Portfolio

Transcription

Portfolio

Sloane U’Ren
// Production Designer
phone +44 (0)7906 472 496 // email [email protected]
The Journey (short film)
production designer
Chasing Coatards (IMAX)
production designer
Amnesty International (commercial)
Barclaycard (commercial)
Tape (music video)
production designer
Lips (theatrically-released short film)
director: Kevin Chicken
director: Neal Colyer
production designer
production designer
production designer
production designer
art director
director: Scottie Gissel
director: Mikael Håfström
Harry Potter and the Half-Blood Prince (Warner Bros.)
Tsunami: The Aftermath (HBO/BBC)
art director
Batman Begins (Warner Bros.)
FreakyLinks (Fox Television)
The Man Who Knew Too Little
director: Robert De Niro
director: Dennie Gordon
assistant art director
[re-shoots] (Warner Bros.)
Man of the House (Revolution Studios)
director: Stephen Herek
created by: Alan Ball
Looney Tunes: Back in Action (Warner Bros.)
draughtsman
Open Range (Touchstone Pictures)
director: Kevin Costner
draughtsman
draughtsman
director: Joe Dante
created by: J.J.Abrams
Max Keeble’s Big Move (Walt Disney Pictures)
draughtsman
Human Nature (Studio Canal)
director: Michel Gondry
Ali (Columbia Pictures)
draughtsman
draughtsman
draughtsman
Disney’s The Kid (Walt Disney Pictures)
draughtsman
Lost Souls (Castle Rock Entertainment)
draughtsman
The Wind in the Willows (Allied Filmmakers)
Art
Directors Guild Awards 2006
Art Directors Guild Awards 2005
director: Des McAnuff
director: Janusz Kaminski
draughtsman
draughtsman
director: John Woo
director: Roland Emmerich
draughtsman
Being John Malkovich (Propaganda Films)
additional information
director: Boaz Yakin
director: Jon Turteltaub
draughtsman
draughtsman
Rocky and Bullwinkle (Universal Pictures)
Lost in Space (New Line Cinema)
draughtsman
director: Wes Craven
Mission: Impossible 2 (Paramount Pictures)
The Patriot (Columbia Pictures)
director: Tim Hill
director: Michael Mann
Remember The Titans (Walt Disney Pictures)
Scream 3 (Dimension Films)
director: Rose Troche
(Carlton U.K. Television)
draughtsman
draughtsman
director: Mike Barker
Alias (Touchstone Television)
director: Peter Nicholson
assistant art director Bedrooms and Hallways (Pandora Cinema)
Six Feet Under (HBO)
director: David Yates
director: Christopher Nolan
Best Laid Plans (Fox 2000 Pictures)
Kavanagh Q.C.
art director
Glory Days [pilot] (Miramax Television)
art director
director: Bharat Nalluri
Nuremberg: Goering’s Last Stand (Mentorn Television)
The Good Shepherd (Universal Pictures)
director: Trevor Robinson
director: Nick Livesey
production designer
Shanghai (The Weinstein Company)
producer: Ellin Stein
A Mother’s Tear (theatrically-released short film)
June & Orlando (AFI short film)
director: Neal Colyer
production designer
Democrats Abroad (Soho Theatre)
PES6 (commercial)
director: Edward L. Dark
production designer
production designer
Samsung (commercial)
director: Richard Jobson/producer: Emma Thompson
director: Spike Jonze
director: Stephen Hopkins
draughtsman director: Terry Jones
nominated: The Good Shepherd
nominated: Batman Begins
education
Bachelor of Arts (History of Art) University of California, Berkeley
affiliations
Local 800/Art Directors Guild (US), British Film Designers Guild (UK)
director: Jon Amiel
Harry
Potter and the Half-Blood Prince
art director
HARRY POTTER AND THE HALF-BLOOD PRINCE
REVISED 29 JAN 2008
GENERAL INFORMATION:
EXT. - QUIDDITCH PITCH
TO BE READ IN CONJUNCTION WITH DRAWINGS:
PITCH, QUARTER LAYOUT PLAN - E0293B
TOWERS - E0225A
SLIDING DOORS ON TOWERS - E0591
BRIDGES TO TOWERS - E0609
GRASS BANK & PIT STRUCTURE - E0531, E0532, E0533 & E0534
VIEWING STANDS - E0346
TENTS - E0690
PITCH LAYOUT
HERMIONE'S STAND
(DURING TRIAL)
SCHEMATIC - NOT TO SCALE
5. SLYTHERIN
TOWER WITH SLIDING DOORS
& VIEWING STANDS
VFX NOTE (29 JAN 2008):
6" WHITE LINE TO RUN DOWN
CENTRE-LINE, AS SHOWN.
