Arrowhead Collecting On The Web
Transcription
ACOTW TM Welcome To www.ArrowheadCollectingOnTheWeb.com Volume I, Number 7 November 2009 A Special Feature Of This Issue Is Our Side-By-Side Comparison Of Ancient And Modern-Made Arrowheads. Thank you for subscribing to our newsletter, “Arrowhead Collecting On The Web”. I hope you enjoyed the sixth edition, Volume I, Number 6, of our digital on-line newsletter, the October, 2009 issue. “Arrowhead Collecting On The Web” provides an on-going series of articles and graphic presentations of information related to the many different aspects of finding and learning about the relics of previous cultures which remain to be found today. This seventh edition addresses the following topics: • How long have people been using the land where we live? One reader’s Grandfather assembled a collection in their part of Nebraska which reaches back in time for over 300 generations. Her collection includes every major cultural design of hunting weapon since Clovis hunters tracked the now extinct species of giant bison and other megafauna at the end of the Ice Age. ACOTW is privileged to share a look at this amazing collection. • How can we tell the difference between ancient arrowheads and modernmade reproductions? We will look at several ancient points and compare similar, If your Grandfather put together a collection of arrowheads and other artifacts from the region where he lived, and you even had the opportunity to help him find some of the points in that collection, and then you inherited that collection from him, you should look at that collection carefully and see what is included. For instance, one of our readers has sent in a number of photographs of items from her Grandfather’s collection, which she helped assemble. Check out the some of the exceptional, ancient hunting artifacts which he found and documented, in her collection today. (Pages 5-7 in this issue.) but modern, arrowheads to view several aspects of knapped material which can help us separate authentic ancient points from modern “flint knapping” handiwork. (This begins a series of articles on this critical subject.) • How did you get the “bug” to collect arrowheads? (One of our readers suggested, and contributed to get the ball rolling, a series of articles from readers to share the beginnings of this fascinating obsession.) (continued...) ACOTW TM Arrowhead Collecting On The Web Our editorial objective is to help our readers become longterm, even serious collectors of arrowheads, over the years to come. There are several things which we hope to accomplish for you in this process: • Help you find new points and understand what it is that you are finding; • Help you to learn about all the different aspects of collecting; • Help you to recognize the different kinds and styles of collectable arrowheads and other implements; • Help you to understand about the life ways of the cultures represented by the stone tools which remain; • Help you to discover ways to find good and desirable arrowheads from other sources, such as eBay and special subject web sites; • Help you to learn about point quality and authenticity, so that you understand about point value and character; • Help you understand about modern flint knapping, how new points and implements are made, how to recognize them, and how to appreciate those items for the skill and the craftsmanship of the work which they exhibit; • Help you to recognize that some people still try to sell unsuspecting collectors items which may or may not be what the item is described to be, that you should be careful when you think about buying points for your collection; Volume I, Number 7 • Help you to learn about authentication services and their value to you as a collector. As we do these things, we will maintain your readership and interest in our newsletter for many years to come. Thank you for your participation, and your interest in “Arrowhead Collecting On The Web”. Sincerely, F. Scott Crawford Carrollton, Texas The cave art shown on the last page of “Arrowhead Collecting On The Web” is from the “Cave of the Hands,” located on the Pinturas River in Santa Cruz Provence, Argentina. It was made thousands of years ago, by native peoples, perhaps in comingof-age ceremonies, since the painted hand images are the size for youths about thirteen years of age. The photograph was made in the cave by Mariano Cecowski, in 2005, and is used with permission through Wikipedia.com Member AACA © 2009. All Rights Reserved. www.ArrowheadCollectingOnTheWeb.com F. Scott Crawford, Carrollton, Texas 2 About The Author From the time when I was 13 or 14 in the forested foothills of the western