Jands MI Catalogue 2012

Transcription

Audio Products
2012 Catalogue
MUSICIANS
ENTERTAINERS
AUDIO PROFESSIONALS
Supporting Australian
music from the beginning
S
Since our beginning, Jands has been committed to
bringing high quality sound reproduction to Australian
musicians and audiences. As a result of this
commitment Jands now represents some of the world’s leading brand
names in professional audio products. From the beginning of the signal
path, with microphones capturing the creativity, to its final destination
with loudspeakers reproducing that creativity naturally and clearly, every
step along the signal path is represented by a leader in their field. Shure
microphones, Soundcraft mixing consoles, dbx signal processors,
Lexicon effects and desktop recording, Crown power amplifiers and
JBL loudspeakers. Today at Jands, new technology musicians are
also represented with the innovative Stanton DJ products. Jands’
commitment to quality sound has never wavered and our commitment
to the Australian Music Industry has never been stronger.
Page 2
CONTENTS
PAGES
Shure
Wired Microphones – Performance Gear (PG) Series,
SM Series, Beta Series, KSM Series.................................. 6 – 10
TM
TM
Recording Microphones – PG, SM, Beta, KSM Series....... 11 – 13
Wireless Systems – PG, PGX, PGXD, SLX......................... 14 – 17
In-Ear Monitoring – PSM 200 Systems...................................... 18
Headphones – SRH Range.......................................................... 19
Earphones – SE Range................................................................ 20
DJ Cartridges – 44, 35 Series, Whitelabel.................................. 21
Soundcraft
Mixing Consoles – Gigrac, EFX, EPM, MPMi, MFXi, FX16ii, LX7ii,
Si Compact Series................................................................ 23 – 26
dbx
Direct Boxes – DB10, DB12........................................................ 29
Graphic Equalisers – 2 Series,12 Series.................................... 30
Compressors / Limiters / Gates & Crossovers – xs, Silver Series
..................................................................................................... 31
Loudspeaker Management / Feedback Suppression – DriveRack
Series, AFS................................................................................... 32
iEQ Digital Graphic EQs w / Feedback Suppression – iEQ Series
..................................................................................................... 33
Lexicon
Desktop Recording Studios – Alpha, Lambda, Omega.............. 35
Desktop Recording Interface – I•O Series................................. 36
Software Plug-Ins – LXP Plug-In, PCM Bundles................. 37 – 38
Digital Effects Processor – MX Series........................................ 39
Crown
Power Amplifiers – XLS Drivecore, XTi 2 Series........................ 41
JBL
Studio Monitors – LSR2300 Series............................................. 44
Portable Speakers – PRX600 Series, EON Range, JRX100 Series,
MRX500 Series...................................................................... 45 – 50
Stanton
SC Systems – SCS.4DJ, SA DJ Mix! Software,
SCS System 3...................................................................... 53 – 55
Headphones – DJ PRO Series..................................................... 56
Turntables – T, ST/STR8 Series.................................................. 57
Tabletop CD Player – CMP.800.................................................. 58
Dual CD Players – C Series......................................................... 59
General Information
..................................................................................................... 60
Page 3
I
It takes years of work, passion and dedication to develop your sound. Be
careful to whom you entrust it. For over 80 years Shure has been assisting
the world’s finest communicators, entertainers, singers and musicians, just
like you, to capture and communicate their sound to their audience.
No other microphone company has the Shure depth of engineering horsepower and
industry knowledge. This knowledge was instrumental in the development of the Shure
SM57 and Shure SM58 microphones that have become both legends and industry
standards. Both these microphones capture the spirit of the entire Shure line. Reliability,
built to withstand the rigors of the gigging musician and entertainer, and natural sound
engineered to capture your performance the way you want your audience to hear it.
Research and development efforts continue daily at Shure in order to produce microphones
that will faithfully capture the constantly changing and evolving direction of musical styles.
Shure is recognised as the industry’s leading microphone manufacturer. No matter where
in the world your music takes you, you will find Shure microphones being used on stage
and in the studio.
The microphone is the most personal part of your sound system. Choosing a microphone
that suits your sound is a job for you alone. Put your trust in products from a company
that understands the passion and commitment required to succeed in music. A company
which believes the only sound that is truly important is your sound.
Page 4
Things to consider when choosing a microphone
1 Do you need a rugged construction?
If a microphone is going to be used in a live situation then its type of construction is an important
consideration. How is it going to be treated? Does it need to be able to take a licking and keep on
ticking?
2 Dynamic microphone Vs Condenser microphone?
Dynamic microphones are the workhorse of the live music industry. They sound good and are particularly
rugged. Condenser microphones, on the other hand, require phantom or battery power but have a wider
frequency response. However, they are not as durable as their dynamic cousin.
3 What type of direction or pick-up will work best for your needs?
Cardioid Pattern:
The most popular pattern. Picks up most sound “in-front” of the mic, less from the sides and nearly
nothing from behind the mic. Excellent for stage work. In studio applications it will pick up more of the
source and less of the room, which makes it great for home and project studios.
Supercardioid Pattern:
Even tighter pattern than the cardioid. Terrific for separation of sounds on stage and capturing a more
intimate source sound in the home or project studio.
Omnidirectional Pattern:
All round frequency response and sound pick-up. Great as a room mic for recording.
If recording space is acoustically warm, it makes a terrific vocal microphone.
4 What type of frequency response does the microphone have?
Flat:
Wide, uniform response. Consistent sensitivity through frequency range.
Tailored:
Tuned to accentuate specific types of voices or instruments.
Adjustable:
User changeable frequency response.
Page 5
Wired Microphones
Performance Gear (PG) Series
The gear that allows all musicians to get their hands on Shure’s engineering excellence. And all come
with a mic cable included as standard.
Shurepg52
A high-performance microphone
tuned to capture low-end punch.
•Kick drum
•Bass amp
•Mic cable included
ShurePG48
ShurePG58
ShurePG57
ShurePG81
A great performance
mic for spoken word
applications.
A rugged mic tuned to
accentuate the clarity
of lead and backup
vocals.
A versatile mic for
amplified or acoustic
instruments.
A sensitive, flat
response condenser
mic ideal for acoustic
instruments.
•Spoken word
•Karaoke
•Lead vocal
•Backup vocals
•Guitar amp
•Brass
•Saxophone
Shuredmk4
An essential drum mic package.
•1 x PG52 Kick drum mic
•3 x PG56 Snare/Toms mics
•3 x A50D Drum mounts
•1 x Carry case
•4 x XLR-XLR cables
Shuredmk6
A complete drum mic package.
•1 x PG52 Kick drum mic
•3 x PG56 Snare/Tom mics
•2 x PG81 Instrument mics
•1 x Carry case
•6 x XLR-XLR cables
Page 6
•Acoustic guitar
•Cymbals
•Piano
•Strings
•Woodwinds
Shurepg56
A compact drum mic for close
miking.
•Snare drum
•Rack/floor toms
•Percussion
SOUND,
LIKE A PRO
Wired Microphones
SM Series
Recognisable by name and reputation, every discerning musician has used or owned an SM microphone
at some stage in their career.
ShureSM58
ShureSM57
ShureSM86
ShureSM94
ShureSM81
It’s simply the world’s best
selling vocal microphone.
Tuned to accentuate the
warmth and clarity of lead
and back up vocals, yet able
to easily handle the rigors
and knocks of day in, day
out, performance.
The legendary
multipurpose Shure
microphone with a
contoured frequency
response for clean sound
reproduction of amplified
and acoustic instruments.
A rugged condenser mic
that features a tailored
frequency response for
clear reproduction of
vocals.
A sensitive mic with a
wide, flat response ideal
for live amplified and
acoustic instruments.
A flat response mic with a
3-position, low end roll-off
switch and 10dB attenuator.
A standard for acoustic
instruments.
•Lead vocals
•Backup vocals
•Harmonica
•Lead vocals
•Backup vocals
•Guitar/Bass amps
•Brass
•Saxaphone
•Harmonica
•Snare/Tom
•Conga
•Guitar/Bass amps
•Brass
•Saxophone
•Harmonica
•Cymbals
•Acoustic guitar
•Acoustic bass
•Strings
•Piano
•Woodwinds
•Orchestra
•Cymbals
•Ensemble vocals
LEGENDARY
SOUND
ShureSMDMK57-52
A complete microphone and drum mount
system for recording and performing
drummers.
•1 x Beta 52A Kick drum mic
•3 x SM57 Instrument mics
•1 x Carrying case
Page 7
Wired Microphones
Beta™ Series
Defined by the blue band on their grille, look for them in the next live music video you watch. They are
precision crafted microphones for consistently excellent performance.
ShureBeta58A
ShureBeta87A
ShureBeta87C
ShureBeta57A
Extremely smooth extended frequency
response. Its supercardioid design
provides maximum isolation from
other onstage sounds.
Leading the field for studio-quality
sound in live performance, the
supercardioid Beta 87A has a
smooth, tailored response for
warm, accurate sound.
This is a cardioid version of
the Beta 87. Its cardioid design
blocks sound from the rear of the
microphone, making it ideal for
use with In-Ear monitors.
An excellent mic designed for
use with amplified or acoustic
instruments.
•Lead vocals
•Backup vocals
•Lead vocals
•Backup vocals
•Lead vocals
•Backup vocals
•Guitar amps
•Bass amps
•Acoustic guitar
•Brass
•Saxophone
•Snare drum
•Rack/Floor toms
•Conga
ShureBeta52A
ShureBeta56A
ShureBeta98H/C
Optimised for low-frequency bass punch and high
SPL handling.
A compact drum mic engineered for close
miking of snare and toms.
•Kick drum
•Bass amp
•Acoustic bass
•Snare drum
•Rack/Floor toms
•Conga
•Guitar/Bass amps
•Brass
•Saxophone
Cardioid condenser microphone with a flexible
gooseneck mount that clamps directly to the bell or
rim for precise positioning.
•Strings
•Brass
•Woodwinds
•Saxophone
CAPTURES THE SPIRIT IN
Page 8
Wired Microphones
Beta™ Series
PRECISION CRAFTED
Beta 98A
Beta 98AD/C
ShureBeta91A
ShureBeta98A/Beta98AD/C
Precision engineered cardioid low profile condenser boundary microphone
optimised for kick drum applications.
Miniature condenser precision engineered for high SPL instrument applications.
•Kick drum
•Piano
•Rack/Floor toms
•Snare drum
ShureBeta181
ShureBeta98AMP
Compact condenser microphone with multiple polar pattern capsule options for
discreet placement and versatility.
Miniature cardioid condenser microphone with a flexible gooseneck for
accurate placement in any configuration
•Guitar amps
•Bass amps
•Acoustic guitar
•Brass
•Saxophone
•Snare drum
•Rack/Floor toms
•Conga
•Rack/Floor toms
•Snare drum
EVERY NOTE.
Page 9
Wired Microphones
KSM Series - Live Microphones
Engineered to exacting standards, the KSM9 unites the best of studio and stage.
ShureKSM9
With its dual diaphragm design and switchable polar patterns, KSM9
reveals nuance and subtlety in a microphone optimised for the most
demanding live environments. The new choice for the world’s most
accomplished vocal performances. Models available in black(CG) or
silver(SL).
•Lead vocals
•Backup vocals
Wired Microphones
Classic™ Microphones
ShureSuper55
Shure55SH
Shure520DX
Featuring a supercardiod pattern,
it's a modern update to a classic
microphone.
An unmistakable stage icon for
over 60 years.
