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Chapter 13, Part 2: Large Corporations & Multinationals
Where political, film, music, fashion and sports figures used mass media to
announce their coalition membership, deliver their diplomatic contributions
to engage the Chinada High Command, corporations from the very large and
internationally operating on down did the same; but principally through one
medium: television commercials; which were scripted and choreographed
with the lexicon.
Television commercials began being geo-politicized in mid-2006. One of the
first do so was and still is the most recognized lingerie company in the
world: Victoria’s Secret. Over the years it helped in many different ways to
condemn the MK-Ultra R&D program for two reasons: tortuous isolation
forced upon me to enjoy exclusive access and have no distractions and
grinding
deprivation
of
what
is
sought
and
most
companionship, romance, love, marriage and a family.
often
obtained:
Coalition partners
recruited many of the most stunning women in the world to be part of the
back-channel
environment
so
as
to
terminate
this
two
decade
peripheralization from mainstream society and to infuriate Chinada principals
who believed they were entitled to do this to anyone they wanted.
When
the malfeasant observed a new Victoria’s Secret ad in mid-2006 filmed
entirely in the color scheme of punishment certainty, black & white, they
reacted swiftly to demonstrate they had no intention of letting their favorite
lab monkey out of his cage.
Adriana Lima: The Angel Who Helped Crush Chinada
The Canadian lawyer first saw just before 11:00 a.m. PT on
Wednesday, June 7, 2006 the most recent ‘Victoria Secret’
advertisement. Canada’s elite knew why it was produced and reacted
accordingly.
I was watching the closing segment of the ‘Tyra Banks Show’ when it went
to commercial. That’s when Adriana Lima’s new ad for the ‘Victoria Secret’
lingerie line came on (video).
I wasn’t the only who saw it; for just as it
concluded, the whole area erupted in exceptionally loud sirens - one of
several ways to make victims feel saturated by the presence of the State.
During the summer the largest retail store in the world joined the ideological
battle.
WalMart Participates in the Conflict Against
China and the Last Democratic Fiefdom
On Monday, August 14, 2006, there were two advertisements for
WalMart that contained unmistakable color combinations and patters
unique to the coalition’s language.
Two ads involved going back to school themes.
monied debit cards.
One advertises specific-
One is rendered in red with white lettering and the
other yellow with white lettering - Chinada.
The second ad (Video) is a rainbow kaleidoscope of bright, flashing, swirling
colors and computer-animated teenagers. Two scenes at the very beginning
involve animated teens wearing black and white horizontal striped shirts –
always a standout color combination and pattern for prison certainty. But it
was much more than that.
During the first scene there are bits of purple
interspersed throughout the moving images to add the justice theme.
The first sequence of images creatively metamorphoses into the second by
becoming a hand of a DJ sporting a big diamond ring spinning a turntable.
Marriage to music really has only one viable interpretation in the Canadian’s
life.
Behind her is a background of blacks, white, reds and yellows – all
coalition colors.
In the second scene with the next punishment certainty color combination
there are flashes of yellow.
Then instantly the black/white striped shirt is
gone and it’s replaced by a dancing florescent pink rendered teenager –
condemnation.
The next scene involves another animated teenager; this time break
dancing.
His pants change to black and white stripes (prison certainty)
before the images metamorphose again to a teenager playing hoops. That’s
followed by another teen theme; namely a teenager playing the air guitar as
guitars rain down around him – this all in black and white; followed by
splashes of reds and yellows – Chinada colors.
To end, there are a quantum ratifying five teens walking together towards
the ‘camera’, one attired in black and white horizontal stripes.
There are
pale gold and bright red colors in the background - more China.
The last scene’s voiceover and caption: “Wal*Mart: Time to Change”.
While
the public would view this as calling for new school year styles, geopolitically it’s a demand that Canada’s paradigm of governance be reformed
and the Chinese be given the boot off the continent.
Several TV ads were introduced during the U.S. Open tennis tournament in
late August.
U.S. Open Sponsor Mass Mutual: Television Advertisements with a
Kidmanesque Punishment Theme and Pubescents in Mind
American insurance giant Mass Mutual, a major sponsor of the U.S.
Open, created two coalition-inspired ads.
The first ad involves a dog and owner going to play tennis. She opens a new
container of three tennis balls, removes two and leaves one.
Smart
thinking dog rushes onto the community tennis court, knocks over the
container with its nose jarring loose the left over ball; and then with ball in
mouth runs across occupied tennis courts creating a disturbance.
Translation: three tennis balls equals coalition identifier; dog is meant to
import a Kidmanesque theme; dog runs across the territory of innocent
people who are disturbed by intruder with no conscience or mental capacity;
just self-absorbed desire to entertain oneself.
The second ad involves two little boys who want to use a community tennis
court.
They can only gain entrance to the locked courts if they put their
names on a reservation sheet; which is placed up high on a chain link fence
to keep out children. They have to work together – one using the other as
climbing leverage – to obtain access. One boy is wearing a red outfit and
the other yellow with two black stripes and one white one. The gatekeeper
comes along, checks the sheet, calls out the Court One seven a.m.
reservation, unlocks the gate and then discovers it was kids who signed it
and does nothing to stop them.
Translation: the locked tennis court area is the world of civilized nations
which is surrounded by a chain-linked fence to keep out the unwanted; like
totalitarians and extremists. The children represent the two mentally
undeveloped and uneducated parts of the soon to be punished China-Canada
alliance that together want unrestricted access to the world; alone neither
can gain access; but working together they can. The game reservation list is
high on the fence to keep out these undesirables; the gatekeeper originally
doesn’t see how the name got on the list, and assumes the signing party has
met the requisite cognitive maturity; he opens the court’s access door and
calls out a China identifier (court “1” at “7” a.m. = eight) and then
discovers he’s letting in those who shouldn’t be allowed in there, but does
nothing about it.
Insurance Giant AIG Participates in the Conflict Against
American International Group, Inc. (NYSE: AIG) has joined the
coalition. It aired a television commercial during the U.S. Open. The
commercial’s theme was about a natural disaster. There were scenes
of devastation from a hurricane or tornado.
The phrase “Pandora’s Box” was used several times to high profile the
Fiefdom treatise’s description of what the China-Canada alliance created to
undermine U.S. military superiority and seek global prominence.
Maria Sharapova and Her Sponsor Canon Produce KidmanesqueThemed Television Ad for the U.S. Open
During the first week of the U.S. Open a new television ad by Maria’s
sponsor, Canon, was broadcast. The theme of the commercial was
heavily coercive. The superstar tennis pro and super beauty is teamed
up with a talking dog.
The Dogville-motivated ad (video) involved Maria trying to take photos of a
cute little white dog in the backyard with one of Canon’s new digital
cameras. After taking pictures of the pet sitting on a floatation device in the
pool, she gives the pooch instructions to roll over.
The dog is non-
cooperative and miffed at being told what to do he considers demeaning.
The same stubbornness is observed in Canada’s three sub-factions refusing
to capitulate.
Stills are edited in of various pictures; one attired in a black dog outfit –
punishment certainty; another in a pink hat – condemnation.
The last clip is the dog admiring a wall full of photos of itself – a shrine
representative
of
the
megalomania
Canada’s
malfeasant
have
for
themselves, which fuels their sense of invincibility, insulation and immunity
and the insolence, arrogance and belligerence so often witnessed during the
pre-covert regime change phrase of Canadian democratization and Chinese
military eviction.
Dog:
Not again Maria Sharapova.
[dog floating in pool]
Maria:
[prison certainty] Look how cute you look.
Dog:
A little snap-happy with the new camera, no?
[on court, Maria Canada punishment certainty; dog Canadian
punishment certainty and seeking dog’s attention for a
photo]
Maria:
Look at me, over here.
Dog:
Yes, yes; I see you tennis champion.
[indoors]
Maria:
C’mon roll over, please.
[dog in digital camera viewer; prison certainty and
presidential quantum colors]
Dog:
I will not roll over; seriously.
Maria:
C’mon.
Dog:
No, you c’mon.
[patio; dog jumping up and down; Maria laughing]
Dog:
You think you own me … you do own me.
[caption graphic: ‘Make every shot a power shot’:
Canadian punishment certainty]
[dog sitting on living-room floor staring at wall; shrine of
thirty-nine photos of himself]
Dog:
This is what’s waiting for me.
At the U.S. Open a year later this:
Maria Sharapova Tag-teams with Nike to Demand
Capitulation, Compensation and Change from the
Leaders of the Last Democratic Fiefdom
Not only did the U.S. Open serve as a powerful platform to deliver
messages of condemnation and accountability to Beijing and Canada’s
three sub-factions, but so did its celebrities and sponsors. Nike
working closely with coalition partners is observed in the lexicondesigned attire it clothed many of its star tennis players in: red, white
and black and striped – Canadian prison and punishment certainty.
And, not only did they appear on the court, they were noticeably
present in the commercials aired on CBS to promote Nike’s sports
attire.
Nike, the world’s largest retailer of sports equipment, helped the coalition by
producing ads featuring Maria Sharapova. The creativity that went into one
thirty second spot (video) was as unbelievably fantastic as it was hilarious.
The script calls for Maria to travel from hotel room to the tennis court. En
route she passes all the kinds of people one would normally find – each
choosing to comment on her.
The music chosen delivers the humor.
Set to a symphonic piece from a
Broadway play, ‘I Feel Pretty’, the lyrics tout how attractive, bright,
charming and witty she is in successive choruses. The plot combines various
sentiments from both men and women – ranging from sexual attraction to
celebrity adoration to unmitigated contemptuous envy.
Throughout she is
attired in Nike off court and on court attire. And all of it is in the coalition
color combinations of white, red and black. No deviation.
The various people she walks past on her journey to ‘work’ are all, with only
one exception, wearing the coalition’s colors of punishment inevitability:
black and white. Only the elderly man reading the paper in the lobby is
attired in another color.
And, given the theme is coalition delivered
punishment, it’s only fitting he’s wearing a light purple shirt under his black
jacket.
The first footage of the tennis superstar is of her in front of her hotel
bedroom mirror.
She then leaves the room with racquet bag over her
shoulder and proceeds to the hallway. Maria’s wearing an fashionable offcourt sports outfit. The wardrobe consists of a short white sports jacket with
black stripes.
Underneath is a skin-tight red shirt.
She’s got black track
pants on with a black and white striped belt.
Two chambermaids in the hallway begin singing the symphonic tune ‘I Feel
Pretty’ from Westside Story.
