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CCM_07.04_cover.v3 6/4/04 6:20 PM Page 1 CCM_07.04_InsideCCM.final 6/3/04 10:00 PM Page 3 contents Photograph by Lee Webb July 2004 cover story 30 Band on Fire Ask, and you shall receive. After selecting this band as the “Artist You’d Most Like to See on the Cover (But Haven’t Yet)” in this year’s annual CCM Readers’ Awards, Pillar takes center stage this summer with a rockin’ new CD, a renewed perspective and plenty of shows sure to hit a venue near you. B Y L U C A S H E N D R I C K S O N 48 CCM List-O-Rama C H R I S W E L L keeps things entertaining with his breakdown on artists who used to go by another name, Jason Crabb’s favorite cartoons and more. in review features 51 Music: It’s all about diversity: GRITS, Selah and Bethany Dillon 36 The Hard Truth 58 Books: The best fiction just in time for summer reading Now here’s a primer everyone can enjoy as D O U G VA N P E LT provides insight into the hard rock scene. 77 Tour: Third Day, tobyMac and Warren Barfield on the “Third Day 40 The Real Thing Sanctus Real may have U2 to thank for its first No. 1 hit, but the band doesn’t plan on stopping there as it prepares to “fight the tide.” 42 Live” tour departments B Y DA V I D J E N I S O N 04 From the Editor: The last band standing Youth Group 09 The Insider: otherwise—with its high-octane brand of pop. But what’s next on the agenda? D E B O RA H E VA N S P R I C E investigates. 24 The Reel: An interview with The Notebook’s creator and more Listening In… Michael Card and Brennan Manning 26 Ones to Watch: Falling Up, Something Like Silas Eavesdrop on this meeting of the minds as the musician and the ragamuffin talk about spiritual matters. 78 16 Things You Probably Didn’t Know About: Joy Williams Child’s Play 80 Everything That’s On My Mind with Charlie Peacock When it comes to CDs, videos and lullabies for the younger set, we’ve come a long way, baby. B Y M I R I A M D R E N N A N 82 CCM Hall of Fame: Phil Keaggy Jump5 continues to win over young audiences—mainstream and 44 47 The lowdown on Lifehouse, Diana DeGarmo’s Christian music connection and more CCM_07.04_Editorial.final 6/3/04 9:38 PM Page 4 fromtheeditor Children 18:3 3 Degrees of Separation I couldn’t believe what I had just witnessed. Thirty minutes prior I had simply been a judge for this year’s regional music tournament at Minneapolis’ faith-based Club 3 Degrees (nationally renowned, thanks to recent coverage by Newsweek, Rolling Stone and MSNBC). Now, as the event neared its conclusion, I felt privy to something so secretly special that the Christian music gatekeepers of rock weren’t even dialed in. That would soon change. I’d flown in from Nashville to join a panel of 10 judges. More than 60 bands had registered for this year’s tournament, and the eight-month elimination process had narrowed the field down to the 14 we were there to critíque. For two evenings we’d been treated to some of the Christian community’s more promising pop, rock, urban and worship artists. And as we reached the point where only two acts had yet to perform, we felt good. It’d definitely been worth the trip, and we had some ideas about who the winners might be. Shame on me. After more than 10 years in this business, I should know better. With many things in life, even “small” things, God often saves the best for last. Enter hard rock band Passing Thru (passingthru.com). In a word, “Wow.” These guys rocked H-A-R-D, created a thick wall of sound, knew the power of melody and had a terrific stage presence. They also had a new fan. After their set, as our panel of judges enjoyed a brief intermission, I discovered I wasn’t the only one who “knew” we’d just seen the winner. It was in the bag. Goodnight, everybody! Um… remember that thing about God and last-minute surprises? I and a few of my esteemed colleagues apparently thought “intermission” meant “post-show party.” Wrongo, tiny ones. Ladies and gentlemen, to conclude our festivities, please welcome hard rock trio, Children 18:3 (children183.com). Where do I begin? From my vantage point I was witnessing the best unsigned band I’d seen since 1998. That spring Steve Taylor had taken his Squint staff (which included yours truly) down to CCM MAGAZINE Your Christian Music Magazine Since 1978 volume 27 issue 1 For those whose lives are strengthened through faith-informed music, CCM Magazine goes behind the scenes to celebrate the artistry of Christian music. CCM Magazine is a publication of Salem Publishing, a division of Salem Communications. •••• ••••••• CCM Magazine Publisher James R. Cumbee Associate Publisher & Editor in Chief Roberta Croteau Managing Editor Jay Swartzendruber Associate Managing Editor Stephanie Ottosen Contributing & Reviews Editor Christa Farris 4 ccm july 04 ccmmagazine.com Art Director Lee Steffen Associate Art Director Ben De Rienzo Production Director Ross E. Cluver Contributing Editors Andy Argyrakis, Joan Brasher, Michael Ciani, Nancy Guthrie, Kent Morris, Michael Nolan, Charlie Peacock, Chris Well Contributors Louis R. Carlozo, Lizza Connor, Anthony DeBarros, Miriam Drennan, Andrew Greer, Marcus Hathcock, Lucas Hendrickson, David Jenison, Max Lucado, Dan MacIntosh, David McCreary, Ginny Owens, Deborah Evans Price, Doug Van Pelt, Rick Weber Web Editor Christa Farris Editorial Assistant Kelly O’Neil Circulation Director Buffy Booker Customer Service Representatives DeAnn Bishop, Leesa Smith Executive Director of Advertising L. Smitty Wheeler Senior Director of Advertising DeDe Tarrant Account Executive Gregory Byerline Account Executive Laurice Jackson Birmingham, Ala., to catch the Insyderz tour and check out the opening band—a young trio of brothers who called themselves “Chevelle.” No, your eyes aren’t failing you; I’m comparing Children 18:3 with one of the premier hard bands in the world. At one point during Children 18:3’s epic rocker “Pray for the Persecuted Church,” I looked down the row of judges to HM Magazine’s Doug Van Pelt and mouthed my utter amazement. Upon the band’s conclusion, the judges once again took a short break—this time to confirm final results before announcing the winners. And, once again, many of us had been caught offguard. Constructive debating ensued. The contest’s two best acts had just polished everything off in back-to-back fashion. And they were two of only four hard bands in the contest, no less. Incredible. As fate (and the majority of the judges) would have it, Passing Thru managed to barely edge Children 18:3 for the first-place prize. I wasn’t that surprised. I mean, how much shock can a panelist take in one night? Besides, Passing Thru merits winning such a contest and the increased profile (performance slots at multiple summer festivals) this will bring them. And Children 18:3? It’s only a matter of time. (Though a name change wouldn’t hurt.) This year’s event at Club 3 Degrees may actually be indicative of a much bigger picture. While rock & roll has become Christian music fandom’s genre of choice, the increasing popularity of record labels such as Solid State, Facedown and Flicker shows us this trend stretches well into the rugged terrain of hard rock. And just as Children 18:3 and Passing Thru emerged from the Minneapolis pack, much of the church’s most astonishing and untapped talent is beginning its ascent within the hard music community. Stop. Look. Listen. And, for best results, play loud. Jay Swartzendruber [email protected] Account Executive Phil Davis Marketing Coordinator Michael Tenbrink Advertising Coordinator Carol Jones Sales/Marketing Associate Craig Felker Main Office 104 Woodmont Blvd., Suite 300, Nashville, TN 37205 615/386-3011 (ph) • 615/386-3380 (business fax) • 615/385-4112 (editorial fax) • 615/312-4266 (advertising fax) Subscriptions/Customer Service CCM, 104 Woodmont, Ste 300, Nashville 37205, 800/333-9643 or [email protected]. Annual subscription rates: United States, $19.95/one year, $35.95/ two years, $53.95/three years; Canada, (U.S. funds) $27.95 per year; all other countries, (U.S. funds) $33.95 (surface) or $67 (airmail). For address changes or other inquiries, please include both old and new addresses and mailing label. Allow four to six weeks for new subscriptions to begin. Cover photo by Lee Webb NASDAQ SYMBOL: SALM CCM_07.04_Feedback.v9 6/4/04 11:01 AM Page 6 feedback A MISSION OF MERCY Thank you so much for having MercyMe on the cover of the May issue [“A Severe Mercy”]. It was so cool to be able to hear how my favorite songs came about and the real-life struggles this band goes through. I have grown to appreciate its music even more now. The band is a great example of true witnesses and worship leaders. Its music is truly worship, not beating around the bush with wasteful or suggestive lyrics but getting straight to worshiping our Creator and celebrating His love. Keep it up, MercyMe! -—Mac Merchant, via e-mail I was an attendee at the MercyMe concert in Charleston, W.V., this year. I was there when Bart [Millard] broke down and admitted that all he felt was bitterness [over the death of his uncle]. I expected nothing from the band except its honest feelings and praise to God, and that’s what I got and more. The Lord promised a comforter in the form of the Holy Spirit. He was never more needed than that night. Without fail, He [the Holy Spirit] showed up and, in doing so, His presence was felt over the entire auditorium. I’ve been to many Christian concerts and enjoyed them all, but the MercyMe concert holds a special place in my heart, memory and spirit. The band’s willingness to be real opened the door for the Lord to move. —Kathy Boyd, Chesapeake, VA In last month’s issue, you wrote that MercyMe recorded its music first and then wrote the lyrics to the songs. You also said this was the first time. This is actually the second. MercyMe used the same process to record and write Spoken For. —Daniel Crowe, via e-mail We checked, and you’re right. Chet, the CCM fact-checker says: “Yes, Daniel, you’re absolutely right. Thanks a lot. Thanks a whole lot.” Care to work for CCM, Daniel? I hadn’t picked up CCM in quite a while but recently picked up a copy of the May issue to read the article on MercyMe and the producers article [“Meet the Producers”]. I was very impressed with what I saw—many MERCYME 6 ccm july 04 ccmmagazine.com changes and improvements! However, I was quite surprised to see the Target ad on the inside of the front cover. Big hooray for a company like Target to advertise in CCM, but shame on Target for accompanying the ad with the very attractive female model, obviously posed and dressed to draw attention. I almost thought I had picked up the wrong magazine once I got home and noticed it. Perhaps, if possible, more editorial discernment could be given to future ads of this type and their graphics. Just what is being sold and marketed here? —John Carlson, McKinney, TX girlfriend. I guess for some people record sales are more important than bringing people to Christ. —James Hill, via e-mail Nothing against Clay, God bless him, but in my opinion he’s been upstaged by another of the “American Idol” contestants. R.J. Helton’s Real Life gives a voice to the prayer in my heart. I think God will be using his talent in a big way because R.J. is very upfront about the place of God in his life. If Justin Timberlake found Jesus, the music might sound something like the songs on Real Life. —David Young, Good Hope, IL IT’S ALL IN THE NAME It bothered me to read the conversation between R.J. Helton and Kelly Clarkson [“Listening In,” May] when they were both agreeing that they didn’t want their music to be “churchy” so they could reach the people who wouldn’t listen to it if it were. How are people going to know they are singing about God if they don’t use His name? I have been in many arguments with non-believers about artists like Lifehouse and Stacie Orrico, trying to explain to them that they are Christian artists. People who don’t know aren’t going to be able to tell whether an artist is Christian or not by the lyrics if they don’t proclaim the name of God. If the lyrics say, “you are my life,” a Christian may know that they are singing about Jesus; but everyone else will think they’re just singing about their boyfriend or ONE MORE THING… I was so excited when I saw that tobyMac was in “19 Things You Probably Didn’t Know About tobyMac” R.J. HELTON CCM_07.04_Feedback.v9 6/4/04 11:02 AM Page 7 feedback [May] because he is the coolest artist. I love his music so much. Immediately after reading that page, I ripped it out and hung it on my wall. I loved finding more out about him, [but] I’m still wondering if his wife is from Jamaica? One of his songs states “I’ve played in Kingston, Jamaica where my Mandy was made” (“Wonder’n Why,” Momentum). —Kayla Nienaber, Ham Lake, MN You got it, Kayla. TOBYMAC A MAN AFTER GOD’S OWN HEART? I am writing in reply to Christopher Stone’s letter in the May 2004 issue [“Feedback”]. He said: “[Bono] promotes attention to the AIDS in Africa problem; yet, with the same mouth, he proclaims profanities. Am I the only one who sees a problem with this?” Yet, by working to help those suffering in Africa, Bono is, in fact, being more Christ-like than many Christians who profess to keep their language clean! —Andrew Murray, Arvada, CO With regard to Christopher Stone’s letter about Bono: Why do we, as Christians, get so caught up in the minutia of people’s outward lives, when the Bible tells us over and over that it’s their hearts that interest God? We only need to read Amos (particularly chapter 5), or look at the person of King David (He did a couple of other notable things that the mainstream church would frown on today; yet he was still called a man after God’s own heart.). Hasn’t history presented us, time and time again, with examples of those who were outwardly “saintly” but inwardly stinking? And don’t we know from examining our own selves that none of us is capable of living a pure and blameless life? We all exist in a state of grace. I do not pretend to believe that Bono is a saint. I also do not disagree that the church should have responded to the crisis in Africa long before. But whether it was a foulmouthed, Guiness-drinking rock star from Dublin or a be-suited, sweetlyspoken, conservative Baptist from Ohio, the fact is that the church (or certainly the Christian music industry) is now acting in a visual way. And that can only be a good thing. —Jude Adam, London, England We hear you. Mr. Stone’s letter caused quite a stir. Imagine our surprise when Christian music and U2 fan sites recently posted links to an article titled “We Know Bono’s Christian By His Love.” Published in one of Kentucky’s more prominent newspapers, the Lexington Herald-Leader, the 900-word editorial outlined Stone’s letter to CCM and then offered a thoughtful and challenging response. Interested in knowing more about it? Go to CCMmagazine.com and click on “Weblogs.” TRUTH BE TOLD What’s your favorite Christian music legend or supposedly tall tale? Is it too good to be true? Are you sure? What about that nagging question you have concerning your favorite artist that, apparently, no one’s been able to answer? Perhaps you’ve simply been asking the wrong people. That’s where we come in. Simply put, we double-dog dare you to stump us! Check here each month as CCM Magazine distinguishes truth from fiction. I have heard that rock legend Jimi Hendrix once referred to Phil Keaggy as the greatest guitarist alive (or something like that), but I haven’t been able to find anything official about this. Do you know the scoop? —Phil Fan in Farmington Dear Phil Fan, This is one of the most endearing and enduring stories/rumors/urban legends that Christian music has ever seen. And of course, it couldn’t happen to a more deserving artist. (See this month’s “Hall of Fame” feature on page 82.) Depending on who you talk to, Jimi Hendrix (or Paul McCartney or Eric Clapton) once said in Guitar Player magazine (or on “The Dick Cavett show” or on “Good Morning America”) that Phil Keaggy was the greatest guitar player in the world. coming guitarist in the world” or (humorously, of course) that at 5’4” he was the “shortest guitarist in the world.” Keaggy, himself, has said that he believes this is all an “unverified rumor” that has “turned into something outlandish” over the decades and says he won’t believe it unless it is proven true. He believes it is unlikely that Hendrix or Clapton would have even known who he was; and, though he spoke with an encouraging McCartney after playing at a mutual friend’s wedding some years back, there was no “You are the greatest guitarist in the world” type of compliment from him. Well, Phil, maybe not to Paul but certainly to us! For more information, visit PhilKeaggy.com or PKfans.com. WHERE’S THE LOVE? Great review of Michael W. Smith’s DVD Live in Concert—A 20 Year Celebration in your May issue! I just have one question: What was wrong with it? You gave it a “B”! Yet you said nothing negative or down-sizing about the DVD in your review! Come on, now! Live Smitty, artist cameos, music video extras—it’s packed full! “A++” all the way! —Gabriel Peter, via e-mail We liked the Kung-Fu fights OK, but to get an “A++” from us, you’ve got to have a really boss car chase, too. And robots. PHIL KEAGGY However, as great an accolade as that would be, there appears to be little verifiable to this story. According to Keaggy’s management company, Blanton, Harrell, Cooke & Corzine, the story is likely “folklore” that “may have been said at one point but to our knowledge was not documented.” Several Keaggy fansites have speculated over the years that, perhaps, what was actually said is that Phil was the “best up-and- We welcome your comments. Address your letter to Feedback, CCM Magazine, 104 Woodmont Blvd., Suite 300, Nashville, TN 37205; fax 615/385-4112, Attn: Feedback; or, e-mail [email protected]. Always include your full name, address and phone number. Letter may be edited for length and clarity. ccmmagazine.com july 04 ccm 7 CCM_07.04_Insider.final 6/3/04 11:50 PM Page 9 C insider Diana DeGarmo’s Christian music connection by Christa Farris Fathers That Rock! DeGarmo, center, with the Idols Destined to Win Fantasia may have recently been crowned the new “American Idol,” but runner-up Diana DeGarmo’s Uncle Eddie tells CCM that big things are in store for his niece. OK, so no one has covered anything by Michael W. Smith or Steven Curtis Chapman on primetime just yet; but believe it or not, Fox’s television goldmine “American Idol” has more Christian music industry connections than you may realize. Of course you already know that first season alum R.J. Helton recently released his debut, Real Life on B-Rite. Then there’s the first “American Idol,” Kelly Clarkson, and second-year darling Clay Aiken, who are big fans of Christian artists such as Avalon and Jaci Velasquez. Now that the third season has just wrapped, did you know there’s only one degree of separation between A.I.Z runner-up Diana DeGarmo and Christian rock legends DeGarmo & Key? Yep, it’s true. Eddie DeGarmo, who provided half the musical energy for D&K for almost two decades and now serves as the President of EMI-CMG Publishing in Nashville, is Diana’s uncle. “I’m very proud of her,” says Eddie. “She’s obviously very passionate about [singing] and driven >>> towards excellence.” Diana, the perky blonde from Snellville, Ga., was the youngest contestant on the show. “You know, she just turned 16,” Eddie comments. “She’s just now starting to find her place.” Even though she placed second behind Fantasia Barrino, Diana will most likely sign a record deal in the near future. Eddie assumes that she is going to be signing a mainstream pop deal, but nothing has been confirmed at press time. And now the question remains: Is there potential for her to follow in Aiken’s footsteps and possibly even outshine the contest’s winner? “She definitely has a very wide appeal,” her uncle says, “She’s just so heartland American girl that it would surprise me if she doesn’t do extremely well.” According to A.I.’s official Web site, Diana claimed that her definition of an American Idol is “someone who is a great singer, great entertainer and great human being.” Speaking of people who aren’t always described with the words “great human being,” Eddie thinks that Simon Cowell, the notorious “American Idol” judge, gave a fair assessment of Diana’s competition. “As far as his ability to perceive talent, Simon’s pretty spot on,” Eddie comments. “He’s pretty crass in his presentation, but that’s part of the shtick.” Of all the ways for young talent to be discovered, is “American Idol” a good thing? Eddie thinks it certainly helped his niece out. “I don’t think you can not know about the show and live on this planet,” he observed. “There’s so much media frenzy around it.” Ironically, at one point, he had no idea that his young niece was even on the show. “I didn’t know that Diana was on it until the rest of world knew at the same time,” he said, “It was pretty cool when I first figured that out.” And does the former half of D&K think his musical abilities had any impact on his niece’s talent? “Diana’s been singing her whole life,” he asserts. “I can’t really take credit for giving her any pointers. She would sing Patsy Cline songs around the house when she was 3!” C H R I S TA FA R R I S and K E L LY O ’ N E I L Bet They’ll Hear “Layla” on a Nightly Basis: Robert Randolph and the Family Band Are Opening Shows For ccmmagazine.com july 04 ccm 9 >>> CCM_07.04_Insider.final 6/3/04 11:51 PM Page 10 C insider Casting Crowns Storytellers Ever wonder how your favorite Christian songs come to fruition? Dan MacIntosh recently tracked down the inspiration behind two songs from two bands in the spotlight, Caedmon’s Call, who’s currently working on a brand new disc with a world music flare and Casting Crowns, who’s been this past year’s biggest new artist success story. Casting Crowns’ “If We Are the Body” Casting Crowns’ frontman Mark Hall, a youth pastor, originally intended the song “If We Are the Body” to be a teaching tool to help his youth group better understand what it means to behave like the body of Christ. “They’d forgotten what the body of Christ looked like,” he recalls. “The world is well aware of what the church is against, but they aren’t always aware of what it’s for. Everybody in the body of Christ is given gifts to minister with; and when Christians aren’t using these gifts, the body suffers.” Hall’s scriptural inspiration for the song came from the second chapter of James, where the writer admonished readers to steer clear of giving preferential treatment to any one particular group over another, such as favoring the rich over the poor. The song’s chorus asks hard questions about why the body doesn’t always minister impartially. When it comes to getting God’s messages across in song, Hall believes you’ve got to shoot straight. He especially remembers one pivotal moment where that thinking paid off with tangible benefits. “We were on a week-long radio tour,” Hall recounts, “and we went into this mall in Texas, where we set up to perform in the food court. There were all these chairs lined up near the stage, but there were also people sitting at tables just eating their lunches. And when it came time to perform this song—and when the folks who came to see us began to sing along with it—I could see the looks on the faces of our fans as they realized that they were truly in the world while singing these challenging words.” As Dr. J. Vernon McGee always used to say, this was a moment where the rubber met the road. >>> Caedmon’s Call Caedmon’s Call’s “Hands of the Potter” Caedmon’s Call is well known for its rootsy performances and expert songcraft, but the single “Hands of the Potter,” which appears on its Chronicles: 1992-2004 collection, was actually written by a friend of the band, Randall Goodgame, who was specifically commissioned to write this particular song. “We knew Randall was a great writer and asked him to think about writing something for us,” says drummer Todd Bragg. “After touring for a few months as the opener for Caedmon’s,” Goodgame adds, “Cliff Young (Caedmon’s Call vocalist/guitarist) asked me to consider writing songs for them. I was very surprised, honored and excited all at the same time. I already knew Caedmon’s Call as a wonderful family of God-fearing people, and I was thrilled to have the opportunity to join their legacy of mingling great art with ministry.” After receiving the lyrics to the track, Caedmon’s Call applied its own musical potter’s hands, so to speak, to the task of refashioning the finished product. “I remember playing it for Cliff, who told me then that he was hearing it in his head as driven by percussion,” Goodgame notes. This track is one that offers a message about how God changes hearts. “Lyrically, it speaks of God’s sovereignty and celebrates God molding us into His image and using us, despite our good and bad hearts,” Bragg explains. “Rhythmically, it is very energetic and festive. This makes for an exciting experience live.” Guitar Legend Eric Clapton • Co-Founder of Multi-Platinum Pop Act Blessid Union of Souls, Eddie Hedges, 10 ccm july 04 ccmmagazine.com >>> CCM_07.04_Insider.final 6/3/04 11:52 PM Page 11 >> pop/rock What Are You Listening To? Matthew West reveals what CDs are rocking his summer. Jonny Lang Patty Griffin Long Time Coming Impossible Dream Relient K Studio Buzz: Relient K Matchbox 20 Third Day More Than You Think You Are Wire Recent Dove winner for Two Lefts Don’t Make a Right, But Three Do (Gotee), Relient K is logging a lot of hours in the studio these days as the band prepares for its fourth full-length studio release, expected to bow later this year. Few actual details are being revealed about what direction the band is taking musically, but in his usual tongue-in-cheek fashion vocalist Matt Thiessen says, “We’re really excited. It’s going to sound a lot like if Tom Arnold and Nicole Kidman had a baby and then gave it up for adoption. But not really.” Sound intriguing? You be the judge. Jonah33 Nate Sallie’s Sweet Endorsement With a deal that would’ve made cereal lover Jerry Seinfeld green with envy in his sitcom heyday, Nate Sallie has recently racked up a “Summer Jam 2004” promotion with cereal giant Post alongside the likes of Sugar Ray. No word yet on whether Sallie will get a lifetime supply of Cocoa Pebbles, but the endorsement deal