1\ I - Backhill online
Transcription
1\ I - Backhill online
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Roberts 016379941 • • 39 Charlotte Street London WlP IRA , 2 • - l 1 , ..0.--_ - -- -'. - _",_ - ""- -.. - . -:.-<'_. Sommario Contents , • • Front Cover Copertina . La FIAT Tipo - automobile degli anni '90? Vedete il nostro servizio a pagina 5••••• • SERVIZI SPECIALI REGULAR FEATURE CHE TIPOI CHI PARTE, CHI RIENTRA DE BENEDETTI - S.d.B. AN ACCORDION VIRTUOSO SAN REMO '88 GIANNINO MARCHIG • p.S p.6 p.7 p.22 p.26 .p.32 SPORT; REVIEWS AND ·LEISURE THE~RE p.33 p.34 p.3S p.38 p.39 p.42 pA3 pA6 ARENA CINEMA SPORTLlGHT ANGLO-ITALIAN FOOTBALL PAGINA DEI PICCOLI TEMPO L1BERO MAMMA 'S RICETTA pA DUE PAROLE THE HILL UNA DONNA EUROFOCUS CRONACA DELLA COMUNITA' .. Assoc. Pensionati San Calogero Assoc. Val Taro Italian Hospital Ball Giavanni Indorni • NEWS FROM ITALY p.lO p.12 p.13 p.16, p.23 NOTICES - AVVISI p.24 p.29 p.40 pA7 CHIESA 01 SAN PIETRO INFORMAZIONI UTILI WHERE TO BUY BACK HILL CALENDARIO DELLA COMUNITA I COPYRIGHT 1988 BACKHILL, 136 Clerkenwell Road, London E.C.l. Printed by 'Sterling Printing Co. Ltd., 78 Bounds Green Road, London NU 2EU. bbonamento ,• L'abbonamento annuale (10 edizioni) con le spese postali, solo nella GB, costa £7.00. Ricordatevi che BACKHILL viene prodottQ, da volontari e non ha scopo di profitto. Qualunque vostro dono ci aiutera' a continuare a servire la comunita' italiana. The annual subscription (10 issues) including postage, UK only, is £7,00. Remember BACKHILL is voluntary and non-profit making, and any additional donation you make will help us to .continue this service to the Italian Community• BACKHILL Subscriptions - 116 Clerkenwell Road London Eel ------------------------------------------------------------------------------------• • Name Date • ~()I1l~ ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• [)lltfL. Address Subs!Abbonamento Il1cliri~•••••••••••••••••••••••.•••••••.••.••.••.••••••••••.••.•••.. . Donation/Dono •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Total enclosed •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Chequc3 payable to:'BACKHILL' • Somma accltJSa , . , -- ~ ....•.••.•••..•.......• VagUe intestatia:'BACKHILL' 3 . , 'Due Parole di Don Roberto Russo ,, , ,, Cari amici, ci siamo ,scambiatitanti pensierr rigtiardo alia Quaresima., Abbiamo cercato, di camminare insiemevivendo'la 'Passione del 'Signore 'e sperando nella, sua Risurrezione: nel vostr~ cammino annuale, in cui incontriamo ogni volta iI cammino di Cristo, siamo ora :~~~:~~~n~ ~~ngi~i~a~:1I;io~~d , del bene: Dio ci ama con quell'amore'infinito per cui ci ha dato Cristo. Cristo ci ama " , con 10 steSso giande, amore con cui 'ha" fatto la volonta' di Dio per la ,nostia redenzione, per darci la capacita' di fare iI bene, cloe', come vi ho gia' detto. Allora dirci di non perdere tanto tempo in chiacchiere della Pasqua. inutili: ricordiamoci come abHo usato con consapevolezza biamo fatto tutti quanti apla parola "contempliamo"; inpena venuti a Londra. Non fatti vi e' tutta una grandisabbiamo perso tempo, abbiamo sima opera di arte in quello' cercato subito iI lavoro e ci , ; che Dio ha operato mediante siamo buttati nel lavoro. E iI Suo figlio Gesu '. Una opera adesso 10 stesso: buttiamocl 'd'arte frutto dell'intelligenza,' nella' preghiera, buttiamo in infinita . e dell' amore infinito un modo nostio personliJe ,per • di io per noi. Non eravamo parlar,e con Dio e chiediamo,piu' capace di fare il bene gli di fare iI bene, tanto : perche' iI peccato originale bene. La nostra vita e' quella ,aveva chiuso la nostra capache incontriamo ognigiorno, cita' di sentire iI bene come in famiglia e ,nel lavoro';, e il momento in cui noi apriamo iI bene, che possiamo fa!e il 'la nostra anima a. Dio e Dio bene. E' I'unica cosa che Dio . opera:e vlve In nOl. 'ci ha dato per tutta la yha; C'e' voluto quel capolovoro e' I'unlca cosa che Dio non dell'Amor~' di Dio per noi, ci toglie -' ia possibilita', la capolavoro presentato a noi capacita' di fare iI bene. uomini nell persona di Cristo E questo bene nel creare un per metterci davanti agli capolavoro di .amore da pll.rte occhi una profonda, sconvol- .nostra: il mondo che ci ap-' gente, ,commovente verita ': partiene, iI mondo in cui visiamo capad ora di fare iI· viamo diventa una opera' bene; siamo un'opera d'arte d'arte perche' noi vi portiamo di Dio. Ognuno di, noi deve iI nostro amore. Le persone trovare la fede coraggiosa sentiranno che Dio e' amore, di capire 'che Dio ci guarda, man mano che la nostra ca,guarda ognuno di noi, ma pacita' di amare entrera' 'guarda come una sua magninel loro cuore. Allora sara una fica opera di creazione, e 10 Risurrezione di tutti per cui, siamo veramente. • . noi lasceremo I' egoismo ., per h' , r occhi guardare le cose che c~. por, I Ag I OCC I umam, , ag I . tano al Cielo: sara' la ,nostra gli uni, def:! a~~n po:pai~~ Pasqua eterna alia quale noi esslel,re Ibntett!gefn It' 0 sd'ebol'I:' saremo arrivati attraverso la b e I 0 ru I, or I 0 'P' I M ., ma come cl guarda Dio? Dio asslO!le ,e a , o.rte, clOe ". d ' . 'f' 'I" h cammlnando con 'Cnsto. Cl guar a come SUOI Ig Ice , Egli 'ha riportato sulla via ~ ~. . 4 Dear young friends, we have spoken about ,Easter, and we have understood that we are closer ,to God during Lent. We' have meditated ,in Holy Week uniting ourselves to the Passion of Christ. Today we want to live our lives according to Christ, having a clear vision into the future, having a finishing line that does not indicate the "end" of a race, but 'in which each stage prepares us to take the duties in our lives more seriously. 0, Starting at, and beginning immediately after Easter, ,' what can we ,do? We must bear in mind that which is the true and only reality in life. We have received Baptism and in Baptism we receive the life God has given us, such as' the grace,> the goodness'" the peac'e and the joy, as well all those other good things whi,ch' are of God. Is it possible, I ask mys~.If, that all this can come from us? One should be able to see from the way we speak, the way we discuss, through meeting people, through study and through work. This goodness should always be around us in all that we do, and this is' the true way of living. That is why we feel a sense 'of deep satisfaction with~n when we do good. Because It is the life of God which is a . . part of us, not forgetting sacrifice and sorrow. . • I as - ~. . .' , Che Ti ,• Q- ~ E' I' automobile oell' avvenire - 0 cosi' la vede FIAT la quale ha investito miliardi e miliardi (si parla di una cifa di Lit. 2,300,000,000,000) negli stabilimenti di Cassino e Rivalta dove viene prodotto la vettura degli anni '90. · • t. -__ • , ~:~ '1 • I Le stazioni automatiche di controllo sono undici e verifi- ' • In questi stabilimenti, stazioni robotizzate montano automaticamente i vari elementi sulla scocca della vettura: it fron", , tale, i paraurti,' le ruote. CarreUi filoguidati portano la I,.'''' I "", " , scocca da una stazione all'. altra per I' operazione della relativa fase di costruzione• Altre stazioni controllano la qualita' della vetture: per esempio all' uscita del fomo di cano tutte le plance pri ma essicazione dello smalto e' del loro montaggio sulla vetposta una stazione di ispezione tura: sono dotate anch I esse automatica delle superfici di telecamere per visualizzare della macchina mediante telegli indicatori del cruscotto, camere. E' 'veramente un'amoperazione che avviene total• • biente futuristico. 'In un' altra mente m automatlco. parte dello stabilimento, un robot si mula le operazioni del, La vettura 'finita ' viene poi guidatore, controllando tutte portatain varie parti del monle funzioni riscontrabili sulla do (la Svezia, I'Africa) per proplancia. ve stradali. ~" • , ,, ", .' .' ~ • > • In totale, sono state lanciate otto versioni della Tipo (che, in verita', assomiglia un po a una Uno lunga) con tre motori a benzina (FIRE 1l08cc, 1372cc e 1580cc) insieme ad uno diesel di 1697cc ed uno turbodiesel (1929cc). Una versione si chiama la "Digit" (vedete la fotografia in copertina) perche' contiene strumenti elettronici digitali. La Tlpo e' una vettura a cm. . que parte con cmque marcle. r • • -,,,." , .. ~)~,.- . , ~ ~ .. ', 5 , • ------ arte Si si • .... rientra . . pOSltlVO -~ : 11 movimento inigratorio ita- ,modesto saldo di 540 osservato il dott., Luciezio Iiano con I' estero nel 1986 ha unita '. tehtaie' discorsi molto appro• • • ragglUnto un nuovo mlnlmo fonditi su dati 'che comportano storico con 57,862 espatriati Per una analisi delle piu' molte riSElrve- circa laloro rise 56,006 rimpatriati ~, quindi, recenti tendenze del movimen- 'pondenza alia" realta', consi" un saldo negativo di 1,856 to migratorio italiano I' agenderati i sistemi di rilevazione , unita'. E quanto ai sa!di con- zia Inlorm, si e' rivolta ad in nipporto all' evoluzione de} 'iinua I' alteinanza tra positivi uno studioso della materia,. fenomeno e particolarmente e'negativi, ma 'tlitti'di p.~n dl segretario 'gerierale dell' alia libera circolazione nella rilevarite entita" rispetto' 'al Ucei dott: Gitiseppe' Lucrezio Comunita' europea. Comunque ' movimento. Nel 1985" infahi, Monticelli. , si tiatta dei. dati ufficiali' dell'lstat', che sono, poi gli gli espatri erano sta~i 66;737 ed 'i rimpatri' 67 ;277; con un 'E' difficile, owiamente - ,ha 'unici disponibjlL • . ,,1 , .1 ,, 1 !, • IL MOVIMENTO MIGRATORIO ITALIANO DAL 1982 AL 1986 • Zone geografiche 1982 1983 1984 1986 1985 • ,, , Germania (RI") Francia Regno Unito Benelux Svizzera 34,437 ,6,113 2,311 4,321 23,359 29,524 5,326 2,004 4,116 21,352 , 21,092 4,057 '2,350 3,487 17,091 27,609 4,708 2,653 4,116 18,892 • 19,793 3,808 1,710 2,861 14,021 , • 75,917 64,695 60,542 50,586 44,647 America Africa Asia Oceania 11,765 5,605 3,155 1,799 9,785 5,794 3,387 1,477 8,462 4,736 2,296 1,282 8,580 ,4,345 1,983 1,243, 7,280 3,383 1,499 1,053 Totale Oltremare 22,324 20,443 16,776 16,151 13,215 • , 98,241 ----------- ,, 85,138 77,318 ====== ====== ,,t , Europa ---------------- ,,j , Espatriati Totale generale , 66,737 ,57,862 ====== ----------- i , l l· , ( , , '1 Rimpatriati , 'Germania (RF) Francia Regno Unito Benelux Svizzera , 31,689 5,582 3,241 4,884 23,782 • 31;753 4,785 2,632 4,490 21,273 27,492 4,238 2,005 3,579' 19,352 , 18,091 3,118 1,727 2,623 13,866 ' , Europa 71,107 66,760 58,366 50,419 41,077 America Africa Asia ,Oceania 12,168 • 5444 , 2,386 1,318 11,802 5,313 2,613 1,316 9,475 5,537 2,602 1,022 8,574 5,020 2;341 923 , 8,019 4,399 1,839 672 18,636 16,858 14,929 .. . • "Totale' oltremare • • ." . , 21,316 21,044 - Totale generale -. --------------- - ,6 • 22,597 3,814 1,846 3,351 17,136 , 92,423 , ====== 87,804 ----------• 77,002 ------ 67,277 ------ 56,006 ====== , I -, La tendenza alla diminuzione delle cif re e' piu' che evidente, dal momento che quelle del 1986 rappres'entano circa il 60% di quelle del 1982' (un po' menD per gli espatri e un po' piu' peri rimpatriati). Si tratta di una diminuzione continua, che e' facile rilevare; se si fa uguale a 100 il valore del 1982, si scende nel 1983 a 87 per gli espatriati , ea 95 per i rimpatriati, nel 1984 rispettivamente a 79 e , 8~, nel 1985 a 68 e 73, nel • 1986 a 59 e 61, con un ritmo quasi c('~tante (intorno al 13% annuo) per gii espatriati e crescente (dal 5% in meno nel 1983 al 17% rispetto all' anno precedente nel 1986) per i dmpatriati. I paesi europei assorbono circa i tre quarti del movimento, ancne se la lora percentuale sui totale e' leggermente diminuita, nel quinquennio preso in esame, dal 77% nel 1982 al 73% nel 1986, mentre e' variata di poco per gli espatriati (intorno al 77%). In conseguenza d! cio' I' andamento del· relativo·' movimento e' si mile a quello generale. Oltre il 75% del movimento migratorio con I'Europa - ~a precisato ancora il dott. Lucrezio - interessa hi Germania (44%) .e la Svizzera (intorno aI 33%; le percentuali sono praticamente 'ririlaste le stesse nel quinquennio. Le' accluse tabelle, 'frutto di elaborazioni dell'UceLsu .dati .Istat, danno un quadro'sintetico del movimento migratorio italiano nel quinquennio 1982-1986. (Da "Corrispondenza Italill' notiziario ad uSo degli operatori sociali: ,e della stampa italiana ,a1I!estero a cura dell' Istituto t'laziona1.~ per l'A~: ' tenza: Soci!1ie (INAS) ente' ill. , : patronato della Confederaziolle ' : Italiana,Sindacati Lavoratori (CISL» >,..;: ...... .'.. ' • • I' - - -I'"---- -.