The “Green Bullet” is the
definitive blues harp voice.
•Lead vocals
•Backup vocals
•Spoken word
•Harmonica
Vocal Microphone
•Lead vocals
•Backup vocals
Page 10
Vocal Microphone
Harmonica Microphone
Recording Microphones
PG, SM & Beta - Studio Microphones
PG, SM, Beta and KSM Studio Microphones balance exceptional sensitivity and flexibility with unmatched
durability to accurately capture the widest variety of sound sources.
ShurePG27
ShurePG27-USB
ShurePG42
ShurePG42-USB
Designed with a flat frequency
response for natural reproduction,
the PG27 side-address cardioid
condenser microphone features a
large diaphragm and a high SPL
threshold.
The PG27USB side-address
condenser microphone easily
plugs into a computer USB port
for the convenience of digital
recording. Designed with a flat
frequency response, the PG27USB
naturally reproduces a wide variety
of acoustic, amplified and vocal
sound sources - with professional
clarity and guaranteed “Plug and
Play” Shure quality.
Specifically engineered for vocal
reproduction, the PG42 sideaddress condenser microphone
features a large cardioid
diaphragm tailored with high
sensitivity to clearly reproduce
refined performances. A -15dB
switchable attenuator and a high
pass filtering switch guarantees
Shure quality for every lead vocal
application.
Specifically engineered for lead vocal
reproduction, the PG42USB sideaddress condenser microphone easily
plugs into a computer USB port for
the convenience of digital recording. The PG42USB features a large
cardioid diaphragm tailored with high
sensitivity to clearly reproduce refined
performances with guaranteed “Plug
and Play” Shure quality.
•Multipurpose
•Studio vocals
•Ensemble vocals
•Guitar/Bass amp
•Acoustic guitar/bass
•Multipurpose
•Studio vocals
•Ensemble vocals
•Guitar/Bass amp
•Acoustic guitar/bass
ShureBeta27
ShureSM27
ShureSM137
Large diaphragm microphone with supercardioid
pattern ideal for critical live and studio applications.
The SM27 is a rugged and versatile
large diaphragm, side-address cardioid
microphone, with low self-noise and
extended frequency response that picks
up vocal and instrument nuances with
clarity. Durable Shure construction
features three separate mesh layers that
reduce wind and breath noise. Equally
comfortable on stage or in the studio.
The SM137 is a versatile, flat-response cardioid
condenser probe microphone with an ultra-thin
diaphragm for a frequency response that combines a
smooth high-end with a tight, controlled low-end and
a 15db pad for natural sound reproduction in both
acoustic and high volume performance applications.
•Guitar amps
•Bass amps
•Acoustic guitar
•Brass
•Saxophone
•Snare drum
•Rack/Floor toms
•Conga
•Lead vocals
•Backup vocals
•Spoken word
•Acoustic guitar
•Acoustic bass
•Strings
•Pianos
•Woodwinds
•Orchestra
Page 11
SM & KSM - Studio Microphones
RECORDING AND PERFORMANCE MASTERY
ShureX2u XLR-USB
ShureSM58-X2u
ShureSM57-X2u
Use your favourite microphones to digitally record
wherever and whenever your computer takes you
with the new X2u XLR-USB Signal Adapter. Perfect
for multi-track recording, the X2u features built-in
headphone monitoring with zero latency, and easy
controls to balance microphone and playback audio,
just plug and play for better-than-CD quality sound.
The legendary SM58 vocal microphone is now
available with the X2u USB Signal Adapter,
which features built-in headphone monitoring
with zero latency, and easy controls to balance
microphone and playback audio. Digitally
record wherever and whenever your computer
takes you - just plug and play for better-thanCD quality vocal reproduction.
The SM57 instrument microphone is now available
with the X2u USB Signal Adapter, which features
built-in headphone monitoring with zero latency,
and easy controls to balance microphone and
playback audio. Digitally record wherever and
whenever your computer takes you - just plug
and play for better-than-CD quality instrument
reproduction.
•Plug and Play USB Connectivity
•Microphone Gain control
•Zero Latency Monitoring
•Headphone jack for monitoring with 1/8”
connectivity
•Monitor Mix Control for blending microphone and
playback audio
•16 bit, up to 48 kHz sample rate
•Headphone jack for monitoring with 1/8” connectivity
playback audio
Signal Adapter
•Headphone jack for monitoring with 1/8” connectivity
playback audio
ShureKSM32
ShureKSM42
ShureKSM44A
Extremely flat response microphone for a natural
reproduction of sound and superior instrument
recording, both live and in studio.
Exceptionally smooth proximity control
and ultra-wide dynamic range. Ideal for
world class performance and recording.
•Studio vocals
•Ensemble vocals
•Live recording
•Acoustic guitar/Bass
•Percussion
•Cymbals
•Strings
•Woodwinds
•Saxophone
•Studio vocals
•Ensemble vocals
•Live recording
•Acoustic guitar/Bass
•Percussion
•Cymbals
•Strings
•Woodwinds
•Saxophone
Premier studio recording microphone featuring
Prenthos Advanced Preamplifier Technology for
exceptionally warm and articulate sound for critical
studio vocal tracking.
Page 12
•Studio vocals
•Ensemble vocals
•Voice-over
•Live recording
•Acoustic guitar
•Bass
•Piano
•Cymbals
•Strings
•Woodwinds
KSM Ribbon & Instrument Microphones
Hand assembled in the USA with custom components and proprietary Roswellite™ technology for
revolutionary ribbon resilience under extreme conditions. The high-tensile strength, toughness and
shape memory of Roswellite™ ribbon material replaces traditional foil ribbons for superior resilience
at extreme SPLs.
ShureKSM313
ShureKSM353
The KSM313 is a premium bi-directional ribbon microphone for world-class
audio and performance. The Dual-Voice design features discrete front-and-rear
side sonic signatures for use with amplified instruments or in intimate vocal
applications.
The KSM353 is a premium bi-directional ribbon microphone crafted for
pristine audio in studio and concert hall applications. Proprietary Roswellite™
technology provides revolutionary ribbon resilience and durability under
extreme conditions.
•Studio vocals
•Lead vocals
•Amplified instruments
•Studio vocals
•Lead vocals
•Concert halls
•Amplified instruments
KSM Instrument Microphones
ShureKSM141
ShureKSM137
Dual pattern instrument microphone. Rotating collar allows for easy switching
between a highly consistent cardioid and true omnidirectional polar pattern for
smooth and extremely focused sound reproduction.
Cardioid instrument microphone. Smooth and extremely focused reproduction
of the original sound source.
•Acoustic guitar
•Acoustic bass
•Percussion
•Strings
•Cymbals
•Piano
•Brass/Woodwinds
•Live Recording
•Orchestra
•Ensemble vocals
•Room ambience
•Acoustic guitar
•Acoustic bass
•Percussion
•Strings
•Cymbals
•Piano
•Brass/Woodwinds
•Live Recording
•Orchestra
•Ensemble vocals
•Room ambience
Page 13
Wireless Systems
PG (Performance Gear) Wireless Systems
Performance Gear Wireless. The entry to Shure Wireless.
Ease-of-use, hassle-free setup
• Up to 10 selectable frequencies at the touch of a
button.
• Up to 4 compatible systems per band.
• Receiver quickly indicates occupied channel.
• Innovative internal ¼” antenna design simplifying
operation.
• 2/3-position gain switch on handheld/bodypack.
Legendary Shure sound quality
• Variable companding ratio for clear sound.
• Shure dynamic PG58 capsule with cardioid polar pattern.
Ruggedness and reliability
• Durable chassis.
• More than 8 hours battery life.
• Up to 75m operating range.
System Configurations
Complete systems with a transmitter and receiver.
ShurePG58
ShurePG185
ShurePG30
ShurePG14
•Lead vocals
•Backup vocals
•Spoken word
•Presenters
•Instructors
•Teachers
•Ministers
•Aerobics Instructors
•Drummers
•Disc Jockeys
•Karaoke
•Vocals
•Guitar
•Bass
Vocal System
Lavalier System
Headset System
Guitar System
Combo System Configurations
Complete systems with two transmitters and a dual receiver.
ShureDual Vocal
System
ShureDual Lavalier
System
ShureVocal/Headset
Combo System
ShureVocal/Lavalier
Combo System
•2 x PG58 Handheld microphones
•1 x PG88 Dual receiver
•2 x PG185 Lavalier microphones
•1 x PG58 Handheld microphone
•1 x PG30 Headset microphone
•1 x PG58 Handheld microphone
•1 x PG185 Lavalier microphone
Page 14
Wireless Systems
PGX Wireless Systems
Remarkable Technology. Remarkably Simple.
Crystal-clear wireless has never been easier.
1 Press a button.
CHANNEL automatically finds the clearest channel and sets
the receiver.
2 Press the other button.
SYNC automatically matches the transmitter channel to the
receiver.
3 Go.
Perform worry-free. Your sound, exactly the way it’s
supposed to be. 1 - 2 - 3.
PGX Handheld System Configurations
ShurePG58
ShureSM58
ShureBeta58A
ShureBeta87A
Rugged, versatile vocal mic
ideal for everyday use and
practice.
Legendary live performance
mic featuring superior clarity
and warmth.
Premium live performance
mic reveals fine details in
demanding environments.
Exceptional clarity in live vocals.
•Lead vocals
•Backup vocals
•Lead vocals
•Backup vocals
•Lead vocals
•Backup vocals
PG58 Handheld Mic
PGX4 Diversity Receiver
SM58 Handheld Mic
Beta 58A® Handheld Mic
Vocal System
UHF
Vocal System
Vocal System
Vocal System
•Live vocals
•Backup vocals
PGX Bodypack System Configurations
UHF
ShureHeadworn
System
ShureInstrument
System
ShureGuitar
System
ShureLavalier
System
Comfortable, reliable headworn
mic for active users.
Convenient, versatile mic for
instrument applications.
Reliable wearable mic for spoken
word applications.
•Drummers
•Disc Jockeys
•Karaoke
•Vocals
•Saxophone
•Brass
•Trumpet
•Strings
•Woodwinds
•Percussion
Rugged guitar system provides
clear audio across models and
playing styles.
WH20TQG Headset MicH
PGX1 Bodypack Transmitter
Beta 98H/CClip-on
Instrument Mic
•Guitar
•Bass
•Instructors
•Ministers
•Teachers
•Presenters
WA302 Instrument Cable
WL93 Lavalier Mic
Page 15
Wireless Systems
PGXD Digital Wireless
TOTAL CLARITY. ROCK-SOLID RELIABILITY.
The precision of 24-bit digital audio comes to the
renowned Shure PGX Wireless systems. PGXD delivers
stunning sound and a strong, clean RF signal.
Why choose Shure digital wireless?
• Full 20Hz – 20kHz frequency range
• No compression or expansion - just clean signal
• Real wireless guitar and bass performance
1 Press a button.
• Very low latency <3ms: imperceptible to the ear
2 Press the other button.
• Longer battery life
3 Go.
PGXD Handheld System Configurations
ShurePG58
ShureSM58
ShureBeta58A
ShureBeta87A
Rugged, versatile vocal mic
ideal for everyday use and
practice.
Legendary live performance
mic featuring superior clarity
and warmth.
Premium live performance
mic reveals fine details in
demanding environments.
Exceptional clarity in live vocals.
