also
is the fact that technically this picture was
froNl. Page 19|
TVI.ite
FRANCIS
portrait
on
New England Village
in
the
BERKSHIRES
BLAKE
STUDIOS
BERKSHIRE
_
MASS.
"s"ucTORS:
and Ernest Law.son.
portrait of a stramgcr, or that children 1+.Ould
pick a landscape of fine quality
but llot strik~
Dr. Heil's Shows
Painting
Jurle ll - Sent. 15
of detail. \\.bile the children arc more sensiti\.a
to color, compositicm and the significance of
the artist!s interpl.elation.
The IJee PaintinL, represents in vivid COIOrSnatural but intensifiecl in hue-a small figure
of a fisherman under to\\,.cring trees, enlivl.ned
bv leaping squil.rcls; with glimpses of peacefjl pastures and cloudy skv bcyolld.
In color
and drawing the picture -is typical of work
bv Doris lJCC. On.a Of the younger members
ACRES
an Old
RIGHT
inc.ludcd space for comments, frcrm which it
is possible to dra\\. cert(tin COnClusions.
In the
case of the Lee I:mclscapc the remarks reveal
that adults are more concerned with realism
tonal relations ot- its color scheme of blues
and bI.Owns. The majority of the i,.oters felt
the picture to be an cxi.cllent liken.ass and
EColllillueCI
of
OI RECTOft
an ovcrw-h.elming majority.
The first choic.es u.ere uncxpcctcd.
It was
not anticipated that adults I+.ould choose a
Each ballot
STUDIOS
:1""mlI.
8
individual unkno\+m to them and the children
Plaza 3-7439
LEO H. BLAEEE
rotcd llo.st Pofi"Ial. Pa'mti"g i.."
42"(I
-
probzlbll).murmurs
to
makes horse races.?.'
Prat+ lns+i+ute
school of Fine and Applied AJ.+S
BrooRI}m, htew York
pictorial Illustration, Ad`.ertising Design' Fashion n]ustration,
Interior
Decoration,
Industrial
Design,
Arehitecture.
Four year course in Teacher Training.
38 Studios.
91 Instructors.
48th Year.
Catalogue on Requ.est!.
2|5
RYERSO» STREET. JAMES C.
BOLIDREALJ,
DIrector
28
Tit.p ;lit Disc:I, ]1t I"lyl, 1935
League Department
tC()Ntillllt.d
]i"II
MOORE
I(I.I/c.3.3\
\\.llile r)i". f)\\.ll `snfll' birlls-many of \\.bom bfld.
INSTITUTE OF
like.
ART SCIENCE
tbe
painters
:mcl
the
sculptor.a-tO
1-rO
:lbmall to -1k|. '=,OOll ln Germ:"l\.. ball.. I,".-,I:-1 ancl
FI.al\|.C.. bCI.ore the\. \\.i.TC.
l`h:-.a I(1 makc. 1JOU|l :1t
Thomas Ben+on for pain+ing. a+her
accomplished ins+rue+ors for scu]p+ure. iIIus+ra+ion' interior design'
adver+I'SI'ng and COS+ume. Fall term
begins Sop+ember 30.
Cafcllogue.
4407 WarwI.Ck Boulevardf
Kansas
Ci+y'
Missouri
1tiL,lit
here.
rl.owl.ll
:I_+
:"nol1=-
"i
SCHOOL OF AR,I
P`resrr),
C"ltive
tefl(.ller
''atertne.ss
training,
"tlral
composition,
a.ypr¢_ssion,
chilrlren,
cledit.I,_
Emilio
paintittg.
beginners,
Am¬ro:
IJi-
tho#rarlll\,, net+, folor prorcsses, photograprly.
AIbert Carman:
I.eisure Lime classe.s' e\.clning, S""!a.\.s. CIare Dieman: Sculpture.
I)all
and
Era.n1-Tlg
I.`tO
tl"t
")i|.i.i
10
of
as
tO
tllC.
I_U
nn
i"nil
lil.
rai"t-
fOUn|l
tllite|l
St:ltc```.
F,I".opc ol. zm)- utllc.r pall.I
\\.OrlCl.
-Th|TC. i.S nn\\- ft nation
I."ol
to
m.1kC
ibis
l`l.I.:"a
\\iCIC mr)\-Cment (|n
CnlmtrY
"1
Cl("s.se.R
Cataroq"a
Suite 24||g, 1270 Sixth Ave.' Rcokefeller Center. N.
Telephone: Clrcle 7-4687
Y_
a.
lil.'.il.
to
:"Ill
cm|.olmlrJC.
Of
t"I.`<
_\":erie.,m
I.cl.OLl"'1iOn
him
"lil
aI.I
a"n-
m{1rk|-I
nn
his
rO:lcl
m ClluC.ate
tbC
lo \\.bat- is art and \\,hat is junk.
i.`
:1
mm-Profit
.\rti,sts
l"lkilH_,
to
Accredited Teacher Training Course
Bachelor of Fine Arts Degree
European and other Prize Fellowships
ResI'denCe
GhaNDCinRALScIlcoLO#ART
Individual tole[lt t]eyeloped b). successful modern artists.
Drat+ling,
Painting.
Sc.ulpture'
Illustration,
Ad+.ertising'
General Design, C'ostllme llesign, aml Interior Decoration.
Day
and_ Evenilig CltlSses - _ - - catalogue
SuTlmer I:lasses in I_andscape'
Heap York Ctly, and Wellfleet: ir[aSS.
?Oel Gr!md or"trad Telrminal, h-ew i.ock city
ELRTH?FHutifeTRELriEREjgserREREELRE
RINGLINCSCHOOL
FACULTY
OF
OUTSTANDING
Pl]ASES
The school
au winter.
of
ARTISTS
OF
ART
OF
TEACllmG
ALL
ART
the Ringling }Iuseum.
Outdoor
Animal study at mingling Circus
classes
tFinter
intlTl..Steel
no
l680 Broadwa.+.
SARASOTA,FLORIDA
am.
bu.¢incss
ncm|.
".hat.<oc.\.er.
clC.alCr
ruh-
"The
:".ti.`t
l`rof.essionallv
I
State..i
_
I.a
_
engaged
-- _ ------i
Dc.I-.atiorl Stair(- and Tt>.ttile I)esign'
Dr:lpimrfr and ConstI.uC.lion.
L.OI.I.Orated unde1. Regents.
in
BEFORE
i.:ll`sc
pl.opa.¬-,ancla
a
sltuatiol1.
rightful
tO
;md
i{-morancc.
al`ljustmcnt
Stimulating classes
applied arts and
dents seeking new
points.
Beautiful
flo
O\.Cr|"nC
To
ful
a,xis[im_I
CliSbCIief
and
f_renera`l
cnmate;
in the fltle and
Crafts for Stuideas and vigiv_
campus; deHght-
distinguished
faculty.
Write F. H. Meyer, Directoll.'
fclr Summer Catalog "D"
br;m_,
tbc
ELSE\YHERE
£9th Summer Session
Juno 34-dug. 3, 1935
the
of
REGISTERI.\,a
California School of Arts and Crafts
follows his profc.ssion I"1der tbc cliflicult burclcn
oI' an unreasoning public prejuclicc based cm
about
Sc.hool in~
TeaeheI.S'
Alertne-+.s CI.edits, B dr E.. given. Send
ior Circular I)I or, Phone COL. 5-:2077.
l\'\'ESTIGATE
-'-._``t=
`mjustly '1landicapped.
i-ew Y{)rk
AIL Tth:lSC^S Of F.|shion Illu.<tl.ation and
Design.
Other
{.lag.<e.ii
in
Inter.iOl.
ul
fawlr..i
Or
(meal I)2d St.)
_.\rti`st s.
tllited
Philadelphia
Inter»ati()"1ll.V Celebr:Ill.ll Gr:ldllnte.`
Intefl*i+.a ltight }|ollth*t \\'inter t`OurSe
The I,caguc is not financialh.
n.1amlfaCturC.I.
out-of-town
TRAPIIAGEN SCHOOL OF FASHION
Lc.at_,ue
lisher: but seeks to \\in the friendly i-ollaboratI'On Of all in I-ooperati\-a cfl.art that promises
to be boncfil.ial to.\mc.rican _.\rt and _\mcricfln
Oakland
California
he
di.<paraL,Cment of his fdlo\\.
citizens ;mc]
ccss1'ulI?-
highly
to
cope
\\ith
tllc.
suc-
spccializ.ed
tell.lic`e of agcncics sc`c.king to exploit the Amer-
il`c"
3uo::tirosiies. Iun\i\?rrite cofHoergeca[caolnong:ctediddrefislsu,sicpreS§:dPe¥::
in
partillllar
for
Broad a Master Sts.
{r~
ELRTELitiEcarlpLELffi?ffiffiriENLLarst8.EiPiIHJ:#fflhal
Houses
students
its oml-c.I.S rCC.Citing fin_ancial compctlSatiOn fLlr
``cr\il`cs rerldl.rCCL
Practical Courses
aS
-\HiSt`< I)I"-
Off_rclniZalI'On.
Facultyt
in all branches of Fine and Applied Art
fzmle
PllbliC
Profc.a.sional
DI'StinguI'Shed
rf".
TbiS mow.e-
me"I is ileallCd bY the Ameril``.m
f`..`<irm;ll League.
