the behind-the-counter man
Transcription
the behind-the-counter man
The Star 11 fashion TUESDAY SEPTEMBER 27 2011 FOLLOW US ON TWITTER @starverve contact verve E-mail [email protected] SMS 32546 (Each SMS costs R1) FASHION FILE SKIRTING AROUND THE OFFICE IS THE WAY TO GO LYNN DAVIDSON “I’m a behind-the-counter man,” says Grant Ravenscroft, founder and owner of Croft & Co, an irresistible shop in Parkview – mainly for men – where you can smoke Cuban cigars and drink freshly ground coffee while fitting a pair of Bill’s Khakis, writes Heather Dugmore HOT CAKES: Grant Ravenscroft, inset, knows what his customers want – that’s why his Croft & Co stock sells so well. PICTURES: TYRONE ARTHUR THE BEHIND-THE-COUNTER MAN RANT Ravenscroft is no ordinary behind-the-counter man. Let’s face it, how many behind-thecounter men do you know who have just returned from a week’s trip to the US to select a couple of items for Croft & Co’s heritage range? Whether it’s clothing, cigars or face balms, Croft & Co only sells heritage brands, and the man behind the counter is testament to this. He appears to be effortlessly casual, but look closely and you will notice that he is sporting classic white Jack Purcell takkies, a Reyn Spooner shirt with its hallmark floralcome-tribal Hawaiian design and a pair of khaki shorts from Bill’s Khakis. The thing about Ravenscroft is that he knows the story behind every item in his store. Ask him about Bill’s Khakis and he’ll tell you about Bill of Bill’s Khakis whom he went to see in Pennsylvania. “They mill and sew the khaki fabric they use for their shorts and longs at Bill’s factory in Reading,” he explains. “He got into the business in the 1980s because he felt this American heritage item was dying out, and initially sold his khakis from the boot of his car. “Thirty years later his khakis are recognised as a heritage brand. We all know how popular khakis or chinos are now, and Bill was one of the drivers of this back-to-heritage trend.” What got Ravenscroft into this business are the “made good” stories behind heritage brands. “Most heritage brands start out as family businesses where great pride is taken in whatever product they are making,” he explains, citing G Swaine Adeney Brigg in the UK as an example. Swaine and Adeney were two different saddle-making families from 1750, while Brigg produced handmade umbrellas. They joined forces and added other items, such as handmade leather luggage, to their luxury range. “I recently visited their factory in Cambridge and I had the pleasure of watching 18 guys making everything by hand,” says Ravenscroft, who carries several of their products, including their umbrellas, which sold extremely well this past year with all the rains Joburg had. No ordinary umbrellas, these are classics, with a touch of fun. The outside of the umbrella is black while the inside features a map of London or a flock of pigeons. It is this kind of uniqueness and attention to detail that Croft & Co customers are buying, at a price of course. “There is a big move worldwide towards heritage brands,” says Ravenscroft, who attributes this to the durability of heritage. “The world is changing so fast and people don’t have a sense of continuity or security, which we all need. “Heritage brands respond to this need: they have been around for a while and they are not just going to disappear tomorrow.” Which is why Ravenscroft named his business Croft & Co after his family name. Ravenscroft is here to stay. He tried leaving South Africa in 2001 when he moved to Australia, but he did not like being away from home, and returned in 2002. “When you get there you realise how far away you are from everyone and everything you know. There’s no bumping into familiar faces and friends and I really missed Joburg and the relationships you build with people here. “I realised I had made a mistake and came home,” says Ravenscroft, who had owned and managed a stylish coffee shop named Biscotti in Greenside before he left, and was one of the pioneers of the suburb’s thriving restaurant society. On his return, he set his sights on Tyrone Avenue in the “village” of Parkview. Here, he and a business partner turned the old bakery on the corner into a restaurant named Scusi, which opened in 2003 and established itself as one of the “who’s who” meeting and eating places in the northern suburbs. No stranger to the food game, he’s been in it since the age of 20 when he opened his first bakery and cafe in Pretoria, where he grew up. Two years after opening Scusi, Ravenscroft opened Croft & Co right next door to Scusi. It took off and many of the diners became Croft & Co clients. “They’d come to eat and shop,” he explains. “I’d give them the keys to Croft & Co and they’d go and select what they wanted, and write it down for me so that I knew what to charge to their account.” Three years ago he sold his interest in Scusi to his partner to concentrate on Croft & Co. He runs his shop like a restaurateur and his customers are his friends. Whether they’re buying or not, they frequently pop in for a cup of coffee or a glass of wine and a Cuban cigar at the shop. Out the back is a “yard” with a deck and tables and chairs where they shoot the breeze. Cuban cigars are his biggest seller, accounting for 40 percent of his sales. “There is a real serious bunch of guys who smoke and they spend a lot of money with us on cigars. We sell some Hondurans and Nicaraguans, but we mainly sell Cubans, which