Legacyby Michelle Harker

WINTER 2011
No.
47
Disneyland Opens
Exhibit Celebrating
Walt’s Railroad
Legacy by Michelle Harker
ll Aboard! I’m a fan of all things transportation. From classic cars to alternative
travel, like carpooling, riding your bike or even using your local railway service
for work or recreation. I can appreciate a good train ride, too, especially when it’s part
of A Grand Circle Tour around Disneyland Park.
A
inside this issue
platform 1
Disneyland opens
exhibit celebrating
walt’s railroad
legacy
platform 2
welcome aboard
platform 3
disney’s animal
kingdom
platform 4
disney’s animal
kingdom (cont.)
introducing a new
piece of art
platform 5
the mail car
As a Disneyland Resort Cast
Member, I’m excited to be able
to share the news about the
new train exhibit at The Disney
Gallery in Disneyland Park with
all of you.
and still do, leaving the
Tomorrowland Station and
heading for the Grand Canyon
followed by a peek into the
Primeval World. My imagination
went into overdrive!
One of my favorite memories
of the park was embarking
the train at the Main Street
station and being fascinated
by all of the sights and sounds
experienced while riding in the
open air car. From the sound of
the approaching steam engine
to the bell to the conductor on
board, each ride was different
from the last as I’d notice
something unique as we passed
through each land. Yes, I do
have a favorite part of the tour.
I always looked forward to
In that spirit, I hope you will
celebrate Walt’s railroad legacy
at the newest exhibit at The
Disney Gallery on Main Street,
U.S.A. at Disneyland Park “All Aboard for a Grand Circle
Tour of the Trains of Disney.”
The exhibit will take you on
a journey of the rich history
of trains that Walt introduced
to the Parks and that still
continues to thrive today.
Inside the exhibit, you’ll find
many rare artifacts on loan
platform 6
the club 33 event
was a success!
new car shed at
walt’s barn
platform 7
view from the cupola
platform 8
MEMBER PICTURES
event calendar
platform 1
from Walt Disney Imagineering,
the Walt Disney Family
Foundation and some
Carolwood Pacific Historical
Society members! Several
prominent artists created
original pieces celebrating
Disney trains.
Additionally, there are
collectibles, decorations,
clothing and model trains:
there’s something for everyone!
We invite you to travel with
us on our journey to a magical
world of yesterday, tomorrow
and fantasy. For more details
on the exhibit please visit
www.artofdisneyparks.com.
We’ll see you at the Park!
POPULATION
Billy Jean Tecklenbu
rg should have been
spelled Billie
Jean Tecklenburg, als
o, Marilyn Dupaquie
r renewed
during the past quarte
r and was left off our
list.
Our sincere apologies
.
001955
Welcome aboard
t
he Carolwood Pacific Historical Society is
enriched by its many wonderful members.
New and renewing members from September, 2011 are:
Larry & Lauren Scott, Menlo Park, CA
Chris & Judy Lohr, Modena, PA
William Bailor, San Jose, CA
Christopher & Roseann DelGandio, Somerset, NJ
Len & Elaine Leavitt, Hayward, CA
Ellen Petrokiewicz, Orlando, FL
Douglas Temple, Fullerton, CA
James & Marjorie Hudec, Celebration, FL
Lance Priez, New Orleans, LA
Art Ramos, Celebration, FL
Glenn Riley, Baton Rouge, LA
Jody Danneman, Marietta, GA
Brian & Laura Thompson, Mount Joy, PA
Ricardo & Laura Betancourt, Diamond Bar, CA
William & Sheila Perry, Centerville, IA
Michael Forrester, Kennesaw, GA
Alan & Donna Wright, Valencia, CA
Scott, Sharon, & Matthew Zone, Calabasas, CA
Ray Fleischmann, Coral Springs, FL
Daniel, Sandi, & Cameron Butcher, Cleveland, TN
Ramon Zubizarreta, Houston, TX
Michael Allen, Oceanside, CA
Alan Coats, Venice, CA
Thomas Caron, Bridgewater, MA
George Reiser, Basking Ridge, NJ
Ralph Dunham, Celebration, FL
Mark Knoblauch, Goodlettsville, TN
