N Haugh Performing Arts Center
Transcription
N Haugh Performing Arts Center
Version: October 2012 Page 1 INTRODUCTION The Haugh Performing Arts Center is a 1,400 seat proscenium venue located on the campus of Citrus Community College, in the heart of Southern California's San Gabriel Valley. Each year the facility is host to about 200 performances, including campus rehearsals, productions, and recitals, professional artist series, a Saturday Series for Kids, and numerous rental events. Immediately adjacent to the center is a state-of-the-art recording complex, which includes two studios with full analog and digital recording and editing facilities. The complex is fully wired to allow HPAC’s mainstage to serve as a studio scoring facility, and to provide high quality studio recording services for performances in the Center. For further information about the Recording Arts complex, contact Tim Jaquette at (626) 852-8069. The information contained in this document is designed to provide an accurate overview of the facility and its capabilities, and has been organized according to USITT guidelines. We invite your comments and suggestions as we strive to make it increasingly comprehensive, accurate, and useful to facility users. TABLE OF CONTENTS Introduction ............................................................................................................. 2 Table of Contents .................................................................................................... 2 General Information ............................................................................................... 3 Management ............................................................................................................ 8 Load-In Area ......................................................................................................... 10 Carpentry ............................................................................................................... 11 Lighting .................................................................................................................. 14 Sound ...................................................................................................................... 16 Props ....................................................................................................................... 20 Wardrobe ............................................................................................................... 21 Attachment A: Area Map ..................................................................................... 22 Attachment B: Campus Map ............................................................................... 23 Attachment C: Groundplan of Stage................................................................... 24 Attachment D: Centerline Section of Theatre .................................................... 25 Attachment E: Line Plot of Theatre .................................................................... 26 Attachment F: Ground Plan of Facility .............................................................. 27 Attachment G: Seating Chart .............................................................................. 28 Attachment H: Circuit Chart ............................................................................... 29 Attachment I: Sound Layout................................................................................ 30 Attachment J: House Lighting Plot ..................................................................... 31 Attachment K: Standard Lighting Hook Up ...................................................... 32 Attachment L: Quick Sheet Info .......................................................................... 33 Attachment M: Photographs of the Center ........................................................ 34 Version: October 2012 Page 2 GENERAL INFORMATION Mailing Address: Haugh Performing Arts Center Citrus College 1000 West Foothill Blvd. Glendora, CA 91741-1899 PAC FAX: (all departments) (626) 335-4715 Programming: Interim Director of Performing Arts John Vaughan Office: (626) 852-8047 email: [email protected] Marketing / FOH Operations Linda Graves Office: (626) 852-8045 email: [email protected] Administrative Secretary Sharol Carter Office: (626) 852-8046 email: [email protected] Graphic Designer Diane Berendes Office: (626) 857-4135 email: [email protected] Technical Services: Technical Director Dan Vilter Office: (626) 852-8049 email: [email protected] Stage Manager / Haugh Rental Coordinator Karen Taulbee Office: (626) 852-8050 email: [email protected] Shop Supervisor / Master Carpenter John Patrick Office: (626) 852-8048 email: [email protected] Box Office (Tickets): (626) 963-9411 (24-hour message) Tues-Sat 11AM-4PM and one hour before performances online orders: www.haughpac.com Backstage Message: Mon-Fri 8AM - 5PM: (626) 852-8046 after hours: (626) 852-8050 Coordinates: 117º 53.307’ West, 34º 08.120’ North 745 feet above sea level Time Zone Pacific (eight (8) hours after Greenwich) Airport Access Ontario International Airport (ONT): 23 miles (37.01 km) to venue. Drive time, rush hour: 1 hour, 10 minutes. Drive time, no traffic: 25 minutes. Average drive time: 45 minutes. Most convenient to venue. Los Angeles International Airport (LAX): 34 miles (53.11 km) to venue. Drive time, rush hour: 3 hours 30 minutes. Drive time, no traffic: 55 minutes. Average drive time: 1 hour 30 minutes. Burbank Airport (BUR): 33 miles (53.10 km) to venue. Drive time, rush hour: 1 hour 45 minutes. Drive time, no traffic: 40 minutes. Average drive time: 1 hour. John Wayne Airport (Orange County)(SNA): 40 miles (64.37) to venue. Drive time, rush hour: 2 hours, 30 minutes. Drive time, no traffic: 45 minutes. Average drive time: 1 hour. Long Beach Airport (LGB): 34 miles (53.11 km) to venue. Drive time, rush hour: 2 hours. Drive time, no traffic: 45 minutes. Average drive time: 1 hour. Directions to Venue The Haugh Performing Arts Center is located on the northwest corner of the campus of Citrus College, where Citrus Avenue curves east and becomes Foothill Blvd. Version: October 2012 Page 3 If westbound on the 210 freeway: Exit Citrus Avenue. At end of off ramp, turn left. First light is Citrus Avenue. Turn right and proceed north about 1 and 1/4 mile (2.01 km). You will pass Alosta Avenue (signal), Azusa Pacific University (on your right), and the Citrus campus electronic marquee (on the corner of Citrus Avenue and Citrus College Drive; signal). Turn right into the last driveway before the road curves to the right and becomes Foothill Blvd. There is a monument style sign at the entrance to the parking lot. If you continue around the curve, there is another entrance to the parking lot just past the curve. (Warning: this second entrance is not accessible to buses or large trucks). If eastbound on the 210 freeway: Exit Citrus Avenue. At end of off ramp, turn left and proceed north on Citrus about 1 and 1/4 mile (2.01 km). You will pass Alosta Avenue (signal), Azusa Pacific University (on your right), and the Citrus campus electronic marquee (on the corner of Citrus Avenue and Citrus College Drive; signal). Turn right into the last driveway before the road curves to the right and becomes Foothill Blvd. There is a monument style sign at the entrance to the parking lot. If you continue around the curve, there is another entrance to the parking lot just past the curve. WARNING: Trucks and buses should not use the northern parking lot entrance on Foothill Blvd. A high center hump may catch these vehicles. Trucks and buses should enter and exit via Citrus Avenue. For additional freeway information, see Attachment A. Parking During performances scheduled in the Performing Arts Center, free parking is available in the lots located west and southwest of the Center. Posted regulations must be observed. Visitors to the Center at other times must purchase a daily permit ($5.00) from the Campus Safety building located at the Citrus College Drive entrance or arrange for a temporary permit with the PAC staff. Buses carrying performers should prearrange drop off and parking locations with the PAC Director or Technical Director. (See "Load-In Area"). On weekends, buses may discharge patrons along the red curb immediately west of the Box Office, in the west parking lot (lot S1). During weekend performances only, buses may then park in the southwest corner of the lot adjacent to Citrus College Drive, near the electronic marquee, or in the stadium lot on the southeast corner of campus. (Refer to campus map for exact location.) In either situation, buses must park through two diagonal spaces, NOT across spaces. Parking along the curb is NOT allowed. CAMPUS SAFETY WILL TICKET BUSES PARKED ILLEGALY OR IN THE WRONG LOT. Trucks containing items for load-in to the backstage area should back into the loading road accessible from the northeast corner of the parking lot on the corner of Citrus and Foothill. (See “Load-In Area”) Drivers should NOT leave vehicles parked in the loading road, and should get parking instructions from Technical Director or Stage Manager. Regardless of the above, all vehicles parked illegally (in loading zones, in marked space but nose out, in "staff" or “client” spaces, or in handicapped spaces without documentation) are liable for fines. Overnight parking is not allowed except by prearrangement. Limousine Service Alfa Limousines (626) 339-0549, (800) 794-2944, fax (626) 915-7491 Gold Coach Limousine (626) 963-8260, (800) 546-6232 Bell Cab (800) 340-8294 Yellow Cab (800) 305-8294 Version: October 2012 Taxi Service Page 4 Area Hotels Courtyard by Marriott, 700 West Huntington Dr., Monrovia, 91016 (626) 357-5211, fax (626) 357-2786, Quoted