Playbill - Jazz at Lincoln Center

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Friday and Saturday Evenings, October 24 and 25, 2014, at 7:00 and 9:30
Wynton Marsalis, Managing and Artistic Director
Greg Scholl, Executive Director
Spokfrevo Orquestra
SPOK, Alto and Soprano Saxophones
CARLOS CLÉBER (KEBINHA), Alto Saxophone
GILBERTO PONTES, Tenor Saxophone
RAFAEL SANTOS, Tenor Saxophone
ENOK CHAGAS, Trumpet
AUGUSTO FRANCA, Trumpet
FLAVIO SANTANA, Trumpet
ERICO VERISSIMO, Trumpet
ELCI RAMOS, Trombone
MARCONE TULIO, Trombone
ADNOS GARCIA, Trombone
THOMAS DE LIMA, Trombone
RENATO BANDEIRA, Guitar
HÉLIO SILVA, Bass
ADELSON SILVA, Drums
AUGUSTO SILVA, Drums
DEDÉ SIMPATIA, Percussion
with
MELISSA ALDANA, Tenor Saxophone
WYCLIFFE GORDON, Trombone
Please turn off your cell phones and other electronic devices.
Jazz at Lincoln Center’s Brazilian Festival is supported in part by the
New York City Department of Cultural Affairs in partnership with the City Council.
Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers,
The Coca-Cola Company, Con Edison, Entergy, HSBC Premier,
The Shops at Columbus Circle at Time Warner Center, and SiriusXM.
Jazz at Lincoln Center’s
The Appel Room
Frederick P. Rose Hall
jazz.org
Please make certain your cellular phone,
pager, or watch alarm is switched off.
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Jazz at Lincoln Center
Notes on the Program
by Ernesto Lechner
If you have never experienced the percolating magic of Brazilian frevo, have no fear.
You are about to discover a sumptuous
instrumental genre that emerged a good
100 years ago from the annual carnivals
held in the Brazilian state of Pernambuco.
Our guide tonight will be saxophonist Inaldo
Cavalcante de Albuquerque—better known
as Maestro Spok—leader of the internationally acclaimed SpokFrevo Orquestra.
“What the audience can expect to see
tonight is a big band in its traditional
format,” Spok says from his home in Brazil.
“Our orchestra includes brass instruments—saxophones, trumpets, and trombones—as well as percussion, guitar, and
bass. However, since we come from the
Northeastern area of Brazil, we bring with
us a number of different musical influences
and traditions that American audiences
have never heard before. Our goal is to
showcase the soul of Pernambuco.”
And what a beautiful soul it is. In 1907, a
man known as Zuzinha, who acted as
director of the Pernambuco Military
Brigade band, experimented with the
format of polka-marcha. The result was a
more feverish, faster, and syncopated
genre that borrowed its name from the
Portuguese verb “ferver”—to boil. Frevo
was exuberant dance music, meant to be
performed by elaborate orchestras in night
clubs during the months that built up the
anticipation for the almighty carnival, and
then on the streets during the carnival
itself. Initially, its Pernambuco fans paid
little attention to the actual bands or the
orchestrations of the songs. Slowly, frevo
was recognized as the sophisticated art
form that it actually is.
“Frevo can easily touch people from all
over the world,” adds Spok. “Even though
some of the songs have lyrics, it’s mostly
instrumental music, so there’s not a linguistic
barrier that prevents you from enjoying it
fully. Frevo is vibrant, rich, and energetic.”
Spok knows what he’s talking about. He
grew up surrounded by this music in the
city of Abreu e Lima in Pernambuco. “As a
little kid, I listened to lots of traditional frevo
tunes on the radio with my father,” he
recalls. “My father was passionate about
the music of Pernambuco, and I became
acquainted with great frevo masters like
Nelson Ferreira, Expedito Baracho, and
Levino Ferreira. I was also listening to the
songs of Luiz Gonzaga—pioneer of the
baião genre—and the popular poets known
as repentistas who became my idols. The
masters of frevo, Gonzaga, and the repentistas are the three different elements that
make up my soul as an artist.”
Since the release of SpokFrevo Orquestra’s
debut album, Passo de Anjo, in 2004, Spok
has kept the project alive both in the
recording studios and on the international
concert circuit. He also achieved his initial
dream of making frevo popular in Brazil
throughout the year—free from the seasonal limits of the annual carnival.
Maintaining a 17-piece big band, however,
is no easy task.
“Most of us can’t afford to make a living
just by playing frevo,” admits Spok. “As a
result, many musicians in the band are
forced to play with other groups. But
there’s one thing that has kept us all
playing together after all these years: being
able to take our traditions to places where
they have never been experienced before.
To be recognized as frevo musicians, specialists in a genre that’s completely our
own. We may not be as popular as
[Brazilian pop stars] Roberto Carlos or Ivete
Sangalo, but we are proud of a tradition
that we love. And as long as we keep
dreaming about it, the SpokFrevo Orquestra
will always keep going.”