¬.The. Amcric.an
a INDUSTRY
_.-__ __ - -_ -
ToHFED=Sll=NDEF:HRl::C::NL
goth Year
\\.ull
lhc`rl..,".a
milli"n.s
in
th|-
-\mlTil."1 ".L to Li\.i. tbe "ti\.a :".ti.¬t a.<lI":".I
ICAHE:
Jean
Charlot:
Florence
Cane:
I
"P|.I.:ttiC
be l'o"ncl
``li"l``-1o
FL®REHCE
:m|l
1bl'
the
nO\\..
`s:I).inL,_
c.I.i..`llllF,tors
:I.i c.c,"I
:H1|l
L'i\..Cm
hOn.let
".'l market:
the Am.crican
artists must.
tit-I.-.ll C.CIucatinnal campaigns. intdlicJent]V in:
ha
.<til in tllc minds or [hc public a t"cr re;]iza-
ti(m of the mc.fit of f\mc'rican art accomplish-
1825 - BALTIMORE - 1935
Courses in Fine Arts' Teacher Training.I Crafts.
Advertising- and Costume Desig.n' Interior Deco_
ration' Stag.e Craft. eta. Catalot}-s on request.
m¬nl.I?
[#,/!'/a/.'-I- T''/,... It i.e tbc. l"rpo.Qln Of \t.lil.On,a!
"\l.ts \Tec.k to hc,lp cifl.cr i.hi.L]
COIJJ.:GE OF FINE ARTS
SYRAC'|-SF: L\TI\-ERSITT
J''r,",.-J".rr,. r,J",..`.{,.`. ;." I_" \.TI.\.(...
OrtATIOh''
DI.:SIC:`'.
AlicllITI.:tT"tI¢'
I.\TJ_;RIoR
24 HIGHLAND ST., WORCESTER, MASS.
I)I:(I_
II_I_I-SIR_\Tlo`,
Thrcc-7Car Courses in Design, Dra.wing. and
PaLinting.
Modeling.
Meta.I Work.
Jewelry.
^NI} Con-I.-.ItC.I.\I, AItT` I)ui. ScllOOI- ART. IJQading to the tlc!g.I.a.t. of I.I.ltL.hr.lot. O£ rille Al.ts.
IIAROI.n i. BrrI_I.i:. 7;c""?
WORCESTER ART MUSEUM
SCHOOL
T/zc SIT. LotTIS ScHOOIJ
St.R_\C-rSF_. ST. I.
Pottery.
Weaving.
Day and Evening Classes.
Catalog-ue sent on request_
a/ FI+\T± ARTS
H. STUART MICHIE, Pr,.#cfp¢Z
Washington Univel.sity
THE ART INSTITUTE of CHICAGO
- FINE AND INDuSTRIAL ART -
Drawing'
eling'
Drawing' Painting) IIlustration' Sculpturel
lndustrjal' Advertising' Cr interior Design
- COURSES
i
"Ill"`
Add.`rss
illll
Dent.
FOR
tl,Llilli:
AA.
The
t¥".ll
Art
lrlSt:lute Of
"I]
Chicago'
Mod-
SCHOOL
Com-
DORIS
O{.tot){.I
APPLIED DESIGJ.\T
235
and
Xc"I`
-
-
-
Se.lid
3+9 West 86th ,St.I 2\-.1'.a.
China,
®
5eParate]y
artists.
Ca:talclque
Tl.`.ll`llc.r`llf i,H.UH;i\.
"i"i. rl.l.ri\.I. a. _i. clc:-
B.
(_.r|.a tlH.O\It_.h St. IJC)lliS
SClul_yler 4-1~O16
Drawing
&
I.
Sharrock.
Fenwa.i.I
Jewelry
Boston,
a
Metalwork-.
RIassacI|usettB
NAUM M. Log
SCHOOL OF ART
ErccrhsiI:¬_;; I i=:s,tor? n:ftOIAnry[.,
1:-Jth
fOl.
ARTS
Composition'
|ln|lf.I.
}lol.nillx,
t,wllitlg
;Imf
\".I.I.-L,n(I
C.1assl,s,
rot
stmlt'Ilt+.
LII"tC`llrS
:"I
I)roll._1*iOml
Itegi.steI.
BOSTON
FINE
Pc!inr!'7!J7,. F_ Allen' Scar/pat,re,. W. Huchthausen.
Design;
GR,5GORIEFF
bt¥ilming
THE
S_taft:_ A. |acovleff. "rector of
Chi=ago, Ill.
ACADEMY I OF I ALLIED a ARTS
(.I:l>.<(.S
OF
SCurLPTURE - 1|IETAI,WORK
:Tlcursci:cltioDn:siglnn,teryolragaBienc-a
oration' Design, Costume,
rl,f!)I(I,`t.
itetah`:i,ngivlePa::k-pb;ntdtienrg);
:lltll()LLlll.P_`
OF
MUSEui!#
DRATFING - PAINTmlTG
TEACHERS I)I,I"lr""I.m
Painting,
Sculpture,
School nl- Fine _\rtsin
=oope1.atiOl1 \\ith nthl-l-
SaUI'PTURF-nRAWIn'G
ART
SuMMER I}AINTI|h-a-MEDAIJJC
}IOnEIJIJI1\-a OF AJ,tilMALS
Indiiridual Instruction Day and Evening.s_
Ti9T iP Session
dataloq on- reri;est
22 East
Goth
Street, arew York city
cllTartmC.ntS Of \TaSh-
Cfleveflamd
incfton lTni\.cr.¢it\..
Fr".
I:rlt"I"(I
v.I+te
Schoofl of Art
Cleveland, Ohio
Four-year courses in the
Fine and Applied Arts
lllu8tratedCataloq A on Request
II.
Tl-1lel.lJel`
Iioolll.
i
'FtllI
TJ==
Tel.1.n
Sol)Ie,mbel.
19.35
llegiles
2.6,
I Ill ,
Tllire.I..sit-lI.
E.
I)i]`e(:tcll..
Tl-ll.sIIil.rill),I.
Sl.
JIo.
IJO"i.X,
Corcoran School of Art
WASHINGTON, D. C.
Tultlon Free-Annual Etrltrance Pee
!26.00-Day and Evening Classes in
Drawlng' painting. sculpture, composltlon. For information and prospectus.
address
MISS AGNES MAYO' Sccrg¢trty
'l'l..,.
-.Jl.(
I)i;grs!.
]!i
Jll!y.
1'.);.5
*_9
"Like a Movie"
The DESIGN WORKSHOP
PENNSYLVANIA ACADEMY
on board the ship Herbert in Gloucester
harbor is a modern creative practice school
in which, for the past 8 years, we have
been working out what we believe will be
the art education of the future.
Its aim is
OF THE
Philadelphia
lationships and then apply that experience
to creations in many mediums from the
picture and sculpture to things of use. This
way of working is radically different from
copying still-1ifes and posed models or learning a set formula. It humanizes the modern movement by applying it to life? by
taking art out of the typical c¬studio" or
{¬school" atmosphere into the healthier one
of the workshop.
July
RALPH
to
Sept.
M.
(Summrt
(E8t.
PhlladelI)hla School-Broad
and Cherry
Streets.
Eleanor N. Fraser' Curator.
Chaster Springs Summer School-Resident and Day
students.
I. I. Eraser, Jr.I Curator.
For amateur and pro-
5th
Pa.
OI.BEST fine arts SChOOls in America.
1805.)
City and Country locations; unex.
celled equipment for the complete prof®Bsional training of the artist. Distinguished
faculty.
Preliminary classes for beginn.rB.
Special evening dasses.
Departments ol
Painting| Sculpture. Illustration. M ural Paint_
ing': also a co-ordinated course with the UPIversity o£ Pennsylvania' B.F.A. degree. Eur'o.
Dean Scholarships and other pr.izes.
to c,#pcr!.,7!C.¬ COlOr and form and their re-
fessional.
FINE ARTS
(Winter)I Chester Springs'
WRITE FOR BOOKLET OF SCHOOL WHICH
INTERESTS YOU
1st.
PEARSON
69 Bank Street
New York CI'ty
NEW YORK SCHOOL OF
After june lst' E. Cloucester, Mass.
FINE AND APPLIED ART (Parsons)
Wimam _1r. Oclom, P|.esident
Inlet.national pl.ot.essi(mat tl.ain-
WINOLD
ART
REISS
''.lo(lil
MURAL PAINTING, SCULPTURE
108 WEST 16th STREET NEW YORK
Su1"ner School
NATIONAL
PARK
LLIOx"'1'1\_S..\
TVRITE
FOR BOOKLET
"... :"lcl
i.lurti.I1'
_i,I<1rtill
a.xhibitin.t-, I".`+
f\n.<_roles
CHARLES WOODBLJRY
THE ART OF SEEING
Drawing: July 1 to 13, Boston,
PERK"S,
RInsB.
Inst"ctor
and
WaterCOIOr
Ad{lress Secretar.v' TYoodbllry School
231 PerkillS St. - - .Ja-aica PIain, +|IaBS.
i.outh1'ul
has
ac.I(,r
bc.l-n
in
+i,Iax
cc)ercccl
into
I-.tI.a`it`<= COnCePtiOnS Of literar\.
+i,lust.um.
I.riencl.
a
I:lclv
IJCSS
Ricl"lrll
cornmisSioll
then
tr\. it. \\ith :i
tl1:"1
two
Cromwell.
tO
Paint
clcce.,lsccl.