Cathrine Zugar, San Francisco, CA
Cathryn Won, San Mateo, CA
Mark Cowan, Sacramento, CA
Sharon Burman, Pacifica, CA
Paul Porto, Orlando, CA
Joseph L. Ruppe, Blowing Rock, NC
Terry Peterson, Mesa, AZ
Timothy G. Lyons, Hacienda Heights, CA
Wayne Sr. & Wayne Jr. Neal, Brea, CA
Michael Chapin, Halifax, MA
Mark Franz, Peoria, AZ
Renard Fuentes, Arcadia, CA
John Turner, Springfield, VA
Ryan Valle, North Hills, CA
Mark Taruc, Winnetka, CA
Brandon Hess, Bakersfield, CA
Fred Bischoff, Marysville, OH
Randall Boyce, Westland, MI
Alex Lewis, St. Cloud, FL
Steven Phares, Fillmore, CA
Jerry Opshal, Shingle Springs, CA
Blake & Sherolyn Thomas, Kansas City, MO
Steven Ng, Yorba Linda, CA
Miller & Chrissy Smyth, Brielle, NJ
Kim Lippes, Stony Point, NY
Louis Manglass, Sugar Hill, GA
Gregory Raffel, Clearwater, FL
Ryan Hill, Titusville, FL
Howard & Steinunn Green, La Canada, CA 91011
platform 2
Disney’s Animal Kingdom
by David Bogdanchik
here is hardly a subject more closely related to Disney than that of animals. The little dynamo and
unflagging optimist making his debut at New York’s Colony Theater in 1928 was none other than one
of the most famous animals of all time, Mickey Mouse! The majority of Walt’s cartoon characters are animals.
Why animate humans when, after all, creatures are cuter and more desirably cuddly? And true to form,
Walt did not stop with animation. In 1948 he debuted the True-Life Adventures with Seal Island.
The following twelve years
produced a dozen more of
these, educating children and
adults worldwide on subjects
that had previously seemed
dry and boring to many.
These films were shown to
the delight of children in
schools nationwide, inspiring
conservation and showing
that learning can be fun.
After this Walt was finally
ready for the ultimate in
animal entertainment,
live performances by live
creatures. And where better
to achieve this than in his
True-Life Adventureland!
But it was not to be, for Walt
realized that a visible and
constant daily performance
could not be achieved on the
Jungle Cruise by live fauna.
Walt didn’t give up on his idea
to integrate animals into the
Park, and he approached it
from a variety of angles.
The Mickey Mouse Club Circus
(1955-1956) included live
animal actors, but this show
had only a temporary stint.
In 1960, he opened the Mine
Train Through Nature’s
Wonderland, which featured
recreations of the wildlife from
his recent series. Then eight
years after opening Disneyland, Walt premiered the first
Audio-Animatronics -
The Enchanted Tiki Room
birds. No one could ever have
foreseen that an idea for an
opening-day attraction at
Disneyland would lead to the
design of Disney’s seventh
theme park over forty years
later. Well, maybe Walt did.
My first experience with Animal
Kingdom was when my sister
and I began collecting trading
cards released for the Park’s
opening. These cards showed
a new type of theme park,
with most of them picturing
animals. One card showed a
safari, another a rugged
looking train. There were
Discovery River Boats, and
I could barely contain my
excitement when I saw a
vehicle rolling through the
mist of a primeval forest with
a styracosaurus staring at
guests. This is the best card
in the set! Unfortunately, I
only have 27 of the 28 cards.
My sister has them all, and I
can’t quite convince her to
trade me the last one!
Is it a zoo? This is a question
that tourists ponder as they
wonder what Animal Kingdom
is really like. After experiencing
it, they may have the same
question, was that a zoo?
Animal Kingdom is, in fact,
an accredited zoo, but it is so
much more. As the Imagineers
did with Disneyland, they took
an existing concept, such as
the amusement park or zoo,
and “plussed” it into something
unlike anything ever before
witnessed by the public.