TENT
6. GRYFFINDOR
TOWER WITH SLIDING DOORS
& VIEWING STANDS
4. RAVENCLAW
TOWER & VIEWING STANDS
3. HUFFLEPUFF
TOWER
TOWER
viewing
stands
7. HUFFLEPUFF
TOWER
viewing
stands
8. RAVENCLAW
TOWER
viewing
stands
TOWER
2. GRYFFINDOR
viewing
stands
viewing
stands
END OF GRASS BANK: +/- 0"
viewing
stands
TOWER
PIT
9. SLYTHERIN
TOWER & VIEWING
STANDS
viewing
stands
TOWER
TOWER
viewing
stands
viewing
stands
Grass
Bank
1. SLYTHERIN
of
qudditch pitch
TOWER
c
l
10. GRYFFINDOR
6" WHITE LINES
TOWER
SAND
PIT
SLOPE
SAND
PIT
UP
SLOPE
Grass PITCH
GOAL
HOOP
(TYP.)
viewing
stands
+/- 0"
(DATUM)
+ 15'-0"
(FROM DATUM)
GOAL
HOOP
(TYP.)
Grass
Bank
TOWER
UP
viewing
stands
+/- 0"
(DATUM)
11. HUFFLEPUFF
TOWER
PIT
20. RAVENCLAW
+/- 0" (DATUM)
TOWER
STAIRS LEADING
TO PIT (TYP.)
19. HUFFLEPUFF
SL O
+/- 0" (DATUM)
PE
UP
SL O
END OF
GRASS BANK: +/- 0"
TOWER
TOWER
TOWER
UP
12. RAVENCLAW
TOWER
13. SLYTHERIN
TOWER
TOWER
TOWER
14. GRYFFINDOR
18. GRYFFINDOR
17. SLYTHERIN
NEVILLE'S STAND
(DURING TRIALS)
PE
TENT
GRYFFINDOR'S
STAND
layout
for
(DURING GAME)
c
l
of
quIdditch
/
/
HARRY POTTER
D
C
'AND THE HALF-BLOOD PRINCE'
SET
DATE
15. FACULTY
TOWER ONLY
vfx
REVISED 29 JAN 2008
DRAWING
REVISIONS
16. FACULTY
TOWER ONLY
16. RAVENCLAW
VIEWING STANDS ONLY
15. HUFFLEPUFF
VIEWING STANDS ONLY
/ 29/1
B
A
1
DETAIL
1
N.B., NO SLIDING DOORS OR BRIDGES
TO PITCH ON 2 FACULTY TOWERS.
PITCH LAYOUT
CONSTRUCTION MANAGER
ASST CONSTRUCTION MGR
CARPENTERS
PLASTERERS
PAINTERS
METAL
pitch
RIGGERS
STAGEHANDS
SCENIC ART
SIGN WRITING
SCULPTORS
1
1
1
1
1
1
1
1
SET DECOR
PROPS
DRAPES
PRACTICAL SFX
VISUAL FX
CAMERA
ELECTRICAL
GREENERY
H&S
PUBLICITY
PRODUCTION DESIGNER
DRAWING NO:
STUART CRAIG
E0611A
SUPERVISING ART DIRECTOR
NEIL LAMONT
SCALE:
Not to Scale
SET NO:
DATE DRAWN:
8 Jan 2008
S. U'Ren
DATE ISSUED:
11 Jan 2008
STAGE:
PROP MANUFACTURING
37
DRAWN BY:
C.G.I.
