THERESA STANGL

THE SUNDAY TIMES,
1
keeping h i m going now—working.
T h e nights are hard f o r
h i m : n o sleep b e f o r e t w o o r
three, a n d even t h e n , never
without pills."
H o r s t M u n z b e r g e r is t h i r t y eight b u t looks t h i r t y . His wife,
a l t h o u g h t h e y have t h r e e y o u n g
children, the oldest—when
I
met t h e m — e i g h t , the youngest
three, looks l i k e a y o u n g g i r l .
T h e i r house, a t t h e e n d o f t h e
r o a d f r o m t h e v i l l a g e , is a g e m
of t r a d i t i o n a l Bavarian craftsmanship, inside and out.
" I t h i n k , " said H o r s t later,
downstairs i n their living room,
" one
can make
someone
weaker t h a n he is, by telling
h i m a l l t h e t i m e h e is w e a k
a n d t i r e d . T h a t is w h a t m y
m o t h e r does. I t h i n k m y f a t h e r
is m u c h s t r o n g e r
t h a n he
seems.
" O f course, h e was a l w a y s a
very thorough man; thorough
i n h i s w o r k and i n h i s habits.
D i d t h e y select p e o p l e because
ot s p e c i a l q u a l i t i e s , o r p e r h a p s
special v u l n e r a b i l i t i e s ? I don't
know. I w i s h I d i d . I can't
r e a l l y i m a g i n e t h a t t h e y chose
t h e m at r a n d o m . I n o u r v i l l a g e ,
for instance, they took two f o r
this awful t h i n g — m y
father
and a neighbour. T w o out of—
I t h i n k there were t w e n t y of
t h a t age a n d o f t h e same status
W h y j u s t t h e m ? W h y , too, d i d
so m a n y o f t h e m e n w h o
w o r k e d i n t h e s e t e r r i b l e places
come
not from
Germany
proper, b u t f r o m one of t h e
annexed
states—Austria, the
Sudetenland,
Ukrainians,
Lithuanians?
"My
father—I
can q u i t e
imagine t h a t he w o u l d have
approached T r e b l i n k a w i t h t h e
same t h o r o u g h n e s s w i t h w h i c h
been d e l i b e r a t e l y
picked for
these j o b s , t h a t t h e m a j o r i t y o f
t h e m had not been d r a f t e d i n t o
T 4 , b u t h a d v o l u n t e e r e d . His
purpose—conscious o r unconscious—was t o convey t h a t i t
was
these
morally
inferior
semi-outsiders w h o competed
for
these
assignments, n o t
" r e a l " Germans. I am inclined
to take a different view. A l t h o u g h , a t least as f a r as t h e
original recruitment f o r the
Euthanasia
Programme was
concerned, I t h i n k he m a y be
telling the truth i n claiming
that many of t h e people w h o
j o i n e d d i d so v o l u n t a r i l y , f o r
t h e a d d i t i o n a l benefits a n d t h e
c h a n c e o f n o t h a v i n g t o go t o
the front; and although the
number
of
Austrians w h o
occupied leading positions i n
j u s t t h i s area o f T h i r d Reich
policies
cannot
be i g n o r e d ;
n e v e r t h e l e s s I b e l i e v e t h a t acc e p t i n g so m a n y " v o l u n t e e r s "
f r o m o u t s i d e t h e Altreich
was a
deliberate p a r t o f t h e system.
Psychologically, these w e r e m e n
w h o c o u l d be expected t o feel
less s e c u r e a n d t h e r e f o r e c o u l d
be m a d e t o f e e l m o r e dependent, more anxious to prove
t h e i r n e w n a t i o n a l allegiance.
I n a p r a c t i c a l sense, t h e r e f o r e ,
they were more vulnerable to
The picture of Stangl published when he was a wanted man. He p r e s s u r e . A n d w h e n i t c a m e t o
escaped from an Austrian camp to Rome, where he was helped by a t h e s e l e c t i o n o f t h e n i n e t y - s i x
Catholic Bishop to reach Syria. He later travelled openly to Brazil. SS
who were t o r u n the
In her book, Gitta Sereny presents the evidence for and against Aktion
Reinhard
i n Poland,
Vatican involvement in an S S escape route, through interviews t h e s e m e n , I a m c o n v i n c e d ,
with the priests involved.
w e r e chosen
very
carefully
from the ranks of the original
b
y
D
i
e
t
e
r
A
l
l
e
r
s
,
f
o
r
m
e
r
a
d
he a p p r o a c h e d h i s c a r p e n t r y a t
f o u r h u n d r e d T 4 personnel,
home:
i t w a s h i s p r i n c i p a l m i n i s t r a t i v e d i r e c t o r o f T 4 , f o r specific q u a l i t i e s o b s e r v e d
[
H
e
a
d
q
u
a
r
t
e
r
s
o
f
t
h
e
E
u
t
h
a
n
q u a l i t y as a c r a f t s m a n . "
d u r i n g t h e i r * apprenticeship "
asia P r o g r a m m e a n d l a t e r f o r i n t h e E u t h a n a s i a P r o g r a m m e
T H E F A C T T H A T M A N Y of Final Solution of t h e Jewish I t is o f considerable
signifiw h o c o n t i n u e s t o cance h e r e t h a t w h i l e t h e files
these m e n w e r e n o t f r o m t h e P r o b l e m ]
Altreich
w a s also e m p h a s i s e d i n s i s t t h a t t h e m e n h a d n o t
of G e r m a n y A r m y p e r s o n n e l i n
g e n e r a l , a n d most o f t h e SS i n
particular, d i d survive the w a r
t h e files o f these n i n e t y - s i x
people, t o g e t h e r w i t h a l l t h e
other F i i h r e r Chancellery a n d
T 4 files h a v e d i s a p p e a r e d .
EARLIER
I
H A D ASKED
Horst's father whether, when
he w a s first o r d e r e d t o r e p o r t
t o T 4 i n B e r l i n , h e t o o (nice
S t a n g l ) h a d signed a p a p e r
renouncing t h e Church and
s t a t i n g t h a t he w a s a G o t t gUiubiqer.
" No."
he h a d
r e p l i e d a t once,
H a d t h e y e v e r asked h i m t o
do t h a t ?
" No."
S u p p o s i n g t h e y had a s k e d ,
a n d n a d said t h e y ' d shoot h i s
family i f he didn't, would he
have signed?
" No,"
he persisted.
" I
wouldn't give u p my f a i t h . "
" Gustl,
his wife
nudged
him. " I f they threatened your
family? Y o u r children? "
" I w o u l d have given u p m y
f a i t h , " h e said o b e d i e n t l y .
" I d o n ' t w a n t t o say m u c h , "
said H o r s t l a t e r , " b u t a b o u t
t h i s business o f t h e C h u r c h :
i t ' s o n l y h e x t i i n Unteramm e r g a u , t h a t h e w e n t back t o
g o i n g t o c h u r c h . A f t e r he . . .
after he rejoined t h e C h u r c h . "
" Rejoined? "
"There
was a c e r e m o n y .
A f t e r b e i n g a Gottgltiuhiger
he
was officially r e c e i v e d back i n to t h e C h u r c h . " ( A priest was
to tell me later t h a t this was
not a n officially
prescribed—
or
required—ceremony.
" It
w o u l d oe a t t h e d i s c r e t i o n o f
the
local
priest,"
h e said.
" O r d i n a r i l y , all a Catholic who
had become a
Gottgldubiger
w o u l d have t o d o , w o u l d be t o
go
t o confession,
recel
a b s o l u t i o n a n d t h e n t a k e cor
munion.
I t is a matter
c h o i c e w h e t h e r o r n o t i t i s also
made i n t o a festive o c c a s i o n " )
I asked H o r s t
Munzberger
and his wife
whether
they
spent a l o t o f t i m e w i t h t h e
old people.
D i d the grandparents nave a l o t o f contact
w i t h t h e children? Was ther*
tension, o r d i d they all get o
ail
right?
.hu
night?"
H e shrugged his
shoulders and made the gesture
of l i f t i n g a bottle t o h i s lips.
His wife smiled sympatheticsentenced f o r ; I read t h e i n - ally. " I w o r k e d f o r years f o r
d i c t m e n t . B u t I d o n ' t k n o w i t t h e S t e i n s , " she v o l u n t e e r e d .
f r o m him. N o w I j u s t w i s h , f o r " J e w s i n o u r h o m e t o w n . A n d
his sake, t h a t h e c o u l d ease h i s G u s t a v , h e h a d m a n y J e w i s h
m i n d b y t a l k i n g about i t
"
customers."