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Jazz at Lincoln Center
Notas sobre o Programa
por Ernesto Lechner
Traduzido por Nadia Granadeiro
Se você nunca sentiu a magia penetrante do
frevo brasileiro, não tenha receio. Você está
prestes a descobrir um gênero instrumental
suntuoso que surgiu há uns bons 100 anos,
proveniente dos carnavais anuais celebrados
no estado brasileiro do Pernambuco. Esta
noite, o seu guia será o saxofonista Inaldo
Cavalcante de Albuquerque–mais conhecido
como Maestro Spok–líder da internacionalmente aclamada SpokFrevo Orquestra.
“O que o público pode esperar ver esta
noite é uma orquestra no seu formato tradicional,” Spok diz, de sua casa no Brasil. “A
nossa orquestra inclui instrumentos de
sopro–saxofones, trombetas e trombones–
assim como percussão, guitarra e baixo. No
entanto, como somos do Nordeste brasileiro,
trazemos conosco várias influências e
tradições musicais diferentes nunca antes
ouvidas pelo público americano. Nosso objetivo é mostrar a alma do Pernambuco.”
E como é bela essa alma. Em 1907, um
homem conhecido como Zuzinha, então
diretor da Banda da Polícia Militar de
Pernambuco, experimentou com o formato
da polca-marcha. O resultado foi um gênero
mais febril, mais rápido e sincopado que
deve seu nome ao verbo “ferver”–entrar
em ebulição. Frevo era música de dança
exuberante, concebida para ser interpretada por orquestras complexas em clubes
noturnos durante os meses que precediam
o tão antecipado e grandioso carnaval. De
início, os seus fãs pernambucanos deram
pouca atenção às bandas elas mesmas e às
orquestrações das músicas. Aos poucos, o
frevo foi reconhecido como a forma de arte
sofisticada de que se trata.
“O frevo pode facilmente tocar pessoas de
todas as partes do mundo,” acrescenta Spok.
“Embora algumas das músicas tenham letras,
o frevo é sobretudo música instrumental e
então não tem barreira linguística que impeça
o público de desfrutar completamente. Frevo
é vibrante, rico e energético.”
Spok sabe do que está falando. Ele cresceu
rodeado por essa música, na cidade de
Abreu e Lima no Pernambuco. “Quando era
pequeno, escutava muito frevo tradicional
na rádio com o meu pai,” lembra ele. “O
meu pai era apaixonado pela música do
Pernambuco e eu me familiarizei com os
grandes nomes do frevo, tais como Nelson
Ferreira, Expedito Baracho e Levino Ferreira.
Também estava ouvindo as músicas de Luiz
Gonzaga–pioneiro do gênero baião–e dos
poetas populares conhecidos como repentistas, que viraram meus ídolos. Os mestres
do frevo, Gonzaga e os repentistas são os
três elementos diferentes que compõem a
minha alma de artista.”
Desde o lançamento do álbum de estreia
da SpokFrevo Orquestra, Passo de Anjo,
em 2004, Spok tem mantido esse projeto
vivo tanto nos estúdios de gravação como
na cena internacional. Ele realizou também
o seu sonho inicial de fazer com que o
frevo se tornasse popular no Brasil durante
todo o ano–livre dos limites sazonais do
carnaval anual. Sustentar uma banda de 17
integrantes, porém, não é tarefa fácil.
“A maioria de nós não consegue viver de
tocar o frevo,” admite Spok. “Como resultado, muitos dos músicos da banda se
veem obrigados a tocar com outros grupos.
No entanto, existe algo que nos tem mantido juntos ao longo de todos esses anos:
poder levar as nossas tradições a lugares
onde não se tinham ouvido antes. Sermos
reconhecidos enquanto músicos de frevo,
especialistas de um gênero que é completamente nosso. Podemos não ser tão populares quanto o Roberto Carlos ou a Ivete
Sangalo, mas é com orgulho que amamos
essa tradição. E se continuamos sonhando
com ela, a SpokFrevo Orquestra sempre
continuará a existir.”
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Jazz at Lincoln Center
BETO FIGUEIRO
Meet the Artists
SpokFrevo Orquestra
SpokFrevo Orquestra draws inspiration
from frevo, a vibrant music of elaborate
arrangements and deep roots. SpokFrevo
takes the tradition to the center stage, but
does not renounce allegiance to freedom; it
relies on what jazz is all about—improvisation.
SpokFrevo Orquestra arose in 2003 from
musical experiences that date back to the
late 1990s, led by the virtuous Inaldo
Cavalcante de Albuquerque (Maestro Spok),
who serves as saxophonist, arranger, and
musical director. Spok fronts a 17-piece big
band with saxophone, trumpet, trombone,
rhythm sections, bass, and guitar. In the
state of Pernambuco, Brazil, where centenary frevo was birthed, carnival bonds constrict the genre to street festivals. SpokFrevo
Orquestra takes frevo from its supporting
role and presents it as the leading actor,
shedding light on its original texture and
complex playing technique. Based on musical excellence and speaking with propriety,
they break patterns and reinvent tradition
without subverting it.