•Lead vocals
•Backup vocals
•Lead vocals
•Backup vocals
•Lead vocals
•Backup vocals
PG58 Handheld Mic
SM58 Handheld Mic
Vocal System
UHF
Vocal System
Vocal System
Vocal System
•Live vocals
•Backup vocals
PGXD Bodypack System Configurations
UHF
Page 16
ShureHeadworn
System
ShureInstrument
System
ShureGuitar
System
ShureLavalier
System
Comfortable, reliable headworn
mic for active users.
Convenient, versatile mic for
instrument applications.
Reliable wearable mic for spoken
word applications.
•Drummers
•Disc Jockeys
•Karaoke
•Vocals
•Saxophone
•Brass
•Trumpet
•Strings
•Woodwinds
•Percussion
Rugged guitar system provides
clear audio across models and
playing styles.
WH20TQG Headset MicH
Beta 98H/CClip-on
Instrument Mic
•Guitar
•Bass
•Instructors
•Ministers
•Teachers
•Presenters
WA302 Instrument Cable
WL93 Lavalier Mic
Wireless Systems
SLX Wireless Systems
Sound installations and working bands need powerful wireless tools
that can be set up quickly and used confidently.
Shure’s Patented Audio
Reference Companding
Delivers crystal-clear
audio transmission, far
superior to conventional
wireless technology.
Auto
Frequency
Selection
Auto
Transmitter
Setup
Locates a clear
channel instantly.
Infrared link automatically
syncs the transmitter
and receiver.
Shure Legendary Microphones
Shure offers a variety of quality microphone
options used by artists and sound
professionals around the world.
HANDHELD
Systems include:
SLX4 Diversity
Receiver and a
choice of Handheld
Microphone
Transmitter.
ShureSM58
The legendary
choice of vocal
performers around
the globe.
ShureSM86
Smooth sound
tailored for
warm, rich vocal
reproduction.
LAVALIER
Systems include:
SLX4 Diversity
Receiver, SLX1
Bodypack Transmitter
and a choice of
Microphone or Guitar/
Bass Cable.
ShureWL93
Miniature
condenser lavalier
mic for speech
applications
Omnidirectional
ShureBeta58A
Preferred by
touring vocalists
and sound
professionals.
HEADWORN
ShureWL184
Premium
condenser
lavalier mic
for speech
applications
Supercardioid
ShureWL185
Premium
condenser
lavalier mic
for speech
applications.
Cardioid
ShureWH30TQG
Comfortable
headset that
provides highquality voice
pickup for active
vocalists.
ShureBeta87A
Brings
exceptional
clarity to live
vocals.
GUITAR
ShureWA302
Links a bodypack
transmitter to a
guitar or bass.
ShureBeta87C
Adds warmth to the
frequency response
preferred by in-ear
users.
INSTRUMENT
ShureB98H/C
A versatile solution
for high volume
wind, brass
or percussion
instruments.
Page 17
In-Ear Monitoring
PSM 200 Systems
Why go In-Ear?
• In-ear monitor systems allow you to control the
sound levels of your own monitor mix. This will
not only protect you from hearing damage but
will also allow you to sing at the level that is most
comfortable for you, helping protect your vocal
chords as well.
• With a floor wedge, the amplifier projects the
same sound level toward everyone, which may
be too loud for some performers and too soft for
others.
• With in-ear monitor systems you have the ability
to move around a stage whilst getting a consistent
monitor mix.
• Since there is nothing between your ears and the
sound, you can hear the subtle instruments, notes
and voices better.
• There are no stage monitors, decreasing the risk
of feedback and giving you more space for the
performance.
In-Ear Monitor Systems
for Working Musicians
Affordable Monitoring.
Get In-Ear from here.
• PSM 200 is scaleable. You can start out with a hardwired system and go wireless at a later stage, simply
by adding a Wireless TransMixer.
• Hard-wired systems are suitable if performing on small
stages and not needing to move around a lot.
• Hard-wired systems are perfect for drummers.
Page 18
ShureP2TRSE215
ShureP2RSE215
Wireless Personal
Wired Personal
•1 Wireless TransMixer
•1 Hybrid Bodypack Receiver
•1 SE215 Sound Isolating Earphones
•1 Hybrid Bodypack Receiver
•1 SE215 Sound Isolating Earphones
Headphones
SRH Range
PERFECT SOUND FROM EAR TO EAR.
Designed to withstand the rigours of everyday use, Shure headphones are engineered to the same precise
standards that have made Shure a leader in professional audio for over 80 years.
ShureSRH240
ShureSRH440
ShureSRH550DJ
High Quality Sound and Comfort
Reproducing full bass with detailed highs, the
SRH240 is ideal for vivid listening on almost any
device. The closed-back, circumaural design rests
comfortably over the ears and reduces background
noise.
Accurate Monitoring for Recording and
Playback
Tuned to deliver accurate audio reproduction
and featuring an adjustable headband with
collapsible construction, the SRH440 offers a
mix of professional sound quality and comfort
ideal for recording and monitoring.
DJ Mixing and Personal Listening
The SRH550DJ delivers full range audio
performance, comfort and durability for DJ use
and personal listening. Dynamic drivers deliver
enhanced bass and supra-aural design with padded
ear cups swivel 90 degrees for easy one-ear
placement.
ShureSRH750DJ
ShureSRH840
ShureSRH940
Sound, Style and Flexibility
The SRH750DJ features 50mm neodymium
dynamic drivers tuned to deliver high-output bass
with extended highs. Ear cups that swivel 90
degrees make the SRH750DJ perfect for meeting
the demands of live professional DJ mixing and
monitoring.
Precision Performance for Critical Listening
Featuring 40mm neodymium dynamic drivers
precisely tailored to deliver rich bass, clear
mid-range and extended highs needed for
critical listening and studio monitoring. The
SRH840 also provides an ergonomic fit and
collapsible design for comfort and portability.
Critical Listening, Studio Monitoring and
Mastering
Designed for professional audio engineers and
in-studio talent, the SRH940 provides accurate
response across the entire audio spectrum to
deliver smooth high-end extension with tight bass.
Superior transient response provides minimal
distortion and the collapsible, lightweight design
with premium padded headband offer superior
comfort and portability. Smooth high-end extension
with tight bass.
Page 19
Earphones
SE Models
MADE FOR THE STAGE. READY FOR ANYWHERE.
From sound isolating earphones to mobile phone headsets, find our high-performance personal audio
products here.
ShureSE102
ShureSE115M+
ShureSE215
Powerful Sound
For the perfect introduction to sound isolation,
the SE102 combines professional grade Dynamic
Microspeakers with sound isolating designs to
block outside noise and deliver powerful sound.
Integrated control
Combines the professional performance and
sound isolation of the SE115 earphones with
integrated three-button remote and microphone
for iPhone, iPad and iPod.
Detailed sound with enhanced bass
The SE215 features a new Dynamic MicroDriver
from Shure, delivering detailed sound quality with
enhanced bass.
ShureSE315
ShureSE425
ShureSE535
Full range sound quality
The SE315 utilises a single High-Definition
MicroDriver to deliver full range sound with optimised
low-end performance utilising a vented driver.
Accurate and balanced sound quality
The SE425 utilises dual, balanced armature
drivers to deliver accurate and balanced sound
across the entire frequency range.
Spacious sound quality with rich bass
The SE535 utilises a dedicated tweeter and dual
balanced armature drvers to deliver spacious
sound with rich bass.
Page 20
DJ Cartridges
44, 35 Series & Whitelabel
An extensive range of cartridges designed for scratching, mixing and spinning in any performance
situation. Shure remains the number one choice of Australia’s and the World’s leading DJs.
44 Series
4 coil cartridge design provides a fuller, punchier sound. Extreme skip resistance and low record wear. Shure Type S cantilever.
ShureM44-7
ShureM44-7-H
ShureM44G
Turntablist
Turntablist with Headshell
Club/Party
•High output
•17khz peak brings out turntabilist scratch sounds
•19khz peak with a smooth dip in the mids
•Does not fatigue the ears
35 Series
2 coil cartridge design brings out all the details of electronic music. Quick response and a tight, punchy sound. Shure Type 1 cantilever.
ShureM35X
ShureSC35C
ShureM25C
House/Techno
Standard
Fundamental
•Deep drop bass, flat mids, and brilliant high end.
•Intensely focused sound
•Clarity and reliability for scratch, mix or spi
•Solid bass with clear mids
Whitelabel
ShureWhitelabel
Club/Mix/Scratch
•Exceptional sound
•Solid drop bass with detailed mids and highs
•Time code vinyl
Page 21
S
Soundcraft, an English company, has designed and manufactured mixing
consoles, and only mixing consoles, for the past 30 years. The experience
gathered from this focused approach has allowed Soundcraft to lead the
mixing desk field from live sound reinforcement to post production - and everywhere in
between. You will find Soundcraft’s mixing desks on tour with internationally famous
artists, in top class recording studios, radio stations, television stations and hard at work
in clubs and pubs world wide.
The key to Soundcraft’s success centres on using their vast industry experience to design
and manufacture innovative and easy to use products while maintaining uncompromising
sound quality. This dedication to preserving the quality of sound is the number one
reason why you should be considering a Soundcraft console for your sound system or
your studio. Musicians, entertainers and sound engineers in the eighty-eight geographical
areas in which Soundcraft is distributed are very happy they considered Soundcraft.
You will be too.
Innovation In
Live Sound
Powered Vs Unpowered Consoles
It can sound confusing but all it means is that a powered console has an in-built
amplifier that provides power to the loudspeakers. The console plugs directly into
the loudspeakers and there is no need for an external power amp in the system.
Unpowered consoles send the signal to an external power amp first and the amp in
turn powers the loudspeakers.
Page 22
Mixing Consoles
Gigrac Series
Available in two models (GigRac 600 and the stereo GigRac
1000st), GigRac combines a fully-featured 8 channel mixer with
studio-quality digital effects and potent power amplification in a
portable package that sets up in minutes.
GigRac 1000st
GigRac 600
Comparison of features:
GigRac 600
Power Amp @ 4 Ohms 2 x 300W Size (Uncased) 4U / 7 inches Channel EQ 2 band fixed Stereo No Pan Controls No Graphic EQ 1 x 7 Band Selectable to Mix
Main or Monitor path GigFX Presets 8
Output Meters 1 - Main Mix only Playback Input No Standby Mute No Submix Input Mono Mix output Mono GigRac 1000st
2 x 500W
5U / 8.75 inches
3 band fixed
Yes
Yes
1 x Stereo 7 band For Main
1 x Mono 7 band For Monitor Mix
10
2 - Main L/R or Mono Main/
Monitor Mixes
Yes
Yes
Stereo
Stereo
Creating a great
live performance
just got easy
Page 23
Mixing Consoles
EFX, EPM, MPMi & MFXi Series
Multi-Purpose Consoles
Project / Home Studios & Live.
SoundcraftEPM Series
SoundcraftEFX Series
Soundcraft have brought new technologies and ideas to this very costeffective range.
The EFX Series takes the proven EPM Series and adds the new Lexicon
AudioDNA® FX processor chip to provide professional quality effects on board.
•Frame sizes 6+2, 8+2 and 12+2
•2 configurable auxiliary buses
•GB30 mic preamp (also used on the larger LX7ii and GB Series consoles) •3-band EQ with a swept mid on mono inputs
•2-band EQ on stereo inputs
•Intuitive and comprehensive solo system
•Easily rack mountable
•8 or 12 Mono Channels
•2 Stereo Channels
•1 Aux and 1 FX send
•32 Effects
•Rackmount hardware incl. (EFX12 only)
SoundcraftMPMi Series
SoundcraftMFXi Series
Soundcraft’s MPMi mixers are compact and ideally equipped for live sound
applications including fixed installations, houses of worship and portable PA.