; Munzberger, a non-commis" Anyway, before t h e w a r a
s i o n e d officer i n t h e SS, c a m e q u a r t e r o f t h e p o p u l a t i o n w e r e
to
Treblinka
after
having Jews," he interposed.
served i n t h e euthanasia insti"We
h a d n o t h i n g against
ll te a t Schloss S o n n e n s t e i n i n t h e m , " h i s w i f e c o n t i n u e d . " I n
i r n a — a l s o c a l l e d Die Sonne.
m y school I sat cheek b y j o w l
" A f t e r he was called u p , " w i t h I don't k n o w h o w many
aid Horst, " he often came o n Jewish girls.
What d i d we
eave, v e r y o f t e n . B u t n e v e r i n k n o w , w h a t d i d w e care? T h e y
n i f o r m . I n e v e r saw h i m i n w e n t t o t h e synagogue, w e
uniform
again — a l w a y s i n w e n t t o c h u r c h , t h a t ' s aid. . . ."
ivvies. W e had v e r y good holiGustav
Mlinzberger's
face
ays, yes, w e h a d i t v e r y g o o d , c h a n g e s
from
moment
to
I r e m e m b e r . Yes, I t h i n k p e o p l e m o m e n t , f r o m a n o l d m a n ' s
at h o m e k n e w a b o u t h i m . I ever-p r e s e n t ,
ever-running
remember
t h e f a t h e r o f a tears, t o resignation a n d t o
school f r i e n d s a y i n g t o m e once, w e a r i n e s s . A n d t h e n — a s i f b y
5 Y o u w a i t . Y o u r f a t h e r — w e ' l l some Sleight o f h a n d — t h e r e i s
g e t h i m o n e day.' H e w a s a a s u d d e n m o m e n t a r y g l i m p s e
Czech. A t t h e t i m e , o f c o u r s e , o f f o r c e , o f w h a t h e m a y have
I d i d n ' t k n o w w h a t h e m e a n t , b e e n l i k e i n t h e past.
This
b u t I t h i n k h e k n e w . B u t m y is
physical,
not moral or
m o t h e r d i d n ' t say a n y t h i n g . . . . s p i r i t u a l s t r e n g t h . H e was, n o
" W e l l , I knew after a w h i l e doubt, a t a i l broad-shouldered
w h a t h e w a s d o i n g , " s a i d t h e m a n , w i t h a fine h e a d a n d b l u e
old Frau Munzberger.
" H e eyes, t h e s o r t o f m a n a w o m a n
w a s n ' t supposed
t o say o f l i k e H o r s t ' s m o t h e r , i n t h a t
course, b u t y o u k n o w
what small Sudetenland town, w o u l d
women
a r e . I probed a n d have f a l l e n i n love w i t h .
"When
t h e y i n f o r m e d us
p r o b e d a n d finally h e t o l d m e .
I t w a s a w f u l o f c o u r s e , b u t w h a t t h a t h e was t o be r e l e a s e d f r o m
p r i s o n , " s a i d h i s w i f e , " I said
c o u l d w e do? "
" W e u p at the
Totenlager," I ' d t a k e t h e t r a i n t o M u n s t e r
[ D e a t h C a m p ] said t h e o l d t o g e t h i m . B u t H o r s t , h e said,
Stay h o m e , g e t t h i n g s r e a d y
man,
" w e d i d n ' t have a n y
whipping-posts o r anything. I for F a t h e r — 1 1 get h i m . ' W i t h was j u s t g l a d e v e r y n i g h t w h e n o u t H o r s t , I d o n ' t k n o w w h a t
I c o u l d g o d o w n t o m y r o o m we w o u l d h a v e d o n e . H e has
B u i l t us
a n d have peace. O h y e s , o u r g i v e n u s e v e r y t h i n g .
rooms
here, given his
quarters were down i n t h e our
work—that's
what's
lower camp. W h a t d i d I do at father
Continued from
preceding page
SEPTEMBER 1 1 9 7 4
eg
ed
6
" A l l right?" H o r s t l a u g h e d
b i t t e r l y . ^ ' H o w c a n i t be a l l
right?
W e manage, that's a l l .
because w e h a v e t o m a n a g e .
His
" What
old."
wife
nodded
sadly.
c a n w e d o ? Th< a r e
" O f course t h e r e is t<
i t is i n us a l l t h e t i m e ,
said
Horst.
I t is especially
cult f o r m y wife.'
" T h e w o r s t o f i t , " H o r s t cont i n u e d , is t h e c h i l d r e n . Y o u
see, m y w i f e a n d I , w e k n o w
very well that one day, n o t
long f r o m now, C h r i s t i a n [ t n e
o l d e s t b o y ] w i l l ask us quest i o n s ; he is e i g h t n o w .
When
he is t e n o r so, t h e y ' l l be g
t i n g m o d e r n h i s t o r y at sen
1 don't know how much that
school teaches t h e m — b u t t h e y
can't j u s t n o t tell t h e m a b o u '
these h o r r o r s . A n d t h e n — y o
k n o w what villages are—son
o t h e r c h i l d is b o u n d t o say
him,
Yeah Christian, y o u
g r a n d p a was i n t h i s ' A n d h e ' l l
c o m e h o m e a n d say to u s ,
W h a t d i d G r a n d p a have t o d o
with that?
M
M
4
4
1
That's what m y wife and
I w a n t e d t o t a l k to* y o u a b o u t .
That's what we wanted tu ask:
How shall I tell m y son?"
44
t r y i n g t o q u i e t m e . E v e n so,
i t w a s s e v e r a l days b e f o r e I
. . let h i m again.
I
finally
a l l o w e d m y s e l f t o be c o n v i n c e d
t h a t h i s r o l e i n t h i s c a m p was
purely
administrative — of
course I wanted
t o be convinced, didn't I? B u t anyway—
I can't quite r e m e m b e r t h e
sequence o f e v e n t s , b u t 1
k n o w 1 w o u l d n ' t have p a r t e d
f r o m h i m i n anger.
said H e l e n e E i d e n b o c k [ h e r c h a n g e d face; s o m e o n e ! d i d n ' t
s i s t e r ] i n V i e n n a . " I w e n t t o k n o w ; that face t h a t y o u t o o
m e e t t h e m a t t h e East S t a t i o n . saw l<ater, i n t h e p r i s o n — r e d ,
No, she d i d n ' t seem v e r y de- suffused, s w o l l e n , p r o t r u d i n g
pressed, n o t t h a t I r e m e m b e r . veins, c o u n t — he w h o w a s
n e v e r coarse o r v u l g a r , w h o w i l
1 saw a l l t h e i r p h o t o g r a p h s
That
was i t t h e n o r l a t e r , I a m n o t always l o v i n g a n d k i n d
Moser.
I
n
a
w
a
y
1
suppose
t
h
a
t
s
a
y
i
n
g
h
e
was
c
o
n
s
t
r
u
c
t
i
n
g
\
"
StanaVs wife Theresa
is small,
s u r e — o f h i m t o o , yes, i n t h a t was w h e n 1 began t o n a g h i m
was
t
h
e
first
t
i
m
e
I
came
i
n
t
o
said
F
r
a
u
S
t
a
n
g
l
,
"
b
u
t
h
e
blonde, and attractive.
She was
I
w h i t e l a c k e t , w i t h t n e c h i l d r e n , — a t leasi he c a l l e d i t t h a t
•sixty-four
when
Gitta
Sereny d i d n ' t say w h a t . A n d a l l I c o u l d c o n t a c t w i t h a n y t h i n g t o d o
asked h i m again a n d agai
a n d a b i g d o g , too, I r e m e m b e r
w
i
t
h
Jews
[
i
n
P
o
l
a
n
d
]
because
t
h
i
n
k
o
f
was
h
o
w
g
l
a
d
I
was
h
e
isiied her in Brazil where she
. . . L a t e r , o f course, w h e n w e ' P a u l , w h y a r e y o u s t i l l t h e
till lives. One day in 1930, she w a s n ' t a t t h e f r o n t . A n d t h e n , he h a d t w o y o u n g J e w i s h g i r l s
r e a d w h a t h e w a s — I t h o u g h t o f It's a y e a r n o w , m o r e t h a n
t
h
e
r
e
,
as
d
o
m
e
s
t
i
c
s
e
r
v
a
n
t
s
.
said, when
she was
studying w h e n h e ' d b e e n t h e r e f o r a
year
A l l the time vou N
" T h e n e x t d a y P a u l came t h a t p h o t o a n d t h o u g h t , I t
the two
at the School of Social Work in l o n g t i m e w i t h o u t leave he T h e y w e r e c a l l e d
only needed t h e r i d i n g crop you'd manage it, you'd war
back,
j
u
s
t
f
o
r
a
d
a
y
,
o
r
even
Zduseln
[
p
r
o
b
a
b
l
y
best
t
r
a
n
s
,IJn,:,
a friend
introduced
her w r o t e t o say t h a t t h e y w e r e
a t r a n s f e r . Paul,* I ' d say,
less. H e said he w a s b e i n g a n d t h e r e he was, j u s t as t h e y
as ' tousle-heads ' ] — I
to her cousin
Franz.