Bct\\.con
Paintfmg: 'July 16 to dug. 16, Ogunquit. Me.
1Vork out-of.door.S in Oil
K("ill.I.k.
I.(-"nl"m,'.
cb:".actors ancl a:ltires of celcbritics. at the I,o's
o\.cr
WARI)
a"nc. hfl\.a 1{tl.eCltnC.<S thru.St tIPOn
Reinll:".clfs
years
\\.as
a
Koslc.ck
SEP'r.
Of
\.c)]unteered
§uobuI£1sli;is
114 EAST 39th STREET
>TEIV 1'ORK CITY
THE ELIOT O|HARA SCHOOL
OF WATERCOLOR PAINTING
roles.
Koslc.ck
amusccl
surpri.+c..
clirCCtOr.
\\illiam
I)iclric.k.
film
in-
OTIS
th1:a
T|rE
Washington,
D.
C.
A\Tt
Summer
Classes
begin
Juno
17.
Design,
DraqringJ
Composition,
Painting' Sculpture. Faculty com-
s a H a a IJ?lFiSueadl Opfr.a;rri#s-inaSntdru#srtSincllTofi:
of the
Send for free illustrated catalog.
nIInmrmAPOLIS INSTITUTE ofARTS
200 East Twenty_fifth Street
HINNEAPOI-IS
.
mlh'it'ESOTL
l60 Lexington Ave.t N. i. City| 44th Year
Textile Designing+ Interior Architectrlre,
1.`nshi(m lllustr!ltion, Life Class|
I}ecor&ltive Design, Poster
Positions
anck
order.S
filled_
A\'|:HLES
MUSEU}(
D:lte
of
b{-_rrillnillir
Ol. indOOl.S
c.ntl.amlt:
:"1`1
1:.}
.,lntl
:1(lV:ln"_±tl.
month.i
lI(.I.i()tl
in
.)I.
the
.I:tud}.
r)ptional.
A genulm? Al.t Snil.it pt.I.\.all¢1,a tlli=aI.t Sf.hoot.
Illus|I.ated a.at:tlOg uPOll I.equL.St
THE DAMARISCOTTA SUMMER
SCHOOL OF ART. Maine, July I-Sept. 1
J\t first Koslc.i.k \\.:ls
The
Sl.
hC.
Bclie\.im_,
the,lt
aI.tS.
the
Clir|.etOI.
anc1
1`.aS
\\'aS
thn\l'Jht
corl.clatioll
thC.n
too
rxi;=tS
tic.\\.eel
C(.-inCeCI
bc.t\\.cc:n
Koslcc.k's
Of
his
i.dun._,.
the
Ko`sll.i+k
paints
big
mollc..st.
portI.a1.1s
shy
Winter
SchooZ
in
lu.s
life
stri\.in£.
to c.1.Pro.SS
c.harac`ter-s
be
bc
fmcl
.. \\.hiCh
not
Only
portl.a\-s."
has
net.er
hi.¬
\\.orbs
iS an
eternal
himself but
Cl.itics.
of
¬'|c,i.ttH.a
anCl
cnlnr
ancl
the
his
orifJiml
anCl
impeccable.<ense of pattern."
Art.
Tbc
satire.a
reflect
the objccti\.a
\.ic\\.
ART
DRA\l'I.\`G.
I.\'TERIOIt
TtmE
i: .
FtOMANO
C(lt(IIOq On Rerluesl
21
Fruit Street
Worcester'
Mass.
SCHOOL
i:
OF
CREATIVE ART
After June 24
East
GIoucester'
Mass.
JULY
&
AUGUST
New Orleans
Art School
CONDUCTED BY
OF NEW ORLEANS
oouRSES ur THE FINE a APPLIED ARTS
712 Royal Street
A\'n
New Orleans' ha.
MO»ELI\'r',
I...\TNTT\'G.
AR(`lTITE(`-
nErORA-
SCHOOL
TIO.\'
A\'D
APPI,IRE)
ARTS.
Mt'SEL?.\I
,\\1n
ljBRARY FACILITIES.
ENROLIJME.\'T LIMITET).
in the
Calaloq 2l.I)On request.
Avery Memorial
1.
Catalogue\ on Requca¬
point of a continental obscr\.er.
HARTFORD
April
THE ARTS AND CRAFTS CLUB
Ger-n I/J,./fJf/-r/i-I. ere(.Its into hLi serious
\\.orb.
-
h(l\\.c\.cr.
urL,ed him tO Sl-`. hits \\.ark. COmmentin£, On
bi.i
1
UMBERTO
memon..
are those of an al-tot. \\.hose onl). training for
.
Jam.
introsl`cctiTei,
c.x.-hibiti(m..qincc
lc..`son
-
S. P. |Yagner - - - Rockvil|e, M=lryktnd
s:ITS. .,.K()sleek himsdf felt un-
an
_ - _
r|<ydlOIOgiCal
\-
from
and
- - - -
For calaloque, address:
mintinf_,i
ponetration.
'painfully
-
Petersburq
PAINTING IN OIL 8l WATER COLOR
S. Peter 11'agner| Director
bc.c`auSe
('ARVINr,I.
NEW YORK SCHOOL OF APPLIED
DESIGN FOR WOMEN
OuICIOOI.S
}.e:ll..
|l:l\-.``
paintin.c_, \TaS a|-ting.
Short courses in Advertising Art,
I,uS
a.kl.I,: eS
-1./.O\."
:u.I
St.I
INSTITUTE
Florida
had tan
0
AVENUE
ill..<lTellitCil I(ll. a role in Tbc. Brother`s Kara-
1.c)r
2025
MICHIGAN
ART
Phil.I.\.-C=igrht
Pl.c)tc-`<ts \\.c.rc lm:l\.:Li1-
bi,i abiiit\. as :I painter.
reachr
O|Hara,
SOUTH
p.101 WilshiI.a Boule\.aI.Cl, IJOS ;|ngt.lt..<. Califol.nia
y\ithin thcl prescTibCll tl".eC Cla\.a.
¬L\nll how.
I"(. llicl it." Soni:I \Tolfson \".it'cs, 'fhe clocsn,I
hliss \Toll.son
Eliot
lst
A SC,HOOI, Or I,'l>'l.: .I.i-D .u'l'|'"u .\ItTS M.\I_\|'_+1_\'ED B¥
1,IIE COUh"1,I Ol.' I,OS .+>'t''r:IJI::.i .\S A DI.:P.\l:T}rE>'T OF
WoI.k
rrc)cllll.tinll.
Two Terms - Four Threeks Each
Write:
JULY
FINE ARTS
si,/.a fi(Jl".es O1. \\-=F=nCr._i '`Tic.behmt_I" sllric.S foI.
Goose Rocks BeacI1 - - - hlaine
FIFTH SEASON, 1935
July 1 ±hrouoh 21; Auqu8t 1 through B8
START
New York
CARL qFERNTZ. PnzsIDS*T
l8
I,:\.cm his ac.tin.-I l`aH.Ls bat.a been u"1 tllrOuf_,h
TI]E PR"CIPLES OF DESIGN I BUILDING AND DECORATmG OF POTTERY FORMS I CERAMIC SCULPTURE
Broadway,
CHICAGO ACADE_+IY OF
to
sistecl that hc` tmclert(1ke a Set.ieS Ol-.|ni|,ht lift+
to
2239
FOR T»lELY INSTRUerlOJ\' Art'D GUIDANCE ^mEFro
a
Quit.a to his
kno\\.
Dcng ormd Evening Classes.
A,
DRAVINC. PAI1\.TIr\'G. DESIGN. INDUSTRIAL
AND STAGE ARTS,DRESS ARTS' INTERIOR
DECORATION.CARTco.T\|NG.SCHcoL-ART MrmIODS
COMMERCIAL ART. ILLUSTRATION
in.t_I. so the fit,ur`1S ".C.re PaintC.cl anC1 :I,antique.cl`.
MAUI} M. MASOIV, Director
Box
I'_'l.:ltil.\inL' rC.Sult.
c.mctinL,I
mo\ic` ill
Address
ago
himselt' \\itll painteI.'S equipment.
a
New York Ceramic Studios
:3r(I
dcspc-tc.
Pot.trait
ing. in
lntel.iol. Al.t.hitec.tune &
Dc.c.ol.ation ; Costume+ Design &
]llust1.atiOn :
t3l.aphic. _-\d\.i.rtiSing; Tt.:+c.h||. T1.ailling..
Send
fol. (:atalog.ue.
.`t'Tt'}I*.
SE,*SIO_\T
I3I'I(iI|'S
KosI(.ch'
them...,
his
ELIZABETH
hy
SCHOOL
CC)URSES IN DRAWING PAINTING, DECORATIVE DESIGNING,
GLACIER
CI.u.El'f"I.d."
ArtA¬ademy of Cincinnati
Founded 1869
hdodoratetuitionfees.Day and
night classes. Professional
traininginflueandapphiod arts.
Wmter and gummor sossion8.
For information address
Frederic S. Hynd' Director
25 Atheneum Square No.
WAITER H_ SIPLE, Director
Hartford - - - _ Com.