Animal Kingdom requires the
striking of a very delicate
balance. Most zoos have
similarities to theme parks,
primarily because they are
an enclosed space filled with
shops, eateries and exhibits.
But zoos are meant to educate
guests about the animals they
see, and not necessarily to
entertain. Animal Kingdom
needed “edutainment,” where
guests would have fun as they
absorbed knowledge, and
hence provide them with a
better chance of remembering
what they learned. But at the
same time, if the Park focused
too much on entertainment,
the animals could easily be
ignored for the big thrill rides.
The guest needed to be
surrounded by animals, but
also immersed in their natural
habitats. To recreate these,
the same man was brought on
who Walt chose to plant the
Jungle Cruise, the attraction
that inspired Animal Kingdom.
Bill Evans (who also landscaped
Walt’s Barn) had a big job, for
the Park covers more than 500
acres, which is about as much
as the other three WDW Parks
combined, and over five times
the size of Disneyland!
platform 3
When entering, it feels like
one has left the civilization
that we are accustomed to.
The entrance is made of
natural looking materials,
which give the sense of a
simplistic harmony with nature.
We are in the Oasis, and
instantly presented with
two well landscaped paths,
creating a sense of adventure.
Which one to take? Hidden
among the trees and ponds,
many different small animal
exhibits await discovery by the
curious guest. There are many
birds, and also an iguana and
anteater. Journeying under
the rockwork, we head
towards something big.
The Park’s main symbol, the
Tree of Life, draws guests into
the hub known as Discovery
Island, formerly Safari Village.
More than 300 animals have
been carved into the tree’s
exterior, and it reaches 145 feet
into the sky, with a canopy of
(Continues on Platform 4)
(Continued from Platform 3)
160 feet. Original plans were
for guests to be able to ascend
the tree for a great lookout,
but instead guests do the
opposite, they go below.
Inside the Tree of Life
Repertory Theater guests
can become honorary bugs
in It’s Tough To Be A Bug!
starring Flick. Surprisingly,
the only other character from
the A Bug’s Life movie is
Hopper, because these were
the only two characters
decided upon by Pixar at the
time the attraction was being
developed. It opened before
A Bug’s Life hit theaters,
and this 3-D movie (also at
California Adventure) is rather
creepy-crawly, especially
when the hornets sting and
the maggots crawl under
guests’ bottoms! Discovery
Island again has many
animals hidden among its
pathways, including kangaroos,
flamingos and lemurs. Guests
may be reminded of the old
Discovery Island on WDW’s
Bay Lake, which was also an
accredited zoo. It is said that
when Walt saw this island from
the air he realized that this
was the property to purchase.
In 1999 it closed and many
of the animals came here.
Throughout the day, Mickey’s
Jammin’ Jungle Parade dances
its way around the island, to
the delight of many guests.
To make sure big “E” Ticket
rides did not detract from the
animals themselves,
he Carolwood Foundation is proud
to present our newest pin and t-shirt
design. We plan to offer this new
design at Walt’s Barn shortly. We also
want to introduce you to the artist of
this new piece, Paul Lopez.
Ever since Paul could hold a
crayon, he has been drawing. He
experiments with his artistic skills
using many mediums from pencil
to painting. He also enjoys building
miniatures and keeps his hand in
model building working in “N” scale
model railroading. He especially
enjoys the old-time steamers.
Paul has illustrated over a dozen
books for publishing houses such
as Houghton Mufflin, Random
Imagineers set about to
create an “E” Ticket attraction
featuring live animals. What
they came up with is one of
the best experiences ever
created for a Disney Park,
the Kilimanjaro Safaris. This
one attraction alone is larger
than the entire Magic Kingdom!
Traveling through a wildlife
preserve run by the nearby
village of Harambe (“working
together” in Swahili), guests
take a very bumpy route
along the dense African jungle
and wide open savannas. In
less than half an hour, they
come face to face with lions,
cheetahs, crocs, hippos, rhinos,
giraffes, elephants, and a
whole lot more. Unlike most
zoos, where the animals
appear in a spacious enclosure,
here the animals appear to be
in their natural habitats, and
yet still quite visible from the
vehicles at all times of day.