~- , • - - Benedetti-SGB Mentre si susseguivano i colpi di scena nella battaglia apert.a da Carlo De Ben'edetti per il possesso della Societe Generale de Belgique. l'AsSemblea ha tenuto un dibattito d'urgenza sull'argomento, al termine del quale ha approvato'una risoluzione comune presentata dai gruppi PPE, liberale, ADE e dai comunisti italiani (votata poi anche dal gruppo socia- . lista che in precedenza aveva invece cercato di. far cancellare la discussione dall' ordine del giorno) dove si chiede alla' Commissione di presentare rapidamente una proposta di direttiva per armonizzare le legislazioni nazionali concer": nenti il mercato borsistico (con particolare riferimento a1le OPA) onde garantire pubblicita' e trasparenza alle operazioni, I' uguaglianza dei diritti di tutti gli azionisti, la continuita' della gestione industriale e commerciale ed evitare le discriminazioni tra cittadini ed imprese della CEE. Dal Consiglio si attende I' adozione rapida delle direttive concernenti la struttura delle societa' anonime e il controllo delle fusioni. pleta e libera circolazione dei capitali, merci, servizi e persone e sottolinea il rischio di • • una mancata armomzzazlOne, che implicherebbe contraccolpi nazionalistici contrastanti con la liberalizzazione del mercato dei capitali. I principali interventi al Pariamento Europeo sono stati svolti naturalmente da parIamentari italiani e belgi; in particolare, Jas Gawronsky (PRO ha sottolineato come, nel perseguimento dell'iniegra• • zione europea, la classe Impreditoriale di.mostri piu' deci• sione e convinzione della classe politica. In merito all'OPA di De Benedetti sulla SGB, I'approccio nazionalistico diffusosi nell' opinione pubblica sia italiana che -belga, imputandone la coIpa principale al • • comportamento protezlomsta del gruppo dirigente della 50cieta' belga. • Ha concluso il dibattito il commissario Stanley ClintonDavis il quale ha confermato l'inaccettabilita' di discrimi• • nazlom. (Da "ParIamento Europeo" pubblicazione della CEE) • • • 11 documento ribadisce la necessita', in vista dell' attua- . zione del mercato unico entro il 1992, di realizzare~la- com- L'incontrotra De Benedetti (a. siiustra) e il'minisi:robelga. delle finanze Mark EYs.kens - -- --. -- -- -------~-- 7 , • . • j ,•• The Musto Ar'chitectur'al Gr'oup ~ of Design M 1, I ·, ' J4ffrJd~'nr> ~dtf> U s t; 0 BA (hons) Arch.- A I • t: e c • • • • FORAU: YOUR , ' ARCHITECTURAl: NEEOS U r a I G ' r 0 PER TUTTI VOSTRI U P , , , CONVERSIONS EXTENSIONS REFURBISHMENTS t: • ,, Dip.Arch. C I , • , . , , ' ;i , • bomboniere tulle eonletti liori , BISOGNI O'ARCHITETTURA 0 f D e s Tel 01. 692 5096 i 9 n , ,'•. r h• I, • 1 • f· I •,II 1, , ,I, • BOMBONIERI •NELLA PIU' BELLA' TRADIZIONE ITALlANA • Maurine Sandler 10Wilbraham Place Sloane Square, London SW1 ' Tel: 01-730 2093 238 8rockley Road Brockley London SE4 2SU • , , , I , I "f, , , l, • • • tel: 637-5333 , • , " ."'-'--. ,, , " 1 I • , \ CHARTER & SCHEDULED FLIGHTS FROM ROME _ _ £99 BOLOGNA _~£89 , • • MILAN. £79 VERONA £89 NAPLES £93 TRIESTE' £99 PALERMO £93 British fJ Caledonian VENICE RETURN .£89 British airways Allitalia PLUS AIRPORT TAXES 8 ATOL 173 , " .' . t HOLDING A FUNCTION? , .)',~ " • • • • • -.. ,>{ ~ • . - ,, • GETTING M:ARRIED? •~ • , j , CHAPMAN· AND TAYLOR LONDON'S PREMIER CATERERS , . .'" , '~-"\-:' ," ~, are happy to offer three luxurious banqueting suites in (lie-City of London, all within a short distance: of St. Peter's Italian Church. . ~ If ''.I I . , ~. " . ".; • - The Elizabeth Suite, Barrington House, 59-67 Gresham Street, London EC2 accommodating in excess of 300 persons • * ** * , The Cotillion Suite, 18 Wallbrook, London EC4 accommodating a m?ximum of 190 persons i **** .I • The Greenery, 28 The Minories, . London EC3 accommodating a maximum of 150 persons • Clients wishing to provide their own drinks for functions at any of these venues are free to do so without incurring any corkage charge. All enquiries regarding any of these suites to:MR. JIM ROBINSON OR MR. JOCK CHAPMAN 01-5008654 01-5007783 -- - ---- - -- - . -- 9 .-- who ran a terrazzo business, was accidentally' killed on a building site. She lived with her mother, sister Natalie and brother Ernie, in Great' Bath Street and went to St. Pei'er's School, Clerkenwell. Her great friends, were Bessi Santini, Carmela Monte and Mary Zanelli. .. . ~- • Street using the school and .. the church of S.S. Peter and Paul in AmwellStreei. • " -- . ,,• , 'Mamie' worked in the 'Vidor' Battery Factory in Grays Inn Raod for the duration of the war and later spent the rest of her working life in the 'Vin,tage House' in Old Compton Street in Soho. She left, school at 14 and went, She visited New York a couple to work ill Comoy's Pipe facof times to see her family -. tory in Roseberry Avenue, go-, especially her mother who was ing to' ,evening classes to learn aged '102 :when- she died. Italian.,and, French. , ~ Dear Readers, Her. elder son, Ernie,. 'married she married, Frank Secchion in 1955, and lived in Wharton MARIE LOUISE SECCHl . i6th August, 1916 when she Street .just off Lloyd Square. was' 21, the cEiremony taking Her husband, Frank, died from As a' foreword to this month's place at St. 'Peter's. They an :industrial, accident' in 1962. edition" I wish to acknowledwent to live ill Yardley Street. , ge Tony Secchi's obituary of She had two sons, Ernest born his beloved mother, Marie' in 1921 and Anthony born in For the last 25 years she lived Louis Secchi (nee De Marco). 1932. with her younger son, Tony. To Tony's friends, relatives and those who made the journey The family later moved to from America, condolences Wilmington Square, both sons They both moved to the Trianare offered from myself and going to St. Peter's School. gle 10 years ago where 'MaBACKHILL. mie' was very happy. UnforShe shopped locally using Bes- tunately she sustained two On receiving the obituary and sie Santini's shop "Mariani's" falls shortly after moving and reading tJ:!rough it, I realised which is now "Gazzano's" and this restricted her movement that we had lost one of our which her youngest son still out of doors. She also had "oldest members of "Little frequents. ,She also used "Terthree illnesses .in her later Italy"., Tony';'" mother and roni's" and remembered the years, 'each' 'time being confamily came from America to ' 'Office' in the corner of the fined to Barts., but each time form part of "il quartiere shop where the newly arrived recovering w'ell. However, her italiano".. Italians did their business. walking deteriorlited and her Resteghini's "Coach and Horheart and kidneys weakened Tony's contribution covers a 'ses" where Lou and her husshe, was' on .medication for wide area of "Little Italy" and band, Frank, were great friends both. . I was pleased that it containknown -as 'Brutto e Bello'. ed quite a lot of memories She remembered having the She had also been suffering for mys~~f. Sunday joint cooked in the from chronic' arthiritis for local bakers for 2 old pence I close in saying to Tony, several years and gradually beand also the Dancing Bears at, came more infirm, going from , weekends ,in Back Hill. sticks to frame to ,wheelchair Grazie ml1le, . as t~eyears progressed• She frequented Ex"!outh Street MARlE LOUlSE SECCHI market and knew all the shop Her mind;. however, was as and stall owners and they - AN OBITUARY sharp as a tack and she was knew her. a happy 'and cheerful person with a great seru;e of fun and Marie Louise _Secchi, known as At the outbreak of World War humour, 'She thrived on com'Mamie' . died in St. Bartho, lomews Hospital on the night Two in 1939, the elder son, pany and loved people. of Friday 12th February, aged Ernie, joined the army and 93. , tlie younger, Tony, was evacua- Over the last 'five years, her. ted with St. Peter's to Wotton ailments took their toll, and She was born in New York, 18 months' ago als9 lost her Basset near Swindon. He broke U.S.A. on 23rd October, 1894, . 'his leg in 1940' and came elder son, Ernie, with a heart her surname being De Marco. home only for the family to attack and only very recently be bombed out twice in 3 her favourite rieice, Natalie She came to England with her weeks and then finally taking Falco, in the terrible Kings falJ1ily in i900 when her father, up residence in Great Percy ,Cross fire. These blows ob10 .. • I 1 I ' . ' · 1 • ,, ,, • I • I !, ; •,, ; • ; • I ] ~, > I ,• viously took their toll, but she never lost her patience, tolerance or her faith in God - despite her many infirmities. She loved going out ,to res': taurants, shops, parties, parks and shopping. Since Christmas, however, she was not herself and was obviously ill, although still merry and never complained. She ,was optomistic to the end - saying on the, morning of the day she died' that she, was glad to be in hospital because she felt they would, get her well. "I may not be able to run a marathon, least I will . but at. be able to get 'about on my , own" was one of the last observations she made. . She is survived and dearly missed by her loving son, Tony, to whom she was his whole life. , Below: artist impression of Little Italy as Marie Louise Secchi would have known. it. CARMELA MONTI JOHN DI SPIRITO I wish to add sincere condolencesalso: to relatives and friends' of '<It'her amici whose" deathS have occurred recentIy, details of which have been; passed on to me by our readers. 4 •• Feb. 22nd 1988 To: Fr. Russo, St•. -.Peter's Italian Church Dear Fr. Russo" - " - -, I" am sure you ~now my cousin ' Arturo Pelosi, who l)as done so much for the Italian Community over the years. " "11 quartiere italiano" has lost Carmela Monti (nee AVella) It is with regret that I must aged 93. Tony Secchi makes tell you that his wife, Maria, reference to her in his obi-', died on .Friday last at. their , tuary. , , ;home~in' Bournemouth. < . ' . - ..-a,~·· Another los~: ~as been an old friend of miiJe, John ~i Spi~ito,. aged 74. He was a good friend, who win b~~. reme~bere? ~y J!lany from 1I quartlere Itahano". Ciao, Pino Maestri , .. ' Marfa will be buried on Wed- '; . nesdayFebruary 24th.. 198!L}~ ,;, ,;.; " ,,', ' . . Perhaps yoll could mention it to the· people with BACKHILL Arturo's address is: Arturo Pelosi, 4 Stoneleigh, Martello Road "South Canford Cliffs, POOLE, Dorset. P.S. I exhort all readers to send me information about Tel. 0202 709 213 ,"The Hill" and its members to BACKHILL. You will appreciat'e that I often do 'not re- Best Regards, ceive the information in time, Dennie Mancini for the next edition. • , - , 11 Una Donna ••• • Dopo 1S' mesi di lavoro trascorsi in ciua I , lanostra narratrice, Violetta, ritorna, aI, suo , paesetto-,per',ritrovare parentL ed,amici, 'e per un ,breve periodo di ripo~. Arrivate adestinazione e scendendo dalla corriera il primo viso die vedo e' quello della mamma e poi Marcello. Sono venuti' loro due, mll rimango senza parola. La mia', mamma e' tanto magra e cosi' pure Marcello: sembrano sciupati; Piango, abbracciandoli. '!Mavoi state male?" "No, no!" a~~icurano entrambi. "Ma piantala" interviene Teresa, sono sempre gli stessi. Fa questa impressione perche' sei' abituata ai' visi pallidi e grassi della ciua': la prossima volta non ti fai-a' piu' . . . . nessun effetto". Ma 10 sono sbalordita! Cosa mi succede? Le case, le finest~e, le strade sembrano tutte trasformate. E' possibile che in quindici mesi abbiadimenticato corn 'e' quel paese? Persino certe parole del dialetto mi sembrano nuove! Dopo il lungo ,tragitto fra salite e discese arriviamo a casa. 1 . ,Tutti mi attendono con grande gioia., Un' em!,zione in-' descrivibile! Guia e' sempre tanto piccola: sembra le siano cresciuti solo i capelli; i tanti riccioli biondi si sono tras, , ·formati .in due t reccine appuntate sulla nuca da un' , grosso nastro. Lorenzo faccio appena in tempo a vederlo che fila fuori con il trenino. • • • Fedenca sempre magnsslma. , mi fissa con i suoi grandi . occhi azzurri. Piu' spiritoso e' Virgilio 'i1 quale dice: "E' un mese che'io e Marcello ci • diamo da fare per procurartl una bella sorpresa". E, cosi' dicendo si affretta a scoperchiare, un tegamino suI bra-' ,ciere sotto al camino. Sono tre uccelletti arrosto avvolti' nel lardo. "Abbiamo trovato il • • nido che erano appena natl e Ii abbiamo 'tenuti d' occhio fino ad oggi. Come sei bella con i capelli corti". "Guarda me" dice Guendalina, toccandosi la' lunga treccia che le 12 - scende lunge le spalle. "State un po' zitti" dice iI papa', "non parlate tutti insieme." Sono tanto felice circondata dai miei fratelli e genitori, ma sento una gran fitta di • ctiore. A distanza di tempo e 'con la lontananza capisco . lincoia di piu" la fatica che, deve fare la ,mamma. per .far. 'fronte sia purealle miilime. . necessita" della numerosa fa-. miglia. 11 papa' capisce che • a trattl• sono penslerosa e dice: "Cominciamo ad andare meglio, sai da quando non abbiamo piu' i muli e gli " I ' ,~ In realta' non e'cambiato', niente, come dice Teresa, sono sempre uguali, comunque' sempre male. . Nei giorni che seguono vedo, amici e parenti, iI vecchio nonno. Tutti mi trovano bene. "Come . sei cambiata!" dicono. . , , , Certo! Sono cambilita, ma non' solo nel sensa. che'dicon'o loro' e ,cioe' piu" grande,' piu' : obelia; mi sento sicambiata, ma internamente.Quanooho . lasciato iI paese ho invidia1:o tanto le mie alI!iche e amici, perche' non erano come me,' costrette a lasciare le loro' ,, , • 1 ; asini. Quelli che erano solo le spese e i debit i., Ogni mese quando arrivano i tuoi • soldi ne pago uno e contlnuero' cosi' finche' avro' pagato tutti. Con la mia pensione e le mie giornate che faccio saltuariamente, tirilimo avanti". "Certo, certo!" ripeto ma intanto,' penso, questi ragazzi sono patiti, avrebbero bisogno di essere nutriti, mi vengono in mente Pier e Gimmi. A volte devo inventare molte storie per farli .mangiare. Ora capisco: mi sono immersa con tanto interesse nella mia nuova, con' la smania di imparare tante cose fino a dimenticare in parte la vera situazione cella mia famiglia. Ecco perche' sono sbalorditaj ecco perche' mi sembrano tanto cambiati. . famiglie. Ora Ii osservo, sono tutti impegnati attorno alia trebbiatrice, ci sono .tutti. Chi getta il grana nella grande bocca della macchina, ,chi porta i sacchi di grano, chi costruisce iI pagliaio, le ra-; gazze spingono la' paglia con il tridente, cantano, ridono, sono felici come ad una festa ma io non le invidio piu '. • Quando un individuo per destino nasce in un posto emarginato come il mio, deve. trovare la forza di lasciarlo per trovare altri ·spazi per un avvenire piu' sicuro e cosi' faranno i miei fratelli a mano a mano i piu' grandi. La mamma dice sempre: "Sei la • maggiore e tocca a te apnre la strada agli altril". • I l , I I f mercato europeo e alia con- inferiore a 1,4 Iitri dovrebbe seguente unificazione dei gradualmentefar scendere a t rasporti stradali nella Comu- 1,67 milioni di tonnellate le emmizzioni compless,ive di NOx , nita '. • dovute' 801 traffico, privato. Cio'.