They’re clad in black uniforms with white on
the collars and sleeves. They sing the first chorus about how ‘pretty’ she is.
The next scene is the hotel elevator. The black-jacketed hotel employee has
a white shirt and is sporting a white flower in his lapel. He sings how “pretty
and witty” she must be.
The first hotel lobby scene involves the front desk; where there are four
employees behind the counter and one guest – totaling a quantum ratifying
five people. The four are attired in black and white.
The head clerk also
sings her praises; following the pretty and witty with “bright”.
Simple and innocent celebrity envy begins to turn contemptuous with the
hotel’s floor hostess. She’s also in black and white and adorned with a white
flower.
She along with the elderly gentleman sing the lyric “pity any girl
who has a date tonight”; suggesting Maria’s has so many admirable qualities
that her being in a social environment will attract the attention of all men
away from their significant others.
As Maria descends down the hotel stairs to the front door, the cleaning lady
– also in black and white – is polishing the brass gold handrail. Behind her
is a brass gold – the luggage cart being hauled by a porter. They’re both
singing she’s “charming”.
The valet just outside the doors is in black top hat, black tux-style suit
jacket with white trim and flower. He’s also scripted to wear gold. His gold
tie makes a coalition identifying three gold items in that part of Maria’s
journey. He sings “how alarming how charming I feel”.
The next scene begins at the entrance to the tennis venue.
A tennis
organizer gets down right contemptuous when she sees the tennis superstar
and sings “see the pretty girl in the mirror there”; since when she sees her
reflection, it’s nothing like what people who adore Maria see. She’s wearing
a black jacket, white shirt and white nametag.
In the building’s hallway from the locker rooms to the court, Maria is
followed by two escorts – that makes a coalition identifying three people.
One is in red and white with a black belt; the other in black and white.
There is another coalition identifying three people in this sequence.
They
consist of bystanders in the hallway admiring Maria as she walks by. They
sing “such a pretty face, such a pretty dress, such a pretty smile”, while
attired respectively in red-black, white-black and blue; thereby adding the
first American color scheme together with punishment certainty – delivering
the message the U.S. is going to participate in accountability mechanisms.
In the hallway Maria’s outfit consists of a white dress with black stripes and
a red patch in the center of her chest. When she reaches the court, she’s
changed into white shorts with a red belt stripe, two stripes down each side
and a white top with black horizontal stripes.
John McEnroe and his CBS announcer brother Pat get cameos, singing “Oh
so pretty”. They’re both in black suits and white shirts..
Ball boys and girls, the line referee and the lead referee are all attired in
black and white outfits. They’re scripted to sing “pretty and witty”; except
the lead ref who repeats the line about pitying those women who have a
date tonight. The look on his face is downright nasty. By contrast, a clip of
the ball girl reveals she’s choreographed to reflect a genuine admiration for
the superstar.
Only the cameraman is not wearing one single item of clothing that has
coalition colors. He adds “bright” to “pretty and witty”; but does so with an
‘I’m not so bright – an ‘I’m totally contemptuous of her’ sentiment.
The last couple sequences involve Maria serving, receiving and volleying.
Her first serve is cleverly edited to reflect two outfits with two different color
combinations.
The first half of her swing is in white shorts with a waist
stripe and a red stripe down each side and a white top with black horizontal
stripes outfit. The second half of the swing is in white shorts with black in
place of red and a top with red in place of black. Wardrobe changes to the
end of the advertisement then oscillate between the stadium hallway dress,
the shorts and then the dress again.
At the end of the commercial the atmosphere of the advertisement turns
from light and funny to dead serious instantly – ending with Maria preparing
to receive a serve. The camera does a facial close-up, which has the look of
determination, perseverance and tenacity.
The time, effort and expense produced a remarkable advertisement. It gets
added to the multitude of commercials created to create ubiquity of
condemnation.
How a Men's Fragrance Advertisement Became a Platform to
Condemn Beijing and the Last Democratic Fiefdom
On Friday, September 1, 2006, an American television station
broadcast an advertisement for the men’s cologne ‘Clix’ by ‘Axe’.
Jessica Simpson’s former husband Nick Lachey, who stars in a commercial
for the body care product line (video), is situated in several public
environments where there are young attractive women.
recognize him, they are seduced by his celebrity.
When they
He has a mechanical counter to tally each woman that shows interest in him.
By the time he reaches his hotel, eight have shown interest – seven women
and one gay man.
When he enters the elevator he examines how many he’s tallied.
The
number is ‘103’. The elevator operator smiles and shows Nick how many are
on his counter: ‘2,372’.
The thrust of the ad is that using the fragrance
generates more interest that being a celebrity.
There are several embeds in this ad.
theme.
numbers.
First is the isolation-deprivation
Second is the ‘elevator incident’. And third are the lexicon’s
The operator’s number contains a coalition identifying three
quantum ratifiers (2+3=five; 7-2=five; all digits=14).
Ben Affleck also starred in an ad just like it (video). The only significant geo-different is that the audience sees the counter half way through the
commercial and its set at twenty to acknowledge two decades of enslaving
torturous human experimentation.
IBM Participates in the Conflict Against China
and the Last Democratic Fiefdom
On September 7, 2006, IBM ran two new ads during the U.S. Open
tennis championship on CBS. The colors of China – red and yellow –
figured prominently.
The new slogan is “Why are you special?”. What stood out was the enlarged
dot in the form of an asterisk over the letter “i” in “special” in the first ad,
which was red; and yellow in the second.
Automobile Manufacturer BMW Participates in the Conflict
Against China and the Last Democratic Fiefdom
During the second week of September 2006 European car maker BMW
launched a new television commercial for a new series of automobile.
The scripted voiceover ended with the phrase “it’s business as usual” – a
remark with a long track-record in the Fiefdom treatise relating to systemic
and belligerent stubbornness amongst Canada’s political and corporate
leaders to amend their ways to comply with domestic and international law.
WalMart Continues to Participate in the Conflict
A new television advertisement began running on American networks
during October 2006.
The
new commercial
promotes WalMart’s
pharmacy
by
depicting
a
humorous scene between a mother and her supposedly sickly boy. He’s in
bed, covers to the neck complaining about having a cold. She gives him a
short lesson on the nature of flues and viruses and then concludes he’s
faking it. She strips back the covers to find him totally dressed. He’s even
got his baseball glove with him.
Until she reveals his deception there is nothing suggesting the ad was
scripted as a powerful signal WalMart wants to be viewed by coalition
partners across the United States as continuing to be a participant against
what is arguably the greatest threat since the collapse of the Soviet Union.
The jersey the boy is wearing is sporting one number that is unmistakably
lexiconic in nature. That number is “38” – coalition and China identifiers.
Scripting the numbers on a boy high profiles the child protection theme.
Coalition partners fear the future for their children and grandchildren if the
Chinada threat is not challenged and extinguished.
Cosmetic Giant L’Oreal Actively Participate in the Conflict
The multinational cosmetics company began running a new television
advertisement in October 2006 for the company’s eyeliner make-up
called ‘Volume Shocking’.
In the corporation’s ad (video) the first scene the model is choreographed to
be in is an elevator. The floor the elevator was put on is “12” – a coalition
identifier; and thus the geo-purpose of the commercial was to high profile
the ‘elevator incident’ (as described in Chapter 1).
Cosmetic Giant L’Oreal Launches a Product Line
to Advance Coalition Interests and Objectives
Recently Lancôme began running an advertisement promoting its new
fragrance. The public would accept without suspicion a perfume that
made assertions about the mesmerizing effects of the product in a
romantic and intimate setting and is a perfect way to mask the
articulation of a coalition theme in the geo-political environment.
Caption: The Hypnotizing Power of Seduction
In ad (video) begins in a way that articulates two of the coalition’s objectives
- justice for victims and prison for the perpetrators.
A model is
choreographed to walk past a backdrop that’s composed of these two
lexiconic constituents. The voiceover begins with the scripted line “Hypnôse,
the new hypnotizing fragrance”.
Pharmaceutical Giant Roche Participates in the Conflict
The first geo-politicized commercial for the medication ‘Boniva’
involved Sally Field acting as a consumer who placed a pill on a
calendar to make the point the medication only needs to be taken once
a month: the twentieth day” – an enslaving human experimentation
identifier (video). The ad begins with a dog in the background to
import a Dogville coercive diplomacy reminder.
The second commercial in early 2007 involved her wearing and carrying a
series of dresses as she prepared to go out for the night. Combined they
articulated Canadian punishment certainty. At the same time a third was
released (video), and again the pill is placed on the day of the month that
signifies a two decade nightmare.
The third in late June consisted of her speaking to camera on the backyard
patio and executing a Sharapova Maneuver to ”my family really keeps me on
the
go”
–
articulating
how
the
coalition
is
keeping
its
Canadian
representative, the Fiefdom treatise author, busy.
Apple Inc. Adds to the Canadian Lawyer’s International Persona
On February 1, 2007 Steve Jobs’ Apple Inc. released a new television
advertisement. It involved a new commercial using a format the company
adopted in late 2006.
One of ‘The Daily Show’ cast members acts like a Microsoft PC and another
actor acts like an Apple Macintosh. The script includes a double-handed SNL
Maneuver timed to “You’re first class all the way. [SNL M.] You’re getting
more popular all the time”.
The next commercial (video) uses the lexicon twice to add the Canadian
lawyer's international persona:
Mac: Hello, I'm a Mac.
PC:
And I'm a PC. What are you reading?
Mac: Just the Wall Street Journal. [snatches newspaper from Mac].
Oh no-no-no, PC. You know what...
PC:
Oh, it's a review of you.
Mac: D-d-don't read it.
PC:
It's from [X] - one of the most respected technology experts on
the planet [0:13: Mac: Cl.M.]. Apparently, you're one of the
finest desktop PCs on the market at any price. Very nice!
Mac: Just one man's opinion.
PC:
I actually got a great review [Mac: Condi M.] this morning too;
and they said I was awesome.
Mac: Good for you.
Coca Cola Participates in the Conflict Against
A new Coke ad has been airing during the second half of March 2007
that has coalition content embedded in it. The commercial is a
spectacular CGI production, which implicitly ratifies the multi-billion
dollar loss the Canadian lawyer suffered because of the MK-Ultra R&D
program.
