2010 - 2011 - The Recording Academy

Transcription

Community Services Report 2011
Mission
Education Programs
and Impact
Preservation/
Advancement Programs
and Impact
Community Feedback
Fundraising Initiatives
Finances and
Supporters
E
ach year, the GRAMMY Foundation gathers the stories of the past
fiscal year (Aug. 1 – July 31) in our Community Services Report.
Here you’ll learn about the accomplishments, innovations, and
partnerships of the past year, and meet some of the people who
have inspired our work. Since 2007, we’ve told our stories of the past
year’s achievements in an online version of our report — to both conserve
resources and to enliven the account with interactive features. We hope
you enjoy what you learn about the GRAMMY Foundation, invite you to
support our work, and welcome your feedback.
Mission
The GRAMMY Foundation was established by The Recording Academy
to cultivate the understanding, appreciation, and advancement of the
contribution of recorded music to American culture — from the artistic and
technical legends of the past to the still unimagined musical breakthroughs
of future generations of music professionals.
E d u c at i o n P r o g r a m s a n d Impa c t
GRAMMY® in the Schools
Under the banner of GRAMMY in the Schools, the GRAMMY Foundation produces and
supports music education programs for high school students across the country throughout the year to help inspire the next generation of music and its makers. The Foundation
offers half-day and daylong programs — GRAMMY Camp – SoundCheck and GRAMMY
Camp – Basic Training — designed to give high school students information and experiences centered on careers in the music industry. GRAMMY Camp and GRAMMY Camp–
Jazz Session are residential programs that bring young people together for interactive,
instructive working sessions with artists and music industry professionals. In addition,
our GRAMMY Signature Schools initiatives for high music programs. All aspects of this
work are detailed below. The GRAMMY Foundation’s GRAMMY in the Schools website
provides applications and information for GRAMMY in the Schools programs, in addition
to student content. In 2011, the website was redesigned and relaunched to make it a more
exciting and interactive resource for teens, parents, teachers, and anyone interested in
careers in music.
From top: Miguel meets with
students at the Verizon Center
in Washington, DC for a
GRAMMY Camp – SoundCheck.
GRAMMY Camp
GRAMMY Camp – SoundCheck
allows students to attend the professional sound checks of a broad
range of emerging and established
touring artists, along with technical
and industry professionals, to give
young people perspectives on music careers through conversations
about the specifics of their jobs and
the necessary tools and education
required for success.
Adam Levine, Jesse Carmichael,
Michael Madden, James
Valentine, and Matt Flynn of
Maroon 5 pose with students
at a GRAMMY Camp –
SoundCheck in Memphis.
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In 2011, 32 GRAMMY Camp
— SoundCheck events were
conducted featuring a total of
24 artists in locations across
the U.S.
Brett Dennen
David Gray
G. Love
Geographer
Goo Goo Dolls
Jason Derulo
Juanes
Ke$ha
Maroon 5
Melanie Fiona
MGMT
Miguel
Mike Posner
Mumford & Sons
Oh Land
Portugal. The Man
Raheem DeVaughn
Raphael Saadiq
Ray LaMontagne
Shinedown
Switchfoot
Temper Trap
The Manhattan Transfer
The XX
GRAMMY Camp — SoundCheck Locations 2010-2011
New York
Chicago
Philadelphia
San Francisco
Washington, DC
Nashville
Los Angeles
Memphis
Atlanta
Austin
Houston
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Miami
Hidalgo, TX
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GRAMMY Camp – Basic Training is held on university campuses and other learning environments
across the country. It provides students with insight into careers in music through daylong conferences
offering workshops with artists and industry professionals.
2011 represents the 24th season of Basic Training. The continuing support of the Ford Motor
Company Fund allowed us to offer the Basic Training experience in three additional cities over the
one-year period.
Since 1988, more than 212,550 students have benefitted from Basic Training.
2011 Basic Training
Atlanta | DeKalb School of the Arts
Camden, NJ | Camden Creative Arts High School
Los Angeles | USC Thornton School of Music
Memphis | Memphis City Schools’ ArtFest
Miami | University of Miami
Nashville | Glencliff High School
New Orleans | New Orleans Center for Creative Arts (NOCCA)
New York | Pace University
Orlando | Disney World
San Diego | Canyon Crest Academy
San Francisco | San Francisco State University
Texas | Booker T. Washington High School
Students speak with local
recording artist Kuf Knotts
during Basic Training at
Camden Creative Arts High
School in Camden, NJ.
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GRAMMY Camp is an interactive residential summer program for high school students that focuses
on all aspects of the commercial music industry. The curriculum is led by core faculty, guest artists, and
music professionals, across a range of career tracks. GRAMMY Camp covers all aspects of creating,
performing, and recording, and it culminates in media projects, recordings, and/or performances.
In the summer of 2011, the 8th annual GRAMMY Camp was held in Los Angeles at the University
of Southern California, and for the first time ever GRAMMY Camp expanded to offer an additional
session in New York at the Converse Rubber Tracks studio in Brooklyn. GRAMMY Camp LA
culminated in a showcase concert at the historic El Rey Theatre in Los Angeles while GRAMMY Camp
NY culminated in a launch party held at the Best Buy Theater in Times Square. The program selected
111 high school students from 93 cities and 34 states for this unique music industry experience.
GRAMMY Camp is supported in part by AEG, ASCAP Foundation Irving Caesar Fund, Avid Best Buy,
BET, Coca-Cola, CenterStaging, Converse, the Ella Fitzgerald Charitable Foundation, Guitar Center
Hollywood, the Hot Topic Foundation, JBL by Harman, Line 6, Mackie, M-Audio, the Recording
Academy, Roland, Shure, and USC Thornton School of Music.
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61%
White
7%
61%
21%
7%
9%
21%
2%
9%
Asian
White
African American
Asian
Hispanic
African American
Pacific Islander
Hispanic
2%
Pacific Islander
GRAMMY Camp • Gender Breakdown
2010 - 2011
33%
Female
67%
33%
Male
Female
Total Campers
= 111
67%
Male
Campers performing at the
Best Buy Theater in Times
Square during the GRAMMY
Camp NY Launch Party.
GRAMMY Camp • Geographic Breakdown
2010 - 2011
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Region Breakdown
Northwest
• Washington • Oregon • Idaho • Montana • Wyoming • Alaska • Hawaii
Southwest
• California • Nevada • Utah • Arizona • Colorado • New Mexico • Texas
Midwest
• North Dakota • South Dakota • Nebraska • Kansas • Oklahoma
• Minnesota • Iowa • Missouri, • Arkansas • Wisconsin • Illinois • Michigan
• Indiana • Ohio • Kentucky
4.5%
Northwest
42%
4.5%
22.5%
42%
18%
22.5%
13%
18%
Southwest
Northwest
Northeast
Southwest
Southeast
Northeast
Midwest
Southeast
13%
Midwest
Total Campers = 111
Northeast
• Maine • New Hampshire • Vermont • Massachusetts • Connecticut
• New York • Pennsylvania • West Virginia • Virginia • Maryland • D.C.