will allow fans to hear his music online with exclusive safe downloads available at postopia.com. >>> >>> Unveils was recently named as official spokesmen for “Redeem the Vote,” a non-profit, non-partisan organization that encourages Christians to register to vote. The band was also selected to write and record the initiative’s official theme song, titled “Silence Never Speaks.” Look for more information about this partnership at jonah33.com. The band is also in the beginning stages of recording the follow-up to its self-titled Ardent debut. Early word on the disc from frontman Vince Lichlyter suggests the band may “tame things down just a notch to make sure we get our point across live.” Lichlyter says emphatically. “We always want fans to get their faces rocked off live, but we also want to make sure they get ministered to as well.” Seventh Day Slumber The band hasn’t enjoyed much in the way of slumber these days as it began recording for a sophomore disc, Once Upon a Shattered Life (Crowne Music Group), late last month. The album, which releases in November, “tackles a lot of the tough issues that people don’t want to talk about,” frontman Joseph Rojas says. “We meet a lot of hurting people everywhere we go, and we want to write about these things that help address what really matters.” Christian Solo Debut Next Month • ZOEgirl Set to Participate in First Christian Music Festival ccmmagazine.com july 04 ccm 11 >>> CCM_07.04_Insider.final 6/3/04 11:52 PM Page 12 C >> pop insider Still Hanging by a Moment In the face of break-up rumors, Lifehouse’s apparent disappearance isn’t for good. It still may be a little early to do a VH-1 “Where Are They Now?” segment on Lifehouse, as it’s only been a year since its last studio release, Stanley Climbfall. And the band’s two big singles, “Hanging by a Moment” and “Spin” can still be frequently heard on the radio. However, during 2004, Lifehouse has all but vanished from the public eye. The group’s official Web site hasn’t been updated since last October. They’re no longer touring and, apparently, are no longer signed with DreamWorks Records. This void of information has filled Internet message boards with rumors, attempting to explain the band’s disappearance. Some fans are convinced that Lifehouse has broken up. Others think they’re just “on a break.” All of this gossip has been unconfirmed information—until now. >>> Is Lifehouse still alive? “Absolutely,” says the band’s manager, Jude Cole. However, he says the group is adjusting to many changes. “Right now we’re just trying to put everything together.” It seems what they need to put together is a new band. Many of the Internet rumors have suggested that bassist Sergio Andrade and guitarist Sean Woolstenhulme are no longer in the band. Those rumors, says Cole, are true. “There’s no bad blood; they left on really great terms,” Cole said. What made them leave, he said, was evolving musical passions. Woolstenhulme had been with Lifehouse less than a year, only contributing as part of the 2003 “Stanley Climbfall” tour. He’s kept busy playing for up-andcomers Radford and Abandoned Pools. The departure of founding member Andrade comes as more of a shock to fans. He and Jason Wade started the band Blyss as teenagers in suburban L.A. In five short years, Blyss morphed from a local praise band into Lifehouse, a multi-platinum, chart-topping sensation. Andrade, apparently, missed the more blatantly Christian approach his band once had. Cole says he left Lifehouse to pursue a “full-on” Christian band. “Serge’s heart is really in Christian music, and that’s where he felt he was headed,” says Cole. Now, Wade and the new Lifehouse musicians are recording the band’s third album on new label Interscope/Geffen. When asked if Lifehouse’s trademark sound will change, Cole replies, “No, not really. Jason’s still the one writing the songs.” He says the untitled album should be completed by the end of the summer. “Right now we’re just trying to focus,” says Cole. “This will be the best album yet.” M A R C U S H AT H C O C K in Quito, Ecuador For Missions Effort This Month • Jaci Velasquez Recently Garnered Second Billboard 12 ccm july 04 ccmmagazine.com >>> CCM_07.04_Insider.final 6/3/04 11:54 PM Page 14 C insider Sneak Peak: Chris Tomlin gives us the exclusive lowdown on his upcoming disc. When Chris Tomlin approached his A&R guy, Brad O’Donnell, about the next worship record he wanted to make, he had a specific, stripped-down organic sound in mind. And when O’Donnell suggested that Tomlin should listen to a CD by indie artist, Matt Wertz, he knew he had to work with Wertz’s producer, Ed Cash (Caedmon’s Call, Bebo Norman) after only one listen. “That’s exactly the sound I wanted to have,” Tomlin comments. And even though Tomlin says Cash was initially a little reluctant at their first meeting about working on praise material because he believes the songs are often “subpar,” Tomlin eventually won him over. “It’s been the best experience I’ve ever had making a record,” he says. “He [Cash] has such a great, strong heart and a deep belief in God. I feel like I’ve known him all my life.” Describing the project as “probably the most corporate songs I’ve ever written in terms of accessibility for the church,” Tomlin’s disc is tentatively titled Arriving and will be available in a store near you in September. David Crowder Band: Ready for the Big Leagues While contemplating how in the world David Crowder doesn’t get annoyed with grooming his long, unusual beard, we also covered more newsworthy fare in a recent interview—namely one rather large touring gig dubbed “The One Nation Tour” with Michael W. Smith and MercyMe. Recently announced as the opening act for the tour, Crowder still seems surprised as he tells CCM about this huge opportunity. “We are excited and thrilled to be a part of such an amazing tour. It’s an honor to share the stage with two influential artists such as Michael W. Smith and MercyMe.” And if that wasn’t enough to keep Crowder happy for a while, he tells us he’s also a new homeowner. But this isn’t just any Texas home. “When I found out this was the place that Dr. Pepper was invented, I found myself just saying, ‘Yes,’ without much thought. I had to have that house.” Now all moved into the soda lover’s retreat, Crowder admits he and his wife still haven’t found the secret recipe telling how the beverage was created. We’ll keep you posted if that changes anytime soon. >>> Latin Music Award For Her Fourth Spanish-Language Disc, Milagro • Hip-Hop Goes “WoW” With New Gotee 14 ccm july 04 ccmmagazine.com >>> CCM_07.04_Insider.final 6/3/04 11:54 PM Page 15 >> worship Cyberspeak: What’s New at CCMmagazine.com this Month! Festival Report: Look for CCMmagazine.com online exclusives (pictures too) from “Creation East” and “Creation West.” Don’t Miss Our Artist Chats! Pose as a journalist for a moment and ask the questions you’ve always wanted answers to in our online chat events. This month we have Taylor Sorensen on July 1, Sanctus Real on July 8 and Ginny Owens on July 22. Baylor University Center for Christian Music Studies Presents The 2004 Hearn Symposium on Christian Music Mission Trip: Malawian Style New worship act Something Like Silas embarks on a divine invitation of its own. It may be signed to a label now, but Something Like Silas hasn’t abandoned its original mission. In fact, the band that still leads worship at its home church in San Diego recently returned from a mission trip to Malawi, Africa. Entertaining the crowd at half-time during soccer matches, the band performed in stadiums in Lilongwe, Mzuzu, Zomba and Chichiri, and at one indoor event at the University of Malawi. “Putting on stadium events across the country, traveling between cities on a little shuttle-bus that you knew it was only a matter of time before it broke down and playing for over 100,000 Malawians is only the logistic and boring report of it all,” says Eric M. Owyoung, the band’s leader, songwriter and vocalist/guitarist. “Interwoven within the events are experiences that can never leave you the same, experiences that leave you confused on how to respond—‘Should I laugh with joy or should I weep with compassion?’” While in Malawi, the band also visited two ministries for orphans run by Children of the Nations, each with a feeding program. The orphanage visited in Chitipi houses and feeds some 75 orphan children. >>> >>> Compilation, Hip Hope, That’ll Hit Shelves Next ccmmagazine.com july 04 ccm 15 October 4-6, 2004 | Baylor University | Waco, Texas Featuring Brian McLaren Chris Seay Sally Morgenthaler Louie Giglio John Michael Talbot Thomas Troeger Marva Dawn Robb Redman Chuck Fromm …with Billy Ray Hearn, Julie Pennington-Russell, Peter York, Bill Hearn, Hulitt Gloer, Vicky Beeching, Randall Bradley, Ralph Carmichael, Rex Miller, David Music, Kurt Kaiser, Terry York, Worship Together Band, Gary Rhodes, Don Cason and Gordon Borror To register or request information, contact: Hearn Symposium on Christian Music Baylor School of Music One Bear Place #97408 • Waco, TX 76798 Phone: 254.710.2360 • Fax: 254.710.1191 Web: www.baylor.edu/christian_music Conference fee: $149 through Sept. 1, $179 after Sept. 1 >>> CCM_07.04_Insider.final 6/3/04 11:55 PM g Page 16 C >> insider urban A Walk to Remember Gospel legend and CCM Hall of Famer Andraé Crouch was recently honored with a star on the Hollywood Walk of Fame. Roll out the red carpet: Andraé Crouch has his own star now—namely the 2,256th star on the Hollywood Walk of Fame. Known for songs including “My Tribute” and “Just Like He Said He Would” and for performances with the likes of Elton John, Diana Ross, Quincy Jones and more, the contemporary gospel legend is the third gospel artist to have a star adorn the celebrity walkway. At press time, Crouch is almost finished with a new inspirational/choir CD, a fall/winter release titled Mighty Wind, which will include special guest appearances by Fred Hammond, Marvin Winans and more. And the Winner Is… Cross Movement, Lisa McClendon and Lil IROCC lead the pack of nominees in this month’s Urban Gospel Alliance Awards ceremony. Apparently the people have spoken. Instead of a committee decision, a select group of diehard music fans helped play a crucial part in determining who’d appear on the ballot for this month’s Urban Gospel Alliance Awards. For the past four months, urban gospel fans cast their votes via the Web to help fashion the nominees list. As part of the Urban Gospel Industry (UGI) Awards & Conference in Riverside, Calif., from July 14-17, awards will be handed out in a variety of urban music categories to draw attention to the cream of the crop in every genre from hip-hop to contemporary gospel to neo-soul, reggae and gospel jazz. Final voting, which will determine the UGA Award winners, however, will be decided on by voting members of the UGA. For more information on the Alliance and the complete list of nominees, visit urbangospelalliance.com. War & Remembrance On Spiritual Songs of the Soul, a slew of talented artists memorialize the significance of the old-time spirituals from Civil War days. In a recent interview with CCM, Larnelle Harris confessed that he continues to stay busy these days as a relatively new grandparent who loves to spoil his granddaughter, a fervent student of the Bible (he even has an audio copy on his iPod) and with his recent contribution to the Spiritual Songs of the Soul (Discovery House) project. Harris, along with Marilyn McCoo, Billy Davis Jr., Wintley Phipps and a 54-piece symphony worked on the project to acquaint listeners with songs like “Wade in the Water,” “Nobody Knows the Trouble I’ve Seen” and “Motherless Child,” tracks that reflected the struggle and spiritual faith demonstrated during the Civil War era. Released in remembrance of the Civil War surrender that took place in April of 1865, the album was produced by Grammy winner, Scott V. Smith (Andraé Crouch, The Winans). “It was a pleasure to work on this project with such wonderful songs grounded in a rich heritage,” Harris said. “It was a project done with great care and dignity.” Month • G’Day Mate: Paul Colman Inks Solo Deal With Inpop • Mark 16 ccm july 04 ccmmagazine.com >>> CCM_07.04_GetReal.final 6/3/04 9:55 PM Page 18 Audio Adrenaline’s new mission and 5 questions with Bebo Norman getreal by Stephanie Ottosen B 5 Questions with BEBO NORMAN Haitian orphans This Georgia born-and-bred singer/songwriter has been entertaining fans for years with his poignant (and occasionally very long) stories, heartfelt lyrics and Southern charm. Heading out this fall on a headlining tour featuring Bethany Dillon and Jason Morant, Norman plans to sing tunes from his latest, Try (Provident Label Group), releasing Aug. 24. 1. If you could trade responsibilities with someone for a day, who would that person be, what would the job be, and why would you choose to do it? Probably my dog, Otis. His job is just to lie around all day, eat and sleep. Somebody else feeds him, bathes him and pets him; and he still whines and cries. But everyone just thinks it’s cute. 2. When was the first moment you realized you wanted to pursue music for a living? It was about two months before I graduated from college while I was studying for the MCAT (Medical College Admissions Test). With the encouragement of friends, I had been praying about the music thing because I was so torn between music and medical school. It became completely obvious to me one night, while I was forcing myself to study, that my passion for medical school had faded. 3. Describe your most unforgettable date. 4. What are you obsessive compulsive about? The most unforgettable romantic date would have to be the evening I asked my wife to marry me. We were on a little island just off the coast of South Carolina. After dinner this particular evening, we sat out on the terrace of the beach house and watched a beautiful thunderstorm out over the water. Almost like clockwork, the sky started to break just in time to see maybe the most beautiful sunset I’ve ever seen. I read little pieces from my journal that sort of chronicled the process of falling in love with her, and then I asked her to marry me. Just one thing? Probably driving. I always have to be the driver. I hate being a passenger... it scares me. 5. What characteristic of God has surprised you the most these days? His peace. I have truly realized that it has nothing to do with circumstances. >>> Love the Little Children Some might call it an opportunity, a massive undertaking, perhaps even a burden, but lead singer Mark Stuart calls Audio Adrenaline’s plans to build a Haitian village for orphans a “dream come true.” The dream is certainly a personal one, as Stuart actually lived in Haiti with his missionary parents before leaving to attend a Bible college in Kentucky. Shortly after, Stuart’s younger sister was diagnosed with leukemia, and his parents were forced to move to Memphis for their daughter’s treatment. Now, 12 years later, Stuart’s parents are going to live their dream: They plan to move permanently to Haiti this month to oversee the construction and development of this effort, tentatively named “The Hands and Feet Project.” (Stuart’s sister is in remission from her cancer and now works as a registered nurse. She plans to visit regularly to do medical checkups.) “It’s really fun and exciting, and we can’t believe how God aligned it all,” Stuart tells CCM. “It was like one morning we [AA] all woke up and were thinking the same thing, including my parents and a local missionary, who was like, ‘The need here is this; here’s the land available.’” According to Stuart, Audio Adrenaline has already put a down payment on land for the village site, located south of the capital of Port-au-Prince. Stuart says there are two focuses for the project: to “raise up a generation of believers” in these orphans and to care for them by providing housing and Christian “parents,” six kids to a home, and also for AA to bring youth from America to “see how the rest of the world lives.” Stuart comments, “I think that’s [missions] one great tool to change American kids’ hearts, lives and minds and get them out of their comfort zones and on the mission field. When we’ve done that, we’ve seen that God works just as much in the hearts of the kids going as the ones they’re serving.” But there’s still much work to do. Stuart says the band plans to auction off a concert as well as some musical instruments on eBay. The funds made from the auction will be used to purchase the Stuart in Haiti land. Also, AA hopes to raise awareness and funds on its tours and to encourage youth groups to raise money to build the homes. Says Stuart, “People want to serve and want to help; they just need to know where to serve and how to help.” ccm Schultz Teams Up With U.S. Army For Educational Endeavor • Wanna Cruise Like a Rock Star?: K-Love Network 18 ccm july 04 ccmmagazine.com >>> CCM_07.04_FanFare.final 6/3/04 9:56 PM Page 20 Newborns, weddings, birthdays and more. fanfare The State of Waiting by Stephanie Ottosen by Ginny Owens From the Nursery… Congratulations to Avalonians Greg and Janna Long on the birth of their first baby, Lillian Flowers Long. Their daughter was born May 17 at 5:29 p.m., weighing 7lbs 4oz and measuring 20 inches long. A new boy has made his appearance in Newboys’ Phil Joel’s life. Joel’s wife, Heather, recently gave birth to their second child, Philip Eden. Insyderz vocalist Joe Yerke and his wife, Leslie, also had a baby. The couple welcomed Ella Grace on April 16 at 6:15 p.m. Lillian Long Active waiting “They Do.” 24, Mourning September’s lead singer Tony Chavez married his long-time sweetheart, Alicia, in Broken Arrow, Oklahoma. The remaining band members—Dave, Zach and Josh—served as groomsmen. The band’s new album even got a plug at the ceremony when the happy couple marched out to “April Dreams,” a song from the album that Tony wrote to commemorate the day. On If I could be granted just one wish, I’d wish that we’d all be born with a perfect sense of purpose. If we knew exactly where we should live, what our career paths should be and whether we should be single or get married, we could spend our lives being who we’re supposed to be instead of continually seeking to “find ourselves.” Needless to say, my wish isn’t going to come true, which is probably for the best. If this sort of awareness came so easily, we’d have little need to grow in wisdom or develop character. And if we knew all there was to know about ourselves, we wouldn’t need to know the One who created us. 07.04 April Birthdays 02 08 12 15 17 22 26 30 Paul Meany (Mutemath) Stephen Mason (Jars of Clay) Sandi Patty Carrie Theobald (Alathea) Margaret Becker Art Gonzales (Salvador) Rebecca St. James Scott Denté (Out of the Grey) I’ve always thought of the word “wait” as a passive verb. When I consider my singleness, I realize that sitting around dreaming of being married and imagining how wonderful that would be is probably not the best way to wait. David talks much in the Psalms about waiting on the Lord. In Psalm 37:7, he says, “Be still before the Lord and wait patiently for Him.” However, David surrounds his statement about waiting with many calls to action. “Trust,” “do,” “delight,” “enjoy” and “commit” are just some of the action words he uses to describe how he will interact with his Lord. “Waiting” is more of an action we are to carry out on a daily basis than a state we’re stuck in. Waiting with Confidence Tell CCM The song that has probably made more of an impact on my life than any other song out there is Nichole Nordeman’s beautifully written “Why.” The first time I heard it was in December 2000. I had just met my now husband and recommitted my life to Christ two months before. I was never really into Christian music, other than praise & worship stuff I sang at church. A friend said, “You have to hear this song!” So I sat down, and he played it for me. By the end of the song my heart was pounding, and I was crying so hard I couldn’t see. For the first time I could put myself in the story of the crucifixion, and it hit me then and there that Christ died for me! —Amanda Eiland, Columbus, GA How have CCM Magazine, the artists and their stories changed your life? We'd love to know! Please e-mail us at [email protected] or write to 104 Woodmont Blvd, Suite 300, Nashville, TN 37205. >>> “I am still confident of this; I will see the goodness of the Lord in the land of the living. Wait for the Lord; be strong and take heart. And wait for the Lord” (Ps. 27:14). In spite of the darkness going on in David’s life during this Psalm, he is holding on to the hope that God will rescue him and continue to take care of him. He’s acting by praying, petitioning and praising. He’s also believing in God’s ultimate plan. Waiting with Patience “Be still before the Lord and wait patiently for Him. Do not fret when men succeed in their ways; when they carry out their wicked schemes” (Ps.37:7). One thing is clear when studying David’s writings. He continues to struggle with the same challenges and frustrations day in and day out. But you will never find one place where David says, “OK, God, I’m done. I can’t wait on You any longer.” Instead, David continuously approaches His Father’s throne. Shouldn’t we do the same… even in our darkest hour of loneliness? Even in our most frustrating moments of singleness? For more information visit www.eharmony.com. Announces Its Annual Friends & Family Music Cruise With Newsboys, Mark Schultz, Big Daddy Weave and More; 20 ccm july 04 ccmmagazine.com >>> CCM_07.04_IndustryBeat.final 6/3/04 9:59 PM Page 22 K industrybeat A conversation with Keith Harrold and the latest industry buzz by Jay Swartzendruber What does your actual job entail? My job primarily consists of learning about Word’s new releases—CDs, DVDs and printed music—then, on a monthly basis, presenting those releases to about 180 Christian stores throughout Pennsylvania, West Virginia, southern Ohio, western New York and some of New England. I also work with radio, television, festivals and concert tours as they relate to my territory. I really love my job most days. It’s hard to believe I get paid for doing it. The travel is fun; but, just like an artist, sometimes it’s really hard to be away from home. What would be some of your favorite career highlights so far? I once ate worms (imported pre-packaged snacks) with Steve Taylor. I got to meet one of my drum heroes, Chester Thompson (Genesis, Frank Zappa) and then play his drums at the Wildhorse in Nashville with a whole bunch of great musicians such as Phil Keaggy, Dave Perkins, Phil Madeira, Dan Posthuma and Heather Floyd (Point of Grace). I attended a “Loft” event at Amy Grant’s barn. I was in a small hotel ballroom with maybe 60 others when Rich Mullins played “Awesome God” for probably his first time at an industry event. I get to work very closely with both the “Creation” festival and the “Kingdom Bound” festival. And, of course, touring and recording with the Apologetix. How do you see downloading trends making an impact on retailers? Even when a consumer legally buys an iTune or other service of a song, the retailers are just cut right out of that dollar. When you think about it, you need a Christian store for a lot of reasons; and they need to sell best-selling music and books so they have things like communion cups at 9:30 on Saturday night. Kickin’ Back with Keith Keith Harrold, a field sales representative, carries a badge (i.e. a backstage pass). For the past 21 years Keith has excelled in his role with the company we know now as Word Entertainment. He’s served under six owners, landed Word’s national and regional ‘Salesman of the Year’ awards 11 times, has been presented with 55 gold or platinum album awards and, passing on several opportunities to relocate to Nashville, has elected to remain in Greensburg, Pa. (near Pittsburgh), where he spent his childhood. Over the years he’s worked with dozens of Christian music’s most prominent artists, including Amy Grant, Michael W. Smith, MercyMe, Petra, P.O.D., Ron Kenoly, Randy Travis, Sixpence None the Richer, Point of Grace, Leslie Phillips and the late Mark Heard. How did you get into the music business? After getting a college degree in retailing, my first job in the music industry was as a manager for the National Record Mart chain. I began listening to pop music really early and started playing drums in 1965, then professionally in 1969. I’ve played in polka, country, progressive rock and Christian bands, including Apologetix on and off since 1992. I’ve also been playing drums on church worship teams since 1978 and recently completed a book about drumming in church, The Worshipping Drummer. >>> I understand you’re one of CCM’s earliest subscribers. When did you start reading our magazine? I bought my first CCM in September 1979. Seawind was on the cover—I really loved that band—and it was a large, newsprint style magazine. Amy Grant’s My Father’s Eyes was the No. 1-selling contemporary Christian album in that issue, and the Imperial’s Heed the Call was the No. 1 southern gospel release. I still have every one of them. And the beat goes on... Thanks to Bono’s DATA organization, you can sneak a peak at Michael W. Smith’s next album (due early next year). Visit data.org and click on the “ONE Campaign Launch” button. There you can check out a clip of Michael’s special live performance of “Healing Rain,” which he dedicated to Africa’s AIDS orphans during the recent ONE event in Philadelphia. You can also join Michael, Jars of Clay and thousands of others in signing the ONE petition. According to airplay charts at Billboard and Radio & Records, Christian market-supported artists recently accounted for an unprecedented six mainstream hits during the same week. While Switchfoot remained planted on the Alternative chart (“Dare You to Move”) and the CHR/Pop chart (“Meant to Live”), MercyMe logged its second AC hit with “Here With Me.” Jars of Clay's Who We Are Instead entered the top 30 of the Triple A album airplay chart, while Skillet (“Savior”) and Thousand Foot Krutch (“Rawkfist”) took up residence on the Active Rock chart. Log on PremierChristianCruises.com for More Details • Kevin Max Set to Break a Leg in Stage Production 22 ccm july 04 ccmmagazine.com >>> CCM_07.04_TheReel.final H 6/3/04 10:06 PM Page 24 reel An interview with The Notebook’s Nicholas Sparks and more by Joan Brasher “My parents are holocaust