The ad (video) is an incredibly clever and creative fantasy of the inner
workings of a pop dispenser. When the bottle finally reaches the bottom of
the dispenser and emerges for the consumer to retrieve, a Wolf Grazer
Kelley torture identifier - a honk - is heard just as the audience sees the
consumer for the first time – a male attired in a prison certainty shirt on a
red
Coke
dispenser
background;
thus
creating
a
communiqué
condemning hypno-torture and juxtaposing it with the threat of procuring
imprisonment for all involved in the unlawful experimentation program..
The Coca-Cola Company Continues to Participate in the Conflict
The largest soft drink manufacture in the world and one of America’s
largest multi-national corporations proved it had joined the coalition;
choosing the Academy Awards to demonstrate it had.
The ad was very clever in design generally and how it conveyed the geopolitical element. Since memories are an important part of anybody’s life,
photos of important times become the method of recalling and reminiscing.
And that is especially so for those pictures posted on the wall of a person’s
home. Coca-Cola executives wanted to underscore the fact that my life is
devoid of these kinds of memories – instead having a head filled with
enslavement, experimentation, imprisonment impoverishment, isolation and
deprivation.
Ad producers scripted actors to play the rolls of characters in family photos
posted on the wall of a consumer’s home. There were five framed pictures
in all. The main character, a female, is seen walking through the photos –
one by one, with each having a different experience. The third photo was a
wedding scene – an experience that was foregone to become a lab monkey.
She adjusts the grooms tie as she passes through – a Letterman Maneuver.
The fifth photo was the family in a tropical paradise on vacation – an
experience that was also foregone for the same reason; and importantly
what coalition partners are working hard to arrange.
She is put in
possession of the beverage she didn’t find in the other photos from a man
attired in prison certainty and presidential quantum.
Another ad (video) has Coke Original executives arguing in the company of a
lawyer that Coke Zero infringed the traditional flavor. One of them makes a
suggestion that baffles counsel: “Now that I think if it Ron, the head of the
Coke Zero team is Canadian. Could we have him deported?” The objective
was to condemn triangle operators and their ilk in the U.S.
Insurance and Financial Protection Giant Axa Participates in
the Conflict Against China and the Last Democratic Fiefdom
A new television commercial produced by AXA aired during the live and
geo-politicized 'American Idol' broadcast on March 7, 2007. It high
profiled the ‘elevator incident’ and thus condemned Canada and China
for their militarized Pandora’s Box of stealth cognition technologies and
using MK-Ultra for surreptitious assassination without culpability
objectives.
A middle-aged man is in an elevator holding a golf bag containing three
sleeved golf clubs with a huge CGI-created gorilla. The discussion between
them was related to what AXA provides. Then the gorilla says “What do I
know; I’m just the eight hundred pound gorilla in the room”, and then
scratches his right chest to mimic hypno-torture.
A second ad was filmed in
a different location. The CGI character was scripted to state: “I’m just the
800 pound gorilla in the [steam] room”.
American Century Investments Participates in the Conflict
There was no mistaking the objective of a new advertisement by ACI
in early March 2007.
A business executive looks unsettled in his oak lined office. He then leaves
and enters an elevator – one with an African-American extra. He’s got a big
briefcase he opens. But before the audience sees what’s in it, there is a clip
of a bunch of young children in a classroom. Then the audience is put in the
hallway facing the elevators doors – which, when they open reveal the
executive wearing a full body bunny suit; the public inference being he’s on
his way to entertain the kids for Easter.
The diplomatic intention was to condemn the military development of the
Pandora’s Box as evidenced by the ‘elevator incident’ and high profile the
April 7, 2006 comedy sketch on ‘Leno’ in which the coalition conveyed the
message Canada’s Prime Minister ought to have his teeth knocked out for
not taking steps immediately after winning the January 2006 federal election
to terminate the MK-Ultra R&D program.1
Fidelity Investments Participates in the Conflict
During a television commercial airing on CNBC in June and July 2007,
a single male actor is playing the role of a home day trader.
He’s observed attired in Canadian prison certainty in his upstairs bedroom
office flying around on a wheeled chair from table to table on which he has
his equipment. The phone rings and he kicks himself backwards to grab it
off a table but miscalculates and winds up going through the door and
tumbling backwards down the stairs. That’s followed by a still of a hallway
shot of the room – the walls are yellow and the curtains red: China colors.
1
See the Leno comedy sketch in Chapter 9.
The audience empathizes with an “ouch, that’s gotta hurt” reaction.
For
coalition partners the reaction is more like “good, they got what they
deserved”
In 2007 Fidelity produced another ad (video) including the colors of China
and quantum and juxtaposing it with prison certainty and the child
protection theme. A third commercial (video) involves two middle aged men
talking investments; one recalling his advisor’s been helping him for twenty
years.
Raymond James Participates in the Conflict
During the first weekend of June 2007 a new television advertisement
was observed from a large American company, Raymond James.
The ad featured a fifty-something man engaged in a little recreational
activity on the island of Costa Rica. He was harnessed onto a long rope and
was sliding effortlessly through the forest canopy. Seeing wild animals were
part of the experience.
When the viewing audience saw a close-up of a monkey, the voiceover used
the phrase “complete freedom” – something I’m going to experience once
emancipated from enslaved captivity and in possession of the wealth ratified
by the coalition.
Proctor & Gamble Participates in the Conflict
During the last part of the June 13, 2007 ‘CBS Evening News’, Proctor
& Gamble ran a new ad for its ‘Tide’ brand of detergent.
During one part of it there was a young boy dressed in a red and white
horizontally striped shirt accompanied by the voiceover “colors that mean so
much” – referring to the power of the lexicon of colors and patterns that
have become so integral to the communication system used by both
audiences in the East-West diplomatic corridor.
Wendy’s Restaurants Participates in the Conflict
In June 2007 American fast food chain Wendy’s launched a new ad
that contained coalition content.
The setting is an airplane and a man is sitting in the middle seat.
The
audience first sees a woman with baby looking for her place to sit. He looks
as if he’s hoping she’s not going to sit beside him because of the infant.
Then the first attractive woman – a blond wearing yellow – arrives seeking
to maneuver past him for the window seat.
Then another – a brunette
wearing red (= China) – shows up to take the aisle seat.
He’s then seen
eating a burger from the restaurant and the blond smiles warmly and
touches the corner of her month indicating he’s got a big of food on his. The
voiceover then says “Good move Mr. 14B” – a quantum ratifier and
identifying me by my first initial in the context of the isolation-deprivation
theme.
Sterling Financial Corporation Participates in the
War Against China and the Last Democratic Fiefdom
During the American Film Institute’s television special on June 21,
2007 Sterling Financial Corporation’s Sterling Savings Bank ran an ad
never seen before that contained lexiconic elements.
The script involved a wedding scenario. The relationship that evolved into
matrimony was described as having its genesis in a chance meeting thanks
to a failed lift.
As the audience heard “this moment made possible by a
broken elevator”, the bride and groom are driving off into the sunset, so to
speak, with the traditional “just married” sign on the back of the car and
with dangling objects trailing. The geo-clincher was the fact the bride was
wearing stark Canadian punishment certainty colors.
The use of the ‘elevator’ was to condemn the use of stealth cognition
technologies to effect surreptitious assassination without culpability.
Insurance Giant Geico Continues to Participate in the
During the American Film Institute’s television special on June 21,
2007 insurance giant Geico ran a new ad that contained the diplomatic
lexicon.
The commercial (video) is set in an airport. The caveman’s on a moving
walkway and passes by a billboard on the wall. The photo on it is of another
caveman executing an Olmert-Spielberg Maneuver, which high profiles what
Nazi’s experimentation in the concentration camps.
The Danone Group Participates in the Conflict
Another globally connected multi-national corporation joined the
coalition partnership. During the first week of July 2007 a new
television ad appeared for the Dannon brand yogurt on American
television.
It was a simple script, comprising of three female actors posing as
daughter, mother and grandmother. In addition to this coalition identifier,
the mother and grandmother were wardrobed in prison certainty; and all
were choreographed to sit on a quantum colored sofa.
British Petroleum Participates in the Conflict
During the Wimbledon final between Roger Federer and Rafael Nadal
on Sunday, July 8, 2007, one of the largest energy companies in the
world ran an ad that contained two statistics – both were lexiconic
numbers.
BP said it was going to spend $28 billion over five years on alternative fuel
advancements.
The first number is the Sorkin China Identifier and the
second a quantum ratifier.
Insurance Giant Aflac Participates in the Conflict
One of the longest running themed and consistently hilarious
advertisement campaigns by an American company was geopoliticized.
The commercial is set in an office (video).
It begins with two men
discussing insurance coverage and one of them is going through a checklist
of what isn’t covered under an existing policy.
Each time his colleague
doesn’t answer and instead a paper-chewing goat does. The audience hears
three questions about the sub-standard policy and the first two times the
goat answers with a “na”. The third time it answers with a triple “n”.
The clock on the wall behind the two men at the beginning of the
commercial is set at 11:03 – a quantum ratifier.
There are two versions of the ad. The second ends in an elevator to high
profile the ‘elevator incident’. The line scripted for this version is “nice try
boss” – the coalition saying to the China-Canada alliance what you tried to
achieve is going to fail.
The following year Aflac produced an ad (video) that includes an orangutan
to high profile the lab monkey theme.
It ends with the ape sitting on a
photocopier and behind it is prison certainty.
The color of the room is
quantum which is another instance of what coalition partners have done so
often - juxtapose my compensation entitlements with lengthy and in many
cases life sentences for those who advanced the MK-Ultra R&D program.
FedEx Participates in the Conflict Against
A new television advertisement from FedEx during the first weekend of
June 2007 had three indicia of the coalition’s lexicon of diplomacy.
The ad begins with an elevator scene in which a man’s golf clubs get caught
in the doors, preventing him from a trouble-free exit. The floor the elevator
is scripted to be on is 12 - a coalition identifier.
shopping in a grocery store.
Isle 8 - China identifier.
That is followed by him
The food isle identifier sign indicates he’s in
This like other ads by coalition partners high
profiles the ‘elevator incident’ and using stealth cognition technologies to
effect surreptitious assassination without culpability.
Another ad (video) involves a brainstorming session in a corporate office.
The lead executive executes a Clooney M. and then a double-handed OlmertSpielberg M. when he repeats the idea of a subordinate and everyone give
him credit for it. He concludes with a second Clooney M..
On July 22, 2007 FedEx is observed scripting a short story about two
parents sending their young male son to …Canada! They saw him off at the
bus station.
The mother was wardrobed to be wearing prison certainty of
the punishment certainty variety.
Another ad that year (video) draws attention to Canada by way of its most
globally high profile music celebrity: Shania (Eileen) Twain.