• New Jersey • Rhode Island • Delaware
Southeast
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• Tennessee • North Carolina • Louisiana • Mississippi • Alabama
• Florida
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o u n d a t• iSouth
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Nick Arnold | Del Mar, Calif. | Drums
Michael Arrom | Warren, N.J. | Keyboard
William Ashfield | Hailey, Idaho | Audio Engineering
Hudson Barineau | Houston | Guitar
Erik Buell | San Clemente, Calif. | Electronic Music Production
Brandon Canada | Stevenson Ranch, Calif. | Bass
Alex Canepa | Woodland Hills, Calif. | Guitar
Andrew Carmody | Kailua, Hawaii | Drums
Morgan Carroll | Fort Collins, Colo. | Electronic Music Production
Jake Chapman | Los Angeles | Keyboard
Josh Conway | Los Angeles | Audio Engineering
Daniel Felix-Kim | Tiburon, Calif. | Guitar
Megan Feroglia | Los Altos, Calif. | Concert Promotion/Production
Michael Finch | Santa Monica, Calif. | Audio Engineering
Nathan Foley | Rockville, Md. | Guitar
Lukas Frank | Santa Monica, Calif. | Drums
Chris Freedman | Los Angeles | Audio Engineering
Carly Gardner | Muncy, Penn. | Keyboard
Benjamin Gershbein | Tiburon, Calif. | Concert Promotion/Production
Ben Glasser | Irvine, Calif. | Guitar
Elise Go | San Francisco | Songwriting
Tanner Grandstaff | Newport Beach, Calif. | Electronic Music Production
Michael Hansen | North Easton, Mass. | Saxophone (Winds & Strings)
Josh Holiday | Clermont, Fla. | Electronic Music Production
Nadav Hollander | Irvine, Calif. | Audio Engineering
Brandon Holt | Hendersonville, Tenn. | Drums
Jonathan Huggins | San Antonio | Trombone (Winds & Strings)
Christina Jones | Atlanta | Songwriting
Bria Kelly | Smithfield, Va. | Songwriting
Alexandrea Kern | Hercules, Calif. | Music Journalism
Chase Kroesche | Salt Lake City | Songwriting
Mia Lalanne | New Hampton, N.H. | Electronic Music Production
Charles Laughlin | Northbrook, Ill. | Guitar
Mirjam Lepp | Boynton Beach, Fla. | Music Journalism
Erin Levins | New Orleans | Audio Engineering
Sarah Lindstedt | Palos Verdes Estates, Calif. | Songwriting
Noah Lizerbram | Carlsbad, Calif. | Audio Engineering
Ben LoPiccolo | Foster, R.I. | Music Journalism
Dante Lozano | Helotes, Texas | Trumpet (Winds & Strings)
Leviticus Lumpkin Jr. | Los Angeles | Electronic Music Production
Alma Macbride | West Hartford, Conn. | Keyboard
2011
GRAMMY Camp
Los Angeles
Selectees
And Tracks
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Leah Mangandi | North Hills, Calif. | Violin (Winds & Strings)
Esteban Marin | Doral, Fla. | Electronic Music Production
Neil Martin | Beverly Hills, Calif. | Electronic Music Production
Brandon Martinez | Santa Maria, Calif. | Vocal
BJ Monk | Jacksonville, Fla. | Electronic Music Production
Ryley Mueller | Escondido, Calif. | Music Journalism
Rita Murphy | Burbank, Calif. | Violin (Winds & Strings)
Luke Niccoli | Scottsdale, Ariz. | Songwriting
John Nichols | Dayton, Ohio | Songwriting
Jimmy Nieh | Blairstown, N.J. | Concert Promotion/Production
Daniel Oldham | Encinitas, Calif. | Bass
Jesse Perlman | Beverly Hills, Calif. | Guitar
Chase Phillips | Atlanta | Concert Promotion/Production
Maija Pinkins | Corona, Calif. | Vocal
Keri Prather | Pasadena, Calif. | Songwriting
Victoria Pritchard | Spring Lake Heights, N.J. | Songwriting
Layne Putnam | Rapid City, S.D. | Songwriting
Giovanni Quattrochi | New York | Electronic Music Production
Evan Rees | Tucson, Ariz. | Keyboard
Jack Rodenburg | Lincoln, Neb. | Keyboard
Malik Rodgers | Perth Amboy, N.J. | Concert Promotion/Production
Brian Rodriguez | Los Angeles | Bass
Kyleel Rolle | Parlin, N.J. | Electronic Music Production
Alexander Rosenbloom | Beverly Hills, Calif. | Songwriting
Alyssa Sarti | North Las Vegas, Nev. | Concert Promotion/Production
Kashish Shamsi | Manhattan, N.Y. | Vocal
Rachael Shapiro | Bexley, Ohio | Concert Promotion/Production
Allison Spice | Trabuco Canyon, Calif. | Music Journalism
Lena Stein | Carlisle, Mass. | Songwriting
Alexandra Stern | Albuquerque, N.M. | Vocal
Nikolas Szejna | Fort Collins, Colo. | Audio Engineering
Justin Thunstrom | Plymouth, Minn. | Electronic Music Production
Larenz Tolson | Studio City, Calif. | Audio Engineering
Cody Tripp | Griffith, Ind. | Guitar
Jim Trotter | Jasper, Ala. | Keyboard
Satarra Troutman | Atlanta | Bass
David Watanabe | Acworth, Ga. | Audio Engineering
Raymond Weber Jr. | New Orleans | Drums
Evan Wierzbicki | Homewood, Ill. | Bass
Danny Wirick | Sonoma, Calif. | Vocal
Austin Taylor Zudeck | New York | Vocal
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2011
GRAMMY Camp
New York
Selectees
and Tracks
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Quinn Anex-Ries | Seattle | Saxophone (Winds & Strings)
Nathan Armstrong | Germantown, Tenn. | Music Business & Production
Marla Bradford | Castro Valley, Calif. | Singer/Songwriter
Paulee Brown | Orangeburg, SC | Drums
Kevin Burke | Garden City, N.Y. | Music Business & Production
Colin Callahan | Monroe, Wisc. | Music Business & Production
Kristen Castro | Simi Valley, Calif. | Singer/Songwriter
Krysten Caudle | West Bloomfield, Mich. | Vocal
Dylan Daniels | Zanesville, Ohio | Vocal
Ryan Dents | New Orleans | Music Business & Production
Jessica Farren | Nashville, Tenn. | Singer/Songwriter
Andres Ferret | Miami | Bass
Rees Finley | Upper Arlington, Ohio | Singer/Songwriter
Tyné Freeman | Columbia, S.C. | Singer/Songwriter
Rachel Gibler | Satellite Beach, Fla. | Vocal
Tanner Grandstaff | Newport Beach, Calif. | Music Business & Production
Megan Kulpa | Sayreville, N.J. | Music Business & Production
Mia Lalanne | New Hampton, N.H. | Music Business & Production
Erin Levins | New Orleans | Music Business & Production
Ray Long | Haddon Township, N.J. | Trombone (Winds & Strings)
Richard Mattox | Tallahassee, Fla. | Singer/Songwriter
Chad Neville | Groton, N.Y. | Music Business & Production
Alan Price | Washington, DC | Music Business & Production
Semaj Puryear | Crete, Ill. | Music Business & Production
Angelique Richards | Manhattan | Music Business & Production
Jack Rodenburg | Lincoln, Neb. | Keyboard
Alexander Gunnar Rolfs | Vancouver, Wash. | Guitar
Blaise Sandberg | New Hyde Park, N.Y. | Singer/Songwriter
Alyssa Sarti | North Las Vegas, Nev. | Music Business & Production
Aaron Spieldenner | Normandy Park, Wash. | Guitar
Fandy Tjen | Philadelphia | Vocal
Raymond Weber Jr. | New Orleans | Drums
Mary Weitz | Durham, N.C. | Music Business & Production
Dertrick Winn | Temple, Texas | Music Business & Production
Christopher Withers | Canton, Mich. | Music Business & Production
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Esperanza Spalding performs at
Spaghettini Grill with members
of the 2011 Jazz Session.
The GRAMMY Camp – Jazz
Session program selects top high school
instrumentalists and singers and brings
them to the host city of the GRAMMY
Awards for a once-in-a-lifetime experience
where they rehearse, perform, and record
together — often with GRAMMY Awardwinning guest artists — at a series of
high profile GRAMMY Week events. The
GRAMMY Foundation feels an imperative
to support jazz as an indigenous American
art form. Many former members of the
Jazz Sessions have gone on have their own
successful solo careers, and to perform
with notable artists including Terence
Blanchard, Chick Corea, Gavin DeGraw,
India.Arie, Branford Marsalis, Wynton
Marsalis, and Christian Scott, as well as
noted organizations such as the Lincoln
Center Jazz Orchestra and the New York
Philharmonic Orchestra. The GRAMMY
Foundation covers all costs for this program, so that all selected students may
participate.
