Lot - Arabian Wings

Transcription

Lot - Arabian Wings

‫‪Auction #4‬‬
‫‪Arabian Wings Auction‬‬
‫‪Innovation for Auction‬‬
‫‪Viewing: September 4th - 10th 2014, 01:00 PM to 10:00 PM‬‬
‫‪Auction: Thursday, September 11th 2014,‬‬
‫‪07:00 PM at TheGallery Art Space‬‬
‫المزاد الرابع‬
‫مزاد أجنحة عربية‬
‫جلسات المعاينة‪ :‬من ‪ 4‬سبتمبر إلى ‪ 10‬سبتمبر ‪2014‬م‬
‫مساء‬
‫يوميًا من الساعة ‪ 1:00‬ظهرًا إلى الساعة ‪10:00‬‬
‫ً‬
‫مساء‬
‫جلسة المزاد الرسمية‪ :‬الخميس ‪ 11‬سبتمبر ‪2014‬م ــ الساعة ‪7:00‬‬
‫ً‬
‫جدة ــ نادي الفروسية لليخوت ــ قاعة ذجاليري‬
‫‪1‬‬
H.R.H Prince Sultan bin Salman bin Abdulaziz Al Saud
H.R.H Prince Salman bin Sultan bin Salman bin Abdulaziz Al Saud
H.R.H Princess Haifaa bent Abdullah bin Abdulaziz Al Saud
H.R.H Princess Aliaa bent Abdullah bin Abdulaziz Al Saud
H.R.H Princess Fahdah bent Saud bin Abdulaziz Al Saud
H.H Prince Saad Bin Mohammed bin Abdulrahman Al Saud
H.H Princess Haifaa Al Kuraishi
H.H Princess Jawaher Al Al Sheikh
H.H Princess Mai bent Bander
Mohammed Jameel
Fady Jameel
Jehan Al Zahed
Hassan Jameel
Lina Lazaar
Ahmed Fitaihi
Maha Fitaihi
Adel Fakieh
Tarik Fakieh
Manal Fakieh
Faisal Yamani
Ahmed Bin Jaber
Wael Al Ghaleb
Rola Al Ghaleb
Shaza Al Tasaan
Saad Al Esayi
Mohammed Al Esayi
Sara Al Suliman
Salwa Ali Reza
Hameeda Ali Reza
Auction #4
Tarik Ali Reza
Nadia Al Zuhair
Nahla Al Zuhair
Najlaa Felemban
Talal Kurdi
Mohammed Wali
Malak Masallati
Mona Al Qasabi
Green Box Museum
Saudi BinLadin Group
Arabian Wings Auction
Innovation for Auction
Viewing: September 4th - 10th 2014, 01:00 PM to 10:00 PM
Auction: Thursday, September 11th 2014,
07:00 PM at TheGallery Art Space
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CONTENT
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5
Introduction
7
Arabian Wings
9
TheGallery
11
Auction Team
16
Our Artist
32
Lots 01 - 218
195
Buyer Assistant Tools (BAT)
196
Terms and Conditions
200
Maps and Direction
201
Absentee / Telephone Form
204
Paddle Form
Arabian Wings
Auction
Saudi
art collectors to attend art auctions and satiate
organization of its kind to launch publicly and
his or her thirst for art through purchasing and
officially an auction for modern and contemporary
being keen on seizing such opportunity in every
art.
auction session organized by Arabian Wings and
Likewise, it is the pioneer that laid cornerstone
TheGallery.
for this kind of auctions.
To further assert that Arabian Wings auction
In the early days of December 2011, Arabian
is completely different from the ground up, a
Wings launched the first auction dedicated to
new methods of its kind has been tailored and
contemporary art in Jeddah, the city of art,
will have a profoundly significant impact on the
in collaboration with SUNAIDIXPO, a leading
Saudi market of art auctions and the ways with
company in event management.
which they are managed; new features have
Arabian
Wing
epitomizes
the
first
been added to the book, apart from the image,
Among the artworks that were exhibited was
the
lithograph
painting
of
the
information and estimation prices related to the
international
artwork.
artist, Rembrandt, known as the Prince of
Light, alongside several scriptures, antiques
Such features turned the book into a direct
and artworks of Saudi Artists like Dia Aziz
interactive medium with the collector, hence
Dia, Hisham Benjabi, Mohammed Siam, Najlaa
helping him or her make the right decision to
Felemban, Mohammed Bahrawi and Zuhair Tola.
bid for the exhibited artwork.
The first session of the auction was a home run
Likewise, they are also considered to be a
in all respects, which spurred virtually everyone
reference for the predictions that were made
to enter into the Saudi market either through
before the auction as well as its results, which
developing new art auctions or new galleries
culminates into a more gratifying experience
dedicated to contemporary art in Jeddah.
while flipping the pages of the book, as well
In
December
2013
and
March
2014,
as a reference for future predictions for the
the
upcoming sessions.
second and third auctions hit a big success with
Thanks to a meticulous study that was carried
sales and emphasized success of the idea of
out for the book design, the collector can
the art auctions in Saudi Arabia.
access any artwork in the large book without
the need to open it. Indeed, this is the very
After acquiring substantial experience in art
auctions,
again
Arabian
that
unique
Wings
brings
experience
by
back
reason why Arabian Wings auction slogan is
once
entitled “Innovation for Auction”.
organizing
Preview sessions have been scheduled and will
this session of its auction. Its exhibition will be
take place in one of the important art galleries
marked by housing the artworks of important
in Jeddah, “TheGallery” September 8th to 10th.
Arab and non-Arab artists through displaying
As per the official auction and bidding session,
218 modern and contemporary artworks that
it is scheduled for September 11th in the same
are considered to be the acme of artworks ever
outstanding gallery hall, which is finely equipped
produced in the Arab world as well as a set
for such events in Saudi Arabia and mainly
of transcendent and mesmerizing artworks,
several
artworks
photographs,
ranging
bronze
from
sculptures
Jeddah.
drawings,
to
What is more, such sessions will be managed
signed
by Mr. Mohammed Bahrawi, one of the most
prints from well-established artists.
remarkable specialists in contemporary visual
In a fairly vigorous rivalry with the displayed
artworks,
the
inaugural
prices
of
arts (Saudi Arabia).
such
breathtaking artworks are set in the range
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of 500$ and 100,000$ to strike a balance
Annually February and September, is the date
between the value of the exhibited work at a fair
for Arabian Wings Auction, it is the day on which
and reasonable price and the boost that artists
a new history for modern and contemporary art
get in terms of receiving substantial recognition
will be written on the land of the contemporary
in the world of art as well as seeking to motivate
Jeddah city.
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Arabian
Wings
was
founded
by
Najlaa
Felemban
and
Mohamed
Bahrawi
in Saudi Arabia. It is
regarded as a nonProfit art organization,
officially
registered
in
the
Kingdom.
It
cannot be described
as commercial gallery.
Since its foundation
in 2006, it has been
keen on achieving the goals of its strategy
in visual arts.
The name of the company was tailored
to exhibit the mission for which it was
created and the efforts it makes to expand
in the Middle-East as well as expanding
the outreach of Arab artists locally and
internationally. In recent years, Arabian
Wings has succeeded in scoring its goals and
asserting the course it is leading to become,
hence, an art benchmark for Middle-East
and a supporter of contemporary culture.
Through its continuous efforts, Arabian
Wings has set to prove its viability in the
field through its participation in many
festivals and art workshops in addition to
curating seminars and conferences. It has
sponsored artist residencies and produced
art books. In addition to that, Arabian
Wings has played a pivotal role in advancing
the artistic and cultural knowledge for Arab
artists by organizing different competitions
in contemporary art, seeking thereby
expanding their art horizon, to become an
organization that markets and sponsors
visual arts and presents young Arab and
Saudi talents through sponsoring their
participations
in
constructive
projects.
Arabian Wings is proud of the roots it
has planted in Saudi Arabia and aspires
perpetually to a brighter future through
reaching new goals and breaking new
records. As a strong supporter of visual
arts in the whole Arab world since it is keen
on being part of international events such
as art fairs, biennales, competitions and
residencies, thereby attempting to stir a
prosperous art market.
Arabian Wings seeks to have its own main
participations in cultural development in
the art market in the Middle-East through
diverse projects, which it presents like art
residencies in Saudi Arabia and sponsoring
artists in international residencies. Through
this, it will be able to bridge the gap between
Arab and international artists. It also curates
different art competitions to develop art
skills for artists in the region. Arabian Wings
plays a key role in the educational process
since it is well aware of the importance
of preparing an environment suited to
develop art skills, which leads to increasing
the number of Saudi and Arab artists and
their productivity, creating thereby an art
market that is more competitive attracting
more purchasers from art collectors locally
and internationally through establishing
yardsticks with local values roots.
Arabian Wings aspires to pursue its
professional method inside and outside the
company to ensure high-level performance
from its artists and employees as well as
establishing loyalty with its counterparts.
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www.arabian-wing s.com
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Arabian Wings started in 2006
but did not have its own art
space since its strategy hinged
primarily on expansion and growth
in the Arab world by bringing Arab
artists under its “wings”. Indeed,
it succeeded over the years in
asserting its presence through its
exhibitions and art workshops that
covered many Arab countries, not
to mention the art awards that it
presents in the field of visual arts.
At a point in time, Arabian Wings
was in dire need to find its own art
space through which it can pursue
its strategies in supporting visual
arts and to become a reference
for those who search for it and for
hosting exhibitions for the various
artworks of its artists. Such a gallery
will also be a gateway through which
communication will be established
with local and international parties.
It will be a landmark to which
purchasers will come to find visual
arts masterpieces they are looking
for.
TheGallery, property of Arabian
Wings, is one of the biggest gallery
halls in Saudi Arabia in terms of
capacity to house a large number
of artworks and visitors. Based
in Jeddah city and located at AlFurusya yacht club. It is situated
on an area of 1000 square meters
with an 8-meter height, We pride
ourselves with the latest industry
standard security equipment as
used in international museums.
We ensure that our artwork is safely
stored at the right temperatures.
With a charming sea & marina
walk, surrounded by many cafés
and restaurants, providing hence
a healthy environment suited for
visiting the gallery and enjoying
contemporary and modern art.
Among the artists who exhibited
their
artworks
are
Damien
Harris, Justin Smith, Sir Peter
Blake, Banksy, Loai Kayali, Fateh
Moudarres, Saud Mahjoub, maha
malluh, Khaled Ben Afif, Saâd Ben
Moahmmed, Nja Mahdaoui, Ahmed
Mater, Abdulnasser Gharem and
Heba Abed. Indeed, it constitutes a
change for the local vision for the
Gallery, a bridge to communicate
with various international events, a
center to bring together purchasers
and investors in the world of art
and a melting pot for creation and
creative artists. TheGallery is the
gateway for Arab artists to local
and international recognition.
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AT
eam
uction
Mohammed Bahrawi
Head of Session & Auctioneer
Najlaa Felemban
Auction Director
StryxComms
International Representative
Kamal Banjer
Logistics Assistant
Khaled Bin Afif
Photography
Mahmood Saad
Local Media Representative
Ibrahim Ali
Publications Director
Marwah Fahhad
Secretary Assistant
Sayed Jumaha
Technical specialist
Magazine
A R T
G A L L E R Y
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C A L L
U S
N O W
Made 100% in Saudi Arabia
No More..