The humor in
the script involves identifying four people by names that coincide with their
appearance or quirky mannerisms. The first guy identified is Harry – whose
hair is long. The second is Eileen, who doesn’t have any qualities that can
be made fun of.
Joy giggles and Bob bobs his head. Prison certainty and
quantum are incorporated into wardrobe.
Franklin Resources, Inc. Participates in the Conflict
On July 14, 2007, the East-West Corridor was introduced to a new
television advertisement. Airing on CNN, the commercial was from the
multi-national investment company Franklin Templeton Investments.
The setting was a train full of people. The central character was a man of
Asian ethnicity, presumably Chinese, who was choreographed to execute a
Letterman Maneuver; followed by a Branson Maneuver. Immediately behind
him was sitting a Caucusing male who had grabbed hold of his shirt in the
mid-chest area and was rapidly fanning himself with it – multiple quasi-Bush
Maneuvers.
Johnson & Johnson Participates in the Conflict
The coalition scheduled a new television ad to be broadcast into the
East-West Corridor of Diplomacy during the July 22, 2007 episode of
’60 Minutes’.
The commercial was for their world-wide famous product “Band-Aids”.
It
involved two infant children – a little boy and a little girl. The former was
wardrobed in prison certainty – seeking to make the point as so many
coalition partners have over the years; namely that one of the primary
reasons why an aggressive stance is being taken against the China-Canada
alliance is because they don’t want their children and grandchildren to:
(i)
inherit the battle; and
(ii)
live under a paradigm of governance that deprives them of
their right to live in an opportunity and freedom protecting
democracy.
The New York Times Participates in the Conflict
In June the newspaper began running an ad which features several
actors posing as readers who identify the positive attributes of reading
the New York Times weekend section.
In June the newspaper began running an ad which features several actors
posing as readers who identify the positive attributes or reading the New
York Times weekend section.
images.
As they are speaking there is a montage of
There are exactly three images of monkeys; and one of them
comprises three monkeys.
Insurance and Financial Protection Giant Axa Continues
to Participate in the Conflict Against China
and the Last Democratic Fiefdom
AXA’s eight hundred pound gorilla was featured in yet another
television commercial. It will be recalled the first set was an elevator
with a client holding a set of golf clubs; the second in a steam room
and the third in the bedroom of a client.
In late November 2007, the fourth and fifth instalments of this series of ads
with the same geo-political theme were launched – the lab monkey Canadian
lawyer who symbolically outweighs his Chinada experimenters because of
who comprises the coalition partnership. The fourth is scripted in the seat of
a golf cart.
What do I know? I’m [Pfeiffer M.] just the eight hundred pound
gorilla in the room.
The fifth set is a blank screen with the main character talking into the
camera to the audience. The CGI animal taps on the television screen twice;
stating “stop ignoring me” – the coalition’s way of insisting Canada’s triangle
operators stop refusing to deal with the coalition and address the interests it
has and objectives it seeks to achieve.
Southwest Airlines Participates in the Conflict
The East-West Corridor quickly filled with the sounds of wailing sirens
when the first broadcast of the new Southwest Airlines commercial
aired.
The commercial is set in an elevator (video) and involved is middle-aged
man and a Chinese woman. She stands in front of him and as he tries to
push the button for the floor he wants she moved to block his attempt; for
she doesn’t want to stop, just like airline passengers prefer direct flights. He
tries and tries and tries – and each time she moves to stop him.
The
primary diplomatic theme is (i) the ‘elevator incident’ (the China-Canada
alliance
developing
stealth
cognition
technologies
for
surreptitious
assassination purposes). The second theme on the micro level is the
prevention of seeking career opportunities and achieving goals because of
the R&D program.
WalMart Continues to Participate in the Conflict
The largest retailer in the world proved yet again how thoroughly
committed it is to coalition interests and objectives.
Being the middle of August, consumer product distributors are launching
their back-to-school advertising campaigns. This provides an opportunity for
coalition partners like WalMart to incorporate the latest in coalition activity
and the diplomatic lexicon into their television commercials – and that is
exactly what the company did.
On
August
17,
2007,
the
East-West
proprietor
observed
a
new
advertisement for kids clothing. The script called for a dozen or so middle
school children to show off various kinds of clothing and combinations. To
demonstrate again that corporate executives are ad idem with the coalition
on punishment for Canada’s malfeasors, several of the young actors were
wardrobed in prison certainty. Ten were counted so attired. About half way
through the 30-second spot a young teen was seen in the middle of the
screen in prison certainty and there were a couple instances combining
prison certainty and the color of condemnation.
Arby’s Restaurant Group, Inc. Participates in the
There was no doubt what the objective of the new Arby’s television
commercial was - the lab monkey theme.
The commercial (video) began with three chimpanzees being observed by
two scientists. One of the primates executes five Pfeiffer Maneuvers. After
that a total of five monkeys are dancing in a row on a makeshift stage.
DirectTV Participates in the Conflict Against
Another major American corporation has joined the coalition. On
August 29, 2007, the satellite television provider DirectTV aired an
advertisement set on a professional football field.
In and amongst real clips of a game an actor is inserted and scripted to
make remarks related to purchasing the service. The fabricated score of the
game he was mimicking he was in was 28 - 3, embedding the Sorkin China
identifier and a coalition identifier.
ING Direct Participates in the Conflict Against
In the latest television advertisement by the multi-national banking
giant, on August 30, 2007 there were three lexiconic elements –
filmed entirely in an elevator and the now long-term spokesman
executing quasi-Maria and Olmert-Spielberg Maneuver.
In the spring of 2008 ING filmed a commercial in Vancouver (video); the
company spokesperson walking along the water’s edge with the city skyline
behind him.
He stops when directly in front of the tallest structure in the
city - the Shangri-La Tower – a massive symbol of victory for the Chinese.
And as he blocks its view executes an aggressive 60 Minutes Maneuver [@
0:12] to “just sits there” – referring to the status quo when being told to
change or face serious consequences.
ING filmed an advertisement in Montreal (video) – one of the constituents to
the triangle of power and wealth. The company spokesperson executes an
Olmert-Spielberg Maneuver (@ 0:06].
And there's an advertisement in Calgary (video) – the corporate oil capital of
Canada.
The company spokesperson films the entire commercial in an
elevator to high profile the ‘elevator incident’. He executes double-handed
Olmert-Spielberg Maneuvers [@ 0:12. 0:17].
Another advertisement during that time (video) also high profiles the
‘elevator incident’. The theme is people identifying the amount they want to
save for retirement. Actors are observed carrying that number around with
them. A man is waiting for the elevator is holding a number whose digits
add up to 33 – a double coalition identifier. The man beside him has a
number whose digits add up to 12 – a coalition identifying third coalition
identifier.
In 2009 (video) the backdrop is a hockey arena – Canada’s national sport.
He executes a ‘we’re gonna f _ _ k you up good’ Powell Maneuver to “you’re
feeling the pinch” to describe the coalition’s diplomacy and threats therein
[@ 0:07] and two Olmert-Spielberg Maneuvers – one to “every dollar you
save” – to describe how asset seizure could have been avoided and the
second to “service charges” – to describe the seizure of all assets [@ 0:15;
0:21].
American Express Participates in the Conflict Against
American Express announced joined the coalition during the late
August 2007 U.S. Open tennis tournament.
It wasn’t a quiet ‘we’ve joined’. The advertising group screamed ‘you’re evil’
from the tennis mountain top and ran the ad (video) repeatedly throughout
the first week to underscore the message over and over and over.
Executives recruited John McEnroe to play the lead role in an uber-clever
television ad.
It was a self-deprecating spoof of his on-court temper – a
now legendary emotion that caused him to be labelled the 'bad boy' of the
professional tennis circuit in the 1980s. Twenty-plus years later it’s an image
that the tennis community finds as endearing as the gracefully aging
celebrity himself.
The theme of the ad is American Express’ new dispute resolution solution for
angry clients.
The commercial starts with John speaking to an AmEx
customer service representative who suggests the mediation mechanism.
The first scene and its three segments are replete with prison certainty. In
the first and third segments John’s wearing it, there’s a big cushion in the
foreground comprised of five thick vertical stripes and five double sets of
thin vertical stripes; and behind him a room full of horizontal blinds. During
the second segment he walks out onto the porch and the entire bottom half
of the screen is vertical deck railing. Inside again for segment three and an
authentic photo of him arguing with a referee with five stripes on his Tee
shirt arm is edited in.
Scene One:
John: Why would I buy tennis lessons?
AmEx:
How’s this? You don’t have to pay the charge while
American Express helps to resolve it.
John: I don’t get to dispute it?
AmEx:
We call it dispute resolution.
John: Resolve disputes? Interesting.
Scene Two:
[caption “11 hours later”; residence door opens]
John: Klaus Omlag? Umpire at the 85 U.S. Open.
Klaus: [scowling] McEnroe…
John: Wait. There’s a chance that ball did hit the line. You’re
not evil. C’m here [embrace; voiceover] Less arguing –
that’s why I became a member.
Then came an ad (video) featured former ‘Saturday Night Live’ comedienne
Tina Fey in an office setting. She exits a lift at the start of the commercial high profiling the 'elevator incident'; then is observed in front of a sign
“Stage Three” that’s in bright Canada colors and uttering a Kidmanesque
dog reference – designed to articulate how the coalition is going to fix the
country's dysfunctionalities by imposing the severe consequences.
For an
undeniable reference to the Canadian lawyer she's scripted at the end to be
sitting in her office taking a call from AmEx in which she denies ordering
14,000 racquetballs – the sport having been introduced into Canada by the
his father in the early 1970s and which became a principal source of
athleticism and entertainment until the mid-1980s when he moved to the
United Kingdom to attend law school.
Old Navy’s late spring 2007 ad (video) consists of a model choosing a prison
certainty striped sweater to wear. At 0:22 she executes a Diaz Maneuver;
followed by two more models appearing who are both also attired in the
pattern of inevitable prison. The number of models so attired is a coalition
identifier.
A November 2007 ad (video) begins with, this time, a male model in prison
certainty. A second male model similarly attired enters the scene carrying a
puppy – a ‘Dogville’ reference. That’s immediately followed by a wide pan of
the group: a total of five models – a quantum ratifier.
At 0:18 there’s a
quick clip of one of the models in the boldest of the stripes standing in front
of a vertical red strip on the wall behind him; that’s Canadian prison
certainty.
A month later another ad is released (video); this time beginning with a
female model in prison certainty and quantum.