Inaldo Cavalcante de Albequerque, A.K.A.
Spok, is considered to be the youngest of
Pernambuco’s greatest frevo maestros. He
began playing at age 12 by influence of his
cousin, saxophonist Gilberto Pontes, the
Orquestra’s musical director. In Recife he
finished his musical studies and started
working with the masters of the frevo
scene, such as Ademir Araújo, Clóvis Pereira,
Duda, Édson Rodrigues, and Guedes Peixoto.
During the 1990s the city experienced a
cultural rebirth, and Spok started looking at
new horizons. “I used to watch those
musicians improvising and asked myself
why couldn’t we do the same to frevo,
which I used to play so traditionally following the musical score…whereas those
musicians were playing jazz.” He makes it
clear: “I am interested in musical freedom.
In fact, the Orquestra plays raw frevo, just
like it is. We are 17 Pernambuco-born musicians on the stage, we all grew up listening
to this music, and there is no way for us to
not play it properly. The difference is the
arrangements, which are created for improvising, for playing with the heart.”
A turning point for the band occurred in
2003. From early experiences as Banda
Pernambucana and Orquestra de Frevo do
Recife, the group re-emerged as SpokFrevo
Orquestra (a name proposed by the band’s
agent Wellington Lima) by invitation and in
partnership with musical producer Zé da
Flauta, who had joined the group two years
before. In 2004 the band put out its first
CD. Released independently, Passo de
Anjo combines frevo classics with new
compositions, demonstrating the inexhaustibleness of the genre.
Spok’s boldness, although condemned by
purists, is endorsed by many critics, who
recognize his music as the harbinger of a
new school. In an article for Jornal do Brasil
(July 17, 2009), Tárik de Souza writes that
the time has come for frevo-jazz, pointing
to SpokFrevo as “a big band that has synthesized frevo and jazz in a blazing way.” In
2005 O Globo newspaper ranked SpokFrevo’s
performance at TIM Festival as one of the
ten best gigs of the year in Rio de Janeiro.
O Estado de São Paulo rated Passo de Anjo
as one of the best three Brazilian albums of
the year. SpokFrevo’s debut CD was rereleased in 2006, this time by the Biscoito
Fino record label, which also released the
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Jazz at Lincoln Center
DVD and CD Passo de Anjo–Live (2007)
from a concert recorded at Santa Isabel
Theatre in Recife. With few changes to the
repertoire, it features special guests
Armandinho (Bahia guitar), Genaro (accordion, an ex-Trio Nordestino member), and
Leo Gandelman (alto saxophone). Passo de
Anjo–Live was awarded the Prêmio da
Música Brasileira (one of the most important in Brazilian music) as the best CD
of instrumental music of the year, and
SpokFrevo was elected the best group in
the same category.
SpokFrevo’s international career received a
definite boost in 2008 with its first largescale European tour. When in France, the
Orquestra was invited to perform at the
closing ceremony of the World Music Day
(Fête de la Musique). It played the final gig
of the event at the Palais de l’Elysee, the
official residence of President Nicolas
Sarkozy, who attended the performance
accompanied by First Lady Carla Bruni.
SpokFrevo had a strong presence in the
European circuit of summer festivals, presenting the frevo as a unique musical language and properly introducing it to the jazz
and world music scenes.
Melissa Aldana
Melissa Aldana (Tenor Saxophone ) began
alto saxophone under her father’s tutelage
at age six. By 16, Aldana was headlining at
the Club de Jazz de Santiago, the main
hub of the Chilean jazz community.
Around the same time, in 2005, she was
invited to play with Danilo Perez at the
Panama Jazz Festival. Perez helped
arrange her auditions at Berklee College
of Music and the New England Conservatory. She was accepted at both and
decided to attend Berklee.
After graduating, Aldana moved to New
York. She played for legendary saxophonist George Coleman over the phone
(through a friend’s introduction), and he
invited her over for saxophone lessons.
Coleman continued to mentor Aldana
over the years and invited her to sit in on
his concerts.
Aldana recorded her first record, Free Fall,
for Greg Osby’s label Inner Circle Music. In
2012 she released her sophomore album,
Second Cycle. Aldana’s first big break
onstage came when Osby invited her to
play a weeklong residency at the Village
Vanguard. She has since performed in such
prestigious venues as Dizzy’s Club CocaCola, Blue Note, Jazz Standard, Museum of
Modern Art, Small’s, and Jazz Gallery, and
her band has performed at such prestigious
festivals as Monterey Jazz Festival and
Providencia Jazz Festival in Chile. She has
performed with artists such as Christian
McBride, Peter Bernstein, Jeff “Tain”
Watts, and Kevin Hays.
Aldana now plays with bassist Pablo
Menares and drummer Francisco Mela,
known together as the Crash Trio. In
September 2013, at age 24, Aldana won
the illustrious Thelonious Monk International Jazz Saxophone Competition. In
addition to winning a Monk Institute scholarship and a Concord Music Group recording contract, she became the first
female instrumentalist to ever win the
competition. Aldana also won the National
Arts Award “Altazor” in Chile for Best
Album and recently received the Lincoln
Center Martin E. Segal Award. The Crash
Trio recently released their self-titled debut
album for Concord.