rate: $169.00. Citrus rate: $109.00 Thursday-Sunday, $129 Monday-Wednesday. Contact Kristina Schulz-Anderson; direct number is (626) 531-8001. Email: [email protected]. Recommended. Garden Inn and Suites, 606 Route 66, Glendora, 91740 (626) 963-9361, Nick Patel, Manager, fax (626) 914-2037. Quoted rate: $99.00. Citrus rate: $79.00 single, $89.00 mini-suite, $89.00 double. Closest lodging to venue. Radisson Suites, 1211 E. Garvey St., Covina, 91724 (626) 915-3441, Sales Office, fax (626) 622-2220. Quoted rate: $109.00-$149.00 single/double. Citrus rate: $109.00 +$5/additional person; includes cooked breakfast. Sheraton Ontario Airport, 429 N. Vineyard Ave., Ontario, CA 91764. (909) 937-8000, fax (909) 9378028. Contact: Karla Pierre. Quoted rate: $89.00-150.00. No Citrus rate. Closest four-star hotel to venue. Sheraton Suites Fairplex, 601 W. McKinley Ave., Pomona, 91768 (888) 627-8074 or (909) 622-2220 for reservations, fax (909) 622-7575. Quoted rate: $259 single/double, but rates vary by availability from $129.00. No Citrus rate. Rates current as of September 2012. Delis & Restaurants Applebee’s, 377 N. Citrus Ave., Azusa, (626) 334-5789, family dining, sport bar. Corner Diner, 101 W. Foothill Blvd., Glendora (626) 914-9060, family dining, large menu selection, beer/wine. Dahlia’s Pizza, 855 East Alosta Avenue, Azusa (626) 815-1366, pizza, salads, sandwiches Dai Shogun Japanese Inn, 750 W. Route 66, Ste D (formerly Alosta Ave.), Glendora, 91741 (626) 9145068, Japanese cuisine. Dandana, 765 W. Route 66, Glendora, 91741 (626) 335-8100, Bakery and Mediterranean cuisine. Home Taste, 106 W. Foothill Blvd. Glendora (626) 335-5611, Chinese cuisine, weekday lunch buffet, reasonable prices. Maria’s Mexican Foods, 457 West Foothill Blvd., Glendora (626) 914-6417, informal table service, beer/wine, take-out available. Marie Callender's Restaurant, 1175 E. Alosta Ave., Azusa (626) 963-9475, family dining, full bar. The Old Spaghetti Factory, 1431 Buena Vista St., Duarte, CA (626) 358-2115, family-friendly restaurant, soup, salad, entrée, dessert, drink for 1 price. Petrillo’s, 750 Rte 66 (formerly Alosta Ave.), Glendora, 91741 (626) 335-1289. Italian food; great pizza and good prices. Plaza Produce, 303 W. Foothill Blvd., Glendora (626) 914-1520. Salad bar, terrific take-out sandwiches, soup, and baked potatoes; sidewalk dining. Round Table Pizza, 407 West Foothill Blvd., Glendora (626) 963-5997, table service, take-out and delivers. Beer/wine in restaurant only. Siam Palace Thai Cuisine, 992 E. Alosta Ave., Azusa, 91702, (626) 334-0441, staff favorite. Spaghetti Eddie’s, 946 S. Grand Ave., Glendora (626) 962-0267, wide variety of Italian food, local favorite, beer/wine. Fast Food / Drive Through B-man’s Teriyaki & Burgers, 990 E. Alosta Ave., Azusa (626) 815-1788, Hawaiian Burger King, 890 E. Alosta Ave., Azusa (626) 969-5552 Chilpotle Mexican Grill, 860 E. Alosta Ave., (626) 969-8274 Country Barbecue Chicken & Ribs, 994 E. Alosta Ave., Azusa (626) 334-8220 Del Taco, 445 W. Foothill Blvd., Glendora (626) 335-5515 The Hat, 611 W. Alosta, Glendora (626) 857-0017 Jack in the Box, 877 E. Alosta Ave., Azusa (626) 969-1153 Version: October 2012 Page 5 Kentucky Fried Chicken, 806 E. Alosta Ave., Azusa (626) 334-4015 McDonald's, 980 E. Alosta Ave., Azusa (626) 969-2815 Panda Express, 805 El Alosta Ave., Azusa (626) 815-2723 Rolling Rice, 864 E. Alosta Ave, Azusa (626) 334-6848 Starbucks, 459 West Foothill Blvd., Glendora (626) 852-0093, coffee drinks and pastries Starbucks, 1119 E. Alosta Ave., Azusa (626) 335-6763 Taco Bell, 800 E. Alosta Ave., Azusa (626) 334-9595 Handicapped Access R?JHKIEBB;=;7D:$7K=>,;H<EHC?D=HJI;DJ;HIJ7<<7H;9ECC?JJ;:JEC7A?D=7BBH;7IED78B; accommodations for patrons with disabilities; Contact Director of Operations with specific needs. R/?N permanent wheelchair locations: three (3) house left row J, and three (3) house right row J. One (1) fixed companion chair each side; additional portable companion chairs may be used instead of wheelchairs if desired. Additional fixed seats can be removed to accommodate a total of up to sixteen (16) wheelchairs. Four permanent seats are removed to accommodate each of these additional wheelchair spaces. R99;II?8B;F7HA?D=IF79;IBE97J;:?CC;:?7J;BOM;IJE<J>;;DJ;HH7CF;:799;IIJEFK8B?97H;7I and theatre entrances. R$7D:?97FF;:799;II?8B;H;IJHEECI7L7?B78B;?D8EJ>J>;M;IJ7D:DEHJ>F7J?EI R%D<H7-red (Sennheiser) assistive listening devices available at no charge. 30 headsets available. RENE<<?9;?IBE97J;:7JIJH;;JB;L;BM?J>M>;;B9>7?H799;II?8B;9EKDJ;HI Laundry One (1) standard, home capacity, washer and dryer are located in the basement. Additional facilities include standard steam iron, ironing table, and professional steamer (wand type). Local Laundromats: Azusa Coin Wash, 530 S. Citrus Ave, Azusa (626) 331-9102 College Center Laundry, 1133 E Alosta Ave, Azusa (626) 914-0708 Glendora Coin-Op, 328 E. Route 66, Glendora, (626) 335-7885 Daisy Launderland, 328 E. Route 66, Glendora (626) 335-7885 Launderland, 20050 E. Arrow Highway, Covina (626) 331-5484 Laundry Express Coin Wash, 947 E. Route 66, Glendora, no phone # Local Pharmacies CVS, 367 N. Citrus Ave., Azusa, (626) 334-7872 CVS, 130 N. Grand Ave., Glendora, (626) 963-0304 Rite Aid, 153 E. Gladstone St., Azusa, (626) 857-0633 Walgreens, 550 S. Grand Ave., Glendora, (626) 857-0633 Markets Fresh & Easy, 355 N. Citrus Ave., Azusa, (626) 334-0973 Stater Bros, 1145 E. Alosta, Azusa, (626) 335-2310 7-11, 861 W. Alosta, Glendora, (626) 335-9614 Von’s, 435 W. Foothill Blvd., Glendora, (626)963-2913 Local Banks Bank of America, 115 W. Foothill Blvd., Glendora (626) 453-8400 Pacific Western Bank, 510 S. Grand Ave., Glendora (626) 963-8551 (Artist payment checks are drawn on this bank. Touring companies with special check cashing needs, please contact Alma Vessels in advance to make arrangements). Chase, 1905 E. Route 66, Glendora (626) 914-3811 Wells Fargo Bank, 602 W. Route 66, Glendora (626) 963-5911. Version: October 2012 Page 6 Emergency Numbers: ALL EMERGENCIES Campus Safety (626) 914-8611 Glendora Police Department (626) 914-8250 Glendora Fire Department (626) 969-7876 Hospitals & Urgent Care: 7831 911 Medical Services Available Locally Foothill Presbyterian Hospital, 250 S. Grand Ave., Glendora (626) 963-8411 Foothill Medical Center, 6520 Irwindale Ave., Irwindale (626) 812-0366 East Valley Hospital, 150 W. Route 66, Glendora (626) 852-5000 Queen of the Valley Medical Center, 1115 S. Sunset Ave., West Covina (626) 813Open 24 hours. Massage Therapy: Campus source available via athletic dept for emergencies: Contact PAC director. Physician: Foothill Presbyterian Hospital emergency room. (626) 963-8411 Chiropractic: Dr. Mark M. Dederichs, 1435 E. Route 66, Glendora (626) 963-6332. Closed 123PM. Call first. Glendora Village Chiropractic, Dr. Gene Bergmann 109 N. Vermont (corner of Foothill & Vermont) Glendora (626) 914-2359 Dentist: Dr. Daryl Munson, 410 S. Glendora Ave., Glendora (626) 335-3833 NOTES: Version: October 2012 Page 7 MANAGEMENT Production Room: Conference room with meeting table and chairs (8) is located downstairs near west lobby entrance. Accessible via exterior stairway only. No communication to other parts of facility; on-campus phone only. Offices: No space is permanently assigned for touring artists and managers to occupy during events; however, staff are cooperative with sharing facilities as required. Phone service is local only; long distance numbers may be accessed via credit card. Green Room: none exists. The wide hallway adjacent to dressing rooms is frequently used for gathering place and performer refreshment service. First Aid: Standard industrial kit located in Scenery studio immediately behind stage; additional kit for front of house located in stairway to booth adjacent to lobby entrance. Stage Manager’s Console: Located stage right; mounted on rear wall of proscenium. Functions: house lights, work lights, limited stage lighting control, headset communication, cast paging microphone, computer with internet access, stage video monitor, clock, tool storage, lockable valuables storage. Pit elevator control and winch control for house electrics, immediately adjacent. Rehearsal Room: none available as part of theatre facility. Adjacent Music and Theatre Arts wings house assorted spaces; Contact Director of PAC for further information. Crews: Full time Technical Director (Dan Vilter), full time Stage Manager (Karen Taulbee), full time Shop Supervisor (John Patrick). Technical crews are hourly and scheduled by Stage Manager and Technical Director. Ushers and house managers are hourly and scheduled by Marketing and FOH Operations Supervisor (Linda Graves). The Haugh Performing Arts Center is NOT a union house. Handicapped Access: (see "General Information" for patron accommodation information). Citrus College and Haugh Performing Arts Center staff are committed to making facilities reasonably available to all. However, specialized areas are not currently wheelchair accessible. Access to booth at rear of theatre is via circular staircase from lobby only. Access to grid is via circular staircase only. Access from stage to house is via five stairs at each side of stage, although orchestra pit is an elevator and may be used for access if performance conditions permit. The seating area is terraced with each row approximately 5 inches (.13m) higher than the one in front. Shop, stage, and dressing rooms are on same (ground) level. Performer dressing rooms and rest rooms are accessible. Most doorways are labeled with visible and Braille signs. Fire Alarm system utilizes horns and strobes to notify of emergencies. Version: October 2012 Page 8 Policies: Contact Director of Performing Arts for specific policy questions not covered below. Following information appears in all published programs sponsored by HPAC. RCalifornia State law prohibits smoking within any public building and within 20’ of doorways. /$'"$ #(#$&&# #'%&"((#'(((& /#!