The MPMi versions replace the MFXi’s internal FX send with a third Aux send
for operators preferring to use external effects.
Soundcraft’s MFXi mixers are compact and ideally equipped for live sound
applications including fixed installations, houses of worship and portable PA.
•12 or 20 mono Mic inputs
•2 stereo line inputs
•Precision GB30 mic pre-amps
•+48V phantom power
•2 Group busses
•Stereo Mix output
•Up to 26 inputs to mix
•3 Aux sends, globally switchable pre or post-fade
Page 24
•8, 12 or 20 mono Mic inputs
•2 stereo line inputs
•Built-in Lexicon 24-bit effects
•Precision GB30 mic pre-amps
•2 Group busses
•Stereo Mix output
•Up to 28 inputs to mix
•Aux sends, globally switchable pre or post-fade
•FX send
•Rackmount hardware now included
Mixing Consoles
FX16ii & LX7ii
SoundcraftFX16ii
The Soundcraft FX16ii offers a combination of powerful live and recording features plus
the addition of the new Lexicon AudioDNA FX processor providing the same quality
effects as found in the Lexicon “MX” Series processors.
•16 mono microphone channels
•4 stereo returns
•4-bus architecture
•24 bit Lexicon digital effects
•32 FX settings
•Tap Tempo
•3 FX parameter adjust rotaries
•User FX settings store function
•Direct outputs
•Inserts on all mono channels
•Inserts on stereo mix output
•Channel Mute control
•Two sub-group outputs
•Separate mono sum output
•Integral universal power supply
•Rackmount hardware now included
SoundcraftLX7ii
The ever popular Soundcraft LX7ii mixing console is the
perfect work horse for many applications.
•16, 24 and 32 channel frame sizes
•GB30 mic preamp and EQ circuitry
•4-band EQ
•True 7-bus architecture
•2 stereo inputs
•2 stereo returns
•6 aux sends
•Channel direct outputs
•Talkback facility
Page 25
Mixing Consoles
Si Compact Series
Digital live sound consoles
Drawing on the heritage of Soundcraft's acclaimed Si Series digital live sound mixers, the Si Compact
packs powerful digital mixing facilities along with stunning Lexicon® effects into a small footprint
console. All this and more without compromising a powerful feature set.
SoundcraftSi Compact 16
The Si Compact 16 feature 16 recallable mic pre amps plus 4 stereo returns,
AES in and 64 input option slot with a capacity to combine up to 32 of
these inputs to mix; each input is 'fully equipped' with compressors, gates,
parametric EQ, High Pass Filter and delay.
•16 mono inputs
•4 stereo channels
•14 sub-group / aux busses
•4 FX busses
•4 Matrix busses
•LRC Mix busses
•4 Stereo Lexicon Effects engines
•4 Mute Groups
•AES in and out
•Harman HiQnet integration
•24 mono inputs
•4 FX busses
•4 Matrix busses
•LRC Mix busses
•4 Mute Groups
•AES in and out
•4 analogue insert send-return loops
•32 mono inputs
•4 FX busses
•4 Matrix busses
•LRC Mix busses
•4 Mute Groups
•AES in and out
•4 analogue insert send-return loops
Page 26
Drawing on more than 30 years of live sound know-how, Soundcraft mixing
consoles are at the heart of countless successful installations and touring productions.
From the new, Lexicon-equipped FX mixers to the mighty MH4, Soundcraft mixers deliver
exceptional sound quality, with a low noise floor, high quality mic preamps and responsive
EQ ensuring that the audience always hears the very best sound possible.
Our larger consoles provide unrivalled flexibility, with powerful features including
Sub Groups, VCA Groups and LCR Mix Panning delivering effortless control of even the
most complex productions.
And yet Soundcraft mixers are easy to use by novice users and experienced operators
alike, thanks to their elegant, ergonomic design.
From clubs to festivals, theatres to houses of worship, Soundcraft delivers the experience.
Page 27
T
Take a look in the effects rack at any live concert or in any recording studio
and you will find at least one dbx product. Led by David Blackmore, a brilliant
engineer, (he invented the Voltage Control Amplifier in the early 70’s) dbx has
introduced innovation after innovation to our industry, making the company a household
name in audio.
With each passing year, the stunning dbx legacy continues to grow, fuelled by a staff
comprising of musicians and engineers with a fanatical commitment to doing it for you.
You, the lunch box working class musician, the weekend wedding band, the Grammy
award winning engineer, the mega star, the guys who make music for the heck of it in the
garage or the newly aspiring producer of the month. You endure the often uncharitable
business of music and carve a life of unusual reward from this ever challenging industry.
It is this heritage, spirit and character that inspires dbx and every product they make.
Evolution…
Revolution
Page 28
Direct Boxes
DB10 & DB12
At dbx, when they do something, they do it right. So when they decided to create their new direct injection boxes,
they didn’t settle for the same old tired approach to direct box design. One look at the new dB10 Passive and
dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and
extraordinary audio performance to rival their looks, finally there’s a direct box worthy of the dbx name.
Utilising custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise
circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad
switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound
by utilising the polarity invert switch to set the phase relationship between the direct and mic'd sound.
Features
•Premium Performance
•Rugged Design
•Stackable Chassis with Durable Rubber Foot
•Gold-plated Neutrik® XLR Connector
•Premium Chrome Toggle Switches
•Hi-Z 1/4" Input Jack
•Parallel 1/4" Thru Jack
•Transformer Isolated
•Premium Shielded Custom dbx Transformer
•Balanced XLR Lo-Z Output
•3-Way 0/20/40 dB Pad Switch
•Flat/High-Cut Filter Switch
•Output Polarity Invert Switch
•Ground Lift Switch
Additional dbxDB12
Features
•Phantom Powered
•Green LED Phantom Power Indicator
•+48V Phantom Operation
•Low-Noise Active Circuit
Page 29
Graphic Equalisers
2 & 12 Series
2 Series Equalisers
The 2 Series represents a major step forward in the performance of entry-level graphic equalisers. At
these prices there is no excuse for not getting into the tried and tested engineering of dbx!
dbx131s
dbx215s
dbx231s
Single Channel 31-band EQ
Dual Channel 15-band EQ
Dual Channel 31-band EQ
•Single 31-band, 1/3-octave Constant Q frequency
bands
•Switchable boost/cut ranges of ±6 or ±12dB
•12dB per octave, 3dB down @ 50Hz low-cut filter
•Front panel bypass switch
•±12 dB input gain range
•4-segment LED ladders for monitoring output levels
•XLR and TRS Inputs and Outputs
•Frequency Response of <10Hz to >50kHz
•Dynamic range of greater than 108dB
•Dual 15-band, 1/3-octave Constant Q frequency
bands
•Switchable boost/cut ranges of ±6 or ±12 dB
•4-segment LED ladders for monitoring output
levels
•XLR and TRS Inpts and Outputs
•Frequency Repsonse of <10Hz to >50kHz
•Dual 31-band, 1/3-octave Constant Q frequency bands
•Switchable boost/cut ranges of ±6 or ±12 dB
•4-segment LED ladders for monitoring output levels
•XLR and TRS Inpts and Outputs
•Frequency Repsonse of <10Hz to >50kHz
12 Series Equalisers
With the dbx 12 Series the goal was simple: build the best bang-for-the-buck, no nonsense equaliser on the market.
dbx1231
Dual Channel 31 Band Graphic EQ
•+/- 12 dB input gain range
•Switchable 40Hz/18 dB per octave low-cut filters
•Selectable +/- 6 dB or +/- 15 dB boost/cut range
•Balanced inputs and outputs for quiet operation
•XLR and ¼” TRS connectors
•45 mm faders
Page 30
Compressors / Limiters / Gates Crossovers
xs & Silver Series
xs Series Processors
Getting a great vocal sound consistently on the road or in the studio is made much easier with these beauties from
dbx. With any unit in your rack, the lead singer will elevate you to “genius” status immediately.
dbx166xs
dbx266xs
dbx1066
Adding a dbx® 166xs Compressor/Limiter/Gate
to your live sound rig or studio gives you more
dynamic control to help create a more polished,
professional sound.
Having compression in your audio chain gives
you the ability to smooth out uneven levels, add
sustain to guitars and fatten up your drums.
Dual Compressur/Limiter/Gate
•Goof proof operation
•New gate timing algorithms
•Program-adaptive expander/gates
•Great sounding dynamics control
•Stereo or dual-mono operation
•Side-chain insert
•Newly developed dbx AutoDynamic Attack and
Release circuitry
•Program-adaptive expander/gates
•Stereo or dual-mono operation
•Separate precision LED displays for gain,
compression and gate
Whether you are looking for “heavy” compression
or subtle gain leveling, the 1066 stereo
compressor/limiter/gate with selectable hard knee
or OverEasy compression is ideal. Fatten drums,
smooth out mic and instrument levels and gate
sounds with long decay – it’s all easy.
•Selectable auto or manual compression
•Contour switch removes unwanted low frequency
information from detector circuit
®
•Selectable OverEasy or Hard Knee compression
modes
•PeakStopPlus limiting
•True stereo or dual mono operation
Silver Series Processors
dbx376
dbx386
Tube Preamp Channel Strip w/ Digital Out
Dual Channel Tube Mic Preamp
With the warmth of the vacuum tube the 376 is the perfect companion for both
live performance and project studio recording and tracking.
A stereo vacuum tube mic preamp for warm vocals. You can also link the
affordable dbx 166XL into the box and get two channels of compression,
limiting and gating.
•Tube microphone preamp
•3-band parametric EQ
•Compressor
•De-esser
•+48 volt phantom power
•Selectable mic/line switch
•Two channel vacuum tube mic preamp
•+48 volt phantom power
•Word clock synch input and output
•20 dB pad
•75 Hz low cut filter
•Digital outputs
Page 31
Loudspeaker Management / Feedback Suppression
DriveRack Series & AFS
DriveRack Series
Are used for controlling the “dynamics” of audio for protection or effect.
dbxDriveRack PA+
dbxDriveRack PX
Complete Equalisation and Loudspeaker Management System
Powered Speaker Optimiser
Although the DriveRack PA+ is loaded with functions and features, it is easy
to set-up and use. The dbx exclusive Set Up Wizards walk you through system
set up with easy to follow step-by-step instructions. Just pick your speakers
and amps from the built-in list on the PA+ and then let the Auto Level
Wizard™ fine tune the level settings of each speaker.
The DriveRack PX Powered Speaker Optimiser has everything you need to
get the most out of your stereo powered speaker system. It even includes
stereo or mono subwoofer support. With the included dbx M2 measurement
mic, Auto-EQ corrects for audible deficiencies in the room environment. Dbx’s
patented Advanced Feedback Suppression (AFS™) kills nasty feedback,
allowing problem-free operation at higher sound levels, while the Subharmonic
Synthesizer™ extends bass response for enhanced bottom end.