· 11 sistema' ,proposto dall' esenon basta' ancora alla/,Comoc', . cutivo mira a 'eliminare ogni missione eUfopea che, .'propone distorsione poiche' .prevede nuove norme riguardanti le che la tassazione degli autovetture di piccola cilindrata, veicoli sia calcolata sulla . intese a far scendere il tobase dei costi delle infra- tale delle emissioni a 1,33 st rutture di trasporto sia nel milioni di tonnellate. Le paese di immatricolazione che nuove norme entrerebbero in negli altri Stati membri. vigore il 10 ottobre 1992 per 0 .,i. nucivi modelli, e il 1 In tale obiettivo la Commis• • • slone propone manzltutto ottobre :1993 per tuttj gli' I' armonizzazione delle' basi di autoveicoli nuovi. calcolo dellE; tasse sui mezzi I . livelli p'roposti sarebbero: Tratto d!1 "Eurofocus", un pesanti destinati a1 trasporto " gli stessi gia' in vigore per ~llettino settimanale pub0 delle merci, a partire del 1 bhcato dalla Direzione Gele vetture di media cilinnerale dell'Informazione della ' gennaio 1990. Le tasse do- drata, e cioe' 30 grammi a vrebbero essere fissate' par- 'prova per il monossido di Commissione delle Comunita' tendo dal massimo del carico carbonio (CO), e 8 grammi a europee. del veicolo, ed essere riscosse prova per gli idrocarburi (HC) dal paese di immatricolazione: TRASPORTI e gli ossidi di azoto (NOx). Armonizzani le tasse per vietate I'introduzione di nuove , • gli autotrasportatori aerei, tasse e la concessione di riduzioni .0 di esoneri speciali. La tassa annuale dovuta nel Dal 10 gennaio, 1993, per ogni categoria di veicoli il Regno Unito per un autocarro • di 38 tonnellate e' pari a costa delle infrastrutture 5.187 ECU, in Germania a' stradali verrebbe calcolato 4.396 ECU, in Italia, in Fransulla base dell' utilizzo della cia e in Spagna, si aggira sui intera rete stradale della 400 ECU. Differenze di questo Comunita' e verrebbe ascritto • • genere SI• npercuotono In moagli utenti attraverso le tasse Le misure di cui sopra sono do sostanziale ·sui costi genesugli autoveicoli e i pedaggi indispensabili per evitare di rali delle ditte, provocando stradali. compromettere i risultati scarti che, secondo un rapche si attendono, dall' applicaQuanto alle tasse sui Carbuporto della Commissione eunorme gia' , zione delle rigide ranti; oggi molto dissimili da • ropea, possono ragglUngere deciseper le vetture di granun paese all' altro, la Comanche il 5%. . missione ha gia' proposto, nel de e media cilindrata. Le La causa fondamentale di quadro dell' armonizzazione fi- macchine piccole oggi produtali variazioni sta nel fatto scale, di fissarle, a partire cono il 45% degli ossidi di sostanze molto inquiche si impone agli autocarri dal 1993, al tasso di 177 ECU azoto, . nantl, e senza una ngorosa di, pagare per le strade che per ogni 1000 'lit ri. legislazione, la percentuale utilizzano nei paesi di immasarebbe destinata ad aumenAMBIENTE NATURALE tricolazione, senza tener contare: secondo recenti calcoli, Anche le utilitarie to dei differenti costi risulnel 1990 le "utilitarie" rapdovranno diventare "pulite" tanti dall' utilizzo delle stesse presenteranno il 60% del da parte di autocarri di alt ri GIi idrocarburi e gli ossidi di parco macchine comunitario. paesi membri. Le differenze awto che appestano I' aria Per quel che riguarda: i costi, sono poi aggravate dalla didelle nuove della Comunita' sono dovuti I'introduzione versita' delle- tasse sui carin gran parte (3,17 milioni di norme provocherebbe aumenti burante, nonche' dai pedaggi tonnellate all'anno) alle auto varianti dal 4 al 5%. Le.fabrichiesti su certi traiti di private funzionanti a benzina. briche potranno scegliere. tra autostrade, trafori, ponti e varie tecniche, e, del resto, viadotti. . Anche se I' applicazione delle avranno illteresse ad applicare 11 problema e tanto piu' urnorme addottate recente- alle piccole cilindrate le stesgente in quanto il numero mente dal Consiglio dei mini- se norme applicabili alle vet'" stri per le vetture di grande ture di cilindrata media: cirdegli autocarri circolanti sulle media cilindrata, e di una ca il 90% del parco macchine nostre strade continua a crepri ma parte delle norme ap- comunitario verrebbe infatti scere, e continue ra' fino al provate il 3 dicembre 1987 ad esser,e interessato dalle, 1992 e ancor, piu' ,dopo, in . pe.r le vetture di cilindrata .stesse seguito all'unificazione' del normative. ~"" Eurofocus I, , J• , • j I• ,.~ • . , 13 , .j : , i• , . - .. '".----.,~.-, .. ,.".- .- . 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IItnllli",u'/lW NUo\"(Jptl/~. d,(' si basa Utl:;llIIlO ~mlliuo cH 1111(1 ,iUl\("/1(';a ("(Impo.Hu clcl "pure jib" di Cf}lIiIgmt~c.. ,,,, I'n,,:riulIma ,'rll"iimnllitllllt.'1110 cpulermicv.J "tIel "if(J ('" '/C/ ("(1110• Waxing , • • , • ("(11111'1('/0 .WII:ll P/'('("('(W"', chc' riuIJifj("(' . " III/1J ~II ('/('/11(""; hulispc'/lStlhili a n,,"ballt.'TC" el/kan:menle mm • • • ('tIl/a (" Ili"('oll('/c~ Trattamento: "i.WI .. • > ============;:= • -,::::=:::::;::=" =::::::., -'~ , , THE ITALIAN SPECIALIST otizial • " , CERCHIAMO SlGN,ORA PER PERIODO ESTIVO GlUGNO ..; SETIEMBRE , COME COMPAGNA A SIGNORA 77enne REGIONE VA~LE D'AOSTA R. PROIETTI SPESE E VITTO ALLOGGIO E SALARIO MOTOR.ENGINEER, BODY.REPAIRER - ,, • __ c' : ,~_ '. ." - . , ' TELEFONARE: I 81 ·60-V 0":19·8··· ~ ""... ----- • ~--~- - ~,. - .~---- '. ·-F ~ .. _ - - - -- - _ - ___~'" --- ,PIETRO DOSSAN 01-904.9542 - • • 14 • , I• I• , , ' - . I • I FELl - , . , • , ;,8UREAU . . . \ . 80 SHAFrESBURYAVENUE , LONDON W1 . '. , • .'"' •• '. " TeI. 01-437 8513 or .01-734 4714/4840/4467 . , AGENZIA 'DI LAVORO SPECIALIZZATO , PER PERSONALE ALBERHIERO, , . HA A DISPOSIZIONE POSfI VACANTI, , ., • . '~*.<" on. PER PERSONALE QUALIFICATO NEL S~Ol~,1r • • FOR ALL CATERING STAff'" EMPLOYMENT BUREAU : ". ,;' • , > MANAGERS, HEAD WAITERS, WAITERS, WAITRESSES, lst/2nd/3rd CHEFS, VEG COOKS, KITCHEN PORTERS.. SNACK BAR COUNTER HANDS AND srAFF ETC, -----UNDER NEW MANAGEMENT -----Fluent - English, Italian, French and Spanish Spoken DOUBLE GLAZING , , , MIGLlAIA 01 CLlENTI SODDISFATTI 14 SHOWROOMS IN'LONOON I• Non• comprare niente prima di vedeTe il nostro campionBTio • REPlACEMENT WINDOWS IN ALUMINIUM. UP'lCANO MAHOGANY PATIO AND Er."lRANCE DOORS - PORCHES _ SECONDARY DOUBLE GlAZING LEADED AND GEORGIAN DESIGNS 10 YEAR lRIPLE GUARANTEE w:· PER UN MIGLlOR AFFARE telefonate a VINCENZO LAUDANO 01·609 8154 (24 ore) Forti sconti ai Lettori di BACKHILL 10 year guarantee • . .J . SICA PER OGNI OCCASIONE Sposalizi, balli, parties etc., . . . JJ Ramon Gallo ed it suo Complesso Ravello si e esibito con grande successo alIa Royal Albert Ball nel ballo 'La Veneziana' e 'The Orient Express 1985' ed a '11 .Festival di Musica' a HenleY, per Martini Rossi 1986. Prezzi ragionevoli' ~ , , • .Musica tradizionale e .moderna: italiana, inglese, continentale. . Tel: Ramon Gallo 01-888 4666, ' • • 15 , - - - - - - - - - - - , - - - - - - - - - - - , - - - - c : - - , - - - - - , - ,CC,,"",,- --cc-::----c- "'" Cronaca attivlta della nostracomunita .- .... ., ~ , CARNEVALE A ENFIELD I ragazzi di Enfield si divertono. Un pagliaccio, un mago, un gatto, una fantina e una strega furono soltanto alcune .delle maschere che hanno,partecipato al Carnevale" dei Ragazzi, sabato 20 febbraio alia Edmonton County ,School~ '1 • , l. ' • I i . , -' , , • • ~,~ , ' " _ ,"' . .. ." .' ' -- ~ I, , ,<." "" , , Fu il primo carnevaleorgan:izzato dall' Associazione Genitori' Italiani di Enfield per r bambini che frequentano la scuola Elementare d'ltaliano a George Spicer School Enfield. , • Durante le due ore, dalle 3 5 i ragazzi hanno applaudito e si sono divertiti un mondo col comico 'Smartie Artie'. Hanno mangiato e bevuio, ed insieme ai loro genitori hanno assistito ad un 'recital' di canzoncme e scenette preparata da suora' Gandy della Missione Cattolica di Enfield ,e preseniata d!li ragazzi che frequentano' la missione. lavoro volontario che svolge per laComunita' Italiana nel mondo dell'Emigrazione: essa e la', dove c'e" bisogno, discreta ed ,altruista, attiva e dinamica; n'ello stesso tempo e' intervenuto' it Sig. L. Basanese, vice-presidente dell' Ass. "Piemontesi nel Mondo in rappresentanza del presidente Sig. V. Arrigo, che er,a asse~te da Londta, presentandole una medaglia dell' Ass. Piemontesi· nel Mondo in riconoscimento del suo lavoro volontario in Gran Bretagna. > -." . Le tll;sche piEme di caramelle e palloncini inmano, i ragazzi sono tornati alle loro case in compagnia dei genitori lieti e • content!. A.P.I.E. FESTA DELLA BEFANA Nella sala del Social Club della Casa San V. Pallotti si e' svolta la Festa dalla Befana dei nostri connazionali pensionati organizzata dalla Associazione Pensionati Italiani Emigrati. La sala era gremita di oltre un centinaio di ospiti pensionati, venuti da ogni parte di Londra. Ospite .d'onore il Console . Dott. F. Mirabile e sua gen.t.il~ Consorte, il Cav. Papotto 16 e Signora, Signor L. campanelli rappresentante delle ACLI, presidenti evice-presidenti delle altre Associazioni. La Sig.ra M. L. Avancini in Seam'an ha letto il "Cantico di un anziano" lasciando tutti • commOSS1. Vi ragnava una fraterna e calda amicizia che ha dato una atmosfera tanto festosa alla serata rallegrata con canzoni tradizionali delle nostre re. gioJ;li al suon di 'fisarmonica. La serata e' stata anche rallegrata da una ricca lotteria condotta con tocco magico del segretario generale Cav. S. Ortenzi dell' Ass. Abruzzo e Molise e Signora che e' stata il divertimento di tutti. Nel corso dell serata il Console Mirabile ha tenuto un discorso elogiando i connazionali pensionati che essi sono i veri pionieri dell' Emigrazio,ne e complimantandosi anche. c'on l'ins. R. Teresa Jochlik per il Ospite alla festa era anche la Sig.ra Santello, la mamma della ragazza italiana rimasta ustionata gravemente nell'incendio della stazione di King's Cross, accoll'lpagnata dalla , • - --------------------------,--------- Cronaca2. arnica Sig.ra Gilda Cardinale, una delle prime persone che le e' stata vicina. 11 piu' caloroso ringraiiamento va alia gentilezza del Consolato Generale in Londra che ha sponsorizzatala Festa della Befana e alle persone che hanno voluto contribuire al gran successo della se rata: a Lord Charles Forte, alle ACLI, alia ~ AlE, al Cav•. P. Papotto della Bernigra, alia· Ditta Carnevale, all' Ass. I Piemontesi nel Mondo, All' Ass. Pedina Val D'Arda, all'Ass. Abruzzo e Molise, all' Ass. Gli Italiani nel· Mondo, al Restaurant, 'Villa Estense', alIa Sig.ra C. Urso, alSig. G. Viola e al segretario A. Colella. , InS. R. Jochlik, responsabile dell' Ass. APIE, e Sig. L. Basanese vice":presidente dell' Ass. Piemontesl nel"Mondo . •- . " 11 Console ,Dott." F. Mirabile' .. ' ' ' ' .. , .... , .. . '. e la Sig.ra. ¥. c'Av.lIJlcWI 1[1 • Seaman " , . ~. '- '. SAN CALOGERO Domenica 24 gennaio all_ 12.15 I' Associazione di San Calogero si e' reunita nella Chiesa di San Pietro, Clerkenwell per la Messa in Onore del lore Santo. • Come ogni anno, cosi' anche quest' anno hanno portatb la loro fede. E' stata forse la migliore giornata fino ad ora, perche' hanno riempito la Chiesa e hanno fatto vivere molti momenti di preghiera e di commozione. Siamo sicuri che la benedizione di San Calogero, accompagnera' sempre tutte le lore famiglie. Pubblicchiamo alcuni immagini della Messa. -:_"'-;" ""- ~ _.:~'=:- :.'..,,'_ ::..~ _. -:;-"-.- :--~." ~~"'::""--2;:_ '::"" . , """_~ .'- '-co<;;:.:- _~::. 7"""".7"'" --:::.::' -. -:=:-: 0 :";::0 :::.~-~~--:::-~>~_'-..-:- __~?_. ~ .. ., :-:- :.:;!-:.~ -"0' ~~.:~";;-:. --:;:,,: -"z,,:--· ;~-;.~. ;;:' _~~"""',;j .-;;;;:~ -"'. 0:::;-'__',. ~j"_~ _~ _ . ITAL·FREIGHT LTD. INTERNA TIONAL FORWARDINCi AGENTS , 215 Tunnel Avenue, Greenwich; London SEIO OPU. Tel: 01,853 3553, Telex: 895587/J, - , Specialists in Anglo-Italian Business - ---------------------------- , '" Cronaca .~ ,I ITALIAN HOSPITAL, BALL This year's' Ball sa,,!' a very large gathering of sOp1e 1,200 people in the elegant Great Room of the Grosvenor• House, Park Lane. Among the guests of honour were R.H. Tony Newton, the Health Minister, H;E, The :Ita.,. lianArribakador; 'Dr~B. Biancheri, Lord' Thorneycroft (whose 'wife is President of the League of Friends)." Dr. R. di Leo the Italian Consul General and Dr. P.' .Quaglia Managing Director of Fiat , Auto (UK) I:.imited' who generously donated the first prize , for the raffle, Fiat Uno. , • • 1 ,II ...... The Italian Ambassadoideliver!l his speech , I Lady ,Thorrieycroft and Lady HambJede'n, stalwarts of the ,League of Friends and the l Ball committee were also present: there was, as ever, much hard work' going on behind the scenes on the tombola, the raffle arid general organisation. , Tpe lucky winryers of the raffle prizes weie: 1st Prize:, Mr. John'McQuaid 2nd Priie:' Franchi' Locks and • Tools , 3rd Priz~: Sig.ra Fugaccia 4th" Prize: Rev. 'Padre R. Russo' 5th, Priie:Mrs. Clarissa Dann The lucky winner of the Fiat 6th Prize: M is. Peter Cooke ' Uno, John McQuaid with Lady 7th Prize: Mr. Peter Cudmore 'Thorneycfoft,Dr. P. Quaglia 8th Prize: Dott. E. Rovati and Lady Hambleden T T , 1 , a , II \ ... ... A lively dance, floor • I• , , ! , 18 • Cronaca 4 • MESSA DELL'ASSOCIAZIONE PARMIGIANI VAL TARO i presen~iamo alcune fotograie della S. Messa, celebrata. omenica 14 febbraio alla hiesa di San Pietro alla pre'senza di tanti amici dalla valle del Taw. ~atvatDre J1I,tane"SD Photographer & Video Producer • , , . 