He was g o i n g t o l e t u s c o m e t o v i s i t l a t e d
afraid for y o u
1 am'afra
d
e
s
c
r
i
b
e
d
h
i
m
a
t
t
h
e
t
r
i
a
l
.
.
.'
t
r
a
n
s
f
e
r
r
e
d
,
t
o
T
r
e
b
l
i
n
k
a
—
a
Jail,
handsome,
and she liked h i m as h e w a s n o t g o i n g t o be d o n ' t r e a l l y k n o w w h y . T h e y
f o r y o u r s o i i l . Y o u must leave.
place,
h
e
said,
t
h
a
t
w
a
s
i
n
a
lini at once.
They were
mar- a l l o w e d o n l e a v e a w a y f r o m w e r e nice g i r l s , h e l p e d m e w i t h
F I R S T T I M E I S A W H u n away i f m u s t be W e w i l l
t e r r i b l e mess, w h e r e t h e w o r s t " T H E
children and all that.
ried in October,
1935. He was t h e East a t a l l . A n d s h o r t l y t h e
S o b i b o r , " come w i t h y o u , a n y w h e r e ' —
Schweinereien
were
being P A U L again after
then a police officer.
He trans- a f t e r w a r d s a W e h r m a c h t officer A l t h o u g h I h a d n ' t any n o t i o n o f
' H o w ? ' he said
They'd catch
done, a n d w h e r e i t w a s neces- said F r a u S t a n g l , " w a s five
erred
to the Gestapo
in 1939, a r r i v e d w i t h t r a v e l p a p e r s f o r t h e t r u e s i t u a t i o n , t h e r e w e r e
me
They catch
everybody.
sary t o m a k e a clean sweep m o n t h s l a t e r w h e n he c a m e
things that made me wonder:
ynd was assigned
to the Eutha- us.
I t was A n d t h a t w o u l d be t h e e n d f o r
w i t h a n i r o n b r o o m . I said, h o m e f o r C h r i s t m a s .
nasia programme
in
November
" No, I k n e w n o t h i n g — n o t h - y o u see, t h e w a l l s o f t h e house
all of us I i n a c o n c e n t r a
' M y God, I hope n o t a n o t h e r so w o n d e r f u l t o see h i m , a n d
1940.
He became
Commandant i n g w h a t e v e r .
H e m e t us off w e r e v e r y t h i n a n d I w o u l d
you in
Sionrn
I n A u s t r i a , camp,
place l i k e t h i s o n e h e r e , ' a n d at C h r i s t m a s too.
of Sobibor
extermination
camp t h e t r a i n , a n d , o f course, w e h e a r B a u r a t h M o s e r i n t h e
Idelention
for oomprom
he said n o , he d i d n ' t t h i n k so at h o m e , w h a t w i t h C h r i s t m a s
in March,
1942, and took
over h a d n ' t seen h i m i n m o n t h s , i t r o o m n e x t t o o u r s w h e n I w a s
relatives of unreliables| —
— f o r m e n o t t o w o r r y . I said a n d e v e r y t h i n g , w h a t I k n e w
at Treblinka
in September
of was j u s t w o n d e r f u l t o see h i m i n bed. H e h a d b o t h t h e g i r l s
was
happening
in
P o l a n d haps t h e c h i l d r e n t o o ; i t ' s u
I
w
a
n
t
e
d
t
o
g
o
h
o
m
e
.
A
n
d
,
w
e
l
l
that
year.
—
t
h
e
Zduseln—in
t
h
e
r
e
a
n
d
a g a i n . Once a g a i n , t h a t was a l l
thinkable'
That's
what h e
t h e n h e l e f t . I ' d t o l d h i m seemed u t t e r l y u n r e a l . 1 asked
I c o u l d t h i n k of. W e w e n t t o . . . w e l l . . . he d i d things t o
Well, you understand. I
a b o u t T r e b l i n k a o f course, b u t said
I
w
a
n
t
e
d
t
o
leave
as
q
u
i
c
k
l
y
as
t
h
e
m
,
y
o
u
k
n
o
w
.
I
t
w
o
u
l
d
s
t
a
r
t
H E H A D W R I T T E N T O M E stay i n C h e l m i n t h e house o f
he s a i d h e w a s o n l y respon- w a s n ' t t h i n k i n g of G e r m a n y ' s
possible—1
didn't
want
to
soon a f t e r h e g o t t o P o l a n d t h e Chief s u r v e y o r , B a u r a t h e v e r y n i g h t w i t h h i s t e l l i n g
sible f o r t h e valuables, con- v i c t o r y o r defeat. I was o n i y
impose o n t h e Chelmickis a
struction and discipline
No, t h i n k i n g of h i m , m y man, and
m o m e n t l o n g e r t h a n necessary.
he d i d n ' t p r e t e n d t h e n t h a t i t w hat was h a p p e n i n g t o h i m
A n y w a y , t h e n e x t d a y ReichOLD V I C . NATIONAL T H E A T R E . R O Y A L T Y . 4 0 5 8004.
prcv.
T
o
m
o
r
.
8
.
Opens
T
u
e
s
.
at
w a s n ' t t h e same s o r t o f place inside, a n d I went o n DAggl
(928 7 6 1 6 . ) T o m o r . i l Tue. 7.30:
T h e a t r e s
7.
Subs. 8.
Sat. 6 & 8 . 3 0C
. H I C H E S T E R . 0243 86333. ToPeter Shaffer's
"Then
I told h i m t o go leitner came."
R O L A N D C U L V E R J O N P E R T W E E mor. St Sept. 4 . 5 at 7 . 0 , Sept. 7
as S o b i b o r , b u t he said that h i m
H e ' d get t e r r i b l y an
EQUUS
LYNDA BARRY
at 2 . 0 A M O N T H IN T H E C O U N - away.
1
c
o
u
l
d
h
a
r
d
l
y
t
h
i
n
k
.
I
C A S I N O . O l d Comptort S t . . W . l .
he was d o i n g e v e r y t h i n g he q u i t e out of c h a r a d e r f o r h i
in a n e w comedy
T R Y ; Sept. 3 , 6 . 7 at 7 . 0 . Sopt.
1437 6 8 7 7 . )
L i v e on Slage. Wed. 7 . 3 0 . T h u r 2 . 1 5 & 7 . 3 0 :
T
H
E
M
A
R
R
I
A
G
E
O
F
F
I
G
A
R
O
5
at
2
.
0
O
E
D
I
P
U
S
T
Y
R
A
N
N
U
8
.
was
a
l
r
e
a
d
y
c
r
y
i
n
g
.
I
t
o
o
k
T W I G G Y . S T E P T O E St S O N
THE BEDWINNER
could to get out.
' Is t h i s w h a t m v w h o l e lea
F r l . 7 . 3 0 . Sat. 2 . 1 5 St 7 . 3 0 :
(WILFRID BRAMBELL.
L E. E D S P L A Y H O U S E . 0 5 3 2 4 2 1 1 1 .
SPRING AWAKENING
^ ROYAL
COURT.
730
1745
I
H A R R Y H. G O R B E T T )
11-28 Sept.. W H O ' S A F R A I D O F t h e c h i l d r e n i n t o t h e house.
is u o i n e t o be l i k e ' ' ' he'd fltiou.
SEATS ALWAYS AVAIL. D A Y OF
E v e n i n g s 8 . Sat. 5 & 8 . 3 0 :
In S u p e r Panto
V I R G I N I A W O O L F ? with Miriam sat t h e r e , s t a r i n g , s t a r i n g i n t o
P E R F O R M A N C E F R O M 1 0 a.m.
JOHN G l E L G U D
Karlan. B e r n a r d Honsfall. 2 - 2 6
A r e n ' t you ever going t o stop
" A N D T H E N I D I D N ' T SHE
CINDERELLA
Oct..
J o s e p h a n d the Amazing an
P
A
L
L
A
D
I
U
M
.
