View Program - Jacobs School of Music
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View Program - Jacobs School of Music
2012/2013 NEW Production Akhnaten Philip Glass Four Hundred Ninety-Ninth Program of the 2012-13 Season _______________________ Indiana University Opera Theater presents as its 429th production Akhnaten Music by Philip Glass Libretto by Philip Glass, in association with Shalom Goldman, Robert Israel, and Richard Riddell Arthur Fagen, Conductor Candace Evans, Stage Director Doug Fitch, Set Designer Linda Pisano, Costume Designer Todd Hensley, Lighting Designer Walter Huff, Chorus Master Supported in part by the Allen Whitehill Clowes Charitable Foundation, Inc., the Christel DeHaan Family Foundation, and the Indiana University Office of the President ________________________________________ Musical Arts Center Friday Evening, February 22 Saturday Evening, February 23 Friday Evening, March 1 Saturday Evening, March 2 Eight O’Clock Clowes Memorial Hall Butler University Friday Evening, March 8 Saturday Evening, March 9 Eight O’Clock Presented by Indianapolis Opera music.indiana.edu Cast of Characters Akhnaten . . . . . . . . . . . . . . . . . . . . . Brennan Hall, Nicholas Tamagna Nefertiti . . . . . . . . . . . . . . . . . . . . . . Sarah Ballman, Laura Thoreson Queen Tye . . . . . . . . . . . . . . . . . . . . . . Shannon Love, Olivia Savage Horemhab . . . . . . . . . . . . . . . . . . . . . Jeremy Johnson, Keith Schwartz Amon . . . . . . . . . . . . . . . . . . . . . . . Lorenzo Garcia, Jacob Williams Aye . . . . . . . . . . . . . . . . . . . . . . . . . . . . Zachary Coates, Jason Eck Narrator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ben Abbott Daughters of Akhnaten Daughter No. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . Jessica Beebe Daughter No. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . .Olivia Yokers Daughter No. 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . Riley Svatos Daughter No. 4 . . . . . . . . . . . . . . . . . . . . . . . . . . Erika Raschke Daughter No. 5 . . . . . . . . . . . . . . . . . . . . . . . . Jacqueline Matava Daughter No. 6 . . . . . . . . . . . . . . . . . . . . . . . . . . .Anna Prokop Supernumeraries . . . . . . . . . . . . . . . . . Deiran Manning, Brendon Marsh Chris Sims, Carlos Botero Vargas Chorus . . . . . . . . . . . . . . . . .Simran Afsah, Renee Albrecht, Betty Allison Jessica Beebe, Meghan Folkerts, Julia Holsapple Emily Holsclaw, Megan Hrabak, Eileen Jennings Smitha Johnson, Jung Hyun Lee, Leah McRath Jacqueline Matava, Abigail Mowery, Anna Prokop Erika Raschke, Jane Rownd, Emily Smith Synthia Steiman, Riley Svatos, Elizabeth Toy Kelsea Webb, Natalie Weinberg, Sarah Wells Olivia Yokers, Yeji Youn Brayton Arvin*, Travis Bloom*, Joshua Clampitt Benjamin Cortez*, Mark Davies*, Michael Deane* Paul DiGiulio, Gregory Geehern*, Barry Greene Michael Hyatt, Nick Karageorgiou, Andrew LeVan* Connor Lidell*, Bor Liang Lin*, Alex Nelson Preston Orr, Francisco Ortega, William Paget James Reynolds*, Scott Stauffer, Reuben Walker* Zachary Weber*, Ezra Zurita * Priests Special thanks to: Eva Mroczek, Hebrew Diction Coach Steve Vinson, Egyptian Diction Coach Projection poetry text by: Abul Qassim Al-Chabbi Philanthropy at work... In a groundbreaking strategic partnership, Indianapolis Opera has joined the Indiana University Jacobs School of Music, home of IU Opera Theater, to present two performances of American composer Philip Glass’s seminal opera Akhnaten at Clowes Memorial Hall in Indianapolis, in addition to the school’s four performances at the Musical Arts Center in Bloomington. We would like to extend our most sincere appreciation to the Allen Whitehill Clowes Charitable Foundation, Inc., the Christel DeHaan Family Foundation, and the Indiana University Office of the President for making this collaboration and the performances in Indianapolis possible. Through their investment and belief in the partnership between IU Opera Theater and Indianapolis Opera, these organizations have given Indiana University Jacobs School of Music students a unique opportunity to share their musical talents with the Indianapolis community, and Indianapolis music lovers will experience one of the finest collegiate opera programs. We look forward to all of these distinctive performances. Synopsis by Elizabeth Newton and Candace Evans The opera is set in the city of Thebes, Egypt. It is a series of episodes from the life of Akhnaten, Pharaoh of Egypt from 1351 to 1334 B.C. Prelude The opera opens with an orchestral prelude and a reflection on the current conditions in Egypt. We are then introduced to the Scribe, a narrator who will guide us throughout the opera. The Scribe’s opening speech predicts the religious and social changes to come during the rule of Akhnaten. Funeral Pharaoh Amenhotep III has died, and the people of Thebes bid farewell to him and accompany the funeral procession along the Nile. Coronation Akhnaten, the son of the late Pharaoh, receives the double crown of Upper and Lower Egypt from the High Priest Amon, General Horemhab, and Aye, a government advisor. The Window of Appearances The new regime is formally announced as Akhnaten, his wife Nefertiti, and his mother, Queen Tye, sing a hymn of acceptance and resolve from the Temple windows. This is the first time we hear the voice of Akhnaten, a role sung by a countertenor, musically illustrating the unusual aspects of the coming era—the Amarna period of Egyptian history. The Temple It is eight years into the reign of Akhnaten, and, in the Temple, the priests are worshipping the traditional Gods of Egypt. Akhnaten, Nefertiti, and Queen Tye arrive and engage in a wordless debate with the priests, declaring a new monotheistic order of religion. The Pharaoh’s former name, Amenhotep IV, will be abandoned in favor of Akhnaten, meaning son of Aten, the Sun God. The Temple is destroyed and the sun enters to light the way for the new, revolutionary Aten order. Intermission Akhnaten and Nefertiti The second half of the opera begins with the Scribe reading a poem from an ancient tomb inscription. Repeating this poem in song, the words become an illustration of the love between Akhnaten and Nefertiti. In the background, we see Queen Tye, who realizes her time of power has passed, as she thinks of her husband Pharaoh Amenhotep III’s funeral procession journeying to the land of Ra. The City Using a text from the Boundary markers of the Amarna period, the Scribe illustrates the changes in Egypt’s power and Akhnaten’s plan to build a new utopia, Akhetaten. Meaning the horizon of Aten, the city is to be a place of openness and light. The Dance As Akhnaten consults with his architects, we see the city of Akhetaten being built by the joyful citizens. Hymn At a defining moment of the opera, Akhnaten sings a “Hymn to the Aten.” Determined by the composer that this music is to be sung in the language of the opera’s audience, Akhnaten praises the Sun God and speaks of himself as one with him. Following the Hymn, the chorus sings Psalm 104 from the Old Testament in Hebrew, a direct musical influence from the time of Moses in Egypt. The Family It is year 17 of Akhnaten’s rule, and he is with wife Nefertiti and their six daughters inside their palace. Increasingly isolated from the outside world, the family revels in their own utopian ideals. Attack and Fall Outside the palace, the citizens have grown restless over the neglect of the country’s needs. As they gather, the Scribe incites their anger by reading letters chronicling the years of myopic rule. As their distress increases, the mob surrounds and enters the palace, carrying the Pharaoh and his family away. The scene closes with the Scribe announcing the end of Akhnaten’s rule. The Ruins The Scribe describes the return of the Amon order, with the ascendancy of Tutankhamen, a son of Akhnaten by a lesser wife. King Tut ordered the destruction of his father’s city and monuments and oversaw the rebuilding of the temples that Akhnaten had destroyed. The scene then transitions to present day, where we see the ruins of the city Akhetaten, the site of the few archaeological remnants of Akhnaten’s rule. The Scribe, transformed into a twentieth-century tour guide, tells the modern visitors the story of what once was. Epilogue In a timeless juxtaposition, we see the ghosts of Akhnaten, Nefertiti, and Tye, and the citizens of modern Egypt amidst the ruins. Program Notes “Dead Languages, Living Music” by Daniel Bishop We know very little about the historical Akhnaten, the rebellious Egyptian Pharaoh of the fourteenth century B.C.E., who initiated the short-lived religious reform that came to be known as the Amarna period. In approaching tonight’s opera, we might imagine ourselves as archaeologists, examining millennia-old stellae inscriptions and sarcophagus carvings. Always, with such relics, far more is lost than is preserved. Akhnaten, like ancient history itself, embraces distances and gaps in its search for familiarity and relevance. Philip Glass’s music counters the distance of this fragmentary history with recognizable, even traditional operatic traits. At the time of Akhnaten’s premiere, Glass was increasingly engaging with Western operatic traditions. In his earlier, more avant-garde theater works such as Einstein on the Beach (1979), Glass had even explicitly avoided the term “opera.” But Einstein would eventually be tied together with Satyagraha (1981) and Akhnaten (1984), to form a trilogy of historical “portrait” operas. While the first two had originally been independent works, written without any cycle in mind, only Akhnaten was conceived from the start as part of a “trilogy,” and, as such, it is far more deliberate in drawing together motives from the previous two works to create a complementary whole. Almost inevitably, Akhnaten’s sense of grand historical-mythic sweep drew comparisons to Romantic opera, especially Richard Wagner’s Ring Cycle. But instead of a Wagnerian libretto, which would have given dramatic dialogue to historical or mythic characters, Akhnaten marks out its themes and historical trajectory entirely with “found texts,” conveying an estranging sense of historical distance. Excerpts from a group of religious documents traditionally called the “Pyramid Texts” set the scene for the funeral of Akhnaten’s father. Dating from nearly a thousand years before the opera is set, they convey the traditionalism of the ancient priesthood, which the newly crowned Pharaoh will soon forcibly suppress. Glass suggests this shift of power through recognizable musical tropes. The music of the old order is percussive and primitivist, suggesting an archaic tribalism from which the “purified” music of Akhnaten will emerge. A new era is established by texts dating from the Amarna period itself, in which Akhnaten and his family overthrow the priesthood of the sun god Amon and establish a city consecrated to the “Aten,” a transcendent, ineffable deity. Glass characterizes the young Pharaoh through dramatic instrumentation. The role of Akhnaten is written for countertenor, and his singing is always accompanied by a solo trumpet, in much the same way that a string “halo” surrounds the words of Christ in J. S. Bach’s St. Matthew Passion. Thus Glass marks Akhnaten apart as strange and different, befitting both his unconventional spirituality and his vast historical distance from the modern audience. Perhaps implicitly, Akhnaten’s high voice is also reminiscent of the heroic male lovers of Baroque opera, often performed by castrati (castrated adult male sopranos). The gender ambiguity implied in this connection perhaps links Akhnaten’s strangeness to a theory, contested by many scholars, that the young Pharaoh was sexually androgynous, perhaps even a hermaphrodite. Know-How KITCHEN WITH CHEF JEFF TABER Valuable cooking skills for your culinary toolbox Join Chef Jeff Taber, Ivy Tech associate professor and chairman of the college’s Hospitality Administration program, every Wednesday for cooking mini-classes. You can access Chef Taber’s instructional videos online and from The HeraldTimes’ Food section. Watch his weekly video straight from