PAINTING Rag - DecorativePaintingStore.com
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PAINTING Rag - DecorativePaintingStore.com
THE PAINTING Rag DECORATIVE PAINTING IN NEW ENGLAND AND BEYOND september/october 2009 FALL ISSUE www.thepaintingrag.com Welcome Autumn © by Beth Wagner Pattern & Directions Inside! for SEARCHING DECORATIVE PAINTING? Decorative Painting Teacher Retail/Wholesale/Shipping Available TOLE SAMPLER THE CREATIVE TOUCH HOME STUDIO CAROL KERNOZEK Weekly Classes • Seminars Workshops • Travel Teach (860) 848-0276 HOME STUDIO MARY SVENSON CDA Weekly Classes • Workshops Travel Teach • JS Paints & Supplies Packets & Books by Mary HOME STUDIO ANNE HUNTER Weekly Classes • Travel Teach Paint & Supplies • Packets & Books by Anne Hunter www.newenglandtraditions.org email: [email protected] (978) 692-3261 www.tolesampler.com (508) 485-9306 www.thecreativetouch.com 103 Moxley Rd., Uncasville, CT 06382 24 Buckboard Drive, Westford MA 01886 48 Paquin Drive, Marlborough MA 01752 WOOD ITEMS & MORE A PAINTERS DREAM HAPPY PAINTING Painting Classes • Craft Supplies RETAIL SHOP DEBI HENDRICKSON All Class Levels • Children Special Events • Painting Supplies COUNTRY SCHOOLHOUSE STUDIO COUNTRY CREATIONS SUPPLIES Retail/Wholesale/Manufacturer CREATIVITY Weekly Classes, Workshops, Seminars INSPIRATION Pattern Packets, Books, Samples Experience the best of New England’s creative businesses today! QUARRY HOUSE DISTRIBUTORS Manufacturer/Wholesale/Retail WHOLESALE SUPPLIES Decorative painting and stenciling for retail shops and qualified home studios (401) 949-3550 Ask for Maureen www.wooditemsandmore.com (800) 752-5440 www.quarryhouse.org [email protected] 29 River Road, Unit 2, Bow NH 03304 576 Putnam Pike, Greenville RI 02828 Retail Retail/Wholesale Retail HOME STUDIO JANICE CORMIER Classes • Workshops • Seminars (781) 871-7706 www.apainters-dream.com (860) 875-2899 email: [email protected] www.countryschoolhousearts.com Member SDP, DABA, Girl Scout USA 2 september/october 2009 www.thepaintingrag.com 82 Railroad Street, Abington MA 02351 265 Windsorville Rd., Ellington CT 06029 Letter From The Publisher In This Issue News/Announcements/Events .................... 4 Highlighted Business .................................. 5 Front Cover Design Project ......................... 6 A Touch Of Alice ......................................... 8 Guess The Artist ........................................ 9 Beginners Corner.......................................10 Trends ........................................................12 Artist Outline ..............................................13 A Loving Master .........................................17 Try Painting Day II..................................... 23 THE PAINTING Rag DECORATIVE PAINTING IN NEW ENGLAND www.thepaintingrag.com [email protected] PO Box 355 Plaistow, NH 03865-0355 Publisher – Tracy Meola Writing Contributions – Marlena DeFusco, Susan Boerman & Alice Sulish Graphic Design – Visual Communications Cover Photography – Victor Meola CONTACT US TO….. • Distribute THE PAINTING RAG in your store • Advertise • Be a featured shop or artist • Make writing contributions DEADLINE TO SUBMIT ADS OR ARTICLES FOR OUR NEXT ISSUE, THE NOV/DEC ISSUE, IS OCTOBER 2, 2009. A HUGE thank you to our Sponsors! Please take note of who has supported this project by advertising with us. Without them, this newspaper wouldn’t be a reality, please visit them and tell them “I saw you in THE PAINTING RAG!” “Reckless words pierce like a sword, but the tongue of the wise brings healing,...” Proverbs 12:18 Copyright: The design with directions & pattern in this newspaper is for individuals to use in decorative painting for personal fun. Permission is given to teach the published project and photocopy the pattern for teaching and personal use only. Any other mechanical reproduction in whole or in part must be granted specific permission in writing by the publisher. All other content in this publication is copyrighted and cannot be used without permission. This has always been my favorite time of year; my birthday is in September, my anniversary is in October and I love the change in the air as well as the color of the trees. Traditionally, we experience a lot of transition at this time of year as the kids head back to school and the sun repositions itself in the sky, and the time will soon change or fall back. Change is something that is inevitable in the Fall Season and throughout life. Our Trends article always informs us of changes that have either taken place, are currently transitioning, or are on the horizon for the future. In this issue Trends informs us about the changes taking place in fashion. It gives us a peek into what is happening in the fashion world and how it can benefit us as artists; color, prints, texture, style, etc. A Touch of Alice continues in the fashion vein and shows us how we can surprisingly include fashion pieces in everyday decorating. And speaking of decorating, Beth Wagner, our cover artist, designed a bright and colorful Autumn sign to get you started with your Fall decorating. There is also an interesting piece of information in her article (Artist Outline) that has to do with fashion. The Highlighted Business in this issue is Plaid Enterprises, Inc. and this company has made many changes over the years to become the craft giant that they are. You will read of the different ways that this company responded to the changing trends and found innovative ways to grow. There are good changes and difficult changes throughout life, some exhilarate us and move us forward with zeal and others knock the wind out of our sails and cause us to regroup. In this issue you will also read of a personal change that my family recently went through. If you are an animal lover you will understand my need to include this article and if you are not, please indulge me for this one. As a writer and publisher I can’t help but include some personal, transparent stories now and then and this one is close to my heart. Round and round we go; Fall - Fashion - Change, these are the threads that run throughout this issue. To Get Your Copy Of THE PAINTING RAG Subscribe Today! You can receive each issue of THE PAINTING RAG at your home. For a one year (6 issues) subscription, mail this form with an $20.00 check or money order to: THE PAINTING RAG PO Box 355, Plaistow, NH 03865-0355 © Disclaimer: This newspaper is published in good faith and assumes no financial responsibility for typographical errors. We will reprint any portion of an ad in which an error occurs. Responsibility for products advertised in this newspaper lies with the advertisers themselves. However, THE PAINTING RAG will not knowingly publish fraudulent materials. We are not liable for damages arising from the purchase or use of products advertised. Instructions for free design are published in good faith but results not guaranteed. Name Address City Phone State Zip Email www.thepaintingrag.com september/october 2009 3 News/Announcements/Events When inquiring about these events don’t forget to let them know that you read about them in THE PAINTING RAG. NEWS AND ANNOUNCEMENTS Fun Things To Paint For End Of Summer/Early Fall 1. A Tote bag for “back to class” supplies 2. A pencil box 3. A jacket for cooler nights 4. A pumpkin or apples 5. A basket for carrying apple & pumpkin pies 6. A centerpiece bowl 7. A scarecrow 8. An autumn scene 9. Bangle bracelets 10. Your house...just kidding! Membership Renewal Society of Decorative Painters (SDP) membership renewal for 2010 officially begins September 1st. www.decorativepainters.org Intensive Study with Cheri Rol at Laurie’s Art Learning Center & Studio An Intensive study on how to develop a color scheme with use of a real teacup and saucer as an inspiration piece. Two days: October 3 & 4 $225.00 includes: teaching fees, wood piece, teacup and saucer, notebook and lunch both days. Contact Laurie’s Art Learning Center & Studio to register: 17c Railroad Avenue Westerly, RI www.lauriesartstudio.com 401-596-5969 4 september/october 2009 www.thepaintingrag.com Helan Barrick in Massachusetts Paint with Helan in the quaint town of West Dennis. Two weekends to choose from: October 23rd & 24th or October 25th & 26th Hosted by HATTIE D’S 285 Route 28 W Dennis, MA Call 508-398-0074 for details! September is Strategic Thinking Month. Give thinking a try some time in September, but please don’t hurt yourself! October is Decorative Painting month! It is also bake & decorate month. A very good month to be creative. Passport to Fun & Prizes Want to have even more fun at the New England Traditions Trade Show than usual? Do the Hot Stops booth hop! It’s easy, just pick up a passport at any of the ten participating booths, then make a minimum purchase at each of the participating booths. Every time you make a purchase your passport receives a stamp. Once all ten spaces are stamped turn in your punched passport and receive a free gift of “Hot Stuff” (while supplies last). AND your passport is collected to be entered into