-)($&.%&'$##!&!!$+$#("# '($&)&##(&%&$&"# /"&#-,('&!$((#$*&-&$+ #(*#($*)($#%!'($( nearest exit and continue walking outside until safely away from the building. "&'&$&#*'#*$"&'&!!$+#(((&!'%hotography is $&# (This policy may be modified if requested by performing company). R&'!!%$#'#%$&(!$"")#($#*''$)!()&#$+!#(((& !&#&&!''$*( (($admitted to the theatre. RDOKI;E<<?H;7HCIEHM;7FEDIM>;J>;HWH;7BXEHH;FB?97ICKIJ8;7FFHEL;:<EHKI;FH?EHJE load-in. Under no circumstances may any “live” ammunition be brought into the theatre. “Toy” firearms are specifically NOT exempted from this policy. Users must demonstrate to satisfaction of theatre management knowledge of and concern for safe handling and use of prop weapons. RThe use of smoke, fog, strobe lights, gunshots, or similar effects must be approved in advance by HPAC staff. Printed announcements notifying audience of such effects must be posted in the lobby prior to opening of house for performance. R,B;7I;DEJ;J>7JJ>;$7K=>,;H<EHC?D=HJI;DJ;H?IBE97J;:ED7FK8B?99ECCKD?JO9EBB;=; campus; therefore, alcoholic beverages of all types are not permitted. Box Office: Box office is open Wednesday through Saturday, 11 a.m. to 4 p.m. and one hour prior to all Citrus-sponsored performances. Box Office Ticketing uses Tessitura software. Tickets to all Citrus events are also available online at www.haughpac.com. The box office accepts walk-up, phone, fax, and e-mail orders, and payments via cash, check, Visa, MasterCard, Discover, and American Express. Tenants in the Center may purchase a set of reserved or unreserved tickets for their event for $150.00; three days notice minimum is required. Under normal circumstances, the box office does not sell tickets to rental events; contact PAC Director to make special arrangements. Concessions: The Haugh Performing Arts Center has a house concessionaire who has first refusal rights for all patron food and beverage service. Contact PAC director for further information. Citrus College is a Pepsi® campus; only authorized beverages may be served. Please note that food and drinks are NOT allowed in the theatre. All other concession items (show related programs and merchandise, tapes, cds, etc.) may be sold only with the approval of the PAC director. For all HPAC sponsored events, house percentage is 15% of total sales, or 20% if HPAC personnel sell merchandise. Facility renters are not subject to commission; however, approval must be secured from the Director. Catering Kitchen: Facility includes a small kitchen located adjacent to dressing rooms (entrance is outside the building) equipped with a double sink, noncommercial refrigerator, large and small coffee pots, food storage cabinets, hot plates, and variety of serving trays and utensils. This facility is for in-house use only. Kitchen is not available for rental users. Version: October 2012 Page 9 LOAD-IN AREA Dimensions: Loading door from the stage to the scene studio: 19’-10” wide (6.04m) and 19’-7” high (5.97m). Scene studio door to loading area is 12’ wide (3.66m) and 20’ tall (6.10m). Location: The approach to the facility is a 14' wide (4.27m) drive 141' long (43m) from the west parking lot. It is gated midway along the approach. A pedestrian sidewalk 6'-6" wide (1.98m) runs parallel to the driveway on the northern edge level with the drive, increasing the total clear width. Large trucks should enter the lot from Citrus avenue to avoid the steep grade of the Foothill Boulevard driveway. A 53' (12.19m) semi trailer can be locked behind the gate; longer trucks require that gate be left open. Fork Lift: Electric, 2650lb (1200kg) capacity, lift 17’ (5.25m) available. Truck parking: In some cases, trucks may be left in loading area during performance; however, a special permit is REQUIRED. See Technical Director to make arrangements. When multiple events are using loading road, small trucks can park in any legal space in the adjacent West parking lot, nose in. A parking permit is required at all times classes are in session. Semi trucks with trailers should make arrangements for parking with Technical Director. General Information: Loading area is at ground level, uncovered, with no elevated dock. There is no height restriction for trucks. Scenery storage, scene shop, main theatre, video studio, and little theatre all utilize same loading road, and student foot traffic is often present. Please avoid unnecessary noise in load-in area, as it is immediately adjacent to instructional classrooms. Make arrangements IN ADVANCE with HPAC personnel before leaving any vehicle unattended. Map: See Attachment B. If additional information is required, contact Technical Director. Photo of approach: facing east. Version: October 2012 Page 10 CARPENTRY Seating: 1439 seats including 6 permanent wheelchair accessible spaces. Continental seating; no center aisle. For seating chart: See Attachment G. Fire Safety: Fire safety rules are enforced in house. No open flames or pyrotechnics are permitted onstage. City of Glendora Fire Department is the regulating and inspecting authority. Stage area is equipped with a deluge curtain with sprinklers along back of proscenium arch. A very sensitive fire detection system includes heat detectors and photo-optic particulate smoke detectors, as well as safety pull stations throughout the stage, house, and surrounding areas. Performance requiring ANY KIND OF SMOKE EFFECT must be discussed with and approved by Technical Director in advance. Stage Dimensions: Proscenium: 54’ wide x 27’-11” high (16.46m x 8.51m), 4’ thick (1.22m); black concrete. Width of Stage: 98’ (29.87m) from SL wall to locking rail on SR wall. Depth of Stage: 47'-8" (14.53m) from plaster line to rear wall. Architectural columns along rear wall reduce functional, clear depth to 45'-4" (13.82m). Wing Space: Stage Left is 50'-5”’ (15.37m) from center line to wall. Stage right is 47’-7” (14.5m) from center line to locking rail. Obstructions stage left: Orchestra shell stores in up left corner of stage. It occupies all of the wing space up stage of line 30, 27’-0” (8.23m) leaving a 4’ to 6’ (1.22 to 1.83m) walkway and path to the door of the north wing corridor. Obstructions stage right: Locking rail located along stage right wall requires unobstructed access along length. Up stage right corner has boxed-in access to circular stairway leading to grid, 5'-6" x 6'-3" (1.68m x 1.91m). Please see ground plan Attachment C. Grid Height: 66'-8” (20.32m) from stage floor to grid deck. 58'-9" (17.91m) from loading bridge floor to deck. Working height above grid deck is 8'-8" (2.64m). Grid deck is 1-1/2" x 1/8" bar grating. Orchestra Pit: 54’ wide (16.46 m), 11’-9” deep on center line (3.58m), 3’-9” deep at sides, (1.14m), front curve is a 56’ radius (17.07m). Comfortably holds 25-piece orchestra. Programmable stopping levels; standard stops are at stage floor, audience floor, "trap" level for live orchestra 6'-4" (1.93m) below stage level, and basement 13'-1/2" (4.11m) below stage level. There is stairway access from basement to pit when locked at trap level. Stage Height: 3’-4” (1.02m) above audience floor Stage Floor: 3” tongue and groove fir on sleepers. Apron and orchestra pit is 1” maple on cushioned sleepers. Entire floor is stained ebony with satin varnish finish. NO FASTENERS ARE ALLOWED. House Draperies (Goods) House Curtain: Dark red velour, 75% fullness traveler/guillotine combination on line 1: 0’-8” (.20m) from plaster line. Operator lines are stage right. Legs: 4 sets, black velour 28’ tall x 12’ wide (8.53m x 3.66m), sewn flat (no fullness). 3 standard positions: Line 13: 10’-0” (3.05m) Line 23: 18’-6” (5.64m); Line 36: 29’-0” (8.84m). In addition, between Lines 2 and 3, at 1’-9” (.546m) is a dead hung traveler track with a pair of 32’ high x 12’ wide (9.75m x 3.65m) flat black velour legs. Borders: 4, black velour 12’ tall x 58’ wide (3.66m x 17.68m), sewn flat (no fullness). 4 standard positions: Line 2: 1'-4-1/2" (.42m), Line 10: 8’-6” (2.59m), Line 22: 18’-0” (5.49m), Line 34: 27'-0" (8.23m). Full Stage: 2 pairs, black velour 50% fullness, center overlap, 28’ tall x 56’ wide (8.53m x 17.07m). Operator lines stage right. 