survivors, and they came to this country with nothing,” he said. “But they overcame amazing adversity and still had joy in their hearts. That’s what inspired me. I was drawn to other people who have overcome adversity yet have hope and inspiration in their lives. That’s what this movie is about.” With a background in nature cinematography, Schwartzberg has created a visually captivating and emotionally stirring piece of work quite unlike anything else out there. Rock legend John Mellencamp agrees. After seeing the film, he volunteered to contribute an original song. The soundtrack also features music from Smash Mouth and John Hiatt. Look for America’s Heart and Soul in theaters now, and prepare to be inspired. That’s all she wrote, folks. Stay cool, and keep it reel. Faith-Informed Film Best-selling author Nicholas Sparks is a committed Catholic who prefers to keep his stories on the more wholesome side. But that hasn’t hurt his book sales or his movie offers. The highly successful feature films A Walk to Remember and Message in a Bottle were both based on his novels. As we mentioned last month, The Notebook, which is inspired on another of his books, released to theaters nationwide June 25. We recently connected with Sparks to see how his faith intersects with his work. “My faith informs my writing, and it is a part of all of my characters,” Sparks said. “Throughout all of my novels there are always elements of faith woven throughout. In The Wedding, one of the characters is an atheist; and his wife introduces him to prayer and the Scripture and attending [church]. Three Weeks With My Brother is based on my brother’s struggle with faith. It opens with a proverb, and we quote from Corinthians 10.” Sparks said that because of his convictions, there are certain topics he simply won’t write about. “I’ve written love stories, but I can’t write about adultery,” he said. “I just can’t do it. Usually if you have a book about a couple who is having problems, 99 percent of the time, one of them goes off and has an affair; and they make it this beautiful, romantic thing. I despise that.” See CCM’s June issue of “The Reel” for our actual preview of The Notebook. Favorite DVD From Your Favorite Artists: Home Sweet Home Director Louis Schwartzberg spent more than two years shooting America’s Heart and Soul, an emotional trip across America, profiling the extraordinary people who make up the fabric of our great land. The film is a composite of fascinating stories profiling a cowboy, a coalminer, a blind mountain climber, a bicycle messenger and a farmer, to name just a few. What each has in common is a passion to follow his or her dreams. Shot before 9/11 and the war in Iraq, the film wasn’t originally intended to uplift a wounded nation; but its July 2 release seems particularly timely. Schwartzberg’s first feature film, it was inspired by some remarkable people close to home: his mom and dad. >>> This month The Insyderz’s frontman, Joe Yerke, joins new buzz artist Bethany Dillon in strongly recommending the Mel Gibson blockbuster Braveheart. “Braveheart is amazing,” says Yerke. “To think someone can stretch themselves so far and have the courage to do so much over something like political and personal freedom… If we, as Christians, could harness that same strength to ‘free’ people from their chains as well, this would be a much better place.” And Dillon? She pretty much thinks it’s the end all, be all. “Braveheart is my favorite movie of all time!” she states, hiding none of her enthusiasm. “Without fail, every time I watch it, I am completely ruined. With the bagpipes playing in the background, the epic battles, the deep-rooted friendship and the powerful theme of reckless love—it’s unbelievably beautiful. I’ll never forget how I felt when I first heard William Wallace shout, ‘Freedom!’” of “Joseph and the Technicolor Dreamcoat” • Pax217 Currently at Work on Exclusive EP For Sale Online 24 ccm july 04 ccmmagazine.com >>> CCM_07.04_O2W.final 6/3/04 10:02 PM Page 26 onestowatch >> B Y C H R I S TA FA R R I S A N D K E L LY O ’ N E I L * FALLING Up It’s All Fun and Games... This Oregon-bred sextet has been touring the country over the past few months on Kutless’ “Sea of Faces” tour, introducing crowds to the catchy, “pash” rock tracks from its debut album, Crashings (BEC). Proving that a little help from friends doesn’t hurt (especially if they happen to be in Kutless), Falling Up’s opening slot on the tour helped the band gain new fans and may have even stolen a bit of its tourmates’ thunder. CCM: How do you and Kutless know each other? JESSY: We all went to high school together. Josh, our drummer, and James Mead from Kutless were in another band. They quit; and James moved up to Portland, and Josh came to our band. Then we made a demo right after senior year, and they [Kutless] got a hold of it and gave it to a couple record companies. Tooth & Nail [BEC’s parent company] was one of them. CCM: Have any shows been particularly memorable? JESSY: A show that was really funny was the last show of the tour. We were playing, and Kutless came out; and they started messing with our equipment. They started taking Josh’s drums off the stage while we were playing. Then they came out, and they had baby powder or something; they were putting it all over the guys—spraying it in their faces. * SOMETHING LIKE Silas Diversity Rules! Somewhat of an eclectic group, this San Diego-based band is comprised of five members—Eric Owyoung (vocals, guitar), John Luzzi (bass), Nick Maybury (guitar), Malina Owyoung (keyboards, vocals) and Lenny Beh (drums). Describing its music as “dynamic” with a range of influences, Something Like Silas released its label debut, Divine Invitation (Sparrow), June 15. CCM: What’s the fascination with the Viewmaster on your Web site? JOHN: Our last [independent] album was called Glimpses. It’s about moments with God that we have—whether it’s in nature or when meeting with each other. So we call those “glimpses.” CCM: With a lot of influences in your music, is it a problem getting everyone to agree? ERIC: We’ll have songs that are rocking really hard and then some that are really ambient and have all this space. In the beginning, it was like, “What are we going to do with all these styles?” But we found our identity is these varying textures, this huge dynamic. CCM: What are your tour plans? MALINA: We have a home church we’re a part of in San Diego. That’s what our heart vision is—being a part of shaping the church and bringing songs to the church. We’re there two-thirds of the year, so a lot of our touring is regional because we want to get back for Sunday. ERIC: Flood is a church service we started over three years ago. There was a huge need in San Diego for the younger people who were there. We now have about 2,500 people coming, and the church service is geared toward people who think with a post-modern mindset. The church has been probably the life blood of what we do. 26 ccm july 04 ccmmagazine.com CCM: Your music is a mix of sounds. Does that reflect your personal preferences? JESSY: Each person in our band is really opinionated with his music, so we never agree on what everybody likes. My favorite band is Switchfoot. I know some of the guys are really into hardcore. Joe is really into Demon Hunter—super hardcore stuff. It’s kind of weird because Tom and I, the other guitar player, we’re more into softer acoustic kind of chill stuff. And it’s weird that it’s what we like; yet we play heavier stuff, and we don’t listen to that stuff normally. CCM_07.04_Bible.final3 6/4/04 11:04 AM Page 28 livingthemessage by Christa Farris “But now that you’ve found you don’t have to listen to sin to tell you what to do and have discovered the delight of listening to God telling you, what a surprise! A whole, healed, put-together life right now, with more and more of life on the way! Work hard for sin your whole life and your pension is death. But God’s gift is real life, eternal life, delivered by Jesus, our Master. (ROMANS 6:22-23 AS PARAPHRASED IN THE MESSAGE) The Freedom in Holiness How can a holy God co-exist with sinful humans? How do we follow the call in 1 Peter 1:16 to “be holy because I am holy” in the choices we make in our daily lives? The holiness of God is something that’s really hard to wrap your mind around; it leads to an abundance of puzzling questions. Holiness is something we can certainly aspire to yet something we’ll never fully attain or even comprehend. After all, only God has the ability to be holy—to be completely set apart from what’s sinful and evil. Before Jesus’ time, Moses’s brother Aaron had to “present the Levites before the Lord… so that they may be ready to do the work of the Lord” (Numbers 8:11). In the customs of their day, people had to be purified before they could approach God; and they were expected to demonstrate God’s holiness by their actions. From what they ate to their attire (Let’s just say that jeans were probably not allowed.), the need for holiness and purity permeated everything they did. Contrary to the lives of many modern Christians, these early Israelites were intentional about being separate from the rest of society. They emphasized the need for constant reflection about their sin and were always careful in approaching God. In our society where we can usually wear whatever we’d like and are free to approach God as a friend because of a personal relationship with Jesus, 28 ccm july 04 ccmmagazine.com the need for holiness can sometimes get lost. How can we have a life of holiness without succumbing to legalism? How do we live a life of holiness in a society where having moral values is considered taboo? Think of an example of an individual who sets out to lead a “holy” life, and a certain stereotypical kind of person generally pops into most people’s minds. Maybe it’s a monk who lives in a monastery and dedicates his entire life to prayer, fasting, solitude and studying the Word. Or it’s a pastor who seems so heavenly minded that he causes you to feel like you could never measure up. Or perhaps it’s a missionary who sacrificed a comfortable and familiar life to plod about a distant land in order to share the gospel with the locals. While all these examples “Surprisingly, people still succeed certainly are noble callings on a certain level even when they that God specifically places choose to ignore His plan, but upon a person’s heart, second-best is a long way from holiness doesn’t require God’s best.” automatic isolation from the rest of the world. When you begin to grasp what God’s CCM_07.04_Bible.final3 6/4/04 11:05 AM Page 29 holiness means, you can’t help but respond with a sense of wonder and awe. When you consider that God, who has no connection with sin or evil of any kind, is willing to give “eternal life in Christ Jesus our Lord” (Romans 6:23), you can’t help but revel in the freedom that brings. God doesn’t call us to embrace holiness because He wants us to obey a certain set of rules. Rather, it’s because complete surrender to Him allows us to experience the fullness of life and the blessings that God has for us. Surprisingly, people often succeed on a certain level even when they choose to ignore His plan, but second-best is a long way from God’s best. In Genesis, God told Abraham that he would be “the father of many nations.” However, when Abraham didn’t see immediate results, he took matters into his own hands with Hagar because of his wife’s apparent inability to conceive. God still allowed Abraham to be blessed with the birth of Ishmael, but Ishmael wasn’t the fulfillment of the ultimate blessing God initially promised. After all, God had told him Sarah would bear the son of promise, not Hagar. But, in His grace and love, God made another covenant with Abraham and promised that he and Sarah would still have a son—even in their old age. God proved, once again, that nothing is impossible with Him. Abraham’s obedience led to the blessing of a son, Isaac. This example can always cause us to wonder what we may be missing out on because of a lack of patience or respect for God’s plan. Ultimately, His plan is always better than anything we dream up for ourselves. “A.W. Tozer has an amazing book that I read when I was in college. And that book spun my head around about who God is and His attributes. I think in today’s day and age we have this view that we want to put everything in some sort of cage where it’s understandable and convenient. But the holiness of God is something you can never put in a box or fully understand. The mystery of who He is certainly is beyond me, and I think it’s good to remember that it’s a gift to be able to approach who He is. Yet we will always be continually going deeper and deeper into that mystery. —Jon Foreman (Switchfoot) Questions to Ponder: 1. How do you define holiness? Is your definition based on preconceived ideas or a list of rules? 2. How do you reconcile the tension between serving a holy God while remaining a sinful man/woman? 3. In what instances have you realized that God’s plans are better than ours because you dreamed up your own plan? How can you learn from these experiences to trust Him more? This month’s “Living The Message” is an excerpt from the CCM/Integrity Publishing Hungry: An Ultra Vertical Devotional Adventure by Christa Farris. 'ODS7ORD HASALLTHEELEMENTS OF A GREATSTORYnGOODGUYS BADGUYSEPICBATTLESDEVOTED SIDEKICKSROMANCEBETRAYALAN ETERNAL3AVIOR)TS EVERYTHING WENEEDTOSTAYALIVE 3OMETIMES THETRUTHISBETTERTHANFICTION CCM_07.04_Pillar.v10 30 ccm july 04 6/3/04 ccmmagazine.com 10:28 PM Page 30 CCM_07.04_Pillar.final 6/4/04 6:28 PM Page 31 By Lucas Hendrickson Photos by Lee Webb Following its debut in 2000, Pillar took less than three years to become one of the Christian community’s most unusual breakout artists. Imagine a modern hard rock band that easily sells more albums than most of the artists in heavy rotation on Christian pop radio. And despite mainstream label mishaps and mixed messages from fans, Pillar continues to push ahead with more conviction and sense of purpose than the title of its new album, Where Do We Go From Here (Flicker), might suggest. L-R: Noah Henson, Lester Estelle, Rob Beckley, Kalel ccmmagazine.com july 04 ccm 31 CCM_07.04_Pillar.final 6/4/04 1:15 AM Page 32 On the Way to the Top You know the feeling. You gaze at your own reflection for a split second too long, and the image starts to become unnervingly unfamiliar. You notice details of your physical appearance you had never seen before, and the questions start: “Who am I? How did I get here? Why am I here at all?” Rob Beckley has asked those questions. He’s had those moments when he wondered where his life, his relationships and his career were going. And out of those moments, he mustered his talents, creativity and calling and redirected those questions into song. “Anytime I say the word ‘you’ in a song, it’s basically me talking to me,” says the lead singer and lyricist for Pillar. “Some people might take it as me talking to people, telling them they need to look at themselves in the mirror. But the song ‘Staring Back’ is actually me staring in the mirror, seeing a different person than who I really am.” Another question in the life of Pillar—which also includes guitarist Noah Henson, bassist Michael “Kalel” Wittig and drummer Lester Estelle—comes in the form of the title of its latest project, Where Do We Go From Here. It’s a valid question in the minds of the band and its fans, considering the extreme ups and downs the group has faced during the past couple years. That rollercoaster ride began with the 2002 release of the band’s landmark record, Fireproof, and the hit single by the same name. Fireproof was the Kansas-born, now Oklahoma-based hard rock outfit’s second effort for Flicker Records. When both the album and single started gaining momentum, the mainstream rock world took notice; and, truth be told, the band felt ready for that to happen. “We did everything we possibly could to prepare for that album coming out,” says Kalel, whose nickname rings in honor of Superman’s Kryptonian birth name. “We had a good feeling about it, and we knew ‘Fireproof’ was a strong song. Our drummer at the time, Brad Noone, said, ‘If this song isn’t a hit, there’s nothing more we can do.’ We felt really confident about it.” “We wrote ‘Fireproof’ on Sept. 11 [2001] in Green Bay, Wis., in a youth room in some church with the TVs going all morning long,” Rob remembers. “I already had the lyrics done, so it wasn’t an influence; that was just the day we happened to write the music. When we finished it, we knew the song was going to be awesome; and with that, it sort of eased some of the tension in writing the rest of the album.” Fireproof sold more than 100,000 copies by the time mainstream label MCA got involved with the project, licensing the record from Flicker and re-releasing it in the fall of 2003 with a remix of the single and a cobbledtogether bonus DVD of live performance footage. The single made it to No. 39 on Billboard’s Mainstream Rock Tracks chart, and the album reached No. 6 on the publication’s Heatseekers retail chart. Fittingly, the band picked up some publicity in magazines, including Rolling Stone and Hit Parader and found themselves opening for some of modern rock’s heaviest hitters. “We got to do some cool shows with Korn, with Sevendust, another one with Trapt and some mainstream festivals,” Kalel says. “We got just enough mainstream exposure to stick our foot in and see what it was like. But we’ve never talked like, ‘Hey, we’re gonna go mainstream and do this or that.’ We just kind of did what we do—go play our shows and go through the doors that opened up.” But even after tacking another 100,000 units or so onto the sales total for Fireproof, Pillar fell victim to the realities of today’s music business when MCA was dissolved into parent company Universal Music Group. The band was shuffled onto the roster of Geffen Records, where Pillar was virtually anonymous. Kalel cuts to the chase, “When we got to Geffen, there was nobody there who knew what Pillar was or even cared.” The now-veteran band, having been together in some form since 1998, 32 ccm july 04 ccmmagazine.com took back the reins of its career from the disinterested mainstream label, and set out to forge ahead with the next step… but not without breaking some things down first. What’s Next? In the midst of what seemed to be dark days, Pillar was able to turn for direction on what its next step could be to another group: the fans. “When we were doing the release week with MCA, we did four in-stores in two days: Tulsa, Wichita [Kan.], Kansas City and Columbus, Ohio,” Rob says. “At a couple of those shows, they wanted us to play; and we couldn’t do a rock set because they wanted us to play indoors. So we had to do acoustic sets, and somehow we pulled it off. We taped it with a cheesy home video camera; and I did this little video clip, put it on our Web site, and our fans just loved it. They told us we should record an acoustic album. “We started brainstorming because we knew we weren’t going to be able to even get into a recording mode until December or January,” he continues. “So in September, we made the decision to pull out the stops; and when we were going in to record ‘Sunday Bloody Sunday’ [for In the Name of Love: Artists United for Africa, the benefit/U2 tribute album], we also decided to do an acoustic track of ‘Further From Myself’ and see how it turned out. We did that and a track of [the new album’s first single] ‘Bring Me Down,’ thinking we’d put one new song on there.” And in Pillar’s typical, let’s-get-it-done fashion, the band took it one step further. Setting up a live show in its adopted hometown of Tulsa, Okla., and personally taking care of the details—from set design, to lights, to production—they recorded and filmed the performance for what would become Broken Down: The EP. “We’ve got a real hard-working band and crew,” Kalel says. “Everybody’s very involved in all aspects of it, and it’s not like our manager just calls us up and says, ‘Here’s where you need to be and when.’ Our hands are in every cookie jar that has to do with Pillar.” So even while the volatile nature of the music biz was roiling around them, the men of Pillar were able to not only fashion something satisfying to themselves and their fans, they set the next creative season of their career into motion. “We’ll make the best glass of lemonade in the world out of a sour, rotten lemon,” says Rob. However, the fact remained that there were still questions. Many asked why Pillar would align itself alongside mainstream bands with less-thansparkling reputations or play in venues such as clubs or bars, where a Christian audience is not altogether comfortable or sometimes welcome. It’s a conundrum every artist who has ventured beyond the standard confines of Christian music has faced, and Pillar, more so than most, because of the aggressive nature of the music it plays. But the men who make up Pillar, through much prayer and discussion amongst themselves, their families and the people who hold them accountable, have come to believe that this is their calling. “We just want to write music that, if it can encourage the choir, cool; and if it can go beyond the walls of the church, even better,” Rob says. “One aspect of the Christian life is that we are to hold each other accountable. If you honestly feel in your heart that God wants you to ask us about something, dude, come and ask,” Kalel continues. “If you’re a Christian brother, we want to hear that. But, and this is not just with us but with anything going on in your life, really think and pray about it first before you try to judge and come down on people.” “We played the Whisky A Go-Go on Sunset Boulevard in L.A., and we got an e-mail from a guy; and he ripped me apart, basically,” Rob says. “I emailed him back and asked, ‘What is it you’re so mad about? Are you mad because you don’t have the guts to go out on Sunset (continued on pg.34) CCM_07.04_Pillar.final 6/4/04 1:17 AM Page 33 ccmmagazine.com july 04 ccm 33 CCM_07.04_Pillar.final 6/4/04 11:46 AM Page 34 (continued from pg.32) Boulevard, stand up on a stage in front of people and sing songs about a God who has done things you don’t even comprehend? Are you so insecure about yourself that you have to get mad at me for doing what I’m called to do?’ “He e-mailed back, and it was almost like you could feel the tears rolling out over the computer screen. I could just feel that I’d struck a nail into his heart, and he said I was right,” Rob continues. “The only expectations we need to live up to are the ones God expects from us.” A New Sound One thing Rob and company vowed not to let tear them apart was the creation of the new record, Where Do We Go From Here. Buoyed by a new recording agreement with Flicker, the band went into the studio in the waning months of 2003, ready to craft its next step, replete with new ideas garnered from its fall headlining tour and excited to finally record with new drummer Estelle. “Everybody was asking us if we were nervous because Fireproof was so good and did what it did,” Rob says. “I really wasn’t nervous about the music because I knew it was going to come together. Noah was writing some really good stuff, Mike had some really cool bass lines, and Lester just brings a whole new groove to the band. “They all had some great things, but I was a little stressed. How am I going to write? I was dreading it because I was a little nervous about trying to come up with ideas to finish songs,” says the often-nonchalant frontman. “But we got in the studio and, in thinking about all the things we had been through, they’d just appear. I’d come up with a melody or an idea for the lyrics, and they’d just fit.” “One thing I think really helped is that we had ‘Bring Me Down’ bagged,” Kalel says. “We were trying to do something new, rather than just copy what we were trying in the past. It had been two years since we recorded, so it proved to us we could still do this.” The result moves Pillar away from the rap-metal pack it’d been running with and more toward a full-featured rock & roll band. The heavy guitar sound is still there but with more emphasis on hooks and melodies to go along with the riffs, and Estelle’s rhythm work clearly adds an element that was missing in previous Pillar projects. “I’ve become a lot better player and still have to improve because [Lester’s] so good,” says Kalel. “His rhythm is so amazing, and he’s opened my ears to so many more things I can play. I think the way the guitars and bass work together really shine on a few songs, like ‘Bring Me Down’ and ‘Simply,’ where we’re playing complex, completely different parts; and they work together—really weave in and out of each other.” Those complex parts sometimes made the recording process a tad contentious, as Noah’s guitar parts would give way to Rob’s needing to find a thread he could sing to within the framework of the riff. “Noah and I are always going at it,” says the vocalist with a smile. “I say, ‘I can’t sing over that; there are too many changes in that riff.’ And he says, ‘Well, I don’t want to play a simple riff like everybody else.’ “We duel each other to try and get something better out of each other. His riffs aren’t just simple, open, strummy 1-4-5 chord progressions. Some of the stuff is very intricate, and I have to sit down and think about what notes, what mode, what scale, what transitions will fit over his riffs.” As far as themes running through Where Do We Go From Here go, again much of it is drawn from Rob’s introspective nature. “I think a lot of it was just me dealing with me and questioning my faith, questioning why people question me,” he says. “’Let It Out’ is me questioning everything, and the verses are asking things; and in the chorus I’m just letting everything out and crying out to God. “’Simply’ is kinda the same thing. Even though we do the 34 ccm july 04 ccmmagazine.com CCM_07.04_Pillar.final 6/4/04 1:16 AM Page 35 A Pillar of the Online Community dumbest things, God simply loves us. When I first wrote it, I thought it was so cheesy. But when I recorded it, it was so profound to me; and now I don’t care if anybody thinks it’s cheesy. “It broke my heart to realize how simple God’s love is, and we make it so complex,” he says. “We make it a legalistic love, like God doesn’t love you because [of something you did]. It doesn’t matter; God will love you.” Open Doors Having wrapped up its run on this year’s “See Spot Rock” tour and awaiting what Where Do We Go From Here will do, the guys in Pillar sense new doors opening all around them. But for potential fans unfamiliar with the band and what sets the guys apart from their hard-music peers, both Christian and general market, what would Pillar say to get them to try their music out? “The funny, arrogant answer is that I can actually sing,” Rob says, setting off laughter from others in the room. “Seriously, if somebody were to see us live and try to explain to their friend why he or she needed to go see us, we’ll put it this way: There are a lot of bands out there with great music. There are a lot of bands out there with great live shows. My opinion of our band and the guys I get to be onstage with is that they’re great musicians; they all rock—great stage presence, great performances—and they own their instruments and the music. I’ll take the heat over sounding like some other vocalist, but don’t mess with my band.” And for those folks who feel they have an issue with some aspect of the band, be it their look or the places they play or the bands they share a bill with, Rob replies: “You can buy the record, and you can support us that way. You can not buy the record; but pray for us and support us that way. You can come out to the show and support us that way. You can talk to somebody about us, support us that way. If you’re not comfortable coming to where we’re playing, by all means, don’t come and put yourself in a jeopardizing situation. If you’re a recovering alcoholic, and you come to a show at a bar; and you stand there, and you’re twitching because you want a drink, by all means, don’t come to the show. Catch us next time at a different venue. “But if you want to come out and be a light in a dark place, by all means, come to the show, cheer for Pillar and leave when we’re done,” he says. “Or hang out with us afterward or before or whatever. But don’t bash us for what we’re trying to do. We really are trying to do this with integrity, to do it to the level we know we’re called to do.” It’s the best way Rob Beckley, and all the men of Pillar, knows how to look at himself in the mirror every morning. ccm How many controversial Web sites can claim to be the inspiration for songs by top-selling Christian artists? In the case of XXXChurch.com, one need look no further than Pillar’s two most recent albums. And with a tagline such as “#1 Christian porn site,” it should come as no surprise that XXXChurch.com has received a lot of hits by Web surfers— but 80 million of them?! When you land on the site and take a look around, you realize the organization’s spin on “truth in advertising.” XXXChurch.com is a site about pornography and the issues it creates in not only the church but also the world at large, and founders Mike Foster and Craig Gross (who’ve been featured on the “Every Young Man’s Battle” video series with Steve Arterburn and James Dobson) certainly understand the uneasiness that causes with some people. “It came about because Mike and I saw so many people caught up in this problem, but nobody doing anything about it,” Gross says. “We thought, ‘Let’s just put something together that will present this message in a way where people might be intrigued to find out about it, rather than just run from it.’” Foster and Gross, both ordained ministers, have been taking their message to distinctly different communities in several, sometimes controversial, ways; and the mainstream media has taken notice. The pair has been profiled in GQ Magazine, Newsweek, the Los Angeles Times and on “CNN Headline News” and “The Daily Show with Jon Stewart,” primarily for their decision to have adult filmmaker James DiGiorgio direct and shoot a kid-friendly public service announcement that was born out of a mutual belief that children should be protected from pornography. It’s XXXChurch.com’s intersection with the adult industry, including setting up booths within trade shows such as Erotica L.A., that gets it in hot water with some members of the mainline Christian media. Responds Gross, “We know there’s some stuff that’s controversial, but when you get down to the heart of what we’re trying to do, I don’t think there are many places you can argue with.” Once you get past the site’s name and dig deep into the resources available for a wide variety of audiences, including teens and their parents, adults, pastors and churches, you see the group takes their work seriously, if slightly tongue-in-cheek. That devotion to the cause led Pillar’s Rob Beckley to pen two different songs, “Behind Closed Doors” on Fireproof and “Dirty Little Secret” on Where Do We Go From Here related to the group’s work and led Flicker Records to create a compilation disc, Flicker Rocks Harder, that helps spread the group’s message, as well as its free, innovative accountability software, X3Watch. “We knew we were going to do some sort of low-priced, multi-track, multi-artist CD about a year ago,” says Flicker general manager Troy Vest. “We looked at three or four different options, and we had a few bands, Pillar specifically, as well as Subseven, Mortal Treason and Staple, all talking about XXXChurch. We saw a lot of the things they were doing to reach both the porn industry and communicate their message in a loving way to that industry, as opposed to standing outside a porn show and picketing it. Flicker artists will appear on XXXChurch-sponsored stages at several festivals this summer, alongside speakers from the group. Vest says the necessity of the group’s work overshadows the image issues others might have. “We have to be careful about how we work with them, sure, but at the end of the day, I think they’re a really good organization and very, very needed,” he says. “They’re a company that’s doing the right thing with a topic that’s a huge issue, not just in the Judeo-Christian world but overall.” L . H . ccmmagazine.com july 04 ccm 35 CCM_07.04_HardMusic.final 6/3/04 9:39 PM Page 36 Design by Asterik Studio What’s the deal with Christian hard music? Pillar’s previous album, Fireproof, has sold more than 200,000 copies; and to find precedents that surpass those numbers, you have to look to historical behemoths such as Stryper and P.O.D. Meanwhile, labels such as Solid State, Facedown and now Flicker continue to expand the genre’s realm of influence. With the increasing popularity of rock (including its more aggressive forms), we believe it’s time to offer an authoritative crashcourse on the Christian community’s hard music scene. To do so, we turned to our friend, former CCM Magazine contributing editor Doug Van Pelt, who founded HM Magazine. When it comes to the heavier side of music, Doug’s an encyclopedia on two legs. For almost 20 years, thousands of hard music fans have benefited from his knowledge, relationships and conviction. via the magazine (HMmagazine.com). 36 ccm july 04 ccmmagazine.com When the crowd sways and parts to form a circle, you know to back up. You participate, taking your turn to gyrate and flail your arms as if attempting to create a breeze for those around you, spinning and kicking fast enough to qualify for a Kung-Fu exhibition. Or you watch—from a safe distance. “We just call that ‘dancing,’” notes Underoath guitarist Tim McTague. This is the new mosh pit, the new tradition for those attending and fully throwing themselves into a rock concert flying under the loose banner of “hard music.” Though descriptive by its very name, hard music is inclusive of hard rock and various strains of metal and its close cousins—hardcore and punk rock. In one form or another, hard music has been with us since the late ’60s when artists such as Jimi Hendrix, Deep Purple, Led Zeppelin and Black Sabbath took the instrument of choice—electric guitar—and tortured it beyond previously known limits. Blues-based hard rock begot heavy metal, which begot punk rock, which begot hardcore, which begot a myriad of hybrids, such as industrial, grunge, rap-rock, death metal, black metal, doom metal and stoner rock. And some would say even ska has a place in hard music history. The common denominator is the guitar. The rhythm section of drums, bass and guitar are rarely ever missing from the equation (with a few exceptions, such as The White Stripes); and melody is present in one form or another (along a wide-ranging scale from screaming or CCM_07.04_HardMusic.final 6/3/04 9:39 PM Page 37 growling intensity to radio-friendly crooning a la Kutless, Staind and Nickelback). Gospel music, as many know, can actually boast of being the grandfather of all this musical mayhem, as the spirituals of old begot rock & roll (and the blues). Jerry Lee Lewis, Chuck Berry, Little Richard and Elvis Presley, in particular, are often credited with taking the rockin’ spirituals, “secularizing” them and introducing them to middle class white America in the ‘50s. In contemporary Christian terms, the roots in the hard music family tree trace back to Larry Norman. Petra and Resurrection Band (a.k.a. Rez Band) followed, making live performance the main event of their repertoire. Others quickly popped up: Sweden’s Jerusalem, Canada’s Daniel Band, Rick Cua and the Darrell Mansfield Band, to name a few. By the mid ’80s, when more and more people were getting used to the idea of Christians rocking out in the name of ministry, the first major evolutionary jump in this specialty genre was about to take place by rockers who wanted it louder and heavier—Stryper. “We wanted to give people hope and encouragement,” explains vocalist Michael Sweet, “and, at the same time, give God the honor and the recognition that He deserved through the music and the abilities He had given to us. I wrote the style of music that we played because that is the style I was influenced by at that time. Hopefully, we also added our own flavor as well.” Stryper did add its own flavor, which is one reason why its music was accepted by metal fans around the world. It was good metal, plain and simple. The members still faced occasional bias against them because of their faith, but they broke down many more walls than were erected. “I still can’t believe what God did with Stryper,” continues Sweet. “There were doors that were opened; and, for whatever reason, we were used to open those doors and walk through them.” A movement quickly followed, with bands such as Barren Cross, Bloodgood, Saint and Messiah Prophet using massive decibels to deliver the gospel or sing praise. Early dabbling in punk occurred on the West Coast with Undercover and The Altar Boys breaking new ground for thousands of believers. Metal has an innate tendency to go to the extreme, so its progression to heavier forms of music that were happening at the time—thrash and speed metal—was only natural. Vengeance Rising, Deliverance, Believer and Tourniquet spearheaded this new genre. “We had no idea what kind of impact we were having at the time,” explains Vengeance Rising guitarist Larry Farkas (whose pioneering band is currently planning a summer reunion show in SoCal). “We were just instruments for that situation.” Punk rock was developing in a heavier form in the late ’80s as well, with The Crucified (two members of which later went on to form Stavesacre), The Lead, One Bad Pig and Scaterd Few all releasing albums and becoming frequent players at the annual progressive Cornerstone Festival in Illinois. The early ’90s saw hybrid forms of metal emerge, like the industrial sounds of Circle of Dust, rap-rock pioneering acts such as Jet Circus and heavy-funk experimentalists like Dig Hay Zoose. And the extreme forms of thrash/speed metal went even heavier with the advent of death metal. Mortification was the first Christian act to champion this style. Even though the band was later rewarded with mainstream licensing through Nuclear Blast Records worldwide, like most death metal acts, it was extremely anti-commercial and very underground. These trends could all be seen as early warning signs that another big change was just around the corner: Heavy metal had gone mainstream, with pretty-boy and big-hair acts such as Poison, Ratt and Motley Crüe ruling the airwaves. Even Stryper was enjoying multi-platinum success. If one used MTV’s playlist as a barometer, style seemed to outweigh substance. Metal had become a parody of itself (Ever wonder why The Darkness had to wait until 2004 to make a splash?). Something had to give. Heavy metal, as an art form, died a commercial death rather quickly during that time period, and a new radio format soon emerged—stations with an “X” in their name started popping up in every major market. MTV spit out commercials about a “music revolution,” and “alternative” was the hot (although confusing) format. It’s interesting to note that, perhaps for the first time ever, the Christian music industry led the way in shifting its focus. Perhaps because of its relatively small size, leaders at the Christian record labels were able to suddenly stop signing or pushing any metal product; while their mainstream counterparts (Epic, Columbia, Atlantic, etc.) still had metal departments, and secular record chains still had metal sections to house the dwindling but still-selling genre. Even the young progressive label known as Tooth & Nail was avoiding metal, signing grunge acts such as Wish For Eden and Sometime Sunday, hardcore bands like Focused or pop punk groups such as MxPx. After metal, as a whole, went underground in the early ’90s, it commingled with hardcore, offering metallic guitar riffage with punk abandonment. Living Sacrifice lost its lead singer and bassist after three Slayer-like metal albums; but, instead of recruiting a replacement, guitarist Bruce Fitzhugh moved over and took on the growling duties, debuting this new style with the ground-breaking Reborn album. A band loosely based in Ohio and West Virginia called Zao staked its own claim in this new brand of hard music. Sporting a singer with hardcore leanings (Shawn Jonas), its sound was quite extreme and fast. Its third release, Where Blood and Fire Bring Rest, sported a new lineup that included Brett Detar (who later formed emo rockers The Juliana Theory), crazed guitar performer Russ Cogdell and new vocalist Daniel Weyandt. This shift in sound married an even more insane vocal style that borrowed from the shrill shrieking sounds of Scandinavia’s black metal. It was around this time that Tooth & Nail branched a new division for this hardest music— Solid State Records. “At the time we were putting out hard records on Tooth & Nail,” explains label founder Brandon Ebel, “and some of the bands kept getting harder and harder— Overcome, Strongarm, ccmmagazine.com july 04 ccm 37 CCM_07.04_HardMusic.final 6/3/04 9:40 PM Page 38 etc. At the time we were also signing Living Sacrifice. I decided to start Solid State to build a brand and a community. We wanted kids to know that if it said ‘Solid State’ it was heavy, and it was quality.” The label licensed a Norweigen metal band called Extol, and “metal” became a buzzword again. (To get a rough definition of what hard music is, the uninitiated need only pick up a copy of a This Is Solid State compilation.) Meanwhile, P.O.D. emerged from the pack to become Christian hard music’s top dog. Today, the band’s rap-rock roots are fading, giving way to more melodic rock and highlighting its love of reggae. Interestingly enough, the members replaced departed guitarist Marcos Curiel with exLiving Sacrifice member Jason Truby. In the spirit of punk rock D.I.Y. (do-it-yourself), P.O.D. didn’t ignore its audience or peers in its rise to the top. When given its first big chance to tour, the band brought along friends like Project 86 and Blindside. Other bands enjoying mainstream success include: Epic recording artists Chevelle (who started out on Steve Taylor’s Squint label in ’99 and now sells more than 95 percent of its albums in the general market, despite having Christian distribution), The Juliana Theory and, on a smaller scale, Narcissus (Abacus Records). No Innocent Victim, which started out on P.O.D.’s indie Rescue Records label, flamed out after a brief stint (and two albums) on the respectable hardcore label Victory Records. N.I.V.’s drummer, Jason Dunn, started Facedown Records, easily the second most prominent label in Christian hard music (on the heels of Solid State), judging by street cred and a growing roster of buzz bands. Flicker Records, meanwhile, is headed in that direction, with the recent signings of Mortal Treason, Staple and Subseven. Troy Vest, general manager of Flicker, explains that his label’s increased emphasis on the hard music scene is a natural outgrowth of wanting to work with the forementioned bands, as well as with the success of Pillar. “We looked at the current musical landscape and saw that, overall, hard music continues to be a growing and viable genre; and everyone here at Flicker is a big fan of aggressive music.” They’re not the only ones, as evidenced by the respect earned by many of these hard music bands. Demon Hunter has had its “Infected” video on MTV and a cut on the networks’ Headbangers Ball compilation. Comeback Kid, which started as a side project of hardcore vets Figure Four, is currently riding a live circuit that’s taken the band to Europe and across the States several times, generating widespread respect. Last year’s “Hellfest,” held in New Jersey, saw about a dozen Christian bands on its “who’s who” lineup of 105 hardcore/metalcore/emo artists. Alongside monsters Dillinger Escape Plan, Thursday, Biohazard and Lamb of God were Christ-oriented acts such as Further Seems Forever, Stretch Arm Strong, Underoath, Norma Jean, xDisciplex AD, Sinai Beach, Dead Poetic, Figure Four, Anberlin, Beloved and Comeback Kid. “The future will be great,” says Blindside’s Simon Grenehed. “Look at bands such as Norma Jean. So many of the hardcore bands are doing something original, and it’s well respected outside of the Christian scene. The hardcore kid on the street knows who these bands are.” Underoath’s McTague agrees. “Bands playing in clubs and bars all the time have a lot of opportunities to minister to a lot of people who would never really go into a church. I’ve definitely seen God really using that lately in our lives and a lot of other people’s, so it’s been awesome.” But he also adds a word of caution, “I’m all about breaking down walls, but I think a lot of Christian bands have taken that too far—to the point where they kind of water down their message. I know that’s something we’re trying to remedy and be really upfront and vocal about through our music. I think the biggest thing Christian hard music needs is support from Christians. I think a lot of instances where bands have shied away from the Christian scene [is], in part, due to Christians themselves always talking and kind of going on their judgment trips. I think if the church and people in general could love everyone, that would definitely encourage a lot of Christian bands to stand up for what they believe.” ccm Doug Van Pelt recently authored the book Rock Stars on God (Relevant), which released in May. Siblings Ryan and Don Clark work together and then rock together. Best known as the lead singer (Ryan) and guitarist (Don) of popular Solid State Records hardcore band Demon Hunter, this talented pair insists on keeping their day jobs. Four years ago Ryan and Don partnered with their friend Demetre Arges to form Asterik, an independent Seattle-based graphic design company. Born out of “an equal passion for both music and graphic design,” Asterik specializes in CD packaging, poster art, Web design, merchandise design and “everything in-between.” You have, no doubt, seen the work they have done for The White Stripes, dc talk, Liz Phair, Jeremy Camp, Good Charlotte, Newsboys, Jimmy Eat World, P.O.D., The Strokes, Blindside, New Found Glory and now, CCM Magazine. 38 ccm july 04 ccmmagazine.com CCM_07.04_Sanctus.v12 6/4/04 4:42 PM Page 40 he m lbu om t ew a new ut fr rite N nd s ’ l o a Rea tand “Favo ings g a s u n n s t i s ’ n anc to eader begi t land S s e h a Wit driv CM R out it smay ison C b d i an rm,” lks a ent d id Jen “no ist” ta ’s rec y Dav Art band gle. B the 1 sin No. 40 ccm july 04 ccmmagazine.com L-R: Chris Rohman, Matt Hammitt, Mark Graalman, Steve Goodrum CCM_07.04_Sanctus.v12 6/3/04 9:42 PM Page 41 “As soon as I found out ‘Beautiful Day’ was going to be a radio single, I prayed that it wouldn’t go No. 1,” laughs Sanctus Real singer Matt Hammitt, referring to his band’s contribution to the benefit/U2 tribute album In the Name of Love: Artists United for Africa (Sparrow). “Our song ‘Say It Loud’ made it to No. 2, but we’d never had a No. 1; and I knew I’d be bummed if a song that wasn’t ours got to No. 1 first.” Not only did it reach No. 1, “Beautiful Day” stayed on top of Radio & Records’ Christian rock chart for five consecutive weeks and landed a 2004 GMA Awards Dove nomination for “Modern Rock Song of the Year.” Still, the band’s lament over its cover song success is truly halfhearted, considering how much the guys believe in the cause. “Changing lives is all we care about, and anything else is secondary,” says Hammitt, noting that the album helped raised money to fight the AIDS epidemic. “There’s a crisis in Africa; and if our song helped give support, that’s all that matters.” Charities aside, Sanctus Real might not be waiting long before one of its own tunes cracks the coveted top spot. While its Sparrow Records debut, Say It Loud, was critically acclaimed and sold more than 30,000 copies, the group’s latest, Fight the Tide, shows that these Buckeye State rockers clearly raised the bar. Working with producer Tedd T (Delirious, Rebecca St. James), the band—Hammitt, guitarist Eric Rohman, drummer Mark Graalman and four-stringer Steve Goodrum—worked and reworked songs until they crafted an album that represented its very best. In fact, the disc’s lead single, “Everything About You,” radiates an energetic spark that could very well make the song a No. 1 lock. Still, the musical vision for Fight the Tide, as the title implies, transcends the radio dial and any other marketing concerns. Hammitt, mentioning the many radio formats in Christian music, notes, “There’s pressure for Christian artists to make albums with songs that fit into this or that format. There is some spoken, and more unspoken, pressure to fit into certain molds, and sometimes it’s as simple as looking too closely at what’s popular at the time.” The title Fight the Tide is about resisting such forbidden artistic fruit. “I don’t want to say we’re control freaks, but it’s very important that what comes out of this band is us,” continues the singer. “We want to make sure we’re making music that’s honest to who we are. We must be passionate about the music because it addresses what we go through in our lives.” Sanctus Real clearly found a meaninful album title to reflect the songs within, but the group toyed with a different title that’s also, umm, relevant. “When people see our band name for the first time and try to say it,” laughs Hammitt, “our name always gets butchered. You’ll hear stuff like ‘Sanctual Rio’ or ‘Sanctious Real.’ Since the first record was called Say It Loud, we thought about calling this album Say It Right!” Though a fairly new band on the national level, Sanctus Real has already made its presence known in quite a veteran manner. Case in point, the group’s three Dove Award nominations this year came from involvement in three different albums: its debut disc, the U2 tribute and the !Hero the Rock Opera project (for which Hammitt contributed vocals). Sanctus Real also participated in several major rock tours, including two “Festival con Dios” outings and the “See Spot Rock” and “We Are Tomorrow” tours. The Christian music market embraced these rookie rockers, which fittingly corresponds to an early choice the band had to make. Hammitt explains, “When we were trying to get a deal, we sent packages to mainstream and Christian record companies; and we got a really good response from both. At that point, we really had to do some soul searching and figure out where it was we were supposed to be.” The band mulled over their options; but, in the end, the answer came in simply realizing who they are. “Ultimately, we knew we could relate to kids in the church,” says Hammitt, who grew up in the church himself, as did Rohman and Goodrum. “We are passionate about our faith, and we knew we could encourage Christian kids to keep their faith growing and, likewise, reach kids who never before heard the message. From our personal experience, we felt this was the place we were supposed to be.” Turning back the pages to a small Christian high school in Toledo, Ohio, Sanctus Real found its initial spark when Hammitt and Rohman began playing together in their chapel band. During their sophomore year, the two friends started making their own music outside the school, which led to recruiting Graalman on drums and later Goodrum on bass. They played their first show during the 1996 holiday season. “My dad owns a photography studio that’s in a warehouse, and we did our first concert out of the back of the warehouse,” recalls Rohman. “We practiced and practiced, maybe had six songs and played for a handful of our friends from school. We have the show on video somewhere, which is pretty scary.” After getting through its inaugural performance, the group recorded a six-song demo tape and later a six-song EP titled All This Talk of Aliens. In 1998, the group dropped its full-length debut, Message for the Masses, which was recorded in a garage. For its final independent self-release, the band members wanted to “go all out;” but they first needed to make some money. For Hammitt and Goodrum, it meant taking not-so-glamorous jobs. “We did telemarketing for a few months, and it had to be the most dreadful job ever,” says Hammitt, who hawked auto glass over the telephone. “You have to call people at the most inconvenient times. We got death threats over the phone. One guy said he was going to come through the phone and strangle me.” The worst ones, of course, happened when a person’s car windshield had gotten cracked or chipped that same week. Hammitt continues, “It was like, ‘That’s funny, my windshield gets chipped yesterday; and you’re calling me today!’ Those were the types who really wanted to come after us.” With dues paid, Sanctus Real used its money to record three songs down in Memphis with producer Skidd Mills (Skillet, Jonah 33). As fate would have it, the band entered one of the songs into a local radio contest and won, so they decided to save more money and record a full album with Mills. The disc was finished in 2000; and, not knowing exactly what to do with it, Graalman and Hammitt decided to make a trip to Nashville for Gospel Music Week. “It was rough,” laughs Hammitt. “Mark and I stood outside the main convention center and passed out CDs. We aren’t very outgoing, so it was very awkward. It was definitely out of our comfort zone. I remember a few times when some people really blew us off. We didn’t know if it would do any good, but somehow one of the discs got into the hands of someone at Sparrow Records.” With its days of telemarketing and sidewalk peddling in the past, Sanctus Real made its national bow with Say It Loud and garnered substantial support from fans, including CCM readers, who named the band as their “Favorite New Artist” in the magazine’s 2004 readers poll. “It was completely unexpected, and we’re incredibly grateful,” says Hammitt of the poll. “As a young band, we still need that assurance that we’re reaching people and that they’re catching on to what we’re doing. This type of honor is such a great encouragement.” ccm ccmmagazine.com july 04 ccm 41 CCM_07.04_Jump5.final 6/3/04 9:43 PM Page 42 During the last four years Sparrow Recording act Jump5 has surprised the Christian music community by laying claim to prime real estate on mainstream television, radio, DVDs and motion picture soundtracks while reaping huge album sales. The young group recently said farewell to one of its beloved members and entered the studio to record its next album. By Deborah Evans Price 42 ccm july 04 ccmmagazine.com Clockwise (L-R): Lesley Moore, Chris Fedun, Libby Hodges, Brittany Hargest, Brandon Hargest CCM_07.04_Jump5.final 6/3/04 9:44 PM Page 43 It’s a story Nick Barré tells with understandable emotion in his voice. Any executive working for a Christian record label will tell you he or she hopes lives are being changed by the music being taken to the public. But for this EMI-CMG Label Group director of artist development, it couldn’t get any more personal. It was after a Jump5 show that his young son, Nicholas, accepted Christ. “We pray with our children every night. We read Bible stories. We go to church and Sunday school,” Barré says of his family life, “But this past December, after a Jump5 concert, where one of the members really encouraged kids to have a personal relationship with Christ, my 6-year-old said, ‘Dad, I want to ask Jesus into my heart.’” Jump5 may not be the most progressive modern rock outfit in Christian music or the most experienced worship leaders, but few acts in the Christian community are having the impact on the younger generation in mainstream culture or in the church that these five teens have had during the past few years. Since emerging onto the scene four years ago, Jump5—featuring siblings Brittany and Brandon Hargest, Chris Fedun, Lesley Moore and the recently departed Libby Hodges—has amassed album sales in excess of 800,000 copies via five albums, including a Christmas project and a collection of remixes. And 2002’s All the Time in the World has sold more than 320,000 copies alone, according to SoundScan. It’s the combination of ministry and high-energy entertainment that fuels Jump5’s success. And it’s that high-energy entertainment that has made Jump5 a staple on Radio Disney, having already landed an astounding eight songs in rotation on the network. The group has performed on several “Radio Disney Live!” tours alongside popular teen acts, including Aaron Carter and has received exposure on The Disney Channel, as well as ABC Family television and Nickelodeon. Jump5 has also been featured on the soundtracks of The Lizzie McGuire Movie and Kim Possible, recently recorded a song to be used in the upcoming Disney flick Sleep Over and has been showcased on the DVDs for Lilo & Stitch and Beauty & the Beast. As if that weren’t enough, Jump5 has performed at the White House and the 2003 Macy’s Thanksgiving Day Parade. Jump5’s formation was set in motion when several young friends began performing for local church functions. “At the beginning we called ourselves Fresh Start. That name kind of reminds me of kitty litter,” says Brandon with a laugh. “We started out doing Sunday school songs for other kids and Bible study things whenever they needed it.” When Libby’s mother realized the potential for the kids to really reach other youngsters with the gospel, auditions were held; and the lineup of Chris, Brandon, Brittany, Lesley and Libby became Jump5. Libby recently announced her departure from Jump5 to return to high school. Though already working on its next album, the group is deciding whether to enlist a replacement for Libby or simply continue on as a four-piece act. With Libby leaving to assume the life of a regular high school student, did any other Jump5 members consider jumping ship? “We didn’t want to quit,” says Brandon. “We still wanted to go on and make records and sing for people. It didn’t enter my mind.” Lesley says she doesn’t want to quit but can empathize with Libby’s decision. “It wasn’t a bad breakup or anything like that,” explains the 17year-old. “We just want her to be happy. We didn’t want her to keep going if she wasn’t going to be happy with it. She wanted to go back to high school. Not that she wasn’t happy, but she missed school so much. I think we all miss school. I went to public school, and I miss it. When I come back home, I’m with my friends and family 24/7.” Chris, 18, recently graduated but wasn’t able to walk with his class to receive his diploma. However, he has no regrets. He’s just happy school is over. “When we were on the road, we’d have to wake up really early in the morning to start school. Then we’d do soundcheck and meet & greets. Then we’d have a show, and we usually don’t get done with the shows until really, really late because we sign autographs until everyone is gone.” Brandon admits it’s not always been an easy road. “Yeah, there are some sacrifices you have to make—like spending time with friends. You are going to miss that, but we get so much more. We get to see people looking up to us and learning about the Lord. It’s great to know you made a change in people’s lives while you are still a kid. I can’t believe we get to do this at this early age. I thank the Lord every day that He’s given us this opportunity, and I would not change it for anything.” While the members are certainly having an impact on their fans, Barré says the label has never tried to make Jump5 something it wasn’t— spiritually speaking. “One of the things I’m most proud of about the way we have introduced Jump5 and presented them is that it’s been age appropriate,” he says. “We’ve not pretended they are spiritual giants, and they have all the spiritual answers. They are real kids and have relationships with the Lord; but at the same time, they are growing and developing. So we knew that, early on, to present a 12-year-old child as a spiritual authority would be completely inaccurate. “It’s honest and true to who they are. I think the temptation is always to say that this artist has everything figured out; but you remember when you were 14 or 15, it was just getting a handle on what’s really important.” The label’s goal for them is simply to let them be themselves, make the best music they can and share what God is doing in their lives. “There was a letter by a girl younger than me,” recalls Chris. “She wanted to thank us because she was on the verge of committing suicide. She said, ‘I listened to your music, and I came to your concert; and you guys showed so much hope and have so much faith. I didn’t know what that was.’” Audience reaction fuels many memories for the group; one in particular will always be special to Chris. “It was in Murfreesboro [Tenn.]. It was when Libby was still with us,” he says. “She was giving her testimony and, all of a sudden, these little kids started shouting out ‘We love Jesus!’ It was Libby’s last time to talk in front of [an audience] because she knew she was going to leave the group. It was such an amazing ending.” One thing about young acts is that they grow up, and that transition is usually difficult as the group begins outgrowing its audience. “All of our music tastes have evolved over the past four years,” says Brandon. “We’ve all grown up in our tastes, and our music in Jump5 is also changing. It’s not drastically changing because we don’t want to leave the fans out; but as our fans are changing, our music needs to grow up with them, too. We want to keep our old fans and get new fans in the process.” The members of Jump5 are hoping their new album, due out Sept. 21, will showcase them as songwriters. Brandon has written on a previous album; but, for the most part, the group has relied on outside material. “We’ve had a little more input on everything,” Lesley says of the new album, tentatively titled Dreaming in Color. “We’re still in the process of choosing songs, but everybody has written a song or two for the album. It’s been a cool experience. We all wrote one together, and then we did our separate ones.” Though some things have changed, one thing has not—the group’s mission. “Our taste in music has changed a lot, but we know why we are making this music,” says Chris. “We are making it for our fans.” ccm ccmmagazine.com july 04 ccm 43 CCM_07.04_ListeningIn.final 6/3/04 9:53 PM Page 44 listening in... Michael Card & Brennan Manning Edited by Stephanie Ottosen We hardly felt the need to “introduce” these thinkers/teachers to you. Considering their exhaustive work in the Christian community—from Brennan’s regular speaking engagements and 14 books, including the famed Ragamuffin Gospel and Abba’s Child, to Michael’s 27 albums, recent writing on lament literature and “In the Studio with Michael Card” radio program— there are hardly words to describe the impact these two have made on those who’ve encountered them or their work throughout their decades of ministry. Now we’re honored these two friends of 20 years set aside time to converse exclusively for CCM readers. Michael: A long time ago we first met through your book, Lion and Lamb: the Tenderness of Jesus. And the key theme, for me, was healing our image of God and God our Abba. What does it mean that God is our Father? Brennan: American child psychologists tell us that children learn to speak between the ages of 14 and 18 months. Regardless of the sex of the child, the first word normally spoken at that age level is “Da Da Daddy.” A little Jewish child, speaking Aramaic in first century Palestine at the time of the historic Jesus, at the same age would say “Ab Ab Abba.” I really think we caught the revolutionary revelation of Jesus’ teaching on God the Father because He’s daring us to address the infinite, transcendent, almighty God in the same colloquial form of address our own children used that morning, which is Abba, literally meaning “Daddy.” Without hesitation, the greatest gift I’ve ever received in my life in Jesus is the Abba experience. I could only stutter and stammer about the lifechanging power of the Abba encounter; and, by that, I mean freedom from the fear of life, freedom from the fear that I’m going to betray Jesus with my own malice and freedom from the fear of death. 44 ccm july 04 ccmmagazine.com (L-R): Card and Manning In the years of the Abba desert, which began in the Zaragoza Desert in Spain in the late 1960s, things I’ve come to see about Abba is, one: His love is intimate. If you’ve got skeletons in the closet from your past life, something so shameful, so embarrassing, so utterly self-centered that your palms start sweating when you start thinking about it, the intimate love of Abba reaches into that dark experience. Reconciliation in the Scriptures is not primarily making peace with someone else; it’s first of all making peace with that part of yourself where peace couldn’t be found before—such is the intimate love of Abba. Second, His love is unique, meaning Abba loves me not as you think I am, not as I am supposed be, but as I really am. And the real Brennan CCM_07.04_ListeningIn.final 6/3/04 9:53 PM Page 45 Manning is a bundle of contradictions. I believe in Abba with all my heart; but on a given day when I see a 9-year-old girl raped and murdered by a sex maniac or a 4-year-old boy slaughtered by a drunken driver, I wonder to believe a loving Father exists. The God of my experience is: I love, and I hate. I feel bad about feeling good. I feel guilty if I don’t feel guilty. I’m wide open and locked in. I’m trusting and suspicious. I’m honest and still play games. The fourth thing I’ve learned is Abba’s love is reliable. He loves me if I’m in a state of grace or disgrace. And I’m sure, Mike, if you and I had the chance to share our lives’ stories, we’d discover a striking similarity that both of our lives have been a celebration of God’s faithfulness in good times and in bad. Ironically, it was April Fool’s Day 1965 that I woke up at 6:30 in the morning in a doorway on a commercial boulevard in Ft. Lauderdale, Florida. I woke up in an alcoholic fog, smelling vomit all over my sweater, staring down at my bare feet. And coming along a sidewalk was a woman, maybe 25, blonde hair, attractive lady. She had a 4-year-old son on her hand. The boy broke loose from his mother’s grip right at the doorway and stared at me. The mother came up quickly behind him, cupped her hand to cover his eyes and said, “Don’t look at that filth. All that is, is pure filth.” And 29 years ago, that filth was Brennan Manning. The Abba I’ve come to know through experience, the Abba I’ve come to know by faith loves me as much if I’m born in the state of grace as He does this “born again” state of grace. For His love is never, never, never based on our performance, never conditioned by our moods of manipulation or oppression. It knows no shadow of alteration or change. The love of Abba in Christ Jesus is reliable. The love of Abba is tender. Tenderness is what happens when you discover you’re liked by somebody. If you communicate to me that you like me—not just love me as a brother in Christ, but really like me, then you open up to me the possibility of liking myself, accepting myself, loving myself. The look in your eyes banishes my fears and my defense mechanisms like sarcasm, ridicule, name dropping, giving you the appearance I’ve got it all together. My friend Ed Farrel up in Detroit goes on his two-week summer vacation to Ireland. The reason is his favorite uncle is celebrating his 80th birthday. On the morning of the great day, Ed and his uncle get up before dawn, get dressed in silence and go for a walk around the shores of Lake Kilarney. Just as the sun is about to rise, his uncle turns to the rising sun. Ed didn’t know what to do. So he’s standing beside his uncle, shoulder to shoulder for 20 full minutes, not a word exchanged. Then his 80-year-old uncle goes running, skipping down the road; and he’s radiating, beaming with joy. Ed catches up to him and says, “Uncle Seamus, you look really happy.” He says, “I am, lad.” Then Ed says, “You want to tell me why?” And the old man says, “Yes, you see, “ and then the tears wash down his face, “my Abba is very fond of me.” If I asked the reader right now: Do you believe Abba likes you—not loves you because, theologically, Abba has to love you. Abba loves you by the necessity of His nature. If I asked if you really believe He likes you and with gut-level honestly, you could reply, “Oh yes, Abba is very fond of me,” there would come a relaxedness, a serenity, a compassionate attitude toward yourself and your brokenness. Michael: You have that prayer as a “breathing in, breathing out” exercise. Could you describe that to us? Brennan: Yes, it’s a prayer I had asked an old nun to pray, who had been sexually abused by her father when she was 5 years old. Then at 9 years old, her virginity was taken. At 12 she knew of every kind of sexual perversion she had read about in a dirty book. She said to me: “Do you have any idea of how filthy I feel? I’m filled with so much hatred of my father, hatred of myself.” I prayed with her for several minutes for healing. Then I asked her, “Sister, would you be willing, for the next month, to go to a quiet place every morning, sit down in a chair, close your eyes and pray this prayer over and over: ‘Abba, I belong to you’? At the outset, you say it with your lips; but then your mind becomes conscious of the meaning and then, most importantly, in a figurative sense, you push your head down into your heart so that now, “Abba, I belong to you,” becomes what the French call a crie de couer, a heartfelt cry to the depth of your being, establishing at the beginning of each day who you are, why you’re here, where you’re going. It’s a prayer you can pray walking across the street, driving your car, watching television, eating a meal, sitting in church. When you do this, literally dozens and dozens of times a day, you can, as Jesus says in Luke 18, “Pray all day long and never lose heart.” Well, I asked the nun if she would try, and she said, “Yes.” And two weeks later, I received the most moving and poetic letter I’ve ever gotten in ministry. This old woman described the inner healing of her heart, the complete forgiveness of her father and inner peace she had never known before. And she ended her letter this way: “A year ago, I would have signed this letter with my real name in religious life, Sister Mary Genevieve. But from now on, I’m just Daddy’s little girl.” Michael: Her image of God as her father had been healed. We all come into this, trying to relate to God bound up with the relationships we had with our earthly fathers. That’s got to involve healing. Obviously, this woman is an extreme example, but my father was a doctor—a wonderful Christian man, a gentle man but very busy and very performance-oriented. Like so many others, when I tried to relate to God, I thought, “Well, God is a person who’s probably too busy for me. God is a person who probably would only accept a straight-A report card from me.” I think that’s why, when I read Lion and Lamb, that business of healing the image of my father completely changed my life. That’s the process that happened to this nun. And that’s a process that most powerfully happened to you. Brennan: Yes, I can really relate to what you’re saying, Michael. My own father, God bless him—with an eighth-grade education because he had to go out and support his own family because his father was alcoholic—was only available to speak an abusive word or tell me to go to my room and drop my pants and beat me over the back and buttocks with his leather belt. My image of God the Father, my image of any father, was one who was abusive, demanding, correcting, scolding, criticizing and a constant monologue to me of impatience and chastisement with my behavior. There was a fascinating study done in 1976 that said those who have had a negative experience with their human father and those who’ve had a very ccmmagazine.com july 04 ccm 45 CCM_07.04_ListeningIn.final 6/3/04 9:54 PM Page 46 positive experience can have the same, intimate Abba experience because let’s not underestimate the power and wisdom of Jesus Christ crucified, who leads us into the Abba experience. Michael: Didn’t you just have a birthday? Brennan: I just had my 70 birthday, and one of the things you notice th about your 70 birthday that you don’t notice at your 50th or 60th or 65th is how difficult it is getting out of a car [laughs]! There are certain parts of your body you’re aware of that you used to take for granted. What I did [for my birthday] was go to a restaurant in the French Quarter [in New Orleans] owned by two friends. I invited 10 friends from around the country who’ve stood with me in the bad weather of life. It wasn’t so much to celebrate my birthday as to celebrate their friendship. So I hosted the dinner, and I gave them all a couple of nice presents; and I wanted to thank them all for being so good to me. But before we began the dinner, I wanted to have a little prayer service. Since we were having a dinner party, I went to this passage in chapter 14 of John. After the reading, I gave a little homily. The homily was actually a poem from one of my heroes in my life [Daniel Berrigan], who is one of our great American poets and also a peace activist. The question has come: How does one sustain one’s life in Christ after one has had the saved experience? One, a disciplined life of prayer is absolutely indispensable. By that, I mean showing up and shutting up 20 minutes in the morning and 20 minutes in the evening, with a notable exception for young parents, who certainly are so preoccupied by their children (but who can do spontaneous prayers during the day). The second way to grow in faith is in the inspired words of Father Zossima in The Brothers Karamazov. An elderly woman comes to him, this reknowned spiritual guru; and she says, “I’m losing my faith.” He says, “Why do you say that?” She says, “I’ve lost any sense of the presence of God.” He says, “Go out and love three people every day.” Because of the inextricable connection between faith, hope and love, every act of love increases our faith. There is so much going on in the Christian world about growing in faith, and it means memorizing Scripture; it means going to concerts; it means going to lectures; it means hearing all these gifted speakers. I wonder think when I see 50,000 people at a Christian rock concert, if anyone had gone that day to visit a shut-in to get their own spiritual inspiration. When Jesus was asked by the lawyer, “You’ve been teaching for three years. You’ve told all kinds of parables; you’ve given all kinds of sermons. Your sermon on the mount was unforgettable. Could you just condense, boil down into a simple sentence the essence of your message?” Jesus says, “Yes, it’s all about loving God. That means by giving Him time every day and loving your neighbor.” That’s the real Jesus of the Gospels. That’s the Christ we’re called to follow. Let’s set aside a lot of this “hoorah” and pay attention. Christianity is all about loving, and you can take it or leave it. It’s not about worship or morality. Those are expressions of the love that causes them both. So let’s get back to the heart of Jesus, who said, “Love God with all your heart.” It can be the elderly. It can be your own family. It can be your children. It can be a colleague down the street. There is no substitute for growing in faith by spending time with God and loving your brothers and sisters. th Michael: I’ve been going through the literature and trying to understand what this defining characteristic of God is in the Old Testament. The more I boil it down, it’s enemy love. Jesus defines loving, ultimately, in terms of the ability to love your enemy. Most people call it covenantal love. God loved us when we were still enemies. When you talk about going to find people to love—and this is where God is taking me right now eventually, 46 ccm july 04 ccmmagazine.com that means we’ve got to love our enemies, identify who they are, admit we have enemies in the first place because most of us (myself included) are in denial that we have enemies. The fulfillment of the commandment to love, if you push it to extreme in Jesus’ teaching, is this idea of loving our enemies. But He did that for us. We’re the ones who nailed him to the cross. Brennan: I’m just wondering if those who saw The Passion of The Christ really identified themselves as the enemy—that it was our sins who put Christ on the cross. In my own room I have a very jagged crucifix made by a man in Kingston, Jamaica. When I look at that crucifix [I know that] I am the forgiven enemy of God, that Jesus knows my whole life story, every skeleton in my closet, every moment of sin, shame, dishonesty. Right now, He knows my shallow faith, my feeble prayer life, my inconsistent discipleship. He loves me and accepts me just as I am. When I’m in touch with my own heart as a forgiven enemy of God, that has to become the source, the basis for reaching out and accepting the brokenness, the weaknesses of others. ccm For more information visit MichaelCard.com and BrennanManning.com. CCM_07.04_Children.final 6/3/04 11:19 PM Page 47 BY MIRIAM DRENNAN If your idea of children’s music conjures up memories of vinyls featuring off-key children’s voices and an equally out-of-tune, t oy piano (or synthesizer, if you grew up after 1980) or some guitar-playing adult trying to sing like a 5-year-old, be assured that children’s music has finally caught up with other genres in terms of quality production. Now artists making kids music respect their audience, their art and (oddly enough) their roots, while connecting with children. MERCYME AND VARIOUS ARTISTS I Can Only Imagine: Lullabies for a Peaceful Rest Simpleville Music The title cut is a lullaby version of 2003’s massive crossover hit, with more fluid, relaxing instrumentals and less assertive vocals. “Three of us have kids,” says MercyMe’s Nathan Cochran, “so we thought this sounded like a good idea. Ever since ‘Imagine’ has been around, parents of 1 and 2year-olds have told us that their kids, who could barely talk, were already singing along to it. So we thought we’d take their advice, but it definitely needed to be reworked for a lullaby album.” GO FISH Splash Two Fish Records The Go Fish trio—Jamie Statema, Andy Selness, Jason Folkmann—had released six other albums before releasing Splash, its first album speci-fically for children. “Our focus was junior high, highschool and college [students],” ex-plains Statema, founder and frontman. “What we noticed early on [how-ever] was that entire families would attend our concerts— grandparents to little kids. Stylistically, the loops make what we do current enough to where the kids really like it; but, at the same time, there’s no guitar or drums out there to freak out grandma and grandpa.” Splash bears witness to the trio’s seamless harmony yet connects with the human intricacies of childhood. “Our goal was to make a kid’s CD that wouldn’t drive everyone else bonkers because once kids latch onto something, they want to hear it over and over again. STEVE GREEN The Adventures of Sir Bernard the Good Knight EMI-CMG Scheduled to release in October, Steve Green’s latest project, The Adventures of Sir Bernard the Good Knight, an action-packed musical adven-ture designed to teach children 12 moral truths, features the work of veterans from The Lion King, Veggie Tales, Broadway theater and even “The Simpsons.” Narrated by Green, Sir Bernard is a musical journey taken by the heroic knight (a St. Bernard) and Little Dog, an orphan pup who longs to be a knight. Through Little Dog’s mistakes, children can see that even if you don’t get things right the first time, don’t give up altogether. Says Green, “With [the creative team’s] deep wells of experience as fathers to their own children, as well as history in developing these sorts of products, they helped create a rip-roaring, action-packed, delightful adventure.” The Sir Bernard package includes an audio CD, CD-ROM of activities and a fully illustrated, read-along booklet that coincides with the last track on the CD. The Lenny & Sid Series Toonacious Family Entertainment Simply put, Lenny and Sid’s adventures are a combination of the multi-tiered humor of Jay Ward (“Underdog,” “Rocky & Bullwinkle,” “Fractured Fairy-tales”), 47 ccm july 04 ccmmagazine.com the slap-stick action of “Animaniacs” and the personification of “Arthur.” Says Toonacious cocreator Tony Bancroft, who has worked on Beauty and the Beast, The Emperor’s New Groove, The Lion King and Mulan, which he co-directed: “I felt like God had given me opportunities that I didn’t even feel worthy of. What I felt God was saying to me was ‘I’ve given you these experiences so that you can use them to My glory.’” Bonus content, including a music video with Nicole C. Mullen and a personal interview hosted by actress Hunter Tylo (“The Bold and the Beautiful”), is also nestled in among several other DVD goodies. A third release (following Love Thy Neighbor and ’Tis the Reason), Jealous Fellas, debuted earlier this year. The Praise Baby Collection: Music for Baby’s Spirit & Mind Flicker Records Like Baby Einstein and other “edutainment” lines that target infants and toddlers with their own interactive, electronic media, “The Praise Baby Collection” is a colorful marriage of imagery, special effects and music. Unlike most other lines, however, it uses praise & worship music that has been calmed down to engage its young audience. Available in CD, VHS and DVD formats, Praises and Smiles, the first release in “The Praise Baby Collection,” is full of songs that are straightforward and familiar. Whether you pop this in to stimulate language development, bring comfort or simply sing along with your child, Praises and Smiles will also stimulate the spiritual development of listeners. ccm ccmmagazine.com july 04 ccm 47 CCM_07.04_List.final 6/3/04 9:47 PM Page 48 20 25 4 9 7 1 8 18 12 11 17 arched” musings. A compendium of arguably useless and “rese 15 6 a m a -r O ts li M C C S U O M R O N IG ’s ll Chris We 0 14 1 3 13 * 6 5 Artists Who Used to be 1 university, they soon hit the road as Say So. By the time Word Records came calling, they discovered the name Say So was already taken by a high-profile indie act. The four went with the nom de group Point of Grace and saw its first national release in 1993. 