drawings for even more Hot Stuff prizes! Contact Anne Hunter at creativetouch@earthlink. net for more details. Are you a TV watcher? TOLE TV that is! Tole TV is the innovative brainstorm of Patricia Rawlinson. Instead of sitting back and becoming frustrated with what is no longer available, she decided to go forward with what IS available…Video camera and computer. She turned these modern electronic devices into a practical way of reaching out to painters all over the world. Each week Painters can tune in and watch a new “episode.” One segment titled “Table Talk” is filmed around Patricia’s kitchen table; old and new products are reviewed, updates on conventions are discussed and ideas are pitched. In other episodes you can actually paint a project with Patricia Rawlinson, such as a Toile Rooster Clock or a Butterfly Brush Holder. Projects are completed in about 5 to 6 episodes. Whenever you tune in you are sure to find tips, shortcuts, and tools that make your work easier (and more professional.) In just a few episodes you can learn how to wax a painted bowl, how to wet sand a finished painted piece, how to tie an apron and more. Visit her website at www. patriciarawlinson.com and sign up today for her free e-updates. Patricia Rawlinson is definitely one to watch! REMEMBER September 11th Highlighted Business Plaid Enterprises, Inc. Photos: Plaid Enterprises, Inc. manufactures a large array of products for crafters and painters. By Tracy Meola Success Through Diversifying The “Plaid” of Plaid Enterprises means a series of lines that cross to form a pattern. The name of the company came from founder, David A. Cunningham’s family tartan and has meant great success for this company. The company started out with a series of howto books which instructed crafters on how to complete projects in beading, decoupage, needlecrafts, floral arranging and macramé, but over the thirty plus years in business the company has diversified and grown immensely. It didn’t take long for the company to discover that in addition to how-to books, there was a demand for products that would help crafters to create and produce a variety of projects, so Plaid responded. Since then, they have produced a diverse array of craft products, some timeless such as paint and Mod Podge and others have emerged by current trends such as scrapbooking, sculpting and jewelry. Plaid’s executive offices are located in Norcross, Georgia where we visited with them and were told that the company feels that one of the keys to success is making sure that they produce and offer quality products. Being bold and trying new things has been another way of keeping Plaid successful and strong throughout the years. This company has tried a variety of new things over the years, including adding other companies in the crafting industry to the Plaid family such as Bucilla Needle Crafts in 1996, and All Night Media Rubber Stamps in 1999. They have also ventured out and found innovative ways to reach new markets and consumers. They were the first company to sell their products on television through infomercials and with QVC home shopping channel. As well as, the first company to develop a Pay for Publication program with artists and crafters; paying them to use Plaid products in published magazine articles, packets and books. Plaid also discerned and responded to the growing obsession in the Home Improvement community by producing a line of stencils, faux finishes and decorator blocks that made decorator touches practical for every home. This company also believes in supporting the organizations that are creating awareness of crafts and providing education; The Society of Decorative Painters, The Stencil Artisans League, Inc. and the Society of Craft Designers. They are also one of the sponsors of THE PAINTING RAG’s event - Try Painting Day II. An event designed to allow non-painters an opportunity to try painting and to see how easy it is without the usual upfront expense. The company also believes in giving back to the community; they have employee teams that raise money for the American Cancer Society’s Relay for Life through bake sales, crazy hat days and putting contests. They also sponsor the Children’s Healthcare of Atlanta’s Festival of Trees, and they continually raise money for the Susan G. Komen Breast Cancer Foundation through advertising and sponsorships, and promote the use of breast cancer research stamps. Although the company www.thepaintingrag.com started out as a book publisher and paint company, they now are the largest and most diverse craft manufacturer in the country. Their lines include paints, rubber stamps, stencil and foam stamps, Bucilla needlework, Mod Podge, faux stained glass, mosaics, jewelry, fashion crafting and more. And when you have an artist lineup that includes Priscilla Hauser, Donna Dewberry, Ginger Edwards and Trudy Beard for decorative painting, Mary Englebreit for needle crafts and the D.I.Y. gurus Cathy Filian & Steve Piacenza of HGTV you know you are doing something right. Decorative Painting Plaid’s acrylic paint called FolkArt ® was developed for continued on page 11 Highlighted Studio Plaid Enterprises, Inc. september/october 2009 5 Front Cover Design Project Welcome Autumn© ADDITIONAL SUPPLIES Krylon 18K Gold Leafing Pen Sandpaper Transfer Paper All Purpose Sealer Satin Varnish SURFACE 15 1/2” X 11 1/2” Wood Oval with Frame (approx. size 15” x 24”) available through Green Mountain Fine Furniture (631) 828-1399 An intermediate skill level project By Beth Wagner Designs PAINTS DecoArt Americana Acrylic Paints DA147 Antique Green DA042 Baby Blue DA019 Berry Red DA257 Bleached Sand DA063 Burnt Sienna DA064 Burnt Umber DA010 Cadmium Yellow DA128 Deep Burgundy DA017 Georgia Clay DA67 Lamp Black DA113 Plantation Pine DA200 Primary Blue DA013 Pumpkin DA097 Rookwood Red BRUSHES Loew Cornell LaCorneille Golden Taklon 7300 3/4” Shader 7300 #12 Shader 7300 #4 Shader JS-1 Liner China Bristol Brush 6 september/october 2009 INSTRUCTIONS Frame Sand and seal. Lightly sand again. Base in Bleached Sand. When dry fully load China bristol brush with Bleached Sand and alternately pick up Georgia Clay and Antique Green on a portion of the brush. Apply by REALLY pouncing the brush. Let the colors lead into one another, but not to the point of producing a fourth “muddy color”. Transfer lettering. Paint with #4 shader in Plantation Pine. Use slow deliberate strokes coming up on the chiseled edge to form the thin sections. The line work is done in Plantation Pine. Freehand with a liner. Add descending dots. Plantation Pine is used for the side beveled edge using your finger or the flat side of your brush. Transfer on leaf pattern. This is done in Plantation Pine with a #4 shader. Autumn Sign Note: This sign is the first of four seasonal designs. The wooden ovals hang from the frame and are removable so they can be www.thepaintingrag.com changed with the season. 1 Lightly sand. Seal and sand again, especially the curves. 2. Base paint the entire front oval in Bleached Sand. Base the edge and back in Rookwood Red. Let dry. 3. Lightly transfer on the main lines of the design. Base Paint 1. The pumpkins are Georgia Clay and the stems are Burnt Umber. 2. The apples are Berry Red. 3. The sky is Baby Blue. Be sure to look at the photo for placement behind the upper leaves. 4. The leaves are numbered on the pattern. Follow this to identify which leaf is which. Leaves #2, 7 and 12 are Antique Green. Leaves #1 and 13 are Georgia Clay. Leaves #4 and 11 are Deep Burgundy. Leaves #6 and10 are Burnt Sienna. Leaves #3, 5, 8 & 9 are Cadmium Yellow. 5. The background behind the leaves at the bottom is Lamp Black. Pumpkins Load the 3/4” shader with Georgia Clay. Pick up a corner of Berry Red and place near the middle of each section of the pumpkins. You could use glazing medium here if you like. I don’t. You want it to be very soft. Tint with Antique Green coming up from the bottom. Shade along the creases where the sections meet, along the bottom and around the stem with Burnt Umber. Highlight with Cadmium Yellow at the top of each section working down the middle using the same technique as the Berry Red. You will have to do this several times to achieve the optimum effect. The stems are tinted with Antique Green and Rookwood Red. Shade the stems with Lamp Black down the left side and along the bottom. Highlight down the right side with fine strokes of CadmiumYellow and Bleached Sand. Add strokes of Cadmium Yellow and Bleached Sand along the upper edge. Apples Load the #12 shader with Berry Red. Corner load it with Deep Burgundy and shade where they overlap and behind the leaves. With the liner, put light short strokes of Burnt Umber near the bottom edge of the apples. Place a side load of Burnt Umber where the stems are set in. Highlight with Cadmium Yellow around the middle and along the edge where the stem sets in. Add strokes of Cadmium Yellow and Bleached Sand to the highlighted areas. The stems are the same colors as the pumpkin stems. Leaves Be sure to follow your pattern to identify