Oregon Willamette Valley and found my first arrowhead, an obsidian “bird point,” in a field my dad had plowed for an experimental crop of maize, I have always wondered about the people who used these stone tools, how they lived, and what became of them. Some friends had collected Indian artifacts in the desert areas of eastern Oregon and my brothers and I all enjoyed looking at their display of those arrowheads. So, to find some points of our own, on the family land, was particularly exciting. After that, whenever we were working in the bean fields, or tending livestock, or moving irrigation pipes, or just wandering across the back 40, we always would keep an eye out for bits and pieces of worked stone, tools and points, to add to our growing collection. Today, I still keep an eye out for remnants of past cultures. And as the world has changed so much, I can now do much, but not all, of that wandering and learning on the internet, on the world wide web. That’s how I came to be collecting arrowheads on the web, and why I began to put together this newsletter, for others across the land who also are interested in “ Arrowhead Collecting On The Web”. FSC p.s. There is still a time and a place for criss crossing a plowed field, or walking along the banks of a stream, just to see what you might find. Knowing where to look and how, is part of what we plan to explore in the pages of “Arrowhead Collecting On The Web.” Read, learn, find, enjoy. p.p.s. You are invited to visit my flint knapping web site: www.Arrowhead-Maker.com November 2009 ACOTW TM Arrowhead Collecting On The Web Getting Started With Collecting Arrowheads ... How Does That Happen? A Reader’s Story Idea Invites You To Share. good rain. It got to be that we would go out in raingear while it was still pouring down rain, just to beat our neighbors to the punch. Sometimes we’d run into each other, them doing the same thing against us. by Kelly Griffin, Portland, Oregon I grew up on the north end of Tampa Bay, Florida. A state park fence separated our yard from Phillippe Park, named for Odet Phillippe, chief surgeon for Napoleon, who was later credited with settling the area permanently and introducing grapefruit to the New World. I always thought the park was misnamed, however, because the entire focal point of the park was the huge oyster shell mound made for the lodge of the chiefs of the ancient aborigines, the Tocobagas, who were the largest community of inhabitants of Tampa Bay and had lived and thrived there for thousands of years. It astounds me that Phillippe Park still doesn’t have a significant memorial or placard for what it means historically. It was the official spot where Pedro Menendez de Aviles and Panfilo de Narvaez of Spain came ashore in the new world in the mid 1500s and put an end to the Tocobagas in very short order with active force and passive diseases they brought with them. Today, the place is a very wellgroomed “picnic park”, with a wraparound concrete seawall, paved pathways, play areas for young kids, volleyball nets, permanent barbecue grills, with everything neatly turfed and groomed with St. Augustine grass. And, with that, no signs remaining of the rich history that supposedly set it aside as a state park in the first place. ***** When I was a kid, though, Phillippe Park was so much more primitive, and appealing, and wondrous. Volume I, Number 7 ***** Painting by an historical artist in Florida depicting the Tocobaga native people harvesting fish in Tampa Bay. (picture credit: Hermann Trappman). Everything within five hundred yards of the mound remained basically unchanged from the years before, and there was no seawall to stop cliff erosion at the steep shoreline. I can remember a glorious old oak tree that leaned way out over the water, and erosion had undermined most of its root structure, creating the most wonderful, natural kid’s “secret cave” you could ever want. I couldn’t even guess the number of times I went artifact hunting at Phillippe Park as a kid. It was always something to do when there was nothing to do, and there was never a time I can recall that I came back empty-handed. The park was fully littered with clay pottery shards, and flint and chert scrapers and “pieces of things” weren’t uncommon to find laying almost anywhere. We even had kind of an ongoing contest with our neighbors whenever tropical monsoons happened; the downpours in Tampa Bay were so heavy that they could change artifact hunting altogether from one day to the next. Because the mound and the area around it added elevation to the area, there were lots of spots for gulleys and small washouts during a 3 As a young artifact hunter, I