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Jazz at Lincoln Center
Wycliffe Gordon
Musical ambassador and interpreter of America’s music, Wycliffe Gordon (Trombone )
enjoys a career of touring the world, performing hard-swinging, straight-ahead jazz
to great acclaim. He is recognized for his
modern mastery of the plunger mute,
exceptional technique, and signature
sound. Gordon was named “Best in
Trombone” by the DownBeat Critics Poll
for the last three years, and the Jazz
Journalists Association named him
“Trombonist of the Year” in 2013 (for the
eighth time since 2001). He is a past
recipient of the ASCAP Foundation Vanguard Award.
In addition to an extremely successful solo
career, Gordon regularly tours the world
with the Wycliffe Gordon Quartet. Gordon
is a former member of the Wynton
Marsalis Septet and the Jazz at Lincoln
Center Orchestra and has been a featured
guest artist on Billy Taylor’s Jazz at the
Kennedy Center series. His “Jazz a la
Carte” show, which debuted at the Apollo
Theater, was named one of the “top five
best moments in jazz” of 2011 by the Wall
Street Journal.
Gordon has released 16 solo CDs and
seven co-leader CDs. His most recent
releases, Hello Pops, A Tribute to Louis
Armstrong, and Dreams of New Orleans,
continue to receive rave reviews. In 2013
Criss Cross Jazz released The Intimate
Ellington: Ballads and Blues, showcasing
Gordon’s knowledge of Ellington and
Strayhorn techniques. Gordon is also a
gifted (and frequently commissioned) composer and arranger, with an extensive catalog of original compositions that spans
jazz and chamber music. His music is performed throughout the world, and his
arrangement of the theme song to NPR’s
All Things Considered is heard daily.
Gordon is a committed music educator,
and he serves as artist-in-residence at
Georgia Regents University. He also
serves on the jazz arts program faculty at
Manhattan School of Music and as Music
Director for the Louis Armstrong Legacy
Project in Chicago. His songbook and
accompanying CD, This Rhythm on my
Mind, was released in 2012, and Sing it
First, covering Gordon’s unique approach
to playing, was released in 2011. His lead
sheets, trombone music, and big band
charts are all available on his website.
Across the world, he works with musicians and audiences, from elementary
schools to universities, through master
classes, clinics, workshops, children’s concerts, and lectures.
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Jazz at Lincoln Center
Jazz at Lincoln Center
Jazz at Lincoln Center is dedicated to
inspiring and growing audiences for jazz.
With the world-renowned Jazz at Lincoln
Center Orchestra and a comprehensive
array of guest artists, Jazz at Lincoln Center
advances a unique vision for the continued
development of the art of jazz by producing
a year-round schedule of performance, education, and broadcast events for audiences
of all ages. These productions include concerts, national and international tours, residencies, weekly national radio programs,
television broadcasts, recordings, publications,
an annual high school jazz band competition
and festival, a band director academy, jazz
appreciation curriculum for students, music
publishing, children’s concerts and classes,
lectures, adult education courses, student
and educator workshops, and interactive
websites. Under the leadership of Managing
and Artistic Director Wynton Marsalis,
Chairman Robert J. Appel, and Executive
Director Greg Scholl, Jazz at Lincoln Center
produces thousands of events each season
in its home in New York City, Frederick P.
Rose Hall, and around the world. For more
information, visit jazz.org.
Jazz at Lincoln Center 2014–15 Concert Season
Jazz In the Americas
Jazz has both integrated and influenced a diverse array of musical traditions from the
Caribbean and North, Central, and South America. During our season-long journey through the
Americas, we proudly showcase virtuosos of these rich musical styles, featuring fresh new
jazz works, as well as interpretations of foundational composers led by today’s living masters.
Anchored by the renowned Jazz at Lincoln Center Orchestra with Managing and Artistic Director
Wynton Marsalis, we kicked off the 2014-15 season with the debut of a new collaboration by
Cuban jazz legend Chucho Valdés, fellow Cuban percussionist Pedrito Martinez, and Mr.
Marsalis. Native Brazilian ensemble SpokFrevo Orquestra makes its JALC debut, and musical
polymath Bill Frisell returns to curate our Roots of Americana series. We honor legendary
baritone saxophonist Joe Temperley, a beloved member of Duke Ellington’s band and our own,
and showcase jazz’s varied cultural interpretations with Elio Villafranca’s ‘Music of the Caribbean’
and Sherman Irby’s ‘Journey Through Swing.’ We welcome visionaries like Michael Feinstein,
Wayne Shorter, Rubén Blades, and Dianne Reeves, and honor the timeless music of Count
Basie, Betty Carter, Billie Holiday, Muddy Waters, Frank Sinatra, and more.
Our 27th concert season presents jazz in all its depth, beauty, diversity, relevance, and
continuity. Join us and we promise you’ll leave feelin’ good.