4
3
7
7
3
7
3
.
Last
week
in
B
I
N
G
O
abyss—that's w h a t I saw;
Postal bookings only pending
pestering m e '
Technicolor Dreamcoat. 3 0 O c t . T w i c e Nightly 6 . 1 5 St 8 . 4 5 .
P a u l again u n t i l J u l y l » 4 . ' j ,
by E D W A R D
BOND
Box Office opening Sept. 9,
23
N
o
v
.
.
P
a
u
l
Scofield
in
T
h
e
with A R T H U R L O W E
my h u s b a n d , m y m a n , m y g o o d
VIC DAMONE
Tom posL
F r a u Stangl continued. " A n d
" Magnificent," G d n .
C O C K P I T . 4-02 5 0 8 1 . E v g s . 7 . 3 0 .
ARTHUR ASKEY
*' I
. 1 c o u l d no l o n g e r be
h o w c o u l d h e be i n t h i s ?
" E l e c t r i f y i n g . " Dally Mall.
National Y o u t h T h e a t r e In
NEW T H E A T R E O X F O R D .
0865 man,
M I L L ( C A N St N E S B I T T
t h a t was a t e r r i b l e t i m e — h e
S
H
A
W
.
0
1
3
8
8
1
3
9
4
.
E
v
g
s
.
7
.
3
0
,
4
4
5
4
4
.
O
X
F
O
R
D
T
H
E
A
T
R
E
BOBBY CRUSH. ROG^R KITTER.
with him
you know
near
THE CHILDREN'S
Was
i
t
possible
t
h
a
t
h
e
a
c
t
u
a
l
l
y
National
Y
o
u
t
h
T
h
e
a
t
r
e
In
F E S T I V A L . E v s . 7 . 3 0 , T h u < . . Sat.
NEXT ATTRACTIONstayed a l m o s t a m o n t h . B y
SKELTON'S
2.30
& 7.30
Sept. 9 2 1
BROADWAY'S
CRUSADE
him
I t was q u i t e t e r r i b l e , f o r
saw these t h i n g s b e i n g done?
JULIA FOSTER. JOHN STANDING
Franz R e i d i l e i t n e r , who had that t i m e I had thought more
M
A
G
N
Y
F
I
C
E
N
C
E
E
T
H
E
L
M
E
R
M
A
N
b o t h o f us W e w e r e s t a y i n c i n
JAMES VILLIERS. NOEL WILLMAN
C O M E D Y . 9 3 0 2 5 7 8 . Opens tomor.
. . .
M y thoughts were i n a
O f course I
been w i t h Stangl at H a r t h e i m , about T r e b l i n k a .
7.0. Subs. 8 . 0 . S a t . 5 . 3 0 . 8 . 3 0 . P A L L A D I U M . 4 3 7 7 3 7 3 . 6 . 1 5 . 8 . 4 5
SAINT JOAN
the mountains w i t h this f r i e n d
w h i r l ; w h a t 1 n e e d e d above a l l
Mat. T h u r s . 3 . 0 .
F O R T H C O M I N G A T T R A C T I O N S Mat. T h . 3 . 0 . Sat'. 5 . 3 0 % 8 . 3 0
was
p
r
e
g
n
a
n
t
,
t
h
a
t
p
r
o
b
a
b
l
y
S
h
a
w
'
s
classic
directed
by
t
o
o
k
o
v
e
r
as
Kommavdant
o
f
M
A
U
R
E
E
N
O
'
S
U
L
L
P
/
A
N
.
L
I
Z
A
September 2 3 - O c t o b e r 1 2
of
m y mother'
WHAT I F YOU
PETER CLEMENTS
was t o c o n f r o n t h i m , t o t a l k t o
GODDARD. RICHARD CALDICOT.
also i n f l u e n c e d m y state o f
S
o
b
i
b
o
r
a
f
t
e
r
S
t
a
n
g
l
l
e
f
t
"
H
e
K
E
N
DODD
D
E
R
E
K
R
d
Y
L
E
i
n
D I E D TOMORROW ?
F a t h e r M a r i o : she
OXFORD
PLAYHOUSE.
0 8 6 5 h i m , t o see w h a t h e h a d t o say,
L A U G H T E R SHOW
by D A V I D W I L L I A M S O N .
" NO SEX, P L E A S E ,
said he w a n t e d t o have a look m i n d . A t C h r i s t m a s , y o u see,
47133.
OXFORD
THEATRE
f o r us t o stay t l
C o m e d y S u c c e s s direct from
T u e s . . Oct. 15. F o r a Season.
F E S T I V A L . E v s . 8 . F r l s . St S a t s .
how he could explain. . .
WE'RE BRITISH "
around,"
Frau
Stangl
con- he h a d t o l d m e again t h a t he
Opera House. S y d n e y .
L A R R Y G R A Y S O N in
5 & 8.15
Directed b y A L L A N D A V I S .
h o l i d a y . A n d one day I c o u l d
Dress
GRAYSON'S SCANDALS
TOM B A K E R , N I G E L STOCK.
was
t
h
e
h
i
g
h
e
s
t
r
a
n
k
i
n
g
'
H
Y
S
T
E
R
I
C
A
L
L
Y
F
U
N
N
Y
.
"
S
.
T
.
She
l
e
f
t
t
h
e
c
h
i
l
d
r
e
n
p
l
a
y
i
n
g
t
i
n
u
e
d
.
"
W
e
l
l
,
o
f
course
1
D
U
K
E
O
P
Y
O
R
K
'
S
.
8
3
6
5
1
2
2
A U B R E Y WOODS
Rehearsal
s t a n d i t any l o n g e r ; \ n o Ion
PALLADIUM AT CHRISTMAS
Evunings 8 . 0 . S a t . 5 . 0 . 8 . 3 0 .
SAVOY.
836 8888
open to the
a n d w e n t o u t k n e w h i m , y o u k n o w , because officer i n T r e b l i n k a a n d I h a d
Opens D e c . 1 7 . Book NOW for E v e s . 8, Sat. 5 St 8 . W e d . 2 . 3 0 T R I A L S OF OSCAR W I L D E i n t h e i r r o o m
ALAN BATES
k n e w w h e r e t o t u r n , I hat I' t o
T O M M Y S T E E L E as
public Sept. 5.
In D A V I D S T O R E Y ' S
World P r e m i e r e devised
ROBERT MORLEY
asked
h
i
m
—
a
g
a
i
n
—
w
h
a
t
t
h
a
t
a
l
o
n
g
t
h
e
p
a
t
h
i
n
t
h
e
f
o
r
e
s
t
she
he h a d m a r r i e d m y f r i e n d A n n a
by Peter C o e .
All seats £1.
Remarkably f u n n y . " Standard.
HANS CHRISTIAN
talk t o somebody
So I w e n t
L I F E CLASS
Tonight at 8 . 3 0 P a u l Scofield,
A
M
B
R
O
S
I
N
E
W
I
L
L
I
A
M
J
O
Y
C
E
m
e
a
n
t
.
Because
h
e
'
d
n
e
v
e
r
• Reded, pr. previews from Sept 6 Directed
k
n
e
w
h
e
w
o
u
l
d
h
a
v
e
t
o
t
a
k
e
t
o
Baumgartner f r o m Steyr and
by L i n d s a y Anderson
ANDERSEN
P H I L L P O T T S F R A N K L Y N C A R E Y Joy P a r k e r P O E T R Y F O R T W O .
to see F a t h e r M a r i o .
I said
' • at 8 p.m.
" A btazrtnq m a s t e r p i e c e . " S . T m s
Sopt.
8
at
8
.
3
0
L
a
r
r
y
Adlor
In
m
e
n
t
i
o
n
e
d
b
e
i
n
g
K
o
m
m
a
n
d
a
n
t
ride home.
" I w a l k e d f o r a so I f e l t I h a d s o m e t h i n g i n
A L a v i s h Ne-w Musical.
LAST 3 WEEKS.
A GHOST O N T I P T O E
FROM HAND TO
OUTH.
Father. I must talk to vou
" I t ' s going to give a lot of
c o m m o n w i t h h i m ; 1 trusted —never. H e answered that it
D R U R Y L A N E . 836 8108. Evgs.
S T R A T F O R D - U P O N - A V O N R O Y A L l o n g t i m e a n d sat d o w n o n a
pleasure.
D. Telegraph.
w a n t t o t a l k t o y o u under
3 0 . Mat. W e d . & Sat. 2 . 3 0 .