2 standard positions: Line 28: 23’-6” (7.16m), Line 37: 29’-6” (8.99m). Version: October 2012 Page 11 Torms: (Germans) 2 pairs, a downstage and an upstage set. Downstage pair is Line 26 (stage right) and Line 30 (stage left). Drapes are each black velour, sewn flat, 36' tall x 20' wide (10.97m x 6.10m). Stage right torm is 35'-9"(10.9m) from center line of stage. Stage left torm is 35'-6" (10.82m) from center line of stage. Upstage pair are permanently hung on tracks 20' long (6.10m). Tracks extend from upstage end of down stage torm pipe to upstage of line 48. Up stage right torm track is 35'-2" (10.71m) from center line of stage at downstage end: Upstage left torm track is 36'-9"(11.2m) from center line of stage at down stage end. Both tracks get about 1' (.30m) closer to center line at their upstage point; they are not exactly perpendicular to the onstage battens. Drapes are each black velour, sewn flat, 36' tall x 20' wide (10.97m x 6.10m). Scrims: 1, black sharkstooth 30’ tall x 60’ wide (9.14m x 18.29m) 1, white sharkstooth 30’ tall x 60’ wide (9.14m x 18.29m) Cyclorama: 1, natural muslin, seamed, 40’ high x 60’ wide (12.19m x 18.29m). Stage right and stage left hem tears (repaired). Some minor water marks. Specialty: tricolor (alternating panels of gold, green, white) chiffon traveler 30 high x 60’ wide (9.14m x 18.29m) Permanent position Line 7: 6’-6” (1.98m). Operator lines stage right. Movie Screen: stretched white vinyl projection surface, 20’ high x 36’ wide (6.1m x 10.97m) with 2’ wide (.61m) attached black duvetyn rigid mat. Designed to play on Line 11: 9 -0” (2.74 m). Stored on Line 40. Rear Projection Screen 1- Stewart, 15’-7” X 20’-7” (4.75m x 6.27m) (3x4 ratio) tubular aluminum frame covered with bright white rear projection material. Top hung unit; no floor stands available. Line Set Data Line Plot: Please see attachment E. Working height of battens: High trim on all sets other than electrics (lines 5, 14, 24, 39) is 59’-4” (18.1m) low trim is 3’-4” (1.02m). High trim of electrics (lines 5, 14, 24, 39) (drum winch operated) is 32’-0” (9.75m) low trim is approximately 1’ (.30m). High trim of lighting ladders is 50’ (15.24m). Low trim is touching the deck. Battens: There are 48 linesets represented on locking rail: 4 electrics, 2 torm draperies, 2 lighting ladders, and 40- 61' (18.59m) linesets. All 44 battens parallel to proscenium are 61’ long (18.59m) schedule 40 pipe, double truss battens with pipes welded 1'-2" apart (.36m) with 6 lift lines. Lines 25 & 29 are 8’ high x 20 wide (2.43m X 6.10m) lighting ladders that run up and down stage, 33'-8" (10.26m) from center line. Each is built of four horizontal 1-1/2" pipes supported on four welded vertical pipes, and supported by 3 lift lines. Lines 26 & 30 are masking drapes 36’ high x 20’ wide (10.97m x 6.10m) that run up and down stage, (Germans), Line 26 SR, is 35'-9" (10.9m) from center line and 5’-6” (1.68m) from plaster line. Line 30, SL, is 35'-6" (10.82m) from center line and 6’-6” (1.98m) from plaster line, 2 lift lines. Type: All line sets except electrics (lines 5, 14, 24, 39) are single purchase. Hand lines are StagesetX. Electrics (lines 5, 14, 24, 39) are motorized grid mounted drum winches with counter weight arbors. Arbor capacity: All line sets except electrics (lines 5, 14, 24, 39) are 1440 lb. (653.7 kg). Electrics are 1,920 lb. (870.9 kg). Available Weight: Approximately 12,000lbs (5444kg) in stock, in approximate 15lb (6.8kg) 30lb (13.59kg) and 45lb (20.39kg) units. Total does not include base weight permanently used for house rigging. Loading Gallery: Stage right 56’ (17.07m) above deck, circular stair access (91 steps) from stage right rear corner. Lock Rail: Stage Right, 2’-4” (.71m) above deck. Distance from center line of stage to locking rail is 47'-7" (14.5m) Version: October 2012 Page 12 Support Areas: Crossover: None. Usable depth from line 48 to back wall is 6'-4" (1.93m). Access: No direct access from stage to house, booth, beams, or lobby. Dressing rooms are off the down right wing, level with stage floor. Shop Area: Located up stage through door right of center, 19’-10” wide (6.04m) and 19’-7” high (5.97m). Fully equipped for wood and metal construction. Vertical paint frame with motorized counterweight arbor 46' wide (14.02m) x 27'-10" tall (8.48m). Ladders and Lifts: House equipment includes: 1- 24’ (7.32m) Genie single occupant personnel lift (electric battery powered). 1- 32’ (9.75 m) 4’x 8’ (1.22m x 2.44m) drivable scissors lift. 1- Hyster J40XMT2 electric fork lift, 2650 lb. (1200kg) lift capacity, 17.23’ (5.25m) maximum lift; 42” (1.06m) forks; 60” (1.52m) fork extensions available (reduce capacity by 50%), equipped with side shift. 1- 18’ (5.49m) wooden “A” frame extension ladder on casters Assorted commercial quality ladders for use by house personnel. Storage: Piano storage room located stage left, for storage of two house grand pianos and portable house sound gear. No additional storage areas are available. Local Suppliers: A wide variety of theatrical suppliers are located in Los Angeles and Hollywood, about 25 miles west of venue; specialized theatrical materials are rarely available closer. See Technical Director for specific needs. Standard hardware items are available locally at: Mission “Ace” Hardware, 531 S. Glendora Ave., Glendora (626) 914-7980 (locally owned hardware store, good for more specialized items, about 1.7 miles from venue). Closest hardware store to venue. Home Depot, 1010 W. San Bernardino Rd., Covina, CA 91722 (626) 967-0204 (national chain, warehouse type, about 4.7 miles (7.6 km) from venue). Home Depot, 1305 S. Lone Hill, Glendora (909) 593-5092 (national chain, warehouse type, about 4.8 miles (7.7 km) from venue). Lowe’s Home Improvement, 633 W. Bonita Ave., (626) 305-2960 (national chain, warehouse type, 5.9 miles (9.5 km) from venue). Notes: There is no indoor access from the stage to auditorium except through the proscenium arch. There is no separate green room. Version: October 2012 Page 13 LIGHTING Power: Main feed: 1000A; 3 phase. In addition, 2 company switches, each 120/208V, 3 phase. 400A/leg; 400A Cam-lock or lug connections. Located on stage left wall. Dimmers: 672, 2.4K ETC Sensor. Located in basement below company switches. Control Boards: 1- ETC Insight III (3 Universe), 108 programmable submasters, Expression file protocol. 1- MA Lighting GrandMa full size console (4 universe) with expanded memory*. 1- Wholehog iPC console with Hog 2 and Hog 3 software *Note: For moving light control. Extra charge applies for rental users. Consoles are located in control booth above the rear of house. Can be relocated to center of house or wings on stage. Focus and video remote are located stage right in the Stage Manager’s area. House lights: Unison control locations in control booth and stage right on back surface of proscenium wall, and through softpatch. Separate aisle light control; aisles typically remain partially illuminated during performances. Circuits: Dimmer per circuit. 20-amp stage pin connectors and Socopex receptacles. 62 in second beam, 46 in 1st beam, 24 in coves, 40 on pro walls, 60 on each of 4 electrics, 18 on each stage light ladder (two total), 120 on grid (note repeating circuits along rear wall in circuit chart), 68 in stage floor pockets, 10 in orchestra pit floor pockets, 4 on each side of proscenium wall offstage, 4 at back wall up center, 4 in tech booth, 8 on rear wall of house seating area. 208V moving light power locations are distributed throughout facility; refer to Attachment H (Circuit Chart) for locations. Circuit Chart: Please see attachment H. Front of House Transfer: None available. Front of House Positions: 1st beam: 32’ throw (9.75m) at 45 degrees to fixed front of apron. 2nd beam: 38’ throw (11.58m) at 45 degrees to raised front edge of pit. Coves: 45’ throw (13.72m) at 30 degrees from bottom of cove to centerline of stage at proscenium opening. Equipment Inventory: Front of House Instruments: 6 - ETC Source 4 Model 426, ERS, 575 w (26 degree lens) 61- ETC Source 4 Model 419, ERS, 575 w (19 degree lens) 4 - ETC Source 4 Model 410, ERS, 575 w (10 degree lens) 4 - ETC Source 4 Model 405, ERS, 575 w (5 degree lens) 8 - Altman Med Flood PAR 64 can 32- Altman Narrow Spot PAR 64 can 4 - Altman 6x16 ERS, 750 w Stage Instruments: 23 - ETC Source 4 Model 436, ERS, 575 w (36 degree lens) 34 - ETC Source 4 Model 426, ERS 575 w (26 degree lens) 20 - ETC Source 4 Model 419, ERS, 575 w (19 degree lens) 4 - Altman 6x16 ERS, 750 w 4 - Altman 6x12 ERS, 750 w 16 -Altman 6x9 ERS, 750 w 32 - Kliegl 8” Fresnel, 1,000 w 64 - Altman Med Flood PAR 64 can (count varies) 26 - Altman Narrow spot PAR 64 can (count varies). (20 additional instruments in storage.) 28 - 8’–4” Altman four circuit MR16 Strips, 2 – 75 w MR16 lamps per color. 750 w per circuit 8 - Altman, Far Cyc, 4 circuit, 1,000 w each Version: October 2012 Page 14 Automated fixtures (Extra charge applies for rental users. Verify quantity of available fixtures with technical director) 16 - Martin Mac 2K Profiles with standard gobos 8- Martin Mac 2K Washes RC4-Magic Series 2 Wireless DMX – 1 Transmitter, 2 Receivers. Followspots: 2- Strong Supertrouper, 2,000 W xenon. Permanently mounted in control booth. 2- Strong TrussTrouper, 1200 W HMI. Semi-permanently mounted in second beam (center). Special Effects: 2- Wildfire LT400F, (black lights) 400 w 900 Flood, with DMX on/off switching. 1 – LeMaitre G-300 Smoke Machine with LSG 1 – Rosco 1900 Smoke Machine 2 – CITC Little Blizzard Snow Machines 1 – LeMaitre Radiance Hazer Hardware: 20- 18” (.46m) sidearms (approximate) 16- (approximately) 2’ (.61m) 1 -1/2” cross pipe with roto lock connectors 8- 16' (4.88m) or taller pipe trees with weighted bases 20- barndoors (approximate) 20- top hats (approximate) Cable: At Least: 8- 50’ (15.24 m) 27-25’ (7.62m) 60- 15’ (4.57m) 24-10’ (3.04m) 30- 5’ (1.52m) 30- 2-fers or 3-fers Socopex cable: 19- 100’ (30.48m) six circuit 10- 60’ (18.29m) six circuit 20- six circuit fan-outs to 3 pin stage connectors 5- six circuit fan-outs to 20A Edison connectors Film, Video, and Projection Equipment: 1- Panasonic PTD5700U multi-media projector, 600w (dual lamp), XGA resolution, 6000 lumen, 2000:1 contrast, with 1- ETDLE300 motorized long-throw zoom lens 1- ETDLE100 short zoom lens (1.3-1.8). 1- Xtron DVI digital Ethernet video transmitter and receiver (NOTE: Extra charge applies for rental users). 1- Sanyo PLC EF 10NZ multimedia projector, 440 w, 3300 lumen, 1024 x 768 resolution, standard and wide angle (LNS-WOZ) lenses. (NOTE: Extra charge applies for rental users). 1- Elmo model 550 xenon 16 mm sound film projector. 2- Bell & Howell model 567 16mm sound film projectors with 2", 1.2mm lenses; crossover switcher. 1- 35 mm Buell slide projector with Kodak carousel. 1- each of the following pairs Catlinc to CAT5 adapters: S-Video, Component, and VGA, with power supply. Rear Projection Screen 1 – Stewart, 15’-7” (4.75m) X 20’-7” (6.27m) tubular aluminum frame covered with bright white rear projection material. Top hung unit; no floor stands available. Color media: HPAC stocks a large supply of standard Roscolux color media, and selected Lee colors. Version: October 2012 Page 15 SOUND Power: Isolated, 120 volt, 1 phase. 