10-24 Spokfrevo_GP 10/16/14 11:50 AM Page 8
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Richard Roth
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4Wall
Accenture
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Adelson
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AMC Networks
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The Angelson Family
Foundation
Anonymous (4)
American Express
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Atlantic Records
Robin and Arthur Aufses
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Foundation, Inc.
Sol and Margaret Berger
Foundation
Arthur M. Blank Family
Foundation
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Bolthouse
Tina and Jeffrey Bolton
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Del Bryant/BMI
Caroline’s on Broadway
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Chazen
FRIENDS
Haynes and Boone, LLP.
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Ther Arthur and Janet
Ann Colley
Hershaft Foundation
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Colvin
Heyward Memorial Fund
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Peter D. and Julie Fisher Jennifer and Cameron
Hillyer
Cummings Family
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Foundation
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Foundation
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Home Box Office, Inc.
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Jewish Communal Fund
Wealth Management
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Discovery Communications Johnson & Johnson
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Eminence Capital
Richard and Lisa Kendall
ESPN
Anna and James Fantaci Key Brand Theatrical
Group Inc.
FedEx Corporation
Robert Kissane
Hughlyn F. Fierce
Sally and Wynn Kramarsky
Aura Teixeria and
Diane Forrest and
Lywal Salles Filho
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First Republic Bank
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Betty and John A. Levin
Marilyn and Sam Fox
General Motors Company Mr. and Mrs. A. Andrew
Levison
Great Performances
Carolyn and Ed Lewis
Bruce Greenwald
Robert C. Lieber
Harlem’s Fashion Row
Amanda and Peter Low
Stanley and Alice Harris
Mr. and Mrs. Joseph Safra
Diane and Leo Schlinkert
Adolph and Ruth
Schnurmacher
Foundation, Inc
Scholastic, Inc.
Chloe Breyer and
Greg J. Scholl
Peter Schub Foundation
Gil Shiva
Sydney and Stanley
Shuman
Riva Arielle Ritvo Slifka/
Alan B. Slifka
Foundation
The Jennifer and
Jonathan Allan Soros
Foundation
Robert and Melissa Soros
Katherine Farley and
Jerry Speyer
Tames Music Group
Kimberley and Paul Tanico
Nicki and Harold Tanner
Eboni Marshall and
Rossie E. Turman
Reginald Van Lee
Tania and Mark Walker
David Weiner
Lester Weingarten
The Weininger Foundation
Lola C. West
Carol and Bernard
Winograd
Lorraine Machiz
Macquarie Holdings
(USA) Inc.
Vincent Mai
Main Street Advisors
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The MCJ Amelior
Foundation
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Millard
Scott and Jennifer Miller
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Joan Weinberg and
Alan Mirken
Adriana and Robert
Mnuchin
Wendy Rothman and
Andrew Monness
Frosty Montgomery
Sharon Morris
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NBC Universal, Inc.
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Bernie Nussbaum
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Ogunlesi
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Okrent
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Gabrielle and Michael
Palitz
Paul Weiss Rifkind
Wharton & Garrison LLP
Paulson & Co., Inc.
Catherine and Malcolm
Price
Mr. and Mrs. Joel Picket
Paulson & Co., Inc.
Christine and Jerome Ponz
Posternak Bauer
Associates, Inc.
Power Elite, LLC
Ellen B. Randall
Carol and Don Randel
Random House
Children’s books
Jill and Alan Rappaport
Aileen Ghee and
Robert Rendine
Clara and Walter Ricciardi
Mary Ann Rich
Avis and Bruce Richards
The Riverside Company
Ropes & Gray LLP
Dr. Michael Rosen and
Ms. Heather Bandur
Eugene and Maxine
Rosenfeld
Daryl and Steven Roth
Safra National Bank of
New York
Barbara Saltzman
Samsung Electronis
America
SAP
Shackman Associates
New York
Pam and Scott Schafler
Jane Hartley and
Ralph Schlosstein
Frances and Glen Schor
Donald Schupak
Irene and Bernard
Schwartz
Gregg G. Seibert
Katherine Seligman
Michael H. Seligman
Monica Seligman
Lee Rhodes and
Peter Seligman
Helen Sogoloff and
Alexander Shaknovich
John Shapiro
Glenn Close and
David Shaw
Susan Moldow and
William M. Shinker
Skadden, Arps, Slate,
Meagher and Flom LLP
Laura J. Sloate/
Hermione Foundation
Tracy and Jay Snyder
Sony Electronics
Deidre Stanley
Barbara Carroll and
Mark Stroock
Studio PAV M&C
Summit Productions, Inc.