In 2011, highlights included an appearance on the 53rd annual GRAMMY Awards
telecast with Matthew Morrison, Neil Portnow and Esperanza Spalding, again sharing
the stage with Spalding at Spaghettini Grill, and with Sara Bareilles at GRAMMY in the
Schools Live! at the University of Southern California’s Grand Ballroom. The program, in
its 19th year, selected 30 high school singers and instrumentalists representing 30 cities
and 12 states. In addition, nearly $2 million in scholarships is offered to many ensemble
members by Berklee College of Music, Manhattan School of Music, New School for
Jazz and Contemporary Music, and USC Thornton School of Music.
This program is supported in part by Capitol Studios & Mastering (EMI Music
Group), the Ella Fitzgerald Charitable Foundation, Guitar Center Hollywood, Shure,
SmartMusic, Spaghettini Italian Grill and Lounge, and Zildjian.
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2011 Jazz Session Selectees
GRAMMY Jazz Choir
Emma Davis | West Linn, Ore.
Angelea Taylor | Pittsburg, Pa.
Hope Flores | Los Angeles
Kaia Lagoni | Fort Collins, Colo.
Taylor Daniel | Germantown, Tenn.
Daniel Stanfill | Manhattan Beach, Calif.
Timothy Nelson | Bothell, Wash.
Timothy Ovia | Cincinnati, Ohio
GRAMMY Jazz Combo
William Bridges | Lauderhill, Fla.
David James | Del Mar, Calif.
Antonio Madruga | Pembroke Pines, Fla.
Zachary Ostroff | Belvedere, Calif.
Gabe Schnider | Accord, N.Y.
GRAMMY Jazz Band
Patrick Bartley | Coral Springs, Fla.
Tom Kelley | Canton, Conn.
Xavier Del Castillo | Carnation, Wash.
Ben Solomon | Glencoe, Ill.
David Leon | Miami, Fla.
Christian Marrero | Boynton Beach, Fla.
Enrique Sanchez | Kissimmee, Fla.
Adam O’Farrill | Brooklyn, N.Y.
Josh Shpak | Walnut Creek, Calif.
St. Clair Simmons III | Dover, Pa.
Cory Boris | Kingston, N.Y.
Kyle Molitor | Tigard, Ore.
Chris Palowitch | Pleasanton, Calif.
Steven Gordon | Santa Monica, Calif.
Daryl Johns | Englewood, N.J.
Aaron Shapiro | Highland Park, Ill.
Evan Sherman | Short Hills, N.J.
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Members of the
Jazz Session
perform during
the GRAMMY
Foundation’s
GRAMMY in the
Schools Live! held
at the USC
Grand Ballroom in
Los Angeles.
Just as the GRAMMY Award recognizes excellence in recording, the GRAMMY Signature Schools program honors top
public high school music programs with cash grants. Understanding that many schools struggle to maintain a quality
program — particularly in rural and urban areas — the Foundation established the GRAMMY Signature Schools
Enterprise Award for needs-based applicants in under-served communities. Since the program’s inception, 698 public
high schools were selected as GRAMMY Signature Schools and awarded $1,053,500 in grants. GRAMMY Signature
Schools is approved by the National Association of Secondary School Principals and MENC: The National Association
for Music Education. In 2011, 36 public high schools representing 34 cities and 19 states were selected as GRAMMY
Signature Schools.
Beginning in August 2010, the GRAMMY Foundation launched a new extension of GRAMMY Signature Schools called
the GRAMMY Signature Schools Community Award in partnership with Best Buy Mobile. To celebrate the opening
of new Best Buy Mobile stores, the GRAMMY Foundation identified deserving public high school music programs to
receive the Community Award and a financial grant of $2,000 made possible by Best Buy Mobile. During the past year,
almost 100 schools received the GRAMMY Signature Schools Community Award. Total dollars granted were in excess
of $200,000. In addition, Ice Cube and Kid Rock made special appearances at their respective high schools to join us in
presentations. Both artists were so moved by their participation that they generously contributed their own funds to the
schools as well. We extend our thanks and appreciation to Best Buy Mobile for their commitment to music education
and support of the GRAMMY Foundation.
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2011 GRAMMY Signature Schools
Enterprise Award ($5,500 each)
Based primarily on financial need
Allendale High School | Allendale, Mich.
Arizona School for the Arts | Phoenix, Ariz.
Bessemer City High School | Bessemer City, N.C.
Bladensburg High School | Bladensburg, Md.
Boston Arts Academy | Boston, Mass.
Canyon Crest Academy | San Diego, Calif.
City Neighbors High School | Baltimore, Md.
Claude High School | Claude, Texas
Eminence R-1 High School | Eminence, Mo.
Emmerich Manual High School | Indianapolis, Ind.
Glencliff High School | Nashville, Tenn.
Hamilton High School Academy of Music | Los Angeles
Honoka’a High School | Honoka’a, Hawaii
Iroquois High School | Louisville, Ky.
J. Graham Brown School | Louisville, Ky.
Madison High School | Madison, N.Y.
Mariposa County High School | Mariposa, Calif.
Middletown High School | Middletown, Md.
Perry-Lecompton High School | Perry, Kan.
Rocky Mountain High School | Fort Collins, Colo.
Santee Education Complex | Los Angeles
Scotts Valley High | Scotts Valley, Calif.
South Albany High School | Albany, Ore.
Springville High School | Springville, Iowa
Stewartville High School | Stewartville, Minn.
The New Orleans Center for Creative Arts | New Orleans, La.
Unity High School | Mendon, Ill.
Ice Cube joined
the GRAMMY
Foundation to
present a GRAMMY
Signature Schools
Community Award in
partnership with Best
Buy Mobile to his
alma mater Taft High
School in Woodland
Hills, Calif.
2011 National GRAMMY Signature School ($15,000)
Highest-ranking Signature Schools recipient
David Leach and two Pioneer
High School Students with local
entertainment lawyer Howard Hertz
at GRAMMY Signature Schools
presentation at Pioneer High School
in Ann Arbor, Michigan.
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Pioneer High School | Ann Arbor, Mich.
2011 GRAMMY Signature Schools Gold ($5,500 each)
Recognizes quality string, wind/percussion, & choral performance ensembles
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Allen High School | Allen, Texas
David Douglas High School | Portland, Ore.
Flower Mound High School | Flower Mound, Texas
Neuqua Valley High School | Naperville, Ill.
Plano West Senior High School | Plano, Texas
Waubonsie Valley High School | Aurora, Ill.
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4.5%
Northwest
42%
Southwest
22.5%
Northeast
18%
Southeast
13%
Midwest
GRAMMY Signature Schools Program/
Community Award
7%
Northwest
20%
Southwest
39%
Midwest
13%
Northeast
21%
Southeast
($2,500 each)
Recognizes excellent performance ensembles &
high quality instruction
Davis Senior High School | Davis, Calif.
Marin School of the Arts at Novato High | Novato, Calif.
Community Award Schools
Alfred Bonnabel High School | Kenner, La.
Appleton East High School | Appleton, Wis.
Armijo High School | Fairfield, Calif.
Arthur Hill High School | Saginaw, Mich.
Ashbrook High School | Gastonia, N.C.
Avondale High School | Auburn Hills, Mich.
Bayless Senior High School | St. Louis, Mo.
Belleville West High School | Belleville, Ill.
Benson High School Magnet | Omaha, Neb.
Bloomington High School | Bloomington, Ill.
Booker T. Washington HS | Pensacola, Fla.
Bossier High School | Bossier City, La.