The berms and moats used
to separate different species
are so well hidden, guests may
wonder how safe the gazelle
are from the lions, or they
themselves for that matter!
Early on a decision was made
to incorporate not only live
animals, but also extinct ones.
Just because they don’t exist
anymore doesn’t mean they
shouldn’t be represented. This
is a big departure from most
zoos, but the next decision was
even more so, for Imagineering
decided to include mythical
animals too! The Park’s logo
shows five creatures under
the Tree of Life representing
all three of these categories.
These two important decisions
led to two of the biggest, best,
and most technologically
advanced attractions Disney
has ever produced!
To be continued in the next
edition.
House and Walt Disney Publishing.
Paul’s work also includes conceptual
design for toys and educational
entertainment publishers.
We thank Paul for providing us with
such a great piece of art for use in
our merchandise. We also intend
to auction off a signed print of this
artwork at our upcoming BBQ
on August 4, 2012.
If any of you have a design for a pin,
t-shirt or some other merchandise,
you are welcome to send it to us.
Our Merchandise Committee would
love to see it. Please email your
suggestions to [email protected].
platform 4
Paul Lopez, with the newley
designed Combine Pin
The Mail Car
Hope your move to Arizona went well. It seems strange not
having you in California. It’s like a guardian for Walt is farther
away. You both have protected Walt’s memory all these years.
I can’t tell you the number of times Michael moved me to tears
with his wonderful memories and stories. Richard Sherman
does that too.
We are going to Disneyland from Dec 4 to Dec 7, for just a short
visit. We will be at the Disneyland Hotel. Wish you both could do
the Park with us. If you wanted to go we could try to see if we
could get you a room or vacation club studio on our points
if available. Just let us know and we will check availability.
Have a wonderful holiday!
MaryAnn Giblin, Keansburg, NJ
Oh what a wonder-filled time of the year. Warm hearts, hot
cocoa, the smells of cinnamon and the joy of friends. There
is nothing better than that.
For us, we started about seventeen years ago making Disneyland
our family tradition for Thanksgiving. We were fed up with the
hassle of preparing the feast that, for us, made Thanksgiving
more dreaded than anticipated. I totally get the joy many feel
by moving through the preparation and holding family dear
with each step along the way. Yet for us, it was quite different
and so we started coming to the Park for our holiday tradition
and we have done so ever since.
In recent years as our family has grown smaller, this has taken
on more meaning to us. We always let the kids know if they want
to show up, we will buy their admission and dinner at the Plaza
Inn, one of our favorite stops for dining. The choice spot is by
one of the Christmas trees near the two ends of the restaurant. We get to enjoy the sounds of the holiday music and feast on
a good meal with all the trimmings (and no dishes).
As the day drifts toward evening, we will find a spot along the
parade route in the hub and grab a bench. We guard that spot
looking for someone that may need a comfortable place to sit. When we spot those people, we invite them to join us. We cannot
tell you how many people we have come to know and friends we
have made just enjoying that little activity in our day. We share
stories of family and traditions that both families have had over
time – yes, it is typically someone a bit more senior than us
that sits with us. What a sweet feeling that comes from this
simple time together and everyone seems to appreciate the
time spent which is usually considerable - from parade time
to the fireworks.
Back in 2000 we bought some “Santa Stitch” hats. They have
become a bit of a trademark for us in the Park at Holiday time. Along with Dakota, we don’t blend in very well, which is all the
better. Just that many more people to enjoy as we move
through the Park.
Oh, by the way, our kids show up as they can. This year was a
bit sparse with our daughter, son-in-law and the grandkids in
Michigan (daddy is in law school). But we will get them back
next year. One son showed up and spent most of the day with
us until he had to go to work. Our oldest and his spouse will
be meeting up with us on Christmas Eve - the characters dress
in pajamas and wish you a Merry Christmas at the end of the
evening. So Disneyland and the legacy of Walt Disney is an
established part of our traditions.