Custom Fees
Shipping Fees
Travel Expenses
‫وجهتك األولى القتناء اللوحات الفنية والمجسمات وجميع‬
‫أنواع الفنون البصرية الحديثة والمعاصرة ألهم الفنانين من جميع أنحاء العالم‬
Your destination for Collecting Art paintings, sculptures and all kinds of visual arts, modern
and contemporary by the most important artists from all over the world
Production & Designing
Bronze Sculpture
Polyester Sculpture
Marble & Stone Sculpture
‫تنفيذ وت�صميم جميع �أعمال املج�سمات من‬
‫الربونز والبولي�سرت والرخام واحلجر‬
Saudi Arabia - Jeddah City - Al Hamra dist. - Al Furusya Yacht club - P.O.Box 54025 Jeddah 21514
Tel: +966 12 657 8440 - Mob: +966 559 357 053 - E-mail: [email protected]
Tel: +966 12 657 8440 - Mob: +966 559 35714
053 - E-mail: [email protected]
15
‫لت�صبح حمرتف ًا ـ يجب عليك اختيار �أهداف طويلة املدى ومن ثم الرتكيز عليها‪ ،‬كما يتوجب عليك �أن‬
‫توجد العنا�صر والأدوات ال�صحيحة التي حتقق تلك الأهداف بنجاح‪.‬‬
‫وبعد �إن�شاء وا�ستحداث قاعات ذجالريي يف عام ‪2012‬م بد�أنا بالبحث عن فنانني عرب ميتلكون ر�ؤية‬
‫م�ستقبلية وميثلون فن ًا حقيقي ًا وذلك من �أجل توقيع عقود ر�سمية معهم‪ ،‬حيث �سن�سخر كل القوة التي‬
‫ميتلكها ذجالريي مع خربة �أجنحة عربية وعالقاتها من �أجل دفع ه�ؤالء الفنانني والقفز بهم عالي ًا نحو‬
‫�سماء الفن العاملي‪.‬‬
‫وعلى مدار عامني كانت عمليات البحث والدرا�سة وكتابة درا�سات نف�سية وتقنية حول جمموعة من‬
‫الفنانني العرب املقرتحني الذين نرغب يف اختيارهم وتوقيع العقود معهم‪ ،‬مل تكن تلك املهمة بالأمر‬
‫الي�س�سري‪� ،‬إال �أننا دائم ًا م�ستعدون لنبذل جهدنا يف اختيار �أف�ضل الفنانني يف املنطقة العربية وتقدميهم‬
‫ب�شكل مميز‪.‬‬
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‫‪OUR ARTISTS‬‬
‫‪To act as professional, you have to focus on your long term targets, then you‬‬
‫‪have to find the right elements and tools to achieve your goals perfectly.‬‬
‫‪After initiating and creating TheGalley hall project, since 2012 we were looking‬‬
‫‪for the perfect match as visionary and true Arab artists to sign an official repre‬‬‫)‪sentation contract with and to push TheGallery power and Arabian Wings (AW‬‬
‫‪experience to let those artists shine in the sky of art.‬‬
‫‪Within a space of two years, we have some have studied and written psycho‬‬‫‪logical reports about our future artist. Therefore, we would like to ensure that our‬‬
‫‪selections are always the correct one.‬‬
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Mohammed Bahrawi
Najlaa Felemban
Saudi Arabia, B. 1973
Mohammed Bahrawi was born in Makkah, where he studied and specialized
in computer science and IT systems. He has had a deeply rooted penchant
for visual arts, whereas he practiced photography alongside his job since
1985. In the 90’s he dived into the world of visual arts, accumulating many art
training sessions. He learned photography and sculpture with different ores.
He further explored and deepened his knowledge in visual arts to finally take
the plunge founded Arabian Wings to blend his passion for arts and management expertise.
Mohammed Bahrawi has acquired his vast knowledge in visual arts through
reading art books, attending international art seminars and visiting many exhibitions throughout the world. He authored many art articles about visual arts
and he contributed many critique articles in many magazines, newspapers
and books. Since 2011 until now, he has targeted being a curator, whereas
he was a curator for Jameel Photography Award for three consecutive years,
focusing on Limited Edition, a flagship project in visual arts in Saudi Arabia,
and Arabian Wings Contemporary Art Award as well as Arabian Wings Contemporary Sculpture Award alongside with many solo exhibitions. In 2013, he
worked as an auctioneer in Arabian Wings’ auctions.
Bahrawi, the artist, has showcased his artworks in local and international exhibitions. He participated in Florence Biennale in 2011. He is a well-known longtime supporter of rising Arab artists from Saudi Arabia and Arab countries, and
he has great influence in the art market in Jeddah and, likewise, has gained
recognition in the Arab world. He marked the art scene as an author, curator,
commissar and supporter for Arab artists and fine arts in the region.
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Najlaa Felemban was born in Makkah in Saudi Arabia, where she studied Arabic linguistics, specialized in grammar. Her father, Abdurrahman may Allah
bless his soul, was her first visual arts teacher since he was a calligraphist and
her idol in this regard. In the beginning of the 90’s, she took the plunge into the
world of visual arts; she attended several art training sessions to learn drawing
and sculptures by using a plethora of ores. She dug deeper into the arena
of contemporary arts through its presence in many seminars and art conference, through visiting museums and international exhibitions and exploring art
books.
In 2006, she founded Arabian Wings with her husband, Eng. Mohammed
Bahrawi, to intertwine her passion for arts and her management skills, which
she amassed throughout the years from her exposure to art market. It’s worth
mentioning that Felemban possesses vast management and curation expertise. For instance, she has curated many seminars and conferences regarding contemporary and visual arts in Saudi Arabia and other countries. She has
also penned down Limited Edition Book 1 accompanying the Limited Edition
project.
She is well known for her significant influence in Saudi Arabia and her direct influence in instilling the contemporary art movement. Likewise, she has proved
serious commitment in supporting rising artists in the Kingdom and she is a
very well received artist and curator as well as an author and supporter for Arab
artists and fine arts in the region.
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Saud Mahjoob
Ahmad AL Ahmadi
Our full potential is often stimulated by tragedy and grief. Similarly, without pressure
or intense heat on earth, there would be no volcanoes nor would metal ever form.
We see this parallel with Saud Mahjoob. Born in Mecca he grew up in Jeddah on the
coast. It was his family who influenced his love of photography. His father read endless books on photography and calligraphy.
His brother constantly documented family occasions with photographs. A weekly
family outing to the cinema inspired his love of film.
The untimely death of his father meant he was brought up by brothers and uncles.
His education suffered and he lost direction to his life. Overwhelmed with sadness,
he became very sensitive. One teacher hit him when he wrote with his left hand, another ripped up his notebook because
he doodled in it. These experiences affected him profoundly. He stopped drawing
and suffered much internal pain.
Completing his studies he specialized
in environmental architecture. Work as
a photographer in international airport projects was fulfilling and liberated him from
his silence. He took photos of everything and was considered one of the best photographers the country had ever known. His skill was to bring beauty to and inspire
feelings from inanimate objects. In effect, Mahjoob brought neglected social issues
to society’s attention.
Many of his works were dark in colour and nature and often offered a personal view.
His talent is now renowned around the world and is omnipresent on walls and fountains in Jeddah which have been designed by him.
The wonderful environment he grew up in fashioned his vision and artistic reference
to express his feelings in his works through graphic tools.
Artist Ahmad Al-Ahmadi son of the kindest city Taiba (Al-Medina) in which he graduated from its university. He worked in training but his enthusiasm about art was the
force that drove him to participate in one of the oldest art community in Saudi Arabia;
Al_Medina group for arts.
In his works we can see the style he presents from materials being used and inventive touch; you can almost feel and read the artworks especially with the unusual
shifts outside the frames. Once in one of his works he used environmental materials
and did recycling in layers to build pyramid showing different stages of geological
levels for rocky ground.
Ahmad’s work varies from the search of privacy, identity and heritage. Moreover, his
current graphic work represents amazing visual beauty mixed with traditions from the
surroundings.
However, he is still in search of what’s new in the present or maybe strange in the future. He is always keen to continue in each work to open new door in the world of arts.
Heba Abed
Ali Al-Hassan
The art of Heba Abed is concerned with social impairments experienced within our
modern day society, in specific the overlooked elements that have been lost along
the way. Abed resembles the loss of these elements to the human disease ‘Scotoma’. Scotoma is a biological impairment in one’s vision whereby an alteration occurs
to the normal field of sight. A dark spot appears that is surrounded by a field of normal
vision or relatively well preserved vision. This disease is usually given the name ‘blind
spot’ and Abed uses this severe health impairment to question elements and morals
which are overlooked in her society and the region as a whole.
Abed is mostly concerned with the loss of the legacy of her native Arabic language
and how it has been overshadowed by the more commonly used ‘Franco’ Arabic.
The artist expresses her grief of the way society has mimicked Roman languages
and lettering which in turn has weakened the language instead of taking pride in its
origins and strengthening it. Abed is also keen on highlighting the neglected feminist
arguments and plea for rights in her society. She constructs an object of four walls
then manipulates it and plays with optical illusion to deliver her message. One is
made to believe the object is a whole cube, however upon slight movement it is clear
to see that the front wall is cut to form a door silhouette which invites the viewer in and
entrapping them in their own social discrepancies.
Heba Abed was born in Jeddah in 1983 where she now lives and works. She received
her Master’s degree in Fine Arts from the King Abdul Aziz University and now works as
a visual arts manager in NSA at the Abdul Lateef Jameel Company. Abed has earned
first place honors at the Fine Arts Competition of Saudi Arabian Universities in the third
Scientific Research Conference in 2012. Her works were part of Rizhoma- a collective
of works by Saudi artists by Edge of Arabia at the Venice Biennale in 2013. She has
shown in group exhibitions in Jeddah, Khobar and Kuwait.
If sculpture has its own principles and theoretical terms, then artist Ali Al-Hassan has
much more since he developed skills. Even though he knows the basics of this field,
sculpture, he’s always re-introducing himself to the updates. His work compass at all
times pointing to what is new and towards new discoveries.
Ali began his passion for sculpting in his early stage of life; he had, and still has,
amazing memories from his childhood. He learnt skills and expertise working with his
grandfather who was a carpenter. Shortly after he lost his father, he graduated and
specialized in agricultural sciences and gained more experiences working as technical supervisor and designer in contracting company.
His works are from elastic materials to modify or make changes to reach the best
objective.
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Talal Al Tukhaes
Khaled Bin Afif
At his tender age Talal Al-tokhais was fascinated by colors and drawings. He was
born and raised in Dawadmi , town in Riyadh province, and between three different
cities his ambitions and wishes were separated for the young artist. However, he
had to leave this talent because he was forced to study computer science to secure
respected job; which he eventually worked in Ha’il region in training.
He returned back to Dawadmi to start his adventure, this city which gave its mountains and rocks for their people to learn how to sculpt amazing works.
Talal found the best environment to guide him; his uncle Ali Al-tokhais, also famous
in sculpting, for five years he worked as a trainee at his uncle’s then he left to find his
own way and participate in local and international events and galleries.
His works are with an exceptional and modern touch put into novel templates to
express his emotions mixed with experience.
Talal with his modest experience tried something new with metals, apart from rocks
and stones, to construct something original that might be the beginning of new
chapter in his career….
he has an artistic resume which is like a picture worth watching over and over.
He was born and raised in Makkah and his father’s travelling stories that brought with
him to the holy city from one of the nearest countries left an adventure impression and
the love of discovery in Khalid’s imagination.
From his childhood he always wanted to learn engineering in aviation, liked music,
played instruments, poetry, he also was fascinated about reading and writing not to
mention photography and his first camera used to capture views for drawings.
He organized and participated in electrical and mechanical programs alongside television and media programs and from the media world he found himself in photography.
The variation in work and the experience for Khalid didn’t distract him; if anything it
opened many doors for innovation.
His work always has specific points, goals and thoughtful meanings expressed in
visual aids that help the audience receive and comprehend the messages.
Khalid’s supporters and fans are always waiting for his works because of the mystery
and the unknown impression he left on them; that’s the beauty of his artworks. Moreover, he’s always good listener to comments and feedback because he believes that
the artist without the guidance of his society and followers will never progress.
Sara Al Sudairy
Hamad Al Saab
Kuwait, B. 1972
In her journey looking how to refine her character and her passion about art she made
so many stops with so many questions but she didn’t wait for an answer except one;
drawing. The only thing will give her internal peace and satisfaction.
“I draw what I feel not only what I see or observe”
Those are words of the artist Sara Al Sudairy
who is fine set between femininity and poetry. She has a unique taste in her artwork,
especially in collages, which she acquired from her experiences in life; thus expressing her works in dark colors and mysterious manner.
Initially, her journey started when she travelled to the United States of America (USA)
and visited the art museum and she was fascinated by the modern work. She discovered and cultivated many relationships with different, multi-cultural and yet open
society; that’s why she felt like free bird and the sky is the limit.
She decided to carry her pencil and notebook to write down every little detail, her
feelings and even trying to analyze her thoughts and situations she encountered.
Sara started her career in the hospital (she has story for that) with more than one small
piece of paper, they are all full of drawings with different colors and emotions.
She has shown her work extensively with black and grey colors due to the fact that
she doesn’t like cheerful colors. However, she still knows how to convey her opinions
in her drawings with dark colors.
Hamad Al Saab was born in 1972 and raised in Kuwait. Over the course of his education, he acquired a Bachelor of Science Degree in Computer Information Systems
and International Organization Behaviour from Washington DC in 1999.
Hamad is a Pop Artist who enjoys presenting the Arab culture and history through
his contemporary vision. His first exhibition was in Kuwait in 2006, collaborating with
other artists, presenting the first collection of the Arab celebrities that lead him to the
international art journey and relationship with many international art appreciators.
Al Saab is a creative consultant in publishing, creative media industry, events, and
interior design consultation reflecting his creative approach and know how to be
implemented in his private and commercial projects.
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Itab Al AL sheikh
Ahmed Hussein Al-Ghamdi
It is said that time never stops and the moment that has gone can never return. It is
said that memories are but shadows fading behind walls of years, turning into melodies in the ether and are hard to retrieve.