each leaf. Each leaf is a mix of several colors. Don’t feel compelled to use my colors. Play with the colors as you wish and/or refer to the color photo. The three colors of leaves #1 and #13 are Cadmium Yellow, Berry Red and Deep Burgundy. Leaves #2, 7, and 12 are Cadmium Yel- low, Pumpkin, Berry Red and a touch of Plantation Pine. Leaves #3, 5, 8 and 9 are Pumpkin and Berry Red. Leaves #4 and 11 are Berry Red. Leaves #6 and 10 are Pumpkin and Berry Red. The veins are done with a liner. Use watered down Burnt Umber and very sparingly pick up a little Lamp Black and place here and there. Finishing Touches To push the design forward, float the sky with Primary Blue. To intensify the deepest shadings, add Primary Blue. Lettering Transfer on lettering. With a #4 shader stroke on letters in Plantation Pine. Use the flat side for the wider parts coming up on the chiseled edge for the narrow parts. Work slowly and deliberately. Gold Trim With the Gold Leaf Pen and following the manufacturer’s instructions, outline the oval. Download photos of Welcome Autumn© from our website for your personal painting. Photos will be available through October 31, 2009. BETH WAGNER DESIGNS (631) 696-3435 www.bethwagnerdesigns.com [email protected] continued on page 22 Welcome Autumn© Pattern www.thepaintingrag.com september/october 2009 7 A Touch Of Alice Fashionable Decorating By Alice Sulish Dress Your Home Everyday we wake up, choose our outfit and get dressed. So, why do so many of us have difficulty making interior decorating decisions? In this article, we will discover that the same guidelines for fashion apply to decorating our home. Let’s see how fashion meets décor. When shopping, choose and invest in classic pieces. Just like your wardrobe, spend the biggest portion of your decorating budget on pieces that will have a long life. That basic black dress and pearl necklace is like that beautiful dining table, well constructed sofa, classic rug, or showcase armoire. Steer your decision on color away from neutrals…spice it up with color. Beige and kaki are excellent choices for your clothes, but when that is all you wear...then it becomes boring. That same philosophy applies to interior design. Color is inexpensive. Instead of painting the walls beige or off white again, choose fresh apple green, lemon yellow, or even ruby red. Remember that too tight a fit is uncomfortable and too loose a fit is unattractive. Just as you choose a flattering style to complement your figure, scale your furnishings to your room. A huge couch or dining table in a small space will look out of place. Similarly, a tiny chair in front of a massive fireplace will look silly. In both fashion decisions and interior design decisions, highlight features you like and play down what features you don’t like. A pear shaped body wears an A line dress attractively just like your room wears appropriate sized window treatments. Look at your room’s best features and use color, lighting and furniture placement accordingly. Downplay vents and pipes by using clever cover-ups or matching wall paint. If your fireplace is the outstanding feature of your room, arrange the furniture so that your fireplace is the center of attention. A color scheme well thought out produces an attractive outfit as well as an attractive room. Those color coordinated earrings, necklace and scarf prove this standard to be true in fashion. It works the same for designing your home. Work with one main color in your room and one less used second color. Add a third color as an accent in smaller amounts. This third color can be the brightest color and used in artwork, trims, and accessories. Fabulous shoes can make an outfit. They can also make quite an impact as a decorating feature...but, I will come back to this idea later. The shoes in home decorating can be the pretty carpeting, the beautiful hardwood floors, or the lovely area rug. They all can be a great foundation for any room. Pull the colors and pattern in the rug up into the room with similar accessories and wall art. A few great wardrobe basics can take you from day to evening by merely changing accessories. Upholstery in a plain textured fabric is like wardrobe basics. It will allow you to decorate around the piece as you change your mind, seasonally decorate, or move to a different home. Simply swap out pillows and accessories. As we have learned in previous articles, that long term basic colored sofa can be outfitted with orange pillows for fall, red for winter, and light blue or green for spring and summer. And finally, think versatility. Choosing a basic patterned jacket like tweed or small check allows you to wear a variety of other pieces with it like jeans or a matching skirt. In home design, versatility pieces like a summer slipcover over an upholstered chair, an ottoman that acts as extra seating or as a coffee table, and a bench that holds people or books continued on page 15 A Touch Of Alice - Fashionable Decorating Left: Antique hats are hung together to create a charming vintage window valence. Above: Fashionable buttons are sewed on to curtain tabs for an added touch. 8 september/october 2009 www.thepaintingrag.com Guess The Artist Attention Pattern Collectors Can you guess the artist? Did you guess the artist correctly? THE PAINTING RAG’s Readers Rewards! Because we think you are the greatest, now you can look forward to discounts and freebies in TPR. Start by cashing in with the coupon below! $10.00 AT JB WOOD PRODUCTS Receive $10.00 off of your next online wood order of $50.00 or more at www.jbwood.com When placing your order remember to mention coupon code TPR001 Don’t lose out, spend it now! Your $10.00 expires on October 31, 2009. Here is a section of a decorative painting pattern that has been published. Can you guess who the designer is? Check our next issue for the revealing of the mystery artist. © All designs used in "Guess The Artist" are used with permission from the designer. Our July/August mystery artist was Cindy Mann Vitale. The design “Santa and his Christmas Cardinals©” was taken from a 1994 pattern packet. Visit her blog-sites at http://thepaintinchick.blogspot.com and www.cindymannvitale.blogspot.com. www.thepaintingrag.com september/october 2009 9 Beginners Corner Art 101 - Drawing 1 of pressure on the pencil. As you can see the H pencils are lighter than the B pencils. (I will cover this in more depth in my next article.) PENCIL LEADS SCRIBBLE By Susan Boerman As any painter knows, the worst thing in the world is a blank surface. The same is true for drawing, especially if you are a beginner. As you stare at a blank sheet of paper you ask yourself these questions: What do I draw? How do I draw it? What materials do I need? Can I really do this? The answer to the last question is, yes, you can! Just as my philosophy is that anyone can paint, so it is that anyone can draw. I know, I know, I have heard the excuses such as, “I can’t draw a straight line”. Well, there are no straight lines in nature, and rulers work quite well to make them! How well you do, depends somewhat on natural ability but more on practice and desire. Everyone has different strengths and weaknesses just as in painting. The only way you will know is if you try. Supplies Paper First, you will need paper to draw on. There are all types, sizes and brands of drawing paper. The difference in the papers is due to weight and surface texture. Just like choosing the right watercolor paper, the 10 september/october 2009 DOODLE paper you choose depends more on what you want to achieve with your drawing. The cover of the drawing pad will usually state the ideal usage for that type paper. If you want to draw something dramatic with a lot of texture and darks, you would choose a rougher surface than if you wanted to draw something high key and delicate. In that case, you would want a very smooth paper. The key is to experiment, but if you are just beginning I would suggest a pad of newsprint paper, computer paper or an inexpensive drawing pad. A nice middle of the road paper is Strathmore Drawing 400 Series, a medium weight paper which is not too smooth and not too rough. It is also acid free, which is important for a finished drawing. Pencils Once you have chosen your drawing paper, you will need pencils. You can draw with just about anything including charcoal, colored pencil and pastel, but for this article I am just going to concentrate on lead pencils. There are many brands of pencils to choose from, however, the most important thing about pencils is the type of lead. There are hard leads and soft leads. Your standard #2 pencil is sort of a middle-of-the-road pencil, not too soft and not too hard. I do most of my sketching with a Papermate Sharpwriter twist pencil, but if I were doing a finished drawing I would use various drawing pencils. Drawing pencils come with 2 lead types: hard lead and soft lead. Hard lead pencils will produce light lines and soft lead pencils will produce dark lines. Sketching is best done with #2 pencils, or harder lead pencils, because