S H A K E S P E A R E T H E A T R E . Seats t r e e - t r u n k
"I staggered away
Now booking to 1 9 7 5 .
t o w a i t f o r h i m .h i m y o u k n o w , so I said, * Y o u m e a n t e v e r y o n e h a d t o d e f e r t o
M I C H A E L C R A W I O R D in
available
for M E A S U R E F O R
seal o f t h e confessional ' Me
ST. M A R T I N ' S . 836 1445. E v s . 8
M
E
A
S
U
R
E
,
E
v
e
s
.
:
Sept.
2
.
3
.
4
h i m , a n d d o w h a t he said. 1
W
h
e
n
h
e
r
o
d
e
u
p
a
n
d
saw
m
e
k
n
o
w
,
i
f
I
t
h
o
u
g
h
t
t
h
a
t
m
y
overwhelmed by a
BILLY
T u . 2 . 4 5 . Sat. 5 . 8 . 2 2 n d Y e a r ,
ALEC
DIANA
(first
night). 5
9. 10. 11.
dead now
I can t e l l vou ab
AGATHA CHRISTIE'S
A N E W MUSICAL.
T W E L F T H N I G H T . E v e s . : Sept.
. m y God,
f r o m afar, h i s face l i t u p — I P a u l h a d a n y t h i n g t o d o w i t h said, ' B u t t h e n
McCOWEN
RIGG
CRAWFORD'S
ASTONISHING
TREMENDOUS
6. 1 2 . 1 3 ; Mats. Sept. 7 . 1 2 .
it
A n d I t o l d h i m abo
T H E MOUSETRAP
TALENT M U S T B E O N E O F T H E
14.
Write B o x Office or phono c o u l d see i t . I t a l w a y s d i d —
P a u l , t h e n y o u a r e in charge? '
t
h
e
a
w
f
u
l
t
h
i
n
g
s
w
h
i
c
h
a
r
e
W
o
r
l
d
'
s
Longe&t-Evcr
R
u
n
I
SIGHTS
O F LONDON
N O RESIS / A v o n <0789> 2 2 7 1 . Recorded
Treblinka
I said, 1 k n o w v
THEATRICAL
Theatre fully air-conditloneni.
DENT
O R
vrsrroR
SHOULD
bonking
information
S/Avon
his face a l w a y s s h o w e d his j o y b e i n g
done
at Sobibor,
I B u t h e a n s w e r e d , ' No, W i r t h
"Brilliant" "Pferfect"
won't believe i t b u t there
6919.
— s u n d a v Express.
E X P E R I E N C E "sTelegraph
is in charge.'
A n d again I had
t
h
e
m
o
m
e
n
t
h
e
saw
m
e
.
H
e
w
o
u
l
d
n
'
t
stay
w
i
t
h
h
i
m
a
n
o
t
h
e
r
PALACE.
(0702D U C H E S S . 836 8243. Evgs. 8.0.
t h i s t e r r i b l e place i n Pol
THEATRE
W O R K S H O P WESTCLIFF
42564.)
Sept.
3-14. JENNY jumped
b e l i e v e d h i m , I suppose beF r t . . Sat. 6 . 1 5 . 9.O.
o f f h i s horse a n d day.'
OULTON. SlMON
B R E N T and
and they are k i l l i n g peo,
AL I V E O N STAGE
THEATRE ROYAL
cause I n e e d e d t o — - I had t o
ANN
KENNEDY
In
N I G H T s t e p p e d o v e r — I suppose t o p u t
OH! CALCUTTA!
BERNARD SHAW'S
there—they
are k i l l i n g
W A T C H by Lucille Fletcher.
" H e a n s w e r e d q u i t e spon- believe.
STRATFORD
H o w c o u l d I have
his a r m a r o u n d m e . B u t t h e n
O V E R 1.500 P E R F O R M A N C E S .
WYVERN,
Swindon.
(0793)
S34 0310
Jews there
A n d m y Paul,
taneously,
y o u know, not
Rreathtakingly b e a u t i f u l . " S . T e l .
2
4
4
8
1
.
S
a
t
.
.
7
Sept.,
7
.
3
0
J
O
H
N
gone
o
n
o
t
h
e
r
w
i
s
e
?
A
s
i
t
was,
he
saw
a
t
once
h
o
w
d
i
s
t
r
a
u
g
h
t
The nudity Is s t u n n i n g . " D . T e l .
THE COUNT OF
H E D D L E N A S H In S O N G S F R O M
said. ' m y Paul is t h e r e
He
t h i n k i n g i t o v e r a t a l l . H e said
T
H
E
S
H
O
W
S
.
S
u
n
.
.
8
S
e
p
t
.
.
7
.
3
0
I
o
f
t
e
n
l
o
o
k
e
d
at
h
i
m
a
n
d
I
was.
'
W
h
a
t
'
s
h
a
p
p
e
n
e
d
?
'
h
e
D U K E OF Y O R K ' S .
836 5211
MONTE CRISTO SHOW
ERIC D E L A N E Y & HIS BAND.
w o r k i n g there
W h a t shall
r i g h t away, ' M y G o d , F r a u
Gala Peffomance for the benefit of
M
o
n
.
S
a
t
.
.
9
1
4
Sopt.
M
U
R
D
E
R
t
h
o
u
g
h
t
t
o
m
y
s
e
l
f
,
W
h
o
a
r
e
asked.
'
T
h
e
c
h
i
l
d
r
e
n
?
Seats from 30p
Ml-ss Ste<phanie Bidmead.
AT T H E V I C A R A G E .
S t a n g l , ' he said, ' b u t y o u r
Directed by
y o u ? O h m y God, w h a t are y o u do? ' I asked h i m
PROSPECT'S
15 mini from West End on
" 1 said, ' I k n o w w h a t y o u h u s b a n d
WINDMILL.
437 6312.
Opens
has
absolutely
TEU 01 437 4506
Please h<
T H E G R A N D TOUR
Central Line.
t h a t y o u c a n bear even t o sec me.
tomorrow at 7 . 3 0 , S u b s . T w i c e
PICCADILLY.
437 4506.
Evgs
JOHN DEXTER
are
d
o
i
n
g
i
n
S
o
b
i
b
o
r
.
M
y
God,
nothing
to do w i t h
that.
Nightly 7.() & 9 . 0
Tonight at 8 . Tickets £2.
Eves. 8 p.m., Sats. 5 & 8 p.m.
at 7 . 3 0 sharp. Mats. Wed.. Sat. 3
t h i s ? W h a t — o h G o d , what a r e advise u s '
F I O N A R I C H M O N D says
C
L
A
I
R
E
B
L
O
O
M
.
M
A
R
T
I
N
S
H
A
W
h o w c a n t h e y ? W h a t a r e you T h a t ' s a l l W i r t h [ I n s p e c t o r o f
G A R R I C K . 8 3 6 4 6 0 1 . E v s . 8 . Sats.
LET'S GET L A I D
y o u s e e i n g w i t h these eyes
Y o u see, I
3 0 & 8 . 3 0 . Mats. R e d . pr. Wed 3 . J O S S A C K L A N D . M O R A G H O O D T A L K O F T H E T O W N . 7 3 4 5 0 5 1
d o i n g i n t h i s ? W h a t is y o u r t h e t h r e e m a j o r e x t e r m i n a t i o n
rancing M O I R A L I S T E R . '
A S T R E E T C A R N A M E D F r o m 8 . 1 5 Dng. St D n c g . At 9 . 3 0 Y V O N N E
JOYOUSLY A C C L A I M E D "
w h i c h look a t me? S t i l l , t h a t
p o s e — t h e pn<
ARNAUD
THEATRE,
ROBERT COOTE. AGNES
New Revue A T O U C H O F V E N U S
p a r t i n i t ? ' F i r s t h e asked m e camps,
Beteec, S o b i b o r a n d
DESIRE
Guildford 6 0 1 9 1 .
Until Sopt. 7 .
LAUGHLAN
Christmas I had still believed there were con
A TOUCH OF VENUS
J o a n Miller. J o h n C a s t l e . Helen h o w I ' d f o u n d o u t , b u t I j u s t T r e b l i n k a ] .
The T e n n e s s e e Williams masterY o u don't think,
BIRDS OF P A R A D I S E
Ryan.
L a u r e n c e Hardy.
Robert
piece.' D. T e l .
' Compared with
>.m.
h i m : h e said so o f t e n , so f i r m l y m o u n t a i n s whe;
East In
C o n v i n c i n g l y f u n n y . ' C i t y Presa. this. Just about every play c u r do y o u , m a t he w o u l d a l l o w
c
r
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e
d
a
n
d
c
r
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e
d
;
a
n
d
t
h
e
n
h
e
rently to be seen In L o n d o n appears
) . T h e Mall. 9 3 0
t h a t he wanted only t o get out, appear,
h i d e - -1 h a d hea
THERESE
•ALBERY T H E A T R E GLOBE THEATR.