The other part of Walt’s legacy that we love each year is the
Candlelight Processional. We invite many friends to join us
there on Saturday or Sunday to get into the second show. We
plant ourselves on Main Street ready to be first in line for that
second show each year. While there are events and tickets, there
is something wonderful about meeting people in a simple setting
and just being able to “hang out” with friends and cast members
we have come to know over the years.
I guess that is what is comes down to - the simple part of
Christmas, the people part of Christmas. A place where you can
share the joy of the season, the decorations of the holiday and
meet people that you would never get to meet any other way.
We cannot begin to
tell you all that this
has meant to us. Like our friends at
Carolwood, Disney
people and train
people are the best
kind of people. May
your traditions bring
you all the joy and
happiness that can
be yours.
From our family to
all of our Carolwood
family - a very
Merry Christmas.
Armand, Robbin and Dakota, Carlsbad, CA
Send your letters to: Carolwood Pacific Historical Society,
1653 Gettysvue Way, Prescott, AZ 86301 or email us at
[email protected]
platform 5
The Club 33 Event was a Success!
By Michael Campbell
Forof the
the last decade, the number one request we’ve heard from members is, “When can we get a tour
Disneyland Railroad roundhouse?” For 100 lucky guests, the answer was, “October 17, 2011!”
Through special arrangements
with Club 33, Disneyland
conducted a very rare behindthe-scenes look at the heart
of the Disneyland Railroad.
That morning, we were escorted
through backstage areas to
the Steam Trains / Monorail
facility. There, we were met
by Roundhouse Lead Craig
Ludwig. Craig welcomed
everyone and provided some
history of Walt, trains and
the railroad operations at
the Park.
Using the original boiler from
the E. P. Ripley as a visual aid,
Craig explained how a steam
locomotive works. He detailed
the extraordinary care that the
Park has taken in ensuring the
safe and reliable operation
of the steam trains for more
than fifty years.
In a special moment, the
steam train crew along with
our Society members were able
to honor the late Ernie Alaniz.
Ernie passed away earlier this
year after serving as an engineer
on the DLRR for nearly forty
years. Ernie’s colleagues
presented his son with a model
of the Fred Gurley engine,
hand-made by Society Member
Dennis Flores.
In recognition for both the
tour and for their tireless
stewardship of “Walt’s trains,”
the Society showed its
appreciation to Craig and
all the DLRR cast members
by presenting them with
Accucraft’s scale model of
a Kalamazoo hand car.
After a fun day at Disneyland,
we reconvened that evening
at Club 33, the private
restaurant located in New
Orleans Square. The Club
welcomed our guests -- many
of whom were “first-timers” -and invited them to sample
the bountiful buffet prepared
for our event.
To start the evening’s program,
Society Governor Michael
Campbell introduced a
surprise guest speaker, Deanne
Hill. Deanne is responsible
for most of the wonderful arts
and collectibles that are offered
at Disneyland, Walt Disney World
and the Disney Cruise Line. In
her lighthearted presentation,
Deanne gave the audience a
sneak-peek at some of the
products that were created in
support of the Disney Gallery’s
newest exhibit: “All Board for a
Grand Circle Tour of the Trains
of Disney!” After a brief intermission,
Michael introduced Imagineer
Joel Fritsche. Joel started his
career at Disney engineering the
ride vehicles for Space Mountain
and Big Thunder Railroad. He
went on to serve as the Chief
Mechanical Engineer for
Disneyland Paris and the
Technical Director for Animal
Kingdom and all new attractions
at Walt Disney World. Joel has
worked on such iconic rail
attractions as the Disneyland
Paris Railroad, the Wildlife
Express train and the Magic
Kingdom train at Hong Kong
Disneyland.
In his presentation, Joel
shared some exclusive behindthe-scenes photos and stories
about the building of Disney’s
latest rail attraction, the Red
Car Line for Disney California
Adventure. Joel explained some
of the amazing technology
behind this new attraction -the Red Car’s batteries recharge
through induction points hidden
in the street -- and the myriad
of design reviews, tests and
functions that ensure safe
and reliable operations. This
in-depth exploration of exactly
how Imagineering “makes the
magic” was fascinating and well
received by the audience.