This reality diminishes before the lenses of the creative photographer Itab Al AL
sheikh, for time to her is just an illusion that can be tricked by a camera shot with
her own unique imprint, stopping its course even if for a moment. When the present
moment seems to be an imposed reality with an unchangeable course, it is amazing
what a picture by Itab can realize. It shakes the foundations of reality and rearranges
it through an artistic touch that often surpasses the traditional rules and principles.
The plastic arts painter Ahmed Hussein Al-Ghamdi adopts a plastic knowledge of the
postures of the plastic diagnosis in the abstract system, with a kind of instinct that raises
the picture from the pure abstraction’s depth. That makes his plastic material in a case
of contrasting plastic matching, by which he bypasses the limits of common traditional
abstraction to abstract plastic material that inquires the topic’s unity. So the addressing
in the works of the artist is based on the rescuer vision in meditating the face in terms
of merging the silence in building shape and color. His diagnostic abstract plastic image has structural and semantic function which is consistent with obsessions and pain
experience. That is indicated by the black-white game in the new formations of the artist
Ahmed. The thing that became the base of his new abstract physical experience is described as a trend toward removing the differences among different colors except black
and white. The diligence and plastic innovation are clear shown through the union usage
of contrast colors he employs in high-technologies, unfamiliar selective style and complete featured structural arrangement, and that is reflected in many meanings, intentions
and connotations. The personal and abstract icons vary, and the game of black and
white increases the sharpness of paradox, which requests logical explanation of these
chromatic plastic and semiotic manifestations that are loaded with suggestions, expressions, meanings and connotations in unlimited space. It is a subjective project linked to
artistic technique, and it is considered as a deep and qualitative and creative structure
in which his vision of setting the shapes, colors and symbols that are impressed by absolute positivity controls. The process of functioning the works’ content in varieties and
paradoxes is influenced by tuning, harmony and the balance among composing, colors
and the area in a special style and with sincerity in expressing, which leads to say that
his style is an innovative special and unique work , bypassing the limits of abstraction
to a modern contemporary style, in which the rare expressive shapes and the variant
chromatic elements that are fed by the artistic material with high-tech, motif’s usage, diverse signs , expressive functioning and unusual expressive methods are distributed. In
addition, establishing plastic indicative diagnoses in depth of abstraction in unusual form
in the modern forming represent artistic bases which give his works unique and special
plastic aesthetics that reveal the process of establishing new abstractions’ School
This talent is not only driven by intuition, but refined through study, thus adding skill
to passion and providing the artist with means to transform his creative vision into a
living reality reflected in his photos.
Passion however, is the source; this is evidently expressed through every shot by Itab
upon which a part of her soul is imprinted. A human impression is stirred through her
photos, where time and space are but two elements bending at the will of the person,
who alone decides what is worth shedding light upon and choses the moments to
be saved and cherished.
Since the art of photography is demanding, it draws its breath from the photographer’s multiple experiences, Itab and through her many travels and exposure to
different cultures, has contributed in raising her art towards new heights where civilizations meet within a photo.
It is through her wonderful observations of the Arab environment that the artist reflects her creative vision. It is the mean by which a new photographic poem is born,
singing cultural and artistic images. Photography thus embodies the strong affection in humans towards each other and towards any unique experience worth commemorating.
When asked of her message through photography, Itab simply answers: “my photos
express my message“; words are silent when a picture speaks for itself.
Hassan & Ibtesam
Kamal Banjer
Saudi Arabia, B. 1976, B. 1983
This two-person project entitled Weave of Existence is a social commentary about
the interracial relations within the Kingdom. Despite the difference in customs and
traditions of the various ethnic groups on Saudi Arabian land, humanity bonds them
all at one level and their shared differences on another. United by marriage, the artists
Ibtesam Gazder and Hassan Khan use the language of art to analyze their society
and evaluate its structure.
Their installation constitutes laser perforated acrylic panels cut longitudinally which
hang at different heights. Filling the perforations are silicon glue sticks drooping more
predominantly on one side forming a consistent visual knit – referencing cultural and
social weaves created through human interaction. The transparency of the mediums
allows for the play of light and shadow which reminisces the positive and negative
features of a given society. Like the visual bonds created by the silicon sticks, the
shared differences within a social structure create harmony and consistency – which
alternately form the base of good relationships.
Ibtesam M. Younis Gazder was born in Saudi Arabia in 1983. She has a bachelor
degree in Islamic Arts from the King Abdul Aziz University with first degree honors.
Gazder has participated in various local exhibitions most significantly the Decofair
Jeddah exhibition, Jeddah; 6th Arabs Selection Exhibition, Jeddah and the 2012
and 2013 Arabian Wings Contemporary Arts Award Exhibitions. Her works have been
acquired by major private collectors in the region.
Hassan Khan was born in Saudi Arabia in 1976. Besides his fulltime job he collaborates with his wife to create renowned art expressions. He defines himself as a sculpturor who aims to bring new art concepts to the Kingdom through his art practice.
His most significant participations have been the Marrakesh Art Residency Program
sponsored by Arabian Wings, the Decofair Jeddah exhibition and the 2012 and 2013
Arabian Wings Contemporary Arts Award exhibition.
The theme of this artwork revolves around the notion of lifetime experiences and their
significance on an individual. Kamal Banjer is interested in recording experiences as
benchmarks and achievements, he creates a library which he calls The Library of Life
through which he documents positive and negative traces which make up the soul of a
being. Banjer believes that each individual has a personal library of life events such as
smiles collected from strangers, bad news of family members, sentences which turn
into mottos - all of which affect the growth and development of one’s character and are
recorded as experiences. These events are reflected as traits in one’s personality that
affect the way certain situations and circumstances are dealt with.
Banjer takes inspiration from his home town Jeddah and reflects on his own experiences. Due to the diversity of the city he has been prone to various cultures, dialects
and environments. This exposure has caused him and others like him to appreciate
people of different backgrounds and affluent histories and allow them into their lives –
consequently making their libraries more elaborate. The work constitutes wooden shelving which incorporate digital ‘traits’ ironically stacked as books. For Banjer, the library is
enriched with time and old age, after all knowledge is not only acquired from reading
books.
Kamal Hashem Banjer is born in Saudi Arabia in 1985. He currently lives and works in
Jeddah. Banjer started his photography career as a hobby in 2009 which took a serious turn in 2011. Besides his fulltime position as Executive Assistant at Arabian Wings
and his art making, he teaches photography at local and regional workshops. Banjer
has acquired several art prizes and certificates and his works form part of collections of
ministries and organizations. He has co-founded the Photography Club in Jeddah and
is a jury member for the Jameel Photography Art Prize.
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Saad Bin Mohammed
Samer Al Halaki
Syria, B. 1972
The human body is but a mould expressing a mixture of cultures and civilizations that has
merged within its boundaries. The more that human mould is elevated from trivialities, the more
it shines with intellectual depth. In such presence, the soul of creativity is manifested and talent
prevails, swaying through a painter’s brush or a writer’s pen, weaving letters and colours of a
thousand stories.
Saad is the most evident example of such a wild brilliant self. He is a writer, a thinker and a
painter. Born in 1967 in the city of Jeddah which reflected its blue sea and vast skies in his clarity
and vivid imagination, Saad grew in the Holy city of Mecca out of which he drew his spiritual intellect and clarity and cultivated knowledge through each experience he encountered. He holds
the Saudi nationality but considers himself to be above all a human being, this is the message
he carries and pursues in depth.
Saad enrolled at the University of King Abdullah Bin Abd El Aziz, majoring in medicine and seeking human nature in the flesh. Medical science however guided him towards awareness and
freed him of the physical to find him narrating the mind and the essence of humanity on paper.
He began authoring in 1981, his meticulous cautious nature made him build a fence around
himself protecting him from mediocre minds. He therefore kept all of his writings and paintings
to himself, giving them the time they needed to present themselves in this spiritual existence.
His first book “Ana (I)” came to light in 2003 carrying a rich variety of thoughts and articles that
he had been cultivating and writing for long years. The success of his first book encouraged him
to shine once again through writing his “Ana … Marra Okhra (I … Again)” as a second part of
his first book.
The independence of the “I” that proved its excellence in seeking true human nature and its
philosophical depth in the universe’s expressions, made him employ every tool that helped him
to express. If the letters stood against expression, they would be vanquished by the brush. Saad
started his journey with colours in 1990 drawing his motifs out of the surrealistic life.
His brush and pen meet on the same road leading to existential expressions and invocations
from the self towards human mysteries. Saad Bin Mohammad is the prodigy son of the celestial
universe. He strives within himself seeking the invisible mystery that creates harmony and accordance among the meticulous structures of Adam and Eve, thus the universe sank into him making him the reflection of such harmony and delved into its depth to call it his story … his painting.
I am aware that a sensual distance exists between myself and anything which lies in
front of my eyes. To express what I feel, I must go through some type of emotions. This
is followed by a phase of researching and experimenting to express the impressions
and sensations generated by myself in these moments. Reflecting on the effects of this
being or object on myself may have led me to follow these expressions happening at a
specific stage. This has pushed me not to reincarnate or ignore any of these expressions
in order to create some visual game. All these are merely ways to express my relationship to the subject so that it becomes utterly subjective. Here lies my belief in what I am
trying to shape in my long term experiment through a body of visualizations that could
be closer to expressive experiments which finally produce an artistic work closer to me
than to reality.
Abdullah Idrees
Walid jahin
Egypt, B. 1974
Born in Taif, Abdullah Abdel Aziz Idrees is considered to belong to the generation
that chronologically proceeded the pioneers. He has had no formal education, and
as a matter of fact was a journalist at the beginning of his professional life. He has
held eleven solo exhibitions so far, and has won many local and international awards.
He meandered in his work among abstraction, Pop Art, and conceptual art, and he
had special interest in ecological art that took consumer remnants and turned them
into art.
He participated in the Cultural Weeks from 1998 to 2000 in each of Madrid, Spain;
Rome, Italy; Prague, Czech Republic; Yemen; Egypt; Jordan; Sharjah, and Beirut,
Lebanon. In 2008, he participated in the International Bangladesh Biennale.
He is author of art theory pieces that were published in Saudi newspapers, and has
participated in lectures and seminars on the subject matter. His most renowned work
is an exhibition about sea waste entitled ‘Making the Cheap Dear in the Waste of
Abdullah Idrees,’ which is considered to be the first and only exhibition of its kind in
the KSA.
2011 PHD in the Philosophie of Fine Art, and the subject was “ The Updated Techniques and their effect on Contemporary painting”– Alexandria University
2005 Master degree of Fine Arts, and the subject was “Painting Estimation of Coptic
Icon & Rediscover it as Contemporary Point of View “– Alexandria University.
1997
Bachelor of Fine arts - Alexandria University.
2007
Member Board of DWAYER Group for Arts and Culture Dialogue
1998
Member of Atelier of Alexandria
ART RESIDENCY
1999
2001
Luxor studios – A place inspiration study – Luxor.
Cartage – scholarship in cooperation with E.C.U.M. –
And local government of Cartage
Conference and Seminars
2003
Ministry of Culture , The High committee for the plastic Art – Seminars about
the matter of the Modernism and Post Modernism.