2- 20 amp circuits distributed in control booth. 5- 30 amp circuits with twistlock receptacles backstage: 3 circuits, each with 2 outlets, appear on SL proscenium wall only. 2 additional circuits appear on SL (3 outlets each) and SR (1 outlet each) proscenium wall; and one of these repeats UC (single outlet). Additional non-isolated power available: 2 company switches, each 120/208V, 3 phase. 400A/leg; 400A Cam-lock or lug connections. Located stage left wall. Wiring: Three positions with 56 input lines each. (1): Stage left on the off stage side of proscenium column: 2'-6" (.76m) above floor. (2): Stage right on the off stage side of proscenium column: 5' (1.52m) above floor. (3): Up stage on the back wall 47'-8", (14.53m) from plaster line, 3’-10” (1.17m) stage left of centerline. Each position contains: 3- Whirlwind mass connectors, each with 16 independent microphone circuits (48 total lines at each location). (Note: Stage right G-2 connectors scheduled for replacement with Whirlwind mass connectors as schedule permits during 09-10 season). 8- additional independent microphone outlets with XLR connectors 16- sends at each location 2- Clear-com, production communications outlets, 1 channel A, 1 channel B. Soundboard data line links and sound network connections. One additional position in pit floor, (removable panel for access), containing 3 G-2 mass connectors, each with 12 independent microphone circuits; a G-2 mass connector for 12 sends; and 2- Clear-com, production communications outlets. Patch bay located in sound control area, contains 8- 96 channel connection points, TTL type. Control Locations: The mixing board and FOH equipment is located in the last two rows of the house (see Attachment G). Hearing Assist System: Sennheiser S120-R infrared, 4 emitter panels, full house coverage. Must be patched manually for use. Required for all public performances. Monitor/Paging System: Dedicated first beam microphone. Speakers backstage left and right, tech booth, all dressing rooms, box office, lobby, staff offices, conference room, and two classrooms. Production Communications: Clear-com two channel, 16 station receptacles throughout the facility, 8 standard belt packs with headsets, 4 wireless belt packs with headsets, all single muff. (3 double muffs available.) Equipment Inventory: Fixed House Speakers: Left, Right, and Center Arrays Each array includes 10- SLS LS8800 Bi-Amped True Line Array loudspeakers. 20- Bag End D10-IF6 Subwoofers evenly distributed across house under first beam position. 7- SLS US2403 speaker cabinets on pit railing (front fills). House System Amplifiers: 3- Lab.Gruppen C20-8X 250 watt/channel 8 channel amplifiers 5- Lab.Gruppen FP 10000Q/bp 2100 watt/channel 4 channel amplifiers Mixing Console: Digidesign D-Show Profile configured with VENUE Pack Pro plug-in bundle, FOH rack, and 2- D-Show 48X24 stage racks. FOH House Rack configured with: 18- Analog inputs (balanced ¼” phone plugs) 18-Analog outputs (balanced ¼” phone plugs) 2- Pro Tools HDX Cards Version: October 2012 Page 16 4- stereo AES inputs 4- stereo AES outputs Stage Rack 1 configured with: 5- Stage Rack Input Cards (Analog) 1- Stage Rack Input Cards DSI (digital) 2- Stage Rack Output Cards SRO (Analog) 1- Stage Rack Output Cards (Digital) Stage Rack 2 configured with: 6- Stage Rack Input Cards (Analog) 3- Stage Rack Output Cards (Digital) FOH Signal Processing (See console description for additional plug-ins) 2- SoundWeb DSP Processors (1BLU-23, 1- BLU-80) 1- Bag End INFRAMXB Subwoofer Processor 1- Lab.gruppen NLB60E Network Monitoring System 1- TC Electronics M3000 Reverb/Efx, Digital. 2- Klark Technik Model DN410 Dual Parametric Equalizers 1- Rane RA27 realtime analyzer Playback: 1- Denon DNE635 Cueable CD Player with wired remote 1- Tascam CD-0IU Pro CD player 2- Sony MDS-E12 mini disc recorders 1- Tascam CDRW901 CD Recorder P c14C 2-IPOD/Computer I/O Connections (match box HD) balanced to mixing console. Microphones: 15- Shure SM 57 12- Shure SM 58 4- Shure Beta 58A Super Cardiod 4- Audio-Technica ATM 41-A 3- Audio-Technica ATM 63 10- AKG C451B, 8- CK1 heads, 1- CK 22 head, 1- CK 5 Head (1 spare head) 2- Shure SM81 LC Cardiod Condensor 2- Sennheiser MKH 416 P48U3 Short shotgun 48v Phantom 8- Sennheiser MD 421-II dynamic microphone 6- AKG C414B/XLS 5 Pattern mic w/ shock mount 1- AKG D112 1- Shure Beta 52A Cardiod 6- Audio-Technica AT 871 Uni-Plates 5- Audio-Technica AT 853 Uni-Points 2- Sony ECM16 wired lavaliere microphones 3- Shure 98 mics with drum mounts Wireless Microphones: (NOTE: Extra charge applies for rental users of wireless microphones). SHURE UR 24 channel system: 12- UR4D dual channel wireless receivers (16- H-4 Bank; 8- J-5 Bank) 8- UR2/SM58 wireless handheld microphones 24- UR1 wireless bodypack transmitters available with with 20- WL50T lavaliere microphones 16- E6IOW6L Countryman Isomax earboom headmics Winradio Model WR6305e for frequency analysis Version: October 2012 Page 17 HME (VHF) 16 channel system 50: 16- TX550 receivers (180.8 – 205.8 mhz) 5- Hand held SM 58 4- Hand held SM 87 15- body packs with Sennheiser MKE2 heads 3- AKG 410 head boom microphones 1- Sabine TA-4 Lightweight head gear Sennheiser (UHF) 16 channel system: with remote log-aperiodic antennas and amplifiers 12- EM 1031-U Receivers (674.125-697.500 mhz) 4- EW 500 Receivers (630.300 – 661.400 mhz) 2- BF 108IU handheld transmitters 13- BF 1083-U Body pack transmitters with Sennheiser MKE2 heads 4- EW500 Body pack transmitters with Sennheiser MKE2 heads MONITOR EQUIPMENT Overhead Monitor System 8- Apogee SSM Processed monitor speakers (4 on 1st Electric (line 5); 4 on 2nd Electric (line 14) 1- Crown Power Base – 1 amplifier 1- Apogee SSM-RV processor Portable Full-Range Speakers: 2- JBL SR4704 15” two-way corner cut cabinet. 2- JBL SR4725X 15” two-way monitors. 4- PAS 12-2HM 12” two-way double wedge cabinet. Portable racked Amplifiers 2- QSC 1400 2-channel amplifiers 2- QSC 400 2-channel amplifiers 2- DBX 234 active crossovers Monitor mixing consoles 1- Ramsa S840 52 x 8 x 8 mixing console. 1- Allen & Heath GL 3800 48 X 8 mixing console. 1- 48 channel Jensen 3-way splitter with Whirlwind connectors. EAW Processed monitor system (NOTE: Extra charge applies for rental users). 12 channels of amps and processing. Packaged in rolling racks. Includes: 3- Lab Gruppen 4 channel FP6000Q Class TD touring amplifier. 3- Lab Gruppen 4 channel FP10000Q Class TD touring amplifier. 2- EAW UX8800 DSP Processor. 6- Klark Teknik DN-360 2 channel graphic equalizer 4- DBX 166XL compressor gates 1- Nomad link bridge. 18- EAW SM200iH Bi-amped 2-way floor monitor speakers. Apogee processed monitor equipment: (NOTE: Extra charge applies for rental users). Following amplifiers and processors are mounted in portable rolling rack. 1- QSC CX404 4 channel amplifier 2- Crest 8001 2 channel amplifiers 2- P5/P500 Apogee two channel processors Version: October 2012 Page 18 4- Apogee AE6b floor monitor speakers 3- Apogee AE6nc floor monitor speakers Cable: 3- 25' (7.62m) 12 input microphone snake with G-2 connector. 1- 50' (15.24m)12 input microphone snake with G-2 connector. 1- 25' (7.62m) 12 male XLR microphone snake with G-2 connector (for use with orchestra pit). At least: 20- 5’ (1.52m) microphone cables 11- 10' (3.05m) microphone cable 1- 15’ (4.57m) microphone cable 8- 20’ (6.10m) microphone cables 61- 25' (7.62m) microphone cable 32- 50' (15.24m) microphone cable 14- 15’, (4.57m) or less, Speakon monitor cable 7- 25’ (7.62m) Speakon monitor cable 6- 50’ (15.24m) Speakon monitor cable 16- 75’ (11.86m) Speakon monitor cable 2- 100’ (30.48m) Speakon monitor cable Miscellaneous: 6- Rapco DB-100 Direct box 1- ProCo DB-1 Direct Box 3- Whirlwind “Director” DI boxes 4- Countryman DT85�FET Direct Box (DT85) 2- Barcus-berry piezo buffer preamp model 4000XL, with phantom power. Pick-ups permanently mounted in each house piano. 30- Standard height stands, black bases, chrome shafts 19- Black tripod stands and black booms 4- Extra-long booms, black 5- Silver standard booms 9- assorted goose-neck booms 5- Half height stands, black bases, chrome shafts 4- Floor/Desk mount bases 12- Speakon turnaround barrels Notes: Version: October 2012 Page 19 PROPS Orchestra Pit: 54’ (16.46 m) wide. 11’-9” (3.58m) deep on center line, 3’-9” (1.14m) deep at sides, front curve is a 56’ (17.07m) radius. Comfortably holds 25-piece orchestra. Hydraulic lift with programmable stopping levels; standard stops are at stage floor, audience floor, "trap" level for live orchestra, 6'-4" (1.93m) below stage level, and basement, 13'-1/2" (4.11m) below stage level. There is stairway access from basement to pit when locked at "trap" level. Pit is fenced with removable steel framed walnut veneer panels, painted grey, at audience level. Music: Pianos: 1- 9' (2.74m) Steinway concert grand, satin black finish. 1- 7' (2.13m) Yamaha concert grand, gloss black finish. 2- adjustable height backless piano benches with black vinyl upholstery. All tuning is done by house piano tuner; contact Technical Director to make arrangements if needed. Chairs: 40- Wenger black upholstered musician chairs 76- chrome, steel framed, with padded seats and backs, blue. 35- Folding steel, with thin pads attached. Mostly tan and brown. Stands: 40- Wenger Bravo music stands, black 45- black, Manhasset type. Stand Lights: 32- clip on, assorted types. Conductor Podium: 1- black, 3' (.91m) x 3' (.91m) skirted platform, 8" tall (.20m). 1- 4’x4’ (1.22x1.22m) parallel platform 36” tall (.91m) for use in orchestra pit set up. Orchestra Shell: Full Wenger orchestra shell consisting of 8 movable towers (2 @ 28' (8.53m) tall and 6 @ 24' (7.32m). tall and 3 battens of ceiling clouds. 