4 3 7 1 5 9 2 . puny and pales into insignificance * T E R R A C E T(uIeCs A
l i t t l e o n e , please a n y o n e t o r o b h i m o f t h e
.
until Sept. 14 by Michael V o y s e y , adapted from said, ' L o o k ,
T O M C O U R T E N A Y In
Sunday Telegraph.
.0.
Sats.
6 & 8 . 3 0 the novel by Emlle Zola.
t h a t he c o u l d ask f o r n o t h i n g t h i n g s .
B O X O F F I C E 01 0 3 6 387B
c a l m d o w n , please. Y o u m u s t p l e a s u r e o f d o i n g away w i t h
JAMES
ELLIS.
J O E MELIA.
THE
P A L A C E . 457 6834. Mon.-Th. 8.0 JOANNA V A N G V S E G H A M . S A M
better. A n d even when I said,
F r l . St Sat. 6 . 0 & 8 . 0 .
b e l i e v e m e , I h a v e n o t h i n g t o t h e Jews? Y o u k n o w h o w h e
N O R M A N CONQUESTS
IS
MISSING
by BUI CINEMAS
SLAOE
M
I f y o u are really doing only
A L D W Y C H . 8 3 6 6 4 0 4 . R S C In
by A L A N A Y C K B O U R N .
Morrison
JESUS CHRIST
hates
t
h
e
m
.
Y
o
u
r
h
u
s
b
a
n
d
'
s
do
w
i
t
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a
n
y
o
f
t
h
i
s
.
'
I
said,
Marlowe's D R F A U S T U S ( R e d . A R L t M A N N E R S .
M o n . . Wed
T H E A T R E U P S T A I R S . 7 3 0 2 5 5 4 A C A D E M Y 1. 4 3 7 2 9 8 1 . B u s t e r
administrative
things
a n d his face w i t h h
SUPERSTAR
price prev. W e d . 7 . 3 0 . Opens 8 . 1 5 ,
Sat. 5 . 3 0 ; LIVING T O
p
a
r
t
i
n
t
h
i
s
is
p
u
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.
8
.
1
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m
p
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member'
H
o
w
c
a
n
y
o
u
be
t
h
e
r
e
a
n
d
Keaton
S
u
m
m
e
r
Season
(
U
)
Thürs. 7 . 0 . then F r l 7 . 3 0 . Sat G E T H E R . T u e . . T h u r . 8 . 1 5 ; R ' N DP H O E N I X . 8 3 6 8 6 1 1 . Mon. to T h . ship a v a i l . J O I N T S T O C K oresent
n o t h i n g bad, w e l l , at least y o u he said, W e a
THE
G E N E R A L . 3 45.
6 15.
2 . 0 & 7 . 5 0 ) ; O o r k y ' s S U M M E R St R ' N D T H E G A R D E N . Wed. 3 . 0 .
t
r
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.
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W
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8
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.
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.
Sat.
5
.
3
0
.
8
.
3
0
.
F O L K (Sept. 9 . 1 0 . 1 1 ) .
ReFrl. 8.15.
f-orded booking Info. B36 5 3 3 2
V A U D E V I L L E . R~>6 9 9 8 8 . E v s . 8 A C A D E M Y I I . 4 3 7 5 1 2 9 . Claude A n d he a n s w e r e d , ' M y w o r k is
PLAY MAS
t h a t r e a l l y d i d r e l i e v e m y m i n d are n o t a t t h e f r o n t ! — b e c a u s e t e r r i b l e t i m e s ,
F a r a l d o ' s B O F ( X ) plus Roger
GREENWICH.
858 7755
Sat. 6 & 8 . 4 0 . T u e . 2 . 4 5 .
bv M U S T A P H A
MATURA.
I
d i d say
t h a t — h e God a n d m y
C o r n e r ' s G A S ( A A ) . 5 . 0 . 8 . 0 .p u r e l y a d m i n i s t a t i v e a n d I a m
A P O L L O . 4 3 7 2 6 6 3 . Evn«<s. 8 . 0 G R E E N W I C H Y O U N G
PEOPLES
ADRIENNF. CORRI. TONY
and lighten m y spirits.
A f t e r yes.
Stalls
St
Dress
C
i
r
c
l
e
£1.50
Mat. T h u r s . 3.O. S a t s . b.O St 8 . 3 0 .
T H E A T R E presents
B E C K L E Y . G E O F F R E Y P A L M E R A C A D E M Y III. 437 8819. Bunuel's
a n s w e r e d , ' No, n o , I m u s t g e t had been i n
Upper Stalls £1 & 5 0 p
D E R E K NIMMO
a
l
l
,
unless
P
a
u
l
a
n
d
ReichT
R
I
S
T
A
N
A
(
A
)
plus
L
O
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P
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A
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In
t
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t
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—
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Rudolph Walker projects power
SOPHOCLES'
K A T Y MANNING
OLVIDADOS ( X ) . 5.0. 8.0.
out o f i t '
and p a s s i o n . " Daily E x p r e s s
SNAP
have done t h e same,
CINECENTA,
Lelcs.
Sq. 930 construction, that's a l l . ' —
You leitner h a d carefully planned
PHILOCTETES
W H Y NOT STAY
A new comedy by
0631/2. ( 1 ) T H ENINE LIVES
PRINCE OF WALES.
9 3 0 8681
10-xSept. 1 4 . E v g
it together—and
to tell the
absolve h i m f r o m a l l g u i l t '
C
h
a
r
l
e
s
L
a
u
r
e
n
c
e
.
OF
F R I T Z T H E C A T ( X ) . A m e a n y o u d o n ' t see i t h a p p e n ? '
FOR B R E A K F A S T ?
Mon. to T h u r s . at 8 . 0 .
Mat.
Sat. 5 . 0
' VERY
VERY FUNNY." B B C
DAYS PLEASURE ( U ) . f») A
F r i . . Sat. 5 . 3 0 St 8 . 4 5
" DfM-ek Nlmmo is gentle, tender,
" I w a l k e d away l i k e a zomMUST E N D SATURDAY
T O U C H O F C L A S S ( A A ) . T H EI asked. ' O h yes,' he a n s w e r e d . t r u t h , t h e p o s s i b i l i t y d i d o c c u r
v e r y , very tunny and extremely H E R
MAJESTY'S.
9 3 0 6606
D A N N Y L A RUE SHOW
FULLY AIR CONDITIONED
P R O D U C E R S ( A ) . (3> P A P I L touching. Both play and perform- E V Q S . 7 . 3 0 . Mat. W e d . St S a t . 3 . 0
bie, i n a d r e a m , i n a n i g h t 1 see i t . B u t I d o n ' t do any- t o m e — t h e f a c t t h a t t h e y t o l d
S P L E N D I F E R O U S R E V U E " F T V I C T O R I A P A L A C E . 8 3 4 1 3 1 7 L O N ( A A ) . <4> T H E B L A C K
ance are iro be w a r m l y reconv " J O H N M I L L S . - . absolutely
W I N D M I L L ( A ) . Cont. pc rf. from
m e n d e d . " Harold Hobson.
me e x a c t l y t h e same t h i n g , i n
QUEENS.
734 1166. Evgs. 8 . 0
T w i c e Nightly 6 . 1 5 . 8 . 4 5 .
show stopping
JUD1 D E N C H .
mare.
H o w c o u l d he? T h e n I
1 2 . 3 0 . Late show every night. t h i n g t o a n y b o d y . '
T h u r s . . Sat. 6 . 0 . 8 . 4 0 .
O V E R 3O0 P E R F O R M A N C E S .
r a v i s h i n g . " Sunday T i m e s ,
CARRY O N L O N D O N
Sun.
norfs. from 2 . 3 5 .
t h e same w o r d s , h a d t o m e a n
NOW R O O K I N G U N T I L X M A S .
in J . B P R i E S T L E Y S
t o l d m y s e l f , he is o l d , p e r h a p s
HAIR "
SIDNEY JAMES, BARBARA
LONDON P A V I L I O N . Pire. Circus.
* O f course, I d i d n ' t k n o w h e i t w a s t r u e .
W h y otherwise
ASHCROFT.
C r o y d o n 6 8 8 9291 [THE GOOD COMPANIONS O V E R 2.OO0 P E R F O R M A N C E S . W I N D S O R .