N e w C a r S h e d at Wa lt ’ s B a r n
T
he Carolwood Foundation is looking to
build a permanent car barn and museum
at Walt’s Barn to house the Santa Fe &
Disneyland Combine #101 and its collection
of artifacts. Starting this process to attain
this goal had led to an interim solution.
Since the Carolwood Foundation acquired
the Combine and moved it to Walt’s Barn in
November of 2010, it has sat under a tarp
waiting for a more protective cover. The
Carolwood Foundation is in the process of
raising funds to build a permanent car
barn to house the Combine and a railroad
museum. In the meantime, until that
structure can be built, a temporary car
shed has been erected.
On September 9, 2011, Tim Lagaly, Bill
Barbe, and Larry Boone using snap track
and a wench, started moving the Santa Fe
& Disneyland Combine #101 out of its current
location at Walt’s Barn into the picnic area
to make way for the new temporary car shed.
platform 6
After an evening that seemed
to just fly by, guests strolled
through a deserted New Orleans
Square and Adventureland on
their way out of the Park. This
provided a serene finale to what
was a fun-filled and exciting day.
The Carolwood Foundation
wants to express its deep
gratitude to these individuals
for their help planning and
executing the event: Michael
Aronson, Bill Barbe, Miguel
Fernandez, Fred Lack, Tim
Lagaly, Michelle Mock, Debra
Turner and Larry Varblow.
We are especially indebted
to Deanne Hill, Joel Fritsche,
Del Langdale (who created the
wonderful table centerpieces),
and all of the Cast Members of
Club 33 and the Disneyland
Railroad. Most of all, we thank
Dale and Grace Matson, the
Club 33 members who conceived
the idea for the day and made
the entire event possible.
by FRED LACK
The morning of September 10, 2011 saw
workers arrive with material and install the
temporary structure in just five hours.
Current plans call for the ends and the
display side to be covered in the future
to further protect it from the elements.
September 11, 2011 saw the Combine rolled
back to its permanent location under the
protection of its new shed. Please stop by
and check it out.
Board of Governors
Michael Broggie, Chairman
Bill Barbe
Tony Baxter
Larry Boone
Michael Campbell
Dick Cook
Miguel Fernandez
David Flesh
Bob Gurr
Darrell Holmquist
Fred Lack III
John Lasseter
Doug Marsh
Diane Disney Miller
Jon Newbill
Gary Oakland
Kendra Reed
Scott Rhodes
Steve Waller
Bob Witter
In Memoriam
Ollie Johnston
Ward Kimball
William Norred
Richard Thompson
Carolwood
Foundation Operating
Committee
President Bill Barbe
Vice President Fred Lack III
CFO Larry Varblow
Director Nathan Eick
Director Larry Boone
Secretary Debra Turner
CPHS Board Bill Reyes
Society membership information
is available by emailing Rita
at [email protected]. or
going to the website at
www.carolwood.com.
Carolwood Pacific Historical
Society, LLC, is an independent
membership group and is
affiliated with the Carolwood
Foundation, Inc. Carolwood
Pacific Railroad and Societyrelated logos and fixtures are
trademarked or copyrighted
by the Walt Disney Family
Foundation. Other copyrighted
materials are the property of
their respective owners.
Opinions expressed are those of
the writers and not necessarily
those of the Society, the
Carolwood Foundation or the
Walt Disney Family Foundation.
Sharon Broggie,
Editor and Publisher
Paul Brown, Graphic Design
www.labanbrowndesign.co.uk
Contributors
Michael Aronson, Bill Barbe,
Larry Boone, David Bogdanchik,
Michael Broggie, Michael Campbell,
Michelle Harker and Fred Lack
Michael Broggie, Jr, Webmaster
Paul Brown, Internet Design
© 2011 Carolwood Pacific
Historical Society, LLC
View from the Cupola
Remembering Christmases Past
by Michael Broggie
In 1947, when I was five years old, I attended my first employees’ family Christmas party
at Walt Disney Studios in Burbank, California. Walt and Roy hosted a party for the children
of employees dating back to the 1930s when the studio was located on Hyperion Avenue
in Los Angeles. The company moved to Burbank in 1940 and the new theater became
the party location.