Bowie High School | El Paso, Texas
Brandon High School | Brandon, Fla.
Broadmoor HS | Baton Rouge, La.
Capital High School | Olympia, Wash.
Capuchino High School | San Bruno, Calif.
Carroll High School | Monroe, La.
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Cedar Cliff High School | Camp Hill, Pa.
Central High School | Tuscaloosa, Ala.
Champaign Central High School | Champaign, Ill.
Charlottesville High School | Charlottesville, Va.
Chattanooga School for the Arts and Sciences |
Chattanooga, Tenn.
Chief Stealth High School | Seattle, Wash.
Christiansburg High School | Christiansburg, Va.
Cox Mill High School | Concord, N.C.
Dunbar High School | Fort Myers, Fla.
East Aurora High School | Aurora, Ill.
East Central High School | Tulsa, Okla.
East Community Learning Center | Akron, Ohio
East High School | Denver, Colo.
Ellender Memorial HS | Houma, La.
Elsie Allen High School | Santa Rosa, Calif.
Fayetteville High School | Fayetteville, Ark.
Flint Northern High School | Flint, Mich.
Fort Vancouver High School | Vancouver. Wash.
Francis Howell North High School | St. Charles, Mo.
Gateway High School | Aurora, Colo.
Golden High School | Golden, Colo.
Hickory High School | Hickory, N.C.
Highland Park High School | Topeka, Kan.
Hiram Johnson High School | Sacramento, Calif.
Hirschi HS | Wichita Falls, Texas
HL Richards High School | Oak Lawn, Ill.
Hoover High School | Fresno, Calif.
Hunters Lane High School | Nashville, Tenn.
Huntsville High School | Huntsville, Ala.
Ingraham High School | Seattle, Wash.
Jefferson Davis High School | Montgomery, Ala.
Jefferson High School | Rockford, Ill.
Jeffersontown High School | Louisville, Ky.
John Ehret High School | Marrero, La.
John F. Kennedy High School | Chicago
John Marshall High School | Rochester, N.Y.
Joliet Central High School | Joliet, Ill.
Kingston High School | Kingston, N.Y.
Landstown High School | Virginia Beach, Va.
Lincoln High School | Lincoln, Neb.
Lincoln High School | Sioux Falls, S.D.
Lloyd Memorial High School | Erlanger, Ky.
Madison High School | Portland, Ore.
Mandarin High School | Jacksonville, Fla.
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Mankato East High School | Mankato, Minn.
Melvindale High Schoo | Melvindale, Mich.
Memorial High School | Madison, Wis.
Meridian High School | Sanford, Mich.
Modesto High School | Modesto, Calif.
Moore Traditional School | Louisville, Ky.
North County High School | Glen Burnie, Md.
North High School | Eau Claire, Wis.
North Olmsted High School | North Olmsted, Ohio
Oak Leaf High School | Orange Park, Fla.
Oakland High School | Murfreesboro, Tenn.
Okemos High School | Okemos, Mich.
Portage Northern High School | Portage, Mich.
Ramsay High School | Birmingham, Ala.
Rochester School of the Arts | Rochester, N.Y.
Rogers High School | Toledo, Ohio
Romeo High School | Romeo, Mich.
Roseville High School | Roseville, Calif.
Seminole High School | Sanford, Fla.
South Hagerstown High School | Hagerstown, Md.
South Mecklenburg High School | Charlotte, N.C.
St. Petersburg High School | St. Petersburg, Fla.
State College Area High School | State College, Pa.
Stivers School for the Arts | Dayton, Ohio
Timken High School | Canton, Ohio
Troy High School | Troy, Mich.
Victor Senior High School | Victor, N.Y.
Wayne Memorial High School | Wayne, Mich.
West Vigo High School | West Terre Haute, Ind.
West York High School | York, Pa.
Westover High School | Fayetteville, N.C.
Wichita North High School | Wichita, Kan.
Willow Glen HS | San Jose, Calif.
Wilson High School | Portland, Ore.
Withrow International High School | Cincinnati, Ohio
Ygnacio Valley High School | Concord, Calif.
The 2011 GRAMMY Signature Schools
Program is presented with support from:
Best Buy Mobile
Ford Motor Company Fund
Gibson Foundation
Hot Topic Foundation
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P r e s e r v at i o n / A d v a n c eme n t P r o g r a m s a n d Impa c t
Teen Substance Abuse Awareness through Music Contest
Our Healthy Essentials programs were augmented this year by the “Teen Substance
Abuse Awareness through Music Contest” created to celebrate National Drug Facts
Week. In partnership with the National Institute on Drug Abuse and the GRAMMY
Foundation, the contest was open to teens ages 14–18. Entrants were asked to
compose or create an original song and/or music video that explores, encourages,
and celebrates a healthy lifestyle or accurately depicts a story about drug abuse.
Composers of all three winning entries had the opportunity to attend a 53rd Annual
GRAMMY Awards “Backstage Experience,” a special backstage tour while artists
rehearsed for the live GRAMMY Awards show on Feb. 13, 2011, in Los Angeles.
2011 Preservation Grantees by Category
P r e s e r v at i o n / A d v a n c eme n t
P r o g r a m s a n d Impa c t
10%
30%
The GRAMMY Foundation’s preservation and advancement initiatives foster dialogue about the compelling issues facing the music industry, support projects that
increase the understanding of music and its role in society and raise public awareness of the urgent need to preserve our nation’s recorded sound legacy.
The Grant Program, with funding generously provided by The Recording Academy, awards grants to organizations and individuals in two categories: scientific
research studies that advance our knowledge of the impact of music on the human
condition, and archive projects that designed to preserve the music and recorded
sound heritage of the Americas for future generations. The Grant Program is seeing
more and better qualified applicants each year, and this results in our abilities to
fund outstanding, meaningful, and diverse projects. In 2011 — the grant program’s
24th year — grants were awarded to 15 recipients in the United States, Canada
and the Dominican Republic. Research projects include a study that will test rehabilitation therapy that uses music to cue and facilitate arm movements in people
recovering from stroke; and preservation and archiving initiatives include a project
that will protect a long-lost collection of aluminum discs containing more than 100
hours of live jazz performances from the swing era and another that will identify and
catalogue the most fragile reel-to-reel recordings of live performances and related
oral histories in the collection of the oldest continuously running folk music coffeehouse, Caffè Lena.
•
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•
10%
10%
Jazz
Latin
30%
10%
Spoken Word/Interview
Classical
10%
20%
Latin
Folk
10%
20%
Classical
Other
20%
Folk
20%
Other
2011 Research Grantees by Category
12
In 2011, the GRAMMY Foundation was pleased to add an additional $100,000 in
funding to the Grant Program to bring the total amount funded to $200,000.
Jazz
Spoken Word/Interview
•
60%
Neuroscience & Cognition
and/or Emotion
20%
60%
20%
Rehabilitative
Neuroscience & Cognition
and/or Emotion
Cognition
and/or Emotion
20%
Rehabilitative
20%
Cognition and/or Emotion
Preservation Implementation
The ASCAP Foundation | New York
Awarded: $15,000
The goal of the American Society of Composers,
Authors and Publishers Archives is to catalog,
digitize, preserve, store, and provide access to
ASCAP’s historical recordings, documents, scores,
manuscripts, photos, lyric sheets, and ephemera
relevant to the history of ASCAP and its members
as contributors to American culture. The Library of
Congress will serve as the final repository of these
archives so that the materials can be publically
accessed.
www.ascapfoundation.org
Boston Symphony Orchestra | Boston, Mass.
Awarded: $10,000
ASCAP events, scores and
ephemera from such music greats
as Irving Berlin, James Van Heusen,
Harry Tobias, Harold Arlen, Hal
David and Sammy Fain, among
other – became part of “The
ASCAP Collection at the Library
of Congress.”