the page with the HTlivepage app, or explore the Kitchen Know-How archive online at www.heraldtimesonline.com/food. Download the free HTlivepage app from the AppStore or Google Play for your smartphone or tablet. When you see the “live” icon, use HTlivepage to interact with the image and see extra video content. Try the app on the food photo above to see one of Chef Taber’s lessons! The libretto’s historical texts are sung as they were written, in the ancient languages of Akkadian, Ancient Egyptian, and biblical Hebrew. The only exception to this distancing linguistic archaism is Akhnaten’s Act II “Hymn to the Sun.” The libretto instructs that this declaration of faith, traditionally ascribed to Akhnaten himself, should be sung “in the language of the audience,” a technique Glass described as imparting a sense of sudden, intimate communion with Akhnaten’s thoughts. Following the Hymn, we hear a choral setting of the biblical text of Psalm 104, echoing its themes and drawing our attention toward an often-speculated historical connection between Akhnaten’s monotheism and that of the later Abrahamic faiths. Several aspects of Akhnaten’s biography, especially several taboo sexual imputations, may have originated in later Egyptian sources that, following the restoration of the traditional priesthood, essentially engaged in a historical smear campaign against the usurper. Nevertheless, Akhnaten’s legacy still contains complex, even troubling aspects for modern audiences. As a monotheist, Akhnaten was both an idealist and an absolutist, and his destruction of the images and worship of the old gods was ruthless—leading us, perhaps, to see him less as a rebellious spiritual hero defying a conservative order and more as a prophet of modern religious intolerance. Another such dilemma is played out musically at the opening of Act III. In Glass’s sharp juxtaposition of the royal family’s dreamy, wordless singing against the denunciations of the people, we might hear represented an inherent paradox in the mystical experience, whose withdrawal from everyday reality is both its blessing and its curse. Led by their spiritual imaginations, Akhnaten and his family move beyond words into a purely musical, transcendent realm, but also become increasingly insular and alienated from the very real empire that their negligence of duty allows to decay and crumble. Glass and his collaborators on this operatic trilogy were aware of the complexity of their subjects. Einstein on the Beach, for example, presents Albert Einstein as a beacon for scientific possibility, but also puts the physicist on symbolic trial for his role in developing the theories that would make possible nuclear warfare. Five years later in its genesis, and three millennia earlier in its subject, Akhnaten is likewise a work with no simple “message.” At the opera’s conclusion, a more recent “found text”—an early twentieth-century tourist guide—further reinforces the opera’s sense of distance and ambiguity by reducing the great world-changer and his family to ghosts wandering through the ruins of their lost world. Director’s Notes by Candace Evans When asked to direct this production, I was at once delighted and overwhelmed. The music of Philip Glass is uniquely challenging, and the scope of Egyptian history is vast. My first step with any opera is always the music. Why was it written and orchestrated as it was? What did the libretto illuminate? And, most urgently, what was the real story being told? As I listened again and again, ideas began to form. Parallel to this world of listening, I began doing research. Beyond the Tutankhamen exhibits which toured the United States, a few hours in the Metropolitan Museum of Art, and the opera Aida, my knowledge of Egypt was minimal. One of the great joys of my career is the continual expansion of knowledge that accompanies each project. New language, rich history, varied geography, fascinating social behavior, and apparel are revelations within each directorial assignment. I studied books, toured exhibitions, watched historical DVDs, and immersed myself in all things Egyptian, all the while continuing to listen to the music. Every new piece of information added knowledge and piqued my interest, but the core question was as yet unanswered. What is this opera really about, and why should we, as an audience of this time and place, care? Each day as I listened to the score and continued my research, the media buzzed about the Arab Spring. As my knowledge of ancient Egypt increased, each day provided more awareness of modern Egypt. And there, in that synchronicity, was my answer. Akhnaten was not Mubarak. His leadership did not purposefully limit the freedom of his citizens nor was he brutal to his people. However, he was a man who became increasingly uncaring about the daily needs of his country. While he was history making in his declaration of monotheism, he allied himself more with God than his citizens. Constructing a utopian city, surrounded by mountains and bordered by the Nile, he became philosophically, and literally, isolated from his people. As in modern-day Egypt, an historical populace continually marginalized by its leadership becomes a populace who will revolt. The original work of Philip Glass concludes the opera with a modern look back at the Akhnaten era during the Ruins scene. I have added another modern scene during the opera’s Prelude and extended the Ruins scene—with a current reflection on life—as the opera concludes. Through the use of projections and present-day action, I invite you to consider the parallels of these two significant eras. When belief becomes obsession and rulers become myopic, the citizens will determine a new fate for themselves. History, as they say, certainly does repeat itself. From Philip Glass to Jennifer Higdon to Ola Gjeilo— each week we celebrate the music of living composers Tuesdays at 10 pm Artistic Staff Conductor Arthur Fagen has been professor of orchestral conducting at the Jacobs School of Music at Indiana University since 2008. Additionally, he has been music director of the Atlanta Opera since 2010. Fagen was born in New York, where he began his conducting studies with Laszlo Halasz. Further studies continued at the Curtis Institute, under the guidance of Max Rudolf, at the Salzburg Mozarteum, and with Hans Swarowsky. A former assistant of both Christoph von Dohnanyi (Frankfurt Opera) and James Levine (Metropolitan Opera), Fagen’s career has been marked by a string of notable appearances. He has conducted opera productions at the Lyric Opera of Chicago, Metropolitan Opera, Munich State Opera, Deutsche Oper Berlin, Staatsoper Berlin, New York City Opera, Theatre Capitole de Toulouse, Bordeaux Opera, Frankfurt Opera, Staatstheater Stuttgart, New Israeli Opera, Baltimore Opera, Edmonton Opera, Spoleto Festival, Teatro Colon Buenos Aires, Teatro Lirico di Cagliari, and Stadttheater Bozen. From 1998 to 2001, he was invited regularly as guest conductor at the Vienna State Opera. On the concert podium, Fagen has appeared with internationally known orchestras including the Baltimore Symphony Orchestra, Orchestre de la Suisse Romande, Deutsche Kammerphilharmonie, the Czech Philharmonic, Munich Radio Orchestra, Tokyo Philharmonic, RAI Orchestras (Torino, Naples, Milano, Roma), the Bergen Philharmonic, Prague Spring Festival, the Dutch Radio Orchestra, Jerusalem Symphony Orchestra, among others. Galleries Performances Classes ivytech.edu/waldron Fagen has an opera repertory of more than 75 works. He has served as principal conductor in Kassel and Brunswick, as chief conductor of the Flanders Opera of Antwerp and Ghent, as music director of the Queens Symphony Orchestra, and as a member of the conducting staff of the Chicago Lyric Opera. From 2002 to 2007, he was music director of the Dortmund Philharmonic Orchestra and the Dortmund Opera. Following his successful concerts with the Dortmund Philharmonic at the Grosse Festspielhaus in Salzburg, Fagen and the Dortmund Philharmonic were invited to the Concertgebouw in Amsterdam, the Palais de Beaux Arts in Brussels, and to Salzburg, Beijing, and Shanghai. He conducted in that period, among others, new opera productions of Siegfried, Götterdämmerung, and two Ring Cycles. Fagen conducted a new production of Turandot at the Atlanta Opera in 2007, opening the season with enormous success and inaugurating the new opera house, the Cobb Energy Performing Arts Center. Soon afterward in Atlanta, he conducted the contemporary opera Cold Sassy Tree by Carlisle Floyd. He was first-prize winner of the Baltimore Symphony Orchestra Conductors Competition, as well as a prize winner of the Gino Marinuzzi International Conductors’ Competition in Italy. Fagen has recorded for BMG, Bayerischer Rundfunk, SFB, and WDR Cologne. He records regularly for Naxos, for which he has completed the six symphonies of Bohuslav Martinu. The recent Naxos recording of Martinu’s piano concertos has been awarded an Editor’s Choice award in the March 2010 issue of Gramophone magazine. Stage Director Candace Evans is honored to return to Indiana University following last season’s Candide. Since then, she has directed Roméo et Juliette for Arizona Opera and a new production of Three Decembers for the Fort Worth Opera Festival, which earned high praise in Opera News as “genuine gripping drama.” Honored by the National Music Critics Association of Argentina, Evans’ production of La Viuda Alegre at the legendary Teatro Colón in Buenos Aires was selected as one of the top three operas of the Argentinian season. Additionally, her direction/choreography of Carmen and Eugene Onegin for Madison Opera both earned Top Ten Classical awards. Similarly, her Dallas Opera Merry Widow earned a place in the Top Ten Classical Events of 2008. She was also honored to direct the Dallas Opera Don Pasquale for the company’s inaugural season at the Winspear Opera House. Praised as a director “with a flawless sense of timing” (Opera News), Evans’ past seasons have included engagements with Santa Fe Opera/Apprentice Scenes, Palm Beach Opera, North Carolina Opera, Knoxville Opera, and Opera Southwest. Trained as an opera singer, having danced with the Wisconsin Ballet Company, and with a Master of Fine Arts in Classical Theatre/Direction, she is passionate about the integration of all the arts to create seamless and moving operatic experiences. After working in New York City, she relocated to Texas to teach for the theatre/ music departments of Southern Methodist University. Lecturing nationally on acting for opera singers, she also conducts mask workshops to inspire mind, voice, and body integration. She has served as the acting/movement coach for the Dallas Opera, took part in the “Frontiers” new works panel for the Fort Worth Opera Festival, and taught at the Taos Opera Institute. Known for her collaborative spirit, Evans has directed/ choreographed over 80 operas, musicals, and plays, including the regional and world premieres of Jane Eyre and Children’s Letters to God. Her upcoming engagements include Florentine Opera, a summer in Italy directing Le Nozze di Figaro for La Musica Lirica, and return engagements to Knoxville Opera and Arizona Opera. Additionally, she is the stage director on the creative team developing a world premiere opera, Riders of the Purple Sage. Set Designer Doug Fitch has worked in media ranging from architecture and opera to puppetry and food. As director/designer, he created a production of Elliot Carter’s opera, What Next?, conducted by James Levine, which was filmed and premiered at the Museum of Modern Art. He has also created productions of Turandot for the Santa Fe Opera, Hansel and Gretel for the Los Angeles Opera, Das Rheingold for the Royal Stockholm Philharmonic, and Rise and Fall of the City of Mahagonny in Tanglewood. With the National Symphony Orchestra at the Kennedy Center, he mounted L’Enfant et les Sortilèges, Abduction from the Seraglio, and a live shadow performance of Swan Lake. Most recently, his productions of Le Grand Macabre and The Cunning Little Vixen, which both appeared at Lincoln Center with Alan Gilbert leading the New York Philharmonic, were