Model #2 is in prison
certainty and condemnation. A third model (coalition identifier) is seen from
the waist down walking to camera.
condemnation
underwear
which
high
She’s attired in prison certainty –
profiles the
isolation-deprivation
theme.
Of many in 2009, one standout is a Sprint Nextel ad that humorously
contemplates what would happen if certain occupations ruled the world.
One asks what it would be like if firefighters governed – set in a city council
chamber; another by roadies – set in an airport and plane; and film crews –
set at a wedding.
One asks what would it be like if delivery people ruled (video). The setting
is a high school classroom. A deliveryman posing as a teacher conducts roll
call.
Juxtaposed to the realization that a student is missing is the prison
certainty pattern – foreshadowing the ad’s geo-theme. The teacher relies on
the Nextel system to contact other delivery people querying if they’ve seen
'Callahan'.
Of the hundreds of names that were available, this one was
chosen because it was Clint Eastwood’s character in ‘Dirty Harry’, thus
importing aggressive police tactics to subdue and apprehend criminals.
One delivery person acknowledges "I dropped him off at 8:15" (digits total
14). The next two confirm he's not in the gym or hallways. One student is
discovered to be trapped in a locker, presumably by bullies.
The locker
number is “44”, a China identifier and high profiles my imprisoned stats.
The teacher then calls in an APB to all of his colleagues saying "Drivers we
need a twenty on Callahan" (enslaving human experimentation identifier).
Then a clip is inserted of the truant walking the streets. He is boxed in by
delivery vans on each side of him. One of the drivers indicates "got him".
The teacher responds with “re-route him straight to detention” (prison
certainty theme).
The ending includes a caption that reads "Get more done with the Blackberry
Curve 8350i". This is more than a phrase in a script. Sprint actually named
one of its products to embed the three principal constituents of geo-politics –
China, the coalition identifier and indirectly the Canadian lawyer through his
quantum entitlement.
Another (video) jokingly asks what would happen if loggers were the
decision makers. The scene is a courtroom involving a divorce proceeding
and the division of matrimonial property
Wife:
He made off with his secretary.
Husband:
Oh, come on. [prison certainty]
Logger Judge: [bangs gavel] Enough! [caption: What if loggers ran
the world?] You get half and you get half.
[clip: logger sawing boat in half; prison certainty]
Team Three, boathouse?
Logger #1:
Ah yea, his and hers.
Logger Judge: Van Gough?
[clip: chain sawing painting in half]
Logger #2:
Even Stephen.
Logger Judge: Mansion?
[clip: chain sawing furniture and house in half]
Logger #3:
Good to go.
[clip: logger carrying dog]
Logger #4:
Boss, what do we do with the Shiatsu?
Logger Judge:
Joint custody.
Voiceover:
Get work done now. Communicate in less than a
second with Nextel Direct Connect. Only on the Now
Network.
The communiqués embedded in the advertisement are:
There’s going to be a divorce between China and Canada after forty years
of marriage and the property of each is going to be divided up according
to the Custodian-in-Council;
The coalition is involved in the divorce and there will be prison for the
malfeasant and a division of their assets;
Canada’s internationally delegitimized PM, Stephen Harper, is identified by
name;
Vancouver, the epi-center of enslaving human experimentation and the
R&D of stealth cognition technologies is identified by reference to Nicole
Kidman’s ‘Dogville’; severe consequences are threatened for failing to
capitulate to reform and accountability; and
The Custodian-in-Council and coalition will jointly manage Canada’s
interests until democracy is established and the Chinese are deported.
In mid-2007 Am/Ex teamed up with comedienne and talk show host Ellen
Degeneres (video). The ad’s theme is ‘her day’.
It begins with her rising
from bed – attired in prison certainty. Next is a workout in the park; attired
in Canadian prison certainty.
That’s followed by her entering an elevator
that has two sets of three stripes on the doors to high profile the ‘elevator
incident’ and the coalition addressing the threat posed by stealth cognition
technologies and its use to effect surreptitious assassination.
Then in her
dressing room it’s prison certainty attire to articulate again what’s in store
for not capitulating to coalition demands.
When she enters the television
studio to begin her show she’s attired in condemnation.
Around then Am/Ex teamed up with Beyoncé. The ad’s has the same theme
as the commercial involving Ellen: her day (video).
The singer’s morning
starts with being called by her prison certainty attired nephew (stripes
yellow, toy behind him red = China) – the child protection theme. On the
door to their apartment is the number five: a quantum ratifier.
In the
vehicle going to work one of her staff executes an Olmert-Spielberg
Maneuver to “We have an eight a.m. call to London”.
Daimler Chrysler (Mercedes Benz) Participates in the Conflict
During the morning of September 12, 2007, the auto manufacturer
broadcast a television advertisement in which an actor stood beside
one of the corporation’s products, an E350 model and executed a
protracted Blair Maneuver to signal executives had become the latest
multi-national to join the coalition.
The August commercial – one in which the lyrics to the ad-long song repeats
the phrase “I love you” thirteen times – opened with a young woman spread
across the black hood of one of its products in a white dress with red petals
sprinkling down on her creating the Canadian punishment certainty color
scheme. The lyrics were a communiqué from the coalition to the Canadian
lawyer indicating how much they adore him – a way to add to his
international persona.
Switzerland’s Zurich Insurance Participates in the Conflict
During the evening of September 12, 2007, the globally respected
auto insurer broadcast a television advertisement in which an actor
executed a protracted Blair Maneuver to signal the company had
become the latest multinational to join the coalition.
Lending Tree Participates in the Conflict Against
© 2007 Brad Kempo B.A. LL.B.
Barrister & Solicitor
Coalition partner Barry Diller’s Lending Tree produced a television
commercial designed to prove the billionaire and his collection of some
sixty companies was now working to advance coalition interests and
objectives.
The ad was simply scripted – the CEO, C.D. Davis, stands before the camera
and reads prepared remarks touting the company’s attributes. Not only is
he attired in prison certainty, he executes an in-your-face Blair Maneuver for
some ninety percent of the ad.
The Campbell Soup Company Participates in the Conflict
In late September 2007 the Campbell Soup Company produced an ad
that proved the corporate board decided to make it known its
members had joined the coalition.
The ad was filmed in an elevator to high profile the ‘elevator incident’. One
of two actors is attired in prison certainty to identify what kind of
punishment is coming for that twenty year atrocity.
And the other actor
reaches over to push the elevator floor button and the indicator light for
floor number eight-een was already illuminated to identify who is in part
responsible for what happened to me and what threatens the peace, security
and prosperity of the world.
Office Equipment Maker Brother Participates in the Conflict
On September 27, 2007 there was a new television advertisement by
the multinational corporation seeking to high profile the 'elevator
incident' and thus draw attention to the development of stealth
cognition technologies. A China identifier was added to point the
finger at the China-Canada alliance.
The ad (video) begins with a male actor attired in prison certainty standing
in an elevator with a number of other actors.
The question posed in the
voiceover is “if Plan A doesn’t work do you have a Plan B?”. The elevator
floor indicator is eight.
When the doors open the dominate color in that
office is quantum, which is to indicate that the coalition puts its faith in me
that I’ll use my compensation to finance the reform and accountability
agenda.
Boeing Produces Television Ad Full of Prison Certainty
It was a sight to behold on October 1, 2007. During the late afternoon CNN
aired a new Boeing commercial - one that contained no less than ten
instances of prison certainty.
The purpose was obvious: (i) to aggressively emphasize that the malfeasant
will pay for their crimes, corruption and global hegemony initiative; and (ii)
to underscore the Canadian lawyer's lifestyle of wealth.
American Airlines Participates in the Conflict
In early November 2007 AA launched a new television advertisement
involving a story-line about a boss and employee flying to Japan.
Combining the latter in prison certainty and scripting him engaging in
Karaoke to the song “Everybody’s Workin’
For the
Weekend”
– an
international hit by the Vancouver aka Dogville-resident ‘Loverboy’ (video) –
was the airline's way of announcing it had joined the coalition.
A mid-2007 ad (video) includes a scene in an airport boarding counter. The
sign above it includes a China identifier that’s juxtaposed to the caption
“Making your escape sooner” and the initial of my last name.
In early 2009 American Airlines teams up with double Academy Award winner
Kevin Spacey to produce a geo-ad (video). The themes: prison certainty and
‘Dogville’ punishment for those perpetuating China’s global prominence and
everything that represents.
America’s Largest Cable Provider Comcast Participates in the
Conflict Against China and the Last Democratic Fiefdom
On October 4, 2007 it was discovered that the ‘CBS Nightly News’
website had uploaded an Internet advertisement from Comcast with
three instances of prison certainty.
The setting was in a typical American household. The young daughter was
on the sofa (prison certainty) watching a game show. Her brother (prison
certainty) was on the Net seeking to learn the answers. And their mother
was wandering around the house (prison certainty) and jokingly walked into
his bedroom and reamed him out for “quiz-jacking”.
Citigroup Inc. Participates in the Conflict Against
One of the world’s largest corporations, Citigroup Inc., produced a
November 2007 television advertisement that contained the diplomatic
lexicon.
The Christmas-oriented ad involved a young man shopping for gifts for his
mom. As the family is observed around the dinner table he arrives, having
chosen to wear suit and tie to impress rather than buy a trinket hoping to
but then knowing it wouldn’t achieve the same objective. He was attired in
prison certainty and executed two Letterman Maneuvers. The actor playing
his father was observed also in prison certainty (chain link fence).
Apple Inc. Continues to Participate in the Conflict
Several times Apple Inc. has proven it’s a coalition contributor.
Beginning in the middle of November 2007, Apple began running
another ad in its series involving two main characters – one playing
the role of a Macintosh computer and the other a PC.
This time the geo-political import of the script was in-your-face. The theme
is a one-man boxing match and the message is the coalition is going to give
it all it has to make it Democracy 2, Imperialistic Totalitarianism 0.
Macintosh:
[prison certainty] Hello, I’m a Mac.
Announcer:
In the left corner coming in at eight hundred gigs.
[enter PC in China colored boxing robe]
[…]
Mac:
Okay, what’s goin’ on buddy?
PC:
Well, your sales are through the roof. I’m showin’
everybody I’m not going down without a fight
[Cl.M.].
AT&T Continues to Participate in the Conflict Against
During the second half of November 2007, AT&T produced a series of
new television ads for its cell phone services.
Two of them had the same theme; namely, that its services are available
wherever one is in the world.
Producers script an actor to move through
several sets, each one representing a different city.