27 DENMARK ROAD, WIMBLEDON, ~, .. LONDON SWI9 4PG Tol: 01 • 879 137B , A ricordo' di Giovanni Indorni nato il 21 agosto 1926 m. il 29 aj>'~H!l,' 1984. , "Forse e' un sogno No! non ti abbiamo .. perduto, ci sei vicino, e Clsaral sempre ma troppo ci manca la tua pr,esenza." Una messa sara' ,,'- celebrata il , 29 aprile :all~ , .v"".'" ' oie ~19.00 nella Chlesa. [tahana,m commell!9.razione dOP9 4 ~I!!!i della sua scomparsa. , . , .~. , • ~'. • La moglie e' la figlia Nilde e Daniela -~.- .. .. .........,... , ,~, • ~ ,.." - -- • 19 --- --------------------- _. Happy ~-. }--< East er VVASTEELS· - nOt j~St ••I a travel agenty with reduced rail fares! 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Her success in concerts both in England and abroad, ,and her 'frequent broadcasts, T.V. appearances and recordings, demonstrrate her superb musicianship and artistry, Her' vast repertoire ranges. from: : the classics to Hght and conti., nental,;,style musiC; and no matter what kind: of music , she plays, her marvellous tech,.. nique and control of the instrument ensures that the ,music, is interpreted to the full. , virtuoso ' , " • i • " , , , , ,, I , i , , , , ,, , • .- , , , , " • ,,, • ' • " , I • • • Pearl Fawcett's career covers many musical fields and she 'has travelled widely, giving concert tours in the USSR, 'Poland and Western Europe. She has appeared with such orchestras as the BBC Symphony and the Royal Liver: pool Philharmonic, as well as giving 'recitals at such prestigious concert halls as the Wigmore Hall and Purcell Room in London, Moscow's Tchaikovsky Hall and the Lenin'grad Philharmonic Hall. ,She is one of the few accor':' , dionists anywhere who can give a solo two-hour recital. Her numerous appearances on television have radio and ranged from solo' classical recitals to light' music programmes, television programmes such as 'Stars On Sunday' and 'The Good Old Days', and BBC radio programmes such as 'All Kinds of Music', 'Melodies for You' and the 'Charlie Chester Show'. She has also broadcast, as soloist with the BBC string orchestra, for which she did the musical arrangements, and her various compositions and arrangements have become very popular with accordionists. She specialises on the electronic accordion, as well as the normal acoustic, accordion arid her brilliant use of the 22 instrument, as well as her Pietro Deiro emigrated to the musicianship, technique and U.S.A.- from Italy in 1907. He artistry is demonstrated on was soon established as the her, highly-acclaimed LP,. re- , highest salaried headlined percords of popular classics and former in the leading theatres virtuoso pieces - 'Accordion of the U.S.A. and the top'Tapestry' and 'Virtuosissimi '. selling Victor recording artist, On the lighter side, her LP and his career in these fields, as well as on ,the concert 'Musette Parisienne' shows her platform, lasted a good many versatility on the 'musette' years. He had to do all the accordion, with continental accordion music played in the arranging for the music he true continental manner. Her played and as a result, over cassette 'Music on the Move' five hundred arrangements and consists of well-known 'easycompositions of his were pubto-the-ear' melodies on aclised for the accordion. cordion and pianoforte. Apart from being an accordion virtuoso, she is also an excellent ,To commemorate the Cente• • nary of Pietro Deiro, Pearl plamst. Fawcett will be .giving a recital at three different venues, 1988 marks the Centenary of playing a contrasting prothe celebrated accordion piogramme, from classical to neer who developed the aclight music, including compocordion in construction, playsitions by Pietro Deiro. The ing, arranging and composing first recital will be at the music for the instrument and Purcell Room, London on Sunteaching - the great Pietro day 24th April followed by the Deiro (1888-1954), known as Conygre Hall, Timsbu~y (nr the :Da:ddy of the Accordion'. Bath) Avon on Sunday 8th May It is to him and his constant and Aston University, Birmingand tireless efforts that the accordion owes' so much today. ham on Sunday 22nd May. \ • , • ews from Ital\ you may have missed • Two investigative journalists • Lung cancer caused by • Building work was stopped car fumes is said to kili more who revealed emba,rrassing 'in~ on Italy's most controversial than 100 people a ye.ar in formation about the Sicilian nuclear power station, at MonFlorence, so the council has Mafia's alleged dealings with talto di Castro outside Rome, decided to close the centre politicians were arrested. The following a week of 'demon- , to traffic. Only some 20;000 , journalist, Attilio Bolzonifr0!Jl strati9nsi> Th!l ,move by the .. residents will be allowed to 'La Reppubl!I<.~' and Sav~no local, authorities- ,flew in ,the' " , enter the area inside the ola Lodato from '.l!Unita" refused f~~e of a. Cabi~et de.cision" ,b» walls with their cars. The to reveal their, ~Ign.or ,Glovanm Gorla's IGo~·j.. , sources. famous squares of Piazza, In- , vernment. dipendenza and PiazzaPitti • Italian M.P.s from the will be traffic-free. • small Radical Party have ex• AIDS has claimed the lives pressed dismay at the plight .Train passengers a~ Rome's of 23 Italian children under' 6f the Italian soldier. They central Termini Station did the age of 12. The, Italian wish soldiers to be issued double takes when· a porno• Institute of Health says that with umbrellas to protect graphic 'film appeared for at least another 18 h,ave con-, • them when it gets wet. The several minutes on giant tele-tracted the disease. • " government appears ummpresvision screen in the middle of sed. Italy, said defen,ce the terminal, interrupting' the minister Valerio Zanone, is • . An Italian court seritenced broadcast of a handball game. not wet enough. Capes should the fugitive Palestinian guerilla' be quite enough! Abu Nidal and one of his• Giovanni Fici, a cousin of lieutenants in absentia to life one of the Mafia 's. most in jail: for a 1985 attack on' feared bosses, Pino Greco, • Two gunmen on a motor- Rome airport in which 16 has been shot dead, prompcycle killed two people and people died. The lone surting fears of a wave of, rewounded a third in Reggio di vivor of the four guerrillas venge killings. Fici was Calabria, in what police said was sentenced to 30 years. sentenced to 10 years jail at was an underworld execution. a mass Mafia trial last December, and was out of • Ilona Staller, better known • Four Romans were buried prison pending appeal. as Cicciolina, the Italian porn in a British graveyard. 1600 star and M.P., was .aw;sted in years after they ,had died., • Ex Queen, Maria Jose, Brussels for indecent exposure The remains were discovered widow of the last king of Italy after she performed a stripnear Scole, an j mportant. returned to the country withtease in a nightclub an~ staging post on the Colchesout fanfare after 4~ years mingled too liberally with ter 'to Caistor route. in exile. Now living in Switcustomers. zerland, she crossed the border • An Italian vintage car by car with her daughter" • More than 100 people, dealer was fined £45,000 'or Maria Gabriella, to attend a including a former priest, conference on St. Anselm .in were arrested in a swoop six months imprisonment after Aosta. After three hours, against Mafia suspects, only pleading guilty at Uxbridge they drove home again. The three months' after a Palermo Magistrates Court to attempting to evade payment of VAT 81 year old ex-queen spoke cO,urt sentenced 340 gangsters only a' few words to journato long jail terms. More than on gold bullion he tried to lists, saying "I didn't feel 1,000 police took part in the smuggle into the country • hidden in a body belt. any special emotions entering operation. Italy, but I am happy". Her husband, Umbert 11, reigned • Prostitutes in Genoa are , for 26 days before being • A Rome magistrate has hllnding out anti-AIDS leaflets , forced into exile in 1946 ordered a government minIster before doing business with after a referendum abolished their clients. "You wailt ,to and 1i other people to stand the monarchy. He died in sleep with me, read' this trial on charges of fraud for exile in Geneva five years ago allegedly misusing furids first", they say '~o their at the age of 78. customers. supplied for state health care. 23 -- i' , , , , .. " Chiesa di • LA VOSfRA CHIESA, I VOSfRI SACERDOTI, NELLA VITA DELLA NOSfRA COMUNITA'. Quando entIlite nella chiesa italiana di San Pietro, guardate alia sinistra dell' Altare Maggiore; c.'e'una bella statua bianca di marmo. E'la statua del nostro fondatore San Vincenzo Pall otti, romano. Egli ha voluto questa Chiesa,e questaChiesa e'la "prima Chiesa italiana cos'truita nel mondo fuori dell' Italia, per noi italiani. E' quindi un primato che ci riempie di gioia. San Vincenzo Pallotti ha fondato la Societa' dell' Apostolato Cattolico,cioe noi Padri Pallottini con le Suore. Quest'anno sono 151 anni della nostra fondazione; e' una grande festa per noi, e la cosa, migliore e' ricordarvi 'quello che facciamo qui .' , . con VOI e pe r V01: .CON LE FAMIGLIE:parteciplamo alia vostra vita e ai vostri problemi,cercando di darvi una mane per camminare insieme verso Dio. • CON I VECCHI E MALATI ArnJiamo a .trovarli it piu spesso possibile,non li lasciamo so~i, hanno precedenza ,'" tutto. .CON I POVERI:abbiamo • • un alUto e un ,mteressa• mento per tuttJ .CON GLI SBANDATI:almeno li riceviamo e rr ascoltiamo. _CON I CARCERATI:stiamo ne a orl!! ce a par ando di Dio e della vita. .CON DROGATI E CON COLORO CHE. SaFFRON<>: vogliamo che insieme a noi sentano che Dio e' 1'unica ragione della vita. • CON I GIOVANI:vogliamo che capiscano if grande done che Dio ha fatto, dando la vita. .CON TUTTI:vogliamo che con noi sentano la bellezza e "la ·gioia del Vangelo, la Croce e la Risurrezione. Vogliamo che capiscano che questa e' una Chiesa viva che porta la parola di 'Dio dove Dio ci chiama. I sacerdoti di questa Chies3 infatti hanno una solo vita fra di loro, in comunita' la vita di Dio. Ecco qt:esto e' 10 spirito che ci ha lasciato San Vincenzo Pallotti. Venite e state con noi, PadriPallottini; vi sentirete meglio. Venite principalmente ogni venerdi' sera alle 8.00 (ma non il primo venerdi' del mese); ci aiuteremo a vivere la parola di Dio, come ci ha insegnato il nostro fondatore San Vincenzo Pallotti. , I I Venite, raccontateci la vostra ,(ita, sara' un aiuto per • tuttJ. Vi ricordiamo il nostro indirizzo:4 BackHill,London EC1, Tel:01 837 1528/837 9071 i i I l .VOUR CHURCH, VOUR PRIESfS, IN THE LIFE OF OUR COMMUNITV. , .WITH FAMILIES:we share When you enter St. Peter's in your lives ana your proItalian Church,take a look to blems, seeking to give you a . the left of the main altar. helping hand to walk togeThere you will find a lovely ther towards God. white marble statue of our .WITH THE ELDERLV & founder S. Vincent Pallotti, SICK:we visit as often as we a roman. it was he who can, never neglecting them, wanted this Church, and this they come· before all else. Church is the first Italian .WITH THE POOR: we offer Church built anywhere in the a -neIping hand, showing world outside of Italy.A first concern for all. therefore which fills us with .WITH DOWN & OUTS:the great joy. S. Vincent Palotti then founded the Societa'· ~. ·Ieast we can do is receive them and listen to them. dell' Apostolico Cattolico i.e. WITH PRISONERS: we sit in , we. Pallottine Fathers and their cens tafking about God Sisters•. This year marks the and about life. . 