3. DC TALK (a.k.a. DC Talk and the One Way Crew) As any self-respecting fan of dc talk knows, the three young men got together in the late ’80s at Jerry Falwell’s Liberty University in Lynchburg, Virginia. What you don’t often hear is that, for a brief moment in time, the name was reportedly DC Talk and the One Way Crew. In January 1989, Michael Tait, Toby McKeehan (a.k.a., tobyMac) and Kevin Smith (a.k.a. Kevin Max, a.k.a. K-Max) signed a deal with ForeFront Records and moved to Nashville (a.k.a. Music City). 2. SWITCHFOOT (a.k.a. Chin Up, a.k.a. 4. THE Shiner, a.k.a. Switchfoot Genius) SWIRLING EDDIES (a.k.a. Crime Horse) Oh, where do we even start? In 1988, certain members of altrock darlings Daniel Amos hit the studio to create demos for a band called Crime Horse. (Three of those demos later resurfaced on the 1992 anthology Shirley Goodness & Misery). The label asked for something lighter, and The Swirling Eddies was born! For bonus points, the band members also played under assumed names. 5. SANDI PATTY (a.k.a. Sandi Patti) During the 1970s, she recorded an indie album, For My Friends; but a printer’s mistake changed her last name from “Patty” to “Patti,” and the name ccmmagazine.com stuck! It was several years before she finally returned to the original spelling (between LeVoyage in ’93 and Find It On the Wings in ’94, to be exact). 5 WORDS THAT SORT OF RHYME WITH “PILLAR” 1. Miller 2. Pillage 3. Stapler 4. Village 5. P.O.D. 1. POINT OF GRACE (a.k.a. Say So) When four young ladies met in 1991 at an Arkansas 48 ccm july 04 Else Perhaps you know the legend of Morgan Cryar’s backup band (or, as we call them now, King’s X) or how classic hard rockers Resurrection Band became Rez Band and then Rez. Maybe you know that Rebecca St. James signs her checks “Rebecca Smallbone” or that Charlie Peacock was born one “Charles Ashworth.” (Don’t even get us started on the name KJ-52.) These examples in mind, we present this month’s list. In late 1996, Charlie Peacock discovered a San Diego rock band called Chin Up (named in honor of friend Willis Chin). Signing the lads to his re:think label, he asked they change the band’s name. When Peacock also nixed Shiner, the boys, inspired by the surfing term “switchfoot,” asked about Switchfoot Genius. Unfortunately, there was already a group named Red Footed Genius. This name game went on for months; in fact, it forced re:think to delay the band’s debut, The Legend of Chin. Called Something JASON CRABB’S (THE CRABB FAMILY) 5 FAVORITE CARTOONS (HONEST!) 1. “Grape Ape” 2. “Tom and Jerry” 3. “Bugs Bunny” 4. “Rocky & Bullwinkle” 5. “Garfield the Cat” 5 BIBLE STORIES THAT MIGHT MAKE A NEAT MOVIE BUT NOT SO MUCH A LAVISH, BROADWAY MUSICAL 1. That one where the guy got the tent peg stuck through his head 2. That one where the lady was eaten by dogs 3. That one where the gang of boys was attacked and killed by the grizzly bear 4. That one where the guy was killed by worms 5. That one where the kid had the amazing Technicolor dreamcoat CCM_07.04_Music.final2 6/4/04 11:27 AM Page 51 inreview music A Compelling Conundrum On Dichotomy A, GRITS proves once again hip-hop with a Christian worldview isn’t second rate. GRITS Dichotomy A Gotee Hey Ya! This disc is good to the last rhyme. Too often hip-hop celebrates profanity, violence, misogyny, braggadocio and “bling bling”—not exactly the kind of approach Christian musicians embrace. And yet, positive paragons have achieved mainstream File under: Grade: B+ success, from Grandmaster Flash to Arrested Hip-Hop Development to Common. Though not part of For fans of... legitimate beats that even your parents could love. the Christian industry, they reinforce a truth that applies to every Christian hip-hop act present and future: To win respect in the land of Slim Shady and Jay Z, you have to be artistically innovative and intriguing, first and foremost. And that often poses a problem in Christian music, where too many power brokers still tally Jesus mentions per song ahead of everything else. The mentality with GRITS has always been different—and the new effort, Dichotomy A, does not suffer for lack of ambition. (A second volume, Dichotomy B, is slated for November release.) Yet when such ambitious projects surface, the musical question arises: Is it all killer and no filler? On Dichotomy A, the chips fall mostly in favor of Stacy “Coffee” Jones and Teron “Bonafide” Carter. Aided by dc talk band alum Otto Price (tobyMac, Out of Eden), they’ve presented an album defined by supple, confident rapping and a nice spectrum of R&B stylings-—-from the Marvin Gaye-flavored soul of “Hittin’ Curves” to the gospel-meets-blues confection “Mind Blowin’,” spiked with Hammond organ and wah-wah guitar. Diving into Dichotomy will only reveal more riches, as it boasts dense (but not daunting) melodic layers and lyrics that broach subjects from gangbanging (“Gutter Boy”) to staking a claim for rap respect in Christ (“Bobbin’ Bouncin”). There are moments of sonic fun, too: “Gutter Boy” suggests a spaghetti western dished up in dark Gotham City, with a side-dish of reggae, while “High” features synthesized gurgles and what sounds like a creepy Gregorian chant by androids. That said, Dichotomy has moments of monotony, particularly in the backstretch. It would’ve been nice to hear GRITS forego some repetition within songs—which, while part of establishing groove, tends to prod the listener into tune-out mode. Also, in the intro to the second track, “Anybody,” things get overly “preachy.” On it, a female voice berates a friend who’s made bad relationship choices; it’s two minutes of smug finger wagging. When she self-righteously declares, “You just can’t see because your vision is twisted,” you can almost hear the biblically correct reply: “Yo! Yank the plank out of your own eye, sister!” GRITS should have considered cutting this intro and salvaging an otherwise decent track about alienation: “Seems my little light been getting’ a little blurred.” Thankfully, Dichotomy avoids the sin of “more is more.” Its 45-plus minutes are just enough, suggesting that maybe the best things come in split packages. LOUIS R. CARLOZO ccmmagazine.com july 04 ccm 51 CCM_07.04_Music.final2 6/4/04 11:28 AM Page 52 The epitomy of tight. The team consistently creates a rhythmic foundation that makes Hammitt’s and Rohman’s jobs that much easier. While one gets the impression that Sanctus Real is still discovering itself, with Fight the Tide the foursome takes a significant step toward becoming a great band. The more you hear, the brighter its future looks. JAY SWARTZENDRUBER SANCTUS REAL File under: Grade: B+ Rock For fans of... faith-infused, guitar-driven modern rock. SANCTUS REAL Fight the Tide Sparrow Sanctus Real puts up a good fight. Impressively produced and mixed by Tedd T (Delirous, Stacie Orrico), Fight the Tide is a noticeable improvement in practically every way over Sanctus Real’s 2002 debut. Though Say It Loud connected with more than 30,000 fans, the album portrayed a group that was very much “up-and-coming,” from the promising songwriting to its members’ 52 ccm july 04 ccmmagazine.com often unimaginative, rougharound-the-edges studio work. And with the exception of one acoustic-based track, every song presented was a standard rock number. That was then. Simply put, each song on Fight the Tide is better than the best of Say It Loud. Lead rock single (and opening track), “Everything About You,” serves notice that this is a whole new ball game. From the start, Fight boasts the same stylistic foundation as the debut, but here the band embraces more prevalent European rock elements and makes capable forays into reggaerock (“The Show”), pop-punk (“Message”) and vulnerable serenading (“Change Me,” “Say Goodbye”). Now, the Toledo, Ohio, act sounds more like a band that did, indeed, form eight years ago and has been regularly playing live ever since. Lead singer Matt Hammitt and guitarist Chris Rohman once again tackle the majority of Sanctus Real’s songwriting duties. But this time around the duo shows a consistent knack for crafting extremely melodic hooks. Lyrically, poetically clear expressions of faith abound. Hammitt’s vocals—the band’s most distinct quality— are significantly more authoritative, versatile and emotive, whether he’s brooding or kicking into a beautiful falsetto. In the third track, “Alone,” Hammitt even unveils his first (but not last) power-rasp delivery, singing, “You are not alone/Know that I would fight the tides to be together”—a vocal feat that could no doubt earn a complimentary wink from Aerosmith’s Steven Tyler. Rohman, meanwhile, plays lead in the truest sense of the word, whether driving the songs with muscular, thick riffs or scaling tonal walls with apparent ease. Drummer Mark Graalman and bassist Steve Goodrum? File under: Grade: A Alternative worship/rock For fans of... rock pushing artistic boundaries. SOMETHING LIKE SILAS Divine Invitation Sparrow R.S.V.P. to this invitation A.S.A.P. Count me as one of those people who deeply SOMETHING LIKE SILAS appreciates almost anything produced and engineered by Steve Hindalong and Derri Daugherty, the musical brain trust behind alternative rock legends The Choir. From The Prayer Chain to Common Children and, more recently, GlassByrd and the “City on a Hill” series, one or the other (or both) have shepherded some hauntingly beautiful albums. And now, the majorlabel debut by Something Like Silas can be added to that list. On the surface, Divine Invitation could be labeled a postmodern worship album, but that would sell it short. It’s more like a fine painting, reflecting the pleas of the psalmists using shades of light and dark. This disc is the product of five San Diego musicians who are the resident artists at Flood, a church the group helped found. With four prior independent releases, the members arrive sounding mature and relaxed. It takes a confident band, for example, to segue from a pulsing, distorted-guitar opening cut (“Creation’s Call”) into a mellow, meditative second track (“Words That You Say”). For a moment, the move catches CCM_07.04_Music.final2 6/4/04 11:29 AM Page 53 What Does Yesterday’s Miracle Mean Today? TREVOR MORGAN you offguard—it’s so unformulaic. Then it becomes apparent: This isn’t formula; it’s art. Guitarist/singer Eric Owyoung has a strong, distinctive voice; and his wife, Malina, adds harmonies and keyboard textures from strings to electric piano. Drummer Lenny Beh and bassist John Luzzi creatively avoid clichés, especially on the driving “In the Burning.” Meanwhile, Hindalong and Daugherty layer the guitars of Eric Owyoung and Nick Maybury, floating sounds in and out of a mix that comes near perfection. Divine, indeed. ANTHONY D E BARROS TREVOR File under: Grade: B+ Pop/Rock For fans of... a good dose of guitarsoaked introspective renderings. MORGAN Wonderlight BHT Trevor’s ready for his close-up. While fresh-faced singer, songwriter and guitarist Trevor Morgan may not be well-known to most Christian music fans, he’s certainly no newbie to the Nashville music scene. Not to be confused with the actor of the same name, the Alabama native has written songs for Geoff Moore and Phillips, Craig & Dean. His music has also been featured in a Nautica TV ad campaign. What’s more, he has played bass alongside mainstream guitarist Will Owsley (Shania Twain, Ben Folds) and Ginny Owens. On Wonderlight, Morgan unveils a solid solo debut and worthwhile first release for fledgling BHT Records. Stout vocals (think Jeremy Camp arm wrestling with Bebo Norman) blend well with the acoustic and electric guitar-driven compositions offered here. But, as the cliché goes, the proof of the pudding is in the tasting. The most flavorful selections include rollicking cuts “Skin and Bones” and “All About Me.” These songs and others reveal the heart of one who sometimes struggles with imperfection, unworthiness and sorrow. Softer tunes such as “Fall Down” and “Oh Hallelujah” tilt toward surrendering to God, although occasionally timeworn phrases like “only you can satisfy” get in the way. On the whole, Morgan seems to possess the talent needed to propel his career well beyond the backdrop. DAVID M C CREARY R eflecting on Jesus’ first miracle, singer-songwriter Kelly Minter eloquently and powerfully conveys that Jesus is still breathing the miraculous into the mundane—and is able to turn your own seemingly mundane struggles, disappointments, and gifts into miracles that reveal his presence. Foreword by Margaret Becker. Now in bookstores and from online retailers. PILLAR Read a chapter excerpt at www.waterbrookpress.com CCM_07.04_Music.final2 6/4/04 11:29 AM Page 54 File under: Grade: B+ Pop/Adult Contemporary For fans of... excellent voices on music that’s inspirational in sound and message. Hiding Place Curb Musical solace for weary souls SELAH File under: Grade: A Rock For fans of... aggressive music with an affirming message. Where Do We Go From Here Flicker Next step: world domination, perhaps? Huge sales numbers, a trophy case of Doves and the conquest of rock radio should have made Pillar a cheerful bunch; but these Sooner State rockers snap back with enough fiery wrath to leave 2002's Fireproof in a heap of ashes. Sure, it helped launch the band onto a grander platform, but the group’s latest album, Where Do We Go From Here, ups the ante with songs profoundly richer in attitude and ambition. It would appear the positive response to Fireproof was all 54 ccm july 04 ccmmagazine.com Pillar needed to reach for the creative jackpot. A fundamental change on the new disc comes in the vocals of singer Rob Beckley. Previously tapping into his emcee influences, Beckley's new approach involves straight melodic singing that offers a more immediate appeal, despite the music’s aggressive drive. The band— whose other members include guitarist Noah Henson, drummer Lester Estelle and bassist Kalel— best epitomizes its growth with “Bring Me Down,” a tempo-twisting new song with a hook ready to rule the FM dial. In the same way, “Underneath It All” reflects a new creative confidence that comes through in the confrontational lyrics and crunchy guitars, while “Let It Out” starts mid-tempo on its way to an explosive, gritty chorus. Though songs like “Simply” and “Rewind” showcase the band’s mellower side, the lyrics themselves pour out emotions of wholehearted regret and sorrow. Produced by Pillar alongside Travis Wyrick (Disciple, Andrew Carlton), the new album emanates an against-the-grain lyrical narrative that tells of people trying to force the band into various molds. Resisting such pressures, Pillar funneled this frustration into a spirited rebellion against all man-made temptations while similarly offering a more human look at the band’s fears and frustrations. From instilling fans with an energetic spiritual boost to soothing one’s soul with transparent real-life reflections, Where Do We Go From Here offers a full spectrum of inspiration cultivated by the band's current creative surge. The new album boasts an aggressive edge that is matched only by the songs’ resolute attitude. As Pillar breaks through to greater plateaus, the band surely shows that not all attitude is necessarily bad attitude. DAVID JENISON SELAH Inspirational music seemed to almost be a genre of Christian music’s past until Selah’s sound gracefully placed it back on the charts. Finding mass appeal through the almost accidental success of its 1999 debut, Be Still My Soul, the trio successfully toured the country, accepted a handful of Dove Awards, garnered No. 1 radio singles and released a definitive sophomore release in a relatively short amount of time. Continuing in its tradition of hymns, African spirituals and worship classics, the group’s fourth studio recording, which recently debuted at the top of the Christian charts by selling more than 19,000 units its first week out, firmly establishes it as an industry mainstay. From the Irishtinged opening cut, “You Raise Me Up,” to the stunning closer “Before the Throne of God,” simple, yet effective production defines the unmistakable sound fans have come to know as distinctly Selah. Siblings Todd Smith and Nicol Sponberg effuse uncompromising vocals throughout the recording, floating over such church standards and album highlights as “I Need Thee Every Hour” and “Through It All.” Joining with a band for a few cuts does little to enhance the group creatively, further emphasizing the irresistible pleasure of Selah’s piano/vocal moments. Despite the occasional trite arrangement, one cannot refute the group’s powerful interpretation of such compelling lyrics: “Because the sinless Savior died/My sinful soul is counted free/For God the just is satisfied/To look on Him and pardon me.” And that begs to be played again and again. ANDREW GREER ANTHONY EVANS File under: Grade: C+ Pop/Urban For fans of... catchy songs that suggest street-wise sensibilities. Even More INO Stepping into the spotlight Anthony Evans has journeyed with a few larger-than-life personalities, since his father just happens to be Dr. Tony Evans (pastor of Oak Cliff Bible Fellowship in CCM_07.04_Music.final2 6/4/04 Dallas, Texas, and president of The Urban Alternative), and also because he currently sings backup on Kirk Franklin’s concert tours. Now with his debut, Even More, he himself will receive focused attention. The biggest roadblock to Evans’ potential solo success may involve what seems to be a lack of blatant enthusiasm. Evans vocalizes in a sweetly soulful manner, but he doesn’t often capture and command the listener’s attention. That said, a few of these 13 songs do show Evans’ charismatic potential. “Be Still” allows him to offer a psalm-like peaceful admonition, and “Unity (We Stand),” features the vocal presence of Kirk Franklin and the always outstanding Crystal Lewis. The opener, “You Know My Name,” also stands out for its insistent percussion and Dan Muckala’s (Aaron Neville, Mandy Moore) production smarts. The continuing incorporation of hip-hop into mainstream R&B has made urban sounds a vital part of today’s musical climate. Anthony Evans’ debut features a sprinkling of these spicy elements, and one hopes they will further define his future work. DAN MACINTOSH FUSEBOX ANTHONY EVANS 11:30 AM Page 55 D@ ting Online? Here’s the book you’ve been waiting for! FUSEBOX File under: Grade: B Pop/Worship For fans of... congregational worship with a musical twist. Once Again Elevate/Inpop Fusebox has found its niche. Originally assembled as Rebecca St. James’ live band, Fusebox began writing its own music and opening for St. James on several tours. But with the release of the band’s second album, Once Again, this group is proving worthy of independence. What Fusebox offers is congregational worship nestled in a bed of drum loops and electric guitars. The aim may be for alternative rock; but take away a couple of guitar filters, and you’re basically left with a pop album. Lyrically, as with most modern congregational worship music, simplicity reigns supreme. On the title track, lead singer Billy Buchanan sings about the waltz of the Christian life— repent, believe, fight—and his “thank you for the cross” outburst at the song’s end is an emotional, cathartic listen. It’s his raw, urban vocal energy that throttles the majority of the album. Let’s face it—worship albums are as popular nowadays as the lowcarb diet, so Fusebox isn’t the only band in this alterna-pop niche of the worship sector. But it is original enough to survive and certainly good enough to shed the title of “backup band.” DAVID MACKLE BETHANY DILLON File under: Grade: B+ Pop/Rock For fans of... a great new female voice. Bethany Dillon Sparrow The heir to Amy Grant’s throne? New Sparrow Records artist Bethany Dillon has all the potential of a Christian music success story. She’s got the pipes to rival Joy Williams, “Cheryl Green has packed a mountain of wisdom in her World Wide Search—a manual to guide Christians in their online dating. Any single person can benefit enormously from reading this book. It is brief and to the point, full of illustrations, and makes its points rapidly and thoroughly. I recommend it.” —Neil Clark Warren, psychologist, author, and founder of eHarmony.com More than two million Christian singles date online. Play it safe and date smart. Get World Wide Search today! Available in bookstores and from online retailers. Read a chapter excerpt at www.waterbrookpress.com CCM_07.04_Music.final2 6/4/04 11:30 AM Page 56 BETHANY DILLON she holds her own on a sixstring like Jennifer Knapp, and she writes Christcentered, message-driven tunes with a maturity beyond her years like Amy Grant on her way up. Produced by Ed Cash (Bebo Norman, Kathy Mattea) and Caedmon’s Call member Joshua Moore (Caedmon’s Call, Silars Bald), the disc is full of upbeat pop/rock numbers written or co-written by Dillon. The strength lies in Dillon’s lyrics. She addresses subjects that should resonate with a young adult audience, having clearly wrestled with the issues enough to paint an accurate picture of the struggle. “Revolutionaries” points to the difficulties of nonconformity, namely the struggle of a Christian in the current culture. “Many have traveled this road before/I see their tracks in the dirt/But maybe I don’t agree/With where they are leading,” she sings. “Beautiful,” a poppy, piano/strings arrangement that most Christian radio fans have already heard in heavy rotation, shows a young woman battling self-esteem issues and “fighting to make the mirror happy,” as the song goes. “All I Need” covers the universal issue of loneliness and dependence upon one’s Heavenly Father to fulfill the empty spaces; and the album’s closer, “A Voice Calling Out,” serves as an optimistic anthem to encourage the body of Christ, especially Dillon’s generation, to put its faith into action and have an impact on the world. Dillon articulates each tune with convincing conviction, and the arrangements are fine backdrops for her wellcrafted songs. The only problem with this disc is that it takes a few spins to command your attention. Though each song has enough rhythm to get one’s toe tapping and is well sung and nicely produced, there’s no particularly memorable, overtly catchy number in the stable, except for her hit single. Dillon’s cover of Amy Grant’s “Lead Me On” may perk listeners ears just because of its familiar history, but her target, youthful audience may be unfamiliar with the late ’80s tune. However, Dillon is surely on the right track. LIZZA CONNOR BY THE TREE Hold You High BY THE TREE File under: Grade: C Pop/Rock/Worship For fans of... By the Tree with a decidedly worship emphasis. Fervent Wish there was more fresh fruit on this tree. By the Tree, originally formed as a worship band in 1997, has elected to get back to its praise roots with a modern worship album as a follow-up to the pop/rock bonanza of Root. Unfortunately, it’s about three years too late, entering a crowded marketplace with a project that does not do nearly enough to distinguish itself. “God of Wonders” is one of the truly great worship songs ever recorded, but do we really need another version? Other covers—“It Is Well,” “Lord, Let Your Glory Fall,” “Throne of Grace,” “Your Beloved” and “Beautiful One”—are passable but not particularly