met with great acclaim. This year, he is directing and designing Petrushka and The Fairy’s Kiss, again for the New York Philharmonic, in which the entire orchestra will be theatrically involved. His work in concert-theater rekindled a childhood interest in puppetry now finding form as a live-filmed and projected miniature theater of moving pictures. The first production that used this technique was A Soldier’s Tale, featuring Pinchus Zuckerman and principals from the New York Philharmonic at Lincoln Center. Evolving into a form of live-animation, he formed a company called Giants are Small, with whom he created a production of Peter and the Wolf, commissioned by the Los Angeles Philharmonic. Other projects have taken him around the world, where he has designed productions in Russia, made sculpture in Japan, made furniture in Italy and the Philippines, and had several exhibitions of drawings and paintings in Germany. He has created a number of performance installation feasts involving whole villages in France and designed and constructed the interior and furniture for a home for violinist Joshua Bell. In a traveling exhibition of drawings and painted sculptures titled Organs of Emotion, he proposed a new design for the human anatomy aimed at better serving the life of emotions. An exhibition of tactile pictures, Mit Haut und Haaren, is currently traveling around Germany. Costume Designer This is Linda Pisano’s sixth production with IU Opera Theater, having also designed Vincent, La Rondine, The Most Happy Fella, Der Rosenkavalier, and The Merry Widow. She heads the Costume Design Program and directs the Study Abroad Program in London for IU’s Department of Theatre and Drama. A member of the United Scenic Artists Local 829, Pisano’s work has covered a broad range of theater, dance, musical theater, ballet, and opera. Her work has been featured in the Quadrennial World Design Expo in Prague and the World Stage Design exhibition in Toronto. She is a four-time winner of the Peggy Ezekiel Award for Excellence in Design, a three-time jury winner in the National Design Expo, and a two-time recipient of the Kennedy Center/ACTF Meritorious Achievement in Costume Design Award. Pisano regularly designs with ballet and theater companies throughout the United States. Several of her ballet designs continue to tour through Canada, England, and the United States. She also designed A Little Night Music for Indiana Repertory Theatre with Sylvia McNair as Desiree. She serves on the board of directors of the United States Institute for Theatre Technology. Lighting Designer Todd Hensley returns to IU after lighting IU Opera’s La Rondine and Candide. He is a Chicago-based designer whose work includes such productions as Un Ballo in Maschera, Don Giovanni, and Cavalleria/Pagliacci for Florida Grand Opera, Boris Godunov for San Diego Opera, Carousel and From the Towers of the Moon for Minnesota Opera, Il Barbiere di Siviglia for Michigan Opera Theatre, and productions for Baltimore Opera, Cleveland Opera, Skylight Opera Theatre, Tulsa Opera, Chicago Opera Theatre, and Chicago’s Lyric Opera Center. Other work includes Sense and Sensibility in Jon Jory’s new adaptation for Northlight Theatre; the off-Broadway premiere of John Logan’s Hauptmann; and many productions for Chicago’s Tony Award-winning Victory Gardens Theater. Hensley is a partner with Schuler Shook Theatre Planners, with projects including Chicago Millennium Park’s Jay Pritzker Pavilion and major opera house renovations in New York, Seattle, Chicago, and Sarasota. Chorus Master Along with his responsibilities as adjunct associate professor of choral conducting at the Jacobs School of Music, Walter Huff continues his duties as Atlanta Opera Chorus master. He has been chorus master for The Atlanta Opera since 1988, preparing the chorus in more than 80 productions, receiving critical acclaim in the United States and abroad. Huff received his Bachelor of Music degree from the Oberlin Conservatory and his Master of Music degree from Peabody Conservatory (Johns Hopkins). He studied piano with Sarah Martin, Peter Takacs, and Lillian Freundlich, and voice with Flore Wend. After serving as a fellow at Tanglewood Music Center, Huff received Tanglewood’s C.D. Jackson Master Award for Excellence. He served as coach with the Peabody Opera Theatre and Washington Opera, and has been musical director for The Atlanta Opera Studio, Georgia State University Opera, and Actor’s Express (Atlanta, Ga.). He also has worked as chorus master with San Diego Opera. Huff served on the faculty at Georgia State University for four years as assistant professor, guest lecturer, and conductor for the Georgia State University Choral Society. Recently, he was one of four Atlanta artists chosen for the first Loridans Arts Awards, given to Atlanta artists who have made exceptional contributions to the arts life of Atlanta over a long period of time. While serving as chorus master for The Atlanta Opera, Huff has been the music director for The Atlanta Opera High School Opera Institute, a nine-month training program for talented, classically trained high school singers. In addition, he maintains a busy vocal coaching studio in Atlanta. My life’s never been more fun! ©2012 HARVEST MANAGEMENT SUB LLC 17439 There is a lot to love about Redbud Hills’ all-inclusive, independent lifestyle. Seniors enjoy wonderful friends, new experiences, freedom from daily chores, delicious food, and the reassurance of 24/7 live-in managers. Call 812-558-0724 or visit today to learn more. Welcome to Holiday. Welcome home. Call today to see how you can save up to $3,000! Redbud Hills Independent Retirement Living 3211 E Moores Pike, Bloomington, IN 47401 812-558-0724 | redbudhills.com Cast Akhnaten Countertenor Brennan Hall is a native of Orlando, Fla. Hall is pursuing a Performance Diploma at the Jacobs School of Music, where he also completed his master’s through the Early Music Institute. Hall made his professional debut singing as a soloist in Bach’s St. John Passion with the American Bach Soloist, under the direction of Jeffrey Thomas. Hall was heralded by the San Francisco Classical Voice for his “silky vocal production and suave presentation... and admirable musical intelligence.” Hall premiered a Matthew Barney and Jonathan Bepler filmed opera as Horus in River of Fundament. He also performed several scenes from the movie at the 2012 summer Holland Festival in Amsterdam. He has performed the roles of the Spirit in Purcell’s Dido and Aeneas and as Willie in Small Box, a new one-act opera by Bruce L. Pearson and Herman Whitfield III. He has also appeared in scenes as Sesto (Giulio Cesare), Orfeo (Orfeo ed Euridice) and Malcome (La donna del Lago). Hall’s concert work as a soloist includes Bach’s Mass in B Minor, Haydn’s Lord Nelson Mass, Handel’s Messiah and Judas Maccabaeus. He is a frequent soloist for the Bloomington Bach Cantata Project and the Bloomington Early Music Festival. Hall has studied with Paul Elliott and is currently a student of Robert Harrison. He received his B.A. in voice from Rollins College, in Winter Park, Fla. Nicholas Tamagna is a countertenor of rare quality. Specializing in Handelian repertoire, he has conquered such challenging roles as Giulio Cesare, Ruggiero, and Xerxes. His technique, calibrated registration, clarity of diction, and dramatic versatility have allowed him to cross over into repertoire sung by other voice types. In the 2012-13 season, Tamagna will sing with Operamission in the title role of Handel’s rarely performed Rodrigo. Highlighting his comedic skills, he performs the role of The Duchess in Gilbert and Sullivan’s The Gondoliers with Utopia Unlimited Opera Company, and appears at Symphony Space as Ottone in L’Incoronazione di Poppea. In the concert hall, he is featured in Handel’s Messiah with Princeton Pro Musica and Ars Musica Baroque All-Star ensemble, and with Christine Gevert’s Crescendo ensemble in the premiere of La Lombardesca with music of the Polish Baroque. He is frequent collaborator with the Cherylyn Lavagnino Dance troupe and ensemble. In 2011-12, Tamagna performed the role of Mr. Norris in A Weimar Flute, a contemporary piece based on Mozart’s The Magic Flute, and in concerts of Baroque repertoire with The American Virtuosi and the Richard Tucker Foundation. In previous seasons, his active performance schedule has included the title role in Handel’s Xerxes, Pane in Cavalli’s La Calisto, the Witch in Hänsel und Gretel, Farnace in Mitridate, and Ruggiero in Alcina. With Opera London, Bel Cantanti Opera, and in a reading sponsored by the Metropolitan Opera Guild, he performed the roles of Cesare and Tolomeo in Giulio Cesare. He has sung Prince Orlofsky in Die Fledermaus, Gluck’s Orpheo (Opera Memphis), the Sorceress in Dido and Aeneas, and in scenes from Britten’s A Midsummer Night’s Dream, Dove’s Flight, and Stravinsky’s The Rake’s Progress. Tamagna has collaborated with numerous composers to create roles in new works, most notably Billy in Richard Burke’s A Game of Poker. In 2009, he premiered the role of Milos in Jeff Meyers’ A Hunger Art and was an invited guest artist in Melissa Dunphy’s media-splash oratorio The Gonzales Cantata, featured at the Philly Fringe Festival and on the Rachel Maddow Show. Both works were given repeat performances at The Burning Bayreuth Festival under the direction of Timothy Nelson. An active concert soloist, Tamagna has sung in Vivaldi’s Stabat Mater, Handel’s Messiah and Utrecht Jubilate, Bach’s motets, Monteverdi’s madrigals and Il Ballo delle Ingrate, and John Adams’ El Niño at renowned venues, including Carnegie Hall, Merkin Hall, and Avery Fischer Hall. At Lincoln Center, he performed his house debut as a soloist in Goossens’ edition of Handel’s Messiah under the auspices of the Distinguished Concerts International New York. He has been a frequent guest artist with Amor Artis Chamber Orchestra and Choir, Princeton Pro Musica, C4 Ensemble, One World Symphony, La Fiocco Ensemble, Ensemble Calandra, Crescendo Choir and Chamber Ensemble, and St. Boniface Choir in Brooklyn. Tamagna was the first-prize recipient of the 2012 New York Lyric Opera Theater Competition. In 2011, he placed in three notable competitions: as winner of the first Nico Castel International Mastersinger Competition, as second Judges Prize in the Arkadi Foundation Opera Idol Competition, and as a semi-finalist in the first-ever countertenor competition—the Gianni Bergamo Award for Countertenors in Lugano, Switzerland. Nefertiti Mezzo-soprano Sarah Ballman, from Eagle Grove, Iowa, is currently pursuing a Doctor of Music in Voice Performance at Indiana University, where she studies with Patricia Havranek. Ballman received her Bachelor of Arts in Voice with honors at South Dakota State University (SDSU) in Brookings, S.D., in 2009, where she studied with Emily Wood Toronto. Throughout her years at SDSU, Ballman performed in many opera scenes, including Rossini’s La Cenerentola (Angelina), Bizet’s Carmen (Carmen), and Mozart’s The Magic Flute (Pamina). She also performed the role of Olga in the world premiere of the chamber opera The Trickster and the Troll, written by Kristen Kuster, with the Heartland Opera Troupe in 2008. She received her Master of Music in Voice Performance from Indiana University last December. At IU, Ballman has performed with the Contemporary Vocal Ensemble and was chosen as the mezzo-soprano soloist for Aaron Copland’s In the Beginning, performed in Chicago at the KAM Isaiah Israel Synagogue in 2010 with the choir. Ballman has performed with the Indianapolis Symphony Orchestra as the alto soloist for George Frideric Handel’s Messiah and with the Bloomington Chamber Singers as the alto soloist for Ludwig van Beethoven’s Missa Solemnis. Her roles with IU Opera Theater include Una Conversa in Puccini’s Suor Angelica, Octavian in Richard Strauss’s Der Rosenkavalier, and Prince Charmant in Jules Massenet’s Cendrillon. As an alumna of the Jacobs School of Music, mezzo-soprano Laura Beckel Thoreson is thrilled to be returning to Indiana University Opera Theater as a guest artist for Akhnaten. She has appeared as a guest artist with such