•Setup Wizard for speaker and amp selection and levels
•Auto EQ™ with 28-Band RTA
®
•AFS feedback elimination
•dbx 120A Sub-harmonic synthesizer
•Classic dbx input compression
®
®
•JBL speaker and Crown power amp tunings included
•USB firmware and speaker tunings field updatable
•Full time RTA function
•Front-panel output mutes
•Pink noise generator
•Stereo feedback elimination
•Dual 28-band graphic EQ
®
•Classic dbx compressor
•120A Subharmonic synthesizer
•Stereo multi-band parametric EQ
•Stereo PeakPlus™ limiters
•Pink noise generator
•Auto-EQ with 28-band RTA
®
•JBL and other popular powered speakers included in Setup Wizard
•dbx M2 Measurement Mic and zippered pouch included
AFS
For the
dbxAFS224
Advanced Feedback Suppression
Where other feedback eliminators feature filters as wide as about
1/10th-octave, dbx’s 24 filters per channel and extremely narrow
1/80th-octave filters put the AFS224 at the head of the pack! With such narrow
filter Qs, the AFS224 is able to remove unwanted feedback while preserving
the sonic integrity.
Studio
and the
Road
•dbx’s (Advanced Feedback Suppression) AFS technology
•24 Programmable filters per channel
•Stereo or dual independent channel processing
•Live and fixed filter modes
•Selectable filter lift times
•Application-specific filter types
Page 32
iEQ Digital Graphic EQs w / Feedback Suppression
iEQ Series
iEQ Series
iEQ Series might be digital but it has an interface you understand – like 40mm faders. As it is digital we
can also add in a couple of helpful features – like feedback suppression and noise reduction.
iEQ31
Dual 31-Band Graphic EQ/Limiter
•+/- 12 dB input gain range
•Switchable 40Hz/18 dB per octave low-cut filters
•Selectable +/- 6 dB or +/- 15 dB boost/cut range
•AFS feedback suppression
•Type V noise reduction
•PeakStopPlus limiting
•40 mm faders
Page 33
K
Knowingly or unknowingly – you experience Lexicon products and
technologies on a daily basis. Chances are that Lexicon processing was
involved in the television program you watch at home, the film you see at
the cinema, or the song you listen to on the radio. From the initial tracks to your listening
room or car, Lexicon is part of the process that brings these recordings to life. Our
commitment to the audio professional and content delivery ensures an unbroken chain
between the artist and the audience.
Think
inside the box
Page 34
Desktop Recording Studios
Alpha, Lambda & Omega
Alpha, Lambda and Omega Desktop Recording Studios. Lexicon’s three complete desktop recording solutions
make it easy to record, arrange, edit, process and mix your music. Now at great new prices.
LexiconAlpha Studio
LexiconLambda Studio
LexiconOmega Studio
•Steinberg Cubase LE (48 Audio and 64 Midi Tracks)
•PC or Mac
•Inputs/Buses/Outputs: 2 x 2 x 2
•Lexicon Pantheon (reverb plug-in)
•Record 2 tracks simultaneously
•Hi-Z instrument input
•Mic preamp x 1
•USB powered
•Asio drivers
•Steinberg Cubase LE (48 Audio and 64 Midi
Tracks)
•PC or Mac
•MIDI in/out
•Mic preamp x 2
•Phantom power
•USB powered
•Asio drivers
•Steinberg Cubase LE (48 Audio and 64 Midi Tracks)
•PC or Mac
•MIDI in/out
•Digital S/PDIF in/out
•Mic preamp x 2
•Phantom power
•External power
•Asio drivers
The tools
for Composers
Page 35
Desktop Recording Interface
I•O Series
Lexicon understands your passion and it inspires us to innovate. Brilliantly designed, the I·ONIX Desktop Recording
Series fits where it makes the most sense, between your keyboard and monitor.
LexiconI•O|22
LexiconI•O|42
2x2 USB 2.0 Desktop Recording Studio
The I•O|22 contains all the necessary tools to transform your computer into a
professional 24-bit/96kHz digital recording studio.
The I•O|42 can record four tracks at once and includes 4 combi-jack mic/
line inputs with +48V phantom power, 2 TRS balanced line outputs, 2 hi-Z
instrument inputs, 2 high power 1/4” headphone outputs, S/PDIF and MIDI I/O.
•USB 2.0 Desktop Recording Studio
•44.1kHz to 96kHz sample rates, 24-bit resolution
•Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
®
•dbx 60V high-voltage, ultra-low noise microphone preamps
•Superior sonic performance
•2 analog combi-jacks for mic/line inputs
•2 analog 1/4” TRS balanced outputs
•Zero latency monitoring
•Low latency ASIO drivers
•Separate level meters and gain control per channel
•1 side panel 1/4” instrument input
•1 side panel headphone output with dedicated volume adjustment
•MIDI in and out
®
•dbx 60V high-voltage, ultra-low noise microphone preamps on all 4 channels
•2 side panel 1/4” instrument inputs
•2 side panel headphone outputs with dedicated volume adjustment
•Stereo S/PDIF digital I/O
•MIDI in and out
LexiconI•O|82
LexiconI•O|FW810s
10 Input/12 Output FireWire Audio Interface with Integrated Channel Strip
Processing
The I•O|82 can record eight tracks at once and includes 8 combi-jack mic/
line inputs with +48V phantom power, 2 TRS balanced line outputs, 2 hi-Z
instrument inputs, 2 high power 1/4” headphone outputs, S/PDIF and MIDI I/O.
®
•dbx 60V high-voltage, ultra-low noise microphone preamps on all 8 channels
•2 side panel 1/4” instrument inputs
•2 side panel headphone outputs with dedicated volume adjustment
•MIDI in and out
Page 36
With a wealth of features – including dbx high-voltage, ultra low noise mic
pre’s, Pantheon II reverbs, and a powerful software mixing board with dbx
dynamics and hardware monitor reverb – the Lexicon® I•O|FW810s is more
than just an 8-in, 10-out FireWireT™ audio interface. It’s a pro recording studio
contained in a single rack unit.
•Zero latency Lexicon monitor reverb
®
•dbx high-voltage, ultra low noise mic pre’s on all 8 channels
•dbx dynamics (compressor, limiter, gate, EQ) on all 8 channels
•6 analog combi-jack inputs on the rear panel for mic/line inputs
•2 front panel combi-jacks accept mic, line, or instrument signals
•Type IV conversion feature emulates tape saturation at high levels
•Zero latency mixer hardware UI with dbx dynamics and a hardware monitor reverb
•44.1 to 96KHz sample rates, 24 bit processing
•8 analog TRS outputs (7.1 surround capable) and stereo main (control room) outs
•MIDI In and Out
•FireWire 400 connection to DAW
•Software suite includes Steinberg’s Cubase LE 4, Toontrack EZ Drummer lite, and
Lexicon Pantheon II reverb plug-in
•Low Latency drivers include Windows WDM with ASIO support along with and
Macintosh CoreAudio with ASIO support
Software Plug-Ins
LXP Plug-In & PCM Total Bundle
LexiconLXP Plug-In
Software Reverb Plug-in
You’ve just wrapped up tracking with artists that are on the brink of breaking into the game. You start mixing
when you realise you are craving more, the ability to envelope your mix with that “magical space” that delivers
the clarity, depth and fullness that can only be created when recording in a major studio. So you turn to the
most trusted name in reverb to achieve the ultimate sound. Lexicon’s LXP Native Reverb Bundle provides your
music with an engaging aura that brings it to life by placing it in the perfect resonant space.
•4 classic Lexicon reverb plug-ins
•Over 220 finely-crafted studio presets
•Intuitive user-interface provides easy access to key parameters
•Multi-platform compatibility (Windows® 7, Vista, XP; Mac® OS X 10.4, 10.5, 10.6)
•Graphical real-time display illustrating the frequency stages of each algorithm
•Formats that work seamlessly in any VST®, Audio Unit™ or RTAS® compatible DAW
•Full parameter control and automation
•Graphical real-time display illustrates the reverb tail, frequency content and impulse response
•Presets can be stored in a DAW-independent format that can easily be transferred to a different DAW
•Input and output meters for quick assessment of audio levels
•iLok authorised
LexiconPCM Total Bundle
The total studio package for those who demand only the best
For the first time in over 40 years, Lexicon is offering that same distinctive, smooth, rich “Lexicon Sound” as
a collection of native plug-ins. The PCM Total Bundle includes everything in both our award winning Native
Reverb Bundle as well as all of the newly released Native Effects Bundle. The PCM Total Bundle delivers an
artful blend of 14 legendary Lexicon reverb and effects plug-ins with hundreds of the most versatile and finelycrafted studio presets.
•14 sonically brilliant Lexicon effect algorithms
•Hundreds of versatile presets
•Multi-platform compatibility (Windows® XP, Vista, and 7; Mac® OSX 10.4, 10.5 (PowerPC), 10.5 or newer (Intel)
•Formats that work seamlessly in any VST, Audio Unit, or RTAS compatible DAW
•Graphical real-time display for visualizing the effect in different ways
•Stereo/Phase meters for ensuring mono compatibility
•Presets can be stored in a DAW-independent format which allows custom presets to be transferred between DAWs
•Input, output and feedback meters for quick assessment of audio levels within the algorithm
•iLok2 protected software
Page 37
Software Plug-Ins
PCM Native Reverb Plug-in Bundle,
PCM Native Effects Plug-in Bundle
LexiconPCM Native Reverb Plug-in Bundle
Finally hardware quality without the hardware
The PCM Native Reverb Plug-In Bundle is the ultimate reverb plug-in for creating professional, inspirational
mixes within popular DAWs like Pro Tools, Logic, and any other VST, Audio Unit, or RTAS compatible platform.
•7 legendary Lexicon Reverbs
•Hundreds of brilliantly crafted studio presets
•Multi-platform compatibility (Windows® XP, Vista, and 7; Mac® OSX 10.4, 10.5, 10.6, PowerPC and Intel)
•Graphical real-time display illustrating the frequency stages of each algorithm
•Visual EQ section for easy adjustment of both early and late reflections
•Presets can be stored in a DAW independent format which allows custom presets to be transferred between any DAWs
•Input and output meters for quick assessment of audio levels going to and from the reverb
•iLok authorised
LexiconPCM Native Effects Plug-in Bundle
Once again our reputation precedes us
With all the flexibility you would expect from native plug-ins, this powerhouse bundle delivers 7 Lexicon effect
plug-ins – and with decades of legacy products to pull from – the PCM Native Effects Bundle includes the finest
collection of Factory Presets available.
•7 sonically brilliant Lexicon effect algorithms
•Hundreds of versatile presets
•Multi-platform compatibility (Windows® XP, Vista, and 7; Mac® OSX 10.4, 10.5 (PowerPC), 10.5 or newer (Intel)
•Graphical real-time display for visualising the effect in different ways
•Stereo/Phase meters for ensuring mono compatibility
•Presets can be stored in a DAW- independent format which allows custom presets to be transferred between DAWs
•Input, output and feedback meters for quick assessment of audio levels within the algorithm
•iLok2 protected software
Page 38
Digital Effects Processor
MX Series
Experience the POWER and learn why Lexicon is the #1 manufacturer of digital effects in the world.
LexiconMX200
LexiconMX300
LexiconMX400
Designed with both live sound reinforcement and
home recording in mind, MX200 features the deep,
rich reverb and effects that have built the Lexicon
legend.
The Lexicon MX300 is the new little brother of
the MX400, all the features but in a more cost
effective dual processor configuration.
The compact-but-luxurious Lexicon 4 x 4 for studio
or live terrain.