memorable. Of the 11 songs on the album, only four were written by current members of the band—leaving worship leaders without much new material to latch onto. And one of those, “Reveal,” is a remake of the hit off the group’s Fervent debut. “Only to You” is a radio-friendly offering in the Sonicflood mold, but the best of the bunch may be “Jesus Washed,” an evocative, contemplative song that provides a new, reflective spin on praise. It’s a goosebump-inducing ending, but it can’t save a project that will be savored primarily by its hardcore BTT fanbase. PROJECT 86 RICK WEBER PROJECT 86 Songs to Burn Your File under: Grade: B+ Hardcore/heavy rock For fans of... aggressive guitar slashes, roaring vocals and pensive lyricism. Bridges By Tooth & Nail The bridges between hardcore and literary expression keep building. In an era when one-time multi-million dollar record labels are consolidating and personnel seem to be disappearing faster than the speed of light, it’s extremely challenging for a new band to break past all the red tape. Orange County’s CCM_07.04_Music.final2 6/4/04 11:31 AM Page 57 Project 86 learned this lesson the hard way after attracting the attention of Atlantic Records to license its Drawing Black Lines CD to the general market. Though that record initially earned some kudos via tour dates with P.O.D., its follow-up, Truthless Heroes, was recorded during a time of uncertainty and transition. Unfortunately, that disc got lost in the Atlantic shuffle, which, given all the buyouts and restructuring, left Project 86 dropped by the wayside. Thankfully though, the gang returned home to Tooth & Nail (the label which first landed them a national audience), and the direction of the subsequent Songs to Burn Your Bridges By picks up right where Drawing Black Lines left off. Avoiding the conceptual nature and cynicism of Truthless Heroes, the new project brims over with hopefulness, renewal and recommitment to balancing progressive art with serious spirituality. Songs such as the thrashing “Oblivion,” the gutwrenching “Say Goodnight to the Bad Guy…” and the cacophonic “A Fruitless End Ever” not only point to a more positive outlook on life, but they’re tightened up with instrumental intensity. Aside from melodic girth, frontman Andrew Schwab also lends his literary writing style to the poetically charged “A Shadow On Me.” Such an approach may seem like a study in contrasts when melded against the band’s scorching wall of sound; but, in fact, the union breeds 14 cuts of intelligence and ingenuity. ANDY ARGYRAKIS newreleases by Christa Farris THE SWIFT Like Amy Grant, Stacie Orrico and now, Bethany Dillon, powerhouse vocalist Rachael Lampa also got her musical start at a young age. Now on her third, self-titled Word disc, releasing July 27, Lampa is taking some serious ownership in her songs as she co-wrote on each of the album’s 11 tracks. Produced by the legendary Tommy Sims (Eric Clapton, CeCe Winans), the CD spans the gamut genre-wise with a mix of pop, rock, funk and modern adult contemporary sounds. Seem intriguing? Look for an exclusive preview of the record at rachaellampa.com/ccmbonuspreview. Mixing things up a little, retro rockers The Swift also have a new project that bows on O.C. SUPERTONES July 24 called Today (Inpop). This time around the guys teamed up with Jason Burkham (Audio Adrenaline, Stereo Motion) and Nathan Dantzler (Audio Adrenaline, Tree63) for what’s a great take on current spiritual issues with a modern sonic flare. And because we didn’t have a release date for this one until after we went to press last month, we thought we’d also mention the Supertones’ latest offering, Revenge of the Supertones (BEC) that hit stores June 15. With a sound that hearkens back to the band’s first three efforts, Mark Townsend (Relient K) helped the band production-wise with the setlist of 12 new songs that have a cohesive theme of eternal matters. Booking Info: Blue Horizons Artist Agency 870-818-9323 [email protected] • www.jimmurphyonline.com www.missionhousemusicgroup.com Mission House Music Group inc. 1300 Division St • Nashville,TN 37203 615.573.4324 CCM_07.04_Books.final 6/4/04 10:52 AM inreview by Nancy Guthrie 2 1 Page 58 books 3 I’m grateful I discovered the joy of escaping into the pages of a good book—especially when trying to get through a long, cross-country flight. With summer upon us and a desire to find something good to read by the pool or on the plane, I asked publishers to send me their favorites of the fiction titles they’ve released this year. name for a handsome hero, I must say) is an FBI agent too busy with solving murders to settle down with fifth-grade teacher Caroline Lane. But when people he and Caroline care about are kidnapped, they are drawn together. There’s no mystery in the romance department, as it is fired up from the very first page; but an intriguing mystery follows. 1 2 I opened the cover of True Courage by Dee Henderson (Zondervan) as a Henderson novice, with the knowledge that her books pepper the romance fiction bestseller lists. This book is as much crime and mystery as romance, which provides a broad appeal. Luke Falcon (great The Called by Samuel Whitestone is the first fiction book released by Pathway Press. What a great read! It’s much like a John Grisham story that includes a gruesome murder, a seductive client and an international assassin. A mysterious murder grips a small Tennessee town with horror and embroils a young lawyer in a dangerous struggle for his career, marriage, life and faith. Unlike the contrived characters and conversations often found in Christian fiction, these people and the choices they make ring true with few exceptions. The bio says “Samuel Whitestone” is a pseudonym for an early retired, topranked national criminal trial lawyer, who lives with his wife in Florida and devotes his time to Christian writing. I hope he keeps it up! 3 Dee Henderson 58 ccm july 04 ccmmagazine.com I must admit that a lead character who says things like, “Fellers, have a 4 4 afternoon—no huge impact but a nice way to spend the time. 4 Patricia Hickman listen!” and also reads Blaise Pascal feels like a bit of a strech. Yet that’s what you find in Nazareth’s Song by Patricia Hickman (Warner Faith), a sweet story of a preacher with a past set in the depression-era South. Jeb Nubey has become a foster father to three kids and is about to take over the pulpit of the local church. While trying to win a woman who has rebuffed him and avoid the whiles of a beauty who desires him, the preacher seeks to make peace between the town’s prosperous banker and its hungry, desperate citizens. In some ways this story reminded me of a western film watched on Saturday Halfway through The Dead Don’t Dance by Charles Martin (Westbow) I was questioning some of the endorsement quotes of “brilliant.” Dylan Styles has buried his stillborn child, his wife is in a coma and his crops are dying along with his professional and personal dreams. And, for much of the first part of the book, I wondered if he was ignoring the issues that would be swirling around someone in his situation as the book began to focus on his new teaching career and the struggling students he encountered inside and outside of class. But as I continued, I grew to appreciate the author’s subtle development of the bittersweet love story, which moves the reader gently, leaving a sweet continued on pg. 60 Charles Martin CCM_07.04_Books.final 6/4/04 10:52 AM Page 60 continued from pg. 60 smile of satisfaction at the last turn of the page. The “preachy” factor is practically non-existent, but a couple of the characters of faith seem a little too good to be true. I wondered all the way through how the central crisis of his wife’s life hanging in the balance of a coma would resolve. But you don’t think I’m going to tell and ruin it for you, do you? 5 Although I correctly guessed the big twist in Brandilyn Collins’ Brink of Death (Zondervan), the first book in her new “Hidden Faces” series, that didn’t keep me from enjoying the ride along the way in this suspense crime novel set in modern-day California. No overbearing believers or tidy conversions here, but I found an abundance of real-life faith as well as real-life fear, betrayal and evil. This one kept me gripped from beginning to end. Don’t forget to go by your favorite Christian bookstore before you hit the beach or board the plane. You’ll find some great reading that won’t make you blush but may make you think, laugh or even weep. ARTIST Q&A Andrew Peterson Singer/songwriter Andrew Peterson (Love and Thunder, Essential) was asked to be the reader on the audiobook of Ray Blackston’s very successful debut, Flabbergasted, and his newest release, A Delirious Summer. The book tells the story of Neil, a seven-months dateless Spanish language teacher to missionaries in Ecuador, who is looking for romance during his furlough, only to discover that the churchhopping girls of Greenville, S.C., are “more elusive than a snowflake in the Ecuadorian jungle.” CCM: How did you get connected with Ray Blackston? Andrew: Someone at Essential [Records] was friends with someone at Revell, and they came up with the idea to have me record the audiobook. They know I love to tell stories and have fun. And the repertoire of character voices I’ve developed over the years came in handy to recreate some of the quirky characters in these novels. I’ve always been comfortable in a studio, but usually I’ve been singing rather than talking; so it was a challenge—especially since these books are not like what I typically read. CCM: What do you typically read? Andrew: I like fiction—from Wendall Berry (That Distant Land: Collected Stories) to Annie Dillard (Traveling Mercies) to [J.R.R.] Tolkien (The Lord of the Rings trilogy)—generally not the type of book you pick up in an airport and read in three 60 ccm july 04 ccmmagazine.com Ray Blackston or four hours. I am usually reading deep-thought stuff to balance out my goofy side. CCM: So what drew you to Blackston’s writing? Andrew: Ray is a smart, funny kind of guy. He tells a beautiful story about what God can do with someone but doesn’t take himself too seriously. His characters felt like people I know, and sometimes the main character thought like I think. It felt like Ray was very true to the story, not pushing a message. He developed a character and threw him into situations, and his readers get to go along for the ride and have a good time. Ray is funny in a way that tells you he’s been there before—especially in the church singles scene. I’m so glad I got married young enough not to be afraid. At age 20, I just did it. But in this book, just like in reality, you see singles who are afraid to take the jump. CCM: What is going on in your recording career and ministry? Andrew: Right now I am in the studio working on a new concept album that tells the story of Jesus. For the last few years, I’ve invited friends such as Alison Krauss and Phil Keaggy to come and sing at a Christmas show that tells the story of the coming of Jesus. Derek Webb, Jill Phillips, Steve Hindalong and Phil Madeira are helping me put it all on a record (It will release this fall.) to be called Behold the Lamb of God: A Lyrical Retelling of the Story of Christ. CCM_07.04_Gear_v12 6/4/04 7:00 PM Page 62 S tanding in line at the airport, you may notice the person in front of you has a guitar slung across his/her back. Curious, you look for clues about who they are or what style of music he/she performs. Past the obligatory bleached locks and rock-star attire, you spy a purposefully random display of instrument logos and stickers on the case. You may recognize most of the names, but a few may still be clouded in mystery. Who are these companies, and why do serious musicians pledge their loyalty to one brand over another? While musical instrument companies provide the means for a concert experience, a select few are devoted to the specific art and craft of the contemporary Christian genre. The companies featured in the next few pages choose to align themselves with Christian artists of all styles. From installation firms, to microphone manufacturers, to apparel companies, they all share a desire to enrich the Christian music experience. Musicians love particular brands of instruments and aren’t afraid to endorse products. Now read a little more about why certain artists choose the gear they do in our informative look at the world of musical instruments. SPECIAL ADVERTISING SECTION CCM_07.04_Gear_v12 6/4/04 6:36 PM Page 64 Roland vs-2000cD Ultimate Support When is a mic stand a doorstop? When it fails to hold up on the road and becomes just another useless piece of metal. For owners of Ultimate Support stands, however, the fear of breakage is assuaged by the company’s Peace of Mind (POM) warranty that grants the user a lifetime of protection. Bands such as Third Day, Delirious and MercyMe rely on the solidity and resilience of Ultimate’s mic, speaker, guitar, keyboard and amp stands every day. For instance, the c o mp a ny ’ s Genesis GS-200 guitar stand folds into a compact, portable size perfect for traveling and then opens up to a full height capable of supporting almost any guitar. With additional features such as guitar pick storage slots and cushioned padding at points of contact, the Genesis stand meets the needs of guitar slingers like Mike Scheuchzer of MercyMe and Brad Avery from Third Day, while its respective bandmates rely on Ultimate Support’s Flash Base mic stands for micing everything from guitar amps to vocals. This series showcases Ultimate Support’s ability to develop an innovative technology and then “trickle down” its core elements to more mainstream product. As an example, Ultimate Support originally created the one-handmic-stand adjuster for its top of the line MC-77 model used by artists such as Crystal Lewis but brought the single grip height adjustment to the mass market without compromising its performance. This, combined with even newer innovations like the umbrellafolding tripod base, makes the Flash Base fast, flexible and reliable yet inexpensive enough for almost any band to afford. At the heart of Ultimate Support’s innovation lies a ministry-driven leadership intent on creating an familial atmosphere where ideas flow from security and new concepts are rewarded on a team basis. Computers are wonderful devices for creating documents, works of art and even music. But the Achilles heel is a computer’s vulnerability to crash. Hard disc recorders, on the other hand, are robust, stable, and, unfortunately, limited by their design to a current functionality. Leave it to the minds at Roland, however, to find a way to combine the best of both worlds into a single, affordable unit. The new VS-2000CD is an amazing aggregate of recording, mixing, processing, mastering and expanding abilities brought together into a cohesive whole that is as easy to understand as it is powerful to deliver a completed label project. From the moment you turn it on, you know a new threshold has been reached in the quest for quality sound on disc. With 20 recording tracks, eight XLRbased mic inputs, an automated mixer, integrated 40 gig hard drive, CD-RW drive section, USB 2.0 port and the ability to support both a mouse and VGA monitor, the VS2000CD pulls it all together w i t h o u t breaking your wallet. Once acclimated to the now familiar VS work environment, making tunes is simply a matter SPECIAL ADVERTISING SECTION of laying it down and mixing it together. After the basics are mastered, new features can be imported, thanks to two expansion board slots designed to house the optional VS8F-3 effects cards. Now, with software plug-ins at the ready, you can always be on the cutting edge of music evolution. Third-party vendors for the cards includes Antares and its industry standard auto-tuners, IK Multimedia, Massenburg’s famous mastering tools; Universal Audio’s classic dynamics control; and McDSP. Even without the expansion boards, though, the VS2000CD is a powerful tool, enabling anyone with something to say musically to have the means to say it. And all without taking out a second mortgage or spending more time learning how to record than how to play and sing. CCM_07.04_Gear_v12 6/4/04 6:53 PM Page 66 McPherson Guitars “Brand new, the guitar sounds 20 years old.” For newbies, Martin Smith’s (Delirious) comment is a high compliment to the craftsmanship that McPherson Guitars imbues into each of its creations. An acoustic guitar should sound old, with an acoustic patina rich in complex overtones and vocal authority. McPherson, based in Sparta, Wis., has been innovating the staid world of high-end acoustic guitars for the past few years and continues to gather converts from the halls of accomplished players at an amazing rate. Within the dual guitar team of Martin Smith and Stu G, Delirious boasts a double header of McPherson loyalists. Stu G converted to the McPherson team first, and his guitar’s warm tone enticed Smith to join the corps. While recording the World Service project, Martin found that the excellent playability of the McPherson, coupled with its innately “big” tone were too much to resist; so he ordered one for himself. The guitar arrived in time for that year’s “Creation” festival, where it wowed the crowd and the technicians in the booth. As Smith says, “Just stick a mic in front of it, and it’s brilliant, requiring no tweaking or adaptation.” His recording engineering background caused Martin some concern over the instrument’s ability to maintain its tone in varying situations, but the McPherson soon proved those fears unfounded. He notes, “I just hand it over to the airlines and open up at the gig. It holds up perfectly on every trip and in any weather.” The guitars’ designers can point to their instrument’s unique bracing that supports the structure without compromising its tone and the cantilevered neck built to remain apart from the face of the guitar while maintaining immense rigidity. The McPherson’s most obvious physical distinction is the offset soundhole, positioned near the upper edge of the waist. More than just a cosmetic effect, the adjustment of the port gives a larger flexible surface area to the guitar, enhancing its sound dramatically. As Martin says, “The McPherson guitar has to be heard to be believed. It has made my music richer, both for me and my bandmates as well as everyone who listens to our songs.” mcpherson guitar “The has to be heard to be believed. it has made my music richer... ” -Martin smith of delirious all pro sound If you’ve seen any Christian publications, you’ve likely seen its ads. All Pro Sound products are dedicated to delivering the best possible audio, video, and lighting systems to churches and ministries of all sizes and backgrounds. From simple box mixers in portable classrooms to large format digital consoles in mega-churches, All Pro’s team of experts can recommend the most appropriate solutions for the tasks at hand. Based in Pensacola, Fla., All Pro has a fleet of service vehicles and attendant crews ready to roll anywhere they are needed. As industry veterans, the management has the experience necessary to separate the wheat from the chaff in selecting the best products in each category—from lighting instruments to video screens. Quick to provide an educated answer, the sales staff is backed by an extensive service network and bolstered by the company’s detailed catalog that is available free of charge to any ministry. All Pro’s “passion for perfection” is evident in the tidy work its crews deliver behind the racks and under the booth as well as the timely and efficient way invoices are handled and issues are resolved. If they are brought into SPECIAL ADVERTISING SECTION a project at its inception, All Pro’s designers can control expenses while maximizing media results by working with the architects to make the media systems an integral part of the facility, not an unattractive add-on. Exacting drawings and the ability to work around potential trouble spots separates All Pro’s design team from a local contractor. With technical expertise and a willingness to go the extra mile for its clients, All Pro is the natural choice for any church project, large or small. CCM_07.04_Gear_v12 6/4/04 6:55 PM Page 68 shure equipment How do you keep an 80-year-old company current in the rapidly fluctuating market? One answer is to hire dedicated Christian managers like Doug Gould and let them do what they do best. Doug’s expertise with microphones and personal monitors has proven beneficial for dozens of Christian artists, including MercyMe. The Dallas/Nashville-based quintet has seen its star rise with astonishing speed, yet the band remains as accessible and ministry-focused as when the guys were a regional act trying to make ends meet. Assessing the impact of the band’s signature song, “I Can Only Imagine,” on the general public, keyboardist Jim Bryson suggests, “Since 9/11, people, whether they believe in God or not, have a reason to question whether or not there’s something out there. Everyone has lost someone that [he or she] loves, and I think that’s why ‘I Can Only Imagine’ has been so attractive to folks. Even to this day, we hear stories of how that song led people to believe in God or helped them through the loss of a loved one.” Jim’s understanding of the band’s influence transcends accolades such as Dove Awards for “Group of the Year’” “Artist of the Year” and “Song of the Year“ into a ministry designed to outlast fleeting flame. The band relies on Shure for microphones. For drums, the choice is a premium Beta 91 on the kick, industry standard Sm57s on the top and bottom SPECIAL ADVERTISING SECTION of the snare, small Beta 98s on the toms and classic SM81s on the overheads. Vocals are covered by SM87s and the newer SM86s, while the guitar amps are miked with inimitable SM57s. Personal monitoring is accomplished with six PSM700 series wireless systems routed through Shure’s antenna combining system. CCM_07.04_Gear_v12 6/4/04 6:38 PM Page 70 Audio Technica AE3300 You see it, but it escapes your notice. Michael W. Smith is onstage. He and the piano are obvious, but what about his microphone? It’s an Audio Technica AE3300 and in Michael’s words, “The quality of what I do in the studio and live is extremely important to me, and the AT microphones deliver. Through the years, I’ve tried a lot of gear. To me, nothing compares to Audio Technica. It’s the best.” Without his AE3300 and the band’s AT mics, the sound of his classic songs would be poorer for the listening. According to house engineer, Rob Burrell, “The new AE2500 [dual element—both condenser and dynamic] kick drum mic is outstanding. 