the lines are easier to erase to make way for your final lines on your finished drawing. The softer lead pencils will produce bold lines, outlines and mid to dark shaded areas. For example, if you were to draw a white egg sitting on a table, some of the egg would remain white, but there would be shadows on the egg due to its shape and the light source. You would want a hard lead pencil to shade in those faint shadows on the egg. For the darker cast shadows from the egg, you may want to use a softer lead pencil. How do you know which pencil is which? Well, there will be an H or B on the pencil (H for hard, B for soft/black) which may be preceded by a number. The higher the number, the harder or softer the lead is. The best of both worlds is the HB, which will produce decent lights and mid-tone darks and is a good choice for sketching. Notice the sample of different leads; each was done with the same amount www.thepaintingrag.com Erasers Drawing pencils usually don’t come with an eraser. So now what type of eraser will you need? Well, there are a lot of those, too, and mostly it is personal preference, but the best eraser (in my humble opinion) is the kneaded eraser. This eraser is a small gray square with the consistency of something like silly putty. And, since I have been teaching kids lately, I can attest to the fact that it can also be molded into various animal shapes. But I digress! If you are erasing and the pencil is turning the eraser black, you just literally have to knead it. Just pull it or twist it until you find a clean spot. The pulling also cleans the eraser. Another plus is that you can mold it into a small point to get into small areas and it doesn’t “eat up” the paper. Some cheaper erasers can actually rough up the paper too much (especially really inexpensive paper), which will affect how the pencil takes to the paper after that area is erased; pencil marks on a heavily erased area that has pulled up some of the paper will come out darker. That’s not good if it is a part the drawing that should be kept light. One more thing, before we get to some beginner exercises, is a sharpener. If you use a mechanical pencil you don’t need to sharpen, but keep in mind that you will still have a sharp side and a flat side. If you use a #2 pencil or a drawing pencil you will need to sharpen. Any sharpener you have will do the trick. For the following exercises, you just need a #2 pencil and any paper you have available. Exercises Now that you have your paper and pencil and are ready to go, what I continued on page 16 Art 101 - Drawing 1 continued from page 5 Highlighted Business - Plaid Enterprise, Inc. decorative artists and the first bottle of FolkArt® paint was manufactured in 1983. Since then over twenty million gallons have been distributed which would be the equivalent to a half billion of the 2 oz. bottles. The FolkArt ® brand is paint for more serious painters and artists, it has a longer open time (dries slightly slower than other acrylics), a thicker formula, it lends itself well to blending and shading and works well with mediums. In addition to FolkArt ®, they also manufacture a line of acrylic paint called Apple Barrel that is produced with the crafter in mind, which basically means that the color palette is primary, basic and bright. They are the colors you would use for kids projects, easier projects or beginners. It is a good quality and good value paint and is easier for beginners to work with making it a good starter paint. Each year the company evaluates its paint color lines and makes decisions about what colors will stay, what colors will be phased out and what new colors should be added. These decisions are based on many factors, such as which colors are good sellers, where they may have holes in a color category and what fashion and home décor trends are on the horizon for new groupings. Plaid released over 770 new products this year, which is the most new products they have ever come out with in a year. The company has been excited about one of their newest products called “Extreme Glitter.” It is a glitter filled paint that gives the popular look of sugar glitter. No more shaking the glitter bottle and losing half of it, now it can be painted on. It is available in eleven colors and they are colors that coordinate with Plaid’s FolkArt ® brand acrylic paint, so the glitter can be applied over the same base color for a deep bold look or applied on its own for a softer but sparkly appearance. Another new and very popular product is their Chalkboard paint. Chalkboards have made a comeback in home decorating and are showing up in unique places such as on a kitchen cabinet door or a framed off area of a wall in a children’s room. Writing messages or making lists can be done almost anywhere and in eleven different colors; the old tried and true chalkboard colors and some new decorator savvy ones. Also for painters, they have a line of texture paint, color stains, fabric paints, outdoor and enamel paints, neons and shiny paints, HD High Definition paints, as well as brushes, books and plenty of tools and accessories. New Ideas A company representative told us that traditionally, crafting has become more popular during a difficult economy. First, it is less expensive to make items than it is to buy them already completed, including jewelry, artwork and home décor. Second, it provides something to do when staying at home more. Younger people especially turn to crafting more during financially tight times, providing opportunity to introduce a new generation. The company continues to work on new products and ways to entice the new generation into trying something with their hands. Staying in line with their desire to be innovative, the company is currently accepting submissions for new ideas and techniques. They know that often some of the best ideas come from those that are using the products every day. Therefore, they are looking to expand their network of freelance designers and you have the opportunity to be “the next big thing.” If you think you have an idea or invention that could be used in the craft industry and aren’t sure how to get it launched, Plaid may think it is a good idea too. Information on submitting ideas and designs can be found on their website. If you haven’t looked at this company and their products lately, maybe it is time to revisit all that they have to offer! PLAID ENTERPRISES, INC. 678-291-8100 www.plaidonline.com PO Box 7600, Norcross, GA 30071 USA Top: When entering the Plaid office building, a glass case spotlights crafts and designs made with Plaid products. Above: Clear glass ornaments are transformed into a sparkling, colorful display with Extreme Glitter by Plaid. www.thepaintingrag.com september/october 2009 11 TRENDS Fashion Is Art And Art Is Fashion(able) Art And Fashion Fashion has always been a form of art. Designing clothing that slinks down and around the curves of a body with just the right texture and structure is an art form. Countless designs have been laid out on the drawing tables of famous designers, followed by gathered fabric, pins, cutting shears and stitches until the artful masterpiece has been completed. Once the designer performs their magic and pulls it all together just so, the dress makes an entrance instead of the woman wearing it. Oh yes, Fashion is an art form that has been taking place for centuries and, if you follow any of the current fashion magazines or blogs, you find that to some people, today’s designers have reached the status of gods. We couldn’t possibly deny that fashion is art. But, art is also fashion. It may have started out simple with printed headbands and embroidered flowers in the sixties and tie-dyed shirts. Then quietly, polo shirts that sported logos appeared, and that soon grew into t-shirts with small silk screened pictures, and then altered art took front stage with subtle watercolor backgrounds that included swirls and stamped images. Now it is common to see clothing with a printed city scene with beads sewn in for city lights, etc. There was a day when sports companies gave out clothing and hats with their logos and utilized others to advertise their products for them. Today, the artful logos are still being advertised by happy fans, only now those fans pay a hefty price to proudly do the advertising. Art has become a common factor on clothing, so common that we may not even recognize it as such anymore. on us as decorative artists. The colors and patterns they choose find their way into our homes and sometimes set a standard of what will become trendy all around. There are still some remnants of the brown and pink stage that made its way into our wardrobes just months ago. Those browns and pinks went from sweaters, to dorm room decorating, and to stationary. What happens in the fashion world undoubtedly has its affect on other markets. With this in mind, let’s take a look at what is currently hot in the fashion marketplace. The latest trend that is hitting the fashion runways is prints, but not the old white background