are still recognised as the Rolls Royce of cigars. “There’s no problem getting them because, unlike the US, South Africa has a good relationship with Cuba,” he smiles. Good relationships are the make of all good businesses. “There are millions of courses about this, but it’s been the basis of business since trading began. If people like you they are going to buy from you,” Ravenscroft explains. At one stage he decided to expand Croft & Co and opened two other shops in Joburg. “It was a mistake, because I could not be in all three at once and my customers want that personal relationship. They’d come into the Parkview shop and if I wasn’t here they’d leave and say they’d come back when I returned. “So I closed down the other two shops. You have to work out what works and what doesn’t work,” says Ravenscroft, who has the knack of working out what works on his shelves, judging by the movement of his ranges. “I listen to what my customers want. For example, on this New York trip, I bought handbags for my woman customers from Kate Spade and bags for the men from Jack Spade. I’d always carried Jack Spade until several years ago when my woman customers asked me to carry Kate Spade,” says Ravenscroft, who has some beautiful items for women, including a new Tuscan leather handbag range he’s bringing in for Christmas called Gruber & Whale. The designers are two South African women who worked for Giorgio Armani and Vivienne Westwood before starting their own business and returning to Cape Town. Ravenscroft spends a lot of time researching new items during his buying trips, as well as on the internet and in leading magazines like the Japanese Free & Easy and the legendary Vanity Fair. “The Japanese are big into brands and heritage products, but items from Japan at this level are unbelievably costly. Even Japanese denim is too expensive at R5 000 for a pair of jeans,” he says. With his expansive knowledge of retail and what is trendy in the world, his customers often pop in to ask him where to stay or go when they are in New York, or wherever else he’s been. On his latest trip he stayed at The Jane – a quirky hotel in the meatpacking district, built in 1908 for men returning from sea, where all the rooms are like cabins on a boat. “Over the years it became a drug den and prostitute hangout until the meatpacking district became trendy and The Jane was restored,” he explains. Want to hear more? That’s it for today, but head for a cup of freshly ground coffee or a Cuban at Croft & Co, and the behind-the-counter man will tell you all. ● Croft & Co, 66 Tyrone Avenue, Parkview, phone 011 646 3634 or Grant Ravenscroft on 084 840 1649 THE TROUSER suit may be the uniform of choice for the power-dressing career woman. But she’d be better off in a skirt, if the latest UK research is to be believed. Skirts give a better first impression and are more likely to lead to success in the workplace, researchers found. Women were considered more confident and more likely to earn a higher salary when wearing a skirt instead of trousers. Professor Karen Pine, who co-led the study at the University of Hertfordshire, said the findings contradicted previous research which suggested that women should dress more like men to succeed in the workplace. When 300 people were asked to give “snap judgements” of images of women in either trouser suits or skirts, they favoured those in skirts. They were asked to rate the women in eight images on five different criteria: confidence, success, trustworthiness, salary and flexibility. The skirt and trouser suits were both navy and made from the same fabric, and all facial features were removed by pixellation. Scientists found that after just three seconds, the participants made up their mind and rated the women in the skirts more positively than those in the trouser suits. Pine said: “First impressions are formed rapidly and are often highly accurate. After seeing a face for just one second, people make judgements about another’s personal and occupational attributes. “Women generally have a wider choice of dress style for work than men, but still have to maintain an identity that balances professionalism with attractiveness. “The skirt suit may achieve that balance without appearing provocative. What we wear speaks volumes in just a few seconds. Dressing to impress really is worthwhile and could even be the key to success. “People are judged on their overall head-totoe appearance and the fundamental role that dress plays in creating a positive first impression cannot be underestimated,” she said. But she warned: “Be careful about the plunging neckline or micro-skirt though… other research shows provocative clothing is viewed as indicative of low professional status.” Yves Saint Laurent invented the trouser suit in the 1960s by reworking the men’s tuxedo. Women had been wearing trousers since the 1920s, but never in the office. His invention of Le Smoking tuxedo suit transformed women’s wear and was the perfect garment for the 1970s woman who went out to work. Trouser suits were championed by Hollywood actresses Greta Garbo, Katharine Hepburn and Marlene Dietrich. – Daily Mail SLIM FIT: Good design, like Proenza Schouler, should be available at good prices. PICTURE: NEWSCOM 1810/VINCAR/A - THE STAR ! "##$#%&'% #'( )*"¿%+ ,% "$ --%$ $"$%+.-%/0 !1". $- %$2#3-".45$$-""$%$.$"#$4#% $65 % $% $7% $% 8 ! % MEET THE FUTURE YOU. HE SAYS, SMART MOvE FOR INvESTING YOUR MONEY WITH CORONATION.