4051’s [small diaphragm condensers] are a crucial part of my workday. The only drawback is that I only have two! 4047’s [large diaphragm studio mics] fall into the same ‘never enough of them’ category. And the AE5400’s give me studio quality vocals in a live setting.” Audio Technica has always been about more than sheer performance. Its value quotient exceeds every user’s expectations. In Burrell’s words, “In both studio and live recordings, A-T mics always deliver premium sound that rivals microphones many times the price. They deliver the kind of quality and reliability that is a key part of my work everyday.” SPECIAL ADVERTISING SECTION nothing compares to “toaudiome,technica. it’s the best. -Michael w. smith ” CCM_07.04_Gear_v12 6/4/04 6:56 PM Page 72 carvin instruments THE NATION’S LARGEST SELECTION OF MUSICAL GEAR & ACCESSORIES! THE GUARANTEED LOWEST PRICES IN THE U.S.A.! THE BEST SERVICE ANYWHERE! SERVING MUSICIANS FOR 80 YEARS! NASHVILLE Long before it became fashionable to “direct connect,” San Diegobased Carvin was directly supplying musicians across the country with its handcrafted instru-ments and sound systems. Beginning in 1946, Carvin’s direct-to-consumer approach eliminated the middleman and the accompanying markup for thousands of loyal customers who have discovered the value and workmanship Carvin brings to each product. Whether the item is a large format-mixing console or an acoustic guitar, the quality is stunning. As Pro Audio Review noted, “The Carvin Concert 44 [mixing console] series is an absolute knockout in its functionality and performance.” While guitar trends come and go, Carvin’s commitment to tone and playability remains constant, regardless of the body style. The company’s Rapid Play Neck design incorporates twin graphite reinforcement rods and a newly profiled neck contour that grants swift and accurate fingerings along the entire length of the neck. Niche products, such as acoustic basses, are a Carvin specialty. Both Traa Daniels from P.O.D. and Jars of Clay’s Aaron Sands use Carvin’s AC Series basses—Traa on an AC50 and Aaron on an AC40. As a semi-hollow body acoustic, the AC40 and AC50 lend an unplugged tone to songs that fits in perfectly with each band’s signature “quiet moments” during a concert. Carvin’s fully operational Custom Shop can wield any guitarist’s dream into reality. From unique finishes to elaborate pickup switching systems, the Custom Shop has the expertise to make it happen and at factory direct prices that are less than half the price of retail custom facilities. faith based apparel "Not just another put on" is more than a catchphrase at Faith Based Apparel. This California clothing company has more to offer than rebadged secular slogans. What sets it apart are its innovative styles, non-shirt materials and aggressive yet not “over the top” designs. Additionally, the same-name Web site is fast and friendly, with a listing of the top selling products and images. President Steve Houston also notes the company’s ability to embroider for its customers, a rarity among suppliers. Finally, FBA’s willingness to warehouse and ship the products at no charge to the client defines the company as a unique entity in the world of Christian clothing. The clothing is first quality with an emphasis on long-term wear to keep end users coming back for more. “Subtle witnessing” is the term Steve uses to convey the company’s purpose, and he notes a full 10 percent of all revenue is tithed to churches and the mission field. As he says, “Just because we are Christians should not mean we have to settle for less than top quality or blatant messages. We should expect a style that is cool and gets attention that we are proud to wear.” 1647 GALLATIN PIKE NORTH MADISON (615) 860-7475 SPECIAL ADVERTISING SECTION www.samashmusic.com CCM_07.04_Gear_v12 6/4/04 6:39 PM Page 74 ibanez Guitars “When we stopped limiting God and realized that anything is possible, music flowed from our hearts into song.” Tina Conroy, from the band En Theos, plays a regular gig at the Treehouse Coffee Shop in Collingswood, New Jersey. Her quote explains the band’s recent flood of lyrics, all brought to musical life through her Ibanez acoustic guitar. Ibanez, a purveyor of guitars to the stars (Steve Vai, George Benson) is also a guitar for the songwriter in all of us, an instrument to be played before a home-group audience as much as an arena audience. From the dozen varieties of body styles to a seemingly endless supply of colors and finishes, Ibanez builds an instrument for everyone. The PF15CE, for example, is a class leader, with its visually striking seven ply binding, aurally pleasing Fishman pickup and AEQ-SS Shape Shifter EQ section, all at a remarkably affordable price point. Still, Ibanez’s current c a mp a i g n is about people, not their gear, so the aptly entitled, “Find Your Voice” advertising focuses on players such as Tina, whose fame may be regional, but her flame burns for the world at large. SPECIAL ADVERTISING SECTION L The sturdiest stands> Ultimate Support stands have locking legs, secure fittings and dependable clutches for extreme stability and strength. Ultimate Support makes the safest gear and instrument stands available, so go ahead and load them up! L The most portable stands> Ultimate Support stands fold up into slim units and are all one piece. Take your stands anywhere and never lose parts again! TS-90 Series TeleLock Speaker Stands L Genesis Series Guitar Stands Stands that provide flexibility> Ultimate Support stands are super adjustable and adaptable; whatever the application, Ultimate Support has the perfect choice for you! L The most durable stands> Ultimate Support has a reputation for durability based on 25 years of making Apex Series Keyboard Stands the longest lasting equipment available! Visit your retailer today to purchase superior stands from Ultimate Support ! WeightedBase Mic Stands A special thank you to Third Day and all our Serious Musicians for chosing Ultimate Support! S TA N D S F O R S P E A K E R S , K E Y B O A R D S , G U I TA R S A N D M I C S L w w w. u l t i m a t e s u p p o r t . c o m L 800-525-5628 CCM_07.04_tour.final 6/3/04 10:05 PM Page 77 t standingroomonly For the latest concert listings, check out CCMmagazine.com’s searchable tour database to find out when your favorite artists will play in a city near you. your guide to concerts by Andy Argyrakis ROAD RULES: Ever wonder what touring guidelines govern your favorite artists? Here’s a view from the “Third Day Live” tour with opening act Warren Barfield. Punctuality counts!: “Every night we usually leave a venue by 2 a.m., give or take and then All photos by Andy Argyrakis drive straight through the morning to the next city.” Early morning endeavors: “Often Clockwise from top left: Third Day’s Mac Powell, tobyMac, Third Day’s Tai Anderson, Warren Barfield “THIRD DAY LIVE!” TOUR Featuring Third Day, tobyMac and Warren Barfield STARWOOD AMPHITHEATRE NASHVILLE, TN—APRIL 24, 2004 Indeed, Third Day knows what it’s like to work hard on the road, consistently refining itself, adapting with the times and updating its agenda from the span of 1996’s self-titled debut through this year’s Wire. Those career landmarks, along with a little bit of everything in between, made for a very comprehensive evening of Third Day music, which was best when resorting to its southern rock & roll resurgence. Lead singer Mac Powell offered up a string of gritty oldies, including the encompassing guitars of “Consuming Fire,” the gravely soul of “Blackbird” and the hand-clapping sunshine of “My Hope Is You.” New cuts such as “Wire” and “Come On Back to Me” marked the return to the group’s rollicking past (most notably the Conspiracy No. 5 period), though “Till the Day I Die” didn’t come across as clearly, given Powell’s stumbling over several words. The normally fearless frontman admitted his error, citing it “was a brand new addition in the set list”—a forgivable error that was later balanced out with the much more fluid jam “Sing a Song” and a triple threat duet with a pair of enthusiastic audience members during “Come Together.” Still, it was material from the Offerings series and other miscellaneous worship renditions that truly lit everyone’s fire. Rich Mullins’ “Creed” took on an alternative strut, City on a Hill’s “God of Wonders” was fleshed out electrically, and “Love Song” featured tenor accompaniment by opener Warren Barfield. Having such a mixture of moods and catalog eras ensured no one was left disappointed, and the show also foreshadowed a healthy shelf life for the Paul Ebersoldproduced (3 Doors Down, Sister Hazel), Brendan O’Brien-mixed (Soundgarden, Rage Against the Machine) Wire. Before the main attraction, tobyMac turned in a solo set accompanied by DJ Maj, plus a plethora of background singers and break-dancers. His momentum continues to mount, thanks to a mixture of slammin’ hip-hop, razor-like rap rhymes and acrobatic athleticism. Versions of originals such as “Extreme Days,” “Irene” and “Love Is In the House” straddled between scratchheavy rap/rock, smooth grooves and R&B dreaminess. And covers like Rockwell’s “Somebody’s Watching,” the SugarHill Gang’s “Rapper’s Delight” and Chic’s “Good Times” resurrected his old-school appreciation. Solo acoustic guitarist Barfield may not have been surrounded by as much action, but his clever pop songs (especially “Pictures of the Past” and “Soak It Up”) were charming and relatable. times I’ll be met sometime between 6 and 7a.m. by a runner, who will take me to a radio interview or two.” Spiritual stability: “I admit it’s really hard, especially when people are pulling on TOUR TIDBITS: Bleach Perhaps in light of recent “farewell” tours by their Tooth & Nail labelmates Bleach, Calibretto 13 is threatening to call it quits with “The Last Laugh?” tour. According to the guys: “This summer will be Calibretto's last tour ever. Or maybe it won't. You see, we can do that because we're the band.” ccmmagazine.com july 04 ccm 77 CCM_07.04_20things.final 6/3/04 9:37 PM Page 78 16 THINGS YOU PROBABLY DIDN’T KNOW ABOUT: JOY WILLIAMS BY MICHAEL NOLAN conversation with talk of business. It’s a balance we are continuing to learn everyday.” 12. THE WEDDING PLANNER Joy doesn’t necessarily recommend planning a wedding while pursuing a very active music career. She says it’s a real challenge to plan the “most important day of my life” while being on tour, recording an album and nailing down the details from Nashville when the wedding is in California. 11. WHAT, NO “I BELIEVE IN YOU”? You won’t find any of Joy’s music slipping into the wedding ceremony, although she teases that Nate will be performing an accordion solo. Instead, she divulges that a string quartet will play Vivaldi, and there will be “a nod to a Shane & Shane song later in the ceremony.” (Wouldn’t you think Nate would’ve requested Beethoven’s “Ode to Joy”?) 10. ADMIRATION (OF THE NON-NATE KIND) “I’ve always admired Michael W. [Smith] for his continuously humble spirit,” offers Joy. “I’ve always looked up to Amy [Grant] for her vulnerability and honesty. Rich Mullins as well. His unconventional life and creativity brought so many people closer to Christ, and I can’t say enough how much I admire that.” 9. GETAWAY (WITHIN HER AREA CODE) “When I’m in town, I like to get away at my friends’, Ellie and Rachael’s apartment in Franklin,” she offers. 8. STAYING TUNED TO A.I. Joy keeps up with the latest developments on “American Idol,” although she admits, “I know I’m a sucker.” Her take on the show: “It’s like high school choir tryouts on steroids.” 7. BRACE YOURSELF Joy gives her parents full-credit for her dazzling smile. “I’m grateful they invested in years of orthodontics for me because if I’d kept the buck teeth I’d had earlier on, life would’ve been… well, unfortunate. Just imagine being able to stick two quarters between your two front teeth, and you’d have a pretty accurate picture of me in 5th grade. Hooray for spacers, a headgear and braces! They, and my parents, paid off!” 6. By the time you read this, Reunion Records artist Joy Williams will have become Mrs. Nate Yetton. Following both her mother’s and grandmother’s lead, she chose to tie the knot on June 12. Knowing that brides-to-be and touring artists have very little to do (yeah, right), we subjected her to a shower of questions. And as expected, she tossed us a bouquet of intriguing answers. 16. FRIENDS (NOT THE FORMER TV SHOW) Joy describes her relationship with Nate as “marrying my best friend.” But what do friends do? “We just love being together. Whether it’s working out together, sitting next to each other at church, hanging with friends or going to a movie, Nate’s the kind of guy who is simply easy and comfortable to be around.” 15. LOW-MAINTENANCE LOVE Among their favorite activities: “We like to take walks around the neighborhood, stroll to Starbucks in Franklin, Tenn., and read to each other in the park. We also love babysitting together.” 14. BIG FANS OF DIAMONDS No, not the gems—they love baseball. “Go Red Sox and Giants!” she cheers, then adds a footnote: “Luckily, the NL [National League] and the AL [American League] save us from a conflict of interest… unless they meet in the World Series. Then it’s war!” 13. CALL IT A DRAW Since Nate is the director of promotions for Inpop Records (co-owned by Newsboys’ Peter Furler), that makes for a lot of music business under one roof. Is that a plus or a minus? “One of the great things about being in a similar vocation is that we’re able to understand each other’s challenges but from different perspectives. Since Nate is often on the phones with radio stations, he’s normally ready to leave the business lingo behind once the office doors shut. But we make sure we neither avoid nor saturate our 78 ccm july 04 ccmmagazine.com SHOCK VALUE Unlike many of her female peers in pop music, Joy doesn’t consider headline-grabbing controversy attractive. “From a marketing standpoint, I think it’s just a desire for shock value. From a heart standpoint, I think it’s a forgotten understanding of how precious they truly are and Who they truly belong to.” 5. UNDER SURVEILLANCE “Like it or not, being in the public eye undoubtedly ensures that people will be watching you,” she observes. “I think it’s a responsibility that should humble and incite those being watched to choose carefully and wisely how they live their lives, understanding also that perfection is impossible. And those who are watching need to remember that no person should be the ultimate role model. We have Christ for that.” 4. REAL PROBLEMS In the mail she receives and during conversations after concerts, Joy has noticed “a lot of perfection issues, which have led to eating disorders, self mutilation and suicidal tendencies because of this unreachable goal that we see everywhere in media and try in vain to translate into our lives. There has been a loss of innocence at earlier and earlier ages as well, it seems. Heightened sexuality around us has led more girls to become desensitized to the biblical concept of sexual abstinence (of all kinds!), when He created these standards to protect us.” 3. THAT ELUSIVE “NEXT ALBUM” The big question: When? “I’m in process. I’ve been writing for some time and have hopes of the album coming out by late fall or early next year.” 2. IN A WORD… SPORADIC That’s how she describes her writing process. “There are days when the creativity flows and other days when I feel dry. I love to write on my laptop in the afternoon. I have a tendency to start a song on my own and then go to other writer friends to finish it. I enjoy collaboration.” 1. EARLY PREDICTION “The next album will have a bit more rock to it, which is fun for me in hoping it will appeal to a broader audience. The sound has grown like my life has and will highlight the life lessons I’m continually being taught by Christ every day.” CCM_07.04_peacock.final 6/3/04 10:02 PM Page 80 charliepeacock Vol.10 Everything That’s On My Mind 4. Sleep outside under the stars with friends/family. Watch for a shooting star. Stay up really late talking. Play “remember that time” and “someday I’m going to.” When you wake in the morning, cook yourself some bacon and eggs in an old black skillet. 5. Go fishing. You can do the more serious fly-fishing track or just use bait from the bowels of the earth—worms that is. Either way, walk along some water, sit a while, listen to the wildlife. Listen to your thoughts and to God— pray, fish. 6. Discover some new music and make it the soundtrack for your summer. My summer music is Late Tuesday, The Decemberists, The Shins, Erin McKeown, Rosie Thomas, Al Green and The Staple Singers. I feel some middle-aged dancing coming on. (Children, turn your heads.) 7. Play baseball. Go hiking. Surf. Get outside. Leave the air-conditioned enclave for the Earth where people played and worked for centuries. It’s a fascinating place! 8. Go to a county or state fair. Watch a beauty pageant. Get a smile on your face. Visit the livestock. Smell a pig. Eat a corn dog and some cotton candy. Ride The Scrambler or the Tilt-A-Whirl. Win a goldfish. Get out alive! 9. Sit outside on a warm summer night and talk with your family and friends. Tell stories and have stories told to you. Don’t be in a hurry—just be. 10. Read a life-changing book—a book that stirs you to be more human, not less. This might be a “Hardy Boys” novel or The Challenge of Jesus by N.T. Wright. You choose. Either way, read something that will inspire you to be one kind of person on the planet and not another. I hope you are having a great summer. I mean it. Go ahead! Have yourself an unusually great summer. It doesn’t have to be one like the good old days. It can be a summer from the future—one filled with new good, not just old. Still, it’s difficult not to long for the dramatic shift from spring to summer, for the anticipation of what three simple months might mean in your life. I do miss that kind of excitement, but I’ve got a plan. It’s not too late to get in on it. Personally, I think it does involve going back a bit to recapture some good stories and bring them forward again. This shouldn’t be a problem for people who profess to follow Jesus. Bringing stories forward into the present and future is what we do. Right? So let’s do it. When I closed my eyes and revisited the past, this is what I remember; this is what I think makes up a great summer: arthouse a word on worship Illustration by Jimmy A. The Great Summer of Love While you’re having a great summer, remember the story that the prophet Jeremiah told: “For I know the plans I have for you,” declares the LORD, “plans to prosper you and not to harm you, plans to give you hope and a future” (Jeremiah 29:11, NIV). Hang tight with this. And don’t forget: “Whatever you do, whether in word or deed, do it all in the name of the Lord Jesus, giving thanks to God the Father through him” (Colossians 3:17). You’re free to have a great summer. Do it. 1. Get wet often. Swim; let the H2O get on you by getting right in it. Splash, jump, make funny sounds and squirt water at your swimming partners using the clasped hand, suction technique. Do a cannonball and belly-flop. If you don’t know what those are, no worries—make your own thing up. Jump in the water in some crazy fashion and give it a name. Be astonished at the simplicity of water and yet the pure joy of splashing around in it. 2. Ride a bike. Chill at an easy tempo. Then ride with the wind. Stand up and pedal like you’re racing your best friend. Pop a wheelie if possible. Wake your body up and say hello. At first it’ll be cranky; later it will love you with gratitude. 3. Speaking of love: Fall in love, be in love, stay in love. Oh, there’s really nothing like summer love. Get an ache in your heart that can’t be satisfied unless you are with the person you fancy. Are you married, yet the thrill is gone? No worries. Make this the summer of love—get busy dreaming for each other. Imagine each other dressed up with the rightness of God. Be sweet, tender, forgiving. Pray for help. 80 ccm july 04 ccmmagazine.com The Art House is involved in awakening the church to issues of justice and mercy. Micah 6:8 says, “And what does the Lord require of you? To act justly and to love mercy and to walk humbly with your God.” As followers of Jesus, we are to seek out justice and present mercy to people everywhere and in everything. An example of this love in action is the work of International Justice Mission. IJM is a human rights organization that rescues victims of violence, sexual exploitation, slavery and oppression across the world. From freeing child sex slaves in Cambodia to bonded slaves in Southern India, IJM is committed to intervention, relief and the continual care of God’s creativity—people! For more information, please visit ijm.org. Perhaps a really great summer is coming to understand just a little bit more of God’s purpose for you in His kingdom. As always, seek justice. For more information about our ministry write to: P.O. Box 218307, Nashville, TN 37221 or e-mail: [email protected]. Charlie Peacock is an artist, producer, author and teacher. Both his album, Full Circle: A Celebration of Songs and Friends (Sparrow), and his book, New Way to be Human (Waterbrook), released in March. CCM_07.04_Classifieds.v7 6/4/04 6:16 PM Page 81 CLASSIFIEDS RECORDS/TAPES/CDs CD REPLICATION WITH NATIONAL CHRISTIAN RADIO PROMOTION Oasis CD Manufacturing offers top-quality CD manufacturing AND promotes your music to Christian radio nationwide on the acclaimed Oasis Inspirational CD sampler. Phone: 888/296-2747 Web: oasisCD.com E-mail: [email protected] RUGGED CROSS MUSIC P.O. Box 42146, Charleston, SC 29423-2146, www.RuggedCrossMusic.com, [email protected], CDs, LPs, Cassettes, Videos and more MUSIC VIDEO EXPERTS! TV/radio production, training, editing, TV/radio station placement and Public Relations 214/316-1040 or visit our Web site at www.themediawisegroup.com Free Media assessments. MUSICIANS CHRISTIAN DRUMMER/PERCUSSIONIST. Seeks part-time music ministry group (on the West Coast). Call 760/333-1856 for Marcus. PRINTING SERVICES YOUR SONGS PROFESSIONALLY PRINTED from manuscript or cassette. Free brochure on fees and copyright security. Not a publisher. Willaco Music, P.O. Box 2501, Calumet City, IL 60409-2501. E-mail: [email protected] TECHNICIANS TRAVELING TECHNICIANS Sitting up three screen multi-media shows in schools. Good with people, committed Christian. Ready to travel for nine continuous months. Training starts August 9th. Marty 210/651-6970 Subscription/Customer Service Information: Write CCM, P.O. Box 706, Mt. Morris, IL 62054–0706 or call 800/333-9643. In the U.S., $19.95/one year, $35.95/two years, $53.95/three years; Canada, (U.S. funds) $27.95 per year; all other countries, (U.S. funds) $33.95 (surface) or $67 (airmail). For address changes or other inquiries, please include both old and new addresses and mailing label. Allow four to six weeks for new subscriptions to begin. CCM [ISSN 1524–7848] is published monthly by Salem Publishing. Copyright: CCM © 2004 by Salem Publishing, 104 Woodmont Blvd., Suite 300, Nashville, TN 37205. Contents may not be reproduced in any manner, either whole or in part, without prior written permission of the publisher. Editorial: The editor cannot assume responsibility for unsolicited manuscripts and will return only those accompanied by a stamped, self–addressed envelope. Writers’ guidelines available upon request. Advertising: Neither the advertisers nor the contents of advertisements appearing in this publication are necessarily endorsed by Salem Publishing. We cannot accept liability for any products, services, etc., offered in advertisements, but please contact us if you experience any difficulties with advertisers. Periodicals postage paid at Nashville, TN and additional offices. Postmaster: Send address changes to 104 Woodmont Blvd., Suite 300, Nashville, TN 37205. Printed in the U.S.A. HOW TO PLACE CLASSIFIEDS To place a classified ad, send a check (payable to CCM Communications) or a credit card number and expiration date, along with your ad copy by the 15th of the month—two months in advance of the issue in which you want the ad. (For example, by June 15 for the August issue.) Cost: $3.00 a word with a minimum of $50 per month. Display ads run as follows: $175 (B/W), $225 (2 color) and $295 (4 color). Marketplace ads run as follows: $275 (B/W), $325 (2 color) and $395 (4 color). CMYK colors only. Send ad copy for classified listings and/or an electronic digital file on CD for display/marketplace ads with your check or credit card number with expiration date to: Classified Ads, CCM Magazine, 104 Woodmont Blvd., Suite 300, Nashville, TN 37205. Make sure to include a daytime phone number. Please contact [email protected] for further information. Mary Jo Moore Music Since3 197 WITH A SONG IN MY HEART complete hymn piano course. Play hymns from first lesson, beginner through advanced, 5 books, 5 cassette tapes covering every page of course, only $100.00, free shipping. Satisfaction guaranteed or money refunded. Order from: Mary Jo Moore, Dept. HC, 108 New Haven Court, Nashville TN 37214 (615) 884-1133 DEVELOPMENT • PRODUCTION • MANAGEMENT You Have The Talent, The Calling, The Drive! Now What? Check out our services for Christian artists at: w w w. n a s o n m u s i c g r o u p . c o m REMOVE SINGERS! VOCALS Unlimited Free Backgrounds from Original Standard Recordings! Thompson Vocal Eliminator TM VE-4 Free Brochure /Demo 24 Hour Demo/Info Line (770)482-2485-Ext 88 LTSound Dept CC 7980 LT Parkway, Lithonia, GA 30058 w w w. Vo c a l E l i m i n a t o r. c o m / g . o / C C Better Than Karaoke For Over 25 Years! ccmmagazine.com july 04 ccm 81 CCM_07.04_halloffame.final 6/3/04 9:58 PM Page 82 halloffame CCM COVERS Phil Keaggy September 1980 October 1982 January 1989 March 1993 Not shown: July 1995 ESSENTIAL KEAGGY C ONTEMPORARY CHRISTIAN MUSIC has, unfortunately, had to fight a reputation over the years of often being derivative of and inferior to its mainstream counterparts. Perhaps no one single handedly stands as a brighter rebuttal to that stereotype than Phil Keaggy. An accomplished writer, an acclaimed vocalist and a renowned guitarist the world over, Keaggy, 53, has released nearly 40 albums over the past three-plus decades. He is a highly sought-after session player as well, having appeared on hundreds of albums for everyone from Amy Grant and Andraé Crouch to Clannad’s Maire “Moya” Brennan and P.O.D. Born the ninth of 10 children in Youngstown, Ohio, Keaggy began playing guitar at age 10, despite losing his right middle finger in an accident when he was 4. After playing in several local bands in high school, Keaggy formed a progressive rock trio called Glass Harp. He lived the fast life for a time, but a sobering incident soon brought that part of his life to an end. On Feb. 14, 1970, while he was recovering in a hotel from an LSD trip, his parents were in an auto accident that, days later, resulted in his mother’s death. The crisis dramatically changed Keaggy; and, soon after, he became a Christian. He stayed in Glass Harp for a time, releasing three well-received albums and even playing at New York’s famed Carnegie Hall before sensing a tension between his newfound Christian faith and his band’s rock & roll lifestyle. He left the group in 1972 to embark on a solo career that he felt would better allow him to express his faith. Keaggy’s truly remarkable body of work has been split fairly evenly between instrumental and vocal 82 ccm july 04 ccmmagazine.com releases and between groundbreaking acoustic and electric guitar work. He excels at all of these, which leaves the door wide open for him to pursue whatever creative fancy strikes him. His distinctive tenor voice is reminiscent of Paul McCartney, and his often Beatlesesque melodies draw nearly unanimous praise from fans and critics alike. At times wildly prolific, Keaggy typically has several albums in the pipeline at any given time. Phil, his wife of 31 years, Bernadette, and their children Alicia, Olivia and Ian moved from California to Nashville 15 years ago. A longtime vocal supporter of Compassion International, he and his family have sponsored multiple children around the world over the years. Still in high demand as a live performer (He has shows booked through the end of 2005.), Keaggy continues to do primarily solo acoustic concerts, although in the past few years he has occasionally reunited with Glass Harp. Keaggy recently signed with powerhouse management company Blanton, Harrell, Cooke & Corzine (home to Amy Grant and Michael W. Smith) and is now “in the infancy stages” of working on a new vocal album, which he plans to release later this year on a “label that is yet to be determined.” Says Keaggy, “Thank you very much, CCM, for this honor. I am grateful to have been able to contribute to this world that which God has blessed and enabled me with—my instruments of guitar and voice. I have given my best and hope I have brought some joy to those who have listened to my work. Thanks for all your support.” MICHAEL CIANI For more information, visit PhilKeaggy.com. Love Broke Thru* (New Song, 1976) The Master and the Musician** (New Song, 1979) Phil Keaggy and Sunday’s Child (Myrrh, 1988) Beyond Nature (Myrrh, 1991) Crimson and Blue* (Myrrh, 1993) Time: 1970-1995 (Myrrh, 1994) Time 2: 1970-1995 (Myrrh, 1995) *Included in CCM Presents The 100 Greatest Albums in Christian Music (2001) **Included in CCM’s Top 100 Albums, Critics’ Picks (1998) SIGNATURE KEAGGY “Ain’t Got No” “County Down” “Full Circle” “Play Thru Me” “I Always Do” “Love Divine” “Your Love Broke Through” “Everything Is Alright” AWARDS, ACCOLADES & HONORS • Voted “#1 Favorite Guitar Player” five consecutive years in CCM Readers’ Awards • Guitar Player called him “impeccable” and its readers voted him one of the “greatest fingerstyle guitarists” three years in a row • Musician Magazine named him to the “100 Greatest Guitarists of the 20th Century” • Seven Dove Awards • Two Grammy nominations • Endorsement deals with 13 guitar and gear manufacturers For a complete list of past Hall of Fame inductees, visit CCMmagazine.com.