remember my only real goal was to find “a perfect point”. It was fairly common to find broken halves of large lance points and spear points, but, for some reason, what I always really wanted and hoped to find was a whole, perfect, run-of-the-mill arrowhead. The common point was called the Pinellas point, which was nothing more than about an inchand-a-half tall isosceles triangle of flint or chert. Nothing fancy, but finding a perfect Pinellas point was what told me I was an “official” artifact hunter. It seemed that everybody else but me could find points. Looking back as an adult, though, the other stuff I found is much more rare and desirable as artifacts. I found two exquisite conch shell pendants (one of which the local historical society asked if I would donate), the upper half of a clay pendant, another flat shell ornament and some very nice pieces of pottery. Most of the pottery to be found was plain and unadorned, but it was always nice to find a piece of rim, and twice my brother brought home a piece that had an integrated figurine or other embellishment. We found some evidence of the Spaniards’ presence there as well; pieces of white flatware with indigo patterns, part of a wooden comb with a pattern carved on it, and a blue glass trade bead. I even found a rusted bayonet entangled deep in the roots of a palm tree, however I’m pretty sure that was from some time in the 1800s. But, for some reason, those treasures didn’t quite qualify as good enough finds in my mind. What I really wanted was a perfect Pinellas point. ***** (continued...) November 2009 ACOTW TM Arrowhead Collecting On The Web Top center are the two perfect Pinellas points I found next to each other. To the right and below them are four ornaments; one flat shell, the upper portion of a clay pendant and two complete conch shell pendants (they ground off the outer shell and made the pendant from the inner core). You can even see where they’re notched for attachment. Those are the ones the local historical society asked me if I wanted to donate. Below the pendants, from the right, is a “turtleback” scraper and two clay pottery shards. To the lower left is a fragment of Spanish plateware. The tall point in the center I suspect might be a tool of some kind, maybe a drill. The point in the upper left is perfect, and I’ve always wondered why the base was shaped that way. The remaining base-notched point was one I found when I was a young kid hiding in the branches of an oak tree, spying on a young couple making out on a blanket nearby. I spotted the point from up in the tree about twenty or thirty feet away on the ground. One Saturday, with nothing to do, I went out hunting for the jillionth time on the side of the mound. I looked for awhile and had made the turn back and was working my way toward home when, just off the side of the path I was on, I looked down and saw a very small, tan-colored patch in the dirt. You’d never see it if you weren’t looking for it. I picked it up and wiped it off; I blinked a couple times, and I could feel my heart starting to race. It was a perfect Pinellas point. I clasped it in my fist, did a little cheer Volume I, Number 7 to myself and then ran all the way home to show my mom. She made me a tuna sandwich for lunch, and I told her I was so excited that as soon as I finished I was going to go back out to look for more stuff. I guess from just superstition or something I went back to that identical spot on the mound to look, but I also thought to myself, “Just because I found my first perfect point here, why would I expect to find anything else here?” 4 I looked down and found another perfect Pinellas point... this one even nicer... in almost the exact spot where I’d found my first one. That day I was an artifact hunter. Kelly Griffin November 2009 ACOTW TM Arrowhead Collecting On The Web For Hundreds Of Generations, The Buffalo Herds Were A Major Resource For Those Who Were At One With The Land. Evidence For This Vast Span Of Time From A Single Nebraska Collection: Looks like a Knife River Flint Clovis Point, Paleo-Indian cultural period, circa 13,000 B.P. (Before Present, is based on 1950 A.D. as the reference year.) About 2-7/8” long, very nice form. Looks like an Agate Goshen PaleoIndian cultural period, circa 12,500 B.P., or possibly a Clovis Point, with minimal fluting, circa 13,000 B.P. About 3” long, very nice form. (All of these photographs were provided by Stephanie Roberts, to illustrate a few of the points in her Grandfather’s collection, from a relatively small area in north/central Nebraska. The notes and descriptions are the editor’s thoughts.) Looks like a Chert Folsom Point, Paleo-Indian