2003 The Atelier of Alexandria 1st Art Criticism – Alexandria
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UPCOMING EVENT
S O L O S
Nov 13th - Dec 10th
Saudi Arabia - Jeddah City - Al Hamra dist. - Al Furusya Yacht club - TheGallery
Featuring
Abdullah Idrees
Hamad Al-Saab
Hassan Khan & Ibtesam Gazder
Heba Abed
Itab Al Al Sheikh
OUR ARTISTS
Khaled Bin Afif
Abdullah Idrees, Ahmad Al Ahmadi, Ali Al-Hassan, Hamad Al-Saab, Hassan Khan & Ibtesam Gazder, Heba Abed, Itab Al Al Sheikh,
Khaled Bin Afif, Mohmmed Bahrawi, Najlaa Felemban, Rawan Al-Barakati, Saad Bin Mohammed, Samer Al-Halaki, Sara Al-Sudairy,
Saud Mahjoub, Talal Al Tukhaes, Walid Jahin, Kamal Banjer, Mohammed Asiri
Mohmmed Bahrawi
Najlaa Felemban
Saad Bin Mohammed
Samer Al-Halaki
Sara Al-Sudairy
Saud Mahjoub
Tel: +966 12 657 8440 - Mob: +966 559 357 053
28 - E-mail: [email protected]
29
C A L L
U S
N O W
‫خدماتنا‬
Our Services
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Framing
Professinoal Photo Printing
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Product Photography
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Design Logos & Pages
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Lot
Property From A Private collection
Mohammed Al Rubat
Nawal Al Surayhi
Untitled
Untitled
Signed and dated
Ink & Acrylic on Canvas
30X30 CM. (11.81X11.81 In)
Production in 2014
Edition 1 / 1
Signed and dated
Mixed Media
37X46.CM (14.57X18.11 In)
Production in 2014
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 1,000 - 2,000
SAR 3,750 - 7,500
Provenance:
Provenance:
Private collection, Jeddah, TheGallery
HIGHLIGHTED WITH RED LOT NUMBER ARE OFFERED ''WITHOUT BUYER'S PREMIUM''
Lot
Untitled
Abdullah Nawawi
Signed and dated
Acrylic on Canvas
50X50 CM. (19.69X19.66 In)
Production in 2013
Edition 1 / 1
Untitled
Signed and dated
Acrylic on Canvas
40X50 CM. (15.75X19.69 In)
Production in 2014
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
ALL LOTS
Abdullah Idrees
Provenance:
Provenance:
Lot
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ALL LOTS
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001
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Lot
Lot
Property From The artist
Reham A Barack
Bayan Barboud
Untitled
Untitled
Signed and dated
Acrylic on Canvas
41X41 CM. (16.14X16.14 In)
Production in 2014
Edition 1 / 1
Signed and dated
Ink on paper
38.5x48.5CM. (15.16X19.09 In)
Production in 2013
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
Lot
Provenance:
Syria, B. 1972
Untitled
Shrooq Al Hashimi
Signed and dated
Acrylic on Canvas
60X60 CM (23.62X23.62 In)
Production in 2014
Edition 1 / 1
Confidence
ALL LOTS
Samer Al Halaki
US$ 500 - 1,000
SAR 1,875 - 3,750
Digital Art on Canvas
43X43 CM.(16.92X16.92 In)
Production in 2014
Edition 1 / 1
Provenance:
US$ 500 - 1,000
SAR 1,875 - 3,750
Provenance:
Lot
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ALL LOTS
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Lot
Lot
Mahmoud Feteih
Heba Abed
Egypt, B.1956
Untitled
Untitled
Signed and dated
Watercolor on Paper
50X34 CM. (19.69X13.39 In.)
Production in 2014
Edition 1 / 1
Signed
Print on paper
54X54 CM. (21.26X21.26 In)
Production in 2014
Edition 1 / 3
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
Provenance:
Provenance:
Lot
Syria, B. 1972
Untitled
Mojdeh Khalighi
Signed and dated
Acrylic on Canvas
60X60 CM (23.62X23.62 In)
Production in 2014
Edition 1 / 1
Iran, B. 1983
Untitled
Signed and dated
Water Color & gouache & acrylic
29X50 CM. (11X19.6 In.)
Production in 2013
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 1,000 - 2,000
SAR 3,750 - 7,500
ALL LOTS
Samer Al Halaki
Provenance:
Provenance:
Lot
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ALL LOTS
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Lot
Mohammed Siam
Oil on Canvas with Louis Philippe Gold Hand Made Wooden Frame
180X290 CM. (70.87X114.17 in.)
Frame Production in 1960
Edition 22 / 30
US$ 6,000 - 9,000
SAR 22,500 - 33,750
US$ 100,000 - 150,000
SAR 375,000 - 562,500
Provenance:
Provenance:
013
Signed and dated
Oil on Canvas
50X50 CM. (19.6X19.6 In.)
Production in 2009
Edition 1 / 1
Lot
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014
Saudi Arabia, B. 1954 - 2010
Untitled
Lot
Khaled Al Owais
George Al Bahgory
Girls
Egypt, B. 1932
Oum Kalthoum
Signed and dated
Acrylic on Canvas
300X120 CM. (118.11X47.24 In.)
Production in 2012
Edition 1 / 1
Signed
Acrylic on Canvas
60X80 CM. (23.62X31.5 In.)
Production in 2014
Edition 1 / 1
US$ 15,000 - 20,000
SAR 56,250 - 75,000
US$ 8,000 - 11,000
SAR 30,000 - 41,500
Provenance:
Provenance:
Private collection, Riyadh, Abstract Gallery
Lot
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015
Lot
George Al Bahgory
Abdullah Al Sheikh
Egypt, B. 1932
Untitled
Untitled
Signed
Oil on Wood
110X145 CM. (43.31X57.09 In.)
Production in 1979
Edition 1 / 1
Signed and dated
Oil on Canvas
90X105 CM. (35.4X41.34 In.)
Production in 2001
Edition 1 / 1
US$ 12,000 - 17,000
SAR 45,000 - 63,750
US$ 12,000 - 17,000
SAR 45,000 - 63,750
Provenance:
Provenance:
Lot
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018
017
Lot
Abdel Wahab Abdel Mohsen
George Al Bahgory
Egypt, B. 1951
Calligraphy
Egypt, B. 1932
Oum Kalthoum
Signed and dated
Ink and Acrylic on Wood
110X135 CM. (43.31X53.15 In.)
Production in 2013
Edition 1 / 1
Signed and dated
Acrylic on Canvas
120X120 CM. (47.24X47.24 In.)
Production in 2012
Edition 1 / 1
US$ 5,000 - 8,000
SAR 19,000 - 30,000
US$ 10,000 - 14,000
SAR 37,500 - 52,500
Provenance:
Provenance:
Lot
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019
Lot
Madelen Welson
Seif Wanli
Egypt, B. 1959
Untitled
Egypt, B. 1906 - 1979
Portrait
Signed and dated
Oil on Canvas
100X75 CM. (39X29.5 In)
Production in 2006
Edition 1 / 1
Signed
Oil on Paper
24X31 CM. (9.45X12.20 In.)
Production in 1954
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Lot
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022
021
Lot
Timur D'vatz
Seif Wanli
Uzbekistan, B.1968
Falcons
Egypt, B. 1906 - 1979
Portrait
Signed and dated
Mixed Media on Canvas
170X130 CM. (66.9X51 In.)
Production in 2010
Edition 1 / 1
Signed
Oil on Paper
24X31 CM. (9.45X12.20 In.)
Production in 1952
Edition 1 / 1
US$ 14,000 - 19,000
SAR 52,500 - 71,250
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Private collection, Dubai, Alif Gallery
Lot
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023
Lot
Khalid Bin Afif
Seif Wanli
Yamen, B. 1968
Ahibbekk
Egypt, B. 1906 - 1979
Graduation
Signed and dated
Print on Stanless & 24K Gold
360X90 CM. (141.73X35.43 In.) 4 pcs
Production in 2014
Edition 1 / 3
Signed and dated
Oil on Canvas
42X48 CM. (16.54X18.90 In.)
Production in 1953
Edition 1 / 1
US$ 10,000 - 15,000
SAR 37,500 - 56,250
US$ 16,000 - 25,000
SAR 60,000 - 93,750
Provenance:
Provenance:
Lot
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026
025
Lot
Rimma Gagloeva
Omar Al Nagdi
Uzbekistan, B.1940
Naturmort
Egypt, B. 1931
Untitled
Signed and dated
Oil on Canvas
80X70 CM. (31.49X27.55 In.)
Production in 1996
Edition 1 / 1
Signed and dated
Oil and Gold Leaf on Canvas
150X150 CM. (59.06X59.06 In.)
Production in 2004
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 29,000 - 34,000
SAR 108,7250 - 131,250
Provenance:
Provenance:
Lot
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027
Lot
Omar Al Nagdi
Shrooq Al Hashimi
Egypt, B. 1931
Untitled
David
signed and dated
Oil on Canvas
150X150 CM. (59.06X59.06 In.)
Production in 2008
Edition 1 / 1
111X111 CM. (43.70X43.70 In.)
Production in 2014
Edition 1 / 1
US$ 29,000 - 34,000
SAR 108,750 - 127,500
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
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029
Lot
Gazbia Sirry
Vanita Karim
Egypt, B. 1925
Kids Playing
India, B. 1962
Jumeihrah Gold
signed
Oil on Wood
60X40 CM. (23.62X15.75 In.)
Production in 2011
Edition 1 / 1
signed and dated
Acrylic And Gold Leaf on Canvas
120X91 CM. (48X35.8 In.)
Production in 2014
Edition 1 / 1
US$ 16,000 - 21,000
SAR 60,000 - 78,750
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
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032
031
Lot
Shaker Al Madawy
Fateh Moudarres
Egypt, B. 1944 - 2011
Untitled
Syria, B. 1922 - 1999
King
Signed and dated
Oil on Canvas
58X77 CM. (22.83X30.31 In.)
Production in 1973
Edition 1 / 1
Signed and dated
Oil on Canvas
100X70 CM. (39.37X27.56 In.)
Production in 1991
Edition 1 / 1
US$ 7,000 - 11,000
SAR 26,250 - 41,250
US$ 30,000 - 50,000
SAR 112,500 - 187,500
Provenance:
Provenance:
Private collection, Jeddah, Details Art
Lot
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033
Lot
Emad Ibrahim
Abdel Halim Al Radwi
Egypt, B. 1976
Epic
Untitled
Signed and dated
Charcoal and Acrylic on Canvas
300X208 CM. (118.11X81.89 In.)
Production in 2011
Edition 1 / 1
Signed and dated
Watercolor on Paper
30X45 CM. (11.81X17.72 In.)
Production in 2000
Edition 1 / 1
US$ 10,000 - 15,000
SAR 37,500 - 56,250
US$ 21,000 - 30,000
SAR 78,750 - 112,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
62
AWA #4
63
036
035
Lot
Abdullah Hammas
Yasser Khattar
Untitled
Lebanon, B. 1970
Ladies in Red
Signed and dated
Acrylic on Canvas
185X125 cm.(72.8X49.2 In)
Production in 2013
Edition 1 / 1
Signed and dated
Acrylic on Canvas
275X184 CM. (108.2X72.4 In)
Production in 2011
Edition 1 / 1
US$ 18,000 - 22,000
SAR 67,500 - 82,500
US$ 6,000 - 9,000
SAR 22,500 - 34,000
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
64
AWA #4
65
038
037
Lot
Abdullah Hammas
Marina Tica chenko
Untitled
Ukrain,B.1970
Funny Latin
Signed and dated
Acrylic on Canvas
123X123 CM (48.48X48.43 in)
Production in 2013
Edition 1 / 1
Signed
Acrylic and Mixed Media on Canvas
120X90 CM. (47.24X35.4 In.)
Production in 2014
Edition 1 / 1
US$ 10,000 - 14,000
SAR 37,500 - 52,500
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
66
AWA #4
67
040
039
Lot
Abdullah Idrees
Sanjer Djabbarov
Untitled
Uzbekistan, B. 1986
The Fight
Signed and dated
Acrylic on Canvas
149X120 CM. (58.7X47.2 In)
Production in 2013
Edition 1 / 1
Signed and dated
Oil on Canvas
170X150 CM. (66.9X59 In.)
Production in 2010
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
68
AWA #4
69
042
041
Lot
Ragheb Ayad
Amer Al - Obaidi
Egypt, B. 1882 - 1982
Untitled
Iraq, B. 1943
Cafe
Signed
Oil on Paper
58X45 CM. (22.83X17.72 In.)
Production in 1962
Edition 1 / 1
signed and dated
Oil on Canvas
180X150 CM. (70.87X59.06 In.)
Production in 2010
Edition 1 / 1
US$ 16,000 - 21,000
SAR 60,000 - 78,750
US$ 13,000 - 18,000
SAR 48,750 - 67,500
Provenance:
Provenance:
Lot
044
043
HHHH
HHH
HH
H
AWA #4
70
AWA #4
71
Lot
Abdel Razek Okasha
Hamad Al Saab
Egypt, B. 1968
Moroccan Women
Kuwait, B. 1972
And So I Left
Signed and dated
Oil on Canvas
108X186 CM. (42.52X73.23 In.)
Production in 2012
Edition 1 / 1
Signed and dated
120X180 CM. (47.24X70.87 In.)
Production in 2013
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 6,000 - 11,000
SAR 22,500 - 41,250
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
72
AWA #4
73
046
045
Lot
Khaled Al Owais
Hamad Al Saab
Camels
Kuwait, B. 1972
no life in it
Signed and dated
Acrylic on Canvas
120X150 CM. (47.24X59.06 In.)
Production in 2010
Edition 1 / 1
Signed and dated
170X120 CM. (66.93X47.24 In.)
Production in 2012
Edition 1 / 1
US$ 7,000 - 12,000
SAR 26,250 - 45,000
US$ 6,000 - 11,000
SAR 22,500 - 41,250
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
74
AWA #4
75
048
047
Lot
Heba Abed
Mohammed Asiri
I'm A Real Artist
Our lives 1
90X70 CM. (35.43X27.56 In)
Production in 2014
Edition 1 / 1
Signed and dated
Collage & Mixed Media on Canvas
118X79 CM. (46.46X31.10 In.)