This project will preserve the only existing
program masters of Evenings at Symphony
broadcasts recorded between 1960 and 1970 and transfer the
recordings from an obsolete format into a stable preservation format
that will be made accessible to the public. These master video tapes
are in extremely fragile condition and represent an irreplaceable
record of a golden era in American musical culture.
www.bso.org
Center for Cultural and Eco-Tourism-UL Lafayette | Lafayette, La.
Awarded: $10,000
Funds will be used to retain a highly qualified audio technician to
assess and transfer the most fragile reel to reel tapes recorded as
far back as 1955 and as recent as 1992 to a stable medium. Once
digitized, these materials will be backed up, cataloged and made
accessible through the Center’s database, which is searchable online
and in person.
http://ccet.louisiana.edu/
•
•
•
Centro Cultural Eduardo León Jimenes | Santiago,
Dominican Republic
Awarded: $19,828
This project will preserve Fradique Lizardo’s unique
folklore recordings and make them accessible to the
public. Lizardo is one of the most important Dominican
folklorists, and his recordings, made between 1963 and
1984, document traditional music and dance from all parts
of the country and his work with the national folk dance
troupes. Dominican field recordings from this time are
rare, making the Lizardo collection particularly valuable.
www.centroleon.org.do
National Jazz Museum in Harlem | New York
Awarded: $20,000
The National Jazz Museum in Harlem recently acquired
the William Savory Collection, a long-lost collection of
aluminum discs containing more than 100 hours of live
jazz performances from the swing era that haven’t been
heard since their respective original broadcasts. This
historic find will have a huge impact on jazz scholarship
and programming. This project will begin the urgent work
of cleaning, storing, digitally transferring, and salvaging as
much of the material as possible.
www.jmih.org
New York Public Radio | New York
Awarded: $20,000
New York Public Radio seeks to preserve a unique sonic
heritage comprised of music and culture programming
spanning the 1950s–1980s. This archive offers a rare
glimpse into the minds, music and conversations of
some of the 20th century’s greatest cultural luminaries.
GRAMMY Foundation funding will support the
reformatting of a significant portion of this remarkable
collection, preserving one of America’s richest
broadcasting legacies.
www.wnyc.org
•
13
Preservation Planning
Caffè Lena | Saratoga Springs, N.Y.
Awarded: $5,000
Caffè Lena is America’s oldest continuously running folk
music coffeehouse, deemed “a national treasure” by
the Library of Congress. The goal of this project is to
identify and catalog Caffè Lena’s most fragile reel-to-reel
recordings of live performances and field recordings
(1960–1975) and related oral histories on audiocassettes.
This historic collection sheds light on New York music
history and its impact on the 1960s’ American folksong
revival movement.
www.caffelenahistory.org
National Museum of American History,
Smithsonian Institution | Washington, D.C.
Awarded: $5,000
The National Museum of American History requests
funding for a conservation assessment of 400
experimental sound recordings — all made by Alexander
Graham Bell, Thomas Edison and Emile Berliner during
the invention of sound recording instruments and media.
The conservation assessment will determine which
recordings need conservation treatment, prioritize their
treatment, assess their housing, and recommend new
housings as needed.
www.americanhistory.si.edu
Philadelphia Folksong Society | Philadelphia
Awarded: $5,000
The project will plan preservation, documentation and
presentation of significant audio, video and print materials
from the Philadelphia Folk Festival (1962–2010). The history
of this iconic traditional music event includes performances
from artists such as Elizabeth Cotton, Ramblin’ Jack Elliott,
Steve Goodman, Mississippi John Hurt, Odetta, Bonnie
Raitt, Pete Seeger, and hundreds more.
www.pfs.org
•
UCLA Film & Television Archive
Awarded: $5,000
| Los Angeles
Northwestern University
Awarded: $20,000
| Evanston, Ill.
UCLA Film & Television Archive holds approximately
17,000 discs in its radio collection. The objective of
this project is to complete a preservation assessment
and create an action plan for preservation. Preservation
considerations will include repackaging the materials
into proper archival housing, inventorying, creating a
catalog record, and establishing a priority for digital
transfer.
www.cinema.ucla.edu
This study will improve the understanding of the role
that musical training plays in sharpening how the
nervous system functions within everyday listening
environments. Specifically, the researchers will
determine how childhood music training tunes brain
mechanisms responsible for processing speech in
noisy listening environments, such as encountered in a
bustling classroom.
www.brainvolts.northwestern.edu
Research
Queen’s University | Kingston, Ontario
Awarded: $20,000
Beth Israel Deaconess Medical Center
Awarded: $20,000
| Boston
This project will test the efficacy of a rehabilitation
therapy that utilizes musical auditory feedback to cue
and facilitate arm and hand movements in people with
stroke. Brain imaging techniques will also be used to
assess changes in brain activity and connections that
may underlie behavioral improvements. Results may
support a new therapeutic intervention in the treatment
of stroke patients with impaired arm function.
www.musicianbrain.com/publications.php#index
New York University
Awarded: $20,000
| New York
This project will use two complementary neuroimaging
methods to assess 1) how the brain processes pitch
changes, 2) how the brain uses pitch changes to control
vocalization, and 3) the effects of auditory and vocal
training on the brain. Characterizing the anatomical
and physiological brain mechanisms is essential for
understanding how pitch is processed in healthy and
disordered communication and singing.
http://psych.nyu.edu/clash/poeppellab/
•
•
Scientific research has convincingly showed that musical
memory is spared both in normal and pathological
aging, specifically in Alzheimer’s dementia. New
exciting directions involve the notion that music elicits
memories of the past. This project will examine the
role of familiarity and emotion in supporting these
memories and to explore, through neuroimaging
techniques, probable brain sites associated with music
recall.
www.queensu.ca/psychology/mcl.html
Susan Rogers | Boston, Mass.
Awarded: $5,000
Musicians assess the psycho-acoustical properties of
sounds differently than do non-musicians. This study
asks music students trained on fixed-, continuous-, or
non-pitched instruments to rate the roughness of dyads
(two simultaneous tones) with the aim of quantifying
how musical instrument training affects perceptual
processing. The findings will extend previous study on
the origins of sensory and music-theoretic consonance
vs. dissonance.
•
14
Music Preservation Project
The Music Preservation Project is produced each year during GRAMMY Week to heighten public
awareness of our work in protecting our cultural legacy. In 2011, “Word Revolution: A Celebration of
The Evolution of Hip-Hop” explored hip-hop as an art form, and celebrated the invaluable contributions of the genre and its influence on the American cultural landscape. Presented in association
with Centric, the evening featured live musical performances and historical footage, and was hosted
by Kevin Frazier of The Insider. Performers included GRAMMY nominees Marsha Ambrosius, MC
Lyte, Musiq Soulchild, Phife of A Tribe Called Quest, Paul Wall and Young Chris; GRAMMY winners
Arrested Development, DJ Jazzy Jeff, Everlast, Chrisette Michele and Naughty By Nature; Beat
Freaks from “America’s Best Dance Crew”; Brave New Voices, DJ Beverly Bond, Kid Capri, Lil’ Mama
and DJ Skee.
Arrested Development
perform at the GRAMMY
Foundation’s 2011 Music
Preservation Project “Word
Revolution: A Celebration of
The Evolution of Hip-Hop.”
Arrested Development perform at the
GRAMMY Foundation’s 2011 Music
Preservation Project “Word Revolution: A
Celebration of The Evolution of Hip-Hop.”
The GRAMMY Foundation was instrumental in writing and successfully passing the National
Recording Preservation Act. This legislation created a National Recording Preservation Board that
works with the Librarian of Congress and the public to select entries for the National Recording
Registry, ensuring the preservation of these designated historic recordings.
Since passage of the act in 2000 and its reauthorization in 2008, 300 recordings have been added to
the registry.