groups as the Cincinnati Symphony Orchestra (Mozart’s Coronation Mass and Solemn Vespers, Handel’s Messiah), Indianapolis Symphony Orchestra (Messiah), Utah Festival Opera (Bach’s St. Matthew Passion), Augusta Opera (La Zia Principessa in Puccini’s Suor Angelica), and the Lafayette Symphony Orchestra (Mama Lucia in Mascagni’s Cavalleria Rusticana). She has given solo recitals in venues across the country, including the Kennedy Center in Washington, D.C. During her time at IU, Thoreson appeared in Puccini’s La Rondine (Suzy), Adamo’s Little Women (Jo March), and Bernstein’s Candide (Old Lady), in addition to performing as alto soloist in Mendelssohn’s Elijah, Bach’s St. John Passion, Part’s Missa Syllabica, Handel’s Judas Maccabeus, and Mozart’s Coronation Mass, among others. Other opera roles include Orfeo in Gluck’s Orfeo ed Euridice, Dido in Purcell’s Dido and Aeneas, and Gertrude in Humperdinck’s Hänsel und Gretel. Recent engagements include performances of Bach’s Magnificat with the Portland Baroque Orchestra and Haydn’s Lord Nelson Mass with the Cincinnati Symphony Orchestra. Upcoming engagements include a return to Utah Festival Opera & Musical Theatre as a principal artist, performing as the alto soloist in Beethoven’s Missa Solemnis and Emilia in Verdi’s Otello, and performances of Messiah with the San Juan Symphony Orchestra. A native of Vancouver, Wash., Thoreson now resides in the Portland area, where she maintains a private voice studio in addition to her active performing schedule. She is a student of Timothy Noble. Opera for All Seasons 60 Years of Indiana University Opera Theater Marianne Williams Tobias To Order Call 1-800-842-6796 Or Visit iupress.indiana.edu Send Mail Orders to: Indiana University Press, 601 North Morton Street Bloomington, IN 47404 Be sure to mention the code FMG3XX to receive a 30% discount! From reconfigured army barracks to a stage rivaling that of the Met, the IU Opera Theater has grown into a world-class training ground for opera’s next generation. Celebrating more than six decades of opera at its finest, this lavishly illustrated history captures the excitement, hard work, talent, and pride that distinguish each performance and make the theater what it is today. cloTh 978-0-253-35340-5 $39.95 SaLE PRICE wIth dISCount CodE $27.97 Queen Tye Soprano Shannon Love, a native of Ponca City, Okla., is in her first year of study as a doctoral student, pursuing her degree in vocal performance. She received her master’s degree at the Jacobs School, where, with IU Opera Theater, she performed the roles of Queen of the Night in Die Zauberflöte, Lauretta in Gianni Schicchi, and, most recently, Cunegonde in last year’s production of Candide. She began her study at IU as a Barbara and David Jacobs Fellow under the tutelage of Costanza Cuccaro, with whom she is extremely grateful to continue studying. She received her bachelor’s degree in vocal performance from the University of Central Oklahoma, where, as a student of Barbara Streets, she performed the roles of Fiordiligi (Così fan tutte), Sofia (Il signor Bruschino), Périchole (La Périchole), Mrs. Gleaton (Susannah), and Mrs. Gobineau (The Medium). She is thrilled to join Opera New Jersey this summer, where she will be covering the role of Queen of the Night. Olivia Savage has been hailed as “fearless,” “graceful,” and “flexible” by the Cleveland Plain Dealer. Her role credits include Elle in La Voix humaine, Thisbe in Pyramus and Thisbe, Aminta in Il rè pastore, Tytania in A Midsummer Night’s Dream, and Muffin in the west-coast premiere of William Bolcom’s A Wedding. Savage was a chorus member for the 2010‐11 season at the Opera Company of Philadelphia, performing in Otello, Roméo et Juliette, and Tosca. She was a semi‐finalist in the 2010 Houston Grand Opera Studio Auditions and Eleanor McCullom Competition, as well as a recipient of an Encouragement Award from the Four Cities District in both the 2010 and 2011 Metropolitan Opera National Council Auditions. She recently performed as a soloist at the Princeton Festival, and has spent two summers with the Music Academy of the West, as well as one summer in the CoOPERAtive Program with Laura Brooks Rice. Savage is currently studying with Robert Harrison while in pursuit of her D.M. Previously, she received her B.M. from Oberlin Conservatory of Music and her M.M. from Westminster Choir College. Horemhab Jeremy Johnson, baritone, has performed with IU Opera Theater as Masetto in Don Giovanni, Schaunard in La Bohème, and the character role Gladhand in West Side Story, as well as in productions of Faust, Lucia di Lammermoor, Roméo et Juliette, and The Love for Three Oranges. Last summer, he appeared as Ser Amantio and Maestro Spinelloccio in the Princeton Festival’s production of Gianni Schicchi, and he recently reprised the role of Schaunard in the premiere performance of Opera Experience Southeast. He sang the role of Peter in the touring production of Don Freund’s Romeo and Juliet, and has been a featured soloist in Haydn’s Die Schöpfung, Bach’s Johannespassion, Britten’s Rejoice in the Lamb, and Liszt’s Die Seligkeiten. He has performed in opera workshops in roles such as Pelléas, Don Giovanni, Count Almaviva (Le Nozze di Figaro), and Papageno (Die Zauberflöte). This summer, he will cover the role of Luis in the world premiere of Terence Blanchard’s Champion as a Gerdine Young Artist with Opera Theater of St. Louis. Originally from San Diego, he is a first-year master’s student in the studio of Andreas Poulimenos. Keith Schwartz, baritone, is a native of the Washington. D.C., area. He is currently pursuing a Master of Music in Voice Performance at the Indiana University Jacobs School of Music. This performance marks his second production at IU, after appearing in the chorus of The Merry Widow last fall. He earned his Bachelor of Music degree from the University of Delaware, where he performed the title role in Don Giovanni and Count Almaviva in Le Nozze di Figaro with The University of Delaware Opera Theater. Schwartz is a student of Timothy Noble. Amon Tenor Lorenzo Miguel Garcia, a native of San Antonio, Texas, is a secondyear graduate student pursuing a Master of Music in Voice Performance under the direction of Robert Harrison. He returns to the IU Opera Theater stage, having performed Ferrando in Così fan tutte and Valzacchi in Der Rosenkavalier during its 2011-2012 season. This past summer, he participated in Bay View Music Festival’s production of Don Giovanni, where he performed the role of Don Ottavio. Prior to IU, he received a Bachelor of Music in Vocal Performance from The University of Texas of San Antonio, where he performed the roles of Second Priest in The Magic Flute and the title role in The Impresarrio. This summer, Garcia joins Opera Theatre Saint Louis as a member of its Gerdine Young Artist Program. Visit us at Smith Pike Crossing, 3621 W. State Rd. 46, Suite 103 Televisions mobile devices TableTs cellular plans accessories elecTronics The STore smithville.net Jacob Williams recently premiered the role of Theo van Gogh in Bernard Rands’ opera Vincent at Indiana University and assumed the title role in Handel’s Judas Maccabeus with the Winona Symphonic Choir. He has also performed the roles of Baron von Eisenstein in Die Fledermaus with Pacific Opera Company, Nemorino (L’Elisir d’Amore) at Bear Valley Music Festival, and in a new production of Albert Herring at Indiana University. In 2010, Williams sang at the Cincinnati May Festival under James Conlon and has enjoyed numerous oratorio and concert opportunities, including three radio-broadcast concerts as the Evangelist in Bach’s St. Matthew Passion with Cabrillo Symphonic Chorus and the world premiere of Imant Raminsh’s The Peace of Wild Things with California-based professional choir Cantiamo!. Williams is an associate instructor of voice at the Jacobs School of Music and will perform with Ensemble Monterey in Britten’s War Requiem this April. Aye Baritone Zachary Coates received his bachelor’s degree in voice performance from Westminster Choir College of Rider University and is currently pursuing a Master of Music degree at Indiana University, studying voice with Andreas Poulimenos. At the Jacobs School, he has been seen in the role of Don Giovanni (Don Giovanni), Sid (Albert Herring), Guglielmo (Cosí fan tutte), Wagner (Faust), and the Gallery Director (Vincent). In the summer of 2008, Coates made his professional operatic debut with the Spoleto Festival USA, singing the role of Reporter 2 in Anthony Davis’s Amistad. He has also appeared with Westminster Opera Theater singing Golaud (Pelléas et Mélisande), the Father (Hänsel and Gretel), the Marquis de la Force (Les Dialogues des Carmelites), and Pinellino (Gianni Schicchi), and with the Princeton Amateur Society, singing King Melchior (Amahl and the Night Visitors). As a soloist, Coates has performed the Fauré Requiem with the Indiana University Chorale, the Mozart Requiem with the Westminster Symphonic Choir, and Haydn’s Mass in Time of War with the American Classical Orchestra. Bass-baritone Jason Eck, from Binghamton, N.Y., has performed Bartolo (Il Barbiere di Siviglia), Theodorous Van Gogh (Vincent world premiere), Don Alfonso (Così fan tutte), Sid (Albert Herring), and Leporello (Don Giovanni). He attended Marilyn Horne’s Music Academy of the West, singing Colline in La Bohème in 2007. In the 2011 Metropolitan Opera National Council Auditions, he won the Indiana District and received an honorable mention in the Central Region. Eck has for the last two summers participated in the Gerdine Young Artist Program at Opera Theatre of Saint Louis (OTSL). He will be returning to OTSL this coming summer, again as a principal artist, singing The Sergeant of Police in The Pirates of Penzance. He is a student of Timothy Noble. Narrator Ben Abbott is a guest artist, originally from San Luis Obispo, Calif. He trained at the Pacific Conservatory of the Performing Arts in Santa Maria, Calif., and received his B.A. in Theater and Performance Studies from the University of California, Berkeley. Roles include Petruchio (Taming of the Shrew), Buckingham (Richard III), Lance (Two Gentlemen of Verona), Lysander (A Midsummer Night’s Dream), Hamlet (Hamlet), Macduff (Macbeth), Dr. Parker (Bat Boy: The Musical), Donald (You Can’t Take it With You), and Dad (Knuffle Bunny). Enjoy this Performance – and ours! Classical Music With: Michael Toulouse 6 – 9 a.m. weekdays Meredith Granger 4 – 7 p.m. weekdays Peter Van De Graaff Midnight – 6 a.m. Mon. – Fri. Exploring Music with Bill McGlaughlin 7 – 8 p.m. weekdays ...and more! Hear our programs on WICR–FM/HD 88.7 ALLEN WHITEHILL CLOWES CHARITABLE FOUNDATION f a s i n d y. o r g Concert Orchestra Viola Evan Vicic Emily Owsinski Benjamin Schantz Kimberly Hankins Ashley Fruhling Tara Foley Woonjoo Park Sofia Nikas Mark Hatlestad Evan Robinson Bass Dorian Jackman Peter Ferretti Clark Brown Samantha Dickman Andrew Keller Cello Jae Choi William Rowe Andrew Bader Meng Cui Sara Page Mackenzie Holmberg Maxwell Frank Stephen Dorff Flute Jessica Lipstone Jeong Young Hong, Piccolo Bassoon Chandler Stapleton Cayla Bellamy Horn I Ping Chiu Michael Digatono Percussion Nicholas Stevens Jonathan Tomasello Kelly Rotterman Keyboard & Celesta Andrew Pham Trumpet Zachary Kingins Jacob Hook Orchestra Manager Anna Tsai Nicole Schroeder, Asst. Oboe Jessica Warren, d’amore Anna Bradford, d’amore Trombone Alexander Krawczyk Eric Rogers, Bass Clarinet Bixby Kennedy Joseph Miller Harrison Burks, Bass Tuba Aaron Yong Orchestra Set-Up Nicole Schroeder I Ping Chiu Mark Hatlestad BRAVO STARTS HERE Discover degrees and careers in arts management www.indiana edu/~artsadm/ Librarian Mariel Stauff Student Production Staff Assistant Conductor . . . . . . . . . . . . . . . . . . . . . . . Brian Onderdonk Assistant Chorus Master . . . . . . . . . . . . . . . . . . . . . . Juan Hernández Coach Accompanist . . . . . . . . . . . . . . . . . . . . . . . . . . . Brian Eads Opera Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . Hallie Stebbins Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . Joe Fernandez Deck Supervisors . . . . . . . . . . . . . . . . . . Mitch