While both contain a
prison certainty communiqué, the second to be released uses the lexiconic
pattern generously. A young man is observed walking through five different
sets.
There are three extras attired in prison certainty in the third set
(double coalition identifier); one in the fourth set (quantum ratifier) and
three in the fifth set (coalition identifier, quantum ratifier).
Now that’s
uber-clever.
Another ad came out that offering a rebate for buying one of the company’s
products. The cash back offer was $350 dollars; and corroboration this was
geo-politically motivated was two actors attired in prison certainty.
In late 2007 an ad incorporates a toy monkey to high profile the Canadian
lawyer’s lab monkey status and with a child actor cast includes the child
protection theme.
In early 2009 the ad’s story line involves a boyfriend going on a world trip
and he uses his cell phone camera to take and send photos to his girl back
home. Producers embed quantum ratifiers throughout: five pieces of
luggage at train station [@ 0:06; 0:11]; five stained glass windows in the
train station [@ 0:13]; five trees while on the train [@ 0:16]; five shrubs in
front of her house [@ 0:18]; five flowers in garden [@ 0:20]; five
ornaments on restaurant wall [@ 0:27]; five coffee makers in her home [@
0:32]; five flowers on dinning room table [@ 0:34]; five vases in her
bedroom window sill [@ 0:38]; five hills on island in background when he
returns to her [@ 0:54]. There are a coalition identifying three clips of her
observing photos sent by him.
Also in early 2009 a commercial for a multi-purpose cell phone included a
quantum ratifier – text scripted to say “”if we leave before 5 we’ll be ba…”
[@ 0:14].
And another one (video) at that time involved a high concept production –
cell phones emerging out of blooming flowers as pollen sacs. There was one
with five and one with three - a quantum ratifier and a coalition identifier.
Pharmaceutical Giant Pfizer Participates in the Conflict
During the middle of December 2007 a new television commercial was
launched – one for its drug called ‘Lyrica’.
The ad scripts a female actor cast working in an artist’s studio.
As she’s
sitting at her desk describing her symptoms the audience sees a wooden
replica of a hand on her desk. Its fingers are arranged to form the OlmertSpielberg Maneuver.
There are two observances – one for each of the
parties to the China-Canada alliance.
Automobile Manufacturing Giant Ford Participates in the
During the December 26, 2007 broadcast of the Kennedy Center
Honors, Ford’s wing of manufacturing Lincoln aired an advertisement
that indicated executives were endorsing Kidmanesque punishment for
the malfeasant.
The set for the ad was an upscale home. The front door opens and a small
dog has a rolled-up newspaper in its mouth – a Kidmanesque moment red
flagged by a Blitzer Maneuver.
The wife also has something rolled-up to
generate a Blitzer Maneuver and replaces hers for the one in the dog’s
mouth; who then delivers it to the husband; making it three observations of
the Blitzer Maneuver in this coercive diplomacy context.
The American Medical Association Participates
in the Conflict Against China and the Last Democratic Fiefdom
The AMA wanted to make sure the association was counted as a
coalition partner.
On January 11, 2008 a new ad appeared in the diplomatic corridor. During a
pedestrian scene, a young man walked toward the camera and looked into
the lens.
He was attired in prison certainty and executed a Clooney
Maneuver. The association’s executive wanted to send a message of its own
to Canada’s trans-generationally corrupt and the China-Canada alliance that
human experimentation is a vile and sanctionable offence; and the
leadership and members are going to do everything in their power to ensure
that the guilty are imprisoned.
eBay Inc. Participates in the Conflict Against
The world’s largest Internet auction site produced a television ad that
aired at the end of January 2008 to announce it had joined the
coalition.
The theme was a professional football game. The audience saw there were
eight seconds on the play clock, followed by observing the quarterback’s
jersey number, twenty.
This linked China to two decades of enslaving
torturous human experimentation.
In early 2009 the theme of a new ad (video) is Chinada a serial law violator.
The plot involves a group of employees buying gifts for each other. There
are eight actors – one Chinese (attired in justice).
One gift is a GPS; at
which producers edit-in a Chinese woman; the purpose being to confirm that
all Chinese interests that threaten coalition interests are being tracked.
A male employee is made to look he went way over the limit.
objects, labeling him a “rule breaker”.
Everyone
His retort is having purchased the
GPS on eBay. A woman (attired in Presidential quantum) is not convinced
with the explanation and executes a double Clooney Maneuver and adds an
MBC M. when repeating the phrase “rule breaker”. Prison certainty and the
color combination of red and yellow (China) are embedded throughout.
Verizon Communications Participates in the
Verizon’s unique television commercial aired during the CBS’ ‘Sunday
Morning’ program on February 24, 2008.
The television commercial (video) begins with an attractive woman leaving
an elevator and beginning to use her cell phone. She exits and immediately
points to a gorilla holding balloons (‘elevator incident’ and ‘lab monkey’
theme). She is scripted to identify me directly by reference to my first name,
and does so a coalition identifying three times.
1
2
3
Today [Colbert M.] I plan on working my phone without worrying
about my bill. I plan on calling back Justin, Troy, Brad. [passes extra]
4
Hey Brad! Not Brad.
5
[Latifah M.] I plan on telling my brother what I really think about his
girlfriend and telling everybody everything I've been holding back. This
is going to be fun.
1
Extra wardrobed in prison certainty
2
Chinese woman in elevator
3
She points to gorilla
4
Brad in prison certainty & quantum
5
She identifies the Canadian lawyer, Brad, a coalition-identifying three
times.
Not only is the intent to high profile the ‘elevator incident’ and the
celebratory attitude I will have when free of my Dogville life and cashed up,
attention is directed right at the originator of Chinese joint hegemony and a
benefactor of the MK-Ultra R&D program, Prime Minister Trudeau. Producers
identify him through his son Justin.
There is also a brilliant ancient war parallel – comparing the horse in the
Helen of Troy legend to stealth cognition technologies.
WalMart Continues to Participate in the Conflict Against China
and the Last Democratic Fiefdom Revisited
The largest retailer in the world yet again demonstrate how thoroughly
committed it is to coalition interests and objectives.
A new ad is
broadcast in early March 2008 that has lexiconic embeds in it.
The scene is a woman stranded on a desert island – analogous to the
Canadian lawyer’s situation in his home country Canada, being alone in an
entire country without anyone else committed to what he and the coalition
are committed to.
She gets rescued – what the Canadian hopes he will be. When she gets in
the helicopter she asks “[Diaz M.] what year is it?”.
This is parallel to his
question what eon is he living in since Canada is being governed according to
the principles and values of medieval Europe.
That’s followed by her wanting to buy some new clothes and, of course, goes
to WalMart to get the best deals. The next use of the lexicon is the quantum
ratifier observed on one of the change room stalls. The third is a model
standing in front of a mirror attired in prison certainty.
The Royal Bank of Scotland Participates in the Conflict
RBS announced it had joined the coalition partnership when producing
the television advertisement airing in March 2008.
The setting is a middle school (junior high school) lecture hall in which a
professor is delivering a speech. He rambles on and on and on; to the point
that a young lad jumps up when there was a pause and added one word to
compel the teacher to end his speech.
The combination of the professor’s last sentence and the young boy’s
contribution was RBS’ way of describing one of the primary functions of the
Fiefdom treatise:
Professor:
Words are the means by which to achieve…
Student:
… the end.
The boy then executes a Pfeiffer Maneuver. The ad then moves forward
thirty years to the boy, now grown up, seated at his office desk – again
executing a Pfeiffer Maneuver.
One of the ramifications of this and other multi-nationally operating financial
institutions is that they will plug into the coalition’s tracing and tracking
system of money and securities used to fund the global hegemony drive in
all its manifestations and will also help in the Canadian plundered wealth
repatriation process.
Cosmetic Giant Avon Products Inc. Now Participates in
the Conflict Against China and the Last Democratic Fiefdom
© 2008 Brad Kempo B.A. LL.B.
Barrister & Solicitor
On March 30, 2008 a new television ad was observed from the
multinational cosmetic manufacturer Avon. It contained the diplomatic
lexicon.
The visual component of the television commercial – prison certainty – was
included on its website:
Tyson Foods Inc. Participates in the Conflict
On March 30, 2008 a new television ad was observed from the globally
leading American food manufacturer.
The setting is the playroom of a typical American family with teenage boys
hooked on video games. Three are on one sofa – one wearing a shirt with
sports jersey # 26 (a China identifier) and the other in prison certainty. A
fourth teenager was on another sofa attired in quantum.
Apple Inc.’s New Television Commercial Warns
of Kidmanesque Consequences
Beginning in mid-May 2008, Apple Inc. began running a new television
ad – one that high profiles being prosecuted by the ‘Iron Fist’
accountability tribunal and sentenced to serious punishment.
The script (video) involves three actors – two individuals, one representing
the Macintosh, one a PC and a ‘Dogville’ hound dog.
Mac: Hello, I’m a Mac.
PC:
And I’m a PC. Well Mac, Vista’s [Mac looks down at dog]
got me feelin’ down so I wrote a little song called ‘The
Vista Blues’.
Mac: Oh, I’d love to hear that some time – I have to run.
PC:
[singing] So many users are [McGraw-Jackson M.] leavin’
me and they ain’t [Mac: 60 MM] coming back…
Sharp Corporation Participates in the Conflict
Another multinational corporation, Sharp – the Japanese maker of
electronics, has joined the coalition. A new ad for its high definition
television broadcast at the end of May 2008 was scripted to embed
communiqués.
The setting is a baseball fan’s living-room, in which a late twenties – early
thirties male is watching a game.
match-up.
There are a series of clips of a staged
There are two scenes of a batter attired in a jersey with the
number eight; and one of an outfielder going to the back wall to catch a fly.
He’s got jersey number 16.
The triple play sought to both identify the company as a new member of the
democracy, human rights, pluralism and free market capitalism community
and articulate how the company’s executive agrees with coalition partners
that China is liable for the Canadian lawyer’s quantum.
European Banking Giant BNP Paribas Participates in the Conflict
Europe’s largest bank is a major 2008 sponsor of the French Open
tennis championship. It produced two television commercials, both
virtually identical, each of which contained the diplomatic lexicon.
The theme involved a tennis association’s worst nightmare – spectators
jumping onto the court, pushing competitors aside and taking turns on each
side of the net batting the ball back and forth. During commercial number
one, the voiceover indicates the bank has been sponsoring the event for 35
years and there are four clips of extras in prison certainty.