K E N N E T H CONNOR
he is senile; i t w a s t h e o n l y
(437 2 9 8 2 > L I V H A N D L E T D I E
BERNARD RRESSLAW. JACK
Until 7 Sept 7 . 4 5 Sat. 5 St 8 . 1 5 " A gorgeously nostalgic Musical
( A ) . T o a a y at 3 . 5 5 . 8 . 4 0 O N was t h e Kommandant:
I never s h o u l d
Reichleitner
have
DOUGLAS, PETER RUTTERWed
Mat. 2 . 3 0 . B A R B A R A — N e w s of the World.
explanation.
B u t afterwards
HER M A J E S T Y ' S S E C R E T S E R WORTH.
Book Now.
. MULLEN
as Miss
Marple In
V I C E ( A ) . Today at 6 . 0 5 onlv. k n e w t h a t . H e t o l d m e h e was b o t h e r e d t o t e l l me? "
A
S
E
X
U
A
L
M
U
S
I
C
A
L
. . . I don't know . . . after all.
Definitely must end October 1 2 . O D E O N ,
THEATRE
CLUB
AGATHA
CHRISTIE'S
MURDER HAMPSTEAD
Marble
Arch. ( 7 2 3
AT T H E V I C A R A G E .
722 9 3 0 1 . R e d . price prevs. Sept
S A K E t h e Höchste
Charge.
I
asked
VICTOIA P A L A C E .
8 3 4 1317. 2 0 1 1 / 2 . > F O R P E T E ' S
" I t is t r u e ,
y o u k n o w , he was a p r i e s t . , I h a d c a r r i e d
5-9 at 8 Opens Sept. 10 at 7 . 0 0
( A ) . Sep. Progs. 4 . 0 0 . 8 . 0 0 .
C o m m . Oct. 2 4 . A n E n t i r e l y New
ALBERY.
836 3878.
Eves. 8
It d i d n ' t occur to F r a u Stangl
w h a t t h a t meant a n d he
437 h i m
a l t h o u g h I c r i e d , o h so m a n y t h i s a w f u l t h i n g a r o u n d w i t h
THE CONNECTION
Sats
5 St 8 . 1 5 . Mat. T h u r . 3
M A X B Y G R A V E S SHOW P 8R1I8N1C. E 2CnHdA YReLaErS. . LLsetl.c sF. eSwq . WkSj,
t
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r
n
o
w
t
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a
t
R
e
i
c
h
l
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i
t
n
e
r
,
DIANA R I G G
A L E C McCOWEN
by J A C K G E L B E R .
WESTMINSTER.
8 3 4 0 2 8 3 . L A S T T A N G O IN P A R I S ( X ) . said a g a i n h e w a s i n c h a r g e o f
t i m e s w h e n I t h o u g h t of those me f o r a y e a r , I h a d t h o u g h t
In Bernard S h a w ' s
Sep.
Porfs.
Dly. (Inc. S u n . )
E v g s . 7 . 4 5 . Mat. W e d . 2 . 3 0 .
who had just taken the j o b
HAYMARKET.
9 3 0 9832.
PYGMALION
2 . 4 5 . 6 . 1 5 , Q.OO. L t e . show F r l . c o n s t r u c t i o n a n d t h a t h e e n people they were k i l l i n g , I and t h o u g h t a n d cried a n d
Saits. 5 . 0 St 8 . 3 0 .
E v g s . 8.O. W e d . . Sat. 5.O. 8 . 0
*S;M.
1
1
.
4
5
.
Sts.
Rkblo.
o
v
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a
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,
c
o
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d
have
A
M
A
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A
B
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S
T
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Directed by J O H N D E X T E R .
the work.
I thought,
n e v e r k n e w t h e r e w e r e c h i l - w o r r i e d m y s e l f sick o v e r w h a t
W O D E H O U S E H I T 2 0 ' s M U S I C A L P A R I * P U L L M A N . S t h K*»n 3 7 5 i o v e d
L E E MONT A F U E
f
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v
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P
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Perf.Times see Classifieds
God.'
" OH K A Y
d r e n too, o r even women
I , w o u l d happen to m y Paul, i f
W H O S A W H I M DIE?
( U ) also K A T U T U R A — F A C E O F * M y
his f r i e n d ' s w i f e a w k w a r d o n
Tel
" Dellclou« entertaltnmr
APARTHEID
( U ) . Pgs 4 1 0
B U S H T H E A T R E . 7 4 3 5050. Until ' S U P E R ! Enthralling T H R I L L E R .
REGENT THEATRE
"We
w a l k e d back t o t h e
too, r a t i o n a l i s e d i t I suppose; not o n e a r t h , t h e n a f t e r his
the audience gasp out
5.40. 8 . 1 5 .
WHITEHALL.
9 3 0 6 6 9 2 •7765,
7th Sept. at 9.O0. T h e amazing Makes
his
o
w
n
account,
a
n
d
m
i
g
h
t
loud."
Dally Mirror.
5th Y E A R .
E v e n i n g s t .30.
S C E N E 4 . Lelçs. S o . fWardour house, m e c r y i n g a n d a r g u i n g
O X F O R D
C I R C U S
n e w musical G R E A S Y S P O O N .
I t o l d m y s e l f , I suppose, t h a t d e a t h . . and t h e n he a p r i e s t ,
Wed. St Sat. 6 . 1 5 St B.<
St.).
4 3 9 4 4 7 0 . William Peter
conceivably
have
been i n 352 7488. R E G E N T .
PAUL RAYMONDS
CAMBRIDGE.
8 56 6 0 5 6 Mon. to K I N G ' S R O A D T H .
R l a t t y s T H E F X O R C I S T ( X ) . and b e g g i n g h i m o v e r a n d o v e r
5 8 0 1744
we w e r e at w a r and t h a t t h e y had t a k e n i t so . . n o t c a l m l y ,
Mon. to T h u r . 9 . 0
T h u r s 8. F r l . & Sat. 5 . 4 5 Sr 8 . 3 0 .
Directed
by
William
frleMk'n.
M o n . , T u e s . * T h u r . at 8 . 3 0 ,
d
i
r
e
c
t
l
y
s
t
a
t
i
n
g
,
o
r
j
u
s
t
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f
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g
,
P Y J A M A TOPS
F r i . St Sat. 7 . 3 0 . 9 . 3 0 .
2nd Y e a r of P A T R I C K C A R G I L L .
Sen.
Perf'.. D l y 1 2 . 3 0 . 3 . 0 0 . to t e l l m e n o w h e c o u l d be i n
Wed.. F r l . St Sat. at 7 . 0 . 9 . 1 5 .
w e r e k i H i n g t h e m e n ; m e n ,but, w e l l , m a t t e r - o f - f a c t l y . ' 1
URSULA
HOWELLS, RICHARD
his o w n case
'».00, 1 1 . 3 0 . Box Office
Y N D H A M ' S . 8 3 6 3 0 2 8 . Come to 6 . 1 5 .
ROCKY HORROR SHOW
L E T M Y PEOPLE COME Wthf>
B E C K IN S A L E
.
you know: enemies
I suppose d o n ' t k n o w
I could no longer
theatre as more than a SDOC- Open D a i l y 1 0 - 8 . S u n . 1 2 - 8such
a place, h o w he c o u l d
" Best m u s i c a l of tho year "
A Sexual M u s i c a l .
tator.
Every
Tues.
at 5 . 0 0 Sont* B k h l n . — A l l Perfs.
T W O & T W O M A K E SEX —— F.. Standard Drama A w a r d s .
" A n d so I w e n t h o m e / ' said \ t h o u g h t — o r t o l d
m y s e l f — t h i n k at a l l A n d t h a t n i g h t .
THEATRE
TEACH-IN.
E n j o y T I M F S C E N T A , Raker St. Stn 9 3 5 have a l l o w e d
himself t o get
" A N H I l J \ R I O U S R O M P . " Peonle. K I N G S H E A D T H E A T R E C L U B .
practical
demonstrations, back'
H772.
(
1
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T
H
E
M
U
S
I
C
L
O
V
F
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P
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8
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l
.
"
I
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a
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a
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t
t
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r
F r l s . only first house C l . 1 0 - C l . 7 0 . 2 2 6
t h a t t h e w o m e n a n d c h i l d r e n I t o l d Paul t h a t I h a d t o l d
stage exposed.
Admission CI
1916. Tues.-Sun. T H E
( X ) . WOMEN
IN L O V E ( X ) . i n t o such a s i t u a t i o n . I a m s u r e
L A S T SIX D A Y S .