© VEEEYE LTD 2007. ALL RIGHTS RESERVED
This drawing must be returned to the Producers' Office at the Producers' request or the end of your involvement witht the Film. You
agree that it is being made available to you only and you must not divulge it to any third parties. Should it become stolen or mislaid you
must report the loss to the Producers' Office without delay. This concept and all rights therein are owned exclusively be VeeEye Limited.
all images (C) 2009 Warner Bros
Sloane U’Ren // Production Designer
Harry
art director
HARRY POTTER
TOP OF FRONT
HANDRAIL
MITRED CORNER OF TOWER
AS AGED TIMBER POST
PLAN
A C
C
A
T (TYP.)
IL, THRU-OU
179°
6'-0"
6'-0"
6'-0"
l
6'-0"
179°
TOWER
6'-0"
6'-0"
179°
6'-0"
179°
6'-0"
179°
6'-0"
gryffindor
Viewing stands
SCALE 1/32" - 1'-0"
TOWER
Slythrin
hufflePuff
Viewing stands
Viewing stands
SEE DWG. NO. E0611A FOR A3 COLOUR LAYOUT
Viewing stands
TOWER
TOWER
hufflePuff
HUFFLEPUFF
Viewing stands
TOWER gryffindor
gryffindor TOWER
Viewing stands
Viewing stands
Slythrin
hufflePuff
ravenclaw
TOWER Viewing stands
Viewing stands TOWER
Viewing stands
TOWER
SLYTHERIN
ACCESS NOTE:
STEPS WITH HANDRAILS, FOR
ACCESS TO VIEWING STANDS,
AS NECESSARY.
RAVENCLAW
Slythrin
Viewing stands
NEVILLE IN THIS
VIEWING STAND
DURING TRIALS,
SCENE 50
TOWER
l
HUFFLEPUFF
TOWER
ravenclaw
ravenclaw
Viewing stands
NOTE:
CONSTRUCTION UNDER
WALKWAY OF 6 X 2 BOARDS
OF VIEWING STANDS, AS REQUIRED.
179°
SLYTHERIN
RAVENCLAW
GRYFFINDOR
Slythrin
Viewing stands
QUIDDITCH HOUSES LAYOUT
gryffindor
Viewing stands
GRYFFINDOR
SMALL
GRYFFINDOR
VIEWING STAND
S
C
L
OF
VIEWING STANDS
TOWER
SLYTHERIN
18'-0" (TYP.)
C
L
179°
179°
179°
ravenclaw
Viewing stands
FOR PURPOSES OF HOUSE LAYOUT ONLY -
dotted lines:
6 x 2 boards
C
L
C
L
C
L
C
L
179°
6'-0" (TYP.)
6'-0"
5'-9" (TYP.)
HANDRA
5'-9" (TYP.)
CHAMFER
FULL SIZE DETAIL
TOWER
Viewing stands
hufflePuff
TOWER
DIAGONAL
BRACES:
6 X 4 (TYP.) SECTIONS
SHOWN,
SKEWED
hufflePuff
Viewing stands
Viewing stands
AS 12'-0" x 12'-0" TOWER
6" X 6" POST
(TYP.)
BOARDS (ABOVE):
5'-6 1/2" WALKWAY
SMALL
SLYTHERIN S
VIEWING STAND
ACCESS NOTE:
STEPS WITH HANDRAILS, FOR
ACCESS TO VIEWING STANDS,
AS NECESSARY.
4 x 1 BOARDS, MITRED.