3 lines sets of matching ceiling clouds, located on linesets 8, 18, & 31. Contact Technical Director for possible shell configurations. Choral Shell: 9- Wenger, painted ivory, 3 with square tops and 6 with angled tops to accommodate standard curve of interlocking risers. Choral Risers: 9, Wenger, 3 step interlocking units, one with reversed tread for expanded flat section. Comfortably accommodates 140 adults. Platforms: 36 total, Wenger, 4' x 8' (1.22m x 2.44m) 6 @ 8" (.20m), 10 @ 1'-4" (.41m), and 20 @ 2' (.61m). Dance Floor: none available in house. On-campus instructional dance department has a 20’3” (6.17m) X 40’ 6” (12.34m) Marley floor that is available for rental, subject to departmental use. Contact Technical Director for details. Lecterns: two: 1- “box” style, closed front and sides, walnut veneer finish, sloped top with masking ledge. 3'-10" (1.17m) tall X 1'-8" (.51m) deep X 2'-4" (.71m) wide. 1- single pedestal, faux walnut scenic finish, sloped top. 3'-11 ½ " (1.21m) tall X 2'- ½ " (.62m) deep X 2'-5" (.74m) wide. Additional options may be available; consult with Technical Director for details. Flags: 1 American on 7' (2.13m) pole with standard, 1 California on 7' (2.13m) pole with standard. Scenic Drops and Props: The Haugh maintains a comprehensive collection of drapes and scenic drops, as well as some furniture props. These are available to renters at an extra charge. Contact Shop Supervisor/Master Carpenter, John Patrick for further details. Notes: Version: October 2012 Page 20 WARDROBE Dressing Rooms: Located adjacent to stage via door and vestibule in down stage right corner. Level access to stage. Vestibule also exits to west patio area; this door is used as artist entrance. Four dressing rooms available: two private rooms (can accommodate up to 4) with chairs, counters, sinks, lights, mirrors, clothing racks, and electrical outlets. Access to bathrooms is across hallway. Two company rooms (can accommodate 10-12 comfortably) with chairs, counters, lights, mirrors, clothing racks, and electrical outlet. Adjoining access to men's and women's bathroom facilities with showers. Groups requiring additional dressing room space occasionally use classrooms #192 & 193, located adjacent to venue dressing rooms when additional space is needed. Both classrooms are equipped with cast audio and paging system. Contact PAC director for further information and availability. Wardrobe Area: None specifically available; usually set up in hallway between dressing rooms. Irons: One, good quality consumer type. Ironing Boards: One, standard folding type. Steamer: One, commercial quality, wand type. Washers/Dryers: One of each, consumer type and size. Located in basement, adjacent to dressing room hallway via stairway. Racks and Hangers: Ten (10) heavy duty steel frame rolling racks, all for full-length garments with shelves above and most with baskets below. All are designed to fit through standard doorways. Available lengths: 4- @ 4’ (1.22m), 3- @ 5’8” (1.73m), 3- @ 6’ (1.83m). Quick Change Booths Two portable, 10' x 10' (3.05m x 3.05m), for temporary assembly where needed. Can supply with mirrors, chairs, folding tables, etc. Tables: Assorted folding tables available; if more than 6 needed, notify Technical Director in advance. Notes: Version: October 2012 Page 21 Attachment A: Area Map The Haugh Performing Arts Center is located on the northwest corner of the campus of Citrus College, where Citrus Avenue curves east and becomes Foothill Blvd. If westbound on the 210 freeway: Exit Citrus Avenue. At end of off ramp, turn left. First light is Citrus Avenue. Turn right and proceed north about 1 and 1/4 mile (2.01 km). You will pass a signal at Route 66 (formerly, Alosta Avenue), Azusa Pacific University (on your right), and the Citrus campus marquee (on the corner of Citrus Avenue and Citrus College Drive; signal). Turn right into the last driveway before the road curves to the right and becomes Foothill Blvd. There is a monument style sign at the entrance to the parking lot. If you continue around the curve, there is another entrance to the parking lot just past the curve. If eastbound on the 210 freeway: Exit Citrus Avenue. At end of off ramp, turn left and proceed north on Citrus about 1 and 1/4 mile (2.01 km). You will pass a signal at Route 66 (formerly, Alosta Avenue), Azusa Pacific University (on your right), and the Citrus campus marquee (on the corner of Citrus Avenue and Citrus College Drive; signal). Turn right into the last driveway before the road curves to the right and becomes Foothill Blvd. There is a monument style sign at the entrance to the parking lot. If you continue around the curve, there is another entrance to the parking lot just past the curve. WARNING: Trucks and buses should not use the northern parking lot entrance on Foothill Blvd. A high center hump may catch these vehicles. Trucks and buses should enter and exit via Citrus Avenue. Version: October 2012 Page 22 Attachment B: Campus Map Haugh Performing Arts Center 1000 West Foothill Boulevard, Glendora CA Driveway/ Entrance N Loading Dock CITRUS COLLEGE DRIVE All visitors must display a parking permit available for $5 from a parking vending machine, or the Campus Safety Office. Handicapped parking is available in every lot. To use handicapped parking, you must have a DMV placard. Version: October 2012 Page 23 Attachment C: Ground Plan of Stage N! Choir!! Orchestra! Shell!Storage! Orchestra! Shell!Storage! Shell!Storage! ! To!East! Patio! 47’$%8”% 10’$%1”% Scene!Studio!and!access!to!Loading!Dock! 45’$%4”% 3’$7”% DOOR% 54’$%0”% 11’$%9”% 19’$10”%x%19’7”% SLIDING!DOOR! 3’$%9”% 4’$%4”% Stairway to Loading Gallery Flyrail To!Dressing! Rooms! Drawing%is%NOT%to%Scale! Version: October 2012 12’$%10”% Page 24 Drawn!by:!Karen!Taulbee! Created:!September!7,!2005! Updated:!October!2,!2012! Version: October 2012 Page 25 Drawn by: Karen Taulbee Created: September 7, 2005 Updated: October 2, 2012 LOADING DOOR PIPES OUT TRIM TO 59’-4” GRID HEIGHT 66’-8” BASEMENT/ STORAGE ORCHESTRA PIT AT TRAP ACCESS APRON SIDE COVE/ BOX BOOM STAGE LIFT 1ST BEAM CATWALKS (not to scale) 2ND BEAM Haugh Performing Arts Center Stage Centerline Section Attachment D: Centerline Section of Theatre Attachment E: Line Plot of Theatre Updated: Oct 1 2012 Line Distance Notes 1 0'-9 1/2" 2 1'-4 1/2" X 1'-9 1/2" Dead Hung Track 3 2'-6" 4 3'-0" 5 4'-6" Motorized 6 6'-0" 7 6'-6" Track 8 7'-6" Orchestra Shell 9 8"-8" 10 8'-6" 11 9'-0" 12 9'-6" 13 10'-0" 14 11'-6" Motorized 15 13'-2" 16 14'-0" 17 14'-6" 18 15'-6" Orchestra Shell 19 16'-6" 20 17"-0" 21 17"-6" 22 18'-0" 23 18'-6" 24 20'-6" Motorized 25 X 26 X 27 22'-6" 28 23'-6" Track 29 X 30 X 31 24'-6" Orchestra Shell 32 25'-6" 33 26'-0" 34 27'-0" 35 27'-6" 36 29'-0" 37 29'-6" Track, single pipe 38 30'-0" 39 31'-6" Motorized 40 33'-0" 41 33'-6" 42 35'-0" 43 36'-6" 44 37'-0" 45 37'-6" 46 38'-0" 47 38'-6" 48 39'-0" Bold denotes permanent location Italic Denotes standard position Version: October 2012 Scenery/usage House Main Drape Border, black Legs Rear Proj. Screen 15-7 H x 20-7W Weight 870 lbs 165 lbs Notes 180 lbs First electric Chiffon Tri Color traveler Clouds 1 300 lbs 615 lbs Border, black 165 lbs Legs Second electric 90 lbs Flat Black 285 lbs Clouds 2 900 lbs Border, black Legs Third electric Stage right electric (ladder) Stage right masking torm 165 lbs 90 lbs Black Velour Traveler Stage left electric (ladder) Stage left masking torm Clouds 3 570 lbs 60 lbs 810 lbs Border, black Black Scrim Legs Back Velour Traveler 165 lbs 90 lbs 90 lbs 570 lbs 60 lbs Fourth electric Movie screen (stored) 20'H x 36'W 540 lbs Legs Glitz: silver, single layer White Scrim Cyc, white Wind Guard, black duvetyn Page 26 105 Lbs 15 lbs 90 lbs 270 lbs 300 lbs Oct 1 2012 Attachment F: Ground Plan of Facility Version: October 2012 Page 27 Attachment G: Seating Chart Version: October 2012 Page 28 Attachment H: Circuit Chart Version: October 2012 Page 29 Attachment I: Sound Layout Version: October 2012 Page 30 6 4 431 39 Blue Wash 2 429 140 N/C Wash Sky Cyc 4 Cell PAR 64 MFL PAR 64 NSP Source 4 36 deg Source 4 26 deg Source 4 19 deg Alt 360Q 6x9 Alt 360Q 6x12 Alt 360Q 6x16 435 41 Teal Wash Dimmer Ch Unit purpose Color Legend 8 7 436 Teal 1 7 o ob /G BC Sp T 1 3 06 4 ° 9 o ob /G BC Sp T 2 3 08 4 26 ° Bottom 286 48 37 Blue 283 49 36 Lav 281 50 35 Teal 96 277 Warm 34 96 276 Warm 33 96 275 30 26° Warm 32 2000 214 4:101 Blue 29 82 269 Amb 28 91 268 27 26° 26° 26 116 266 Blue Lav Teal 4:176 W 305 Blue Amb 27 28 Red 26 Blue 25 4:1 2000 210 Amb 24 23 22 Blue Lav Teal Blue Lav 164 43 30 Teal 161 44 29 3:351 W 303 Blue 28 76 157 3:151 2000 205 Amb 27 85 155 Blue 26 76 150 149 106 25 26° 23 24 Amb 26° 85 148 2000 206 Apron SR NC Pink 30 25 20 15 10 9'-0" 26° 22 5 5'-4" Blue 21 77 144 6'-0" 6'-8" 7'-6" 8'0" 165 42 31 30'-8" 29'-4" 28'-0' 26'-8" 25'-4" 24'-0" 22'-8" 21'-4' 20'-0" 18'-8" 17'-4" 16'-0" 14'-8" 13'-4" 12'-0" 10'-8" 9'-4" 166 44 32 3:176 167 43 33 147 107 168 42 34 4'-0" 143 108 20 26° 3'-0" 2'-8" Amb 19 86 142 1'4" CL 1'4" Red 17 94 197 1'-6" 1'4" 26° 18 0" CL 3:201 2000 207 7 Wash AGBR 3'-0" 2'-8" Blue 16 77 135 2'-8" Blue 16 80 196 2'-8" Blue 19 83 256 2'-8" 314-317 122-125 1'-6" 1'4" 26° 17 125-128 176, 179, 182, 185 98 98 141 136 3 2'-8" Border RBAØ 4'-0" Red 18 4 5'-4" Amb 19 Border RBAØ 98 145 4:26 2000 125-128 176, 179, 182, 185 6'-8" Blue 20 1'4" Red 20 95 257 186-189 177, 180, 183, 186 94 199 5 Border RBAØ 26° 21 211 CL 151-154 176, 179, 182, 185 8'0" 222 47 29 30'-8" 29'-4" 28'-0' 26'-8" 25'-4" 24'-0" 22'-8" 21'-4' 20'-0" 18'-8" 17'-4" 16'-0" 14'-8" 13'-4" 12'-0" 10'-8" 9'-4" 223 46 30 Red 225 45 31 Red 226 47 227 46 228 45 Teal 32 Lav 33 Blue 34 94 205 89 200 1'4" 2000 216 4:151 3 94 207 80 203 2'-8" 21 Red Border RBAØ 88 208 