ARTH 201 Lecture _1
Transcription
ARTH 201 Lecture _1
15th Century Italian Art: Early Renaissance Painting Quattrocento TERMS TO KNOW: tempera paint IMPORTANT FIGURES: Virgin Mary Trinity guilds, apprentices, masters Saint John the Evangelist Crucifixion sacra conversazione Lenzi family patron iconographical attributes Dominican monks donor embroidered cope Franciscan monks altarpiece crozier true fresco or buon fresco Saint John the Baptist fresco a secco asymmetrical composition Saint Zenobius coffers off-center vanishing point Saint Lucy barrel vault Saint Francis memento mori iconongraphy compositional symmetry Color terms: hue, neutrals, value, saturation iconographical conventions isocephalic composition aerial perspective rhetorical gesture Venus Masaccio The Holy Trinity, Santa Maria Novella, Florence, c. 1428 Masaccio The Holy Trinity, Santa Maria Novella, Florence, c. 1428 Masaccio The Holy Trinity, Santa Maria Novella, Florence, c. 1428 Masaccio The Holy Trinity, Santa Maria Novella, Florence, c. 1428 Brancacci Chapel, Santa Maria del Carmine, Florence Masaccio Tribute Money, from the Brancacci Chapel in Santa Maria del Carmine, Florence, c. 1427 Domenico Veneziano The Saint Lucy Altarpiece, c. 1445 Domenico Veneziano The Saint Lucy Altarpiece, c. 1445 Piero della Francesca Madonna and Child with Saints Adored by Federico da Montefeltro, or The Brera Altarpiece, c. 1472-1474 Piero della Francesca The Flagellation of Christ, c. 1455 Sandro Botticelli The Birth of Venus, c. 1486 Sandro Botticelli The Birth of Venus, c. 1486