cultural period, circa 12,000 B.P. About 1-3/4” long, nice form. Possible restoration at tip? Volume I, Number 7 Looks like a Flint Clovis Point, with normal base-thinning fluting, PaleoIndian cultural period, circa 13,000 B.P. About 3-7/8” long, nice form, made with fine pressure flaking. Looks like a resharpened Agate Folsom Point, and two other Paleo-Indian dart points of agate or flint, made from chips with minimal pressure flaking along the (continued...) edges. Ages around 12,000 B.P. All shown actual size. 5 November 2009 ACOTW TM Arrowhead Collecting On The Web Looks like a Jasper Goshen dart point, a resharpened Quartzite Folsom Point, and a Jasper or Chert Clovis Point. Ages around 12,500 B.P. for the Goshen Dart Point, 12,000 B.P. for the Folsom Point and 13,000 B.P. for the Clovis. Looks like a Quartzite Scottsbluff Lance Point, from the latter PaleoIndian period, around 10,000 B.P. Note the impact fracture at the tip. Looks like a resharpened Flint Folsom Point, a Jasper Paleo-Indian dart point, a broken and resharpened Agate Clovis Point, and a possible Agate Clovis Point. Ages around 12,000 B.P. for the Dart Point and the Folsom Point and 13,000 B.P. for the Clovis Points. All shown actual size. Looks like a Quartzite Scottsbluff Dart Point, from the latter Paleo-Indian period, around 10,000 B.P. (All of these photographs were provided by Stephanie Roberts, to illustrate a few of the points in her Grandfather’s collection, from a relatively small area in north/central Nebraska. The notes and descriptions are the editor’s thoughts.) Looks like a Chert Paleo-Indian dart point, an Agate Paleo-Indian Goshen Dart Point, and a Chert Clovis Point. Ages around 12,500 B.P. for the Dart Points and 13,000 B.P. for the Clovis. All shown actual size. (continued...) Volume I, Number 7 6 November 2009 ACOTW TM Arrowhead Collecting On The Web Looks like an extensively resharpened Agate Spear Point or Knife, from the late Archaic period, from 3,000 to 6,000 B.P. Looks like a Flint Calf Creek or other large base notched Spear or Knife, from the middle Archaic period. Looks like a Flint Calf Creek Spear or Knife, from the middle Archaic period, around 6,000 to 8,000 B.P. Volume I, Number 7 Looks like an Agate or Flint Lance Point, from the late Archaic period, around 3,000 to 6,000 B.P. Looks like a Chert base-notched Dart Point, from the late Archaic period, from 3,000 to 6,000 B.P. Looks like a Quartzite Corner Tang Knife Blade, from the latter Archaic period, around 3,000 to 6,000B.P. (These photographs were provided by Stephanie Roberts, to show her Grandfather’s Nebraska collection. The notes and descriptions are the editor’s.) Looks like two Flint or Agate sidenotched Dart Points from the late Archaic Period, 3,000 to 6,000 B.P. Looks like a Flint or Agate side-notched Dart Point from the Middle Archaic period, 6,000 to 8,000 B.P., an agate corner-notched Dart Point from the Late Archaic Period and a Jasper side-notched Dart Point from the Late Archaic, around 3,000 to 6,000 B.P. 7 November 2009 ACOTW TM Arrowhead Collecting On The Web e-Mail Letters To The Editor: October 18, 2009 Hey Scott, Here is the story of our finds in central Oregon. My wife’s uncle owns a considerable plot of land (ranch) in the juniper country of Central Oregon, east of Bend. One can grow detached from nature living in the metro area of any city (we reside in Portland) and so we decided to head out to his ranch for a week-long getaway to what was, for us, unknown country. Upon arriving we discovered there was little to no water on the entire ranch (save the occasional cattle pond), eliminating any sort of fishing and reserving activities to either hiking or horseback riding. The dust and considerable mid-day temperatures drove us to choose horseback riding and on our second day there, took off at daybreak for a ride. My wife’s uncle had informed us of several dried-up lakes which, if you get there early enough, sometimes will have deer grazing on the sparse grass that pokes through the alkali mud. We chose the closest one and set off on a 2 hour rocky ride with little more than a cattle path to guide us. The lake must have been no more than 5-6 feet deep at its prime and looked to presently contain a few inches of water on a wet year. Steep banks surrounded the entire lake, which lead up to a nearly continuous level terrace. As we were passing over one part of the terrace we noticed black flakes everywhere, sometimes so thick one couldn’t move without stepping on a dozen or so. I thought it may be an archeological site but was unsure due to my lack of experience on the matter. My suspicions were confirmed, however, when I noticed a point sticking directly out of the ground. I picked it up and about that time my son yelled that he found one as well. broken ones. We reported the news back to my wife’s uncle who assured us that there were many such sites around that lake and in other places on the ranch, telling us to feel free to pick up whatever we could find. A few hours later we had found four nice points and several handfuls of He showed us a collection that he had framed and hung on the wall of a Volume I, Number 7 Top is an undisturbed artifact in the dry soil of the ranch in Eastern Oregon. The volcanic ash rich soil clings to the point even afer the point is pulled from the ground. 