with tiny little flowers, now the prints have bold backgrounds with stark complimentary colors that pop out all over. Before the garment is made, the fabric itself is art. Prints being introduced this fall by the top designers are showing up in blouses and dresses and are all about color. Combinations like bright blue shimmer fabric with a subtle background pattern and shocking pink flowers; black bases with large yellow blooms and patches; red with royal blue and purple; pink red and gray; and turquoise with transparent lime green and pink. Sounds like colors we could sink our brushes into. PHOTO A PHOTO B Bold Prints And Color Now that we have established that fashion is an art form and art is a part of fashion, we must come full circle and acknowledge that clothing designers can have an influence 12 september/october 2009 www.thepaintingrag.com PHOTO C Photo A - Abstract Bleeds: Hard surface - we painted the background in black. When dry we generously brushed Jo Sonja’s Retarder medium over the entire surface, allowing some areas to pool slightly. Then we spattered Yellow Green paint on to the surface and watched it bleed in the pooled areas. Then we spattered Calypso Blue on to the surface and then Peony Pink and let dry completely. Photo B - Metals: this sample has three strips base coated with FolkArt Metallic: Copper, Metallic Pure Gold and Metallic Silver Sterling. For antiquing, we applied FolkArt Ebony stain half way up the painted strips and wiped off excess. Photo C - Abstract Bleeds: Fabric surface - First we added fabric medium to Americana Ultramarine Blue paint (you could start with fabric paint to make things easier). Then we added water to the paint and touched brushfuls down on the fabric allowing the fabric to grab the color in one place and bleed it further. While still wet we repeated the process using Americana Tuscan Red and then added touches of Americana Lemon Yellow. The key to this look was not over working the area. Let the watery paint do the work of making a pattern. This technique can be left as is or done as a background and once dry, have a design painted on top. And as always when fabric painting, be sure to heat set the paint. Here’s an interesting catch though, these prints are making their way to outerwear. Just think, we can lessen the risk of getting run over by wearing a boldly printed coat! Animal prints are still in play in clothing and accessories and being used in fun, less traditional ways. Black and white continues to be a classic combination but, instead of looking like a food server, they serve as a backdrop for colorful accessories like belts, shoes, scarves, jewelry and handbags. Perky colors are showcased by the neutral black and white, also known as “hits of color.” And, abstract, bleeding watercolor sheath dresses are for the truly daring. Beautiful colors appear to be unsystematically applied to the dress and make a bold artistic statement. Are you getting any painting ideas yet? continued on page 18 Fashion Is Art And Art Is Fashion(able) Artist Outline Beth Wagner Photos: Although Beth paints a variety of subjects, she has become well known for her beautiful roses. By Tracy Meola Never Work A Day In Your Life Beth Wagner is a woman on top of the world, enjoying the successes that her creativity has brought her. She paraphrases a famous quote and says it is how she describes her work as a decorative painter. “If you earn money doing something you love, you will never work a day in your life.” (Actual quote “Choose a job you love, and you will never have to work a day in your life.” Confucius) As a young woman, Beth attended the Fashion Institute of Technology in Manhattan, New York, graduated and became a Fashion Illustrator. She illustrated women’s and children’s clothing and accessories in newspapers and for manufacturers and was involved in the fashion illustration business for twenty- five years. Beth eventually left the world of fashion illustration when her daughter, Lauren, was born so that she could devote her time to raising her. (Lauren, by the way, inherited her mother’s creative gene and is now an interior designer.) Fourteen years ago, after moving to Florida, Beth walked into a craft store and signed up for some decorative painting classes. The woman teaching the class had a background in engineering and took a technical approach to decorative painting which, Beth says, is not her style at all. Beth’s approach to painting was, and still is, loose and casual. That teacher told Beth that although she painted very well, she really didn’t know what she was doing as far as decorative painting went. During that time, her daughter attended a private school where Beth became a volunteer until asked to take a part-time position as an art teacher. While still taking decorative painting classes, Beth would bring her finished projects into work to show her fellow employees. When they saw what she had painted in her classes, they immediately wanted to buy them, resulting in Beth selling her newly painted wooden cut-outs. Soon, the school teachers began asking her to teach them how to paint the cut-outs, and this is how her decorative painting business was born. Beth laughs and says, “I really kind of backed into the whole thing.” Soon after her entrepreneurship began, in 1996, the family decided to move back to New York and that is where Beth still resides today. She loves living in the Northeast and says that winter doesn’t bother her because she loves the frequent change of seasons. And, when speaking with Beth, it is fairly recognizable to determine where she is from due to her New Yourk accent. After moving back to New York, Beth began selling her painted pieces in a local shop which led to her being com- missioned to paint murals in homes. Through the years, this has turned out to be the biggest part of her business. She also began teaching once again. When one of her designs was accepted by a magazine, she was so thrilled that she says, “One would have thought that I had won a million dollars! I was so excited.” In 2001, she stepped outside of her own local area and submitted some pieces to the M.A.D. Convention in Pennsylvania. Since then, Beth has taught at the New England Traditions (NET) Convention, the Heart of Ohio Tole (HOOT) Convention, in Seattle, Washington and at the Society of Decorative Painters (SDP) National Convention. And, to think it all began with wooden cut-outs. Roses Her now famous roses were not what she set out to become known for originally. Accustomed to painting huge murals, Beth decided to take a rose class and says she complained to her friend all the way home from that class. She was determined enough to practice and eventually developed the roses that she teaches so frequently now. Beth hopes to inspire TPR readers by saying, “I should have saved my first roses; they were so atrocious.” She goes on to say, “If you stay with it, through practice anyone can learn to paint a good rose.” She doesn’t judge other’s painting ability by their rose, as she has known people that paint exquisitely but struggle with getting a rose down. However, she has seen how her technique has helped many painters learn to successfully paint roses. As Beth and I spoke, she had just finished creatcontinued on page 15 Beth Wagner www.thepaintingrag.com september/october 2009 13 14 september/october 2009 www.thepaintingrag.com continued from page 8 continued from page 13 Fashionable Decorating Above: Fashion shoes are placed up high on shelving that circles the room. or design approach for your home, just look at the latest fashion runway and take notes. Fashion As Home Accessories and plants are excellent choices. Their versatility is also budget conscious. Fashion Runways To Interior Design When we think of what colors our homes wear, we can look at the fashion runway. I discovered that there are many examples of trends in interior design that come from fashion. Our sofas, wall coverings and curtains come directly from the catwalks. For example, animal skins are popular in both today’s interior design and fashion design. Exotic textiles have crossed over from beds to bodies. You can see white and black fur trimmed jacquard, contrasting black and white graphics, flowers and swirls are all current interior design styles. So, if you are stuck on what is the current interi- As I took a visual survey of my home, it was evident that some basic fashion items were used to decorate it. Buttons, for example, have been used to accent my window tab curtains. In a previous article, I shared how these buttons came from friends and family as they visited my home for picnics and gatherings. Antique hats have also been hung as window valences. Their unique color and design not only remind us of vintage fashion but now act as a beautiful addition to a window treatment. Remember my earlier comment about shoes and how they can be used to decorate? In my daughter’s bedroom, shoes have been lifted off the floor and placed on attractive shelving as a circumference border. This fashionable