•16 legendary Lexicon reverbs
•Lexicon delays & modulated effects
•dbx Dynamics algorithms
•99 Factory / 99 user programs
•5 Digital audition samples
•USB Connectivity + software
•“Hardware Plug-In” integration
•S/PDIF Digital Input/Output
•2-in / 2-out configuration
•Lexicon delays & modulation effects
•dbx compression and de-essing
•5 effect routing options
•99 Factory / 99 User programs
®
•USB “Hardware Plug-In” feature with VST and
Audio Units plug-in software
•S/PDIF Digital Input/Output
•24-bit, 48kHz/44.1kHz sample rates
•MIDI IN and THRU
•XLR and 1/4” TRS balanced I/O
•Selectable Quad mono/Dual-Stereo/Surround modes
•Lexicon delays and modulation effects
•dbx compression and de-essing
•7 effect routing options
•99 Factory / 99 user programs for Stereo mode
•99 Factory / 99 user programs for Dual-Stereo mode
•25 Factory / 25 user Surround programs
®
•USB “Hardware Plug-In” feature with VST and Audio
Units plug-in software
•MX-Edit Editor/Librarian software
•Dual S/PDIF Digital Input/Output
•Choice of XLR or ¼” TRS 1/0
Page 39
I
In 1967 Crown, an American company that had already been in the audio
industry for 20 years, introduced the world’s first reliable, solid state, high
power amplifier. The Crown DC 300A. This product went on to be rated
“world’s best stereo amplifier” by Stereo Review, the leading Audiophile magazine.
As the contemporary music revolution gained momentum, the tour sound and recording
industries embraced amplifiers from Crown. Natural, Hi Fidelity sound, high power
and reliability were the critical factors these industries looked for and Crown delivered.
Technological innovation after technological innovation drove the company to become the
best-known amplifier manufacturer in the world. Crown has now taken all the knowledge
acquired in the service of the professional audio industry at the highest level and built it
into a new line of amplifiers for the working musician and sound professional.
power
The
behind
World Tours.
The power behind
Your Tour.
Page 40
Power Amplifiers
XLS Drivecore & XTi 2 Series
CrownXLS Drivecore Series
Run the show
Crown's XLS Series amplifiers define the standard for portable PA
systems with unmatched performance, technology and affordability.
Its advantageous flexibility includes multiple inputs so you can plug
in anything and play anywhere, along with several system setup
configurations. The integrated crossovers and switch-mode power
supply produce superior sound, and Peakx™ limiters protect your
speakers.
•XLS High Performance, Lightweight Class D amp weighs less than 5kg
•Integrated PureBand™ Crossover System for better performance and
control
•Peakx™ Limiters provide maximum output while protecting your speakers
•XLR, 1/4", RCA inputs provide outstanding flexibility
•Efficient forced-air fans prevent excessive thermal buildup
•Electronically balanced XLR inputs; touchproof binding post and Speakon®
outputs
•Precision detented level controls, power switch, power LED, and six LEDs
which indicate signal, clip and fault for each channel
•Three-Year, No-Fault, Fully Transferable Warranty
Minimum Guaranteed Power
per channel, both channels driven
XLS 1000
XLS 1500
XLS 2000
XLS 2500
Stereo, 2 ohms (per ch.)
550W
775W
1050W
1200W
350W
525W
650W
775W
215W
300W
375W
440W
Bridge-Mono, 8 ohms
700W
1050W
1300W
1550W
Bridge-Mono, 4 ohms
1100W
1550W
2100W
2400W
CrownXTi 2 Series
Next generation
There's no debate – when you choose Crown's XTi 2 Series, you're choosing one of the
most powerful and innovative amplifiers on the market today. That's because the all-new
XTi 2 Series amps continue to set the standard for unmatched performance and value,
delivering the goods night after night without breaking a sweat.
•Peakx Plus™ Limiters provide the ultimate in system performance and protection by allowing full
control over threshold, attack, and release
•Enhanced Subharmonic Synth section provides user control over frequency, gain and filter type
for system-specific tuning
•3 User-defined fan mode controls – normal, early and fullspeed – for matching fan performance
to a specific application
•New system monitoring provides software visibility of AC line voltage and power supply
temperature
•Integrated cast-aluminum handles for easy handling and enhanced durability
•Locking power cord clip provides a secure connection between the amplifier and power cord
•Updated HiQnet Band Manager™ and System Architect™ control software
•Increased number of presets to a total of 50; 49 of which are user definable
Minimum Guaranteed Power
per channel, both channels driven
XTi 1002
XTi 2002
XTi 4002
XTi 6002
2Ω Stereo (per ch.)
700W
1000W
1600W
3000W
500W
800W
1200W
2100W
275W
475W
650W
1200W
8Ω Bridge-Mono
1000W
1600W
2400W
4200W
4Ω Bridge-Mono
1400W
2000W
3200W
6000W
Page 41
S
Since the mid 1940’s JBL has been widely regarded as the world’s finest
professional loudspeaker manufacturer. This reputation is built on a
platform of technical innovation that delivers reliability and quality of sound.
In 1955 Leo Fender incorporated JBL D130 loudspeakers into his guitar amplifiers, a very
important element in the development of the famous Fender sound. In 1969 Woodstock
was powered by JBL and as the concert sound industry grew with the popularity of
contemporary music, JBL became the product of choice for musicians, touring sound
companies, stadiums and clubs worldwide. JBL strives to blend ground breaking acoustic
technologies, new components, and the needs of performers to create the most advanced
products available today. From the light and extremely portable EON Series through to the
thundering power of the VerTec Series, JBL is the sound of the music industry.
No Compromise
Performance
with engineering
Brilliance
Page 42
Passive Crossovers Vs Active Crossovers
A loudspeaker cabinet with a Passive Crossover means
it has an inbuilt Crossover. It receives the signal from
the amplifier channel, then separates the frequencies
and sends the relevant frequency to the appropriate
loudspeaker (e.g. tweeters and woofers). When a
loudspeaker doesn’t have an inbuilt crossover, an
Active Crossover is required at the signal processing
stage.
Having a loudspeaker with a Passive Crossover means
you don’t need a Crossover at the signal processor
stage and you can run your system off the one
amplifier. Therefore it is cheaper. The down side is
that as the Crossover is happening in the loudspeaker
cabinet, there is loss of power in the signal by the time
it has been converted into sound, as some energy was
used up separating the frequencies. This loss will not
have a noticeable affect on the type of systems used for
small pubs, clubs and halls.
Powered Vs Unpowered Speakers
In our Mixing Console section, we discussed the
benefits of powered vs. unpowered mixing consoles.
The same principals apply with powered and unpowered
loudspeakers. Powered loudspeakers have internal
amplifiers. Therefore you don’t need an amplifier in
your system. They also have Crossovers, but as it is
a powered loudspeaker it is called an internal Active
Crossover. So another component in your system can
be contained internally in the loudspeakers. Powered
loudspeakers make your system very portable. Portable
systems are perfect for pubs, beergardens, clubs, halls,
etc. They are ideal for solo artists, duets and DJs.
Page 43
Studio Monitors
LSR2300 Series
PROFESSIONAL JUST BECAME MORE ATTAINABLE.
For over 60 years JBL has been at the forefront of innovation and design. The LSR2300 Series is born of the same
expertise, inspiration and spirit of innovation.
JBLLSR2325P
JBLLSR2328P
5” Two-way bi-amplified powered studio monitor
8” Two-way bi-amplified powered studio monitor
•5” woofer
•1” soft dome tweeter
•Balanced XLR, balanced 1/4” TRS, and RCA unbalanced input connectors
•Detented level control allows fine adjustment of individual speaker levels to balance
each speaker in the system.
•Low Frequency and High Frequency Trim controls to tailor the speaker’s response to
preference or room acoustics.
•Neoprene rubber pad on the bottom of the speaker provides acoustic isolation
•8” woofer
•1” soft dome tweeter.
•Balanced XLR, balanced 1/4” TRS, and RCA unbalanced input
•Detented level control allows fine adjustment of individual speaker levels to balance
each speaker in the system.
•Low Frequency and High Frequency Trim controls to tailor the speaker’s response to
preference or room acoustics.
•Neoprene rubber pad on the bottom of the speaker provides acoustic isolation
JBLLSR2310SP
JBLLSRMSC1
10” Powered studio subwoofer
Monitor System Controller with Room Mode Correction.
•10” woofer
•Added to a stereo system, it extends the low frequency response of the system below
30Hz
•In a surround sound system the sub provides stunning reproduction of the LFE (low
frequency effects) channel
•Two sets of balanced XLR, 1/4” and unbalanced RCA input connectors
•Selectable crossover settings and two sets of balanced outputs to allow connection
of Left and Right main speakers.
•Detented level control allows independent adjustment of the subwoofer output to
balance the subwoofer in the system
The MSC1 Monitor System Controller includes essential “Monitor Strip” features
found in large mixing consoles so you can take control of all monitoring
functions from your place at the mix position. Since the acoustics of the room
can play a big part in what you hear, the MSC1 includes JBL’s highly acclaimed
RMC Room Mode Correction Technology to tune your monitor system to
the room. The end-result is a calibrated reference environment in which your
speakers work in harmony with your room to take the guesswork out of mixing.
Page 44
Portable Speakers
PRX600 Series
Powerful. Rugged. Versatile.
The PRX600 Series represent an evolutionary step in the efficient use of amplifier power, rugged durability
and enhanced versatility in a self-powered loudspeaker. High performance and extremely lightweight. That’s
performance you can trust.
JBLPRX612M
JBLPRX615M
JBLPRX625
JBLPRX635
PRX612M is the most compact and
versatile speaker in the PRX600
Series. It has been designed to
deliver maximum performance
for its weight and size as both a
stage monitor and a front of house
main PA.
The 2-way 15" is the most
recognisable form of portable
PA loudspeakers and offers the
perfect balance between size and
performance. The PRX615M truly
is an exception; it’s small, light
weight, versatile and powerful.
The PRX625 is a self-powered,
lightweight two-way loudspeaker
system capable of delivering a
very high level of performance
over a broad bandwidth.
The PRX635 is a self-powered,
lightweight three-way loudspeaker
system capable of delivering a very
high level of performance over a
broad bandwidth.
•12” 2-way
•1000 Watt (dual 500 watt)
•Class-D Crown® digital amplifier
•DSP input section with dbx® Type IV™
limiter circuit, crossover, dynamic
limiting, component optimisation,
selectable system EQ
•15.6 kg
•15” 2-way
•1000 Watt (dual 500 watt)
•DSP input section with dbx® Type
IV™ limiter circuit, crossover,
dynamic limiting, component
optimisation, selectable system EQ
•19.7 kg
•Dual 15” 2-way
•1500 Watt (3 x 500 Watt)
•27.2 kg
•15” 3-way
•1500 Watt (3 x 500 Watt)
•27.2 kg
JBLPRX618S
JBLPRX618S-XLF
Compact and powerful, the
PRX618S offers the performance of
an 18" subwoofer in a package not
much larger than a typical 15" sub.
The PRX618S-XLF, extended low
frequency subwoofer was designed
and engineered to provide sub bass
frequencies with accuracy and
power. Used as a single sub in a
sub/sat system or in multiples as
part of a scalable, large format sound
reinforcement system, the PRX618SXLF performs with extreme efficiency
and control.
•18” subwoofer
•600 Watt
•32 kg
•18” subwoofer
•1000 Watt
•37 kg
Page 45
Portable Speakers
EON 210P System
The EON 210P is a self-contained, portable pa system featuring multiple input channels with individual tone
controls, multiple digital effects and convenient output routing capabilities that allow the user to integrate the
system into any number of audio environments. With its lightweight and ergonomic design the EON 210P is perfect
for situations where ease and portability are just as important as quality and flexibility.