Production in 2014
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 5,000 - 8,000
SAR 19,000 - 30,000
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
76
AWA #4
77
050
049
Lot
Mejdi Khodayr
Mohammed Asiri
Egypt, B. 1857
Old Makkah
Our lives 3
Signed and dated
Pencil on Paper
240X90 CM. (94.49X35.43 In.)
Production in 2014
Edition 1 / 1
Signed and dated
118X79 CM. (46.46X31.10 In.)
Production in 2014
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 5,000 - 8,000
SAR 19,000 - 30,000
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
78
AWA #4
79
052
051
Lot
Mohammed Asiri
Nihad Al Turk
Our lives 2
Syria, B. 1972
The legendary monster
Signed and dated
100X100 CM. (39.37X39.37 In.)
Production in 2014
Edition 1 / 1
Signed and dated
Acrylic on Canvas
135X150 CM. (53.15X59.06 In.)
Production in 2002
Edition 1 / 1
US$ 5,000 - 8,000
SAR 19,000 - 30,000
US$ 13,000 - 18,000
SAR 48,750 - 67,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
80
AWA #4
81
054
053
Lot
Mansour Ashmouni
Mohammed Al Ajlan
Halal 0%
Miniatures
signed and dated
Lights and Mixed Media
120X120 CM. (47X47 In.)
Production in 2013
Edition 2 / 3
Signed
Acrylic on Canvas
280X180 CM. (110.24X70.87 In.)
Production in 2011
Edition 1 / 1
US$ 5,000 - 8,000
SAR 19,000 - 30,000
US$ 15,000 - 20,000
SAR 56,500 - 75,000
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
82
AWA #4
83
056
055
Lot
Mohammed AL Thagafi
Mansour Ashmouni
Untitled
Automatic
Signed and Dated
Marble & Resin
13X17X47 CM. (5.11X6.69X18.50 In.)
Production in 2014
Edition 1 / 1
signed and dated
Steel and Aluminium
108X20X149 CM. (42X7.8X58.66 in.)
Production in 2014
Edition 1 / 3
US$ 10,000 - 14,000
SAR 37,500 - 52,500
US$ 7,000 - 11,000
SAR 26,250 - 41,250
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
84
AWA #4
85
058
057
Lot
Rachid Rafik
Rabea Akhras
Morocco, B. 1972
Sardine's Box
SYRIA, B. 1951
Trojan
Signed and dated
Sheet metal and recycled
130X85 CM. (51X33.4in.)
Production in 2014
Edition 1 / 1
Signed and dated
Bronze
20X12X34 CM. (7.8X4.7X13.38 In.)
Production in 2014
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 10,000 - 14,000
SAR 37,500 - 52,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
86
AWA #4
87
060
059
Lot
Rabea Akhras
Rabea Akhras
SYRIA, B. 1951
Female sword
SYRIA, B. 1951
Tribe
Signed
Bronze
10X9X43 CM. (3.9X3.5X16.9 In.)
Production in 2014
Edition 1 / 1
Signed
Bronze
25X13X30 CM. (9.8X5.11X11.8 In.)
Production in 2014
Edition 1 / 1
US$ 9,000 - 14,000
SAR 33,750 - 52,500
US$ 12,000 - 17,000
SAR 45,750 - 63,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
88
AWA #4
89
062
061
Lot
Saad Yagan
Saad Yagan
Syria, B. 1950
One Thousand Night and One Night
Syria, B. 1950
Al Mawal
Signed and dated
Oil on Canvas
130X170 CM. (51.18X66.93 In.)
Production in 2007
Edition 1 / 1
Signed and dated
Oil on Canvas
90X120 CM. (35.43X47.24 In.)
Production in 2014
Edition 1 / 1
US$ 15,000 - 20,000
SAR 56,250 - 75,000
US$ 10,000 - 15,000
SAR 37,750 - 56,250
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
90
AWA #4
91
064
063
Lot
Lydia Moawad
Lydia Moawad
Lebanon, B. 1965
Universality
Lebanon, B. 1965
New identity
Signed and dated
90X200 CM. (35.43X78.74 In.)
Production in 2012
Edition 1 / 1
Signed and dated
120X180 CM. (47.24X70.87 In.)
Production in 2012
Edition 1 / 1
US$ 10,000 - 15,000
SAR 37,750 - 56,250
US$ 12,000 - 17,000
SAR 45,000 - 63,750
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
92
AWA #4
93
066
065
Lot
Lydia Moawad
Abd Elrazzek Shaballout
Lebanon, B. 1965
The Violonist
Syria, B. 1974
Bag Tomato
Signed and dated
200X200 CM. (78.74X78.74 In.)
Production in 2014
Edition 1 / 1
Signed and dated
Oil on Canvas
100X70 CM. (39.37X27.56 In.)
Production in 2013
Edition 1 / 1
US$ 15,000 - 20,000
SAR 56,250 - 75,000
US$ 7,000 - 11,000
SAR 26,250 - 41,250
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
94
AWA #4
95
068
067
Lot
Amine BELLAOUI
Nezir Yavuz
Morocco, B. 1989
Imbalance
Untitled
Signed and dated
Acrylique on convas
150 x 180 CM. (59.06X70.87 In.)
Production in 2014
Edition 1 / 1
Signed and dated
Oil on Canvas
89X88 cm.(35.03X34.6 In)
Production in 2003
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 5,000 - 8,000
SAR 19,000 - 30,000
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
96
AWA #4
97
070
069
Lot
Sara Al Sudiry
Fatimah Al Nemer
Hope in Black
I'm free and belong
Signed and dated
Chinese Ink & Mixed Media on Canvas
76X101.5 CM. (29.92X39.96 In)
Production in 2014
Edition 1 / 1
Signed and dated
150X150 CM. (59.06X59.06 in.)
Production in 2014
Edition 1 / 1
US$ 5,000 - 8,000
SAR 19,000 - 30,000
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
98
AWA #4
99
072
071
Lot
Nahar Marzooq
Fatimah Al Nemer
Al Quds
I'm free
Signed and dated
Acrylic on Canvas
150X150cm.(59.05 X59.05 In)
Production in 2014
Edition 1 / 1
Signed and dated
150X150 CM. (59.06X59.06 in.)
Production in 2014
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
100
AWA #4
101
074
073
Lot
Sara Al Sudiry
Ahmed Hussain
Messages From Inside
Whine
119X122 CM. (46.8X48 In.)
Production in 2014
Edition 1 / 1
signed and dated
Acrylic on Canvas
170X151 CM. (66.9X59.4 In)
Production in 2011
Edition 1 / 1
US$ 8,000 - 11,000
SAR 30,000 - 41,500
US$ 7,000 - 10,000
SAR 26,500 - 37,500
Chinese Ink on Paper
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
102
AWA #4
103
076
075
Lot
Mohamed Al Shahdi
Sanjer Djabbarov
Morocco, B. 1955
Oceans of Letters
Uzbekistan, B. 1986
Sisters
Signed and dated
Mixed Media on Paper
180X120.cm(70.8x47.2 In)
Production in 2013
Edition 1 / 1
Signed and dated
Oil on Canvas
190X160 CM. (74.8X62.9 In.)
Production in 2010
Edition 1 / 1
US$ 5,000 - 8,000
SAR 18,750 - 30,000
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
104
AWA #4
105
078
077
Lot
Itab Al Al Sheikh
Sanjer Djabbarov
Soufi dancers
Uzbekistan, B. 1986
The Metamarphose
Signed and dated
Print on hahnemuhle fineart museum etching textured 350 gms
100X175 CM. (39.37X68.90 In)
Production in 2014
Edition 1 / 3
Signed and dated
Oil on Canvas
120X70 CM. (27.55X47.24 In.)
Production in 2010
Edition 1 / 1
US$ 8,000 - 11,000
SAR 30,000 - 41,500
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
106
AWA #4
107
080
079
Lot
Abdulrahman Magrabi
Saleh Al Shehri
Search for Self
Black Women
signed and dated
Mixed Media & Acrylic on wood
100X100 CM. (39.37X39.37 In.)
Production in 2014
Edition 1 / 1
Signed
Acrylic on Canvas
200X200 CM. (78.74X78.74 in.)
Production in 2014
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 6,000 - 9,000
SAR 22,500 - 33,750
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
108
AWA #4
109
082
081
Lot
Fahd Hajailan
Timur Ernst Akhmedov
Untitled
Northern Song
Signed and dated
Acrylic on Canvas
80X170 CM. (31X66.9 In.)
Production in 2005
Edition 1 / 1
signed and dated
oil on Canvas
180X150 CM. (70.86X59.05 In.)
Production in 2010
Edition 1 / 1
US$ 6,000 - 9,000
SAR 22,500 - 33,750
US$ 7,000 - 10,000
SAR 26,500 - 37,500
Provenance:
Provenance:
Private collection, Dubai, Alif Art Gallery
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
110
AWA #4
111
084
083
Lot
Rimma Gagloeva
Sara Al Sudiry
Uzbekistan, B. 1940
Mountain Bloom
Saudi Arabia, B.1969
Untitled
Signed and dated
Oil on Canvas
100X100 CM. (39.37X39.37 In.)
Production in 1999
Edition 1 / 1
Signed and dated
US$ 6,000 - 9,000
SAR 22,500 - 33,750
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
Chinese Ink on Paper
29X44 CM. (11.42X17.32 In)
Production in 2011
Edition 1 / 1
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
112
AWA #4
113
086
085
Lot
Mejdi Khodayr
Abdul Aziz Ramadan
Egypt, B. 1857
3 Mosques
Press the Buttons
Pencil on Paper
141X69 CM. (55.51X27.17 In.)
Production in 2014
Edition 1 / 1
Keyboard Buttons & Mixed Media
102X84 CM. (40.16X33.07 In)
Production in 2013
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 5,000 - 8,000
SAR 19,000 - 30,000
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
114
AWA #4
115
088
087
Lot
Shaikh Idrees
Rimma Gagloeva
Sudan, B. 1956
Eden
Uzbekistan, B.1940
Autumn Flowers
Signed and dated
200X300 CM. (78.74X118.11 In)
Production in 2014
Edition 1 / 1
Signed and dated
Oil on Canvas
80X100 CM. (31.43X39.37 In.)
Production in 2011
Edition 1 / 1
US$ 6,000 - 9,000
SAR 22,500 - 33,750
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
116
AWA #4
117
090
089
Lot
Nezir Yavuz
Ahmed Hussain
Untitled
Untitled
Signed and dated
Oil on Canvas
59X90 CM. (23.23X35.43 In)
Production in 1999
Edition 1 / 1
signed and dated
Acrylic on Canvas
147X118 CM. (57.87X46.46 In)
Production in 2009
Edition 1 / 1
US$ 5,000 - 8,000
SAR 19,000 - 30,000
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
118
AWA #4
119
092
091
Private collection, Jeddah, Dama Art
Lot
Mohammed Al Ajlan
Hassan Khan & Ibtsam Gazdar
Abstract
Saudi Arabia, B. 1976, B. 1983
Silent Scream
Signed and Dated
Acrylic on Canvas
150X150 CM. (59.06X59.06 In.)
Production in 2014
Edition 1 / 1
Signed and dated
Mixed Media
120X200 CM. (47.24X78.74 In.)
Production in 2013
Edition 1 / 1
US$ 9,000 - 14,000
SAR 33,750 - 52,500
US$ 5,000 - 8,000
SAR 19,000 - 30,000
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
120
AWA #4
121
094
093
Lot
Khaled Al Abdan
Zuhair Hassib
Untitled
Syria, B. 1960
Portrait
Signed and dated
Oil on Canvas
40X50 CM. (15٫74X15٫68 In.)
Production in 1997
Edition 1 / 1
Signed and dated
Oil on Canvas
70X80 CM. (27.55X31.5 In.)
Production in 2014
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
122
AWA #4
123
096
095
Lot
Timur D'Vatz
Itab Al Al Sheikh
Uzbekistan, B.1968
Winter Hunt
Teasing You
Signed and dated
Oil on Canvas
123X183 CM. (48.42X72.04 In.)
Production in 2010
Edition 1 / 1
Signed and dated
120X120 CM. (47.24X47.24 In.)
Production in 2014
Edition 1 / 3
US$ 14,000 - 19,000
SAR 52,500 - 71,250
US$ 8,000 - 11,000
SAR 30,000 - 41,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
124
AWA #4
125
098
097
Lot
Vanita Karim
Iyad Al Karghali
India, B. 1962
Arabian Adventures
Iraq, B. 1968
Top
signed and dated
Acrylic And Gold Leaf on Canvas
90X90 CM. (35X35 In.)
Production in 2014
Edition 1 / 1
Signed and dated
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 5,000 - 8,000
SAR 19,000 - 30,000
Provenance:
Provenance:
Lot
Bronze
25X20X85 CM. (9.84X7.87X33.46 In.)