In 1949, as a seven year old, I
recall that the party featured a
full length movie and a cartoon
and the perennial showing of
a classic 1933 animated film,
The Night before Christmas.
The following year, the format
was drastically modified. We
were entertained by jugglers,
acrobats, Jerry Colonna, a
comedian who was lending his
voice talent to the March Hare
in Alice in Wonderland, which
was in production at that time,
and Clarence “Ducky” Nash,
the voice of Donald Duck, who
appeared with a convincing
dummy of the Duck.
Other than Mr. Nash, the live
talent was a new addition and
took the place of the feature
film. I always looked forward
to the big screen film since I
was too young to attend a
regular motion picture theater.
Television was still in its infancy.
Upon a subsequent visit to
Walt’s Carolwood Pacific
Railroad layout with my older
brother, Roger, and my dad,
I took the opportunity to discuss
with “Uncle Walt” my opinion
of the new Christmas party
entertainment. When he
understood my objection, he
looked at me with that famous
cocked eyebrow and said,
“Well, you just can’t please
everyone!” Upon returning
home, I told my mother about
my conversation with Walt
and she was rightly horrified
that her impertinent child had
the audacity to confront the
company co-founder and
employer of Roger Broggie,
and, compounding the issue,
to get a very trenchant reply.
She immediately ordered me
to take pencil in hand and write
an apology to Walt, which I did.
There was no reply. However,
the following year, the format
of the Christmas party was
restored to a full length feature
film, a cartoon short, Ducky
Nash and The Night before
Christmas; thus proving that
Walt listened to his audience,
even when he didn’t like the
message.
given a wrapped gift box
containing a large selection of
toys based upon the current or
upcoming film releases. Each of
us would play with the toys until
they broke and were disposed
in the trash. Looking back,
we should have locked those
boxes away in anticipation
of a future phenomenon
known as Disneyana. Oh well,
the memories survive even
though the toys are long gone.
Thanks, Walt.
One other feature of the
Disney Christmas party was,
upon leaving, each child was
Sharon and I wish you and yours
all the pleasures of Christmas
and a joyous holiday season.
platform 7
Carolwood Pacific Historical Society
1653 Gettysvue Way,
Prescott, AZ 86301
Email us at [email protected]
We’re on
the WEB
carolwood.com
“We don’t have
boring meetings, we
just do fun stuff!”
First Class Mail Address
Correction Requested
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SMILE!
Carolwood Event Calendar
January 15, 2012 - Walt’s Barn open to the public from
11 a.m. to 3 p.m.
Ernie Alaniz, Jr.,
the son of the late
Ernie Alaniz accepts
a model of the Fred
Gurley made in
honor of his father
February 19 - Walt’s Barn open to the public from 11 a.m.
to 3 p.m.
March 18 - Walt’s Barn open to the public from 11 a.m. to 3 p.m.
April 15 - Walt’s Barn open to the public from 11 a.m. to 3 p.m.
May 12 - Magic Castle Event for Carolwood Members.
May 13 - Walt’s Barn open to the public from 11 a.m. to 3 p.m.
June 17 - Walt’s Barn open to the public from 11 a.m. to 3 p.m.
July 15 - Walt’s Barn open to the public from 11 a.m. to 3 p.m.
Disneyland in late October
sent in by Peter and
Patti Finie
August 4 - Summer BBQ at Walt’s Barn.
August 19 - Walt’s Barn open to the public from 11 a.m.
to 3 p.m.
September 16 - Walt’s Barn open to the public from 11 a.m.
to 3 p.m.
October 21 - Walt’s Barn open to the public from 11 a.m.
to 3 p.m.
November 18 - Walt’s Barn open to the public from 11 a.m.
to 3 p.m.
Lowell and Barbara
Smith with Jim Shore
and Bob Olszewski
December 16 - Walt’s Barn open to the public from 11 a.m.
to 3 p.m. with Carolwood Santa and Barn volunteer Christmas
party following.
platform 8