Entertainment Law Initiative
The Entertainment Law Initiative is comprised of three components: a legal seminar series, a
national scholarship essay competition for law students and a high-profile luncheon during GRAMMY
Week that is attended by students, music attorneys, executives and members of The Recording
Academy. Since its inception in 1999, the Entertainment Law Initiative has provided $143,000 in
scholarships to aspiring law students.
The Entertainment Law Initiative’s Annual Scholarship Luncheon enjoyed significant success in 2011.
Attendance increased to more than 450 and revenue topped the $200,000 mark.
(Standing) Vice President of the GRAMMY Foundation Scott Goldman; Senior Vice
President of the GRAMMY Foundation Kristen Madsen; Chief Marketing Officer,
Coca-Cola North America Bea Perez; Partner, Loeb and Loeb LLP, and ELI Service
Award Honoree John Frankenheimer; Black Eyed Peas front-man and GRAMMY
Foundation Board Member will.i.am; President/CEO of the GRAMMY Foundation
Neil Portnow; Vice Charman of the GRAMMY Foundation Rusty Reuff; (Seated) ELI
Runner-Ups Maral Vahdani, Brian Pearl, Dan Carollo and Jay Patel; and ELI Winner
William Jacobson attend the GRAMMY Foundation’s 13th Annual Entertainment
Law Initiative Luncheon & Scholarship Presentation held at the Beverly Hills Hotel
on February 11, 2011, in Beverly Hills, California.
•
•
Black Eyed Peas front man and GRAMMY Foundation board member will.i.am gave the keynote
address. This marks the first time a recording artist has addressed the luncheon. ELI also continued
its writing competition workshops at law schools around the country. The workshops are designed to demystify the process of entering the competition, increase
submissions and awareness and provide interaction with top entertainment attorneys. ELI’s Legal Seminar Series conducted panel presentation at the Benjamin Cardozo School of Law in
2011, as well as DePaul University and the South by Southwest Music Conference.
•
•
15
C o mm u n i t y F ee d b a c k
“Words cannot describe the impact that GRAMMY Camp – Basic Training has had on me. When I
was applying to Camp, I did not know what to expect. All I knew was that I had to find a way to be a
part of this program. Once I got to Camp, I had no idea that in just 10 days I could have a completely
different outlook on everything, my aspiration as a singer and even the person I am. I left Camp with
so many new ideas, connections and new pieces of advice that I will always treasure. I was able to
learn how to adapt and work with others better than I ever expected. I learned to be patient and to be
open to all ideas, to be ready to handle any situation that I am put in. At Camp I had so many amazing
opportunities, being able to record, compose, collaborate, and perform with so many inspiring people,
instructors and peers. Thank you so much for dedicating so much time and effort, to a program that
truly has the power to change lives.”
— 2011 GRAMMY Camp
Music Journalism GRAMMY Camp –
Basic Training Camper Ryley Mueller
reporting during LA Guest Professional
Day at USC.
“I just wanted to truly and sincerely thank each and every staff member of GRAMMY Camp and along
with the people who donated the scholarship funds. Without them, my daughter would not have had
this incredible experience. I can’t seem to find the right words to describe exactly what this experience
has done for her, but it was truly life changing. This has instilled confidence in her and it has showed
her how much more she is capable of and how much more creativity she has inside herself. It has been
beneficial and therapeutic on so many different levels. She has met so many wonderful people. I can’t
thank you all enough.”
— 2011 GRAMMY Camp Parent
“Since I began high school, it has been a dream and goal of mine to be in the GRAMMY Camp – Jazz
Session. Now as a senior, I am so happy to have been selected as a pianist in the GRAMMY Camp – Jazz
Session for 2011. The honor is very inspiring to me as I broaden my musical experiences from the local,
to the state, to now the national level.”
— 2011 GRAMMY Camp – Jazz Session Participant
“[Music was] one of the last ways in which we could make a connection on a more personal, intimate
emotional level with him.”
— Caregivers participating in GRAMMY Foundation-funded research by Dr. Lola Cuddy
at Queen’s University, exploring the connection between musical memories spared in
Alzheimer’s patients
•
•
•
•
16
F u n d r a i s i n g I n i t i at i v e s
Throughout the year, the GRAMMY Foundation benefits from our GRAMMY Charity
Online Auctions, which feature exclusive VIP experiences and memorabilia presented
in partnership with Kompolt at www.ebay.com/grammy and CharityBuzz at
www.charitybuzz.com.
Some highlights included the launch of the second annual “Black Friday” auction, which
launched the day after-Thanksgiving and targets the massive amounts of shoppers looking
for deals on the biggest shopping day of the year. The GRAMMY Foundation also brought
one-of-a-kind experiences such as a VIP concert and meet- and-greets with Def Leppard,
Keith Urban, an incredible New Years Eve VIP Experience with Coldplay and Jay-Z in Las
Vegas and more! Our auctions also featured exclusive music memorabilia signed by Justin
Bieber, Lady Gaga, Mick Jagger, Bruno Mars, Lea Michele, and many, many more.
In addition, at the beginning of fiscal year 2012 for its annual Starry Night benefit, the
GRAMMY Foundation hosted Coldplay in Concert presented by Samsung AT&T Summer
Krush 2011 benefitting GRAMMY in the Schools music education programs for high school
students and schools. The benefit was held at the UCLA Tennis Center in Westwood,
California.
Justin Bieber stops by to sign items for
the GRAMMY Foundation & MusiCares
while backstage at rehearsals for
his performance at the 53rd Annual
GRAMMY Awards on Feb. 13, 2011.
For the second year, the GRAMMY Foundation presented GRAMMY in the Schools Live!
— a celebration of music and education. Held during GRAMMY Week, this event raised
funds and awareness to support the education
efforts of the GRAMMY Foundation. GRAMMY In
The Schools Live! 2011 featured performances by
the GRAMMY Jazz Sessions and student alumni
from GRAMMY Camp and GRAMMY Signature
Schools with a special guest performance by Sara
Bareilles.
The GRAMMY Foundation initiated a series of
House Concerts in 2010. These intimate evenings,
which were hosted by Board members, featured
acclaimed performances by Josh Groban, Corinne
Bailey Rae, and LeAnn Rimes to benefit the
GRAMMY Foundation.
Sara Bareilles performs with members
of the GRAMMY Jazz Sessions at the
2nd Annual GRAMMY in the Schools
Live! at the USC Grand Ballroom.
•
•
•
•
17
F u n d r a i s i n g I n i t i at i v e s
Sp o n s o r s
The GRAMMY Foundation’s GRAMMY in the Schools initiatives would not be possible without the remarkable support
received from a number of corporate partners:
Best Buy Mobile
At the National GRAMMY Camp in 2010, Best Buy pledged to partner with the GRAMMY Foundation to raise $1
million in funding to support music education programs in schools around the country. Funding will be raised from a
variety of cause marketing activities over the course of the year.
Campbell’s Labels for Education
The GRAMMY Foundation continued its partnership with LFE in 2010. In-store promotions featuring the GRAMMY
Foundation were run in regional supermarket chains. By the end of fiscal year 2010 the Discovery Through Music
curriculum had been downloaded by over 12,000 schools nationwide.
Converse
Converse came aboard as a first time GRAMMY Camp sponsor in 2010. In addition to financial support, Converse
incorporated students in their Connectivity Campaign.
The Ford Motor Company Fund provided support for GRAMMY Camp – Basic Training programs and GRAMMY
Signature School Awards in six selected markets in 2009 and 2010. Additionally, a full scholarship to GRAMMY – Basic
Training was offered to a high school music student from each participating market.
Gibson Foundation
The Gibson Foundation continued its funding support for GRAMMY Signature Schools and GRAMMY Camp — Basic
Training nationally.