FINISHED TO LOOK LIKE
9 X 9 TIMBER POST.
SEE REFERENCE/SAMPLES.
dotted lines:
6 x 2 boards
(above, THRU-OUT.
NOT SHOWN,
THRU-OUT,
FOR CLARITY.)
TOWER
gryffindor
Slythrin
Viewing stands
ravenclaw
Viewing stands
TOWER
GRYFFINDOR:
BOARDS
(ABOVE):
3'-10" STEP
INDICATION OF
DRAPES (TYP.)
4 OFF:
BOARDS
(ABOVE):
3'-10" STEP
AS 12'-0" x 12'-0" TOWER
SEE
F.S.D.
FRAME ON WHICH TO
HANG DRAPES TO BE
BUILT, AS REQ'D.
BOARDS
(ABOVE):
3'-10 1/2" STEP
SLYTHERIN:
GRYFFINDOR
VIEWING STANDS
l
TOWER
TOWER
TOWER
C
L
6'-0" (TYP.)
TOWER
RAVENCLAW
C
L
DOTTED-LINE:
INDICATES OUTLINE OF
'TOWER' (12'-0" X 12'-0")
6'-7"
C
L
SLYTHERIN
C
L
6" SQ. (TYP.)
6'-9"
6" (TYP.)
NOTE:
BOARDS AND POSTS (BELOW) NOT SHOWN.
6'-4"
6'-4"
6'-4"
6'-4"
6'-4"
C
L
HUFFLEPUFF
APPROX. 45'-4"
C
L
C
GRYFFINDOR
DWG. NO. E0352
APPROX. 68'-10" (O/A)
4 X 1 BOARDS, MITRED.
FINISHED TO LOOK LIKE
9 X 9 TIMBER POST, TYP.
5'-9" (TYP.)
SECTION
HERMIONE IN THIS
VIEWING STAND
DURING TRIALS,
SCENE 50
VERSION 'C'
DRAPES NOTE:
C
L
5'-9" (TYP.)
VERSION 'B'
DWG. NO. E0352
l
C
L
SEE
IRON STRAPWORK
DETAIL NO. 1
DIAGONAL
BRACE:
6 X 4 (TYP.)
2 1/4" (TYP.)
RAVENCLAW
SKEWED
SECTION
(TYP.)
SEE
IRON STRAPWORK
DETAIL NO. 1
VFX NOTE:
APPROX.
70 DROP LOCKS AND
APPROX. 70 SETS OF EYELETS REQ'D.
THIS 10
FULL
SIZE-BUILD
DRAWING
IS
PLUS
EXTRA
OF EACH,
TO BE ORDERED.
FOR YOUR REFERENCE ONLY.
DROP LOCKS AND EYELETS TO BE
DARKENED DOWN/AGED.
HANDRAIL: 3'-7 1/2"
6'-0"
A
N.B.,
DIAGONAL BRACES
ALONG EACH NEXT
SECTION CROSS
THE OPPOSITION
DIRECTION,
AS SHOWN.
SEE PLAN.
OPEN
(TYP.)
OPEN
(TYP.)
HUFFLEPUFF
B C
C
B
SEE
FRONT HANDRAIL
DETAIL NO. 1
DWG. NO. E0603B
DROP LOCK
(TYP.)
6X6
TIMBER
(TYP.)
GRYFFINDOR
EXTENDED ELEVATION
DIAGONAL BRACES:
6 X 4 (TYP.)
SEE PHOTO REFERENCE.
9X6
JOISTS
(TYP.)
GRYFFINDOR
7'-3"
6 X 6 POST
(TYP.)
6'-0"
6 X 2 BOARDS
(TYP.)
6 1/4" (TYP.)
DIAGONAL
BRACES:
6 X 4 (TYP.)
OPEN
(TYP.)
FOR HANDRAIL DTLS., SEE DWG NOS. E0603B & E0353A.