Production in 2013
Edition 1 / 1
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
126
AWA #4
127
100
099
Lot
Timur Ernst Akhmedov
Timur D'vatz
Shelter
Uzbekistan, B.1968
Journey (Triptych)
signed and dated
oil on Canvas
80X150 CM. (31.49X59.05 In.)
Production in 2010
Edition 1 / 1
Signed and dated
Oil on Canvas
190X175 CM. (74.80X68.89 In.)
Production in 2010
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 20,000 - 25,000
SAR 75,000 - 93,750
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
128
AWA #4
129
102
101
Lot
Timur D'Vatz
Rimma Gagloeva
Uzbekistan, B.1968
Falconers
Uzbekistan, B.1940
Mountain Poppies
Signed and dated
Oil on Canvas
130X130 CM. (51.18X51.18 In.)
Production in 2010
Edition 1 / 1
Signed and dated
Oil on Canvas
100X100 CM. (39.37X39.37 In.)
Production in 2010
Edition 1 / 1
US$ 10,000 - 15,000
SAR 37,500 - 56,250
US$ 5,000 - 8,000
SAR 19,000 - 30,000
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
130
AWA #4
131
104
103
Lot
Omran Al Shaib
Sara Al Sudiry
Palestine, B. 1958
Untitled
Responsibility
Signed and dated
Acrylic on Canvas
160X190 CM. (63X74.80 In.)
Production in 2013
Edition 1 / 1
Signed and dated
Acrylic on Canvas & Wood
29X44 CM. (11.42X17.32 In)
Production in 2011
Edition 1 / 1
US$ 6,000 - 11,000
SAR 22,500 - 41,250
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
132
AWA #4
133
106
105
Lot
Ali Al Hassan
Walid Jahin
Power
Egypt, B. 1974
Nymphs
signed and dated
Bronze
12X12X35 CM. (4.72X4.72X13.78 In.)
Production in 2012
Edition 1 / 1
Signed and dated
Mixed Media
140X140 CM. (55.12X55.12 In.)
Production in 2012
Edition 1 / 1
US$ 5,000 - 8,000
SAR 19,000 - 30,000
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
134
AWA #4
135
108
107
Lot
Dr. Mohammed Abu Al Naja
Abdel Razek Okasha
Egypt, B. 1960
Untitled
Egypt, B. 1968
Night Train
Signed and dated
80X100 CM. (31.50X39.37 In)
Production in 2013
Edition 1 / 1
Signed and dated
Oil on Canvas
88X205 CM. (34.65X80.71 In.)
Production in 2012
Edition 1 / 1
US$ 5,000 - 8,000
SAR 19,000 - 30,000
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
136
AWA #4
137
110
109
Lot
Mohammed Al Ajam
Meraz Mohammed Nouh
Untitled
Me & My Love
Signed and dated
Acrylic on Canvas
99X72 CM. (38.98X28.35 In.)
Production in 1998
Edition 1 / 1
Signed and dated
Acrylic on Canvas
60X50 CM. (23.62X19.69 In)
Production in 2010
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
138
AWA #4
139
112
111
Lot
Abd Elrazzek Shaballout
Alber Kandoura
Syria, B. 1974
Camps
Syria, B. 1960
Portrait
Signed and dated
Oil on Canvas
100X150 CM. (39.37X59.06 In.)
Production in 2014
Edition 1 / 1
Signed and dated
Ink on Paper
50X70 CM. (19.69X27.56 In.)
Production in 1986
Edition 1 / 1
US$ 15,000 - 20,000
SAR 56,250 - 75,000
US$ 8,000 - 13,000
SAR 30,000 - 48,750
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
140
AWA #4
141
114
113
Lot
Gibran Hidaya
Gibran Hidaya
Syria, B. 1946
Lilies traveling
Syria, B. 1946
Lilies traveling
Signed and dated
Oil on Canvas
80X60 CM. (31.50X23.62 In.)
Production in 2008
Edition 1 / 1
Signed and dated
Oil on Canvas
99X79 CM. (38.98X31.10 In.)
Production in 2009
Edition 1 / 1
US$ 5,000 - 8,000
SAR 19,000 - 30,000
US$ 6,000 - 11,000
SAR 22,500 - 41,250
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
142
AWA #4
143
116
115
Lot
Gibran Hidaya
Abdel Razek Okasha
Syria, B. 1946
Lilies traveling
Egypt, B. 1968
Military train
Signed and dated
Oil on Canvas
60X50 CM. (23.62X19.69 In.)
Production in 2009
Edition 1 / 1
Signed and dated
Oil on Canvas
103X207 CM. (40.55X81.50 In.)
Production in 2012
Edition 1 / 1
US$ 4,000 - 6,000
SAR 15,000 - 22,500
US$ 4,000 - 6,000
SAR 15,000 - 22,500
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
144
AWA #4
145
118
117
Lot
Lot
Walid Al Marhoum
Rawan Al Barakati
The beast
Page From the story 3
Signed and dated
Print on Aluminum
240X105 CM. (94.49X41.34 In.)
Production in 2014
Edition 3 / 10
Signed and dated
Acrylic & Mixed Media on Canvas
90X60 CM. (35.43X23.62 In.)
Production in 2013
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Lot
Provenance:
Untitled
Saeed Al Alawi
Signed
Acrylic on Canvas
80X80 CM. (31.5X31.5 In.)
Production in 2014
Edition 1 / 1
Monaliza Ghamid
Signed and dated
100X150 CM. (39.37X59.06 In.)
Production in 2014
Edition 1 / 3
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
146
AWA #4
147
122
Lot
ALL LOTS
Ghadah Al Muhammedi
120
ALL LOTS
121
119
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Abdullah Nawawi
Monzer Charaby
Untitled
SYRIA, B. 1948
Old Jeddah
Signed and dated
Watercolor on Paper
28X28 CM. (11.02X11.02 In)
Production in 2014
Edition 1 / 1
Signed and dated
Acrylic on Canvas
40X50 CM. (15.75X19.69 In)
Production in 2014
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
Provenance:
Provenance:
Lot
Untitled
Reham A Barack
Signed and dated
Ink on paper
20X28 CM. (7.87X11.02 in)
Production in 2011
Edition 1 / 1
Untitled
Signed and dated
Acrylic on Canvas
41X41 CM. (16.14X16.14 In)
Production in 2014
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
ALL LOTS
Bayan Barboud
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
148
AWA #4
149
126
124
ALL LOTS
125
123
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Rawan Al Barakati
Mohammed Haider
Workers 2
Signed and dated
Acrylic on Canvas
60X60 CM. (23.62X23.62 In.)
Production in 2013
Edition 1 / 1
Signed and dated
Steel and Aluminium and Wood
20X11X110 CM. (7.8X4X43 In.)
Production in 2014
Edition 1 / 3
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Provenance:
Provenance:
Lot
Egypt, B. 1959
Dance
Hassan Al Masoudi
Signed and dated
Oil on Canvas
49X70 CM. (19.29X27.56 In)
Production in 1992
Edition 1 / 1
Iraq, B. 1944
Calligraphy
Signed and dated
Ink on Paper
55X75 CM. (21.65X29.53 In.)
Production in 2006
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 2,000 - 4,000
SAR 7,500 - 15,000
ALL LOTS
Madelen Welson
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
150
AWA #4
151
130
128
ALL LOTS
129
127
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Walid Jahin
Nawal Al Surayhi
Egypt, B. 1974
Passion 1
Untitled
Signed and dated
Mixed Media
60X60 CM. (23.6X23.6 In.)
Production in 2013
Edition 1 / 1
Signed and dated
Mixed Media
37X46.CM (14.57X18.11 In)
Production in 2014
Edition 1 / 1
US$ 1,000 - 2,000
SAR 3,750 - 7,500
US$ 1,000 - 2,000
SAR 3,750 - 7,500
Provenance:
Provenance:
Lot
Untitled
Abdulrahman Magrabi
Signed and dated
Print on paper
33x50 CM. (12.99X19.69 In)
Production in 2014
Edition 1 / 1
Untitled
signed and dated
Mixed Media & Acrylic on Canvas
40X40 CM. (15.75X15.75 In.)
Production in 2014
Edition 1 / 1
US$ 1,000 - 2,000
SAR 3,750 - 7,500
US$ 1,000 - 2,000
SAR 3,750 - 7,500
Provenance:
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
152
AWA #4
153
134
Lot
ALL LOTS
Hazar Al Bogari
132
ALL LOTS
133
131
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Mohammed Haider
Fawzia Al ssaedi
Workers 3
Untitled
Signed and dated
20X11X110 CM. (7.8X4X43 In.)
Production in 2014
Edition 1 / 3
Signed and dated
90.5X60 CM. (36X23.62 In)
Production in 2012
Edition 1 / 1
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Lot
Provenance:
Egypt, B.1973
Untitled
Saud Mahjoub
Signed
56X76 CM. (22.05X29.92 In.)
Production in 2014
Edition 1 / 1
Man from the kitchen
ALL LOTS
Rasha Al Mazen
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Signed and dated
Stainless
15X15X51 CM. (5.9X5.9X20 In.)
Production in 2006
Edition 1 / 20
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
154
AWA #4
155
138
136
ALL LOTS
137
135
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Walid Jahin
Marina Tica chenko
Egypt, B. 1974
Lying
Ukrain,B.1970
Funny Oriental
Acrylic & Mixed Media on Canvas
71X120 CM. (27.95X47.24 In.)
Production in 2014
Edition 1 / 1
Signed
Acrylic and Mixed Media on Canvas
120X90 CM. (47.24X35.4 In.)
Production in 2014
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
Provenance:
Lot
Egypt, B. 1960
Untitled
Abdullah Idrees
Signed and dated
59X79 CM. (23.23X31.10 In)
Production in 2013
Edition 1 / 1
Not Us
Signed and dated
Acrylic on Canvas
150X120 CM. (59.06X47.24 In )
Production in 2013
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
156
AWA #4
157
142
Lot
ALL LOTS
140
ALL LOTS
141
139
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Mojdeh Khalighi
Suliman BaJabaa
Iran, B. 1983
Untitled
aya from Qruan
Signed and dated
water color & Gold 24K & gouache & acrylic
35X40 CM. (13.7X15.7 In.)
Production in 2013 Edition 1 / 1
Signed and dated
Ink on Paper
24x24.CM. (9.45X9.45 In)
Production in 2009
Edition 1 / 1
US$ 1,000 - 2,000
SAR 3,750 - 7,500
US$ 500 - 1,000
SAR 1,875 - 3,750
Provenance:
Provenance:
Lot
Uzbekistan, B.1952
Untitled
Rozaini Abindinhazir
Signed and dated
Ink on paper
34X44CM.(11.02x17.32 In)
Production in 2013
Edition 1 / 1
Malaysia, B. 1975
Untitled
Signed and dated
Charcoal on Paper
56X83 CM. (22.05X32.68 In.)
Production in 2011
Edition 1 / 1
US$ 1,000 - 2,000
SAR 3,750 - 7,500
US$ 1,000 - 2,000
SAR 3,750 - 7,500
ALL LOTS
Azamat Khatamov
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
158
AWA #4
159
146
144
ALL LOTS
145
143
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Ghadah Al Muhammedi
Fuad Al Futaih
Untitled
Yemen, B. 1948
Flying Horse 1
Signed
Acrylic on Canvas
100X100 CM. (39.37X39.37 In.)
Production in 2014 Edition 1 / 1
Signed and dated
Joash on Paper
42X47 CM. (16.54X18.50 In.)
Production in 1998
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Lot
Provenance:
Syria, B. 1950
Sabri Mdalal
Nashat Moudarres
Signed and dated
Acrylic on Canvas
40X50 CM. (15.75X19.69 In.)
Production in 2009
Edition 1 / 1
Syria, B. 1952
Festival
Signed and dated
Oil on Canvas
30X40 CM. (11.81X15.75 In.)
Production in 1999
Edition 1 / 1
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 3,000 - 5,000
SAR 11,250 - 18,750
ALL LOTS
Saad Yagan
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
160
AWA #4
161
150
148
ALL LOTS
149
147
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Oussama MAHASSIN
Walid Al Marhoum
Morocco, B. 1989
Portrait
Shadow Face
Signed and dated
Acrylic on Canvas
80X80 CM. (31.5X31.5 In.)
Production in 2014
Edition 1 / 1
Signed and dated
Print on Aluminum
100X75 CM. (39.37X29.53 In.)
Production in 2014
Edition 3 / 10
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Lot
Provenance:
Morocco, B. 1988
Diptych
Abdelatif KALAMOUR
Signed and dated
Acrylic on Canvas
100X190 CM. (39X74.80 in.)
Production in 2014
Edition 1 / 1
Morocco, B. 1973
Untitled
ALL LOTS
Azzedine FETTAHI
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Ink on Paper
80X120 CM. (31X47 In.)