151st year' of' our founda.WITH DRUG ADDlCTS:we tion; a time of great celewant them to feerthat,as it bration for us. This is just is with us,God be their only some of the work we underreason for living. take both with and for you. 24 ,i • WITH THE VOUNG:we want them to understano God's greatest gift ,to us; life itself. • WITH EVERVONE:we would like the beauty that is the Gospel,the Cross and the Resurrection. We want people to understand that this is a living church that speaks the living word of God, where God calls us. We priests have one life together,in community-the life of God. This .is the spirit of our founder. Come and spend some time with us. It might help. Come in particular on Friday evenings at 8.00 p.rn. but not the 1st Friday of the month).Let '5 help each other to live the word of God. • San Pietro ·• < • e SONO NATJ ALLA VITA DJ DlO CON IL SANTO BATTESIMO e Holly ObertelIi Jamie Webber Alessandro Salzano Amanda Galati Bianca Foley Christian Colasanto Omella O'Neill Patrick Bryant Fiammetta O'Neill Natalina Altomare Daniela Coltelli Salvatore Bacino Natasha Cichy Aridrew Renton Paul F erdenzi Anna Maria~.Amato Alexia Cameron Ria Moylan Adriano Di Palma Alessandro Morfakis • • ·, • , • ·, • · • • • ,:' ~. eHANNO UNITO LE LORO VITE DAVANTI Francesco Marrai e RIPOSANO Rinaldo Amandini - A DIO NEL MATRlMONIOe Paola Vistarini NELLA PACE DEL NosrRO SIGNORE e • Edilio Gerra • Carmela Montlicolombi Joan Galvin • Amabile Luigi Cattini , A VVISI PARTICOLARI DOMENICA 10 APRILE La messa verra' detta dal parroco di Porcigatone (Borgotaro, Parma) • DOMENICA 17 APRILE Messa Solenne Per Le Cresime Alle ore 11.00 a.m., avremo la Messa Solenne per le Cresime. La messa sara' piu' lunga e piu' affollata e non ci 'sara' la messa delle 12.15 p.m. DOMENICA 17 APRILE Gli Amici di Santa Franca Alle 7.00 p.m. avremo la Messa per gli Amici di Santa Franca. DOMENICA 8 MAGGIO Avremo le- messe per Senerchia (Avellino) e.Chiesa Bianca alle 12.15 p.m.. • --- -- - 25 • •• - --------------------------- Re111 0 '88 . . Yet having said that "Perdere the poor final placings of L' Amore" did have powerful San Remo debutants and sole . . lyrics and music written by representative of Italian young writers Gianpiero Ar'underground' rock groups, tegiani 'and Massimo Marocchi Denov!? with their very pleaDespite - or perhaps because and' was ,not .a step backwards sant "Ma che idea" and that of San Remo veterans and forof - the very sti mulating par-, for contempory Italian, music, ticipants in the section reser- 'now seemingly going through mer winners, Matia Bagar, with ved for the twentysix 'big' . another Renaissance. Drama- their brilliant "La Prima Stella personalities, Sari.,Remo!s 38thtically,'sung and' with a pro- della' Sera" - my personal fa-' Song 'Festiv!!:1' did have ,a, wholfessional performance, Ra- vourite- ·were almost incomIy uneasy' feel 'about' 'it. • '~ei'ijust. abo~t deserved.' his 'prehensible. I offer only' one VIctory. . explanation: ignorance, as was the thinking behind Ricchi e Has perhaps Italy's premier Just about deserved too were Poveri's "Nascera' Gesu"' , a · : song Festival become too big the second and third places song about genetic engineerfor itself? Are twentysix par• • • of Toto Cutugno with "Emo- ing! Sometimes it was hard ttclpants Just too many, espezioni" and Luca Barbarossa to believe ones ears. It even cially when one considers that with "Amore Rubato". Again" lacked that usual 'catchyness' there was little competition public popularity rather than so typical of all their previous and very few good songs? critical acclaim helped Mr. songs. Oh the sacrifice they Cutugno. Lyrically one of his made for their art!! Why did How right it. is not to call it better songs, it seemed a they bother? Why did they a 'song contest '. One even shame he had to sing it: a . come ninth? Why did Nino wondered why the Italian profar better writer than singer, • Reitano with his often too ducers' chose a Spaniard (al"Emozioni" was originally in- sickening and sometimes sufbeit an 'Italianized' one), the tended to be sung by Fausto focatingly patriotic song "Itaenigmatic: Miguel Bose', to Leali, yet due to a badly lia" come sixth? co-present, alongside Gabrieltimed quarrel < between the la Cariucci, the greatest pubtwo, Cutugno was left with Yet all of this colour was lic event of music "Made in no option but to enter the song added to by the presence of Italy". Needless to say his imfor himself. What Leali could other favourites such as ·Oxa, pression of an Italian rarely have done with his much more Manoia - it was she and, her worked. He had claimed his convincing voice can only "Le Notti di' Maggio" which presentation would be one of be guessed at. Such is the. won most of the critical acno engineering, no ·foundation, wickedness of life!! claim - Fiordaliso, Marcella, total spontaneity yet he conRaf, Ron, Tullio De Piscopo, stantly referred to his script Luca ·Barbarossa 's "Amore RuDrupi and fresher, faces in the and blundered without it. Still, bato" deals with such a wicsection reserved poor Miguel did' manage to . for the new k~dness; it is not,. as might acts. Here is where the true come out of the twenty-hourfirst appear, a typically Itacompetition "lies, a corripeti· plus spectacuhi'i with his head lian wishy-washy love song; tion won by Future with a held high - he even managed no, it deals with the subject song entitled "Canta con to 'plug' his latest L.P. by of rape. Such are the impact noi": typically Italian. The singing a couple of songs from of lines like " •••e adesso muopresence of foreign stars all it - and was simply just anverti/fammi godere/se non ti added up just to one thing: a · other victim, of the Festival's piace/puoi anche gridare/tanto Festival which gave spectacle great mass sprelld out over and -fun; the sort of show'that Iles~uno/ti. potra' sentirehanto four nights' and, three. venues. • .,nessuno ti potra' salvare••• " Italians are best at, the sort of show which television is A return to the Festival by . and later on"•..la ragazza non immaginava/che cosi' lento supposed to bring into ou~ Massimo Ranieri after a gap of twenty years won him the . fosse il dolo re... " that as I living rooms. In the words of listened the hair on the back 'contest'; the "come-back" Reitano's song 'Italia, Italia, of my neck stood up. A very idea obviously having caught di terra uguale non c'e' ne'. courageous song that undoubon following Gianni Morandi's Roll on '89. • tedly confirms Barbarossa as success last year together with Italy's foremost.' singer/writer. Enrico Ruggeri and Umberto Tozzi. So, who's next? Proving 11 nostro scrvizio rclativa a' San · the point that it is not alRemo '88 continua••• So much for the .winners. ways the best song which. wins · . but the biggest personality. What about the losers? Well, · I-vano Oddi· writes ••• . " 26 -----------""!"---.. . ~ f'~ Parla Anna ~------------------------- ,- Reduce del suo ennesimo Festival, Toto Cotugno, cha ha conquistato secondo posto, • • aveva portato tre canzom In gara. Uno per lui, uno per • Fior Daliso. e ·I)no. per Franco • Califano. "Desidero semplice'. mente che la mia musica "Le luci si sono appena suI . 38esimo. Festival della Can- venga ascoltata. Scrivere la e' la mia ragione di musica zone di San Remo. 01tre sette milioni dipersol}e hanno' vita." Chissa'cosa ne. pensa la .moglie di questa dichiaravotato' la canzone 'vincente .di e' jl nome della zione? Carla, Massimo Ranieri e quelle signora Cotugno, ormai spaclassificate in secondo e terzo posto diToto Cotugno zientita dopo giolOi di interpellazioni, per interviste ed e Luca Barbarossa. appuntamenti con l'iIIustre ~a prima di parlare del meconsorte, ha esclamato: "Vi nto delle canzoni, 0 sopra garantisco che preferisco fare t'!tto dei cantanti, vo.~rei de- la moglie!" dlcare due righi alia manifestazione stessa•. E' stato it Non vi erano dubbi, da pa~te dei votanti, neanche per la ~estival che ha visto it grande terza canzone Ctassificata. n.t~rno di B.eppe Grillo dopo Comunque, non sono mancate dlclotto mesl di assenza dallo le controversie e le polemiche. schermo televisivo. E' stata Luca Barbarossa, romano di la stessa Rai che 10 aveva ventisei anni, con il' suo Iicenziato piu' di un anno fa ad invitarlo a ritornare pe: "Amore Rubato" raccontava stupro. "E' discutibite delle la presenta,zione di questa prestigiosa manifestazione. Con la scelta di portarla a San oltre venti milioni di spetta- Remo" aveva detto Fiorella "E' cattivo gusto!" Mannoia. tori la Rai ha ancora una volta ottenuto .un ascolto ha dichiarato indignato Marcella, che poi 'sarebbe quella record. Quattro sere di tras. .. .... mIssIon! In diretta che hanno che affronta it Festival con portato nelle case italiane Pa~1 McCartney, e tante vecchle stupende glorie, come Pa~1 Anka, Benny King e Shlrley Bassey; Sopratutto e' stato un Festival con ventisei • bellissime canzoni, ventisei • ottlml cantanti italiani. Massimo Ranieri, 37 anni, si it ragazo delle 'Rose Rosse' e '0' Surdato Innamorate' cha da vent'anni mancanva dal palco canoro. "La mia • • vlttona e' la prova che la canzone italiana esiste... perche' dobbiamo sdmmiottare Parla Anna Rossi • • • gl! a")ericani e g!i inglesi? • RIsentlamo piuttosto it nostro prodotto!" un bagaglio di un grosso como di corallo ed una palla ~a che cosa comporta questa con neve incorporata. Insiste dlfesa della canzone italiana? Significa nel caso di Massimo di non esse re superstiziosa anche se non si vestirebbe Ranieri, la fatica di quattro sere di acuti, che ha messo mai di viola. a dura prova le sue cordi Vi ho voluto parlare dei sucvocali, i suoi pulmonJ ed it cessi del Festival. Questa suo cuore. Chi era' in sala splendida manifestazione che poteva notare it suo colore continua per t radizione ad paonazzo.' avere buone intenzioni per. Rossi . . aiutare i cantanti 'made in Italy'. Purtroppo pero' come in tutte le iniziative commerciali vi e' sempre spazio per un tocco d'ironia. 11 'biglietto p~r le quattro serate di pellice e diamaJ,lti, e' costato due milioni a chi 10 acquistato a bagarinaggio. Forse conviene riflettere sulle parole di. Fiorella Mannoia. "San Remo e' utile. Ti risparmia decine di apparizioni intelevisione. E' un asso pigliatutto che, comunque, puo' anche ucciderti". ; I • .' • •i I ,• • Le Canzone in Gara 1988 Non potevo falOe almeno di notare le presenza. dell' amore nelle canzoni di quest' anno. • • Amore patnotlco, amore scientifico, amore rubato, amore folie. Quattordici canzoni su ventisei hanno lanciato dichiarazioni d'amore. Ecco la c1assifica BBC Mondo Italiano delle canzoni in gara, con qualche consiglio per chi ha intenzioni di acquistare i dischi. 1. Perdere I' amore di Massimo Ranieri Indiscutibile canzone vincitrice piena di emozione. 2. Emozioni di Toto Cotugno . Una canzone difficile, scritta per Fausto Leali ma presentata con tanto successo dal I'autore. (continua p.28) 27 . •, • Avete la possibilita' di ascolrezza e' sopratut,~o emozione. tare queste canzoni ed altre, 7. Per noi durante la trasmissione 'Mondi: Fior Daliso do Italiano', dalla BBC Radio B' la prima volta che canta Bedfordshire, ogni martedi' un brano di Toto Cotugno, ed 'sera dalle 8.05 alle 9.30. i'l risultalo e' 'molto inteSintonezzatevi sue 630 kHz ressante. B' anche da notare sulle onde medie, oppure un intervento vocale di Fausto 95.05 Fm. Leali. • •• Buon ascolto, e 'a nsentIrCI 8. Notti di maggio presto! di Fiorella Mannoia (continuato da p.27) 3. L'amore rubato di Luca Barbarossa. Un pezzo bello e delicato. Luca Barbarossa e' riuscito a parlare splicitamente> di un argomento tabu', ma senza esse re volgare. 4. Andamento lento di Tullio D' Bpispoco Musica napoletana, coniugata con ritmi tipica~enti africani. Sara' un grosso successo nelle discoteche d 'Buropa" 'Splendida interpretazione di una canzone romantica. Ha vintoit premio della critica. Anna Rossi BBC Radio Bedfordshire 9. Bra, bella dawero di Drupi Una voce particolarmente dotata per uno degli artisti italiani piu famosiall' estero. Vi ricordate "Vado Via". • 10. Cielo Chiaro di I New Trolls Un 'sound' dei Bee Gees per festeggiare it ritorno insieme di uno dei gruppi storici del mondo canoro italiano. BACK HILL vuol ricordare, per chi volesse mettersi in con• tatto con' 'Mondo Italiano' che I'indirizzo e' it seguente: Mondo Italiano BBC Radio Bedfordshire PO Box 258 Lurke Street, Bedford 5. It alia di Mino Raitano Una canzone dedicata, agli italiani all' estero. Per chi ha bisogno di sentire cantare I' amore per la patria lontana. 6. Mi manchi di Fausto Leali , Leali dimostra che una voce cosi' roca e intensa come la sua, e anche piena di tene- I TT The First: BACKHILL Recipe Book AT LAST you can buy a recipe book with all your favourite recipes:MAMMA'S RICBTTE BACKHILL 136 CLBRKBNWBLL ROAD LONDON B.C.! -------------------------------------------------------------------------------Name Nome •••••••••••••••••••••••••••••••••••••••••••••••••••••• Date Data •••••••••••••••••••••••••••••••••••••••• • Address , Il1c1iri~.•..••.••..•..•..••••..•.•••••.• ~•••.......•..•...•• , , Number of Copies Quantita' ...................•. , •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Total enclosed Somma acclusa ~ ....••••....•........ Post Code/Codice Postale••••••••••••••••••••••••••• Cheques payable to 'BACKHILL' - Vaglie intestati a 'BACKHILL' , , 28 • r • Inforlnazioni Utili AUTORITA' EO ENTI ITALIANI Ambasciata d'Italia, 14 Three Kings Yard, Davies Street, London W.l. Tel. 01-629 8200 Consolato Generale di Londra, 38 Eaton Place, London S.W.l. Tel. 01-235 9371 E.N.I.T., 1 Princes Street, London W.l. Tel. 01-408 1254 Italian Trade Centre, 37 Sackville Street, London W.1. Tel. 01-734 2412 Istituto di Cultura, 39 Belgrave Square, London S. W.l. Tel-01 235 1461-3 Camera di Commercio Walmare House, Room 418, 296 Regent Street, London W.!. Tel. 01-637 3153 Alitalia, 205 Holland Park Avenue, London, W.ll. Tel. 01-759 2510 CHIESE E MISSIONI St. Peter's Italian Church, 4 Back Hill, London E.C.1. Tel. 01-837 1528 Stigmatine Fathers, 5 Hanover Road, London N.W.I0. Te!. 451 1408 • . •,• • Missione Cattolica Italiana, 197 Ourants Road, Enfield, Middx. 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PETE 'S' • TI • UNDER THE PATRONAGEOF THE PROVINCIAL , FATHER REV.'V/17OAIO VINCI.(S.A.G.; • ' ,• \ EC1R SOL 136 CLERKENWELLROAD.. LONDON . TEL: 01~278 9402' 01-837 ,1528 CHARITY NUMBER 252930 ACCOUNT NUMBER 1145801 . - . , • • • • -- ,-~. - -~. '-. '= • .' ~. ~ '. - _'. - _ '_ -- =. - - '. === - .. -._~ ...-.-,-,.;-_--,.r.:~-._--- ".'=-,,' ~- ." ~--;-- '= ,-.->-,'~ -= -.. ~ '.- - - -=:. ~<-- .". , '0 - '.;'.'.'.= ',".'.-"-.> - - i-':'·"- _. '. - :._."., __ .' '=. - '." - " ~= .. --', , '-= • • ."., - ' • ." ,", - ~ <"='" " .. -~- ,~ '. ,_., 'L= _ . '. - - - '.'~ .. , , •• . .'.== .. ;, , , • • ~ ,. ' , ~--==,\ ~I ~--- - •.•.~~:~.=.-.=-.-., ~._"._~. ~- _ - ,• • ,• • • • •• • • •• • , • • , } • .• , , , . · ' ., , • • • , -, • • •• • • • 30 • ----------------,-----::::----- If • mUSlC • be the fruit of love, read on .... • I Eat The Lemon plus support: Tile Big Sweep PROUDLY PRESENT I I • all proceeds to SI PETER'S RENOVATIO]\f'" FUND admission £ 2.00 Eat The Lemon LIVE in concert Red Hall, 136 Clerkenwell Road, ECI a.OOpm Friday 8 April 1988 . it'll be all ripe on the flight ADRIAN DANTE presents PEARL FAWCETT (International Accordian Virluoso) Commemoration of the Centenary of the great accordlan pioneer PIETRO DEIRO (1888-1954) Sunday 24th April 1988 at (.30pm PURCELL ROOM SOUTH BANK CENTRE, LONDON SE1 8XX. T.ickets:- £3, £4, £5. Available at the door, or in advance from: Box Office, Royal Festival Hall, London SE1 8XX. (Cheques payable to 'South Bank Board'!. salam; matte ill/taly N.B. - a first class S.A.E. must be included with ticket orders by post. Caravette Records PIETRO NEGRONI LIMITED 24 New Wharf Road, London Nl 9BR Telephone: (01) 837 0426/7 CACl07 PIErRO DEIRO - 'The Daddy of the Accordian' A special Centenary Celebration cassette of original recordings by the Maestro himself The only one of its kind! PRICE: £6.50 plus 40p p.