ROSTRUM TO SUPPORT
VIEWING STAND
IN FRONT OF 'TOWER'
3'-10"
bluescreen
thru OPENING
of drapes
(opening:
approx.
3'-2" x 6'-2".
SEE DWG.
NO. E0748
OPEN
TO
BLUESCREEN
OF TOWER
(TYP.)
NOTE:
OPEN
(TYP.)
ROSTRUM TO SUPPORT
VIEWING STAND
IN FRONT OF 'TOWER'
3'-10"
6X6
TIMBER
(TYP.)
SLYTHERIN
6X6
TIMBER
(TYP.)
NOTE:
9X6
TIMBER
(TYP.)
4'-4"
FACULTY
SOLID
(TYP.)
DOTTED-LINE:
WALKWAY/TOP OF 6 X 2 BOARDS,
APPROX. + 7'-4 1/2" FROM DATUM.
GRYFFINDOR
DRAPES
OF 'TOWER'
(FRAMES BEHIND
DRAPES,
AS REQ'D.)
2'-0"
OPEN
(TYP.)
9'-7 1/2"
TOP OF
BLEACHER/STEP
OPEN
(TYP.)
FOR BOTH SCENES 50 & 60, HANDRAIL OF VIEWING
STANDS IS OPEN/WITHOUT CLADDING & DROP LOCKS
ARE SCREWED INTO HANDRAILS, AS SHOWN.
FOR SC. 60, HOUSE DRAPES TO HANG FROM
DROP LOCKS WHICH ARE SCREWED TO HANDRAIL.
FOR PLACEMENT OF ALL DROP LOCKS (OF TOWERS
AND VIEWING STANDS), SEE EYELET POSITIONS ON
DRAPES LAYOUT - ELEVATIONS/DWG NO. E0748.
ALSO, SEE DWG NO. E0747.
OPEN
(TYP.)
6X6
TIMBER
(TYP.)
SEE
Rear HANDRAIL
DETAIL NO. 2
DWG. NO. E0353A
GRYFFINDOR
DRAPES
SLYTHERIN
OF
'TOWER'
DRAPES
(FRAMES
BEHIND
OF 'TOWER'
DRAPES,
AS REQ'D.)
FACULTY
IMPORTANT NOTES (REVISED):
DOTTED-LINE:
MITRED 4 X 1, AS TIMBER POST
(AT 'CORNER OF TOWER'), TYP.
SEE PLAN, THIS DRAWING.
7'-3"
APPROX. 25'-4" (O/A)
REVISED 15 FEB 2008
A
HANDRAIL: 3'-7 1/2"
SCALES - 1/2" - 1'-0",
1/32" - 1'-0" &
FULL SIZE
C
L
OF
VIEWING STANDS
9"
PLANS AND ELEVATIONS
DROP LOCKS FOR DRAPES TO
HANG FROM, AS PER DRAPES LAYOUT,
SEE DWG. NO. E0748.
3 1/2"
6'-6"
SLYTHERIN
DRAPES
OF 'TOWER'
(FRAMES BEHIND
DRAPES,
AS REQ'D)
APPROX. 16'-11" (O/A)
AS TIMBER POST: 18'-0"
EXT. - QUIDDITCH PITCH VIEWING STANDS
(FOR FULL SIZE BUILD)
SEE
DRAPES LAYOUTS
DWG. NOS.
E0747 & E0748
2'-0"
DROP LOCK (TYP.)
SEE DWG NO. E0748
FOR POSITIONS OF
DROP LOCKS,
THRU-OUT.
MITRED 4 X 1, AS TIMBER POST
(AT 'CORNER of tower',
behind WHERE DRAPES MEET).