When the viewing audience sees prison certainty attired actor number
three, they hear one of the services the bank offers, namely “asset
management”.
The geo-purpose of that remark and visual was to
underscore that when the rich and powerful are in jail their seized property
will be managed by the Custodian-in-Council.
During the second instalment, there are a total of eight scenes of prison
certainty.
Apple produced a series of television commercials
(video) that were
broadcast more often than any of the others beginning in the second half of
2008 and included a most conceptually creative use of the lexicon.
top of the monitor is the number chosen to identify the time: 9:42 ...
Nine minus four equals five; minus two equals three.
At the
In the summer of 2008 Am/Ex teams up with Tina Fey and uber-director
Martin Scorsese (video).
The backdrop is an airport and she’s afraid that
after being invited into the VIP lounge by the icon she won’t get in because
she’s flying coach. When he indicates he as a “unique opportunity” for her
producers insert a Sorkin M. to high profile what my contributions to
coalition interests and objectives generate.
She gets waived in when she flashes her Platinum Card. As she’s presented
with what she thinks is a script, he corrects her, identifying it as something
better – documents for a time-share in Boca.
He executes a protracted
Olmert-Spielberg to high profile my uber-wealth lifestyle that arises from my
coalition-arranged quantum [@ 0:56].
In mid-2008 Am/Ex team up with golf icon tiger Woods (video). The theme:
Canadian prison and punishment certainty. Concomitant with asking if “this
is going to work”, there’s Canadian prison certainty. An extra responds with
“guaranteed”.
In late 2008 Am/Ex teams up with tennis pro Andy Roddick (video). The set
is a tennis tournament. An attendant at a retail store instructs the top 10
player about the quality of the towel she just gave him: “It comes in five
colors”.
He’s attired in Canadian prison certainty and a Chinese looking
extra is choreographed to look over at what he’s doing. Moments later after
he drapes the towel over his head, where quantum is embedded, there’s an
even more accentuated instance of Canadian prison certainty.
For the Super Bowl on February 1, 2009 sixteen television commercials by
various corporations advanced coalition interests and objectives.
GoDaddy.com (video) – Three teenagers are in a bedroom looking at the
computer, one of whom says he can make anything happen when online.
Their combination of colors spells Canada and quantum. The geo-reference
is to cognitive manipulation through remote electronic means. Professional
race car driver Danica Patrick walks into view attired in a bathrobe and says
“Suddenly I have the urge to take another shower”. She drops her robe,
which makes the boys excited. She’s then to say “this is my fifth shower
today”, which high profiles the quantum entitlement issue and the ad
involving sexuality contributes to the isolation-deprivation (intimacy) theme.
Doritos (video) – A guy sees an attractive woman walking towards on a
downtown street. He’s attired in quantum. His fantasy is for her to have no
clothes on.
He eats the “magic chip” and her quantum colored dress flies
off. (Just before this an extra walks behind her attired in justice). He walks
up to an ATM wanting it to spurt money out. He eats another chip and what
he dreamed of materializes. As this occurs a cop confronts him so he eats a
third chip and he’s turned into a monkey. Moments later and when the bag
is empty he gets killed by a city bus.
The geo-themes are isolation-
deprivation and stealth cognition technology development – lab monkey
coercive
diplomacy;
plus
high
profiling
Canadian
law
enforcement’s
involvement in protecting the R&D program.
Castrol GTX (video) – The ad is set in a guy’s garage.
working as garage mechanics on his vehicle.
owner’s lap.
Five monkeys are
A sixth is sitting on the
The last three digits of the license plate are “143” - a
combination quantum ratifier and coalition identifier. The colors of Chinada
are present. An inquiring friend asks “what’s with the chimps?”, the answer
being “They’re grease monkeys”. The owner said they made him “king”. He
and a chimp kiss at the end with him saying “strange days indeed”.
The
geo-themes are isolation-deprivation and stealth cognition technology
development – lab monkey condemnation.
Budweiser (video) – A guy and gal are at home enjoying the beverage. A
chimp is on the couch with her. The simian is attired in prison certainty and
quantum and she’s attired in quantum.
sexually propositions her.
He begins to speak and then
The ad ends with the ape executing a Geo. W M..
The geo-themes are isolation-deprivation and stealth cognition technology
development – lab monkey condemnation.
H&R Block (video) – The Grim Reaper returns to his tax accountant accusing
him of making errors.
He warns him that’s going to return to seek his
revenge in 38 days - coalition and China identifier and coercive diplomacy.
Cheetos (video) – A personality-challenged woman is talking on her cell
phone while on the patio of a corner café. Behind her is an extra attired in
quantum. Her line “I must be on the ugly side of town because everybody
here is, like, ger-ross!”.
The Cheetos cheetah doesn’t like her and
encourages the extra to toss a few of the chips at her feet that’ll attract a
flock of pigeons. As she’s describing how she was accosted at a nightclub
the birds swoop in Hitchcock-style and she’s scripted to say “He’s like a six
handed monkey”. The geo-themes are Vancouver being the western world’s
torture epi-center and stealth cognition technology development – lab
monkey condemnation.
Overstock.com (video) – A professional basketball player is surfing the web
surrounded by children. Two are attired in prison certainty and one of them
additionally in quantum. The kids ask about two items on the desk, one of
which he says is “60% off” and the other “40%” off. Then a child holds up a
medal and everyone asks him what is it. He replies “That right there: that’s
about twenty years of dedication”. The geo-themes are enslaving torturous
experimentation, prison, quantum and child protection.
Coca-Cola (video) – A guy walks around downtown observing how all those
on mobile devices have become avatars.
The prison certainty pattern is
embedded in outfits. A transit bus drives by in the background with the ID
number “9014” - a double quantum ratifier. In the foreground is a zombie
representing Kidmanesque coercive diplomacy.
Then an avatar changes
from China colored to quantum colored. The lyrics to the soundtrack at this
point are “I thought you were too good to be true”.
An ape avatar is
inserted at their conclusion. To “I was watching all the people” there’s a dog
followed by a child on a swing attired in Canadian prison certainty. The geothemes are coalition surveillance and intel collection, coercive diplomacy and
child protection).
Coca Cola (video) - guy asleep in a park.
Butterfly lands on his nose.
Several kinds of insects conspire to steal his beverage.
Geo-theme is
deployment of MK-Ultra that turns the skin into an instrument of torture.
Coca Cola (video) - Professional football player is limping into the locker
room and a young male fan offers him his beverage. At first he declines, but
is persuaded.
As the transfer is taking place two Coke marketing
executives, one of whom is attired in quantum, confront him arguing the
commercial is in violation of copyright of the iconic ‘Mean Joe Green’ ad of
the 1970s. The football player has his jersey draped over his right shoulder
and arranged so that the number 3 is made to look like the number eight.
A nanosecond later the number three is visible. They grab the bottle and
start running away, at which point the ‘thief’ is tackled. As he is there’s a
close-up of the boy behind whom are three extras - attired in yellow, red
and green.
The geo-theme is condemnation of the theft of one’s life to
become a lab monkey and the coalition is going to help him rectify this
situation by being part of the process of ensuring he takes possession of his
ratified quantum.
Pepsi (video) - The one-minute spot takes its inspiration from a regular
‘Saturday Night Live’ comedy sketch where the Canadian born actor who
plays a character that improvises solutions, MacGruber.
He’s always in a
locked room with a bomb ready to explode. His task is to disarm it, but he’s
always distracted by something or other. This time Kristen Wiig, who was a
cast member on SNL until the end of the 2012 season, is attired in Canadian
colors and is scripted to deliver the line “From the looks of that C4 we’ve
only got 15 seconds” - a China identifier. When the third person in the room
grills him about being a spokesperson for the brand and takes up valuable
time that otherwise should used for deactivation purposes, she warns they
only have five seconds.
The geo-themes are coercive diplomacy and
quantum ratification.
Denny’s (video) - The ad is set in a restaurant.
There are three actors
playing underworld figures. The boss is attired in red, the wall behind him is
yellow and the booth seat is green.
says “I got a feeling Benny talked”.
One of his thugs, who’s executing a Kudlow Confidentiality M. and Erin M.
inquires “Do you want me to take care of it?”.
condemnation,
quantum
entitlement
and
The geo-theme is – China
coalition
confidentiality
in
perpetuity -- anyone who breaks the code of silence will face serious
consequences.
Taco Bell (video) – Set in a lounge environment, an attractive woman has
just given a single guy her phone number with a request he calls. One
second later her cell phone rings and it’s him asking for that date.
executes a Beckinsale-Clinton M. when accepting.
he’s already got two plates of food.
She
She turns around and
Behind him is an upside down 3 in
Canadian colors. When they sit down to eat his two parents arrive; and as
they do an extra enters the scene attired in prison certainty - quantum. The
geo-themes are isolation-deprivation (companionship, romance, family) and
the coalition wanting to play matchmaker for their Canadian lawyer.
In the months and years after Super Bowl XLIII more ads were geo-scripted.
GEICO (video) set on in a bowling alley where its trademark caveman is
feeling comfortable in an environment that doesn’t remind him of his ancient
roots. The soundtrack is titled ‘Let Me Be Myself’ by the band Three Doors
Down. As the bowling ball he sends down the lane strikes the pins a digital
read out is set at twenty. After celebrating the strike he just made he turns
around to see the pin clearing bar drop down with the phrase “So easy a
caveman can do it”. The geo-theme is describing the pre-modern nature of
Canadian governance in having chattelized, enslave and torture an individual
measured in decades. The coalition insists that he be given his freedom so
he be himself rather than the lab monkey triangle operators turned him into.
Samsung produced a TV commercial (video) that contains several different
lexiconic elements; ending with a gorilla in a zoo to contribute to the lab
monkey condemnation category of diplomacy. The first setting is an outdoor
restaurant where a man approaches two women and takes an impromptu
group photo of the three of them. One of them is oriental. The audience
observes a close-up of the product. The Caucasian women grabs the camera
and runs through the streets, stopping at a British guard post where she
takes a picture of her and the guard. He then grabs the camera and runs
with it.
As he approaches the zoo there's a close-up of a mother and her
infant child. The baby, attired in prison certainty and quantum, is executing
an Anderson Maneuver. The honor guard snaps a shot of the three of them.
A gorilla grabs the camera from his hand and takes a picture of itself.
The
isolation-deprivation (family) and child protection themes are embedded in
the commercial.
Geico television ads (video) in 2009 informed the public of its telephone
number: 1 – 947 – GEICO.