Production in 2012
Edition 1 / 1
Provenance:
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
162
AWA #4
163
154
152
ALL LOTS
153
151
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Nada Al Madhioun
Haneen Sheikh
Out of Mind
Untitled
Signed
Watercolor and Acrylic on Canvas
48.5x59 CM. (19.09X23.23 In)
Production in 2014
Edition 1 / 1
Signed and dated
52.5x52.5 CM .(20.67X20.67 In)
Production in 2009
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
Provenance:
Provenance:
Lot
SYRIA, B. 1948
Old Jeddah
Azamat Khatamov
Signed and dated
Acrylic on Canvas
39x70 CM. (15.35X27.55 In)
Production in 2011
Edition 1 / 1
Uzbekistan, B.1952
Untitled
Signed and dated
Ink on paper
21X29 CM .(8.26X11 In)
Production in 2013
Edition 1 / 1
US$ 1,000 - 2,000
SAR 3,750 - 7,500
US$ 1,000 - 2,000
SAR 3,750 - 7,500
ALL LOTS
Monzer Charaby
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
164
AWA #4
165
158
156
ALL LOTS
157
155
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Reham A Barack
Monzer Charaby
Untitled
SYRIA, B. 1948
Old Jeddah
Signed and dated
Acrylic on Canvas
41X41 CM. (16.14X16.14 In)
Production in 2014
Edition 1 / 1
Signed and dated
Acrylic on Canvas
40X50 CM. (15.75X19.69 In)
Production in 2014
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
Provenance:
Provenance:
Lot
Untitled
Shrooq Al Hashimi
Signed and dated
Ink on paper
20X28 CM. (7.87X11.02 in)
Production in 2012
Edition 1 / 1
Vision
ALL LOTS
Bayan Barboud
US$ 500 - 1,000
SAR 1,875 - 3,750
Digital Art on Canvas
43X43 CM.(16.92X16.92 In)
Production in 2014
Edition 1 / 1
Provenance:
US$ 500 - 1,000
SAR 1,875 - 3,750
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
166
AWA #4
167
162
160
ALL LOTS
161
159
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Mohammed Al Rubat
Mahdyah Al Talib
Untitled
Untitled
Signed and dated
Ink & crylic on Canvas
30X30 CM. (11.81X11.81 In)
Production in 2014
Edition 1 / 1
Signed and dated
Lithograph on paper
29x29 CM. (11.42X11.42 In)
Production in 2014
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
Provenance:
Provenance:
Lot
Untitled
Reham A Barack
Signed and dated
30X40 CM. (11.81X15.75 In)
Production in 2012
Edition 1 / 1
Untitled
Signed and dated
Acrylic on Canvas
41X41 CM. (16.14X16.14 In)
Production in 2014
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
ALL LOTS
Seema Al Abdulhai
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
168
AWA #4
169
166
164
ALL LOTS
165
163
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Rawan Al Barakati
Nabeel Taher
Untitled
Signed and dated
Acrylic on Canvas
50X50 CM. (19.69X19.69 In.)
Production in 2013
Edition 1 / 1
Signed and dated
70X70 CM. (27.56X27.56 In)
Production in 2014
Edition 1 / 1
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Provenance:
Provenance:
Lot
Jordan, B. 1971
Untitled
Mohammed Al Ajlan
Signed and dated
Acrylic on Canvas
65X80 CM. (25.59X31.5 in.)
Production in 2012
Edition 1 / 1
calligraphy
Signed and Dated
Acrylic on Paper
60X80 CM. (23.6X31.50 In.)
Production in 2014
Edition 1 / 1
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 2,000 - 4,000
SAR 7,500 - 15,000
ALL LOTS
Shadi Ghwanmeh
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
170
AWA #4
171
170
168
ALL LOTS
169
167
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Ibrahim Khabrani
Jassim Al Dhamin
Untitled
Hope 1
signed and dated
Acrylic on Canvas
120X100 CM. (47X39 In.)
Production in 2012
Edition 1 / 1
Signed and dated
Acrylic And Mixed Media on Polyester
50X50X200 CM. (19.69X19.69X78.74 In.)
Production in 2014
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Lot
Provenance:
Sudan, B. 1919 - 2003
Bride Box
Fuad Al Futaih
Signed and dated
Watercolor
27X24 CM. (10.6X9.44 In.)
Production in 1961
Edition 1 / 1
Yemen, B. 1948
Blue Horse
Signed and dated
Joash on Paper
53X53 CM. (20.87X20.87 In.)
Production in 1998
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Private collection, Riyadh, Abstract Art
Provenance:
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
172
AWA #4
173
174
Lot
ALL LOTS
Tahia Halim
172
ALL LOTS
173
171
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Khaled Al Owais
Samer Al Halaki
Girls
Syria, B. 1972
Face From life
Signed and dated
Acrylic on Wood
64X80 CM. (25.20X31.50 In.)
Production in 2001
Edition 1 / 1
Signed
90X90 CM. (35.4X35.4 In)
Production in 2014
Edition 1 / 1
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Provenance:
Provenance:
Lot
Iraq, B. 1983
Untitled
Mohammed Haider
Signed and dated
Acrylic on Canvas
90X90 CM. (35.4X35.4 In.)
Production in 2014
Edition 1 / 1
Workers 1
Signed and dated
20X11X110 CM. (7.8X4X43 In.)
Production in 2014
Edition 1 / 3
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 2,000 - 4,000
SAR 7,500 - 15,000
ALL LOTS
Omar Al Shehabi
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
174
AWA #4
175
178
176
ALL LOTS
177
175
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Abdelatif KALAMOUR
Rozaini Abindinhazir
Morocco, B. 1973
Untitled
Malaysia, B. 1975
Untitled
Acrylic on Canvas
80X120 CM. (31X47 In.)
Production in 2012
Edition 1 / 1
Signed and dated
Charcoal on Paper
27X42 CM. (10.63X16.54 In.)
Production in 2009
Edition 1 / 1
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Provenance:
Provenance:
Nahla Reda
Egypt, B. 1986
Untitled
Azzedine FETTAHI
Signed and dated
69x97 CM. (27.17X38.19 In)
Production in 2008
Edition 1 / 1
Morocco, B. 1988
Diptych
Signed and dated
Acrylic on Canvas
100X190 CM. (39X74.80 in.)
Production in 2014
Edition 1 / 1
US$ 1,000 - 2,000
SAR 3,750 - 7,500
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
176
AWA #4
177
182
180
Lot
ALL LOTS
Lot
ALL LOTS
181
179
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Nahar Marzooq
Fahd Hajailan
makkah
Horse
Signed and dated
Acrylic on Canvas
150X90CM.(59.06X35.43 In)
Production in 2013
Edition 1 / 1
Signed and dated
Acrylic on Paper
50X35 CM. (19.6X13.7 In.)
Production in 2010
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Lot
Provenance:
Untitled
Mohamed Al Shahdi
Signed and dated
Acrylic on Canvas
58X80 CM. (22.8X31.5 in.)
Production in 2002
Edition 1 / 1
Morocco, B. 1955
Untitled
Signed and dated
Acrylic on Canvas
120X120.CM(47.24X47.24 In)
Production in 2013
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
178
AWA #4
179
186
Lot
ALL LOTS
Mohammed Al Ajam
184
ALL LOTS
185
183
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Yasser Khattar
Lebanon, B. 1970
Women
Egypt, B. 1960
Untitled
Signed and dated
Acrylic on Canvas
170X120 CM. (66.93X47.24 In)
Production in 2013
Edition 1 / 1
Signed and dated
59X79 CM. (23.23X31.10 In)
Production in 2013
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
Provenance:
Lot
Morocco, B. 1973
Untitled
Fatima KNINIR
Signed
80X120 CM. (31X47 In.)
Production in 2012
Edition 1 / 1
Morocco, B. 1975
Trace
Signed and dated
Acrylic on Canvas
180X90 CM. (70.8X35.4 in.)
Production in 2014
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
ALL LOTS
Abdelatif KALAMOUR
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
180
AWA #4
181
190
188
ALL LOTS
189
187
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Asaad hidra
Abdullah Idrees
Yamen, B. 1992
Untitled
Untitled
Signed and dated
Oil on Canvas
40X30 CM. (15.75X11.81 In)
Production in 2014
Edition 1 / 1
Signed and dated
Acrylic on Canvas
60X60 CM. (23.62X23.62 In )
Production in 2013
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
Provenance:
Provenance:
Lot
A break and meet
Mohsen Salem
Signed and dated
40X40 CM. (15.75X15.75 in)
Production in 2014
Edition 1 / 1
Untitled
ALL LOTS
Abdulrahman Magrabi
US$ 1,000 - 2,000
SAR 3,750 - 7,500
Signed and dated
Photography Ink on Paper
39x48 CM. (15.35X18.9 In)
Production in 2013
Edition 1 / 1
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
182
AWA #4
183
194
US$ 500 - 1,000
SAR 1,875 - 3,750
192
ALL LOTS
193
191
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Saud Mahjoub
Fawzia Al saadi
African from the kitchen
Untitled
Signed and dated
Stainless
15X15X51 CM. (5.9X5.9X20 In.)
Production in 2006
Edition 1 / 20
Signed and dated
60.5X90 CM. (23.82X35.43 In)
Production in 2012
Edition 1 / 1
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Provenance:
Provenance:
Lot
Egypt, B. 1959
Dance
Nabeel Taher
Signed and dated
Oil on Canvas
49X70 CM. (19.29X27.56 In)
Production in 1992
Edition 1 / 1
Untitled
Signed and dated
Acrylic on Canvas
100X70 CM. (39.37X27.56 In)
Production in 2014
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 2,000 - 4,000
SAR 7,500 - 15,000
Provenance:
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
184
AWA #4
185
198
Lot
ALL LOTS
Madelen Welson
196
ALL LOTS
197
195
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Ghadah Al Muhammedi
Omar Al Nagdi
Untitled
Egypt, B. 1931
Untitled
Signed
Acrylic on Canvas
120X100 CM. (47.24X39.37 In.)
Production in 2014
Edition 1 / 1
Signed
Oil and Gold Leaf on Wood
40X40 CM. (15.75X15.75 In.)
Production in 2004
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
Provenance:
Lot
Hope 2
Fatima Dahmash
Signed and dated
Acrylic And Mixed Media on Polyester
50X50X200 CM. (19.69X19.69X78.74 In.)
Production in 2014
Edition 1 / 1
UAE, B. 1979
Untitled
ALL LOTS
Jassim Al Dhamin
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Signed and dated
Acrylic on Canvas
40.5X40.5 CM. (15.94X15.94 In) 9 Pcs
Production in 2014
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
186
AWA #4
187
202
200
ALL LOTS
201
199
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Suliman BaJabaa
Azamat Khatamov
aya from Qruan
Uzbekistan, B.1952
Untitled
Signed and dated
Ink on Paper
24x24.CM. (9.45X9.45 In)
Production in 2009
Edition 1 / 1
Signed and dated
Ink on paper
34X44CM.(11.02x17.32 In)
Production in 2013
Edition 1 / 1
US$ 1,000 - 2,000
SAR 3,750 - 7,500
US$ 1,000 - 2,000
SAR 3,750 - 7,500
Provenance:
Provenance:
Lot
Untitled
Seema Al Abdulhai
Signed and dated
Mixed Media
37X37 CM. (14.6X14.6 In)
Production in 2014
Edition 1 / 1
Untitled
Signed and dated
30X40 CM. (11.81X15.75 In)
Production in 2012
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 500 - 1,000
SAR 1,875 - 3,750
ALL LOTS
Nada Ashi
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
188
AWA #4
189
206
204
ALL LOTS
205
203
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Sanjer Djabbarov
Oussama MAHASSIN
Uzbekistan, B. 1986
Mother and Child 2
Morocco, B. 1989
Untitled
Signed and dated
Oil on Canvas
60X80 CM. (23.62X31.49 In.)
Production in 2010
Edition 1 / 1
Signed and dated
Acrylic on Canvas
70X170 CM. (27.5X66.9 in.)
Production in 2014
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
Provenance:
Lot
Patrick CARPENTIER
Ghadah Al Muhammedi
ALL LOTS
French, B. 1954
Untitled
Acrylic on Wood
100X100 CM. (39.37X39.37 In.)
Production in 2012
Edition 1 / 1
Untitled
Signed
Acrylic on Canvas
120X100 CM. (47.24X39.37 In.)
Production in 2014
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
190
AWA #4
191
210
208
ALL LOTS
209
207
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Shaikh Idrees
Samer Al Halaki
Sudan, B. 1956
Untitled
Syria, B. 1972
Theater of Worry
Signed and dated
130X170 CM. (51.2X67 In)
Production in 2009
Edition 1 / 1
Signed
100X100 CM. (39.3X39.3 In)
Production in 2014
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
Provenance:
Lot
Proliferation
Fuad Al futaih
signed and dated
Acrylic on Canvas
150X70 CM. (59.06X27 In.)