approach to interior decorating provides more closet and floor space in the room and performs double duty as a unique and attractive wall border design. Another fashion item used is my personal Christening dress, hat and wedding handkerchief. It has been hung inside a wooden picture frame to once again use fashion in decorating. Although it was worn many years ago, today it acts as a distinctive piece of art. My mother in law’s antique gloves and purse, dressed inside of an old suitcase, has been used as still another decorating feature. Scarves and sweaters wrapped around dining room chairs, and jewelry bracelets as napkin rings are just a few more possible fashion meets décor possibilities. So, next time you are undecided about home decorating, check this list of guidelines and use your fashion sense for successful home decorating. Alice’s consulting services are available for Room Design, Color Coordination and Interior Touches. Beth Wagner ing her first DVD, and can you guess what was being taught in the DVD? Exactly, roses! She is very excited about the DVD concept because she feels that DVD’s are a great tool for painters, as you can replay it over and over and practice along with it. It is like having your own personal teacher right there with you. In addition to her new DVD, she has over one hundred designs available in pattern packets. Florals, in general, are her favorite painting subjects, especially sunflowers (and roses) she says. She was at the shop of Wood Items and More one day when shop owner Maureen Van Herpe showed her a six pocket tote bag. Beth took one home with her and designed sunflowers which she painted on the bag and ended up teaching at a few conventions and many shops. Since then, she has designed eight more patterns that are painted on the bags and says they have become the hottest thing! You can see them in her exhibit booth at the New England Traditions Painting Convention in Rhode Island. continued on page 19 Beth Wagner Alice Sulish Design Consultant 603-321-6680 [email protected] Above: Fashion illustration is where Beth Wagner began her career as an artist. The above illustrations are some of her original works. www.thepaintingrag.com september/october 2009 15 continued from page 10 Art 101 - Drawing 1 BUNNY SKETCH would suggest you do, especially if you have never drawn before, is to get a feel for the pencil and hold it in a comfortable way. The pencil is usually not held in the same manner to draw as it is to write. There are different ways to hold a pencil for different effects, which I will not go into now. Instead, let’s move on to the exercises! Scribbling Scribbling is a great way to get used to the pencil and how your hand and arm works. Scribble just by moving the pencil with your fingers, then scribble by moving your hand from the wrist, then scribble again by moving your forearm from the elbow, then your whole arm from the shoulder. Make different shapes and move in different directions. If you notice, scribbling from the elbow and shoulder is a lot freer and fluid. You need the control of the fingers and hands for the details of a drawing just as you need the fluidity and looseness of the forearm and shoulders to capture the essence and overall shape and feel of your drawing. You can see the difference in the sample. The scribbling done with the fingers and hand are much tighter than the elbow and shoulder. When you are ready, start scribbling! Doodling After you have tried the different variations of scribbling, you probably want to draw something more recognizable; which brings us to doodling. I am sure you have all doodled at some time or 16 september/october 2009 www.thepaintingrag.com BUNNY another and it is a good way to let loose and draw things that come to mind. Just imagine an object and draw it. It doesn’t have to be accurate or true to life. Draw as many things as you want and draw different sizes. When you are done, keep that paper and date it, so that in the future when you are more accomplished with your drawing you can see the difference. Sketching Now that you have scribbled and doodled, you can try sketching. Sketching is just a way to get the overall feel of your drawing. I would suggest that you just sit in your favorite spot, whether it is inside or outside, and pick something to sketch. I would start with simple objects first; a lamp, a tree, your pet (if they sit still for a bit), a figurine or anything that grabs your interest. Do not be concerned with all of the details or how it looks. And, please, don’t tackle what you are not comfortable with. I do not want anyone to feel discouraged. You won’t be doing a finished drawing. Sketch loose and light; if you were to make it into a finished drawing your sketch lines should be easily erasable after placing your final lines and details. Be relaxed when sketching and keep your arm loose. If you sketch something moving, such as a bird, get the overall feel of the bird with quick lines. You can see in my sketch of the bunny that there is not much detail and, if you saw it in person, continued on page 21 Art 101 - Drawing 1 A Loving Master Cole Is So Very Sadly Missed The best things in life aren’t things! The Society of Decorative Painters defines decorative painting as a diverse art form utilizing a variety of techniques and media to decorate functional and non-functional surfaces. Because of the systematic methods employed, contemporary decorative painting is a highly teachable art form. The patterns or freehand designs allow a high degree of success without academic training or inherent drawing ability. Approached with creativity, discipline and craftsmanship, contemporary decorative painting offers opportunities for artistic self-expression and creative satisfaction. By Tracy Meola On August 8 we said good bye to a loyal friend and family member, our dog Cole. Cole was a unique black dog with a lot of quirks. He entered our family as a small puppy from the local rescue center and life changed for us immediately. As a young pup he didn’t like being alone and soon developed a major fear of thunder and lightning which turned into a fear of loud noises and any flash of light. When the loss of electricity caused lights to flick or the electronics to beep, he became restless. Later in life we had a very hard time getting photos of him because of the flash on the camera, he started to associate the camera with lightning, and whether it flashed or not, he ran away from it. I remember him hopping in the shower with our son Alex one time after hearing a loud noise, like running for cover. Then there was the time that we came home one Fourth of July to find an entire couch had been shredded. Little foam pieces from the cushions were all over the room, it looked like it had snowed inside. Speaking of couches, he had his own old couch that he could lay on and loved propping his head up on pillows. We always accused him of being nosey and not wanting to miss anything that was going on. He had different cookies for different times of the day and he loved to be brushed. He would go to the Groomers once a month and it was a real treat for him. Most dogs cower and try to run, but we just had to say “Bath” to Cole and he couldn’t get in the car fast enough. In fact, during one visit, Nancy, the Groomer said that when they were bringing him out back, he went and jumped in someone else’s tub, ready for his bath. As I think back over the span of twelve and a half years, the continued on page 20 Cole Is So Very Sadly Missed www.thepaintingrag.com september/october 2009 17 continued from page 12 Fashion Is Art And Art Is Fashion(able) Accessorize! Just when you didn’t think it was possible, heels are getting higher but the new trick is a plat-formed front. When the front (ball of the foot) has added platform to it, the stiletto can become even longer and leaner. Thin tall heels are being made in metals or are studded with gems and, as with everything else, shoes are sporting a hint of bold color as well. That works well for us, how about painted toes or heels? Glossy patent shoes are raging in red and deep brown. With so much depth in the color, they look as if they have coat after coat of shiny polyurethane on them. Bangle bracelets are making a huge comeback. Models are wearing lots of them at once and they are a mix of color, neutrals, metals and bauble trimmings. Now that’s an accessory a decorative painter can put their talents to work on! In fact, one delicious accessory that has debuted is winter gloves with big chunky bangles attached, allowing you to be fabulously accessorized even when dressed to go outside. Why spend over $2,000 for the designer label? (Yes, you read it correctly, over $2,000), when you can put your talents to work and create your own pair. Feminine ruffles are softening everything and in unusual ways. Soft ruffles may appear diagonally on blouses, lining scarves, on skirt seams, and to beautify jackets, and we are talking super soft and elegant; chiffon, silk, rayon and crepe are replacing stiff cotton and