2'-0"
C
NOTES:
4'-0"
AND THE
HALF-BLOOD PRINCE
REVISED 15 FEB 2008
HERMIONE/
GRYFFINDOR STAND
DURING GAME,
SCENE 60
6'-0"
DRAWING
REVISIONS
SET
DATE
/
/
D C B A DETAIL
HARRY POTTER
VIEWING STANDS FOR FULL SIZE BUILD - PLANS & ELEVATIONS
DRAWING NO:
STUART CRAIG
NEIL LAMONT
E0596B
SCALE:
B
PLAN
1/2" - 1'-0" & SET NO:
1/32" - 1'-0" & FULL SIZE
B
A C
C
A
DATE DRAWN:
16 Dec 2007
DATE ISSUED:
SCALE 1/2" - 1'-0"
(PART)
18 Dec 2007
37
DRAWN BY:
S. U'Ren
STAGE:
BACK LOT
plans and elevations for full size build of bleachers
23
22
"
8'-4
64
62
61
62
60
18
3'
"
-2
57
56
16
2'
° 55
'
62
° 46
60
'
° 34
° 14
° 50
° 45
° 28
° 16
'
'
'
'
'
° 0'
'
"
-0
59
53
6'14
° 4'
66
"
5'-0
° 40
1"
° 2'
'
56
50
9"
2'EXT. - QUIDDITCH
PITCH
13
1'12
° 58
55
QUARTER LAYOUT PLAN AND VIEWING STANDS
48
2"
° 29
TOWER
° 33
TOWER
'
° 6'
11
0'-
10
"
46
c
l
12'-0"
'
'
° 7'
'
53
SCALE 1/8" - 1'-0"
° 55
52
10
1'-
8"
43°
50
93
'2"
41°
16'
° 56
80'-6"
'
@ 160'-0"
@ 180'-0"
° 52
24'
48
"
-0
37°
6'
85
'5"
0"
'-
PIT
TOWER
37'
49
39°
12
27'-0"
° 9'
49'
° 59
'
'
132'-6"
21
"
9'-9
216'-4"
11"
'80
'-1"
82
'-1"
83
"
'-11
83
6° 29'
"
84'-8
"
85'-3
85'-9"
86'-2"
86'-5"
86'-8"
+/- 0" (DATUM)
87'-0"
87'-0"
86'-10"
86'-8"
86'-5"
"
27'-10
"
"
"
"
"86' 0"
'-0
3"
0"
11
4"
11
2"
1" '-485' -2"
30
2"
"
'5"
''-10
''''4"
''9'- 54
'11
32
59
'4"
36
4-9"
44
64
77
40
70
84
24'-0"
91
1"
7'99
85'-3
7'-1
1"
10
11
7'
-1
1"
84'-8 "
9'
12
-1
3'
"
13
83
'-11
15
"
83
'-1"
82
'80
1"
'11"
79
'79
5"
'0"
26'-0"
(o/a: 224'-6")
(o/a: 208'-6")
(o/a: 188'-6")
plan
86'-10"
87'-0"
2° 8'
c to viewing stands:
l
65'-8"
"
2'-6
c to grass bank:
l
7'
20
half length,
104'-8"
20
8'-0"
DIAM.