Art hcadem]l
¢ineirmati. Ohio
30
The flrt Digest, Zst July, 1935
THE THURN SCHOOL
OF MODERN ART
SUMMER SCHOOL of PAINTING
JLINE
24
-
EMTEn
SEPTEMBER
ANY
13
TIME
DRArmra, COnIPOSITION, Alun PAINTTNO, FIGURE,
SmLL LIFE. AND LANDSCAPE, STUDIO and OUTDOORS
For
Clr¬l]Iar
(D)
address
ERNEST THURN, Dlreetor
East Gleucester,
Mass.
Gombarts, Plans
It does not fall to c\-ervone's
lot to be called
I
the founder or father of a movement.
Those
laurels fall gracefully upon the shoulders of
Dr. George K. Gombarts. who has en#rineered
and constl.ucted out of nothing but a ~thought
New Yol.k Citv!s nrescnt Adult Art Education
School Sv§tcm.
Three vcars
at,a,a. \\ith the aid
~
of the lilcleral Emcrgcncy Relief Bureau.. the
art di\ision of the £,-|clult Educat.lou School`
now kno\m as the Ne\y York School c)i Fine
and Industrial Art. the cit\.'s own art school.
had its birth.
st<irtillg th;n ".ith 15 instructors and 135 pupils, Dr. Gombarts, at the cnd
of the first school year. had 2.000 students
and 55 teachers on his facultv.
~
The pupils are fimlnCially incapable Of affording e\-cn a fraction of the fee of a privately operated art school.
The instructors cannot find other emplo)rment ancl fire recruitecl
from thcf works rclicf bureau.
These teachers
are u.all
COLORADO
FINE
ARTS
[£ormerly
Broadmoor
CENTER
Academy]
LO"ROP
BOARDmAW
Gleneral Director
in
nOBmsoH
Art mrector
IJifo CIas8eS - - - Boardman Robingon
I'flmds¬ape class - - - _ - EH|est Fiene
IJithOg-Phr - - - - I'aurenco B. Field
Applied Gmphio Art - Warren Chappel|
clt'
dircctim=,
expel.ienCC.
I)r.
Gombarts.
u.:ls loane|l bv
the Boaj.|l of I:clucation to the
I
Public \Torks Di\.ision to mana£Je the adult
art education pr.oject. saw an opportunity to
clrft". upon the p. \T. D. for skilled lab;rcLS
to remodel the schooFs builcling. At this \Trit-
-A,a one \\.alks from
SCHOOL
OF
BEGINS SEPT. 16
Painting.
Sc.ull)tune.
De-
sign-Aclvertising. Indus-
tI.ial` Costume. arid In-
tel.ioT.-Teat.her Tr:litlingt
I]lu.stI.atiOn.
2`Tot
oper-
l`rone to forget completelyI that
thrOCgh
a
l"gC
hc is
relic.i
bein'*,
llrr)jCCt.
posters bein£r usecl for many city department
flnnounccmeits. classes in life cira\\inf_,. mod-
Exhibition of Arts and Crafts
CL.ASSES BY
SculptuI.e,
Gel.ilmitJS,
CI.arts
and
Etching
West 2nd Street, Reno} Nevada
STUDIO
SCHOOL
OF ART
WOODSTOCK' J`'. I.
Personal instruction in Drawing and
Painting from Landscape and Still Life.
Etching - Frame making.
For information address:
IVAN
GEORGE
SuMMERS
BERESHIRE rmJIJS
B AE R Sumn|er
w"T _ CORNVAI.I.
?oL,?N/EorCT:aC!aT.;
School
of Art
a
reach.
outlet
fol.
its
c.fforts.
classes. with c\.eninLr |.OurSeS SChedulC.d 1-o'r the
fall.
Ser\ing
for
almost
twentyf
1.ears
aS
chairman of the art dqlartmcnt of 'the 1)eWitt Clinton Iligh School, Dr. Gombarts was
exceptionally- clualific.d to ca-- out \\ith a
great measure of sue.ccss his aclult art educaticm projects.
It is natuI.all thCrCt'OrC. that he
is no\l. chief super\.isor of Gill adult art educalooking
for
Application
SIX WEErs
Students may enter any time during Summer Session. Under personal direction of
EMIL
BISTTRAM
Write for Catalogue
TAOS SCHOOL OF ART,
Taos, New Mexico
Emit Bisttram* Director
GUY
still
other
worlds
ot'-
use1.ul
ser\rice to I.xplorc :"1d Conquer.
Summer school \\.ill be in sessioll for Six
\+.eeks, beginning July 8 and ending August 16.
The rcgistratior-laTS arc July lj 2 an`c1 3.
ERIC PAPE CLASSES
Summer Session SLudios
at NewporL Rhode Island
Landscapes, Marine. Portrait,. Flower and
Still-life.
PasteI' Water Color) Tempera.
TeaelleI.S'
rl.etlilS
WIGGINS
ART COLONY
LYME, CONN.
Opening: June lst
Classes: ln all mediumsl LandscapeI
FigureI
Portrait.... 8th Season.
Write for Booklet
REVISED RATES
B. I_ Credits
July - AUGUST
pA""G GLOuCESTER ETC"G
ART COURSE
nIRECTIO\t
Theresa Bernstein - WillI'am Meyerowitz
..1dclI.a.S.a
Gi.veil
Erie Pnpet log CIulr(.h St" 2\'o++.port' R. I.
.Set:I.el aI.ll
4± }IT. PIJEAS_1_\'T ATE.
E^4lST GIJOUCESTER' MASS.
MIAMI ART INSTITUTE
I.
BORDEW
WEWMAW,
DIRECTOR
I I N I a
year round school. outstand-
APPLIED
ART' ALL
ing faculty.
Ideal living conditiOnS Summer and Winter.
PHASES
for information, address..
s¢¬. R.a. HardinI39SE.6St., MIami, Ill
Eastport Summer School of Art
EASTPORT - ||IAI2iTE
JUNE 11¢h to AUGUST 85th,
Instructors :
GEORGE PEARSE ENNIS
ROBERT a. CRAIG
Mediums:
Oil,
Water
Color.
For Catalog
EtchinI
a
Lithqur|phy
A., Address:
GIJADYS ATWOOI} EhTNIS, 628 W. Ord, rr. I.
CrossSummerArLSchool
Students
from
16
states
gained in
weeks
last Summer vision and teLChnique not attained
in years of previous study. Prepare for open.
ing July let by home course On POrtraiturO.
1andscape' still life' commercial art
Six weeks in the school $60_
($25).
CROSS ART SCHOOL, Boothbay Harbor, Maln®
'Jt|J1' - ArG|TST - 1935
SUMMER
CLASS
in
THE CAPE SCHOOL
OF
IJANIDSCAPE DRAVING, PAINTING,
OILS a WATER COLORS
JtEL¥ 1st - SEPT, 1st
W.
Lester Stevens7 A.N.A.
O¢CaZof7t,e Se7!! O7I re¢aceS! - ROCKPORT, MASS.
ART
®W A:HMNIN NDNMfS |
IiE}`TRt' HE*'SCIiE! I;I.I.I/1IffOr
( frJI.IIIel.Ill
thi?
(:a]le
{l.a.i{i.Xlill"
Co(I
in,fiII..uCIol.
School
PROTI>-CETO\1'+Tit.
_.L(1tl`I.ei?.f]
of
Mediums.
tion in the New Yol.k City school s\.stemand
and
SPECIAL TEACIIER'S COURSE OF
the
elling, lithograph). anc1 \\-odd cart,ing ail- filled
to capacity.
In all there al.l. 3i? dan.".IllC
J\ftCr
Lucile Palmer
231
I)r. Gc)mbarts Points out that mast of tlle
chairs and dra\\i"g tahl.cs \\.el.a constructed b)P. \T. D. mccham.cs. The class in poster desic_,n
WORKSHOP GALmRIES
In
The
\\.arks tackecl on the \"lls look u`sablc-salable_
has
Theory
There
Its the textile Clcsigning class, for instance.
Charlotte R.
28 Layton Art GaIIeryI Milwaukee,j Wisconsin
in..
but
".lie(I
for
I)rofit.
I,ow
tuition. Send for Catalog.
PartrI.dge' Director
Classes
Dynamic Symmetry, Theory and Practice
of Color, Drawing and Paintings in all
room to room one is
rather :I \\.a.Il organi./.cd art institution.
|Sth YEAR
Summer Session June 1 until October 1
\\.ol.kcrs are lstill \TOI.kinL. On the altCl.atiCmS.
u.shcI.eCl
LAYTON
\\.ho
inr_r. carpentLl.S. Plastcrcrs, electricians and iron
Tuition ±oI. each daSS - $15.00 per month
Evening. mfe Class - - - $8.OO per month
J4ddre8S.. Stanley Lothrop, West Dale Street
In the glamorous Southwest, land of
Indians, desert and soaring mountain.,
blue skies, smiling sun| starry right..
their particular sr\ecifllties_
enjoys the cloubtful distinction of ha\i"£r bceIl
la.st reno\.atecl in 18f)1. With his man]- }-cars
Colorado Sp"'ngs' Colorado
SUMMER SCHOOL, June 24th to August l7tll
STAHLEY
kno\\/.n
The school is housed in a buildin,_I at 257
\1-est +Oth St.. which dates back to I8+4 and
SPRINGS
Art
STuDYART IN TAOS
By A. Z. KRUSE
the
of
J\].i)
nI-+SS.
SecI.a.t{l-I.,U.
iI.