Anthony, Robbie Kozub Mercedes Lysaker, Steven Wilson Deck Crew . . . . . . . . . . . . . . . . . . . . Kristin Allen, Rachael Fernandez David Gordon-Johnson, Robert Gowin Lindsay Hubble, Kainan Kawamura, Tyler Keown Hafsah Khan, Jacob Morehead, Anna Moore Rachel Payne, Emma Reuth, Rosa Schaefer Sarah Schaefer, Amy Schulze, Lynn Schulze Alana Shanon, Kayla Silverman, Matthew Storino Holly Noel Yeung, Andrew Woodcock Electrics Supervisors . . . . . . . . . . . . . . . . Patrick Clark, Krista Laskowski Electrics Crew . . . . . . . . . . . . . . . . . . Nathan Belton, Daniel Hamilton Alexis Jarson, Rebecca Johnstone, Elizabeth Parker Zachary Schmidt, Joshua Tobin, June Tomastic Caitlin Watkins, Betsy Wray Props Master . . . . . . . . . . . . . . . . . . . . . . . . . . .Monica Armstrong Paint Supervisors . . . . . . . . . . . . . . . . . . . Brendon Marsh, Christa Ruiz Paint Crew . . . . . . . . . . . . . Monica Armstrong, Brayton Arvin, Andrea Ball Caroline Benton, Carlos Botero Vargas, Hanna Brammer Krista Grant, Eva Mahan-Taylor, Preston Orr Jacob Wiener, Felicity Young, Simone Zhang Costume Design Assistants . . . . . . . . . . . . . . . . . . . . . . . Eriko Tereao Costume Crew . . . . . . . . . . . . . . . . . Hannah Andrews, Simone Chanley Rachel Evans, Liz Faranda, Carly Hammond Haleigh Holtman, Kaity Jellison Alysse Maglior, Maryam Noorzad Supertitle Operator . . . . . . . . . . . . . . . . . . . . . . . . . Chan Mi Jean Audio Production Crew . . . . . . . . . . . . . Kendall Demarest, Ethan Harrell Nathan Lasley, Gerald Leonard, Matthew Tobey Jacobs School of Music Honor Roll Calendar Year 2012 Individual, Corporate, and Foundation Supporters The Jacobs School of Music wishes to recognize those individuals, corporations, and foundations who have made contributions to the school between January 1, 2012, and December 31, 2012 . Those listed here are among the Jacobs School’s most dedicated and involved benefactors, and it is their outstanding generosity that enables the IU Jacobs School of Music to continue to be the finest institution of its kind in the nation . $500,000 and Up The Estate of Mary M. Freeburne The Estate of Barbara M. Jacobs Louise Addicott-Joshi and Yatish Joshi Sandy Littlefield Gary and Kathy Anderson Col. Jack I. and Dora B. Hamlin Richard and Barbara Schilling Jamey and Sara Aebersold Mary C. Gasser Rusty and Ann Harrison Virginia A. Jones Howard H. Lipstone Ronald K. Lipstone Luba Dubinsky The Estate of Frederick G. Freeburne Peter and Monika Kroener Hon. P. A. Mack Patrick and Jane Martin Cullen and Rachel McCarty Sue Aramian Jack and Pamela Burks Park and Louise Carmon Linda K. Fischer Ramona R. Fox Jay and Karen Goodgold Frank Graves and Christine Dugan Dennis and Judith Leatherman Leonard Phillips and Mary Wennerstrom Marianne L. Ackerson Donald and Charlene Allen Susan H. Backer Andrew T. Banzhaf William Banzhaf and Cathy Tschannen Robert Barker and Patsy Fell-Barker David H. Barnard Brian M. Barnicle Marian K. Bates Frederick and Beth Behning David and Gina Boonshoft Mildred J. Brannon Roberta Brokaw Carol V. Brown Jeffrey C. Brown Brayton and Tracie Brunkhurst J. Peter Burkholder Philip Caito and Dena Hancock David and Marcella Carlton Susan Cartland-Bode William and Anita Cast Fred and Beth Cate Mark S. Cobb John and Carol Cornwell William and Marion Crawford Danny and Patty Danielson David DePeters and Elizabeth Hainen Jay and Jacqueline Dickinson Gary and Sandra Dowty Gertrude I. Doyle Jeremiah and Chelsea Duggan Stephany A. Dunfee Nile and Lois Dusdieker Stephen B. Ellis Lee and Carolyn Eubank Mary E. Forbes Edward and Mary Fox Jon and Jann Fujimoto Paul and Ellen Gignilliat Monroe A. Gilbert Jack and Linda Gill Glen G. Graber John and Susan Graham Susan Grodner Henry C. Gulick Rajih and Darlene Haddawi Robert and Jaci Hadsell Stephen and Jo Ham Lee H. Hamilton Lenore S. Hatfield Dale C. Hedding The Estate of Bernhard C. Heiden Laura B. Hentges William T. Hopkins The Estate of Paul and Anne S. Plummer $100,000 - $499,999 $25,000 - $99,999 Shalin Liu The Estate of Virginia Schmucker Marianne W. Tobias $10,000 - $24,999 Jon A. Olson Stephen and Margaret Russell Robert D. Sullivan $5,000 - $9,999 Earnest and Lorraine Pope Stanley E. Ransom Charles and Lisa Surack Neil and Elizabeth Yoder Mimi Zweig $1,000 - $4,999 L. Scott and Donna Horrall Jeffrey S. Jepsen Ted W. Jones Kenneth and Linda Kaczmarek Thomas and Gail Kasdorf George and Cathy Korinek Thomas and Theresa Kulb Jeanette C. Marchant Gary and Carol Matula Patrick and Marianne McCall Darby A. McCarty Beverly A. McGahey Carmen J. McGrae Grady McGrannahan Clarence and Nancy Miller John and Geraldine Miller Craig C. Morris Jim and Jacqueline Morris Lawrence and Betty Myers Eugene O’Brien Joan C. 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Kelly John Kincaid and Mary Soper Harry and Roberta Kletter Stephen Koscica Peter and Monika Kroener Scott R. Latzky Luther T. Lemley Eric and Rebecca Lightcap William J. Longardner Marie T. Lutz Susan L. Adams James A. Allison Paula J. Amrod Kenneth and Elizabeth Aronoff Brian K. Arreola James F. Ault Sandra C. Balmer Mark and Ann Bear William and Nichole Bier Arthur and Karen Bortolini Louise Breau-Bontes Craig M. Brown Montgomery and Mary Brown Winston and Marilyn Budrow David Burkhart and Chris Holmes John N. Burrows William and Helen Butler Phyllip B. Campbell Philip and Elizabeth Capasso Robert and Gayle Chesebro Aileen Chitwood Paul and Catherine Christenson Jonathan D. Chu Johnnie Clayton and Tineke Scholten-Clayton Roger W. Cline Mark R. Conrad Todd and Darla Coolman Katherine R. Covington Bettejane Crossen William A. Crowle Janice E. Daniels John D. Danielson Charles Daval and Jennifer Ross Mary L. Denne Dominic and Susan Devito Susie J. 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DeArmitt David V. Deeg Linda Degh-Vazsonyi Patricia J. Deihl Richard and Linda Delano Richard and Barbara Dell Allan W. Dennis Patrick and Karen Dessent Mary A. Diaz-Przybyl Roger D. Dickerson Barbara C. Dickey Virginia Dixon Richard and Barbara Domek D. Michael Donathan Gayl and Beverly Doster James and Elizabeth Doster Paul T. Dove David A. Drinkwater Margaret J. Duffin Barbara J. Dunn Erik D. Dyke Dale and Edith Dzubay Silsby S. Eastman Robert and Robin Eatman Frank Eberle and Cathy Cooper Patricia Eckstein Terrence and Barbara Edgeworth Frank and Vickie Edmondson Ryan T. Edwards Stephen A. Ehrlich Anne C. Eisfeller J.R. Elkins Gerlad Ellington and Marilyn Park-Ellington Joseph E. Elliott Michael J. Ellis Marc Embree and Jane Bunnell Steven K. Emery Herman and Mary Emmert Dannie and Janet Epstein Gerald and Coleen Falasca Elliot Fan and Elaine Chu Teresa K. Fancher John and Suzanne Farbstein John Fearnsides and Margaret Jenny Harvey and Phyllis Feigenbaum Arthur and Therese Fell Vicky Felton Craig and Carol Fenimore William and Harriet Fierman Martin and Susie Fine Mary E. Fine Michael Fish and Belinda Potoma Donald and Myra Fisher Constance C. Ford Graham V. Fuguitt Edwin R. Fuhrmann Melanie J. Fuhrmann Mauricio Fuks and Violaine Gabriel-Fuks Robert Fuller and Lynda Clendenning David and Marilyn Fulton Jessica E. Galgiani Douglass Garibaldi Brent M. Gault Craig C. Gibson David and Linda Giedroc Susann Gilbert Ezekiel and Viola Gilliam Sander and Marina Gilman Walter A. Goldreich Vincent M. Golik Richard S. Gorden Thomas and Heather Gorin Sylvia S. Gormley Arlene Goter Brian E. Graban Ken and Kathleen Grandstaff Susan E. Grathwohl Jeffrey D. Green Charles and Theresa Greenwood Stephen C. Greist David E. Greiwe Teddy and Phyllis Gron Thomas and Susan Hacker Holli M. Haerr Franck P. Hagendorf Laurel K. Hagerman Robert and Jeanne Hallam Kenneth and Judy Hamilton Donna Hamm Linda Y. Hammel Robert and Julie Hammel Norman L. Hanks Katharine D. Hannah Bernard and Nancy Hansan Charlene A. Harb Shannon M. Hardiek Ellie M. Harlow Dell C. Harmsen R. V. Harnack Donald W. Harris Pierrette Harris Stephen and Martha Harris Theodore R. Harvey Jeffrey and Jeanette Hathaway Clayton and Ellen Heath Karl S. Henry Jan Herlinger Florence E. Hiatt Leslie W. Hicken Joe and Margaret Hickman Dana E. Higbee Laura J. Hilmert Don I. Hirose Ernest Hite and Joan Pauls Kathryn K. Hodge Mark and Elizabeth Hofeldt Marilyn L. Hoffman Sarah K. Hogan Grayson R. Holland Halle Holland Nicholas and Katherine Holzmer Dennis and Judith Hopkinson Ray and Phyllis Horton Emily L. Hostetter Thomas and Patricia Howenstine Robert B. Huber Ivan and Anne Hughes John and Cindy Hughes Marcia A. Hughes Craig D. Hultgren Mike Hurtubise and Ann Murray Earl and Elaine Jackson Carole L. James Glenn E. Jenne Dwight L. Jennings Ross S. Jennings Donald and Wendy Jensen Anna L. Jerger Robert and Kathryn Jessup Robert and Michele Johns Carl L. Johnson James E. Johnson Kent and Shelley Johnson Marla J. Johnson Robert and Doris Johnson Thomas and Marilyn Johnson Ted and Barbara Johnson Paul R. Johnston Donald and Margaret Jones David and Harriett Kaplan Martin and Linda Kaplan Kathleen Katra Dennis D. Keithley Janet Kelsay Natatlie J. Kemerer Margaret A. Kennedy-Dygas Richard E. Kennon Kevin Kerwin and Katherine Mahoney-Kerwin Martin W. Kettelhut Myrna M. Killey John and Julianne King Laura J. King Meredith K. Kirkpatrick Christopher and Kathryn Klapheke Taka and Karen Kling Iris J. Knollenberg Joseph P. Koestner Marvin and Gretchen Koffron Dana Kolovson and Barbara Taggart-Milberg Ronald and Carolyn Kovener George J. Kozacik Joseph C. Kraus Scott W. Kunkel Lisa Kuntz David and Judith Lahm Glenda G. Lamont Thomas and Nancy Lancaster John and Mary Langdon Lois B. Lantz Aldis and Susan Lapins Gregory Largent and Anna Leppert-Largent Nathan Larimer and Cara Owens David and Suzanne Larsen George Lawrence and Judith Auer John and Julia Lawson Randy L. Leazenby Charles and Holly Ledvina David Lee Robert and Debra Lee Bradley Leftwich and Linda Higginbotham Susanne J. Leggett James A. Leick Kristin M. Lensch Jerry and Jane Lewis Jon and Susan Lewis Timothy Lewis Scott and Ann Liberman Howard and Carolyn Lickerman Timothy Lindeman and Nancy Walker William and Karen Lion Martha A. Livsey-Barker M Locke and Sarah Bovaird Locke Robert and Susan Long Alma E. Lyle Joan I. Lynch Al and Susan Lyons Michael and Valerie MacLean Frances M. Madachy Robert W. Magnuson Robert and Marcia Mahnken David and Barbara Malson Joseph and Leslie Manfredo Rochelle G. Mann Rudy T. Marcozzi Brian D. Marcus Philip Marcus Rovena Marcus Richard and Susan Marvin John M. Maryn Noel and Helena Masters Andrea Matthias Matthew and Kelly Mayer Barbara E. Mayhew Philip and Elizabeth McClintock Thomas and Norma McComb Mark and Kathleen McConahay Michael and Linda McCoy Scott and Kelly McCray Herm and Carol McCreary Patrick and Catherine McGinn Ellen L. McGlothin James L. McLay James and Nelia McLuckie Mary Jo McMillan Michael and Marcia McNelley Sean M. McNelley Norman and Misako Meeker William Meezan Theodore and Bessie Megremis Mary K. Mehner Glenn and Edith Mellow Milford and h Merrill Lynn A. Meyer Margaret J. Miller Ronald and Joyce Miller Raymond and Clara Millett Julianne M. Miranda Darwin L. Missling G and Rosalind Mitchell Kenneth H. Mitchell Patrick and Frances Mitchell Jan T. Mixter Michael L. Mlynarski Rosalind E. Mohnsen Michael Molenda and Janet Stavropoulos David and Maria Montgomery Jay E. Montgomery Philip and Patty Moreau Cassie M. Murphy Dudley G. Murphy Andrew G. Myers Darla J. Myers Andrea Myslicki George and Diane Nadaf David and Jean Nanney Dale and Cynthia Nelson Louis and Nancy Newman Gail C. Newmark Kathleen C. Nicely Christopher and Mary Nielsen Jeffrey and Jane Nierman Gloria G. Noone Christine Norris Christopher J. Norris David and Diane O’Hagan William and Kathleen Oliver George D. Osborne Mary A. Owings Hyung-Sun Paik Carol L. Pampalone Margaret D. Parker Robert and Sandra Parker Peggy W. Paschall Walter and Beverly Pavasaris Russell and Ruth Peck Kenneth D. Pennington Kathie I. Perrett Byron and Nancy Peterson Douglas Peterson and Pamela Hanson-Peterson Edward Petsonk David and Sara Pierce David and Deborah Pierson Ernest and Patricia Pinson John and Jill Pitz Jeffrey L. Plonski James H. Potts Gregg and Shayla Powell Ronald and Frona Powell