Production in 2012
Edition 1 / 1
Yamen, B. 1992
Untitled
signed and dated
Joash on Paper
52x52 CM.(20.5X20.5 In)
Production in 1996
Edition 1 / 1
US$ 3,000 - 5,000
SAR 11,250 - 18,750
US$ 3,000 - 5,000
SAR 11,250 - 18,750
Provenance:
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
192
AWA #4
193
214
Lot
ALL LOTS
Ibrahim Khabrani
212
ALL LOTS
213
211
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Lot
Abdul Rahim Arjan
Walid Jahin
Jordan, B. 1973
Sufi
Egypt, B. 1974
Untitled
Signed
Ink on Canvas
50X57 CM. (19.69X22.44 In.)
Production in 2007
Edition 1 / 5
Signed and dated
Mixed Media
60X60 CM. (23٫6X23٫6 In.)
Production in 2014
Edition 1 / 1
US$ 2,000 - 4,000
SAR 7,500 - 15,000
US$ 500 - 1,000
SAR 1,875 - 3,750
Lot
Provenance:
Untitled
Omar Al Shehabi
Signed and dated
Lithograph on paper
29x29 CM. (11.42X11.42 In)
Production in 2014
Edition 1 / 1
Iraq, B. 1983
Untitled
Signed and dated
Acrylic on Canvas
90X90 CM. (35.4X35.4 In.)
Production in 2010
Edition 1 / 1
US$ 500 - 1,000
SAR 1,875 - 3,750
US$ 2,000 - 4,000
SAR 7,500 - 15,000
ALL LOTS
Mahdyah Altalib
Provenance:
Provenance:
Lot
HHHH
HHH
HH
H
HHHH
HHH
HH
H
AWA #4
194
AWA #4
195
218
216
ALL LOTS
217
215
HHHH
HHH
HH
H
HHHH
HHH
HH
H
Lot
Now & forever 05% from our artworks sales for charity associations
Buyer Assistant Tools (BAT)
BE WITH US
7
1
6
2
5
4
3
1 Price expectations before the auction
2 Actual Price after the auction
3 Artist well known - Attractive artwork - The price is reasonable
4 Based on your choice between the artist and the price and the artwork you can specify the importance of your Bidding
5 Lot number
6 Lot details
7 Lot image
AWA #4
196
197
Once the first bid has been placed, the auctioneer asks for higher bids, in increments
determined by the auctioneer. To place your bid, simply raise your paddle until the
auctioneer acknowledges you. You will know when your bid has been acknowledged;
the auctioneer will not mistake a random gesture for a bid.
BUYING AT AUCTION & GENERAL AUCTION INFORMATION
Before the Auction
The Catalogue A catalogue prepared by The Arabian Wings Auction is published
for every schedule live auction and is available prior to the sale date. The catalogue
will help familiarize you with property being offered at the designated auction. For
more information, please visit www.arabian-wings.com . Prospective bidders should
also consult www.arabian-wings.com for the most up to date cataloguing of the
property in this catalogue.
Reserve All lots in this catalogue are offered subject to a reserve, which is the
confidential minimum hammer price at which a lot will be sold. All reserves are equal
or lower than the low estimate.
Estimates Each lot in the catalogue is given a low and high estimate, indicating to
a prospective buyer a range in which the lot might sell at auction. When possible,
the estimate is based on previous auction records of comparable pieces. The
estimates are determined several months before a sale and are therefore subject
to change upon further research of the property, or to reflect market conditions
or currency fluctuations. Estimates should not be relied upon as a representation
or prediction of actual selling prices.
Provenance In certain circumstances, Arabian Wings Auction may print in the
catalogue the history of ownership of a work of art if such information contributes
to scholarship or is otherwise well known and assists in distinguishing the work of
art. However, the identity of the seller or previous owners may not be disclosed
for a variety of reasons. For example, such information may be excluded to
accommodate a seller’s request for confidentiality or because the identity of prior
owners is unknown given the age of the work of art.
Specialist Advice Prospective bidders may be interested in specific information
not included in the catalogue description of a lot. For additional information, please
contact one of The Arabian Wings Auction’s Specialists (all of whom are listed in the
front of the catalogue). You may also request a condition report from the specialist
in charge.
The Exhibition An exhibition of the auction property will be held the week prior to
the auction on the days listed in the front of the catalogue. There you will have the
opportunity to view, inspect and evaluate the artwork yourself, or with the help of
one of Arabian Wings Auction’s Specialists (all of whom are listed in the front of the
catalogue).
Salesroom Notices Salesroom notices amend the catalogue description of a lot
after the catalogue has gone to press.
They are posted in the viewing galleries and salesroom or are announced by the
auctioneer.
During the Auction
The Auction Auctions are open to the public without any admission fee or obligation
to bid. The auctioneer introduces the objects for sale- known as “lots” – in numerical
order as listed in the catalogue. Unless otherwise noted in the catalogue or by an
announcement at the auction, Arabian Wings Auction acts like agent on behalf of
the seller and does not permit the seller to bid on his or her own property. It is
important for all bidders to know that the auctioneer may open the bidding on any
lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf
of the seller, up to the amount of the reserve, by placing responsive or consecutive
bids for a lot. The auctioneer will not place consecutive bids on behalf of the seller
above the reserve.
Bidding in Person If you would like to bid, you must register for a paddle upon
entering the salesroom. The paddle is numbered so as to identify you to the
auctioneer.
To register, you will need a form of identification such as a driver’s license, a
passport or some other type of government issued identification. If you are a first
time bidder, you will also be asked for your address, phone number and signature
in order to create your account. If you are bidding for someone else, you will need
to provide a letter from that person authorizing you to bid on that person’s behalf.
Issuance of a bidding paddle is in at our discretion.
AWA #4
198
Bidding Increments
The bids generally start below the minimum appraised value. Paddles shall be raised
in accordance with the following chart. The auctioneer shall be entitled to change
the bidding intervals.
$ From
$ To
$ Bidding incremental
100
2000
100
2,000
5,000
200
5,000
10,000
500
10,000
20,000
1,000
20,000
50,000
2,000
50,000
100,000
5,000
Above 100,000
---
10,000
Absentee Bidding
If it is not possible for you to attend the auction in person, you may place your
bid ahead of time. In the back of every catalogue there is an absentee bid form,
which you can use to indicate the item you wish to bid on and the maximum bid
you are willing to make. Return the completed absentee bid form to Arabian Wings
Auction either by mail or fax. When the lot that you are interested in comes up for
sale, an auction specialist will execute the bid on your behalf, making every effort
to purchase the item for as little as possible and never exceeding your limit. This
service is free and confidential. For detailed instructions and information, please
see the Absentee Bid Form and Guide for Absentee Bidders instructions at the
back of this catalogue.
Results Successful absentee bidders will be notified after the sale. Printed lists of
auction prices are available at our galleries approximately one week following each
auction and are sent on request to catalogue subscribers. Results may also be
obtained online at www.arabian-wings.com .
Telephone Bidding In some circumstances, we offer the ability to place bids by
telephone live to one of our representatives on the auction floor. Please contact
the Bid Department prior to the sale to make arrangements or to answer any
questions you may have. Telephone bids are accepted only at Arabian Wings
Auction’s discretion and at the caller’s risk.
Calls may also be recorded at Arabian Wings Auction’s discretion. By bidding on the
telephone, prospective buyers consent thereto.
Hammer Price and the Buyer’s Premium For lots which are sold, the last price for
a lot as announced by the auctioneer is the hammer price. A buyer’s premium will
be added to the hammer price and is payable by the purchaser as part of the total
purchase price. The buyer’s premium will be the amount stated in the Conditions
of Sale.
After the Auction
Payment If your bid is successful, you can go directly to Client Accounting to make
payment arrangements.
Otherwise, your invoice will be mailed to you. The final price is determined by adding
the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where
applicable, will be charged on the entire amount. Payment is due in full immediately
after the sale. However, under certain circumstances, Arabian Wings Auction may,
in its sole discretion, offer bidders an extended payment plan. Such a payment plan
may provide an economic benefit to the bidder. Credit terms should be requested
at least one business day before the sale. However, there is no assurance that
an extended payment plan will be offered. Please contact Client Accounting or
the specialist in charge of the sale for information on credit arrangements for a
particular lot. You may pay by cash, wire transfer, check, or credit card.
AWA #4
199
Auction #4
Auction Sales Conditions
Conditions of Sale
The following Conditions of Sale and Terms of Guarantee are Arabian Wings
Auction, Inc. and the Consignor’s entire agreement with the purchaser relative to
the property listed in this catalogue.
The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other
contents of this catalogue are subject to amendment by us by the posting of
notices or by oral announcements made during the sale. The property will be
offered by us as agent for the Consignor, unless the catalogue indicates otherwise.
07:00 PM at TheGallery art space
By participating in any sale, you acknowledge that you are bound by these terms
and conditions.
1. As Is Goods auctioned are often of some age. The authenticity of the Authorship
of property listed in the catalogue is guaranteed as stated in the Terms of
Guarantee and except for the Limited Warranty contained therein, all property is
sold “AS IS” without any representations or warranties by us or the Consignor as to
merchantability, fitness for a particular purpose, the correctness of the catalogue or
other description of the physical condition, size, quality, rarity, importance, medium,
provenance, exhibitions, literature or historical relevance of any property and no
statement anywhere, whether oral or written, whether made in the catalogue, an
advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere,
shall be deemed such a warranty, representation or assumption of liability. We and
the Consignor make no representations and warranties, express or implied, as to
whether the purchaser acquires any copyrights, including but not limited to, any
reproduction rights in any property. We and the Consignor are not responsible for
errors and omissions in the catalogue, glossary, or any supplemental material.
Head of Session & Auctioneer
Mohammed Bahrawi
v
2. Inspection Prospective bidders should inspect the property before bidding to
determine its condition, size, and whether or not it has been repaired or restored.
3. Buyer’s Premium A buyer’s premium will be added to the hammer price and is
payable by the purchaser as part of the total purchase price. The buyer’s premium
is 20%.
Auction Director
4. Withdrawal We reserve the right to withdraw any property before the sale and
shall have no liability whatsoever for such withdrawal.
Najlaa Felemban
5. Per Lot unless otherwise announced by the auctioneer, all bids are per lot as
numbered in the catalog.
[email protected]
6. Bidding We reserve the right to reject any bid. The highest bidder acknowledged
by the auctioneer will be the purchaser. In the event of any dispute between bidders,
or in the event of doubt on our part as to the validity of any bid, the auctioneer will
have the final discretion to determine the successful bidder, cancel the sale, or to
reoffer and resell the article in dispute. If any dispute arises after the sale, our sale
record is conclusive. Although in our discretion we will execute order or absentee
bids or accept telephone bids as a convenience to clients who are not present
at auctions, we are not responsible for any errors or omissions in connection
therewith.
General Information
[email protected]
7. Purchaser’s Responsibility On the fall of the auctioneer’s hammer, title to the
offered lot will pass to the highest bidder acknowledged by the auctioneer, and such
bidder thereupon (a) assumes full risk and responsibility therefore (including, without
limitation, liability for or damage to frames or glass covering prints, paintings or
other works), and (b) will immediately pay the full purchase price or such part as we
may require. All property must be removed from our premises by the purchaser
at his expense not later than 7 business days following its sale and, if it is not so
removed, (i) a handling charge of 1% of the total purchase price per month from
the tenth day after the sale until its removal will be payable to us by the purchaser,
with a minimum of 5% of the total purchase price for any property not so removed
within 60 days after the sale, and (ii) we may send the purchased property to a
public warehouse for the account, at the risk and expense of the purchaser.
Arabian Wings for Fine Arts Co.
8. Reserve All lots in this catalogue are offered subject to a reserve, which is the
confidential minimum hammer price at which a lot will be sold. All reserves are equal
or lower than the low estimate.
Kingdom of Saudi Arabia - Jeddah 21514 P.O.Box 54205
Tel. & Fax: + 966 12 6578 440 - Mob. + 966 5 693 750 93
www.arabin-wings.com - Emil: [email protected]
9. Tax Unless exempted by law, the purchaser will be required to pay any applicable
taxes or customs.
AWA #4
200
AWA #4
201
Auction #4
07:00 PM at TheGallery art space
Arabian Wings for Fine Arts Co.
Kingdom of Saudi Arabia - Jeddah 21514 P.O.Box 54205
Tel. & Fax: + 966 12 6578 440 - Mob. + 966 5 693 750 93
www.arabin-wings.com - Emil: [email protected]
AWA #4
202
203
Monaliza Ghamid by Saeed Al Alawi
204

Lot - Arabian Wings

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