112 204 4'-0" 22 Amb 95 259 4 5'-4" 23 Blue 92 260 Border RBAØ 79 214 6'-8" 24 Red 83 261 186-189 177, 180, 183, 186 88 216 79 217 94 215 8'0" 25 Red 95 262 5 Border RBAØ 2000 215 4:126 95 263 1'4" 248-251 178, 181, 184, 187 210-213 177, 180, 183, 186 30'-8" 29'-4" 28'-0' 26'-8" 25'-4" 24'-0" 22'-8" 21'-4' 20'-0" 18'-8" 17'-4" 16'-0" 14'-8" 13'-4" 12'-0" 10'-8" 9'-4" 38 281 50 39 283 49 Teal 40 Lav 286 48 Blue CL 3 1'4" Border RBAØ 2'-8" 4 4'-0" Border RBAØ 5'-4" 36° TBC 8 121 318 248-251 178, 181, 184, 187 114 274 115 267 6'-8" 9 Wash AGBR 320-323 122-125 5 8'0" 36° TBC 10 121 324 270-273 178, 181, 184, 187 Border RBAØ 11 Wash AGBR 325-328 122-125 4'-0" 134 109 15 26° 4'-0" 4;51 2000 212 4'-0" Amb 18 92 255 4'-0" 5 5 Wash AGBR 2000 217 2 Border RBAØ 2 Border RBAØ 8'0" 1 Wash AGBR 298-301 122-125 TBD 2 TBD 2 TBD 2 TBD 2 TBD 2 TBD 2 296 295 294 293 292 291 175 174 173 172 171 170 16 290 129 Warm 17 289 128 Blue 13 84 246 Amb 12 93 245 2000 218 4:201 26° 11 1 Border RBAØ 9 Cool 97 241 8 Cool 97 240 235-238 178, 181, 184, 187 Cool 119 242 97 239 7 234 74 6 Mag 233 75 5 Red 232 73 4 Amb 231 74 3 Mag 230 75 2 Red 229 73 1 Amb Blue 11 81 190 4:76 2000 213 Amb 10 90 185 Red 9 94 183 Blue 8 81 182 Amb 7 90 181 1 Border RBAØ 2 174 71 6 Mag 173 177 72 5 Red 172 70 4 Amb 171 71 3 Mag 170 72 2 Red 169 70 1 Amb Blue 11 78 129 124 111 10 26° Amb 9 87 123 Blue 8 78 122 3:251 2000 209 1 Amb 7 87 121 W 3:376 304 116-119 176, 179, 182, 185 114 68 6 Mag 113 69 5 Red 112 67 4 Amb 111 68 3 Mag 110 69 2 Red 109 67 1 Amb 9'-0" 10 15 20 25 30 1st Beam 1st Electric 1 2nd Electric 9'-4" 10'-8" 12'-0" 13'-4" 14'-8" 16'-0" 17'-4" 18'-8" 20'-0" 21'-4' 22'-8" 24'-0" 25'-4" 26'-8" 28'-0' 29'-4" 30'-8" 130 110 12 26° Border RBAØ 4:201 W 306 175-178 177, 180, 183, 186 24 360 168 15 359 168 26 364 166 25 363 163 27 366 169 4th Electric 3rd Electric 7 290 129 Warm 8 289 128 Laddered Down 25 290 129 Warm 26 289 128 9'-4" 10'-8" 12'-0" 13'-4" 14'-8" 16'-0" 17'-4" 18'-8" 20'-0" 21'-4' 22'-8" 24'-0" 25'-4" 26'-8" 28'-0' 29'-4" 30'-8" Red 12 94 191 Border RBAØ 3:226 2000 208 26° 14 118 247 125-128 176, 179, 182, 185 8'0" Red 13 94 192 36° TBC 2 121 303 9'-4" 10'-8" 12'-0" 13'-4" 14'-8" 16'-0" 17'-4" 18'-8" 20'-0" 21'-4' 22'-8" 24'-0" 25'-4" 26'-8" 28'-0' 29'-4" 30'-8" 26° 15 117 252 186-189 177, 180, 183, 186 8'0" 4:176 3 Wash AGBR 304-307 122-125 9'-4" 10'-8" 12'-0" 13'-4" 14'-8" 16'-0" 17'-4" 18'-8" 20'-0" 21'-4' 22'-8" 24'-0" 25'-4" 26'-8" 28'-0' 29'-4" 30'-8" 36° TBC 4 121 308 248-251 178, 181, 184, 187 8'0" 309-312 122-125 7'-6" 6'-8" 26° 13 98 132 6'-8" 26° 14 113 193 6'-8" Red 16 95 253 6'-8" 6'-0" 5'-4" Amb 14 86 133 5'-4" Amb 15 89 195 5'-4" Red 17 95 254 5'-4" 36° TBC 6 121 313 6 359 168 17 364 166 16 362 163 18 365 169 5 358 165 4 355 162 3 354 167 14 358 165 13 356 162 12 354 167 23 358 165 22 357 162 21 353 167 20 352 164 19 351 161 11 352 164 10 350 161 2 352 164 1 349 161 Sp /G ob o Sp /G ob o Sp /G ob o SL Ladder 9 365 169 h as l W Coo 26 98 3 14 2 3 7 39 6 2 ol o h C as W h as W arm W 27 9 39 4 16 5 9 39 7 2 rm a h W as W h as C W TB 28 00 4 6 3:1 ° 48 8 ° 1 C bo TB /Go Sp ° 40 19 10 31 5 11 C bo TB /Go Sp FOH (Beams) 951, 952 Electrics 953-958 3:301 W 301 ° 45 57 1 44 19° Interp N/C Pit NC Pink 32 C o b TB /Go Sp 7 58 136 40 19 12 Pit Wash N/C Pit Wash N/C Pit Wash 19 N/C ° 30 3 19 40 19 ° 9° 47 59 100 46 60 100 59 100 26 26 Work Lights 0 40 8 2 C h TB as W 0 2 20 01 0 o ob /G BC Sp T 0 3 04 4 Front Rows 905-909, 911, 926 Mid Rows 912, 914-920, 922, 928 Back Rows 910, 913, 921, 923-925, 927, 929-930 Aisles HR 901, HL 902 Apron Steps HR 903, HL 904 House Lights Stage Right Cove Top Aisle 12 440 442 444 35 34 33 LtPink/AmbLtPink/AmbLtPink/Amb Side Side Side 56 4 43 19° 102 16 101 10 33 100 19 32 19° Wing 1 SR NC Blue Wing 3 SR 19° NC Pink Wing 3 SR 34 19° NC Blue 99 24 31 Wash Blue 98 24 30 Wash Blue Special TBC Wing 1 SR NC Blue Wing 3 SR 19° NC Pink Wing 3 SR 19° 29 NC Blue 19° Wash 28 103 19° Blue 27 102 97 26 16 96 25 10 95 94 19 24 55 13 42 53 7 41 19° Apron SR NC Blue Wing 1 SR NC Pink 19° 52 22 40 Wash Blue 51 22 39 Wash Blue 50 1 38 19° 49 4 37 19° Pit NC Pink Apron SL NC Pink WildFire Special UV TBD Apron SR NC BlueWing 1 SR 19° NC Pink 36 19° Wash 35 Blue 19° 54 34 33 48 32 47 101 46 13 45 7 22 44 22 31 Wash Blue 2000 3:51 202 7'-6" 6'-0" Pit CS Apron CS NC Pink Apron CS Wing 1 CS NC Pink NC Blue NC Pink Wash 19° 19° Blue 19° 19° 30 29 28 27 26 41 40 2 39 38 5 36 14 8 22 9'-0" Wash Wing 1 CS NC Blue Wing 3 CSWing 3 CS Blue NC Pink NC Blue Wash 19° 19° Blue 24 19° 23 22 93 21 20 92 24 91 17 90 11 89 20 24 30'-0" 28'-6" 27'-0" 25'-6" 24'-0" 22'-6" 21'-0" 19'-6" 18'-0" 16'-6" 15'-0" 13'-6" 12'-0" 10'-6" 104 135 35 TBD Lecturn 30'-0" 28'-6" 27'-0" 25'-6" 24'-0" 22'-6" 21'-0" 19'-6" 18'-0" 16'-6" 15'-0" 13'-6" 12'-0" 10'-6" 35 22 25 Wash Blue 4'-6" 88 24 19 Wash Blue 4'-6" 34 103 24 19° 1'-6" 1'-6" Spot 3 0" 86 99 17 19° Truss Troupers Spot 4 Special TBC 3'-0" 87 99 18 19° Conductor/Special Conductor/Special TBC TBC 30 135 35 TBD Lecturn 3'-0" House Speaker Cluster 28 23 23 Wash Red 4'-6" 82 25 16 Wash Red 4'-6" 27 23 22 Wash Red 6'-0" 81 25 15 Wash Red 26 8 21 19° 25 14 20 19° 9'-0" 79 11 13 19° 77 25 11 76 25 10 Wash Red 75 21 9 19° 74 12 8 19° 7 73 18 67 104 72 25 5 Wash Red 71 25 4 Wash Red 70 21 3 19° 2 69 12 68 18 24 5 19 19° 22 2 18 2000 3:76 203 19 23 17 Wash Red 18 23 16 Wash Red Pit SL Wash Apron SLNC Pink Red NC Pink Special WildFire 19° 9 UV 19° Apron SL TBC 10 Wing 1 SL NC Blue 11 12 19° NC Pink 12 14 23 19° 13 15 3 19° 20 14 6 13 15 105 16 17 15 9 11 23 8 Wash Red 10 9 7 19° Wing 1 SL NC Pink 9 15 6 19° Apron SL NC Blue 10'-6" 12'-0" 13'-6" 15'-0" 16'-6" 18'-0" 19'-6" 21'-0" 22'-6" 24'-0" 25'-6" 27'-0" 28'-6" 30'-0" 78 17 12 19° Pit CS Apron CS NC Pink Apron CS Wing 1 CS NC Pink NC Blue NC Pink 19° 7'-6" 80 20 14 19° Wing 1 CS Wash Wing 3 CS NC Blue Red Wing 3 CS NC Pink NC Blue Special Wing 1 SL TBC Wing 3 SL NC Blue 19° Wing 3 SL NC Pink 19° 6 NC Blue Wing 1 SL NC Blue Wing 3 SL 19° NC Pink Wing 3 SL 1 19° NC Blue 10'-6" 12'-0" 13'-6" 15'-0" 16'-6" 18'-0" 19'-6" 21'-0" 22'-6" 24'-0" 25'-6" 27'-0" 28'-6" 30'-0" 8 6 5 19° Apron SL NC Pink 7 3 4 19° 3 2 Sp 3:326 302 W ° 19 1 o 39 56 4 0 Sp /G ob 19 ° 2 1 19 3 100 ° 19 o 1 8 4 100 ° 39 55 2 ° 19 26 7 2 W as h 3:1 26 38 53 8 4 2 0 000 55 ° 391 6 W as h 4 12 418 143 N/C Aisle 11 143 417 Aisle N/C W 3 2 5 38 2 7 38 51 6 as h as h W W as h 1 5 38 1 5 3 4 410 141 N/C Wash 6 5 412 64 Amb Wash Wash N/C 141 409 Wash Amb 64 411 Spot 1 Apron Left 5 460 133 TBD Wash 6 460 133 TBD Wash House Rear SR 2 456 133 TBD Wash 1 456 133 TBD Wash House Rear SL 20, September 2012 Revised 2, October 2012 Drawn by Dan Vilter Lighting Plot v4.4 Haugh House Top as h Spot 2 414 65 Red Wash 8 7 Wash Red 65 413 Super Troupers (in Lighting Booth) 416 66 Mag Wash 10 9 Wash Mag 66 415 Haugh Performing Arts Center W Stage Left Cove 5 38 3 8 38 52 7 5 2nd Beam 3 100 56 ° 39 3 26 9 Pit Wash N/C Pit Wash N/C /G ob 57 ° 39 5 26 1 Pit Wash N/C 39 57 6 o 5 137 /G ob Interp Pit SL N/C NC Pink Sp ° 19 1 Bottom 14 424 422 420 60 59 58 Lt Pink/AmbLt Pink/AmbLt Pink/Amb Side Side Side 16 61 419 13 Side Lt Blue 62 421 63 423 15 Side Lt Blue Side Lt Blue 8 364 166 7 361 163 18 438 142 10 Side 36 15 443 Lt Blue 36° TBC 12 121 329 17 Side 37 13 441 Lt Blue 13 Wash AGBR 331-334 122-125 19° 19° Side 38 20 370 154 19 369 151 21 371 157 SR Ladder 2 370 154 1 367 151. 11 370 154 10 368 151 12 372 157 23 376 155 22 375 152 36° TBC 14 121 335 19° 19° 9 437 11 439 Lt Blue 3 372 157 14 376 155 13 374 152 24 377 158 15 Wash AGBR 336-339 122-125 26° 26° Aisle 142 5 376 155 4 373 152 15 378 158 Warm TBD TBD TBD TBD TBD TBD 26 382 126 Cool 2 2 2 2 2 2 25 346 345 344 343 342 341 348 171 172 173 174 175 127 170 30'-8" 29'-4" 28'-0' 26'-8" 25'-4" 24'-0" 22'-8" 21'-4' 20'-0" 18'-8" 17'-4" 16'-0" 14'-8" 13'-4" 12'-0" 10'-8" 9'-4" Warm 17 382 126 Cool 16 348 127 36° 36° Wash 41 Altman MR 16 4 Cir 8'-6" 36° 26° 19° Instruments Apron Right 433 40 Lav Wash 5 434 Lav 3 432 Blue 1 430 N/C 6 378 158 19° 19° 36° 36° Wash 40 Wash 39 Wash 140 27 384 159 26 382 156 25 381 153 19° 18 383 159 17 382 156 16 380 153 26° 19° 9 383 159 36° 26° 26° 19° 19° 26° 26° 19° 26° 19° 19° 26° 26° 36° 36° 36° 36° 26° 26° 26° 26° 19° 19° 19° 36° 8 382 156 7 379 153 Warm 8 382 126 Cool 7 348 127 26° 26° Looking US Order of Dimmers Low to High 19° 19° 1 19° 19° 2 130 4 1 2 3 453 Laddered Down 457 457 130 458 131 4 1 2 Far Cycs 130 130 453 Red Green 10° 10° 3 5° 5° 459 132 10° 10° 3 Page 31 5° 36° 131 36° 454 36° 4 36° 5° 36° 132 36° 455 Version: October 2012 Blue Amb Attachment J: House Lighting Plot Attachment K: Standard Lighting Hook Up Function Ch Dimmers Ch Function Dimmers 1 Frts Warm Pit SR 50, 57 51 SL Cove Pars Cool 385, 386 2 CS 22, 41 52 Warm 387 TBC 388 Ch 101 Dimmers 152 103 TBF 34 153 104 TBF 67 154 Wing 1 Cool 370 TBF 13 53 54 5 CS 24, 40 55 Cove Gobos TBC 391, 392 105 6 SL 8, 15 56 TBC 393, 394 106 TBC 395, 396 Wing 1 Function Ch 151 SR Lddr W1 Warm 367-369 TBF 103 SL 7, 14 Apron 4 Dimmers TBF48 102 SR 49, 56 3 Function FOH Spcls 1st LX Spcls Wing 2 373-375 Wing 3 379-381 155 Wing 2 376 SR 149 156 Wing 3 382 SR 46, 53 57 107 MR 147 157 Wing 1 Par 371, 372 8 CS 26, 38 58 Apron Sides Wm SR 420 108 CR 143 158 Wing 2 377, 378 9 SL 10, 17 59 CS 422 109 CL 134 159 Wing 3 383, 384 7 SR 96, 101 60 11 Wing 3 CS 79, 91 61 12 SL 69, 74 Apron SR 47, 55 10 13 Cool SL 424 110 ML 130 160 SR 419 111 SL 124 161 SL Lddr W1 Warm 349-351 62 CS 421 112 2nd LX Spcls MR 204 162 Wing 2 355-357 63 SL 423 113 ML 193 163 Wing 3 361-363 Cool 14 CS 25, 39 64 Pars Apron 274 164 Wing 1 Cool 352 15 SL 9, 16 65 Mag 413, 414 115 MR 267 165 Wing 2 358 SR 97, 102 66 Red 415, 416 116 MR 266 166 Wing 3 364 CS 78, 92 67 Amb 109, 112 117 ML 252 167 Wing 1 Par353, 354 Wing 2 359, 360 16 Wing 1 