Sound Matters
Sound Matters is a cause marketing partnership between the GRAMMY Foundation, the Starkey Hearing Foundation
and Best Buy. Launched in 2008 the campaign continued through both 2010 focusing on the sale of in-ear
headphones at over 900 Best Buy stores around the country. The campaign also reinforces the importance of hearing
conservation among young music fans. All of the GRAMMY in the Schools initiatives benefit from the funds raised through these partnerships. We offer our
deepest thanks and appreciation to these partners for their vision and creativity in finding new and unique ways to
develop the funding necessary to continue our music education programs.
•
•
•
•
18
Y o u r S u pp o r t
As our industry responds to current technological and economic shifts, the need to broaden and sustain
our mission increases. Your help is more important now than ever. When considering a charity for your
personal contribution or corporate affiliation, please remember that you can make a real difference in the
lives of the people we serve through support of the GRAMMY Foundation.
T h e GRA M M Y F o u n d at i o n Off i c e
3030 Olympic Blvd.
Santa Monica, CA 90404
Tel: 310.392.3777
Fax: 310.392.2188
www.grammyfoundation.org
www.grammyintheschools.com
www.facebook.com/grammyintheschools
19
The GRAMMY Foundation Community Services Report is published by:
The GRAMMY Foundation
© 2011 GRAMMY Foundation
Contents may not be reprinted without express written permission.
The GRAMMY Foundation, MusiCares, GRAMMY, and The Recording Academy
and their respective logos are registered trademarks and service marks.
Unless otherwise noted, photos courtesy of The Recording Academy,
photographed by WireImage.
•
•
•
•
F i n a n c e s a n d S u pp o r t e r s
Statement of
Financial Position
2010 & 2011
2 0 1 1 oject Income
44%
ontribution/Sponsorship
vestment Income
ants
oject Income
32%
Contribution/Sponsorship
The Recording Academy
3%
Grants
9%
Project Income
12%
____________
1,665,571 ____________
Property and Equipment, Net
Board-Designated Investments
Deferred Compensation Asset
ants
e Recording Academy
$1,503,891 28,208 111,872 21,600 TOTAL
CURRENT ASSETS
NON CURRENT ASSETS:
TOTAL NONCURRENT ASSETS
TOTAL
ASSETS
Investment Income
E x p e n s e s 2 0 11
2 0 1 0
CURRENT ASSETS:
Cash and Cash Equivalents
Accounts Receivable
Prepaids and Deposits
Product Inventory
Y
on
e Recording Academy
2011
F u n ct i o n al
GRAMMY
Foundation
$945,502
2011
333,118
Functional
24,021
2011
GRAMMY
21,600
GRAMMY
Expenses
____________
Foundation
ASSETS
Foundation
1,324,241
____________
Functional
Functional
Expenses
30,385
Expenses
11,393 3,966,948 33,086 ____________
4,011,427 ____________
3,456,601
22,079
____________
3,509,065
____________
$5,676,998 ____________
____________
$4,833,306
____________
____________
65%
Program Services
15%
Management and General
20%
Fundraising
65%
65%
Program
Services
Program
Services
15%
20%
Fundraising
15%
20%
Fundraising
vestment Income
LIABILITIES AND NET ASSETS
CURRENT LIABILITIES:
Deferred
Compensation Liability
Y
on
TOTAL
LIABILITIES
e Recording Academy 38%
2%
15%
oject Income
9%
vestment Income
e Recording Academy
Grants
Project Income
Investment Income
•
3,966,948 140,557 229,237 ____________
3,456,601
213,069
202,437
____________
TOTAL
NET ASSETS
4,336,742 ____________
Functional
Expenses
3,872,107
____________
TOTAL
LIABILITIES AND NET ASSETS
$5,676,998 ____________
____________
$4,833,306
____________
____________
antsg r a m m y f o u n d a t i o n . o r g
oject Income
vestment Income
33,086 ____________
1,340,256 ____________
Board Designated
Other Unrestricted Net Assets
Temporarily Restricted
•
20
2010
2010
GRAMMY
GRAMMY
22,079 Foundation
____________
2010
Foundation
961,199
____________
Functional
Functional
GRAMMY
Expenses
Expenses
Foundation
NET ASSETS:
ontribution/Sponsorship36%
ants
F u n ct i o n al E x p e n s e s 2 0 1 0
Accounts Payables and Accrued Liabilities
$342,086 $203,017
Deferred Revenue
340,728 258,625
Payable to Affiliate
624,356 477,478
401K Discretionary Liability
____________
____________
TOTAL
CURRENT
LIABILITIES
1,307,170
939,120
____________
____________
•
55%
55%
Program
Services
Program
Services
19%
19%
Management
and General
Management
and General
20%
Fundraising
20%
•
Fundraising
55%
Program Services
19%
20%g r a Fundraising
mmyfoundation.org
Statement
of Activities
2009 & 2010
R e v e n u e s 2 0 11
REVENUES
2011
1,469,035
GRAMMY
1,561,062
65,000
Foundation
2011 621,620
2011
385,418
Revenue
GRAMMY
18,639
GRAMMY
____________
Foundation
$4,550,409 $4,120,774
Foundation
____________
____________
____________
____________
Revenue
Revenue
2 0 1 1 Contributions/Sponsorships
Support from The Recording Academy
Grants
Project Income
Investment Income
In-Kind Donations
TOTAL
REVENUES
EXPENSES
Program Services
Fundraising and Special Events
In Kind Expenses
2 0 1 0
1,992,242 1,480,465 125,000 384,043 533,758 34,901 ____________
$2,606,611 597,236 847,025 34,901 ____________
$1,790,102
545,778
1,041,916
18,639
____________
TOTAL
EXPENSES
4,085,774 ____________
3,396,435
____________
NET
INCOME (LOSS)
$4,035,345 ____________
____________
$724,339
____________
____________
44%
32%
3%
Grants
9%
44%
44%
12%
32%
32%
Project Income
Investment
The
RecordingIncome
Academy
3%
Grants
9%
Project Income
3%
Grants
9%
Project Income
12%
Investment Income
12%
Investment Income
Revenues 2010
Financial information is excerpted from The GRAMMY Foundation audited reports. 
Functional Expenses information is as reported on the IRS 990 filings.
21
2010
2010
GRAMMY
GRAMMY
Foundation
2010
Foundation
Revenue
Revenue
GRAMMY
Foundation
Revenue
36%
36%
38%
38%
2%
Grants
2%
Grants
15%
Project Income
15%
9%
36%
9%
38%
•
•
•
2%
15%
9%
Project Income
Investment
Income
Investment Income
•
Grants
Project Income
Investment Income
$1,000,000 AND ABOVE
Ticketmaster
Toms Shoes, Inc.
Universal Music Group
Warner Music Group
Services
Best Buy
The National Academy
of Recording Arts &
Sciences, Inc.
$100,000 TO $999,999
“$9,999 TO $5,000”
Anomaly, LLC
(on Behalf of Converse)
Campbell Sales Company
BET
BMI
Bobbie Bailey
Gary Borman
Tim Bucher
The Cain Foundation
Cossette Productions
Fidelity Charitable Gift Fund
John W. Carson Foundation
George L. Jones
Guy P. Kroesche
Lucasfilm Foundation
Mitchell Silberberg & Knupp
LLP
Notes For Education, Inc.
Neil R. Portnow
Proskauer Rose LLP
Russell Rueff
Sony Music Entertainment
True Story Pictures
Ziffren Brittenham LLP
$50,000 TO $99,999
CMGRP, Inc.
SanDisk Manufacturing
$49,999 TO $10,000
ASCAP
California Community
Foundation
The Coca-Cola Company
Converse
Davey Silverman
The Ella Fitzgerald
Charitable Foundation,
Gibson Foundation
Goldman Sachs
Griffin Technology
Loeb & Loeb
Mission Fish
Morgan Keegan & Company
Nomura Securities
International, Inc.
Saban Family Foundation
Studio One Media, Inc.