Dhuanne and Doug Tansil
Judy and Alfred Taubman
Barbara and Andy Taylor
Kendall Thomas
Maggie and Amor Towles
Barbara Walters
Time Magazine
Turner Broadcasting
System Latin America,
Inc
The Value Investing
Congress
Viacom Media Networks
Jeanette and Paul Wagner
Warburg Pincus
Woman’s Day
Diane and Geoffrey Ward
Larry Satterfield and
Michael S. Ward
Cindy and Kenneth West
Patricia and Alfred Zollar
Tara Kelleher and
Roy J. Zuckerberg
Diane and Arthur Abbey
Donna and Greg Amato
Anonymous (3)
The ASCAP Foundation
Lillian Barbash
Brook and Roger Berlind
David Berman
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Arlene and Mark Bernstein
Keith Best
The Black Alumni of Pratt
Madeline and Alan Blinder
Barbara and James Block
Les Bluestone
Meg and Owen Boger
Marcia and Kenneth
Brookler
Amsale Aberra and
Neil Brown
Ambassador and
Mrs. W.L. Lyons Brown
Noreen and Kenneth
Buckfire
Capital One Bank
Marian and James Cohen
David Cole
The Aaron Copland Fund
for Music, Inc
Larry Corio
Dana Cranmer
Alice and Daniel
Cunningham
Joan and John D’Addario
Ellen and Gary Davis
Elizabeth de Cuevas
Marilyn and Anthony
De Nicola
Chris and Jim Drost
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Ellowitz
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Eveillard
Judy and Tony Evnin
PATRONS
Sanjeanetta Harris
Dolores Eyler
Laurie Hawkes
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Ken and Caryl Field Fund Anne Farley and
Peter C. Hein
of the Princeton Area
Community Foundation Alexandra Herzan
Tania Higgin
Alfred and Harriet
Alan D. Holtz
Feinman Foundation
Audrey Sokoloff and
Christine Ferer
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Fitzgibbons
Adam Inselbuch
Susan and Arthur
Andrea Montalbano and
Fleischer, Jr.
Diron Jebejian
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Jeffrey Kallenberg
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Clarence Kam
Peter H. Friedland
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Kauff
Friedman
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Ian Fuller
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Risa Schifter and
Alice and Nathan
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Gantcher
Pat and John Klingenstein
Henry Louise Gates, Jr.
Theresa Knight
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Chikako and Tomo Kodama
Stuart Gelfond
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Family Foundation
Gladstein Family
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Foundation
Charlene and Keith Goggin Diane Kranz
Lynn and Jules Kroll
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Wendy and Jerry Labowitz
Victor Goldberg
Jill and Barry Lafer
Arlene Goldman
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Geraldine Laybourne
Goldstein
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Laurie Zucker Lederman
Alter Trading
and David Lederman
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Denise and David Levine
Goodenough
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Geoffrey Levitt
Green-wood Cemetery
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Guinsburg
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Lynn Davidson and
Jon Lukomnik
Ninah and Michael Lynne
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Katina and Ken Manne
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Mark Family Foundation
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Marco Masotti
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Robert Matloff
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Matthews
Lady Va and Sir Deryck
Maughan
Merridith and Robert
McCarthy
Rich McClure/Unigroup
Irene Weiss Miller and
Jeffrey D. Miller
Courtney Lee and
Marcus Mitchell
Kimberly and Nicholas
Moore
Susan and Alan Morris
Lisa Caputo and
Rick Morris
Kimberly and David Morse
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Gaya Vinay and Vinay Nair
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Noufele
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Lisbeth and Augustus
Oliver
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Gideon Panter
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Judy and Harold Prince
Cheryl and Louis Raspino
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Robertson
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Rosen
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Rosenbloom
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Shari and Jay Schuster
Deborah and Phillip Scott
Kathy and Joel Segall
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Shuman
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Angelia and George Siber
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Simmons
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Solondz
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Foundation Inc.
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Tiffany and Co.
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Foundation
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Inc.
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Weinstein
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Western Oil & Gas J.V. Inc
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Foundation
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Willcox
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The Craig E. Wishman
Foundation
Wolfensohn Family
Foundation
As of September 1, 2014
Jazz at Lincoln Center’s Live in Cuba Exhibit
On View Now
Free and open to the public during scheduled performances
In celebration of Jazz at Lincoln Center’s Jazz In the Americas season, our current
exhibit—Live in Cuba—tells the story of the Jazz at Lincoln Center Orchestra’s
week-long residency in Cuba in October, 2010. This historic tour included five
performances at the Teatro Mella in Havana, Cuba, in addition to educational
workshops throughout the country. The exhibit, located on the fifth floor of
Frederick P. Rose Hall, features the photography of Frank Stewart and Ayano Hisa,
plus rare video footage from the tour. In addition to an illustrious and international
career as a professional photographer, Frank Stewart serves as senior staff
photographer for Jazz at Lincoln Center. Ayano Hisa, a 2013 fellow of the New York
Foundation for the Arts, is a freelance photographer whose clients include Jazz at
Lincoln Center, Newport Jazz Festival, and Savannah Music Festival. Please stop by
the free exhibit to learn more!