Opens T u e s d a y at 7
P E O P L E ' S SHOW.
Dly
from 1.50. S u n . from 2 . 3 0 .
3 0 2 8 . Mon.
I F a t h e r M a r i o a n d w h a t he had
I m a d e n o s e n s e — I h a r d l y f r o m P a u l soon a f t e r , b u t i t w e r e b e i n g left at h o m e
C A M B R I D G E . 8 3 6 6 0 5 6 . Reded.
... Sat. 6 . 1 5 & 9 (21 B U T C H C A S S I D Y A N D T H *
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*pnce preview. Sept. 10/11 at 8 .
a n y m o r e w h a t I w a s said n o t h i n g a b o u t T r e b l i n k a ; k n o w i t i s n ' t l o g i c a l , b u t I s u p a n s w e r e d . All P a u l said was*
GODSPELL
( X ) . D l y . from 2 . 1 5 . S u n . from k n e w
Opens Sept. 12 at 7 . Subs. 8 . Mat. Wed. 3.O. Sat. 5 . 0 St 8 . 3 0
CULVER
P
E
R
T
W
E
E
never pose I just d i d n ' t d a r e t o t h i n k ' Y o u t o o k a t e r r i b l e r i s k tell'
B r i a n R1X
Jimmy L O G A N
J O H N P A U L GEORGE
saying.
A l l h e d i d , o v e r a n d he h a d t o l d m e I m u s t
A BIT BETWEEN THE
i n g him.'
H e wasn't a n g r y , h e
RINGO . . . & B E R T
LYNDA
T*
o v e r , was reassure m e — o r t r y . m e n t i o n T r e b l i n k a n o r any- f u r t h e r
" S M A S H HIT M U S I C A L . " S. Mir
TEETH
BARON
^
" B r i l l i a n t . " E x p . " Magical " E S
T h a t n i g h t , I c o u l d n ' t b e a r h i m t h i n g a b o u t i t , o r m a k e any o f
" B u t by t h e t i m e h e c a m e d i d n ' t r a v e a t m e like I thought
Peter B L A N D .
N e w comedy.
" Hugely enjoyable " 8 , T i m e s
. . . Into the new specially designed
t o t o u c h m e — i t w a s l i k e t h a t m y r e m a r k s ' i n m y l e t t e r s — o n leave i n July I h a d ceased he m i g h t . ! t h i n k I was grate"Wonderful songs." S. Tel.
offices . . . in New Printing House
THE
I had been
Square, Gray's Inn Road. London
day i n 1938 w h e n I h a d k e p t he k n e w m e so w e l l — a s a l l t o b e l i e v e ; i t h a d been too long. ful for t h a t .
M E R M A I O . 248 7656. Rest. 2 8 3 5
E v . 8 . 1 5 . Wed.. S a t . 5 . 0 . 8 . 1 5
W C 1 X 8EZ.
a w a y f r o m h i m f o r w e e k s . . . l e t t e r s w e r e c e n s o r e d . . . . I A n d n o w I began to see the l o n e l y a n d so frightened. .
With
new
and
enlarged
teleA B S U R D PERSON
COLE
SUNDAY
1004 * J
phone facilities . . . providing you
w e e k s a n d w e e k s , u n t i l I finally d i d n ' t see h i m a f t e r t h a t f o r terrible change in h i m . N o one Well, his leave came to a n end
Words and m u s i c of C O L E P O R T E R
SINGULAR
" Best m u s i c a l entertainment Ir
with
better service through a
" B E S T OOMDEY OF T H E YEAR
RAYMOND
REVUEBAR THEATE
f
elt sorry f o r h i m . . . but that months. . . "
t
o
w
n
.
"
Dally
Mall.,
"
D
e
l
i
g
h
t
f
u
l
^
else saw this. And I too h a d soon after that. And then, of
system
of
specially
allocated
TIMES
E v e n i n g Standard A w a r d .
734 1 5 9 3 .
7 . 3 0 and l O p.m
T r a n s f r d . to Vaudeville fr. S e p . 3Q| gay. exuberant r e v u e . " G u a r d i a n
numbers.
P A U L A Y M O N D presenta
n i g h t i n Sobibor-Salovoce h e
" Resl a n d t h e t w o g i r l s c a m e only
glimpses;
occasional course, as you know, it
To place ( o r to enquire about)
Classified
. Curron St.. W . l . 4 9 9
THE FESTIVAL
seemed
t
o
u
n
d
e
r
s
t
a
n
d
.
H
e
j
u
s
t
t
o
stay
w
i
t
h
m
e
o
v
e
r
n
i
g
h
t
o
n
glimpses
of
another
man,
some- all over within a few days aft
NEW LONDON. 4 0 5 0072. Parker
advertising in the
OF E R O T I C A
St.. Drury Lane. W.C.2.
Department
k e p t s t r o k i n g m e s o f t l y a n d t h e i r w a y back f r o m P o l a n d , " body with a different, a totally his return t o Treblinka.
ENTERTAINMENTS section
S
A
M
M
Y
C
A
H
N
'
S
MMER W I S H E S . W I N T E R
the number is:
has moved
...
SONGROOK
S ( A A ) , J o a n n e Wood'
SAMMY CAHN.
01-837 3774 TINA COUSINS
ENR
1 Sf 10 « t 8 . 3 0 . Opens H
too, w i t h t h e c h i l d r e n — a n d
started t o tell m e about his
wife and kids; he went o n and
on.
I was p r e t t y f e d u p ,
especially as he s t a n k o f a l c o h o l
and b e c a m e m o r e a n d m o r e
maudlin. B u t I thought, here
he is, so l o n e l y — I m u s t a t least
listen. A n d t h e n he suddenly
said, '
Fürchterlich—dreadful,
" B u t I w a s v e r y g l a d w h e n i t is j u s t d r e a d f u l , y o u h a v e n o
P a u l [ s h e a l w a y s c a l l e d h i m idea h o w d r e a d f u l i t i s . ' I a s k e d
What
is d r e a d f u l ? ' —
P a u l ] t o l d me he had arranged h i m
D o n ' t y o u k n o w ? ' he asked.
f o r u s t o m o v e — i t w o u l d be
b e t t e r f o r a l l o f us, a n d 1 w a s D o n ' t y o u k n o w w h a t i s b e i n g
g l a d t o g e t t h e c h i l d r e n a w a y d o n e o u t t h e r e ? ' — N o , ' I said,
he
f r o m t h a t house.
N o , w h i l e ' W h a t ? * — ' T h e Jews,'
we w e r e i n C h e l m , P a u l was o n a n s w e r e d . T h e J e w s are b e i n g
leave; i t w a s w h e n w e m o v e d d o n e a w a y w i t h . ' — ' D o n e a w a y
How?
What
t h a t he h a d t o go back t o w o r k . w i t h ? ' I asked.
do y o u m e a n ? ' — ' W i t h gas,'
A n d o n e d a y w h i l e he w a s
he said. ' F a n t a s t i c n u m b e r s o f
at w o r k — I s t i l l t h o u g h t cont h e m [Unheimliche
Mengen}.*
structing, o r w o r k i n g at an
" He went on about how
army
supply
base—Ludwig
came w i t h s e v e r a l o t h e r m e n , a w f u l i t w a s a n d t h e n h e s a i d ,
to b u y fish o r s o m e t h i n g . T h e y i n t h a t same m a u d l i n w a y h e
b r o u g h t schnapps, a n d sat i n had, ' B u t w e a r e d o i n g i t f o r
Fiihrer.
F o r h i m we
the garden d r i n k i n g . K a r l L u d - our
w i g [ a n N C O at t h e c a m p ] came sacrifice o u r s e l v e s t o d o t h i s —
u p t o m e — I was i n t h e g a r d e n , we obey h i s o r d e r s . ' A n d t h e n
he said, t o o , • C a n y o u i m a g i n e
what w o u l d happen i f the Jews
R e d . pr. PROVINCIAL THEATRES B H e v e r g o t h o l d o f i t s ? '
t h e m w h a t t o t a k e off first a n d
then what next and what to do
a n d so o n . . . i t . . . i t was v e r y
embarrassing. A n d I d i d n ' t like
w h a t he d i d t o t h e g i r l s ; b u t ,
you
know,
I mainly
asked
myself.
W h y do they do it?
Why
don't
they
just
give
notice?'
That's how little I
knew."
THERESA STANGL
The widow who learned only gradually the awful truth about her husband
4
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successor
4
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AMBASSADORS THEATRE
01-83« 1171
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PYGMALION
4
PICCADILLY THEATRE
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