Stephen and Darlene Pratt Sylvanna T. Prechtl Richard and Mary Pretat John F. Priddy Robert and Ellen Priez Nancy G. Puckett Julia D. Ragains-Slawin John A. Rathgeb Alan and Diana Rawizza Lincoln and Marlene Record James L. Reifinger Jack Relyea Phyllis E. Relyea Craig and Katherine Rhoades Paul and Barbara Ristau Christopher and Stephanie Ritrievi Donald and Lucy Ritter Alice E. Robbins Brent and Elizabeth Robertson Gail A. Robertson Frederic and Wilhelmina Robinson Amaryllis Rodriguez-Mojica Roger Roe Edward and Donna Ronco Clyde R. Rose Linda J. Rosenthal James and Maureen Ross Daniel Rothmuller Robin S. Rothrock John and Mary Rucker Gerlad J. Rudman David Sabbagh and Linda Simon Irving L. Sablosky Mary L. Sachse Tetsuro and Sonomi Sakai Janice Salvucci David and Ann Samuelson Stephanie Sant’Ambrogio John and Donna Sasse David Sasso and Dana Small Marc T. Satterwhite Andrew R. Schemm Stephen and Susan Schlegel Barbara I. Schneider Richard, Sabine, and Richard Schneider Loren Schoenberg Fredric and Nancy Schroeder Matthew R. Schuler Gary J. Schulte Daniel E. Schulz Monte Schwarzwalder and Rebecca Henry Beverly Scott and Sylvia Patterson-Scott Carol B. Scott Walter L. Scott Mary E. Scroggs Harry and Priscilla Sebel John A. Seest Mary K. Seidholz Christian and Mary Seitz Richard Sengpiehl and Mary Adams Danny and Sarah Sergesketter Timothy W. Shaffer Stephen and Nancy Shane John and Merry Shapiro David L. Shea Richard and Karen Shepherd J.R. Shine John and Rebecca Shockley Nathaniel and Joline Short Thomas and Donna Shriner W. Robert and Jill Siddall Curtis and Judith Simic Edwin L. Simpson Abner Slatt and Pamela Haft John and Donna Slinkard Catherine A. Smith Eliot R. Smith John and Juel Smith Linda K. Smith Marvin K. Smith Robert Smith and Janice Lesniak Lucille Snell Steve and Mary Snider Gary and Sandra Snyder John L. Snyder Fredric and Roberta Somach Nancy A. Sonntag George and Barbara Sorrells James and Carolyn Sowinski Paul V. Spade Christopher and Michelane Spanburg C. Gregory and Mary Spangler Fredrick and Lori Spencer Barry R. Springer Stanley and Cynthia Springer Francis William and Cynthia St. Leger Darell and Susan Stachelski James and Susan Stamper David E. Starkey Joseph and Nina Steg Paul Stephenson and Maria Schmidt Malcolm and Ellen Stern Scott A. Stewart Melanie D. Stidham Olivia N. Stidham Lawrence F. Stoffel Eric and Etsuko Strohecker Gregory and Rhonda Swanson Rick and Leaetta Taflinger Yasuoki Tanaka Lester I. Tanji Joyce A. Taylor Kathleen A. Taylor Helen C. Templeton Nancy C. Teutemacher Amy R. Tharp William C. Thompson William E. Thomson Derrick and Nancy Tietz Scott Tisdel and Stefanie Jacob Dava A. Tobery Rebecca Todaro Joseph and Diana Tompa Jonathan Towne and Rebecca Noreen Stephanie G. Tretick Philip and Alice Trimble Joshua S. Tripp Julia B. Tripp David and Elizabeth Troutman Linda J. Tucker John R. Turk Noelle M. Turner John and Alice Tweedle Frank and Janet Van Graas Robert C. VanNuys Lawrence A. Vanore Violette Verdy John and Tamyra Verheul William and Shirley Vessels Wayne and Jane Vincent James R. Volstorf William and Jane Volz Charlotte E. Wagner Martha F. Wailes Barbara J. Waite Jeffrey D. Walker Dennis and Julie Walsh Janet R. Walton Timothy and Elizabeth Wappes Sarah F. Ward Garry Wasserman and Cathleen McComas Paul and Mary Waytenick Mark Webb and Lee Smith Paul E. Weikle Eugene and Frances Weinberg Daniel Weiss George Weremchuk Mark and Karen Westerhausen Susan E. Westphal James and Joan Whitaker James T. White Marian P. White Barbara G. Williams Heather M. Williams-Mamiya Dolores Wilson Robert Wilson and Cecily Shull Carl Wiuff Peter and Teresa Wolf Earl S. Woodworth Judith A. Woolfolk James and Patricia Wright Mary M. Yager Eugene Yates Jeffrey P. Zaring David and Joan Zaun Timothy and Sara Zwickl * Deceased Corporations and Foundations $25,000 and Up Allen Whitehill Clowes Charitable Foundation, Inc. Christel DeHaan Family Foundation David H. Jacobs Marital Trust JK Family Foundation Inc. Georgina Joshi Foundation, Inc. Americas Society Avedis Zildjian Company Bank of America Foundation Bemis Company Foundation Big Red Liquors, Inc. Bloomington Classical Guitar Society, Inc. Camerata, Inc. Chicago Tribune Foundation Christ Church Cathedral Community Foundation of Greenville, Inc. Harrison Steel Castings Company, Inc. Kalamazoo Community Foundation Kuehn Foundation M.A. Gilbert Declaration of Trust McGrae Charitable Foundation Myers Revocable Trust National Christian Foundation Greater Chicago Opera Illinois League Park and Louise Carmon Family Trust Paul Dean Plummer Trust Summer Star Foundation for Nature, Art and Humanity $1,000 - $24,999 Paul C. Gignilliat Trust Paulsen Family Foundation Schwab Charitable Fund Stanley E. Ransom Family Trust Steve Zegree Productions Sweetwater Sound, Inc. The Anamcara Trust Vanguard Charitable Endowment Program Annual Giving Circles The Indiana University Jacobs School of Music Annual Giving Circles include individuals dedicated to making a difference in the cultural life of the university . These unrestricted gifts of opportunity capital support the areas of greatest need, including financial aid, faculty research, academic opportunities, and visiting artists . Dean’s Circle Visionary Members $10,000 and Up Gary and Kathy Anderson Strategic Members $5,000 - $9,999 Sue Aramian Jack and Pamela Burks Jay and Karen Goodgold Frank Graves and Christine Dugan Dennis and Judith Leatherman Charles and Lisa Surack Supporting Members $2,500 - $4,999 David and Gina Boonshoft Jack and Linda Gill Henry C. Gulick Darby A. McCarty Eugene O'Brien Gwyn and Barbara Richards Beth Stoner Mark A. Sudeith David L. Wicker Contributing Members $1,000 - $2,499 Robert Barker and Patsy Fell-Barker Brayton and Tracie Brunkhurst David and Marcella Carlton William and Anita Cast Mark S. Cobb John and Carol Cornwell William and Marion Crawford Danny and Patty Danielson Gertrude I. Doyle Jeremiah and Chelsea Duggan Stephany A. Dunfee Nile and Lois Dusdieker Paul and Ellen Gignilliat John and Susan Graham Rajih and Darlene Haddawi Lee H. Hamilton Dale C. Hedding William T. Hopkins Jeffrey S. Jepsen Ted W. Jones Kenneth and Linda Kaczmarek Thomas and Gail Kasdorf George and Cathy Korinek Thomas and Theresa Kulb Hon. P. A. Mack Jeanette C. Marchant Patrick and Marianne McCall Carmen J. McGrae John and Geraldine Miller Lawrence and Betty Myers Philip and Jennifer Nubel Joan C. Olcott Herbert E. Parks Gary and Christine Potter Robert and Joy Renshaw Richard C. Searles Harold and Jeannette Segel William C. Spence Randall and Deborah Tobias Bruce and Madelyn Trible Artist’s Circle $500 - $999 Niel and Donna Armstrong Charles and Margaret Athey James and Mary Babb Linda A. Baker David Y. Bannard Charles and Gladys Bartholomew Christopher and Ruth Borman Karen M. Boston-Wright Roberta Brokaw Jerald and Megan Chester Miriam S. Clarke James and Carol Clauser Lenore S. Davis Robert and Josette Degeilh Jorja Fleezanis Lawrence and Lucienne Glaubinger Carter and Kathleen Henrich Jolaine L. Hill Lowell and Ruth Hoffman William and Karol Hope Jeffrey and Lesa Huber Masanori and Seiko Igarashi Robert and Lisa Jones Carol R. Kelly Scott R. Latzky Eric and Rebecca Lightcap William J. Longardner Marie T. Lutz Jeffrey and Cynthia McCreary Beverly A. McGahey Susan L. Adams Paula J. Amrod Kenneth and Elizabeth Aronoff Brian K. Arreola Sandra C. Balmer David H. Barnard Mark and Ann Bear Arthur and Karen Bortolini Louise Breau-Bontes Montgomery and Mary Brown John N. Burrows Robert and Gayle Chesebro Aileen Chitwood Paul and Catherine Christenson Mark R. Conrad Katherine R. Covington Bettejane Crossen William A. Crowle John D. Danielson Todd and Paulette Davidson Mary L. Denne Susan L. DiLeonardo Clarence and Judith Doninger John and Sharon Downey Frank and Vickie Edmonson John and Anne-Marie Egan Mark and Jennifer Famous Terrell and Mary Faulkenberry Salvatore and Carol Ferrantelli Gabriel and Sara Frommer Charles L. Fugo Thomas E. Gerber Selma C. Grant Linda J. Greaf Richard and Carolyn Haile Jim Holland Harvey B. Holly Harlow and Harriet Hopkins Donna Hornibrook James S. and Janet G.* Humphrey Jennifer A. Jafari Russell L. Jones Kenneth and Elyse Joseph Marilyn J. Kloss Howard and Linda Klug Charles C. Knox Will and Ann Konneker Kathleen C. Laws Gregory and Veronica Leffler Amy L. Letson Joseph J. Lewis Thomas and Nancy Liley John and Barbara Lombardo Mary C. Majerus Richard and Geraldine Markus Jerry and Phyllis McCullough Francis and Winnifred McGinnis Thomas and Lindsey Nazelli William Newkirk and Cheryl Tschanz Omar and Julia Nielsen Lois C. Adams Miller Robert and Kara Adams Shirley T. Aliferis Joseph and Sharon Amlung Donna K. Anderson Richard and Evelyn Anderson Kevin B. Arbogast Helen L. Aylsworth David G. Baldwin Samuel and Janet Baltzer Pamela L. Banks John and Patricia Barnes Charles L. Barr Patricia W. Barrett Robert R. Bartalot Michael and Joan Bartos Jonathan Bass and Tatiana Dimitriades Robert W. Bastian Barbara S. Baum Cecelia Beam Martin and Judy Becker John C. Beckman David and Ingrid Beery Cyrus and Helga Behroozi Suzanne K. Belbutoski Olesia O. Bihun Wilhelm and Renee Bilgram Cheryl A. Bintz David and Judy Blackwell Heinz and Gayle Blankenburg Lawrence and Mary Bond Brian A. Borcherding Carolyn E. Bowen Elizabeth M. Brannon Ashley B. Breland Clayton and Pauletta Brewer William M. Brittenback and William Meezan Dorothea M. Brown Gordon and Janet Brown Marian T. Brown Hal and Freddie Burke Emanuel and Kathleen Mickel Terry and Sara Miller Dennis W. Organ James and Carol Orr Pete Pfeiffer and Alice Diamant Richard Pugh and Elizabeth Baker James and Mary Rickert Randy Schekman and Nancy Walls Scharmal K. Schrock James B. Sinclair Mary L. Stein Beth A. Taylor Susan C. Thrasher Susan E. Trippet $250 - $499 Adrienne Ostrander R and Brenda Quick Edward and Lois Rath Donald and Jean Rhoads Carolyn J. Rice Mary A. Rickert Scott and Katherine Riley Bruce Ronkin and Janet Zipes Sanford E. Rosenberg Byuong and Patine Ryu Robert and Ruth Salek Virginia G. Sarber David D. Schrader Christopher and Janet Schwabe David and Barbara Sheldon Odette F. Shepherd William R. Shindle Wayne and Lois Shipe Estus Smith Frances L. Smith James L. Strause Dana W. Taylor William Teltser and Carolyn Marlow Robert M. Thompson Wayne and Rebecca Weaver Skip and Elizabeth Whaley Donald H. Wissman Larry and Joyce Zimmerman $100 - $249 Ralph and Ann Burns Doris J. Burton Giuliana C. Busch Rebecca C. Butler Margaret R. Buttermore John C. Carmichael Robert and Susan Cave James M. Childress Janice O. Childress Cynthia M. Cirome David Clark and Diane Coutre Marjorie L. Clayton Jeffrey and Jennifer Cohen Robert and Marcia Coleman Roger S. Collins Timothy and Sandra Connery Nora B. Courier Cynthia M. Crago Janet S. Crossen Michael G. Cunningham Edward and Linda Dahm John T. Dalton Eugene B. Daniels David V. Deeg Patricia J. Deihl Richard and Barbara Dell Patrick and Karen Dessent Mary A. Diaz-Przybyl Roger D. Dickerson Barbara C. Dickey Kim and Dianne Diefenderfer Richard and Barbara Domek James and Elizabeth Doster Paul T. Dove David A. Drinkwater Margaret J. Duffin Dale and Edith Dzubay Silsby S. Eastman Robert and Robin Eatman Patricia Eckstein Ryan T. Edwards Anne C. Eisfeller J.R. Elkins Gerald Ellington and Marilyn Park-Ellington Joseph E. Elliott Charles and Anna Ellis Michael J. Ellis Marc Embree and Jane Bunnell Herman and Mary Emmert Dannie and Janet Epstein Gerald and Coleen Falasca John and Suzanne Farbstein William and Harriet Fierman Mary E. Fine David M. Flood Constance C. Ford Graham V. Fuguitt Edwin R. Fuhrmann Melanie J. Fuhrmann Mauricio Fuks and Violaine Gabriel-Fuks Douglass Garibaldi Ezekiel and Viola Gilliam Sander and Marina Gilman Walter A. Goldreich Richard S. Gorden Sylvia S. Gormley Arlene Goter David E. Greiwe Teddy and Phyllis Gron Franck P. Hagendorf Laurel K. Hagerman Robert and Jeanne Hallam Kenneth and Judy Hamilton Donna Hamm Linda Y. Hammel Norman L. Hanks Charlene A. Harb Donald W. Harris Stephen and Martha Harris Theodore R. Harvey Jeffrey and Jeanette Hathaway Clayton and Ellen Heath Laura B. Hentges Florence E. Hiatt Joe and Margaret Hickman Dana E. Higbee