8 couple hundred points that he had “happened upon” while working. The points were all shapes and sizes, most beautifully made and all from obsidian. Upon our return, we purchased literature on point typology and have (continued...) November 2009 ACOTW TM Arrowhead Collecting On The Web determined that the points we found that day are of the Cascade/Early Leaf type and among the broken pieces were Windust and Cougar Mountain points. The thrill of holding something that likely hadn’t been held for thousands of years and fashioned by an unknown people for an unknown purpose sparked something within me and I have been an avid collector ever since. It has only been a little over a year since our first finds but we have already returned to the site numerous times and have sought out new sites only to be rewarded with more ancient finds. Our “whole” or “all there” finds have included Windust, Cascade, Silver Lake and Haskett types from our initial site and Elko, Pinto Basin and Gatecliff from other sites on the ranch. While we are no experts, I think it’s safe to say that people have been occupying the property and leaving traces of that occupation since early archaic times. How exciting! Your publication has been another great find for us, giving us a wealth of knowledge on the subject as well motivating us with stories of great finds sent in from your readers. Please, by all means, keep it up! Jason Davis October 22, 2009 Sorry for the delay. We have Windows 7 launching today and have been busy all week. Here are pics from our most recent visit to the ranch. This is a 4” Windust or Cody complex knife. The insitu pic is just that, I hadn’t even touched yet and called for Daniel to come over and take a photo. The following pic is only a few seconds out of the ground. I will try and get a cleaned up pic for you as well since it has beautiful mahogany obsidian striations. Top isthe same Cody or Windust Point, cleaned up, showing the streaks of mohogany color in the obsidian. The second photograph is an edge view to show additional detail of this fine point’s design and workmanship by the aboriginal knapper. Below are three additional excellent dart and spear points or knife blades from the ranch. Each one is a different style of blade, from Pinto Basin on the left to an excellent Cascade on the right. Thanks! Jason Publisher’s e-mail address: fscottcrawford@ arrowheadcollectingontheweb.com Volume I, Number 7 9 November 2009 ACOTW TM Arrowhead Collecting On The Web How Can We Tell The Difference Between An Ancient Arrowhead And A Modern-Made Reproduction Point? Let’s Take A Look At Some Of Each Side By Side And Note The Differences. These two points are magnified about six times their actual size, so that we can look closely at a few details which can help us note age and authenticity. The first thing which we can observe is the surface of the stone from which each point is knapped. The agate point on the left has a surface patination wich makes it appear aged. It has changed color Volume I, Number 7 from exposure, since we can see the true color of the stone at the very tip of the point, where there has been a tiny break. The tip was split when found. A remaining portion came off after the point was found by the author in 1963 or 1964 in western Oregon. The Texas flint arrowhead on the right shows a number of thin, clear hinge pieces still holding on 10 at the end of the pressure flake scars. In an ancient point most of these would have fallen off due to uncounted freeze/thaw cycles. Any remaining hinge flakes would also have soil or mineral deposits accumulating at the hinge line, in the notches and even under the remaining flake ends, as with the agate point. This point was made in 2009 by the author. November 2009 ACOTW TM Arrowhead Collecting On The Web Two Pairs Of Matching Arrowheads, Each Of The Same Stone, In The Same Style. Can You Tell The Ancient From The New? These two pairs of points are magnified about 3 times their actual