June
Summer Portrait ClaBC
in
tha
Adlrondackfl
1|th to
September
Elizabethtown,
New
26th
York
-@E±PE_
The Ilrt Digest, 1st July, 1935
"Like Father, Like Son"-and Daughter
31
ARTISTSIOIL COLORS
LEXPENSIV"iDEifeD#
PR.C)YEN PER.MAN ENCY
uouifeife_I
rfuinifefianT54
dr4ff5a
..I-""eI. FIotcl," by Il.a Glackens.
Ira ancl I_anna Glackens. son and daughter
of the famous American hainter, \\illiam J.
GlackcILS. hat.a been Surrounded by Painters
and paintings from their earliest clays.? This
environment had the cxpcctcd I.esull brother
and sister tuming to painti"g, :ls their most
natural 1'orm of expression.
Both hat.a sincere
and indiviclual comictions on the subject of
art in g'encl.al-convicticms \\.hich do not include art in the abstract 1.arm.
1Jenna Glackens studiecl \\.ith Guv P6nc clu Bois. and Ira
obtained his training w,lth Robert lienri ancl
Georlf_'e I,uks.
Miss Glackcns has hall consiclerabllc success, as an ctchcr.
Ira limits him-
self to oil. com.inc.ed that an artist should stick
to one Illellium and know it \\.all.
Lenna Glackens has exhibited with the Society ot' 1.\mC.riCan F'.tchcrs and the Philaclelph'la
Art Alli:Inca.
Both
brother
clnd
Sister haw.e
shown at th.a Jumble Shops and their work is
represented in pri\,.ate collections.
Now they
are holding their first joint exhibition, in the
suite of Theodorc A. Kohn ct Son, Jew-ellers,
TAIENS8SON
608 Fifth A\.cnu.e. New York. This firm has
a policy ot' turning over wall space cluring
the summer months tc) 1-mg American artists.
The.
Glackens
exhibition,
w.hich
incluclcs
oils
by the brothel. ancl oils and etchings by the
sister. \\ill be on i.ie\\,. until July 12.
\\|1ile
the
c:ritics
Gla|.ktl|s.
c.\.ol\.ed
\\ill
it
glilnPSL.
is
c\iclcnt
i.harclCterl`itiC.S
touches
that
that
Of
the
arc
the
t\\.a
d.lStinCt
elder
unl.ol.lunate
USE
hat,-a
from
tllosc of their celcbratcd father.
\VIICther the
ram.|` of the father will pro\.e a help or a
hinclrance. isl a question that only the years
a.an ans\\.cr.
To Gcorgc Inncss, Jr., it ".as
:"I
NEWAR.K_, NEWJERSEY
hcrita-tLrC.
&rmniranl{
COLORSTALEN56r5ON
The g,roup sclel-tell by Theodor.a A. Kohn
ct Sc)n for this thircl serilns of summer sho\\.s
u.ill exhibit :I \vicle range of work in different
mcclia. including ctc.hin£,a. \\.ater colors
and
oils.
Fo'llo"ing the Glackcns exhibition there
\\.ill be a father and son show by David Lay
and char.leg Downing IJay? from July 15 to
August 9. Thlm will come a.zone-man" sho\1.ing
bv Mar.i,it Vat.g,a, J\uguSt 12 to Sept. 6.
APELDOORN HOLLAND
u.5.DISTRI DuTINCI OFFICE ~NEWARK'N.J.
BLOCKX COLORS
OIL - WATER POWDER
Artists, Canvas
Wo etock canT&I for
Hural PrintingI
10/ - 13/0// - 10/0// and
20 £cot Tid®
Linen and Cotton
In one piece from 1 to
50 rard4 long.
Mal"Jaturers Qll
¬¬Clover Brand99
Products
Write for Catalogue a*d
8amplee
ERNST. H. FRIEDRICHS, Inc.
Our
Only Nero York Citv Addreo\
l2®-131 W. 31st STREET' NEW YORK, N. I.
..'rI.i""lPh
nf
Bi[JO[I.I:i
ll.Jt
I-r""a
(;I(lcI`.c"`s.
TEE ART DlceS;FT Offers a Vast market for
dealers amd mann/actureTS Of artists, matCrialS.
For rates, addTCSS.. 116 East 59th St., N. Y. a.
32
The flrt Digest, 1st li|Jy, 1935
THE AMERICAN
PROFESSIONAL
VrOMEN'S
have beeII
by the constant find increasing
use of thousamls of Artists and
scores of Art ScI|ools. To many
of the most competent Americali
Artists Permanent Figments IlaVe
teclmit.all).
illdiSPenS_
the
N ART AND THE WOMEN OF A
THE PENNY ART FUND
DurinLr
the.
l`a,St
it
~
has
bC.en
-.i. A. P.. I-. Sc.l`nnll Prize. District tJ1' Cr3lumbia,
rathC.I
the
fashion to I(1Ok Jr"m on the eITf)rt.i made bT
|'hil.ll. )`ri.,I.. Kc.ntuck\.I Mrs. I. \r. \ll`Kinleyj
C|lail.m:m.
c..<u.|.i;LIIv
hl.a."
quality)
value)
uilh
¢
lm-
pli\ilC.gC
I.\.c.r\- `<tzlte all|l
a"l honesty of presentation of
h|inir
PermaIlellt Figments is
al-lists.
|lont.
I.".
UNIMPEACHABLE i
I-c-(_r:H.|l
tf)
1-
tO
Tllc
be
l"1eV
:I.+
Stull\+
the
:tl.t.
_\'S
I.ePOl.tS
the. I.(m.itruc.ti\.a
\u)ul|l
1"i7~l.
zlL.Zlil1
\.er\r~
from
tllat
erlliL.lltCnin|J
COllC.ctC|l
ill- I.aC.ll
!`'."."ti"t,`i
I()I:Llccl
mu|.F.
la.st
zl.i
\\.ork
-".c.
1.ear.
an|l
St:lie Glzu`tc.I..\. _i. P.
")nt. _\Il..\
tO
St.1tC
hftll.
b\-
actual
dill
A.
C|lal`tc.I.
suc.ll
"rrl.,`c."i
I,.
Ch:lil-m
_A.
.`t:"c.
\\itil
pli.z.I._ Ver-
Cliail.mul.
-i_
+\liSS
c..\|.c."I.lit \\.urk
tbi.a
Fiftll
_\Ia\.for-th
P.
_.\m\-
Gar|lllel.:
that Mrs.
an
e.tlr:I
also
1^
_\llen
Pri./-I.
\\ill
t)l'
an
c.LtiiintJ.
i.I1:tirml`" :"Ill i" inlli\.illual l"l.l`h:L<e`S 1`oL. ]l&itll-
iil¬ti'l,sl I.i.i.is.i }'.:::. r'!',lilti`':I.cmlliie1.¬ir'i.ol'l:I llfto.:;'i-leic'.:
1I.
D|.1:l\\.:Ire.-C'llail.mall.
__¬tflle
th"i
I.'oul.1h I".iz-a. Alaha"L -\lI.,+. I-{',:ll.le
I.I. \Ioo|h-. Dollt"i. Chflil-mam al.<o Chairman
i.i
c.olmt SIJj+7.50 u.fls sn:nt
lnf lbc :tare :Irt
r|
That the finest quality permanent
colors can be sold at such rea~eonable
\rI.'`. `iamueI S\\i(-..-,c`tt, Washington: C!1airman.
u."urn.
julllrc- l'tJl. the. Pcllm. Art I.`unll c.(-a.st. it ba.i
VIHY?
Because
ACTIVITIES
NatioIlaI Director: Florence Topping Greell?
|04 Franklin A\.enue? Irons Branc.h, T\T. J.
AMPLY INDORSED
la}]:fe?.me
ARTISTS
LEAGUE
-\Ii,i+i,i,<ilTi-_\IrS.
B.
I.
\Ial.sb:Ill.
Marks,
\\.on the *10 ITiZL. i". plc.Sl.ntim=r tile Clearest
prices looks almost unbelievable, but
itls quite true. Those who doubtl for
instancel that full Strength Cadmiums
can be sold by us at fifty cents need
only to make an accurately weighed
tint reduction test of Permanent Pig-
Cent.
gents compared with any other Cad-
;I "c//;'o"c// projl.ct I`(". tbc p:lst t1".c.i. i.a".`< on]\..
mium tube colorl regardless of pricel
to find out.
By the standard reduc_
so ).ou sl.I. tllis its cml). just a beL,i"I.ling,.
ort-,:mi.z.;ltion
tion test (ten parts Zinc White to
it \\ill not bc. lcm_r beI.ol.a ther.'e will be fl cent
man.
Th._. la.`t tu.a states u.er|- into districts
one part Color) Permanent Figments
Cadmium Yellows and Reds are chromaticaIIy as strongl if not strongerl
and fully as rich in shade as any that
can be purchased.
Our Cadmium Yellow Golden is a
I.I"n
\\.lli|.ll
h:Ill
`<maller p:lintiIlgS a".I. i'SI"inL, Time.' ancl..Tbl.
c`h:lir-n': _\It".\l:"ill. \lL`. I"!m (i:lrlln(.I.. Tes-
good example.
Brook... tltc lar|r|. oil `|{:\.enil1|r in ccHmectiCut."
slH`:
Ills \\irc. Li to FJ|.ttH.i. bC.I.(n.i. _,7 wHUcn.S i.luh.i
\I|.+,\u£lan. Pl.o\illl.llC.i.. Cb:lirm:"I.. Suuth a:".o-
When compared to
one generally used Cadmium Yellow
of high reputation that sells for over
three times as much, the Permanent
Figments color is actually fifty per_
cent stronger and every bit as "richH.