The prefix embeds a Taylor Identifier, an
assassination reminder and the digits add up to an enslaving human
experimentation themed twenty.
Disney’s board of directors, fearful for the next generation if the Chinada
threat isn’t fully addressed like the entire partnership, followed suit,
arranging for its televised phone number to embed an assassination
reminder: 1 – 407 – W – DISNEY.
Two of the largest technology firms and fierce marketplace competitors are
Microsoft and Apple Inc.; however when it comes to the kind of mammoth
threat posed by China and its complicit geo-bedmate, Canada, they are ad
idem on what needs to be done. The former produced two new ads that use
the lexicon. One theme is how young children can create home videos.
Microsoft’s producers waste not a second to embed the lexicon (video).
They cast a very young quantum-attired Chinese girl; who's sitting in front
of her computer and talking to camera. The back cover of the laptop is red.
There's a tiny bit of milk in a glass, a black staircase in the background and
yellow cereal in the foreground = Chinada punishment certainty and child
protection theme.
On the monitor is a compilation of technology critiques about Windows 7.
There's a quantum ratifying five reviews.
Producers show how she can create her own home video. The first create is
the mock-up of a stage on which there are two cats. The second contains a
dog and a rabbit; the first being Kidmanesque coercive diplomacy and the
second refers back to Jan Leno’s celebrated comedy sketch (see transcript in
Chapter 9) which mocked Canadian Prime Minister Stephen Harper for not
capitulating upon winning the January 2006 election to what the coalition
demanded. Leno et al script him having his teeth knocked out.
The second commercial (video) also includes the same young Chinese girl.
This time she's attired in prison certainty and quantum. She's instructed to
run her finger down the screen – pointing to the headlines of technology
reviews for Windows 7 and scripted to repeat the number 7 a total of four
times: 7 X 4 = 28, a Sorkin China identifier.
When she announces she's
going to make a slideshow producers edit-in a soundtrack [@ 0:14] - the hit
song 'Final Countdown' by the rock band 'Europe' which sought to impress
upon the malfeasant that their time governing Canada like a fiefdom is about
to come to an end. .
Apple Inc. ran two new ads with geo-political significance.
One (video)
about the iPhone begins with the audience seeing a large number 12 on one
of the electronic buttons; followed by a close-up of the product revealing
that ingenious time stamp 9:42 - nine minus four is a quantum ratifying
five, minus two is a coalition identifying three.
The purpose of the ad is to describe the versatility of the product viz. the
numbers and kinds of application software it can service.
The first is a
budget calculator. In the top half of the screen there is the "daily average",
"budget", "expense" and "balance". The first contains a coalition identifier,
the second a quantum ratifier, the third a combination China identifier and
quantum ratifier, and the fourth the digits add up to twenty.
In the bottom section "auto: repair" – $52.75” – contains a China identifier
and "household" – $15.25 – contains a coalition identifier.
The screen is scrolled up to reveal "home rent" – “$850.00”, which contains
a combination China identifier and quantum ratifier.
The next application is for investors.
The screen contains a market
indicator: "104.77" – digits add up to twenty. The digits in the volume stat
– “152.13” – add up to 12, a coalition identifier.
The next application is for musicians who want to learn a new cord. The arm
of a guitar contains three main numbers, the combination of the first two, 7
& 9 = 16, is a quantum ratifier and the third is 12, a coalition identifier.
The next application is for those who want to learn a new language. Chinese
is chosen.
The announcer concludes with "there are 75 thousand apps for just about
anything" – a coalition identifier.
Producers then edit together other app screens rapid-fire – including:
(i)
An image of an apple including a counter "5 of 5";
(ii)
A sound meter - the readout is "83"
(iii)
A dinner tip calculator: amount $85.
Another iPhone application software ad (video) begins with the number 16,
a quantum ratifier, on one of the electronic buttons.
The first application is to check snow conditions. Not until the third screen
does the audience see a close-up and the numbers: a 75 (coalition
identifier) on the top level and 36 and 50 on the third level (digits add up to
14, a coalition identifier).
A first screen of the calorie checking application contains the following
numbers (i) 153 (quantum ratifier and coalition identifier), (iii) 67 (Taylor
identifier).
The second screen (ii) 28 (Sorkin identifier) and (iii) 35
(coalition identifier and quantum ratifier).
And the third 390 (coalition
identifier), 8 (China identifier), 201 (coalition identifier), 175 (Taylor
identifier); and a date stamp of January 16 (quantum ratifier).
The script of a T Mobile commercial (video) involves its hand held device
being passed from celebrity to celebrity. It begins with a soundtrack about
being free, which Chinada’s favorite lab monkey has been since graduating
from law school in 1986.
After "if you want to be free, be free; 'cause
there's a million things to be" the audience sees an odd photo, of a vertical
pile of white rocks – a quantum ratifying five of them.
The last photo consists of a photo of two people with the Canadian
punishment certainty color scheme; and then the camera pans out to reveal
a coalition identifying 12 people standing in a row representing customers.
This is producers’ way of identifying a category of coalition partner.
The message in a television ad for Porsche’s new automobile (video) is the
evolution of the car maker’s designs.
The first to be shown is an early
version – license plate: “T 2222” – a China identifier.
behind it are absent license plates.
The early models
To “car of his dreams” the audience
sees an early racing model with the number 19 emblazoned on the driver’s
side door.
There’s also a red logo and a yellow Castrol oil stick = China.
The next clip consists of a more recent racer. On its driver door and engine
hood is the number twenty. The geo-theme is the wealth that comes with
ratified quantum.
Though not a large or multi-national corporation, the manufacturers of the
“wonder hanger” were invited to become coalition partners.
Their
nationwide advertising campaign that’s piped into Canada on several
American channels includes a commercial that contains the lexicon (video).
The announcer begins by indicating the purchaser can increase one's closet
space three fold.
The design holds five hangers.
On the closet's shelf
there are a variety of eight items, including a red and white striped box –
Canadian prison certainty with a pink top – condemnation.
There's also a
stack of three folded sweaters.
The manufacturer boasts the hanger can support twenty pounds of clothing
weight. One illustration of what it can hold is five winder coats.
The offer is for five hangers and for a stick-on light that has five tiny
lighting fixtures.
The photo of the light includes one hanger and four of
another kind of hanger for delicate items, which totals five.
The red and
white striped box - Canadian prison certainty - is visible.
The U.S. Airforce commercial was geo-ed (video).
The subject is the
department's "Space Command" - tracking orbiting satellites.
The first
scene is two pieces of space debris striking each other, creating more
menaces. One officer advised of the danger instructs “Launch the avoidance
maneuver” - a reference to the geo-gesturing constituent of the lexicon.
The third officer, who is monitoring trajectory and speed, is scripted to state
"twenty
kilometers
and
experimentation reference.
closing"
–
an
enslaving
torturing
human
Just after another officer states "Collision averted sir", there's a consol
monitor with the number "72", a quantum ratifier. Just below it is computer
screen with five icons – a second quantum ratifier. It follows a caption that
reads "It's not science fiction", which is what stealth cognition technologies
is.
Another ad by the U.S. Air Force (video) is turned into a reminder that
military action is on the table of options to effect change in Canada.
family is sitting around the television set watching sports.
picture signal is lost.
A
quantum-attired
child
A
Suddenly the
sitting up close is
exasperated. On the couch is mom and dad, the former in yellow, the latter
in red = China. The daughter dashes onto the roof to set up a satellite dish;
and restores the picture. Everyone in the living-room cheers.
Mariah Carey teamed up with one of America’s largest corporations, AT&T,
for an October 2009 ad (video).
The commercial begins with a hotel
manager speaking to an employee, indicating that Mariah's plane just
landed. Something’s been taped to the wall behind them that is intended to
look like the number eight - a China identifier. Behind the prison certainty justice attired clerk are elevators – yellow trim and a guest attired in
Canadian colors = Chinada and the ‘elevator incident’.
A close-up of the screen to his AT&T hand-held device has five items: (i)
dog bed; (ii) 24 Mataysian orchids; (iii) aromatherapy candles; (iv) five
goose down pillows; (v) silver candlesticks.
There’s Kidmanesque coercive
diplomacy and linking compensation liability exposure to Canada.
The employee is then sent to pick the items up in time for the superstar's
arrival. In the next scene he’s rushing down a department store isle on his
cell phone ordering the orchids. One of three bags he’s carrying is the color
of justice. The other two, red and white, constitute Canada.
Stop number three is the dog store; which is the link between coalition
action involving lethal military force and capital punishment and Chinada
principals.
When in Mariah's suite, he's observed arranging bottles of cosmetics. There
are three there already, and he adds two more to total five.
Mariah makes her entrance, with a compliment: "Nice job". When he turns
around, she's holding a condemnation colored flower; and one in the floral
arrangement next to her stands out because it's the color of justice. Behind
her is her dog in the arms of an assistant. She blows him a kiss.
The last scene is filmed in the hallway. The clerk is bragging on the phone
to his friend that he "just made out with Mariah Carey". Then he Kung-Fu
style kicks the elevator button; constituting a combination isolationdeprivation initiative and elevator incident.
The first geo-politicized portion of the ‘behind the scenes’ production is
Mariah being filmed just after being discovered by the clerk.
She's not
holding a pink flower; rather a purple one - justice.
The
interview of
her includes standing
beside
a
counter of
flower
arrangements. The one immediately to her left is red and yellow = China.
Behind her is a row of candles. Not until the next clip of her interview does
the audience see there are five of them – an isolation-deprivation initiative
linked to damages ratification.
The states about the clerk "he manages to do everything he has to do" and
then @ 0:39 executes three Clash of Civilizations Maneuvers. A clip of her
executing a Diaz Maneuver is then added.
Mariah gets Kidmanesque with her remarks: “I've been a dog lover since I
was little.
My mom has like five dogs...”.
Here she combines a Dogville
reference with another confirmation the Canadian lawyer’s entitled to
coalition ratified damages for what he suffered and lost.
She effects Maria Maneuvers to "It's exciting right now with [1:18: M.M.]
'Precious' the movie.
I just got back from the Toronto Film Festival; and
[1:22: M.M.] working on the album”.
She both services the Canadian
lawyer’s international persona and in the context of a reference to one
constituent of the Ottawa-Toronto-Montreal-(Beijing) triangle of power.
She adds: "I think that Twitter is cool because your fans feel closer to you
[1:36: Clash of Civ M.]”; articulating that the Chinada threat has created a
community of like-minded, tenaciously resolved people who’ve been working
synergistically to resolve it as fast as possible.
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