r:o6 6:o5 2157 2:ro 3150 3:50 rc`.46 4`.27

r:o6 6:o5 2157 2:ro 3150 3:50 rc`.46 4`.27

r
z
3
4
5
6
Walkiire Act III: Scener
Hojotoho! (Gerhilde-Walkiiren)
Schiitzt mich, und helft in hochster Notl (Briinnhilde)
Nicht sehre dich Sorgeum mich (Sieglinde)
Fortdenn eile, nach Osten gewandt! (Brtinnhilde)
r:o6
6:o5
2157
2:ro
Scenez. Wo ist Briinnhild (Wotan)
3'.20
gebiete
Strafe!
(Briinnhilde)
die
ich,
Vater:
Hier
bin
4i5'
7
(Wotan)
ihr
nicht
8 Hortet
3:r r
)140
9 Scene3. War es so schmihlich (Briinnhilde)
ro Nicht weise bin ich (Briinnhilde)
4i46
rr So tatest du, was so gern zlJtun ich begehrt (Wotan)
)1fi
rz Woh taughte dir nicht die tor'ge Maid (Briinnhilde)
3150
rj Nicht streb, o Maid, den Mut rnir zu stciren!(Wotan)
3:50
rc'.46
14 Leb wohl, du kiihnes, herrliches Kind! (Wotan)
r5 Loge, horl (Wotan)
4'.27
end Act III
'tor^Li r4io7
16 Gtitterdiimmerung Prologue: Tagesgrauen(z:59)
17 ZuneuenThaten (Briinnhilde)
18 Lass'ich, Liebste,dich hierin (Siegfried)
r9 Oh! heilige Gotterl (Siegfried)
5,t"
3i22
2134
rorar uur: 76:4r
Some acclaimed Furtwingler recordings on Music & Arts
cD NO. 2
2
1
+
5
Gdtterdf,mmerung ('kfrom Act I Scene 3)
Altgewohntes Geriusch (Briinnhilde) (6:34)
Hdre mit Sinn (Waltraute)
Ha! weisst du (Briinnhilde)
Briinnhild! Ein Freier (Siegfried)
('k from Act II Scene4) Heil'ge Gotter
(Bri.innhilde) (4:55)
Helle Wehr (Siegfried)
TOrAL: 33:14
rr:48
6t4
8:38
IO
rr
.^.^
G0-730(l) BEETHOVEN: Symphony No. 9, Philh. Orch., Lucerne Festival Choir with
E. Schwarzkopf,sop. & E. Cavelti,contralto, E. H5fliger, tenor & O. Edelmann, baritone. (zz Aug.
19541
G0-1018(a) AT THE LUCERNE FESTIVAL: 1947-195jRECORDTNGSAND BROADCASTS.
piano (27
CD r (7t:42\: Beethoven:PianoConcertoNo. r in C, op. 15with Adrian Aeschbacher,
Aug. t9471, Brahms: Concerto for violin and violoncello, in A minor, op. roz with Wolfgang
S c h n e i d e r h a n , v n . , E n r i c o M a i n a r d i , v c ( z 4 A r g . 1 9 4C
9 )D; z ( 7 7 : o 8 l : B r a h m s : S y m p h o n y # r i n
C minor, op. 68 (27 Aug. t9471; Schumann: Symphony #4 in D minor, op. rzo (26 Aug. 1953);
CD 3 (67:o3) Beethoven: Symphony fi in E flat major, op. 55 (26 Aug. t953); Wagner:
Lohengrin Prelude, (Unissued HMV recording, r5 Sept. 1949); Beethoven: Symphony #7 in
A major, op. 92, (rehearsalof mvt 2 (exc.)15Aug. r95r); CD 4 (6o:zr): Beethoven: Leonore
Overture fi, (27 Aug. 1947\, and Violin Concerto in D Major, Op. 6r with Yehudi Menuhin, vn,
(Kreisler Cadenzas),(from HMV DB 657419, z8 & z9 Aug. 1947\. A11performances with the
Lucerne FestivalOrchestra.
3ir5
TOTAL: 2I:29
8:r9
2:22
7:r2
*Please note that these start into the various scenes, not at the beginning ofthe scenes
--il
GD'814(l) THE WARTIME EROICA,VPO (1944),& STMUSS: Don fuan, Op. zo, Stockholm
P . O .( t 9 4 2 \ .
5:28
4iro
rOrar rrrurr:78:46
/
Glt-882(3) MOZART: Die Zauberfl<jte,K6zo. The 1949 Salzburg Festival Performance, with
f. Greindl, W. Ludwig, W. Lipp, I. Seefried, K. Schmitt-Walter, P. Klein & P. Schtiffler; with
excerptsfrom the r95r Salzburg Performance with Anton Dermota as Tamino and Erich Kunz
as Papageno.