I""I. m"I.i. pc.lmic.a must be collc.I:tc.cl
LIP
this
One
ShOUl|1
sn|.I.I
',t|
..onl\.
\Il.`<.
,\l\."li
_\Ill'n..IcT``C.\-
the.
Pc.nm.
Cit\..
_\'I.I
\'.
I..
I.`t.H1|l.
i`<
c.\.c.r\.
fc.|ler{itc.d
club\\.oman.
MI..
tllC.m
bill a.i
Tllc`
ullich
\\_illimll
\\.ill
bc.
Gl.ea.Son
use.ll
for
\\ill
\lrs. -\llon ju.<t
i".oil. Ill:tt Sllc h:ls botlg,lit tl".eL. Oil
I-I.(ml
till.
i.i alrl.ally so \.ery cc"uplc.tc th:tt
<".era*,I. S.lie:Goo a ).I.:tr i.or :lrt.
ill
I`aintinL,,i
I).cll.oil.
Jlmiol.
Club
T\\.o
I`ri.ZC.S
ancl clnC I-Ol- the P. -i. I.'. Clul) 1"-i.Z.a.
The. t\\.ll
\\-E,STER\' I)IY[SIO\'.
I-`iL<t I"i7.c. 1O \Ii-<-
`<ollri. -\IL`. Fl.c.llc.rick B. IIall. S1. I,oui.+ Cllair-
-m.
(Shc.
-A.
i`<
P.
P:ll'l
also
I,.).
_.\cl:ml.`,.
C`h:Lif""i.
ColoraJ".
ill.S.
C`ll:".rman.
Le\\is.
I,ol`al
Scl.onll
I,a
_\...\.
C`h:lot(.I
-..z.a_
Ch:lil.ma".
\Torth
Dakotfl.
\I{-"".c.,'Ch:lir"m.
P.
C`aroli"c.
I,.).
To\TC.I.
L\ls;
I"-i./.e:
Papers for Artists
I"i.zc..
_\/ll.S. a. II. II:H-rOl|1.
Tllis.state I.i.I.Ci\.ell the Prize Ci1' S_?5
last
P.
-.\.
I.`. inlTC.Zl`<C. O\.|.I.
i.ezH..
I"c:ll
ill..i.
._.rc`al
l`i1..ll`tl.I.
\I+,lssa|.hus|.tt`.
lI.
llli!lL'S
L`hil.:lgo,
C"":Lir-
unJl.I
Sll.phl.".i.
I.Or
:trl:
Illinois.
L`hairm:m.
the
_\liington,
:md
\Irs.
Indiana,
{be
a'ltlH)uLrh
lil:lirmc.n
the.i.
in
|leSCl.\.e|l
c.:lch.
Tllc.sl.
lu-iZ.I.i.
\\.l.rl.
this \-car bc.i.f"I_`c tllc.v u.(m
"F-.``.
slates,
Omitted
1:lsl i-ea!-'s
paint-
The\. \\ill bc. c.li£iblc again llext year.
\lrs.
R. i.
I,c)nisi:Hla.
Donist"I.
_\IL`.
I).
II.
Chairman:. Rholll.
n-i,l|`ort.
Cll:lip-n;
C`l"i-`lm:"1.
Sl"i.i.lTOrt,
1slailll..\Il.i.
Gr:ll`lT
-i.
I. B|.;LSICT. ITarts\i"|.. Chairl"m;
\'oliil c.."-ttlin`:L _\Irs..C. I. Sa\\.).ct..
\\inll.sl)r,
C|l:lirm:Ln.
Till. :"I"urlt CXPCnllc,ll. b)- \Irs. -\!"mi --\llc.n
lllr thCi ``1:ltC- Prize.a I.:m uP into tlte tbOu`SanCIS.
Shc. pl"-I.h:I,`c.ll the p:1intinL,S anCl.`l.ulPll"-C. thflt
.sh.c a\\.ar|lc.|l zlt
tllc i.xhI'bitiC)n
S|.ull`10I.a.
fl."li
a"I
.*.-
1be
Ol' the \\bmCn
_Tl.rsey
{-,ftllc.lil.s
C'it:.-
in
thc.
--\l.I
\\.I.`-I..
..:.
COMPANY
\Iiss
_sl.nt
in
I,("lLic
()"vi.'_,.
Dc.`<
hc.st
a
m.iz._-s
tu
lc.I
cllan|-c..
l9J6.
Tile.sc. hst tIll.ee
Sl`lc.nclill, rc'p".LS.
-jor
last
hut
1.ear.
it
,<orne of. thc.
Tlle\.
Otber
star:ns
\\ill
doil|g
`<i"i.C.
\\.ftS
c.xhibil
iS
to
I"dC 1`aint.i
hfindling oI' :trtists in e\.err fielll.
tc.tit
the.
undC.I the
_\l:""- tests
bc I"-c".ed th(.Lt I`i`-'mC.ntS mc,"llll':Ll.tl"-all in
Con.-
will
retain
their
i.olor
ancl
this
l"ritv
I
_\mc.rican :"-list`s are no lonr-ref de-
l`encll.nt on paints that come i.ram clbrOTld.
Amc.ric:"I prol-cssional ".omen.1rtiStS "ill Play
:I l`rornI.nC.nt l`{,"-I
i" lhC. fit.St rS(1al".""LtiC Ex-
bibitifm of Oil P:tinlin:_r.i.
being
sponstJl.ed by
the firm ol- }1. Grumbachc.I-? ".Ilo \\ill pro\7.ide
states
the li"en
eli'tiblc
:tt_,(tin
+\Il.`<.
a.xcellc.lit
\i.Ol-k
bc
otllc.I-
the\.
panels anll I.LlmCS.
I.
Bcrtram
llc`r".)-.
of
Philallelphia.
St;ltd Cllail.man o1- A. A. P. i.. has announced
:"-a. _\rk:"1Sa`S. -\Irs. ,Iolm P. Baird. I,ittlc. RL)Ck,
that t\\-a trc1\.elin,g units Of the Isoclmmlatic
r`..\STI.`.R\- DI\|SION.
First rli-Z.i.. Oltio.
_\1rs. R. \T. Solomon. _\Iicldleto.",. Chairmln:
ExilibitiOn \\ill tour Penns\.h.am'a undc.I the
spc-msorship oI. the Slat.e Itcclcration of \\'omc.n-'s Clubs.
FJiL'ht Other States hat.a been
hc.arll frcml and the \1.Omen hat-a PklVed an
important part in planning the rat:,tonal exhiL.itiolrs.
In many cases mc.mber painters of
local arti`+ts enilds.have bccn im.iced to par-
al.so Rc.l-ordi'F.I Secrc.tary of the St'atc. Chartci
ticipate in the experiment as a bocl)~.
als()
Ore.unn.
-\Il-i.
Ch:tirman.
:lI`so
`itc|tc
C|l:tirI"m
IIarold
Statc.
\Ir`+.
D.
_i.
_\1al.sh_
C|1.1irman
_.\rthur
_i.
-A.
Po\\.a.ll
P.
L.
Portland,
_.i.
Dfl\.is.
P.
L.
0:lk-
1:"ill. Ch(lir""1. a)ill Florill.-A.
».tltl:rialS.
this
C`h:tirt"m:
C`:llil.oI.nia.
tO
l`url"sc ol.
beha\.ior oI' =\mc.ril.:m
pcrI.`nctl)i
in
R'ew I.ol.k. 2\'. I.
Tllc.
\Ioines.
hat-a
al.tiStS.
I..:
-\IL` Gc.c"+l'c J\. \'anClyke, InJi:m:LEI)Its; Chair-
c`ll;irmfln:
.<i|l|.red
(Ji
|li|l
countl.v
Iianllt Moul(I antl _\Ia(.hine made
lntl"uia:tuI.frS
Oi.
l`ook.
Io\\.f[-
tram Europe. a"l ll\e Orie1.i.
Samples ancl Prices on req"esL
m.d
f\.
IIa\.s. also State C`h:lil.m:"I.A. + P. I,.:
rc.ec.i\.eel
Sole Agents in U. S. A. for L\'BI,i;A(,rIFm Ate.\.OI,D
I)rawin.`. :mtl \\'atr.I-color Papers
dealers
\Tc.w
S"lnc.I.\ille,
:u.a. to be macle :ul|l it is expel.tccl that'it \\,ill
State Ch:lir"m _A. _.i. P. I,.
Wood-Cut I,ithograph cPapers
IlltW.kt.i
i'I.a)m
\\'c.mpll..
ISOCHROMATIC EXHIBITION
state.s
t1_.-_.tiSt:
I-e|.C.i\.|.|l
:Ll_i(1
p.
i+`-
:llso St:lie CIrairman _-A. A. i). I,.: Texa§cllairman: _\lr.i. Grec.nlc.af I.,iske..\hik.ne. also
cDraLL)ing Water-Color etching
illl.1liSIl.cs
ll.;[lltl.,QlliP
\\.bich
i>`
_A.
zmll
Ka.ns:rs-Cll{1i""m: \ILS. Ge(".LJe Pllilil\ Jr..
_^FIT DIG.,T.Srr
".h"
_.i.
\Iu``l.I"n
ron- +`ho\TinL, the. t-,reatC.`<t
H27 W. SIXTH ST., CINCINNATI' a.