twill. Totally feminine! Modest necklines are returning and replacing the plunging fronts that shock onlookers with overdone, pushed-up cleavage. As chests get covered up, shoulders and arms are being bared. The new necklines are leaving more area for painting designs. The jewel necklines also make way for the hottest new trend in necklaces; full bibs that imitate Cleopatra and her Egyptian adornments. Only today’s bibs go way beyond metal coins; they are high in design and color incorporating beads, pearls, jewels, chains, and sculpted metals. What a statement! It looks like sparkle is still with us for awhile only now in the form of jewel embellishments, replacing loose glitter. The jewels are clustered around the neckline, added randomly over a blouse or dress, in pins, on hats, shoes and handbags. Remember the costume brooches that Great-Grandma wore? They are being reinvented into modern accessories and include the fabulous colors of today. Jewels, jewels everywhere; love that sophisticated sparkle! You may not be a fan of heavy metal music, but heavy metals are taking over the fashion scene fast and furiously. This summer revealed how deep rooted and persistent the trend is with sandals and purses showing up in stores in an array of mixed metallic tones and often antiqued…yes, antiqued! Stock up on metallic paints and be sure to include them in your next fabric project. Now, having said all of that, the most important thing to take into consideration is that the modern trend is still classic contemporary, which simply put, means not overdone. In other words, something trendy gives an updated look, but everything trendy put all together is just overdone. Choose a great fun piece and showcase it, don’t overload. Be a show stopper, not a show shocker! So, that’s the fashion lowdown. Let’s see… bold color, daring prints, abstract, bleeding watercolor fabrics, deep red and brown glossy patent, color and metal embellished shoes, bangle bracelets, metallics, what are you waiting for??!! These trends can give us motivation to step out and try something new and different in our designs. Decorative painting isn’t just country or cutesy anymore, it is young, it is bold and it is sizzling hot! Whether you are a country girl or a city girl you can easily add some color, sparkle, or art to your wardrobe or home decorating just by using your own two hands…and a brush of course! 18 september/october 2009 www.thepaintingrag.com Recreate Some Of The Hottest Fashion Trends For Yourself: Patent Leather Start with a deep rich red or brown paint base. Then, coat with Triple Thick® brilliant brush on gloss glaze by DecoArt. One to two coats is all that is needed to make a nice deep gloss. Metals Use metallic silver, gold, bronze and copper paints. And, don’t be afraid to try a little antiquing for the burnished look. Animal and Other Prints Using stencils for animal prints makes the job easy; just repeat the stencil until you have the desired area covered. For other prints, either create repeat patterns or random patterns. Repeat patterns can be placed by measuring off equal distances on your surface and placing the design at each measured increment. Or, be bold and brave and use a design more randomly so that it is a print that is repeated, not in measured symmetry, but placed instead in different areas or sizes on your surface. Abstract Bleeds Begin with a lighter color surface, such as white, cream, or light grey. For fabric, add fabric medium to the fabric paints. Spatter the colors on or apply continued on page 20 Fashion Is Art And Art Is Fashion(able) continued from page 15 Beth Wagner Business vs. Artist Beth feels that she is a much better artist than a business person but is really working on that. In the beginning, she lacked a “game plan” but also feels that is a classic artist trait. She is learning as she goes and has included two other women in her business, who she says are extremely organized (and computer literate) and even keep a schedule for her. She credits them with giving her order and control. One mistake she made, in the beginning of this business as a decorative painter, was that she didn’t promote herself. She now feels that it is okay to acknowledge that you are good at something, not be pushy about it, but acknowledge it and promote yourself. She also learned very early on to separate herself from her work, and her years of working as a fashion illustrator in the garment district taught her this. She knows her style isn’t going to be for everyone, just as she had illustrations that manufacturers would reject because her renderings were not what they wanted. She said at the age of twenty-one, the first time she had renderings rejected she left in tears, taking it very personally. She soon learned that it wasn’t a personal attack, it was her work and not her, and was just a matter of the manufacturer’s taste and style. The same thing happens today with conventions; she submits designs to be taught at conventions and if they are not chosen she knows it is because it is not right for that convention, not that it isn’t a good design. During her fashion illustration years, she was always working toward deadlines which can burn a person out and, so, she has learned to adapt and distinguish between work and personal time. Beth is also the owner of a business called Suede Sensations. This new product is paintable, soft suede surfaces in a variety of fashionable colors. Some of the surfaces available are, bookmarks, book covers, small bag purses, clutch purses, and mini Christmas stockings. Also available are painting patterns that Beth designed for the suede surfaces. Between the new suede business and the tote bags she has been doing quite a bit of fabric painting which brings her back to her background in fashion. Things do seem to come full circle with artists. Grow As An Artist Beth continues to keep herself involved in the various aspects of painting; designing, teaching, paintfor-hire and retail. She has ongoing students that paint with her every other week. She feels that every other week keeps the students looking forward to returning and seeing each other, whereas getting together every week could become a chore. She teaches only her own designs in her classes and many of her designs have come from her students requests in class. Whether in her own studio, at convention or on the road, she loves teaching and bringing out the “inner artist and designer” in each person. She is energetic and enthusiastic and her teaching style is fun and easy going. Her students would say that she promotes creativity by getting them to think outside of her design. She feels that her design should be the place for others to begin, not just copy. Personally, she seeks to always grow as an artist. She wants to continue to try new techniques and become better and better at her craft. A dream for her is to paint in France or Italy in a fine art painting class and to be able to focus on just that, nothing else, just the joy of painting there. And, although she is an acrylic painter her interest in watercolors has been piquing and she would like to spend some time working with them. Painting has changed Beth’s life and she says that she is so impressed with the bonds of friendship that she has seen come about. Women enter into friend- www.thepaintingrag.com ships that you would never expect because of the commonality of painting. Paint our cover design titled, “Welcome Autumn©” by Beth Wagner. Photos can be downloaded from our website for your personal painting and are available through October 31, 2009. Beth Wagner Designs 631-696-3435 www.bethwagnerdesigns.com september/october 2009 19 continued from page 18 continued from page 17 Fashion Is Art And Art Is Fashion(able) with a brush to the fabric. Be sure to continue with other colors and finish the entire piece before the colors dry so that they will bleed into each other. For wood, or other hard surfaces, mix paint with extender so the colors are very watered down, and apply to your surface. Blend where the colors meet each other or use a faux finish tool to create a pattern. Allow the colors to overlap each other and even bleed or pool in areas. Or brush extender over the surface first and then spatter the colors into the wet extender and watch them bleed into each other. Jewel Embellishments Currently available are colorful gems called “Faux Show” by Plaid Enterprises that look like the stones that appeared in Great Grandma’s brooch. They come in various sizes and color combinations, or scour the local craft store for unusual shapes and styles, as beading and jewelry making supplies are plentiful right now. When attaching the gems, use glue that is appropriate for the surface. Aleene’s makes glues for various surfaces and uses. Once attached, you can paint around the gems or paint first and then attach the gems for luminous accents. Results may vary and are not guaranteed. Cole Is So Very Sadly Missed crazy Cole stories are countless. Cole and I walked every day for years, when it became