&p. Frorn:A. Dante. 12 Fair/awn COUlI. Acton Green, London W45EE. • • 31 • Giannino ,, , " archi pairiting once again after being enchanted by the colour and vibrance of the Basle carnival which he painted in 1974. The carnival continued to exert a strong influence on his work until his death in 1983. • Girl by the piano " MICHAEL PARKIN GALLERY M9TCOMB STREET SWl Giannino Marchig lived through some of the most turbulent years in Europe. Born in 1897 he spent his childhood. and adolescence in Trieste before m"oving to Florence with the outbreak ,of the First World War. He spent the 1920s in Italy where he built a reputa-' tion based on both talent and notoriety - his nude 'Oriental Dancer' of 1922 caused a ,Mar<:hig's talent, as this exhibition demonstrates so well, extended. t'o portraits, stilllif~s ilnd landscapes, and reflects the turbulence and change of the ti mes he lived in. His works have been divided into two: the paintings and the drawings. There are sixteen paintings exhibited all • together, but it is ,possible to see in just three of them how he developed iri the two rich decades· he spent in Italy: 'La Bresilienne' (1916), 'La Bresighellina' (1921) and 'The Sleeping Nude' (1936). The most' notable of the drawings include 'Three Drawings of "Sienna' (1917) and his 'Study of a Dancer' (1923) - pencil scandal in the Church. He also sketches small and seemingly spent the following decade effortless until properly scruthere, but' with the rise of the tinized. fascist regime Marchig abhorred,. the artist faced what he The exhibition runs until 15 later describe~ as a personal ApriL and prices start at £250 crisis, the result of which was for the pencil sketches, though that he became increasingly " . for the pleasure of looking mtrospectlve, concentrating on alone it is worth paying the .the restoration of other painexhibition a visit. ters' great works rather than on creating fresh masterpieces of his own. Sue Mead" Fortunately for us, however, Marchig moved to Switzerland " where he took up his own • • • welcome 24GREAt CHAPEL STREET. LOHDONWl (I.,t._ O".f' St,ut _.. I f T.It..".aM C..f' It.a, Young people from all countries will rmd at St. Patrlck's a friendly welcome and the opportunity to make lots of friends and have a good rime. Come along! We "'took forward to meeting you. TII'.Slat...l T~I: 01-734 2156 & 01a43' 0116 Educational charity (ret: no. 27~) 32. Theatre THE BROWNING VERSION and HARLEQUINADE by Terence Rattigan at the Royalty Theatre I have seen these plays several times always in the above order, Harlequinade each time coming as rather an anticlimax. Here it is played first as a curtain-raiser to The Browning Version which contains much more depth and substance. "This production is the third by the Royalty Theatre Company (the others being 'The Importance of Being Ernest' and 'The Living Room'). Each play, runs for about six weeks and the Company has attracted "an impressive list of patrons from the theatrical profession - Judi Dench is one of the team of fO!Jr responsible for choice and casting of plays. • Harlequinade concerns a theatrical company rehearsing 'Romeo and Juliet' just before the opening night. Paul Eddington and Dorothy Tutin are the aging lovers whose egotism and single-track minds insulate them from all problems, even the revelation that theirs is a bigomous marriage, and that 'Romeo' has a married daughter and even - horror! - a grandson. The laughs are well-placed by Rattigan, and well-pointed by the cast, if sometimes a little too obviously. I( Paul Eddington gives a polished performance of a vague 'leading actor', more concerned with the positioning of a plant pot than rehearsing. Dorothy Tutin easily establishes the character of the ham actress (though words went astray 'at times). John Duttine as the Stage-Manager is a whirlwind of energy, amidst the chaos, trying to cope with the· problems ,caused ,by - his leading actors' unworldliness. His is sent of Browning's translathe most satisfying and believ- .tion of 'The. Agameinnon l ;tnc,·· ' able performance - well-timed facade""crumbles and the pent- • " and unselfish: Some of the up emotion floods forth, only', smaller parts are over-acted, to be replaced by another and .there were a couple of wall when· his embittered and mistimed entrances, leading frustrated wife tells him' it me to feel the play was under- was only a joke. At this IOckrehearsed. However, it makes bottom point he somehow a light appetizer to the more dredges ·up' strength and substantial main course 0"£ The c0'tr~ge. to start his life a- _ ". . fresh:'; , ' Browmng VersIOn. ".. , ., , - . .. --- - , , , , --''', , ,: . " " , ," , , , •, i " o )' , - • .' " Daniel Beat.es as young; ,Tap- , '. "low' gives an engaging perfor- ,,' " mance, playi!lg very naturally in a rather stilted part. As the young goodlooking teacher being unwittingly .seduced and entrapped by Mrs. CrockerHarries, John Duttine acts sympathetically, particularly towards the end when he gives Crocker-Harris the strength to face the future. Dorothy Tutin is,spiteful, bitchy, uncaring - a harsh portrait of a woman desperate for any male younger than herself. I found the 'necessary sexuality of the • character rather diminished but, inspite of the unpleasant personality, one still finds a measure of understanding of her situation and the underlying causes. ' . .... -"-- " . .. ' , Redgrave's famous role out-acted by Eddington Rattigan shows us Andrew Crocker-Harris (Paul Eddington), a public sphool master who, because of illness, is having to retire, has been refused a pension, has missed promotion to House Master (much coveted by his ambitious wife - Dorothy Tutin), is unpopular with staff and boys and has had to live with the knowledge of his wife's unfaithfulness. In order to survive the yeais of teaching he has constructed a barrier between himself and other people (to the extent that he is labelled 'The Himmler of the Lower Vth'). However, nothing can undermine his one support - his love of the classics, and when Taplow, a 4th Former, gives him a leaving- pre- The play, however, finally depends on the actor playing Crocker-Harris. Paul Eddington gives the best portrayal of the role I have ever seen. He proves he is not merely an adept T.V. 'performer, or a skilful interpreter of Alan Aykbourn comedies. Eddington . plays with absolute sensitivity. His tight gestures and spare movement indicating the repressed emotions. His unsmiling features and precise speech show how successful his well constructed barrier has proved over the yea~s. He carries the audience with him all the way with a still, quiet, dignified, very moving performance, which, I feel sure was a revelation to most of the audience. Christopher N. Ruff 33 , . rena-----'-"----'----, usicale~++---LA 'FORZA DEL DESI'INO First performed in 1862, not in Italy, but in St.Petersburg of all pll,lces, it came just after "Un Ballo in Maschera" and before "Don Carlos" and "Aida" in the Verdi cannon. It contains some of his most haunting music. The famous overture and the beautiful "La Ve'rgine, degli Angeli!\ are "among the highlights of this work., , , • The role of Leonora is one of the most difficult to cast. It calls for a true sprinto soprano . 'with a full' sound able' to reach up to'a,top 'B' flat, but als? calls for a voice which can corn mand a true pianissimo to do full' justice' to the above mentioned aria. formance comes from Renata Tebaldi. If we didn't know better, one would think Verdi had written it for ·her. The beauty of "La Vergine"is seconded only to Rosa POl'lsell,e's, famous r!lcording. Praise mdeed! Dramatic fire there is in plenty and "Pace" is another' demonstration of how a true Verdi line should be sung. The dramatic role of Alvaro is one of Mario Del Monaco's' best on record. Add' to this the best sung Carlo from Ettore Bastianini, . Giulietta Simionato's firey Prezisilla and a firm cellolike sound from the Bass, Cesare Siepi and you have a recording to treasure. Let's hope Decca release this one on CD soon. cording. for RCA has jUst been released onto CD. By the time· it was recorded in the late '70s the top of the, voice waS still as beautiful, but the bottom which at one time was a sexy smokey sound, had become just a husky hollow tone. But she is still a force to be reckoned with. In support she has Domingo as her Alvaro. He's- better on the new Muti set. Here he tends to ball a bit~ Sherril Milnes, though no Bastianini, is very good as the brot4er s~eking' revenge for the family honour. The best thin'g is the Preziosilla of Fiorenza Cossott6 in splendid form after 20 years at the top of .her profession. The person I would have most loved to have heard in 'a complete recording .is Rosa Ponselle, who, at the age of 21, 'made her debut in- the' American premiere of the work opposite Caruso. She left us some wonderful recordings of the arias and the closing scene with Martinelli and Pinza. I challenge singers of the future to better her "La Vergine". With Pinza's cello-like introduction and sUl'port the performance is beyond praise. Please, please HMV re-release these recordings so more- people can· have the opportunity to hear these operatic .legends. Many sopranos have tried. Verdi Only a few have succeeded• • m . The late~t recordings " Con': . L;;:'~l'l< Russia ducted by Muti and Sinopoli contain .many good things, but not enough to recommend them as 'recordings ~hat reveal the Iieart of the work. The other soprano who nearly Sinopoli ,has the English socomes close to Leonora, but prano, .Rosalind Plowriglit, for different reasons, is and ,Muti ,has Mirella Freni. ~aria Callas. Top notes go Of the"two Plowright has the astray, of course, but not as m?retrue spinto voice, but bad as in later life and she missed out on true Italian . cannot match Tebaldi in the sound and being able' to float aria "La Vergine". But what her top .most tones. Freni; she does have is her rare inon.the other hand, has Italian.,. sight into Leonora's plight. ite 'sound' but no amount of Her scene with the Padre Mafio RenzuIlo stretching her voice all over Guardiano of the Bass Nicola the shop can disguise the Rossi-Lemeni is typical Callas. Record Numbers: fact that it is just not big Full of dramatic insight that enough to do full justice to Tebaldi, Del Monaco: Decca leaves one· breathless. Sad to GOS 597/9 . the role. The aria "Pace, say her supporting cast comes , pace, mio Dio" - one of most no way near matchmg her. Callas, Tucker: HMV 253 -29 diffi9ult in the soprano reRossi-Lemeni doesn't touch 0921 . petotre - calls for two top Siepi. ,Nor does tenor Richard Price, Domingo: RCA 'Bs'. One to be sung piano, RL Tucker .or. the,. baritone Carlo . 01864 the other, a full throated Tagliabue. hold a candle to .. c1imacted sound. This, Freni their Decca .counterpart. , Freni, Domingo: HMV 289 27 just does not have. ~owever, it is· still worth 0522 - hearing· for Callas alone. Plowright, Carreras: DG 'ii9 It will come as no surpirse to . , 203-1' Leontyne Pnc(!'s second reJind thlll most sati:,?fying per34 . . , , , ' , o • ,/ • Cinema SfAKEOUT (15) Director: 'John Badhain Star: Richard Dreyfllss • A great mixture to be had. Humour, pathos, adventure, • • romance, excitement, Wit. The usual "thrills and spills". : Each character. readily identifiable whilst avoiding stereotyp.es. The fast moving story deals with murderer "Stick" Montgomery's (Arden · Quinn) violent escape from' ,jail. As a result Chris (Richard Dreyfuss) and Bill (Emilio ,Estevez - looking every inch , ~artin Sheen's son) are assigned to stakeout the home : of "Stick's" former fiancee, Maria (Madeleine Stowe) in the off chance the killer may return. During th!J surveillance, Chris falls in love with Maria but must keep his real identity a' secret. There's still time for jail ,breakouts, fish fights (yes, fish), domesticity problems and professional jealousy and fooling. Stakeout has enjoyed great ,success across the water : which should be a good indi: cation of its guaranteed gen: eral enjoyment. ,, , FATAL ATTRACTION Director: Adrian Lyne Stars: Michael Douglas, Glenn Close We all know the hit it's been : and the spanner the story has thrown into society's social ; manners. Not wanting to be film ,· a stick-in-the-mud the had, potentially, a far more gripping story with further rooted ,implications•. The wri· : ter, James Dearden, opted out somewhat on his character of : Alex Forrest (Glenn Close). What would -have happened had she not turned psychotic? Maybe Dearden didn't know himself! With our distant ; relations across the . water ' .not .a!ways being reknown for their subtlety, one can imagine the obvious tone of the film. Still there are bits to chew over• Glenn Close consumed the screen and Lyne had some fine touches. I have seen .better from Michael Douglas, and : hopefully will do again in Wall Street which opens soon. ,The' film ,has deservedly been . ,nominated' for 9 Academy , <, Awards, among ,them Best Costume design of James Acheson which was the film's most striking feature. Bertolucci cleverly controlled his temptation to expand, extend and, explore the pho- • • - , ,• •, , • ±~ t., - ... "' .' • The 3-year-old Emperor of China at the Forbidden City THE LASf EMPEROR (15) Director: Bemardo Bertolucci Stars: John Lone Peter 0 'Toole This 180 minute epic charts the life of a small boy, Pu Yi who is born to rule as Lord of Ten Thousand Years. He does so from the Imperial Palace from which he may have anything he desires except his freedom. Peter O'Toole as Robert Johns!,n comes as his tutor to enlighten the Emperor' in his understanding of western cultures. However, he needs no educating to make him aware of the unrest that haunts his country, but as much as he dreams of reforms, his confinement and ultimate impotency are real. Freedom comes in the guise of a Japanese invas,ion ana the uprising of the Communist • regime. tography into the scenic ,coun!ryside and by so doing , made us suffer with Pu Yi the frustrations of unsatisfied . curiosity aroused by unwanted confinement. The Italian direcfor has created. yet another masterpiece which, hopefully, will take its deserved share of the Oscars. As a matter of interest Top U.K. films of '87 looked like: 1. 