lifetime of colour

KIT
ART
BOOTS MADE FOR WALKING
A LIFETIME OF COLOUR
Follow in the footsteps of a great explorer, wear half a century
of horological history and marvel at a minuscule miracle keyring
Sonia Delaunay rushed into the arms of the modern world,
embracing its every aspect with boldly polychromatic vision
The 10,000-mile boot:
Courteney Selous
walking boots are
made entirely of game
skin and hand-made,
right, in Bulawayo
Graham Boynton
@BoyntonTravels
Nick Foulkes
[email protected]
the life of Selous up to his death
in what was Tanganyika in 1917.
The boots are constructed
entirely of game skin – my pair is
made from buffalo skin with
impala-skin interiors – and are
hand-stitched to form tough
uppers with the soft impala-skin
padded collar surrounding the
ankle and lower calf. They also
come in elephant,
hippopotamus and kudu hides.
Buffalo leather differs from
cowhide in thickness and
Seiko Marinemaster Professional 1,000m
Diver’s Hi-Beat Limited Edition SBEX001
It is 50 years since Seiko made
its first dive watch and to
celebrate the Japanese watch
company has released the
Seiko Marinemaster
Professional 1,000m
Diver’s Hi-Beat
Limited Edition
SBEX001. This is, as
the lengthy name
implies, a limited
edition watch of just
700 pieces. There are
many references to the
original Seiko dive watch
58 Newsweek 17/07/2015
innovations – titanium case,
accordion-style strap, two-layer
case construction and, most
significantly, the ISO 6425
standard for dive watches.
(This means the watch is
guaranteed to handle
depths of at least 100m
as well as an extra 25%
if the water is
completely static.) For
€6,400 you’ll be able to
take part in horological
history and own a rather
special timepiece.
flexibility, and it absorbs and
releases moisture, which makes
the boots comfortable in both
summer heat and winter cold.
The vamp is reinforced with
overstitched heel- and toe-boxes
and the entire upper is attached
to a rubber “tyre tread” sole.
For me these substantial tyre
tread soles are the making of
Courteney boots, and over
many years tramping across
uneven moorlands in Europe
or rutted bushveldt in Africa,
Female artists are quite the
thing at the moment: Barbara
Hepworth is at the Tate, Eileen
Cooper is having a show at the
RA and a lot of razzmatazz
surrounds the all-female New
Hall Art Collection at Murray
Edwards College, Cambridge.
I am ambivalent about
viewing art through the lens of
gender specificity. But if doing so
means positive discrimination
in our museums and more
shows like the Sonia Delaunay
show at Tate Modern, there’s
much to be said for it.
As well as being a pioneer of
abstraction, Delaunay is
something of a standard bearer
in the history of female art; she
was the first living woman artist
to have a retrospective at the
Louvre, where her work and
that of her late husband Robert
was exhibited in 1964. Three
years later there was a full
retrospective at the Musée
Nationale d’Art Moderne. Of
course she had the good
fortune to live a long life, from
1885 to 1979.
Sorry to have missed this
show when it ran at the Musée
d’Art Moderne de la Ville de
Paris, I was delighted to get a
second chance to catch it when
it transferred to Tate Modern,
where I spent a very engaging
afternoon strolling among the
the boots have always given
me a sure-footedness that
other walking boots haven’t
provided. And as with all great
pieces of kit you must
understand there is a certain
amount of pain to be endured
before you become fully
integrated with your new
Courteneys. It took a few days
of blisters and discomfort
before they were worn in but
after that fitted like a pair of
soft leather gloves. They are
available through Westley
Richards (westleyrichards.
com) and cost around €390.
Wondercube
Wondercube is a minuscule
miracle of modern technology. It
is a 2.5 cm3 keyring that weighs
just 20 grams and is designed to
function as a multi-form
accessory for your iOS or
Android smartphone. It has
eight useful smartphone tools
including a lightning/micro-USB
connector, a micro-suction
phone stand, a MicroSD card
capable of holding up to 64GB, a
LED torch, and an emergency
charger. Most interesting
is the charging function
– you open the top of the
Wondercube and an adaptor for
a standard 9V battery reveals
itself. Clip in the battery, plug it
into your phone and you’ve got
another three-and-a-half hours
of conversation. And you can
also have your name or a
message engraved on the cube
as an added treat. It will be
available from the middle of
August via Indiegogo and will
range in price from €41 to €83
depending on memory size.
© PRACUSA 2014083
In a world of new tech,
lightweight synthetic fibres and
moulded footwear machinefinished in Asian sweatshops, it
is refreshing to find a product
that is organic, handmade and
thoroughly exceptional in
performance. Courteney
Selous walking boots are made
in Bulawayo in Zimbabwe and
are slowly gaining popularity in
Europe and the US. They are
already must-have walking gear
for safari guides from Botswana
through to Kenya – one hunting
guide applied a pedometer on
his hunts and when his pair of
Courteneys gave up after 14
seasons he had walked more
than 10,000 miles.
They are named after the
great hunter-conservationist
Frederick Courteney Selous
and each pair comes with a
range of appropriate
accessories (a numbered
game-skin pouch containing
pure beeswax polish, brush,
spare laces, spare insoles) and a
replica newspaper that charts
When and where
Sonia Delaunay is at Tate
Modern, London until 9 August
“Colour brings me joy”: Sonia Delaunay’s Yellow Nude (1908)
and, right, her Coat Made for Gloria Swanson (1923-24)
bright and cheering works of a
woman brought up in the
intellectual circles of St
Petersburg’s haute bourgeoisie
before settling in France.
This show offers the
opportunity to survey the work
of the artist without intrusive
over-curation or juxtaposition
of art from different periods and
schools. Nor is there overreliance on technology. Often I
feel technology is used to smear
a film of modernity onto an
exhibition. I was amused upon
exiting the Leonardo show in
Milan to come across a room in
which people were wearing
virtual reality headsets and
experiencing, as far as I could
gather, the Renaissance in 3D,
just as da Vinci himself would
have found it had he had some
computer gaming equipment.
Judged against these
standards the Delaunay show is a
traditional offering that leads the
visitor through a diverse body of
work in the order of creation. In
the first, early room one sees
the influence of Nolde,
Kirchner, Gauguin et al in
vibrant portraits: boldly
polychromatic paintings
that prefigure a creative
lifetime exploring the
possibilities of colour.
What comes across is the
infectious pleasure with which
Delaunay rushed into the arms
of the modern world, whether
the early 20th-century mania for
the tango, the effect of electric
light, modern styles of dress or
the rise of aviation. She saw no
division between fine and
applied arts and did not restrict
herself to painting but extended
her ideas to home furnishings
and fashions; I found myself
coveting a shawl-collared
cardigan-like lounge jacket.
She designed for the stage
and film, opened shops and
illustrated books, such as a very
striking volume of Tristan
Tzara’s poems. And of course
her work was exhibited at the
1925 Exposition Internationale
des Arts Décoratifs et Industriels
Modernes, which would later
come to define the period and
bequeath us the term Art Deco.
What this show does so well
is capture the sense of artistic
mission that spilled over from
art into all aspects of modern
life. She appears to have been
equally happy working on a
bright colourful canvas or a
costume for a ball.
Fabrice Hergott, the director
of the Museum of Modern art in
Paris, begins his thoughtful
preamble to the catalogue with
a quote from the artist that this
exhibition admirably captures:
“Everything is feeling,
everything is real. Colour
brings me joy.”
Newsweek 17/07/2015 59
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