harder for him, we still walked every day, our route just became shorter and shorter. This was Cole’s absolute delight in life, his daily walks. Even in his last days when it was hard for him to get up, once he did, he would head for the pathway. Now Cole is gone and I recognize that there were so many habits that we formed without even realizing, that had become a part of our daily routine. I made sure there was cream cheese in the house for him to take his pill every day and walking by his water bowl I would look down to see if it needed clean water. When coming in the house, I would open the door and look for him to greet me, even if it was only with his eyes. I sat in my studio the other day and swore that I heard his little paws clicking down the hallway to come and get me for a break. I dropped something on the kitchen floor that made a big noise and waited for him to come in to see what was happening. Every time I hear the jingle of keys or a zipper pull, I think it is the jingle of the license on his collar. There is a real void in our house. I miss our little dog more than I would have ever thought. Dogs continued on page 21 Cole Is Sadly Missed 20 september/october 2009 www.thepaintingrag.com continued from page 20 Cole Is So Very Sadly Missed are somewhat like children, requiring attention and care, only they never grow up and become independent like children do. They remain perpetual children, always needing us and requiring our time and love. And what’s funny is I learned a lot from Cole, he taught me a lot about myself and various things in life. Quite a few years back I made an entry in my journal that I would like to share with you. Cole and I walk the same route every day and have become familiar with all the bumps, holes and uneven places. But once in a while we come across a broken bottle or something sharp lying in our path and I take hold of his leash and pull him in real close to me so I can guide him around the dangerous object. It is for his protection that I do this, so he wouldn’t end up with an injury. He isn’t aware of the danger that is lying there, he can’t understand that glass will cut his paws, so when I do this, his response is to look up at me with questioning eyes as if to say “What did I do? Why am I being corrected?” He seems to think of it as a punishment. But I wasn’t punishing him, quite the opposite, I was protecting him. It made me think of how many times God pulls on my leash and guides me out of dangers way, and in turn I feel like I have done something wrong or that I am being punished for something. How often I have wondered why something didn’t turn out the way I wanted or felt that a prayer had gone unanswered. Just as Cole felt that he was walking along, having his usual walk and enjoying life, I do the same. He could have fallen into harm had the arm of a loving Master not pulled him from it and guided him around it. He will never know or understand that he was being protected, but he was. I began to see that a loving Master protects me the same way, many times when I don’t see the danger that lies ahead, being caught up in the joy of my daily walk, I am pulled away and may never know the danger I was spared. I love Cole and want only the best for him and that is why I make the course corrections in his walk. I can now see that the things that happen in my life may be the course corrections of one who loves me even more. continued from page 16 Art 101 - Drawing 1 you would notice more “sketchy” lines that I did at first with my mechanical pencil. For photographic purposes, I had to go over some of the lines so that they would show up in the photography. I usually think of sketching as a starting point and I may or may not finish it as a final drawing. It is good to sketch an object, or whatever you are drawing, multiple times and from different angles. This allows you to get familiar with the subject, so that when you are ready for your final drawing there are no surprises. By now you have heard me mention “finished drawing” several times. It is just like a finished painting. You wouldn’t say a painting was finished after just painting in the background and base-coating all the elements. You need detail, lights and darks and all of the finishing touches that make it complete. The same is true for a finished drawing. A sketch gives you a starting point to put in all of the overall elements of your drawing, but it is not complete until all of the details and shading and highlighting are added in. Susan has drawn most of her life and painted seriously for the past 16 or 17 years. She graduated from Bridgewater State College with a Bachelor of Arts degree. She stumbled upon decorative painting and started painting with acrylics in the early 1990’s. When she began designing for books she was forced to get back to her drawing roots and has continued ever since. SUSAN BOERMAN www.susanville.etsy.com [email protected] Bridgewater Massachusetts Fall Apple Recipe Rose’s Apple Walnut Cake Submitted by Marlena DeFusco In honor of my Mother, Rose, who will be celebrating her 90th birthday this October. Growing up we were surrounded by wonderful apple trees of many different varieties, so there was always plenty of apples for cooking. My Mom’s recipe for apple cake filled the house with the wonderful smells of apples and cinnamon and was a favorite of hers to bring to parties or as a housewarming gift. It was always a bit of a hit or miss, however, because there would always be that one small section of the cake that just would not stay together and would ruin the cake. Of course, we loved it because it meant we got to eat it. Whenever my future husband heard that Mom was making her famous apple cake, he would stop in with his own fork in hand and anxiously await the outcome when Mom would remove the cake from the pan, hoping that this cake too would not make it to the party or to a friends house and would end up on the table in front of him. It was not until after many, many tries that she finally discovered that the secret to not having the cake fall apart was to alternate the dry ingredients and the chopped apple mixture. My husband still finds ways to tease my Mom, but not about her delicious apple cake! INGREDIENTS: 4 C Apple, peeled and coarsely chopped 1 3/4 C Sugar 1/2 C Oil 2 - Eggs 2 Tsp Vanilla 2 C Flour 2 Tsp Baking Soda 1 Tsp Salt 2 Tsp Cinnamon 1/2 C Walnuts, chopped DIRECTIONS: Preheat oven to 350°F. Combine apples and sugar and set aside. In large mixing bowl, mix eggs, oil and vanilla. Beat one minute at medium speed. Sift together combined ingredients and add ALTERNATELY with apple mixture and egg mixture. Stir in walnuts. (Mixture will be thick.) Spread in a well greased 13” x 9” x 2” baking pan (or a fluted bundt pan), at 350°F for 45-50 minutes, or until cake tests done with a toothpick. Do not under bake! www.thepaintingrag.com september/october 2009 21 continued from page 7 Welcome Autumn© Pattern USE PATTERNS AT 150% 22 september/october 2009 www.thepaintingrag.com Try Painting Day II Presented By THE PAINTING RAG Have you always wanted to try painting but were afraid you wouldn’t be able to? NOW is your chance to give it a try and find out how easy and fun it really is! We invite you to TRY PAINTING on Saturday, September 12, 2009. Our “Shimmery Pumpkin©” project takes about 45 minutes to complete. No supplies to buy - just come and try! This offer is for ONE DAY ONLY and can be completed at any of the locations listed below. Register today with the location of your choice! Try painting and bring home your own “Shimmery Pumpkin©” just in time for Autumn. PARTICIPATING SHOPS & STUDIOS A Painters Dream Debi Hendrickson 82 Railroad St. Abington, MA 02351 781-871-7706 Abby Rose Painting Studio Janice Tomlin 6 Autumn Way Seabrook, NH 03874 603-828-7744 Art Plus Karen Hicks 249 Loudon Rd. Concord, NH 603-225-8080 Brush Strokes & Painted Treasures Maryse Roy 476 Main St. Madison, ME 04950 207-696-4700 Central Oklahoma Society of Tole & Decorative Painters, Inc. Brenda S. Rickman, COSTDP Publicity Chair Putnam City Christian Church Fellowship Hall 5711 NW 42nd Oklahoma City, OK 73122 405-317-8410 voice mail Cupboard Distributing Chris Haughey 1463 S US Hwy. 68 Urbana, OH 43078 937-652-3338 Hattie D’s Cindy Farenkopf 285 Route 28 W. Dennis, MA 02670 508-398-0074 Lauré Paillex Studio 714 Head of the Bay Rd. Buzzards Bay, MA 02532 508-759-4623 Margie’s Decorative Painting Studio Margie Sheehan 112A East Broadway North Salem, NH 03073 603-898-2092 Michelle’s Creative Expressions Michelle Curran 151 Main St. Plaistow, NH 03865 603-378-0048 The Creative Touch Anne Hunter 48 Paquin Dr. Marlborough, MA 01752 508-485-9306 The Tole Patch, LLC Gavin Standish 110 N. Main St. Camden, DE 19934 302-698-4488 Quilted Acorn Shoppe 72 Newburyport Turnpike Newbury, MA 01951 978-462-0974 Check each individual studio for times and requirements, and remember to pick up THE PAINTING RAG during your visit. SPONSORED IN PART BY Quarry House Distributors www.thepaintingrag.com september/october 2009 23