size, so that we can look closely at a few details which can help us note age and authenticity. Again, the first thing which we can observe is the surface of the stone from which each point is knapped. The colorful agate points on the left have a fresh surface in all visible locations. The edges and corners are sharp, crisp, clean and undamaged. A few hinge flakes remain at the end of the pressure flake scars. These are the translucent, thin pieces hanging on still; they appear almost white in contrast to the solid material around them. Volume I, Number 7 There are a couple of crushed or hanging-on hinge flakes in the notches of the left side point in this pair. northern California have seen enough moisture expansion and contraction to peel them away. In comparison, the entire surface of each red and tan jasper point in the right photograph, rather than bright and fresh, features a duller and aged finish on the stone; this is the patina left by exposure to the elements. Even though these points were sheltered in a cache when found, the passage of time has dulled the surface. This is visible in the photographs. It is evident that each pair of arrowheads was made of the same source stone, and that each set was designed and knapped by the same hand, probably at the same time. For an ancient set of arrowheads, this was a remarkable and amazing find. They were found by Pat Welch in Siskiyou County of northern California in 1970, in an apparent cache, with several other undamaged points. In addition, there are no remaining hinge fracture pieces still hanging on. The hundreds of cool winters and hot summers in The two agate points in the left photograph were made by the author in 2009, from two small slabs cut from the same stone. 11 November 2009 ACOTW TM Arrowhead Collecting On The Web Two Gunther Serrated Style Arrowheads Made Of Transparent Obsidian. How Can You Know Which One Is Ancient Or New? The surface of the gray, translucent obsidian arrowhead on the right reflects light, but it has a duller finish. This is the effect of the “hydration rind” formation which occurs on the outer surface of obsidian, from exposure to water over a long period of time. These two obsidian points are magnified about 7 times their actual size, so that we can look closely at a few details which can help us note their relative age and authenticity. Again, the first thing which we can observe is the surface of the stone from which each point is knapped. The transparent obsidian point on the left has a fresh surface in all visible locations. The edges and corners are sharp, crisp, clean and undamaged. The points of the serrations remain pointed in appearance, even at this magnification. The intersecting edges along the sides of the flake scars, where the pressure flaking removals overlap, have a rounder, not so sharp look. The points of the serrations all look rounded at this enlargement, rather than sharp like on the other point. Plus, the corners of the base tang appear more rounded and smooth; this could be due to the design, though it can also be due to exposure and corrosion, similar to the rounding and smoothing effect visible on the serrations. A couple of hinge flakes remain at the end of the pressure flake scars. These are transparent, thin pieces hanging on still; they appear almost white in contrast to the clear or streaked material around them. The corner at the end of the base tang is still very squared away and freshly angled, with no weathering. This Gunther point was found in the 1950’s in Shasta County of northern California, by Frank Estes, and is no. RR 303 from the Robert Roy collection. This point is made from “Midnight Lace” obsidian from Glass Buttes in eastern Oregon. It was made by the author in early 2009 as part of a study on the knapping of the Gunther style of arrowheads. You can obtain an electronic pdf file copy of the 20-page write up about this Gunther style arrowheads study from the author’s Flint Knapping web site: www.StoneBreaker-FSC.net Click the link for “AA&A Review” Volume I, Number 7 I purchased it from Michael Knighton at Renegade Artifacts in 2009. His eBay ID is “1muduck2”. His eBay store is also called Renegade Artifacts. Mike’s new website is named: www.ArtifactsAmerica.net 12 November 2009 ACOTW TM Arrowhead Collecting On The Web These are three modern-made reproduction arrowheads which are excellent examples of the skill and quality of today’s flintknappers. These were made by Matt Strehle, who lives in Pennsylvania. You can see more of his work at www.modernstoneworks.com or occasionally on eBay under the ID: “flylaps”. I am pleased to show some of his work as a good example