Don I. Hirose Kathryn K. Hodge Mark and Elizabeth Hofeldt Nicholas and Katherine Holzmer Dennis and Judith Hopkinson Ray and Phyllis Horton Emily L. Hostetter Ivan and Anne Hughes Craig D. Hultgren Diane S. Humphrey Mike Hurtubise and Ann Murray Carole L. James Glenn E. Jenne Dwight L. Jennings Ross S. Jennings Robert and Kathryn Jessup Kent and Shelley Johnson Wayne and Kristin Jones David and Harriett Kaplan Janet Kelsay Margaret A. Kennedy-Dygas Richard E. Kennon Martin W. Kettelhut Myrna M. Killey Laura J. King Iris J. Knollenberg Joseph C. Kraus Thomas and Nancy Lancaster John and Mary Langdon Lois B. Lantz Aldis and Susan Lapins Nathan Larimer and Cara Owens David and Suzanne Larsen George Lawrence and Judith Auer Randy L. Leazenby Robert and Sara LeBien Robert and Debra Lee James A. Leick Jon and Susan Lewis Timothy Lindeman and Nancy Walker William and Karen Lion Martha A. Livsey-Barker M. Locke and Sarah Bovaird Locke Joan I. Lynch Michael J. MacLean Frances M. Madachy Robert and Marcia Mahnken Rudy T. Marcozzi Brian D. Marcus Philip Marcus Rovena Marcus Richard and Susan Marvin John M. Maryn Andrea Matthias Barbara E. Mayhew Philip and Elizabeth McClintock Mark and Kathleen McConahay Herm and Carol McCreary Ellen L. McGlothin James and Nelia McLuckie Mary Jo McMillan Michael and Marcia McNelley Glenn and Edith Mellow Glen and Shirley Melton Milford and H Merill Lynn A. Meyer Margaret J. Miller Ronald and Joyce Miller Raymond and Clara Millett Darwin L. Missling Patrick and Frances Mitchell Rosalind E. Mohnsen David and Maria Montgomery Jay E. Montgomery Brent J. Monahan Philip and Patty Moreau Cassie M. Murphy Dudley G. Murphy Andrea Myslicki George and Diane Nadaf David and Jean Nanney Gail C. Newmark Kathleen C. Nicely Christopher and Mary Nielsen Gloria G. Noone Christine Norris Christopher J. Norris David and Diane O’Hagan George D. Osborne Mary A. Owings Hyung-Sun Paik Carol L. Pampalone Margaret D. Parker Peggy W. Paschall Russell and Ruth Peck Kenneth D. Pennington Kathie I. Perrett Byron and Nancy Peterson Edward Petsonk David and Deborah Pierson Jeffrey L. Plonski Sylvanna T. Prechtl John F. Priddy Robert and Ellen Priez Nancy G. Puckett Julia D. Ragains-Slawin Lincoln and Marlene Record James L. Reifinger Jack Relyea Paul and Barbara Ristau Christopher and Stephanie Ritrievi Donald and Lucy Ritter Brent and Elizabeth Robertson Amaryllis Rodriguez-Mojica Roger Roe Edward and Donna Ronco Clyde R. Rose Linda J. Rosenthal James and Maureen Ross Daniel Rothmuller Mary L. Sachse Janice Salvucci David and Ann Samuelson Stephanie Sant-Ambrogio John and Donna Sasse David Sasso and Dana Small Stephen and Susan Schlegel Barbara I. Schneider Richard E. Schneider Richard and Sabine Schneider Fredric and Nancy Schroeder Matthew R. Schuler Gary J. Schulte Monte Schwarzwalder and Rebecca Henry Beverly Scott and Sylvia Patterson-Scott Carol B. Scott Perry and Lisa Scott Walter L. Scott Harry and Priscilla Sebel Mary K. Seidholz Christian and Mary Seitz Richard Sengpiehl and Mary Adams Danny and Sarah Sergesketter Stephen and Nancy Shane John and Merry Shapiro David L. Shea Richard and Karen Shepherd John and Rebecca Shockley Nathaniel and Joline Short Thomas and Donna Shriner W. Robert and Jill Siddall Edwin L. Simpson Abner Slatt and Pamela Haft Eliot and Pamela Smith John and Juel Smith Linda K. Smith Marvin K. Smith Robert Smith and Janice Lesniak Steve and Mary Snider John L. Snyder George and Barbara Sorrells C. and Mary Spangler Fredrick and Lori Spencer Stanley and Cynthia Springer Darell and Susan Stachelski David E. Starkey Joseph and Nina Steg Paul Stephenson and Maria Schmidt Gregory and Rhonda Swanson Yasuoki Tanaka Lester I. Tanji Kathleen A. Taylor Helen C. Templeton Nancy C. Teutemacher William C. Thompson Scott Tisdel and Stefani Jacob Joseph and Diana Tompa Jonathan Towne and Rebecca Noreen Stephanie G. Tretick Philip and Alice Trimble David and Elizabeth Troutman Linda J. Tucker Noelle M. Turner John and Alice Tweedle Frank and Janet Van Graas Robert C. VanNuys Lawrence A. Vanore John and Tamyra Verheul William and Shirley Vessels James R. Volstorf William and Jane Volz Charlotte E. Wagner Martha F. Wailes Barbara J. Waite Jeffrey D. Walker Janet R. Walton Sarah F. Ward Paul and Mary Waytenick Mark Webb and Lee Smith Eugene and Frances Weinberg George Weremchuk Marian P. White Barbara G. Williams Dolores Wilson Robert Wilson and Cecily Shull Carl Wiuff Peter and Teresa Wolf Mary M. Yager Timothy and Sara Zwickl Leadership Circle Members of the Leadership Circle have contributed lifetime gifts of $100,000 or more to the Indiana University Jacobs School of Music . We gratefully acknowledge the following donors, whose generosity helps the school reach new heights and build a sound financial framework for the future . Over $10,000,000 Lilly Endowment, Inc. The Estate of Barbara M. Jacobs Dorothy Richard Starling Foundation Cook, Inc. David H. Jacobs, Jr. Georgina Joshi Foundation, Inc. Jack and Linda Gill Louise Addicott-Joshi* and Yatish J. Joshi The Estate of Juana Mendel Jack and Dora Hamlin The DBJ Foundation The Estate of Eva Sebok Gary and Kathy Anderson The Estate of Eva M. Heinitz The Estate of Ione B. Auer Ann and Gordon Getty Wilbert W. Gasser* and Mary Kratz Gasser The Estate of George A. Bilque Sandy Littlefield Alexander S. Bernstein Jamie Bernstein Nina Bernstein Simmons The Estate of Ruth E. Thompson Jack and Pamela Burks Arthur R Metz Foundation The Estate of Wilfred C. Bain The Estate of Samuel W. Siurua The Estate of Lucille Espinosa The Estate of David H. Jacobs The Estate of Maidee H. Seward The Estate of John D. Winters The Estate of Nina Neal Paul and Cynthia S. Skjodt Deborah J. Simon The Estate of Emma B. Horn David and Jacqueline Simon Bren Simon The Estate of Melvin Simon The Estate of Herman B. Wells The Estate of Harold R. Janitz Presser Foundation Olimpia F. Barbera Jamey and Sara Aebersold The Estate of Alvin M. Ehret Christelina DeHaan Richard E. Ford Christel DeHaan Family Foundation The Estate of Frances A. Brockman Charlotte Reeves Smithville Telephone Company, Inc. The Estate of Mavis M. Crow Peter and Monika Kroener Betty Myers Bain Fred Simon The Estate of Marvin Carmack Harrison Steel Castings Company, Inc. Scott and Kathryn Schurz The Estate of Eleanor Knapik The Estate of Margaret E. Miller The Estate of Mary C. Tilton Shalin C. Liu Summer Star Foundation for Nature Art and Humanity The Estate of Robert A. Edwards Wade and Ann Harrison Robert Barker and Patsy Fell-Barker Stephen and Margaret Cole Russell The Estate of Jean P. Nay Thomson, Inc. Over $1,000,000 The Estate of Clara L. Nothhacksberger The Estate of Juanita M. Evans Krannert Charitable Trust $500,000 - $999,999 Robert R. O'Hearn The Estate of Frederick G. and Mary M. Freeburne Richard J. Schilling Gayle T. Cook Carl A. Cook $250,000 - $499,999 The Estate of Sylvia F. Budd Beatrice P. Delany Charitable Trust Irwin-Sweeney-Miller Foundation The Estate of Angeline M. Battista IBM Global Services Murray and Sue Robinson Rudolph and Joy Rasin The Estates of Samuel and Martha Siurua Marianne W. Tobias The Estate of Lee E. Schroeder Herbert Simon $100,000 - $249,999 The Estate of Marjorie Gravit The Estate of Theodore C. Grams Penn Asset Equity LLC Paul and Ellen Gignilliat Artur Balsam Foundation Jean Creek and Doris Shoultz-Creek The Estate of William H. Earles The Estate of Virginia Schmucker The Estate of Robert D. Aungst Leonard Phillips and Mary Wennerstrom Cole & Kate Porter Memorial Graduate Fellowship in Music Hank J. Bode and Susan Cartland-Bode Bennet and Cynthia Brabson The Estate of Ursula Apel P. A. Mack The Estate of Eugene Knapik The Estate of Thomas L. Gentry The Estate of Jascha Heifetz The Estate of Margaret H. Hamlin Brabson Library and Education Foundation Georgia Wash Holbeck Living Trust William D. Rhodes Foundation Ford Meter Box Foundation, Inc Marianne Y. Felton David and Neill Marriott The Estate of Dagmar K. Riley The Estate of David C. Hall Kenneth C. Whitener Joan & Marvin Carmack Foundation Robert and Sandra Harrison The Estate of Dorothy Rey Fred C. Arto Eric D. Batterman Memorial Scholarship The Legacy Society The Legacy Society at the Indiana University Jacobs School of Music honors the following individuals who have included the Jacobs School as a beneficiary under their wills, trusts, life insurance policies, retirement plans, and other estate-planning arrangements . David and Ruth Albright Richard and Ann Alden Jeanette Amboise-Chaumont Gary and Kathy Anderson Peggy Bachman Dennis and Virginia Bamber Olimpia F. Barbera Christa-Maria Beardsley Michael E. Bent Richard and Mary Bradford Mildred J. Brannon W. Michael Brittenback and William Meezan Marjorie Buell Pamela Buell Gerald and Elizabeth Calkins Marvin Carmack Sarah Clevenger Eileen T. Cline Stanley R. Collyer Jack and Claire Cruse John* and Doris Curran Susie Dewey D. Michael Donathan Luba Dubinsky Thomas and Ellen Ehrlich H. C. Engles Eleanor R. Fell Marianne Y. Felton Michael and Sara Finton Philip* and Debra Ford Marcella I. Gercken Monroe A. Gilbert Harold* and Lucille Goodman Glen G. Graber Ken and Kathleen Grandstaff Ruth Grey Ransom* and Mary Jo Griffin Jonathan L. Gripe Kathy Gripe Col. Jack I. and Dora B. Hamlin Charles Handelman James R. Hasler Gerald W. Hedman David and Mildred Hennessy Clara Hofberg Rona Hokanson David M. Holcenberg William T. and Kathryn* Hopkins David E. Huggins Harriet M. Ivey Douglas and Virginia Jewell Walter and Bernice* Jones Myrna M. Killey C. Ray and Lynn Lewis Richard and Ann Lilly George and Brenda Little Harriett Z. Macht P. A. Mack Jeanette C. Marchant Charles J. Marlatt Susan G. McCray Douglas McLain Donald and Sonna Merk William F. Milligan Robert A. Mix Dale and Cynthia Nelson Del and Letty Newkirk Robert O’Hearn Fred Opie and Melanie Spewock Richard* and Eleanor Osborn Arthur Panousis Gilbert and Marie Peart James and Helen Pellerite Jean R. and Charles F.* Peters Leonard Phillips and Mary Wennerstrom Anne S. D. Plummer Jack W. Porter Ben B. Raney, Jr. Stanley E. Ransom Clare G. Rayner Robert and Carlene Reed Charlotte Reeves Albert and Lynn Reichle Gwyn and Barbara Richards Ilona Richey Murray and Sue Robinson John* and Patricia Ryan Barbara R. Sable Roy and Mary Samuelsen George P. Sappenfield Hubert A. Seller John and Lorna Seward Odette F. Shepherd Judith E. Simic Donald G. Sisler Catherine A. Smith George P. Smith, II Mary L. Snider William and Elizabeth Strauss Douglas* and Margaret Strong Robert D. Sullivan Hans* and Alice Tischler Henry and Celicia Upper Nicoletta Valletti Robert J. Waller Patrice M. Ward-Steinman Charles H. Webb Michael D. Weiss Robert and Patricia Williams * deceased Friends of Music Honor Roll Calendar Year 2012 The mission of the Society of the Friends of Music is to raise scholarship funds for deserving, talented students at the Indiana University Jacobs School of Music . The society was established in 1964 by a small group led by Herman B Wells and Wilfred C . Bain . We are pleased to acknowledge outright gifts made between January 1, 2012, and December 31, 2012 . Friends of Music $5,000 and Above Ruth Albright Eleanor Byrnes Jim and Laura Byrnes David H. Jacobs Murray and Sue Robinson Scott and Kathryn Schurz Guarantor Scholarship Circle Hoagy Carmichael $10,000 Jim and Laura Byrnes The Estate of Marvin Carmack Wade and Ann Harrison David H. Jacobs Richard and Barbara Schilling Scott and Kathryn Schurz Cole Porter $5,000 - $9,999 Robert Barker and Patsy Fell-Barker Martha T. Black Eleanor F. Byrnes Nelda M. Christ Susie J. Dewey Stephen and Jo Ellen Ham Ross S. Jennings Darby A. McCarty Herman B Wells Circle Gold $2,500 - $4,999 Herbert Kuebler and Phil Evans Jeanette C. Marchant Charles and Julia McClary Michael and Laurie McRobbie James and Joan Whitaker Silver $1,000 - $2,499 Robert Agranoff and Susan Klein Ruth Albright James and Susan Alling Gary and Kathy Anderson William and Anita Cast Jean Creek and Doris Shoultz-Creek Regina Dean Michael C. Donaldson Gayl and Beverly Doster Barbara J. Dunn Harvey and Phyllis Feigenbaum Paul and Ellen Gignilliat James and Joyce Grandorf Robert R. Greig Frank and Athena Hrisomalos