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1
UPCOMING EVENTS
Jazz at Lincoln Center’s
Frederick P. Rose Hall
October 2014
ROSE THEATER
Brazilian Festival
The Brazilian Duke Ellington
October 24–25 at 8pm
The Jazz at Lincoln Center Orchestra with Wynton
Marsalis performs the music of the late Moacir
Santos, one of Brazil’s most important musicians and
prolific composers. Melding Afro-Latin influences
with improvisation and jazz harmony helped make
Santos a genuinely original voice in Brazilian music.
As a respected educator, Santos mentored some of
Brazil's most respected artists. Also joining the Jazz
at Lincoln Center Orchestra for this performance is
acclaimed Brazilian percussionist Cyro Baptista.
Free pre-concert discussion nightly, 7pm
November 2014
THE APPEL ROOM
Celebrating Bobby Hutcherson:
Life of a Legend
November 8 at 7pm & 9:30pm
In the first installment of the Life of a Legend series,
JALC honored “jazz impresario” George Wein. This
year’s honoree is master vibraphonist and veteran
bandleader Bobby Hutcherson. Known for his originative
four-mallet approach to the vibes, Hutcherson is one of
the pioneers of his instrument along with greats Lionel
Hampton and Milt Jackson. Though Hutcherson cannot
be here to perform, the concert will span his noteworthy
ensembles, which throughout the last five decades
included Eric Dolphy, Andrew Hill, Herbie Hancock, and
Harold Land. Likewise, performances from Renee
Rosnes, Ray Drummond, and veterans of Hutcherson’s
prolific 1960s era, Stanley Cowell and Joe Chambers,
will represent the various incarnations of Hutcherson’s
lineups, along with handpicked protégés Steve Nelson
and Warren Wolf.
Free pre-concert discussions at 6pm & 8:30pm.
ROSE THEATER
Rubén Blades
music director Carlos Henriquez, these performances
will showcase Blades’ resonant repertoire as well as
iconic jazz standards. His illustrious recording career
with over 30 albums as a leader and collaborations
with Fania and legends Ray Barretto and Willie Colón
are matched by his remarkable strides in the political
arena of his native Panama. Blades is well-known for
his socially conscious music and activism, which
culminated in a Panamanian presidential run and a
five-year term as Minister of Tourism. Joining Blades
and the Jazz at Lincoln Center Orchestra will be
vocalist Eddie Rosado and percussionists Bobby
Allende, Marc Quiñones, and Carlos Padron.
Free pre-concert discussion nightly, 7pm.
Family Concert: Who is Tito Puente?
November 22 at 1pm & 3pm
The Jazz in the Americas motif continues as the Jazz
for Young People® series honors master musician,
composer, arranger, and “King of the Timbales” Tito
Puente. Join JLCO bassist Carlos Henriquez and the
Jazz at Lincoln Center Orchestra with Wynton Marsalis
in an enthusiastic exploration of Puente’s legacy. From
big band to bossa nova, Puente, a five-time GRAMMY®
Award winner and Lifetime Achievement Award
recipient, covered an extensive range of music over
the course of his 50-year career. Puente created one
of the most important hybridizations in jazz. These
hour-long, interactive concerts spark curiosity and
imagination through vivid conversation and lively
performances that will have your entire family dancing
in their seats.
Free pre-concert activities at 12:15pm & 2:15pm.
IRENE DIAMOND EDUCATION CENTER
Swing University
Jazz at Lincoln Center’s jazz education program,
Swing University, offers students of all ages a chance
to learn about jazz from musicians and scholars. JALC
curator and WKCR personality Phil Schaap and friends
share insights, expertise, and stories as they lead
classes through jazz’s storied past and vibrant present. Winter Term classes include Jazz 101, Jazz 201,
Sydney Bechet, Charlie Parker, and Jelly Roll Morton.
Please visit jazz.org/swingu, call 212-258-9922, or email
[email protected] for more information. Single tickets
are available. Begins January 5.
November 13–15 at 8pm
Salsa giant Rubén Blades makes his Jazz at Lincoln
Center debut with the Jazz at Lincoln Center
Orchestra with Wynton Marsalis. Led by bassist and
Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall,
Time Warner Center, 5th floor
Tickets starting at $10
To purchase tickets call CenterCharge: 212-721-6500 or visit: jazz.org. The Jazz at Lincoln Center Box Office
is located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm.
For groups of 15 or more: 212-258-9875 or jazz.org/groups.
For more information about our education programs, visit academy.jazz.org.
For Swing University and WeBop enrollment: 212-258-9922.
Find us on Facebook, Twitter, YouTube, and Instagram.