5:o9
157
Und dort trifft ihn mein Speerl (Hagen)
Doch Gutrune, ach! (Gunther)
end Act II
(" from Act III Scene3) Schweigt eures Jammers
(Briinnhilde) (i,t6)
Starke Scheite (Bri.innhilde)
1 3 Mein Erbe nun (Briinnhilde)
r4 Fliegt heim, ihr Raben! (Briinnhilde)
end Act III
tz
f,/--^L
'torl.Li 23'.54
6
7 Scene5: beginning
8 Welches Unholds List (Brtrnnhilde)
9
GD-9ll(12) THE LA SCALA RING. WAGNER: Der Ring des Nibelungen, with Ferdinand Frantz
as Wotan, Elisabeth Hringen as Fricka, Giinther Treptow as Siegmund, Ludwig Weber as
Hunding and Hagen, Hilde Konetzni as Sieglinde, Kirsten Flagstadas Briinnhilde, Set Svanholm
as the young Siegfried, Josef Herrmann as the Wanderer and Gunther, and Max Lorenz as the
mature Siegfried, with orchestra and chorus of Teatro alla Scala (Milano), live recordings,
()MUSIC
SARTS
ffi
cD-roJ5(2)
MD
For a complete free catalogue,write to, call or e-mail:
Music and Arts Programs of America, Inc.
. Fax:5to-524-ztu
P.O.Box77r . Berkeley,CA 947or. Phone: 5ro-525-4583
E-maii: [email protected] . Website: htrp://ww.musicandarts.com
It
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"Herr Furtwaengler was in terrific form for 'Die Walkuere'. He
contrived to give the effect of unbounded volume in the orchestra
without ever drowning the singers. And his synchronisation of the
voice and orchestra - a difficult task at Covent Garden - was so
perfect that not a phrase was blurred nor a syllable lost. For the first
time I began to sympathise with the German contention that Herr
Furtwaengler is the greatest living conductor. He gathered his orchestra almost in his arms and made them play, as someone put it, better
-From The Sunday TimesMay jo, 1937
than they knew..."
"...of the greatest importance are the two London Rings and the hope
that someday they will be made commercially available. The 1937 Act
III of Die Walkiire is Furtwdngler's most exciting and theatrical
account of this music, with all the music's rhphms and emotions
sharpenedto a glistening point. He is staunchly abettedby Flagstad's
heroic Brtinnhilde, Rudolf Bockelmann's vivid Wotan, and an orchestra well practiced in this music under both Furtwlngler and Sir
Thomas Beecham.
Almost as heated as his London third act of Walkilre but not
nearly as finished orchestrally are excerpts from the ry37 Gdtterdiimrnerung with Flagstad, Lauritz Melchior, Kerstin Thorborg, Herbert
fanssen, and Ludwig Weber. The orchestra responds with enthusiasm,
but all too often the string attacks and ensemble are poor. Though
Flagstad displays less involvement here, the performance
is enriched by Thorborg's magnificent Waltraute and Melchior's
mighty Siegfried. There is also an extended second-actexcerpt from the
ry38 Gdtterddmmerungthat provides a glimpse of Frida Leider's fabled
Bri.innhilde (we have, too, her brilliant "Ho-jo-to-ho" from the same
year's Walkilre). Her Siegfried is also Melchior, again in full splendor,
while fanssen repeats his superb Gunther. In all candor, Covent
Garden's chorus during this period left a great deal to be desired, and
the sound, though impressive for its day, is hardly first-class. It is, however, sufficiently forward and clean to make clear the wonder of what
is happening.
From fohn Ardoiru The Furtwtingler Record,Portland, Oregon, Amadeus
Press, @ 1994, Reprinted with the permission of the author.
The following excerpts reproduced from HMV test pressings; previously released by our
forerunner Educational Media Associates of America, Inc. on iong-playing records
RR4r7 (Walkiire, Act III; 1978) and RR4z9 (z LPs, 1978, including slightly more material from Gdtterddmmerung than appears on these CDs). Further excerpts may exist of
Das Rheingold and. Siegfriedin EMI archives.
tl
representative
excerpts
ll It llt t ililt l|RIlfill il il conducts
from the Royal Opera Covent Garden performances of Die Walkiire
given during the Coronation season:
and Gijtterdiimm.erung
From the performance of Wednesday, zG May ry37, Die Walkilre:
Act III complete with Kirsten Flagstad (Briinnhilde), Maria Miiller
(Sieglinde),Elsa Stenning (Helmwige), Mae Graven (Gerhilde),
Thelma Bardsley (Ortlinde), Linda Seymour (Waltraute), Edith Coates
GladysGarside
(Siegrune),EvelynArden (Rossweise),
rudolf
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(Briinnhilde), Maria Nezadal (Gutrune), Kerstin
Thorborg (Waltraute), Lauritz Melchior (Siegfried), Herbert fanssen
(Gunther), Ludwig Weber (Hagen), Covent Garden Chorus, and
London Philharmonic.
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