Lawrence and Celeste Hurst Peter P. Jacobi Kenneth and Linda Kaczmarek Timothy W. Kittleson Mark and Alora McAlister Stephen Medlyn and Cynthia Farquhar-Medlyn Peter and Patricia Miller Gerald and Ann Moss Dale and Cynthia Nelson Delano and Luzetta Newkirk Leonard and Louise Newman Rita O’Neill John and Lois Pless Amy Rafkin Gwyn and Barbara Richards David and Virginia Rogers Phyllis C. Schwitzer Curtis and Judith Simic L. Robert and Sylvia Stohler Gregg and Judith Summerville Jack R. Wentworth John and Linda Zimmerman Dean Wilfred C. Bain Circle Patrons $500 - $999 James and Ruth Allen John and Teresa Ayres Peggy Bachman A. James Barnes Dick Bishop W. Leland and Helen Butler John and Cathleen Cameron Edward S. Clark William and Marion Crawford Fred and Suzanne Dahling Lee and Eleanore Dodge Sterling and Melinda Doster Stephen A. Ehrlich James and Jacqueline Faris Eugene J. Farkas Norman and Sharon Funk Jack and Linda Gill Rajih and Darlene Haddawi Robert and Ann Harman Victor Harnack Diane S. Humphrey Ted W. Jones George and Cathy Korinek Michael Molenda and Janet Stavropoulos Martin and Shirley Newman Vera M. O'Lessker James and Carol Orr Leonard Phillips and Mary Wennerstrom David Sabbagh and Linda Simon Randy Schekman and Nancy Walls John and Lorna Seward Karen Shaw Anthony and Jan Shipps Jefferson Shreve Blount and Anna Stewart Sheldon Stryker William E. Thomson Henry and Celicia Upper Charles H. Webb Galen Wood Sustainers $300 - $499 S. Christian and Mary Albright Rodger and Diana Alexander William and Honey Baldwin Marian K. Bates Shirley Bell Paul and Carolyn Brinkman Jack and Pamela Burks Shaun and Jill Byrnes Gerald and Elizabeth Calkins James and Carol Campbell Sarah Clevenger Frank Eberle and Cathy Cooper Marianne Y. Felton Donald Gray and Susan Gubar Robert and Martha Gutmann Ralph E. Hamon Melanie W. Hart Steven L. Hendricks Robert and Doris Johnson Donald and Margaret Jones Howard and Linda Klug Ronald and Carolyn Kovener Peter and Monika Kroener Mary M. Kroll Shirley Krutilla Michael Larsen and Ayelet Lindenstrauss Robert and Sara LeBien Harlan Lewis and Doris Wittenburg Jon and Susan Lewis Hon. P.A. Mack John and Geraldine Miller Herbert and Judy Miller Edward Mongoven and Judith Schroeder Dawn E. Morley Roger and Ruth Newton David and Barbara Nordloh John and Lislott Richardson Murray and Sue Robinson Albert and Kathleen Ruesink Robert and Alice Schloss Richard C. Schutte Michael A. Simkowitz Catherine A. Smith Alexis Spence Lewis H. Strouse Paula W. Sunderman George and Viola Taliaferro Kenneth and Marcia VanderLinden Steven and Judith Young Donors $100 - $299 Bernard and Tama Abrams David and Melanie Alpers Ethan and Sandra Alyea Janette Amboise-Chaumont Richard and Adrienne Baach Donna M. Baiocchi Mark J. Baker Nicholas and Jean Balaguras Olimpia F. Barbera David and Judith Barnett Robert and Patricia Bayer Mark and Ann Bear David and Ingrid Beery Joshua D. Bell Franklin and Linda Bengston Ernest and Eva Bernhardt-Kabisch Michael and Vonora Bishop Charles and Nancy Bonser Ellen R. Boruff Dirk Bowman Keith and Maggie Brown Alexander and Virginia Buchwald Richard and Mary Burke Derek and Marilyn Burleson Barbara J. Byrum Barbara Carlson Milford and Margaret Christenson Marjorie L. Clayton Marcella M. Cooper Steven and Karin Coopersmith Bruce Corner and Gaye Gronlund John R. Cutter Mark and Holly Dame Jefrey and Pamela Davidson Janice M. Dawson Linda Degh-Vazsonyi Julia DeHon Aldo and Deborah Della Ragione Theodore R. Deppe Walter and Deborah Divan Barbara M. Dixon David and Jennie Drasin John and Beth Drewes Jon and Sarah Dunn Peter and Pearl Ekstrom Joe and Gloria Emerson Mary I. Emison Michael and Cheryl Engber George and Jo Fielding Betty J. Fields J.R. Fields Charles R. Forker Bruce and Betty Fowler Anne T. Fraker Don and Sandra Freund Virginia Gest Jeffrey and Toby Gill Michael and Patricia Gleeson James and Constance Glen Vincent M. Golik Robert A. Green John J. Greenman Jerry and Linda Gregory Samuel and Phyllis Guskin Jay and Sandra Habig Thomas and Susan Hacker Hendrik and Jacobina Haitjema Stanley and Hilary Hamilton Robert and Julie Hammel Andrew J. Hanson Kenneth and Janet Harker Dell C. Harmsen Pierrette Harris Robert and Emily Harrison J. Richard Hasler Carol L. Hayes James and Sandra Hertling David and Rachel Hertz John D. Hobson Cynthia R. Hogan Rona Hokanson Norman and Judy Holy Donna Hornibrook Ruth D. Houdeshel Cheryl Howard Llewellyn and Sally Humphreys Owen and Annette Hungerford Hideo and Setsuko Ito A Louise Jerger Martin D. Joachim Lora D. Johnson Burton and Eleanor Jones Gwen J. Kaag Martin and Linda Kaplan Patricia C. Kellar Janet Kelsay Marilyn J. Kelsey Thomas and Mary Kendrick Sandra S. Kirby Karl and Lynda Koehler Ernest and Dawn Koenig Peter Koenig and Mary Jamison Maryann Kopelov Rosey Krakovitz William and Mary Kroll David and Suzanne Larsen John and Julia Lawson Jim* and Kathy Lazerwitz Dennis and Judith Leatherman Susan J. Leggett Louis and Myrna Lemberger Leslie and Kathleen Lenkowsky Howard and Carolyn Lickerman Virginia K. Long-Cecil Peter and Carol Lorenzen Terry Loucks Ursula Loucks Al and Susan Lyons Kenneth Mackie and Yvonne Lai James and Jeanne Madison William and Eleanor Mallory Mayer and Ellen Mandelbaum Deborah S. Martin Nancy G. Martin Jerry and Phyllis McCullough Susann H. McDonald Dennis and Beverly McGuire James L. McLay Stephen and Sandra Moberly Alfred and Carol Moellering Lois Morris F. Timothy Nagler Douglas and Roma North Edward and Soili Ochsner Wesley and Patricia Oglesby Harold and Denise Ogren Joan C. Olcott Col. Marcus R. Oliphant Richard and Jill Olshavsky Donald Orr and Caryl Thompson Elayne Ostrower Russell L.Otte Kent and Suzann Owen Harlan and Joanna Peithman James and Helen Pellerite Dorothy L. Peterson Harriet S. Pfister Doris M. Philbrick Ronald and Frona Powell Stephen and Darlene Pratt Maryrose L. Pratter Raymond and Eileen Prose Earl and Dorothy Prout Richard Pugh and Elizabeth Baker Thomas and Bonnie Reilly Kenneth Renkens and Debra Lay-Renkens Carl Rexroad and Carol Pierce Joseph M. Rezits Myfanwy Richards Betty Rieger Roger and Tiiu Robison Catherine D. Rockwood Allan and Barbara Ross John and Mary Rucker Jerard and Nancy Ruff Ruth L. Rusie Edward and Janet Ryan Ann K. Sanderson James and Helen Sauer Lynn L. Schenck Arthur and Norma Schenck Richard C. Searles Richard Shiffrin and Judith Mahy-Shiffrin J. Robert Shine Richard and Denise Shockley Anson and Janet Shupe Charles and Eleanor Six Ruth Skernick David Smith and Marie Libal-Smith Ethel C. Smith Janet S. Smith Jean M. Smith John L. Snyder Roberta Somach Alan and Kathryn Somers Stephen T. Sparks Francis William and Cynthia St. Leger Malcolm and Ellen Stern Bruce and Shannon Storm Ellen Strommen Linda Strommen William and Gayle Stuebe Charlotte H. Templin Charles E. Thompson Elizabeth A. Thomson Samuel B. Troxal Jeffrey S. Tunis Wayne and Jane Vincent Robert and Marcia Voss Martha F. Wailes Judith Walcoff George Walker and Carolyn Lipson-Walker Donovan Walling and Samuel Troxal Eugene and Frances Weinberg Ewing and Kay Werlein G and Frances Wilhoit Robert and Patricia Williams James and Ruth Witten Thomas and Sara Wood John and Margaret Woodcock Robert and Judy Woodley Virginia A. Woodward Mimi Zweig Bloomington Thrift Shop Meadowood Retirement Community Corporations and Foundations Smithville Telephone Company TIS Group Companies Providing Matching Gifts Bristol-Myers Squibb Dow Chemical Company Eli Lilly & Company Exxon Mobil Global Impact Goodrich Foundation IBM International Planned Gifts We are grateful to those individuals who have expressed their interest in ensuring scholarship support for tomorrow’s students today, by making a planned gift through a testamentary gift in their estate planning by a will or trust, charitable gift annuity, or retirement plan . We are pleased to acknowledge those individuals who have provided gift documentation . David* and Ruth Albright Margaret K. Bachman Anita Hursh Cast Esther Ritz Collyer Douglas and Virginia Jewell Jeanette Calkins Marchant, in memory of Velma and Emerson Calkins James and Helen Pellerite Judith E. Simic IU Opera Theater Production Staff General Manager . . . . . . . . . . . . . . . . . . . . . . . Dean Gwyn Richards Executive Director of Production . . . . . . . . . . . . . . . . Timothy Stebbins Director of Coaching and Music Administration . . . . . . . . . . . Kevin Murphy Executive Administrator of Instrumental Ensembles . . . . . . Thomas Wieligman Faculty Director of Opera Choruses . . . . . . . . . . . . . . . . . . Walter Huff Coordinating Opera Coach . . . . . . . . . . . . . . . . . . . Kimberly Carballo Coach Accompanist . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Phelps Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joe Gladstone Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . .Brian August Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . Alissia Lauer Director of Paint and Props . . . . . . . . . . . . . . . . . . . . . Mark F. Smith Lead Costume Specialist . . . . . . . . . . . . . . . . . . . . . . Dana Tzvetkova Costume Specialist . . . . . . . . . . . . . . . . . . . . . . . . . Soraya Noorzad Costume Specialist . . . . . . . . . . . . . . . . . . . . . . Magdalena Tortoriello Wigs and Makeup Designer . . . . . . . . . . . . . . . . . . . . . Christy Clark Head of Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patrick Mero House Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fritz Busch Stage Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ken D’Eliso Stage Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . Andrew Hastings Administrative Production Assistant . . . . . . . . . . . . . . . . . . Sarah Slover Director of Recording Arts . . . . . . . . . . . . . . . . . . . . . .Konrad Strauss Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . Douglas McKinnie Audio Technician . . . . . . . . . . . . . . . . . . . . . . . . . . Fallon Stillman Director of Marketing and Publicity . . . . . . . . . . . . . . . . . . Alain Barker Box Office and House Manager . . . . . . . . . . . . . . . . . . . . . . Tridib Pal Publicity Assistant/Media Relations Specialist . . . . . . . . . . . . . Linda Cajigas Director of Design . . . . . . . . . . . . . . . . . . . . . . . . . . Neil Robinson Director of Digital Design . . . . . . . . . . . . . . . . . . . . . . . Patrick Eddy Social Media Specialist . . . . . . . . . . . . . . . . . . . . . . . Brooke Feldman Program Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . Jonathan Shull Assistant Technical Director and Flyman . . . . . . . . . . . . . . Nicholaus Miller Assistant Stage Carpenter . . . . . . . . . . . . . . . . . . . . . . . Zac Goodwin Assistant Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . Skylar Delk Assistant Properties Master . . . . . . . . . . . . . . . . . . . . . . . . Gwen Law Assistant Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . .Don Geyra Assistant Audio Engineer . . . . . . . . . . . . . . . . . . . . . . . . Kyle Zucker Assistant Costume Specialist . . . . . . . . . . . . . . . . . . . . . Swallow Leach Assistant First Hand . . . . . . . . . . . . . . . . . . . . . . . . . Sarah Akemon Assistant First Hand . . . . . . . . . . . . . . . . . . . . . . . . . . Anne Holen Assistant First Hand . . . . . . . . . . . . . . . . . . . . . . . . Wendy Langdon Assistant First Hand . . . . . . . . . . . . . . . . . . . . . . . Noriko Zulkowski See it all W. A. Mozart Sept. 14, 15, 21, 22 The Merry Widow Franz Lehár Oct. 18, 19, 20, 21 new production Cendrillon (Cinderella) Jules Massenet Nov. 8, 9, 10, 11 Xerxes George Frideric Handel Feb. 1, 2, 8, 9 new production BALLET OPERA Don Giovanni Light and Shade Sept. 28, 29 Fall Ballet Sweet Fields Eight Easy Pieces Eight More Appalachian Spring The Nutcracker Nov. 30 | Dec. 1, 2 Old World New World March 22, 23 Spring Ballet Bournonville Suite The Four Temperaments Western Symphony Akhnaten Philip Glass Feb. 22, 23 | March 1, 2 new production Falstaff Giuseppe Verdi April 5, 6, 12, 13 Tickets Musical Arts Center Box Office Monday - Friday, 11:30-5:30 (812) 855-7433 music.indiana.edu/boxoffice music.indiana.edu/operaballet