'Crocodile' Dundee 2. The Living Daylights 3. Beverly Hills Cop 11 4. Platoon 5., Police Academy IV Their U.S. comparisons were: 1. Beverly Hills Cop II 2. Platoon 3. Fatal Attraction 4. The Golden Child • 5. The Untouchables Sajo Pama 35 • • I Olimpiade della Gioventu Italiana , , , • , ATHLETICS • SWIMMING 28 - 29 - 30 MAY • 1988 Gioyani lIaliani. iscrivelevi e. parlecipale ai, grandeavvenirnenlo sportivo cllCClvra luogo presso: , . NEW RIVER SPORTS CENTRE • WOOD GREEN N.22 m:ulltlftd 19UU or-rutlni 1902 , rinchlcy 1904 at.pctcrs 1'Jot. Le Olimpiadisono aperle a lulli i giovani delle Associazioni, Circoli e. 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LONDON N.22 BRADFORD 4 RUTLANDST.. , , " "37 ortli in Italy to the wealth of New York and the heady success of Hollywood and pack again. Richard Evans writes·••• • • Do you remember my . ' series "Historic Moments in Sport" ? If you do then you must be an aVid . .. reader . of BACKHILL for. ~>~Ieast seven years. . If you don't, . . then you may be. among those, like a young' friend, who wonders why I never feature past sporting events. His particular interest was in . , Primo Camera, the great Italian boxer of the 1930's. ~~ , . ~ He was born int6 a poor family at Sequals, near Venice, in 19.06 and was called Primo because he • w~ the first son of the family. ·From an early age his parents could not· aff.ord I have always been f~scina .ted by the achievements of the past and old action shots of 50 years ago con.. jure up, images of bygone 'days which always seem that little bit more memo., rable than today's big sporting events. It is a. false illusion of cours!!, only distance lending encllanim.ent, and yet for a moment. it is as if time has been defied and the young men depicted in the 'Gentle. Giant' of boxing photographs are still able to do battle today. It has been the character of the to keep him because of his participant which has enormous appetite. So attracted me and not the when he was only 8 years statistical records of his old, Primo was apprenticed , performances. Statistics , to a cabinet maker. By the time he was 20 he are lifeless facts and figures which can never weighed '19 stones and was' tell the tr~e story of the 6ft 5i ins. His very stature made him the ideal choice man - his life, his loves, for a circus strongman and his successes, his despair. wrestler. It did not take If one looks at the record long however, for Frenchman of Primo Camera, it is not Paul Joumee to see the exactly startling - he was Jtalia,n's potential as a World Champion for under heavyweight boxer. Joumee a . year and not even his took Camera. to Paris greatest fan would . r'eg~rd where the Venetian soon plc;'({ed up the skills of the him as a classical boxer. But. to tell the story of ring. He was wame~ by his" trainers, however, never the' real Camera, one must to lose control and punch look J?eyond his fight career and' follow him from his' his' 'full weight for with his ,freakish. strength, it was ,~~.rIy . poverty, stricken days __ '38 Managed by Journee's mentor, Leon See, Prime> t09k Europe by storm and not a boxer could stop him. He had one place left to conquer - the O.S••' In the early 30's boxmg was a big and dirty business in the States and Camera soon found he needed an American' manager. With all the naivity of a ,simple minded peasant, unaware of his money spinning capabiH;.. ties, he soon found himself under the control of two men, Louis Soreci and Bill Duffy, to whom he signed away 30% of his earnings. Both men skillful!y handled Camera and by June 1933 he .was ready to fight Ja,ck Sharkey for the Heavyweight Championship of the World. . , , feared he might kill some.,: body. This inhibition was to remain with Camera throughout his career and was to prevent him making full use of his ex6~ptional build. v • On the eve of the challenge for the most prestigious title in boxing, the Italian was still more laughed at than feared. A whole host of nicknames had been daubed upon him ranging from 'Mountain Man' and. 'Vast Venetian' to the less complimentary 'Ambling Ape' and 'Satchel Feet'. However, on the June night long ago, the U.S. public, not to mention Mr. Sharkey, were in for a big surprise. In Round 7 Camera landed a left hook followed by a left uppercut . to the chin and then another left hook. If Primo thought that victory would, bring him the respect he deserved 'he was very much mistaken. The authorities were far .froni pleased that the Crown sl!ould pass to a, non.,. ._._--------- American and great objection was taken to Camera staging his first title defence in Rome. Hollywood then stepped in and signed Primo to star in a film with Myrna' Loy, entitled "Everywoman's Man'!. The main role went to American boxing idol, Max Baer. When the script called for the two of them to box with Camera losing, the gentle Italian refused to co-operate and the story was soon changed. , tually quit the ring. Withing 90 seconds of the start 'Maxie' had landed one of his haymaking rights to the apprehensive Italian's face. Camera was flat' on , his back. He got up, only" to be floored' again at the end of the first round. .< Baer was a hustler and playboy, 'quickwitted with a sharp sense of humour. He missed no opportunity on the film set of mockingtbe slower thinking Italian' who soon developed an inferiority complex. As for boxing, Baer relied almost exclusively on a wild right hook which started off around his boots. Yet he had never been stopped in 46 contest and was the offi.., cial challenger for the Title. The American was clear favourite for the June 1934 fight, not only with the U.S. public, but also with those sages of sporting conflict, the bookmaker. He would not go down in history as a great fighter and nor would he enjoy the customary financial· re:wards from having been World Champion since much of his money had been flinched away by those around him. Primo Camera was a simple man with simple values. He never sought the li melight and never deserved the abuse and 'maltreatment he received. The're was something very, refreshing about his attitUDe to 'life and something,,' very sad about the way treated him. Baer completely dominated the ne>c t two rounds spurred on by the crowds and his continual mocking of Carnera, who he hit while he was on' his hands and knees. But the Italian did not give up and by the 10th round it was' even that he could possible sneak a points decision. life Baer sensed the danger and after nearly two rounds of . renewed onslaught, caught the Italian's chin to settle the contest. It. was perhaps ironic. that the fight should end in the 11th ,round for that was exactly the number of times Camera had been knocked down in the course of the fight. In fact, he was later to suffer a similar thiashing at the hands of Joe Louis and even- He should not be remembered as 'Satchel Feet' but as a Man among Men - a 'Gentle Giant' with a heart so big that he never knew when he was beated or· cheated. That is the true epitaph to Primo Camera and is something which the record books can never tell you. • • • • Anglo Italian Football League DIVISION 1 < 7 F M U I A P N R o Z A 8 T o o • Fat Sub Pti GiocVintPersPar , Pts Plyd Won Lost Dm For Agst, DE MENNATO TAILORS 17 11 BENEVENTO 14 10 8 5 PILGRIM AIR 12 12 A.F.I.N.S. .10 VALTARO • 2 1 1 28 16 4 24 19 4 3 4 19 20 10 4 5 221 24 10 10 4 4 2 ITALIA WASTEELS 9 7 4 2 1 19 10 A.C.MILAN 9 10 4 5 1 16 22 COM'IT'WOKING E GDLMG 1 12 o 11 1 .5 13 • • DIVISION 2 8 • C.I.L.S.E. INAS 11 9 3 1 5 15 13 MONDI ....L 10 7 4 1 2 14 9 VALCENO ·7 7 2 3 2 13 14 5 6 2 3 1 14 12 3 7 _ 1 5 111.19 LIBERTAS D'SLOUGH MAZZINI GARIBALDI • 10 18 '. 39 , ,• ,,- - , ------ I • • Where to bUy • , > CLERKENWELL : CHlESA ITALIANA DI SAN PIETRO FERRARO,ContinentalStores, Leather Lane, E.G.1• • • • GEORGE &GRAHAM NEWSAGENT, Back Hill, E.C.1,. ISLINGTON •• FRANCO & TIN A (belicatessen), 296 Caledonian Road,N.l. MARENGHI (Delicatessen), top of York Way, N.? SOHO ••• ANGELUCCI (coffee blenders), 23b Frith Street, W.1. • CITY ROAD •• F.G.W. CITY LOCKSMITH, ·129 Whitecross Street, E.C.1. FINCHLEY •• SOLARI & ACHLER, (Delicatessen), ?}9 High Road, .North Finchley, N.2•. • • • , • WINCHMORE HILL: • • MARINO & ROBERTO (Delicatessen), Green Lanes, N.21. • ••• WOOD GREEN VITELLO D 'ORO/.Lordship Lane, N.22. VELINA (Delicate~sen), West Green Road, Turnpike Lane, N.15 , , DlRENZO Delicatessen, Queens Parade, 5 Brownlow Road, N.ll. BOUNDS GREEN •• ARNOS GROVE •• ITALIAN DELICATESSEN, Bowes Road WILLESDEN : I PADRI SfIMMATINI, 5 Hanover Road, Kensal Rise, BRIXTON •• CHIESA DEL REDENTORE, 20 Brixton Road, S.W.9. KENNINGTON •• PRIMA DELICATESSEN, 38 Kennington Road, S.E.1. HOLBORN •• MAZZINI-GARIBALDI CLUB, 51 Red Lion Street SOUTHGATE •• ITALCIBO (Delicatessen), Ashfield Parade, Southgate N.ll. • • Ringraziamo tutti i sopranominati per il loro aiuto • Our thanks also to St. Peter's Catholic Women's Association, Romano Silva, Aldo Antonioni, Daniel Servini, MariaSterlini and Franco Bosi for their efforts• • 40 , , " • ons ._. , ~ ' , • • Head Office 329/331 GRAYS INN ROAD LONDON WC1X 8BZ TEL: 01-278-8628/1308/6014 '. also at 22 PANCRAS ROAD KINGS CROSS NW12TB NW12TU TEL: 01-833 4736 TEL: 01-387 6782 4• CROWNDALE ROAD CAMDENTOWN KEYS CUT WHILE-V-WAIT :LOCKS GRILLS SUPPLIED AND FITTED • HAND AND POWER TOOLS STOCKISTS :::"(-::::::~::X~~~;';:XX::;..o:.;~~;'»"'$.::~m'§::::*:§'X.-:::::~*~~~ . . . • - • • CHUBB SUPER CENTRE MACPHERSON TRADE PAINT CENTRE LOCKSMITH SERVICE 41 • _ -"M";; _l .J.:. --\ ...."~-- ......., • • - <:_- -~- . ~ .; -... I - '.', ..-:... ..... ''\ , I , L. • =E L G A E B T P N F N B , W 0 R C B C N I I G E C L L P S U E L G F U R K C M A C S G S E L N W E - -A 0 N B A I U N R 0 I T O' E K P P A N 0 W L A S , 0 P I G R C K R 0 0 K R D F U A R 0 B I N C S E D L T D 0 U M M W P Y L L T G 0 W A D K C A j F E T D H R R I U B S K H C W A D L U B S V M L L WORD SEARCH Can you find all these birds? THRUSH EAGLE GULL ROOK KESTREL OWL -CUCKOO JACKDAW WREN PIGEON SPARROW BLACKBIRD ROBIN CROW • • • ., • HAVE YOU READ IT BIRDS Nicobobinus by- Terry v jones (Puffin Books Price £2.25) Do you, sometimes leave some food out for the birds? Fortunately for them there hasn't been any snow this year because, as you know, when it's very frosty or snowy, the birds find it very difficult to find food for themselves. You can .help by putting odd scraps of food out for them like br,ead, peanuts and bacon rind. If you have time, why don't you make t.helJl' a bird cake. This is an action-packed story about a QOY called Nocobobi,.. nus and his friend Rosie. In the story Nicobobinus has part of his body turned to gold and so he has to search for dragon's blood in order to be cured. This leads him and Rosie through many funny and exciting adventures. Here are some children's • • opinions: "l liked the book of Nicobobinus it was funny. Nicobobinus was going to have his leg cut off by Dr. Sebastian because he ~wanted' the gold,lI .,. Martin ' liMy favourite part of the story was when Rosie and Nicobobinus freed Dragon Ashkanet from the City of Cries'~. - Andrew Have you got a favourite book you would like to recommend? - Write to BACKHILL and share your opinions- with us. ,42 Ingredients Kitchen scraps (bacon, cooked potato, cheese,banana,bread) Uncooked porridge oats Melted fat Mix it all together and put it on a dish and leave out for the birds. ..'''',' . • • ) .,""'-, , ''''', ~'-, .' ," ". .~ ~ , :'" .'.', :.... :., .. " , ',,,-"::" ,,'" ~ .. '. ,.' . . . Don't forget that birds .need wat,er all the year for washing and drinking. Try to keep the water free of'ice on cold days. If you are especiaIJy keen ·to filid out more about birds, whydoil't youjoin the R.S;P.B. (The Royal Society for the Protection of Birds). Her.e is their address: R.S.P.B. The Lodge, SANDY, Beds. SG19 2DL. , • Patient: Doctor, doctor people JOKE CORNER keep ignoring ~e. Have you got any jokes you'd Doctor: Next patient please! like to share with readers of What did the biscuit say wlien· . ~ACKHILL.Send them in and it got run over? w~'ll print them! The address Oh crumbs!- ,. is on the first page. • Tem Libero J PAROI£ CROCIATE , ' 1 789 10 , 35. Fangbiglia .' , 37. Prosa..•senza consonanti , 38. Si scrive nelle moltiplica• 13 , , ZIOn! 17 20 19 " , 39:Bologna ~-l 40. Direttore Tecnico , 21 • 24 Orrizzontali 1. Pirato di Verdi 7, 'Osservato 11. Era il domestico di un ufficiale 13. Impegna'il portiere 15. Navigo' nel diuvio universale 17: Circondano le pupille .' 