T±1T?.
m,.ul
1.`ol".th "ri./.a. Ari.z.o". \Ir``. (`. a.
I.`il.th
\\.ere
\\ illic,"n
\."la. \hs. Gc.oF-'C \\'. Rohi.n`son. Rl.-. Cllair-
St. P:"ll.
PAPER
Cll:L'"":m.
"Ill
_\Iinnc.iota-CIlairm"1:
JAPAN
-\Il.,+.
I)aintcT`
CI".lirman.
I.lTUrt.
I.i.:`Orl.i
I)a.l1\.I.I.
Phoc."ix..
\l.
'J`hirl1
)lit,HII
109 East Slat StI.et.t
l`rml`iSl.
linc,i. ill.i. \\-.
thL< sc.:lson.
_\.
mO`<t
F,_tcJl|.lit
ft
1:,u. i-|."-,=
il ilaS hl.i.n in Ol`C.I.:ltiO'n i" \'C.\\..Ier.ic.i.
of
"lil
Ten.¬cl-.
_i1;Ill.
technical information is included
in our booklet c¬Fmduring Colors
for tIle Artist". Obtain it from
your clealer or from us.
nO
f".iLinatOl. Ol.
\Ir.i.
MllcIl descriptive anCI Valuable
Sum
m m.1kC.
'I'lM
THE AMERICAN
PROFESSIONAL
_\':lti()llilL ('h:lirl"m
: |1'.
I._).: 1Tf.`1 .=,llII StI.t.(.I.
}.:tti(llltLl
15*
,tt'{.I.a(ilr},
\\`f.``t
57,"I
:
l3:Ill:trl1 \1'illi:\ms
_\'(.\\. Yol.k Cit|+.
Wilt.()I.(I
StlC(.t'
`i.
"1
I)th
A\.cmut.,
10..3
"(l[io"(ll
aI.:#"li.i(l[irHl
t'ol!`..
"i
Pal.k
13-/ East
-:-ii----_-_-_i--:i:
-l\.I.mllj.
: .\lhl.rt I. Iteid
.\.(.\\
Yol.k
lLal.ill.
r"i.`h
Sill.l.t'
_1'L.\\.
Tot.k
C:it}'
Ch..lil.l"1t1
"Innisl.I.c.I.I"
(u.[iStS
(Hul
t.""I"lpr".l".+i
: \\':Iltt.I. J3l.(.k
_\lIIl-")k,
+\'.
|'.
a).i; Io.-`.rrsS ={.a,i.k.mg ,1br)Siti.-..fly
llmc,.`lca"
i".l'
(I"ll
i""I
GRUMBACHER
imp".sol.ally
(".I:lsii.
ARTISTS)
\.
~+
WHAT THE AMERICAN ARTISTS
PROFESSIONAI. LEAGUE MEANS
OUTSIDE OF NEW YORK CITY
\\ith the. c.i.i..i of llle i.otmtl.i. On S;m DicL'O
:u1|l
the
\\'C.St.
.\meriC:tn
al.1i.it.i
an|l
:u.I
lot,I.rs
m.,l\- lte interc..<ted in a statem.ant sc.nt to the
a.lliil". I". tl
"ho.<c
bc.i.n
\\-c.std.m :".li`st. _\Ir. C`al.I A.
li".rout.a.`hihition
ccmti-c.ll
l'or
i"
lmny
I.`:lill|..
philaclc.lphia
\TC.CkS
bfls
bCVOnll
its
:mn1-nlnC.|.|l tC.rminatiOn because Of Lhc' unuSu:1l
intere`sl in the paintings hc is showinL'. Stimulated b)- hiilll). :l""..-.C.iati\.a COmmCntS` I", Miss
I)oroth)- Graft). :"ld other Pllilaclclphia.critics_
Ml..
I.`aillc. has li\.ccl
the iligh
Rockic.a.
ancl \\.orked
ancl bag
l'(n. \.a.al.a
in
thcl.a pro:luced a
c)r-cle of llaintil1.{_,.a that in il-Lrinali\.a. Content
\-..
are analoirous to the Pal.aclisc. ol- I)ant.c visuclli7_ed b\. a
CnlOliSt \\.hO unClerStandS Or loves
all the a-nimals oi. our \Testern mountains. \Ve
hat-a used -i,Il.. Faillc,s a".n caption? above,
I.or lYhat he has "-rittCn about tlle I,Gal,u.e:-
S1;lil."1l`"I
(`)uotilF-I
cow.st
"la"vy
<'I
[n
tile
FasI,
I
[lath".ed
t]lat tlleir tI-I.(IhtS ¬uleI.a
lhc."I(ljol.ity
n!
Si"lilan. In
filed
"lillL.
i"
curses..
"'A`(;od`-srl-ld
to
oy"I.
Amcl.icon
AI.I...
tllat at I(lsl illc. [latcs nwel.a tI".a.-c"I nfi"I. lil(l[
tc¢e.
a
nTeI.
tile
chclllCC
tllosc
ill
co""Il.yl are
tn
h(
.SCell
llO~uXl
alld
+r.ZL. ToI.k.
llcaI.d
tO
I)a.
(lS
.¬C'CIl
C'i.ty... lh(l[
(Ji.W"
I(.z¢l
as
i,nI.l3
doc`s z¢.("lt ("". con[crc;li"I. tis act.all "i oI.hal.
I)ig
a).i
"llile
h(
ce"frI.S.WClllt
zt.ilk
tilt-nl.
I"I.lil
(N.Cat".
to
"fi
aI.list
C"Id
icclll
(ll.l'r
"=llld
".-.i.sit
tllril.
i(lilli.
(I
tlla[
,.l.(I(ltd
I
ln
CellferS
of
(lrl
C""lil.y.;Ira-n(J{I.
a"1.
tn
to
I-ca(lur.
Cl
+r.-.i,
fc..i.i,lrmal
10
Gorclon
-t`'lln`s{:
5.o1.k.
dt.lei.I"illl-lt'lO"
(".a
fo].(]i"!l
a,lld
bcl.ship camp..tign in Ohio.
hy
I"t
""d
i[.ui.-..(i
.I(lit.+fa(lio"
cnllllfI.-r.
Jill(I
"rlll_Y
tile
ll.tti[s
into
the
minCIS
Dean's
lcttcr.
to
-m.
lire
st.a
a.jit(I.ul.(I
sucil
a
TnI""It]I.i]y
i". (I
nf c".I tit;.("`I(lJlu"I
fJli.i
-``.l1"
tlr(
I
alit
Sllrt.
dC.-_loll.d
lo
i.I
IIlc
This is not "ith
I`,nnis?.gen-
Of
Ot".
Ohio
aI.lists
the
..
'F,vcrv
artist
shoul|1
;i
-Hnbie
((uH!)inell
"lc.-`\.I"l{.
.¬t,{l(nnl(.d
Grumbacher
on
brushl a tube of colorI
any
other
ArtistsI
a
Or On
Materiall
tells you that it is the utmost
in value for the price.
The firm
of
manufactures
Artists'
M.
Grumbacher
and
Brushes,
distributes
Colors
and
Material exclusiyely.
Every product bearing the name
the ad\.ancemcnt of his o\Tn I".OfeSSiOn,.I;
i*
#
Grumbacher has been specifi-
..I.
NATIONAL ARTS WEEK
cally created for Artistsl
MI.S. IIaI.OId I)ickson i,Ial.sh. 2945 Fa'lrview
Boule\-arcl
i.
W..
Pf)rtl:1nd,
Ore..
National
Chairman of the I,ea1,u.e'S National f\rts \\7eck
Committee. announc.es that _\Ir. Dudlev Crafts
\\.arson bag (1C-CC.Ptell the. Naticmal Vie; Chair-
l""lship of her important commiltce.
apl")intmenLs
will
bc
annOmlCCd
in
Furtbcr
the
n.CXt
lS`Qlle.
Our Penns\/1\.an`1a State Chairman' Mrs. I.
B. I-Ier\-c\.. j9+0 \\~alnut S".eel. Phriaclclphia`
".hose
inspirinL+
lC:1Clclrship
rc.sultl.ll
in
mcmr+
forming
hc.I
committcl.a
I("-
_i.I:I,;:Iii*e*,Ill(:,'lall`t.'l'i;li'rlnLllcTi:
Sc)ulh I.:aft
+31
So.
+5th
Centl.al
i.little
I)istrict:
S.I.I
next
i'o\.c.mbc`r.
i',I,'' p:i,':.:,-I+,::,'n'i:i I '¬:I,:c' :I i i
\Irs.
F',ll\\.arll Lollhol-/.,
Philallc`lphia.
I)i`ilric`t:
\IL`.
]3Ii(.U.|`liIll`.I?
Tholl"s
I.`.
\Ii"cr_
Stale
\'c.\\- Tot.k:
inL,t"l:
_i,s`s(.mbl\-mml.
minr`rt(m.
tlli.i
.,\I-r
Wc.
;ldcb.ess.
"\l.ti,<1s
¬L::t\.C.
St.1ti"l`¢
B:l!.timol.c.:
arc.
ITi.i
mlSOliritell
a.m|l
I"i\ilc,c-'c)ll
I.|.r|.I.OIL.C.
Prole.`sioml
lril"lie.
n\.C.r.
a
IJC.1tJul.
b). tlS.
tO
\\.:I,+
Ilo
\\l)El,.