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1
UPCOMING EVENTS
Jazz at Lincoln Center’s
Frederick P. Rose Hall
October 2014
Crescent City Samba:
Featuring Joe Saylor & Friends
with Russell Hall, Gabe Schneider, Eddie Ray
Barbash, Sam Reider, Alphonso Horne, Ze Mauricio,
Fernando Saci, and Alex Brown
October 24–26
7:30pm & 9:30pm
The Fraternal Order of the Society Blues and
Jeremiah Lockwood Record Release Show
A Tribute to the Music and Legacy of Carolina Slim
with Ricky “Dirty Red” Gordon and Ernesto Gomez
October 27
7:00pm & 9:30pm
Ramptones’ Organic Roots Octet
with Kenny Rampton, Bill Sims, Donny McCaslin,
Elliot Mason, Bruce Williams, Brian Charette,
Dan Stein, and Tony Mason
October 28–29
7:30pm & 9:30pm
65th Anniversary Tribute to Prestige Records
Helen Sung Trio & Special Guests
Music of Miles, Coltrane, Sonny Rollins,
and Red Garland
with Helen Sung, Boris Kozlov, Willie Jones III, and
special guests Mike Rodriguez and Seamus Blake
October 30
7:30pm & 9:30pm
65th Anniversary Tribute to Prestige Records
Helen Sung Trio & Special Guests
Music of: Monk, MJQ, Milt Jackson,
and Eric Dolphy
with Helen Sung, Boris Kozlov, Dennis Mackrel, and
special guests Dr. Eddie Henderson, John Ellis, and
Steve Nelson
October 31
7:30pm & 9:30pm
November 2014
65th Anniversary Tribute to Prestige Records
Jamison Ross Trio and Special Guests
Music of: Roy Haynes, Miles “cookin,” Monk,
Kenny Dorham
with Jamison Ross, Yasushi Nakamura, Chris Pattishall,
and Special Guests Mike Rodriguez and Melissa Aldana
November 1
7:30pm & 9:30pm
65th Anniversary Tribute to Prestige Records and
Rudy Van Gelder Birthday Salute
Jamison Ross Trio, Special Guests and
Host Bob Porter
with Jamison Ross, Yasushi Nakamura, Chris Pattishall,
and Special Guests Mike Rodriguez and Melissa Aldana
November 2
7:30pm & 9:30pm
Rudy Van Gelder presentation at 7pm
Matthew Shipp Trio: Tribute to Duke Ellington
with Michael Bisio and Newman Taylor Baker
November 3
7:30pm & 9:30pm
Yuval Cohen’s Chamber Jazz Quintet
Israeli Jazz Festival
November 4
7:30pm & 9:30pm
In deference to the artists, patrons of Dizzy’s Club Coca-Cola
are encouraged to keep conversations to a whisper during the performance.
Artists and schedule subject to change.
Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall,
Time Warner Center, 5th floor New York.
Reservations: 212-258-9595 or jazz.org/dizzys; Group Reservations: 212-258-9595 or jazz.org/dizzys-reservations
Nightly Artist sets at 7:30pm & 9:30pm.
Late Night Session sets Tuesday through Saturday at 11:30 pm.
Cover Charge: $20–45. Special rates for students with valid student ID. Full dinner available at each artist set.
Rose Theater and The Appel Room concert attendees, present your ticket stub to get
50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays.
Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theater
and The Appel Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours.
Dizzy’s Club Coca-Cola gift cards now available.
Find us on Facebook, Twitter, YouTube, and Instagram.
10-24 Spokfrevo_GP 10/16/14 11:50 AM Page 14
jazz at lincoln center
november
celebrating
bobby hutcherson
NOV 8 • 7PM, 9:30PM
Renee Rosnes, Stanley Cowell, Joe Chambers,
Ray Drummond, Steve Nelson, and Warren Wolf
celebrate Bobby Hutcherson’s life and music
rubén blades
NOV 13–15 • 8PM
Rubén Blades and the Jazz at Lincoln Center Orchestra
with Wynton Marsalis
jazz for young people
family concert:
who is tito puente?
NOV 22 • 1PM, 3PM
Jazz at Lincoln Center Orchestra with Wynton Marsalis.
Make sure to arrive early for free pre-concert family
activities at 12pm and 2pm.
JAZZ FOR YOUNG PEOPLE IS FUNDED THROUGH THE GENEROSITY OF MICA AND AHMET ERTEGUN
frederick p. rose hall
broadway at 60th street
box office ground floor
centercharge 212-721-6500
jazz.org
10-24 Spokfrevo_GP 10/16/14 11:50 AM Page 15
jazz at lincoln center
2014–15
jazz for young people series
family concert:
who is tito puente?
NOV 22 • 1PM, 3PM
Jazz at Lincoln Center Orchestra with
Wynton Marsalis
family concert:
who is billie holiday?
FEB 7 • 1PM, 3PM
Aaron Diehl and Charenee Wade celebrate
the music of Lady Day
Tickets start at $10!
OFFICIAL MEDIA PARTNER
THE JAZZ FOR YOUNG PEOPLE CONCERT SERIES IS FUNDED
THROUGH THE GENEROSITY OF MICA AND AHMET ERTEGUN
Venue Frederick P. Rose Hall
Box Office Broadway at 60th St., Ground Fl.
CenterCharge: 212-721-6500
jazz.org
10-24 Spokfrevo_GP 10/16/14 11:50 AM Page 16
JOE SAYLOR
Drummer
7:30pm & 9:30pm sets
212-258-9595
Jazz at Lincoln Center Broadway at 60th Street, 5th Floor, NYC
Photo by Marylene Mey and Whit Lane
jazz.org/dizzys