•Detachable 8 ch. Powered Mixer and Storage Compartment
•Tone Controls and Digital Effects
•Discrete Stereo Outputs
•MP3 Inputs
•Complete System weighs only 33 Lbs! Page 46
Portable Speakers
EON 300 Series
Rapidly adding to its groundbreaking and industry-standard EON® series portable loudspeakers, JBL introduced
the EON300 series portable PA loudspeakers. The EON300 series puts the next generation of EON systems within
reach of an even broader range of users, delivering the same fundamental design features, sonic performance
and integrated utility as the new EON500 series, at an even more affordable price.
at only
15 kg
in weight
at only
15.9 kg
in weight
JBLEON305
JBLEON315
Portable 15”, Passive, Two-Way, Bass-Reflex Design
Portable Self-Powered 15”, Two-Way, Bass-Reflex Design
•250-Watt continuous power
•500-Watt program power; 1000-Watt peak power
•Light weight, at only 15 kg
•Multiple handles for easy transport
•15” JBL low-frequency driver
•1” throat diameter
•SonicGuard™ HF protection
•Integrated M10 suspension points for easy rigging
•560-Watt peak power
•Light weight, at only 15.9 kg
•15” JBL low-frequency driver
•1” throat diameter JBL neodymium compression driver
•Efficient Class-D digital amplifier technology
•100° H x 60° V asymmetrical wave guide for uniform audience coverage
•Line level and direct microphone input capability
•Selectable Pre-engineered EQ settings
•Loop thru signal flow for extended system application and easy “daisy-chain”
connections
•Integrated M10 suspension points for easy rigging
•Multi angle enclosure for main or monitor applications
Page 47
Portable Speakers
EON 500 Series
Easy Load, Easy Set Up, Great Sound.
Representing the next generation of its groundbreaking and industry-standard EON® series portable loudspeakers,
JBL introduced the EON500 series. The unveiling of the EON500 series self-powered and lightweight speakers
immediately raised the bar in the category of molded powered loudspeakers in all aspects, from industrial design
to sonic performance, integrated utility and portability.
at only
7.7 kg
in weight
at only
at only
14.8 kg
29.5 kg
in weight
in weight
JBLEON510
JBLEON515XT
JBLEON518S
The EON510 is a 10-inch, two-way, powered,
portable speaker system. Capable of reproducing
full bandwidth sound at high levels it offers the
additional utility of a 3 channel built-in mixer.
The EON 515XT was engineered for durability,
high performance and ease of use. We’ve
extended the reach of the current EON technology
by improving input sensitivity, lowering the noise
floor, adding user selectable EQ control and
re-voicing the system for peak performance and
enhanced audio precision.
The EON518S is an 18-inch, direct radiating,
high performance powered compact subwoofer
system. Designed to extend low frequency
performance of any EON system.
•10" Differential Drive® low-frequency driver with
neodymium magnet
•Ultra light weight at 7.7 kg
•Built-in 3 Channel Mixer
neodymium magnet
•True portability weighing only 14.8 kg
•Efficient Crown® Class-D amplifier technology
•Built-in 3 Channel Mixer
neodymium magnet
•True portability weighing only 29.5 kg
•Designed handles with comfort rubber grips for
easy transport
•Stereo balanced loop-through outputs
•Integrated and switchable High Pass Filter on
loop-through outputs
The Sound you expect from JBL.
The Price you don’t.
Page 48
Portable Speakers
JRX100 Series
JUST WHAT YOU NEED.
Now you can afford the best. JBL, the world leaders in loudspeakers, poured everything they know into the
JRX100 Series, an affordable solution for performing musicians and DJs.
JBLJRX112M
JBLJRX115
JBLJRX125
Designed for stage monitoring applications but it
can also double up as a FOH speaker for small
venues, solo artists and duos.
This 15” speaker system is at home in live
sound, dance music and speech reinforcement.
Put some vocals, guitars and keyboards
into the system and you have a compact yet
powerful band PA.
The JRX125 is dual 15” that delivers extra lowend while maintaining superior mid-frequency
performance. If your in a band or a room that
needs a little more low-end grunt, while not
breaking the budget.
•15” 2-way speaker
•Dual angle pole socket
•Live sound reinforcement
•Music playback
•Dual 15” 2-way speaker
•Music playback
•Mobile DJ
•Dual purpose FOH or monitor application
•Dual angle pole socket
JBLJRX118SP
For those wanting a quality JBL powered
subwoofer at an affordable price. Team it up
with the powered JBL EON15P for a simple, yet
powerful, system.
•Built-in stereo crossover
•Peak limiter protection
JBLJRX118S (passive model)
•4 Ohm impedance
•32kg
Page 49
Portable Speakers
MRX500 Series
LIGHT WEIGHT, HEAVY DUTY
MRX500 is the ultimate PA system for musicians and DJs who need fully professional sound and performance
within a budget.
JBLMRX512M
JBLMRX515
JBLMRX525
JBLMRX528S
The MRX512M is a portable, 12”
two-way speaker system designed
for live performance stage monitoring
applications.
A powerful 15” two-way speaker
for main PA applications. Team it
up with a JBL subwoofer, like the
MRX518S, for a PA with heaps of
coverage and response.
A pair of MRX525s and a
single, high-power amplifier is a
complete sound system capable
of reinforcing bass and kick drum
or playing high-level music in
clubs and other venues.
Dual 18” bass-reflex subwoofer,
high power, vertical orientation for
stacking full-range systems.
•1,600-Watt peak power
•Monitors & Main PA
•Small vocal or acoustic PA
•Vocals
•Instrument reinforcement
•DJ
JBLMRX518S
18” bass-reflex subwoofer, super compact with top
pole mount for satellite speaker mounting.
•18” woofer
Page 50
•Dual 15” 2-way, dual chamber,
bass-reflex
•Music playback
•DJ
•Dual 18” woofers
•1,000-Watt continuous power
PERFORMANCE YOU
CAN TRUST
Your audience deserves to hear every note, every
word, and every beat. PRX600 Series speakers were
designed from the ground up to perform in the real world
where difficult acoustical environments, high ambient
noise levels or loud volumes are the norm. With four
new full-range models and two new subwoofers you
can tailor a system to fit your unique needs. And our
60 years of building speakers is engineered into every
PRX600. Knowing that you can rely on your system to
deliver gives you the freedom to deliver your very best.
That’s performance you can trust.
POWERFUL.
RUGGED.
VERSATILE.
Learn more at www.jands.com.au
Page 51
C
Club DJ, turntablist, scratch, mixing, BPM, juggling, pitch control and curve
adjustment. This language that once seemed so strange and foreign has taken
over the streets. Since the beginning, Stanton has been at the leading edge of
technology and development. Quite simply, they are world leaders in club and professional
DJ products. With comprehensive selections tailored to the entry level, intermediate and
professional DJs, Stanton is the innovation for you. Stanton. DJ for life.
Page 52
SC Systems
SCS.4DJ & SA DJ MIX! Software
DJ directly from your digital media library located on your USB memory stick, hard drive or iPhone.
The Stanton SCS.4DJ is the first truly integrated DJ system offering advanced one-button automatic synchronisation.
The embedded computer system assists your mixing by automatically synchronising the tracks at the push of a
button. This advanced digital mix engine also allows the SCS.4DJ to be placed into “Auto-DJ” mode, where the
unit will automatically mix the music in your playlist based on your chosen style of mixing.
StantonSCS.4DJ
Fully Integrated computer, software and controller
No external computer is needed, the software is pre-loaded.
Ready to go, right out of the box. Plug-in and perform right away.
• Play and mix two tracks directly from the majority mass storage
device (USB stick, iPhone etc)
•Automatic Tempo and beat grid calculation allowing tracks to be
synchronised quickly
•4.3 " high resolution widescreen LCD
•Comprehensive Browse, Search and Sort capabilities
•8 x "Soft" buttons allowing direct access to features, functionality
and navigation
•4 x "Direct Access" illuminated buttons, with a navigation section
•Dual high-resolution 4.75" touch-sensitive weighted platters
•Dual built in effects unit functionality with full beat synchronisation
•Record your mixes directly to WAV format
•Auto-DJ mode will mix your playlists automatically using the
calculated beat grids
•Multiple USB Connections
•Transport controls featuring PLAY/PAUSE, CUE, SYNC and TAP tempo
•Fully capable MIDI controller functionality
Scratch DJ Academy MIX! is an exciting DJ software application that is perfect for the aspiring DJ who is
advancing their skills, all the way up to the professional who needs a sophisticated tool to perfect their game.
DJ's can practice or perfect a mix within the software using intuitive tools to create high quality, professional
mixes time after time.
StantonSA DJ Mix! Software
Practice or perfect a mix
• Support for Microsoft Windows and Apple Mac OS X.
• Accurate tempo (Beats per Minute) detection.
• Automatic Beat Mapping using advanced transient
analysis.
• Automatic Key Detection, with accurate, cross genre
results.Playlist Hints highlight all compatible songs
using BPM and Key matches.
• Helpful mixing and DJ hints from Scratch DJ Academy
curriculum.
• Customisable Scratch FX created by Scratch DJ
Academy Instructors.
• Import music by individual song or folder.
®
• Drag and Drop music with iTunes , Windows
®
Explorer , and Mac OSX Finder.
Page 53
Page 54
SC Systems
SCS System 3
Introducing the SC System 3…. the most innovative,
completely mobile MIDI control solution available.
Featuring two completely touch sensitive surfaces, the SCS.3d
and SCS.3m, this system brings you intuitive completely
customisable software control without sacrificing any of the
features of your traditional DJ rig. The SCS.3m ships with a
new version of Native Instruments Traktor LE that is based
on the latest Traktor PRO software platform allowing the SC
system 3 products to be used together to create a full DJ
system with intuitive control over the robust software features
introduced with Traktor LE.
StantonSCS.3d
StantonSCS.3m
Performance Control Surface
Mix Control Surface
Stanton’s StanTouch® technology allows you to use traditional DJ-style motions
and gestures on a touch-pad style surface to take full control over music and
software applications such as Traktor DJ Studio™, Traktor Scratch™, Ableton
Live™, Serato Scratch Live™, or any other MIDI compatible software. Minimal
moving parts ensure durability from gig to gig.
The SCS.3m incorporates all of the functions of a two channel DJ mixer, plus
a host of innovative new performance features made possible by Stanton’s
unique touch sensitive control surface. The touch sensitive sliders can be used
to tweak EQs, allowing you to bring in different elements of a song during a mix,
or instantly switch them to control FX parameters... all in one surface.
The StanTouch® interface can be used for scratching, scrubbing, and navigating
through digital audio. The tactile buttons, triggers, and virtual faders can also
control samples, pitch, effects, cue and loop points, and other mappable
functions. Multiple finger touches can even prompt quick kills on EQ’s or
transform effects on volume.
The wide, touch-sensitive crossfader not only allows for seamless slow blends
between decks, but is also able to detect (like the rest of the sliders) multiple
finger presses, allowing for quick transform effects all in one control.
The multicolor buttons can easily perform transport controls for starting and
stopping playback, setting loops, doing EQ kills, or engaging effects without
requiring a separate trigger controller.
Page 55
Headphones
DJ PRO Series
StantonDJ PRO 60
StantonDJ PRO 2000
StantonDJ PRO 3000
Compact, lightweight stereo headphones featuring
a comfortable self-adjusting headband and
exceptional low-end response. Available in silver
as shown (DJ PRO 60) or in black (DJ PRO 60B).
The DJ PRO 2000 delivers high output without
compromising on sound quality. It features
50mm Neodymium drivers, a unique folding
design with a rotating ear cup and padded
shoulder rest for more comfortable monitoring.