19.'SI p1antano In un campeg- 26 31 • 32 .. 34 • glO 36 41 Verticali 1. Li sono i commercianti dell' occidente 2. Oggetti quasi unici 3. Campi sportivi 4. Li redige il notaio 5. La Silvia vestale 6. Su inglese 7. Una controversia giudizia• na 8••.Qubbiosa ed irresoluta 9. Camera 10. Non me 12. Una preposizione , SAPETE CHE•••••• 14. La cittadimi con il 'Sim Carlone 16. Un nemico del progresso 18. Fastidioso 20. Il giorno... in breve 22. E' identico ad un altro 23. Tardo nel muoversi 25. Muzio Scevola tento' di ucciderlo 27. Avere, un prezzo 28. Ce le rimette 10 scornato! 29.11 calcio d'angoIo 30. Regione inglese 32. La fine del tempo 33. Le selle dei somari * Secondo la religione indu', chiunque muoia sulla riva settentrionale del Gange a Benares, la citta' santa, raggiungera' sicuramente la salvezza eterna. Chi, invece, chiude la vita sulla riva opposta, e' destinato a reincarnarsi • • In un asmo. * La colorazione azzurra del cielo dipende dalla diffusione dei raggi solari determinata daIle particelle d'aria e dai minuscoli corpi che vi sono in sospensione. Man mano cbe la rarefazione dell'atmosfera aumenta, questo fenomeno ottico si attenua: e " questa ,la ragione per 'cui,oltre i30 chilometri d'altezza, ~. il cielo appare, completamente nero.c. 21.L'eroe cbe scaglio' la stampella 22. La buona volonta' nel lavoro 24. Associazione Nazionale Alpini 25. Si cuoce nel paiolo 26. In quel luogo 27. Una' provincia della Calabria 28. Pisa 29. Un canto re della cbiesa 30. Il padre di Latona 31. Piu' cbe stanco 33. Una capitale tedesca 34. Le prepara il pasticciere 35. Piowe sugli Ebrei nel ,deserto 36. In fondo al braccio 38. Un manifesto.•• 39. La santa di Lourdes 41. La penisola con Seul 42.Imperatore romano * Nel periodo feudale,' i nobili ed i cittadini liberi potevano awalersi del cosidetto "diritto di pugno": si trattava della facolta' di farsi giustizia da soli, sostituendosi in tutto e per • tutto all'autorita' dei tribunali e del potere centrale. * Greta Garbo, la piu' famosa diva cinematografica di tutti i tempi, non e' mai stata premiata con un Oscar. * La caduta di un' antica spada giapponese appesa ad una parete del suo studio forni' allo scrittore ingIese W.S. Gilbert (1836-1911) 10 spunto per il libretto dell' operetta "Il Mikado", cbe, musicata da A. Sullivan, ottenne • enorme successo. 43 • ... I~ Wf$lOQ $l,lP"' -),(Uf'. TMGn.od"tlu~ U~ Tbe lCirlt$MM 1k~~~. ".I;«ae Tbt' ~CIost" "'Stnn4""- N~TbeAtbul· ~TheClOWL Soutllwdl.S&tacta'$ Head Hotd. S\Ok~~(" TIle Nom. SUttotiL .Sttatfoc'4"'1oponA..... Gt DuNlllO'lV/Stustfd. trimttt.PMHooseHotd. UI'\lC:d•• Ebt,p'e Post H~ Hott( UneoI... Tbt\\1Iite Hart.. )latIott Bath. TbtNfW 8alb,Hotd. MfitoIl Uo'\r.tny, Huboro' Hold. MiIt.()IIIlCt)'M$. Post H~ Hotd., Tht~U~ StrllJof'd \l JIQD.-AVOD. K"ll\ts4'M"The[)oke'sHca1. M(ll'l'«lIII-ia-Utnh" TMShU~ La~ 1"heSw.... TM CUIIlIbn"1and Hotd. tM \Vhitt HIl'\ Ro)'lk "T'btw~. N~liIl'1dof't~. Stratford \lpo;ll'l-Avon.. t'MSwtr!'s N~. Imt Nd!oc\t,the BtI. M&ldot\.1'h(l Btue Boat. TMCa\'m4ish.. Norwkb"l"I»& HQl.lse liott't. Orford. Tbe CrowD. & CastJe.. T1wtford. The BdL TM W(':;lbury. TMEM'dsiOt. 1'0:;1 Hou-~. Un-throw. .. \\~.11IeCrowa. ThtSk)"Vo-ay. 1'bc' "rift., rus "rooM Lo»don A~ n.tCrov..... • ouse Nortll cl EftJ1aM Ba'llotry, Crow_ HWl 8e'I1'l1t)'. TI\e ~ Bradfotd.The Victoria. BtI.. ~PostH(lUSIeHotd. Cbestn. Post HQQseHold. Cbt*r.1be Qoffa, Hold. "rm.. AS('(It.1bt Ilft)~. BTftl,(\\'OOd, ~ HOGS(' H«d.. Blatkhonf: HA. ~koet«k. Caftlbffior)', f'Iirekoy Hall ~.Earlot~H«.d. C~lftd.~TY.'o8rtWm.. C~thorM'.Watf'l1oo H«d. Gta.~. TMSwlA., Cro)\1(I(l. CrQ)'@.COOnHo:«{ D«l.i.ft&.l\ul(ll, Bov.I futfl • DorkiJlt, Tbf'\\'M:tHOt~. Dor"'inUBo~ Hiil, Hurogate'. 'thtCI'OWI\. Harrosaw.1he Ma.,i('stie,.. • H&ydort.Post House Hotd.. Hf'lrI\5koy, Bl.Kk SWIft. ne elsure:", ~B\i;rrordB~. E~ PM H~'Hotfl Gal\\'k-k. Post H~ Houl G\lidW.TMAft,gd. H~JId4.TheG«wrteHilI. U&rifta ~ House Uotd. 11iky.1beCnigbMs. lCn'lloxk" The lCfi-.",iCL .-. Gdd-ford, fQSI HOQ~ HOld. Hu!o'w.GrffI\ Mu Hout. ~.PostH~Hotd., l.«ds.11IotU~ " H~ Hm!~.Post; HOUSIe'Jk,ul l.ms..1be Q\l«'D's.. UVft'pooI. St G~·$l-Iotd. Mu.cllf:;tH. TMGran4. HcniJi.&b'4bury.TM\\11ft "«se. , ,, TbtSanMl"sHead. f1vfltiJIIdon" T'Mc G«lrteIpswich" Post HQQse Hotd. rost HOQ$f'. H~ lIotf1 Ro$SI£'IL Sl, Gf«~)r's HQtd, " • Kia'\t(OI\-(lpon~ K~~('HO(d. M~,PostHouseHotd. MI#~ Airport. the EM'dsiot. f't"a.<.4\:f'. ~ H\lrtwoo4. RtWlJI.S, f'Q:;t 1-1 ~ li C( ff., SfaiMs."Thlftr;n Lodgf' H«d,. SIt\t'Ntf>.TM RO('i;u(k. \\Wsor.Tht' Ca,<.tIorH«tL ,Nortfl&%korloa. TM GoMtI'II LioI\.. , - en Sw" ....1trist0ll., Tbf'Stat. Attoft.Sv.u HOld.. AMooI."ft'. \\1l.iIf'"ut Hd:ri. ~OM. Rf4 Uoa U(IId,. Bn&htofl and HO\~.~Du4k)·. tn. SIlc1t~4.GrCl:-\'ttlOt H~ H<Ut. Sbdftrid, H&DuI TO'A'ft Post House Hotdo. a T~/Cko.rlu4. Post H~ Hotfl. nJn.k. Tbt GoIh rkuT. l'lb'llo".ttr.~HQQSeH«<t. \\'akd'ldof. Po:;t HQQse HOld. \\'~~, us Chd~ft'.T~DoIpIU.n.&.Atd« Cr''o\if)~ Tht Groft'!', ~bolJ,rM'. ~WM to\\'tt. r.r~~QIl('m'sHctd., Post House HoteL t'MB€WldoL_ \\~~~. TbeOI4 ErWa""~ York, Post HQQseHotd. \\~~. • fm,NJ\\., 8\1~ }Ietd,., Ua\,a!WPortllOOl.lth. ~H~H«d. Yor~ S«t>y ForkHetd.. , ?-',,!t! "bff&&\"ftUl)'. ~AnteL eel . I!ok' ~ \\'"lgh,. R,\'d('. yrirs H,«r( hlu'\\"~t.\'m.tDOt.~RoyaI. C&tdJt1'.~ HOQ~H«d. ., Ma~. LukM4 "«d.." Cuturlhm., neh)' B,§!tRoyaL Ch~ 11leGror&~... CooW)'. ~ Ca.Qo. Mai4stou. Sn"tOOab" rosa: HQQW Hol:ft. Jbmt ot~TkSpe«ll H(JI,lSIe'~ )!~tbc'~&B4.. ).IlIddordlChiNrlua~ Ntv.bul'J,~C~ ROItitY.l1w\\~~. R)'t. ~ G«lf!e. Salbbury. ~\"'hi«H~, SwtN.MplOl't. n.e oe.pI\.ib, Sou.'tllal.'O.ptOft.1MN>&Ql\., Sou.\1I&to.pl:Oft" toM H(Il;I~ ~ Sou.thsn..T'Mc 'PtodtagOll< "trJU S~1MoQ. ~d l(0t-d., S~-\Moo.. Po!;f; Hou!oe Hold., 1'Qllbri.4~. Tk~& (:1'0'\1'" \\'irK-I\ntff. The \\'~ btlll Wf'JIt "h~iNoI,.Po!;f;~Houl 8&r~ThtI~ BW&:.~FraMs.. ~~St v~Rot)$ H«.d.. H('I'tf<ord.1M Gmtl Dra,t)I\< I.JaMUi.Tk Su#y Park. ".,. ......,........ ere ThotAVOO1QOOth Hold. ~h"WwI·sHmHotd. ShIP H«.d. sev.lltborPt'. Royal Jiotd. • A~d.PosI H~Hord. Catlttrburf.Tbr c,.~ rukp.WC~tl', U&(h~lIId:lro.\\)"flIbUY Anu HI.'«'l.. • Whichever part of'Britain yQ,U choose to go away to, you'll fmd a 'Trusthouse Forte hotel nearby. In 'fact, there" are over 200 throughout Britain. Some of them go all the way back to 1460, while others date from 1987. Some of them are old coaching inns while others are large country houses, Of course, the one thing they all have in 'cOmmon is excellent standards of food and accommodation. So having tried one of our week· end Leisure Breaks, you'll want to come back and {ryall the other hotels as well. Ring the number below for a brochure or reservation. OS'IIo"ntlY.TMW)"nst&y. ~.ThfoRad~An'AS. ." ~<Il\-\\'yfo."fM Roya,l. Sl\rew~lY. TM ~ Sw.. ~t~ Drat.... &ot~ AliMl«e. f'W; HOlfSl!' lfo(.d.. Edmbllrp. Po:;t HQQW Hotd.. Gk.'tOW.TM Albuy. G~ AIIpott. Tbt Excdsio:lt. ,Nortla ~il:k. 1beNuiDr.. f'f(t;Jks. tMT06tw,," ...........,.,.,...... hJoo:hry. The AtboI f'a1ar.('~ St"lldrews" RUSKb H«d,. ~th" Th(o I4r'l MUltla HWl [)Qflsttr.1'M l..lIoltrdl MI'U, E~tll,,'TM Ill@(fiall hdstow.~ Mrtropole. P&i&~ The' ~~ h.-I>. ),I&)nov.w I'Q/lt House I-Icut Post House H0t4 Btll.'O.~f'QStHINSI!'HOttt .NO(.t~('fby. BIt~AirpoI1.T~eE~. ~toa.NfWEf1tb.t>4 ((Old. f'o:.t Hw.,f. Hotel Ov.Jt41e.. TtJboC HOfA, St~,lkarotR~ HOtd. \\'~.fbeG~. OdDr4, Eastpr.e"~ Botlifttt\lzO.1'bt\\'bUHm. Oxford. fbe RudoIph. Ea.'itf1'1'I Co!ilflt~ c~ne~'$,. 11:0)'11 ~SPa. Alo$ttJQrth,. TMB~ Bury S\E4ftlVM-~ TkSv,troIl. ~ . f'c:N; HoQSI!'HokL Cowfttry. Post H~ H(I(d,. ),I&JlOf HoustHottt. taut.ton.1'tIor<M»J.ty. Do\~.J't'Imo(the~k, N~u!bY. Graathaa.tbeAq.tt& Ropl. rost House Hotd., TI,'btott.nie8ElS~ Stratford J,lpoQ AVQft., Tbe\\'lUttSwan.- Br~.Bn.MoilHaI. Stw't~ty.~Gros,~. Sllm.or~. fu;t House Hwt. • 44 Bir~.TMAlWIy. .............• • e 1iusthouse forte For Reservations Tel: 01·567 3444 , , l( AT 3 BACK HILL YOU WILL FIND: ,, , , Italian and English Newspapers & Magazines A First-Class Watch Repairer ,• • , • • ~ GEORGE & GRAHAM WTCWATCH REPAIRERS . ' Newsagents , ' Tel:01-2781770 Tel: 01-278 4502 • ... and you will also find • • A. FRANCE & SON , Catholic Undertakers , . SERVIZI FUNEBRI ALL'ITALIANA FUNERALS ARRANGED IN LONDON, THE COUNTRY, AND ITALY • PRIVATE CHAPEL OF REST HEAD O F F I C E : . 4S Lambs Conduit St., WCl Tel 40S 4901 405 2094 also at: , 41 Monmouth St., WC2 14 Watford Way, NW4 166 Caledonian Rd., NI 45 • a,mrna's EASfER LAMB , AGNELLO PER PASQUA Ingredients 21bs lamb chops 5 tablespoons oil 60z green olives, pitted and cut 1 onion, chopped 1 crushed clove of garlic Handful parsley, chopped' 6 basil leaves, chopped ~ bay leaves ' 4 tablespoons wine salt/pepper lib sived tomatoes (Pomi') Ingredienti ' 1 Kg capretto 0 agnello tagliato a pezzi 5 cucchiai di olio 150 gr olive verde, snocciate e tagliate 1 cipolla, tritata ' 1 spicco d'aglio, schiacciato una manciata di prezzemolo, tritato 6 foglie di basilico, tritato 2 foglie d' alloro 4 cucchiai di vino 500 gr passato di pomodoro .sale/pepe Method Lightly fry the pieces of meat 'in three tablespoon oil until golden on both sides. Sprinkle the wine over the meat. Drain the meat and' place it in a baking dish in 1 layer. Sauce: Add the remaining oil to the pan and lightly fry the onion and garlic for 2 minutes. Add the olives, parsley, basil, Pomi', salt, pepper, bay leaves and cook for. a further 10 minutes. Pour' the sauce over the meat., Cover with silver' foil and bake in' oven no. 5/190 o C for about an hour. Serve with long 'grain rice/tagliatelle or polenta. Metodo Fate rosolare la came da ambedue le parti in 3 cucchiai di olio. '.Spinzzatela con il vino. Sgocciatela e mettele in una pirofila • in uno solo stratto. . Sauce: Aggiungete altri due cucchiai di olio nella padella e fate friggere la cipolla e I' aglio per 2 minuti. Aggiungete le olive, il ,pre~emolo, il basilico, il passato di pomo.dolO, sale, pepe e I' alloro per altri 10 minuti. Versate la 'salsa sopra la came. Cop rite con carta inettalizata e mettete in forno no. 5/190 o C per circa 1 ora. Servite con riso di lunga cottura/tagliatelle o polenta. , VERY EASY AMARETIO SWEET Ingredients 60z amaretti biscuits (macaroons), 'crushed 3 tablespoons brandy or amaretto liqueur 40z castor sugar 100z double cream To Dec;:orate: 2toz whipped cream 8 amaretti· biscuits , DOLCE ALL'AMARETIO Ingredienti 150 gr' amaretti 3 cucchiai di cognac 0 amaretto 3 uova 100gr zucchero 284 ml panna montata Decorazione: 70 ml panna montata " ," , 8 amaietti , Method .... ..... • Metodo Mix half the crushed amaretti with the liPestat.e gl' amaretti. Addoperate meta' della queur to line the base of a 7'" pyrex dish. polvere mescolata con il liquore per fciderare Mix the egg whites until stiff. il fondo di uno stampo pyrex di circa 18 cm. Whisk together the yolks and sugar. Montate a neve gli albumi. Whisk .the cream until thick. Montate la panna. Fold the yolks and' sugar into the cream;' Sbattete i tuorli con 10 zucchero. fold in the remaining half of the crushed Unjte i tuorli e 10 zucchero alla panna. Unite amaretti and finally gently fold in the egg il resto degli amaretti pestati, poi incorporate whites. gli albumi con delicatezza. Pour the mixture iilto the pyrex dish, cover with silver foil and freeze, preferably overVersate il composto nello stampo. Copritelo night. e mettetelo nel freezer per'almeno sei. ore. Remove from freezer about 15 minutes before Togliete da freezer 15 minuti prima di serserving and place in refrigerator. vire e mettelo nel frigorifero. Loosen sweet from sides and turn onto a Capovolgetelo sui piatto di portata, e decorate serving dish. Place small dabs of cream con mucchietti di panna montata nei quali around the edge of the dessert and place a metterete un amaretto. biscuit in each one. L--------:--.......,......,---.......,.-..,--Mrs•. M.G.-----,-_--,-.......,._ _.......,. --,l ,. • 46 .,,{ o , • . • " " • Calendario Aprlle venerdi' 8 • • • • • "EAT THE LEMON" Concert. 8.00 p.m. Casa S.V. Pallotti• sabato 23 • ••• • Serata Sociale, Assoclazione Genitori King's Cross. Blessed Sacrament School alle ore 20.00. domenica 24 Assemblea della F.A.S.FA. Blessed Sacrament School alle ore 15.30 • • • • • Pearl Fawcett Concert - see page 22 for details • sabato 30 • • • • • • • • •• "Voce degli Italiani" Dinner & Dance at the I;ondon Hilton Hotel. Maggl~ domenica 1 • •••• Assoc. Abruzzo-Molise, Lunch at the Cafe' Royal. domenica 22 • • sabato 28/ domenica 29/ lunedi' 30 • • • • • ••• Villa Scalabrini Lunch. Tickets £15.00 from Anna Amasanti : Tel. 01-207 5713. O.G.I. Olympics at the New River Sports Centre, Wood Green London, N.22. , , • CUltural Events RADIO LONDRA "Open Day" from 10.00 a.m. to 3.09 p.m. S.unday 10th April. Dalby Street, Prince of Wales Road, London N.W.5. (off Kentish Town West over ground station. For information telephone 01-487 4930 (Wolfgang Bucci). GIANNINO MARCHIG. An Exhibition of his Pllintings and drawings. Michael Parkin Fine Art, 11 Motcomb Street, London S.W.1. Tel. 01-235 8144. Until April 13th. For details see page ,32. , ''THE TRAVELLING EARL". Ab exhibition of works of Art at Burghley House, 'Stamford, Lincs. Until 9th October. Open ll.a.m. to 5.00 p.m. LUCIA DI'LAMMERMOOR by Donizetti. Royal Opera House, Covent Garden. April 15th, 19th, 22nd, 28th at 7.30 p.m. Tel. 01-240 1066 I' , , • 47 ~- .- '"' " , . w."" If/-. • •. -~~ ... • .. ..'·.·Y... • / /" .. I • ) (,( 'lo .. , , I I 1 ./ \ I . '\, ,, I ~ ~ . , .. I I I , •1\ , , • • • \ • • • ,• .. .. ., , , .. , .. , ~ . ';~ / , • , ., .. /7 , • -•