•
“$4,999 TO $1,000”
AEG Live LA, LLC
AGM Partners, LLC
Gary L. Arnold
Artesian Entertainment
Group
Black Women In
Entertainment Law
Foundation
Bobbitt & Roberts
Brumberger Foundation,
Inc.
Anthony Cordova
Geoff Cottrill
County of Wayne
David Rose Publishing
Freecreditscore.com
Front Line Management
Group, Inc.
Haber Corporation
Lisa Hilton
Hilton Hotels Corporation
Katten Muchin Rosenman
LLP
LaPolt Law, P.C.
Lawrence R. Levy
Manatt, Phelps & Phillips
Morgan Stanley
Munger, Tolles & Olson
Myman Abell Fineman
Greenspan Light LLP
The Northern Trust
Company
Bea Perez
Phoenix Restorations, Inc.
Bryan Plater
•
Robins, Kaplan, Miller &
Ciresi L.L.P. Charitable
Foundation
Roland Corporation U.S.
Frank Scibilia
Sidley Austin Brown &
Wood LLP
SoundExchange
Tickets for Charity, LLC
UP TO $999
Jerry Abbott
Robyn Abraham
David G. Acosta
David Adler
Stephanie Adwar
Willard Ahdritz
Mitra Ahouraian
Lucien Allen
David Altschul
Claus Altvater
American Endowment
Foundation
Lisa Andazola
Francis Eldridge Anderson
Jameil Aossey
Igor Arkhipov
Ashley Askew
Jimmy Baldwin
Swagata Ban Banerjee
Brittany Barry
Da’Marcus Baymon
Edward Bazel
Jeff Becker
Charles Bein
•
Gary Belz
Cesar Benito
Tamera Bennett
Michael Bereznak
Vincent Berry
John Beug
Lisa Tomiko Blackburn
Richard Blackstone
John Blake
Nik Boca
Joseph Bonavita
Richard Boyd
Gabrielle Bozza
Aeden Braddock
Jeffrey Brabec
Ashley Brazeal
Nicole Brown
Sandra Brown
Vernell Brown
Paola Bulloch
Sonia A. Burda
James Byrd
Maxx Cabello
Rami Campbell
Gene Caprioglio
LaKisha Carpenter
Michael Carrasquillo
Carroll, Guido &
Groffman LLP
Paul Carter
Crystal Cartier
Chris Catalano
Michael Catania
Mario Cepeda
Angelin Chang
William Chavers
William Cobham
Brittany Coney
Cornelius Crawford
Carlynn Ferguson Davis
Douglas S. Davis
Francis E. Delaney
Gonzalo De La Torre
D’Manti Diamond
Dorothy G. Bender
Foundation
Rick Duchateau
Khalel Dumaz
Melissa A. Dupee
Tiffany Pamela
Edmondson
Harold Edwards
Lee Edwards
David M. Ehrlich
Michael S. Elkin
Daniel Ellis
Robert L. Emmer
Lance A. Epps
Epstein, Becker & Green
Sydney Everatt
Jim E. Farmer
Elissa Felman
Corey Field
Arlene Fishbach
Dan Fletcher
Jack Forman
Fox Rothschild
Paulette Fox
Don Erik Franzen
(continued on next page)
•
22
Hillel Frankel
Dallas Frazier
Spencer Gamache
Gang, Tyre, Ramer &
Brown, Inc.
Edgar ‘Dino’ Gankendorff
Grace Garland
David Gavilan
Dara Gelbtuch
George T. Gilbert, LLC
Reid Genauer
Susan Genco
Alan Gerber
Felix Girard
Genhi Givings
Gregg Goldman
Seth Goldstein
Henry Golis, Jr.
Tiffany Goolesby
Jason Gordon
Natasha Graham
Robert Gregg
Miriam Grossman
Ira Grylack
William J. Gunkel
Owen Gwyn
Tammy L. Hall
Hard Rock Café
Foundation, Inc.
Cindy Lou Harrington
Maria Harrington
Gabriel Hasselbach
Nathan Haug
Tom Hayden
Ned Hearn
Taynay Henderson
Henry & Elaine Kaufman
Foundation, Inc.
Fred Hersch
Howard Hertz
Tony Hibbert, Jr.
Willard Hill III
Hilton HHonors
Giving Back Program
David Hirshland
Jeanne Hoffman
Elisabeth Howard
Michele Howard-Flynn
I-Deal, LLC
Stephen Inglis
Mark Ingram
Frank Ingriselli
Yocontali Jackson
Kevin Janeway
Ella Jenkins
Michael Johnson
Ella Johnston
Jeff Jones
Mira Kalyanee
Michael Karlin
Robert Keen
John P. Kellogg
Michael Klvana
Kobalt Music America
Heli Kools
Justin Kotraba
David S. Koz
Stacy Kray
Keith Kula
Thomas Lane
•
Grant Larkin
Law Offices Of David Helfant
Beamen Lawrence
Chris Lee
Susan Lenihan
Jonathan Leonard
Stephen Levitin
Jeff Liebenson
Paul Lipson
Ruben Lira
Michele Locatelli
Arietha I. Lockhart
Michael Lowe
Ebone Lundy
Lisa Margolis
David Marshall
David Mauk
Nathan Mayes
Polly Maynard
Scott Mayo
Chuck McAuley
Deborah McAuley
Edwin F. McPherson
Zachary McPherson
Carol McGraw
Al McLean
Brian McNelis
Linda Mensch
Brette Meyers
Brian Miller
Rae E. Mock
Brooke Monroe
Leni & David Moore
Shanna Moore
•
Sharon Moy
Steven Nelms
Ron Nicolai
Deirdre O’Hara
Karen & Don O’Neill
On Board Entertainment
Steven Pagano
Dorothy J. Papadakos
Richard Parker, Jr.
Nicholas Patronella
Stephen Paul
Corina Peila
Chris Pelcer
Rupert Perry
Dhanraj Phagoo
Phillips, Erlewine & Given LLP
Paul Pilsneniks
Jason Pittman
Antoine Pitts
Johnny Polidano
Ryan Pool
Rikki Poulos
Eckart Preu
Matthew Ramer
Rick Rand
Rosalind Read
Divya Reddi
Brenda Reddix-Smalls
Elliot Resnik
Stephen Rich
Dorothy B. Richardson
Warren Riggers
David Rigney
•
Ritholz Levy Sanders
Chidekel & Fields LLP
Adam Ritholz
Daniela Rivera
Tadric Robinson
Leron Rogers
Alan H. Rolnick
Lita Rosario
Simon J. Rosen
Toam Rubinstein
Don Russo
Mark Saku
Allon Sams
Amanda Sanchez
Anthony Sanchez
Robert Sawyer
Christian Schmidt
Peter Schwinge
Serling, Rooks &
Ferrara LLP
Stephanie Joy Schulman
Robert L. Shames
Shaprio, Bernstein & Co.
Andy Sikorski
Tommy Sims
Carmen Skaggs
Bradford Smith
Caitlin Smith
Cozetta Smith
Taryn Smith
Willie Smith
Alex Sok
Erin Spahn
Dee Spencer
Junior Spencer
Michael Spindler
Joseph Stallone
Candice Stephenson
George Stein
Steve Sterling
David O. Stiers
Anne L. Stowell
Structured Asset Sales, LLC
Brad Sullivan
Harold L. Sykes
Thomas Taylor
Susan Thomas
Michelle Thorpe
William R. Traut
Oliver Tuthill
Mario Eduardo Vaz De Mello
Rosa Vela
John Viguerie
Fadua Villarroel
Steven Walz
Tamara Washington
Mark Watson
Ayana Webb
Walt Weiskopf
Sean Wells
Bradley G. Wickilund
David Winnie
Sky Wixom
Samuel Woldenberg
Daniel Workman
April Young
Alejandro Zamora
•
23

2010 - 2011 - The Recording Academy

Transcription

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