of skill and craftsmanship. His artwork is exceptional. And he always sells his stylized arrowhead and dart points clearly identified as modern work. A Word To The Wise, When You Consider Buying Artifacts On The Internet Or In Person From An Individual Or A Company. Do not let the excitement of a new find distract you from careful consideration of the authenticity and the history of the point or tool you are contemplating. If a story sounds too good to be true, likely it is too good to be true. Develop a relationship with the seller so that you can decide the level of trust you can place on his or her word. Ask for as full an account of the history of the point as may be available. This is called the “provenance” of the point. It should include the name of the finder, the place, the date, and a description of the circumstances or special conditions under which the discovery was made. Also you should ask for a full list of previous owners of the point or tool, if you are not obtaining it from the original finder. Whenever possible, you should inquire about and even require a certificate of authenticity from a respected source. Almost any collector to whom you speak will have a story of how he bought a point from Volume I, Number 7 someone whom he thought was trustworthy, only to find out later that the point was either unknowingly or deliberately sold as authentic, 2-5/8” x 3/4” when in reality was a modern copy or reproduction point. In addition, when you are looking at possible “PaleoIndian” artifacts, it would be well to keep in mind that in most parts of the country, they are very rare. I know lifelong students of archaeology who have worked all over the country on projects covering the many eras of 13 human occupation on this continent who have only ever found one or two authentic Paleo-Indian relics such as a Clovis spear point or a Folsom dart point. When these points are discovered in scientific excavations they are celebrated and then carefully cataloged for future study and scientific reference. If they are found on private land, these points and tools are most often preserved and put away, well out of the public eye. And sometimes, if a collector has a good PaleoIndian point which has been certified and authenticated, he might be tempted to sell it, but this would be quite unusual. No artifact dealer would ever want to sell a high quality Folsom, Clovis or Cumberland point, for example, without suggesting a substantial price. I say this to caution you and to encourage you to carefully consider claims of age, culture and authenticity which you will hear from collectors and/or sellers of possibly ancient artifacts. November 2009 ACOTW TM Arrowhead Collecting On The Web A Close-Up Look At The Edge Treatment Of A Modern-Made Stone Blade, Knapped From A Cut Slab Of Jasper, Ground To A Pre-Form Shape To Minimize The Pressure Flaking Finish Work. This Bullseye Jasper knife blade or spear point was made by my friend, Clifford Carney, of Las Vegas, Nevada. The jasper is from out in the desert north of Las Vegas a couple of hundred miles. I am showing this blade to illustrate the technique which you will often see in modern knapped pieces. You see, this was made from a ground pre-form. Cliff cuts the jasper into slabs, then he cuts the slabs into the rough outline of the piece he intends to pressure flake. However, before the pressure flaking stage, he grinds the piece close to the desired lens-shaped cross section. It is also heat treated, to make the jasper a little easier to work; this also gives it the glossy surface which you can see. After the pressure flaking, he trims the “deltas”, the high spots remaining at the edge, between each large pressure flake. Using a smaller tool, he removes 3 or 4 small flakes to eliminate the high spots and leave a sharpened edge. The small flakes which are visible are typical of this finishing step for what knappers call “flake over ground” preforms. Cliff sells his knapped pieces on eBay, and always identifies his artwork as modern. His eBay ID is “Stonefusion.” If you are looking at a piece which someone is telling you is ancient and authentic, and it looks glossy and perfect like this, with this style of edge treatment and uniform large pressure flaking like this, you should definitely consider that it is possibly a piece of modern flintknapper’s art, and that probably it is not ancient. Volume I, Number 7 14 November 2009 ACOTW TM Old Stone Age Handaxe (Paleolithic), age 200,000+/- years. Arrowhead Collecting On The Web Artifact Authentication Services & Certificates Of Authenticity You can use a jeweler’s Lupe 8X magnifier, just to begin the high enlargement