The choice of top DJs like Tiësto.
With swivel and folding capabilities, the DJ PRO
3000 also includes 50mm Neodymium drivers,
high pass and low pass filter, detachable cord,
and cool blue LEDs. With this array of features,
a sexy new look, and an affordable price, the DJ
PRO 3000 is the headphone to have for the new
millennium.
Page 56
Turntables
T, ST/STR8 Series
StantonT.62
Based on the Stanton Best Selling Favorite, the T.60, the T.62 is an easy to
operate, direct drive turntable perfect for DJs of any style or experience level.
The T.62 features a powerful motor with strong torque and a straight tone arm,
which provides superior tracking capability for scratch DJs.
•Direct-drive turntable
•Includes Stanton 500.v3 cartridge mounted on headshell
•2 Playback speeds (33 or 45 RPM)
•2 Start/Stop switches for mix or battle setup
•Manual pitch control fader (+/- 10% Adjustment)
•RCA stereo outputs
•Accessories include RCA Cables, Slip Mat, and Dust Cover
StantonT.92USB
The T.92 USB is a direct-drive professional turntable with built-in USB
connectivity. The USB port and supplied software make it easier than ever to
digitalise vinyl recordings. With features such as key lock and a pitch range of
±%12, the T.92 USB effortlessly fits in with a regular DJ setup.
•Professional quality turntable featuring high-torque direct-drive motor
•USB and S/PDIF outputs for easily transferring music from vinyl to your Mac or PC
•Pitch control fader with DSP key lock (change tempo without affecting pitch)
•Selectable range (+/-8%, 12%)
•Includes Cakewalk Pyro Audio Creator LE music and sound editing software
•Includes Stanton 500.v3 Cartridge
•3 Playback Speeds (33, 45, and 78 RPM) and Quartz Lock
•RCA stereo outputs (Phono / Line Switchable)
•2 Start/Stop Switches for Mix or Battle Setup
softw are
StantonST.150/STR8.150
The ST.150 (S shaped tone arm) and STR8.150 (straight tone arm) are built
first and foremost with quality in mind. Both models offer durable construction
designed to minimise feedback, industry-leading torque motor - up to
4.5 Kgf-cm, and an ultra-stable platter and tone arm.
•Start/Brake speed adjustment
•Digital output [S/PDIF]
•Key correction
•Selectable phono or line output (Key correction works on line output only)
•Dual Start/Stop buttons and reverse
•Height adjustable tone arm
•3 playback speeds: 33, 45, 78 RPM
•Selectable pitch control [+/-8%,+/-25%,+/-50%] with quartz lock
•Removable target light
•Includes Stanton 680HP cartridge mounted on headshell
Page 57
Tabletop CD Players
CMP.800
StantonCMP.800
DJ Cross Media Player
•Multi-format playback
•Full MIDI control
•Auto beat loop
•Multi-function jog wheel
•3 beat-syncable DSP effects
•Hot cues and loops
•4-bank sampler
•Media player
The CMP.800 Cross-Media Player provides all the features needed
for today's technology-minded DJ. Providing a newly-designed
high-resolution Jog wheel with Multi-style, illuminated position
indicator, CD & Mass-Storage Device playback, built-in sampler,
hot-cues, loops beat-synchronised FX and full MIDI control, the
Stanton CMP.800 is a true high performance DJ cross-media
player at an unbelievable price point that won't break the bank.
Page 58
Dual CD Players
C Series
StantonC.402
The Stanton C.402 professional CD player with MP3 is
ideal for use in restaurants, bars, gyms, theme parks, radio
stations, or anywhere a professional MP3 CD player is
needed. A single rackmount CD/MP3 player that delivers
solid DJ-style performance, the C.402 is designed with
ease-of-use in mind and offers versatile player options such
as Auto Cue and seamless looping. A pitch bend slider
makes it possible to speed up or slow down the music
while +10 Track/Folder skip search makes finding CD and
MP3 songs quick and easy.
•Professional single 2U rackmount CD player with MP3 playback
•Large LCD screen with ID3 tags displays MP3 text information
•Anti-shock buffer memory prevents CD skips
•Seamless loop
•+10/Folder track key makes finding CD and MP3 tracks fast
and easy
•Single and Continuous play modes
•Easy jogwheel control for cueing or pitch bending
•Versatile pitch adjustment with +/- 4, 8 or 16% control
•Auto cue function automatically cues track to start of music
•Instant Start
•XLR (balanced) and RCA (unbalanced) outputs
•S/PDIF digital output
•Remote start input
StantonC.502
The C.502 is an affordable dual CD player with full MP3 capabilities.
From seamless looping to anti-shock buffer memory, the C.502 is
fully equipped with large LCD screens for easy MP3 text information
readability. Ideal for use in clubs, bars, restaurants, gyms, theme
parks, radio stations, or anywhere a professional dual MP3 CD player
is needed, the C.502 is designed with a familiar DJ friendly layout for
ease-of-use.
•Dual 2U rackmount CD player with MP3 playback
•Large LCD screens with ID3 tags (MP3 text information)
•Anti-shock Buffer Memory
•Seamless Loop
•Fader Start to control play/cue functions from a compatible DJ mixer
•Relay play automatically alternate tracks or entire CDs from one drive to
the other
•Auto cue function cues track to start of music
•Single and Continuous play modes
•Easy jogwheel control for cueing or pitch bending
•S/PDIF digital output
life in the digital lane
Page 59
Why Buy From An
Authorised
Australian Dealer?
In this day and age, when it is so easy to purchase online from overseas websites, it is no wonder we get
blinded by seemingly cheap products out of the USA and Asia. But, is it always worth it…?
DON’T BE FOOLED! Did you know, if you are NOT buying your product from an Authorised Australian Dealer,
then you are very likely buying a product that is not compliant with local safety legislation and therefore is
illegal to use in this country?!
We all want to spend as little as possible, and get as much as we can out of the transaction, but what we
sometimes forget to do is factor in the intangible stuff. So, what extra value do you get from buying from an
Authorised Australian Dealer?
You Are Buying A Legal And Safe Product
When you buy from an Authorised Australian Dealer you know the product is C-Tick approved, you know the external
power supply is safe, you know the voltage is correct for Australia, you know the appropriate taxes and duties have
been paid so you won’t get chased for them later, and you know if the product is wireless that you are operating in
the allowed radio spectrum for your area. It’s safe. It’s legal. That’s the magic of buying from those who do it all for
you and something you cannot put a price on.
You Are Not Buying A Counterfeit Product
Imagine the disappointment when you receive a poorly performing counterfeit that although physically looks the
same, is absolutely not. Now imagine the damage and cost when your powered loudspeaker shorts out your PA
system or worse blows up your garage! These products are potentially dangerous due to absolutely no safety
standards being applied, and they are most definitely illegal to use, buy or import into Australia.
Warranty And After Sales Service
ALL new product bought from an Authorised Australian Dealer will have a local comprehensive warranty included.
There is likely to be a Service Agent in your area, but if not, the store you bought it from will be able to send it back
for you. Not under warranty? That’s OK; there are still a full range of spare parts and internationally trained Service
Technicians who can assist in helping you get your gear back up and running. Not sure how to use something,
or a software feature troubling you? No problems, between your local store where you bought the goods, or the
highly technical specialists at the Authorised Australian Distributors office, your queries can be answered and their
expertise can be your on-tap knowledge base.
It’s All Paid For & Included – No Hidden Costs To Bite You Later
Freight, Duty, GST, Return Freight Costs if Dead on Arrival or later if faulty… who needs all that??? No-one! Especially
not if you get into the situation where the product you bought is now just a really expensive paper weight because
the guy on eBay you bought it from suddenly disappears, or the company in Singapore won’t answer your emails.
Even worse, imagine seeing yourself on the next episode of Border Security because the Customs Department came
calling and requesting proof that you are the authorised importer of that product!
There’s a reason product sold in Australia is more expensive than product sold over the Internet by overseas
companies. There’s also a reason why some items on-line just look ‘too good to be true’. Support your local
economy and rest assured that when you buy from an Authorised Australian Dealer, the products you purchase are
compliant and are cleared for use in Australia.
For a full list of Authorised Australian Resellers of Jands distributed brands, visit www.jands.com.au and search
under the PURCHASE section.
Page 60
MADE FOR STAGE.
READY FOR EVERYWHERE.
Experience the awesome sound the pros enjoy every time they get on stage! Introducing the new series of Sound Isolating™
Earphones from Shure. With High-Definition MicroDrivers for incredible sound, unique detachable cables, and legendary Shure
comfort and durability, they are the first choice for both musicians and discriminating music enthusiasts who need to hear every
detail in their music!
Visit www.shure.com.au for more information.
SE215
SE315
SE425
SE535
Dynamic MicroDriver for
detailed sound with
enhanced bass
High-Definition MicroDriver +
Tuned BassPort for full range
sound
Dual High-Definition
MicroDrivers for accurate
and balanced sound
Triple High-Definition
MicroDrivers for spacious
sound with rich bass
All models are available in clear version.
Page 61
THE TOUGHEST,
SMARTEST AND
MOST IMPRESSIVE
EON EVER
Check out the NEW EON515XT at
your authorised dealer today.
Self Powered 15" Two-Way Loudspeaker
Max SPL 132 dB
Frequency Response (+/- 3 dB: 42 Hz - 18 kHz )
Intuitive onboard 3 Channel Mixer
User Adjustable Bass and Treble Controls
Highly designed composite enclosures for durability, lightweight, and precise acoustic performance
M10 Suspension Points for Easy Fixed Installation
True portability weighing only 14.8 kg (32.5 lb net weight)
Vocals or Speech
Page 62
Musical Instrument Amplification
625 Watts
Music Playback
AV Rental
36 mm Pole Mount Socket
Mobile DJ’s
Nightclubs
Commercial Installation
House of Worship
Even sledgehammer sound
NEEDS pinpoint precision.
The sound of drums can pound you senseless. As challenges mount, Shure Beta Microphones deliver.
Optimised for extreme sound pressure levels, low handling noise and higher gain before feedback, they’re
built to be virtually indestructible. And with accurate, focused polar patterns, they practically eliminate
bleed. Because whether it’s the boom of a kick or the faintest ghost notes, clarity is king.
Page 63
Over the past 40 years, Jands has become known as Australia’s premier
supplier of high quality audio, lighting and staging products. These
products are found world-wide in applications where excellence is
paramount.
Jands designed and manufactured dimmers and lighting control
equipment enjoy an international reputation for innovation and
reliability. The Theatre Projects division at Jands supplies solutions to
the challenges of providing high quality theatrical presentations.
Best Products, Best Solutions, Jands.
Distributed by JANDS Pty Ltd ABN 45 001 187 837
Sydney
40 Kent Road • Mascot NSW 2020
Ph: (02) 9582 0909 • Fax: (02) 9582 0999
Melbourne
Unit 11/21 Sabre Drive • Port Melbourne VIC 3207
Ph: (03) 8698 0909 • Fax: (03) 8698 0994
www.jands.com.au • email: [email protected]
Information in this document is subject to change without notice and
does not represent a commitment on the part of the vendor. Jands Pty
Ltd shall not be liable for any loss or damage whatsoever arising from
the use of information or any error contained in this document.

Jands MI Catalogue 2012

Transcription

Similar documents

Full instructions are online here!

For detailed equipment information, please click here.

Tarabband - On the move

Every Wonderous Stories gig is a new and wonderful musical

SCX-25 Spec Sheet.qxd

I don`t know where I`m going from here, but I