20'-4"
16'-2"
12'-1"
26'-1"
4'-0"
106'-0"8'-0"
24'-8"
"
-8
half length,
"
29'-1"
90'-2"
'-3"
65
'-4"
59
'-8"
53
'-4"
48
"
43'-2
"
38'-4
33'-7
3'
"
-4
'
48
c
l
9'
'
54
2°
0°
13
18
0"
'"
79 '-5
79
4° 18'
+ 15'-0"
13
'
'
8° 42'
viewing stands:
° 12
"
-2
1°
13° 12'
10° 57'
'
23
'
9'
11
15° 27'
Grass
Bank
'
56
° 31
0"'
60'-1
53
° 52
'
66
° 28
'
73
°
81 22'
°2
4'
6°
18
° 13
° 53
° 15
'
24
"
-0
50
53
180'-5"
'
'
'
68
12
6'
22° 12'
19° 58'
17° 43'
° 34
° 10
20'-0"
71
0"
'-
47
48
TOWER
° 22
44'
111'-6"
0"
78
'7"
12
"
476'-0
° 26
'
26° 34'
24° 27'
49
2°
12
'
46
8°
11
'
24
5°
11
'
13
2°
11
11'
9°
10
15'
6°
10
'
26
3°
10
'
40
0°
10
7'
°5
97 '
7
°1
95 '
38
7'
TOWER
1'
55'
47
28°
°
92
"
-0
'3"
6'
84
8
79
48
8
76
° 16
° 4 7°
° 2 2°
70" 73
°
676'-0
'
°
3' 22
0' 3'
64
° 47 ° 49 45 34'
'
°
'
57 61°
'
'
53
14 36'
° 37 ° 36
'
49
"
"
47 ° 4'
' -0 '
-0
47
6'
6'
45
°° 51
'' -0"
6'
35°
33°
30°
20'-0"
26'-6"
53'-1
0"
17
1'
"
-1
19
1"
5'-1
23
"
4'-2
50'-0"
87'-0"
Grass
Bank
REVISED 7 SEPT 2007
+/- 0" (DATUM)
DRAWING
REVISIONS
SET
DATE
/
/
HARRY POTTER
/
D C B A DETAIL
STUART CRAIG
VIEWING STAND DETAIL,
TO FOLLOW
full size quidditch pitch build with blue screen
NEIL LAMONT
grass bank:
26'-0"
l
half length OF GRASS PITCH, c to grass bank:
188'-4" (o/a: 376'-8")
pit:
8'-0"
viewing stands:
18'-0"
Half major axis:
l
half length, c to viewing stands:
214'-4" (o/a: 428'-8")
222'-4" (o/a: 444'-8")
c section
l
layout for full size build
E0293A
37
S. U'Ren
Chasing
Cotards
production design
(imax)
int. hart & elizabeth’s parlour room
int. hart’s foyer
int. hart’s bathroom
Henry
IV (in development)
production design
leaving the rebel desert base - concept illustration
rebel desert base - elevations
Love,
Rum & Tartan
production design
(in development)
int. gran’s scottish cottage - autumnal sunset - concept illustration
INT. PURE WHITE SPACE
DREAM SEQUENCE
Leah is hard at work, pulling letters out
of the pile and arranging them in the
white space. Charlie arrives.
pure white space - dream sequence - concept illustration
Pro
Evolution Soccer
commerical
production design
didier drogba’s apartment
batman
begins
gotham city - the narrows
gotham city - glass building
batman
begins
gotham city - flass pull-up building
gotham city - flass pull-up building - elevation
gotham city - flass pull-up building
Six
Feet Under
set designer
turandot funeral
texas execution chamber
david and keith’s kitchen
The
Good Shepherd
aldwych tube station - bomb shelter
wartime london street
barclaycard
commerical: action man - waterslide challenge
production design
barclaycard - concept illustration
action man - junk waterslide
Lips
production design
int. office of silence
int. processing room
int. big brother corridor
shanghai
art director
kimura - main street
kimura - connor’s apartment
shanghai
art director
kimura - waterfront
kimura - waterfront
Life
Swap
production design
(in development)
ext. block of flats - top as royal navy ship - concept illustration
Nuremberg:
Goering’s Last Stand
art director
int. prison
int. projector room
int. prison - cell door
int. - office
(in development)
ext. squatter’s house, south london - concept illustration
Squatters
production design
Tsunami:
The Aftermath
art director
khao lak, thailand - oasis hotel
than’s village, thailand
khao lak, thailand - oasis hotel - rear
khao lak, thailand - pool side
than’s village, thailand
samsung
commercial
production design
a
mother’s tear
theatrically-released short film
production design
Harry
art director
all images (C) 2008 Warner Bros

Portfolio

Transcription

Similar documents

steht die Datei.

Harry Potter und der Feuerkelch