Electro-Harmonix Flanger Hoax
Transcription
Electro-Harmonix Flanger Hoax
GEAR BOX Electro-Harmonix Flanger Hoax By Rusty Cutchin I FEATURES Two analog phaser sections Two analog delay lines Low-frequency sinewave modulator Feedback control sends wet output back into phaser circuits Modulator Mode switch steps through waveform phases PRICE $199.99 CONTACT Electro-Harmonix 800-633-5477 ehx.com n the beginning there was the phase shifter. And players heard that the swooshing and gurgling was good, and thus was born the sound on hundreds of tunes, from “Itchycoo Park” to “Eruption.” But wait, said the god of foot pedals. Actually, in the beginning was flanging, a sound created by mixing two identical audio signals and warping the second one through physical interruption of a tape reel (usually by touching its rim, or flange). Hang on, said the electronics geeks. Let’s make both effects possible by using delays and modulators to vary speed and intensity. Sheesh, said Joe and Jane Guitarist. We just want to plug in and get a cool sound. Joe and Jane are out of luck with Electro-Harmonix’s Flanger Hoax. This box requires trial and error, and an understanding of phase-shifter design and modulation, to master its sonic potential. However, creative players who spend some time with it will ON THE CD The Flanger Hoax's Modulator Mode rotary switch steps through different phases of the modulation waveform. 64 GUITAR ONE << guitaronemag.com << JANUARY 2006 soon find that experimentation leads to satisfaction. CONTROLS The strangely named Flanger Hoax is labeled a Flanging Phaser Modulator. It’s a large pedal with several controls and a single footswitch. One input jack and three output jacks—Direct, Blended, and Effect—sit on the sparse rear panel. If your amp doesn’t have an effects loop, you’ll most likely want to use the blended output. The unit features two separate phaser sections and delay lines. The Fixed Phaser will shift the phase of your input signal by a set amount of 240 degrees. The Swept Phaser is more like a traditional phaser, modulated by a low-frequency sine wave. Each phaser circuit also passes through an analog delay line, which can be independently swept by the modulating wave. You can bypass each phaser to access the delay lines without any phase shift. The feedback control sends the output of the pedal or the Swept Phaser back into the phaser circuits. A host of other controls lets you create an almost infinite variety of sounds by using modulation and feedback, as you would with simpler phaser/flanger boxes. The Delay Mode switch and Delay Amount knobs open up lots of possibilities by providing differ- ent phase-shift combinations for the modulating waveform that sweeps the Fixed and Swept Phaser Delay lines. The Modulator Mode rotary switch steps through different phases of the modulation waveform; using it in tandem with the delay modulation, you can go from subtle, traditional phasing to otherworldly extremes. SOUND Although its electronic architec- ture may be more familiar to a synth programmer, the Hoax is a fantastic box to get sounds from. Slight twists of pots result in giant sweeps of undulating audio when the settings are right, and once you have the beast under control, you can get ultra-clean shadings that fatten up rhythm parts without overpowering an entire mix. The Hoax is all analog, which explains the lack of presets. According to Electro-Harmonix, a collection of settings guides is being arranged to give first-time users a starting point for creating individual settings. That should do a lot to make the Hoax less daunting out of the box. Even without further guidance, anyone with a basic knowledge of phasers and flangers can start coming up with sounds right away, and the broad palette should appeal to any players who haven’t upgraded their Maestro or Phase 90 recently. IS IT FOR YOU? The Flanger Hoax is a rich sound source for anyone fascinated with phase-shift, modulation, and delay effects. You’ll need to work with this pedal awhile, but once you do, it’ll give you an amazing aural experience.
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