\\il-
quote
I-n
to
tllC.
.\m|,Ill.:m
:I.+PO"tanC."1lS
,<aill
in
p;".1:
'.One. ol- the bit-I m)-.stllil.S Pu7.Zlinl' the a\.er.aL.a
-\mC.lil.cln
i.i
ArtistsI Material Dealers|
Your
favorite
Dealer
will
be
glad to show you a copy of
the 300 page Grumbacher
Catalogue which
is often re-
ferred to as "the Encyclopaedia
of Artistsl Material".
the
h)-StC.lial
P:lC.ITS
Ol-
ing
the
manufacture
of
the
talk
\\'-\IC_A.
\\lP_ Phihlll.lpili.," \\.OI,. \\a.`b-
\TC`]3_\I.
or by professional artists be-
fore distribution is made to the
structorsl interested in observ-
A RADIO TALK
()n \I:i)- :'ll tb.`n iron. Phl.lps "lc.lps. !i".mar
t|)rk
and all of our products are
"pre-testedH in our laboratories
Groups of Artists and Art ln-
.\.
¬.'j\mcril."1
use
I TuntimJ|1on.
c(lllsc:.'
*|*
name
spend
a certain amount of his.time and moncv fol-
llll-
for
','I am
fact that tbc.i,. should bc cloinf~, something along
the lin.c sug.u';stccl ill the last p:lra£.I.aph of Mrs.
(l]lead
I.I,."c.-w "I;"( ()-I. ill"" fit:r:mmllly
f!I-lP
.fil!lllli"(I
lli!lll". -sI""dtl;.cl
hr
hI(I..=i"[l
Stl.eel
erous i,il't Ol- One Of his PaintinLyS. but it iS tO
lil.{
cn""fl.y
6f)th
the thou't_.ht of just ".inning _\/Ir.
\_cu.
!loed a/. (lil:
F,a'st
The
lluitc amiolIS thflt \\t. `StagC :i \.Cry al`ti\.a mCm-
Ilcld
i`S
S[c.adi[y
Ft7
State Chairman ot- th.a IJCa1'unC \1..rites..
on
[l"I"."lr
Gl.ant.
l.c)llmcnt in Ohio. _\h.. k:u.I S. Bolancler. Ohio
tn cldT("I(i fI" rra!I":.'`X `illl:"I`s a.-:lllc a"-
hrf(".(Il""d.
lT.
fable celt.hl.aliens af Natiollcll Arts \\-eek last
aud
MATERIAL
i"in.
I,a.:F_,u: m|.mher.`lliP I"- Sonllim_, S.3.00
!l-lfi a.i "le", -crlln a" stI.a"f] i1.
iI(""lit(1,. ""li.¬t,i"I
Roosc\.clt:
\'c\\. i-ol.k
Cit\..
\~atiumll
TI.C.:lSuI.er.`..:
Rct=arll':ng this cITc'".i lo builcl tlp tlle LcacJuC Cl1-
hnIIl
I
t()
veal. thl.(ulLrh("t that State.. i.i :Ill.C.aCl\- at \\.ark
":tlI`=l"lei.-
I.I.a(lit..=cd.
ll"i1:lti""
Tlll.I)dora
IO
aud
lly
"1
Of
call
bej-Ol.a.
(jf".I.+.
fiI.Od";:
callle
tile
,uIlilv
CI,.a.I. -ll(ld.
i"
I(I+"I("I.,.
sNICIIlcI.
(I
a"I.
llu.-',a
-c{hun.
fi(lid
"f"i"lil
i"
Ill;"I.E¢.C
llCC(""a
thei1.
sn
i"ill
I+a\ilF-,
-\Irs. I)i.:"I \""i.:..\\l"- not hc.lp Ollie make.
fI.a".
the.il. rccICliOllS al)C"it tile I_ea(llle.
bectlmc -..cI.V .mll£h, illtereSteCl
ro
"I..\im*
llll.
a bcttc1. `Sl-tim_, i" lhl...\meril.an ,\l-lists Pro-
'¬ht.my tl.a.-rcls a..I". this co""i.1.y fl.Om Ollf
lTJcsl
33
\-atiom|l co"mittet. (m Tt.c.Jlni{. :t"l Ill,(lucation
t`it.I-
_Jmrl.il.(Hl
i".
Jllly, 1935
_i-:utional 'l'l.t,a+llrtlr : Got.tlon II. Gl,ant
(I("r()\\.
_TtT(". tl)I.k t.:ill.
AT`'c!\\-
I)igrst, lit
ARTISTS
LE|GLTE
_i-*ti(mill \|{.a-('h:lirltL..LIL
i_:tlil)lml
lt(...lion:l1
('h:ll)tors
a()mmitLt.a
('h:lil.l"tll: Gc())..g.a Pt-arse Enlli.S
681
ill.t
1".aiSC
highest quality ArtistsI BrushesI
Colors and Materiall may ar_
range by appointment to visit
our
extensive
manufacturing
establishments located in New
York Gty.
®|*
.'EVERY ARTIST
SHOULD SPEND
A
CERTAIN AMOUNT OF HIS TIME
AND MONEY FOR THE ADVANCEMENT OF HIS OWN
PROFESSION||
The
ahn\-a is
a
intem`.-.onl¬ic1.
\\.a.altl"-
".l!
Itch.
the
tion:ll
"i.\\.
ill.`titutc.s
al1|l
COlleCloLS..
I.itc.I.artart
muSCtUnS
".oulcl-bc's.
|lealerS.
quotation from Theodore
frown Ill.i or"1 people.
'¬-.\sri1.a"tS tO the .C`,ralld
.
Opt.r:I
Thc:
Stage
each
special
lettel.
mailed
a
month a£ro to the mcmbcL.rS and friCnCls of the
£ror-crn the painter or sculptor.
Wc.hat..a, year
a1'tcr ).car. `iccn an army of foreigners Croup
ohio \\itter color society by the pl.esident,
cl(".n the gangplanks of ocean liners. to be met
Grace Rhoacles Dean. was one of the.,1,\meriCan
Artists
Professional
I-eague
booklets,
£A
u.ith fanfares and cameras, flowers aliCI SPeeCbeS,
EContinucd back on pf,.,gc 28|
M.
GRuMBACHER
have
bc.en subjcctcci to the same crazy rules \ThiCh
in
+
Oi-
educa-
"lti\.c. al-ti.st has bcon stI-uf-,f~,lim-I for I.I.|.OLmitiOn
Rr,oSe\.elt.
I.:nc.lose.cl
bcslo".I.ll Ill-1 I".lilli artiS|< ln. Our SO-CallC|l
Brushes, Colors, Artists' Material
468
WEST 34.th STREET
NEW YORK, N. Y.
34
lil.c ill.i Digest, lit
Julyl, 1935
A
QUICK SELLER AND
PROFIT-MAKER
jlgaiee_ tri_ufllPhs
af flee Polel.
COLuMBIAARTCEMENT
That's what art supply dealers say about
Columbia Rubber Cement.
lt is everything
We congratulate Admiral RicharcI E.
Byrd upon tile Successful Cul-inatiOn Of
his latest South Pole Expedition.
Surmounting unlookecl_for obstacles,
perils and discouragements, he and his
entire crew of brave men are safely home.
Koh-I-Moor pencils? of course) played
an important role in his latest venture as
they have in other expeditions of note.
His records? maps and drawings will be
preserved for posterity9 the Admiral being
just as careful in his choice of lead pencils
as he was in the -alter of food, clotIling
or other equipment.
It is a matter of record that Koh-I-Moor
pencils have accompanied every important
expedition in the past decade, literally to
the ends of the eartl1. It is also a matter
of record that notes made under the trying and extreme conditions of the Poles,
remain legible. Andree, the noted Norwegian explorer? used a Koh-I.Moor. It
was found 33 years after his deatI1, buried
with his diary under Arctic snows and ice'
the writing still plain and legible.
VI/hether it be in an air-conditioned
office? in the Arctic,s cold or the Equator,s
heat, Koh_I_Moor serves and serves well.
Our new Drawing and Sketching Material catalog D-I is just off the press. A
copy is yours for tlle asking.
KOH_I_NOOK PENCIL COMPANY, INC.
373 FOURTH AVENUE
_
NEW YORK, N. Y.
an adhesI'Ve Should be.
Made of the best
materials obtainable.
Easy to spread.
Nontoxic.
Nan-staining.
Beautifully packaged.
FREE display card and advertising folders.
Attractively priced.
Se"d
for
details
a"d
a
samfilc
packa(ge.
COLUMBIA CEMENT CO.
l50 lNCRAHAM STREET. BROOKLYN, N. Y.
HEJELHD@urJAHRITHHRS
GENUINE
DRY
FIGMENTS
FOR ARTISTS COLORS
COBALT BLUES
CADMIUM YELLOWS
COBALT GREENS
CADMIUM REDS
COBALT VIOLETS
I-LTRAMARINES
CERULEAN BLUES
VERMILIONS
GENUINE AUREOLI\'E
I-MBERS
EMERALD GREENS
SIENF\AS
EMERALDE GREE\-S
C)XIDES
EffOH.I.MOOD
ETC.
- FOU>`DED 1854 -
FEZANDIE & SPERRLE, INC.
Importers, Manufacturers Agents, Exporters
205
FuLTON
STREET,
NEW
YoRK
CITY