examination of an artifact, to look for edge wear and tool marks. Authentication and evaluation services for artifacts from all over the world are available from a number of highly respected sources. Some offer these services for regional items, since they specialize in Western, or South Western, or South Eastern, or North Central or North Eastern artifact types. And most of the authenticators have web sites. Read up on their services, learn about their specialties, obtain pricing and timing information, and determine how to send items for authentication and evaluation. Here are some well known and respected authenticators: Dwain Rogers Texas Flint Authentication 4102 Birch Avenue Temple, Texas 76502 Telephone: 1-254-791-5520 Jeff Baker Baker Authentication www.BakerCOA.com P.O. Box 772 Paragould, Arkansas 72451 Telephone: 1-870-239-9722 Volume I, Number 7 Bill Jackson Jackson Galleries www.JacksonGalleries.com P.O. Box 1005 Mount Sterling , Kentucky 40353 Telephone: 1-800-466-3836 Fax: 1-859-499-0160 Tom Davis Davis Artifacts, Inc. www.TomDavisArtifacts.com P.O. Box 676 Stanton, Kentucky 40380 Telephone: 1-606-663-2741 Ben Stermer Western Typology www.WesternTypology.com 44207 W McClelland Dr. Maricopa, Arizona 85238 email: [email protected] Jeb Taylor Jeb Taylor Artifacts P.O. Box 882 Buffalo, Wyoming 82834 Telephone: 1-307-737-2347 Ken Partain www.kensrelics.com 7044 Market Street Dover, Arkansas 72837 Telephone: 1-479-331-3486 Sam Cox www.SamCoxArtifacts.com 968 Floyd Drive Lexington, Kentucky 40505 Telephone: 1-859-351-5675 15 http://www.Stormbroek.com A European artifact gallery, which offers quality antiquities from all historic eras, and all areas around the world. eBay Store: Stormbroek Scottsbluff Spear Point, late Paleo, early Archaic period, age 8,000 to 10,000 years. eBay store: SWArkArtifacts eBay ID: “razrbk” Dealer located in Arkansas, features authentic artifacts from the south/ central United States, many with Certificates of Authenticity. eBay Store: SWarkArtifacts November 2009 ACOTW TM Arrowhead Collecting On The Web Two “Gunther” Barbed & Serrated Arrowheads And A “Wintu” Style Point, Knapped By Matt Strehle. Two Are Montana Agate With Spot Inclusions, The Other Is Carnelian Agate. These three modern-made reproduction arrowheads are excellent examples of the skill and quality of today’s flintknappers. These were also made by Matt Strehle. You can see more of his fine work at www.modernstoneworks.com or occasionally on eBay under the ID: “flylaps”. I am pleased to show some of his work as a good example of skill and craftsmanship. Volume I, Number 7 1-1/2” x 3/4” 16 His sense of design and attention to detail is exceptional. There is good discipline in evidence by the consistent and even spacing of his pressure flaking and edge serrations Matt always sells his stylized arrowhead and dart points clearly identified as modern work. November 2009 Authentic Grade 10 quality, tan and red jasper “Gunther Barbed” arrowhead from Siskiyou County in northern California, found in 1970 by Pat Welch. Shown here actual size, 1-1/2” x 3/4”. STOP! If you collect arrowheads, before you buy another point, make sure you read the critically important information about the difference between ancient, authentic artifacts and modern made reproductions. You will find this information every month in the e-magazine “Arrowhead Collecting On The Web”. Copies of the most popular types of authentic projectile points and tools are sometimes sold as ancient. On occasion this happens innocently, through ignorance. Honorable flint knappers will inform you of the fact that their points are modern-made. They are proud of their artwork and will sign it with a diamond scribe or with indelible ink. Yet, too often, slick operators, with fraudulent intent, will let you believe or even tell you that a modern-made piece is ancient in origin. They are trying to separate you from as much money as possible. You should deal with someone whom you trust...and be careful even then. Require signed provenance for your purchases; certificates of authenticity whenever possible. Always remember that if a story sounds too good to be true, it usually is too good to be true. Being forewarned is forearmed. Accurate knowledge and practical understanding can give you peace of mind about the artifact collection you are building. Make sure you read the e-magazine “Arrowhead Collecting On The Web” every month. By the way, your subscription is free. Arrowhead Collecting On The Web TM © 2009. All rights reserved. F. Scott Crawford, Carrollton, Texas. http://www.ArrowheadCollectingOnTheWeb.com
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