17 Wing 1 Amb 411, 412 114 3rd LX Spcls SR SL 68, 73 68 Mag 111, 114 118 ML 247 168 SR 95, 100 69 Red 110, 113 119 SL 242 169 20 CS 80, 90 70 Amb 169, 172 120 21 SL 70, 75 71 Mag 171, 174 121 4th LX Lecos Red 170, 173 122 Amb 229, 232 123 124 125 18 19 Wing 3 Wing 2 22 Par Wash DS Blue 35, 36, 44, 45, 51, 52 72 23 Red 11, 12, 18, 19, 27, 28 73 24 US Blue 88, 89, 93, 94, 98, 99 74 Mag 231, 234 25 Red 71, 72, 76, 77, 81, 82 75 Red 230, 233 26 SR Cove Pars Cool 397, 398 76 Backs 27 Warm 399 77 28 TBC 400 78 29 Wing 3 79 Blue SR 150, 157 " " 295, 342 Green " 175 " " " 296, 341 126 4th Wing Side Blu 347 176 Strips 1st LX Red 116, 125, 151 2nd LX 175, 186, 210 178 3rd LX 235, 248, 270 179 1st LX Blue 117, 126, 152 130 FOH 100 TBC 453, 457 180 2nd LX 176, 187, 211 181 3rd LX 236, 249, 271 Wing 3 SR 269 83 CS 256, 261 CS 442 84 SL 246 38 174 299, 305, 310, 315, 321, 326, 332, 337 Red 290 82 39 Pars Apron " Amb 289 TBC 407, 408 SL 439 " 294, 343 Amber " 298, 304, 309, 314, 320, 325, 331, 336 129 33 Apron Sides Wm SR 444 CS 441 173 128 32 37 300, 306, 311, 316, 322, SL 122, 129 81 86 293, 344 Blue 327, 333, 338 SR 214, 217 31 85 292, 345 " Wing 1 SL 182, 190 SL 440 " " 177 CS 196, 203 SR 443 " " Lav 348 80 Cool " 172 301, 307, 312, 317, 323, 127 TBC 405, 406 36 171 Red 328, 334, 339 CYCS 303, 308, 313, 318, 324, 329, 335 CS 135, 144 TBC 403, 404 35 Cyc Trash 291, 346 Apron 30 Cove Gobos 34 TBC Amber SR 148, 155 131 FOH 5 0 TBC 454, 458 132 FOH 5 0 TBC 182 456, 460 183 2nd LX 177, 188, 212 134 Wildfire Units 20, 54 184 3rd LX 237, 250, 272 135 Lectern SR 30, 104 185 1st LX TBC 119, 128, 154 CS 133, 142 136 HL Interpreter 58 186 2nd LX 178, 189, 213 87 SL 121, 123 137 HR Interpreter 5 187 3rd LX 238, 251, 273 88 SR 208, 216 138 Apron Side Spcl HL 447 188 Apron Wing 1 89 CS 195, 200 139 Apron Side Spcl HR 425 189 40 Lav 433, 434 90 SL 181, 185 140 Audience Pars HL 429, 430 190 41 Teal 435, 436 91 SR 268 141 Audience Pars HR 409, 410 191 Wing 1 Wing 3 Blue 165, 168 92 CS 255, 260 142 House Aisles HL 437, 438 192 43 Lav 164,167 93 SL 245 143 House Aisles HR 417, 418 193 44 Teal 161, 166 94 DS 183, 191, 192, 197, 199, 205, 207, 215 144 FOH Worklights 951, 952 194 45 Blue 225, 228 95 MS 253, 254, 257, 259, 262, 263 195 196 Red 145 Stg. Worklights 953-958 46 Lav 223, 227 96 SR Fan Warm 275-277 146 Aisle Lights 901, 902 47 Teal 222, 226 97 SL Fan Cool 239-241 147 Stair Lights 903, 904 197 Blue 286 98 OH Texture wash 132, 136, 141, 145 148 House 905-9, 911, 926 198 49 Lav 283 99 Conductor Special 86, (87 back up) 149 50 Teal 281 3, 4, 59, 60 150 48 Wing 2 Wing 3 Version: October 2012 1st LX Amb 118, 127, 153 455, 459 133 FOH NPar TBC Blue 431, 432 42 Wing 3 365, 366 170 4th LX 100 Pit Wash n/c Page 32 Front Rows Mid rows 912, 914-20, 922, 928 Back rows 927, 929-30 910, 913, 921, 923-5, 199 200 Attachment L: Tech Specs Quick Sheet Citrus College Haugh Performing Arts Center Stage: SR Locking Rail to SL wall 98’ SR: CL to Locking Rail 47’ 7” SL: CL to SL wall 50’ 5” Wing Space: SR (Prosc to Locking Rail) 20’ 7” SL (Prosc to SL wall) 23’ 5” Stage Depth: Plaster line to US wall 47’ 8” Plaster line to edge of apron 10’ 1” DS edge of apron to CF of pit 11’ 9” Proscenium: Width: 54’ 0” Height: 27’ 11” Depth: 4’ 0” Grid Height: Stage floor to grid deck 66’ 8” Stage Height: Audience floor to stage floor 3’ 4” Crossover depth: Behind wind guard to back wall 8’ 8” Floor: Stage floor is 3” tongue and groove fir on sleepers. Apron and orchestra pit is 1” maple on cushioned sleepers. Entire floor is stained ebony with a satin varnish finish. NO FASTENERS ARE ALLOWED. There is no direct access from backstage to house seating area. 4 Dressing Rooms & hospitality area Stage Width: (Not to scale) 1,439 seats. Continental seating. No center aisle. Loading Dock: Loading area is at ground level, uncovered, with no elevated dock and no height restrictions for trucks. Approach to dock is from west side of facility, via a 14’ wide, straight, drive. Loading dimensions: from loading dock to scene shop: 12’ wide, 20’ tall; from scene shop to stage: 19’ 10” wide, 19’ 7” tall. 20A, 30A, & 50A shore power is available. Electrical Main feed: 1000A; 3-phase Company switches: 2. Each 120/280V, 3-phase. 400A/leg; 400A Cam-lock or lug. Located SL. Dimmers: 672, 2.4K ETC Sensor, + house and works Control: ETC Insight III (3 Universe) DMX via ETC Net2; MA Lighting GrandMa (4 Univ.). Located in control booth above rear of house. Circuits: Dimmer per circuit; 672 2.4K dimmers. 20A stage pin connectors, Socopex receptacles, and moving light power locations (L6-20, 208V) distributed throughout facility. Stage Circuits: Overhead: 276 circuits Floor and wall connections: 162 circuits Grid (72 repeated US wall): 122 circuits FOH Circuits: 184 circuits FOH Throws: 1st Beam: 32’ @ 45O to front of apron 2nd Beam: 38’ @ 45O to front of pit Coves: 45’ @ 30O bottom of cove to CL pro Luminaries: 4 ea - ETC Source 4 ERS, 575 w (5&100) 81 - ETC Source Four Narrow ERS, 575 w (190) 40 - ETC Source Four ERS, 575 w (26 0) 23 - ETC Source Four ERS, 575 w (36 0) 21 - Altman 6x16 ERS, 750 w 32 - Altman 6x12 ERS, 750 w 52 - Altman 6x9 ERS, 750 w 32 - Kliegl 8” Fresnel, 1,000 w 72 - Altman Med Flood PAR 64 can (count varies) 78 - Altman Narrow spot PAR 64 can ( “ “ ) 28 - 8’–4” Altman 4 circuit MR16 Strips 8- Altman, Far Cyc, 4 circuit, 1,000 W each Automated fixtures: 16-Martin Mac 2K Profiles with standard gobos 8- Martin Mac 2K Washes Followspots: 2- Strong Supertrouper, 2,000 w xenon. 2- Strong TrussTrouper, 1200 w HMI. SFX: 2-Wildfire LT400F w/90 0 flood & DMX on/off; 1LeMaitre G-300 Smoke Mach.; 1-Rosco 1900 Smoke Mach.; 2-ETC Little Bliz. Snow Mach.; 1-Radiance Hazer Gel: Ample stock of Rosco color media Projectors: 1-Panasonic PTD5700U multi-media projector, 600w, 1024X768 resolution, 6K lm, 2K:1 contrast; 1Sanyo PLC EF 10NZ multimedia projector, 440w, 1024 x 768 resolution, 3300 lm; 1-Elmo model 550 xenon 16mm film projector; 2-Bell & Howell model 567 16mm film projectors. Technical Director: Dan Vilter 626-852-8049 [email protected] Stage Manager: Karen Taulbee 626-852-8050 [email protected] Updated: 10/12 Version: October 2012 Technical Specs – Quick Sheet Orchestra Pit: Curved. Can comfortably hold 25-piece orchestra. Programmable hydraulic. Standard levels are: stage floor; audience floor; “trap” level (@ 6’4” below stage level); and basement (@ 13’ below stage level). There is stairway access from basement to “trap” level for performances. Width: 54’ Depth at C/L: 11’ 9” Depth at sides: 3’ 9” Equipment 40 Black Wenger padded orchestra chairs 80 Stacking, blue-padded chairs 40 Wenger Bravo black music stands 30 Manhasset black music stands 32 Orchestra stand lights 1 Conductor podium 9 Wenger choral shell sections 9 Wenger choral 3-step risers 1 Full stage orchestra shell 1 9’ Steinway concert grand piano 1 7’ Yamaha conservatory grand piano 8 6’ Folding tables 6 4’ Folding tables Audio: Mixing position is in FOH, rear, 1/3 left of center. Console: Digidesign D-Show Profile configured with VENUE Pack Pro plug-in bundle, FOH rack, and 2- DShow 48X24 stage racks Amps: Lab.gruppen C20 & FP1000’s Speakers: L, R, & C arrays, consisting of: 30 SLS LS8800 (Bi-amped). 20 Bag-end D10-IF6 subwoofers 7 SLS US2403 front fills (along pit rail) Playback 1 Denon DNE635 cue capable CD player 1 Marantz PMD 320 CD player 2 Sony MDS-E12 mini disc recorders 1 CDRW901 CD recorder 2 IPOD/computer I/O connections. Microphones (partial list) 15 Shure SM57 13 Shure SM58 4 Shure Beta 58 4 Audio technical ATM 41-A 10 AKG C451B 8 Sennheiser MD 421-II 6 Audio-Technica AT 871 Uni-plates 5 Audio-Technica AT 853 Uni-points Wireless microphones 24 Shure UR 24 lavs (8 with handhelds) 16 HME VHF lavs (9 with handhelds) 16 Sennheiser UHF lavs (2 with handhelds) Monitor equip: 8 – Apogee SSM Processed speakers overhead on 1st & 2nd LX; 8 – JBL & PAS cabinets; EAW monitor system with 12 discrete channels (processed) for 18- EAW SM200iH Bi-amped 2-way floor monitors; Apogee processed system (4 channel) with 7 cabinets; call TD for specific details. Page 33 Rigging Locking rail is Stage Right. Lines are Stage-set X. 48 line sets (44 parallel to proscenium) Grid height: 66’ 8” above stage floor Batten length is: 61’ Batten travel is: 56’ 0” Batten low trim: 3’ 4” Batten high trim: 59’ 4” Battens are: double truss, 1 ½” pipe Battens have: 6 lift lines Batten empty wt: 330 lbs. Arbor capacity: 1440 lbs. Electrics are: motorized Repertory Line Set Schedule (bold denotes permanent location) Unlisted batten numbers are clear for scenery Line # 1 2 X 3 5 7 8 10 13 14 16 18 22 23 24 25 26 28 29 30 31 34 35 36 37 39 40 42 44 46 47 48 Item House main Border, black Dead hung legs, black RP screen First Electric Chiffon trav. on track Orch. shell ceiling Border, black Legs, black Second Electric Flat Black Orch. shell ceiling Border, black Legs, black Third Electric SR Electric Ladder SR torm, black Traveler, full, black SL Electric Ladder SL torm, black Orch. shell ceiling Border, black Scrim, black Legs, black Traveler, full, black Fourth Electric Movie screen stored Legs, black Silver glitz shimmer Scrim, white Cyclorama, white Wind Guard, black Distance from pro 0’-9 ½” 1’-4 ½” 1’-9 ½” 2’-6” 4’-6” 6’-6” 7’-6” 8’-6” 10’-0” 11’-6” 14’-0” 15’-6” 18’-0” `8’-6” 20’-6” n/a n/a 23’-6” n/a n/a 24’-6” 27’-0” 27’-6” 29-‘0” 29’-6” 31’-6” 33’-0” 35’-0” 37’-0” 38’-0” 38’-6” 39’-0” Attachment M: Photographs of the Center EXTERIOR PHOTOS Main Entrance Into Haugh Performing Arts Center Side Entrance Into Auditorium Load-In Area Box Office Version: October 2012 Page 34 Attachment M: Photographs of PAC INTERIOR PHOTOS Interior of Auditorium, From House Left Interior Of Auditorium Interior Of Auditorium, View From Stage Version: October 2012 Page 35